String Quintet (Schubert) flat supertonic (D-flat) and the tonic (C), played "forte" in all parts. After Schubert's string quintet was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. An early admirer was Brahms whose Piano Quintet (1865) was inspired in part by Schubert's (then) newly discovered work. Brahms, in fact, originally wrote that work as a string quintet with two cellos (the complement used by Schubert) and only later recast it as a piano quintet. The piano quintet is in F minor, the key of the turbulent central section of Schubert's "Adagio", while the third movement recalls
String Quintet (Bruckner) emphasized. When Bruckner composed his quintet, however, he did not yet know the late quartets of Beethoven - at least according to the statement of the Bruckner researcher Max-Auer, who reports the following: "When Göllerich confessed to this performance [meaning the first performance on 17.11.1881] Bruckner that in the quintet he thinks he recognizes a direct continuation of Beethoven's last quartet, Bruckner, in his modesty, was startled by this comparison with his most revered master, and told him that he unfortunately did not know the last quartets of Beethoven. Göllerich then gave him the scores for the next Christmas." Ernst