The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother
The Moor (novel) moor is central to the story, brooding over it as the moor broods over the surrounding landscape. It also has Rev. Sabine Baring-Gould as a central character. He has a strong intellectual curiosity and is the driving force behind the investigation. Laurie King uses many of the elements of The Hound of the Baskervilles. These elements are introduced deliberately on the part of the criminals and there are echoes of the original story. The way that Holmes reacts to the many mentions of the original case, with a mixture of pride and exasperation, allows for some very humorous moments. The