Pluto (mythology) authorship of the lyrics that have survived as the "Orphic Hymns", among them a hymn to Pluto. Orpheus's voice and lyre-playing represented a medium of revelation or higher knowledge for the mystery cults. In his central myth, Orpheus visits the underworld in the hope of retrieving his bride, Eurydice, relying on the power of his music to charm the king and queen of Hades. Greek narratives of Orpheus's descent and performance typically name the ruler of the underworld as "Plouton", as for instance in the "Bibliotheca". The myth demonstrates the importance of Pluto "the Rich" as the possessor of a
Gate deities of the underworld only to the souls capable of pronouncing the secret name of the god himself, as a sort of "password". The walls of many Pharaonic tombs in the Valley of the Kings are decorated with the texts of the Book of Gates, which describes the twelve gates or pylons of the underworld: in spite of being imagined as architectural barriers to all intents and purposes, the gates were individually named as goddesses. Chapter 144 of the Book of the Dead mentions seven gates, each with its own God, a Doorkeeper and a Herald: for example, the 7th gate is guarded by