Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
The Wicked World Mall Gazette", which had called "The Wicked World" indecent because of the references to "mortal love" in the script. Gilbert lost the case, but he had the satisfaction of having his play found inoffensive in a court of law. Like a number of Gilbert's blank-verse plays, "The Wicked World" treats the subject of the consequences that ensue when an all-female world is disrupted by men, and the romantic complications they bring. His plays "The Princess" (1870) and "Broken Hearts" (1875), and his operas "Iolanthe" (1882) and "Princess Ida" (1884), are all treatments of this basic idea. Stedman calls this a