Krapp's Last Tape letter to Rosset's editorial assistant, Judith Schmidt, on 11 May 1959, Beckett referred to the "staging" of "Krapp's Last Tape" as its 'creation'," and he made numerous significant changes to the text over the years as he was involved in directing the play. The first German performance, on 28 September 1959, was directed by Walter Henn at Berlin's "Schillertheater", where 10 years later, on 5 October 1969, Samuel Beckett himself staged his text in a most successful performance (with Martin Held as Krapp). The first American performance, on 14 January 1960, was directed by Alan Schneider and starred Donald Davis.
Krapp's Last Tape "My Last Duchess" is already planning to marry his next duchess ... Still, one hopes for Krapp's sake that he will be gone before another year is over." In "Waiting for Godot", Beckett uses aspects of Judeo-Christianity as the template for his play, in "Film" the template is the writings of Bishop Berkeley, and in "Krapp's Last Tape", according to Anthony Cronin, he uses Manichaeism as a structural device: The dichotomy of light and dark ... is central to Manichaean doctrine ... Its adherents believed that the world was ruled by evil powers, against which the god of the whole