Quarter-comma meantone each kind, a perfect fifth of meantone contains four diatonic and three chromatic semitones, and an octave seven diatonic and five chromatic semitones, it follows that: Thus, in Pythagorean tuning, where sequences of just fifths (frequency ratio 3:2) and octaves are used to produce the other intervals, a whole tone is and a major third is An interval of a seventeenth, consisting of sixteen diatonic and twelve chromatic semitones, such as the interval from D to F, can be equivalently obtained using either This large interval of a seventeenth contains staff positions. In Pythagorean tuning, the size of a seventeenth
Octave effect performances. Hendrix used an octave-fuzz pedal known as the octavia. Analog octave effects differ from harmonizers and pitch shifters which digitally sample the sound and process it to change its pitch. Octave-up effects usually use full wave rectification using diodes to "fold up" the negative part of the waveform to make a new waveform an octave higher in pitch. Octave-down effects are typically produced by converting the signal to a square wave, and then using flip-flop circuits to divide the frequency by two. This creates a buzzy synthesizer like tone. The MXR Blue Box used this method to create a