Pomp and Circumstance Marches horns (with drum-beats inserted between the notes of the tune), before a vigorous theme (with brass alone at the first beats), erupts from the full orchestra. The dark theme re-appears, is then restarted boldly, then ended abruptly. The central section commences with a perky tune played by a solo clarinet with simple string accompaniment, which is followed by another of Elgar's noble tunes played by the strings of the orchestra. All the themes re-appear and there is the final section which ends abruptly. March No. 4 is as upbeat and ceremonial as No. 1, containing another big tune in the
Pomp and Circumstance Marches violins, four horns and two clarinets) and repeated by the full orchestra including two harps. What follows is a repetition of what has been heard before, including a fuller statement of the "Trio" (this time in the 'home' key of D) in which the orchestra is joined by organ as well as the two harps. The march ends, not with the big tune, but with a short section containing a brief reminder of the brisk opening march. March No. 2 was composed in 1901 and dedicated "To my friend Granville Bantock". The instrumentation is: piccolo, 2 flutes, 2 oboes, 2