On (Japanese prosody) On (Japanese prosody) The term On (rarely "Onji") refers to counting phonetic sounds in Japanese poetry. In the Japanese language, the word ""on"" (音) means "sound". It is used to mean the phonetic units counted in haiku, tanka, and other such poetic forms. Known as "morae" to English-speaking linguists, the modern Japanese term for the linguistic concept is either "haku" () or "mōra" (). Ji (字) is Japanese for "symbol" or "character". The concatenation of the two words ""on"" and ""ji"" into ""onji"" (音字) was used by Meiji era grammarians to mean "phonic character" and was translated into English by
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among