Aesop's Fables second that it appealed to children by having the animals speak in character, the Lion in regal style, the Owl with 'pomp of phrase'; thirdly because it gathers into three sections fables from ancient sources, those that are more recent (including some borrowed from Jean de la Fontaine), and new stories of his own invention. Thomas Bewick's editions from Newcastle upon Tyne are equally distinguished for the quality of his woodcuts. The first of those under his name was the "Select Fables in Three Parts" published in 1784. This was followed in 1818 by "The Fables of Aesop and Others".
The Greek Slave between "The Greek Slave" and the slaves who were concurrently working on the plantations of the American South. Such parallels were initially lost upon much of the statue's American audience, but as the American Civil War neared, abolitionists began to take the piece as a symbol, and to compare it with "the Virginian Slave". The comparison was the subject of a poem by John Greenleaf Whittier. The statue also inspired a sonnet by Elizabeth Barrett Browning called "". Abolitionist Maria White Lowell wrote that "The Greek Slave" "was a vision of beauty that one must always look back to the