Pomp and Circumstance Marches splendid show of military pageantry—"Pomp"—has no connection with the drabness and terror—"Circumstance"—of actual warfare. The first four marches were all written before the events of World War I shattered that belief, and the styles in which wars were written about spurned the false romance of the battle-song. The "Pomp and Circumstance" marches are The first five were all published by Boosey & Co. as Elgar's Op. 39, and each of the marches is dedicated to a particular musical friend of Elgar's. Each march takes about five minutes to play. March No. 1, was composed in 1901 and dedicated "to my
Imaginary Landscape No. 4 (March No. 2) of "Imaginary Landscape No. 4 (March No. 2)": Imaginary Landscape No. 4 (March No. 2) Imaginary Landscape No. 4 (March No. 2) is a composition for 24 performers on 12 radios and conductor by American composer John Cage and the fourth in the series of "Imaginary Landscapes". It is the first installment not to include any percussion instrument at all and Cage's first composition to be based fully on chance operations. It is also the second march in the set of "Imaginary Landscapes", after "Imaginary Landscape No. 2 (March No. 1)". It was composed in 1951. As Cage's compositional style