Moulin Rouge: La Goulue for the elasticity of its young dancers, both physically and morally; police officers made periodic checks to ensure that they were all wearing underwear. However, the poster by Jules Chéret advertising the club's delights, was relatively subdued, so the director Charles Zidler hired the young (only 27 years old) Toulouse-Lautrec to create a more vibrant poster. Although "Moulin Rouge: La Goulue" was Toulouse-Lautrec's first attempt at lithography, such was his grasp of the medium's possibilities that it was an immediate sensation. 3000 copies spread around Paris captivated the public with their eye-catching design, bold colors, and innovative, Japanese-inspired use of
Waiting for the Barbarians (painting) Waiting for the Barbarians (painting) Waiting for the Barbarians () is a 2007 painting by the German artist Neo Rauch. To the right in the picture is a carnival where a minotaur is cheered on a stage, while to the left another minotaur is about to be burned at the stake. The picture also includes several other people and creatures. The title is taken from the poem "Waiting for the Barbarians" by Constantine P. Cavafy. It was one of fourteen paintings in Rauch's exhibition "Para", which was made for the Metropolitan Museum of Art in New York City and exhibited