Libretto of The Magic Flute [His portrayal of Pamina] is one more example of the thread that runs through the operas – what Daniel Heartz has called Mozart's "infinite care to create strong and deeply moving female characters in [...] all of his operas." Mainstream scholarship views Schikaneder as the highly probable author. For a marginally-supported alternative candidate, see "Karl Ludwig Giesecke". It is not uncommon for critics to describe the libretto of "The Magic Flute" as being of dreadful quality. Thus Bauman writes, "The libretto has been generally regarded, in Dent's words, as "one of the most absurd specimens of that form of literature
The Magic Flute bring in food, the magic flute, and the bells, sent from Sarastro (Trio: ""). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "") She leaves in despair. "Scene 5: The pyramids" The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: ""). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater