Pierrot the plot, which was interlarded with comically violent (and often scabrous) mayhem. As in the Bakken pantomimes, that plot hinged upon Cassander's pursuit of Harlequin and Columbine—but it was complicated, in Baptiste's interpretation, by a clever and ambiguous Pierrot. Baptiste's Pierrot was both a fool and no fool; he was Cassandre's valet but no one's servant. He was an embodiment of comic contrasts, showing imperturbable sang-froid [again the words are Gautier's], artful foolishness and foolish finesse, brazen and naïve gluttony, blustering cowardice, skeptical credulity, scornful servility, preoccupied insouciance, indolent activity, and all those surprising contrasts that must be expressed by
Tokai (character) him. In many ways that is Tokai's biggest achievement. Through his creation Ronobi has made the people tolerant and sympathetic towards these little street urchins. Also, the word 'Tokai' itself has entered the Bengali vernacular as a generic name for street children. Tokai (character) Tokai (Bangla: টোকাই), the longest survived cartoon character of Bangladesh, is a creation of Rafiqun Nabi or Ronobi, as he is widely known. Tokai, a street urchin of age below ten, is not only a character, it is a phenomenon in Bangladesh, acting as a witty outlet of the feelings of the people about current political