Aesop's Fables the 19th century, some of the fables were adapted into Russian, and often reinterpreted, by the fabulist Ivan Krylov. In most cases, but not all, these were dependent on La Fontaine's versions. Translations into Asian languages at a very early date derive originally from Greek sources. These include the so-called "Fables of Syntipas", a compilation of Aesopic fables in Syriac, dating from the 9/11th centuries. Included there were several other tales of possibly West Asian origin. In Central Asia there was a 10th-century collection of the fables in Uighur. After the Middle Ages, fables largely deriving from Latin sources were
The Greek Slave between "The Greek Slave" and the slaves who were concurrently working on the plantations of the American South. Such parallels were initially lost upon much of the statue's American audience, but as the American Civil War neared, abolitionists began to take the piece as a symbol, and to compare it with "the Virginian Slave". The comparison was the subject of a poem by John Greenleaf Whittier. The statue also inspired a sonnet by Elizabeth Barrett Browning called "". Abolitionist Maria White Lowell wrote that "The Greek Slave" "was a vision of beauty that one must always look back to the