The Tenant of Wildfell Hall last decades of the 20th century "The Tenant" started to get critical acclaim. Elizabeth Langland in her 1989 monograph "Anne Brontë: The Other One" said: "It is worth pausing briefly to reflect on what might have been Anne’s fate had "The Tenant of Wildfell Hall" been re-published with "Agnes Grey" so that critics could re-acquaint themselves with Anne’s greater novel and so that critics could take that opportunity to measure the substantial artistic growth between the two novels." Langland argued that the heroines in Anne's novels influenced those of Charlotte, and named Anne among the first women writers to adopt
The Tenant of Wildfell Hall on the marital experience of a woman, Bronte highlights the extent to which the internal and supposedly private realms of desire and domesticity are also intensely political." In the last decades "The Tenant" has established its reputation as a landmark feminist text. In her introduction to the novel, Stevie Davies called it "a feminist manifesto of revolutionary power and intelligence." The novel's framing structure, long dismissed as faulty, started to get acclaim as a fitting narrative device, essential to Anne's critical and artistic purposes. Although the publishers respected Charlotte's wishes, shortly before her death in 1854 the London firm of