Ginger Rogers filmography with RKO Radio Pictures, where she was paired with dancer Fred Astaire in commercially successful "Flying Down to Rio" (1933). The pair achieved greater success in subsequent musicals "The Gay Divorcee" (1934), "Top Hat" (1935), "Swing Time" (1936), and "Shall We Dance" (1937), totaling 8 films made between 1933 and 1939. Without Astaire, Rogers starred in critically and commercially successful non-musicals throughout the remainder of the 1930s such as "Stage Door" (1937) with Katharine Hepburn, "Vivacious Lady" (1938) with James Stewart, and "Bachelor Mother" (1939) with David Niven, culminating with an Academy Award for Best Actress for her performance in
Ginger Rogers book "Ginger: Salute to a Star", quoted Astaire saying to Raymond Rohauer, curator at the New York Gallery of Modern Art, "Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success." In her classic 1930s musicals with Astaire, Ginger Rogers, co-billed with him, was paid less than Fred, the creative force behind the dances, who also received 10% of the profits. She was also paid less than many of the supporting "farceurs" billed beneath her, in spite of her much