Ginger Rogers Castle", but the serious plot and tragic ending resulted in the worst box-office receipts of any of their films. This was driven not by diminished popularity, but by the hard 1930s economic reality. The production costs of musicals, always significantly more costly than regular features, continued to increase at a much faster rate than admissions. Both before and immediately after her dancing and acting partnership with Fred Astaire ended, Rogers starred in a number of successful nonmusical films. "Stage Door" (1937) demonstrated her dramatic capacity, as the loquacious yet vulnerable girl next door, a tough-minded, theatrical hopeful, opposite Katharine Hepburn.
The Yama Yama Man banjo. In 1909, the Cuban dance orchestra Orquesta De Enrique Pena recorded a version in a traditional Cuban style. In 1909, the young dancer Irene Foote began imitating Bessie McCoy's "Yama Yama Man" in amateur theatricals. Irene's mother would take her around to Broadway producers auditioning her talent using the Yama routine, but with little success. Irene later had a successful career in modern dance with her husband Vernon Castle and in 1939 Ginger Rogers played Irene in the biographical film "The Story of Vernon and Irene Castle", in which Rogers re-enacts Irene imitating Bessie McCoy's "Yama Yama Man" routine