Lucky (Waiting for Godot) Lucky (Waiting for Godot) Lucky is a character from Samuel Beckett's "Waiting for Godot". He is a slave to the character Pozzo. Lucky is unique in a play where most of the characters talk incessantly: he only utters two sentences, one of which is more than seven hundred words long (the monologue). Lucky suffers at the hands of Pozzo willingly and without hesitation. He is "tied" (a favourite theme in "Godot") to Pozzo by a ridiculously long rope in the first act, and then a similarly ridiculous short rope in the second act. Both tie around his neck. When he
Waiting for Godot the Absurd" (1960), argued that "Waiting for Godot" was part of a broader literary movement that he called the Theatre of the Absurd, a form of theatre which stemmed from the absurdist philosophy of Albert Camus. Absurdism itself is a branch of the traditional assertions of existentialism, pioneered by Søren Kierkegaard, and posits that, while inherent meaning might very well exist in the universe, human beings are incapable of finding it due to some form of mental or philosophical limitation. Thus humanity is doomed to be faced with "the Absurd", or the absolute absurdity of the existence in lack of