Krapp's Last Tape performance, both of which have been shown on television. There have been several musical adaptations of "Krapp's Last Tape", most notably the opera "Krapp, ou, La dernière bande" by composer Marcel Mihalovici. American composer Earl Kim alludes to the work within his "Gooseberries, she said" (1967), part of the four-part cycle "Exercises en Route". The Hungarian composer Gyula Csapó has created the work "Krapp's Last Tape –- after Samuel Beckett" (1975) loosely inspired by Beckett's play. This theatrical work is for a "violinist-actor," a tape recorder, four spotlights and a sine wave generator. In 1999, the English experimental composer, Michael
Happy Days (play) of the text and production. Even Kenneth Tynan, one of the saviours of "Godot", felt that "Happy Days" was "a metaphor extended beyond its capacity", nevertheless, he admitted Beckett's strange, insinuating power and urged his readers to buy tickets for the play. More recent revivals on stage have occurred in 2008 at the Brooklyn Academy of Music in New York City, directed by Deborah Warner and starring Fiona Shaw as Winnie and Tim Potter as Willie, in 2014 at the Young Vic, starring Juliet Stevenson, and in New York City (The Flea Theater) and Pasadena (Boston Court Theatre) in 2015