Adagio for Strings eye." In 1938, Olin Downes noted that with the piece, Barber "achieved something as perfect in mass and detail as his craftsmanship permits." In an edition of "A Conductor's Analysis of Selected Works", John William Mueller devoted over 20 pages to "Adagio for Strings". Wayne Clifford Wentzel, author of "Samuel Barber: A Research and Information Guide (Composer Resource Manuals)", said that it was a piece usually selected for a closing act because it was moderately famous. Roy Brewer, writer for AllMusic, stated that it was one of the most recognizable pieces of American concert music. G. Schirmer has published several
Adagio for Strings violently contrasting first movement ("Molto allegro e appassionato") and is succeeded by music which opens with a brief reprise of the music from the first movement (marked "Molto allegro (come prima) – Presto"). In January 1938, Barber sent an orchestrated version of the "Adagio for Strings" to Arturo Toscanini. The conductor returned the score without comment, which annoyed Barber. Toscanini then sent word through Menotti that he was planning to perform the piece and had returned it simply because he had already memorized it. It was reported that Toscanini did not look at the music again until the day before