Key signature A minor as each accidental may be notated explicitly as required, or the piece may be modal or atonal. An example is Bartók's Piano Sonata, which has no fixed key and is highly chromatic. If not bound by common practice conventions, microtones can also be notated in a key signature; which microtonal symbols are used depends on the system. The common practice period conventions are so firmly established that some musical notation programs have been unable to show nonstandard key signatures until recently. The use of a one-flat signature developed in the Medieval period, but signatures with more than one
Theoretical key G♯ major) may have to be notated completely differently. Theoretical key In music theory, a theoretical key or impossible key is a key whose key signature has at least one double-flat or double-sharp. Double-flats and double-sharps are often used as accidentals, but placing them in the key signature (in music that uses equal temperament) makes the music generally impractical to read. For example, the key of G major is a key of this type, because its corresponding key signature has an F (on its leading-tone). An equal-tempered scale of G major comprises the same pitches as the A major scale,