The Surrender of Breda on his military honor, he soon after sank with gloomy thoughts into the grave.” Velázquez felt discouraged after Ambrogio Spinola’s death and sought to legitimize Spinola, whose success and bravery in the battle inspired Velázquez to paint "The Surrender of Breda". "The Surrender of Breda" was one of twelve life-size battle scenes intended to perpetuate victories won by Philip IV’s armies that hung in the Salón de Reinos in Buen Retiro. It illustrates the exchange of keys that occurred three days after the capitulation between Spain and the Netherlands was signed on June 5, 1625. Hence, the focus of the
Breda heiress of his line, Johanna of Polanen (1392–1445), married Engelbert I of Nassau (1370–1442; his sarcophagus is in the Grote Kerk in Breda). Through her, the city came into the possession of the House of Nassau, where it remained until 1795, passing to William I of Orange (1533–1584), stadtholder of Holland, Zeeland, and Utrecht and leader of the Dutch revolt. Thus, the baron of Breda was also Count of Nassau in the Holy Roman Empire, Prince of Orange, and stadtholder of the Dutch Republic (from 1572–1650, 1672–1702, 1747–1795). Breda remained part of the barony of Breda until it was captured