Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Gustavo III (Verdi) to meet commitments regarding "Lear". Finally, in a letter which he wrote to Torelli in September 1857, Verdi confessed that he had "looked through an infinite number of plays...but not one of them will do for me..." but he then described an existing libretto which interested him, one which was written by the French playwright and librettist Eugene Scribe for Daniel Auber's very successful 1833 opera, "Gustave III, ou Le bal masqué": Verdi turned to the historical subject of King Gustav III of Sweden, who was shot while attending a masked ball in Stockholm in 1792 and died thirteen days