Libretto of The Magic Flute [His portrayal of Pamina] is one more example of the thread that runs through the operas – what Daniel Heartz has called Mozart's "infinite care to create strong and deeply moving female characters in [...] all of his operas." Mainstream scholarship views Schikaneder as the highly probable author. For a marginally-supported alternative candidate, see "Karl Ludwig Giesecke". It is not uncommon for critics to describe the libretto of "The Magic Flute" as being of dreadful quality. Thus Bauman writes, "The libretto has been generally regarded, in Dent's words, as "one of the most absurd specimens of that form of literature
Orlando (opera) operas’ (Handel and the Opera Seria, p. 91), comparable on several counts with "The Magic Flute". The opera is scored for two recorders, two oboes, bassoon, two horns, strings and continuo (cello, lute, harpsichord). Orlando (opera) Orlando (HWV 31) is an opera seria in three acts by George Frideric Handel written for the King's Theatre in London in 1733. The Italian-language libretto was adapted from Carlo Sigismondo Capece's "L'Orlando" after Ludovico Ariosto's "Orlando Furioso", which was also the source of Handel's operas "Alcina" and "Ariodante". More an artistic than a popular success at its first performances, "Orlando" is today recognised