Universal key fractions (e.g. an A natural in the scale above becomes ) or, more commonly in written text, by inserting an accidental before the number (e.g. the same note becomes 5 or 4). In music theory aimed towards jazz and popular music, all triads are represented by upper case numerals, followed by a symbol to indicate if it is not a major chord (e.g. "m" for minor or "ø" for half-diminished): When representing the triads rooted in a minor key, accidentals are used to indicate the chromatic alteration from the assumed major key roots indicated by numerals that don't have accidentals:
Scientific pitch notation frequencies, in other words, standard concert pitch and twelve-tone equal temperament). When a piano is tuned to just intonation, C refers to the same key on the keyboard, but a slightly different frequency. Mathematically, given the number formula_1 of semitones above middle C, the fundamental frequency in hertz is given by formula_2 (see twelfth root of two). Given the MIDI NoteOn number formula_3, the frequency of the note is normally formula_4 Hz, using standard tuning. Scientific pitch (q.v.) is an absolute pitch "standard", first proposed in 1713 by French physicist Joseph Sauveur. It was defined so that all Cs are