The Post-Modern Prometheus Universal monster movies in general and James Whale's 1931 Frankenstein in particular". In the 1999 FX Thanksgiving Marathon, containing fan-selected episodes, "The Post-Modern Prometheus" was presented as the "Best Stand-Alone Episode". Connie Ogle from "The Miami Herald" named The Great Mutato one of "the greatest monsters" that were featured on "The X-Files". Robert Shearman and Lars Pearson, in their book "Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen", rated the episode two stars out of five and criticized various elements of the episode's direction. They wrote, "Chris Carter the writer has come up with
Prometheus Morgan Library in New York City. In the drawing, a very noble rendering of Prometheus is presented which evokes the memory of Michelangelo's works portraying Jehovah. This drawing is perhaps one of the most intense examples of the visualization of the myth of Prometheus from the Renaissance period. Writing in the late British Renaissance, William Shakespeare uses the Promethean allusion in the famous death scene of Desdemona in his tragedy of "Othello". Othello in contemplating the death of Desdemona asserts plainly that he cannot restore the "Promethean heat" to her body once it has been extinguished. For Shakespeare, the allusion