Pierrot of Pierrot and Columbine". In the last year of the century, Pierrot appeared in a Russian ballet, "Harlequin's Millions" a.k.a. "Harlequinade" (1900), its libretto and choreography by Marius Petipa, its music by Riccardo Drigo, its dancers the members of St. Petersburg's Imperial Ballet. It would set the stage for the later and greater triumphs of Pierrot in the productions of the Ballets Russes. The Pierrot bequeathed to the twentieth century had acquired a rich and wide range of personae. He was the naïve butt of practical jokes and amorous scheming (Gautier); the prankish but innocent waif (Banville, Verlaine, Willette); the
Commedia dell'arte masks mask there are a few different ways to do this, leather is the traditional material used but there is also paper mache and plaster casts. Leather is the most used material for making masks as it is the easiest to shape without hurting the face. Leather is also close to the skin and creates a light, easy to wear mask that holds shape and life on stage. Commedia dell'arte masks Commedia dell'Arte masks are one of the biggest classifiers for each character. Every mask goes with a specific character based on the way it looks. Masks were originally all made