Major seventh the same number of staff positions, but consist of a different number of semitones (nine and twelve). The easiest way to locate and identify the major seventh is from the octave rather than the unison, and it is suggested that one sings the octave first. For example, the most commonly cited example of a melody featuring a major seventh is the tonic-octave-major seventh of the opening to "(Somewhere) Over the Rainbow". "Not many songwriters begin a melody with a major seventh interval; perhaps that's why there are few memorable examples." However, two songs provide exceptions to this generalisation: Cole Porter's
Pitch interval Thus the ordered pitch class interval, i<"x", "y">, may be defined as: Ascending intervals are indicated by a positive value, and descending intervals by a negative one. Pitch interval In musical set theory, a pitch interval (PI or ip) is the number of semitones that separates one pitch from another, upward or downward. They are notated as follows: For example C4 to D4 is 3 semitones: While C4 to D5 is 15 semitones: However, under octave equivalence these are the same pitches (D4 & D5, ), thus the #Pitch-interval class may be used. In musical set theory, a pitch-interval class