Horace Creech printed "Epodes" and in the original Latin but left out their English translations. Philip Francis left out both the English and Latin for those same two epodes, a gap in the numbering the only indication that something was amiss. French editions of Horace were influential in England and these too were regularly bowdlerized. Most European nations had their own 'Horaces': thus for example Friedrich von Hagedorn was called "The German Horace" and Maciej Kazimierz Sarbiewski "The Polish Horace" (the latter was much imitated by English poets such as Henry Vaughan and Abraham Cowley). Pope Urban VIII wrote voluminously in
Horace borrowed from Archaic Greece, employing hexameters in his "Satires" and "Epistles", and iambs in his "Epodes", all of which were relatively easy to adapt into Latin forms. His "Odes" featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for Latin structure and syntax. Despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. He was influenced in particular by Hellenistic aesthetics of brevity, elegance and polish, as modeled in the work of Callimachus. In modern literary theory, a distinction is often made between immediate personal experience