Haiku position within the verse, it may briefly cut the stream of thought, suggesting a parallel between the preceding and following phrases, or it may provide a dignified ending, concluding the verse with a heightened sense of closure. The fundamental aesthetic quality of both hokku and haiku is that it is internally sufficient, independent of context, and will bear consideration as a complete work. The "kireji" lends the verse structural support, allowing it to stand as an independent poem. The use of "kireji" distinguishes haiku and hokku from second and subsequent verses of renku; which may employ semantic and syntactic disjuncture,
Haiku in English verse, were published between 1997 and 2006 (issues 1-8 were edited by Patricia Kelsall; issues 9-20 by Beverley George). Nowadays "Paper Wasp" is published in Australia, "Kokako" in New Zealand and "Chrysanthemum" (bilingual German/English) in Germany and Austria. Two other online English-language haiku journals founded outside North America, "A Hundred Gourds" and "Notes from the Gean", are now defunct. John Barlow's Snapshot Press is a notable UK-based publisher of haiku books. In the early 20th century, Nobel laureate Rabindranath Tagore composed haiku in Bengali. He also translated some from Japanese. In Gujarati, Jhinabhai Desai 'Sneharashmi' popularized haiku and remained a