Blue–green distinction in language being described. For example, "blue" and "green" might be distinguished, but a single term might be used for both if the color is dark. Furthermore, green might be associated with yellow, and blue with black or gray. According to Brent Berlin and Paul Kay's 1969 study "", distinct terms for brown, purple, pink, orange and grey will not emerge in a language until the language has made a distinction between green and blue. In their account of the development of color terms the first terms to emerge are those for white/black (or light/dark), red and green/yellow. The word for blue
Orange (colour) with green, of yellow with violet ... trying to make the colours intense and not a harmony of grey". In another letter he wrote simply, "there is no orange without blue." Van Gogh, Pierre-Auguste Renoir and many other impressionist and post-impressionist painters frequently placed orange against azure or cobalt blue, to make both colours appear brighter. The actual complement of orange is azure – a colour that is one quarter of the way between blue and green on the colour spectrum. The actual complementary colour of true blue is yellow. Orange pigments are largely in the ochre or cadmium families,