Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Abanazar (pantomime) Abanazar (pantomime) Abanazar is a magician and the primary antagonist in the Aladdin pantomime. He was also the basis for Jafar in the Disney version of Aladdin. The character first appeared in the harlequinade "Aladin" in 1788 as 'The African Magician', but was given the name Abanazer in 1813 in "Aladdin or The Wonderful Lamp" at Covent Garden Opera House in 1813, described as 'A New Melo-Dramatick Romance', and revived in 1826. Other names which have been used for the character are Mourad, Abel el Nesir, Kiradamac, Abanazac and Hocus Pocus. It was with Henry James Byron's "Aladdin or the