Romeo + Juliet mansion. The effects of the drug and the party overwhelm Romeo, who goes to the restroom. While admiring an aquarium, he sees Juliet on the other side, and the two instantly fall in love. Tybalt spots Romeo and vows to kill him for invading his family's home, but Fulgencio stops him. Romeo and Juliet sneak into an elevator and kiss. The nurse spots them when the doors open and drags Juliet away, telling her that Romeo is a Montague. At the same time, Romeo realizes that Juliet is a Capulet. Mercutio removes Romeo from the party, but he sneaks back
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more