Krapp's Last Tape letter to Rosset's editorial assistant, Judith Schmidt, on 11 May 1959, Beckett referred to the "staging" of "Krapp's Last Tape" as its 'creation'," and he made numerous significant changes to the text over the years as he was involved in directing the play. The first German performance, on 28 September 1959, was directed by Walter Henn at Berlin's "Schillertheater", where 10 years later, on 5 October 1969, Samuel Beckett himself staged his text in a most successful performance (with Martin Held as Krapp). The first American performance, on 14 January 1960, was directed by Alan Schneider and starred Donald Davis.
Waiting for Godot political and religious interpretation", wrote Normand Berlin in a tribute to the play in Autumn 1999, "with Beckett himself placed in different schools of thought, different movements and 'ism's. The attempts to pin him down have not been successful, but the desire to do so is natural when we encounter a writer whose minimalist art reaches for bedrock reality. 'Less' forces us to look for 'more', and the need to talk about "Godot" and about Beckett has resulted in a steady outpouring of books and articles. Throughout "Waiting for Godot", the audience may encounter religious, philosophical, classical, psychoanalytical and biographical