Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Rough for Theatre II in the ending, leaving it open to various interpretations such as Croker may be crying (justifying the handkerchief), smiling, was dead prior to A and B’s arrival or else died during the process. Despite working up the text for publication in the seventies, "Rough for Theatre II" clearly looks back to "Waiting for Godot" and "Endgame" rather than forward to the later plays. Had Beckett actually written the play later it would have borne a greater resemblance to "That Time", "Eh Joe" or "Ghost Trio", Morvan and Bertrand’s characters being reduced to disembodied voices. In these three plays, the central