The Tenant of Wildfell Hall last decades of the 20th century "The Tenant" started to get critical acclaim. Elizabeth Langland in her 1989 monograph "Anne Brontë: The Other One" said: "It is worth pausing briefly to reflect on what might have been Anne’s fate had "The Tenant of Wildfell Hall" been re-published with "Agnes Grey" so that critics could re-acquaint themselves with Anne’s greater novel and so that critics could take that opportunity to measure the substantial artistic growth between the two novels." Langland argued that the heroines in Anne's novels influenced those of Charlotte, and named Anne among the first women writers to adopt
The Tenant of Wildfell Hall marriage." However, unlike Arthur, Gilbert shows much more esteem to Helen's artwork. Diederich concludes that "the domestic realm, whether established with marriage or re-established in remarriage, doesn't support women's self-definition as artists, nor does it provide structured setting for the unferreted expression of their talents" and that "The Tenant" calls for "more support for married and remarried women's legal rights and artistic opportunities in nineteen-century Britain." Seemingly pious Universalist ideas in "The Tenant" contradicted prevailing at that time Protestant doctrine in England and thus advocated a socially unacceptable view. Helen expresses several times in the story her belief in eventual