Accidental (music) felt it was obvious that the accidental should continue. The older practice continued in use well into the 18th century by many composers, notably Johann Sebastian Bach. The newer convention did not achieve general currency until early in the 19th century. Accidental (music) In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure
Avoid note Avoid note In jazz theory, an avoid note is a scale degree considered especially dissonant relative to the harmony implied by the root chord, and is thus better avoided. In major-key tonality the avoid note is the fourth diatonic scale step, or 11th, which is a minor ninth above the 3rd of the chord, and thus very harsh. In melody it is usually avoided, treated as a "scale approach note" or passing note, or sharpened. It is not available in harmony. The available tensions for a dominant seventh chord are 9, 11, and 13. In minor harmony the sixth scale