Symmachi–Nicomachi diptych Symmachi–Nicomachi diptych The Symmachi–Nicomachi diptych is a book-size, Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan religious practices. Both its style and its content reflect a short-lived revival of traditional Roman religion and Classicism at a time when the Roman world was turning towards Christianity and rejecting the Classical tradition. The diptych takes its name from the inscriptions "Nicomachorum" and "Symmachorum", in reference to two prominent Roman Senate families. The diptych remained intact until the nineteenth century. The earliest description of the leaves dates to 1717, when an
Altarpiece of Saint Barbara Altarpiece of Saint Barbara The Altarpiece of Saint Barbara is a painting by Gonçal Peris conserved at the National Art Museum of Catalonia. The altarpiece features the image of Saint Barbara as the central figure. She holds in her right hand a palm frond, symbolizing martyrdom. Her left hand holds a tower, central to the story of her imprisonment. Above this center image is a scene of Calvary, depicting Christ with his mother and his disciple John. The walled background is representative of the walls of Jerusalem. Four panels in the side compartments depict eight scenes of the saint's life