Irish literature Lady Says No!" (1929), and "The Moon in the Yellow River" (1931). While there no doubt that Samuel Beckett is an Irishman he lived much of his life in France and wrote several works first in French. His most famous plays are "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), "Endgame" (originally "Fin de partie") (1957), "Happy Days" (1961), written in English, all of which profoundly affected British drama. In 1954, Behan's first play "The Quare Fellow" was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London,
Polish postmodernism national theatres in seven metropolitan cities including primary TV broadcast in 1971. His "En attendant Godot" in translation premiered as far back as 1957 both in Warsaw (at "Teatr Współczesny") and in Kraków ("Teatr 38"). Polish postmodernism can be identified in the work of prolific poet and playwright Tadeusz Różewicz, philosophers Leszek Kołakowski, Stanisław Lem, Tadeusz Kantor, or in the output of various Polish émigré writers such as the Nobel laureate Czesław Miłosz ("The Captive Mind") and his contemporaries including Witold Gombrowicz. The basis for the distinctiveness of Polish postmodernism were established avant la lettre already in the Interbellum through