Niccolò Machiavelli as Machiavelli had himself done, despite also explaining how they could sometimes work). This became the theme of much future political discourse in Europe during the 17th century. This includes the Catholic Counter Reformation writers summarised by Bireley: Giovanni Botero, Justus Lipsius, Carlo Scribani, Adam Contzen, Pedro de Ribadeneira, and Diego Saavedra Fajardo. These authors criticized Machiavelli, but also followed him in many ways. They accepted the need for a prince to be concerned with reputation, and even a need for cunning and deceit, but compared to Machiavelli, and like later modernist writers, they emphasized economic progress much more than
Andria (Machiavelli) and translation, Machiavelli and theatre, and, last but not least, Machiavelli's understanding of the phenomenology of the political sphere. This production is a watershed event for the English-speaking world". Andria (Machiavelli) Andria is the first play written by Niccolò Machiavelli, published in the period 1517-1520. It is a translation of a play written by the Latin comedy writer Terence, who had originally taken it from the Greek dramatist Menander. It is one of the examples of Machiavelli as a comedy writer, along with "The Mandrake" and the "Clizia". The play has been considered by some scholars semi-autobiographical. The story is