Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
The Plays of William Shakespeare an authoritative text of Shakespeare. Johnson began reading Shakespeare's plays and poetry when he was a young boy. He would involve himself so closely with the plays that he was once terrified by the Ghost in "Hamlet" and had to "have people about him". Johnson's fascination with Shakespeare continued throughout his life, and Johnson focused his time on Shakespeare's plays while preparing "A Dictionary of the English Language", so it is no wonder that Shakespeare is the most quoted author in it. Johnson came to believe that there was a problem with the collections of Shakespearean plays that were available