The Magic Flute outside Vienna (21 September 1792) in Lemberg, then in Prague. It then made "triumphal progress through Germany's opera houses great and small", and with the early 19th century spread to essentially all the countries of Europe—and eventually, everywhere in the world—where opera is cultivated. As Branscombe documents, the earlier performances were often of highly altered, sometimes even mutilated, versions of the opera (see "Ludwig Wenzel Lachnith"). Productions of the past century have tended to be more faithful to Mozart's music, though faithful rendering of Mozart and Schikaneder's original (quite explicit) stage directions and dramatic vision continues to be rare; with
The Magic Flute (at right), which does not give full names; "Hr." = Herr, Mr.; "Mme." = Madame, Mrs.; "Mlle." = Mademoiselle, Miss. While the female roles in the opera are assigned to different voice types, the playbill for the premiere performance referred to all of the female singers as "sopranos". The casting of the roles relies on the actual vocal range of the part. The work is scored for two flutes (one doubling on piccolo), two oboes, two clarinets (doubling basset horns), two bassoons, two horns, two trumpets, three trombones (alto, tenor, and bass), timpani and strings. It also requires a four-part