Altarpiece of the Holy Sacrament panel. The church has two paintings by Bouts on display, the "Last Supper" (1464-1468) and the "Martyrdom of St Erasmus" (1465). The Nazis seized "The Last Supper" in 1942. Panels from the painting had been sold legitimately to German museums in the 1800s, and Germany was forced to return all the panels as part of the required reparations of the Versailles Treaty after World War I. The chancel and ambulatory were turned into a museum in 1998, where visitors can view a collection of sculptures, paintings and metalwork. Altarpiece of the Holy Sacrament Altarpiece of the Holy Sacrament or Triptych
Beaune Altarpiece hushed serenity of Rogier's composition," according to Lane, and in a mirror image of van der Weyden's altarpiece, Memling shows the saved outweighing the damned in St Michael's scales. Beaune Altarpiece The Beaune Altarpiece (c. 1445–50), often called The Last Judgement, is a large polyptych altarpiece by the Early Netherlandish artist Rogier van der Weyden. It was painted in oil on oak panels, with parts later transferred to canvas. It consists of fifteen paintings on nine panels; six are painted on both sides. It retains some of its original frames. Six outer panels (or shutters) are hinged; when folded they