Motifs in the James Bond film series light on to clouds in the 1920s. Brownjohn also used the effect in the poster he created for "Goldfinger". Designer Maurice Binder, who had worked on the first Bond film, "Dr. No", had been unable to work on either "From Russia with Love" and "Goldfinger", but returned for "Thunderball", where he retained Brownjohn's concept for the titles. Binder eventually worked on thirteen Bond films and after his death in 1991, the opening credits were done by Daniel Kleinman. This changed for "Quantum of Solace", with the studio MK12 taking control. Kleinman returned to direct the "Skyfall" title sequence, and the
Motifs in the James Bond film series No", with Bond leaving a corpse in a car outside Government House and asking the Duty Sergeant to make sure he didn't get away, whilst in "Goldfinger", Bond electrocutes a man in a bath, before commenting, "Shocking, positively shocking". During Sean Connery's Bond films, the humour was delivered by Connery to soften a violent situation, such as the electrification, or his shooting a villain with a spear gun and saying "I think he got the point". The humour changed towards innuendo and self-mockery during the Roger Moore films, with his jokes delivered with what media historian James Chapman considered to