Anglo-Saxon paganism of the days of the week in the English language. What is known about the religion and its accompanying mythology have since influenced both literature and Modern Paganism. The word "pagan" is a Latin term that was used by Christians in Anglo-Saxon England to designate non-Christians. In Old English, the vernacular language of Anglo-Saxon England, the equivalent term was "hæðen" ("heathen"), a word that was cognate to the Old Norse "heiðinn", both of which may derive from a Gothic word, "haiþno". Both "pagan" and "heathen" were terms that carried pejorative overtones, with "hæðen" also being used in Late Anglo-Saxon texts
Anglo-Saxon art Europe. Anglo-Saxon drawing had a great influence in Northern France throughout the 11th century, in the so-called "Channel school", and Insular decorative elements such as interlace remained popular into the 12th century in the Franco-Saxon style. Pagan Anglo-Saxon metalwork initially uses the Germanic Animal Style I and II decoration that would be expected from recent immigrants, but gradually develops a distinctive Anglo-Saxon character, as in the Quoit Brooch Style of the 5th century. Round disk brooches were preferred for the grandest pieces, over continental styles of "fibulae" and Romano-British penannular brooches, a consistent Anglo-Saxon taste throughout the period; the Harford