Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
While Waiting for Godot The "Poughkeepsie Journal" remarked “through his own vision of the modern urban impoverished, Azank emphasizes the humanity of Godot and makes it timely." Adrian McCoy ("Pittsburgh Post-Gazette") said of the show, “"While Waiting for Godot" adds unexpected elements, such as a funny line followed by a drum roll and laugh track, mysterious text messages and a great soundtrack, a modern layer of social commentary -- specifically the issue of urban homelessness -- it incorporates real images of life on the street, giving it a gritty documentary feel at times. The camera pans through streets lined with homeless people sleeping, sitting,