Commedia dell'arte region or town represented. Characters would often be passed down from generation to generation, and characters married onstage were often married in real life as well, seen most famously with Francesco and Isabella Andreini. This was believed to make performances more natural, as well as strengthening the bonds within the troupe, who emphasized complete unity between every member. Additionally, each character has a singular costume and mask that is representative of the character's role. "Commedia dell'arte" has four stock character groups: the servants or "Zanni", these are characters such as Arlecchino, Brighella, and Pedrolino; the old men or "vecchi", characters
Pierrot The Naturalists—Émile Zola especially, who wrote glowingly of them—were captivated by their art. Edmond de Goncourt modeled his acrobat-mimes in his "The Zemganno Brothers" (1879) upon them; J.-K. Huysmans (whose "Against Nature" [1884] would become Dorian Gray's bible) and his friend Léon Hennique wrote their pantomime "" (1881) after seeing them perform at the Folies Bergère. (And, in turn, Jules Laforgue wrote his pantomime "Pierrot the Cut-Up" ["Pierrot fumiste", 1882] after reading the scenario by Huysmans and Hennique.) It was in part through the enthusiasm that they excited, coupled with the Impressionists’ taste for popular entertainment, like the circus and