Johannes Vermeer including Simon Duiker. Other artists who were inspired by Vermeer include Danish painter Wilhelm Hammershoi and American Thomas Wilmer Dewing. In the 20th century, Vermeer's admirers included Salvador Dalí, who painted his own version of "The Lacemaker" (on commission from collector Robert Lehman) and pitted large copies of the original against a rhinoceros in some surrealist experiments. Dali also immortalized the Dutch Master in "The Ghost of Vermeer of Delft Which Can Be Used As a Table", 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a
Jug in the Form of a Head, Self-Portrait his disciples rebelled, and to an extent he was sidelined. Of another similar self-portrait, "Christ in the Garden of Olives", Gauguin wrote The technique used to create the object was borrowed in part from the Far East, especially in the use of dripped paint on glazed stoneware which was influenced by Japanese craftsmen of the Takatori region. The idea of merging the form of a head and a jug was taken from Peruvian pottery, likely from pieces his mother had collected when he was a child. Jug in the Form of a Head, Self-Portrait Jug in the form of a