"Whose Symphony No. 1 was called ""Beethoven's Tenth"" by conductor Hans von Bülow?"
Symphony No. 9 (Beethoven) by the Ninth Symphony. An important theme in the finale of Johannes Brahms' Symphony No. 1 in C minor is related to the "Ode to Joy" theme from the last movement of Beethoven's Ninth Symphony. When this was pointed out to Brahms, he is reputed to have retorted "Any fool can see that!" Brahms's first symphony was, at times, both praised and derided as "Beethoven's Tenth". The Ninth Symphony influenced the forms that Anton Bruckner used for the movements of his symphonies. His Symphony No. 3 is in the same D-minor key as Beethoven's 9th and makes substantial use of
Symphony No. 1 (Brahms) modulation taken in the exposition section, which allows the progression to the coda in the tonic C major, since the symphony must end in C. The value and importance of Brahms's achievements were recognized by Vienna's most powerful critic, the staunchly conservative Eduard Hanslick. The conductor Hans von Bülow was moved in 1877 to call the symphony "Beethoven's Tenth", due to perceived similarities between the work and various compositions of Beethoven. It is often remarked that there is a strong resemblance between the main theme of the finale of Brahms's First Symphony and the main theme of the finale of