Horace Latin the spirit and iambic poetry of Archilochus but (unlike Archilochus) without persecuting anyone ("Epistles" 1.19.23–5). It was no idle boast. His "Epodes" were modeled on the verses of the Greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. Whereas Archilochus presented himself as a serious and vigorous opponent of wrong-doers, Horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch Canidia in the final epode). He also claimed to be the first to introduce into Latin the lyrical methods
Pastoral epistles responding to specific 2nd-century developments (Marcionism, gnosticism). That Marcion (ca. 140) betrays knowledge of a collection of Paul's letters that lack the Pastoral Epistles is another piece of evidence for which any model must account. (This is a separate question to Marcion's "canon", which included only edited versions of Luke and the Pauline epistles; according to Tertullian, Marcion "omitted" the Epistle to the Hebrews and the Pastoral Epistles.) According to Raymond E. Brown ("An Introduction to the New Testament", 1997), the majority of scholars who accept a post-Pauline date of composition for the Pastorals favour the period 80–100. Scholars supporting