Diptych of Boethius on the occasion of important events, such as the appointment to important public offices. Initially displayed in the Museo dell'Era Cristiana, which was opened in some rooms of the suppressed Monastery of Santa Giulia, at the beginning of the nineteenth century, it remained there for some time. With the opening of the Museo di Santa Giulia in 1998, the diptych became part of the "Collectables and applied arts" collection and is found in the vitrines dedicated to the Querini collection. The diptych shows the consul on both panels, seated on a throne and wearing an expensive tunic. The two figures
Beaune Altarpiece different. The figures occupy distinctly separate niches and the colour schemes of the grisaille saints and donors contrast sharply. Like many mid-15th century polyptychs, the exterior panels borrow heavily from the "Ghent Altarpiece", which was completed in 1432. The combination of naturalistic donor portraits with grisaille imitation statues of saints is borrowed from that work, as is the treatment of the Annunciation. Van der Weyden used iconography in the Beaune exterior panels not found in his other works, which suggests Rolin may have commissioned the altarpiece to follow van Eyck's example. Van der Weyden was not inclined merely to imitate