Magic Flute Diaries concept for a film inspired by Mozart’s "The Magic Flute" emerged from a number of sources. Director, writer and producer of the film, Kevin Sullivan, became interested in the city of Salzburg after his daughter travelled there with her school orchestra to attend Mozart’s 250th birthday celebrations. Sullivan was also inspired by Andrew Lloyd Webber’s stage musical, "The Woman in White", which used three-dimensional backdrops in its London production. Though Sullivan claims not to be an opera buff, he had always had a love for Mozart’s "The Magic Flute". Due to the impossibility (budget and time constraints) of filming on-location
The Magic Flute (1975 film) a cinema) on an August evening in the same year. Bergman later wrote (in his book "Images") on how he chose his singers. Since we were not performing "The Magic Flute" on a stage but in front of a microphone and camera, we did not need large voices. What we needed were warm, sensuous voices that had personality. To me it was also absolutely essential that the play be performed by young actors, naturally close to dizzy, emotional shifts between joy and sorrow, between thinking and feeling. Tamino must be a handsome young man. Pamina must be a beautiful young