Waiting for Godot Waiting for Godot Waiting for Godot ( ) is a play by Samuel Beckett, in which two characters, Vladimir (Didi) and Estragon (Gogo), wait for the arrival of someone named Godot who never arrives, and while waiting they engage in a variety of discussions and encounter three other characters. "Waiting for Godot" is Beckett's translation of his own original French play, , and is subtitled (in English only) "a tragicomedy in two acts". The original French text was composed between 9 October 1948 and 29 January 1949. The premiere was on 5 January 1953 in the , Paris. The English
Krapp's Last Tape "My Last Duchess" is already planning to marry his next duchess ... Still, one hopes for Krapp's sake that he will be gone before another year is over." In "Waiting for Godot", Beckett uses aspects of Judeo-Christianity as the template for his play, in "Film" the template is the writings of Bishop Berkeley, and in "Krapp's Last Tape", according to Anthony Cronin, he uses Manichaeism as a structural device: The dichotomy of light and dark ... is central to Manichaean doctrine ... Its adherents believed that the world was ruled by evil powers, against which the god of the whole