Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Superman character and cast the more mild-mannered Clark Kent that is traditionally associated with the character. Clark is a reporter at the Metropolis newspaper the "Daily Planet", which allows him to keep track of events in which he might be able to help. Fellow reporter Lois Lane is often the object of Clark's affection. Lois's affection for Superman and rejection of Clark is a recurring theme in Superman comics and media adaptations. In the Modern Age comics Superman considers himself Clark Kent first and Superman second. Before the Crisis on Infinite Earths (i.e., DC comics published up to the early 1980s), the attitude was