The Tenant of Wildfell Hall may be influenced by the works of Mary Wollstonecraft. Priti Joshi, believing that Anne had read her works, argues that she not only refuses the Wollstonecraftian indictment of the feminine, but also rejects its elevation, articulated by Hannah More. Anne Brontë’s feminism, in Joshi’s words, "forges a path between the extremes of Wollstonecraft-More spectrum". In "The Tenant", a reformed masculinity emerges not, as More would have it, under the tutelage of a woman, but by emulating feminine ways. Anne presents the "idle talk" of Linden-Car villagers primary as a way of creating fellowship and community, not only as vicious gossip.
The Tenant of Wildfell Hall on the marital experience of a woman, Bronte highlights the extent to which the internal and supposedly private realms of desire and domesticity are also intensely political." In the last decades "The Tenant" has established its reputation as a landmark feminist text. In her introduction to the novel, Stevie Davies called it "a feminist manifesto of revolutionary power and intelligence." The novel's framing structure, long dismissed as faulty, started to get acclaim as a fitting narrative device, essential to Anne's critical and artistic purposes. Although the publishers respected Charlotte's wishes, shortly before her death in 1854 the London firm of