Abstract art based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting "Les Demoiselles d'Avignon" (1907), Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his own new Cubist inventions. Analytic cubism was jointly developed by Pablo Picasso and Georges Braque, from about 1908 through 1912. Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practiced by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and
Man of Sorrows (Geertgen tot Sint Jans) of any of the figures are not especially detailed; their volume and texture only suggested by the heavy folds. However, it is highly regarded for its complex and innovative composition, with many of the elements presented at oblique angles. It is very tightly cropped, for the era it was produced, cutting off the Magdalene and Evangelist would have been considered daring. The work is attributed to Geertgen tot Sint Jans mainly for its typically simplified geometric shapes, and similarity to his "The Lamentation of Christ"; a painting in which the faces and expressions of Mary and John bear striking similarity