Western painting the feelings of emotional liberation and hedonism. Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting "Les Demoiselles d'Avignon" (1907), Picasso created a new and radical picture depicting a brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his own Cubist inventions. Cubism was jointly developed from about 1908 through 1912 by Pablo Picasso and Georges Braque, whose "Violin and Candlestick, Paris" (1910) is shown here. The first clear manifestation of Cubism was practised by
Picasso and the Ballets Russes again until 1946, when he did the curtain design for Roland Petit's "Le Rendez-vous" at the Ballets des Champs-Élysées. Olivier Berggruen, ed. "Picasso: Between Cubism and Classicism, 1915–1925" (Skira, 2018). Picasso and the Ballets Russes Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's "Parade" (1917, choreography: Léonide Massine), "Le Tricorne" ("The Three-Cornered Hat") (1919, choreography: Massine), "Pulcinella" (1920, choreographer: Massine), and "Cuadro Flamenco" (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of "La Boutique fantasque" ("La course"),