Master of the Stauffenberg Altarpiece the outer panels next to a Crucifixion and have been identified by their coats of arms. When opened the Stauffenberg altarpiece shows, from left to right, the Annunciation, the Descent from the Cross and the Nativity — two joys of Mary framing one of her sorrows. It was kept in the Monastery of St. Anthony in Isenheim near Colmar for which Matthias Grünewald subsequently painted his Isenheim Altarpiece. Master of the Stauffenberg Altarpiece The Master of the Stauffenberg Altarpiece () is a 15th-century Anonymous Master from Alsace or nearby who was stylistically influenced by Rogier van der Weyden. His name
Burg Weiler Altarpiece of Trier, Saint Apollonia, Saint Barbara, Catherine of Alexandria, Lawrence of Rome, Saint Sebastian, Saint Maurice, and an angel. Burg Weiler Altarpiece The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints) or Master of the Burg Weiler Altar is a 1470 religious painting. It is in the collection of the Metropolitan Museum of Art. The altarpiece is Middle Rhenish, made in North Württemberg (now Baden-Württemberg). It was originally in the chapel of the castle of Burg Weiler near Heilbronn. The triptych is oil on wood of three parts, with gold ground. The left and right panels