Johannes Vermeer including Simon Duiker. Other artists who were inspired by Vermeer include Danish painter Wilhelm Hammershoi and American Thomas Wilmer Dewing. In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" (on commission from collector Robert Lehman) and pitted large copies of the original against a rhinoceros in some surrealist experiments. Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a
Toby Jug of a figure are also referred to as Toby Jugs, although these should strictly be called "Character Jugs", or face jugs, the wider historical term. The original Toby Jug, with a brown salt glaze, was developed and popularised by Staffordshire potters in the 1760s. It is thought to be a development of similar Delft jugs that were produced in the Netherlands. Similar designs were produced by other potteries, first in Staffordshire, then around England, and eventually in other countries. The "Jug in the form of a Head, Self-portrait" (1899) by Paul Gauguin is an unusual example from a painter. There