Romeo and Juliet setting, enabling audiences to reflect on the underlying conflicts. For example, adaptations have been set in the midst of the Israeli–Palestinian conflict, in the apartheid era in South Africa, and in the aftermath of the Pueblo Revolt. Similarly, Peter Ustinov's 1956 comic adaptation, "Romanoff and Juliet", is set in a fictional mid-European country in the depths of the Cold War. A mock-Victorian revisionist version of "Romeo and Juliet" final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play "The
Romeo and Juliet (1936 film) starred Katharine Cornell as Juliet, Basil Rathbone as Romeo, Brian Aherne as Mercutio, and Edith Evans as The Nurse. Rathbone is the only actor from the 1934 revival to appear in the film, albeit in the role of Tybalt rather than Romeo. On the stage Tybalt was played by nineteen year old Orson Welles. Thalberg's stated intention was "to make the production what Shakespeare would have wanted had he possessed the facilities of cinema." He went to great lengths to establish authenticity and the film's intellectual credentials: researchers were sent to Verona to take photographs for the designers; the paintings