Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Dandini (character) swap. Dandini (character) Dandini is a character in the opera "La Cenerentola" by Rossini and also in the "Cinderella" pantomime. He is the male servant of the Prince (the principal male character: Don Ramiro in the opera, commonly Prince Charming in the pantomime). Dandini helps the Prince to meet the principal female character (known as Angelina or Cinderella) without her knowing that he is a prince. Dandini pretends to be the prince and the real prince pretends to be his servant. In panto it is often played by a young woman, who dresses similarly to the Principal boy for the