Clown in their fundamentally threatening or frightening nature. There are different types of clowns portrayed around the world. They include The classical pairing of the White Clown with Auguste in modern tradition has a precedent in the pairing of Pierrot and Harlequin in the Commedia dell'arte. Originally, Harlequin's role was that of a light-hearted, nimble and astute servant, paired with the sterner and melancholic Pierrot. In the 18th-century English Harlequinade, Harlequin was now paired with Clown. As developed by Joseph Grimaldi around 1800, Clown became the mischievous and brutish foil for the more sophisticated Harlequin, who became more of a romantic
Pierrot helped steer the pantomime away from the old fabulous and knockabout world of fairy-land and into the realm of sentimental—often tearful—realism. In this he was abetted by the novelist and journalist Champfleury, who set himself the task, in the 1840s, of writing "realistic" pantomimes. Among the works he produced were "Marquis Pierrot" (1847), which offers a plausible explanation for Pierrot's powdered face (he begins working-life as a miller's assistant), and the "Pantomime of the Attorney" (1865), which casts Pierrot in the prosaic role of an attorney's clerk. Legrand left the Funambules in 1853 for what was to become his chief