Menin Gate offered to the citizens of Ypres for the ornament of their city and in commemoration of the days where the British Army defended it against the invader." Reaction to the Menin Gate, the first of the Imperial (now Commonwealth) War Graves Commission's Memorials to the Missing, ranged from its condemnation by the war poet Siegfried Sassoon, to praise by the Austrian writer Stefan Zweig. Sassoon described the Menin Gate in his poem 'On Passing the New Menin Gate', saying that the dead of the Ypres Salient would "deride this sepulchre of crime". Zweig, in contrast, praised the simplicity of the
Menin Gate at Midnight record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints and 400 of these were given to the nascent Australian War Memorial to sell to raise funds. The success of this work lead Longstaff to paint three later companion pieces with a similar ghostly, spiritualist theme: Menin Gate at Midnight Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. The painting is part of the