The Post-Modern Prometheus of the show. To achieve his vision, he wrote a script that blurred the real world with the "X-Files" reality and that had a distinct fantasy element. Carter combined elements of the original story with fairy tales and elements of folk tales. In order to make the episode "as moving" as possible, Carter sought to echo elements of James Whale's 1931 film version of "Frankenstein". He later noted that, by "using modern science, I took an old style, which is black and white, and an old approach, which is a kind of James Whale approach to science fiction, and came
Prometheus Morgan Library in New York City. In the drawing, a very noble rendering of Prometheus is presented which evokes the memory of Michelangelo's works portraying Jehovah. This drawing is perhaps one of the most intense examples of the visualization of the myth of Prometheus from the Renaissance period. Writing in the late British Renaissance, William Shakespeare uses the Promethean allusion in the famous death scene of Desdemona in his tragedy of "Othello". Othello in contemplating the death of Desdemona asserts plainly that he cannot restore the "Promethean heat" to her body once it has been extinguished. For Shakespeare, the allusion