The Immortal Hour The Immortal Hour The Immortal Hour is an opera by English composer Rutland Boughton. Boughton adapted his own libretto from the play of the same name by Fiona MacLeod, a pseudonym of writer William Sharp. "The Immortal Hour" is a fairy tale or fairy opera, with a mood and theme similar to Dvořák's "Rusalka" and Mozart's "The Magic Flute". Magic and nature spirits play important roles in the storyline. The fairy people are not mischievous, childlike sprites, but are proud and powerful: immortal demigods who are feared by mortals and who can (and do) interfere with the lives of men
The Magic Flute (1975 film) a cinema) on an August evening in the same year. Bergman later wrote (in his book "Images") on how he chose his singers. Since we were not performing "The Magic Flute" on a stage but in front of a microphone and camera, we did not need large voices. What we needed were warm, sensuous voices that had personality. To me it was also absolutely essential that the play be performed by young actors, naturally close to dizzy, emotional shifts between joy and sorrow, between thinking and feeling. Tamino must be a handsome young man. Pamina must be a beautiful young