Christmas in the American Civil War the Union blockade, and one little girl, Sallie Brock Putnam, plotted the course Santa Claus would have to take to avoid it. Sometimes fathers on both sides were allowed furlough, and children were said to react to their fathers as if seeing "near strangers". Excuses for a lack of Santa included Yankees having shot him. Thomas Nast, who used his editorial cartoons to issue Union propaganda, made several illustrations reflecting the war. The one for Christmas Eve 1862, which ran in the January 1863 issue of Harper's Weekly shows a wife on one side praying though a window in one
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps