The Lacemaker (Vermeer) foreground. By rendering areas of the canvas as out-of-focus, Vermeer is able to suggest depth of field in a manner unusual of Dutch Baroque painting of the era. In "The Lacemaker", the artist presents in an abstract manner the various elements which compose the girl's face and body and the pattern of the material on which she is working. The girl's hands, the curls of her hair and the T-cross which form her eyes and nose are all described in an abstract manner unusual for the era in which Vermeer worked. In addition, the red and white of the lace
Portrait of a Man with a Beer Jug genre of the work is similar to works painted by Hals in the early thirties, the rough brush strokes are more similar to his work in the sixties. Possibly, the man with the jug and Guldewagen himself are the same: In an old genre painting of Haarlem from the 1650s, a man is transporting beer jugs with a horse-drawn sled. The jugs have a red deer on them, the symbol of Guldewagen's brewery: Portrait of a Man with a Beer Jug Portrait of a man with a beer jug is a painting by the Dutch Golden Age painter Frans Hals,