Pomp and Circumstance Marches horns (with drum-beats inserted between the notes of the tune), before a vigorous theme (with brass alone at the first beats), erupts from the full orchestra. The dark theme re-appears, is then restarted boldly, then ended abruptly. The central section commences with a perky tune played by a solo clarinet with simple string accompaniment, which is followed by another of Elgar's noble tunes played by the strings of the orchestra. All the themes re-appear and there is the final section which ends abruptly. March No. 4 is as upbeat and ceremonial as No. 1, containing another big tune in the
Pomp and Circumstance Marches by a quiet swirling bass passage, which leads into the "Trio" section (in the tonic major key of A) which consists of a delightfully simple tune in thirds played by the woodwind (flutes, oboes, clarinets and bassoons), answered conclusively by the strings and brass. This "Trio" section is repeated, and the march concluded with a brilliant little coda, which includes a drum roll on the snare drum, a shattering chord in A Minor, briefly played by horns, and followed by a final cadence. March No. 3 was completed in November 1904 and published in 1905. It was dedicated "To my