Pomp and Circumstance Marches Michael Brough for use at Holy Trinity Sloane Street but have not yet been published. For military band: The first four marches were arranged by M. Retford and March No. 5 by T. Conway Brown. For brass band: March No. 1 was arranged (transposed to B) by J. Ord Hume. Notes Sources Pomp and Circumstance Marches The Pomp and Circumstance Marches (full title "Pomp and Circumstance Military Marches"), Op. 39, are a series of marches for orchestra composed by Sir Edward Elgar. They include some of Elgar's best-known compositions. The title is taken from Act III, Scene 3 of Shakespeare's
Pomp and Circumstance Marches clarinets in A, bass clarinet in A, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in F, 2 cornets in A, 3 trombones, tuba, timpani (3), percussion (2 side drums, triangle, glockenspiel & jingles, bass drum & cymbals), and strings. It was first performed, as was March No. 1, by the Liverpool Orchestral Society conducted by Alfred Rodewald, in Liverpool on 19 October 1901. Both marches were played two days later at a London Promenade Concert. The second is the shortest and most simply constructed of the marches. The composer Charles Villiers Stanford is said to have preferred this