Krapp's Last Tape letter to Rosset's editorial assistant, Judith Schmidt, on 11 May 1959, Beckett referred to the "staging" of "Krapp's Last Tape" as its 'creation'," and he made numerous significant changes to the text over the years as he was involved in directing the play. The first German performance, on 28 September 1959, was directed by Walter Henn at Berlin's "Schillertheater", where 10 years later, on 5 October 1969, Samuel Beckett himself staged his text in a most successful performance (with Martin Held as Krapp). The first American performance, on 14 January 1960, was directed by Alan Schneider and starred Donald Davis.
While Waiting for Godot The "Poughkeepsie Journal" remarked “through his own vision of the modern urban impoverished, Azank emphasizes the humanity of Godot and makes it timely." Adrian McCoy ("Pittsburgh Post-Gazette") said of the show, “"While Waiting for Godot" adds unexpected elements, such as a funny line followed by a drum roll and laugh track, mysterious text messages and a great soundtrack, a modern layer of social commentary -- specifically the issue of urban homelessness -- it incorporates real images of life on the street, giving it a gritty documentary feel at times. The camera pans through streets lined with homeless people sleeping, sitting,