Beaune Altarpiece Beaune Altarpiece The Beaune Altarpiece (c. 1445–50), often called The Last Judgement, is a large polyptych altarpiece by the Early Netherlandish artist Rogier van der Weyden. It was painted in oil on oak panels, with parts later transferred to canvas. It consists of fifteen paintings on nine panels; six are painted on both sides. It retains some of its original frames. Six outer panels (or shutters) are hinged; when folded they show an exterior view of saints and the donors. The inner panels contain scenes from the Last Judgement arranged across two registers. The large central panel that spans both
St John Altarpiece (Memling) it presents a narrative, meant to emulate a vision the donors or viewers would experience when viewing the inside panels. Unlike most altarpieces of these types, Memling's fails to present a single unifying iconographical focus and is quite generalized with themes that seem unsuited for its specific location, according to Blum. She speculates the donors may have chosen the specific iconography, which "celebrated intercessory saints on the interior". It is an unusual painting in that it seems to "have served a double function: that of personal propitiation and that of public altarpiece, which portrayed the role of the religious community