Manic Street Preachers the band's first LP. The Manics intended to restore revolution to rock and roll at a time when Britain was dominated by shoegaze and acid house. The "NME" gave "Suicide Alley" an enthusiastic review, citing a press release by Richey Edwards: "We are as far away from anything in the '80s as possible." After the release of "Suicide Alley," Edwards joined the band on rhythm guitar and contributed to lyrics alongside Wire. Edwards also designed record sleeves and artwork, and drove the band to and from gigs. In 1990 the Manic Street Preachers signed a deal with label Damaged Goods
Everything Must Go (Manic Street Preachers album) a hummable ditty." "Vox" magazine's Mark Sutherland saw "Everything Must Go" as the group's "most approachable" album, describing it as a "record so superb it might just make intelligence fashionable again", and surmising that the album "proves that, professionally, at least, the Manic Street Preachers don't miss Richey." "Rolling Stone" critic David Fricke called "Everything Must Go" the "most underrated album of the year", describing it as "a record of painstaking melodic craft and thundering execution, a proclamation of physical and emotional cleansing – up to a point." In a retrospective review, Stephen Thomas Erlewine of AllMusic wrote: "Above all,