The King of Comedy (film) Reagan administration in contrast to other films made during the administration's early years (although the script was written well before Reagan's election, and shooting began less than five months after Reagan took office). "At a time when the film world piles on simple-minded sentiment in thick gooey gobs, a picture like "The King of Comedy" appears a frontal assault. The triumph of the 'little guy' is revealed to be nothing more than lumpen neo-Fascist blood lust." Pauline Kael of "The New Yorker" was one of the critics who disliked the film, describing the character of Rupert Pupkin as "Jake LaMotta
Elia Kazan his ability to recognize their personal character traits. Although he didn't know De Niro before this film, for example, Kazan later writes, "Bobby is more meticulous ... he's very imaginative. He's very precise. He figures everything out both inside and outside. He has good emotion. He's a character actor: everything he does he calculates. In a good way, but he calculates." Kazan developed and used those personality traits for his character in the film. Although the film did poorly at the box office, some reviewers praised De Niro's acting. Film critic Marie Brenner writes that "for De Niro, it is