Harlequin cheeks, and sometimes bushy brows with facial hair. Arlecchino is often depicted as having a wooden sword hanging from a leather belt on his person. Aside from his acrobatics, Arlecchino is also known for having several specific traits such as: and several other techniques. One of the major distinctions of "commedia dell'arte" is the use of regional dialects. Arlecchino's speech evolved with the character. Originally speaking in a Bergamo dialect, the character adopted a mixture of French and Italian dialects when the character became more of fixture in France so as to help the performers to connect to the common
Pierrot venue, the Folies-Nouvelles, which attracted the fashionable and artistic set, unlike the Funambules’ working-class children of paradise. Such an audience was not averse to pantomimic experiment, and at mid-century "experiment" very often meant Realism. (The pre-"Bovary" Gustave Flaubert wrote a pantomime for the Folies-Nouvelles, "Pierrot in the Seraglio" [1855], which was never produced.) Legrand often appeared in realistic costume, his chalky face his only concession to tradition, leading some advocates of pantomime, like Gautier, to lament that he was betraying the character of the type. But it was the Pierrot as conceived by Legrand that had the greatest influence on