Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
The Adventures of Robin Hood (TV series) same as a human. While Robin Hood drags out the trial, Friar Tuck gets the cook drunk and switches geese. When the deception is revealed, the lord relents and pardons the goose. Two episodes, "Brother Battle" (#84) and "To Be a Student" (#90) emphasized the Catholic Church's struggle to educate commoners, and even the children of serfs, despite laws forbidding the practice and in the face of opposition from the nobility. The writers created supporting characters who were likable and occasionally resourceful. In "The Goldmaker's Return" (series 2), Robin Hood is away in France on a mission. Lady Marian, Little