Pomp and Circumstance Marches Michael Brough for use at Holy Trinity Sloane Street but have not yet been published. For military band: The first four marches were arranged by M. Retford and March No. 5 by T. Conway Brown. For brass band: March No. 1 was arranged (transposed to B) by J. Ord Hume. Notes Sources Pomp and Circumstance Marches The Pomp and Circumstance Marches (full title "Pomp and Circumstance Military Marches"), Op. 39, are a series of marches for orchestra composed by Sir Edward Elgar. They include some of Elgar's best-known compositions. The title is taken from Act III, Scene 3 of Shakespeare's
Pomp and Circumstance Marches they are directed to play the passage ""sul G"" on the same string, for the sake of the tone-colour, and the accompaniment is from the harps, low strings and bassoons. The grand tune is repeated, as we expect, by the full orchestra; the opening march section returns; the grand tune is repeated once more, in the "home" key of G major; and the last word is had by a re-statement of the opening rhythmic patterns. The march prepares the audience for its end as surely as a train pulling into a station, with the violins, violas, and cellos ending on