Helen of Troy conjures the song epithalamium Spartan women sung at Platanistas commemorating the marriage of Helen and Menelaus: Helen's worship was also present on the opposite bank of Eurotas at Therapne, where she shared a shrine with Menelaus and the Dioscuri. The shrine has been known as "Menelaion" (the shrine of Menelaus), and it was believed to be the spot where Helen was buried alongside Menelaus. Despite its name, both the shrine and the cult originally belonged to Helen; Menelaus was added later as her husband. Isocrates writes that at Therapne Helen and Menelaus were worshiped as gods, and not as heroes.
Helen of Troy (painting) Helen of Troy (painting) Helen of Troy is an 1898 painting by Evelyn De Morgan depicting Helen of Troy; it was commissioned by William Imrie of Liverpool. Compositionally, the painting is similar to De Morgan's "Flora" and "Cassandra": Helena is standing upright and tall, in a peaceful posture that reminds to Boticcelli's representations of Greek and Roman goddesses (such as Athena or Venus) that are, at the same time, an evocation of classical art, a usual characteristic between Renaissance artists. Helena has been removed from the common artistic elements of the Trojan War: despite dealing with a typically bellic topic,