Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Tauberbischofsheim altarpiece Tauberbischofsheim altarpiece The Taubischofsheim altarpiece (earlier known as the Karlsruhe altarpiece or Karlsruhe panels; German: Taubischofsheimer Altar, Karlsruher Altar, and Karlsruher Tafeln, respectively) is a late work by the German Renaissance painter Matthias Grünewald, probably completed between 1523 and 1525. The earliest written references to the work come from the 18th century, when the altarpiece was still in the Church of St. Martin in Tauberbischofsheim. Its original location and the identity of the patron who commissioned it are not known, but it is assumed that they both were in Tauberbischofsheim. The panels, which today are displayed separately, were originally painted