History of painting world with "wild", multi-colored, expressive, landscapes and figure paintings that the critics called Fauvism. Henri Matisse's second version of "The Dance" signifies a key point in his career and in the development of modern painting. It reflects Matisse's incipient fascination with primitive art: the intense warm colors against the cool blue-green background and the rhythmical succession of dancing nudes convey the feelings of emotional liberation and hedonism. Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon 1907,
Man of Sorrows (Geertgen tot Sint Jans) of any of the figures are not especially detailed; their volume and texture only suggested by the heavy folds. However, it is highly regarded for its complex and innovative composition, with many of the elements presented at oblique angles. It is very tightly cropped, for the era it was produced, cutting off the Magdalene and Evangelist would have been considered daring. The work is attributed to Geertgen tot Sint Jans mainly for its typically simplified geometric shapes, and similarity to his "The Lamentation of Christ"; a painting in which the faces and expressions of Mary and John bear striking similarity