Transformation scene a close with the suggestion of harmony restored. John Rich, earlier in the century, made Harlequin with his slap stick able to transform stage props; and later Joseph Grimaldi as Clown was in charge of transformations. Early pantomime related to and contained the traditional harlequinade by means of a transition in which a group of characters descended from the traditional types from the "commedia del arte" were transformed and "revealed" as being the key characters in the pantomime of the fairy tale that followed. A production in 1781 of "Robinson Crusoe" by Richard Brinsley Sheridan is credited with breaking down
Charles Deburau a consequence, thrust himself into dramatic territory for which his talents were not altogether suited. Typical of his post-Funambules pantomimes is Champfleury's "Pantomime of the Attorney", which appears as the last piece in the Goby collection. Here we are in that "commonplace setting", an attorney's office, that Despot describes above, confronting a "light, small-scale" adventure. Pierrot is the clerk of Cassander, an attorney, and is in love with Columbine, the office assistant. Since Cassander is away for most of the piece, the lovers can indulge their appetites, and the pantomime turns out to be little more than a vehicle for