Crime and Punishment to recognize the symbolic possibilities of city life and imagery drawn from the city. I. F. I. Evnin regards "Crime and Punishment" as the first great Russian novel "in which the climactic moments of the action are played out in dirty taverns, on the street, in the sordid back rooms of the poor". Dostoevsky's Petersburg is the city of unrelieved poverty; "magnificence has no place in it, because magnificence is external, formal abstract, cold". Dostoevsky connects the city's problems to Raskolnikov's thoughts and subsequent actions. The crowded streets and squares, the shabby houses and taverns, the noise and stench, all
Crime and Punishment His chaotic interaction with the external world and his nihilistic worldview might be seen as causes of his social alienation or consequences of it. Despite its title, the novel does not so much deal with the crime and its formal punishment, as with Raskolnikov's internal struggle (the book shows that his punishment results more from his conscience than from the law). Believing society would be better for it, Raskolnikov commits murder with the idea that he possessed enough intellectual and emotional fortitude to deal with the ramifications, [based on his paper/thesis, "On Crime", that he is a Napoleon], but his