The Magic Flute (1975 film) stage Bergman had hoped to direct a production at the Malmö City Theater. The origin of his filmed version was in the 1960s, when Magnus Enhörning, head of the Swedish Radio, asked him for possible projects and he replied "I want to do "The Magic Flute" for television". Enhörning readily agreed and supported the project without hesitation. The German-language libretto of "The Magic Flute" was the work of Mozart's collaborator Emanuel Schikaneder, who was also theatre manager and sang Papageno at the first performances in 1791. For the plot, see "The Magic Flute", and for details of the libretto see
The Magic Flute (1975 film) a cinema) on an August evening in the same year. Bergman later wrote (in his book "Images") on how he chose his singers. Since we were not performing "The Magic Flute" on a stage but in front of a microphone and camera, we did not need large voices. What we needed were warm, sensuous voices that had personality. To me it was also absolutely essential that the play be performed by young actors, naturally close to dizzy, emotional shifts between joy and sorrow, between thinking and feeling. Tamino must be a handsome young man. Pamina must be a beautiful young