Libretto of The Magic Flute [His portrayal of Pamina] is one more example of the thread that runs through the operas – what Daniel Heartz has called Mozart's "infinite care to create strong and deeply moving female characters in [...] all of his operas." Mainstream scholarship views Schikaneder as the highly probable author. For a marginally-supported alternative candidate, see "Karl Ludwig Giesecke". It is not uncommon for critics to describe the libretto of "The Magic Flute" as being of dreadful quality. Thus Bauman writes, "The libretto has been generally regarded, in Dent's words, as "one of the most absurd specimens of that form of literature
Dionysos (opera) late work, which he fragmented and arranged in a different order. He chose the passages according to his plans for the music. Rihm said in an interview that opera needed more Magic Flute, "Mehr Machwerk." (More action.), citing the opening scene with three ladies coming to the rescue of the prince attacked by a snake. Rihm said that opera finds its potential in situations that are not ordinary ("... findet ihre Möglichkeiten in Situationen, die nicht alltäglich sind"). The opera has autobiographical traits and is in a way his first comic opera. Rihm dedicated the work "in friendship" to the