Peer Gynt to this book." Despite this defense of his poetic achievement in "Peer Gynt", the play was his last to employ verse; from "The League of Youth" (1869) onwards, Ibsen was to write drama only in prose. Ibsen wrote "Peer Gynt" in deliberate disregard of the limitations that the conventional stagecraft of the 19th century imposed on drama. Its forty scenes move uninhibitedly in time and space and between consciousness and the unconscious, blending folkloric fantasy and unsentimental realism. Raymond Williams compares "Peer Gynt" with August Strindberg's early drama "Lucky Peter's Journey" (1882) and argues that both explore a new kind
Peer Gynt lovers – the deeply committed Solveig and the superficial Peer, who is more a surface for projections than a coherent character. The simplest conclusion one may draw from "Peer Gynt", is expressed in the eloquent prose of the author: “"If you lie; are you real?"” The literary critic Harold Bloom of New York University in his book "The Western Canon" has challenged the conventional reading of "Peer Gynt", stating:Far more than Goethe's Faust, Peer is the one nineteenth-century literary character who has the largeness of the grandest characters of Renaissance imaginings. Dickens, Tolstoy, Stendhal, Hugo, even Balzac have no single