Libretto of The Magic Flute role in the content of Schikaneder's libretto. Mozart was an active Mason in Vienna, and wrote a substantial quantity of music for his own lodge, including in 1791 (see "Mozart and Freemasonry"). Schikaneder had been a Mason in Regensburg (1786–7) for a few months before his lodge suspended him. The simpler accounts of Masonic influence in "The Magic Flute" assume that Masonry provided a system of values, symbolism, and ritual for the opera, but no part of the narrative. More elaborate accounts suggest that the opera was intended as an allegory with a hidden Masonic agenda. For instance, the evil
Welsh National Opera with the company's musical director James Lockhart, Geliot is credited by "The Times" with introducing new young singers and "directing a host of groundbreaking productions" before leaving in 1978. The critic Rodney Milnes wrote in 1975 about WNO's productions: In 1973 Geliot's WNO staging of Britten's "Billy Budd" with Allen in the title role was presented on a Swiss tour, and two years later it was given in Barcelona. The company returned to London with its participation in the Amoco Festival of Opera at the Dominion Theatre in 1979, presenting "The Makropoulos Case", "The Magic Flute", "Ernani", "Madame Butterfly", and