Horace Latin the spirit and iambic poetry of Archilochus but (unlike Archilochus) without persecuting anyone ("Epistles" 1.19.23–5). It was no idle boast. His "Epodes" were modeled on the verses of the Greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. Whereas Archilochus presented himself as a serious and vigorous opponent of wrong-doers, Horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch Canidia in the final epode). He also claimed to be the first to introduce into Latin the lyrical methods
Horace borrowed from Archaic Greece, employing hexameters in his "Satires" and "Epistles", and iambs in his "Epodes", all of which were relatively easy to adapt into Latin forms. His "Odes" featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for Latin structure and syntax. Despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. He was influenced in particular by Hellenistic aesthetics of brevity, elegance and polish, as modeled in the work of Callimachus. In modern literary theory, a distinction is often made between immediate personal experience