The Tenant of Wildfell Hall Anne Brontë to criticize the domestic sphere as established by marriage and re-established with remarriage. At the beginning of her diary, the young and unmarried Helen already defines herself as an artist. Her early drawings reveal her private and true feelings for Arthur Huntingdon, feelings that lead her to overlook his true character and lose herself to marriage. Nevertheless, in addition to revealing Helen's true desires, the self-expression of her artwork also defines her as an artist. That she puts so much of herself into her paintings and drawings attests to this self-definition. After her marriage to Arthur, Helen, accepting
The Tenant of Wildfell Hall on the marital experience of a woman, Bronte highlights the extent to which the internal and supposedly private realms of desire and domesticity are also intensely political." In the last decades "The Tenant" has established its reputation as a landmark feminist text. In her introduction to the novel, Stevie Davies called it "a feminist manifesto of revolutionary power and intelligence." The novel's framing structure, long dismissed as faulty, started to get acclaim as a fitting narrative device, essential to Anne's critical and artistic purposes. Although the publishers respected Charlotte's wishes, shortly before her death in 1854 the London firm of