George Bernard Shaw and "Caesar and Cleopatra", Shaw's counterblast to Shakespeare's "Antony and Cleopatra", seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce". These plays included "Getting Married" (premiered 1908), "The Shewing-Up of Blanco Posnet" (1909), "Misalliance" (1910), and "Fanny's First Play" (1911). "Blanco Posnet" was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. "Fanny's First Play", a comedy
Theatre of the United Kingdom in various styles, including melodrama. T. W. Robertson wrote popular domestic comedies and introduced a more naturalistic style of acting and stagecraft to the British stage in the 1860s. A change came in the late 19th century with the plays on the London stage by the Irishmen George Bernard Shaw and Oscar Wilde and the Norwegian Henrik Ibsen, all of whom influenced domestic English drama and vitalised it again. The Shakespeare Memorial Theatre was opened in Shakespeare's birthplace Stratford upon Avon in 1879; and Herbert Beerbohm Tree founded an Academy of Dramatic Art at Her Majesty's Theatre in 1904. Producer