The Magic Flute the Masonic influence is exaggerated. Schikaneder and Mozart were Freemasons, as was Ignaz Alberti, engraver and printer of the first libretto. The opera is also influenced by Enlightenment philosophy and can be regarded as advocating enlightened absolutism. The Queen of the Night is seen by some to represent a dangerous form of obscurantism, by others to represent Roman Catholic Empress Maria Theresa, and still others see the Roman Catholic Church itself, which was strongly anti-Masonic. Some modern audiences detect strains of misogyny and casual racism in "The Magic Flute". The names of the performers at the premiere are taken from
The Magic Flute (ballet) issued on the label London. The ballet has been re-staged in several versions, notably by Peter Martins for the School of American Ballet. This production was first presented on 9 May 1981. A second premiere was given by the New York City Ballet on 21 January 1982, at the New York State Theater, Lincoln Center with décor designed by David Mitchell, costumes by Ben Benson. List of scenes and dances from "The Magic Flute" taken from the published piano score and the original program of 1893. All libretti and programs of works performed on the stages of the Imperial Russian