The Magic Flute the Masonic influence is exaggerated. Schikaneder and Mozart were Freemasons, as was Ignaz Alberti, engraver and printer of the first libretto. The opera is also influenced by Enlightenment philosophy and can be regarded as advocating enlightened absolutism. The Queen of the Night is seen by some to represent a dangerous form of obscurantism, by others to represent Roman Catholic Empress Maria Theresa, and still others see the Roman Catholic Church itself, which was strongly anti-Masonic. Some modern audiences detect strains of misogyny and casual racism in "The Magic Flute". The names of the performers at the premiere are taken from
The Enchanted Pig (opera) by the witch and Adelaide. Offering herself to Adelaide as a spy to keep watch on the pig, Flora is enabled to release him and to live with him in human form happily ever after. In a review of the original production, the critic Michael Billington wrote in "The Guardian": "This is a show that proves opera, at its best, is source of magic and enchantment." In "The Independent", Paul Taylor called it an " exhilarating opera for children (and discerning adults)." Reviewing a 2009 production at the Linbury Studio Theatre, Rupert Christiansen wrote for "The Daily Telegraph": "Dove is