Sant'Agostino Altarpiece tondi of David and Daniel, but was later split up. Apart from these two purely decorative tempera tondi, the rest of the panels show a lack of underdrawing and near-transparent colour to show the contours of the figures - the speed of their execution dates them to Perugino's late period. The rural backgrounds are very simple, with almost no flowers in the foreground to increase focus on the classically-influenced figures, in which Perugino seems to have assimilated the style of his old pupil Raphael. Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around
Diptych of Philip de Croÿ with The Virgin and Child Diptych of Philip de Croÿ with The Virgin and Child The Diptych of Philip de Croÿ with The Virgin and Child consists of a pair of small oil-on-oak panels painted c. 1460 by the Netherlandish artist Rogier van der Weyden. While the authorship and dating of both works are not in doubt, it is believed but not proven that they were created as wings of a devotional diptych and that at some unknown time the panels were broken apart. A diptych panel fitting the description of the Mary wing was described in a 1629 inventory of paintings owned by Alexandre