Ginger Rogers the reason so many women have fantasized about dancing with Fred Astaire is that Ginger Rogers conveyed the impression that dancing with him is the most thrilling experience imaginable". According to Astaire, when they were first teamed together in "Flying Down to Rio", "Ginger had never danced with a partner before. She faked it an awful lot. She couldn't tap and she couldn't do this and that ... but Ginger had style and talent and improved as she went along. She got so that after a while everyone else who danced with me looked wrong." Author Dick Richards, in his
Ginger Rogers CBS radio. In 1941, Rogers won the Academy Award for Best Actress for her role in 1940's "Kitty Foyle". She enjoyed considerable success during the early 1940s, and was RKO's hottest property during this period. In "Roxie Hart" (1942), based on the same play which served as the template for the later musical "Chicago", Rogers played a wisecracking wife on trial for a murder her husband committed. In the neorealist "Primrose Path" (1940), directed by Gregory La Cava, she played a prostitute's daughter trying to avoid the fate of her mother. Further highlights of this period included "Tom, Dick, and