String Quintet (Schubert) the C minor/major of Schubert's Quintet, and that movement ends in the same manner as Schubert's finale, with strong emphasis on the flat supertonic D-flat, before the final tonic C. Current consensus holds that the Quintet represents a high point in the entire chamber repertoire. Although there is no reason to believe Schubert expected to die so soon after composing the work, the fact that the quintet was completed a mere two months before his death has inspired some listeners to hear in it a valedictory or death-haunted quality. For John Reed, the quintet prefigures Schubert's death, ending as it
String Quintet (Bruckner) And Göllerich continues to write: "Although Hellmesberger At first, when he was unable to push the Master to perfection, he received "regular finger pain" when it was scheduled for the evenings of his quartet. Bachrich [the first violist] affirmed his' master and master '[means Hellmesberger]:' we are laughed at 'and the work was' deposed." - The Hellmesberger Quartet could then not claim the premiere for themselves either , Instead, the enlarged Winkler Quartet (Julius Winkler, Carl Lillich, Hans Kreuzinger, Julius Desing, Theodor Lucca) played the work of the string quintet for the first time on 17.11.1881 in the Bösendorfer Hall