The French Revolution (poem) according to Blake, were stuck in a problematic feudal system that was represented by the Bastille, a prison that kept enemies of the state. As the work continues, he demands that the Bastille be removed and he explains how the American Revolution provoked the French Revolution. The dates spanned in the first book is from May 1789 until July 1789. Although Blake relies on history, he includes characters that are his own, but none of them are characters that he used in his mythological works. The work deals with the symbolism of the Bastille, which the seven towers of the
Historiography of the French Revolution in general, claiming that it was "not the unfortunate by-product of revolution, [but] the source of its energy." Lynn Hunt, though often characterized as a feminist interpreter of the Revolution, is a historian working in the wake of the revisionists. Her major works include "Politics, Culture, and Class in the French Revolution" (1984), and "The Family Romance of the French Revolution" (1992), both interpretative works. The former focuses on the creation of a new democratic political culture from scratch, assigning the Revolution's greatest meaning here, in a political culture. In the latter study she works with a somewhat Freudian interpretation,