Mona Lisa he stresses that the images never existed. Kemp is also adamant that Cotte’s images in no way establish the existence of a separate underlying portrait. On 21 August 1911, the painting was stolen from the Louvre. The theft was not discovered until the next day, when painter Louis Béroud walked into the museum and went to the Salon Carré where the "Mona Lisa" had been on display for five years, only to find four iron pegs on the wall. Béroud contacted the head of the guards, who thought the painting was being photographed for promotional purposes. A few hours later,
Louvre two days of packing, truck convoys began to leave Paris. By 28 December, the museum was cleared of most works, except those that were too heavy and "unimportant paintings [that] were left in the basement". In early 1945, after the liberation of France, art began returning to the Louvre. By 1874, the Louvre Palace had achieved its present form of an almost rectangular structure with the Sully Wing to the east containing the Cour Carrée (Square Court) and the oldest parts of the Louvre; and two wings which wrap the Cour Napoléon, the Richelieu Wing to the north and the