Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Jack the Ripper, Light-Hearted Friend Jack the Ripper, Light-Hearted Friend Jack the Ripper, Light-Hearted Friend is a 1996 book by Richard Wallace in which Wallace proposed a theory that British author Lewis Carroll, whose real name was Charles L. Dodgson (1832–1898), and his colleague Thomas Vere Bayne (1829–1908) were responsible for the Jack the Ripper murders. This theory was based primarily on a number of anagrams derived from passages in two of Carroll's works, "The Nursery "Alice"", an adaptation of "Alice's Adventures in Wonderland" for younger readers, and from the first volume of "Sylvie and Bruno". Carroll first published both works in 1889 and was