Dulcamara, or the Little Duck and the Great Quack for everyone, as Dulcamara reveals his potion to everyone. It is eventually discovered that Adina is Dulcamara's daughter and Nemorino's cousin, Belcore is Tomaso's son, Gianetta is Tomaso's granddaughter, and she is Belcore's lost daughter. Beppo finally reveals his secret – he is Dulcamara's long lost mother! They all agree to live together, and the comedy ends happily. Dulcamara, or the Little Duck and the Great Quack Dulcamara, or the Little Duck and the Great Quack, is one of the earliest plays written by W.S. Gilbert, his first solo stage success. The work is a musical burlesque of Donizetti's "L'Elisir
Pygmalion and Galatea (1898 film) between the on-screen artist (played by Méliès) attempting to create a permanent work of art, and the off-screen filmmaker (also Méliès) playing magical tricks on him: "Even Pygmalion, that rare soul whose encounter with a living statue ends happily, is in Méliès's reinterpretation confronted with a Galatea who refuses to be contained." Gaby Wood called "Pygmalion and Galatea" "a perfect metaphor for the magic of moving film. Everything that was wrapped up in the medium's early days is there: the desires, the fears, the superstitions, the power and the hysterical zaniness of its first jagged steps." Pygmalion and Galatea (1898