Krapp, ou, La dernière bande Krapp, ou, La dernière bande Krapp, ou, La dernière bande (English: "The Last Tape", German: "Krapp, oder Das letzte Band") is a chamber opera in one act by Marcel Mihalovici with a libretto by Samuel Beckett. The libretto is based on Beckett's 1958 play "Krapp's Last Tape", and large portions of the play's script were lifted for use in the libretto. Like the play, the opera is a monologue with the only character being that of Krapp. The opera was commissioned jointly by the Radiodiffusion-Télévision Française and the Bielefeld Opera, Germany. From the very beginning the opera's libretto has existed
Waiting for Godot theatregoers would leave after the first act, describing it as a play where “nothing happens”, and taxi drivers would wait in front of the theatre to take them home. The Miami showing caused the cancellation of the showings in New York. By April 1956, new showings were planned. That month, Schneider and most of the cast were replaced. Herbert Berghof took over as director and E.G. Marshall replaced Tom Ewell as Vladimir. The New York showing of the play prompted discussions of the play being an allegory. One reviewer, Henry Hewes of the "Saturday Review", identified Godot as God, Pozzo