The Silver Tassie (play) play's study of Harry’s loss of many of his life’s hopes during and after the war, marks it as unusual. In 1928, W. B. Yeats rejected the play for the Abbey Theatre in Dublin. It premièred at the Apollo Theatre in the West End of London on 11 October 1929. It was directed by Raymond Massey and starred Charles Laughton and Barry Fitzgerald. The set design for act two was by Augustus John. It ran for twenty-six performances. George Bernard Shaw and Lady Gregory were both great admirers of the production. Its Irish première was on 12 August 1935 at
George Bernard Shaw Osborne's plays, and concludes that though the latter's work is neither imitative nor derivative, these affinities are sufficient to classify Osborne as an inheritor of Shaw. In a 1983 study, R. J. Kaufmann suggests that Shaw was a key forerunner—"godfather, if not actually finicky paterfamilias"—of the Theatre of the Absurd. Two further aspects of Shaw's theatrical legacy are noted by Crawford: his opposition to stage censorship, which was finally ended in 1968, and his efforts which extended over many years to establish a National Theatre. Shaw's short 1910 play "The Dark Lady of the Sonnets", in which Shakespeare pleads with