Romeo and Juliet on screen set in present-day Manhattan and featuring Lemmy (of Motörhead) as its chorus. Sporting the tagline "Body piercing. Kinky sex. Dismemberment. The things that made Shakespeare great.", "Tromeo and Juliet" premiered at the 1997 Cannes Film Festival and won several awards at independent horror and fantasy film festivals. Despite positive reviews from "The New York Times", "USA Today", "Entertainment Weekly" and "Variety", Shakespeare scholar Daniel Rosenthal described "Tromeo" as "the nadir of screen Shakespeare", calling it a "tedious, appallingly acted feast of mutilation and softcore sex". Cheah Chee-Kong's 2000 Singaporean film "Chicken Rice War" ("Jiyuan Qiaohe") adapts "Romeo and Juliet" as
Romeo and Juliet The religious metaphors of "shrine", "pilgrim", and "saint" were fashionable in the poetry of the time and more likely to be understood as romantic rather than blasphemous, as the concept of sainthood was associated with the Catholicism of an earlier age. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's "Romeus and Juliet". In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks