The Magic Flute (1975 film) singers, Håkan Hagegård went on to a prominent international career in opera and recitals. The film was reviewed from a musical perspective by Richard Evidon, who paid Bergman the compliment of praising the film as a realization of Mozart's own vision (cf. Kael's comment above on the "bewilderment" of previous directors): "Only Ingmar Bergman could have made this "Magic Flute"; but part of his achievement is in letting us forget the director's hand as we watch and are drawn closer to Mozart's sublime work." Following re-mastering by the Swedish Film Institute, a blu-ray edition was published by the BFI in
The Magic Flute (1975 film) children, who are silent. Evidon suggests that the characters of Frid and Petra in Bergman's 1955 film "Smiles of a Summer Night", and Johan and Alma in his "Hour of the Wolf" (1968) pre-figure his conception of Papageno and Papagena, and Tamino and Pamina respectively in "The Magic Flute". The latter film includes a puppet-theatre sequence of part of Act 1 of the opera. Evidon also sees a parallel between Bergman's treatment of Sarastro and Amfortas in "Parsifal". In producing the opera, Bergman sought to fulfill his early dream (see above) of a production in the Drottningholm Palace Theatre (one