Romeo and Juliet words, Shakespeare "invented the formula that the sexual becomes the erotic when crossed by the shadow of death". Of Shakespeare's works, "Romeo and Juliet" has generated the most—and the most varied—adaptations, including prose and verse narratives, drama, opera, orchestral and choral music, ballet, film, television, and painting. The word "Romeo" has even become synonymous with "male lover" in English. "Romeo and Juliet" was parodied in Shakespeare's own lifetime: Henry Porter's "Two Angry Women of Abingdon" (1598) and Thomas Dekker's "Blurt, Master Constable" (1607) both contain balcony scenes in which a virginal heroine engages in bawdy wordplay. The play directly influenced
Romeo and Juliet The religious metaphors of "shrine", "pilgrim", and "saint" were fashionable in the poetry of the time and more likely to be understood as romantic rather than blasphemous, as the concept of sainthood was associated with the Catholicism of an earlier age. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's "Romeus and Juliet". In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks