The Surrender of Breda on his military honor, he soon after sank with gloomy thoughts into the grave.” Velázquez felt discouraged after Ambrogio Spinola’s death and sought to legitimize Spinola, whose success and bravery in the battle inspired Velázquez to paint "The Surrender of Breda". "The Surrender of Breda" was one of twelve life-size battle scenes intended to perpetuate victories won by Philip IV’s armies that hung in the Salón de Reinos in Buen Retiro. It illustrates the exchange of keys that occurred three days after the capitulation between Spain and the Netherlands was signed on June 5, 1625. Hence, the focus of the
Breda had a population of in ; the metropolitan area had a population of . It is part of the Brabantse Stedenrij. In the 11th century, Breda was a direct fief of the Holy Roman Emperor, its earliest known lord being Henry of Brunesheim (1080–1125). The city of Breda obtained a municipal charter in 1252. After that Breda had the rights to build fortifications. The city constructed brick walls and Roman-style gates. In 1327, Adelheid of Gaveren sold Breda to Duke Johannes III of Brabant. In 1350, the fief was resold to Johannes II of Wassenaar (d. 1377). In 1403, the