Pomp and Circumstance Marches Michael Brough for use at Holy Trinity Sloane Street but have not yet been published. For military band: The first four marches were arranged by M. Retford and March No. 5 by T. Conway Brown. For brass band: March No. 1 was arranged (transposed to B) by J. Ord Hume. Notes Sources Pomp and Circumstance Marches The Pomp and Circumstance Marches (full title "Pomp and Circumstance Military Marches"), Op. 39, are a series of marches for orchestra composed by Sir Edward Elgar. They include some of Elgar's best-known compositions. The title is taken from Act III, Scene 3 of Shakespeare's
Attendant circumstance attendant circumstance) with the intention of provoking a violent reaction (the mental element demonstrating the right type of culpability) and thereby causes a breach of the peace (the result prohibited by law). There are no attendant circumstances that might invoke an excuse or other general defence. Indeed, the victim in this instance being a police officer would probably be considered an "aggravating circumstance" and increase the penalty for the crime. (When verification of an attendant circumstance decreases the penalty, it is known as a "mitigating" or "extenuating circumstance".) The elements of a crime may also require proof of attendant circumstances