Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Pozzo (Waiting for Godot) the word, Pozzo is sometimes considered (nominally) the "antagonist" of "Waiting for Godot". Although he is not technically in opposition to the so-called heroes of the play (Vladimir and Estragon) he does bring chaos into their sheltered world. Upon his first entrance, he immediately goes about attempting to exert authority on the hapless "Didi" and "Gogo" by shouting at them, ordering them about, and generally making a nuisance of himself. Along the way he mercilessly abuses Lucky (physically and mentally) into performing menial and sometimes pointless tasks. However, despite his authoritative presence, he has the tendency of falling to pieces