Beaune Altarpiece on his figure immediately above the altar of the chapel every time the altarpiece was opened. Like Saints Anthony and Sebastian on the exterior of the polyptych, the archangel offered ... hope that they would overcome their physical ills." The altarpiece comprises fifteen separate paintings placed on nine panels. Six are painted on both sides. When the outer wings are folded in, or, the paintings on the two upper and four lower panels become visible. The upper panels contain paintings on either side and are separately hinged and able to close independently of the others. When all the shutters are
Early Netherlandish painting time. That hinged works could be opened and closed served a practical purpose; on religious holidays the more prosaic and everyday outer panels were replaced by the lush interior panels. The "Ghent Altarpiece", completed in 1432, had different configurations for weekdays, Sundays and church holidays. The first generation of Netherlandish masters borrowed many customs from 13th- and 14th-century Italian altarpieces. The conventions for Italian triptychs before 1400 were quite rigid. In central panels the mid-ground was populated by members of the Holy Family; early works, especially from the Sienese or Florentine traditions, were overwhelmingly characterised by images of the enthroned