De Stijl was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with Theo van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, and Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as "Neoplasticism"—the new plastic art (or "Nieuwe Beelding" in Dutch). According to Theo van Doesburg in the introduction of the magazine "De Stijl" 1917 no.1, the "De Stijl"-movement was a reaction to
Death of the Virgin (van der Goes) 1480 when van der Goes began to excitedly talk about how he was a doomed, lost soul and attempted to commit suicide and had to be forcibly held down. This account greatly added to the painting's value in the eyes of late-19th-century painters. Vincent van Gogh mentions van der Goes three times in his letters, first in 1873 to his brother Theo, and on two more occasions when he wrote that he identified with the portrait of van der Goes in Emile Wauters's emotionally rendered 1872 painting "Hugo van der Goes Undergoing Treatment at the Red Cloister". Art historian Erwin