Mau Mau Uprising given rise to three native Kenyan political blocks: "conservative", "moderate nationalist" and "militant nationalist". It has also been argued that Mau Mau was not explicitly national, either intellectually or operationally. Bruce Berman argues that, "While Mau Mau was clearly not a tribal atavism seeking a return to the past, the answer to the question of 'was it nationalism?' must be yes and no." As the Mau Mau rebellion wore on, the violence forced the spectrum of opinion within the Kikuyu, Embu and Meru to polarise and harden into the two distinct camps of loyalist and Mau Mau. This neat division
Gallery Mau Mau Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town, South Africa. Although short-lived, the experimental space provided low-cost access to the arts for artists of all races, broke boundaries and defined the period in which a visual arts culture saw enormous growth in the city. It was run by cultural activist David Robert Lewis, multimedia artist Adam Lieber, musician and disk jockey Nick Birkby and fine artist Chris Slack. The gallery launched the careers of some of South Africa's best known young artists: Mustafa Maluka had his very first solo show there, as