Jeremy Bentham Bentham's auto-icon was on display in New York City at the Metropolitan Museum of Art Breuer location. Bentham's ambition in life was to create a "Pannomion", a complete utilitarian code of law. He not only proposed many legal and social reforms, but also expounded an underlying moral principle on which they should be based. This philosophy of utilitarianism took for its "fundamental axiom", "it is the greatest happiness of the greatest number that is the measure of right and wrong"". Bentham claimed to have borrowed this concept from the writings of Joseph Priestley, although the closest that Priestley in fact
Philosophy of architecture aesthetics as delimited by, notably, Immanuel Kant and Alexander Gottlieb Baumgarten, with their ideal of "pure art." As it was noted by postmodern philosopher Michel Foucault, the architecture is able to set the life of society, and therefore it is particularly important for understanding of the person's values and culture. In "Discipline and Punish," Foucault analized contemporary culture through architecture project of principally new prison Panopticon. The point of this project by Jeremy Bentham was to create a special transparent environment for prisoners, where everyone would be under constant surveillance. Although the project was not realized, Bentham's thought deeply influenced