Piano Quintet (Schumann) to make revisions to the inner movements, including the addition of a second trio to the third movement. Clara Schumann did play the piano part at the first public performance of the piano quintet on 8 January 1843, at the Leipzig Gewandhaus. Clara pronounced the work "splendid, full of vigor and freshness." She often performed the work throughout her life. On one occasion, however, Robert Schumann asked a male pianist to replace Clara in a performance of the quintet, remarking that "a man understands that better." Schumann's piano quintet is scored for piano and string quartet (two violins, viola, and
String Quintet in E major, Op. 11, No. 5 (Boccherini) the viola and celli have eighth note pizzicato. The second violin, on the other hand, has quick sixteenth note slurs which contain many string crossings. As Elisabeth Le Guin puts it in "Boccherini’s Body: An Essay in Carnal Musicology", “The second violinist has no time for "galanterie"; he must concentrate on keeping the constant string crossings reasonable even through the length of the bow”. The arrangements of this quintet, especially of the minuet, are extremely numerous. The entire piece was arranged for a double viola quintet in the 18th century. A 19th century transcription of the minuet for the organ