Pomp and Circumstance Marches their resonant "open" G. March No. 5 was composed in 1930, much later than the others, and dedicated "To my friend Dr. Percy C. Hull, Hereford". Its first public performance was on 20 September 1930 in a Queen's Hall concert conducted by Sir Henry Wood, though it had been recorded two days earlier in the Kingsway Hall, London, conducted by Elgar himself in spite of his poor health. The instrumentation is: piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets in B, bass clarinet in B, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B, 3 trombones, tuba,
Pomp and Circumstance Marches that year. The tune soon became "de rigueur" at American graduations, used primarily as a processional at the opening of the ceremony. March No. 1 opens with an introduction marked "Allegro, con molto fuoco." The introduction leads to a new theme: strong pairs of beats alternating with short notes, and a bass which persistently clashes with the tune. The bass tuba and full brass is held back until the section is repeated by the full orchestra. A little rhythmic pattern is played by the strings, then repeated high and low in the orchestra before the section is concluded by a