The Extraordinary Life of The Last Emperor of China the envelopes; multiple drafts of Puyi's autobiography "From Emperor to Citizen"; Puyi's original medical records; glasses and glass boxes used by Puyi; mirrors used by Puyi during the Cultural Revolution; notes taken by Jia during interviews. The Extraordinary Life of The Last Emperor of China Jia had contact with Li Shuxian, Puyi's widow, for nearly 30 years, and was the first person to collect Puyi's writings and record Li's recollections of her husband. He even wrote the epigraph on Puyi's casket. Jia also interviewed over 300 people who had associations with Puyi since the late Qing dynasty, thus making the
The Last Emperor vast, medieval complex covering some 250 acres and containing 9,999 rooms (only heaven, the Chinese believed, had 10,000 rooms). It probably is unforgivably bourgeois to admire a film because of its locations, but in the case of "The Last Emperor" the narrative cannot be separated from the awesome presence of the Forbidden City, and from Bertolucci's astonishing use of locations, authentic costumes and thousands of extras to create the everyday reality of this strange little boy." Jonathan Rosenbaum, comparing "The Last Emperor" favourably to Steven Spielberg's "Empire of the Sun", claimed that "[a]t best, apart from a few snapshots, Empire