The Tenant of Wildfell Hall may be influenced by the works of Mary Wollstonecraft. Priti Joshi, believing that Anne had read her works, argues that she not only refuses the Wollstonecraftian indictment of the feminine, but also rejects its elevation, articulated by Hannah More. Anne Brontë’s feminism, in Joshi’s words, "forges a path between the extremes of Wollstonecraft-More spectrum". In "The Tenant", a reformed masculinity emerges not, as More would have it, under the tutelage of a woman, but by emulating feminine ways. Anne presents the "idle talk" of Linden-Car villagers primary as a way of creating fellowship and community, not only as vicious gossip.
The Tenant of Wildfell Hall women in fiction who is both competent and resolved to keep herself not be any of the accepted means as housekeeper, companion or governess, but as a painter, selling her canvasses to dealers." Despite this, in her later work on the Brontës, Gérin dismissed "The Tenant" as being "written too obviously as a work of propaganda, a treatise against drunkenness, to be considered a work of art." Several years later, however, Gérin wrote an introduction to "The Tenant", where, while considering the framed structure in both "The Tenant" and "Wuthering Heights" a "clumsy devise," acknowledged Anne's "pre-eminent gift of story-teller"