A ‘Cabriole’ is a movement in what type of dance?
Medea's Dance of Vengeance Medea's Dance of Vengeance Medea's Dance of Vengeance is a composition (1955, Opus 23a) by the American composer Samuel Barber derived from his earlier ballet suite "Medea". Barber first created a seven-movement concert suite from this ballet ("Medea", Op.23), and five years later reduced this concert suite down to a single-movement concert piece using what he felt to be the strongest portions of the work. He originally titled it "Medea's Meditation and Dance of Vengeance", but shortly before his death, he changed the title to simply "Medea's Dance of Vengeance". "Dance of Vengeance" is scored for a larger orchestra than
Cabriole leg the cabriole leg found almost universal employment in most forms of furniture". The American cabriole leg was strongly associated with the pad foot design. Regional differences emerged in American cabriole leg styles by the mid to late 18th century; for example, the Commonwealth of Massachusetts style featured a very slender cabriole leg compared to other American locales. In current times the cabriole leg continues in use and more modern manufacturing techniques are applied to form this complex shape. In any case, the initial step is preparation of a template drawn on hardboard or cardboard. Structurally, the cabriole leg is weaker