Commedia dell'arte the "amorosi". The servants or the clowns are referred to as the "zanni" and include characters such as Arlecchino (also known as Harlequin), Brighella, Scapino and Pedrolino. Some of the better known "commedia dell'arte" characters are Pierrot and Pierrette, Pantalone, Il Dottore, Brighella, Il Capitano, Colombina, the "innamorati", Pedrolino, Pulcinella, Sandrone, Scaramuccia (also known as Scaramouche), La Signora, and Tartaglia. In the 17th century as "commedia" became popular in France, the characters of Pierrot, Columbine and Harlequin were refined and became essentially Parisian, according to Green. Each character in Commedia dell'arte has a distinct costume that helps the audience understand
Jim Crow (character) Jim Crow (character) The Jim Crow persona was a theater character by Thomas D. Rice and an ethnic depiction in accordance with contemporary white ideas of African-Americans and their culture. The character was based on a folk trickster named Jim Crow that was long popular among black slaves. Rice also adapted and popularized a traditional slave song called "Jump Jim Crow" (1828). The character dressed in rags, battered hat and torn shoes. Rice blackened his face and hands using burnt cork and impersonated a very nimble and irreverently witty African American field hand who sang, ""Come listen all you galls