De Stijl was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with Theo van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, and Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as "Neoplasticism"—the new plastic art (or "Nieuwe Beelding" in Dutch). According to Theo van Doesburg in the introduction of the magazine "De Stijl" 1917 no.1, the "De Stijl"-movement was a reaction to
Helene Kröller-Müller the first people to recognise the genius of Vincent van Gogh. She eventually amassed more than 90 van Gogh paintings and 185 drawings, one of the world's largest collections of the artist's work, second only to the Van Gogh Museum in Amsterdam. She also bought more than 400 works by Dutch artist Bart van der Leck, but his popularity did not take off like van Gogh's. Kröller-Müller also collected works by modern artists, such as Picasso, Georges Braque, Jean Metzinger, Albert Gleizes, Fernand Léger, Diego Rivera, Juan Gris, Piet Mondrian, Gino Severini, Joseph Csaky, Auguste Herbin, Georges Valmier, María Blanchard,