String Quintet (Schubert) No. 3 in C major, K. 515 and Beethoven's String Quintet, Op. 29 in C major. According to Charles Rosen, the opening theme of Schubert's work emulates many characteristics of the Mozart quintet's opening theme, such as decorative turns, irregular phrase lengths, and rising staccato arpeggios (the latter appear only in Schubert's recapitulation). But whereas the string quintets of Mozart and Beethoven are composed for a string quartet augmented by a second viola, Schubert adopts a somewhat unconventional instrumentation, employing two cellos instead of two violas, creating richness in the lower register. Before Schubert, Luigi Boccherini had replaced the second
String Quintet (Bruckner) emphasized. When Bruckner composed his quintet, however, he did not yet know the late quartets of Beethoven - at least according to the statement of the Bruckner researcher Max-Auer, who reports the following: "When Göllerich confessed to this performance [meaning the first performance on 17.11.1881] Bruckner that in the quintet he thinks he recognizes a direct continuation of Beethoven's last quartet, Bruckner, in his modesty, was startled by this comparison with his most revered master, and told him that he unfortunately did not know the last quartets of Beethoven. Göllerich then gave him the scores for the next Christmas." Ernst