The Lacemaker (Vermeer) foreground. By rendering areas of the canvas as out-of-focus, Vermeer is able to suggest depth of field in a manner unusual of Dutch Baroque painting of the era. In "The Lacemaker", the artist presents in an abstract manner the various elements which compose the girl's face and body and the pattern of the material on which she is working. The girl's hands, the curls of her hair and the T-cross which form her eyes and nose are all described in an abstract manner unusual for the era in which Vermeer worked. In addition, the red and white of the lace
Painter of the Berlin Dancing Girl today. Other works attributed to him include: Painter of the Berlin Dancing Girl The Painter of the Berlin Dancing Girl was an Apulian red-figure vase painter who was active between 430–410 BC. He was named after a calyx krater in the collection of the Antikensammlung Berlin which depicts a girl dancing to the aulos played by a seated woman. As one of the first South Italian red-figure painters, he must have been educated in an Attic workshop. His name vase shows influences from the work of the Phiale Painter who worked in Attica. He and his followers most likely had