Haiku the 31 poems contained in "Microgramas" (Tokio 1940) and the Argentine Jorge Luis Borges in the collection "La cifra" (1981). In Lusophone (Portuguese-speaking) Brazil, after several early false starts, including a collection of 56 by Waldomiro Siqueira Jr. (1912–?) in his "Haikais" (São Paulo 1933), the form was popularised by Guilherme de Almeida, first through his 1937 magazine article "Os Meus Haicais" and then in his collection "Poesia Vária" (1947).. Since Modernism, several anthologies of Brazilian haikai have been published. In 1992 Nobel laureate Czesław Miłosz published the volume "Haiku" in which he translated from English to Polish haiku of
Mora (linguistics) moraic system of writing. For example, in the two-syllable word "mōra", the "ō" is a long vowel and counts as two morae. The word is written in three symbols, モーラ, corresponding here to , each containing one mora. Such scholars also argue that the 5/7/5 pattern of the haiku in modern Japanese is of morae rather than syllables. The Japanese syllable-final "n" is also said to be moraic, as is the first part of a geminate consonant. For example, the Japanese name for "Japan", 日本, has two different pronunciations, one with three morae ("Nihon") and one with four ("Nippon"). In