Haiku in languages other than Japanese published by the Estonian Writers' Union's magazine "Looming" ("Creation"). Estonian haiku have been actively translated into Finnish. Jhinabhai Desai introduced Haiku in Gujarati literature and popularized it. "Soneri Chand Rooperi Suraj" (1967) is the collection of 359 haiku and six Tanka poems. "Kevalveej" (1984) and "Sunrise on the Snowpeaks" are his other haiku collections. Dhiru Parikh published Haiku collection titled "Aagiya" in 1982. Haiku poetry is a relatively new practice in the Arabic literature. It wasn't until 2010 when the first book was published by a Syrian writer Muhammad Adimah containing 1000 haiku translated from Japanese directly. Although most of
Japanese pitch accent that of Kōchi in Shikoku. Japanese pitch accent also varies in how it interacts with syllables and morae. Kagoshima is a purely syllabic dialect, while Osaka is moraic. For example, the low-tone unaccented noun "shimbun" 'newspaper' is in Kagoshima, with the high tone spread across the entire final syllable "bun," but in Osaka it is , with the high tone restricted to the final mora "n". In Tokyo, accent placement is constrained by the syllable, though the downstep occurs between the morae of that syllable. That is, a stressed syllable in Tokyo dialect, as in "kai" 'shell' or "san" 'divining