Melun Diptych purchased by Clemens Brentano, a German poet, and joined his collection in 1896. The halves have been reunited twice since their separation, the first time in 1904 when France borrowed the panels from Berlin for an exhibition of French primitives and the second time in 2017, for the Jean Fouquet exhibition at Gemäldegalerie in Berlin. Melun Diptych The Melun Diptych is a two-panel oil painting by the French court painter Jean Fouquet (1425–1480) created around 1452. The name of the diptych came from its original home in the Collegiate Church of Notre-Dame in Melun. The left panel depicts Etienne Chevalier
Stealing the Mystic Lamb tension, the author adds an easy familiarity with the techniques of oil painting and with the intertwining vines of art and political and religious history. He begins near the end of World War II. As the Reich’s military fortunes crumbled, the Allies scrambled to find where the Nazis concealed their tens of thousands of stolen artworks, many slated for Hitler’s proposed “super museum.” Among them was the Altarpiece. Charney pauses to describe the large work, which comprises 20 individual painted panels, hinged together. Art historians admire it not just for its supreme craftsmanship—described clearly by the author—but also for its