Pierrot gave kicks and no longer received them; Harlequin now scarcely dared brush his shoulders with his bat; Cassander would think twice before boxing his ears. Deburau seems to have had a predilection for "realistic" pantomime—a predilection that, as will later become evident here, led eventually to calls for Pierrot's expulsion from it. But the pantomime that had the greatest appeal to his public was the ""pantomime-arlequinade-féerie"", sometimes "in the English style" (i.e., with a prologue in which characters were transformed into the "commedia" types). The action unfolded in fairy-land, peopled with good and bad spirits who both advanced and impeded
Abanazar (pantomime) Wonderful Scamp" in 1861 that the modern pantomime took form and the character was essentially established. Byron added burlesque (as can be seen by the name parodying the earlier opera) so the character is evil but played for laughs. Abanazar (pantomime) Abanazar is a magician and the primary antagonist in the Aladdin pantomime. He was also the basis for Jafar in the Disney version of Aladdin. The character first appeared in the harlequinade "Aladin" in 1788 as 'The African Magician', but was given the name Abanazer in 1813 in "Aladdin or The Wonderful Lamp" at Covent Garden Opera House in