Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Cervara Altarpiece panels were re-united at the Palazzo Bianco in autumn 2005. Cervara Altarpiece The Cervara Altarpiece or Cervara Polyptych was an oil-on-oak-panel altarpiece painted by the Flemish painter Gerard David early in the 16th century for the high altar of Cervara Abbey in Liguria, Italy. It was commissioned by the Genoese nobleman Vincenzo Sauli on 7 September 1506, as dated in a 17th-century document - Sauli's name is painted above the Virgin's feet in the central panel. David painted it in Bruges and it was installed in the Abbey in 1507. It was originally formed of seven panels, which were divided