The Magic Flute (1975 film) stage Bergman had hoped to direct a production at the Malmö City Theater. The origin of his filmed version was in the 1960s, when Magnus Enhörning, head of the Swedish Radio, asked him for possible projects and he replied "I want to do "The Magic Flute" for television". Enhörning readily agreed and supported the project without hesitation. The German-language libretto of "The Magic Flute" was the work of Mozart's collaborator Emanuel Schikaneder, who was also theatre manager and sang Papageno at the first performances in 1791. For the plot, see "The Magic Flute", and for details of the libretto see
Libretto of The Magic Flute to draw a generalized observation from the proceedings on stage in order to promote virtue or condemn vice." Cairns attributes a taste for "didactic sentiment" specifically to the Viennese popular theater. Concerning "The Magic Flute" specifically, Rosen writes that it "develops ... a conception of music as a vehicle for simple moral truths." The opera's didacticism is concentrated in passages of poetry, set in the ensemble scenes, in which the characters cease to converse with each other and join in singing an edifying lesson to the audience. One example is found in the first act, just after Monostatos and his