George Bernard Shaw and "Caesar and Cleopatra", Shaw's counterblast to Shakespeare's "Antony and Cleopatra", seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce". These plays included "Getting Married" (premiered 1908), "The Shewing-Up of Blanco Posnet" (1909), "Misalliance" (1910), and "Fanny's First Play" (1911). "Blanco Posnet" was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. "Fanny's First Play", a comedy
George Bernard Shaw "The Bernard Shaw Society", remains active . More recent societies have been established in Japan and India. Besides his collected music criticism, Shaw has left a varied musical legacy, not all of it of his choosing. Despite his dislike of having his work adapted for the musical theatre ("my plays set themselves to a verbal music of their own") two of his plays were turned into musical comedies: "Arms and the Man" was the basis of "The Chocolate Soldier" in 1908, with music by Oscar Straus, and "Pygmalion" was adapted in 1956 as "My Fair Lady" with book and lyrics