The Lacemaker the two become lovers and Béatrice moves into his room in Paris. Though he introduces her to his well-off parents and his intellectual friends, she is unable to mix in their worlds. Her deep reserve begins to annoy him and they split up. Losing interest in life, she ends up in a mental hospital. Full of remorse, François visits her but she wants nothing: she has found a quiet place that suits her inwardness. In her silent anonymity, she is like the unknown girls in paintings such as Vermeer's "The Lacemaker". The original soundtrack music composed by Pierre Jansen for
The Woman with the Spider's Web outcome and when asked by his brother to produce further works for transfer, he declined, writing, "ask another artist". Original cuts of "Woman with the Spider's Web" are in the British Museum, London, and the Metropolitan Museum of Art, New York, amongst other locations. The image shows a female figure sitting by a dead tree as she solemnly looks into the distance, away from the viewer. Her elbow rests on a broken tree branch, while, according to art historian Albert Boime, "all around her weeds have sprung up (including the sickening thistles, traditional symbols of melancholy)". Many of the overgrown