Pierrot such anguish, when, in a novella called "Pierrot" by Henri Rivière, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality—usually by love of a fickle Columbine—and so inevitably marked for destruction (Paul Margueritte's "Pierrot, Murderer of His Wife" [1881]; the mime Séverin's "Poor Pierrot" [1891]; Catulle Mendès’ "Ol’ Clo's Man" [1896], modeled on Gautier's "review"). Deburau's son, Jean-Charles (or, as he preferred, "Charles" [1829–1873]), assumed Pierrot's blouse the year after his father's death, and
Abanazar (pantomime) Wonderful Scamp" in 1861 that the modern pantomime took form and the character was essentially established. Byron added burlesque (as can be seen by the name parodying the earlier opera) so the character is evil but played for laughs. Abanazar (pantomime) Abanazar is a magician and the primary antagonist in the Aladdin pantomime. He was also the basis for Jafar in the Disney version of Aladdin. The character first appeared in the harlequinade "Aladin" in 1788 as 'The African Magician', but was given the name Abanazer in 1813 in "Aladdin or The Wonderful Lamp" at Covent Garden Opera House in