Portrait Diptych of Dürer's Parents work of Dürer"—led Brand Philip to conclude that Albrecht's panel was likely sold individually as the more accomplished and marketable of the two. The attribution is widely accepted today. In 2013 Stephan Kemperdick noted the sophistication of the Nuremberg portrait and that its three-dimensional modeling of the head displays a level of skill beyond Wolgemut and his circle. The two panels were reunited in 2012 during a Dürer exhibition in Nuremberg having been separated since sometime between 1588 and 1628. Portrait Diptych of Dürer's Parents Portrait Diptych of Dürer's Parents (or Dürer's Parents with Rosaries) is the collective name for
Master of the Brunswick Diptych number of other paintings have been identified as being by the same hand. The works by the Master of the Brunswick Diptych show similarities with those of Geertgen tot Sint Jans but the colours are generally lighter, his treatment of space and anatomy is less accomplished and the paintings more miniature-like. In a panel painting presently in Cologne, the master breaks new ground by depicting a domestic scene of a woman feeding a child for the first time in panel painting. Master of the Brunswick Diptych The Master of the Brunswick Diptych (fl. c. 1480-1510) was a Dutch early Renaissance