Falstaff (opera) to think of "Falstaff" as a work that has a certain Englishness. In fact the opera is no more English than "Aida" is Egyptian. Boito and Verdi between them transformed the fat knight into one of the archetypes of "opera buffa"." Verdi himself, however, felt that the Falstaff of the opera is not a conventional Italian "buffo" character, but portrays Shakespeare's fuller, more ambiguous Falstaff of the "Henry IV" plays: "My Falstaff is not merely the hero of "The Merry Wives of Windsor", who is simply a buffoon, and allows himself to be tricked by the women, but also the
Giuseppe Verdi the death of his mother in June 1851. The fact that this is "the one opera of Verdi's which focuses on a mother rather than a father" is perhaps related to her death. In the winter of 1851–52 Verdi decided to go to Paris with Strepponi, where he concluded an agreement with the Opéra to write what became "Les vêpres siciliennes", his first original work in the style of grand opera. In February 1852, the couple attended a performance of Alexander Dumas "fils"'s play, "The Lady of the Camellias"; Verdi immediately began to compose music for what would later become