The Rocky Horror Picture Show while the film's fan culture of cosplaying and audience participation during screenings laid the groundwork for the similarly influential cult following surrounding Tommy Wiseau's "The Room" (2003). Members of the queer community comprised most of the Rocky Horror cult following: they identified with the embrace of sexual liberation and androgyny, and attended show after show, slowly forming a community. Judith A. Peraino compares Brad and Janet’s initiation into Frank N. Furter’s world to the self-discovery of queer identity, and to the traditional initiation of ‘virgins’ in the shadow screenings . June Thomas describes the midnight screenings in Delaware as a
The Rocky Horror Picture Show was living as an unemployed actor in London during the early 1970s. He wrote most of "The Rocky Horror Show" during one winter just to occupy himself. Since his youth, O'Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks, and fifties rock and roll into his musical. O'Brien conceived and wrote the play set against the backdrop of the glam era that had manifested itself throughout British popular culture in the 1970s. Allowing his concept to come into being,