The Ghost of Vermeer of Delft Which Can Be Used As a Table on a crutch. It is unsigned and undated but known to have been completed c.1934. It is currently on display at the Salvador Dalí Museum in St. Petersburg, Florida, on loan from the E. and A. Reynolds Morse collection. Around 1934, Dalí produced several other works inspired by "The Art of Painting": Dalí revered Vermeer, and also drew several times on his "The Lacemaker", for instance in "Paranoiac-Critical Study of Vermeer's Lacemaker". Dali also painted a copy of "The Lacemaker" on commission from collector Robert Lehman. "The Ghost of Vermeer" should also be seen in the context of his other
Toby Jug of a figure are also referred to as Toby Jugs, although these should strictly be called "Character Jugs", or face jugs, the wider historical term. The original Toby Jug, with a brown salt glaze, was developed and popularised by Staffordshire potters in the 1760s. It is thought to be a development of similar Delft jugs that were produced in the Netherlands. Similar designs were produced by other potteries, first in Staffordshire, then around England, and eventually in other countries. The "Jug in the form of a Head, Self-portrait" (1899) by Paul Gauguin is an unusual example from a painter. There