Pantomime as Pantalone; and "zanni" (servants) such as Arlecchino, Colombina, Scaramouche and Pierrot. Italian masque performances in the 17th century sometimes included the Harlequin character. In the 17th century, adaptations of the commedia characters became familiar in English entertainments. From these, the standard English harlequinade developed, depicting the eloping lovers Harlequin and Columbine, pursued by the girl's father Pantaloon and his comic servants Clown and Pierrot. In English versions, by the 18th century, Harlequin became the central figure and romantic lead. The basic plot of the harlequinade remained essentially the same for more than 150 years, except that a bumbling policeman
Pierrot the introduction of the "commedia dell'arte" characters into parodic metatheater. (Pierrot is a member of the audience watching the play.) The penetration of Pierrot and his companions of the "commedia" into Spain is documented in a painting by Goya, "Itinerant Actors" (1793). It foreshadows the work of such Spanish successors as Picasso and Fernand Pelez, both of whom also showed strong sympathy with the lives of traveling saltimbancos. When, in 1762, a great fire destroyed the Foire Saint-Germain and the new Comédie-Italienne claimed the fairs’ stage-offerings (now known collectively as the Opéra-Comique) as their own, new enterprises began to attract