Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Falstaff (opera) a comedy. Verdi disagreed and said that he longed to write another light-hearted opera, but nobody would give him the chance. He had included moments of comedy even in his tragic operas, for example in "Un ballo in maschera" and "La forza del destino". For a comic subject Verdi considered Cervantes's "Don Quixote" and plays by Goldoni, Molière and Labiche, but found none of them wholly suitable. The singer Victor Maurel sent him a French libretto based on Shakespeare's "The Taming of the Shrew". Verdi liked it, but replied that "to deal with it properly you need a Rossini or