The Milkmaid (Vermeer) van Leyden's engraving "The Milkmaid" (1510) and Jacques de Gheyn II's engraving "The Archer and the Milkmaid" (about 1610). Vermeer's painting is even more understated, although the use of symbols remains: one of the Delft tiles at the foot of the wall behind the maid, near the foot warmer, depicts Cupid – which can imply arousal of a woman or simply that while she is working she is daydreaming about a man. Other amorous symbols in the painting include a wide-mouthed jug, often used as a symbol of the female anatomy. The foot warmer was often used by artists as
Jug in the Form of a Head, Self-Portrait his disciples rebelled, and to an extent he was sidelined. Of another similar self-portrait, "Christ in the Garden of Olives", Gauguin wrote The technique used to create the object was borrowed in part from the Far East, especially in the use of dripped paint on glazed stoneware which was influenced by Japanese craftsmen of the Takatori region. The idea of merging the form of a head and a jug was taken from Peruvian pottery, likely from pieces his mother had collected when he was a child. Jug in the Form of a Head, Self-Portrait Jug in the form of a