George Bernard Shaw and "Caesar and Cleopatra", Shaw's counterblast to Shakespeare's "Antony and Cleopatra", seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce". These plays included "Getting Married" (premiered 1908), "The Shewing-Up of Blanco Posnet" (1909), "Misalliance" (1910), and "Fanny's First Play" (1911). "Blanco Posnet" was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. "Fanny's First Play", a comedy
Abbey Theatre by Lady Gregory, Edward Martyn and W. B. Yeats in 1899—with assistance from George Moore—it presented plays in the Antient Concert Rooms and the Gaiety Theatre, which brought critical approval but limited public interest. Lady Gregory envisioned a society promoting "ancient idealism" dedicated to crafting works of Irish theatre pairing Irish culture with European theatrical methods. The second base involved the work of two Dublin directors, William and Frank Fay. William worked in the 1890s with a touring company in Ireland, Scotland and Wales, while his brother Frank was involved in amateur dramatics in Dublin. After William returned to Dublin,