Pomp and Circumstance Marches Michael Brough for use at Holy Trinity Sloane Street but have not yet been published. For military band: The first four marches were arranged by M. Retford and March No. 5 by T. Conway Brown. For brass band: March No. 1 was arranged (transposed to B) by J. Ord Hume. Notes Sources Pomp and Circumstance Marches The Pomp and Circumstance Marches (full title "Pomp and Circumstance Military Marches"), Op. 39, are a series of marches for orchestra composed by Sir Edward Elgar. They include some of Elgar's best-known compositions. The title is taken from Act III, Scene 3 of Shakespeare's
Imaginary Landscape No. 4 (March No. 2) Imaginary Landscape No. 4 (March No. 2) Imaginary Landscape No. 4 (March No. 2) is a composition for 24 performers on 12 radios and conductor by American composer John Cage and the fourth in the series of "Imaginary Landscapes". It is the first installment not to include any percussion instrument at all and Cage's first composition to be based fully on chance operations. It is also the second march in the set of "Imaginary Landscapes", after "Imaginary Landscape No. 2 (March No. 1)". It was composed in 1951. As Cage's compositional style developed, he found that, in order to circumvent