Quarter-comma meantone each kind, a perfect fifth of meantone contains four diatonic and three chromatic semitones, and an octave seven diatonic and five chromatic semitones, it follows that: Thus, in Pythagorean tuning, where sequences of just fifths (frequency ratio 3:2) and octaves are used to produce the other intervals, a whole tone is and a major third is An interval of a seventeenth, consisting of sixteen diatonic and twelve chromatic semitones, such as the interval from D to F, can be equivalently obtained using either This large interval of a seventeenth contains staff positions. In Pythagorean tuning, the size of a seventeenth
Ninth the second scale degree, which is a major second in both major and minor, thus: The dominant ninth (V) is a dominant seventh plus a major or minor ninth. Ninth In music, a ninth is a compound interval consisting of an octave plus a second. Like the second, the interval of a ninth is classified as a dissonance in common practice tonality. Since a ninth is an octave larger than a second, its sonority level is considered less dense. A major ninth is a compound musical interval spanning 14 semitones, or an octave plus 2 semitones. If transposed into a