Mandolin-banjo became more popular. In the heyday of mandolin orchestras and banjo bands (late 19th–early 20th century), all sorts of instruments were produced. The mandolin-banjo is one of the hybrids that resulted. It enabled mandolinists to produce a banjo sound without having to learn that instrument's fingerings. The instrument adds the banjo's volume to the mandolin. The banjolin is different from the banjo-mandolin in the number of strings that it has. Banjolins today are supposed to have four strings instead of 8 strings (in courses or pairs). However, that distinction is not universal; the "banjolin" name was patented in 1885 by
Mandolin-banjo than just mandolin method because the physical differences between the two types of instruments creates problems to a novice learning to set up and tune the instrument. One of the first books to address the mandolin-banjo was "Méthode pour Banjoline ou Mandoline-Banjo" (Method for "Banjolin and Mandolin-Banjo") by Salvador Leonardi. Mandolin-banjo The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin or violin (depending on whether fretted or not and how many strings it has). It is a soprano banjo. It has been independently invented in more than one country, being called