Pierrot the plot, which was interlarded with comically violent (and often scabrous) mayhem. As in the Bakken pantomimes, that plot hinged upon Cassander's pursuit of Harlequin and Columbine—but it was complicated, in Baptiste's interpretation, by a clever and ambiguous Pierrot. Baptiste's Pierrot was both a fool and no fool; he was Cassandre's valet but no one's servant. He was an embodiment of comic contrasts, showing imperturbable sang-froid [again the words are Gautier's], artful foolishness and foolish finesse, brazen and naïve gluttony, blustering cowardice, skeptical credulity, scornful servility, preoccupied insouciance, indolent activity, and all those surprising contrasts that must be expressed by
Columbine cup the dove genus "Columbina", and the character of Columbina (the "little dove") in the theatrical genre of "Commedia dell'arte". Columbine cups were first produced in Nuremberg in the sixteenth century, often as masterpieces to demonstrate the skills required to enter a craft guild. They are first mentioned in 1513 and from 1531 to 1572 were the most important of three items that apprentices were required to submit to the guild in order to move up from journeyman to master status. The others were a gold ring set with a precious stone and a die for a steel seal. One of