Pomp and Circumstance Marches as it was in the beginning. There is more development before a big return of the "Trio" theme, in the home key of C, and a triumphant ending which might bring to mind the conclusion of Grieg's "In the Hall of the Mountain King". Elgar left sketches for a sixth "Pomp and Circumstance" march, to be the final work in the set. In 2005, these were sent by the lawyer for the Elgar Will Trust in a bundle to the English composer Anthony Payne. Also included was an article titled "Circumstantial Evidence" by the Elgar authority Christopher Kent from the
Pomp and Circumstance Marches clarinets in A, bass clarinet in A, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in F, 2 cornets in A, 3 trombones, tuba, timpani (3), percussion (2 side drums, triangle, glockenspiel & jingles, bass drum & cymbals), and strings. It was first performed, as was March No. 1, by the Liverpool Orchestral Society conducted by Alfred Rodewald, in Liverpool on 19 October 1901. Both marches were played two days later at a London Promenade Concert. The second is the shortest and most simply constructed of the marches. The composer Charles Villiers Stanford is said to have preferred this