Libretto of The Magic Flute [His portrayal of Pamina] is one more example of the thread that runs through the operas – what Daniel Heartz has called Mozart's "infinite care to create strong and deeply moving female characters in [...] all of his operas." Mainstream scholarship views Schikaneder as the highly probable author. For a marginally-supported alternative candidate, see "Karl Ludwig Giesecke". It is not uncommon for critics to describe the libretto of "The Magic Flute" as being of dreadful quality. Thus Bauman writes, "The libretto has been generally regarded, in Dent's words, as "one of the most absurd specimens of that form of literature
The Magic Flute the music, to Scene 10: The Temple of the Sun" Sarastro announces the sun's triumph over the night, and hails the dawn of a new era of wisdom and brotherhood. Act 1 Act 2 The first recording of "The Magic Flute"s overture was issued around 1901–1903, at the dawn of the recording era, by the Victor Recording Company and played by the Victor Grand Concert Band. The first recording of "The Magic Flute" was of a live performance at the 1937 Salzburg Festival, with Arturo Toscanini conducting the Vienna Philharmonic and Vienna State Opera. The first studio recording of the