Mandolin-banjo John Farris for an instrument with 8 strings. The Farris banjolin was offered in soprano, alto, tenor, and bass models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello, banjo guitar, and banjolele which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." Banjolins should not
Mandolin Lane's Slim Chance, and played mandolin on their hit "How Come." One of the more prominent early mandolin players in popular music was Robin Williamson in the Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track "Pussy Willow"), as is his guitarist Martin Barre. The popular song "Please Please Please Let Me Get What I Want" by the Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as "Fight," "Start to End," and "Medicine." British