Pomp and Circumstance Marches horns (with drum-beats inserted between the notes of the tune), before a vigorous theme (with brass alone at the first beats), erupts from the full orchestra. The dark theme re-appears, is then restarted boldly, then ended abruptly. The central section commences with a perky tune played by a solo clarinet with simple string accompaniment, which is followed by another of Elgar's noble tunes played by the strings of the orchestra. All the themes re-appear and there is the final section which ends abruptly. March No. 4 is as upbeat and ceremonial as No. 1, containing another big tune in the
Pomp and Circumstance Marches timpani (3), percussion (side drum, bass drum & cymbals), and strings. Without introduction, its opening episode is extended with enormous confidence and proceeds directly into the "Trio" section. The "Trio" starts quietly in a similar way to the introduction of his First Symphony: just a moving bass line and a tune, also in the same key (A). The tune is re-stated strongly, as we expect, then developed. The re-statement of the opening employs the same instruments of the orchestra, but is this time started as soft as possible for just four bars before a quick "crescendo" restores its spirit to