Krapp's Last Tape Krapp's Last Tape Krapp's Last Tape is a one-act play, in English, by Samuel Beckett. With a cast of one man, it was written for Northern Irish actor Patrick Magee and first titled "Magee monologue". (Patrick Magee is familiar to many moviegoers as the writer who Alex cripples while invading his home and raping his wife in "A Clockwork Orange".) It was inspired by Beckett's experience of listening to Magee reading extracts from "Molloy" and "From an Abandoned Work" on the BBC Third Programme in December 1957. The play was first performed as a curtain raiser to "Endgame" (from 28
Krapp's Last Tape "My Last Duchess" is already planning to marry his next duchess ... Still, one hopes for Krapp's sake that he will be gone before another year is over." In "Waiting for Godot", Beckett uses aspects of Judeo-Christianity as the template for his play, in "Film" the template is the writings of Bishop Berkeley, and in "Krapp's Last Tape", according to Anthony Cronin, he uses Manichaeism as a structural device: The dichotomy of light and dark ... is central to Manichaean doctrine ... Its adherents believed that the world was ruled by evil powers, against which the god of the whole