Haiku in languages other than Japanese the Arab haiku poets use the three short lines structure, this has not always been considered as a strict rule. Literary critics in the Arab world have not reached an agreement yet whether the haiku poems written by the young poets can be considered a new form of poetry or merely a different name for the (already popular) flash fiction. In July 2015, the "Poetry Letters Magazine" acknowledged the Arabic haiku as a distinct form of poetry by publishing, for the first time, haiku poems of 11 Arab poets from Syria, Morocco, Iraq, Jordan, and Tunisia. Haiku in languages other
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among