The Tenant of Wildfell Hall last decades of the 20th century "The Tenant" started to get critical acclaim. Elizabeth Langland in her 1989 monograph "Anne Brontë: The Other One" said: "It is worth pausing briefly to reflect on what might have been Anne’s fate had "The Tenant of Wildfell Hall" been re-published with "Agnes Grey" so that critics could re-acquaint themselves with Anne’s greater novel and so that critics could take that opportunity to measure the substantial artistic growth between the two novels." Langland argued that the heroines in Anne's novels influenced those of Charlotte, and named Anne among the first women writers to adopt
The Tenant of Wildfell Hall the roles of wife and housekeeper, rarely refers to herself as an artist. The marital laws of the day made Helen's artworks legally belong to her husband and allowed Arthur to destroy them when he discovered her plans to earn money by selling paintings. Diederich calls it "an ironic echo" of Helen's destruction of Arthur's portrait just before their engagement when he tried to take it from her. Diederich also points that in attempt to become a fee-earning artist "Helen reclaims her artistic talent as her own, distinct from her husband's possession of her art, and of her." Posing as