St John Altarpiece (Memling) similar Memling work is the "" held at the Louvre, which Georges Hulin de Loo determined to have been completed earlier than the "St John Altarpiece" and the New York panel. The "Cellier Diptych" has the Virgin and Child in an enclosed garden with the same two Saints Catherine and Barbara on the left-hand panel. The composition is remarkably similar to the New York panel and the altarpiece, with the Virgin on her throne and St Catherine and St Barbara positioned to form a triangle. The "Cellier Diptych" includes four additional female saints (with attributes) sitting around the Virgin: St
Beaune Altarpiece hushed serenity of Rogier's composition," according to Lane, and in a mirror image of van der Weyden's altarpiece, Memling shows the saved outweighing the damned in St Michael's scales. Beaune Altarpiece The Beaune Altarpiece (c. 1445–50), often called The Last Judgement, is a large polyptych altarpiece by the Early Netherlandish artist Rogier van der Weyden. It was painted in oil on oak panels, with parts later transferred to canvas. It consists of fifteen paintings on nine panels; six are painted on both sides. It retains some of its original frames. Six outer panels (or shutters) are hinged; when folded they