Johannes Vermeer including Simon Duiker. Other artists who were inspired by Vermeer include Danish painter Wilhelm Hammershoi and American Thomas Wilmer Dewing. In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" (on commission from collector Robert Lehman) and pitted large copies of the original against a rhinoceros in some surrealist experiments. Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a
The Brown Jug in 1933, as current dean Samuel T. Arnold announced that “The demand for publications of this type appears to have waned considerably." In the early 1960s, it was revived for a brief period of time, only to disband again the following year. As noted by the "Encyclopedia Brunoniana", "It was not the same." In 1986 it was renamed Exit 20 and ran under that moniker until it was rechristened as "The Brown Jug" in May 1999. This incarnation of the "Jug", the second in its history, came to an end in spring 2008. In Fall 2009, the "Jug" was adopted