Horace Latin the spirit and iambic poetry of Archilochus but (unlike Archilochus) without persecuting anyone ("Epistles" 1.19.23–5). It was no idle boast. His "Epodes" were modeled on the verses of the Greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. Whereas Archilochus presented himself as a serious and vigorous opponent of wrong-doers, Horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch Canidia in the final epode). He also claimed to be the first to introduce into Latin the lyrical methods
Carmen Priami literary historian Gian Biagio Conte, "could only be to lend substance to some intuition of primitive preliterary epic composition." The poem is among the "countertendencies" in Latin literature that reveal Roman ambivalence toward the adoption of Greek culture. Carmen Priami The Carmen Priami ("Priam's Song") is a lost Latin poem known from the quotation of a single line by Varro. The unknown poet, "a remarkable reactionary," rejects the Hellenizing trend in Latin poetry led by Ennius ("ca." 239–169 BC) and adopts a deliberately archaic style, invoking the Camenae: The invocation of the Muse is a convention of Greco-Roman poetry, and