Pierrot gave kicks and no longer received them; Harlequin now scarcely dared brush his shoulders with his bat; Cassander would think twice before boxing his ears. Deburau seems to have had a predilection for "realistic" pantomime—a predilection that, as will later become evident here, led eventually to calls for Pierrot's expulsion from it. But the pantomime that had the greatest appeal to his public was the ""pantomime-arlequinade-féerie"", sometimes "in the English style" (i.e., with a prologue in which characters were transformed into the "commedia" types). The action unfolded in fairy-land, peopled with good and bad spirits who both advanced and impeded
Abanazar (pantomime) Abanazar (pantomime) Abanazar is a magician and the primary antagonist in the Aladdin pantomime. He was also the basis for Jafar in the Disney version of Aladdin. The character first appeared in the harlequinade "Aladin" in 1788 as 'The African Magician', but was given the name Abanazer in 1813 in "Aladdin or The Wonderful Lamp" at Covent Garden Opera House in 1813, described as 'A New Melo-Dramatick Romance', and revived in 1826. Other names which have been used for the character are Mourad, Abel el Nesir, Kiradamac, Abanazac and Hocus Pocus. It was with Henry James Byron's "Aladdin or the