The Ghost of Vermeer of Delft Which Can Be Used As a Table on a crutch. It is unsigned and undated but known to have been completed c.1934. It is currently on display at the Salvador Dalí Museum in St. Petersburg, Florida, on loan from the E. and A. Reynolds Morse collection. Around 1934, Dalí produced several other works inspired by "The Art of Painting": Dalí revered Vermeer, and also drew several times on his "The Lacemaker", for instance in "Paranoiac-Critical Study of Vermeer's Lacemaker". Dali also painted a copy of "The Lacemaker" on commission from collector Robert Lehman. "The Ghost of Vermeer" should also be seen in the context of his other
The Courtyard of a House in Delft by Derek Mahon. The Courtyard of a House in Delft The Courtyard of a House in Delft is a 1658 oil painting by Pieter de Hooch, an example of Dutch Golden Age painting. The painting portrays domestic architecture typical of de Hooch's middle period, with building and courtyard dominating people. It is signed and dated to the left on the archway "P.D.H. / A 1658". The scene is divided into two pieces. To the left, an archway of brick and stone leads from a paved courtyard a passageway though a house, where a woman dressed in black and red stands