The Magic Flute the Night, evidently needed little such help: this role is famous for its difficulty. In ensembles, Mozart skillfully combined voices of different ability levels. The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. Both arias of the Queen of the Night, "O zittre nicht, mein lieber Sohn" and "Der Hölle Rache kocht in meinem Herzen" require high F, rare in opera. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F in a few locations.
The Magic Flute (1975 film) with the ominous face of Monostatos glimpsed over her shoulder. The scene in which Three Boys prevent Pamina's near-suicide takes place in the snow, and clearly not on the theater stage. The film was a great success. In its televised premiere (New Year's Day 1975), it reached a third of the population of Sweden, and in theatrical release it created "pandemonium at box offices around the world" (Pauline Kael) and delighted many critics. In her review in "The New Yorker", Kael wrote: Ingmar Bergman's film version of "The Magic Flute" is a blissful present, a model of how opera can