Galatea, or Pygmalion Reversed Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations, Shakespeare, taste and musical glasses." In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Nellie Farren, as the theatre's "principal boy", and Fred Leslie starred at the Gaiety for over 20 years. In the early 1890s, as burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of Edwardian musical comedy. "Galatea or Pygmalion Re-Versed" is a parody of W.S. Gilbert's blank verse romantic play "Pygmalion and Galatea". "The Morning
Pygmalion and the Image series Burne-Jones' spectacular "Cupid and Psyche" frieze. Although not imbued with the depth and texture of "The Merciful Knight" (1863), this second attempt at portraying the tale of Pygmalion and Galatea has become regarded as one of the artist's most important works. It was exhibited at Sir Coutt Lindsay's new Grosvenor Gallery in 1879, thereby establishing Burne-Jones as one of the leading artists in the burgeoning Aesthetic Movement. A pencil on paper study for the work is in The New Art Gallery Walsall. Pygmalion "(first series)" Pygmalion and the Image "(second series)" Pygmalion and the Image series Pygmalion and the Image