Divertimento for String Orchestra (Bartók) of imitation, fugato, and contains a three voice fugue. Bartók's Divertimento is scored for string orchestra: Violin I, II, Viola, Violoncello, and Double Bass, all of which contain divisi sections. Unlike the majority of orchestral scores, the minimum number of players in each string section is specified: 6 1st Violins, 6 2nd Violins, 4 Violas, 4 Violoncellos, 2 Double Basses. Typically 8 minutes long, the opening movement is presented as a waltz with specific gypsy influences evident melodically, through the use of various modes and non-traditional scales, and rhythmically, through the use of irregularly placed accents and extended syncopated rhythms.
String Quintet in E major, Op. 11, No. 5 (Boccherini) the viola and celli have eighth note pizzicato. The second violin, on the other hand, has quick sixteenth note slurs which contain many string crossings. As Elisabeth Le Guin puts it in "Boccherini’s Body: An Essay in Carnal Musicology", “The second violinist has no time for "galanterie"; he must concentrate on keeping the constant string crossings reasonable even through the length of the bow”. The arrangements of this quintet, especially of the minuet, are extremely numerous. The entire piece was arranged for a double viola quintet in the 18th century. A 19th century transcription of the minuet for the organ