"Which 20th century French writer and philosopher wrote the plays ""Huis Clos"", ""Les Mouches"" and ""Les Mains Sales"" and the novels ""La Nause"" and ""Chemins de la Libert""?"
The Red and the Black Jean-Paul Sartre's play "Les mains sales" (1948), the protagonist Hugo Barine suggests pseudonyms for himself, including "Julien Sorel", whom he resembles. In the afterword to her novel, "them", Joyce Carol Oates wrote that she had originally entitled the manuscript "Love and Money" as a nod to classic 19th-century novels, among them, "The Red and the Black", "whose class-conscious hero Julien Sorel is less idealistic, greedier, and crueler than Jules Wendell but is clearly his spiritual kinsman." A passage describing Julien Sorel's sexual indifference is deployed as the epigraph to Paul Schrader's screenplay of "American Gigolo", whose protagonist is also named
Les Compagnons de la chanson Les Compagnons de la chanson Les Compagnons de la chanson were a French vocal group from Lyon, France, founded during World War II. Before 1946, they were part of a larger choir called the 'Compagnons de la musique'. The group met Edith Piaf first in 1944, and performed in German occupied Paris. 1946 they recorded a French language song, "Les trois cloches", which was written in 1945 by Jean Villard Gilles and Marc Herrand. English lyrics were later added by Bert Reisfeld, but it was first recorded by the Melody Maids in 1948. Some of Les Compagnons de la chanson's