Marx Brothers and Chico appeared less prominently. The two younger brothers, Gummo and Zeppo, never developed their stage characters to the same extent as the elder three. They each left the act to pursue business careers at which they were successful, and for a time ran a large theatrical agency through which they represented their brothers and others. Gummo was not in any of the movies; Zeppo appeared in the first five films in relatively straight (non-comedic) roles. The performing lives of the brothers owed much to their mother Minnie Marx, who acted as their manager until her death in 1929. The
Vaudeville in the Philippines Vaudeville in the Philippines Vaudeville/bodabil in the Philippines, more commonly referred to as bodabil, was a popular genre of entertainment in the Philippines from the 1910s until the mid-1960s. For decades, it competed with film, radio and television as the dominant form of Filipino mass entertainment. It peaked in popularity during the Japanese occupation in the Philippines from 1941 to 1945. Many of the leading figures of Philippine film in the 20th century, such as Dolphy, Nora Aunor, Leopoldo Salcedo and Rogelio de la Rosa, began their showbusiness careers in bodabil. Bodabil is an indigenized form of vaudeville, which had