Nicholas Rowe (writer) said to have suggested to Samuel Richardson the character of Clarissa Harlowe, as Lothario suggested Lovelace. Samuel Johnson noted of "The Fair Penitent" that, "The story is domestic, and therefore easily received by the imagination, and assimilated to common life; the diction is exquisitely harmonious, and soft or spritely as occasion requires." In 1704, Rowe tried his hand at comedy, producing "The Biter" at Lincoln's Inn Fields, which was unsuccessful, and Rowe returned to tragedy in "Ulysses" (1706). According to Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "We have been
The Fair Penitent pursued "neoclassical simplicity" but in the process sacrificed the "underlying moral principles" of the original. Rowe shifted the setting from Dijon to Genoa, and changed the main characters' names: Rowe also accentuated the role of the female protagonist, making the play much more a vehicle for a female star performer, a "better acting piece" for a prominent actress. Where the original "concentrates largely on the legal and political affairs of the cuckolded husband," Rowe focused far more directly on the domestic tragedy of Calista's infidelity. The play was staged at both of the major London theatres of the day, Drury