Pygmalion (mythology) Jean-Léon Gérôme ("Pygmalion and Galatea"), Honoré Daumier, Edward Burne-Jones (four major works from 1868–1870, then again in larger versions from 1875–1878 with the title "Pygmalion and the Image"), Auguste Rodin, Ernest Normand, Paul Delvaux, Francisco Goya, Franz von Stuck, François Boucher, and Thomas Rowlandson, among others. There have also been numerous sculptures of the "awakening". Ovid's Pygmalion has inspired many works of literature, some of which are listed below. The popularity of the Pygmalion myth surged in the 19th century. There have also been successful stage-plays based upon the work, such as W. S. Gilbert's "Pygmalion and Galatea " (1871).
Galatea (mythology) a commonplace of pastoral fictions, because of the well known myth of Acis and Galatea; one of Honoré d'Urfé's characters in "L'Astrée" was a Galatea, though not this sculptural creation. The story of Pygmalion appeared earliest in a Hellenistic work, Philostephanus' history of Cyprus, "De Cypro". It is retold in Ovid's "Metamorphoses", where the king Pygmalion is made into a sculptor who fell in love with an ivory statue he had crafted with his own hands. In answer to his prayers, the goddess Aphrodite brought it to life and united the couple in marriage. This novella remained the classical telling