Who recorded the theme music for the Bond film The Living Daylights
The Living Daylights (soundtrack) (but not Kamran Shah, who arrives too late) and Bond – though she does not know it until he surprises her in her dressing room afterwards. The Living Daylights (soundtrack) The Living Daylights is the soundtrack title for the film "The Living Daylights" and the eleventh and final Bond soundtrack to be scored by composer John Barry. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra – at the time, a relatively new innovation. The title song of the film, "The Living Daylights", was recorded by pop group A-ha. As of 2017 this
The Living Daylights Mail" wrote of Dalton's Bond that "you get the feeling that on his off nights, he might curl up with the "Reader's Digest" and catch an episode of "Moonlighting"".Of the two films he made, Dalton admitted that this is his preferred. Roger Moore, discussing the Bond series in 2012, called "The Living Daylights" a "bloody good movie". The Living Daylights The Living Daylights is a 1987 British spy film, the fifteenth entry in the "James Bond" film series produced by Eon Productions, and the first to star Timothy Dalton as the fictional MI6 agent James Bond. Directed by John Glen,