History of Cumbria opera", 1798) and others decried the felling of trees. A 'new Picturesque' sensibility emerged. 'Attempts were made to 'blend in' the villas being built with the natural landscape. The "Lake Poet School" (or 'Bards of the Lake', or the 'Lake School') was initially a derogatory term ("the School of whining and hypochondriacal poets that haunt the Lakes", according to Francis Jeffrey) that was also a misnomer, as it was neither particularly born out of the Lake District, nor was it a cohesive school of poetry. The principal members of the 'group' were William Wordsworth, Samuel Taylor Coleridge and Robert Southey.
Samuel Coleridge-Taylor Samuel Coleridge-Taylor Samuel Coleridge-Taylor (15 August 18751 September 1912) was an English composer and conductor of mixed race; his mother was an English woman and his father was a Sierra Leone Creole physician. Coleridge-Taylor achieved such success that he was referred to by white New York musicians as the "African Mahler" when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas based on the epic poem, "Song of Hiawatha" by American Henry Wadsworth Longfellow. Coleridge-Taylor premiered the first section in 1898, when he was 22. He married an Englishwoman,