Dizzy Gillespie a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. Scott Yanow wrote, "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated [...] Arguably Gillespie is
Marino Marini (musician) six months, meeting Dizzy Gillespie, Stan Kenton and Charlie Ventura. American jazz was also a formative influence. On his return, Marini wrote music for films and revues and played in cabaret in Rome and Naples. In 1954, he placed a newspaper advert seeking “young musicians without experience, singing in tune. If not cheerful, don't apply." From the many applicants he chose Gaetano “Totò” Savio (guitar), Sergio (drums) and Ruggero Cori (bass and vocal) for a quartet, Marini playing piano and occasionally singing solo. This quartet played together from 1954 to 1960, a period regarded as the Marino Marini Quartet’s most