String Quintet (Schubert) flat supertonic (D-flat) and the tonic (C), played "forte" in all parts. After Schubert's string quintet was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. An early admirer was Brahms whose Piano Quintet (1865) was inspired in part by Schubert's (then) newly discovered work. Brahms, in fact, originally wrote that work as a string quintet with two cellos (the complement used by Schubert) and only later recast it as a piano quintet. The piano quintet is in F minor, the key of the turbulent central section of Schubert's "Adagio", while the third movement recalls
String Quintet (Bruckner) In a letter to the Florian priest and Regens Chori Ignaz Traumihler Bruckner reports on the completion of his string quintet) and at the same time hopes for the premiere by Josef Hellmesberger: "My quintet is ready! Hofkapellm (dialect). Hellmesberger is completely out of joint with joy, u wills perform. He's totally changed, u is huge." In fact, Hellmesberger had hesitated with the premiere. The Bruckner biographer August Göllerich notes: "As with the genius of any impression is converted into a gigantic, Bruckner seems to have taken even some authoritative words of Hellmesberger on the now completed quintet too seriously."