Twentieth-century theatre of Russian theatre and one of the greatest developments in the history of world drama." Nemirovich described the applause, which came after a prolonged silence, as bursting from the audience like a dam breaking and the production received unanimous praise from the press. Later analysts attribute the production's success to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertainty with the psychological disposition of the Russian intelligentsia of the time. Productions of Ibsen, Shakespeare, and Chekhov's Uncle Vanya, The Cherry Orchard and Three Sisters were also very
Uncle Vanya leaves to ask the professor if Yelena may play the piano. Sonya returns with his negative answer, which quickly dampens the mood. Vanya, Sonya, and Yelena are in the living room, having been called there by Serebryakov. Vanya calls Yelena a water nymph and urges her, once again, to break free. Sonya complains to Yelena that she has loved Astrov for six years but that, because she is not beautiful, he doesn’t notice her. Yelena volunteers to question Astrov and find out if he’s in love with Sonya. Sonya is pleased, but before agreeing she wonders whether uncertainty is better