Prosody (Latin) this form but only fragments remain. Two of Horace's epodes (14 and 15) provide complete examples in Latin. The following couplet introduces his Epode 15: The Second Pythiambic features an iambic trimeter instead of iambic dimeter in the second line. Horace's Epode 16 is an example. Usually associated with the comic theatre, it consists of seven feet with an extra syllable at the end instead of a full iambic foot. In that case it is called "iambic septenarius" ('septenarius' means grouped in sevens). Used outside the theatre, the feet are paired and then it is called "iambic tetrameter catalectic" ("catalectic"
Carmen Priami literary historian Gian Biagio Conte, "could only be to lend substance to some intuition of primitive preliterary epic composition." The poem is among the "countertendencies" in Latin literature that reveal Roman ambivalence toward the adoption of Greek culture. Carmen Priami The Carmen Priami ("Priam's Song") is a lost Latin poem known from the quotation of a single line by Varro. The unknown poet, "a remarkable reactionary," rejects the Hellenizing trend in Latin poetry led by Ennius ("ca." 239–169 BC) and adopts a deliberately archaic style, invoking the Camenae: The invocation of the Muse is a convention of Greco-Roman poetry, and