Libretto of The Magic Flute role in the content of Schikaneder's libretto. Mozart was an active Mason in Vienna, and wrote a substantial quantity of music for his own lodge, including in 1791 (see "Mozart and Freemasonry"). Schikaneder had been a Mason in Regensburg (1786–7) for a few months before his lodge suspended him. The simpler accounts of Masonic influence in "The Magic Flute" assume that Masonry provided a system of values, symbolism, and ritual for the opera, but no part of the narrative. More elaborate accounts suggest that the opera was intended as an allegory with a hidden Masonic agenda. For instance, the evil
The Magic Flute (ballet) issued on the label London. The ballet has been re-staged in several versions, notably by Peter Martins for the School of American Ballet. This production was first presented on 9 May 1981. A second premiere was given by the New York City Ballet on 21 January 1982, at the New York State Theater, Lincoln Center with décor designed by David Mitchell, costumes by Ben Benson. List of scenes and dances from "The Magic Flute" taken from the published piano score and the original program of 1893. All libretti and programs of works performed on the stages of the Imperial Russian