Jocasta complex parent(s). The term is a bit of an extrapolation, since in the original story Oedipus and Jocasta were unaware that they were mother and son when they married. The usage in modern contexts involves a son with full knowledge of who his mother is. Theodor Reik saw the "Jocasta mother", with an unfulfilled adult relationship of her own and an over-concern for her child instead, as a prime source of neurosis. George Devereux went further, arguing that the child's Oedipal complex was itself triggered by a pre-existing parental complex (Jocasta/Laius). Eric Berne also explored the other (parental) side of the
Œdipe (opera) It is generally considered to be Enescu's masterpiece. "Act I" In the royal palace of Thebes, the people celebrate the birth of the son of King Laius and Queen Jocasta. Just as Laius and Jocasta, at the High Priest's request, are to name the child, the old and blind prophet Tiresias interrupts the festivities. He reproaches Laius for having disobeyed Apollo's injunction to bear no descendants, and tells of the gods' punishment for this transgression: one day, the child will murder his father and marry his mother. The appalled Laius summons a shepherd and commands him to abandon the infant