Peer Gynt to this book." Despite this defense of his poetic achievement in "Peer Gynt", the play was his last to employ verse; from "The League of Youth" (1869) onwards, Ibsen was to write drama only in prose. Ibsen wrote "Peer Gynt" in deliberate disregard of the limitations that the conventional stagecraft of the 19th century imposed on drama. Its forty scenes move uninhibitedly in time and space and between consciousness and the unconscious, blending folkloric fantasy and unsentimental realism. Raymond Williams compares "Peer Gynt" with August Strindberg's early drama "Lucky Peter's Journey" (1882) and argues that both explore a new kind
Hedda Gabler protagonists of literature. By that, Krutch means that Hedda is neither logical nor insane in the old sense of being random and unaccountable. Her aims and her motives have a secret personal logic of their own. She gets what she wants, but what she wants is not anything that normal people would acknowledge (at least, not publicly) to be desirable. One of the significant things that such a character implies is the premise that there is a secret, sometimes unconscious, world of aims and methods — one might almost say a secret system of values — that is often much