Pomp and Circumstance Marches as it was in the beginning. There is more development before a big return of the "Trio" theme, in the home key of C, and a triumphant ending which might bring to mind the conclusion of Grieg's "In the Hall of the Mountain King". Elgar left sketches for a sixth "Pomp and Circumstance" march, to be the final work in the set. In 2005, these were sent by the lawyer for the Elgar Will Trust in a bundle to the English composer Anthony Payne. Also included was an article titled "Circumstantial Evidence" by the Elgar authority Christopher Kent from the
Imaginary Landscape No. 4 (March No. 2) of "Imaginary Landscape No. 4 (March No. 2)": Imaginary Landscape No. 4 (March No. 2) Imaginary Landscape No. 4 (March No. 2) is a composition for 24 performers on 12 radios and conductor by American composer John Cage and the fourth in the series of "Imaginary Landscapes". It is the first installment not to include any percussion instrument at all and Cage's first composition to be based fully on chance operations. It is also the second march in the set of "Imaginary Landscapes", after "Imaginary Landscape No. 2 (March No. 1)". It was composed in 1951. As Cage's compositional style