Romeo and Juliet repeating the same musical theme at the ball, in the balcony scene, in Juliet's bedroom and in the tomb has been used by subsequent directors: for example, Nino Rota's love theme is used in a similar way in the 1968 film of the play, as is Des'ree's Kissing You in the 1996 film. Other classical composers influenced by the play include Henry Hugh Pearson ("Romeo and Juliet, overture for orchestra", Op. 86), Svendsen ("Romeo og Julie", 1876), Delius ("A Village Romeo and Juliet", 1899–1901), Stenhammar ("Romeo och Julia", 1922), and Kabalevsky ("Incidental Music to Romeo and Juliet", Op. 56, 1956).
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more