Irish literature Lady Says No!" (1929), and "The Moon in the Yellow River" (1931). While there no doubt that Samuel Beckett is an Irishman he lived much of his life in France and wrote several works first in French. His most famous plays are "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), "Endgame" (originally "Fin de partie") (1957), "Happy Days" (1961), written in English, all of which profoundly affected British drama. In 1954, Behan's first play "The Quare Fellow" was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London,
Waiting for Godot debate. "When Colin Duckworth asked Beckett point-blank whether Pozzo was Godot, the author replied: 'No. It is just implied in the text, but it's not true.' " Deirdre Bair says that though "Beckett will never discuss the implications of the title", she suggests two stories that both may have at least partially inspired it. The first is that because feet are a recurring theme in the play, Beckett has said the title was suggested to him by the slang French term for boot: ""godillot", "godasse"". The second story, according to Bair, is that Beckett once encountered a group of spectators