Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
A True Tale of Robin Hood but his men are either out-fought, or won over by Robin's courtesy. King Richard goes to Nottingham. Robin begs a pardon by letter, and the king is agreeable. Before he gets it, however, Robin takes a fever. He trusts a friar to bleed him (a common medical practice of the day), and the friar bleeds him to death. King Richard thinks the friar treacherous, and Robin foolish to have trusted him. A True Tale of Robin Hood A True Tale of Robin Hood is Child ballad 154, featuring Robin Hood and, indeed, presents a full account of his life, from