To Have and Have Not (film) scenes, to underscore anti fascism in the story line of the film. A persistent myth is that a teenage Andy Williams, the future singing star, dubbed the singing for Bacall. According to authoritative sources, including Hawks and Bacall, this was not true. Williams and some female singers were tested to dub for Bacall because of fears she lacked the necessary vocal skills. But those fears were overshadowed by the desire to have Bacall do her own singing (perhaps championed by Bogart) despite her less than perfect vocal talent. This myth is disputed in "Leonard Maltin's Movie Guide" entry for this
To Have and Have Not (film) this scene, the patrons at the bar represent different races and are racially integrated throughout the space, challenging the ideas of segregation and race during the time period. The next song, "Limehouse Blues" is reminiscent of Django Reinhardt's pre-war version. This represents French resistance spirit, as swing music became a symbol of resistance in France, because it was the only available example of American culture in France at the time. A common theme of war films such as "To Have and Have Not" is the conversion narrative. An individual who originally does not want to be involved in the war