Reza de Wet plays have drawn on Russian author Anton Chekhov as inspiration. DRIE SUSTERS TWEE (THREE SISTERS TWO) have the characters of Chekhov's THREE SISTERS moving to the structure and rhythm of THE CHERRY ORCHARD. The shadowy undertow of UNCLE VANYA, so carefully concealed behind Chekhov's lively dialogues, became the expressionistic spirit in the award winning YELENA. This year, opening at the National Arts festival, de Wet's ON THE LAKE borrowed from THE SEAGULL, recalling the life of the actress Nina, who longs for freedom; Madame Arkadina, losing the battle against the passing of youth; and Polina, whose life consists of dashed
Uncle Vanya using the proceeds to invest in interest-bearing paper which will bring in a significantly higher income (and, he hopes, leave enough over to buy a villa for himself and Yelena in Finland). Angrily, Vanya asks where he, Sonya, and his mother would live. He protests that the estate rightly belongs to Sonya, and that Serebryakov has never appreciated his self-sacrifice in managing the property. As Vanya’s anger mounts, he begins to rage against the professor, blaming him for the failure of his life, wildly claiming that, without Serebryakov to hold him back, he could have been a second Schopenhauer or