Leonard Schrader and Weisman's experience with Brazil led them to develop "Kiss of the Spider Woman" together. Schrader's screenplay adaptation, based on the avant-garde novel by Argentinian Manuel Puig, earned him an Academy Award nomination in 1986. (It also earned William Hurt an Academy Award for Best Actor.) Schrader met renowned Japanese novelist Yukio Mishima while living in Japan. For a decade after the author's ritual suicide in 1970, Schrader pursued the rights to Mishima's life, and working with his wife Chieko and brother Paul, he co-wrote the Japanese-language bio-pic "" executive-produced in 1984 by George Lucas and Francis Ford Coppola, and
Propaganda in Japan during the Second Sino-Japanese War and World War II Propaganda in Japan during the Second Sino-Japanese War and World War II Propaganda in imperial Japan, in the period just before and during World War II, was designed to assist the ruling government of Japan during that time. Many of its elements were continuous with pre-war elements of Shōwa statism, including the principles of kokutai, hakkō ichiu, and bushido. New forms of propaganda were developed to persuade occupied countries of the benefits of the Greater Asia Co-Prosperity Sphere, to undermine American troops' morale, to counteract claims of Japanese atrocities, and to present the war to the Japanese people as victorious.