Horace Keats echoed the opening of Horace's "Epodes" 14 in the opening lines of "Ode to a Nightingale". The Roman poet was presented in the nineteenth century as an honorary English gentleman. William Thackeray produced a version of "Odes" in which Horace's questionable 'boy' became 'Lucy', and Gerard Manley Hopkins translated the boy innocently as 'child'. Horace was translated by Sir Theodore Martin (biographer of Prince Albert) but minus some ungentlemanly verses, such as the erotic "Odes" and "Epodes" 8 and 12. Lord Lytton produced a popular translation and William Gladstone also wrote translations during his last days as Prime Minister.
Horace borrowed from Archaic Greece, employing hexameters in his "Satires" and "Epistles", and iambs in his "Epodes", all of which were relatively easy to adapt into Latin forms. His "Odes" featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for Latin structure and syntax. Despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. He was influenced in particular by Hellenistic aesthetics of brevity, elegance and polish, as modeled in the work of Callimachus. In modern literary theory, a distinction is often made between immediate personal experience