The Immortal Hour The Immortal Hour The Immortal Hour is an opera by English composer Rutland Boughton. Boughton adapted his own libretto from the play of the same name by Fiona MacLeod, a pseudonym of writer William Sharp. "The Immortal Hour" is a fairy tale or fairy opera, with a mood and theme similar to Dvořák's "Rusalka" and Mozart's "The Magic Flute". Magic and nature spirits play important roles in the storyline. The fairy people are not mischievous, childlike sprites, but are proud and powerful: immortal demigods who are feared by mortals and who can (and do) interfere with the lives of men
The Enchanted Pig (opera) by the witch and Adelaide. Offering herself to Adelaide as a spy to keep watch on the pig, Flora is enabled to release him and to live with him in human form happily ever after. In a review of the original production, the critic Michael Billington wrote in "The Guardian": "This is a show that proves opera, at its best, is source of magic and enchantment." In "The Independent", Paul Taylor called it an " exhilarating opera for children (and discerning adults)." Reviewing a 2009 production at the Linbury Studio Theatre, Rupert Christiansen wrote for "The Daily Telegraph": "Dove is