To Have and Have Not (film) Furthman had completed a revised screenplay with sixty fewer pages. Hawks instructed Furthman, to alter Marie's character to be more sultry and masculine like Marlene Dietrich. In the previous version of the script, Bacall's purse was stolen; after the revision, Bacall's character stole the purse. Much of Bacall's character was based on Hawks's wife Slim Keith. Some of her lines reportedly came directly from Keith. According to Keith, Furthman even suggested she ask for script credit. Hawks instructed Furthman to work on the final screenplay and stop writing the second version of the screenplay. The second version had Bacall as
To Have and Have Not (film) this scene, the patrons at the bar represent different races and are racially integrated throughout the space, challenging the ideas of segregation and race during the time period. The next song, "Limehouse Blues" is reminiscent of Django Reinhardt's pre-war version. This represents French resistance spirit, as swing music became a symbol of resistance in France, because it was the only available example of American culture in France at the time. A common theme of war films such as "To Have and Have Not" is the conversion narrative. An individual who originally does not want to be involved in the war