Saint George in devotions, traditions and prayers was specially devoted to the saint and declared him the patron saint of Portugal. In the fifteenth and sixteenth centuries, Portuguese explorers carried the devotion across the oceans to India and South America. After the thirteenth century, a large portion of the art, iconography and legendary traditions associated with Saint George and many festivals that celebrate him involve the legend of Saint George and the Dragon. The association of Saint George with the dragon was not attested to until the twelfth century version of "Miracula Sancti Georgii" (Codex Romanus Angelicus 46, pt. 12, written in Greek). Jacobus De Voragine, the
The Vision of Saint Eustace the fact that Pisanello painted Saint Eustace in Sant'Anastasia. Saint Hubert’s depiction in Italian art during this period is also unlikely. Saint Eustace is portrayed as a huntsman dressed in the height of court fashion, wearing a golden tunic and blue headdress. The patron was therefore given the opportunity to appreciate the work as a devotional piece in addition to identifying with the aristocratic pastime of hunting and chivalric ideology. The patron for whom the work was painted is, however, unknown. Suggested patrons include the Gonzaga and Filippo Maria Visconti. Leonello or Borso d’Este, keen huntsmen, have also been proposed.