Panorama of the Battle of Waterloo by Ionic pilasters, and crowned with parapet with a frieze of palmettes. The entrance porch has two pairs of Tuscan columns supporting a triangular pediment. The rotunda houses an oil-on-canvas painting completed by French artist Louis Dumoulin in 1912, with 14 canvas panels sewn together to create a cylinder approximately in circumference and high. It is lit from above by a ring of glazing around the edge of the conical roof and is viewed from a high platform at the centre of the rotunda. The painting depicts several different episodes from the Battle of Waterloo in 1815, concentrating on charges
Waterloo Campaign: Quatre Bras to Waterloo Brussels: the Mont-Saint-Jean escarpment near the village of Waterloo. On this position he might rely upon the aid of a sufficient portion of Blücher's forces from Wavre which combined with his own would enable the Coalition to confront Napoleon and his main army with a numerical superiority at a decisive point. Wellington was familiar with the topography of the position having identified it as a possible battle site a year previously while surveying the territory around Brussels. Shortly after the departure of the patrol of the 10th Hussars, along the Namur road, Wellington received some despatches from England, to which