Universal key fractions (e.g. an A natural in the scale above becomes ) or, more commonly in written text, by inserting an accidental before the number (e.g. the same note becomes 5 or 4). In music theory aimed towards jazz and popular music, all triads are represented by upper case numerals, followed by a symbol to indicate if it is not a major chord (e.g. "m" for minor or "ø" for half-diminished): When representing the triads rooted in a minor key, accidentals are used to indicate the chromatic alteration from the assumed major key roots indicated by numerals that don't have accidentals:
Musical note commonly), a double sharp sign on a key signature with a single sharp indicates only a double sharp, not a triple sharp. Assuming enharmonicity, many accidentals will create equivalences between pitches that are written differently. For instance, raising the note B to B is equal to the note C. Assuming all such equivalences, the complete chromatic scale adds five additional pitch classes to the original seven lettered notes for a total of 12 (the 13th note completing the octave), each separated by a half-step. Notes that belong to the diatonic scale relevant in the context are sometimes called "diatonic notes";