Mandolin-banjo John Farris for an instrument with 8 strings. The Farris banjolin was offered in soprano, alto, tenor, and bass models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello, banjo guitar, and banjolele which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." Banjolins should not
Electric mandolin the body) in 1949. His first one had 10 strings and was built for Al Giddings. Other Bigsby electric mandolin players were multi-instrumentalist Paul Buskirk, Johnny Muessig, and Eschol Cosby. Bigsby's most famous mandolin, built in 1952, was owned and played by Western swing musician Tiny Moore. This instrument had 5 single courses rather than the more common four double courses, and was patterned after a similar instrument built by Jim Harvey of La Jolla, California, for a player named Scotty Broyles. Gibson and Rickenbacker introduced solidbody 8-string mandolins in the 1950s, while Fender followed the single-course idea with its