Bardi Altarpiece (Parmigianino) Bardi Altarpiece (Parmigianino) The Bardi Altarpiece (), is an Italian Mannerist painting by the Italian painter Parmigianino, dating from c. 1521 and housed in the church of Santa Maria at Bardi, Emilia-Romagna, Italy. In 1521 Parma was invaded by the imperial-papal troops under Prospero Colonna, in the course of the Italian Wars. The young Parmigianino, then seventeen, was sent by his family to Viadana to his cousin's house. According to Italian late Renaissance art biographer Giorgio Vasari, there Parmigianino painted two tempera panels: "St. Francis Receiving the Stigmata" (lost) and the "Marriage of St. Catherine", which was placed in the
Pesaro Altarpiece (Bellini) and so were created separately and only joined together later. This refers to Venetian funerary monuments of the same era, such as doge Pasquale Malipiero's monument (designed by Pietro Lombardo for Santi Giovanni e Paolo) and Mantegna's San Zeno Altarpiece. Bellini further developed his use of the frame as an integral part of the painting in later works such as the San Giobbe Altarpiece and the Frari Triptych. Pesaro Altarpiece (Bellini) The Pesaro Altarpiece (Italian: "Pala di Pesaro") is an oil on panel painting by Giovanni Bellini, dated to some time between 1471 and 1483. It is considered as one