The Tenant of Wildfell Hall acclaiming it as "the first presentment of that Feminist novel", she stated that "it bores to tears." Her opinion of Helen was also mixed: "If Agnes Grey is a little prig, Helen Huntingdon is a prig enormous... She is Anne Bronte's idea of noble womanhood, the first of the modern, large-souled, intellectual heroines." The only thing Sinclair wholly approved of was author's treatment of marital laws of the time: "Anne Brontë attacks her problem with a freedom and audacity before which her sisters’ boldest enterprises seem cowardly and restrained... Her behaviour is the least unusual, not to say revolutionary." Despite
The Tenant of Wildfell Hall a widow, Helen makes her role as an artist who sells her works, especially to support a child, more socially acceptable. Resembling the time of Arthur's courtship, when Helen's portraits of him betrayed her affection, artwork once again serve the autobiographical role during her meetings with Gilbert – the painting of Wildfell Hall deceptively labelled "Fernley Manor" discloses her precarious position as a runaway wife. Showing Gilbert handling Helen's paintings without her permission, Brontë, according to Diederich, "hints that remarriage to Gilbert may not hold any greater promise to Helen's self-definition and freedom as an artist than did her first