Mandolin-banjo John Farris for an instrument with 8 strings. The Farris banjolin was offered in soprano, alto, tenor, and bass models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello, banjo guitar, and banjolele which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." Banjolins should not
Mandolin-banjo than just mandolin method because the physical differences between the two types of instruments creates problems to a novice learning to set up and tune the instrument. One of the first books to address the mandolin-banjo was "Méthode pour Banjoline ou Mandoline-Banjo" (Method for "Banjolin and Mandolin-Banjo") by Salvador Leonardi. Mandolin-banjo The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin or violin (depending on whether fretted or not and how many strings it has). It is a soprano banjo. It has been independently invented in more than one country, being called