Martinengo Altarpiece also peeping from behind the throne, on the left. There is a total of ten saints, including St. Alexander, eponymous of the donor, portrayed with a scintillating armor and, perhaps, with the face of Martinengo himself. His wife Barbara is also portrayed next to him, as the saint with the same name. The two child angels in the low foreground are a typical element in Lotto's works. The work is signed and dated "Laurentius / Lotus / M.D.XVI". The following panels, located in other places, are usually associated with the work: Martinengo Altarpiece The Martinengo Altarpiece is a painting by
Symmachi–Nicomachi diptych important events, most often the attainment of the consulship. The diptych form, at least originally, served as a pair of covers for wax writing tablets. The work as a whole has been interpreted as a study in nostalgia. Just as the majority of the Roman world had rejected polytheism in favor of Christianity, so too it left behind the techniques of proportion and perspective that characterised the art of its forebears. ---- Symmachi–Nicomachi diptych The Symmachi–Nicomachi diptych is a book-size, Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan