Theo van Doesburg by then already gained some attention with his paintings. Van Doesburg saw in these paintings his ideal in painting: a complete abstraction of reality. Soon after the exposition Van Doesburg got in contact with Mondrian, and together with related artists Bart van der Leck, , Vilmos Huszár and Jacobus Oud they founded the magazine "De Stijl" in 1917. Although De Stijl was made up of many members, Van Doesburg was the "ambassador" of the movement, promoting it across Europe. He moved to Weimar in 1922, deciding to make an impression on the Bauhaus principal, Walter Gropius, in order to spread
Pieter Voltelyn Graham van der Byl a very popular and respected figure by both opposition and government. In parliament, a National Party politician asked the speaker of the house if they could refer to van der Byl as "Oom Piet" (which is an Afrikaans term of respect, meaning "uncle Piet"), this was duly granted and van der Byl was henceforth known as "Oom Piet" in parliament and in the media. During his years in opposition, van der Byl's views on National Party government policy never changed, he vehemently continued to openly criticise the Apartheid regime for its extreme suppression of the non-white population and its transformation