Pierrot gave kicks and no longer received them; Harlequin now scarcely dared brush his shoulders with his bat; Cassander would think twice before boxing his ears. Deburau seems to have had a predilection for "realistic" pantomime—a predilection that, as will later become evident here, led eventually to calls for Pierrot's expulsion from it. But the pantomime that had the greatest appeal to his public was the ""pantomime-arlequinade-féerie"", sometimes "in the English style" (i.e., with a prologue in which characters were transformed into the "commedia" types). The action unfolded in fairy-land, peopled with good and bad spirits who both advanced and impeded
The Falcon (character) man who makes his living "keeping his mouth shut and engaging in dangerous enterprises." The Falcon was quickly brought to the screen by RKO - 1941's "The Gay Falcon" redefined the character as a suave English gentleman detective with a weakness for beautiful women. The film was intended to establish a suitable replacement character for Leslie Charteris' Simon Templar (aka The Saint, hero of a popular RKO film series). To that end, George Sanders (star of "The Saint" series) was cast. Though Gay Falcon was the character's name in Arlen's original story, the character was renamed Gay Laurence for the