Anton Chekhov lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of "The Seagull" in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's "Uncle Vanya" and premiered his last two plays, "Three Sisters" and "The Cherry Orchard". These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". Chekhov had at first written stories only for financial gain,
Ann Dunnigan plays: "Ivanov", "The Seagull", "Uncle Vanya", "Three Sisters", and "The Cherry Orchard"; each of these translations has been performed onstage. Dunnigan went on to translate Fyodor Dostoyevsky, Leo Tolstoy, and Ilya Tolstoy in the late 1960s and the early 1970s. Her translations have served as the basis for numerous scholars' comments and analyses of Russian literature. Tennessee Williams regarded her rendering of "The Seagull" to be the best available in English, and made it the principal reference for his 1981 adaptation, "The Notebook of Trigorin". Dunnigan's rendering of "War and Peace" (New American Library, 1968) was the first American English