Key signature A minor as each accidental may be notated explicitly as required, or the piece may be modal or atonal. An example is Bartók's Piano Sonata, which has no fixed key and is highly chromatic. If not bound by common practice conventions, microtones can also be notated in a key signature; which microtonal symbols are used depends on the system. The common practice period conventions are so firmly established that some musical notation programs have been unable to show nonstandard key signatures until recently. The use of a one-flat signature developed in the Medieval period, but signatures with more than one
Off-key note in jazz. The opposite of off-key is on-key or in-key, which suggests that there is a well defined keynote, or reference pitch. This does not necessarily have to be an absolute pitch but rather one that is relative for at least the duration of a song. A song is usually in a certain key, which is usually the note that the song ends on, and is the base frequency around which it resolves to at the end. The base-frequency is usually called the harmonic or key center. Being on-key presumes that there is a key center frequency around which