Romeo and Juliet and Criseyde". There was a trend among writers and playwrights to publish works based on Italian "novelles"—Italian tales were very popular among theatre-goers—and Shakespeare may well have been familiar with William Painter's 1567 collection of Italian tales titled "Palace of Pleasure". This collection included a version in prose of the "Romeo and Juliet" story named ""The goodly History of the true and constant love of Romeo and Juliett"". Shakespeare took advantage of this popularity: "The Merchant of Venice", "Much Ado About Nothing", "All's Well That Ends Well", "Measure for Measure", and "Romeo and Juliet" are all from Italian "novelle". "Romeo
Romeo and Juliet The religious metaphors of "shrine", "pilgrim", and "saint" were fashionable in the poetry of the time and more likely to be understood as romantic rather than blasphemous, as the concept of sainthood was associated with the Catholicism of an earlier age. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's "Romeus and Juliet". In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks