George Gershwin different musical styles in revolutionary ways. Since the early 1920s, Gershwin frequently worked with the lyricist Buddy DeSylva. Together they created the experimental one-act jazz opera "Blue Monday," set in Harlem. It is widely regarded as a forerunner to the groundbreaking "Porgy and Bess". In 1924, George and Ira Gershwin collaborated on a stage musical comedy "Lady Be Good", which included such future standards as "Fascinating Rhythm" and "Oh, Lady Be Good!". They followed this with "Oh, Kay!" (1926), "Funny Face" (1927) and "Strike Up the Band" (1927 and 1930). Gershwin allowed the song, with a modified title, to UCLA
The Passing Show of 1918 elaborate Broadway revues at the Winter Garden Theatre, using the name "The Passing Show of 19XX", designed to compete with the popular Ziegfeld Follies. They featured libretti by Atteridge and music usually by Romberg, George Gershwin or Herman Finck. Willie and Eugene Howard starred in many editions of the series and in the many editions of the George White's Scandals. Other stars included Charlotte Greenwood, Marilyn Miller, Ed Wynn, De Wolf Hopper, Charles Winninger, Fred Astaire and his sister Adele, Marie Dressler, Fred Allen, George Hassell, and Violet Englefield. Most of the Shubert shows, including the 1918 show, were staged