Huey Long (singer) Huey Long (singer) Huey Long (April 25, 1904 – June 10, 2009) was an American jazz and swing singer-songwriter and musician and was a member of the close harmony vocal traditional pop group The Ink Spots. Born in Sealy, Texas, Long began his musical career in 1925 playing banjo for Frank Davis' Louisiana Jazz Band, based in Houston. He switched from the banjo to the guitar after moving to Chicago, where he appeared at the 1933 World's Fair with Texas Guinan's Cuban Orchestra. He performed with artists such as Lil Armstrong and Fletcher Henderson, and his career also encompassed sideman,
1940s in jazz "Salt Peanuts" (1941) and "A Night in Tunisia" (1942), Parker's "Anthropology" (1946), "Yardbird Suite" (1946) and "Scrapple from the Apple" (1947), and Monk's "'Round Midnight" (1944), which is currently the most recorded jazz standard composed by a jazz musician. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. These divergences from the jazz mainstream