Samoan literature imperialism, Language shift, and linguicide. Samoan literature Samoan literature can be divided into oral (pre-colonial and post-colonial) and written literatures, in the Samoan language and in English or English translation, and is from the Samoa Islands of independent Samoa and American Samoa, and Samoan writers in diaspora. Samoan as a written language emerged after 1830 when Tahitian and English missionaries from the London Missionary Society, working with Samoan chiefly orators, developed a Latin script based Samoan written language. Before this, there were "logologo" (tapa signs) and "tatau" (tattoo signs) but no phonetic written form. Pre-colonial and post-colonial Samoan oral literature
Tongan music notation Tongan music notation The Tuungafasi or Tongan music notation is a subset of the standard music notation, originally developed by the missionary James Egan Moulton in the 19th century for singing church hymns in Tonga. Tongan music from the pre-European times was not really music in the current sense but rather a non tonic recital (like the 'pater noster'), a style still known nowadays as the tau fakaniua. Therefore, when the missionaries started to teach singing, they had also to start with music from scratch. They found the doh-ray-mi-fah-sol-la-si-doh scale sufficient for their needs, avoiding the very complex and difficult