In what country did the didgeridoo originate?
Didgeridoo of didgeridoo playing is for recreational purposes in both Indigenous Australian communities and elsewhere around the world. Pair sticks, sometimes called "clapsticks" or "bilma", establish the beat for the songs during ceremonies. The rhythm of the didgeridoo and the beat of the clapsticks are precise, and these patterns have been handed down for many generations. In the Wangga genre, the song-man starts with vocals and then introduces "blima" to the accompaniment of didgeridoo. Traditionally, only men play the didgeridoo and sing during ceremonial occasions, although both men and women may dance. Female didgeridoo players do exist, but their playing takes
Didgeridoo note for as long as desired. Recordings exist of modern didgeridoo players playing continuously for more than 40 minutes; Mark Atkins on "Didgeridoo Concerto" (1994) plays for over 50 minutes continuously. Fellow of the British Society Anthony Baines wrote that the didgeridoo functions "...as an aural kaleidoscope of timbres" and that "the extremely difficult virtuoso techniques developed by expert performers find no parallel elsewhere." More modern approaches to playing the didgeridoo are starting to show up in performances and lessons around the World. One of these techniques involves combining beatboxing with playing the didgeridoo. It was featured on the British