Nicholas Rowe (writer) said to have suggested to Samuel Richardson the character of Clarissa Harlowe, as Lothario suggested Lovelace. Samuel Johnson noted of "The Fair Penitent" that, "The story is domestic, and therefore easily received by the imagination, and assimilated to common life; the diction is exquisitely harmonious, and soft or spritely as occasion requires." In 1704, Rowe tried his hand at comedy, producing "The Biter" at Lincoln's Inn Fields, which was unsuccessful, and Rowe returned to tragedy in "Ulysses" (1706). According to Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "We have been
Love Has a Name engaging our emotions and leading us into the throne room." In a superbly positive review by Aaron Lewendon for Eden.co.uk, says "All in all, "Love Has a Name" is pure escapism in worship." Luchae Williams in a favourable review for Gateway News drew the conclusion that "In "Love Has a Name", Jesus Culture followers will appreciate an album that stays true to the collective”s format — vocally impressive power ballads and catchy pop-infused praise. Worship teams will appreciate the bulk of the album, which holds a definite congregational sound." Hallels music critic Timothy Yap awarded "Love Has a Name" a