Piano Quintet (Schumann) in a double fugue. This coup may have been inspired by a similar confluence of themes in the E flat quartet op. 12 of Felix Mendelssohn. Schumann's piano quintet was widely acclaimed and much-imitated. Its success firmly established the piano quintet as a significant, and quintessentially Romantic, chamber music genre. The Piano Quintet in F minor, Op. 34 of Johannes Brahms, reworked from an earlier sonata for two pianos (itself a reworking of an earlier string quintet) at the urging of Clara Schumann, was one of many significant Romantic piano quintets that show Schumann's influence and adopt his choice of
String Quintet (Bruckner) his piano arrangement of the slow movement were intended for printing. While the Viennese critics Gustav Dömpcke, Max Kalbeck and Eduard Hanslick responded to the string quintet dismissively to hostile, the Bruckner admirers Theodor Helm and Ludwig Speidel praised the originality and sound beauty of the new work. Thus, in 1884, Theodor Helm emphasized: "While the finale of the Bruckner Quintet - at least the effect of first-time listening - is in doubt, the three remaining movements are of the highest interest, especially in the happy and original invention of the motives. ... But the pearl of the quintet is