Moulin Rouge (1952 film) . He received high praise not only for his performance, but for his willingness to have his legs strapped in such a manner simply to play a role. It was reported that John Huston asked cinematographer Oswald Morris to render the color scheme of the film to look "as if Toulouse-Lautrec had directed it". "Moulin Rouge" was shot in three-strip Technicolor. The Technicolor projection print is created by dye transfer from three primary-color gelatin matrices. This permits great flexibility in controlling the density, contrast, and saturation of the print. Huston asked Technicolor for a subdued palette, rather than the sometimes-gaudy
Moulin de la Galette by the windmill. Artists, such as Renoir, van Gogh, and Pissarro have immortalized Le Moulin de la Galette; likely the most notable was Renoir's festive painting, "Bal du moulin de la Galette". The windmill Moulin de la Galette, also known as Blute-fin, was built in 1622. The name Blute-fin comes from the French verb "bluter" which means sifting flour for the separation from bran. The Debray family acquired the two mills in 1809 for producing flour, the Blute-fin and the Radet, built in 1717. But it was also used to pressurize the harvest or grind materials needed for manufacturing. An