String Quintet No. 3 (Mozart) his own string quintet in the same key (his scoring involves two cellos rather than two violas as in Mozart's quintet). The opening theme of Schubert's work retained many of the characteristics of Mozart's opening theme, such as decorative turns, irregular phrase lengths, and rising staccato arpeggios (the latter appear only in Schubert's recapitulation). String Quintet No. 3 (Mozart) The String Quintet No. 3 in C major, K. 515 was written by Wolfgang Amadeus Mozart. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins,
Piano quintet scored for piano, oboe, clarinet, horn, and bassoon. Not until the middle of the 19th century did Robert Schumann's Piano Quintet in E major, Op. 44 (1842) firmly establish music for piano and string quartet as a significant, and quintessentially Romantic, chamber music genre. By 1842, the string quartet had evolved into the most important chamber music ensemble, and advances in the design of the piano had expanded its power and dynamic range. Bringing the piano and string quartet together, Schumann's Piano Quintet took full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the