Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood (comic opera) of Robin's funeral. Robin and Marian sing a sad song pledging their love for each other. The Sheriff and Friar Tuck sing a duet about the "pains and pangs" of life. Robin and his men are in the courtyard of the castle where Robin finds King Richard the First who arrived home from the Crusades. Robin receives a pardon from King Richard and the return of his land. The Sheriff and Sir Guy sing about "A pardon from the King... Yes you are free". Robin Hood (comic opera) Robin Hood is a comic opera by Reginald De Koven (music), Harry