Johannes Vermeer including Simon Duiker. Other artists who were inspired by Vermeer include Danish painter Wilhelm Hammershoi and American Thomas Wilmer Dewing. In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" (on commission from collector Robert Lehman) and pitted large copies of the original against a rhinoceros in some surrealist experiments. Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a
A Mayor of Delft and his Daughter Delft. A Mayor of Delft and his Daughter A Mayor of Delft and his Daughter (1655) is the common name of an oil on canvas painting by the Dutch painter Jan Steen. It is an example of Dutch Golden Age painting and is part of the collection of the Rijksmuseum. Since 2006 it has been determined that a more historically correct title is "Double portrait of Adolf Croeser (1612-1668) and his daughter Catharina Croeser (1642-...)". This painting was documented by Hofstede de Groot in 1910, who wrote; "878. SO-CALLED PORTRAIT OF THE BURGOMASTER OF DELFT AND HIS DAUGHTER. The man