Mandolin-banjo John Farris for an instrument with 8 strings. The Farris banjolin was offered in soprano, alto, tenor, and bass models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello, banjo guitar, and banjolele which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." Banjolins should not
Mandolin called "Estudiantinas" or in Germany "Zupforchestern" appearing in many cities. Following this continental popularity of the mandolin family local traditions appeared outside Europe in the Americas and in Japan. Travelling mandolin virtuosi like Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country, old-time music, bluegrass and folk music. More recently, the Baroque and Classical mandolin repertory and styles have benefited from the raised