The Actor's Nightmare actress Ellen tells him that it is a Samuel Beckett play called "Checkmate" (which seems to have elements of the plays "Endgame", "Happy Days", and "Waiting for Godot"). Literally forced on stage, George attempts to improvise his lines; however, the play inconsistently shifts between scenes from "Private Lives", "Hamlet", "Checkmate", and "A Man for All Seasons". When forced to improvise a soliloquy in the "Hamlet" scene, George tells the audience that he was raised in a Catholic school and was interested in joining a monastery but they told him to wait until he was older. When he was older, however,
Happy Days (play) of the text and production. Even Kenneth Tynan, one of the saviours of "Godot", felt that "Happy Days" was "a metaphor extended beyond its capacity", nevertheless, he admitted Beckett's strange, insinuating power and urged his readers to buy tickets for the play. More recent revivals on stage have occurred in 2008 at the Brooklyn Academy of Music in New York City, directed by Deborah Warner and starring Fiona Shaw as Winnie and Tim Potter as Willie, in 2014 at the Young Vic, starring Juliet Stevenson, and in New York City (The Flea Theater) and Pasadena (Boston Court Theatre) in 2015