Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
British National Opera Company free of charge, to support the company. She did not, however, feel equal to relearning her old roles in English translation, and she sang in Italian while the rest of the company sang in the vernacular. The British National Opera Company was a pioneer of broadcast opera, with excerpts from "The Magic Flute" broadcast live from the Royal Opera House by the British Broadcasting Company in January 1923, less than a year after the foundation of both the BBC and the opera company. The company's first artistic director was Percy Pitt, who had been music director with the Grand Opera