Reza de Wet plays have drawn on Russian author Anton Chekhov as inspiration. DRIE SUSTERS TWEE (THREE SISTERS TWO) have the characters of Chekhov's THREE SISTERS moving to the structure and rhythm of THE CHERRY ORCHARD. The shadowy undertow of UNCLE VANYA, so carefully concealed behind Chekhov's lively dialogues, became the expressionistic spirit in the award winning YELENA. This year, opening at the National Arts festival, de Wet's ON THE LAKE borrowed from THE SEAGULL, recalling the life of the actress Nina, who longs for freedom; Madame Arkadina, losing the battle against the passing of youth; and Polina, whose life consists of dashed
The Cherry Orchard estate forever. Trofimov enters in search of his galoshes, and he and Lopakhin exchange opposing world views. Anya enters and reprimands Lopakhin for ordering his workers to begin chopping down the cherry orchard even while the family is still in the house. Lopakhin apologizes and rushes out to stop them for the time being, in the hopes that he will be somehow reconciled with the leaving family. Charlotta enters, lost and in a daze, and insists that the family find her a new position. Ranevskaya tearfully bids her old life goodbye and leaves as the house is shut up forever.