Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Castello Roganzuolo Altarpiece the Diocesan Museum. Much of the work is irretrievably damaged and its fourth cymatium panel showing the dead Christ with angels is still lost. A copy of all four panels now stands in the church, in the original elaborate frame. Castello Roganzuolo Altarpiece The Castello Roganzuolo Altarpiece, Castello Roganzuolo Polyptych or Madonna and Child with Saint Peter and Saint Paul is a painting by Titian, commissioned in 1543 by the leading citizens of Castello Roganzuolo, Province of Treviso, Veneto, Italy. It is now in the Albino Luciani Diocesan Museum in Vittorio Veneto. The painting is a triptych with three narrow