Peer Gynt to this book." Despite this defense of his poetic achievement in "Peer Gynt", the play was his last to employ verse; from "The League of Youth" (1869) onwards, Ibsen was to write drama only in prose. Ibsen wrote "Peer Gynt" in deliberate disregard of the limitations that the conventional stagecraft of the 19th century imposed on drama. Its forty scenes move uninhibitedly in time and space and between consciousness and the unconscious, blending folkloric fantasy and unsentimental realism. Raymond Williams compares "Peer Gynt" with August Strindberg's early drama "Lucky Peter's Journey" (1882) and argues that both explore a new kind
Peer Gynt Hegel, his publisher, with his plan for the play: it would be "a long dramatic poem, having as its principal a part-legendary, part-fictional character from Norwegian folklore during "recent" times. It will bear no resemblance to "Brand", and will contain no direct polemics or anything of that kind." He began to write "Peer Gynt" on 14 January, employing a far greater variety of metres in its rhymed verse than he had used in his previous verse plays "Brand" (written 1865) or "Love's Comedy" (written 1862). The first two acts were completed in Rome and the third in Casamicciola on the