Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Teatro Lirico Giuseppe Verdi to solve the problem, which was accomplished by incorporating elements of Milan's La Scala opera house. The "Nuovo" became a mixture of La Fenice on the inside and La Scala on the exterior. Several name changes have occurred during the theatre's lifetime, the first in 1821 when it became the "Teatro Grande" and it was under this name that the theatre was the site of two Verdi opera premieres: "Il corsaro" in 1848 (featuring the soprano Giuseppina Strepponi, who Verdi married in 1859, in the leading role) and "Stiffelio", a production which Verdi supervised - not without controversy - in