Pluto (mythology) says that among the Turdetani, it is "Pluto, and not Hades, who inhabits the region down below." In the discourse "On Mourning" by the Greek author Lucian (2nd century AD), Pluto's "wealth" is the dead he rules over in the abyss "(chasma)"; the name "Hades" is reserved for the underworld itself. In Greek religious practice, Pluto is sometimes seen as the "chthonic Zeus" ("Zeus Chthonios" or "Zeus Catachthonios"), or at least as having functions or significance equivalent to those of Zeus but pertaining to the earth or underworld. In ancient Roman and Hellenistic religion, Pluto was identified with a number
Pluto (mythology) the classical underworld with Hell, and its denizens as demons or devils. In the Renaissance, the bident became a conventional attribute of Pluto. In an influential ceiling mural depicting the wedding of Cupid and Psyche, painted by Raphael's workshop for the Villa Farnesina in 1517, Pluto is shown holding the bident, with Cerberus at his side, while Neptune holds the trident. Perhaps influenced by this work, Agostino Carracci originally depicted Pluto with a bident in a preparatory drawing for his painting "Pluto" (1592), in which the god ended up holding his characteristic key. In Caravaggio's "Giove, Nettuno e Plutone" (ca.