Pierrot the plot, which was interlarded with comically violent (and often scabrous) mayhem. As in the Bakken pantomimes, that plot hinged upon Cassander's pursuit of Harlequin and Columbine—but it was complicated, in Baptiste's interpretation, by a clever and ambiguous Pierrot. Baptiste's Pierrot was both a fool and no fool; he was Cassandre's valet but no one's servant. He was an embodiment of comic contrasts, showing imperturbable sang-froid [again the words are Gautier's], artful foolishness and foolish finesse, brazen and naïve gluttony, blustering cowardice, skeptical credulity, scornful servility, preoccupied insouciance, indolent activity, and all those surprising contrasts that must be expressed by
The Falcon (character) man who makes his living "keeping his mouth shut and engaging in dangerous enterprises." The Falcon was quickly brought to the screen by RKO - 1941's "The Gay Falcon" redefined the character as a suave English gentleman detective with a weakness for beautiful women. The film was intended to establish a suitable replacement character for Leslie Charteris' Simon Templar (aka The Saint, hero of a popular RKO film series). To that end, George Sanders (star of "The Saint" series) was cast. Though Gay Falcon was the character's name in Arlen's original story, the character was renamed Gay Laurence for the