Pozzo (Waiting for Godot) protects him), and thus extreme forms of those very characters. He, like Estragon, has an awful memory, and since he cannot rely on Lucky for memory (as Estragon can on Vladimir), he is even more in the dark (e.g. he cannot even remember one day before). Vladimir claims that he and Estragon know him, but this is naturally not corroborated by Estragon, and the nature of their former relationship remains unknown. He occasionally comes up with poetic metaphors for the current situation, again, just as Estragon does. Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting
Waiting for Godot the Absurd" (1960), argued that "Waiting for Godot" was part of a broader literary movement that he called the Theatre of the Absurd, a form of theatre which stemmed from the absurdist philosophy of Albert Camus. Absurdism itself is a branch of the traditional assertions of existentialism, pioneered by Søren Kierkegaard, and posits that, while inherent meaning might very well exist in the universe, human beings are incapable of finding it due to some form of mental or philosophical limitation. Thus humanity is doomed to be faced with "the Absurd", or the absolute absurdity of the existence in lack of