Pozzo (Waiting for Godot) Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting for Godot". His name is Italian for "well" (as in "oil well"). On the surface he is a pompous, sometimes foppish, aristocrat (he claims to live in a manor, own many slaves and a Steinway piano), cruelly using and exploiting those around him (specifically his slave, Lucky and, to a lesser extent, Estragon). He wears similar clothes to Vladimir and Estragon (i.e. a bowler and suit), but they are not in the dire condition theirs are. While by no means a villain in a conventional sense of
Waiting for Godot his surveillant presence. He is by turns dismissed, satirised, or ignored, but he, and his tortured son, are never definitively discarded." "Waiting for Godot" has been described as a "metaphor for the long walk into Roussillon, when Beckett and Suzanne slept in haystacks [...] during the day and walked by night [... or] of the relationship of Beckett to Joyce." Becket told Ruby Cohn that Caspar David Friedrich's painting "Two Men Contemplating the Moon", which he saw on his journey to Germany in 1936, was a source for the play. Though the sexuality of Vladimir and Estragon is not always