The Tenant of Wildfell Hall construction, the artists hand also offers a form of independence, a possibility of earning a living, in a period when a woman had virtually no independent power base in any sphere." Nicole A. Diederich has argued that in "The Tenant" Anne Brontë constructs marriage and remarriage as a comparative and competitive practice that restricts Helen's rights and talents. Helen's artistic ability plays a central role in her relationships with both Gilbert and Arthur. Her alternating freedom to paint and inability to do so on her own terms not only complicate Helen's definition as wife, widow, and artist, but also enable
The Tenant of Wildfell Hall to write; still less has it been a pleasant training which could teach an author such awful facts, or give courage to write them. The fault of the book is coarseness--not merely that coarseness of subject which will be the stumbling-block of most readers, and which makes it utterly unfit to be put into the hands of girls..." Despite this, he believed that: "[English] society owes thanks, not sneers, to those who dare to shew her the image of her own ugly, hypocritical visage". "Spectator" wrote: ""The Tenant of Wildfell Hall", like its predecessor ["Jane Eyre"], suggests the idea of