Cavalier painter Sir Anthony van Dyck, the archetypal recorder of the Cavalier image, all took the Parliamentary side in the Civil War. Probably the most famous image identified as of a "cavalier", Frans Hals' "Laughing Cavalier", shows a gentleman from the strongly Calvinist Dutch town of Haarlem, and is dated 1624. These derogatory terms (for at the time they were so intended) also showed what the typical Parliamentarian thought of the Royalist side – capricious men who cared more for vanity than the nation at large. The chaplain to King Charles I, Edward Simmons described a Cavalier as "a Child of
Cavalier house Cavalier house A cavaliers' house or cavalier house (from "cavalier" meaning horseman or cavalryman) was a building that formed part of the ensemble of a stately home, palace or "schloss" and was used to accommodate the royal or princely household. They emerged in the Baroque era. The name is derived from the original use of such buildings for accommodating cavalrymen. Later it became synonymous for the building attached to a palace or stately home that was not used by the royal family themselves, but by courtiers, high officials, couriers or guests. In Baroque ensembles, cavalier houses and palace were frequently