Strugnell's Haiku Strugnell's Haiku Strugnell's Haiku is a collection of three songs for voice and piano by the composer Colin Matthews, set to haiku poems by Jason Strugnell, an alter ego of the poet Wendy Cope. The texts cover the angst of living in South London, the abode of the fictional Strugnell, who lived in Tulse Hill and worked at Norwood library, and whose work shows the influence of a number of poets, including Ted Hughes, Craig Raine and James Elroy Flecker. The poems were originally published in Cope's collection "Making Cocoa for Kingsley Amis." The haiku touch on various experiences in
Haiku theoretician F. S. Flint, who passed on Couchoud's ideas to other members of the proto-Imagist Poets' Club such as Ezra Pound. Amy Lowell made a trip to London to meet Pound and find out about haiku. She returned to the United States where she worked to interest others in this "new" form. Haiku subsequently had a considerable influence on Imagists in the 1910s, notably Pound's "In a Station of the Metro" of 1913, but, notwithstanding several efforts by Yone Noguchi to explain "the hokku spirit", there was as yet little understanding of the form and its history. R. H. Blyth