String Quintet (Schubert) the C minor/major of Schubert's Quintet, and that movement ends in the same manner as Schubert's finale, with strong emphasis on the flat supertonic D-flat, before the final tonic C. Current consensus holds that the Quintet represents a high point in the entire chamber repertoire. Although there is no reason to believe Schubert expected to die so soon after composing the work, the fact that the quintet was completed a mere two months before his death has inspired some listeners to hear in it a valedictory or death-haunted quality. For John Reed, the quintet prefigures Schubert's death, ending as it
Piano Quintet (Schumann) and dynamic range. Bringing the piano and string quartet together, Schumann's Piano Quintet takes full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the five instruments with concertante passages in which the combined forces of the strings are massed against the piano. At a time when chamber music was moving out of the salon and into public concert halls, Schumann reimagines the piano quintet as a musical genre "suspended between private and public spheres" alternating between "quasi-symphonic and more properly chamber-like elements." The piece contains four movements in the standard fast-slow-scherzo-fast pattern: The tempo