The Lacemaker (Vermeer) foreground. By rendering areas of the canvas as out-of-focus, Vermeer is able to suggest depth of field in a manner unusual of Dutch Baroque painting of the era. In "The Lacemaker", the artist presents in an abstract manner the various elements which compose the girl's face and body and the pattern of the material on which she is working. The girl's hands, the curls of her hair and the T-cross which form her eyes and nose are all described in an abstract manner unusual for the era in which Vermeer worked. In addition, the red and white of the lace
The Woman with a Gambling Mania A solid example of romanticism, Géricault's portrait of a mental asylum patient attempts to show a specific form of insanity through facial expression. This painting was acquired by the Louvre in 1938. The Woman with a Gambling Mania The Woman with Gambling Mania is an 1822 painting by Théodore Géricault. It is a member of a series of ten portraits of people with specific manias done by Géricault between 1820 and 1824, including "Portrait of a Kleptomaniac" and "Insane Woman". Following the controversy surrounding his "The Raft of the Medusa", Géricault fell into a depression. In return for help by