Faye Dunaway have a fraction of her films on her resume." Cannes Film Festival artistic director Thierry Fremaux said, "She has one of the most wonderful filmographies of any actress. Look at her movies from the '70s for example — she only made good choices. She's had an incredible career." Through her career, Dunaway worked with many of the 20th century's greatest directors—Elia Kazan, Sidney Lumet, Arthur Penn, Roman Polanski, Sydney Pollack and Emir Kusturica among them, and several of the films she starred in became classics. In 1998, the American Film Institute ranked "Bonnie and Clyde", "Chinatown" and "Network" on their
Faye Dunaway one of his most famous pictures, "The Morning After", showing Dunaway poolside at the Beverly Hills Hotel with her Oscar the morning after the ceremony. In 1978, Dunaway returned to the screen in Irvin Kershner's thriller "Eyes of Laura Mars", about a fashion photographer who sees visions of a killer murdering people. The film was a success at the box office and Dunaway received positive reviews for her performance, with Janet Maslin writing for "The New York Times" that she was "perfect for her role". She played supporting roles in "The Champ" (1979), as the film offered her the chance