Characters of Shakespear's Plays Merry Wives of Windsor". The bulk of Hazlitt's commentary on the two history plays is devoted to Falstaff, whom he considers to be "perhaps the most substantial comic character ever invented". Falstaff had been of interest to Shakespearean commentators for years. Forty years earlier, a full-length book had appeared, "An Essay on the Dramatic Character of Sir John Falstaff" (1777), by Maurice Morgann, often taken as the beginning of that school of Shakespearean criticism which considers the characters of Shakespeare's plays as though they were real people. Hazlitt, who seems to have had little acquaintance with Morgann's work, is careful
Falstaff (opera) a comedy. Verdi disagreed and said that he longed to write another light-hearted opera, but nobody would give him the chance. He had included moments of comedy even in his tragic operas, for example in "Un ballo in maschera" and "La forza del destino". For a comic subject Verdi considered Cervantes's "Don Quixote" and plays by Goldoni, Molière and Labiche, but found none of them wholly suitable. The singer Victor Maurel sent him a French libretto based on Shakespeare's "The Taming of the Shrew". Verdi liked it, but replied that "to deal with it properly you need a Rossini or