Peer Gynt figure quite so exuberant, outrageous, vitalistic as Peer Gynt. He merely "seems" initially to be an unlikely candidate for such eminence: "What is he", we say, "except a kind of Norwegian roaring boy?" – marvelously attractive to women, a kind of bogus poet, a narcissist, absurd self-idolator, a liar, seducer, bombastic self-deceiver. But this is paltry moralizing – all too much like the scholarly chorus that rants against Falstaff. True, Peer, unlike Falstaff, is not a great wit. But in the Yahwistic, biblical sense, Peer the scamp bears the blessing: More life. On 5 January 1867 Ibsen wrote to Frederik
Peer Gynt of 2013, Dr. Cary Mazer, a theatre professor at the University of Pennsylvania in Philadelphia, produced a stage version of his Jewish-inspired adaptation, "Pinchas Vontz". The script was produced as a staged reading, with direction by Philadelphia theatre artist Ed Sobel. In 2018, the Liverpool Everyman Theatre staged a 'reimagining' of the play, written by Robert Farquhar and directed by Nick Bagnall, titled The Big I Am. The role of Peer Gynt at different stages of his life was played by three actors: Nathan McMullen, Liam Tobin, and Richard Bremmer. There have been a number of film adaptations including: Peer