The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother
BBC Television Shakespeare the distance is the backcloth, which is impressionistic." The backcloths were used to suggest locale without photographic representationalism; they imply air, water, sea, hills, a city, but never actually show anything specific. Geoff Feld won Best Cameraman at the 1981 BAFTAs for his work on this episode. The "Prefaces to Shakespeare" episode for "The Merchant of Venice" was presented by Timothy West who had played Shylock in a 1980 Old Vic production which he also directed. The "Shakespeare in Perspective" episode was presented by playwright and screenwriter Wolf Mankowitz. Cast In line with producer Jonathan Miller's aesthetic policy, director Elijah