Pluto (mythology) designed a set with a rotating mountain that opened up to reveal Pluto emerging from the underworld; the drawing survives and was the basis for a modern recreation. The tragic descent of the hero-musician Orpheus to the underworld to retrieve his bride, and his performance at the court of Pluto and Proserpina, offered compelling material for librettists and composers of opera (see List of Orphean operas) and ballet. Pluto also appears in works based on other classical myths of the underworld. As a singing role, Pluto is almost always written for a bass voice, with the low vocal range representing
Orpheus in the Underworld great length, describing – and poking fun at – all his mythological affairs. However, little further progress can be made before news of Orphée's arrival forces the gods to get onto their best behaviour. Pluto is worried he will be forced to give Eurydice back, and, after a quotation from Gluck's "Orfeo ed Euridice" sends the gods to tears, Jupiter announces that he is going to Hell to sort everything out. The other gods beg to come with him, he consents, and mass celebration breaks out at this holiday ("Gloire! gloire à Jupiter"). "Scene 1" Eurydice is being kept locked