Quarter-comma meantone each kind, a perfect fifth of meantone contains four diatonic and three chromatic semitones, and an octave seven diatonic and five chromatic semitones, it follows that: Thus, in Pythagorean tuning, where sequences of just fifths (frequency ratio 3:2) and octaves are used to produce the other intervals, a whole tone is and a major third is An interval of a seventeenth, consisting of sixteen diatonic and twelve chromatic semitones, such as the interval from D to F, can be equivalently obtained using either This large interval of a seventeenth contains staff positions. In Pythagorean tuning, the size of a seventeenth
Comma (music) several different commas. For instance, a commonly used version of five-limit tuning produces a 12-tone scale with four kinds of semitones and four commas. The size of commas is commonly expressed and compared in terms of cents – 1/1200 fractions of an octave on a logarithmic scale. In the column labeled "Difference between semitones", m2 is the minor second (diatonic semitone), A1 is the augmented unison (chromatic semitone), and S, S, S, S are semitones as defined here. In the columns labeled "Interval 1" and "Interval 2", all intervals are presumed to be tuned in just intonation. Notice that the