Curse of the pharaohs male desecrator. Jasmine Day therefore argues that the modern European concept of curses is based upon an analogy between desecration of tombs and rape, interpreting early curse fiction as proto-feminist narratives authored by women. The Anonymous and Austin stories predate Alcott's piece, raising the possibility that even earlier "lost" mummy curse prototype fiction awaits rediscovery. The belief in a curse was brought to many people's attention due to the deaths of a few members of Howard Carter's team and other prominent visitors to the tomb shortly thereafter. Carter's team opened the tomb of Tutankhamun (KV62) in 1922, launching the modern
Exhibitions of artifacts from the tomb of Tutankhamun States – with the U.S. tour including one more city than the Soviet tour had included, and several additional pieces. The showing was the largest of Tutankhamun's artifacts, with 53 pieces. The Metropolitan Museum of Art organized the U.S. exhibition, which ran from November 17, 1976, through September 30, 1979. More than eight million attended. The Metropolitan's exhibition was designed to recreate for visitors the drama of the 1922 discovery of the treasure-filled tomb. Included along with original objects excavated from the tomb were reprints from glass plate negatives in the Metropolitan’s collection of the expedition photographer Harry Burton's photographs