Japanese poetry are a short, 3-line verse form, which have achieved significant global popularity, and the haiku form has been adapted from Japanese into other languages. Typical of the haiku form is the metrical pattern of 3 lines with a distribution of 5, 7, and 5 "on" (also known as morae) within those lines. Other features include the juxtaposition of two images or ideas with a "kireji" ("cutting word") between them, and a "kigo", or seasonal reference, usually drawn from a "saijiki", or traditional list of such words. Much of Japanese poetry has been transmitted historically through published anthologies, many of them
Japanese pitch accent that of Kōchi in Shikoku. Japanese pitch accent also varies in how it interacts with syllables and morae. Kagoshima is a purely syllabic dialect, while Osaka is moraic. For example, the low-tone unaccented noun "shimbun" 'newspaper' is in Kagoshima, with the high tone spread across the entire final syllable "bun," but in Osaka it is , with the high tone restricted to the final mora "n". In Tokyo, accent placement is constrained by the syllable, though the downstep occurs between the morae of that syllable. That is, a stressed syllable in Tokyo dialect, as in "kai" 'shell' or "san" 'divining