The Actor's Nightmare actress Ellen tells him that it is a Samuel Beckett play called "Checkmate" (which seems to have elements of the plays "Endgame", "Happy Days", and "Waiting for Godot"). Literally forced on stage, George attempts to improvise his lines; however, the play inconsistently shifts between scenes from "Private Lives", "Hamlet", "Checkmate", and "A Man for All Seasons". When forced to improvise a soliloquy in the "Hamlet" scene, George tells the audience that he was raised in a Catholic school and was interested in joining a monastery but they told him to wait until he was older. When he was older, however,
Krapp's Last Tape up simply leaving the ball with the creature even though a part of him regrets not hanging onto it as some kind of memento. Krapp at 69 is more interested in his younger self's use of the rather archaic word "viduity" (Beckett had originally used "widowhood" in early drafts) than in the reaction of the voice on the tape to their mother's passing. He stops listening to look up the word in a large dictionary. He returns to the tape. The voice starts to describe the revelation he experienced at the end of a pier. Krapp grows impatient and gets