Liar (band) Delta Artist Management, who also managed Alexis Korner and Jim Diamond. The new album was recorded at The Who's Ramport Studios in Battersea, London. Feeling that the band would benefit from signing to a more progressive label, manager Taylor arranged a gig at Hatfield University, to which significant figures from the record industry were invited. As a result, the band left Decca and signed to Albert Grossman's Bearsville Records. The second album was released in 1978, with a single "Set the World on Fire", and following a promotional visit to the US by Burton and Taylor, the band undertook a
British folk rock on later albums, but reduced as the band returned to a hard rock sound from "Presence" (1976) onwards. As Led Zeppelin moved away from electric folk, one of other long term survivors of the British blues movement Jethro Tull began to move towards it. Ian Anderson had produced Steeleye Span’s album "Now We Are Six" in 1974 and first demonstrated a clear interest in more traditional sound on "Minstrel in the Gallery" (1975), but it was in 1977 with the release of "Songs from the Wood" (1977) that Anderson took the band into electric folk territory. All the songs on