Sant'Agostino Altarpiece tondi of David and Daniel, but was later split up. Apart from these two purely decorative tempera tondi, the rest of the panels show a lack of underdrawing and near-transparent colour to show the contours of the figures - the speed of their execution dates them to Perugino's late period. The rural backgrounds are very simple, with almost no flowers in the foreground to increase focus on the classically-influenced figures, in which Perugino seems to have assimilated the style of his old pupil Raphael. Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around
Burg Weiler Altarpiece Burg Weiler Altarpiece The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints) or Master of the Burg Weiler Altar is a 1470 religious painting. It is in the collection of the Metropolitan Museum of Art. The altarpiece is Middle Rhenish, made in North Württemberg (now Baden-Württemberg). It was originally in the chapel of the castle of Burg Weiler near Heilbronn. The triptych is oil on wood of three parts, with gold ground. The left and right panels are each by , and the middle panel is by . The work depicts Mary, Jesus Christ, Judoc, Wendelin