Claude Duval Samuel Butler ("A Pindarick Ode"), John Gay ("The Beggar's Opera") and William Harrison Ainsworth ("Rookwood" and "Talbot Harland") to create the iconic image of the gentleman highwayman still beloved today. Mackie, Erin. "Rakes, Highwaymen, and Pirates. The Making of the Modern Gentleman in the Eighteenth Century" Baltimore: Johns Hopkins, 2009. Sharpe, James. "Dick Turpin: The Myth of the English highwayman". London: Profile, 2005. . Sugden, John. 'The Merry Dance of the Highwayman', "History Today", March 2017, vol. 67, no. 3, pp. 48–52. Sugden, John and Philip. "The Thief of Hearts: Claude Duval and the Gentleman Highwayman in Fact and Fiction".
Claude Duval (opera) attractive than that of "Patience" at the Opera Comique [but] … unlike the Gilbert and Sullivan work, there is a dull, sober earnestness about this opera. Celli was "as good a Duval as could well be imagined … vociferously encored"; Power and Hood as the lovers were generally well-received, though both were thought by some to be slightly lacking in personality. Claude Duval (opera) Claude Duval – or Love and Larceny is a comic opera with music by Edward Solomon to a libretto by Henry Pottinger Stephens. The plot is loosely based on supposed events in the life of the