Prosody (Latin) were felt to be especially suited to this role. The Greek poet Archilochus was one of the main exponents of the iambic distich and he provided a model for Horace's Epodes 1-10. The following couplet forms the first two lines of Epode 7. Note that the first syllables in both lines ("Quo" and "ap") are in anceps and thus a spondee appears to have been substituted for an iamb in both the initial feet. Also "ti" in "scelesti" is long by nature and it too is in anceps; the third foot would otherwise be a tribrach (uuu) thanks to the
Horace borrowed from Archaic Greece, employing hexameters in his "Satires" and "Epistles", and iambs in his "Epodes", all of which were relatively easy to adapt into Latin forms. His "Odes" featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for Latin structure and syntax. Despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. He was influenced in particular by Hellenistic aesthetics of brevity, elegance and polish, as modeled in the work of Callimachus. In modern literary theory, a distinction is often made between immediate personal experience