Sant'Agostino Altarpiece tondi of David and Daniel, but was later split up. Apart from these two purely decorative tempera tondi, the rest of the panels show a lack of underdrawing and near-transparent colour to show the contours of the figures - the speed of their execution dates them to Perugino's late period. The rural backgrounds are very simple, with almost no flowers in the foreground to increase focus on the classically-influenced figures, in which Perugino seems to have assimilated the style of his old pupil Raphael. Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around
Pesaro Altarpiece (Bellini) and so were created separately and only joined together later. This refers to Venetian funerary monuments of the same era, such as doge Pasquale Malipiero's monument (designed by Pietro Lombardo for Santi Giovanni e Paolo) and Mantegna's San Zeno Altarpiece. Bellini further developed his use of the frame as an integral part of the painting in later works such as the San Giobbe Altarpiece and the Frari Triptych. Pesaro Altarpiece (Bellini) The Pesaro Altarpiece (Italian: "Pala di Pesaro") is an oil on panel painting by Giovanni Bellini, dated to some time between 1471 and 1483. It is considered as one