Haiku in languages other than Japanese following Haiku by (1995) as an example: Haiku have found a foothold in German poetry since the 1920s, with examples from Rainer Maria Rilke, Franz Blei, Yvan Goll, Peter Altenberg, Alfred Mombert and Arno Holz among others being cited. The collection "Ihr gelben Chrysanthemen!" by (Vienna 1939) was published in the 1930s. Also written in the 1930s, haiku by Imma von Bodmershof appeared in book-form in 1962 and were republished in Japan in 1979 as "Löwenzahn: die auf 17 Silben verkürzten Haiku". In 1988, Margaret Buerschaper founded the German Haiku Society (Die Deutsche Haiku-Gesellschaft e. V.). Authors in Spain who
Haiku in English with the one-line vertical column in which Japanese haiku are often printed, was lent legitimacy principally by three people: The single-line haiku usually contains fewer than seventeen syllables. A caesura (pause) may be appropriate, dictated by sense or speech rhythm (following the traditional Japanese tradition of a break, marked by the Kireji), and usually little or no punctuation. This form was used by John Wills and, more recently, has been practiced by poets such as M. Kettner, Janice Bostok, Jim Kacian, Chris Gordon, Scott Metz, Stuart Quine, John Barlow, and many others. As the last two examples in particular illustrate,