Go Mishima sexuality. The two men drew artistic nudes together as a pastime; Go Mishima began to pursue a career in homoerotic art in earnest with Yukio Mishima's encouragement, and adopted Mishima's last name to use as his pen name in tribute. After Yukio Mishima's death by ritual suicide, Go Mishima began to depict more violent material and themes in his art, including bondage, masochism, and torture. In 1964, Mishima was published in and "Bara", two of the first magazines in Japan to publish gay and gay pornographic content. He was an early contributor to "Barazoku", which in 1971 became the first
Yukio Mishima which was published in 1954, and drew inspiration from the Greek legend of Daphnis and Chloe. Mishima made use of contemporary events in many of his works. "The Temple of the Golden Pavilion" published in 1956 is a fictionalization of the burning of the famous temple in Kyoto. "Utage no ato" ("After the Banquet"), published in 1960, so closely followed the events surrounding politician Hachirō Arita's campaign to become governor of Tokyo that Mishima was sued for invasion of privacy. In 1962, Mishima's most avant-garde work, "Utsukushii hoshi" ("Beautiful Star"), which at times comes close to science fiction, was published