Sant'Agostino Altarpiece tondi of David and Daniel, but was later split up. Apart from these two purely decorative tempera tondi, the rest of the panels show a lack of underdrawing and near-transparent colour to show the contours of the figures - the speed of their execution dates them to Perugino's late period. The rural backgrounds are very simple, with almost no flowers in the foreground to increase focus on the classically-influenced figures, in which Perugino seems to have assimilated the style of his old pupil Raphael. Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around
Tauberbischofsheim altarpiece Tauberbischofsheim altarpiece The Taubischofsheim altarpiece (earlier known as the Karlsruhe altarpiece or Karlsruhe panels; German: Taubischofsheimer Altar, Karlsruher Altar, and Karlsruher Tafeln, respectively) is a late work by the German Renaissance painter Matthias Grünewald, probably completed between 1523 and 1525. The earliest written references to the work come from the 18th century, when the altarpiece was still in the Church of St. Martin in Tauberbischofsheim. Its original location and the identity of the patron who commissioned it are not known, but it is assumed that they both were in Tauberbischofsheim. The panels, which today are displayed separately, were originally painted