Abbey Theatre works by Seumas O'Cuisin, Fred Ryan and Yeats. The third base was the financial support and experience of Annie Horniman, a middle-class Englishwoman with previous experience of theatre production, having been involved in the presentation of George Bernard Shaw's "Arms and the Man" in London in 1894. An acquaintance of Yeats from London circles, including the Order of the Golden Dawn, she came to Dublin in 1903 to act as Yeats' unpaid secretary and to make costumes for a production of his play "The King's Threshold". Her money helped found the Abbey Theatre and, according to the critic Adrian Frazier,
George Bernard Shaw a death-blow to 19th-century melodrama. According to Laurence, Shaw pioneered "intelligent" theatre, in which the audience was required to think, thereby paving the way for the new breeds of twentieth-century playwrights from Galsworthy to Pinter. Crawford lists numerous playwrights whose work owes something to that of Shaw. Among those active in Shaw's lifetime he includes Noël Coward, who based his early comedy "The Young Idea" on "You Never Can Tell" and continued to draw on the older man's works in later plays. T. S. Eliot, by no means an admirer of Shaw, admitted that the epilogue of "Murder in the