Low whistle grip" may be required due to the distance between the holes. They belong to the same woodwind instrument family of end-blown fipple flutes. Though the tone of this instrument varies subtly among makers, low whistles are generally characterised by a more breathy, flute-like sound than traditional tin whistles. While the precise history of the low whistle is often debated, it is known that various kinds of vertical fipple flutes have existed in antiquity. The fipple flutes developed during the 16th century were the ancestors of today's low whistle, carrying through from early transverse flutes the six-holed design tradition and conical
Low whistle others it is viewed as a "transition instrument" for players seeking to eventually learn the seemingly more prestigious (and expensive) flute or uilleann pipes. While it is true that many skills learnt on the low whistle carry over to these instruments, "some of the greatest players of traditional music have been associated with the low whistle" and have helped foster its reputation as a highly versatile and respected instrument in its own right, with a unique and evocative sound. Much like the Irish flat-backed bouzouki, the low whistle can be seen as a product of a period when experiments in