Symmachi–Nicomachi diptych Symmachi–Nicomachi diptych The Symmachi–Nicomachi diptych is a book-size, Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan religious practices. Both its style and its content reflect a short-lived revival of traditional Roman religion and Classicism at a time when the Roman world was turning towards Christianity and rejecting the Classical tradition. The diptych takes its name from the inscriptions "Nicomachorum" and "Symmachorum", in reference to two prominent Roman Senate families. The diptych remained intact until the nineteenth century. The earliest description of the leaves dates to 1717, when an
Castello Roganzuolo Altarpiece the Diocesan Museum. Much of the work is irretrievably damaged and its fourth cymatium panel showing the dead Christ with angels is still lost. A copy of all four panels now stands in the church, in the original elaborate frame. Castello Roganzuolo Altarpiece The Castello Roganzuolo Altarpiece, Castello Roganzuolo Polyptych or Madonna and Child with Saint Peter and Saint Paul is a painting by Titian, commissioned in 1543 by the leading citizens of Castello Roganzuolo, Province of Treviso, Veneto, Italy. It is now in the Albino Luciani Diocesan Museum in Vittorio Veneto. The painting is a triptych with three narrow