To Have and Have Not (film) and his girl (Bacall). Critics called the film a fast, witty romance with a plot as merely "an excuse for some good scenes." "Variety" cited the film's inferiority to "Casablanca" and other Warner Bros. melodramas, but acknowledged the film's success in its characterization. "Time" called the film a, "tinny romantic melodrama which millions of cinemaddicts have been waiting forever since "Casablanca". "New York Variety" was mixed about the film citing, "nifty productional accoutrements" with "too unsteady" of a story line. Other reviewers called it, "definitely swell entertainment", while others stated it was an delightful remake of "Casablanca". American film critic
To Have and Have Not (film) this scene, the patrons at the bar represent different races and are racially integrated throughout the space, challenging the ideas of segregation and race during the time period. The next song, "Limehouse Blues" is reminiscent of Django Reinhardt's pre-war version. This represents French resistance spirit, as swing music became a symbol of resistance in France, because it was the only available example of American culture in France at the time. A common theme of war films such as "To Have and Have Not" is the conversion narrative. An individual who originally does not want to be involved in the war