English drama the stage. Again In the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by the French resident, Irishman Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (1930-2008), (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (1937-) ("Rosencrantz and Guildenstern are Dead",1966). Stoppard's works are, however, also notable for their high-spirited wit and the great range of intellectual issues which he tackles in different plays. Both Pinter and Stoppard continued to have new plays produced into the 1990s. Michael Frayn
Waiting for Godot Feelings ran high and the opposition, led by Sir Malcolm Sargent, threatened to resign if "Godot" won [The Best New Play category]. An English compromise was worked out by changing the title of the award. "Godot" became The Most Controversial Play of the Year. It is a prize that has never been given since." In the Australian premiere at the Arrow Theatre in Melbourne in 1957, Barry Humphries played Estragon opposite Peter O'Shaughnessy's Vladimir. Although not his favourite amongst his plays, "Waiting for Godot" was the work which brought Beckett fame and financial stability and as such it always held