The Post-Modern Prometheus Universal monster movies in general and James Whale's 1931 Frankenstein in particular". In the 1999 FX Thanksgiving Marathon, containing fan-selected episodes, "The Post-Modern Prometheus" was presented as the "Best Stand-Alone Episode". Connie Ogle from "The Miami Herald" named The Great Mutato one of "the greatest monsters" that were featured on "The X-Files". Robert Shearman and Lars Pearson, in their book "Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen", rated the episode two stars out of five and criticized various elements of the episode's direction. They wrote, "Chris Carter the writer has come up with
Prometheus: The Poem of Fire Prometheus: The Poem of Fire Prometheus: The Poem of Fire, Op. 60 (1910), is a symphonic work by the Russian composer Alexander Scriabin for piano, orchestra, optional choir, and clavier à lumières or "Chromola" (a color organ invented by Preston Millar, in fact rarely featured in performances of the piece, including those during Scriabin's lifetime). "Prometheus" is only loosely based on the myth of Prometheus. A typical performance lasts about 20 minutes. The music is complex and somewhat dissonant, based almost entirely around various inversions and transpositions of Scriabin's matrix sonority: A D G C F B. Sabaneyev referred to