The Mikado of the title character as a disrespectful representation of the revered Meiji Emperor; Japanese theatre was prohibited from depicting the emperor on stage. Japanese Prince Komatsu Akihito, who saw an 1886 production in London, took no offence. When Prince Fushimi Sadanaru made a state visit in 1907, the British government banned performances of "The Mikado" from London for six weeks, fearing that the play might offend him – a manoeuvre that backfired when the prince complained that he had hoped to see "The Mikado" during his stay. A Japanese journalist covering the prince's stay attended a proscribed performance and confessed
The Mikado the starting point for the plot of "The Mikado" is "an invented 'Japanese' law against flirting, which makes sense only as a reference to the sexual prudishness of British culture". However, Crowther noted, production design and other features of traditionally staged productions of the opera, often "do look somewhat insensitive, not to say insulting. ... It should [be possible] to avoid such things in the future, with a little sensitivity. ... G&S is about silliness, and fun, and ... mocking the powerful, and accepting the fundamental absurdity of life". Some commentators dismissed the criticism as political correctness. A public discussion