Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood of the story of Robin Hood and the Potter. (Neither of these ballads are known to have existed in print at the time, and there is no earlier record known of the "Curtal Friar" story). The publisher describes the text as a ", but does not seem to be aware that the text actually contains two separate plays. An especial point of interest in the "Friar" play is the appearance of a ribald woman who is unnamed but apparently to be identified with the bawdy Maid Marian of the May Games. She does not appear in extant versions of the