Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood and the Curtal Friar earlier version, Robin Hood good-humoredly refuses further combat; in both earlier and later versions Robin invites him to join the band. Howard Pyle used this tale in his "The Merry Adventures of Robin Hood" as part of the tale of Alan-a-Dale: Robin needed a priest who would perform the wedding ceremony in defiance of authority, and Will Scarlet proposed Friar Tuck. The Percy Folio version of the ballad begins with the stanza: Robert Graves in his "English and Scottish Ballads" used this stanza to support his argument for pagan survivals in the Robin Hood legend, and for the popular survival