Giordano Bruno motion of the stars to be an illusion caused by the rotation of the Earth on its axis; he also preserved the notion of an immobile center, but it was the Sun rather than the Earth. Copernicus also argued the Earth was a planet orbiting the Sun once every year. However he maintained the Ptolemaic hypothesis that the orbits of the planets were composed of perfect circles—deferents and epicycles—and that the stars were fixed on a stationary outer sphere. Despite the widespread publication of Copernicus' work "De revolutionibus orbium coelestium", during Bruno's time most educated Catholics subscribed to the Aristotelian
The Royal Hunt of the Sun Music is a key element to this play, more so than any other by Peter Shaffer. He wanted strange and disturbing sounds produced on primitive instruments such as saws, reed pipes, drums (tablas and bongos) and cymbals to create the aural world of 16th Century Peru. Shaffer was so impressed with Marc Wilkinson's score for "The Royal Hunt Of The Sun", which he has described as "perhaps the best score for a play to be written since Grieg embellished "Peer Gynt"", that he now considers it integral to the play. The staging is relatively simple: an upper and lower part