Little Shop of Horrors (musical) and even bigger. Actors and stage hands are often used to move larger branches and roots, which, in the original off-Broadway production, spilled off the stage and into the audience. In some productions, dangling vines over the house enhance the effect of Audrey II menacing the audience. Amateur productions of "Little Shop of Horrors" receive designs for building the puppets from MTI, as part of the rental scripts and scores, based on the original Martin P. Robinson designs. Some companies who have produced the show in the past and built their own puppets rent them out to other companies to
Little Shop of Horrors (film) much more convincing and lifelike. They realized they could film the puppet at a slower speed, making it appear to move faster when played back at normal speed. "By slowing it down it looked it was talking real fast. We then went 'holy cow, look at that. We can do it. The frame rate for filming the plant was slowed to 12 or 16 frames per second, depending on the scene, and frequent screen cuts were used to minimize the amount of screen time the puppet spent with human actors, and when interaction was totally necessary, the actors (usually Moranis)