Othello on Othello. Although characters described as "moors" appear in two other Shakespeare plays ("Titus Andronicus" and "The Merchant of Venice"), such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage. There is no consensus over Othello's ethnic origin. E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's race is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and
Oxfordian theory of Shakespeare authorship Italian. However, some Shakespeare scholars say that Shakespeare gets many details of Italian life wrong, including the laws and urban geography of Venice. Kenneth Gross writes that "the play itself knows nothing about the Venetian ghetto; we get no sense of a legally separate region of Venice where Shylock must dwell." Scott McCrea describes the setting as "a nonrealistic Venice" and the laws invoked by Portia as part of the "imaginary world of the play", inconsistent with actual legal practice. Charles Ross points out that Shakespeare's Alien Statute bears little resemblance to any Italian law. For later plays such as