English literature is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. Among his most important works are "Songs of Innocence" (1789) and "Songs of Experience" (1794) "and profound and difficult 'prophecies' ", such as "Jerusalem: the Emanation of the Giant Albion" (1804–c.1820). After Blake, among the earliest Romantics were the Lake Poets, including William Wordsworth (1770–1850), Samuel Taylor Coleridge (1772–1834), Robert Southey (1774–1843) and journalist Thomas de Quincey (1785–1859). However, at the time Walter Scott (1771–1832) was the most famous poet. The early Romantic Poets brought a new emotionalism and introspection,
The Spirit of the Age with admiration for the richness of Hazlitt's style, traced his writing on Southey from the "savage" attacks in 1816 and 1817 through the more balanced assessment in this sketch. Paulin especially notes allusive and tonal subtleties in Hazlitt's poetic prose that served to highlight, or at times subtly qualify, the portrait of Southey he was trying to paint. This, Paulin observes, is an example of how Hazlitt "invest[s] his vast, complex aesthetic terminology with a Shakespearean richness ... perhaps the only critic in English" to do so. William Wordsworth (1770-1850) was an English poet, often considered, with Samuel Taylor Coleridge,