Mau Mau Uprising reserves. The means to this terminal end was originally suggested by the man brought in by the colonial government to an ethnopsychiatric 'diagnosis' of the uprising, JC Carothers: he advocated a Kenyan version of the villagisation programmes that the British were already using in places like Malaya. So it was that in June 1954, the War Council took the decision to undertake a full-scale forced-resettlement programme of Kiambu, Nyeri, Murang'a and Embu Districts to cut off Mau Mau's supply lines. Within eighteen months, 1,050,899 Kikuyu in the reserves were inside 804 villages consisting of some 230,000 huts. The government termed
Gallery Mau Mau Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town, South Africa. Although short-lived, the experimental space provided low-cost access to the arts for artists of all races, broke boundaries and defined the period in which a visual arts culture saw enormous growth in the city. It was run by cultural activist David Robert Lewis, multimedia artist Adam Lieber, musician and disk jockey Nick Birkby and fine artist Chris Slack. The gallery launched the careers of some of South Africa's best known young artists: Mustafa Maluka had his very first solo show there, as