Eduardo de Valfierno Eduardo de Valfierno Eduardo de Valfierno (1850–1931), who posed as a "marqués" (marquis), was an Argentine con man who allegedly masterminded the theft of the "Mona Lisa" in 1911. In 1932 journalist Karl Decker published a story in the "Saturday Evening Post" claiming Valfierno paid several men to steal the work of art from the Louvre, including museum employee Vincenzo Peruggia. On August 21, 1911 Peruggia hid the "Mona Lisa" under his coat and simply walked out the door. Before the heist took place, Valfierno allegedly commissioned French art restorer and forger Yves Chaudron to make six copies of the
Louvre two days of packing, truck convoys began to leave Paris. By 28 December, the museum was cleared of most works, except those that were too heavy and "unimportant paintings [that] were left in the basement". In early 1945, after the liberation of France, art began returning to the Louvre. By 1874, the Louvre Palace had achieved its present form of an almost rectangular structure with the Sully Wing to the east containing the Cour Carrée (Square Court) and the oldest parts of the Louvre; and two wings which wrap the Cour Napoléon, the Richelieu Wing to the north and the