Symmachi–Nicomachi diptych Symmachi–Nicomachi diptych The Symmachi–Nicomachi diptych is a book-size, Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan religious practices. Both its style and its content reflect a short-lived revival of traditional Roman religion and Classicism at a time when the Roman world was turning towards Christianity and rejecting the Classical tradition. The diptych takes its name from the inscriptions "Nicomachorum" and "Symmachorum", in reference to two prominent Roman Senate families. The diptych remained intact until the nineteenth century. The earliest description of the leaves dates to 1717, when an
Trinity Altarpiece Trinity Altarpiece The Trinity Altarpiece, also known as the Trinity Altar Panels, is a set of four paintings in oil on wood thought to have been commissioned for the Trinity College Kirk in Edinburgh, Scotland, in the late fifteenth century. The work is attributed to the Flemish artist Hugo van der Goes and probably represents the inner and outer panels of the wings of a triptych. The presumed central panel is lost. The painting in the church was described as a "burd" on 17 May 1516 when John Stewart, Duke of Albany made an offering at the high altar on