Othello on Othello. Although characters described as "moors" appear in two other Shakespeare plays ("Titus Andronicus" and "The Merchant of Venice"), such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage. There is no consensus over Othello's ethnic origin. E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's race is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and
The Lagoon of Saint Mark, Venice The Lagoon of Saint Mark, Venice The Lagoon of Saint Mark, Venice is an oil on canvas painting by Paul Signac. This painting focuses on a seascape image which became a common theme late in Signac's life. Paul Signac (1863–1935) was one of the most influential Neo-Impressionist painters of his time. His name is synonymous with that of Georges Seurat (1859–91) as well as the practice of Color Theory. One of his lesser-known paintings, "The Lagoon of Saint Mark, Venice," (1905) is a prime example of his technique of pointillism and experimentation with color theory. The painting depicts an afternoon