Book of Kells produced the first facsimile of the Book of Kells. The majority of the pages were reproduced in black-and-white photographs, but the edition also featured forty-eight colour reproductions, including all the full-page decorations. Under licence from the Board of Trinity College Dublin, Thames and Hudson produced a second facsimile edition in 1974. This edition included all the full-page illustrations in the manuscript and a representative section of the ornamentation of the text pages, together with some enlarged details of the illustrations. The reproductions were all in full colour, with photography by John Kennedy, Green Studio, Dublin. In 1979, Swiss publisher Faksimile-Verlag
Book of Kells twelve pages (folios 1v through 7r) but for unknown reasons, condensed them into ten, leaving folios 6v and 7r blank. This condensation rendered the canon tables unusable. The decoration of the first eight pages of the canon tables is heavily influenced by early Gospel Books from the Mediterranean, where it was traditional to enclose the tables within an arcade (as seen in the London Canon Tables). The Kells manuscript presents this motif in an Insular spirit, where the arcades are not seen as architectural elements but rather become stylised geometric patterns with Insular ornamentation. The four evangelist symbols occupy the