Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Waiting for Godot relieve themselves. Such a dramatisation of lavatory necessities is offensive and against all sense of British decency." "The first unexpurgated version of "Godot" in England ... opened at the Royal Court on 30 December 1964." The London run was not without incident. The actor Peter Bull, who played Pozzo, recalls the reaction of that first night audience: Waves of hostility came whirling over the footlights, and the mass exodus, which was to form such a feature of the run of the piece, started quite soon after the curtain had risen. The audible groans were also fairly disconcerting ... The curtain