English drama the stage. Again In the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by the French resident, Irishman Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (1930-2008), (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (1937-) ("Rosencrantz and Guildenstern are Dead",1966). Stoppard's works are, however, also notable for their high-spirited wit and the great range of intellectual issues which he tackles in different plays. Both Pinter and Stoppard continued to have new plays produced into the 1990s. Michael Frayn
The Ritz (play) Rican entertainer with visions of Broadway glory who mistakes him for a famous producer and whom he mistakes for a man in drag. Further complications arise when Gaetano's wife Vivian tracks him down and jumps to all the wrong conclusions about his sexual orientation. McNally was playwright-in-residence at Yale University and, while there, wrote a play titled "The Tubs" which was slang for the "baths". The play was presented at Yale Repertory Theatre in 1974. It was chosen to be produced on Broadway, but the title was changed because a play with a similar title ("Tubstrip" by Jerry Douglas) was