René Magritte is the biggest Magritte archive anywhere and most of the work is directly from the collection of the artist's widow, Georgette Magritte, and from Irene Hamoir Scutenaire, who was his primary collector. Additionally, the museum includes Magritte's experiments with photography from 1920 on and the short surrealist films he made from 1956 on. Another museum is located at 135 Rue Esseghem in Brussels in Magritte's former home, where he lived with his wife from 1930 to 1954. A painting, "Olympia" (1948), a nude portrait of Magritte's wife by Magritte, was stolen from this museum on the morning of 24 September
The Artist in His Museum the Museum commenced, June, 1784". To Peale's left lie the bones of a mastodon; the assembled skeleton that shows from behind the curtain was the museum's main attraction. Peale had unearthed and reconstructed a mastodon in 1800, an event he chronicled in his 1806 painting "Exhuming the First American Mastodon" (left). The artist's palette and brushes to his left contribute to the autobiographical statement. The middle ground highlights Peale. In the painting, the artist invites the viewer into his museum; he pulls back a draped crimson curtain, which divides the painting's space, to reveal the collection. He used a similar