St John Altarpiece (Memling) similar Memling work is the "" held at the Louvre, which Georges Hulin de Loo determined to have been completed earlier than the "St John Altarpiece" and the New York panel. The "Cellier Diptych" has the Virgin and Child in an enclosed garden with the same two Saints Catherine and Barbara on the left-hand panel. The composition is remarkably similar to the New York panel and the altarpiece, with the Virgin on her throne and St Catherine and St Barbara positioned to form a triangle. The "Cellier Diptych" includes four additional female saints (with attributes) sitting around the Virgin: St
Early Netherlandish painting reflection and prayer was encouraged and the small-scale diptych fitted this purpose. It became popular among the newly emerging middle class and the more affluent monasteries across the Low Countries and northern Germany. Ainsworth says that regardless of size, whether a large altarpiece or a small diptych, Netherlandish painting is a "matter of small scale and meticulous detail". The small size was meant to entice the viewer into a meditative state for personal devotion and perhaps the "experience of miraculous visions". Late 20th-century technical examination has shown significant differences in technique and style between the panels of individual diptychs. The