Pomp and Circumstance Marches August 1997 "Musical Times" explaining the sketches. One idea in the sketches was marked by the composer "jolly good". Kent believed that Elgar's compositional thoughts and time were by then engaged with the Third Symphony and "The Spanish Lady", and that the main theme for the march was "unpromising". Payne felt there was not enough in the sketches to complete the march, but fortunately three pages of score in Elgar's handwriting were discovered at the Royal School of Church Music Colles Library marked "P&C 6". In 2006, the score and sketches were turned into a performing version. Payne observed in
Chôros No. 4 is distinguished by the character of popular music Chôros No. 4 Chôros No. 4 is a quartet for three horns and trombone, written in 1926 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled "Chôros", ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. "Chôros No. 4" is one of the shorter members of the series, a performance lasting about five-and-a-half minutes. "Chôros No. 4" was composed in Rio de