Tachiguishi-Retsuden imitating Neil Armstrong, as anomalies of natural disasters coinciding with the ongoing cultural transformation underline nature itself disproving changes in Japan. Yukio Mishima's suicide is also referred to as an effect. Mishima committed suicide by seppuku to illustrate his support for Imperial Japan and the Emperor as a god. One of the last grifters is Frankfuter Tatsu whose monologue is censored in each sentence because it refers to Disney Land. "I could only think of "beeeep-Land" he declares over and over. He is obsessed with American culture while simultaneously being censored by American Legal system despots. When asked why he
Yukio Mishima was opened in Yamanakako. A 2012 film titled "" also looks at Mishima's last day. In addition to contemporary-style plays such as "Madame de Sade", Mishima wrote for two of the three genres of classical Japanese theatre: Noh and Kabuki (as a proud Tokyoite, he would not even attend the Bunraku puppet theatre, always associated with Osaka and the provinces). Though Mishima took themes, titles and characters from the Noh canon, his twists and modern settings, such as hospitals and ballrooms, startled audiences accustomed to the long-settled originals. Donald Keene translated "Five Modern Noh Plays" (Tuttle, 1981; ). Most others