Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Buttons (pantomime) for the pantomime at this time. 'Buttons' was at that time a name for a young male servant or pageboy commonly having gilt buttons down the front of his jacket. While the character introduces a note of pathos in his unrequited love for Cinderella it is often played as a comic role. Buttons (pantomime) Buttons is the name of a character in the "Cinderella" pantomime, a male servant of the household who helps Cinderella and loves her, and who is liked and trusted but not loved by her. The character has sometimes been called Pedro. Buttons does not appear in