Ghent Altarpiece the 17 panels were displayed for the press. French officials were not invited as the Vichy government had allowed the Germans to remove the painting. The authorized images of the Saint-Bavo's Cathedral : www.lukasweb.be Ghent Altarpiece The Ghent Altarpiece (or the Adoration of the Mystic Lamb, ) is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It is attributed to the brothers Hubert and Jan van Eyck, who were Early Flemish painters. It is considered a masterpiece of European art and one of the world's treasures. The panels are organised in two vertical registers,
Early Netherlandish painting both sides or with the reverse bearing family emblems, crests or ancillary outline sketches. In the case of single panels, the markings on the reverse are often wholly unrelated to the obverse and may be later additions, or as Campbell speculates, "done for the artist's amusement". Painting each side of a panel was practical since it prevented the wood from warping. Usually the frames of hinged works were constructed before the individual panels were worked on. Glue binder was often used as an inexpensive alternative to oil. Many works using this medium were produced but few survive today because of