Anglo-Saxon paganism of the days of the week in the English language. What is known about the religion and its accompanying mythology have since influenced both literature and Modern Paganism. The word "pagan" is a Latin term that was used by Christians in Anglo-Saxon England to designate non-Christians. In Old English, the vernacular language of Anglo-Saxon England, the equivalent term was "hæðen" ("heathen"), a word that was cognate to the Old Norse "heiðinn", both of which may derive from a Gothic word, "haiþno". Both "pagan" and "heathen" were terms that carried pejorative overtones, with "hæðen" also being used in Late Anglo-Saxon texts
Anglo-Saxon art often needed to see the excavated and worn remains that survive as they once were. Perhaps the best known piece of Anglo-Saxon art is the Bayeux Tapestry which was commissioned by a Norman patron from English artists working in the traditional Anglo-Saxon style. Anglo-Saxon artists also worked in fresco, stone, ivory and whalebone (notably the Franks Casket), metalwork (for example the Fuller brooch), glass and enamel, many examples of which have been recovered through archaeological excavation and some of which have simply been preserved over the centuries, especially in churches on the Continent, as the Vikings, Normans and Reformation iconoclasm