Pomp and Circumstance Marches horns (with drum-beats inserted between the notes of the tune), before a vigorous theme (with brass alone at the first beats), erupts from the full orchestra. The dark theme re-appears, is then restarted boldly, then ended abruptly. The central section commences with a perky tune played by a solo clarinet with simple string accompaniment, which is followed by another of Elgar's noble tunes played by the strings of the orchestra. All the themes re-appear and there is the final section which ends abruptly. March No. 4 is as upbeat and ceremonial as No. 1, containing another big tune in the
Fantasia 2000 of Rome" was re-arranged in 1993 by Bruce Coughlin, who reduced the four-movement piece by cutting the second movement and trimming sections of the third and fourth movements. The piece was recorded on March 28, 1994. The second recording involved "Symphony No. 5", "Carnival of the Animals", and "Pomp and Circumstance", on April 25, 1994. "Carnival of the Animals, Finale" uses two pianos played by Gail Niwa and Philip Sabransky. "Pomp and Circumstance" was arranged by Peter Schickele and features the Chicago Symphony Chorus and soprano soloist Kathleen Battle. The next recording took place on April 24, 1995 for "Piano