Characters of Shakespear's Plays Merry Wives of Windsor". The bulk of Hazlitt's commentary on the two history plays is devoted to Falstaff, whom he considers to be "perhaps the most substantial comic character ever invented". Falstaff had been of interest to Shakespearean commentators for years. Forty years earlier, a full-length book had appeared, "An Essay on the Dramatic Character of Sir John Falstaff" (1777), by Maurice Morgann, often taken as the beginning of that school of Shakespearean criticism which considers the characters of Shakespeare's plays as though they were real people. Hazlitt, who seems to have had little acquaintance with Morgann's work, is careful
Gustavo III (Verdi) to meet commitments regarding "Lear". Finally, in a letter which he wrote to Torelli in September 1857, Verdi confessed that he had "looked through an infinite number of plays...but not one of them will do for me..." but he then described an existing libretto which interested him, one which was written by the French playwright and librettist Eugene Scribe for Daniel Auber's very successful 1833 opera, "Gustave III, ou Le bal masqué": Verdi turned to the historical subject of King Gustav III of Sweden, who was shot while attending a masked ball in Stockholm in 1792 and died thirteen days