Altarpiece two, three, and multiple panels respectively. In the thirteenth century each panel was usually surmounted with a pinnacle, but during the Renaissance, single panel, or "pala", altarpieces became the norm. In both cases the supporting plinth, or "predella" often featured supplementary and related paintings. If the altar stands free in the choir, both sides of the altarpiece can be covered with painting. The screen, retable or reredos are commonly decorated. Groups of statuary can also be placed "on" an altar. A single church can furthermore house several altarpieces on side-altars in chapels. Sometimes the altarpiece is set on the altar
Barbadori Altarpiece Lippi, identified as the young monk behind the balustrade. The work was originally accompanied by a predella, which was returned to Florence after the fall of Napoleon and is now housed in the Uffizi Gallery in Florence. It includes three panels depicting "San Frediano Changing the Course of the Serchio", an "Annunciation of the Virgin's Death" and the "Apparition of the Holy Ghost to St. Augustine" Barbadori Altarpiece The Barbadori Altarpiece is a painting by Filippo Lippi, dated to 1438 and housed in the Louvre Museum of Paris. Gherardo di Bartolomeo Barbadori, who died childless in 1429, left his heritage