Romeo and Juliet America; it was certainly the most popular, running for over six weeks and earning over $60,000 (). The programme noted that: "The tragedy will be produced in strict accordance with historical propriety, in every respect, following closely the text of Shakespeare." The first professional performance of the play in Japan may have been George Crichton Miln's company's production, which toured to Yokohama in 1890. Throughout the 19th century, "Romeo and Juliet" had been Shakespeare's most popular play, measured by the number of professional performances. In the 20th century it would become the second most popular, behind "Hamlet". In 1933, the
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more