The Tenant of Wildfell Hall the authors, having in mind all the novels from Currer, Ellis and Acton Bell published by 1848, "against their fancy for dwelling upon what is disagreeable". "Examiner", while praising all Brontës as "a hardy race", who "do not lounge in drawing-rooms or boudoirs", and "not common-place writers", considered "The Tenant's" frame structure "a fatal error: for, after so long and minute a history [of Helen's marriage to Arthur], we cannot go back and recover the enthusiasm which we have been obliged to dismiss a volume and half before". The gossiping of the inhabitants of Linden-Car village reminded it of Jane
The Tenant of Wildfell Hall for her own sake but for young Arthur's. She wants to "obviate his becoming such a gentleman as his father." According to Stevie Davies, Anne's depiction of the woman as fee-earning artist "trebly trespasses on the domain of the masculine: female artists dabbed in water-colours or sketched decoratively in pen and ink; ladies did not engage in trade; and, besides, tools of her trade [legally belonging to her husband] in this case count as stolen." Melinda Maunsell believes that Helen is "both revealed and concealed by her artistic hand; providing her with an acceptable means of expression within her social