Gum bichromate negatives of cyan, magenta, and yellow or red, green, and blue are used for a full-color image. Some photographers prefer substituting the cyan emulsion in the CMYK separations with a cyanotype layer. A simple duotone separation combining orange watercolor pigment and a cyanotype can yield surprisingly beautiful results. Low density photographic negatives of the same size as the final image are used for exposing the print. No enlarger is used, but instead, a contact printing frame or vacuum exposure frame is used with an ultraviolet light source such as a mercury vapor lamp, a common fluorescent black light, or the
Secondary color secondary CMY colors (with secondary colors in boldface) are: Ideally, combining three perfect primary colors in equal amounts would produce black, but this is impossible to achieve in practice. Therefore a "key" pigment, usually black, is added to printing to produce dark shades more efficiently. This combination is referred to as CMYK, where K stands for Key. Before the discovery of CMY, at least as far back as Goethe, the best primary colors were thought to be red, yellow, and blue. Mixing these pigments in equal amounts produces orange, green, and purple: That is, the primary and secondary RYB colors