The Magic Flute the Masonic influence is exaggerated. Schikaneder and Mozart were Freemasons, as was Ignaz Alberti, engraver and printer of the first libretto. The opera is also influenced by Enlightenment philosophy and can be regarded as advocating enlightened absolutism. The Queen of the Night is seen by some to represent a dangerous form of obscurantism, by others to represent Roman Catholic Empress Maria Theresa, and still others see the Roman Catholic Church itself, which was strongly anti-Masonic. Some modern audiences detect strains of misogyny and casual racism in "The Magic Flute". The names of the performers at the premiere are taken from
Orlando (opera) operas’ (Handel and the Opera Seria, p. 91), comparable on several counts with "The Magic Flute". The opera is scored for two recorders, two oboes, bassoon, two horns, strings and continuo (cello, lute, harpsichord). Orlando (opera) Orlando (HWV 31) is an opera seria in three acts by George Frideric Handel written for the King's Theatre in London in 1733. The Italian-language libretto was adapted from Carlo Sigismondo Capece's "L'Orlando" after Ludovico Ariosto's "Orlando Furioso", which was also the source of Handel's operas "Alcina" and "Ariodante". More an artistic than a popular success at its first performances, "Orlando" is today recognised