Augmented seventh Adding a diesis to this makes up an octave. Hence, this interval's complement, the diminished second, is often referred to as a diesis. Augmented seventh In classical music from Western culture, an augmented seventh is an interval produced by widening a major seventh by a chromatic semitone. For instance, the interval from C to B is a major seventh, eleven semitones wide, and both the intervals from C to B, and from C to B are augmented sevenths, spanning twelve semitones. Being augmented, it is classified as a dissonant interval. However, it is enharmonically equivalent to the perfect octave. Since
Octave (poetry) Octave (poetry) An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is "abba abba". An octave is the first part of a Petrarchan sonnet, which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a conclusion of one idea, giving way to another idea in the sestet. Some English sonnets break that rule, often to striking effect. In Milton's Sonnet 16, the sestet begins early, halfway through the last line of the octave: Patience's too-quick reply