Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood (1922 film) and imprisoned as a deserter. Upon escaping from his confines, he returns to England, endangering his life and honor, to oppose Prince John and restore King Richard's throne. He finds himself and his friends outlawed and Marian apparently dead. Huntingdon returns to Nottingham and adopts the name of Robin Hood, acrobatic champion of the oppressed. Leading a band that steals from the rich to give to the poor, including Friar Tuck, Little John, Will Scarlet, and Alan-a-Dale, he labors to set things right through swashbuckling feats and makes life miserable for Prince John and his cohort, the High Sheriff of