Fontana del Tritone, Rome Deluge. The passage that Urban set Bernini to illustrate, was well known to all literate Roman contemporaries: Two finished terracotta "bozzetti" at the Detroit Institute of Arts, securely attributed to Bernini, reflect his exploration of the fountain's themes of the intertwined upended dolphins and the muscular, scaly-tailed Triton. The Triton Fountain is one of those evoked in Ottorino Respighi's "Fontane di Roma". The legend applied to Trevi Fountain has been extended to this: that any visitor who throws a coin into the water (while facing away from the fountain) will have guaranteed their return to Rome. The setting of the
Fountain "On many levels the Trevi altered the appearance, function and intent of fountains and was a watershed for future designs." Beginning in 1662, King Louis XIV of France began to build a new kind of garden, the Garden à la française, or French formal garden, at the Palace of Versailles. In this garden, the fountain played a central role. He used fountains to demonstrate the power of man over nature, and to illustrate the grandeur of his rule. In the Gardens of Versailles, instead of falling naturally into a basin, water was shot into the sky, or formed into the