Pluto (mythology) "Theogony" and the extended narrative of the "Homeric Hymn to Demeter;" in both these works, the ruler of the underworld is named as Hades ("the Hidden One"). Hades is an unsympathetic figure, and Persephone's unwillingness is emphasized. Increased usage of the name "Plouton" in religious inscriptions and literary texts reflects the influence of the Eleusinian Mysteries, which treated Pluto and Persephone as a divine couple who received initiates in the afterlife; as such, Pluto was disassociated from the "violent abductor" of Kore. Two early works that give the abductor god's name as Pluto are the Greek mythography traditionally known as
Pluto (mythology) described Pluto as a folkloric supernatural being, "the elrich incubus / in cloke of grene" ("the eldritch incubus in cloak of green"), who appears among the courtiers of Cupid. The name "Pluto" for the classical ruler of the underworld was further established in English literature by Arthur Golding, whose translation of Ovid's "Metamorphoses" (1565) was of great influence on William Shakespeare, Christopher Marlowe, and Edmund Spenser. Golding translates Ovid's "Dis" as Pluto, a practice that prevails among English translators, despite John Milton's use of the Latin "Dis" in "Paradise Lost". The Christian perception of the classical underworld as Hell influenced