Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Hale v. Committee on Character and Fitness for the State of Illinois antisemitic views within his law application, but also stated that these views would not get in the way of him practicing law. Despite these claims Hale's application was rejected based on the committees findings that he "did not satisfy his burden of proving that he possessed the requisite character and fitness on several findings." and that his past actions and current views would likely lead him to actions inconsistent with the bar Immediately after his rejection, Hale petitioned the Illinois Supreme Court to reconsider his application, and questioned the constitutionality of rejecting his application based on a set of beliefs