The Post-Modern Prometheus Universal monster movies in general and James Whale's 1931 Frankenstein in particular". In the 1999 FX Thanksgiving Marathon, containing fan-selected episodes, "The Post-Modern Prometheus" was presented as the "Best Stand-Alone Episode". Connie Ogle from "The Miami Herald" named The Great Mutato one of "the greatest monsters" that were featured on "The X-Files". Robert Shearman and Lars Pearson, in their book "Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen", rated the episode two stars out of five and criticized various elements of the episode's direction. They wrote, "Chris Carter the writer has come up with
Prometheus him. Moreover, Aeschylus anachronistically and artificially injects Io, another victim of Zeus's violence and ancestor of Heracles, into Prometheus' story. Finally, just as Aeschylus gave Prometheus a key role in bringing Zeus to power, he also attributed to him secret knowledge that could lead to Zeus's downfall: Prometheus had been told by his mother Themis, who in the play is identified with Gaia (Earth), of a potential marriage that would produce a son who would overthrow Zeus. Fragmentary evidence indicates that Heracles, as in Hesiod, frees the Titan in the trilogy's second play, "Prometheus Unbound". It is apparently not until