Romeo and Juliet setting, enabling audiences to reflect on the underlying conflicts. For example, adaptations have been set in the midst of the Israeli–Palestinian conflict, in the apartheid era in South Africa, and in the aftermath of the Pueblo Revolt. Similarly, Peter Ustinov's 1956 comic adaptation, "Romanoff and Juliet", is set in a fictional mid-European country in the depths of the Cold War. A mock-Victorian revisionist version of "Romeo and Juliet" final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play "The
Romeo and Juliet the play's "twin themes of love and the total breakdown of understanding between two generations" had contemporary relevance. Recent performances often set the play in the contemporary world. For example, in 1986, the Royal Shakespeare Company set the play in modern Verona. Switchblades replaced swords, feasts and balls became drug-laden rock parties, and Romeo committed suicide by hypodermic needle. In 1997, the Folger Shakespeare Theatre produced a version set in a typical suburban world. Romeo sneaks into the Capulet barbecue to meet Juliet, and Juliet discovers Tybalt's death while in class at school. The play is sometimes given a historical