The Tale of Januarie and it is time for Pluto and Proserpina to return to the underworld. But they are taking Januarie with them. He has died. But, in the afterlife, he can see that May is now carrying a child, which he imagines is his. He tries to communicate with her, but she can no longer see him. He pleads with Pluto to allow him a little more time on earth, so he can be with the woman he loves and see their child born, but Pluto refuses. Though Januarie is now on his way to the underworld, the gods do not disillusion
Pluto (mythology) the classical underworld with Hell, and its denizens as demons or devils. In the Renaissance, the bident became a conventional attribute of Pluto. In an influential ceiling mural depicting the wedding of Cupid and Psyche, painted by Raphael's workshop for the Villa Farnesina in 1517, Pluto is shown holding the bident, with Cerberus at his side, while Neptune holds the trident. Perhaps influenced by this work, Agostino Carracci originally depicted Pluto with a bident in a preparatory drawing for his painting "Pluto" (1592), in which the god ended up holding his characteristic key. In Caravaggio's "Giove, Nettuno e Plutone" (ca.