Christmas in the American Civil War circle, and in another circle shows her husband on the battlefield, also in prayer. The same issue's cover started how Santa Claus would be perceived by future Americans, as a white-bearded Santa hands such gifts as socks to Union soldiers, while also holding a Jefferson Davis dancing puppet with a rope tied around its neck to perfectly insinuate a lynching. The Christmas 1863 issue showed the couple back together. The Nast Christmas cartoon for 1864 was a more conciliatory piece, showing Lincoln inviting Confederate soldiers into a warm lodge hall full of merriment. Lincoln called Nast's use of Santa Claus
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps