Haiku the colloquialism of the language and is closest to natural conversational rhythm, necessary to carry the weight of the hokku A haiku traditionally contains a "kigo", a word or phrase that symbolizes or implies the season of the poem and which is drawn from a "saijiki", an extensive but prescriptive list of such words. Kigo are often in the form of metonyms and can be difficult for those who lack Japanese cultural references to spot. The Bashō examples below include "kawazu", "frog" implying spring, and "shigure", a rain shower in late autumn or early winter. Kigo are not always included
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among