Motifs in the James Bond film series light on to clouds in the 1920s. Brownjohn also used the effect in the poster he created for "Goldfinger". Designer Maurice Binder, who had worked on the first Bond film, "Dr. No", had been unable to work on either "From Russia with Love" and "Goldfinger", but returned for "Thunderball", where he retained Brownjohn's concept for the titles. Binder eventually worked on thirteen Bond films and after his death in 1991, the opening credits were done by Daniel Kleinman. This changed for "Quantum of Solace", with the studio MK12 taking control. Kleinman returned to direct the "Skyfall" title sequence, and the
Motifs in the James Bond film series title sequence for "Spectre". A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. Writing for "Rolling Stone", Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. "On Her Majesty's Secret Service" has an entirely instrumental credit sequence, though the film features an alternate theme, "We Have All the Time in the World", sung by Louis Armstrong.