Pierrot such anguish, when, in a novella called "Pierrot" by Henri Rivière, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality—usually by love of a fickle Columbine—and so inevitably marked for destruction (Paul Margueritte's "Pierrot, Murderer of His Wife" [1881]; the mime Séverin's "Poor Pierrot" [1891]; Catulle Mendès’ "Ol’ Clo's Man" [1896], modeled on Gautier's "review"). Deburau's son, Jean-Charles (or, as he preferred, "Charles" [1829–1873]), assumed Pierrot's blouse the year after his father's death, and
The Character and Death of Mrs. Hester Ann Rogers group of post-Wesley authorities, with their new agenda, accreted texts to Roger's original work which would highlight her non-preaching religiousness and expand on her maternal and wifely role. Thomas Coke's sermon, "The Character and Death", plays directly into this role. In one passage, Coke notes that "her maternal care and affection shone equally bright. Though she devoted much of her time to religious duties in public and private, yet nothing seemed to be left undone which could maker her children comfortable and happy. She even prevented all their wants; and was equally, nay, if it were possible, more attentive to