The Actor's Nightmare actress Ellen tells him that it is a Samuel Beckett play called "Checkmate" (which seems to have elements of the plays "Endgame", "Happy Days", and "Waiting for Godot"). Literally forced on stage, George attempts to improvise his lines; however, the play inconsistently shifts between scenes from "Private Lives", "Hamlet", "Checkmate", and "A Man for All Seasons". When forced to improvise a soliloquy in the "Hamlet" scene, George tells the audience that he was raised in a Catholic school and was interested in joining a monastery but they told him to wait until he was older. When he was older, however,
Waiting for Godot Godot", based on Sigmund Freud's trinitarian description of the psyche in "The Ego and the Id" (1923) and the usage of onomastic techniques. Dukore defines the characters by what they lack: the rational Go-go embodies the incomplete ego, the missing pleasure principle: (e)go-(e)go. Di-di (id-id) – who is more instinctual and irrational – is seen as the backward id or subversion of the rational principle. Godot fulfills the function of the superego or moral standards. Pozzo and Lucky are just re-iterations of the main protagonists. Dukore finally sees Beckett's play as a metaphor for the futility of man's existence when