Haiku matter. The loosening of traditional standards has resulted in the term "haiku" being applied to brief English-language poems such as "mathemaku" and other kinds of pseudohaiku. Some sources claim that this is justified by the blurring of definitional boundaries in Japan. Subsequent to Paul-Louis Couchoud’s popularisation of the form in France through his essays and translations, the next major haiku collection to appear there was the sequence of war poems by , "Cent visions de guerre" (1916). Later haiku by him were included among the work of the twelve published together in the "Nouvelle Revue Française" (No. 84, September 1920),
Haiku in English the one-line form can create a variety of ambiguities involving the perceived placement of cuts and the grammatical status of individual words, thereby allowing for multiple readings of the same haiku. A variation of the format breaks the line at the "caesura" or pause. At its most minimal, a single word may occasionally be claimed to be a haiku: The first was printed alone on an otherwise blank page and arguably only "works" in that context. The second example is an allusion to the first and also depends on its placement at the center of a haiku collection. Haiku of