Pierrot such anguish, when, in a novella called "Pierrot" by Henri Rivière, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality—usually by love of a fickle Columbine—and so inevitably marked for destruction (Paul Margueritte's "Pierrot, Murderer of His Wife" [1881]; the mime Séverin's "Poor Pierrot" [1891]; Catulle Mendès’ "Ol’ Clo's Man" [1896], modeled on Gautier's "review"). Deburau's son, Jean-Charles (or, as he preferred, "Charles" [1829–1873]), assumed Pierrot's blouse the year after his father's death, and
Pierrot the company of Pierrette or Columbine, appears among the revelers at many carnivals of the world, most notably at the festivities of Uruguay. His name suggests kinship with the Pierrot Grenade of Trinidad and Tobago Carnival, but the latter seems to have no connection with the French clown. Pierrot Grenade is apparently descended from an earlier creature indeed called "Pierrot"—but this name seems to be an outsider's "correction" of the regional "Pay-wo" or "Pié-wo", probably a corruption of "Pay-roi" or "country king," which describes the stature to which the figure aspired. This "Pierrot"—extinct by the mid-twentieth century—was richly garbed, proud