Pluto (mythology) authorship of the lyrics that have survived as the "Orphic Hymns", among them a hymn to Pluto. Orpheus's voice and lyre-playing represented a medium of revelation or higher knowledge for the mystery cults. In his central myth, Orpheus visits the underworld in the hope of retrieving his bride, Eurydice, relying on the power of his music to charm the king and queen of Hades. Greek narratives of Orpheus's descent and performance typically name the ruler of the underworld as "Plouton", as for instance in the "Bibliotheca". The myth demonstrates the importance of Pluto "the Rich" as the possessor of a
Pluto (mythology) described Pluto as a folkloric supernatural being, "the elrich incubus / in cloke of grene" ("the eldritch incubus in cloak of green"), who appears among the courtiers of Cupid. The name "Pluto" for the classical ruler of the underworld was further established in English literature by Arthur Golding, whose translation of Ovid's "Metamorphoses" (1565) was of great influence on William Shakespeare, Christopher Marlowe, and Edmund Spenser. Golding translates Ovid's "Dis" as Pluto, a practice that prevails among English translators, despite John Milton's use of the Latin "Dis" in "Paradise Lost". The Christian perception of the classical underworld as Hell influenced