The Two Gentlemen of Verona understandable when one considers the cultural and social "milieu" of the play itself. Language is of primary importance in the play insofar as Valentine and Proteus speak in blank verse, but Launce and Speed speak (for the most part) in prose. More specifically, the actual content of many of the speeches serve to illustrate the pompousness of Valentine and Proteus' exalted outlook, and the more realistic and practical outlook of the servants. This is most apparent in Act 3, Scene 1. Valentine has just given a lengthy speech lamenting his banishment and musing on how he cannot possibly survive without
The Two Gentlemen of Verona their interdependence." As such, the final scene "stages the play's ultimate collaboration of male friendship and its incorporation of the plot we would label "heterosexual"." This is also how Roger Warren interprets the final scene. Warren cites a number of productions of the play as evidence for this argument, including Robin Phillips' Royal Shakespeare Company (RSC) production in 1970, where Valentine kisses Silvia, makes his offer and then kisses Proteus. Another staging cited by Warren is Edward Hall's 1998 Swan Theatre production. In Hall's version of the scene, after Valentine says the controversial line, Silvia approaches him and takes him