Pluto (mythology) says that among the Turdetani, it is "Pluto, and not Hades, who inhabits the region down below." In the discourse "On Mourning" by the Greek author Lucian (2nd century AD), Pluto's "wealth" is the dead he rules over in the abyss "(chasma)"; the name "Hades" is reserved for the underworld itself. In Greek religious practice, Pluto is sometimes seen as the "chthonic Zeus" ("Zeus Chthonios" or "Zeus Catachthonios"), or at least as having functions or significance equivalent to those of Zeus but pertaining to the earth or underworld. In ancient Roman and Hellenistic religion, Pluto was identified with a number
Pluto (mythology) described Pluto as a folkloric supernatural being, "the elrich incubus / in cloke of grene" ("the eldritch incubus in cloak of green"), who appears among the courtiers of Cupid. The name "Pluto" for the classical ruler of the underworld was further established in English literature by Arthur Golding, whose translation of Ovid's "Metamorphoses" (1565) was of great influence on William Shakespeare, Christopher Marlowe, and Edmund Spenser. Golding translates Ovid's "Dis" as Pluto, a practice that prevails among English translators, despite John Milton's use of the Latin "Dis" in "Paradise Lost". The Christian perception of the classical underworld as Hell influenced