Japanese poetry poetry: The largest anthology of haiku in Japanese is the 12-volume Bunruihaiku-zenshū (Classified Collection of Haiku) compiled by Masaoka Shiki, completed after his death, which collected haiku by seasonal theme and sub-theme. It includes work dating back to the 15th century. The largest collection of haiku translated into English on any single subject is "Cherry Blossom Epiphany" by Robin D. Gill, which contains some 3,000 Japanese haiku on the subject of the cherry blossom.< Gill, Robin D. "Cherry Blossom Epiphany", Paraverse Press, 2007 > H. Mack Horton's translation of the 16th-century "Journal of Sōchō", by a pre-eminent renga poet of
Haiku in English the one-line form can create a variety of ambiguities involving the perceived placement of cuts and the grammatical status of individual words, thereby allowing for multiple readings of the same haiku. A variation of the format breaks the line at the "caesura" or pause. At its most minimal, a single word may occasionally be claimed to be a haiku: The first was printed alone on an otherwise blank page and arguably only "works" in that context. The second example is an allusion to the first and also depends on its placement at the center of a haiku collection. Haiku of