The Milkmaid (Vermeer) van Leyden's engraving "The Milkmaid" (1510) and Jacques de Gheyn II's engraving "The Archer and the Milkmaid" (about 1610). Vermeer's painting is even more understated, although the use of symbols remains: one of the Delft tiles at the foot of the wall behind the maid, near the foot warmer, depicts Cupid – which can imply arousal of a woman or simply that while she is working she is daydreaming about a man. Other amorous symbols in the painting include a wide-mouthed jug, often used as a symbol of the female anatomy. The foot warmer was often used by artists as
The Woman with the Spider's Web Friedrich reached back to Dürer's 16th century engraving. The drawing may have been influenced by Ludwig Tieck's stories, particularly his 1797 fairy tale "Der Blond Eckbert", which contains passages where Eckbert's wife, Bertha, is abandoned by her husband and becomes stranded on an isolated mountain top, while she yearningly reflects on moments from their her youth. The Woman with the Spider's Web The Woman with the Spider's Web (or The Woman with the Spider's Web between Bare Trunks, German: Die Frau mit dem Spinnennetz zwischen kahlen Bäumen) is a small 1803 print by the German Romantic painter Caspar David Friedrich,