Ballad some of which were later set to music by Schubert. Later important examples of the poetic form included Rudyard Kipling's "Barrack-Room Ballads" (1892-6) and Oscar Wilde's "The Ballad of Reading Gaol" (1897). Victorian poet Christina Rossetti used ballad forms to explore spiritual and moral issues and to discuss the stereotypical treatment and representation of men and women's roles in society. In the 18th century ballad operas developed as a form of English stage entertainment, partly in opposition to the Italian domination of the London operatic scene. It consisted of racy and often satirical spoken (English) dialogue, interspersed with songs that
Treujenn-gaol Treujenn-gaol The treujenn-gaol (Breton: "cabbage stalk") is the Breton term for the clarinet as used in Breton music. The term 'treujenn gaol' was originally a pejorative term invented by bombard players who found the newer instrument encroaching on their livelihood. The clarinet arrived in Brittany in the 18th century. The most traditional Breton clarinet is an older type of instrument with 13 or even fewer keys, in contrast to the modern 'Boehm' instrument commonly used in contemporary music in France. Classical musicians in the 19th century discarded older instruments in favor of newer designs from makers such as Boehm, Albert,