Accidental (music) felt it was obvious that the accidental should continue. The older practice continued in use well into the 18th century by many composers, notably Johann Sebastian Bach. The newer convention did not achieve general currency until early in the 19th century. Accidental (music) In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure
Key signature or a "sharp" key signature. The key signatures with seven flats () and seven sharps () are rarely used because they have simpler enharmonic equivalents. For example, the key of C major (seven sharps) is more simply represented as D major (five flats). For modern practical purposes these keys are (in twelve tone equal temperament) the same, because C and D are enharmonically the same note. Pieces "are" written in these "extreme" sharp or flat keys, however: for example, Bach's Prelude and Fugue No. 3 from Book 1 of The Well-Tempered Clavier BWV 848 is in C major. The modern