Haiku third lines end-rhymed. Yasuda considered that haiku translated into English should utilize all of the poetic resources of the language. Yasuda's theory also includes the concept of a "haiku moment" based in personal experience, and provides the motive for writing a haiku (' an aesthestic moment' of a timeless feeling of enlightened harmony as the poet's nature and the environment are unified'). This notion of the haiku moment has resonated with haiku writers in English, even though the notion is not widely promoted in Japanese haiku.(See however, 'Shiki's Haiku Moments for Us Today' In 1958, "An Introduction to Haiku: An
Japanese abbreviated and contracted words Station, is referred to by locals as , a contraction of , in which the alternative reading of "Na-" (名), the first character in "Nagoya", is used. In loanwords and names, the most common pattern is to take the first two morae (or kana) of each of the two words, and combine them forming a new, single word. For example, "family restaurant" or "famirī resutoran" becomes "famiresu". Yōon sounds, those sounds represented using a kana ending in "i" and a small "ya", "yu" or "yo" kana, such as "kyo" count as one mora. Japanese long vowels count as two morae,