Pomp and Circumstance Marches splendid show of military pageantry—"Pomp"—has no connection with the drabness and terror—"Circumstance"—of actual warfare. The first four marches were all written before the events of World War I shattered that belief, and the styles in which wars were written about spurned the false romance of the battle-song. The "Pomp and Circumstance" marches are The first five were all published by Boosey & Co. as Elgar's Op. 39, and each of the marches is dedicated to a particular musical friend of Elgar's. Each march takes about five minutes to play. March No. 1, was composed in 1901 and dedicated "to my
Pomp and Circumstance Marches clarinets in A, bass clarinet in A, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in F, 2 cornets in A, 3 trombones, tuba, timpani (3), percussion (2 side drums, triangle, glockenspiel & jingles, bass drum & cymbals), and strings. It was first performed, as was March No. 1, by the Liverpool Orchestral Society conducted by Alfred Rodewald, in Liverpool on 19 October 1901. Both marches were played two days later at a London Promenade Concert. The second is the shortest and most simply constructed of the marches. The composer Charles Villiers Stanford is said to have preferred this