Romeo and Juliet It débuted on Broadway in 1957 and in the West End in 1958 and became a popular film in 1961. This version updated the setting to mid-20th-century New York City and the warring families to ethnic gangs. Other musical adaptations include Terrence Mann's 1999 rock musical "William Shakespeare's Romeo and Juliet", co-written with Jerome Korman, Gérard Presgurvic's 2001 "Roméo et Juliette, de la Haine à l'Amour" and Riccardo Cocciante's 2007 "Giulietta & Romeo". "Romeo and Juliet" had a profound influence on subsequent literature. Before then, romance had not even been viewed as a worthy topic for tragedy. In Harold Bloom's
Romeo and Juliet The religious metaphors of "shrine", "pilgrim", and "saint" were fashionable in the poetry of the time and more likely to be understood as romantic rather than blasphemous, as the concept of sainthood was associated with the Catholicism of an earlier age. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's "Romeus and Juliet". In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks