"In which of Shakespeare's plays is Brutus described as ""the noblest Roman of them all""?"
Roman Shakespeare: Warriors, Wounds, and Women Roman Shakespeare: Warriors, Wounds, and Women Roman Shakespeare: Warriors, Wounds, and Women is a 1997 book by Coppélia Kahn that reads Shakespearean texts from a gendered perspective, focusing on the construction of masculine identity in Roman ideology. It is part of the "Feminist Readings of Shakespeare" series. In her book, Kahn, Professor of English, Emerita, at Brown University, delivers a feminist critical study of William Shakespeare's Roman plays: "Titus Andronicus", "Julius Caesar", "Antony and Cleopatra", and "Coriolanus" (with a postscript on "Cymbeline"). Shakespeare’s long narrative poem "The Rape of Lucrece" is also examined from a feminist approach. "Roman Shakespeare" is
Music in the plays of William Shakespeare Music in the plays of William Shakespeare Music in the plays of William Shakespeare includes both music incidental to the plot, as song and dance, and also additional supplied both by Shakespeare's own company and subsequent performers. This music is distinct from musical settings of Shakespeare's sonnets by later composers. The following are among the most notable examples of songs in Shakespeare's plays: Among the dances associated with Shakespeare's company is "Kemp's Jig" named after the actor Will Kemp. The generations after Shakespeare saw many composers create or arrange music for his plays. Among the most notable were Thomas Morley,