Galatea, or Pygmalion Reversed Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations, Shakespeare, taste and musical glasses." In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Nellie Farren, as the theatre's "principal boy", and Fred Leslie starred at the Gaiety for over 20 years. In the early 1890s, as burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of Edwardian musical comedy. "Galatea or Pygmalion Re-Versed" is a parody of W.S. Gilbert's blank verse romantic play "Pygmalion and Galatea". "The Morning
Pygmalion and the Image series strongly evocative of Michelangelo's "Creation" painting on the ceiling of the Sistine Chapel, the goddess adds colour and sensuality to Pygmalion's austere studio and Galatea's soft flesh. The rich-colour drapery, wrapped suggestively around an intricately carved pole at left, is noticeably absent from the other images in the series. When Pygmalion returns home, he finds that his statue has come to life and humbles himself at her feet. This was not Burne-Jones' only series of pictures: others include "The Briar Rose" series (1885–1890), which was based on Charles Perrault's fairy tale, "Sleeping Beauty" (as retold by the Brothers Grimm), and