Pomp and Circumstance Marches march to the first, and thought this the finest of all the marches. After a loud call to attention from the brass, a simple "staccato" theme, tense and repetitive, is played quietly by the strings, being gradually joined by other instruments before building up to an abrupt climax. This section is repeated. The second theme, confidently played by horns and clarinets, with contrasting triple and duple rhythms, is one which was sketched by Elgar a few years before: this is developed and ends with flourishes from the strings and brass joined by the glockenspiel. The opening "staccato" theme returns, concluded
Fantasia 2000 of Rome" was re-arranged in 1993 by Bruce Coughlin, who reduced the four-movement piece by cutting the second movement and trimming sections of the third and fourth movements. The piece was recorded on March 28, 1994. The second recording involved "Symphony No. 5", "Carnival of the Animals", and "Pomp and Circumstance", on April 25, 1994. "Carnival of the Animals, Finale" uses two pianos played by Gail Niwa and Philip Sabransky. "Pomp and Circumstance" was arranged by Peter Schickele and features the Chicago Symphony Chorus and soprano soloist Kathleen Battle. The next recording took place on April 24, 1995 for "Piano