Beaune Altarpiece on his figure immediately above the altar of the chapel every time the altarpiece was opened. Like Saints Anthony and Sebastian on the exterior of the polyptych, the archangel offered ... hope that they would overcome their physical ills." The altarpiece comprises fifteen separate paintings placed on nine panels. Six are painted on both sides. When the outer wings are folded in, or, the paintings on the two upper and four lower panels become visible. The upper panels contain paintings on either side and are separately hinged and able to close independently of the others. When all the shutters are
Stealing the Mystic Lamb tension, the author adds an easy familiarity with the techniques of oil painting and with the intertwining vines of art and political and religious history. He begins near the end of World War II. As the Reich’s military fortunes crumbled, the Allies scrambled to find where the Nazis concealed their tens of thousands of stolen artworks, many slated for Hitler’s proposed “super museum.” Among them was the Altarpiece. Charney pauses to describe the large work, which comprises 20 individual painted panels, hinged together. Art historians admire it not just for its supreme craftsmanship—described clearly by the author—but also for its