The Magic Flute Queen of the Night's coloratura, the bells, Sarastro's trombones, even the farewell in Scene I for clarinets and pizzicato strings—a single dramatic stroke." The opera begins with the overture, which Mozart composed last. "Scene 1: A rough, rocky landscape" Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him (aria: "" segued into trio: ""). He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to convince the other two
The Magic Flute (1975 film) a cinema) on an August evening in the same year. Bergman later wrote (in his book "Images") on how he chose his singers. Since we were not performing "The Magic Flute" on a stage but in front of a microphone and camera, we did not need large voices. What we needed were warm, sensuous voices that had personality. To me it was also absolutely essential that the play be performed by young actors, naturally close to dizzy, emotional shifts between joy and sorrow, between thinking and feeling. Tamino must be a handsome young man. Pamina must be a beautiful young