Crime and Punishment the two halves of the novel, as David Bethea has argued, is organized according to a mirror-like principle, whereby the "left" half of the novel reflects the "right" half. The seventh part of the novel, the Epilogue, has attracted much attention and controversy. Some of Dostoevsky's critics have criticized the novel's final pages as superfluous, anti-climactic, unworthy of the rest of the work, while others have defended it, offering various schemes that they claim prove its inevitability and necessity. Steven Cassedy argues that "Crime and Punishment" "is formally two distinct but closely related, things, namely a particular type of tragedy
Crime and Punishment (1935 American film) and elaborate description of [his characters] mental attitudes." Harry Cohn's approved the project in part because Crime and Punishment, first published in 1866, was in the public domain and would require no copyright fees. Crime and Punishment exemplifies a trend in Hollywood of the 1930s towards elevating feature film credentials through adapting classical literature "to lend an air of prestige" to the film industry. The "odd cast", bestowed upon Sternberg, included a mix of Columbia contract artists as well as "supers"—freelance players engaged without a contract, for a modest fee—that satisfied Columbia's budgetary constraints. Production code officials had reviewed a