Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood ballads. The third (the "Curtal Friar") and the fourth (the "Butcher"), also probably have late medieval origins. Some ballads, such as "Erlinton", feature Robin Hood in some variants, where the folk hero appears to be added to a ballad pre-existing him and in which he does not fit very well. He was added to one variant of "Rose Red and the White Lily", apparently on no more connection than that one hero of the other variants is named "Brown Robin". Francis James Child indeed retitled Child ballad 102; though it was titled "The Birth of Robin Hood", its clear lack