The Tenant of Wildfell Hall may be influenced by the works of Mary Wollstonecraft. Priti Joshi, believing that Anne had read her works, argues that she not only refuses the Wollstonecraftian indictment of the feminine, but also rejects its elevation, articulated by Hannah More. Anne Brontë’s feminism, in Joshi’s words, "forges a path between the extremes of Wollstonecraft-More spectrum". In "The Tenant", a reformed masculinity emerges not, as More would have it, under the tutelage of a woman, but by emulating feminine ways. Anne presents the "idle talk" of Linden-Car villagers primary as a way of creating fellowship and community, not only as vicious gossip.
The Tenant of Wildfell Hall find it necessary, in approaching subjects that were considered to be controversial, to use the voice of a male narrator, appropriating, delegitimizing and even ridiculing his power, before telling anti-patriarchal truth. Carol A. Senf believes that the "unique narrative structure, the wife's story framed by that of her husband... encourages the reader to focus on questions of gender". According to Tess O'Toole, the architecture of Brontë's narrative stresses and calls attention to the disjunction of two different forms of domestic containment, one deriving from marriage, the other from the natal family. Priti Joshi, noting Helen and Gilbert's suspicion of spoken