Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
San Luca Altarpiece the figures and the "azzurro Todesco" (a blue pigment derived from copper) with which to inlay them. The work was completed within that or the following year. The polyptych is located in Pinacoteca di Brera, Milan. San Luca Altarpiece The San Lucas Altarpiece, also known as the San Lucas Polyptych, is a polyptych panel painting by Northern Italian Renaissance painter Andrea Mantegna. The altarpiece is a polyptych panel painting featuring 12 figures each in his or her own arch. The seven figures in the top row flank the central figure of Jesus Christ. The five beneath flank Saint Luke. On