The Lacemaker (Vermeer) foreground. By rendering areas of the canvas as out-of-focus, Vermeer is able to suggest depth of field in a manner unusual of Dutch Baroque painting of the era. In "The Lacemaker", the artist presents in an abstract manner the various elements which compose the girl's face and body and the pattern of the material on which she is working. The girl's hands, the curls of her hair and the T-cross which form her eyes and nose are all described in an abstract manner unusual for the era in which Vermeer worked. In addition, the red and white of the lace
Jug in the Form of a Head, Self-Portrait his disciples rebelled, and to an extent he was sidelined. Of another similar self-portrait, "Christ in the Garden of Olives", Gauguin wrote The technique used to create the object was borrowed in part from the Far East, especially in the use of dripped paint on glazed stoneware which was influenced by Japanese craftsmen of the Takatori region. The idea of merging the form of a head and a jug was taken from Peruvian pottery, likely from pieces his mother had collected when he was a child. Jug in the Form of a Head, Self-Portrait Jug in the form of a