Třeboň Altarpiece and its loose brushwork and elegant, rhythmical forms. At some point the work was broken up, with two surviving panels in the National Gallery, Prague, and a third in the Alsová Jihoceská Galeria, Hluboká nad Vltavou, Czech Republic. The extant panels are "The Agony in the Garden", "Entombment" and the "Resurrection". The reverse of the "Agony" shows languid, touching, "rosy-cheeked" representations of Saints Catherine, Mary Magdalene and Margaret. It is not known how many panels made up the original altarpiece, or how they were arranged. A total five is considered the most likely number, which would allow for four wings
Early Netherlandish painting both sides or with the reverse bearing family emblems, crests or ancillary outline sketches. In the case of single panels, the markings on the reverse are often wholly unrelated to the obverse and may be later additions, or as Campbell speculates, "done for the artist's amusement". Painting each side of a panel was practical since it prevented the wood from warping. Usually the frames of hinged works were constructed before the individual panels were worked on. Glue binder was often used as an inexpensive alternative to oil. Many works using this medium were produced but few survive today because of