George Bernard Shaw and "Caesar and Cleopatra", Shaw's counterblast to Shakespeare's "Antony and Cleopatra", seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce". These plays included "Getting Married" (premiered 1908), "The Shewing-Up of Blanco Posnet" (1909), "Misalliance" (1910), and "Fanny's First Play" (1911). "Blanco Posnet" was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. "Fanny's First Play", a comedy
George Bernard Shaw "G.Bernard Shaw". He left instructions in his will that his executor (the Public Trustee) was to license publication of his works only under the name Bernard Shaw. Shaw scholars including Ervine, Judith Evans, Holroyd, Laurence and Weintraub, and many publishers have respected Shaw's preference, although the Cambridge University Press was among the exceptions with its 1988 "Cambridge Companion to George Bernard Shaw". Shaw did not found a school of dramatists as such, but Crawford asserts that today "we recognise [him] as second only to Shakespeare in the British theatrical tradition ... the proponent of the theater of ideas" who struck