Krapp, ou, La dernière bande Krapp, ou, La dernière bande Krapp, ou, La dernière bande (English: "The Last Tape", German: "Krapp, oder Das letzte Band") is a chamber opera in one act by Marcel Mihalovici with a libretto by Samuel Beckett. The libretto is based on Beckett's 1958 play "Krapp's Last Tape", and large portions of the play's script were lifted for use in the libretto. Like the play, the opera is a monologue with the only character being that of Krapp. The opera was commissioned jointly by the Radiodiffusion-Télévision Française and the Bielefeld Opera, Germany. From the very beginning the opera's libretto has existed
Happy Days (play) of the text and production. Even Kenneth Tynan, one of the saviours of "Godot", felt that "Happy Days" was "a metaphor extended beyond its capacity", nevertheless, he admitted Beckett's strange, insinuating power and urged his readers to buy tickets for the play. More recent revivals on stage have occurred in 2008 at the Brooklyn Academy of Music in New York City, directed by Deborah Warner and starring Fiona Shaw as Winnie and Tim Potter as Willie, in 2014 at the Young Vic, starring Juliet Stevenson, and in New York City (The Flea Theater) and Pasadena (Boston Court Theatre) in 2015