Motifs in the James Bond film series light on to clouds in the 1920s. Brownjohn also used the effect in the poster he created for "Goldfinger". Designer Maurice Binder, who had worked on the first Bond film, "Dr. No", had been unable to work on either "From Russia with Love" and "Goldfinger", but returned for "Thunderball", where he retained Brownjohn's concept for the titles. Binder eventually worked on thirteen Bond films and after his death in 1991, the opening credits were done by Daniel Kleinman. This changed for "Quantum of Solace", with the studio MK12 taking control. Kleinman returned to direct the "Skyfall" title sequence, and the
The James Bond Dossier "The James Bond Dossier" includes most of the Bond fiction cycle, excepting "Octopussy and The Living Daylights" (1966), the final collection of 007 short stories, which was published after the "Dossier". Kingsley Amis's argument is that the Bond novels are substantial and complex works of fiction, and certainly not, as Ian Fleming's critics said, 'a systematic onslaught on everything decent and sensible in modern life'. He viewed them as popular literature, akin to that of the Science Fiction texts he critiqued in "New Maps of Hell" (1960). Although written in Amis's usual accessible, light-hearted style, "The James Bond Dossier" is