Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Tokai (character) Tokai (character) Tokai (Bangla: টোকাই), the longest survived cartoon character of Bangladesh, is a creation of Rafiqun Nabi or Ronobi, as he is widely known. Tokai, a street urchin of age below ten, is not only a character, it is a phenomenon in Bangladesh, acting as a witty outlet of the feelings of the people about current political and socio-economic condition of the nation. In fact the word "tokai" has become the colloquial synonym for street kids or dumpster divers in Bangladesh. Having bald head and pot-belly, Tokai became a national asset of Bangladesh. People love Tokai because he reflects