Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Friar Tuck friar with Robin's band in the historical period of Richard the Lion-Hearted would have been impossible because the period predates friars in England (but see Eustace the Monk, a medieval outlaw); however, the association of the Robin Hood with Richard I was not made until the 16th century; the early ballad A Gest of Robin Hood names his king as "Edward". What follows is a story which includes different versions of the legend. He was a former monk of Fountains Abbey (or in some cases, St Mary's Abbey in York, which is also the scene of some other Robin Hood