Pierrot respectively); and Ernest Dowson wrote the verse-play "Pierrot of the Minute" (1897, illustrated by Beardsley). (The American poet William Theodore Peters, who commissioned Dowson's piece and would play Pierrot in its premiere, published a poetic "Epilogue" for it in 1896, and the composer Sir Granville Bantock would later contribute an orchestral prologue [1908].) One of the gadflies of Aestheticism, W. S. Gilbert, introduced Harlequin and Pierrot as love-struck twin brothers into "Eyes and No Eyes, or The Art of Seeing" (1875), for which Thomas German Reed wrote the music. And he ensured that neither character, contrary to many an Aesthetic
Jim Crow (character) Jim Crow (character) The Jim Crow persona was a theater character by Thomas D. Rice and an ethnic depiction in accordance with contemporary white ideas of African-Americans and their culture. The character was based on a folk trickster named Jim Crow that was long popular among black slaves. Rice also adapted and popularized a traditional slave song called "Jump Jim Crow" (1828). The character dressed in rags, battered hat and torn shoes. Rice blackened his face and hands using burnt cork and impersonated a very nimble and irreverently witty African American field hand who sang, ""Come listen all you galls