Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Harlequin Cock Robin and Jenny Wren our degenerate stage." Gilbert's early pantomimes, burlesques and farces, full of awful puns and broad humour, show signs of the satire that would later be a defining part of his work. These works gave way, after 1869, to plays containing original plots and fewer puns. These included his "fairy comedies", such as "The Palace of Truth" (1870) and "Pygmalion and Galatea" (1871), and his German Reed Entertainments, which led to the famous Gilbert and Sullivan operas. Other Personalities by Legions of Useful Utilities and Superior Supernumeraries. Members of the Vokes family danced in the piece. "Note: the parenthetical descriptions of