String Quintet (Schubert) Its first known public performance occurred only three years earlier, on 17 November 1850 at the Musikverein in Vienna. The work is the only full-fledged string quintet in Schubert's oeuvre. When he began composing his string quintet, Schubert had already composed an impressive body of chamber music for strings, including at least fifteen string quartets, most of which were composed for domestic performance by his family's string quartet. Schubert selected the key of C major in a possible gesture to two composers he greatly admired, Mozart and Beethoven, both of whom wrote string quintets in that key, Mozart's String Quintet
String Quintet (Bruckner) the frequent use of Sesto in the Ländler-like eighth-note of the first viola, which is due to the line of the second violin and the violoncello of the first part and refers directly to the trio in Scherzo. An airy counterpart of the first violin pushes playfully unstoppable upwards. The actual implementation theme becomes the starting point of a fugue whose theme is contrasted with a striking triplet figure. Finally, the recapitulation follows in D flat major. The coda is a jubilant conclusion. Josef Hellmesberger, on whose initiative the creation of the string quintet went back, rejected the Scherzo originally