George Gershwin different musical styles in revolutionary ways. Since the early 1920s, Gershwin frequently worked with the lyricist Buddy DeSylva. Together they created the experimental one-act jazz opera "Blue Monday," set in Harlem. It is widely regarded as a forerunner to the groundbreaking "Porgy and Bess". In 1924, George and Ira Gershwin collaborated on a stage musical comedy "Lady Be Good", which included such future standards as "Fascinating Rhythm" and "Oh, Lady Be Good!". They followed this with "Oh, Kay!" (1926), "Funny Face" (1927) and "Strike Up the Band" (1927 and 1930). Gershwin allowed the song, with a modified title, to UCLA
Funny Face opening title sequence, which was designed by Avedon, during the "Funny Face" musical number which takes place in a darkroom, and when Dick (Astaire) presents it to Maggie (Thompson). The film is jokingly regarded as the first (and only) "MGM" musical made at Paramount Studios since Roger Edens was the producer, Stanley Donen was the director, and quite a few of the staff members under the Arthur Freed Unit at "Metro" (including Adolph Deutsch, Conrad Salinger, and Skip Martin), along with Astaire and Kay Thompson, were brought over to Paramount to make this film. On initial release, "Funny Face" was