The Surrender of Breda on his military honor, he soon after sank with gloomy thoughts into the grave.” Velázquez felt discouraged after Ambrogio Spinola’s death and sought to legitimize Spinola, whose success and bravery in the battle inspired Velázquez to paint "The Surrender of Breda". "The Surrender of Breda" was one of twelve life-size battle scenes intended to perpetuate victories won by Philip IV’s armies that hung in the Salón de Reinos in Buen Retiro. It illustrates the exchange of keys that occurred three days after the capitulation between Spain and the Netherlands was signed on June 5, 1625. Hence, the focus of the
Capture of Breda (1590) Capture of Breda (1590) The Capture of Breda or the Siege of Breda was a short battle during the Eighty Years' War and the Anglo–Spanish War during which a Dutch and English army led by Maurice of Nassau captured the heavily protected city of Breda. Using a clever tactic reminiscent of the Trojan horse a small assault force hid in a peat barge, entered the city of Breda, and proceeded to take it over resulting in a minimum number of casualties. It was the turning point of the war as the forces under Maurice were able to take the offensive.