Lucky (Waiting for Godot) Lucky (Waiting for Godot) Lucky is a character from Samuel Beckett's "Waiting for Godot". He is a slave to the character Pozzo. Lucky is unique in a play where most of the characters talk incessantly: he only utters two sentences, one of which is more than seven hundred words long (the monologue). Lucky suffers at the hands of Pozzo willingly and without hesitation. He is "tied" (a favourite theme in "Godot") to Pozzo by a ridiculously long rope in the first act, and then a similarly ridiculous short rope in the second act. Both tie around his neck. When he
Krapp's Last Tape "My Last Duchess" is already planning to marry his next duchess ... Still, one hopes for Krapp's sake that he will be gone before another year is over." In "Waiting for Godot", Beckett uses aspects of Judeo-Christianity as the template for his play, in "Film" the template is the writings of Bishop Berkeley, and in "Krapp's Last Tape", according to Anthony Cronin, he uses Manichaeism as a structural device: The dichotomy of light and dark ... is central to Manichaean doctrine ... Its adherents believed that the world was ruled by evil powers, against which the god of the whole