Maple Leaf Rag (ballet) on stage, he tears off her skirt. "Maple Leaf Rag" was Graham's 180th choreographic work. Even so, reviewers noted, she still had the capacity to surprise and delight. "The new piece is an entertaining poke by a genius at her own cliches, tersely and wittily stated," wrote "The New York Times"' Anna Kisselgoff. A critic seeing a much later performance said, "While she worked out her obsessions onstage, Graham also had a keen but oft-overlooked sense of humor. Set to several Scott Joplin rags that were still in vogue during her teenage years, "Maple Leaf Rag" is a sly and
Maple leaf First World War, badges of the Canadian Expeditionary Force were often based on a maple leaf design. The use of the maple leaf as a regimental symbol extended back to the 1800s, and Canadian soldiers in the Second Boer War were distinguished by a maple leaf on their sun helmets. In 1957 the maple leaf colour on the Canadian arms was changed from green to red - some maple leaves are commonly red even in spring as they bud & no seasonal colouring has been assigned heraldically. The maple leaf finally became the central national symbol with the introduction of