Captain Haddock home, Marlinspike Hall (or "Moulinsart" in the original French). Harry Thompson, author of "Tintin: Hergé and his creation", writes that the introduction of this large and luxurious country house was "to provide a suitable ancestral home for Tintin and himself to move into." To achieve this in terms of the plot, Hergé also details Haddock's ancestry, something Thompson regards as distinctive: "Haddock is the only regular character whose relatives turn up in the Tintin stories at all (if one discounts Jolyon Wagg and his dreadful family)." As Haddock's role grew, Hergé expanded his character, basing him upon aspects of friends,
Captain Haddock he has the sun-induced delusion that Tintin is a bottle of champagne. However, Haddock is a sincere figure in need of reform, and by the end of his first adventure Tintin has gained a loyal companion, albeit one still given to uttering the occasional "expletive". Hergé also allowed himself more artistic expression through Haddock's features than with Tintin's. Michael Farr, author of "Tintin: The Complete Companion", notes: "Whereas Hergé kept Tintin's facial expressions to a bare minimum, Haddock's could be contorted with emotion." Farr goes on to write that "In Haddock, Hergé had come up with his most inspired character