Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Krapp's Last Tape "My Last Duchess" is already planning to marry his next duchess ... Still, one hopes for Krapp's sake that he will be gone before another year is over." In "Waiting for Godot", Beckett uses aspects of Judeo-Christianity as the template for his play, in "Film" the template is the writings of Bishop Berkeley, and in "Krapp's Last Tape", according to Anthony Cronin, he uses Manichaeism as a structural device: The dichotomy of light and dark ... is central to Manichaean doctrine ... Its adherents believed that the world was ruled by evil powers, against which the god of the whole