Sant'Agostino Altarpiece Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions. It was commissioned by the monks of Sant'Agostino church in Perugia. The first phase included the artist's peak years and the crisis from 1508 onwards
Miraflores Altarpiece such altarpieces were then "prized for their spiritual powers or for the status of their authorship and/or ownership". Miraflores Altarpiece The Miraflores Altarpiece (or Triptych of the Virgin, or The Altar of Our Lady or the Mary Altarpiece) is a c. 1442-5 oil-on-oak wood panel altarpiece by the Early Netherlandish painter Rogier van der Weyden, in the Gemäldegalerie, Berlin since 1850. The three panels are each 71 x 43 cm and show, from left to right, a portrait of the Holy Family, a Pietà (the Virgin cradling the dead body of Jesus) and Christ's appearance to Mary—a chronological reading of