Haiku third lines end-rhymed. Yasuda considered that haiku translated into English should utilize all of the poetic resources of the language. Yasuda's theory also includes the concept of a "haiku moment" based in personal experience, and provides the motive for writing a haiku (' an aesthestic moment' of a timeless feeling of enlightened harmony as the poet's nature and the environment are unified'). This notion of the haiku moment has resonated with haiku writers in English, even though the notion is not widely promoted in Japanese haiku.(See however, 'Shiki's Haiku Moments for Us Today' In 1958, "An Introduction to Haiku: An
Haiku in English the one-line form can create a variety of ambiguities involving the perceived placement of cuts and the grammatical status of individual words, thereby allowing for multiple readings of the same haiku. A variation of the format breaks the line at the "caesura" or pause. At its most minimal, a single word may occasionally be claimed to be a haiku: The first was printed alone on an otherwise blank page and arguably only "works" in that context. The second example is an allusion to the first and also depends on its placement at the center of a haiku collection. Haiku of