Banjo Paterson [[Category:19th-century Australian writers]] [[Category:19th-century poets]] [[Category:20th-century Australian poets]] [[Category:Australian male poets]] [[Category:The Man from Snowy River]] [[Category:Australian male writers]] [[Category:19th-century Australian short story writers]] Banjo Paterson Andrew Barton "Banjo" Paterson, (17 February 18645 February 1941) was an Australian bush poet, journalist and author. He wrote many ballads and poems about Australian life, focusing particularly on the rural and outback areas, including the district around Binalong, New South Wales, where he spent much of his childhood. Paterson's more notable poems include "Clancy of the Overflow" (1889), "The Man from Snowy River" (1890) and "Waltzing Matilda" (1895), regarded widely as Australia's unofficial
Banjo Irish traditional music) tune the banjo G2 D3 A3 E4 like an octave mandolin, which lets the banjoist duplicate fiddle and mandolin fingering. The popularization of this tuning was usually attributed to the late Barney McKenna, banjoist with The Dubliners. Fingerstyle on tenor banjo retuned to open G tuning dgd'g' or lower open D tuning Adad' (three finger picking, frailing) have been explored by Mirek Patek. The tenor banjo was a common rhythm-instrument in early 20th-century dance bands. Its volume and timbre suited early jazz (and jazz-influenced popular music styles) and could both compete with other instruments (such as brass