Father Christmas in "Punch", reproduced here. The caption reads: In 1951 an editorial in "The Times" opined that while most adults may be under the impression that [the English] Father Christmas is home-bred, and is "a good insular John Bull old gentleman", many children, "led away ... by the false romanticism of sledges and reindeer", post letters to Norway addressed simply to Father Christmas or, "giving him a foreign veneer, Santa Claus". Differences between the English and US representations were discussed in "The Illustrated London News" of 1985. The classic illustration by the US artist Thomas Nast was held to be "the
Thomas Nast since 1856. In the words of the artist's grandson, Thomas Nast St Hill, "it was generally conceded that Nast's support won Cleveland the small margin by which he was elected. In this his last national political campaign, Nast had, in fact, 'made a president'." Nast's tenure at "Harper's Weekly" ended with his Christmas illustration of December 1886. It was said by the journalist Henry Watterson that "in quitting "Harper's Weekly", Nast lost his forum: in losing him, "Harper's Weekly" lost its political importance." Fiona Deans Halloran says "the former is true to a certain extent, the latter unlikely." Nast lost