Major seventh the same number of staff positions, but consist of a different number of semitones (nine and twelve). The easiest way to locate and identify the major seventh is from the octave rather than the unison, and it is suggested that one sings the octave first. For example, the most commonly cited example of a melody featuring a major seventh is the tonic-octave-major seventh of the opening to "(Somewhere) Over the Rainbow". "Not many songwriters begin a melody with a major seventh interval; perhaps that's why there are few memorable examples." However, two songs provide exceptions to this generalisation: Cole Porter's
Octave effect performances. Hendrix used an octave-fuzz pedal known as the octavia. Analog octave effects differ from harmonizers and pitch shifters which digitally sample the sound and process it to change its pitch. Octave-up effects usually use full wave rectification using diodes to "fold up" the negative part of the waveform to make a new waveform an octave higher in pitch. Octave-down effects are typically produced by converting the signal to a square wave, and then using flip-flop circuits to divide the frequency by two. This creates a buzzy synthesizer like tone. The MXR Blue Box used this method to create a