The Tenant of Wildfell Hall and its power of pleasing must be regarded, as well as its mere capabilities of force or effect. It is not only the subject of this novel, however, that is objectionable, but the manner of treating it. There is a coarseness of tone throughout the writing of all these Bells [Charlotte, Emily and Anne Brontë], that puts an offensive subject in its worst point of view, and which generally contrives to dash indifferent things". A critic in "Athenaeum", probably H. F. Chorley, cited "The Tenant" as "the most entertaining novel we have read in a month past". However, he warned
The Tenant of Wildfell Hall father’s farm, and Helen, being a runaway wife, can call neither her home nor her name her own. The emphasis on allusions in the novel, on using the "language of others," according to McDonagh, may be a reflection on the position of being a tenant, which in its subjugation is similar to that of being a wife. Until the passing of the Married Women's Property Act in 1870 a wife had no independent existence under English law, and therefore no right to own property or to enter into contracts separately from her husband, or to sue for divorce, or for