Romeo and Juliet on screen non-Shakespearean story. "Hamlet" and "Romeo and Juliet" are the two plays which have most often been used in this way. Usually, Shakespeare's story has some parallel or resonance with the main plot. Films featuring characters performing scenes from "Romeo and Juliet" include the 1912 and 1982 film versions of Charles Dickens' "Nicholas Nickleby", "Cured Hams" (1927), "Drama De Luxe" (1927), "Broadway Fever" (1928), "Les amants de Vérone" (1949), "Marjorie Morningstar" (1958), "Carry on Teacher" (1959) "Shakespeare Wallah" (1965) and, significantly, "Shakespeare in Love" (1998). The 1941 film Playmates features bandleader Kay Kyser and Shakespearean actor John Barrymore playing themselves in
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more