Magic in Anglo-Saxon England the pantheon of Anglo-Saxon gods in order to understand "the sort of powers that may lie behind magic ritual." He argued that the Anglo-Saxon pagan religion was "a mass of unorganised popular belief" with various traditions being passed down orally. The language of the Anglo-Saxons was Old English, a Germanic language descended from those of several tribes in continental Europe. Old English had several words that refer to "powerful women associated with divination, magical protection, healing and cursing". One of these was "hægtesse" or "hægtis", whilst another was "burgrune". Another Old English term for magicians was "dry", making them practitioners
Anglo-Saxon art often needed to see the excavated and worn remains that survive as they once were. Perhaps the best known piece of Anglo-Saxon art is the Bayeux Tapestry which was commissioned by a Norman patron from English artists working in the traditional Anglo-Saxon style. Anglo-Saxon artists also worked in fresco, stone, ivory and whalebone (notably the Franks Casket), metalwork (for example the Fuller brooch), glass and enamel, many examples of which have been recovered through archaeological excavation and some of which have simply been preserved over the centuries, especially in churches on the Continent, as the Vikings, Normans and Reformation iconoclasm