Arlecchino (opera) of a double-bill. The first British staged performance of "Arlecchino" was in 1954 at Glyndebourne. However, Edward Clark had produced a concert version in London in 1939. The opera is in four movements with a corresponding representation of Arlecchino in each of them: The roles in "Arlecchino" are derived from the Italian "commedia dell'arte". It is unusual in that the title role of Arlecchino is primarily a speaking role. The composer has said that "Arlecchino" "has a tendency to ambiguity and hyperbole in order to place the listener momentarily in a position of slight doubt." Ronald Stevenson has described it
Pierrot lunaire (book) thereby setting their souls, "full of silence and harmony", thrumming (32: "Lunar Violin"). He lives there as an aloof "isolato," encountering in a "sparkling polar icicle" a "Pierrot in disguise" (9: "Polar Pierrot") and seeking, "all along the Lethe", not Columbine the fickle woman but her ethereal floral namesakes—"pale flowers of moonbeams/Like roses of light" (10: "To Columbine"). The moon is, aptly, a "pale washerwoman" (5: "Moon over the Wash-House") whose ablutions minister chiefly to the mind. For Pierrot has lost the happy enchantments of the past: the moribund pantomimic world seems "absurd and sweet, like a lie" (37: "Pantomime"),