String Quintet (Schubert) Its first known public performance occurred only three years earlier, on 17 November 1850 at the Musikverein in Vienna. The work is the only full-fledged string quintet in Schubert's oeuvre. When he began composing his string quintet, Schubert had already composed an impressive body of chamber music for strings, including at least fifteen string quartets, most of which were composed for domestic performance by his family's string quartet. Schubert selected the key of C major in a possible gesture to two composers he greatly admired, Mozart and Beethoven, both of whom wrote string quintets in that key, Mozart's String Quintet
Piano Quintet (Schumann) and dynamic range. Bringing the piano and string quartet together, Schumann's Piano Quintet takes full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the five instruments with concertante passages in which the combined forces of the strings are massed against the piano. At a time when chamber music was moving out of the salon and into public concert halls, Schumann reimagines the piano quintet as a musical genre "suspended between private and public spheres" alternating between "quasi-symphonic and more properly chamber-like elements." The piece contains four movements in the standard fast-slow-scherzo-fast pattern: The tempo