The Magic Flute isolated exceptions, modern productions strongly reflect the creative preferences of the stage director. "The Magic Flute" is presently among the most frequently performed of all operas. On 28 December 1791, three and a half weeks after Mozart's death, his widow Constanze offered to send a manuscript score of "The Magic Flute" to the electoral court in Bonn. Nikolaus Simrock published this text in the first full-score edition (Bonn, 1814), claiming that it was "in accordance with Mozart's own wishes" ("Allgemeine musikalische Zeitung", 13 September 1815). "The Magic Flute" is noted for its prominent Masonic elements, although some scholars hold that
Orlando (opera) operas’ (Handel and the Opera Seria, p. 91), comparable on several counts with "The Magic Flute". The opera is scored for two recorders, two oboes, bassoon, two horns, strings and continuo (cello, lute, harpsichord). Orlando (opera) Orlando (HWV 31) is an opera seria in three acts by George Frideric Handel written for the King's Theatre in London in 1733. The Italian-language libretto was adapted from Carlo Sigismondo Capece's "L'Orlando" after Ludovico Ariosto's "Orlando Furioso", which was also the source of Handel's operas "Alcina" and "Ariodante". More an artistic than a popular success at its first performances, "Orlando" is today recognised