Black-faced blenny 2007) and "T. tripteronotum" (Risso, 1810). Besides "T. delaisi", all species are endemic to the Mediterranean Sea. The species "T. delaisi" is subdivided in two subspecies: "T. delaisi delaisi" in the Mediterranean Sea and "T. delaisi xanthosoma" in the Atlantic Ocean. The subspecies can be distinguished by their courtship behaviour: "T. delaisi delaisi" court in free water and "T. delaisi xanthosoma" stay on the ground for courtship behaviour. The speciation process is still under discussion and several hypotheses have been proposed. Black-faced blenny The black-faced blenny ("Tripterygion delaisi") is a small benthic fish from the family Tripterygiidae (triplefin-blennies). It occurs
Grunt gallery projects. In 1995, grunt produced the series Halfbred, that focused on issues of miscegenation, bisexuality and transgender communities with the Pitt Gallery. This is also the year when grunt obtained its own space. In 1996, production of the Mattering Map by Pia Masse, another engaged community public art focused on the working class diners of East Vancouver. In 1999, grunt produced Live at the End of the Century, a six-week performance festival celebrating the 20th Anniversary of the Living Art Festival in 1979. Thanks to this event’s success, grunt created "Live Biennial of Performance Art" in 2001, which still exists