Eduardo de Valfierno "Mona Lisa". The forgeries were then shipped to around the world, readying them for the buyers he had lined up. Valfierno knew once the "Mona Lisa" was stolen it would be harder to smuggle copies past customs. After the heist the copies were delivered to their buyers, each thinking they had the original which had been stolen for them. Because Valfierno wanted to sell forgeries, he only needed the original "Mona Lisa" to disappear and never contacted Peruggia again after the crime. Eventually Peruggia was caught trying to sell the painting. It was returned to the Louvre in 1913. Peruggia
The Hypothesis of the Stolen Painting film was featured in film festivals after its release such as the London Film Festival in 1979. "Hypothesis of the Stolen Painting" has been noted as one of Ruiz’s masterpieces that challenges the boundaries of cinema and film theory. “You can say "The Hypothesis of the Stolen Painting" is a detective film because of its riddle… In a more baroque system as in the system of "Hypothesis", you don’t enjoy finding the enigma.” "Hypothesis of the Stolen Painting" begins with a static shot of a street which appears at first to be a still image or photograph. The opening shot