Piano Quintet (Schumann) to make revisions to the inner movements, including the addition of a second trio to the third movement. Clara Schumann did play the piano part at the first public performance of the piano quintet on 8 January 1843, at the Leipzig Gewandhaus. Clara pronounced the work "splendid, full of vigor and freshness." She often performed the work throughout her life. On one occasion, however, Robert Schumann asked a male pianist to replace Clara in a performance of the quintet, remarking that "a man understands that better." Schumann's piano quintet is scored for piano and string quartet (two violins, viola, and
String Quintet (Bruckner) the frequent use of Sesto in the Ländler-like eighth-note of the first viola, which is due to the line of the second violin and the violoncello of the first part and refers directly to the trio in Scherzo. An airy counterpart of the first violin pushes playfully unstoppable upwards. The actual implementation theme becomes the starting point of a fugue whose theme is contrasted with a striking triplet figure. Finally, the recapitulation follows in D flat major. The coda is a jubilant conclusion. Josef Hellmesberger, on whose initiative the creation of the string quintet went back, rejected the Scherzo originally