Johannes Vermeer including Simon Duiker. Other artists who were inspired by Vermeer include Danish painter Wilhelm Hammershoi and American Thomas Wilmer Dewing. In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" (on commission from collector Robert Lehman) and pitted large copies of the original against a rhinoceros in some surrealist experiments. Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a
The Old Lacemaker The Old Lacemaker The Old Lacemaker (circa 1655) is an oil on canvas painting by the Dutch painter Nicolaes Maes. It is an example of Dutch Golden Age painting and is part of the collection of the Mauritshuis. The painting shows a woman making bobbin lace and the lace pillow she is using is the same in all the paintings Maes made of lacemakers: This painting was documented by Hofstede de Groot in 1914, who wrote; "71. An Old Lace-Maker. Sm. Suppl. 7. An old woman with spectacles, facing the spectator, sits making lace. She wears a black jacket with