String Quintet (Schubert) flat supertonic (D-flat) and the tonic (C), played "forte" in all parts. After Schubert's string quintet was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. An early admirer was Brahms whose Piano Quintet (1865) was inspired in part by Schubert's (then) newly discovered work. Brahms, in fact, originally wrote that work as a string quintet with two cellos (the complement used by Schubert) and only later recast it as a piano quintet. The piano quintet is in F minor, the key of the turbulent central section of Schubert's "Adagio", while the third movement recalls
String Quintet (Bruckner) the frequent use of Sesto in the Ländler-like eighth-note of the first viola, which is due to the line of the second violin and the violoncello of the first part and refers directly to the trio in Scherzo. An airy counterpart of the first violin pushes playfully unstoppable upwards. The actual implementation theme becomes the starting point of a fugue whose theme is contrasted with a striking triplet figure. Finally, the recapitulation follows in D flat major. The coda is a jubilant conclusion. Josef Hellmesberger, on whose initiative the creation of the string quintet went back, rejected the Scherzo originally