Moulin Rouge (1952 film) to be shown in the Louvre, and begs for forgiveness. Henri turns his head and watches as phantasmal characters from his Moulin Rouge paintings, including Jane Avril, dance into the room to bid him goodbye before his death. In the film, Ferrer plays both Henri and his father, the Comte Alphonse de Toulouse-Lautrec. To transform Ferrer into Henri required the use of platforms and concealed pits as well as special camera angles, makeup and costumes. Short body doubles were also used. In addition, Ferrer used a set of knee-pads of his own design allowing him to walk on his knees
Moulin Rouge! (Reprise)"). The storyline of "Moulin Rouge" can be traced back to Alexandre Dumas, "fils"' "The Lady of the Camellias", although Luhrmann, as an opera director, was probably more directly influenced by Verdi's adaptation, "La traviata". When asked about his inspiration for "Moulin Rouge!", Luhrmann remarked: Luhrmann revealed that he drew from the Greek tragedy of Orpheus and Eurydice in the DVD's audio commentary. The legend of Orpheus says he was a musical genius, far surpassing anyone in his world; the filmmakers chose to replicate this by using songs from the mid-to-late 20th century, many decades after the film's 1899 setting.