Arts by region build from stone, but the jungles and forests might overgrow the buildings, as in Angkor Wat. Early-Modern Japanese literature (17th–19th centuries) developed innovations such as haiku, a form of Japanese poetry that evolved from the ancient "hokku" (Japanese language: 発句) mode. Haiku consists of three lines: the first and third lines each have five "morae" (the rough phonological equivalent of syllables), while the second has seven. Original haiku masters included such figures as Edo period poet Matsuo Bashō (松尾芭蕉); others influenced by Bashō include Kobayashi Issa and Masaoka Shiki. In Punjab, India, bhangra is popular. In all countries in Southeast
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among