Augmented seventh Augmented seventh In classical music from Western culture, an augmented seventh is an interval produced by widening a major seventh by a chromatic semitone. For instance, the interval from C to B is a major seventh, eleven semitones wide, and both the intervals from C to B, and from C to B are augmented sevenths, spanning twelve semitones. Being augmented, it is classified as a dissonant interval. However, it is enharmonically equivalent to the perfect octave. Since an octave can be described as a major seventh augmented by a diatonic semitone, the augmented seventh is the sum of an octave,
How Many More Times Wolf's "How Many More Years" (1951), as well as other songs by blues musicians he admired at the time of recording. In 1970, "How Many More Times" was dropped from Led Zeppelin's typical setlist, although they continued to perform it on occasion until the early stages of their 1975 North American tour, when it was re-introduced in full as a result of Jimmy Page's injured finger, which temporarily prevented him from playing the more challenging "Dazed and Confused". In a contemporary review for "Led Zeppelin" on release, John Mendelsohn of "Rolling Stone" called "How Many More Times" as the album's