Piano Quintet (Schumann) in a double fugue. This coup may have been inspired by a similar confluence of themes in the E flat quartet op. 12 of Felix Mendelssohn. Schumann's piano quintet was widely acclaimed and much-imitated. Its success firmly established the piano quintet as a significant, and quintessentially Romantic, chamber music genre. The Piano Quintet in F minor, Op. 34 of Johannes Brahms, reworked from an earlier sonata for two pianos (itself a reworking of an earlier string quintet) at the urging of Clara Schumann, was one of many significant Romantic piano quintets that show Schumann's influence and adopt his choice of
String Quintet (Bruckner) after the scherzo.In 1884, Bruckner brought some changes and additions to the score, mainly a different coda to the finale. These changes were not taken into account in the first edition. There are about 60 recordings of the String Quintet. The first recording was by the Prisca-Quartett in 1937. Excellent recordings, according to Hans Roelofs, are "i.a." those by the Koeckert Quartett, the Amadeus Quartet, the Quintett der Wiener Philharmoniker (Vienna Philharmonia Quintet), the Melos Quartet, the Raphael Quartett, L'Archibudelli, the Vienna String Quintet, the Leipzig String Quartet, the Fine Arts Quartet and the Bartholdy Quintet. String Quintet (Bruckner) Anton