The Tenant of Wildfell Hall construction, the artists hand also offers a form of independence, a possibility of earning a living, in a period when a woman had virtually no independent power base in any sphere." Nicole A. Diederich has argued that in "The Tenant" Anne Brontë constructs marriage and remarriage as a comparative and competitive practice that restricts Helen's rights and talents. Helen's artistic ability plays a central role in her relationships with both Gilbert and Arthur. Her alternating freedom to paint and inability to do so on her own terms not only complicate Helen's definition as wife, widow, and artist, but also enable
The Tenant of Wildfell Hall and attributes to that the relative marginalization of the novel in the Brontë sisters' oeuvre. According to O’Toole, Anne, unlike her elder sisters, seems to juxtapose rather than to collapse kinship and sexual relations. The relationship between Frederick and Helen is insular and cannot solve all the problems or contradictions that cluster around the concept of the domestic. Helen's retreat from her husband is followed by a return to her natal family origins, symbolized by her return to the home in which she was born, and adoption of her mother’s maiden name as her alias. The relationship between Helen and