Estonian haiku Estonian haiku Estonian haiku () is a short poem in Estonian language which has adopted the form and style of the original Japanese haiku. Estonian haiku was first introduced in 2009. The so-called "Estonian haiku" is shorter than the Japanese one; the syllable count in Japanese haiku is 5+7+5, while Estonian haiku also goes in three lines but only comprises 4+6+4 syllables. Estonian authors claim that this is a distinctively Estonian form. Traditional haiku have been developed in Estonia since 1960s. Andres Ehin (1940–2011) was the most prominent Estonian-language haiku writer of the 20th century; his bilingual English-Estonian collection "Moose
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among