Pierrot the plot, which was interlarded with comically violent (and often scabrous) mayhem. As in the Bakken pantomimes, that plot hinged upon Cassander's pursuit of Harlequin and Columbine—but it was complicated, in Baptiste's interpretation, by a clever and ambiguous Pierrot. Baptiste's Pierrot was both a fool and no fool; he was Cassandre's valet but no one's servant. He was an embodiment of comic contrasts, showing imperturbable sang-froid [again the words are Gautier's], artful foolishness and foolish finesse, brazen and naïve gluttony, blustering cowardice, skeptical credulity, scornful servility, preoccupied insouciance, indolent activity, and all those surprising contrasts that must be expressed by
Abanazar (pantomime) Wonderful Scamp" in 1861 that the modern pantomime took form and the character was essentially established. Byron added burlesque (as can be seen by the name parodying the earlier opera) so the character is evil but played for laughs. Abanazar (pantomime) Abanazar is a magician and the primary antagonist in the Aladdin pantomime. He was also the basis for Jafar in the Disney version of Aladdin. The character first appeared in the harlequinade "Aladin" in 1788 as 'The African Magician', but was given the name Abanazer in 1813 in "Aladdin or The Wonderful Lamp" at Covent Garden Opera House in