Opera rarely performed in translation. Exceptions include the English National Opera, the Opera Theater of St. Louis, Opera Theater of Pittsburgh, and Opera South East, which favor English translations. Another exception are opera productions intended for a young audience, such as Humperdinck's "Hansel and Gretel" and some productions of Mozart's "The Magic Flute". Outside the US, and especially in Europe, most opera houses receive public subsidies from taxpayers. In Milan, Italy, 60% of La Scala's annual budget of €115 million is from ticket sales and private donations, with the remaining 40% coming from public funds. In 2005, La Scala received 25%
The Magic Flute (1975 film) theater. I remember distinctly what a bewitching experience it was: the effect of chiaroscuro, the silence, the stage. In my imagination I have always seen "The Magic Flute" living inside that old theater, in that keenly acoustical wooden box, with its slanted stage floor, its backdrops and wings. Here lies the noble, magical illusion of theater. Nothing is; everything represents. The moment the curtain is raised, an agreement between stage and audience manifests itself. And now, together, we'll create! In other words, it is obvious that the drama of "The Magic Flute" should unfold in a baroque theater. At one