The Post-Modern Prometheus of the show. To achieve his vision, he wrote a script that blurred the real world with the "X-Files" reality and that had a distinct fantasy element. Carter combined elements of the original story with fairy tales and elements of folk tales. In order to make the episode "as moving" as possible, Carter sought to echo elements of James Whale's 1931 film version of "Frankenstein". He later noted that, by "using modern science, I took an old style, which is black and white, and an old approach, which is a kind of James Whale approach to science fiction, and came
Prometheus him. Moreover, Aeschylus anachronistically and artificially injects Io, another victim of Zeus's violence and ancestor of Heracles, into Prometheus' story. Finally, just as Aeschylus gave Prometheus a key role in bringing Zeus to power, he also attributed to him secret knowledge that could lead to Zeus's downfall: Prometheus had been told by his mother Themis, who in the play is identified with Gaia (Earth), of a potential marriage that would produce a son who would overthrow Zeus. Fragmentary evidence indicates that Heracles, as in Hesiod, frees the Titan in the trilogy's second play, "Prometheus Unbound". It is apparently not until