Artists of the Tudor court of Holbein (1543) and Lucas Horenbout (1544), and would remain as court painter to Henry's son Edward VI and as painter and lady-in-waiting to both his daughters, Mary I and Elizabeth. Levina Teerlinc, in turn, taught the art of limning to Nicholas Hilliard, an apprentice goldsmith who would marry the daughter of Queen Elizabeth's jeweler and rise to become the supreme miniaturist of the age. John Bettes the Elder apprenticed his son, John the Younger to Hilliard. Hilliard's most famous student, Isaac Oliver, later limner to Anne of Denmark and Henry, Prince of Wales, was married to the niece of
Conservation and restoration of stained glass should always be taken to ensure that panels retain their current matrix whenever possible, rather than opting for replacement (CVMA 2004). Protective glazing is one of the few ways conservators can attempt to preventively conserve stained glass in situ. While this practice can offer many benefits, as with most other treatments, it is not without drawbacks. Ideally, the installation of protective glazing can “relieve the stained glass of its function as a weather shield […], protect it against mechanical and atmospheric damage, and […] prevent condensation on the surface of the stained glass,” thus minimising the need for interventive conservation