Horace Latin the spirit and iambic poetry of Archilochus but (unlike Archilochus) without persecuting anyone ("Epistles" 1.19.23–5). It was no idle boast. His "Epodes" were modeled on the verses of the Greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. Whereas Archilochus presented himself as a serious and vigorous opponent of wrong-doers, Horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch Canidia in the final epode). He also claimed to be the first to introduce into Latin the lyrical methods
Carmen Saliare Carmen Saliare The Carmen Saliare is a fragment of archaic Latin, which played a part in the rituals performed by the Salii (Salian priests, a.k.a. "leaping priests") of Ancient Rome. There are 35 extant fragments of the "Carmen Saliare", which can be read in Morel's "FPL". The rituals revolved around Mars and Quirinus, and were performed in March and October. These involved processions in which they donned archaic armour and weapons, performed their sacred dance, and sang the "Carmen Saliare". As a body they existed before the founding of the Roman Republic, tracing their origin back to the reign of