Mandolin-banjo John Farris for an instrument with 8 strings. The Farris banjolin was offered in soprano, alto, tenor, and bass models. However, he "converted it to a four-string instrument," maintaining the mandolin and violin scale length and tuning (GDAE). Banjo hybrids normally take their names from the Banjo- prefix, and then the second half of the other instrument's name, such as banjocello, banjo guitar, and banjolele which implies the banjolin is a sort of mandolin/banjo hybrid. In the advertisement, Farris did not mention where the name came from, but did say that it was "fingered like the violin." Banjolins should not
Mandolin Michele Caiazza (La Bottega del Mandolino) and Ferrara, Gabriele Pandini. Another family of bowlback mandolins came from Milan and Lombardy. These mandolins are closer to the mandolino or mandore than other modern mandolins. They are shorter and wider than the standard Neapolitan mandolin, with a shallow back. The instruments have 6 strings, 3 wire treble-strings and 3 gut or wire-wrapped-silk bass-strings. The strings ran between the tuning pegs and a bridge that was glued to the soundboard, as a guitar's. The Lombardic mandolins were tuned g–b–e′–a′–d″–g″ (shown in Helmholtz pitch notation). A developer of the Milanese stye was Antonio Monzino