Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Marino Marini (musician) six months, meeting Dizzy Gillespie, Stan Kenton and Charlie Ventura. American jazz was also a formative influence. On his return, Marini wrote music for films and revues and played in cabaret in Rome and Naples. In 1954, he placed a newspaper advert seeking “young musicians without experience, singing in tune. If not cheerful, don't apply." From the many applicants he chose Gaetano “Totò” Savio (guitar), Sergio (drums) and Ruggero Cori (bass and vocal) for a quartet, Marini playing piano and occasionally singing solo. This quartet played together from 1954 to 1960, a period regarded as the Marino Marini Quartet’s most