English literature is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. Among his most important works are "Songs of Innocence" (1789) and "Songs of Experience" (1794) "and profound and difficult 'prophecies' ", such as "Jerusalem: the Emanation of the Giant Albion" (1804–c.1820). After Blake, among the earliest Romantics were the Lake Poets, including William Wordsworth (1770–1850), Samuel Taylor Coleridge (1772–1834), Robert Southey (1774–1843) and journalist Thomas de Quincey (1785–1859). However, at the time Walter Scott (1771–1832) was the most famous poet. The early Romantic Poets brought a new emotionalism and introspection,
The Poets' Corner The Poets' Corner The Poets' Corner is a book of twenty caricatures by English caricaturist, essayist and parodist Max Beerbohm. It was published in 1904 by William Heinemann, and was Beerbohm's second book of caricatures, the first being "Caricatures of Twenty-five Gentlemen" (1896). Named after Poets' Corner, the name traditionally given to a section of the South Transept of Westminster Abbey due to the number of poets, playwrights, and writers now buried and commemorated there, the book is a collection of Max Beerbohm's caricatures depicting notable poets from the past up to 1904, including Lord Byron, Samuel Taylor Coleridge, William