The Tenant of Wildfell Hall may be influenced by the works of Mary Wollstonecraft. Priti Joshi, believing that Anne had read her works, argues that she not only refuses the Wollstonecraftian indictment of the feminine, but also rejects its elevation, articulated by Hannah More. Anne Brontë’s feminism, in Joshi’s words, "forges a path between the extremes of Wollstonecraft-More spectrum". In "The Tenant", a reformed masculinity emerges not, as More would have it, under the tutelage of a woman, but by emulating feminine ways. Anne presents the "idle talk" of Linden-Car villagers primary as a way of creating fellowship and community, not only as vicious gossip.
The Tenant of Wildfell Hall of genius which burdens them, very many, while enjoying the freshness and vigour, will gladly hail their appearance, as boldly and eloquently developing blind places of wayward passion in the human heart, which is far more interesting to trace than all bustling traces and murky alleys, through which the will-o’-the-wisp genius of Dickens has so long led the public mind". Edwin Percy Whipple from "North American Review" considered "The Tenant" "less unpleasant" than "Wuthering Heights". However, both novels, in his opinion, were constructed with an "excessive clumsiness" and "the brutal element of human nature" was equally "given prominence" in them.