Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Waiting for Godot reception was not particularly favourable, with Frank Rich of "The New York Times" writing, "Audiences will still be waiting for a transcendent "Godot" long after the clowns at Lincoln Center, like so many others passing through Beckett's eternal universe before them, have come and gone." The play was revived in London's West End at the Queen's Theatre in a production directed by Les Blair, which opened on 30 September 1991. This was the first West End revival since the play's British première. Rik Mayall played Vladimir and Adrian Edmondson played Estragon, with Philip Jackson as Pozzo and Christopher Ryan as