Ballad some of which were later set to music by Schubert. Later important examples of the poetic form included Rudyard Kipling's "Barrack-Room Ballads" (1892-6) and Oscar Wilde's "The Ballad of Reading Gaol" (1897). Victorian poet Christina Rossetti used ballad forms to explore spiritual and moral issues and to discuss the stereotypical treatment and representation of men and women's roles in society. In the 18th century ballad operas developed as a form of English stage entertainment, partly in opposition to the Italian domination of the London operatic scene. It consisted of racy and often satirical spoken (English) dialogue, interspersed with songs that
The Ballad of Yoel Moshe Salomon Ezer protested to the municipality of Petah Tikva regarding its handling of the 130th anniversary celebrations and the scant attention accorded to the role of Eleazer and Yehuda Raab. In his interview with Eshed, he worried that the "Ballad" risked being confused with history. Ben Ezer quoted an unnamed Petah Tikva official who had told him that “the history is what Yoram Taharlev wrote”. Ben Ezer added that “the education system in the schools, which is to say the authors of textbooks and certainly the teachers too take the ballad as the single authorised source for teaching about the history