The Art of War examinations. During the Sengoku period (c. 1467–1568), the Japanese "daimyō" named Takeda Shingen (1521–1573) is said to have become almost invincible in all battles without relying on guns, because he studied "The Art of War". The book even gave him the inspiration for his famous battle standard "Fūrinkazan" (Wind, Forest, Fire and Mountain), meaning fast as the wind, silent as a forest, ferocious as fire and immovable as a mountain. The translator Samuel B. Griffith offers a chapter on "Sun Tzu and Mao Tse-Tung" where "The Art of War" is cited as influencing Mao's "On Guerrilla Warfare", "On the Protracted
St Mark Passion (attributed to Keiser) St Mark Passion (attributed to Keiser) Jesus Christus ist um unsrer Missetat willen verwundet is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father Gottfried or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's "Brockes Passion". There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities