Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Conquests of the Longbow: The Legend of Robin Hood such as Friar Tuck and Marian in the 15th century. (Though the essay mentions Guy of Gisbourne, Gisbourne does not appear in the game.) Other essays cover the tree lore and early British history and video game piracy. Mark Seibert served as Music Director and provided sound effects while Ken Allen, Christopher Braymen, Orpheus Hanley and Aubrey Hodges supplied the game with synthesized score and sounds. Most of the game takes place in a standard adventure game mode, in which the player causes an image of Robin Hood to walk between screens and interact with characters and objects by clicking