The Rocky Horror Picture Show while the film's fan culture of cosplaying and audience participation during screenings laid the groundwork for the similarly influential cult following surrounding Tommy Wiseau's "The Room" (2003). Members of the queer community comprised most of the Rocky Horror cult following: they identified with the embrace of sexual liberation and androgyny, and attended show after show, slowly forming a community. Judith A. Peraino compares Brad and Janet’s initiation into Frank N. Furter’s world to the self-discovery of queer identity, and to the traditional initiation of ‘virgins’ in the shadow screenings . June Thomas describes the midnight screenings in Delaware as a
The Rocky Horror Picture Show cult following how the fandom of "Rocky Horror" developed into a standardized ritual. The performances of the audience was scripted and actively discouraged improvising, being conformist in a similar way to the repressed characters. "Rocky Horror" helped shape conditions of cult film's transition from art-house to grind-house style. Early participation with the film took place at the original Westwood location of the film's first run with fans heard singing along. Waverly Theatre fans in New York are credited with the call back lines. Performance groups became a staple at "Rocky Horror" screenings due in large part to the prominent New York City