Reza de Wet plays have drawn on Russian author Anton Chekhov as inspiration. DRIE SUSTERS TWEE (THREE SISTERS TWO) have the characters of Chekhov's THREE SISTERS moving to the structure and rhythm of THE CHERRY ORCHARD. The shadowy undertow of UNCLE VANYA, so carefully concealed behind Chekhov's lively dialogues, became the expressionistic spirit in the award winning YELENA. This year, opening at the National Arts festival, de Wet's ON THE LAKE borrowed from THE SEAGULL, recalling the life of the actress Nina, who longs for freedom; Madame Arkadina, losing the battle against the passing of youth; and Polina, whose life consists of dashed
Ann Dunnigan plays: "Ivanov", "The Seagull", "Uncle Vanya", "Three Sisters", and "The Cherry Orchard"; each of these translations has been performed onstage. Dunnigan went on to translate Fyodor Dostoyevsky, Leo Tolstoy, and Ilya Tolstoy in the late 1960s and the early 1970s. Her translations have served as the basis for numerous scholars' comments and analyses of Russian literature. Tennessee Williams regarded her rendering of "The Seagull" to be the best available in English, and made it the principal reference for his 1981 adaptation, "The Notebook of Trigorin". Dunnigan's rendering of "War and Peace" (New American Library, 1968) was the first American English