Romeo and Juliet on screen a plot which involves Kyser producing an adaptation featuring "swing musician Romeo Smith and opera singer Juliet Jones, with Juliet's father, a devotee of classical music, as obstacle to their romance." André Cayatte's "Les Amants de Vérone" (France, 1949) features Georgia (Anouk Aimée), the daughter of the declining Maglia family (roughly the equivalent of Shakespeare's Capulets) who meets her Romeo in working-class Angelo (Serge Reggiani) while working as stand-ins for the actors playing Romeo and Juliet in a film of the play. The film is a melodramatic reworking of the Romeo and Juliet story, centering on the beauty and passion
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more