Christmas in the American Civil War "the best recruiting sergeant the North ever had". Nast was not the only one to use Christmas as a propaganda tool. On the Union side, "The New York Herald" also engaged in propaganda. One illustration published in the paper included Santa Claus fuming that he could not reach southern children, due to the northern blockade. On the Confederate side, "The Richmond Examiner" described Santa to its young readers as "a Dutch toy monger" who was a New York/New England "scrub" and Hottentot that had nothing to do with traditional Virginian celebrations of Christmas. Even through the war was over, Nast
Thomas Nast wash technique to draw tonal renderings onto the wood blocks that would be carved into printing blocks by staff engravers. The bold cross-hatching that characterized Nast's mature style resulted from a change in his method that began with a cartoon of June 26, 1869, which Nast drew onto the wood block using a pencil, so that the engraver was guided by Nast's linework. This change of style was influenced by the work of the English illustrator John Tenniel. A recurring theme in Nast's cartoons is racism and anti-Catholicism. Nast was baptized a Catholic at the Sankt Maria Catholic Church in