Altarpiece of the Holy Sacrament panel. The church has two paintings by Bouts on display, the "Last Supper" (1464-1468) and the "Martyrdom of St Erasmus" (1465). The Nazis seized "The Last Supper" in 1942. Panels from the painting had been sold legitimately to German museums in the 1800s, and Germany was forced to return all the panels as part of the required reparations of the Versailles Treaty after World War I. The chancel and ambulatory were turned into a museum in 1998, where visitors can view a collection of sculptures, paintings and metalwork. Altarpiece of the Holy Sacrament Altarpiece of the Holy Sacrament or Triptych
St John Altarpiece (Memling) it presents a narrative, meant to emulate a vision the donors or viewers would experience when viewing the inside panels. Unlike most altarpieces of these types, Memling's fails to present a single unifying iconographical focus and is quite generalized with themes that seem unsuited for its specific location, according to Blum. She speculates the donors may have chosen the specific iconography, which "celebrated intercessory saints on the interior". It is an unusual painting in that it seems to "have served a double function: that of personal propitiation and that of public altarpiece, which portrayed the role of the religious community