Mona Lisa had closed. Peruggia was an Italian patriot who believed Leonardo's painting should have been returned for display in an Italian museum. Peruggia may have been motivated by an associate whose copies of the original would significantly rise in value after the painting's theft. A later account suggested Eduardo de Valfierno had been the mastermind of the theft and had commissioned forger Yves Chaudron to create six copies of the painting to sell in the U.S. while the location of the original was unclear. However, the original painting remained in Europe. After having kept the "Mona Lisa" in his apartment for
Paris in the 18th century were an estimated 8,500 Protestants in Paris in 1680, both Calvinists and Lutherans, or about two percent of the population. At Charenton, an act of religious tolerance was adopted by the royal government in November 1787, but it was opposed by the Catholic Church and the Parlement of Paris, and never put into effect. After the Revolution, the new mayor, Bailly, authorized Protestants to use the church of Saint-Louis-Saint-Thomas, next to the Louvre. The Jewish community in Paris was also very small; an estimated five hundred persons in 1789. About fifty were Sephardic Jews who had originally come from Spain