Crime and Punishment the two halves of the novel, as David Bethea has argued, is organized according to a mirror-like principle, whereby the "left" half of the novel reflects the "right" half. The seventh part of the novel, the Epilogue, has attracted much attention and controversy. Some of Dostoevsky's critics have criticized the novel's final pages as superfluous, anti-climactic, unworthy of the rest of the work, while others have defended it, offering various schemes that they claim prove its inevitability and necessity. Steven Cassedy argues that "Crime and Punishment" "is formally two distinct but closely related, things, namely a particular type of tragedy
Crime and Punishment sense of guilt soon overwhelms him to the point of psychological and somatic illness. It is only in the epilogue that he realizes his formal punishment, having decided to confess and end his alienation from society. Sonya (Sofya Semyonovna Marmeladova), is the daughter of a drunkard named Semyon Zakharovich Marmeladov, whom Raskolnikov meets in a tavern at the beginning of the novel. She is often characterized as self-sacrificial, shy, and innocent, despite being forced into prostitution to help her family. Raskolnikov discerns in her the same feelings of shame and alienation that he experiences, and she becomes the first person