Johannes Vermeer including Simon Duiker. Other artists who were inspired by Vermeer include Danish painter Wilhelm Hammershoi and American Thomas Wilmer Dewing. In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" (on commission from collector Robert Lehman) and pitted large copies of the original against a rhinoceros in some surrealist experiments. Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a
The Courtyard of a House in Delft by Derek Mahon. The Courtyard of a House in Delft The Courtyard of a House in Delft is a 1658 oil painting by Pieter de Hooch, an example of Dutch Golden Age painting. The painting portrays domestic architecture typical of de Hooch's middle period, with building and courtyard dominating people. It is signed and dated to the left on the archway "P.D.H. / A 1658". The scene is divided into two pieces. To the left, an archway of brick and stone leads from a paved courtyard a passageway though a house, where a woman dressed in black and red stands