Romeo and Juliet effect Romeo and Juliet effect The Romeo and Juliet effect is when of parental opposition to a relationship intensifies the romantic feelings of those in the relationship. The effect gets its name from the relationship between the protagonists in William Shakespeare's late 16th-century play, "Romeo and Juliet," whose families were opposed to their union. The term was coined by Richard Driscoll who was the first author on a research paper which first suggested a there was a real world basis for the effect. An early review of romantic love in the Western world emphasized the persistent association of obstacles or grave
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more