Libretto of The Magic Flute role in the content of Schikaneder's libretto. Mozart was an active Mason in Vienna, and wrote a substantial quantity of music for his own lodge, including in 1791 (see "Mozart and Freemasonry"). Schikaneder had been a Mason in Regensburg (1786–7) for a few months before his lodge suspended him. The simpler accounts of Masonic influence in "The Magic Flute" assume that Masonry provided a system of values, symbolism, and ritual for the opera, but no part of the narrative. More elaborate accounts suggest that the opera was intended as an allegory with a hidden Masonic agenda. For instance, the evil
Libretto of The Magic Flute to sublime human aspiration – in short from the circus to the temple, but never neglecting an opportunity for effective theater along the way. The sources for the work fall into (at least) four categories: works of literature, earlier productions of Schikaneder's theater company, Freemasonry, and the 18th-century tradition of popular theater in Vienna. The Schikaneder troupe prior to the premiere of "The Magic Flute" had developed considerable experience with performing fairy tale operas with similar plots, characters, and singers. Two bear a particularly strong relationship to "The Magic Flute": A very long tradition asserts that Freemasonry plays a major