Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Columbine cup the dove genus "Columbina", and the character of Columbina (the "little dove") in the theatrical genre of "Commedia dell'arte". Columbine cups were first produced in Nuremberg in the sixteenth century, often as masterpieces to demonstrate the skills required to enter a craft guild. They are first mentioned in 1513 and from 1531 to 1572 were the most important of three items that apprentices were required to submit to the guild in order to move up from journeyman to master status. The others were a gold ring set with a precious stone and a die for a steel seal. One of