To Have and Have Not (film) became upset with Hawks. This caused an argument between Hawks and Bogart, stunting production for two weeks. Bogart recognized his power and used negotiation to his advantage. After negotiating with Warner, Bogart received an extra $33,000 salary, as long as Bogart promised to no longer stall production. In her autobiography, Lauren Bacall described what she called Hawks's "brilliantly creative work method" on set. She described that every morning on set, Hawks would sit with Bacall, Bogart, and whoever else was in the scene in chairs in a circle as a script girl read the scene. After reading through the scene,
To Have and Have Not (film) this scene, the patrons at the bar represent different races and are racially integrated throughout the space, challenging the ideas of segregation and race during the time period. The next song, "Limehouse Blues" is reminiscent of Django Reinhardt's pre-war version. This represents French resistance spirit, as swing music became a symbol of resistance in France, because it was the only available example of American culture in France at the time. A common theme of war films such as "To Have and Have Not" is the conversion narrative. An individual who originally does not want to be involved in the war