Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood Cave Horse of the horse. The overall effect creates an impression of a palisade, fence or even falling spears. If this is the case, we might be seeing a scene in which horses are guided by a wooden structure—maybe for hunting purposes. The deeply scored horizontal lines behind and over the horse were drawn last. They appear frenetic and may constitute a form of erasure. Similar, but more curved, lines are also present on the other side of the rib. Robin Hood Cave Horse The Robin Hood Cave Horse (previously known as the Ochre Horse) is a fragment of rib engraved with