Crucifixion Diptych (van der Weyden) and theorized that the diptych represented two panels of a four-panel work – either the two-panelled left shutter of an altarpiece, or its center two panels. Based on pictorial style, Tucker argued that the large size of the human figures relative to the size of the panels was more in keeping with figures on the shutters of "carved" altarpieces than painted ones. He also noted that the shutters of carved altarpieces tend to de-emphasize the deep perspective commonly seen in painted altarpieces, which was consistent with the shallow pictorial space of the diptych. The diptych's figures are almost two-thirds life
Annunciation (van Eyck, Madrid) Annunciation (van Eyck, Madrid) The Annunciation (sometimes Diptych of The Annunciation) is an oil on wood in grisaille painting by the Early Netherlandish artist Jan van Eyck, dated by art historians as between 1434 and 1436. The panels form a diptych, and are currently in the collection of the Museo Thyssen-Bornemisza, Madrid. The figures and iconography are very similar to those in the outer panels of van Eyck's earlier "Ghent Altarpiece" completed in 1432. However, their relative small scale suggests commission for private worship rather than public celebration. The panels show the Archangel Gabriel on the left and the Virgin