The Tenant of Wildfell Hall last decades of the 20th century "The Tenant" started to get critical acclaim. Elizabeth Langland in her 1989 monograph "Anne Brontë: The Other One" said: "It is worth pausing briefly to reflect on what might have been Anne’s fate had "The Tenant of Wildfell Hall" been re-published with "Agnes Grey" so that critics could re-acquaint themselves with Anne’s greater novel and so that critics could take that opportunity to measure the substantial artistic growth between the two novels." Langland argued that the heroines in Anne's novels influenced those of Charlotte, and named Anne among the first women writers to adopt
The Tenant of Wildfell Hall women in fiction who is both competent and resolved to keep herself not be any of the accepted means as housekeeper, companion or governess, but as a painter, selling her canvasses to dealers." Despite this, in her later work on the Brontës, Gérin dismissed "The Tenant" as being "written too obviously as a work of propaganda, a treatise against drunkenness, to be considered a work of art." Several years later, however, Gérin wrote an introduction to "The Tenant", where, while considering the framed structure in both "The Tenant" and "Wuthering Heights" a "clumsy devise," acknowledged Anne's "pre-eminent gift of story-teller"