Lucky (Waiting for Godot) when Lucky wears his hat, he is capable of thinking. The monologue is long, rambling word salad, and does not have any apparent end; it is only stopped when Vladimir takes the hat back. Within the gibberish Lucky makes comments on the arbitrary nature of God, man's tendency to pine and fade away, and towards the end, the decaying state of the earth. His ramblings may be loosely based around the theories of the Irish philosopher Bishop Berkeley. Lucky (Waiting for Godot) Lucky is a character from Samuel Beckett's "Waiting for Godot". He is a slave to the character Pozzo.
Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy