Diptych of Boethius on the occasion of important events, such as the appointment to important public offices. Initially displayed in the Museo dell'Era Cristiana, which was opened in some rooms of the suppressed Monastery of Santa Giulia, at the beginning of the nineteenth century, it remained there for some time. With the opening of the Museo di Santa Giulia in 1998, the diptych became part of the "Collectables and applied arts" collection and is found in the vitrines dedicated to the Querini collection. The diptych shows the consul on both panels, seated on a throne and wearing an expensive tunic. The two figures
Saint Peter Martyr Altarpiece testimony) also mention a second altarpiece by the artist in the same church, also dating to 1476, now known as the "Saint Peter Martyr Altarpiece"'. It is therefore theorised that the altarpieces were both dismantled during rebuilding of the church in 1776, then sold to the antiquarian Grossi who sold all the panels separately and grouped some of them into the altarpiece that Cardinal Zelada bought from him. Federico Zeri and Rodolfo Pallucchini then joined the altarpieces together, initially referring to the first (the high altarpiece), the "Pietà" in the Metropolitan Museum, and then to the "Madonna" in the Museum