Pomp and Circumstance Marches August 1997 "Musical Times" explaining the sketches. One idea in the sketches was marked by the composer "jolly good". Kent believed that Elgar's compositional thoughts and time were by then engaged with the Third Symphony and "The Spanish Lady", and that the main theme for the march was "unpromising". Payne felt there was not enough in the sketches to complete the march, but fortunately three pages of score in Elgar's handwriting were discovered at the Royal School of Church Music Colles Library marked "P&C 6". In 2006, the score and sketches were turned into a performing version. Payne observed in
Pomp and Circumstance Marches they are directed to play the passage ""sul G"" on the same string, for the sake of the tone-colour, and the accompaniment is from the harps, low strings and bassoons. The grand tune is repeated, as we expect, by the full orchestra; the opening march section returns; the grand tune is repeated once more, in the "home" key of G major; and the last word is had by a re-statement of the opening rhythmic patterns. The march prepares the audience for its end as surely as a train pulling into a station, with the violins, violas, and cellos ending on