Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Friar Tuck in a battle of wits in which first one and then the other gains the upper hand and forces the other to carry him across a river. This ends in the Friar tossing Robin into the river. In some tales, he is depicted as a physically fit man and a skilled swordsman and archer with a hot-headed temper. However, most commonly, Tuck is depicted as a fat, bald and jovial monk with a great love of food and ale, though the two are not mutually exclusive. Sometimes, the latter depiction of Tuck is the comic relief of the tale. Two