Pomp and Circumstance Marches August 1997 "Musical Times" explaining the sketches. One idea in the sketches was marked by the composer "jolly good". Kent believed that Elgar's compositional thoughts and time were by then engaged with the Third Symphony and "The Spanish Lady", and that the main theme for the march was "unpromising". Payne felt there was not enough in the sketches to complete the march, but fortunately three pages of score in Elgar's handwriting were discovered at the Royal School of Church Music Colles Library marked "P&C 6". In 2006, the score and sketches were turned into a performing version. Payne observed in
Fantasia 2000 of Rome" was re-arranged in 1993 by Bruce Coughlin, who reduced the four-movement piece by cutting the second movement and trimming sections of the third and fourth movements. The piece was recorded on March 28, 1994. The second recording involved "Symphony No. 5", "Carnival of the Animals", and "Pomp and Circumstance", on April 25, 1994. "Carnival of the Animals, Finale" uses two pianos played by Gail Niwa and Philip Sabransky. "Pomp and Circumstance" was arranged by Peter Schickele and features the Chicago Symphony Chorus and soprano soloist Kathleen Battle. The next recording took place on April 24, 1995 for "Piano