Aesop's Fables without drawing a moral. For many centuries the main transmission of Aesop's fables across Europe remained in Latin or else orally in various vernaculars, where they mixed with folk tales derived from other sources. This mixing is often apparent in early vernacular collections of fables in mediaeval times. The main impetus behind the translation of large collections of fables attributed to Aesop and translated into European languages came from an early printed publication in Germany. There had been many small selections in various languages during the Middle Ages but the first attempt at an exhaustive edition was made by Heinrich
Warfare in ancient Greek art Warfare in ancient Greek art Warfare was a common occurrence in Greece from the Neolithic Period through its conquest by Alexander the Great and until its conquest by the Roman Empire. Because of this, warfare was a typical theme in many pieces of ancient Greek art. Many works of art, like the Doryphoros or the chryselephantine statue of Athena Parthenos, used military objects in their composition, and many others, like the Chigi vase, had warfare as their main subject. Ancient Greek art is an important aspect of not just the history of art, but the history of warfare as well,