Faye Dunaway a commercial failure. In 1969, Dunaway appeared in "The Arrangement", a drama directed by Elia Kazan, based upon his novel of the same title, opposite Kirk Douglas. The film did poorly at the box office, receiving mostly negative reviews, although Dunaway was praised, with Roger Ebert writing that her acting "is not only the equal of in "Bonnie and Clyde", but is, indeed, the only good acting she has done since". Vincent Canby of "The New York Times" wrote that she was "looking so cool and elegant that the sight of her almost pinches the optic nerves". Also in 1969,
Faye Dunaway one of his most famous pictures, "The Morning After", showing Dunaway poolside at the Beverly Hills Hotel with her Oscar the morning after the ceremony. In 1978, Dunaway returned to the screen in Irvin Kershner's thriller "Eyes of Laura Mars", about a fashion photographer who sees visions of a killer murdering people. The film was a success at the box office and Dunaway received positive reviews for her performance, with Janet Maslin writing for "The New York Times" that she was "perfect for her role". She played supporting roles in "The Champ" (1979), as the film offered her the chance