Panorama of the Battle of Waterloo by Ionic pilasters, and crowned with parapet with a frieze of palmettes. The entrance porch has two pairs of Tuscan columns supporting a triangular pediment. The rotunda houses an oil-on-canvas painting completed by French artist Louis Dumoulin in 1912, with 14 canvas panels sewn together to create a cylinder approximately in circumference and high. It is lit from above by a ring of glazing around the edge of the conical roof and is viewed from a high platform at the centre of the rotunda. The painting depicts several different episodes from the Battle of Waterloo in 1815, concentrating on charges
The Battle of Waterloo: The British Squares Receiving the Charge of the French Cuirassiers mounted officer taking refuge in the centre of the square. Abandoned cannon lie in the foreground and middle distance. It measures . The meticulous academic painting was exhibited at the Royal Academy Summer Exhibition in 1875 and was described by John Ruskin as a "carefully-studied and skilful battle piece". It is thought that the painting was bought by Francis Reubell Bryan in around 1875; he donated it to the Victoria and Albert Museum in 1880. The V&A also holds a sketch, made in oils on paper laid on canvas. The Battle of Waterloo: The British Squares Receiving the Charge of