The Tenant of Wildfell Hall construction, the artists hand also offers a form of independence, a possibility of earning a living, in a period when a woman had virtually no independent power base in any sphere." Nicole A. Diederich has argued that in "The Tenant" Anne Brontë constructs marriage and remarriage as a comparative and competitive practice that restricts Helen's rights and talents. Helen's artistic ability plays a central role in her relationships with both Gilbert and Arthur. Her alternating freedom to paint and inability to do so on her own terms not only complicate Helen's definition as wife, widow, and artist, but also enable
The Tenant of Wildfell Hall had managed to build a new life for herself and her two children. The Brontë biographer Winifred Gérin believed that the original of Wildfell Hall was Ponden Hall, a farmhouse near Stanbury in West Yorkshire. Ponden shares certain architectural details with Wildfell, including latticed windows and a central portico with a date plaque above. Blake Hall at Mirfield, where Anne had been employed as a governess, was suggested as the model for Grassdale Manor, Arthur Huntingdon's country seat, by Ellen Nussey, a friend of Charlotte Brontë, to Edward Morison Wimperis, an artist commissioned to illustrate the Brontë sisters' novels in