Twentieth-century English literature Terence Rattigan and Noël Coward were challenged in the 1950s by these Angry Young Men, in plays like John Osborne's "Look Back in Anger" (1956). Arnold Wesker and Nell Dunn also brought social concerns to the stage. Again in the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by Irish writer Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (born 1930), author of (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (born 1937) ("Rosencrantz and Guildenstern are Dead", 1966).
Filmworks XXIV: The Nobel Prizewinner engaging, it creates in the listener the desire to see the film and experience how this music functions within it". "All compositions by John Zorn" Filmworks XXIV: The Nobel Prizewinner Filmworks XXIV: The Nobel Prizewinner is a soundtrack album by American composer John Zorn released on Zorn's own label, Tzadik, in 2010 featuring music written and recorded for Dutch film director Timo Veltkamp's's "De Nobelprijswinnaar" (2010). The Allmusic review by Thom Jurek awarded the album 4 stars stating "Perhaps the highest compliment to pay a recording like this is not only to claim that it stands on its own as