Romeo and Juliet and Criseyde". There was a trend among writers and playwrights to publish works based on Italian "novelles"—Italian tales were very popular among theatre-goers—and Shakespeare may well have been familiar with William Painter's 1567 collection of Italian tales titled "Palace of Pleasure". This collection included a version in prose of the "Romeo and Juliet" story named ""The goodly History of the true and constant love of Romeo and Juliett"". Shakespeare took advantage of this popularity: "The Merchant of Venice", "Much Ado About Nothing", "All's Well That Ends Well", "Measure for Measure", and "Romeo and Juliet" are all from Italian "novelle". "Romeo
Romeo and Juliet original storyline. Professional performances of Shakespeare in the mid-19th century had two particular features: firstly, they were generally star vehicles, with supporting roles cut or marginalised to give greater prominence to the central characters. Secondly, they were "pictorial", placing the action on spectacular and elaborate sets (requiring lengthy pauses for scene changes) and with the frequent use of tableaux. Henry Irving's 1882 production at the Lyceum Theatre (with himself as Romeo and Ellen Terry as Juliet) is considered an archetype of the pictorial style. In 1895, Sir Johnston Forbes-Robertson took over from Irving and laid the groundwork for a more