The Immortal Hour The Immortal Hour The Immortal Hour is an opera by English composer Rutland Boughton. Boughton adapted his own libretto from the play of the same name by Fiona MacLeod, a pseudonym of writer William Sharp. "The Immortal Hour" is a fairy tale or fairy opera, with a mood and theme similar to Dvořák's "Rusalka" and Mozart's "The Magic Flute". Magic and nature spirits play important roles in the storyline. The fairy people are not mischievous, childlike sprites, but are proud and powerful: immortal demigods who are feared by mortals and who can (and do) interfere with the lives of men
Libretto of The Magic Flute to sublime human aspiration – in short from the circus to the temple, but never neglecting an opportunity for effective theater along the way. The sources for the work fall into (at least) four categories: works of literature, earlier productions of Schikaneder's theater company, Freemasonry, and the 18th-century tradition of popular theater in Vienna. The Schikaneder troupe prior to the premiere of "The Magic Flute" had developed considerable experience with performing fairy tale operas with similar plots, characters, and singers. Two bear a particularly strong relationship to "The Magic Flute": A very long tradition asserts that Freemasonry plays a major