Fontana del Tritone, Rome Deluge. The passage that Urban set Bernini to illustrate, was well known to all literate Roman contemporaries: Two finished terracotta "bozzetti" at the Detroit Institute of Arts, securely attributed to Bernini, reflect his exploration of the fountain's themes of the intertwined upended dolphins and the muscular, scaly-tailed Triton. The Triton Fountain is one of those evoked in Ottorino Respighi's "Fontane di Roma". The legend applied to Trevi Fountain has been extended to this: that any visitor who throws a coin into the water (while facing away from the fountain) will have guaranteed their return to Rome. The setting of the
Rome Daily American the early 1970s. The intent of this ownership was to provide cover for CIA operatives and to influence the Italian electorate which was threatening to vote Communist at that time. During this period, the newspaper office was bombed and damaged. In the mid-1970s it was nominally owned by Chantal du Bois, the pen-name of Gabriella Lepore, housed in a central Rome (Via di Santa Maria in via 12) palazzo just off the Corso between the Parliament and the Trevi Fountain. "The Daily American" was produced and "put to bed" each early evening alongside the production of the small daily house