Curse of the pharaohs male desecrator. Jasmine Day therefore argues that the modern European concept of curses is based upon an analogy between desecration of tombs and rape, interpreting early curse fiction as proto-feminist narratives authored by women. The Anonymous and Austin stories predate Alcott's piece, raising the possibility that even earlier "lost" mummy curse prototype fiction awaits rediscovery. The belief in a curse was brought to many people's attention due to the deaths of a few members of Howard Carter's team and other prominent visitors to the tomb shortly thereafter. Carter's team opened the tomb of Tutankhamun (KV62) in 1922, launching the modern
Demétre Chiparus his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt and the East came to French fashion and is also reflected in the creative activity of Chiparus. Several sculptures by Dimitri Chiparus and Claire Colinet represent queen Cleopatra and Egyptian dancers. The sculptures of Chiparus reflect his time and 1920-1930s sentiment of “folle”. Coming from the oldest French tradition of high-quality and extra-artistic decorative arts, the sculptures of Dimitri Chiparus combine elegance and luxury, embodying the spirit of the Art Deco epoch. Collector interest in the work of Chiparus appeared in the 1970s and