The Tenant of Wildfell Hall may be influenced by the works of Mary Wollstonecraft. Priti Joshi, believing that Anne had read her works, argues that she not only refuses the Wollstonecraftian indictment of the feminine, but also rejects its elevation, articulated by Hannah More. Anne Brontë’s feminism, in Joshi’s words, "forges a path between the extremes of Wollstonecraft-More spectrum". In "The Tenant", a reformed masculinity emerges not, as More would have it, under the tutelage of a woman, but by emulating feminine ways. Anne presents the "idle talk" of Linden-Car villagers primary as a way of creating fellowship and community, not only as vicious gossip.
The Tenant of Wildfell Hall the roles of wife and housekeeper, rarely refers to herself as an artist. The marital laws of the day made Helen's artworks legally belong to her husband and allowed Arthur to destroy them when he discovered her plans to earn money by selling paintings. Diederich calls it "an ironic echo" of Helen's destruction of Arthur's portrait just before their engagement when he tried to take it from her. Diederich also points that in attempt to become a fee-earning artist "Helen reclaims her artistic talent as her own, distinct from her husband's possession of her art, and of her." Posing as