The Mummy! Egypt; the 1821 public unwrappings of Egyptian mummies in a theatre near Piccadilly, which she may have attended as a girl; and, very likely, the 1818 novel by Mary Shelley, "Frankenstein; or, The Modern Prometheus." As Shelley had written of Frankenstein's creation, "A mummy again endued with animation could not be so hideous as that wretch," which may have triggered young Miss Webb's later concept. In any case, at many points she deals in greater clarity with elements from the earlier book: the loathing for the much-desired object, the immediate arrest for crime and attempt to lie one's way out
Prometheus which are lost to the passages of time into antiquity, are "Prometheus Bound" ("Prometheus Desmotes"), "Prometheus Unbound" ("Lyomenos"), "Prometheus the Fire Bringer" ("Pyrphoros"), and "Prometheus the Fire Kindler" ("Pyrkaeus"). The larger scope of Aeschylus as a dramatist revisiting the myth of Prometheus in the age of Athenian prominence has been discussed by William Lynch. Lynch's general thesis concerns the rise of humanist and secular tendencies in Athenian culture and society which required the growth and expansion of the mythological and religious tradition as acquired from the most ancient sources of the myth stemming from Hesiod. For Lynch, modern scholarship is