Major seventh the same number of staff positions, but consist of a different number of semitones (nine and twelve). The easiest way to locate and identify the major seventh is from the octave rather than the unison, and it is suggested that one sings the octave first. For example, the most commonly cited example of a melody featuring a major seventh is the tonic-octave-major seventh of the opening to "(Somewhere) Over the Rainbow". "Not many songwriters begin a melody with a major seventh interval; perhaps that's why there are few memorable examples." However, two songs provide exceptions to this generalisation: Cole Porter's
Octave the assumption that pitches one or more octaves apart are musically equivalent in many ways, leading to the convention "that scales are uniquely defined by specifying the intervals within an octave". The conceptualization of pitch as having two dimensions, pitch height (absolute frequency) and pitch class (relative position within the octave), inherently include octave circularity. Thus all Cs, or all 1s (if C = 0), in any octave are part of the same pitch class. Octave equivalency is a part of most "advanced musical cultures", but is far from universal in "primitive" and early music. The languages in which the