Irish literature Lady Says No!" (1929), and "The Moon in the Yellow River" (1931). While there no doubt that Samuel Beckett is an Irishman he lived much of his life in France and wrote several works first in French. His most famous plays are "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), "Endgame" (originally "Fin de partie") (1957), "Happy Days" (1961), written in English, all of which profoundly affected British drama. In 1954, Behan's first play "The Quare Fellow" was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London,
Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy