Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Dizzy Gillespie of Racial Equality, Southern Christian Leadership Conference and Martin Luther King, Jr.; in later years they became a collector's item. In 1971, he announced he would run again but withdrew before the election. Gillespie joined the Bahá'í religion in 1968. The universalist emphasis of his religion prodded him to see himself more as a global citizen and humanitarian, expanding on his interest in his African heritage. His spirituality brought out generosityand what author Nat Hentoff called an inner strength, discipline, and "soul force". Gillespie's conversion was most affected by Bill Sears' book "Thief in the Night". Gillespie spoke about the