Galatea, or Pygmalion Reversed Galatea, or Pygmalion Reversed Galatea, or Pygmalion Re-Versed is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play "Pygmalion and Galatea". The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz. The work was premiered at the Gaiety Theatre, London on 26 December 1883. It starred Nellie Farren and Edward Terry. This type of work, Victorian burlesque, was popular in Britain in the late 19th century. Other examples include "The Bohemian G-yurl and the Unapproachable Pole" (1877), "Blue Beard" (1882), "Ariel" (1883, by F. C.
Pygmalion (Rousseau) forms. During the Baroque it provided the plot for several ballets. All the adaptations and ballets showed the futility and hopelessness of Pygmalion's efforts to give the sculpture life and his problem as being solved by divine grace, making Pygmalion an important symbol of vanitas. Rousseau's version seems to be the first where Pygmalion brings his perfect image to life without divine help - 'Galathée' (Galatea) comes to life at the last stroke of his chisel, beginning to speak and recognising her creator as her mirror image. She touches herself and says "me", then touches another sculpture and says "not