Circumcision of Jesus foreshadowing of Christ's Passion to come in the context of the "Circumcision". Having borrowed the large architectural setting in the Temple of the "Presentation", later scenes may show the high priest alone holding the baby, as he or a "mohel" performs the operation, as in the St Wolfgang altarpiece by Michael Pacher (1481), or Dürer's painting (right) and his influential woodcut from his series on the "Life of the Virgin". This reflected what had by then become, and remains, standard Jewish practice, where the ceremony is performed in the synagogue and the baby is held by the seated rabbi as
What a Pushkin, what a son of a bitch! year: What a Pushkin, what a son of a bitch! "What a Pushkin, what a son of a bitch!" (; sometimes separated by exclamation mark instead of comma) is a catchphrase and winged word from Alexander Pushkin's correspondence with one of his friends, poet Pyotr Vyazemsky. The phrase commonly expresses a joy after finishing one's work and appears particularly in several Russian literary works. In a letter dated circa November 7 or beginning of October, 1825 Pushkin, celebrating his finished drama "Boris Godunov" wrote to Vyazemsky: That was preceded by what Pushkin wrote to Vyazemsky on July 13 of the