String Quintet (Schubert) flat supertonic (D-flat) and the tonic (C), played "forte" in all parts. After Schubert's string quintet was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. An early admirer was Brahms whose Piano Quintet (1865) was inspired in part by Schubert's (then) newly discovered work. Brahms, in fact, originally wrote that work as a string quintet with two cellos (the complement used by Schubert) and only later recast it as a piano quintet. The piano quintet is in F minor, the key of the turbulent central section of Schubert's "Adagio", while the third movement recalls
String Quintet (Bruckner) his piano arrangement of the slow movement were intended for printing. While the Viennese critics Gustav Dömpcke, Max Kalbeck and Eduard Hanslick responded to the string quintet dismissively to hostile, the Bruckner admirers Theodor Helm and Ludwig Speidel praised the originality and sound beauty of the new work. Thus, in 1884, Theodor Helm emphasized: "While the finale of the Bruckner Quintet - at least the effect of first-time listening - is in doubt, the three remaining movements are of the highest interest, especially in the happy and original invention of the motives. ... But the pearl of the quintet is