George Gershwin different musical styles in revolutionary ways. Since the early 1920s, Gershwin frequently worked with the lyricist Buddy DeSylva. Together they created the experimental one-act jazz opera "Blue Monday," set in Harlem. It is widely regarded as a forerunner to the groundbreaking "Porgy and Bess". In 1924, George and Ira Gershwin collaborated on a stage musical comedy "Lady Be Good", which included such future standards as "Fascinating Rhythm" and "Oh, Lady Be Good!". They followed this with "Oh, Kay!" (1926), "Funny Face" (1927) and "Strike Up the Band" (1927 and 1930). Gershwin allowed the song, with a modified title, to UCLA
George Gershwin Records through the efforts of Artis Wodehouse, and entitled "". In October 2009, it was reported by "Rolling Stone" that Brian Wilson was completing two unfinished compositions by George Gershwin, released as "Brian Wilson Reimagines Gershwin" on August 17, 2010, consisting of ten George and Ira Gershwin songs, bookended by passages from "Rhapsody in Blue", with two new songs completed from unfinished Gershwin fragments by Wilson and band member Scott Bennett. Orchestral Solo piano Operas London musicals Broadway musicals Films for which Gershwin wrote original scores Gershwin died intestate, and his estate passed to his mother. The estate continues to