Crime and Punishment to coerce him to confess. The novel is divided into six parts, with an epilogue. The notion of "intrinsic duality" in "Crime and Punishment" has been commented upon, with the suggestion that there is a degree of symmetry to the book. Edward Wasiolek who has argued that Dostoevsky was a skilled craftsman, highly conscious of the formal pattern in his art, has likened the structure of "Crime and Punishment" to a "flattened X", saying: This compositional balance is achieved by means of the symmetrical distribution of certain key episodes throughout the novel's six parts. The recurrence of these episodes in
Crime and Punishment (1935 American film) and elaborate description of [his characters] mental attitudes." Harry Cohn's approved the project in part because Crime and Punishment, first published in 1866, was in the public domain and would require no copyright fees. Crime and Punishment exemplifies a trend in Hollywood of the 1930s towards elevating feature film credentials through adapting classical literature "to lend an air of prestige" to the film industry. The "odd cast", bestowed upon Sternberg, included a mix of Columbia contract artists as well as "supers"—freelance players engaged without a contract, for a modest fee—that satisfied Columbia's budgetary constraints. Production code officials had reviewed a