Operation Anvil (Mau Mau Uprising) the reserves. The "Grey" grade was made up of prisoners believed to be passive Mau Mau sympatherisers though for whom strong evidence suggesting their true loyalties was lacking. The last category, "Black", was reserved for detainees identified by the hooded informers or the Special Branch of the Kenya Police as potentially violent insurgents or terrorists. A few may have been prosecuted by the government, but most were funneled through the "Pipeline", a system of work camps, decreasing in brutality until an individual was "re-educated" and deemed safe to release on a native reserve. Operation Anvil (Mau Mau Uprising) Operation Anvil
Gallery Mau Mau Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town, South Africa. Although short-lived, the experimental space provided low-cost access to the arts for artists of all races, broke boundaries and defined the period in which a visual arts culture saw enormous growth in the city. It was run by cultural activist David Robert Lewis, multimedia artist Adam Lieber, musician and disk jockey Nick Birkby and fine artist Chris Slack. The gallery launched the careers of some of South Africa's best known young artists: Mustafa Maluka had his very first solo show there, as