The Lacemaker the two become lovers and Béatrice moves into his room in Paris. Though he introduces her to his well-off parents and his intellectual friends, she is unable to mix in their worlds. Her deep reserve begins to annoy him and they split up. Losing interest in life, she ends up in a mental hospital. Full of remorse, François visits her but she wants nothing: she has found a quiet place that suits her inwardness. In her silent anonymity, she is like the unknown girls in paintings such as Vermeer's "The Lacemaker". The original soundtrack music composed by Pierre Jansen for
Fruit and a Jug on a Table the French and Catalan Pyrenees. The arrangement of objects on the table separated from the background, the moderation of colors, and the curvilinear structuring contrasts from the highly chromatic and sharp angular modeling of Metzinger's 1916 works, suggesting this work may have been completed in 1917. Following World War I Metzinger moved increasingly toward a classical treatment of subjects—as Picasso and several other Cubists—in response to both a growing interest in the classicism and pressures of post-war conservatism; a phenomenon that would encompass a wide range of sectors including music, philosophy, literature and the fine-arts. "Fruit and a Jug on