Abbey Theatre works by Seumas O'Cuisin, Fred Ryan and Yeats. The third base was the financial support and experience of Annie Horniman, a middle-class Englishwoman with previous experience of theatre production, having been involved in the presentation of George Bernard Shaw's "Arms and the Man" in London in 1894. An acquaintance of Yeats from London circles, including the Order of the Golden Dawn, she came to Dublin in 1903 to act as Yeats' unpaid secretary and to make costumes for a production of his play "The King's Threshold". Her money helped found the Abbey Theatre and, according to the critic Adrian Frazier,
George Bernard Shaw the London theatres of the 1890s presented too many revivals of old plays and not enough new work. He campaigned against "melodrama, sentimentality, stereotypes and worn-out conventions". As a music critic he had frequently been able to concentrate on analysing new works, but in the theatre he was often obliged to fall back on discussing how various performers tackled well-known plays. In a study of Shaw's work as a theatre critic, E. J. West writes that Shaw "ceaselessly compared and contrasted artists in interpretation and in technique". Shaw contributed more than 150 articles as theatre critic for "The Saturday Review",