Ginger Rogers Castle", but the serious plot and tragic ending resulted in the worst box-office receipts of any of their films. This was driven not by diminished popularity, but by the hard 1930s economic reality. The production costs of musicals, always significantly more costly than regular features, continued to increase at a much faster rate than admissions. Both before and immediately after her dancing and acting partnership with Fred Astaire ended, Rogers starred in a number of successful nonmusical films. "Stage Door" (1937) demonstrated her dramatic capacity, as the loquacious yet vulnerable girl next door, a tough-minded, theatrical hopeful, opposite Katharine Hepburn.
Ginger Rogers book "Ginger: Salute to a Star", quoted Astaire saying to Raymond Rohauer, curator at the New York Gallery of Modern Art, "Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success." In her classic 1930s musicals with Astaire, Ginger Rogers, co-billed with him, was paid less than Fred, the creative force behind the dances, who also received 10% of the profits. She was also paid less than many of the supporting "farceurs" billed beneath her, in spite of her much