Portrait Diptych of Dürer's Parents work of Dürer"—led Brand Philip to conclude that Albrecht's panel was likely sold individually as the more accomplished and marketable of the two. The attribution is widely accepted today. In 2013 Stephan Kemperdick noted the sophistication of the Nuremberg portrait and that its three-dimensional modeling of the head displays a level of skill beyond Wolgemut and his circle. The two panels were reunited in 2012 during a Dürer exhibition in Nuremberg having been separated since sometime between 1588 and 1628. Portrait Diptych of Dürer's Parents Portrait Diptych of Dürer's Parents (or Dürer's Parents with Rosaries) is the collective name for
Miraflores Altarpiece Miraflores Altarpiece The Miraflores Altarpiece (or Triptych of the Virgin, or The Altar of Our Lady or the Mary Altarpiece) is a c. 1442-5 oil-on-oak wood panel altarpiece by the Early Netherlandish painter Rogier van der Weyden, in the Gemäldegalerie, Berlin since 1850. The three panels are each 71 x 43 cm and show, from left to right, a portrait of the Holy Family, a Pietà (the Virgin cradling the dead body of Jesus) and Christ's appearance to Mary—a chronological reading of the birth, death and resurrection of Jesus, with Mary the focus of both wings. The altarpiece examines Mary's