Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Waiting for Godot political and religious interpretation", wrote Normand Berlin in a tribute to the play in Autumn 1999, "with Beckett himself placed in different schools of thought, different movements and 'ism's. The attempts to pin him down have not been successful, but the desire to do so is natural when we encounter a writer whose minimalist art reaches for bedrock reality. 'Less' forces us to look for 'more', and the need to talk about "Godot" and about Beckett has resulted in a steady outpouring of books and articles. Throughout "Waiting for Godot", the audience may encounter religious, philosophical, classical, psychoanalytical and biographical