Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Dulcamara, or the Little Duck and the Great Quack a defining part of Gilbert's work. His parodic pokes at grand opera continued to be seen in the Savoy operas. Gilbert's early burlesques were considered unusually tasteful, compared with the others on the London stage, and he would depart even further from the burlesque style after 1869, with plays containing original plots and fewer puns. These included his "fairy comedies", such as "The Palace of Truth" (1870) and "Pygmalion and Galatea" (1871), and his German Reed Entertainments, which led to the famous Gilbert and Sullivan operas. Gilbert further developed the "Dulcamara" tale in "The Sorcerer" (1877) and "The Mountebanks" (1892),