Yukio Mishima Another traditional element of the suicide ritual was the composition of so-called death poems before their entry into the headquarters. Mishima planned his suicide meticulously for at least a year and no one outside the group of hand-picked "Tatenokai" members had any indication of what he was planning. His biographer, translator John Nathan, suggests that the coup attempt was only a pretext for the ritual suicide of which Mishima had long dreamed. Mishima made sure his affairs were in order and left money for the legal defense of the three surviving "Tatenokai" members. Mishima's grave is located at the Tama
Post-occupation Japan in many parts of the country. American music and movies became popular, spurring a generation of Japanese artists who built on both Western and Japanese influences. During this period, Japan also began to emerge as an exporter of culture. Young people across the world began consuming "kaiju" (monster) movies, "anime" (animation), "manga" (comic books), and other modern Japanese culture. Japanese authors such as Yasunari Kawabata and Yukio Mishima became popular literary figures in America and Europe. American soldiers returning from the occupation brought with them stories and artifacts, and the following generations of U.S. troops in Japan contributed to a