Religious views of William Shakespeare his time in his sensitivity to the Islamic world and its inhabitants." According to the conclusion of Prof Matthew Dimmock, Shakespeare's depiction of Islam and Muslims "denied either scriptural congruence or religious coherence, embodied in the martially aggressive male." Shakespeare's works included several Muslim characters, including Aaron the Moor in "Titus Andronicus", the Prince of Morocco in "The Merchant of Venice" and Othello in the eponymous play. These works are said to have been inspired by several Moorish delegations from Morocco to Elizabethan England around 1600, such as that of Abd el-Ouahed ben Messaoud. Shakespeare also makes one explicit reference
Portraits of Shakespeare a portrait, and there is no written description of his physical appearance. However, it is thought that portraits of him did circulate during his lifetime because of a reference to one in the anonymous play "Return from Parnassus" (c. 1601), in which a character says "O sweet Mr Shakespeare! I'll have his picture in my study at the court." After his death, as Shakespeare's reputation grew, artists created portraits and narrative paintings depicting him, most of which were based on earlier images, but some of which were purely imaginative. He was also increasingly commemorated in Shakespeare memorial sculptures, initially in