Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Dizzy Digs Paris "As a whole, the two-CD set might not be a major entry in the Gillespie discography, but it's a good one. And it's certainly hard to imagine a more complete package of this 1953 Salle Pleyel concert, complemented as it is by studio material recorded by the same musicians at the same time and place". "All compositions by Dizzy Gillespie except as indicated" Disc One: Disc Two: Recorded on February 9, 1953 at the Salle Pleyel (Disc One and Disc Two, track 1) and on February 22, 1953 at the Studio Pathe Magellan (Disc Two, tracks 2-17) and February 27,