Gummo Marx a number of writers, and was well respected as a businessman. He rarely required contracts, believing that if the people he represented liked his work, they would stay with him; and if not, would seek representation elsewhere. Around the time he left his brothers' Vaudeville act, Marx applied for a patent for a clothes packing rack. On October 28, 1919, Marx was granted patent US1320335A. Gummo may have received his nickname because he had a tendency to be sneaky backstage, creeping up on others like a "gumshoe" (detective). Another explanation cited by biographers and family members is that Milton, the
Vaudeville in the Philippines Vaudeville in the Philippines Vaudeville/bodabil in the Philippines, more commonly referred to as bodabil, was a popular genre of entertainment in the Philippines from the 1910s until the mid-1960s. For decades, it competed with film, radio and television as the dominant form of Filipino mass entertainment. It peaked in popularity during the Japanese occupation in the Philippines from 1941 to 1945. Many of the leading figures of Philippine film in the 20th century, such as Dolphy, Nora Aunor, Leopoldo Salcedo and Rogelio de la Rosa, began their showbusiness careers in bodabil. Bodabil is an indigenized form of vaudeville, which had