Cosmology in medieval Islam empirical testing. His work thus marked a turning point in astronomy, which may be considered a "Scientific Revolution before the Renaissance". His rectified model was later adapted into a heliocentric model by Copernicus, which was mathematically achieved by reversing the direction of the last vector connecting the Earth to the Sun. In the published version of his masterwork, "De revolutionibus orbium coelestium", Copernicus also cites the theories of al-Battani and Averroes as influences. An area of active discussion in the Maragheh school, and later the Samarkand and Istanbul observatories, was the possibility of the Earth's rotation. Supporters of this theory
Allegory of the Planets and Continents Allegory of the Planets and Continents Allegory of the Planets and Continents is an 18th-century painting by Italian artist Giovanni Battista Tiepolo. Done in oil on canvas, the allegorical work uses human figures to represent members of the Greco-Roman pantheon, the planets, and four continents. The painting is an elaborate oil sketch made by Tiepolo in preparation for rendering a similar, larger version of his scene. Tiepolo's work was painted to be hung above a staircase of the Wurzburg Residence in Wurzburg, Germany. The intricate painting depicts figures circling around Tiepolo's rendering of Apollo, the sun god; this represents planets