Tattoo is a loanword from the Samoan word "tatau", meaning "to strike". The "Oxford English Dictionary" gives the etymology of tattoo as "In 18th c. tattaow, tattow. From Polynesian (Samoan, Tahitian, Tongan, etc.) tatau. In Marquesan, tatu." Before the importation of the Polynesian word, the practice of tattooing had been described in the West as painting, scarring or staining. The etymology of the body modification term is not to be confused with the origins of the word for the military drumbeat or performance — see "military tattoo". In this case, the English word "tattoo" is derived from the Dutch word "taptoe".
Two Tahitian Women Two Tahitian Women Two Tahitian Women is an 1899 painting by Paul Gauguin. It depicts two topless women, one holding mango blossoms, on the Pacific Island of Tahiti. The painting is part of the permanent collection of the Metropolitan Museum of Art in New York City and was donated to the museum by William Church Osborn in 1949. Although Tahiti is depicted as an innocent paradise, the two women in the painting confront the viewer in a way similar to that in Manet's "Le déjeuner sur l'herbe" (1863) or "Olympia" (1863), and follow an artistic tradition of comparing woman's breasts