Libretto of The Magic Flute [His portrayal of Pamina] is one more example of the thread that runs through the operas – what Daniel Heartz has called Mozart's "infinite care to create strong and deeply moving female characters in [...] all of his operas." Mainstream scholarship views Schikaneder as the highly probable author. For a marginally-supported alternative candidate, see "Karl Ludwig Giesecke". It is not uncommon for critics to describe the libretto of "The Magic Flute" as being of dreadful quality. Thus Bauman writes, "The libretto has been generally regarded, in Dent's words, as "one of the most absurd specimens of that form of literature
The Enchanted Pig (opera) by the witch and Adelaide. Offering herself to Adelaide as a spy to keep watch on the pig, Flora is enabled to release him and to live with him in human form happily ever after. In a review of the original production, the critic Michael Billington wrote in "The Guardian": "This is a show that proves opera, at its best, is source of magic and enchantment." In "The Independent", Paul Taylor called it an " exhilarating opera for children (and discerning adults)." Reviewing a 2009 production at the Linbury Studio Theatre, Rupert Christiansen wrote for "The Daily Telegraph": "Dove is