Pomp and Circumstance Marches march to the first, and thought this the finest of all the marches. After a loud call to attention from the brass, a simple "staccato" theme, tense and repetitive, is played quietly by the strings, being gradually joined by other instruments before building up to an abrupt climax. This section is repeated. The second theme, confidently played by horns and clarinets, with contrasting triple and duple rhythms, is one which was sketched by Elgar a few years before: this is developed and ends with flourishes from the strings and brass joined by the glockenspiel. The opening "staccato" theme returns, concluded
Symphony No. 4 (Nielsen) Symphony No. 4 (Nielsen) Symphony No. 4, Op. 29, FS 76, also known as "The Inextinguishable" (), was completed by Danish composer Carl Nielsen in 1916. Composed against the backdrop of the First World War, this symphony is among the most dramatic that Nielsen wrote, featuring a "battle" between two sets of timpani. Nielsen was thinking about a new symphony in 1914, and in May he wrote to his wife (who was in Celle): I have an idea for a new composition, which has no programme but will express what we understand by the spirit of life or manifestations of