Book of Kells produced the first facsimile of the Book of Kells. The majority of the pages were reproduced in black-and-white photographs, but the edition also featured forty-eight colour reproductions, including all the full-page decorations. Under licence from the Board of Trinity College Dublin, Thames and Hudson produced a second facsimile edition in 1974. This edition included all the full-page illustrations in the manuscript and a representative section of the ornamentation of the text pages, together with some enlarged details of the illustrations. The reproductions were all in full colour, with photography by John Kennedy, Green Studio, Dublin. In 1979, Swiss publisher Faksimile-Verlag
Book of Kells were necessary to make the canon tables usable were not inserted into the margins of the page. In general, nothing was done to disrupt the look of the page: aesthetics were given priority over utility. Some of the first faithful reproductions made of pages and elements of the Book of Kells were by the artist Helen Campbell D'Olier in the 1800s. She used vellum and reproduced the pigments used in the original manuscript. Photographs of her drawings were included in Sullivan's study of the Book of Kells, first printed in 1913. In 1951, the Swiss publisher Urs Graf Verlag Bern