Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Friar Tuck a story similar to Robin Hood and the Curtal Friar. (The oldest surviving copy of this ballad is from the 17th century.) The character entered the tradition through these folk plays, and he was orginially partnered with Maid Marian: "She is a trul of trust, to serue a frier at his lust/a prycker a prauncer a terer of shetes/a wagger of ballockes when other men slepes." His appearance in "Robin Hood and the Sheriff" means that he was already part of the legend around the time when the earliest surviving copies of the Robin Hood ballads were being made. A