Moulin Rouge (1952 film) . He received high praise not only for his performance, but for his willingness to have his legs strapped in such a manner simply to play a role. It was reported that John Huston asked cinematographer Oswald Morris to render the color scheme of the film to look "as if Toulouse-Lautrec had directed it". "Moulin Rouge" was shot in three-strip Technicolor. The Technicolor projection print is created by dye transfer from three primary-color gelatin matrices. This permits great flexibility in controlling the density, contrast, and saturation of the print. Huston asked Technicolor for a subdued palette, rather than the sometimes-gaudy
Le Moulin de la Galette (Van Gogh series) transition from his work in the Netherlands which was somber and heavy. Influenced by Impressionism, van Gogh's painted this work with lighter colors and unrestrained brushstrokes to capture light and movement. Van Gogh made the painting from an empty lot on rue Lepic, the street in which he lived with Theo. The painting features the Moulin de Blute-Fin, a 17th-century grain-mill, which was an attraction for its views of Paris. At this time there were three windmills on the butte, but this was the windmill van Gogh favored as a subject for his paintings. Moulin a Poivre, a second windmill,