Haiku in languages other than Japanese published by the Estonian Writers' Union's magazine "Looming" ("Creation"). Estonian haiku have been actively translated into Finnish. Jhinabhai Desai introduced Haiku in Gujarati literature and popularized it. "Soneri Chand Rooperi Suraj" (1967) is the collection of 359 haiku and six Tanka poems. "Kevalveej" (1984) and "Sunrise on the Snowpeaks" are his other haiku collections. Dhiru Parikh published Haiku collection titled "Aagiya" in 1982. Haiku poetry is a relatively new practice in the Arabic literature. It wasn't until 2010 when the first book was published by a Syrian writer Muhammad Adimah containing 1000 haiku translated from Japanese directly. Although most of
Strugnell's Haiku the poet's life. The first of Strugnell's "Three Haiku" is a eulogy to cherry blossom, which the poet thinks "looks really nice". In the second haiku, the poet laments his imminent baldness, comparing it to the seasonal fallen leaves and snow. In the last haiku, describing a November evening, the poet notes that "the pubs are open". Matthews's settings of the first two haiku are essentially pentatonic in melody and harmony. The first haiku is marked by Matthews as "with fervour, but soon becoming gentle and introspective"; the second as "delicate: like porcelain." In the second haiku the time signature