Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood and associated special regard for women, his outstanding skill as an archer, his anti-clericalism, and his particular animosity towards the Sheriff of Nottingham are already clear. Little John, Much the Miller's Son and Will Scarlet (as Will 'Scarlok' or 'Scathelocke') all appear, although not yet Maid Marian or Friar Tuck. The latter has been part of the legend since at least the later 15th century, when he is mentioned in a Robin Hood play script. In modern popular culture, Robin Hood is typically seen as a contemporary and supporter of the late-12th-century king Richard the Lionheart, Robin being driven to