Christmas in the American Civil War circle, and in another circle shows her husband on the battlefield, also in prayer. The same issue's cover started how Santa Claus would be perceived by future Americans, as a white-bearded Santa hands such gifts as socks to Union soldiers, while also holding a Jefferson Davis dancing puppet with a rope tied around its neck to perfectly insinuate a lynching. The Christmas 1863 issue showed the couple back together. The Nast Christmas cartoon for 1864 was a more conciliatory piece, showing Lincoln inviting Confederate soldiers into a warm lodge hall full of merriment. Lincoln called Nast's use of Santa Claus
Thomas Nast wash technique to draw tonal renderings onto the wood blocks that would be carved into printing blocks by staff engravers. The bold cross-hatching that characterized Nast's mature style resulted from a change in his method that began with a cartoon of June 26, 1869, which Nast drew onto the wood block using a pencil, so that the engraver was guided by Nast's linework. This change of style was influenced by the work of the English illustrator John Tenniel. A recurring theme in Nast's cartoons is racism and anti-Catholicism. Nast was baptized a Catholic at the Sankt Maria Catholic Church in