Tachiguishi-Retsuden imitating Neil Armstrong, as anomalies of natural disasters coinciding with the ongoing cultural transformation underline nature itself disproving changes in Japan. Yukio Mishima's suicide is also referred to as an effect. Mishima committed suicide by seppuku to illustrate his support for Imperial Japan and the Emperor as a god. One of the last grifters is Frankfuter Tatsu whose monologue is censored in each sentence because it refers to Disney Land. "I could only think of "beeeep-Land" he declares over and over. He is obsessed with American culture while simultaneously being censored by American Legal system despots. When asked why he
Yukio Mishima that all those deaths were in vain. In the final ten years of his life, Mishima wrote several full-length plays, acted in several films, and co-directed an adaptation of one of his stories, "Patriotism, the Rite of Love and Death." He also continued work on his final tetralogy, "The Sea of Fertility" ("Hōjō no Umi"), which appeared in monthly serialized format from September 1965. Mishima espoused a very individual brand of nationalism towards the end of his life. He was hated by leftists, in particular for his outspoken commitment to bushido, the code of the samurai, and by mainstream nationalists