The Wicker Man have been more fantastical in subject matter than the original film, and relied more heavily on special effects. In this continuation of the story, which begins immediately after the ending of the first film, Sergeant Neil Howie is rescued from the burning Wicker Man by a group of police officers from the mainland. Howie sets out to bring Lord Summerisle and his pagan followers to justice, but becomes embroiled in a series of challenges which pit the old gods against his own Christian faith. The script culminates in a climactic battle between Howie and a fire-breathing dragon – the titular
The Wicker Man by Christopher Murphy. The end burning of the Wicker Man occurred at Burrow Head (near a caravan site). According to Britt Ekland, some animals did actually perish inside the Wicker Man, whereas Robin Hardy said in an interview that great care was taken to ensure that the animals were in no danger of being hurt during this scene and that they were not inside the Wicker Man when it was set on fire. The film's soundtrack often forms a major component of the narrative, just as with other important arthouse films of the era such as Donald Cammell and Nicolas