The Tenant of Wildfell Hall and its power of pleasing must be regarded, as well as its mere capabilities of force or effect. It is not only the subject of this novel, however, that is objectionable, but the manner of treating it. There is a coarseness of tone throughout the writing of all these Bells [Charlotte, Emily and Anne Brontë], that puts an offensive subject in its worst point of view, and which generally contrives to dash indifferent things". A critic in "Athenaeum", probably H. F. Chorley, cited "The Tenant" as "the most entertaining novel we have read in a month past". However, he warned
The Tenant of Wildfell Hall on the marital experience of a woman, Bronte highlights the extent to which the internal and supposedly private realms of desire and domesticity are also intensely political." In the last decades "The Tenant" has established its reputation as a landmark feminist text. In her introduction to the novel, Stevie Davies called it "a feminist manifesto of revolutionary power and intelligence." The novel's framing structure, long dismissed as faulty, started to get acclaim as a fitting narrative device, essential to Anne's critical and artistic purposes. Although the publishers respected Charlotte's wishes, shortly before her death in 1854 the London firm of