String Quintet (Schubert) the C minor/major of Schubert's Quintet, and that movement ends in the same manner as Schubert's finale, with strong emphasis on the flat supertonic D-flat, before the final tonic C. Current consensus holds that the Quintet represents a high point in the entire chamber repertoire. Although there is no reason to believe Schubert expected to die so soon after composing the work, the fact that the quintet was completed a mere two months before his death has inspired some listeners to hear in it a valedictory or death-haunted quality. For John Reed, the quintet prefigures Schubert's death, ending as it
String Quintet (Bruckner) his piano arrangement of the slow movement were intended for printing. While the Viennese critics Gustav Dömpcke, Max Kalbeck and Eduard Hanslick responded to the string quintet dismissively to hostile, the Bruckner admirers Theodor Helm and Ludwig Speidel praised the originality and sound beauty of the new work. Thus, in 1884, Theodor Helm emphasized: "While the finale of the Bruckner Quintet - at least the effect of first-time listening - is in doubt, the three remaining movements are of the highest interest, especially in the happy and original invention of the motives. ... But the pearl of the quintet is