Llama distinguished by the inhabitants of South America are recognized as distinct species, though with difficulties in defining their distinctive characteristics. These are: The llama and alpaca are only known in the domestic state, and are variable in size and of many colors, being often white, brown, or piebald. Some are grey or black. The guanaco and vicuña are wild, the former being endangered, and of a nearly uniform light-brown color, passing into white below. They certainly differ from each other, the vicuña being smaller, more slender in its proportions, and having a shorter head than the guanaco. The vicuña lives
Llama llama Llama llama The Llama llama, also spelled Llamallama or Lama lama, was probably a dance with the characteristics of a farce or a disguise game with acrobatic elements. It is believed that the name of the dance came from the Aymara language, which was the name the Aymara people used to describe the Urus dressed as dancing demons. There are references to this dance in the works of Diego González Holguín and Ludovico Bertonio, Gonzáles Holguín compared this dance with the "saynata" and the "siracusa", with the meaning of a “laughter thing”. Later Bertonio establishes a difference with the other