The Tenant of Wildfell Hall was not qualified to handle at once vigorously and truthfully. The simple and natural – quiet description and simple pathos – are, I think Acton Bell's forte. I liked "Agnes Grey" better than the present work." Juliet Barker, in her biography of the Brontës, concluded that "Charlotte, it appears, was prepared to consign her sister’s novel to oblivion because she considered its subject at odds with her own perception of what Anne’s character was and ought to have been." Elizabeth Gaskell repeated Charlotte's words about Anne in "The Life of Charlotte Brontë", claiming that the subject of "The Tenant" "was
The Tenant of Wildfell Hall women in fiction who is both competent and resolved to keep herself not be any of the accepted means as housekeeper, companion or governess, but as a painter, selling her canvasses to dealers." Despite this, in her later work on the Brontës, Gérin dismissed "The Tenant" as being "written too obviously as a work of propaganda, a treatise against drunkenness, to be considered a work of art." Several years later, however, Gérin wrote an introduction to "The Tenant", where, while considering the framed structure in both "The Tenant" and "Wuthering Heights" a "clumsy devise," acknowledged Anne's "pre-eminent gift of story-teller"