Pierrot such anguish, when, in a novella called "Pierrot" by Henri Rivière, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality—usually by love of a fickle Columbine—and so inevitably marked for destruction (Paul Margueritte's "Pierrot, Murderer of His Wife" [1881]; the mime Séverin's "Poor Pierrot" [1891]; Catulle Mendès’ "Ol’ Clo's Man" [1896], modeled on Gautier's "review"). Deburau's son, Jean-Charles (or, as he preferred, "Charles" [1829–1873]), assumed Pierrot's blouse the year after his father's death, and
The Falcon (character) man who makes his living "keeping his mouth shut and engaging in dangerous enterprises." The Falcon was quickly brought to the screen by RKO - 1941's "The Gay Falcon" redefined the character as a suave English gentleman detective with a weakness for beautiful women. The film was intended to establish a suitable replacement character for Leslie Charteris' Simon Templar (aka The Saint, hero of a popular RKO film series). To that end, George Sanders (star of "The Saint" series) was cast. Though Gay Falcon was the character's name in Arlen's original story, the character was renamed Gay Laurence for the