Mona Lisa he stresses that the images never existed. Kemp is also adamant that Cotte’s images in no way establish the existence of a separate underlying portrait. On 21 August 1911, the painting was stolen from the Louvre. The theft was not discovered until the next day, when painter Louis Béroud walked into the museum and went to the Salon Carré where the "Mona Lisa" had been on display for five years, only to find four iron pegs on the wall. Béroud contacted the head of the guards, who thought the painting was being photographed for promotional purposes. A few hours later,
The Hypothesis of the Stolen Painting film was featured in film festivals after its release such as the London Film Festival in 1979. "Hypothesis of the Stolen Painting" has been noted as one of Ruiz’s masterpieces that challenges the boundaries of cinema and film theory. “You can say "The Hypothesis of the Stolen Painting" is a detective film because of its riddle… In a more baroque system as in the system of "Hypothesis", you don’t enjoy finding the enigma.” "Hypothesis of the Stolen Painting" begins with a static shot of a street which appears at first to be a still image or photograph. The opening shot