Gothic fiction whose best-known work was the 1960 Hollywood horror novel "What Ever Happened To Baby Jane?" Farrell's novels spawned a subgenre of "Grande Dame Guignol" in the cinema, represented by such films as the 1962 film based on Farrell's novel, which starred Bette Davis versus Joan Crawford; this subgenre of films was dubbed the "psycho-biddy" genre. Many modern writers of horror (or indeed other types of fiction) exhibit considerable Gothic sensibilities—examples include the works of Anne Rice, Stella Coulson, Susan Hill, Poppy Z. Brite and Neil Gaiman as well as some of the sensationalist works of Stephen King Thomas M. Disch's
What Ever Happened to Baby Jane? (1962 film) has made to suggest the irony of two once idolized and wealthy females living in such depravity, and the pathos of their deep-seated envy having brought them to this, wash out very quickly under the flood of sheer grotesquerie. There is nothing moving or particularly significant about these two." Philip K. Scheuer of the "Los Angeles Times" also panned the film, writing that Crawford and Davis had been turned into "grotesque caricatures of themselves" and that the film "mocks not only its characters but also the sensibilities of its audience." "The Chicago Tribune" wrote, "This isn't a movie, it's a