Diptych of Boethius on the occasion of important events, such as the appointment to important public offices. Initially displayed in the Museo dell'Era Cristiana, which was opened in some rooms of the suppressed Monastery of Santa Giulia, at the beginning of the nineteenth century, it remained there for some time. With the opening of the Museo di Santa Giulia in 1998, the diptych became part of the "Collectables and applied arts" collection and is found in the vitrines dedicated to the Querini collection. The diptych shows the consul on both panels, seated on a throne and wearing an expensive tunic. The two figures
Symmachi–Nicomachi diptych important events, most often the attainment of the consulship. The diptych form, at least originally, served as a pair of covers for wax writing tablets. The work as a whole has been interpreted as a study in nostalgia. Just as the majority of the Roman world had rejected polytheism in favor of Christianity, so too it left behind the techniques of proportion and perspective that characterised the art of its forebears. ---- Symmachi–Nicomachi diptych The Symmachi–Nicomachi diptych is a book-size, Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan