Eduardo de Valfierno "Mona Lisa". The forgeries were then shipped to around the world, readying them for the buyers he had lined up. Valfierno knew once the "Mona Lisa" was stolen it would be harder to smuggle copies past customs. After the heist the copies were delivered to their buyers, each thinking they had the original which had been stolen for them. Because Valfierno wanted to sell forgeries, he only needed the original "Mona Lisa" to disappear and never contacted Peruggia again after the crime. Eventually Peruggia was caught trying to sell the painting. It was returned to the Louvre in 1913. Peruggia
Louvre two days of packing, truck convoys began to leave Paris. By 28 December, the museum was cleared of most works, except those that were too heavy and "unimportant paintings [that] were left in the basement". In early 1945, after the liberation of France, art began returning to the Louvre. By 1874, the Louvre Palace had achieved its present form of an almost rectangular structure with the Sully Wing to the east containing the Cour Carrée (Square Court) and the oldest parts of the Louvre; and two wings which wrap the Cour Napoléon, the Richelieu Wing to the north and the