Exiles (play) Exiles (play) Exiles is James Joyce's only extant play and draws on the story of "The Dead", the final short story in Joyce's story collection "Dubliners". The play was rejected by W. B. Yeats for production by the Abbey Theatre. Its first major London performance was in 1970, when Harold Pinter directed it at the Mermaid Theatre. In terms of both its critical and popular reception, "Exiles" has proven the least successful of all of Joyce's published works. In making his case for the defence of the play, Padraic Colum conceded: "...critics have recorded their feeling that ["Exiles"] has not
George Bernard Shaw Osborne's plays, and concludes that though the latter's work is neither imitative nor derivative, these affinities are sufficient to classify Osborne as an inheritor of Shaw. In a 1983 study, R. J. Kaufmann suggests that Shaw was a key forerunner—"godfather, if not actually finicky paterfamilias"—of the Theatre of the Absurd. Two further aspects of Shaw's theatrical legacy are noted by Crawford: his opposition to stage censorship, which was finally ended in 1968, and his efforts which extended over many years to establish a National Theatre. Shaw's short 1910 play "The Dark Lady of the Sonnets", in which Shakespeare pleads with