Romeo and Juliet America; it was certainly the most popular, running for over six weeks and earning over $60,000 (). The programme noted that: "The tragedy will be produced in strict accordance with historical propriety, in every respect, following closely the text of Shakespeare." The first professional performance of the play in Japan may have been George Crichton Miln's company's production, which toured to Yokohama in 1890. Throughout the 19th century, "Romeo and Juliet" had been Shakespeare's most popular play, measured by the number of professional performances. In the 20th century it would become the second most popular, behind "Hamlet". In 1933, the
Romeo and Juliet The religious metaphors of "shrine", "pilgrim", and "saint" were fashionable in the poetry of the time and more likely to be understood as romantic rather than blasphemous, as the concept of sainthood was associated with the Catholicism of an earlier age. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's "Romeus and Juliet". In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks