Abbey Theatre works by Seumas O'Cuisin, Fred Ryan and Yeats. The third base was the financial support and experience of Annie Horniman, a middle-class Englishwoman with previous experience of theatre production, having been involved in the presentation of George Bernard Shaw's "Arms and the Man" in London in 1894. An acquaintance of Yeats from London circles, including the Order of the Golden Dawn, she came to Dublin in 1903 to act as Yeats' unpaid secretary and to make costumes for a production of his play "The King's Threshold". Her money helped found the Abbey Theatre and, according to the critic Adrian Frazier,
George Bernard Shaw early Fabians, mainly under the influence of Shaw, was to "alter history by rewriting it". Shaw's talent as a pamphleteer was put to immediate use in the production of the society's manifesto—after which, says Holroyd, he was never again so succinct. After the turn of the twentieth century, Shaw increasingly propagated his ideas through the medium of his plays. An early critic, writing in 1904, observed that Shaw's dramas provided "a pleasant means" of proselytising his socialism, adding that "Mr Shaw's views are to be sought especially in the prefaces to his plays". After loosening his ties with the Fabian