Krapp's Last Tape letter to Rosset's editorial assistant, Judith Schmidt, on 11 May 1959, Beckett referred to the "staging" of "Krapp's Last Tape" as its 'creation'," and he made numerous significant changes to the text over the years as he was involved in directing the play. The first German performance, on 28 September 1959, was directed by Walter Henn at Berlin's "Schillertheater", where 10 years later, on 5 October 1969, Samuel Beckett himself staged his text in a most successful performance (with Martin Held as Krapp). The first American performance, on 14 January 1960, was directed by Alan Schneider and starred Donald Davis.
Waiting for Godot debate. "When Colin Duckworth asked Beckett point-blank whether Pozzo was Godot, the author replied: 'No. It is just implied in the text, but it's not true.' " Deirdre Bair says that though "Beckett will never discuss the implications of the title", she suggests two stories that both may have at least partially inspired it. The first is that because feet are a recurring theme in the play, Beckett has said the title was suggested to him by the slang French term for boot: ""godillot", "godasse"". The second story, according to Bair, is that Beckett once encountered a group of spectators