Pluto (mythology) with the Eleusinian Mysteries, in which Pluto was venerated as a stern ruler but the loving husband of Persephone. The couple received souls in the afterlife, and are invoked together in religious inscriptions. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent abductor of Persephone. Pluto and Hades differ in character, but they are not distinct figures and share two dominant myths. In Greek cosmogony, the god received the rule of the underworld in a three-way division of sovereignty over the world, with his brother Zeus ruling the
Pluto (mythology) the classical underworld with Hell, and its denizens as demons or devils. In the Renaissance, the bident became a conventional attribute of Pluto. In an influential ceiling mural depicting the wedding of Cupid and Psyche, painted by Raphael's workshop for the Villa Farnesina in 1517, Pluto is shown holding the bident, with Cerberus at his side, while Neptune holds the trident. Perhaps influenced by this work, Agostino Carracci originally depicted Pluto with a bident in a preparatory drawing for his painting "Pluto" (1592), in which the god ended up holding his characteristic key. In Caravaggio's "Giove, Nettuno e Plutone" (ca.