Irish literature Lady Says No!" (1929), and "The Moon in the Yellow River" (1931). While there no doubt that Samuel Beckett is an Irishman he lived much of his life in France and wrote several works first in French. His most famous plays are "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), "Endgame" (originally "Fin de partie") (1957), "Happy Days" (1961), written in English, all of which profoundly affected British drama. In 1954, Behan's first play "The Quare Fellow" was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London,
Theatre of the Absurd plots of many Absurdist plays feature characters in interdependent pairs, commonly either two males or a male and a female. Some Beckett scholars call this the "pseudocouple". The two characters may be roughly equal or have a begrudging interdependence (like Vladimir and Estragon in "Waiting for Godot" or the two main characters in "Rosencrantz & Guildenstern Are Dead"); one character may be clearly dominant and may torture the passive character (like Pozzo and Lucky in "Waiting for Godot" or Hamm and Clov in "Endgame"); the relationship of the characters may shift dramatically throughout the play (as in Ionesco's "The Lesson"