Horace Latin the spirit and iambic poetry of Archilochus but (unlike Archilochus) without persecuting anyone ("Epistles" 1.19.23–5). It was no idle boast. His "Epodes" were modeled on the verses of the Greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. Whereas Archilochus presented himself as a serious and vigorous opponent of wrong-doers, Horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch Canidia in the final epode). He also claimed to be the first to introduce into Latin the lyrical methods
Epistles (Plato) Epistles (Plato) The Epistles (Greek: Ἐπιστολαί; Latin: "Epistolae") of Plato are a series of thirteen letters traditionally included in the Platonic corpus. Their authenticity has been the subject of some dispute, and scholarly consensus has shifted back and forth over time. They were "generally accepted as genuine until modern times"; but by the close of the nineteenth century, many philologists (such as Richard Bentley, Christoph Meiners, and Friedrich Ast) believed that none of the letters were actually written by Plato. Now every letter except the First has some defenders of its authenticity. The Twelfth is also widely regarded as a