"Who painted ""A Bar at the Folies-Bergre""?"
A Bar at the Folies-Bergère implicit in Manet's painting, Wall updates the theme by positioning the camera at the centre of the work, so that it captures the act of making the image (the scene reflected in the mirror) and, at the same time, looks straight out at us. References Sources A Bar at the Folies-Bergère A Bar at the Folies-Bergère (), painted and exhibited at the Paris Salon in 1882, is considered the last major work of French painter Édouard Manet. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, who was a
A Bar at the Folies-Bergère 1947 film "The Private Affairs of Bel Ami" faithfully references "A Bar at the Folies-Bergère" twenty nine minutes into the film with a look-alike actress, set and props as the main characters enter the establishment. The painting was the inspiration of a song (possibly by Sydney Carter) in the popular theatre production "The Lyric Revue", in London in 1951. The refrain went "Oh, how I long to be Back in my dear Brittany ... But fate has chosen me For the bar at the Folies-Bergères". The painting "The Bar" (1954) by Australian artist John Brack, which depicts a comparatively grim