Moulin Rouge Hotel This inspiration comes from the first Afro-American star in France, Josephine Baker. The wall painted of the Moulin Rouge Las Vegas, included many references to Paris and Toulouse-Lautrec. "Black showgirls performed on a stage amid a backdrop of walls featuring mahogany wood trim and Toulouse-Lautrec-style murals of black French cancan dancers. The showroom featured "Tropi-Can-Can" under the tutelage of veteran producer Clarence Robinson." When it opened, the Moulin Rouge was fully integrated top to bottom, from employees to patrons to entertainers. The hotel made the June 20, 1955, cover of "Life" magazine, with a photo of two showgirls. A veritable
Moulin Rouge! ("Spectacular Spectacular")"). The Duke backs the show on the condition that only he may see Satine. Satine contemplates Christian and her longing to leave the Moulin Rouge to become "a real actress" ("One Day I'll Fly Away"). Christian goes back to Satine to convince her that they should be together, and she eventually falls for him ("Elephant Love Medley"). As the cabaret is converted to a theater, Christian and Satine continue seeing each other under the pretense of rehearsing Satine's lines. The Duke becomes suspicious of their frequent meetings and warns Zidler that he may stop financing the show; Zidler