What school of art was invented by Pablo Picasso and Georges Braque?
Georges Braque of monochromatic color and complex patterns of faceted form, now termed Analytic Cubism. A decisive time of its development occurred during the summer of 1911, when Georges Braque and Pablo Picasso painted side by side in Céret in the French Pyrenees, each artist producing paintings that are difficult—sometimes virtually impossible—to distinguish from those of the other. In 1912, they began to experiment with collage and Braque invented the "papier collé" technique. On 14 November 1908, the French art critic Louis Vauxcelles, in his review of Georges Braque's exhibition at Kanhweiler's gallery called Braque a daring man who despises form, "reducing
Georges Braque paintings taken were "Le pigeon aux petits pois" ("The Pigeon with the Peas") by Pablo Picasso, "La Pastorale" by Henri Matisse, "L'Olivier Près de l'Estaque" ("Olive Tree near Estaque") by Georges Braque, "" ("Woman with a Fan") by Amedeo Modigliani and "Nature Morte aux Chandeliers" ("Still Life with Chandeliers") by Fernand Léger and were valued at ( ). A window had been smashed and CCTV footage showed a masked man taking the paintings. Authorities believe the thief acted alone. The man carefully removed the paintings from their frames, which he left behind. Georges Braque Georges Braque (; ; 13 May