St John Altarpiece Reed believes the similarities so pronounced that it is highly probable that the two were intended to hang together at the Miraflores monastery. St John Altarpiece The St John Altarpiece (German - "Johannesaltar", "Johannestafel" or "Johannesretabel") is a c. 1455 oil-on-oak wood panel altarpiece by the Early Netherlandish painter Rogier van der Weyden, now in the Gemäldegalerie, Berlin. The triptych is linked to the artist's earlier "Miraflores Altarpiece" in its symbolic motifs, format and intention. The panels show – from left to right – the birth of Saint John, the baptism of Christ by John in Jordan, and the beheading
Stealing the Mystic Lamb tension, the author adds an easy familiarity with the techniques of oil painting and with the intertwining vines of art and political and religious history. He begins near the end of World War II. As the Reich’s military fortunes crumbled, the Allies scrambled to find where the Nazis concealed their tens of thousands of stolen artworks, many slated for Hitler’s proposed “super museum.” Among them was the Altarpiece. Charney pauses to describe the large work, which comprises 20 individual painted panels, hinged together. Art historians admire it not just for its supreme craftsmanship—described clearly by the author—but also for its