The Magic Flute (1975 film) stage Bergman had hoped to direct a production at the Malmö City Theater. The origin of his filmed version was in the 1960s, when Magnus Enhörning, head of the Swedish Radio, asked him for possible projects and he replied "I want to do "The Magic Flute" for television". Enhörning readily agreed and supported the project without hesitation. The German-language libretto of "The Magic Flute" was the work of Mozart's collaborator Emanuel Schikaneder, who was also theatre manager and sang Papageno at the first performances in 1791. For the plot, see "The Magic Flute", and for details of the libretto see
The Magic Flute (1975 film) theater. I remember distinctly what a bewitching experience it was: the effect of chiaroscuro, the silence, the stage. In my imagination I have always seen "The Magic Flute" living inside that old theater, in that keenly acoustical wooden box, with its slanted stage floor, its backdrops and wings. Here lies the noble, magical illusion of theater. Nothing is; everything represents. The moment the curtain is raised, an agreement between stage and audience manifests itself. And now, together, we'll create! In other words, it is obvious that the drama of "The Magic Flute" should unfold in a baroque theater. At one