Crime and Punishment a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with the money he could liberate himself from poverty and go on to perform great deeds; but afterwards he finds himself racked with confusion, paranoia, and disgust for what he has done. His moral justifications disintegrate completely as he struggles with guilt and horror, and confronts the real world consequences of his deed. Dostoevsky conceived the idea of "Crime and Punishment", prompted by the case of Pierre François Lacenaire, in the summer of 1865. He had been working on another project at the time
Crime and Punishment (1935 American film) and elaborate description of [his characters] mental attitudes." Harry Cohn's approved the project in part because Crime and Punishment, first published in 1866, was in the public domain and would require no copyright fees. Crime and Punishment exemplifies a trend in Hollywood of the 1930s towards elevating feature film credentials through adapting classical literature "to lend an air of prestige" to the film industry. The "odd cast", bestowed upon Sternberg, included a mix of Columbia contract artists as well as "supers"—freelance players engaged without a contract, for a modest fee—that satisfied Columbia's budgetary constraints. Production code officials had reviewed a