Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Dresden Altarpiece spreading incense from thuribles. The side panels also contain numerous puttoes in the background. Their style difference could indicate the intervention of assistants. <br> Dresden Altarpiece The Dresden Altarpiece is a triptych by German Renaissance artists Albrecht Dürer, executed between 1496 and 1497, and perhaps continued in 1503-1504. It is housed in the Gemäldegalerie Alte Meister of Dresden, Germany. The painting was one of the first commissions received from Frederick III, Elector of Saxony, together with the "Seven Sorrows Polyptych" and the "Portrait of Frederick III of Saxony". Dürer knew the elector during the latter's short stay in Nuremberg in