Pomp and Circumstance Marches August 1997 "Musical Times" explaining the sketches. One idea in the sketches was marked by the composer "jolly good". Kent believed that Elgar's compositional thoughts and time were by then engaged with the Third Symphony and "The Spanish Lady", and that the main theme for the march was "unpromising". Payne felt there was not enough in the sketches to complete the march, but fortunately three pages of score in Elgar's handwriting were discovered at the Royal School of Church Music Colles Library marked "P&C 6". In 2006, the score and sketches were turned into a performing version. Payne observed in
Symphony No. 4 (Schumann) Symphony No. 4 (Schumann) The Symphony No. 4 in D minor, Op. 120, composed by Robert Schumann, was first completed in 1841. Schumann heavily revised the symphony in 1851, and it was this version that reached publication. Clara Schumann, Robert's widow, later claimed on the first page of the score to the symphony—as published in 1882 as part of her husband's complete works ("Robert Schumanns Werke, Herausgegeben von Clara Schumann," published by Breitkopf & Härtel)—that the symphony had merely been sketched in 1841 but was only fully orchestrated (""vollständig instrumentiert"") in 1851. However, this was untrue, and Johannes Brahms, who