Robin Hood version of Robin Hood's life. In reaching his conclusion Ritson relied or gave weight to a number of unreliable sources, such as the Robin Hood plays of Anthony Munday, and the Sloane Manuscript. Nevertheless, Dobson and Taylor credit Ritson with having 'an incalculable effect in promoting the still continuing quest for the man behind the myth', and note that his work remains an 'indispensable handbook to the outlaw legend even now'. Ritson's friend Walter Scott used Ritson's anthology collection as a source for his picture of Robin Hood in Ivanhoe, written in 1818, which did much to shape the modern
Robin Hood legend. In the 19th century the Robin Hood legend was first specifically adapted for children. Children's editions of the garlands were produced and in 1820 a children's edition of Ritson's "Robin Hood" collection. Children's Robin Hood novels began to appear. It is not that children did not read Robin Hood stories before, but this is the first appearance of a Robin Hood literature specifically aimed at them. A very influential example of these children's novels was Pierce Egan the Younger's "Robin Hood and Little John" (1840). This was adapted into French by Alexandre Dumas in "Le Prince des Voleurs" (1872)