Ghent Altarpiece the 17 panels were displayed for the press. French officials were not invited as the Vichy government had allowed the Germans to remove the painting. The authorized images of the Saint-Bavo's Cathedral : www.lukasweb.be Ghent Altarpiece The Ghent Altarpiece (or the Adoration of the Mystic Lamb, ) is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It is attributed to the brothers Hubert and Jan van Eyck, who were Early Flemish painters. It is considered a masterpiece of European art and one of the world's treasures. The panels are organised in two vertical registers,
Altarpiece the Catholic parts of Eastern Europe, of the winged altarpiece. By hinging the outer panels to the central panel and painting them on both sides, the motif could be regulated by opening or closing the wings. The pictures could thus be changed depending on liturgical demands. The earliest often displayed sculptures on the inner panels, i.e. displayed when open, and paintings on the back of the wings, displayed when closed. With the advent of winged altarpieces, a shift in imagery also occurred. Instead of being centred on a single holy figure, altarpieces began to portray more complex narratives linked to