The Magic Flute troupe, tenor Benedikt Schack (the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. Mozart's participation increased with his contributions to the 1790 collaborative opera "Der Stein der Weisen" ("The Philosopher's Stone"), including the duet ("Nun liebes Weibchen", K. 625/592a) among other passages. Like "The Magic Flute", "Der Stein der Weisen" was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. The libretto for "The Magic Flute", written by Schikaneder, is thought by scholars to be based on many sources. Some works
The Magic Flute (1975 film) a cinema) on an August evening in the same year. Bergman later wrote (in his book "Images") on how he chose his singers. Since we were not performing "The Magic Flute" on a stage but in front of a microphone and camera, we did not need large voices. What we needed were warm, sensuous voices that had personality. To me it was also absolutely essential that the play be performed by young actors, naturally close to dizzy, emotional shifts between joy and sorrow, between thinking and feeling. Tamino must be a handsome young man. Pamina must be a beautiful young