Romeo and Juliet on screen the story have also been filmed, most notably "West Side Story", Prokofiev's ballet "Romeo and Juliet" and "Romanoff and Juliet". Several theatrical films, such as "Shakespeare in Love" and "Romeo Must Die", consciously use elements of Shakespeare's plot. Producer Irving Thalberg pushed MGM for five years to make a "Romeo and Juliet", in the face of the studio's opposition: which stemmed from Louis B. Mayer's belief that the masses considered the Bard over their heads, and from the austerity forced on the studios by the depression. It was only when Jack L. Warner announced his intention to film Max Reinhardt's
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more