English literature is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. Among his most important works are "Songs of Innocence" (1789) and "Songs of Experience" (1794) "and profound and difficult 'prophecies' ", such as "Jerusalem: the Emanation of the Giant Albion" (1804–c.1820). After Blake, among the earliest Romantics were the Lake Poets, including William Wordsworth (1770–1850), Samuel Taylor Coleridge (1772–1834), Robert Southey (1774–1843) and journalist Thomas de Quincey (1785–1859). However, at the time Walter Scott (1771–1832) was the most famous poet. The early Romantic Poets brought a new emotionalism and introspection,
Samuel Coleridge-Taylor revived. Coleridge-Taylor also composed chamber music, anthems, and the "African Dances" for violin, among other works. The "Petite Suite de Concert" is still regularly played. He set one poem by his near-namesake Samuel Taylor Coleridge, "The Legend of Kubla Khan". Coleridge-Taylor was greatly admired by African Americans; in 1901, a 200-voice African-American chorus was founded in Washington, D.C., named the Samuel Coleridge-Taylor Society. He visited the United States three times in the early 1900s, receiving great acclaim, and earned the title "the African Mahler" from the white orchestral musicians in New York in 1910. Public schools were named after him