Characters of Shakespear's Plays Merry Wives of Windsor". The bulk of Hazlitt's commentary on the two history plays is devoted to Falstaff, whom he considers to be "perhaps the most substantial comic character ever invented". Falstaff had been of interest to Shakespearean commentators for years. Forty years earlier, a full-length book had appeared, "An Essay on the Dramatic Character of Sir John Falstaff" (1777), by Maurice Morgann, often taken as the beginning of that school of Shakespearean criticism which considers the characters of Shakespeare's plays as though they were real people. Hazlitt, who seems to have had little acquaintance with Morgann's work, is careful
Teatro Lirico Giuseppe Verdi to solve the problem, which was accomplished by incorporating elements of Milan's La Scala opera house. The "Nuovo" became a mixture of La Fenice on the inside and La Scala on the exterior. Several name changes have occurred during the theatre's lifetime, the first in 1821 when it became the "Teatro Grande" and it was under this name that the theatre was the site of two Verdi opera premieres: "Il corsaro" in 1848 (featuring the soprano Giuseppina Strepponi, who Verdi married in 1859, in the leading role) and "Stiffelio", a production which Verdi supervised - not without controversy - in