Robin Hood version of Robin Hood's life. In reaching his conclusion Ritson relied or gave weight to a number of unreliable sources, such as the Robin Hood plays of Anthony Munday, and the Sloane Manuscript. Nevertheless, Dobson and Taylor credit Ritson with having 'an incalculable effect in promoting the still continuing quest for the man behind the myth', and note that his work remains an 'indispensable handbook to the outlaw legend even now'. Ritson's friend Walter Scott used Ritson's anthology collection as a source for his picture of Robin Hood in Ivanhoe, written in 1818, which did much to shape the modern
Robin Hood The theatres would reopen with the Restoration in 1660. Robin Hood did not appear on the Restoration stage unless one includes "Robin Hood and his Crew of Souldiers" acted in Nottingham on the day of the coronation of Charles II in 1661. This short play adapts the story of the king's pardon of Robin Hood to refer to the Restoration. However Robin Hood appeared on the 18th-century stage in various farces and comic operas. Tennyson would write a four act Robin Hood play at the end of the 19th century, "The Forrestors". It is fundamentally based on the Gest but