Romeo and Juliet (1954 film) by a novelist. Critics responded to the film as a piece of cinema (its visuals were especially admired in Italy, where it was filmed) but not as a performance of Shakespeare's play: Robert Hatch in "The Nation" said "We had come to see a play... perhaps we should not complain that we were shown a sumptuous travelogue", and "Time"′s reviewer added that "Castellani's "Romeo and Juliet" is a fine film poem... Unfortunately it is not Shakespeare's poem!" Commercially response to the film was underwhelming. One journalist described it as the "unchallenged flop of the year". Romeo and Juliet (1954 film)
Romeo and Juliet The religious metaphors of "shrine", "pilgrim", and "saint" were fashionable in the poetry of the time and more likely to be understood as romantic rather than blasphemous, as the concept of sainthood was associated with the Catholicism of an earlier age. Later in the play, Shakespeare removes the more daring allusions to Christ's resurrection in the tomb he found in his source work: Brooke's "Romeus and Juliet". In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks