Libretto of The Magic Flute [His portrayal of Pamina] is one more example of the thread that runs through the operas – what Daniel Heartz has called Mozart's "infinite care to create strong and deeply moving female characters in [...] all of his operas." Mainstream scholarship views Schikaneder as the highly probable author. For a marginally-supported alternative candidate, see "Karl Ludwig Giesecke". It is not uncommon for critics to describe the libretto of "The Magic Flute" as being of dreadful quality. Thus Bauman writes, "The libretto has been generally regarded, in Dent's words, as "one of the most absurd specimens of that form of literature
The Magic Flute (ballet) the Imperial Ballet, where it was first presented on at the Imperial Mariinsky Theatre with Anna Johansson in the role of Lise and Pavel Gerdt in the role of Luc. The ballet served as a useful vehicle for the ballerinas of the Tsarist stage including Anna Pavlova, who would later include the work in the repertory of her own touring company. Drigo's score was later published in piano reduction and orchestral partition by the music publisher Zimmerman in 1912. The score was recorded in 1990 by the Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Bonynge and