Australian literature Gordon's and Brennan's (but particularly Brennan's) works conformed to traditional styles of poetry, with many classical allusions, and therefore fell within the domain of high culture. However, at the same time Australia was blessed with a competing, vibrant tradition of folk songs and ballads. Henry Lawson and Banjo Paterson were two of the chief exponents of these popular ballads, and 'Banjo' himself was responsible for creating what is probably the most famous Australian verse, "Waltzing Matilda". At one point, Lawson and Paterson contributed a series of verses to "The Bulletin" magazine in which they engaged in a literary debate about
Banjo Irish traditional music) tune the banjo G2 D3 A3 E4 like an octave mandolin, which lets the banjoist duplicate fiddle and mandolin fingering. The popularization of this tuning was usually attributed to the late Barney McKenna, banjoist with The Dubliners. Fingerstyle on tenor banjo retuned to open G tuning dgd'g' or lower open D tuning Adad' (three finger picking, frailing) have been explored by Mirek Patek. The tenor banjo was a common rhythm-instrument in early 20th-century dance bands. Its volume and timbre suited early jazz (and jazz-influenced popular music styles) and could both compete with other instruments (such as brass