Dulcamara, or the Little Duck and the Great Quack for everyone, as Dulcamara reveals his potion to everyone. It is eventually discovered that Adina is Dulcamara's daughter and Nemorino's cousin, Belcore is Tomaso's son, Gianetta is Tomaso's granddaughter, and she is Belcore's lost daughter. Beppo finally reveals his secret – he is Dulcamara's long lost mother! They all agree to live together, and the comedy ends happily. Dulcamara, or the Little Duck and the Great Quack Dulcamara, or the Little Duck and the Great Quack, is one of the earliest plays written by W.S. Gilbert, his first solo stage success. The work is a musical burlesque of Donizetti's "L'Elisir
Dulcamara, or the Little Duck and the Great Quack a defining part of Gilbert's work. His parodic pokes at grand opera continued to be seen in the Savoy operas. Gilbert's early burlesques were considered unusually tasteful, compared with the others on the London stage, and he would depart even further from the burlesque style after 1869, with plays containing original plots and fewer puns. These included his "fairy comedies", such as "The Palace of Truth" (1870) and "Pygmalion and Galatea" (1871), and his German Reed Entertainments, which led to the famous Gilbert and Sullivan operas. Gilbert further developed the "Dulcamara" tale in "The Sorcerer" (1877) and "The Mountebanks" (1892),