Sant'Agostino Altarpiece tondi of David and Daniel, but was later split up. Apart from these two purely decorative tempera tondi, the rest of the panels show a lack of underdrawing and near-transparent colour to show the contours of the figures - the speed of their execution dates them to Perugino's late period. The rural backgrounds are very simple, with almost no flowers in the foreground to increase focus on the classically-influenced figures, in which Perugino seems to have assimilated the style of his old pupil Raphael. Sant'Agostino Altarpiece The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around
Death of the Virgin Mary of Košátky broader circle of paintings executed in a similar way, such as the Vyšší Brod Altarpiece, the Kaufmann Crucifixion and the panels of the Morgan Collection (the "Small Morgan Panels"). The panel was probably originally the wing of a diptych, the second part of which was the Wrocław Holy Trinity. In the quality of its execution, the picture ranks among the finest known works dating from the 14th century. It is at the same time the most Italian work of the entire Bohemian school. The construction of space reveals that the artist was acquainted with the central Italian painting of Siena