Holy Week funeral marches, hymns or "marchas" written for the occasion. Music for the Holy Week includes Lamentations of Jeremiah the Prophet, Responsories for Holy Week, Passion oratorios and Easter oratorios. Tomás Luis de Victoria's "Officium Hebdomadae Sanctae" (1585) contains settings of 37 texts for the Catholic liturgy of the Holy Week. Carlo Gesualdo's "Responsoria et alia ad Officium Hebdomadae Sanctae spectantia" (1611) contains settings of all 27 Tenebrae responsories (for matins of Maundy Thursday, Good Friday and Holy Saturday), and of a few other text for use in lauds of the Holy Week. "Leçons de ténèbres" as composed by various French
Holy Week in Mexico consecrated. Many churches also hold reenactments of the Last Supper, but Masses usually omit the exchanges of greeting of peace as a reminder of Judas’ betrayal of Jesus. From this day through Holy Saturday, church bells are traditionally not rung. Reenactments of the day of crucifixion take place in almost all communities in Mexico on Good Friday and for a number these traditions extends to a passion play enacted most or all of Holy Week. The focus of these reenactments focus on the carrying of the cross by Jesus and his crucifixion as told by the Stations of the Cross.