The Post-Modern Prometheus Universal monster movies in general and James Whale's 1931 Frankenstein in particular". In the 1999 FX Thanksgiving Marathon, containing fan-selected episodes, "The Post-Modern Prometheus" was presented as the "Best Stand-Alone Episode". Connie Ogle from "The Miami Herald" named The Great Mutato one of "the greatest monsters" that were featured on "The X-Files". Robert Shearman and Lars Pearson, in their book "Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen", rated the episode two stars out of five and criticized various elements of the episode's direction. They wrote, "Chris Carter the writer has come up with
Prometheus Bound the abyss. The treatment of the myth of Prometheus in "Prometheus Bound" is a radical departure from the earlier accounts found in Hesiod's "Theogony" (511–616) and "Works and Days" (42–105). Hesiod essentially portrays the Titan as a lowly trickster and semi-comic foil to Zeus's authority. Zeus's anger toward Prometheus is in turn responsible for mortal man's having to provide for himself; before, all of man's needs had been provided by the gods. Prometheus' theft of fire also prompts the arrival of the first woman, Pandora, and her jar of evils. Pandora is entirely absent from "Prometheus Bound", and Prometheus becomes