Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Master of the Brunswick Diptych number of other paintings have been identified as being by the same hand. The works by the Master of the Brunswick Diptych show similarities with those of Geertgen tot Sint Jans but the colours are generally lighter, his treatment of space and anatomy is less accomplished and the paintings more miniature-like. In a panel painting presently in Cologne, the master breaks new ground by depicting a domestic scene of a woman feeding a child for the first time in panel painting. Master of the Brunswick Diptych The Master of the Brunswick Diptych (fl. c. 1480-1510) was a Dutch early Renaissance