Ginger Rogers Castle", but the serious plot and tragic ending resulted in the worst box-office receipts of any of their films. This was driven not by diminished popularity, but by the hard 1930s economic reality. The production costs of musicals, always significantly more costly than regular features, continued to increase at a much faster rate than admissions. Both before and immediately after her dancing and acting partnership with Fred Astaire ended, Rogers starred in a number of successful nonmusical films. "Stage Door" (1937) demonstrated her dramatic capacity, as the loquacious yet vulnerable girl next door, a tough-minded, theatrical hopeful, opposite Katharine Hepburn.
Ginger Rogers the 1940s. Her performance in "Kitty Foyle" (1940) won her the Academy Award for Best Actress. Rogers remained successful throughout the 1940s and at one point was Hollywood's highest-paid actress, but her popularity had peaked by the end of the decade. She reunited with Astaire in 1949 in the commercially successful "The Barkleys of Broadway". After an unsuccessful period through the 1950s, Rogers made a successful return to Broadway in 1965, playing the lead role in "Hello, Dolly!". More lead roles on Broadway followed, along with her stage directorial debut in 1985 on an off-Broadway production of "Babes in Arms".