Crime and Punishment to recognize the symbolic possibilities of city life and imagery drawn from the city. I. F. I. Evnin regards "Crime and Punishment" as the first great Russian novel "in which the climactic moments of the action are played out in dirty taverns, on the street, in the sordid back rooms of the poor". Dostoevsky's Petersburg is the city of unrelieved poverty; "magnificence has no place in it, because magnificence is external, formal abstract, cold". Dostoevsky connects the city's problems to Raskolnikov's thoughts and subsequent actions. The crowded streets and squares, the shabby houses and taverns, the noise and stench, all
Underworld London: Crime and Punishment in the Capital City favours the highwayman: her pen-portraits sparkle with the notoriety and swagger of these romantic figures.' The Historical Novel Society also praised the work, writing 'the author collates a variety of secondary sources in a readable and pacy narrative' and whilst also noting 'Arnold makes a strong case to show why capital punishment should remain off the statute books and if there is anything positive to take away from this catalogue of human iniquity, it is that the more enlightened recent attitudes towards the punishment of serious crime has to be a good thing'. The book was also reviewed in the