The Lacemaker (Vermeer) foreground. By rendering areas of the canvas as out-of-focus, Vermeer is able to suggest depth of field in a manner unusual of Dutch Baroque painting of the era. In "The Lacemaker", the artist presents in an abstract manner the various elements which compose the girl's face and body and the pattern of the material on which she is working. The girl's hands, the curls of her hair and the T-cross which form her eyes and nose are all described in an abstract manner unusual for the era in which Vermeer worked. In addition, the red and white of the lace
In the Water through the cloudy sky and reflects on the water. There is land in the background, with a patch of greenery to the right. The artist signed his name and the date (1914) on the lower-left corner of the composition in dark ink. Eugene de Blaas was born into an Austrian family of artists. Eugene's brother Julius von Blaas was a painter, Karl von Blaas, his father was a professor at the Academy of Fine Arts Vienna, and also a painter and sculptor. Later Karl de Blaas moved to Rome in Italy, when he became a professor at the art academy