Robert van 't Hoff which he christened "De Stijl" and in which he and his wife lived shortly after their marriage in July. This was conceived as an attempt to "further the new direction" and he was involved in every aspect of the interior and exterior design including the furniture and fittings. Van 't Hoff's preference for Bart van der Leck over van Doesburg for the painting of the interior was the first sign of tension between the two, but a commission for van Doesburg from van 't Hoff for a colour scheme for the interior of a house he was designing for the
Piet Mondrian his painting with his spiritual pursuits, and in 1913 he began to fuse his art and his theosophical studies into a theory that signaled his final break from representational painting. While Mondrian was visiting the Netherlands in 1914, World War I began, forcing him to remain in there for the duration of the conflict. During this period, he stayed at the Laren artists' colony, where he met Bart van der Leck and Theo van Doesburg, who were both undergoing their own personal journeys toward abstraction. Van der Leck's use of only primary colors in his art greatly influenced Mondrian. After