Horace Latin the spirit and iambic poetry of Archilochus but (unlike Archilochus) without persecuting anyone ("Epistles" 1.19.23–5). It was no idle boast. His "Epodes" were modeled on the verses of the Greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. Whereas Archilochus presented himself as a serious and vigorous opponent of wrong-doers, Horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch Canidia in the final epode). He also claimed to be the first to introduce into Latin the lyrical methods
Satires (Juvenal) discretion. The author makes constant allusion to history and myth as a source of object lessons or exemplars of particular vices and virtues. Coupled with his dense and elliptical Latin, these tangential references indicate that the intended reader of the "Satires" was highly educated. The "Satires" are concerned with perceived threats to the social continuity of the Roman citizens: social-climbing foreigners, unfaithfulness, and other more extreme excesses of their own class. The intended audience of the "Satires" constituted a subset of the Roman elite, primarily adult males of a more conservative social stance. Scholarly estimates for the dating of the