Gilles (stock character) disparate Foire genres—puppet shows, comic operas, and every imaginable permutation of both mute and spoken theater—his character began inevitably to coarsen. It is therefore not surprising that Colombine should call Pierrot a "Gille" in Alexis Piron's "L'Ane d'Or" (The Golden Ass, 1725) or that a police report detailing the suspicious goings-on in Lesage's prologue to "Arlequin, valet de Merlin" (Harlequin, Merlin's Valet, 1718) should refer to Pierrot indiscriminately as "Pierrot" or as "Gilles". (It should also not be surprising that, when the illustrious Pierrot Hamoche was forbidden, in 1721, to play "opéras-comiques", impelling Lesage and Dorneval to lay his Pierrot
The Two-Character Play to delude themselves, escape from the reality of their deteriorating mental states. Consequently, the viewers themselves are confronted with the darker truths of what it is to be human. It was very experimental for its time. The language is heightened. There are slabs of verbosity juxtaposed with pauses and stunted sentences. "The Two-Character Play" is partially autobiographical. The actor Clare and especially the character Clare are loosely based on Williams’ sister, Rose, and the actor Felice and the character Felice on Williams himself. The "confining nature of human existence" was a major theme throughout his work and this play is