Moulin Rouge (1952 film) . He received high praise not only for his performance, but for his willingness to have his legs strapped in such a manner simply to play a role. It was reported that John Huston asked cinematographer Oswald Morris to render the color scheme of the film to look "as if Toulouse-Lautrec had directed it". "Moulin Rouge" was shot in three-strip Technicolor. The Technicolor projection print is created by dye transfer from three primary-color gelatin matrices. This permits great flexibility in controlling the density, contrast, and saturation of the print. Huston asked Technicolor for a subdued palette, rather than the sometimes-gaudy
Waiting for the Barbarians (painting) Waiting for the Barbarians (painting) Waiting for the Barbarians () is a 2007 painting by the German artist Neo Rauch. To the right in the picture is a carnival where a minotaur is cheered on a stage, while to the left another minotaur is about to be burned at the stake. The picture also includes several other people and creatures. The title is taken from the poem "Waiting for the Barbarians" by Constantine P. Cavafy. It was one of fourteen paintings in Rauch's exhibition "Para", which was made for the Metropolitan Museum of Art in New York City and exhibited