The Expression of the Emotions in Man and Animals Robert Grant's Lamarckist philosophy) ridiculed Bell's theological explanations, pointing instead to the striking similarities of human and animal biology. The meeting then ended in uproar. Forty-five years later, Darwin revisits these arguments and recruits Duchenne's (1862) unmasking of the facial mechanisms, shifting the argument from philosophical speculation to scientific discourse. Darwin's response to Bell's natural theology is discussed by Lucy Hartley (2001). In the composition of the book, Darwin drew on worldwide responses to his questionnaire (circulated in the early months of 1867) concerning emotional expression in different ethnic groups; on anthropological memories from his time on ; on conversations
The Expression of the Emotions in Man and Animals the actor Henry Siddons in his "Practical Illustrations of Rhetorical Gesture and Action" (1807) and by the anatomist Robert Knox in his "Manual of Artistic Anatomy" (1852) – but abandoned them as unreliable, although the text of "The Expression" is littered with quotations from Shakespeare. Darwin opens the book with three chapters on "the general principles of expression", introducing the rather Lamarckist phrase "serviceable associated habits". With this phrase, Darwin seeks to describe the initially voluntary actions which come together to constitute the complex expressions of emotion. He then invokes a principle of "antithesis", through which opposite states of mind