Moulin Rouge: La Goulue for the elasticity of its young dancers, both physically and morally; police officers made periodic checks to ensure that they were all wearing underwear. However, the poster by Jules Chéret advertising the club's delights, was relatively subdued, so the director Charles Zidler hired the young (only 27 years old) Toulouse-Lautrec to create a more vibrant poster. Although "Moulin Rouge: La Goulue" was Toulouse-Lautrec's first attempt at lithography, such was his grasp of the medium's possibilities that it was an immediate sensation. 3000 copies spread around Paris captivated the public with their eye-catching design, bold colors, and innovative, Japanese-inspired use of
Moulin de la Galette by the windmill. Artists, such as Renoir, van Gogh, and Pissarro have immortalized Le Moulin de la Galette; likely the most notable was Renoir's festive painting, "Bal du moulin de la Galette". The windmill Moulin de la Galette, also known as Blute-fin, was built in 1622. The name Blute-fin comes from the French verb "bluter" which means sifting flour for the separation from bran. The Debray family acquired the two mills in 1809 for producing flour, the Blute-fin and the Radet, built in 1717. But it was also used to pressurize the harvest or grind materials needed for manufacturing. An