Magic Flute Diaries concept for a film inspired by Mozart’s "The Magic Flute" emerged from a number of sources. Director, writer and producer of the film, Kevin Sullivan, became interested in the city of Salzburg after his daughter travelled there with her school orchestra to attend Mozart’s 250th birthday celebrations. Sullivan was also inspired by Andrew Lloyd Webber’s stage musical, "The Woman in White", which used three-dimensional backdrops in its London production. Though Sullivan claims not to be an opera buff, he had always had a love for Mozart’s "The Magic Flute". Due to the impossibility (budget and time constraints) of filming on-location
Libretto of The Magic Flute to draw a generalized observation from the proceedings on stage in order to promote virtue or condemn vice." Cairns attributes a taste for "didactic sentiment" specifically to the Viennese popular theater. Concerning "The Magic Flute" specifically, Rosen writes that it "develops ... a conception of music as a vehicle for simple moral truths." The opera's didacticism is concentrated in passages of poetry, set in the ensemble scenes, in which the characters cease to converse with each other and join in singing an edifying lesson to the audience. One example is found in the first act, just after Monostatos and his