The Tenant of Wildfell Hall the authors, having in mind all the novels from Currer, Ellis and Acton Bell published by 1848, "against their fancy for dwelling upon what is disagreeable". "Examiner", while praising all Brontës as "a hardy race", who "do not lounge in drawing-rooms or boudoirs", and "not common-place writers", considered "The Tenant's" frame structure "a fatal error: for, after so long and minute a history [of Helen's marriage to Arthur], we cannot go back and recover the enthusiasm which we have been obliged to dismiss a volume and half before". The gossiping of the inhabitants of Linden-Car village reminded it of Jane
The Tenant of Wildfell Hall marriage." However, unlike Arthur, Gilbert shows much more esteem to Helen's artwork. Diederich concludes that "the domestic realm, whether established with marriage or re-established in remarriage, doesn't support women's self-definition as artists, nor does it provide structured setting for the unferreted expression of their talents" and that "The Tenant" calls for "more support for married and remarried women's legal rights and artistic opportunities in nineteen-century Britain." Seemingly pious Universalist ideas in "The Tenant" contradicted prevailing at that time Protestant doctrine in England and thus advocated a socially unacceptable view. Helen expresses several times in the story her belief in eventual