Pen name accepted by publishers and/or the public. Such is the case of Peru's Clarinda, whose work was published in the early 17th century. More often, women have adopted masculine pen names. This was common in the 19th century, when women were beginning to make inroads into literature but, it was felt, would not be taken as seriously by readers as male authors. For example, Mary Ann Evans wrote under the pen name George Eliot; and Amandine Aurore Lucile Dupin, Baronne Dudevant, used the pseudonym George Sand. Charlotte, Emily and Anne Brontë published under the names Currer, Ellis, and Acton Bell respectively.
Mary Ann Paton Mary Ann Paton Mary Ann Paton (1802–1864) married names including Mary Ann Wood, was a Scottish vocalist. The eldest daughter of George Paton, a writing-master at Edinburgh and amateur violin, and his wife, "née" Crawford, was born in Edinburgh in October 1802. She and her sisters received a good musical training: they were singers also, Isabella making her début at Mary Ann's benefit at Covent Garden Theatre, 1824, as Letitia Hardy, and Eliza sing at the Haymarket Theatre in 1833. Mary Ann, aged eight, appeared at public concerts as a singer, performer on the harp and pianoforte (Giovanni Battista Viotti's