History of painting world with "wild", multi-colored, expressive, landscapes and figure paintings that the critics called Fauvism. Henri Matisse's second version of "The Dance" signifies a key point in his career and in the development of modern painting. It reflects Matisse's incipient fascination with primitive art: the intense warm colors against the cool blue-green background and the rhythmical succession of dancing nudes convey the feelings of emotional liberation and hedonism. Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon 1907,
Pablo Picasso Sculpture International held at the Philadelphia Museum of Art in mid-1949. In the 1950s, Picasso's style changed once again, as he took to producing reinterpretations of the art of the great masters. He made a series of works based on Velázquez's painting of "Las Meninas". He also based paintings on works by Goya, Poussin, Manet, Courbet and Delacroix. In addition to his artistic accomplishments, Picasso made a few film appearances, always as himself, including a cameo in Jean Cocteau's "Testament of Orpheus" (1960). In 1955, he helped make the film "Le Mystère Picasso" ("The Mystery of Picasso") directed by Henri-Georges