Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Dulcamara, or the Little Duck and the Great Quack who wrote four more between 1867 and 1869. "Dulcamara" and its successors all comply with the burlesque traditions of the day, with dialogue in rhyming couplets, convoluted puns throughout, and an array of attractive actresses in tights or short skirts, playing male roles, a practice Gilbert renounced as soon as he was sufficiently influential in the theatre. In 1865–66, Gilbert collaborated with Charles Millward on several pantomimes, including one called "Hush-a-Bye, Baby, On the Tree Top, or, Harlequin Fortunia, King Frog of Frog Island, and the Magic Toys of Lowther Arcade" (1866). Gilbert's first solo success, however, came a few