The Mikado of the title character as a disrespectful representation of the revered Meiji Emperor; Japanese theatre was prohibited from depicting the emperor on stage. Japanese Prince Komatsu Akihito, who saw an 1886 production in London, took no offence. When Prince Fushimi Sadanaru made a state visit in 1907, the British government banned performances of "The Mikado" from London for six weeks, fearing that the play might offend him – a manoeuvre that backfired when the prince complained that he had hoped to see "The Mikado" during his stay. A Japanese journalist covering the prince's stay attended a proscribed performance and confessed
The Mikado himself "deeply and pleasingly disappointed." Expecting "real insults" to his country, he had found only "bright music and much fun." After World War II, "The Mikado" was staged in Japan in a number of private performances. The first public production, given at three performances was in 1946 in the Ernie Pyle Theatre in Tokyo, conducted by the pianist Jorge Bolet for the entertainment of American troops and Japanese audiences. The set and costumes were opulent, and the principal players were American, Canadian, and British, as were the women's chorus, but the male chorus, the female dancing chorus and the orchestra