Sant'Agostino Altarpiece Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions. It was commissioned by the monks of Sant'Agostino church in Perugia. The first phase included the artist's peak years and the crisis from 1508 onwards
Symmachi–Nicomachi diptych important events, most often the attainment of the consulship. The diptych form, at least originally, served as a pair of covers for wax writing tablets. The work as a whole has been interpreted as a study in nostalgia. Just as the majority of the Roman world had rejected polytheism in favor of Christianity, so too it left behind the techniques of proportion and perspective that characterised the art of its forebears. ---- Symmachi–Nicomachi diptych The Symmachi–Nicomachi diptych is a book-size, Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan