Tibia central portions of these facets articulate with the condyles of the femur, while their peripheral portions support the menisci of the knee joint, which here intervene between the two bones. Between the articular facets in the intercondylar area, but nearer the posterior than the anterior aspect of the bone, is the intercondyloid eminence ("spine of tibia"), surmounted on either side by a prominent tubercle, on to the sides of which the articular facets are prolonged; in front of and behind the intercondyloid eminence are rough depressions for the attachment of the anterior and posterior cruciate ligaments and the menisci. The
Tibia Clausa rank. A few of the largest theatre organs, and some church organs, may have a separate 32′ Tibia Clausa rank of 12 pipes. In smaller organs, a "Bourdon" or "Stopped Diapason" may be substituted for a Tibia Clausa at 16′ pitch. The Tibia may be voiced on wind pressures from 10″ to 25″. The Tibia is generally used as a chorus stop, with or without tremulant; it is not normally used as a solo stop due to its relatively dull tone. Other variants of the Tibia Clausa include: Tibia Bass, Tibia Flute, Tibia Major, Tibia Plena (open tibia) and Tibia