Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Pygmalion and Galatea (1898 film) between the on-screen artist (played by Méliès) attempting to create a permanent work of art, and the off-screen filmmaker (also Méliès) playing magical tricks on him: "Even Pygmalion, that rare soul whose encounter with a living statue ends happily, is in Méliès's reinterpretation confronted with a Galatea who refuses to be contained." Gaby Wood called "Pygmalion and Galatea" "a perfect metaphor for the magic of moving film. Everything that was wrapped up in the medium's early days is there: the desires, the fears, the superstitions, the power and the hysterical zaniness of its first jagged steps." Pygmalion and Galatea (1898