The 12 Days of Christine resembled an arthouse film. From the beginning of the episode, there are clues to the content of the closing scenes, including the sound of a heartbeat, sounds associated with cars, and blue flashing lights. There are also a number of allusions to horror films; Fung is referred to as "the grudge", the Stranger's appearance evokes "Don't Look Now" and the throwing of eggs may be associated with "Ghostbusters". The name "Christine", too, can be seen as a reference to Stephen King's "Christine". For Chris Bennion, writing in "The Independent", the events of "The 12 Days of Christine" are a life
Christine Jorgensen Russell played on a nearby black-and-white television set. The show went on to win Best Aspect of Production at the 2006 Dublin Gay Theatre Festival, and it ran Off-Broadway at New World Stages in January 2006. The LP was reissued on CD by Repeat The Beat Records in 2005. Transgender historian and critical theorist Susan Stryker directed and produced an experimental documentary film about Jorgensen, titled "Christine in the Cutting Room". In 2010 she also presented a lecture at Yale University titled "Christine in the Cutting Room: Christine Jorgensen's Transsexual Celebrity and Cinematic Embodiment". Both works examine embodiment vis-à-vis cinema.