Romeo and Juliet sometimes been judged unfavourably because of its perceived liberties with Shakespeare; however, Bellini and his librettist, Felice Romani, worked from Italian sources—principally Romani's libretto for "Giulietta e Romeo" by Nicola Vaccai—rather than directly adapting Shakespeare's play. Among later operas, there is Heinrich Sutermeister's 1940 work "Romeo und Julia". "Roméo et Juliette" by Berlioz is a "symphonie dramatique", a large-scale work in three parts for mixed voices, chorus, and orchestra, which premiered in 1839. Tchaikovsky's "Romeo and Juliet" Fantasy-Overture (1869, revised 1870 and 1880) is a 15-minute symphonic poem, containing the famous melody known as the "love theme". Tchaikovsky's device of
Nurse (Romeo and Juliet) Nurse recognizes that Juliet shows no interest in Paris' courting and is the only member of the older generation to take Juliet's feelings into consideration…that is, until she suddenly betrays Juliet's trust by saying that she should marry Paris. Only to the nurse does Juliet confide her feelings about both Paris "and" Romeo. The formal language Juliet uses around Paris, as well as the way she talks about him to her Nurse, show that her feelings clearly lie with Romeo. The Nurse also admits to being something of a fool, proclaiming, "were not I thine [Juliet's] only nurse, I would