Solidarity Movement with Chile power to the regime to control media and restrict free speech. It became illegal to "publicly slander, libel, or offend the president of the Republic or any other high-level government, military, and police officials." The threat to free speech restricted the oppositional movement to Pinochet within Chile, and affected the solidarity movement's access to information within Chile. Short wave radio helped to spread information in the international arena. Radio Moscow produced daily segments about Chile, "mostly speeches and commentaries because [they] didn't have much information." They also reported on friends' and families' testimonies from within Chile. From 1974-1975 Radio Moscow
Cinema of Chile Battle of Chile" (1979), Marilú Mallet's "Journal inachevé" (1982), Angelina Vásquez's "Presencia lejana" (1982) and "Acta General de Chile" (1986). Film production within Chile was relatively low throughout the military regime, with most filmmakers working in exile, but began to increase again when the regime ended in 1989. In 1992, the FONDART national art fund was established which would go on to support some 90% of Chilean feature-length films made since its creation. Although many films released in the late 1980s and early 1990s received both public and critical acclaim, including "Johnny Cien Pesos" (Hundred Peso Johnny, 1993) by Gustavo