The Rocky Horror Picture Show wit to be "too weak to sustain a film" and thought that the "songs all sound the same". In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". "The Rocky Horror Picture Show" helped shape conditions of cult film's transition from art-house to grind-house style. The film developed a cult following in 1976 at the Waverly Theatre in New York, which developed into a standardised ritual. According to J. Hoberman, author of "Midnight Movies", it was after five months into the film's midnight
The Rocky Horror Picture Show the cult status of the film. Costume designer Sue Blane was not keen on working for the film until she became aware that Curry, an old friend, was committed to the project. Curry and Blane had worked together in Glasgow's Citizens Theatre in a production of "The Maids", for which Curry had worn a woman's corset. Blane arranged for the theatre to loan her the corset from the other production for "Rocky Horror". Blane admits that she did not conduct research for her designing, had never seen a science fiction film, and is acutely aware that her costumes for Brad