Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Lucky (Waiting for Godot) is not serving Pozzo, he usually stands in one spot drooling, or sleeping if he stands there long enough. His props include a picnic basket, a coat, and a suitcase full of sand. Lucky's place in "Waiting for Godot" has been heavily debated. Even his name is somewhat elusive. Some have marked him as "lucky" because he is "lucky in the context of the play." He does not have to search for things to occupy his time, which is a major pastime of the other characters. Pozzo tells him what to do, he does it, and is therefore lucky because