Woman's film marriage plot. The female protagonists in these movies are driven by something other than romantic love. Within British cinema, David Leland returned to the formula of the 1980s woman's film in "The Land Girls" (1998). The film tells the story of three young women during World War II and offers its heroines the opportunity to escape their old lives. "Bend It Like Beckham" (2002) emphasizes the key generic theme of female friendship and casts the heroine in a conflict between the restrictions of her traditional Sikh upbringing and her aspirations to become a football player. Lynne Ramsay's "Morvern Callar" is
A Girl Like Her not her mother, Fessler, an adoptee, was deeply moved by the woman’s story. She subsequently produced several autobiographical installations on adoption; two featured her previous short films "Cliff & Hazel" about her adoptive family, and "Along the Pale Blue River" (2001/2013) about her search for a yearbook picture of her mother. At each installation site, Fessler invited audience members to write and post their own adoption stories and based on the anonymous stories left behind by first mothers, she initiated an oral history project to collect the women’s stories. In 2002, Fessler began interviewing women who lost children to adoption