Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Death of the Virgin Mary of Košátky broader circle of paintings executed in a similar way, such as the Vyšší Brod Altarpiece, the Kaufmann Crucifixion and the panels of the Morgan Collection (the "Small Morgan Panels"). The panel was probably originally the wing of a diptych, the second part of which was the Wrocław Holy Trinity. In the quality of its execution, the picture ranks among the finest known works dating from the 14th century. It is at the same time the most Italian work of the entire Bohemian school. The construction of space reveals that the artist was acquainted with the central Italian painting of Siena