At the Moulin Rouge Paul Secau, and photographer Maurice Guibert. In the right foreground, apparently sitting at a different table is a partial profile, with face lit in a distinctive light, English dancer May Milton. In the background, on the right, is the dancer La Goulue with another woman; the center-left background shows Toulouse-Lautrec himself and Gabriel Tapié de Céleyran. "At the Moulin Rouge" is owned by the Art Institute of Chicago as part of the Helen Birch Bartlett Memorial Collection, where it was first displayed on December 23, 1930. It was exhibited in London in 2011 at the Courtauld Institute of Art. At
Moulin Rouge (1952 film) poster to the dance hall and, though the style is unusual, Maurice accepts it. Henri works for days at the lithographers, blending his own inks to perfect the vivid colors. When he finishes the poster, which shows a woman dancing with her legs exposed, it becomes an instant sensation and the Moulin Rouge opens to high society. His father denounces Henri for the "pornographic" work. Over the next ten years, Henri records Parisian life in brilliant paintings. By 1900 he is famous, but still terribly lonely. One day he sees Myriamme Hyam standing at the edge of Pont Alexandre III