Othello on Othello. Although characters described as "moors" appear in two other Shakespeare plays ("Titus Andronicus" and "The Merchant of Venice"), such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage. There is no consensus over Othello's ethnic origin. E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's race is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and
The Moor (novel) moor is central to the story, brooding over it as the moor broods over the surrounding landscape. It also has Rev. Sabine Baring-Gould as a central character. He has a strong intellectual curiosity and is the driving force behind the investigation. Laurie King uses many of the elements of The Hound of the Baskervilles. These elements are introduced deliberately on the part of the criminals and there are echoes of the original story. The way that Holmes reacts to the many mentions of the original case, with a mixture of pride and exasperation, allows for some very humorous moments. The