George Bernard Shaw and "Caesar and Cleopatra", Shaw's counterblast to Shakespeare's "Antony and Cleopatra", seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce". These plays included "Getting Married" (premiered 1908), "The Shewing-Up of Blanco Posnet" (1909), "Misalliance" (1910), and "Fanny's First Play" (1911). "Blanco Posnet" was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. "Fanny's First Play", a comedy
Mary Shaw (actress) Mary Shaw (actress) Mary Shaw (1854–May 18, 1929) was an American suffragette, early feminist, playwright and actress. Shaw was involved in the women's movement since the early 1890s, and in 1892 she became a member of the Professional Women's League. She played many controversial roles in her career as an actress, and was involved in some of the most controversial plays of her time such as Henrik Ibsen's "Ghosts" and "Hedda Gabler", George Bernard Shaw's (no relation) "Mrs. Warren's Profession" and many female suffrage plays. Shaw, along with actress Jessie Bonstelle, designed the Woman's National Theatre in the early twentieth