Twentieth-century theatre of Russian theatre and one of the greatest developments in the history of world drama." Nemirovich described the applause, which came after a prolonged silence, as bursting from the audience like a dam breaking and the production received unanimous praise from the press. Later analysts attribute the production's success to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertainty with the psychological disposition of the Russian intelligentsia of the time. Productions of Ibsen, Shakespeare, and Chekhov's Uncle Vanya, The Cherry Orchard and Three Sisters were also very
Anastasiya Vertinskaya strikingly vivid" and, even more extraordinary, continuously developing in the course of just four short scenes. "In Princess Liza there is a lot of inner dynamics and total integrity," according to the "Actors of Soviet Cinema" (1967) almanac. Vertinskaya's work in Sovremennik ("The Cherry Orchard", "Valentin and Valentina") made critics speak of the "unique gracefulness" and the "technical virtuosity combined with deep psychological insight." Critically acclaimed were her performances in "The Seagull" (Nina) and "Uncle Vanya" (Elena). In "Tartuffe", she elevated her Elmyra "onto on an enormous aesthetic pedestal, presenting her as a kind of noblewoman of old French canvasses,