To Have and Have Not (film) 1944. Bogart and Hawks served as their own technical advisers, because of their experience with fishing and sailing. After filming began, a romance developed between Bogart and Bacall, despite Hawks's disapproval. Bogart was married and at 45 years old, he was more than twice Bacall's age. They kept their relationship a secret from Hawks. This romance eventually led to Bogart divorcing Mayo Methot, his third wife. He and Bacall married a year after "To Have and Have Not" and remained married until Bogart's death in 1957. Hawks expanded Bacall's part to take advantage of the Bogart-Bacall chemistry. According to the
To Have and Have Not (film) this scene, the patrons at the bar represent different races and are racially integrated throughout the space, challenging the ideas of segregation and race during the time period. The next song, "Limehouse Blues" is reminiscent of Django Reinhardt's pre-war version. This represents French resistance spirit, as swing music became a symbol of resistance in France, because it was the only available example of American culture in France at the time. A common theme of war films such as "To Have and Have Not" is the conversion narrative. An individual who originally does not want to be involved in the war