Theo van Doesburg by then already gained some attention with his paintings. Van Doesburg saw in these paintings his ideal in painting: a complete abstraction of reality. Soon after the exposition Van Doesburg got in contact with Mondrian, and together with related artists Bart van der Leck, , Vilmos Huszár and Jacobus Oud they founded the magazine "De Stijl" in 1917. Although De Stijl was made up of many members, Van Doesburg was the "ambassador" of the movement, promoting it across Europe. He moved to Weimar in 1922, deciding to make an impression on the Bauhaus principal, Walter Gropius, in order to spread
Bart van der Leck based on this alphabet for the avant garde magazine "Flax". Architype van der Leck, a digital revival of that face by David Quary and Freda Sack of The Foundry, was released in 1994. Bart van der Leck claimed to be the father of the avant-garde movement. In his own words he said: "Mondrian came to my place one day with Doesburg, whom I had never seen before. When Doesburg noticed an abstract painting right on the easel, he exlaimed: 'If that is to be the painting of the future, may I be hanged right now!' Well, a few months later,