Genus (music) the other hand, also has twelve pitches to the octave, but the semitones are all of the same size. In contrast, the ancient Greek chromatic scale had seven tones to the octave (assuming alternating conjunct and disjunct tetrachords), and had incomposite minor thirds as well as semitones and whole tones. The (Dorian) scale generated from the chromatic genus is composed of two chromatic tetrachords: whereas in modern music theory, a chromatic scale is: The number and nature of the shades of the chromatic genus vary amongst the Greek theorists. The major division is between the Aristoxenians and the Pythagoreans. Aristoxenus
Regular tuning and temperament itself and its sharpened version, the chromatic semitone, is 7"f" − 4 of an octave. The common size of the intervals C–D, D–E, F–G, G–A and A–B, the whole tone, is the sum of the diatonic and chromatic semitones, or 2"f" − 1 of an octave. The diatonic semitone is larger than, smaller than, or equal to, the chromatic semitone according as "f" is less than, greater than, or equal to, 7/12. In the last case, the diatonic and chromatic semitones are both 1/12 of an octave, exactly half the size of a tone, and the tuning is 12-tone equal