Pomp and Circumstance Marches their resonant "open" G. March No. 5 was composed in 1930, much later than the others, and dedicated "To my friend Dr. Percy C. Hull, Hereford". Its first public performance was on 20 September 1930 in a Queen's Hall concert conducted by Sir Henry Wood, though it had been recorded two days earlier in the Kingsway Hall, London, conducted by Elgar himself in spite of his poor health. The instrumentation is: piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets in B, bass clarinet in B, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B, 3 trombones, tuba,
Pomp and Circumstance Marches timpani (3), percussion (side drum, bass drum & cymbals), and strings. Without introduction, its opening episode is extended with enormous confidence and proceeds directly into the "Trio" section. The "Trio" starts quietly in a similar way to the introduction of his First Symphony: just a moving bass line and a tune, also in the same key (A). The tune is re-stated strongly, as we expect, then developed. The re-statement of the opening employs the same instruments of the orchestra, but is this time started as soft as possible for just four bars before a quick "crescendo" restores its spirit to