Mandolin-banjo John Farris for an instrument with 8 strings. The Farris banjolin was offered in soprano, alto, tenor, and bass models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello, banjo guitar, and banjolele which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." Banjolins should not
Bluegrass mandolin fiddle, yet constructed more like a guitar, and mandolin players use elements from both in their playing. However, the mandolin's short, tight strings and "woody" tone have allowed its players to develop playing techniques which are unique to this instrument. Because of the need for quick deadening of the strings when chopping, most bluegrass mandolinists make heavy use of chord formations without open strings. This allows a strong penetrating rhythm, and the fingering patterns can be extended up the neck of the mandolin. Some musicians, such as Jethro Burns, prefer three-finger chords. These require more right hand dexterity because at