St John Altarpiece (Memling) similar Memling work is the "" held at the Louvre, which Georges Hulin de Loo determined to have been completed earlier than the "St John Altarpiece" and the New York panel. The "Cellier Diptych" has the Virgin and Child in an enclosed garden with the same two Saints Catherine and Barbara on the left-hand panel. The composition is remarkably similar to the New York panel and the altarpiece, with the Virgin on her throne and St Catherine and St Barbara positioned to form a triangle. The "Cellier Diptych" includes four additional female saints (with attributes) sitting around the Virgin: St
San Marco Altarpiece of cast shadows towards the bottom edges of the draperies in the painting, which are indicative of how Angelico gave the medieval equation of earthly and heavenly beauty new immediacy by translating it into the rational language of a representational style. In addition, as Angelico implies in other ways, glazing was a technique used to create yet another boundary between the real world and the pictorial illusion. San Marco Altarpiece The San Marco Altarpiece (also known as "Madonna and Saints") is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy.