Mel Brooks was so brazen in its satire that major studios would not touch it, nor would many exhibitors. Brooks finally found an independent distributor who released it as an art film, a specialized attraction. In 1968, Brooks received an Oscar for Best Original Screenplay for the film, beating such writers as Stanley Kubrick and John Cassavetes. "The Producers" became a smash underground hit, first on the nationwide college circuit, then in revivals and on home video. Brooks later turned it into a musical, which became hugely successful on Broadway, receiving an unprecedented twelve Tony awards. With the moderate financial success of
Broadway theatre of the minstrel shows), followed by the ragtime-tinged "" (1898), and the highly successful "In Dahomey" (1902). Hundreds of musical comedies were staged on Broadway in the 1890s and early 1900s made up of songs written in New York's Tin Pan Alley involving composers such as Gus Edwards, John Walter Bratton, and George M. Cohan ("Little Johnny Jones" (1904), "45 Minutes From Broadway" (1906), and "George Washington Jr." (1906)). Still, New York runs continued to be relatively short, with a few exceptions, compared with London runs, until World War I. A few very successful British musicals continued to achieve great