Commedia dell'arte in the mid-18th century. Curiously, "commedia dell'arte" was equally if not more popular in France, where it continued its popularity throughout the 17th century (until 1697), and it was in France that "commedia" developed its established repertoire. "Commedia" evolved into various configurations across Europe, and each country acculturated the form to its liking. For example, pantomime, which flourished in the 18th century, owes its genesis to the character types of the "commedia", particularly Harlequin. The Punch and Judy puppet shows, popular to this day in England, owe their basis to the Pulcinella mask that emerged in Neapolitan versions of the
Buttons (pantomime) Buttons (pantomime) Buttons is the name of a character in the "Cinderella" pantomime, a male servant of the household who helps Cinderella and loves her, and who is liked and trusted but not loved by her. The character has sometimes been called Pedro. Buttons does not appear in the Disney films. The character first appeared in 1860 at the Strand Theatre, London in a version of the story derived from the opera La Cenerentola by Rossini. Rossini includes a character Dandini as assistant to the Prince, which was also included, and a complementary character for Cinderella, called Buttoni was added