Golden calf combined after the fall of northern kingdom, "the narrative was reworked to portray the northern kingdom in a negative light," and the worship of the calf was depicted as "polytheism, with the suggestion of a sexual orgy" (see Exodus 32:6). When compiling the narratives, P (a later Priest source from Jerusalem) may have minimized Aaron’s guilt in the matter, but preserved the negativity associated with the calf. Alternatively it could be said that there is no golden calf story in the J source, and if it is correct that the Jeroboam story was the original as stated by Friedman, then
The Teacher Who Was Not To Be had been admitted to the Norwegian Society of Composers. Thommessen, born in 1946, is known as an atonal modernist composer and a representative of the generation of composers who became active in the 1970s, whereas Paus, born in 1979, is a noted representative of a reorientation toward tradition, tonality and melody, who once described himself as a "cultural conservative non-modernist." The monologue is emblematic of the generation gap among older Norwegian atonal modernist composers and the younger generation of composers, who are more open to other, including traditional, musical styles. Thommessen had previously been Paus' teacher at the Norwegian Academy