Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Giuseppe Verdi But in fact the piece encored was not "Va, pensiero" but the hymn "Immenso Jehova". The growth of the "identification of Verdi's music with Italian nationalist politics" perhaps began in the 1840s. In 1848, the nationalist leader Giuseppe Mazzini (whom Verdi had met in London the previous year) requested Verdi (who complied) to write a patriotic hymn. The opera historian Charles Osborne describes the 1849 La battaglia di Legnano as "an opera with a purpose" and maintains that "while parts of Verdi's earlier operas had frequently been taken up by the fighters of the Risorgimento...this time the composer had given