The Milkmaid (Vermeer) van Leyden's engraving "The Milkmaid" (1510) and Jacques de Gheyn II's engraving "The Archer and the Milkmaid" (about 1610). Vermeer's painting is even more understated, although the use of symbols remains: one of the Delft tiles at the foot of the wall behind the maid, near the foot warmer, depicts Cupid – which can imply arousal of a woman or simply that while she is working she is daydreaming about a man. Other amorous symbols in the painting include a wide-mouthed jug, often used as a symbol of the female anatomy. The foot warmer was often used by artists as
Toby Jug of a figure are also referred to as Toby Jugs, although these should strictly be called "Character Jugs", or face jugs, the wider historical term. The original Toby Jug, with a brown salt glaze, was developed and popularised by Staffordshire potters in the 1760s. It is thought to be a development of similar Delft jugs that were produced in the Netherlands. Similar designs were produced by other potteries, first in Staffordshire, then around England, and eventually in other countries. The "Jug in the form of a Head, Self-portrait" (1899) by Paul Gauguin is an unusual example from a painter. There