Robin Hood version of Robin Hood's life. In reaching his conclusion Ritson relied or gave weight to a number of unreliable sources, such as the Robin Hood plays of Anthony Munday, and the Sloane Manuscript. Nevertheless, Dobson and Taylor credit Ritson with having 'an incalculable effect in promoting the still continuing quest for the man behind the myth', and note that his work remains an 'indispensable handbook to the outlaw legend even now'. Ritson's friend Walter Scott used Ritson's anthology collection as a source for his picture of Robin Hood in Ivanhoe, written in 1818, which did much to shape the modern
Robin Hood and the Curtal Friar earlier version, Robin Hood good-humoredly refuses further combat; in both earlier and later versions Robin invites him to join the band. Howard Pyle used this tale in his "The Merry Adventures of Robin Hood" as part of the tale of Alan-a-Dale: Robin needed a priest who would perform the wedding ceremony in defiance of authority, and Will Scarlet proposed Friar Tuck. The Percy Folio version of the ballad begins with the stanza: Robert Graves in his "English and Scottish Ballads" used this stanza to support his argument for pagan survivals in the Robin Hood legend, and for the popular survival