The Rocky Horror Picture Show while the film's fan culture of cosplaying and audience participation during screenings laid the groundwork for the similarly influential cult following surrounding Tommy Wiseau's "The Room" (2003). Members of the queer community comprised most of the Rocky Horror cult following: they identified with the embrace of sexual liberation and androgyny, and attended show after show, slowly forming a community. Judith A. Peraino compares Brad and Janet’s initiation into Frank N. Furter’s world to the self-discovery of queer identity, and to the traditional initiation of ‘virgins’ in the shadow screenings . June Thomas describes the midnight screenings in Delaware as a
The Rocky Horror Picture Show Horror: From Concept to Cult", designer Sue Blane discusses the "Rocky Horror" costumes' influence on punk music style, opining "[It was a] big part of the build-up [to punk]." She states that ripped fishnet stockings, glitter, and coloured hair were directly attributable to "Rocky Horror". Some of the costumes from the film had been originally used in the stage production. Props and set pieces were reused from old Hammer Horror productions and others. The tank and dummy used for Rocky's birth originally appeared in "The Revenge of Frankenstein" (1958). These references to earlier productions, in addition to cutting costs, enhanced