String Quintet (Schubert) Its first known public performance occurred only three years earlier, on 17 November 1850 at the Musikverein in Vienna. The work is the only full-fledged string quintet in Schubert's oeuvre. When he began composing his string quintet, Schubert had already composed an impressive body of chamber music for strings, including at least fifteen string quartets, most of which were composed for domestic performance by his family's string quartet. Schubert selected the key of C major in a possible gesture to two composers he greatly admired, Mozart and Beethoven, both of whom wrote string quintets in that key, Mozart's String Quintet
String Quintet in E major, Op. 11, No. 5 (Boccherini) the viola and celli have eighth note pizzicato. The second violin, on the other hand, has quick sixteenth note slurs which contain many string crossings. As Elisabeth Le Guin puts it in "Boccherini’s Body: An Essay in Carnal Musicology", “The second violinist has no time for "galanterie"; he must concentrate on keeping the constant string crossings reasonable even through the length of the bow”. The arrangements of this quintet, especially of the minuet, are extremely numerous. The entire piece was arranged for a double viola quintet in the 18th century. A 19th century transcription of the minuet for the organ