Black-faced blenny Black-faced blenny The black-faced blenny ("Tripterygion delaisi") is a small benthic fish from the family Tripterygiidae (triplefin-blennies). It occurs at depths of -3 to -40 m and lives on the substrate under large rocks, cliffs or other overhangs. Like all triplefin-blennies, "T. delaisi" has three dorsal fins and can hence easily be distinguished from members of the families Blenniidae (1 dorsal fin) and Gobiidae (2 dorsal fins) that have a similar live-style and general appearance. It has a peaked head and short tentacles above the eyes.⁠ The common name yellow black-faced blenny derives from the colouration of territorial males during
Grunt gallery projects. In 1995, grunt produced the series Halfbred, that focused on issues of miscegenation, bisexuality and transgender communities with the Pitt Gallery. This is also the year when grunt obtained its own space. In 1996, production of the Mattering Map by Pia Masse, another engaged community public art focused on the working class diners of East Vancouver. In 1999, grunt produced Live at the End of the Century, a six-week performance festival celebrating the 20th Anniversary of the Living Art Festival in 1979. Thanks to this event’s success, grunt created "Live Biennial of Performance Art" in 2001, which still exists