Pomp and Circumstance Marches their resonant "open" G. March No. 5 was composed in 1930, much later than the others, and dedicated "To my friend Dr. Percy C. Hull, Hereford". Its first public performance was on 20 September 1930 in a Queen's Hall concert conducted by Sir Henry Wood, though it had been recorded two days earlier in the Kingsway Hall, London, conducted by Elgar himself in spite of his poor health. The instrumentation is: piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets in B, bass clarinet in B, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B, 3 trombones, tuba,
Pomp and Circumstance Marches clarinets in A, bass clarinet in A, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in F, 2 cornets in A, 3 trombones, tuba, timpani (3), percussion (2 side drums, triangle, glockenspiel & jingles, bass drum & cymbals), and strings. It was first performed, as was March No. 1, by the Liverpool Orchestral Society conducted by Alfred Rodewald, in Liverpool on 19 October 1901. Both marches were played two days later at a London Promenade Concert. The second is the shortest and most simply constructed of the marches. The composer Charles Villiers Stanford is said to have preferred this