George Bernard Shaw and "Caesar and Cleopatra", Shaw's counterblast to Shakespeare's "Antony and Cleopatra", seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce". These plays included "Getting Married" (premiered 1908), "The Shewing-Up of Blanco Posnet" (1909), "Misalliance" (1910), and "Fanny's First Play" (1911). "Blanco Posnet" was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. "Fanny's First Play", a comedy
Dublin lock-out in the way that Murphy attempted to with the ITGWU. The lock-out had damaged commercial businesses in Dublin, with many forced to declare bankruptcy. "September 1913", one of the most famous of W. B. Yeats' poems, was published in the Irish Times during the lock-out. Although the occasion of the poem was the decision of Dublin Corporation not to build a gallery to house the Hugh Lane collection of paintings (William Martin Murphy being one of the most vocal opponents of the plan), it has sometimes been viewed by scholars as a commentary on the lock-out. In the poem, Yeats