Characters of Shakespear's Plays Merry Wives of Windsor". The bulk of Hazlitt's commentary on the two history plays is devoted to Falstaff, whom he considers to be "perhaps the most substantial comic character ever invented". Falstaff had been of interest to Shakespearean commentators for years. Forty years earlier, a full-length book had appeared, "An Essay on the Dramatic Character of Sir John Falstaff" (1777), by Maurice Morgann, often taken as the beginning of that school of Shakespearean criticism which considers the characters of Shakespeare's plays as though they were real people. Hazlitt, who seems to have had little acquaintance with Morgann's work, is careful
Giuseppe Verdi fact, I must have—a grandiose, impassioned and original subject." The result was "Les vêpres siciliennes", and the scenarios of "Simon Boccanegra" (1857), "Un ballo in maschera" (1859), "La forza del destino" (1862), "Don Carlos" (1865) and "Aida" (1872) all meet the same criteria. Porter notes that "Un ballo" marks an almost complete synthesis of Verdi's style with the grand opera hallmarks, such that "huge spectacle is not mere decoration but essential to the drama...musical and theatrical lines remain taut [and] the characters still sing as warmly, passionately and personally as in "Il trovatore"." When the composer Ferdinand Hiller asked Verdi