Haiku position within the verse, it may briefly cut the stream of thought, suggesting a parallel between the preceding and following phrases, or it may provide a dignified ending, concluding the verse with a heightened sense of closure. The fundamental aesthetic quality of both hokku and haiku is that it is internally sufficient, independent of context, and will bear consideration as a complete work. The "kireji" lends the verse structural support, allowing it to stand as an independent poem. The use of "kireji" distinguishes haiku and hokku from second and subsequent verses of renku; which may employ semantic and syntactic disjuncture,
Haiku in languages other than Japanese Haiku in languages other than Japanese The Japanese haiku has been adopted in various languages other than Japanese. The imagist poets Ezra Pound and Amy Lowell wrote what they called hokku. Their followers were the Buddhist poet Paul Reps and the Beat poets, including Jack Kerouac. The first English-language haiku magazine was "American Haiku" (1963-1968). French poets who have written haiku in French include Paul-Louis Couchoud (1905), Paul Claudel (1942), Seegan Mabesoone and Nicolas Grenier. (2002) considers that haiku in French, due to the less rhythmic nature of the French language, often include alliterations or discrete rhymes, and cites the