Pomp and Circumstance Marches as it was in the beginning. There is more development before a big return of the "Trio" theme, in the home key of C, and a triumphant ending which might bring to mind the conclusion of Grieg's "In the Hall of the Mountain King". Elgar left sketches for a sixth "Pomp and Circumstance" march, to be the final work in the set. In 2005, these were sent by the lawyer for the Elgar Will Trust in a bundle to the English composer Anthony Payne. Also included was an article titled "Circumstantial Evidence" by the Elgar authority Christopher Kent from the
Fantasia 2000 of Rome" was re-arranged in 1993 by Bruce Coughlin, who reduced the four-movement piece by cutting the second movement and trimming sections of the third and fourth movements. The piece was recorded on March 28, 1994. The second recording involved "Symphony No. 5", "Carnival of the Animals", and "Pomp and Circumstance", on April 25, 1994. "Carnival of the Animals, Finale" uses two pianos played by Gail Niwa and Philip Sabransky. "Pomp and Circumstance" was arranged by Peter Schickele and features the Chicago Symphony Chorus and soprano soloist Kathleen Battle. The next recording took place on April 24, 1995 for "Piano