Pomp and Circumstance Marches horns (with drum-beats inserted between the notes of the tune), before a vigorous theme (with brass alone at the first beats), erupts from the full orchestra. The dark theme re-appears, is then restarted boldly, then ended abruptly. The central section commences with a perky tune played by a solo clarinet with simple string accompaniment, which is followed by another of Elgar's noble tunes played by the strings of the orchestra. All the themes re-appear and there is the final section which ends abruptly. March No. 4 is as upbeat and ceremonial as No. 1, containing another big tune in the
Richard III (1955 film) by Sir William Walton, who worked on all of the films Olivier directed except "The Prince and the Showgirl". He composed a score described in Chandos's record catalogue as "rousing" and "filled with pomp and circumstance, to add to the feel of pageantry". The music was conducted by Muir Mathieson, who collaborated on all of films Olivier directed, except for "Three Sisters". The film's music was also used for a set of readings of speeches from the play on audio CD featuring John Gielgud. The Chandos catalogue notes that Walton used the main theme throughout the film, especially towards the