Crucifixion Diptych (van der Weyden) and theorized that the diptych represented two panels of a four-panel work – either the two-panelled left shutter of an altarpiece, or its center two panels. Based on pictorial style, Tucker argued that the large size of the human figures relative to the size of the panels was more in keeping with figures on the shutters of "carved" altarpieces than painted ones. He also noted that the shutters of carved altarpieces tend to de-emphasize the deep perspective commonly seen in painted altarpieces, which was consistent with the shallow pictorial space of the diptych. The diptych's figures are almost two-thirds life
Burg Weiler Altarpiece Burg Weiler Altarpiece The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints) or Master of the Burg Weiler Altar is a 1470 religious painting. It is in the collection of the Metropolitan Museum of Art. The altarpiece is Middle Rhenish, made in North Württemberg (now Baden-Württemberg). It was originally in the chapel of the castle of Burg Weiler near Heilbronn. The triptych is oil on wood of three parts, with gold ground. The left and right panels are each by , and the middle panel is by . The work depicts Mary, Jesus Christ, Judoc, Wendelin