Crucifixion Diptych (van der Weyden) that they could be the left and center panels of a triptych, that they formed either the wings or shutters of an altarpiece, or that they were intended to decorate an organ case. The train of the Virgin's robe continues onto the right panel, which evidences that the panels were intended to lay side-by-side rather than separated (as the wings of an altarpiece would have been). Art historian E. P. Richardson proposed that they were the center panel of the lost Cambrai altarpiece (executed between 1455 and 1459), a single painting now split into two parts. Art historian Penny Howell
Master of the Brunswick Diptych number of other paintings have been identified as being by the same hand. The works by the Master of the Brunswick Diptych show similarities with those of Geertgen tot Sint Jans but the colours are generally lighter, his treatment of space and anatomy is less accomplished and the paintings more miniature-like. In a panel painting presently in Cologne, the master breaks new ground by depicting a domestic scene of a woman feeding a child for the first time in panel painting. Master of the Brunswick Diptych The Master of the Brunswick Diptych (fl. c. 1480-1510) was a Dutch early Renaissance