Accidental (music) felt it was obvious that the accidental should continue. The older practice continued in use well into the 18th century by many composers, notably Johann Sebastian Bach. The newer convention did not achieve general currency until early in the 19th century. Accidental (music) In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure
Theoretical key Theoretical key In music theory, a theoretical key or impossible key is a key whose key signature has at least one double-flat or double-sharp. Double-flats and double-sharps are often used as accidentals, but placing them in the key signature (in music that uses equal temperament) makes the music generally impractical to read. For example, the key of G major is a key of this type, because its corresponding key signature has an F (on its leading-tone). An equal-tempered scale of G major comprises the same pitches as the A major scale, so that the two scales sound exactly the same;