The Tenant of Wildfell Hall last decades of the 20th century "The Tenant" started to get critical acclaim. Elizabeth Langland in her 1989 monograph "Anne Brontë: The Other One" said: "It is worth pausing briefly to reflect on what might have been Anne’s fate had "The Tenant of Wildfell Hall" been re-published with "Agnes Grey" so that critics could re-acquaint themselves with Anne’s greater novel and so that critics could take that opportunity to measure the substantial artistic growth between the two novels." Langland argued that the heroines in Anne's novels influenced those of Charlotte, and named Anne among the first women writers to adopt
The Tenant of Wildfell Hall find it necessary, in approaching subjects that were considered to be controversial, to use the voice of a male narrator, appropriating, delegitimizing and even ridiculing his power, before telling anti-patriarchal truth. Carol A. Senf believes that the "unique narrative structure, the wife's story framed by that of her husband... encourages the reader to focus on questions of gender". According to Tess O'Toole, the architecture of Brontë's narrative stresses and calls attention to the disjunction of two different forms of domestic containment, one deriving from marriage, the other from the natal family. Priti Joshi, noting Helen and Gilbert's suspicion of spoken