Harlequin cheeks, and sometimes bushy brows with facial hair. Arlecchino is often depicted as having a wooden sword hanging from a leather belt on his person. Aside from his acrobatics, Arlecchino is also known for having several specific traits such as: and several other techniques. One of the major distinctions of "commedia dell'arte" is the use of regional dialects. Arlecchino's speech evolved with the character. Originally speaking in a Bergamo dialect, the character adopted a mixture of French and Italian dialects when the character became more of fixture in France so as to help the performers to connect to the common
Pierrot helped steer the pantomime away from the old fabulous and knockabout world of fairy-land and into the realm of sentimental—often tearful—realism. In this he was abetted by the novelist and journalist Champfleury, who set himself the task, in the 1840s, of writing "realistic" pantomimes. Among the works he produced were "Marquis Pierrot" (1847), which offers a plausible explanation for Pierrot's powdered face (he begins working-life as a miller's assistant), and the "Pantomime of the Attorney" (1865), which casts Pierrot in the prosaic role of an attorney's clerk. Legrand left the Funambules in 1853 for what was to become his chief