Faye Dunaway herself up to her estranged father and a lover. I understood that dilemma well, the conflict between ambition and love, the fear of trusting someone else with your love." The film was a modest success but Dunaway received good notices for her performance. In his review of the film, Roger Ebert noted how she had never topped the work she did in "Bonnie and Clyde", and said that her career had been "rather absentminded" ever since. He praised her performance in "Oklahoma Crude", saying that she played the role with "a great deal of style", while adding, "Perhaps she has
Faye Dunaway one of his most famous pictures, "The Morning After", showing Dunaway poolside at the Beverly Hills Hotel with her Oscar the morning after the ceremony. In 1978, Dunaway returned to the screen in Irvin Kershner's thriller "Eyes of Laura Mars", about a fashion photographer who sees visions of a killer murdering people. The film was a success at the box office and Dunaway received positive reviews for her performance, with Janet Maslin writing for "The New York Times" that she was "perfect for her role". She played supporting roles in "The Champ" (1979), as the film offered her the chance