The Seagull next day, Chekhov, who had taken refuge backstage for the last two acts, announced to Suvorin that he was finished with writing plays. When supporters assured him that later performances were more successful, Chekhov assumed they were just being kind. "The Seagull" impressed the playwright and friend of Chekhov Vladimir Nemirovich-Danchenko, however, who said Chekhov should have won the Griboyedov prize that year for "The Seagull" instead of himself. Nemirovich overcame Chekhov's refusal to allow the play to appear in Moscow and convinced Stanislavski to direct the play for their innovative and newly founded Moscow Art Theatre in 1898. Stanislavski
Anastasiya Vertinskaya strikingly vivid" and, even more extraordinary, continuously developing in the course of just four short scenes. "In Princess Liza there is a lot of inner dynamics and total integrity," according to the "Actors of Soviet Cinema" (1967) almanac. Vertinskaya's work in Sovremennik ("The Cherry Orchard", "Valentin and Valentina") made critics speak of the "unique gracefulness" and the "technical virtuosity combined with deep psychological insight." Critically acclaimed were her performances in "The Seagull" (Nina) and "Uncle Vanya" (Elena). In "Tartuffe", she elevated her Elmyra "onto on an enormous aesthetic pedestal, presenting her as a kind of noblewoman of old French canvasses,