The Magic Flute the Night, evidently needed little such help: this role is famous for its difficulty. In ensembles, Mozart skillfully combined voices of different ability levels. The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. Both arias of the Queen of the Night, "O zittre nicht, mein lieber Sohn" and "Der Hölle Rache kocht in meinem Herzen" require high F, rare in opera. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F in a few locations.
The Magic Flute the music, to Scene 10: The Temple of the Sun" Sarastro announces the sun's triumph over the night, and hails the dawn of a new era of wisdom and brotherhood. Act 1 Act 2 The first recording of "The Magic Flute"s overture was issued around 1901–1903, at the dawn of the recording era, by the Victor Recording Company and played by the Victor Grand Concert Band. The first recording of "The Magic Flute" was of a live performance at the 1937 Salzburg Festival, with Arturo Toscanini conducting the Vienna Philharmonic and Vienna State Opera. The first studio recording of the