Motifs in the James Bond film series light on to clouds in the 1920s. Brownjohn also used the effect in the poster he created for "Goldfinger". Designer Maurice Binder, who had worked on the first Bond film, "Dr. No", had been unable to work on either "From Russia with Love" and "Goldfinger", but returned for "Thunderball", where he retained Brownjohn's concept for the titles. Binder eventually worked on thirteen Bond films and after his death in 1991, the opening credits were done by Daniel Kleinman. This changed for "Quantum of Solace", with the studio MK12 taking control. Kleinman returned to direct the "Skyfall" title sequence, and the
The James Bond Dossier Jeremy Black, an analysis of the cultural politics of the Bond books and films; "James Bond and Philosophy: Questions Are Forever" (2006), edited by James B. South and Jacob M. Held, a collection of essays which discuss ethical and moral issues arising out of the Bond stories; and Simon Winder's "The Man Who Saved Britain: A Personal Journey into the Disturbing World of James Bond" (2006), a discussion of how post–Second World War England is represented in the novels and films. The James Bond Dossier The James Bond Dossier (1965), by Kingsley Amis, is a critical analysis of the James