Maple Leaf Rag (ballet) on stage, he tears off her skirt. "Maple Leaf Rag" was Graham's 180th choreographic work. Even so, reviewers noted, she still had the capacity to surprise and delight. "The new piece is an entertaining poke by a genius at her own cliches, tersely and wittily stated," wrote "The New York Times"' Anna Kisselgoff. A critic seeing a much later performance said, "While she worked out her obsessions onstage, Graham also had a keen but oft-overlooked sense of humor. Set to several Scott Joplin rags that were still in vogue during her teenage years, "Maple Leaf Rag" is a sly and
Maple Leaf Rag revival of the 1970s brought it back to mainstream public notice once again. The "Maple Leaf Rag" is associated with the city of Sedalia, Missouri, although there is no record of Joplin having a permanent residence there before 1904. Joplin arrived in Sedalia in 1894 as a touring musician and stayed with the family of Arthur Marshall, who later became one of Joplin's students and a ragtime composer in his own right. Joplin played as a solo musician at dances and at the major black clubs in Sedalia, among them the "Maple Leaf Club". It is possible that the rag