Abbey Theatre works by Seumas O'Cuisin, Fred Ryan and Yeats. The third base was the financial support and experience of Annie Horniman, a middle-class Englishwoman with previous experience of theatre production, having been involved in the presentation of George Bernard Shaw's "Arms and the Man" in London in 1894. An acquaintance of Yeats from London circles, including the Order of the Golden Dawn, she came to Dublin in 1903 to act as Yeats' unpaid secretary and to make costumes for a production of his play "The King's Threshold". Her money helped found the Abbey Theatre and, according to the critic Adrian Frazier,
George Bernard Shaw "G.Bernard Shaw". He left instructions in his will that his executor (the Public Trustee) was to license publication of his works only under the name Bernard Shaw. Shaw scholars including Ervine, Judith Evans, Holroyd, Laurence and Weintraub, and many publishers have respected Shaw's preference, although the Cambridge University Press was among the exceptions with its 1988 "Cambridge Companion to George Bernard Shaw". Shaw did not found a school of dramatists as such, but Crawford asserts that today "we recognise [him] as second only to Shakespeare in the British theatrical tradition ... the proponent of the theater of ideas" who struck