Eduardo de Valfierno Eduardo de Valfierno Eduardo de Valfierno (1850–1931), who posed as a "marqués" (marquis), was an Argentine con man who allegedly masterminded the theft of the "Mona Lisa" in 1911. In 1932 journalist Karl Decker published a story in the "Saturday Evening Post" claiming Valfierno paid several men to steal the work of art from the Louvre, including museum employee Vincenzo Peruggia. On August 21, 1911 Peruggia hid the "Mona Lisa" under his coat and simply walked out the door. Before the heist took place, Valfierno allegedly commissioned French art restorer and forger Yves Chaudron to make six copies of the
The Hypothesis of the Stolen Painting film was featured in film festivals after its release such as the London Film Festival in 1979. "Hypothesis of the Stolen Painting" has been noted as one of Ruiz’s masterpieces that challenges the boundaries of cinema and film theory. “You can say "The Hypothesis of the Stolen Painting" is a detective film because of its riddle… In a more baroque system as in the system of "Hypothesis", you don’t enjoy finding the enigma.” "Hypothesis of the Stolen Painting" begins with a static shot of a street which appears at first to be a still image or photograph. The opening shot