String Quintet, Op. 29 (Beethoven) to Count Moritz von Fries, a patron to whom Beethoven also dedicated two other works of the same year—the Violin Sonatas No. 4 and No. 5—as well as his later Seventh Symphony. This quintet allegedly inspired Schubert to write his own string quintet in the same key (his scoring involves two cellos rather than two violas as in Beethoven's quintet). String Quintet, Op. 29 (Beethoven) The String Quintet in C major, Op. 29 written by Ludwig van Beethoven, was composed in 1801. This work is scored for string quartet and an extra viola (two violins, two violas, and cello). The
Piano quintet scored for piano, oboe, clarinet, horn, and bassoon. Not until the middle of the 19th century did Robert Schumann's Piano Quintet in E major, Op. 44 (1842) firmly establish music for piano and string quartet as a significant, and quintessentially Romantic, chamber music genre. By 1842, the string quartet had evolved into the most important chamber music ensemble, and advances in the design of the piano had expanded its power and dynamic range. Bringing the piano and string quartet together, Schumann's Piano Quintet took full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the