Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Gustavo III (Verdi) the opera. Basing it as he did on the skeleton score of "Una vendetta", Verdi transformed the setting and characters' names to fit the requirements. The score's text required modification to agree with "Ballo" and not "Una vendetta", orchestration was completed, and musical changes and adjustments were made. Significant changes in the music occurred after 11 September and are also detailed by Gossett. The first performance of the new opera was presented on 17 February 1859. By about 1870, after "Ballo" had become successful and when Italian unification removed much of regional censorship, Verdi could probably have returned the opera