String Quintet (Bruckner) to thank the Bavarian Duke. The choice of a suitably high-ranking personality as dedicatee shows the importance that Bruckner attaches to his string quintet. The Bruckner researcher and organist Erwin Horn shows that Bruckner's "one step after the other in the upwardly open ranking" climbed with his dedications. Bruckner is thus - as far as meaning is concerned - his string quintet on the level of the symphonies. Bruckner's String Quintet in F major is composed for two violins, two violas and one cello. The addition of the second viola particularly emphasizes and enhances the middle range of the string
Piano quintet scored for piano, oboe, clarinet, horn, and bassoon. Not until the middle of the 19th century did Robert Schumann's Piano Quintet in E major, Op. 44 (1842) firmly establish music for piano and string quartet as a significant, and quintessentially Romantic, chamber music genre. By 1842, the string quartet had evolved into the most important chamber music ensemble, and advances in the design of the piano had expanded its power and dynamic range. Bringing the piano and string quartet together, Schumann's Piano Quintet took full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the