Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Posca (Rome character) by Caesar's death which indicates a genuine loyalty and affection for Caesar. In the second episode of the second season, Mark Antony refers to him as a Greek, which is in keeping with his highly educated and influential position for a slave. Posca (Rome character) Posca is a fictional character in the HBO/BBC2 original television series "Rome", played by Nicholas Woodeson. He is the body slave of Julius Caesar, yet is also his friend, aide-de-camp, and confidante in many things personal and professional. As a slave, he will seldom receive credit, but it appears that many of the more simple