Melun Diptych purchased by Clemens Brentano, a German poet, and joined his collection in 1896. The halves have been reunited twice since their separation, the first time in 1904 when France borrowed the panels from Berlin for an exhibition of French primitives and the second time in 2017, for the Jean Fouquet exhibition at Gemäldegalerie in Berlin. Melun Diptych The Melun Diptych is a two-panel oil painting by the French court painter Jean Fouquet (1425–1480) created around 1452. The name of the diptych came from its original home in the Collegiate Church of Notre-Dame in Melun. The left panel depicts Etienne Chevalier
Altarpiece Reformation regarded the Word of God – that is, the gospel – as central to Christendom, and Protestant altarpieces often displayed the actual words from the bible, sometimes at the expense of pictures. With time, Protestant though gave birth to the so-called pulpit altar, or "Kanzelaltar" in German, in which the altarpiece and the pulpit are combined, thus making the altarpiece quite literally the abode of the Word of God. Canvas painting started to replace other types of altarpieces during the mid-16th century and onwards. The Middle Ages was the heyday of the production and use of altarpieces. While many