Middle Eastern theatre of World War I began to push the Russians back. The Russians were successful along the southern shoulders of the offensive, where Armenian volunteers were effective and took Karaköse and Doğubeyazıt. By the end of November, the Russians held a salient into Ottoman territory along the Erzurum-Sarikamish axis. Sheikh Mubarak Al-Sabah, the ruler of Kuwait, sent a force to Umm Qasr, Safwan, Bubiyan, and Basra to expel Ottoman forces from the area. In exchange the British government recognised Kuwait as an "independent government under British protection." There is no report on the exact size and nature of Mubarak’s attack, though Ottoman forces did retreat
Rise of the Ottoman Empire while others remained Christian. Of great symbolic importance for Ottoman centralization was the practice whereby Ottoman rulers would customarily stand upon hearing the sound of martial music, indicating their willingness to participate in "gaza". Shortly after the Conquest of Constantinople in 1453, Mehmed II discontinued this practice, indicating that the Ottoman ruler was no longer a simple frontier warrior, but the sovereign of an empire. The empire's capital was shifted from Edirne, the city symbolically connected with the frontier warrior ethos of "gaza", to Constantinople, a city with deeply imperial connotations due to its long history as the capital of