Historiography of the French Revolution into English as "The Coming of the French Revolution", 1947). This skilfully and persuasively argued work interprets the Revolution through a Marxist lens: first there is the "aristocratic revolution" of the Assembly of Notables and the Paris Parlement in 1788; then the "bourgeois revolution" of the Third Estate; the "popular revolution", symbolised by the fall of the Bastille; and the "peasant revolution", represented by the "Great Fear" in the provinces and the burning of châteaux. (Alternately, one can view 1788 as the aristocratic revolution, 1789 the bourgeois revolution, and 1792/3 the popular revolution). This interpretation sees a rising capitalist middle-class
Historiography of the French Revolution in general, claiming that it was "not the unfortunate by-product of revolution, [but] the source of its energy." Lynn Hunt, though often characterized as a feminist interpreter of the Revolution, is a historian working in the wake of the revisionists. Her major works include "Politics, Culture, and Class in the French Revolution" (1984), and "The Family Romance of the French Revolution" (1992), both interpretative works. The former focuses on the creation of a new democratic political culture from scratch, assigning the Revolution's greatest meaning here, in a political culture. In the latter study she works with a somewhat Freudian interpretation,