The Milkmaid (Vermeer) van Leyden's engraving "The Milkmaid" (1510) and Jacques de Gheyn II's engraving "The Archer and the Milkmaid" (about 1610). Vermeer's painting is even more understated, although the use of symbols remains: one of the Delft tiles at the foot of the wall behind the maid, near the foot warmer, depicts Cupid – which can imply arousal of a woman or simply that while she is working she is daydreaming about a man. Other amorous symbols in the painting include a wide-mouthed jug, often used as a symbol of the female anatomy. The foot warmer was often used by artists as
In the Water through the cloudy sky and reflects on the water. There is land in the background, with a patch of greenery to the right. The artist signed his name and the date (1914) on the lower-left corner of the composition in dark ink. Eugene de Blaas was born into an Austrian family of artists. Eugene's brother Julius von Blaas was a painter, Karl von Blaas, his father was a professor at the Academy of Fine Arts Vienna, and also a painter and sculptor. Later Karl de Blaas moved to Rome in Italy, when he became a professor at the art academy