Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Tokai (character) him. In many ways that is Tokai's biggest achievement. Through his creation Ronobi has made the people tolerant and sympathetic towards these little street urchins. Also, the word 'Tokai' itself has entered the Bengali vernacular as a generic name for street children. Tokai (character) Tokai (Bangla: টোকাই), the longest survived cartoon character of Bangladesh, is a creation of Rafiqun Nabi or Ronobi, as he is widely known. Tokai, a street urchin of age below ten, is not only a character, it is a phenomenon in Bangladesh, acting as a witty outlet of the feelings of the people about current political