Commedia dell'arte the "amorosi". The servants or the clowns are referred to as the "zanni" and include characters such as Arlecchino (also known as Harlequin), Brighella, Scapino and Pedrolino. Some of the better known "commedia dell'arte" characters are Pierrot and Pierrette, Pantalone, Il Dottore, Brighella, Il Capitano, Colombina, the "innamorati", Pedrolino, Pulcinella, Sandrone, Scaramuccia (also known as Scaramouche), La Signora, and Tartaglia. In the 17th century as "commedia" became popular in France, the characters of Pierrot, Columbine and Harlequin were refined and became essentially Parisian, according to Green. Each character in Commedia dell'arte has a distinct costume that helps the audience understand
Gilles (stock character) did Gilles "wear the same costume" as Pierrot, but both generally "had the same character" throughout the 18th century: Pierrot, like Gilles, "was a farcical creature, not a tragic or sensitive one". (Pierrot will become tearful and incipiently tragic only in the middle of the 19th century, in the hands of Paul Legrand.) "It is", writes Haskell, "hard to resist the conclusion that the consumptive Watteau has invested the figure of Gilles with some degree of self-identification, and Mrs. [Erwin] Panofsky has also pointed out that on many other occasions when painting Pierrot figures Watteau not only gave them a