String Quintet (Schubert) No. 3 in C major, K. 515 and Beethoven's String Quintet, Op. 29 in C major. According to Charles Rosen, the opening theme of Schubert's work emulates many characteristics of the Mozart quintet's opening theme, such as decorative turns, irregular phrase lengths, and rising staccato arpeggios (the latter appear only in Schubert's recapitulation). But whereas the string quintets of Mozart and Beethoven are composed for a string quartet augmented by a second viola, Schubert adopts a somewhat unconventional instrumentation, employing two cellos instead of two violas, creating richness in the lower register. Before Schubert, Luigi Boccherini had replaced the second
String Quintet (Bruckner) spectrum. Although Bruckner's String Quintet is primarily a chamber music work, the symphonic aspects of this work have inspired various authors to adapt to diverse instrumentation. Hans Stadlmair has set up the string quintet for a choral performance and also added double basses. Gottfired Kraus states: "Only the additional use of double basses creates new possibilities of expression, the great string sound lets us recognize in Bruckner's unmistakable language, the role models, not least the influence of Richard Wagner more clearly than in the comparatively brittle chamber music version of the case ." The work was among others recorded by