The Tenant of Wildfell Hall was not qualified to handle at once vigorously and truthfully. The simple and natural – quiet description and simple pathos – are, I think Acton Bell's forte. I liked "Agnes Grey" better than the present work." Juliet Barker, in her biography of the Brontës, concluded that "Charlotte, it appears, was prepared to consign her sister’s novel to oblivion because she considered its subject at odds with her own perception of what Anne’s character was and ought to have been." Elizabeth Gaskell repeated Charlotte's words about Anne in "The Life of Charlotte Brontë", claiming that the subject of "The Tenant" "was
The Tenant of Wildfell Hall a widow, Helen makes her role as an artist who sells her works, especially to support a child, more socially acceptable. Resembling the time of Arthur's courtship, when Helen's portraits of him betrayed her affection, artwork once again serve the autobiographical role during her meetings with Gilbert – the painting of Wildfell Hall deceptively labelled "Fernley Manor" discloses her precarious position as a runaway wife. Showing Gilbert handling Helen's paintings without her permission, Brontë, according to Diederich, "hints that remarriage to Gilbert may not hold any greater promise to Helen's self-definition and freedom as an artist than did her first