Haiku third lines end-rhymed. Yasuda considered that haiku translated into English should utilize all of the poetic resources of the language. Yasuda's theory also includes the concept of a "haiku moment" based in personal experience, and provides the motive for writing a haiku (' an aesthestic moment' of a timeless feeling of enlightened harmony as the poet's nature and the environment are unified'). This notion of the haiku moment has resonated with haiku writers in English, even though the notion is not widely promoted in Japanese haiku.(See however, 'Shiki's Haiku Moments for Us Today' In 1958, "An Introduction to Haiku: An
Mora (linguistics) moraic system of writing. For example, in the two-syllable word "mōra", the "ō" is a long vowel and counts as two morae. The word is written in three symbols, モーラ, corresponding here to , each containing one mora. Such scholars also argue that the 5/7/5 pattern of the haiku in modern Japanese is of morae rather than syllables. The Japanese syllable-final "n" is also said to be moraic, as is the first part of a geminate consonant. For example, the Japanese name for "Japan", 日本, has two different pronunciations, one with three morae ("Nihon") and one with four ("Nippon"). In