Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood and the Curtal Friar him that a friar at Fountains Abbey can. Robin sets out to see this monk. He finds him by a riverside and forces the monk to carry him over, except that the friar throws him in halfway across. They battle until Robin asks a favor: to let him blow on his horn. When the friar agrees, Robin's men appear, with bows in hand. The friar asks a favor: to let him whistle. When Robin agrees, many fierce dogs appear. In the later version, Little John shoots twenty of them, and the Friar agrees to make peace with Robin. In the