Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Pantomime dame Pantomime dame A pantomime dame is a traditional role in British pantomime. It is a continuation of "travesti" portrayal of female characters by male actors in drag. They are often played either in an extremely camp style, or else by men acting 'butch' in women's clothing. They wear big make up and big hair, have exaggerated physical features, and perform in a melodramatic style. While not from pantomime, possibly the best known of this type of character is Dame Edna Everage whose name plays on two meanings of "dame": this tradition and the title equivalent to "Sir". Characters who are