Gum bichromate negatives of cyan, magenta, and yellow or red, green, and blue are used for a full-color image. Some photographers prefer substituting the cyan emulsion in the CMYK separations with a cyanotype layer. A simple duotone separation combining orange watercolor pigment and a cyanotype can yield surprisingly beautiful results. Low density photographic negatives of the same size as the final image are used for exposing the print. No enlarger is used, but instead, a contact printing frame or vacuum exposure frame is used with an ultraviolet light source such as a mercury vapor lamp, a common fluorescent black light, or the
Color wheel uses two colors that look appealing together. More advanced color schemes involve several colors in combination, usually based around a single color—for example, text with such colors as red, yellow, orange and light blue arranged together on a black background in a magazine article. Color schemes can also contain different shades of a single color; for example, a color scheme that mixes different shades of green, ranging from very light (almost white) to very dark. Analogous colors are colors next to each other on the wheel. For example, yellow and green. Monochromic colors are different shades of the same color.