Pierrot [1883]; "The Painter Aman-Jean as Pierrot" [1883]), Léon Comerre ("Pierrot" [1884]), Henri Rousseau ("A Carnival Night" [1886]), Paul Cézanne ("Mardi gras [Pierrot and Harlequin]" [1888]), Fernand Pelez ("Grimaces and Miseries" a.k.a. "The Saltimbanques" [1888]), Pablo Picasso ("Pierrot and Columbine" [1900]), Guillaume Seignac ("Pierrot's Embrace" [1900]), and Édouard Vuillard ("The Black Pierrot" [c. 1890]). The mime "Tombre" of Jean Richepin's novel "Nice People" ("Braves Gens" [1886]) turned him into a pathetic and alcoholic "phantom"; Paul Verlaine imagined him as a gormandizing naïf in "Pantomime" (1869), then, like Tombre, as a lightning-lit specter in "Pierrot" (1868, pub. 1882). Laforgue put three of
Bayonetta (character) page, with a countdown that ended with the release of the first game on PC. Critical response to Bayonetta's character has been mainly positive. "Computer and Video Games" praised her as more interesting than the game's storyline, describing her as the "sexiest collection of pixels [they've] ever seen", though not a character they considered a sex object. They further compared her to "Lara Croft without the prudishness, Rubi from "Wet" played with honest sexuality", and one of the most memorable characters they'd seen. GamesRadar stated the character deserved plenty of respect, describing her as "sexy, witty and can certainly handle