The Milkmaid (Vermeer) van Leyden's engraving "The Milkmaid" (1510) and Jacques de Gheyn II's engraving "The Archer and the Milkmaid" (about 1610). Vermeer's painting is even more understated, although the use of symbols remains: one of the Delft tiles at the foot of the wall behind the maid, near the foot warmer, depicts Cupid – which can imply arousal of a woman or simply that while she is working she is daydreaming about a man. Other amorous symbols in the painting include a wide-mouthed jug, often used as a symbol of the female anatomy. The foot warmer was often used by artists as
The Woman with the Spider's Web outcome and when asked by his brother to produce further works for transfer, he declined, writing, "ask another artist". Original cuts of "Woman with the Spider's Web" are in the British Museum, London, and the Metropolitan Museum of Art, New York, amongst other locations. The image shows a female figure sitting by a dead tree as she solemnly looks into the distance, away from the viewer. Her elbow rests on a broken tree branch, while, according to art historian Albert Boime, "all around her weeds have sprung up (including the sickening thistles, traditional symbols of melancholy)". Many of the overgrown