The Two Gentlemen of Verona friendship and treachery, and set the play in a decadent world of social elitism. Valentine and Proteus were presented as aristocratic students, the Duke was a Don, and Eglamour an old scout master. On the other hand, the poverty-stricken outlaws were dressed in animal skins. The RSC again staged the play at the Royal Shakespeare Theatre in 1981, as a double bill with "Titus Andronicus", with both plays heavily edited. Directed by John Barton, the production starred Peter Chelsom as Valentine, Peter Land as Proteus, Julia Swift as Julia and Diana Hardcastle as Silvia. This production saw the actors not
Proteus shape-changing, has much in common with the central but elusive figure of alchemy, Mercurius. The poet John Milton, aware of the association of Proteus with the Hermetic art of alchemy, wrote in "Paradise Lost" of alchemists who sought the philosopher's stone: In his 1658 discourse "The Garden of Cyrus", Sir Thomas Browne, pursuing the figure of the quincunx, queried: "Why Proteus in Homer the Symbole of the first matter, before he settled himself in the midst of his Sea-Monsters, doth place them out by fives?" Shakespeare uses the image of Proteus to establish the character of his great royal villain