String Quintet (Schubert) flat supertonic (D-flat) and the tonic (C), played "forte" in all parts. After Schubert's string quintet was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. An early admirer was Brahms whose Piano Quintet (1865) was inspired in part by Schubert's (then) newly discovered work. Brahms, in fact, originally wrote that work as a string quintet with two cellos (the complement used by Schubert) and only later recast it as a piano quintet. The piano quintet is in F minor, the key of the turbulent central section of Schubert's "Adagio", while the third movement recalls
String Quintet (Bruckner) spectrum. Although Bruckner's String Quintet is primarily a chamber music work, the symphonic aspects of this work have inspired various authors to adapt to diverse instrumentation. Hans Stadlmair has set up the string quintet for a choral performance and also added double basses. Gottfired Kraus states: "Only the additional use of double basses creates new possibilities of expression, the great string sound lets us recognize in Bruckner's unmistakable language, the role models, not least the influence of Richard Wagner more clearly than in the comparatively brittle chamber music version of the case ." The work was among others recorded by