The Tenant of Wildfell Hall for her association with [her sisters'] imperative spirits." Mary Ward, a novelist, who was widely known for her anti-feminist views, in her introduction to 1900 edition of "The Tenant", accused Anne of "the narrowness of view" and absence of "some subtle, innate correspondence between eye and brain, between brain and hand, [which] was present in Emily and Charlotte." She concluded that "it is not as the writer of "Wildfell Hall", but as the sister of Charlotte and Emily Brontë, that Anne Brontë escapes oblivion." May Sinclair, while famously saying that "when [Anne] slammed the door of Mrs. Huntingdon's bedroom she
The Tenant of Wildfell Hall a widow, Helen makes her role as an artist who sells her works, especially to support a child, more socially acceptable. Resembling the time of Arthur's courtship, when Helen's portraits of him betrayed her affection, artwork once again serve the autobiographical role during her meetings with Gilbert – the painting of Wildfell Hall deceptively labelled "Fernley Manor" discloses her precarious position as a runaway wife. Showing Gilbert handling Helen's paintings without her permission, Brontë, according to Diederich, "hints that remarriage to Gilbert may not hold any greater promise to Helen's self-definition and freedom as an artist than did her first