Twentieth-century English literature Terence Rattigan and Noël Coward were challenged in the 1950s by these Angry Young Men, in plays like John Osborne's "Look Back in Anger" (1956). Arnold Wesker and Nell Dunn also brought social concerns to the stage. Again in the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by Irish writer Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (born 1930), author of (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (born 1937) ("Rosencrantz and Guildenstern are Dead", 1966).
En attendant Cousteau En attendant Cousteau En attendant Cousteau (English title: Waiting for Cousteau) is the tenth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus, licensed to Polydor, in 11 June 1990. The album was dedicated to Jacques-Yves Cousteau and was released on his 80th birthday 11 June 1990. Allmusic described the album as "groundbreaking stuff", due to its extreme stylistic differences from his other albums. The album reached Number 14 in the UK charts. The title track is a composition in the ambient style and an edited version of the music he produced for "Concert d'Images"