Curse of the pharaohs male desecrator. Jasmine Day therefore argues that the modern European concept of curses is based upon an analogy between desecration of tombs and rape, interpreting early curse fiction as proto-feminist narratives authored by women. The Anonymous and Austin stories predate Alcott's piece, raising the possibility that even earlier "lost" mummy curse prototype fiction awaits rediscovery. The belief in a curse was brought to many people's attention due to the deaths of a few members of Howard Carter's team and other prominent visitors to the tomb shortly thereafter. Carter's team opened the tomb of Tutankhamun (KV62) in 1922, launching the modern
Tutankhamun (album) this music, however, is that the notes we hear offer a compelling and thought-provoking journey into the possibilities of sound itself". Tutankhamun (album) Tutankhamun is a 1969 album by the Art Ensemble of Chicago first released on the Freedom label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut. The album was named for Tutankhamun, an Egyptian pharaoh of the 18th dynasty. The AllMusic review stated "This landmark album is one of the most influential free jazz recordings in the '60s avant-garde canon ... This album is for the jazz aficionado looking to explore new