History of science in the Renaissance trained with the "Theoricae novae" and the "Epitome". Shortly before 1514 he began to revive Aristarchus's idea that the Earth revolves around the Sun. He spent the rest of his life attempting a mathematical proof of heliocentrism. When "De revolutionibus orbium coelestium" was finally published in 1543, Copernicus was on his deathbed. A comparison of his work with the "Almagest" shows that Copernicus was in many ways a Renaissance scientist rather than a revolutionary, because he followed Ptolemy's methods and even his order of presentation. In astronomy, the Renaissance of science can be said to have ended with the works
Allegory of the Planets and Continents orbiting the Sun. The cornice of the painting symbolize the continents Europe, America, Africa, and Asia. Allegory of the Planets and Continents Allegory of the Planets and Continents is an 18th-century painting by Italian artist Giovanni Battista Tiepolo. Done in oil on canvas, the allegorical work uses human figures to represent members of the Greco-Roman pantheon, the planets, and four continents. The painting is an elaborate oil sketch made by Tiepolo in preparation for rendering a similar, larger version of his scene. Tiepolo's work was painted to be hung above a staircase of the Wurzburg Residence in Wurzburg, Germany. The