Language Contact and the Origins of the Germanic Languages history of the Germanic languages but discusses the Finnic languages, Romance languages and Celtic languages extensively. Compared with other academic studies in historical linguistics, it is written in a usually plain and accessible style. Chapter 2, 'The Rise of English', focuses on the much debated question of whether English, and particularly Old English, shows any sign of contact between the West Germanic-speaking immigrants who became the Anglo-Saxons and the speakers of British Celtic and Latin whom these immigrants encountered during the Anglo-Saxon settlement of Britain around the fifth century CE. The chapter argues that Middle English betrays the belated appearance
Anglo-Saxon art often needed to see the excavated and worn remains that survive as they once were. Perhaps the best known piece of Anglo-Saxon art is the Bayeux Tapestry which was commissioned by a Norman patron from English artists working in the traditional Anglo-Saxon style. Anglo-Saxon artists also worked in fresco, stone, ivory and whalebone (notably the Franks Casket), metalwork (for example the Fuller brooch), glass and enamel, many examples of which have been recovered through archaeological excavation and some of which have simply been preserved over the centuries, especially in churches on the Continent, as the Vikings, Normans and Reformation iconoclasm