Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Pygmalion (opera) Pygmalion (opera) Pygmalion is a monodrama in one act by composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The opera's first performance was at the , the court theatre in Gotha, on September 20, 1779. "Pygmalion" was the fourth of the five theatrical collaborations of Benda and Gotter. Gotter based his text on Jean-Jacques Rousseau's 1762 play "Pygmalion". Benda's melodrama is unusual as it has three characters but only one spoken role. Two of the parts are silently acted on stage. Pygmalion, having renounced women, is in love with the statue he has made, his Galatea. Venus