Which painters aim to convey a state of mind rather than create a realistic representation, such as El Greco, Bosch, Goya, Grunewald and Munch?
Art of El Greco other painters' works with "The Portrait of a Painter after El Greco". Foundoulaki asserts that Picasso "completed ... the process for the activation of the painterly values of El Greco which had been started by Manet and carried on by Cézanne". The expressionists focused on the expressive distortions of El Greco. According to Franz Marc, one of the principal painters of the German expressionist movement, "we refer with pleasure and with steadfastness to the case of El Greco, because the glory of this painter is closely tied to the evolution of our new perceptions on art". Jackson Pollock, a major
Posthumous fame of El Greco that El Greco represents the beginning of the Spanish School was formulated for the first time in an allusive manner. The ruling ideology if the founders of the museum placed El Greco at the beginning of the Spanish School, and gave him more or less the title of its founder. In 1838 the A of Spanish painting was already El Greco while the Z was Goya. Nevertheless, Murillo, Velázquez, Ribera, Cano and Zurbarán were the painters to whom critics, artists and public referred reacted favorably to the Spanish Museum. Only a small élite preferred El Greco and Goya. With the