Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Pygmalion and the Image series strongly evocative of Michelangelo's "Creation" painting on the ceiling of the Sistine Chapel, the goddess adds colour and sensuality to Pygmalion's austere studio and Galatea's soft flesh. The rich-colour drapery, wrapped suggestively around an intricately carved pole at left, is noticeably absent from the other images in the series. When Pygmalion returns home, he finds that his statue has come to life and humbles himself at her feet. This was not Burne-Jones' only series of pictures: others include "The Briar Rose" series (1885–1890), which was based on Charles Perrault's fairy tale, "Sleeping Beauty" (as retold by the Brothers Grimm), and