Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Jack the Ripper, Light-Hearted Friend similarly incriminating anagrams could be derived from Wallace's own book. When Harper's Magazine excerpted "Jack the Ripper, Light-Hearted Friend", Heaney and Jacobson wrote in response that its first three sentences: are an anagram of: Carroll has been voted by the staff and readers of "" as the least likely suspect (out of 22 names featured) to have actually been Jack the Ripper. Jack the Ripper, Light-Hearted Friend Jack the Ripper, Light-Hearted Friend is a 1996 book by Richard Wallace in which Wallace proposed a theory that British author Lewis Carroll, whose real name was Charles L. Dodgson (1832–1898), and his