Cavalier painter Sir Anthony van Dyck, the archetypal recorder of the Cavalier image, all took the Parliamentary side in the Civil War. Probably the most famous image identified as of a "cavalier", Frans Hals' "Laughing Cavalier", shows a gentleman from the strongly Calvinist Dutch town of Haarlem, and is dated 1624. These derogatory terms (for at the time they were so intended) also showed what the typical Parliamentarian thought of the Royalist side – capricious men who cared more for vanity than the nation at large. The chaplain to King Charles I, Edward Simmons described a Cavalier as "a Child of
A Woman Playing the Theorbo-Lute and a Cavalier a cloth-covered table. His sword is laid flat to his left, while a songbook (a common lovers' gift during the time period) rests nearby. A watch, possibly representing temperance or the fleeting nature of the affair, lays near the other objects. A Woman Playing the Theorbo-Lute and a Cavalier A Woman Playing the Theorbo-Lute and a Cavalier is a mid 17th century painting by Dutch artist Gerard ter Borch the Younger. Done in oil on wood, the work depicts a young woman playing a theorbo while her lover looks on. The painting is in the collection of the Metropolitan Museum