Commedia dell'arte in the mid-18th century. Curiously, "commedia dell'arte" was equally if not more popular in France, where it continued its popularity throughout the 17th century (until 1697), and it was in France that "commedia" developed its established repertoire. "Commedia" evolved into various configurations across Europe, and each country acculturated the form to its liking. For example, pantomime, which flourished in the 18th century, owes its genesis to the character types of the "commedia", particularly Harlequin. The Punch and Judy puppet shows, popular to this day in England, owe their basis to the Pulcinella mask that emerged in Neapolitan versions of the
The Character and Death of Mrs. Hester Ann Rogers group of post-Wesley authorities, with their new agenda, accreted texts to Roger's original work which would highlight her non-preaching religiousness and expand on her maternal and wifely role. Thomas Coke's sermon, "The Character and Death", plays directly into this role. In one passage, Coke notes that "her maternal care and affection shone equally bright. Though she devoted much of her time to religious duties in public and private, yet nothing seemed to be left undone which could maker her children comfortable and happy. She even prevented all their wants; and was equally, nay, if it were possible, more attentive to