Pierrot such anguish, when, in a novella called "Pierrot" by Henri Rivière, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality—usually by love of a fickle Columbine—and so inevitably marked for destruction (Paul Margueritte's "Pierrot, Murderer of His Wife" [1881]; the mime Séverin's "Poor Pierrot" [1891]; Catulle Mendès’ "Ol’ Clo's Man" [1896], modeled on Gautier's "review"). Deburau's son, Jean-Charles (or, as he preferred, "Charles" [1829–1873]), assumed Pierrot's blouse the year after his father's death, and
Commedia dell'arte masks Commedia dell'arte masks Commedia dell'Arte masks are one of the biggest classifiers for each character. Every mask goes with a specific character based on the way it looks. Masks were originally all made of leather, but now more commonly made of neoprene. The Commedia masks must show emotion and intelligence as they are covering the face which is the main place emotion can be seen on someone. Masks should be an extension of an actor and their costume, hair and accessories. A mask creates a completely different face for the person that is wearing it. Mask, in Commedia dell'Arte speaks