Ghent Altarpiece the 17 panels were displayed for the press. French officials were not invited as the Vichy government had allowed the Germans to remove the painting. The authorized images of the Saint-Bavo's Cathedral : www.lukasweb.be Ghent Altarpiece The Ghent Altarpiece (or the Adoration of the Mystic Lamb, ) is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It is attributed to the brothers Hubert and Jan van Eyck, who were Early Flemish painters. It is considered a masterpiece of European art and one of the world's treasures. The panels are organised in two vertical registers,
Early Netherlandish painting reflection and prayer was encouraged and the small-scale diptych fitted this purpose. It became popular among the newly emerging middle class and the more affluent monasteries across the Low Countries and northern Germany. Ainsworth says that regardless of size, whether a large altarpiece or a small diptych, Netherlandish painting is a "matter of small scale and meticulous detail". The small size was meant to entice the viewer into a meditative state for personal devotion and perhaps the "experience of miraculous visions". Late 20th-century technical examination has shown significant differences in technique and style between the panels of individual diptychs. The