Harper's Weekly cartoons of Thomas Nast, who was recruited in 1862 and worked with the "Weekly" for more than 20 years. Nast was a feared caricaturist, and is often called the father of American political cartooning. He was the first to use an elephant as the symbol of the Republican Party. He also drew the legendary character of Santa Claus; his version became strongly associated with the figure, who was popularized as part of Christmas customs in the late nineteenth century. "Harper's Weekly" was the most widely read journal in the United States throughout the period of the Civil War. So as
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps