Pomp and Circumstance Marches march to the first, and thought this the finest of all the marches. After a loud call to attention from the brass, a simple "staccato" theme, tense and repetitive, is played quietly by the strings, being gradually joined by other instruments before building up to an abrupt climax. This section is repeated. The second theme, confidently played by horns and clarinets, with contrasting triple and duple rhythms, is one which was sketched by Elgar a few years before: this is developed and ends with flourishes from the strings and brass joined by the glockenspiel. The opening "staccato" theme returns, concluded
Symphony No. 4 (Schumann) Symphony No. 4 (Schumann) The Symphony No. 4 in D minor, Op. 120, composed by Robert Schumann, was first completed in 1841. Schumann heavily revised the symphony in 1851, and it was this version that reached publication. Clara Schumann, Robert's widow, later claimed on the first page of the score to the symphony—as published in 1882 as part of her husband's complete works ("Robert Schumanns Werke, Herausgegeben von Clara Schumann," published by Breitkopf & Härtel)—that the symphony had merely been sketched in 1841 but was only fully orchestrated (""vollständig instrumentiert"") in 1851. However, this was untrue, and Johannes Brahms, who