Melun Diptych purchased by Clemens Brentano, a German poet, and joined his collection in 1896. The halves have been reunited twice since their separation, the first time in 1904 when France borrowed the panels from Berlin for an exhibition of French primitives and the second time in 2017, for the Jean Fouquet exhibition at Gemäldegalerie in Berlin. Melun Diptych The Melun Diptych is a two-panel oil painting by the French court painter Jean Fouquet (1425–1480) created around 1452. The name of the diptych came from its original home in the Collegiate Church of Notre-Dame in Melun. The left panel depicts Etienne Chevalier
Beaune Altarpiece different. The figures occupy distinctly separate niches and the colour schemes of the grisaille saints and donors contrast sharply. Like many mid-15th century polyptychs, the exterior panels borrow heavily from the "Ghent Altarpiece", which was completed in 1432. The combination of naturalistic donor portraits with grisaille imitation statues of saints is borrowed from that work, as is the treatment of the Annunciation. Van der Weyden used iconography in the Beaune exterior panels not found in his other works, which suggests Rolin may have commissioned the altarpiece to follow van Eyck's example. Van der Weyden was not inclined merely to imitate