Krapp, ou, La dernière bande Krapp intones "Sprechgesang" in the present; a lyrical vocal line caresses the pre-recorded monologues of his younger self. The melody for the section of tape which Krapp rewinds and re-listens to numerous times (his happiest moment, curled up with his lover in a gently rocking boat) is ingeniously captured as an "idée fixe" by Mihalovici." Krapp, ou, La dernière bande Krapp, ou, La dernière bande (English: "The Last Tape", German: "Krapp, oder Das letzte Band") is a chamber opera in one act by Marcel Mihalovici with a libretto by Samuel Beckett. The libretto is based on Beckett's 1958 play "Krapp's
Samuel Beckett Beckett never sold, donated or gave away. He refused to allow the play to be translated into film but did allow it to be played on television. Beckett translated all of his works into English himself, with the exception of "Molloy", for which he collaborated with Patrick Bowles. The success of "Waiting for Godot" opened up a career in theatre for its author. Beckett went on to write successful full-length plays, including "Fin de partie" ("Endgame") (1957), "Krapp's Last Tape" (1958, written in English), "Happy Days" (1961, also written in English), and "Play" (1963). In 1961, Beckett received the International