Pierrot gave kicks and no longer received them; Harlequin now scarcely dared brush his shoulders with his bat; Cassander would think twice before boxing his ears. Deburau seems to have had a predilection for "realistic" pantomime—a predilection that, as will later become evident here, led eventually to calls for Pierrot's expulsion from it. But the pantomime that had the greatest appeal to his public was the ""pantomime-arlequinade-féerie"", sometimes "in the English style" (i.e., with a prologue in which characters were transformed into the "commedia" types). The action unfolded in fairy-land, peopled with good and bad spirits who both advanced and impeded
Jim Crow (character) Jim Crow (character) The Jim Crow persona was a theater character by Thomas D. Rice and an ethnic depiction in accordance with contemporary white ideas of African-Americans and their culture. The character was based on a folk trickster named Jim Crow that was long popular among black slaves. Rice also adapted and popularized a traditional slave song called "Jump Jim Crow" (1828). The character dressed in rags, battered hat and torn shoes. Rice blackened his face and hands using burnt cork and impersonated a very nimble and irreverently witty African American field hand who sang, ""Come listen all you galls