English drama the stage. Again In the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by the French resident, Irishman Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (1930-2008), (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (1937-) ("Rosencrantz and Guildenstern are Dead",1966). Stoppard's works are, however, also notable for their high-spirited wit and the great range of intellectual issues which he tackles in different plays. Both Pinter and Stoppard continued to have new plays produced into the 1990s. Michael Frayn
Waiting for Godot course, no differently from Godot." "Waiting for Godot" is clearly not about track cycling, but it is said that Beckett himself did wait for French cyclist (1920–2000; a professional cyclist from 1943 to 1961), outside the velodrome in Roubaix. Of the two boys who work for Godot only one appears safe from beatings, "Beckett said, only half-jokingly, that one of Estragon's feet was saved". The name "Godot" is pronounced in Britain and Ireland with the emphasis on the first syllable, ; in North America it is usually pronounced with an emphasis on the second syllable, . Beckett himself said the