Father Christmas in "Punch", reproduced here. The caption reads: In 1951 an editorial in "The Times" opined that while most adults may be under the impression that [the English] Father Christmas is home-bred, and is "a good insular John Bull old gentleman", many children, "led away ... by the false romanticism of sledges and reindeer", post letters to Norway addressed simply to Father Christmas or, "giving him a foreign veneer, Santa Claus". Differences between the English and US representations were discussed in "The Illustrated London News" of 1985. The classic illustration by the US artist Thomas Nast was held to be "the
Thomas Nast wash technique to draw tonal renderings onto the wood blocks that would be carved into printing blocks by staff engravers. The bold cross-hatching that characterized Nast's mature style resulted from a change in his method that began with a cartoon of June 26, 1869, which Nast drew onto the wood block using a pencil, so that the engraver was guided by Nast's linework. This change of style was influenced by the work of the English illustrator John Tenniel. A recurring theme in Nast's cartoons is racism and anti-Catholicism. Nast was baptized a Catholic at the Sankt Maria Catholic Church in