The Magic Flute outside Vienna (21 September 1792) in Lemberg, then in Prague. It then made "triumphal progress through Germany's opera houses great and small", and with the early 19th century spread to essentially all the countries of Europe—and eventually, everywhere in the world—where opera is cultivated. As Branscombe documents, the earlier performances were often of highly altered, sometimes even mutilated, versions of the opera (see "Ludwig Wenzel Lachnith"). Productions of the past century have tended to be more faithful to Mozart's music, though faithful rendering of Mozart and Schikaneder's original (quite explicit) stage directions and dramatic vision continues to be rare; with
British National Opera Company free of charge, to support the company. She did not, however, feel equal to relearning her old roles in English translation, and she sang in Italian while the rest of the company sang in the vernacular. The British National Opera Company was a pioneer of broadcast opera, with excerpts from "The Magic Flute" broadcast live from the Royal Opera House by the British Broadcasting Company in January 1923, less than a year after the foundation of both the BBC and the opera company. The company's first artistic director was Percy Pitt, who had been music director with the Grand Opera