Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Gustavo III (Verdi) be Colonial Boston. This setting became the "standard" one until the mid-20th Century. Most productions today locate the action in Sweden. However, a "hypothetical reconstruction" of "Gustavo III" under its original name was performed by the Gothenburg Opera in Sweden during the 2002/03 season. In early 1856 Vincenzo Torelli, secretary to the Teatro San Carlo's management approached Verdi with a contract offer, the proposed opera being "Re Lear", an opera based on Shakespeare's "King Lear". It was known to be a subject dear to the composer, but this libretto, for which Somma and Verdi had worked for some time, raised