Robin Hood raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry's "" (1825) and Sir Walter Scott's "Ivanhoe" (1819). In this last work in particular, the modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. The 20th century grafted still further details on to
Robin Hood legend. In the 19th century the Robin Hood legend was first specifically adapted for children. Children's editions of the garlands were produced and in 1820 a children's edition of Ritson's "Robin Hood" collection. Children's Robin Hood novels began to appear. It is not that children did not read Robin Hood stories before, but this is the first appearance of a Robin Hood literature specifically aimed at them. A very influential example of these children's novels was Pierce Egan the Younger's "Robin Hood and Little John" (1840). This was adapted into French by Alexandre Dumas in "Le Prince des Voleurs" (1872)