String Quintet (Schubert) flat supertonic (D-flat) and the tonic (C), played "forte" in all parts. After Schubert's string quintet was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. An early admirer was Brahms whose Piano Quintet (1865) was inspired in part by Schubert's (then) newly discovered work. Brahms, in fact, originally wrote that work as a string quintet with two cellos (the complement used by Schubert) and only later recast it as a piano quintet. The piano quintet is in F minor, the key of the turbulent central section of Schubert's "Adagio", while the third movement recalls
String Quintet No. 4 (Mozart) dirge or lament that is even slower than the previous movement. The music wallows in this dark area for a few minutes before reaching an ominous pause. At this point, Mozart launches into the ebullient G major Allegro, which creates a stark contrast between it and the movements that preceded it. Critics have often questioned how such an insouciant and carefree finale could be tacked on after three-plus movements of intense pathos, even though it conforms perfectly to the Classical understanding of a finale as resolving everything that preceded it. String Quintet No. 4 (Mozart) The String Quintet No. 4