The Spirit of England the tone of "The Spirit of England" and that of other imperialist Elgar works: "The conception is grandiose, but not as the "Pomp and Circumstance" Marches are. It moves along with no less splendour, but with a more austere deliberation." The Spirit of England The Spirit of England, Op. 80, is a work for chorus, orchestra, and soprano/tenor soloist in three movements composed by Edward Elgar between 1915 and 1917, setting text from Laurence Binyon's 1914 anthology of poems "The Winnowing Fan". The work acts as a requiem for the dead of World War I and is dedicated "to the
Imaginary Landscape No. 4 (March No. 2) of "Imaginary Landscape No. 4 (March No. 2)": Imaginary Landscape No. 4 (March No. 2) Imaginary Landscape No. 4 (March No. 2) is a composition for 24 performers on 12 radios and conductor by American composer John Cage and the fourth in the series of "Imaginary Landscapes". It is the first installment not to include any percussion instrument at all and Cage's first composition to be based fully on chance operations. It is also the second march in the set of "Imaginary Landscapes", after "Imaginary Landscape No. 2 (March No. 1)". It was composed in 1951. As Cage's compositional style