Happy Days (play) Happy Days (play) Happy Days is a play in two acts, written by Samuel Beckett. Winnie, buried to her waist, follows her daily routine and prattles to her husband, Willie, who is largely hidden and taciturn. Her frequent refrain is “Oh this "is" a happy day.” Later, in Act II she is buried up to her neck, but continues to talk and remember happier days. Winnie is embedded waist-deep in a low mound under blazing light, with a large black bag beside her. She is awakened by a piercing bell and begins her daily routine with a prayer. Talking incessantly
Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy