Piano Quintet (Schumann) in a double fugue. This coup may have been inspired by a similar confluence of themes in the E flat quartet op. 12 of Felix Mendelssohn. Schumann's piano quintet was widely acclaimed and much-imitated. Its success firmly established the piano quintet as a significant, and quintessentially Romantic, chamber music genre. The Piano Quintet in F minor, Op. 34 of Johannes Brahms, reworked from an earlier sonata for two pianos (itself a reworking of an earlier string quintet) at the urging of Clara Schumann, was one of many significant Romantic piano quintets that show Schumann's influence and adopt his choice of
String Quintet (Bruckner) And Göllerich continues to write: "Although Hellmesberger At first, when he was unable to push the Master to perfection, he received "regular finger pain" when it was scheduled for the evenings of his quartet. Bachrich [the first violist] affirmed his' master and master '[means Hellmesberger]:' we are laughed at 'and the work was' deposed." - The Hellmesberger Quartet could then not claim the premiere for themselves either , Instead, the enlarged Winkler Quartet (Julius Winkler, Carl Lillich, Hans Kreuzinger, Julius Desing, Theodor Lucca) played the work of the string quintet for the first time on 17.11.1881 in the Bösendorfer Hall