Kaddish (The X-Files) that love is the central conceit of the episode. Although, in the myth of the Golem, the creature is soulless, Gordon took "some liberties" with the legend. He wanted "Kaddish" to "literally be about resurrection". Ariel creates an imperfect reflection of her husband by crafting the Golem from mud. In essence, she is trying to play God, a role that Gordon later likened to Victor Frankenstein, the scientist from Mary Shelley's famous novel "Frankenstein; or, The Modern Prometheus" (1823). However, Ariel and Frankenstein differ in the fact that Ariel's flaw was related to her "loving [Isaac] too much, not being
Prometheus Morgan Library in New York City. In the drawing, a very noble rendering of Prometheus is presented which evokes the memory of Michelangelo's works portraying Jehovah. This drawing is perhaps one of the most intense examples of the visualization of the myth of Prometheus from the Renaissance period. Writing in the late British Renaissance, William Shakespeare uses the Promethean allusion in the famous death scene of Desdemona in his tragedy of "Othello". Othello in contemplating the death of Desdemona asserts plainly that he cannot restore the "Promethean heat" to her body once it has been extinguished. For Shakespeare, the allusion