Reza de Wet plays have drawn on Russian author Anton Chekhov as inspiration. DRIE SUSTERS TWEE (THREE SISTERS TWO) have the characters of Chekhov's THREE SISTERS moving to the structure and rhythm of THE CHERRY ORCHARD. The shadowy undertow of UNCLE VANYA, so carefully concealed behind Chekhov's lively dialogues, became the expressionistic spirit in the award winning YELENA. This year, opening at the National Arts festival, de Wet's ON THE LAKE borrowed from THE SEAGULL, recalling the life of the actress Nina, who longs for freedom; Madame Arkadina, losing the battle against the passing of youth; and Polina, whose life consists of dashed
Anastasiya Vertinskaya strikingly vivid" and, even more extraordinary, continuously developing in the course of just four short scenes. "In Princess Liza there is a lot of inner dynamics and total integrity," according to the "Actors of Soviet Cinema" (1967) almanac. Vertinskaya's work in Sovremennik ("The Cherry Orchard", "Valentin and Valentina") made critics speak of the "unique gracefulness" and the "technical virtuosity combined with deep psychological insight." Critically acclaimed were her performances in "The Seagull" (Nina) and "Uncle Vanya" (Elena). In "Tartuffe", she elevated her Elmyra "onto on an enormous aesthetic pedestal, presenting her as a kind of noblewoman of old French canvasses,