The Magic Flute the Night, evidently needed little such help: this role is famous for its difficulty. In ensembles, Mozart skillfully combined voices of different ability levels. The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. Both arias of the Queen of the Night, "O zittre nicht, mein lieber Sohn" and "Der Hölle Rache kocht in meinem Herzen" require high F, rare in opera. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F in a few locations.
The Magic Flute (ballet) issued on the label London. The ballet has been re-staged in several versions, notably by Peter Martins for the School of American Ballet. This production was first presented on 9 May 1981. A second premiere was given by the New York City Ballet on 21 January 1982, at the New York State Theater, Lincoln Center with décor designed by David Mitchell, costumes by Ben Benson. List of scenes and dances from "The Magic Flute" taken from the published piano score and the original program of 1893. All libretti and programs of works performed on the stages of the Imperial Russian