Accidental (music) felt it was obvious that the accidental should continue. The older practice continued in use well into the 18th century by many composers, notably Johann Sebastian Bach. The newer convention did not achieve general currency until early in the 19th century. Accidental (music) In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure
Key signature use may be found in Klezmer scales, such as Freygish (Phrygian). In the 20th century, composers such as Bartók and Rzewski (see below) began experimenting with unusual key signatures that departed from the standard order. Because of the limitations of the traditional highland bagpipe scale, key signatures are often omitted from written pipe music, which otherwise would be written with two sharps, the usual F and C. (In this case the pipes are incapable of playing F and C so it is not necessary to specify the sharps.) The above 15 key signatures only express diatonic scale. and are therefore