The Magic Flute (1975 film) singers, Håkan Hagegård went on to a prominent international career in opera and recitals. The film was reviewed from a musical perspective by Richard Evidon, who paid Bergman the compliment of praising the film as a realization of Mozart's own vision (cf. Kael's comment above on the "bewilderment" of previous directors): "Only Ingmar Bergman could have made this "Magic Flute"; but part of his achievement is in letting us forget the director's hand as we watch and are drawn closer to Mozart's sublime work." Following re-mastering by the Swedish Film Institute, a blu-ray edition was published by the BFI in
Welsh National Opera with the company's musical director James Lockhart, Geliot is credited by "The Times" with introducing new young singers and "directing a host of groundbreaking productions" before leaving in 1978. The critic Rodney Milnes wrote in 1975 about WNO's productions: In 1973 Geliot's WNO staging of Britten's "Billy Budd" with Allen in the title role was presented on a Swiss tour, and two years later it was given in Barcelona. The company returned to London with its participation in the Amoco Festival of Opera at the Dominion Theatre in 1979, presenting "The Makropoulos Case", "The Magic Flute", "Ernani", "Madame Butterfly", and