Pozzo (Waiting for Godot) Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting for Godot". His name is Italian for "well" (as in "oil well"). On the surface he is a pompous, sometimes foppish, aristocrat (he claims to live in a manor, own many slaves and a Steinway piano), cruelly using and exploiting those around him (specifically his slave, Lucky and, to a lesser extent, Estragon). He wears similar clothes to Vladimir and Estragon (i.e. a bowler and suit), but they are not in the dire condition theirs are. While by no means a villain in a conventional sense of
While Waiting for Godot The "Poughkeepsie Journal" remarked “through his own vision of the modern urban impoverished, Azank emphasizes the humanity of Godot and makes it timely." Adrian McCoy ("Pittsburgh Post-Gazette") said of the show, “"While Waiting for Godot" adds unexpected elements, such as a funny line followed by a drum roll and laugh track, mysterious text messages and a great soundtrack, a modern layer of social commentary -- specifically the issue of urban homelessness -- it incorporates real images of life on the street, giving it a gritty documentary feel at times. The camera pans through streets lined with homeless people sleeping, sitting,