Pomp and Circumstance Marches Michael Brough for use at Holy Trinity Sloane Street but have not yet been published. For military band: The first four marches were arranged by M. Retford and March No. 5 by T. Conway Brown. For brass band: March No. 1 was arranged (transposed to B) by J. Ord Hume. Notes Sources Pomp and Circumstance Marches The Pomp and Circumstance Marches (full title "Pomp and Circumstance Military Marches"), Op. 39, are a series of marches for orchestra composed by Sir Edward Elgar. They include some of Elgar's best-known compositions. The title is taken from Act III, Scene 3 of Shakespeare's
Pomp and Circumstance Marches violins, four horns and two clarinets) and repeated by the full orchestra including two harps. What follows is a repetition of what has been heard before, including a fuller statement of the "Trio" (this time in the 'home' key of D) in which the orchestra is joined by organ as well as the two harps. The march ends, not with the big tune, but with a short section containing a brief reminder of the brisk opening march. March No. 2 was composed in 1901 and dedicated "To my friend Granville Bantock". The instrumentation is: piccolo, 2 flutes, 2 oboes, 2