Genus (music) the other hand, also has twelve pitches to the octave, but the semitones are all of the same size. In contrast, the ancient Greek chromatic scale had seven tones to the octave (assuming alternating conjunct and disjunct tetrachords), and had incomposite minor thirds as well as semitones and whole tones. The (Dorian) scale generated from the chromatic genus is composed of two chromatic tetrachords: whereas in modern music theory, a chromatic scale is: The number and nature of the shades of the chromatic genus vary amongst the Greek theorists. The major division is between the Aristoxenians and the Pythagoreans. Aristoxenus
Octave octave equivalency, notes in a chord that are one or more octaves apart are said to be "doubled" (even if there are "more" than two notes in different octaves) in the chord. The word is also used to describe melodies played in parallel in more than multiple octaves. While octaves commonly refer to the perfect octave (P8), the interval of an octave in music theory encompasses chromatic alterations within the pitch class, meaning that G to G (13 semitones higher) is an Augmented octave (A8), and G to G (11 semitones higher) is a diminished octave (d8). The use of