Pozzo (Waiting for Godot) protects him), and thus extreme forms of those very characters. He, like Estragon, has an awful memory, and since he cannot rely on Lucky for memory (as Estragon can on Vladimir), he is even more in the dark (e.g. he cannot even remember one day before). Vladimir claims that he and Estragon know him, but this is naturally not corroborated by Estragon, and the nature of their former relationship remains unknown. He occasionally comes up with poetic metaphors for the current situation, again, just as Estragon does. Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting
Waiting for Godot his surveillant presence. He is by turns dismissed, satirised, or ignored, but he, and his tortured son, are never definitively discarded." "Waiting for Godot" has been described as a "metaphor for the long walk into Roussillon, when Beckett and Suzanne slept in haystacks [...] during the day and walked by night [... or] of the relationship of Beckett to Joyce." Becket told Ruby Cohn that Caspar David Friedrich's painting "Two Men Contemplating the Moon", which he saw on his journey to Germany in 1936, was a source for the play. Though the sexuality of Vladimir and Estragon is not always