Eduardo de Valfierno Eduardo de Valfierno Eduardo de Valfierno (1850–1931), who posed as a "marqués" (marquis), was an Argentine con man who allegedly masterminded the theft of the "Mona Lisa" in 1911. In 1932 journalist Karl Decker published a story in the "Saturday Evening Post" claiming Valfierno paid several men to steal the work of art from the Louvre, including museum employee Vincenzo Peruggia. On August 21, 1911 Peruggia hid the "Mona Lisa" under his coat and simply walked out the door. Before the heist took place, Valfierno allegedly commissioned French art restorer and forger Yves Chaudron to make six copies of the
Paris in the 17th century in 1697. The architectural style of the French Renaissance continued to dominate in Paris through the Regency of Marie de' Medici. The end of the wars of religion allowed the continuation of several building projects, such as the expansion of the Louvre, begun in the 16th century but abandoned because of the war. With the arrival in power of Louis XIII and the ministers Richelieu and Mazarin, a new architectural style, the baroque, imported from Italy, began to appear in Paris. Its purpose, like Baroque music and painting, was to awe Parisians with its majesty and ornament, in opposition to