The Tenant of Wildfell Hall was not qualified to handle at once vigorously and truthfully. The simple and natural – quiet description and simple pathos – are, I think Acton Bell's forte. I liked "Agnes Grey" better than the present work." Juliet Barker, in her biography of the Brontës, concluded that "Charlotte, it appears, was prepared to consign her sister’s novel to oblivion because she considered its subject at odds with her own perception of what Anne’s character was and ought to have been." Elizabeth Gaskell repeated Charlotte's words about Anne in "The Life of Charlotte Brontë", claiming that the subject of "The Tenant" "was
The Tenant of Wildfell Hall father’s farm, and Helen, being a runaway wife, can call neither her home nor her name her own. The emphasis on allusions in the novel, on using the "language of others," according to McDonagh, may be a reflection on the position of being a tenant, which in its subjugation is similar to that of being a wife. Until the passing of the Married Women's Property Act in 1870 a wife had no independent existence under English law, and therefore no right to own property or to enter into contracts separately from her husband, or to sue for divorce, or for