The Milkmaid (Vermeer) van Leyden's engraving "The Milkmaid" (1510) and Jacques de Gheyn II's engraving "The Archer and the Milkmaid" (about 1610). Vermeer's painting is even more understated, although the use of symbols remains: one of the Delft tiles at the foot of the wall behind the maid, near the foot warmer, depicts Cupid – which can imply arousal of a woman or simply that while she is working she is daydreaming about a man. Other amorous symbols in the painting include a wide-mouthed jug, often used as a symbol of the female anatomy. The foot warmer was often used by artists as
Painter of the Berlin Dancing Girl today. Other works attributed to him include: Painter of the Berlin Dancing Girl The Painter of the Berlin Dancing Girl was an Apulian red-figure vase painter who was active between 430–410 BC. He was named after a calyx krater in the collection of the Antikensammlung Berlin which depicts a girl dancing to the aulos played by a seated woman. As one of the first South Italian red-figure painters, he must have been educated in an Attic workshop. His name vase shows influences from the work of the Phiale Painter who worked in Attica. He and his followers most likely had