Pomp and Circumstance Marches march to the first, and thought this the finest of all the marches. After a loud call to attention from the brass, a simple "staccato" theme, tense and repetitive, is played quietly by the strings, being gradually joined by other instruments before building up to an abrupt climax. This section is repeated. The second theme, confidently played by horns and clarinets, with contrasting triple and duple rhythms, is one which was sketched by Elgar a few years before: this is developed and ends with flourishes from the strings and brass joined by the glockenspiel. The opening "staccato" theme returns, concluded
Land of Hope and Glory newly composed ‘Pomp and Circumstance’ March No. 1 was introduced as an orchestral piece (a year before the words were written), conducted by Henry Wood who later recollected "little did I think then that the lovely broad melody of the trio would one day develop into our second national anthem". It was played as "Land of Hope and Glory" in the last concert of the 1905 proms, and at the first and last concerts of the 1909 Proms, which also featured Wood's "Fantasia on British Sea Songs". The two pieces were played one after another at the closing concerts in