Moulin Rouge (1952 film) . He received high praise not only for his performance, but for his willingness to have his legs strapped in such a manner simply to play a role. It was reported that John Huston asked cinematographer Oswald Morris to render the color scheme of the film to look "as if Toulouse-Lautrec had directed it". "Moulin Rouge" was shot in three-strip Technicolor. The Technicolor projection print is created by dye transfer from three primary-color gelatin matrices. This permits great flexibility in controlling the density, contrast, and saturation of the print. Huston asked Technicolor for a subdued palette, rather than the sometimes-gaudy
Art of Murder: Hunt for the Puppeteer the floor. Nicole jumps out of the window, with the man shooting at her back. After her flight, Nicole drives to a hotel, where she meets a man named Louis Carnot. He asks her about Jack and some documents. Nicole becomes very suspicious of him. After this, she travels to Moulin Rouge. Nicole arrives at Moulin Rouge the next day. As soon as she arrives, she goes to the backyard, and opens a hatch with a metal pole. She enters a dressing room, and opens the door with Jack's key, which she took from his desk in the apartment. In