Pierrot the plot, which was interlarded with comically violent (and often scabrous) mayhem. As in the Bakken pantomimes, that plot hinged upon Cassander's pursuit of Harlequin and Columbine—but it was complicated, in Baptiste's interpretation, by a clever and ambiguous Pierrot. Baptiste's Pierrot was both a fool and no fool; he was Cassandre's valet but no one's servant. He was an embodiment of comic contrasts, showing imperturbable sang-froid [again the words are Gautier's], artful foolishness and foolish finesse, brazen and naïve gluttony, blustering cowardice, skeptical credulity, scornful servility, preoccupied insouciance, indolent activity, and all those surprising contrasts that must be expressed by
Superman character and cast the character left the "Daily Planet" for a time to work for television, whilst the 1980s revamp by John Byrne saw the character become somewhat more aggressive. This aggressiveness has since faded with subsequent creators restoring the mild mannerisms traditional to the character. Superman's powers have developed, and his adventures have accumulated, far beyond the Fleischer cartoon's intonation of a character "faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound." Initially the character could not fly, but this ability and many more have added to the character's appeal. Superman's