The Tenant of Wildfell Hall universal salvation for all souls. She does not reassure the elder Arthur about this on his deathbed because she wants him to repent of his wrongdoing on his own accord. Despite his inability to do so, Helen still believes in his redemption. Unlike her elder sisters, Anne Brontë did not follow the Romantic style in her two novels, opting instead for Realism. Many critics, including Anne's sister Charlotte, considered her depiction of alcoholism and adultery overly graphic and disturbing. In defence, Anne openly stated her writer’s intentions in the preface to the second edition of the novel. Often, when depicting
The Tenant of Wildfell Hall the central tenet of 19th century domestic ideology – women's influence on men – famously postulated by Hannah More. This doctrine found its way into even "protofeminist" novels such as "Jane Eyre", where the main heroine fulfills (or reduces) her ambitions for a wider life by taming and managing her husband. In "The Tenant", however, masculinity is impervious to the softening or "superior" influence of women. Marrying Arthur, Helen is convinced that she can reform him, but six years later she escapes from him to protect herself and her young son. Helen’s second husband, Gilbert Markham, who despite many faults