Uncle Vanya reducing the cast-list from almost two dozen down to nine, changing the climactic suicide of "The Wood Demon" into the famous failed homicide of "Uncle Vanya", and altering the original happy ending into a more problematic, less final resolution—critics such as Donald Rayfield, Richard Gilman, and Eric Bentley have sought to chart the development of Chekhov's dramaturgical method through the 1890s. Rayfield cites recent scholarship suggesting Chekhov revised "The Wood Demon" during his trip to the island of Sakhalin, a prison colony in Eastern Russia, in 1891. A garden in Serebryakov's country estate. Astrov and Marina discuss how old Astrov
Anastasiya Vertinskaya strikingly vivid" and, even more extraordinary, continuously developing in the course of just four short scenes. "In Princess Liza there is a lot of inner dynamics and total integrity," according to the "Actors of Soviet Cinema" (1967) almanac. Vertinskaya's work in Sovremennik ("The Cherry Orchard", "Valentin and Valentina") made critics speak of the "unique gracefulness" and the "technical virtuosity combined with deep psychological insight." Critically acclaimed were her performances in "The Seagull" (Nina) and "Uncle Vanya" (Elena). In "Tartuffe", she elevated her Elmyra "onto on an enormous aesthetic pedestal, presenting her as a kind of noblewoman of old French canvasses,