The Tenant of Wildfell Hall may be influenced by the works of Mary Wollstonecraft. Priti Joshi, believing that Anne had read her works, argues that she not only refuses the Wollstonecraftian indictment of the feminine, but also rejects its elevation, articulated by Hannah More. Anne Brontë’s feminism, in Joshi’s words, "forges a path between the extremes of Wollstonecraft-More spectrum". In "The Tenant", a reformed masculinity emerges not, as More would have it, under the tutelage of a woman, but by emulating feminine ways. Anne presents the "idle talk" of Linden-Car villagers primary as a way of creating fellowship and community, not only as vicious gossip.
The Tenant of Wildfell Hall is "more pliable," never shows any noticeable reform throughout the novel. Joshi concludes that Gilbert is "tottering toward a new form of masculinity" together with Jack Halford, his close friend, by exchanging confidences and, by learning to communicate and reveal emotions, doing what is considered to be feminine, he can redeem himself, become a new man and a worthy husband of Helen. Of all Arthur's friends, only Walter Hargrave has never been a heavy drinker. He uses this as a manipulation in an attempt to win her favour. When it doesn't work, he starts speculating that Helen cannot manage her