Lamzdeliai and twisted off of the wood. The blowing end is closed off with a stopper made from the wood, with one side cut off. At the place where the stopper ends, a whistle hole is cut into the bark, and one end of the hole is bent slightly inwards. Three to six finger holes are cut in the pipe. Wooden pipes are made of ash or linden wood. The bark is removed, and the instrument is hollowed out by burning, drilling or carving. The blowing hole, whistle hole and finger holes are made in the same way as for the
Tin whistle the modern penny whistle) and such instruments are linked to the development of the English flageolet, French flageolet and recorders of the renaissance and baroque period. The term flageolet is still preferred by some modern tin whistlers who feel this better describes the instrument, as this characterises a wide variety of fipple flutes, including penny whistles. The modern penny whistle is indigenous to the British Isles particularly England, when factory-made "tin whistles" were produced by Robert Clarke from 1840–1889 in Manchester and later New Moston, England. Down to 1900, they were also marketed as "Clarke London Flageolets" or "Clarke Flageolets".