Irish literature Lady Says No!" (1929), and "The Moon in the Yellow River" (1931). While there no doubt that Samuel Beckett is an Irishman he lived much of his life in France and wrote several works first in French. His most famous plays are "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), "Endgame" (originally "Fin de partie") (1957), "Happy Days" (1961), written in English, all of which profoundly affected British drama. In 1954, Behan's first play "The Quare Fellow" was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London,
Waiting for Godot "Catullus" in the first Faber edition. This became "Adam" in the American edition. Beckett's only explanation was that he was "fed up with Catullus". Vivian Mercier described "Waiting for Godot" as a play which "has achieved a theoretical impossibility—a play in which nothing happens, that yet keeps audiences glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice." Mercier once questioned Beckett on the language used by the pair: "It seemed to me...he made Didi and Gogo sound as if they had