Crime and Punishment to recognize the symbolic possibilities of city life and imagery drawn from the city. I. F. I. Evnin regards "Crime and Punishment" as the first great Russian novel "in which the climactic moments of the action are played out in dirty taverns, on the street, in the sordid back rooms of the poor". Dostoevsky's Petersburg is the city of unrelieved poverty; "magnificence has no place in it, because magnificence is external, formal abstract, cold". Dostoevsky connects the city's problems to Raskolnikov's thoughts and subsequent actions. The crowded streets and squares, the shabby houses and taverns, the noise and stench, all
Crime and Punishment causing a rift with his family. Luzhin is discredited, but Sonya is traumatized, and she runs out of the apartment. Raskolnikov follows her. Back at her room, Raskolnikov draws Sonya's attention to the ease with which Luzhin could have ruined her, and consequently the children as well. But it is only a prelude to his confession that he is the murderer of the old woman and Lizaveta. Painfully, he tries to explain his abstract motives for the crime to the uncomprehending Sonya. She is horrified, not just at the crime, but at his own self-torture, and tells him that he