Crucifixion Diptych (van der Weyden) The painting's provenance prior to the mid-19th century is unknown. Its extreme starkness has led art historians to theorize that it was created as a devotional work, possibly for a Carthusian monastery. It is not known if the panels comprised a self-contained diptych, two-thirds of a triptych, or originally were a single panel. Some art historians have mentioned that the work seems unbalanced overall and lacking symmetry (which might indicate a missing panel or panels). Recent scholarship proposes that the panels functioned as the outer shutters of a carved altarpiece. The background to the panels is unknown. Scholars have theorized
Heller Altarpiece Heller Altarpiece The Heller Altarpiece was an oil on panel triptych by German Renaissance artists Albrecht Dürer and Matthias Grünewald, executed between 1507 and 1509. The artwork was named after Jakob Heller, who ordered it. Dürer painted the interior, Grünewald the exterior. In 1615, Dürer copyist Jobst Harrich painted a duplicate, which is now at the Städel of Frankfurt. The side panels, executed by Bosch's workshop basing from his drawings, are at the Staatliche Kunsthalle of Karlsruhe. The painting was commissioned by Frankfurt merchant Jakob Heller, for the Dominican church of the city. In 1615, the central panel, the only