Haiku matter. The loosening of traditional standards has resulted in the term "haiku" being applied to brief English-language poems such as "mathemaku" and other kinds of pseudohaiku. Some sources claim that this is justified by the blurring of definitional boundaries in Japan. Subsequent to Paul-Louis Couchoud’s popularisation of the form in France through his essays and translations, the next major haiku collection to appear there was the sequence of war poems by , "Cent visions de guerre" (1916). Later haiku by him were included among the work of the twelve published together in the "Nouvelle Revue Française" (No. 84, September 1920),
Japanese abbreviated and contracted words Station, is referred to by locals as , a contraction of , in which the alternative reading of "Na-" (名), the first character in "Nagoya", is used. In loanwords and names, the most common pattern is to take the first two morae (or kana) of each of the two words, and combine them forming a new, single word. For example, "family restaurant" or "famirī resutoran" becomes "famiresu". Yōon sounds, those sounds represented using a kana ending in "i" and a small "ya", "yu" or "yo" kana, such as "kyo" count as one mora. Japanese long vowels count as two morae,