Arlecchino (opera) of a double-bill. The first British staged performance of "Arlecchino" was in 1954 at Glyndebourne. However, Edward Clark had produced a concert version in London in 1939. The opera is in four movements with a corresponding representation of Arlecchino in each of them: The roles in "Arlecchino" are derived from the Italian "commedia dell'arte". It is unusual in that the title role of Arlecchino is primarily a speaking role. The composer has said that "Arlecchino" "has a tendency to ambiguity and hyperbole in order to place the listener momentarily in a position of slight doubt." Ronald Stevenson has described it
Pierrot the introduction of the "commedia dell'arte" characters into parodic metatheater. (Pierrot is a member of the audience watching the play.) The penetration of Pierrot and his companions of the "commedia" into Spain is documented in a painting by Goya, "Itinerant Actors" (1793). It foreshadows the work of such Spanish successors as Picasso and Fernand Pelez, both of whom also showed strong sympathy with the lives of traveling saltimbancos. When, in 1762, a great fire destroyed the Foire Saint-Germain and the new Comédie-Italienne claimed the fairs’ stage-offerings (now known collectively as the Opéra-Comique) as their own, new enterprises began to attract