context: Nine tells the story of Guido Contini (Daniel Day-Lewis), a world famous film director as he confronts an epic mid-life crisis with both creative and personal problems. He must balance the many women of his life, including his wife (Marion Cotillard), his mistress (Penélope Cruz), his film star muse (Nicole Kidman), his confidant and costume designer (Judi Dench), an American fashion journalist (Kate Hudson), the whore from his youth (Fergie) and his mother (Sophia Loren).Guido Contini is a gifted Italian filmmaker who, at the age of fifty, has developed writer's block and urges all the women in his life, alive and dead, to help him with it - his mind wanders to his unfinished set, where dozens of dancers and the films leading ladies appear first Claudia Jenssen, his leading lady; then his wife Luisa; his mistress Carla; his costume designer and confidant Lilli; his beloved Mamma; Stephanie, an American fashion journalist from Vogue; and finally Saraghina, a prostitute from his childhood; ("Overture Delle Donne"). It is 1965, and at the famous Cinecittà movie studios, in Rome, 'everyone has questions for Signor Contini.'
  At a press conference at the Hotel Excelsior on the Via Veneto, hes charming and colorful, avoiding any clear answer on his new movie - his ninth with producer, Dante, - tentatively entitled "Italia". Here he meets Stephanie, a Vogue fashion journalist, with whom he begins a flirtation. Escaping the biting probes of the reporters, he creates an elaborate fantasy, which becomes ("Guidos Song") where he explains that he wishes he was young and energetic once again, since his talent was better then.
  He escapes the press conference, the reporters and his producer and arrives at the Bellavista Spa Hotel. While being examined by the doctor, he receives a call from Carla, his mistress ("A Call from the Vatican"). She describes her desire for him, as he excitedly listens on the other end. She arrives at the spa, expecting to share his suite, but is upset to find that shes staying in a shabby pensione by the train station. Meanwhile, Guido learns that a Cardinal is also staying at his hotel and tells the cardinals assistant to arrange a meeting.
  However, Dante soon arrives at the spa and escorts Contini to a banquet hall where the entire production team is assembled to help him prepare for his film. He sees Lilli, his costume designer, and begs for inspiration, while criticizing the costume shes in the middle of making as not being something an Italian woman would wear. She reminds him of Luisas birthday the previous day and disagrees, saying that it reminds her of Folies Bergères, a Parisian music hall that featured showgirls, where she 'learnt her art' ("Folies Bergères").
  The Cardinal agrees to meet him and advises him to lead a more moral life and look to his youth for inspiration. Guidos thoughts lead him to remembering Saraghina, a prostitute whom he and his friends paid to teach them the art of love and sex ("Be Italian"). Young Guido is caught by his school teachers/priests and whipped by his principal. He awakens on top of Carla, in a fit of anxiety and abruptly leaves to meet his production team for dinner. She wants to come, but he vehemently refuses, reminding her that they dont want to hurt either of their spouses.
  At dinner, hes happily surprised to see Luisa, who has come at Lillis request. He embraces her and wishes her a happy birthday, promising that when she returns home, the house will be filled with flowers. She sits, and the young priest from earlier, who recognizes her as one of Guidos earlier actresses, joins the table. In song, Luisa explains how shes become a different woman to be Guidos wife, abandoning her acting career to be at his side ("My Husband Makes Movies"). She then notices Carla entering the restaurant and immediately leaves, saying she feels tired. Guido doesnt understand why and follows her, asking whats happened. She ignores him and when he returns to the restaurant and sees Carla, he finally understands. He demands that Carla go back to the pensione, and she leaves, heartbroken.
  When Guido goes to the suite to try to smooth things over, Luisa refuses to listen. He goes to the lobby and meets Stephanie, who has tracked him down. Guido and Stephanie continue to flirt, and she describes her love for his movies and how fashionable he makes everything seem ("Cinema Italiano"). She leaves her room key in his pocket. While in her room, watching her undress, he realizes how much he cares for his wife and leaves. He returns to the suite and promises that hes done with cheating. Luisa embraces him, but hes called away to help Carla, whos overdosed on pills. The doctor comments how reckless and immoral Guido is, which Guido doesnt contest. He stays with Carla until her husband arrives. He returns to the hotel to find that Luisa has left and the crew has returned to Rome to begin filming.
  His mother returns to him to advise him to repair his life ("Guarda La Luna"). He calls Luisa from the studio to beg her to come to the screen testing that evening. She hangs up without response. He arrives at the set to film shots of Claudia in her costumes. She does a few takes, but leaves, saying shell return when she reads the script. Guido agrees that thats fair and drives her away. Theyre followed by paparazzi, but he manages to lose them. Claudia realizes that there is no script and they take a walk. She asks him what he wants the film to be about and his description closely resembles his own ordeal: a man lost and in love with so many women. When they stop to rest, she tells him that she loves him but he is unable to love her ("Unusual Way"). Claudia tells him he doesn't see the real her, only the movie star he has created for the masses. She leaves.
  He returns to review screen tests of new actresses and keeps looking to the back to see if Luisa has arrived. Hes relieved when she finally does. She watches and is heartbroken to see him say something in a clip to an actress that hed said to her when they first met. When everyone leaves, she explains to him that hes reminded her that shes not special, just another link in the chain and leaves him ("Take It All").
  He finally comes to terms with his mental block ("I Cant Make This Movie"), realizing that hes lost everything: his wife, his muse, his talent, and has nothing to make the movie. He apologizes to the staff that there was never a movie, just an idea, and has the set destroyed before leaving Rome.
  Two years later, Guido is in a café in Anguillara looking at an advertisement for a play starring Luisa. He waits outside the theatre that night, and watches her leave with a man. He walks with Lilli a few days later and tries to find more information about her. Lilli tells him that shes not going be to be the middle-man for them, implying that Luisa asks for him as well. She asks if he will ever make a movie again. He says that he wont because he wouldnt know what to make, except a movie about a man trying to win back his wife. Lilli says that thats a good start and the costumes wont be too bad either.
  Guido returns to his element, passionate about a story once more. As he speaks with his actors about the scene, his nine-year-old self (Giuseppe Spitaleri) gathers the cast of Guidos life together. As Guido takes his place in the directors chair, the cast of Guido's life assemble on the scaffolding behind him, culminating with the arrival of his mother and nine-year-old Guido running to sit on the older Guidos lap ("Finale"). Luisa arrives without being seen and watches in that background, happy to see Guido back to his old self. She smiles as he is raised on a crane and calls, Action!
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question: Luisa is promised the house will be filled with what?
answer: flowers