Endgame (play) Endgame (play) Endgame, by Samuel Beckett, is a one-act play with four characters. It was originally written in French (entitled "Fin de partie"); Beckett himself translated it into English. The play was first performed in a French-language production at the Royal Court Theatre in London, opening on 3 April 1957. It is commonly considered, along with such works as "Waiting for Godot", to be among Beckett's best works. The play was premiered on 3 April 1957 at the Royal Court Theatre, London, directed by Roger Blin, who also played Hamm; Jean Martin was Clov, Georges Adet was Nagg and Christine
Waiting for Godot the Absurd" (1960), argued that "Waiting for Godot" was part of a broader literary movement that he called the Theatre of the Absurd, a form of theatre which stemmed from the absurdist philosophy of Albert Camus. Absurdism itself is a branch of the traditional assertions of existentialism, pioneered by Søren Kierkegaard, and posits that, while inherent meaning might very well exist in the universe, human beings are incapable of finding it due to some form of mental or philosophical limitation. Thus humanity is doomed to be faced with "the Absurd", or the absolute absurdity of the existence in lack of