Little Shop of Horrors (film) would pantomime and lip sync in slow motion. The film was then sped up to the normal 24 frames per second and voices were reinserted in post-production. Levi Stubbs' recordings were run through a harmonizer when slowed down so that they were coherent for Moranis or Ellen Greene. There are no blue screens or opticals involved in any of Audrey II's scenes, with the exception of the reshot ending where the plant is electrocuted, designed by Visual Effects supervisor Bran Ferren, and in some shots during the rampage in the original ending. The plant was made in six different stages
Horrors of the Black Museum Horrors of the Black Museum Horrors of the Black Museum (1959) is a British-American horror film starring Michael Gough and directed by Arthur Crabtree. It was the first film in what film critic David Pirie dubbed Anglo-Amalgamated's "Sadian trilogy" (the other two being "Circus of Horrors" and "Peeping Tom"), with an emphasis on sadism, cruelty and violence (with sexual undertones), in contrast to the supernatural horror of the Hammer films of the same era. A package is delivered to Gail, a young blonde woman with a roommate named Peggy. Gail opens the package to find a pair of binoculars, but