Japanese poetry poetry: The largest anthology of haiku in Japanese is the 12-volume Bunruihaiku-zenshū (Classified Collection of Haiku) compiled by Masaoka Shiki, completed after his death, which collected haiku by seasonal theme and sub-theme. It includes work dating back to the 15th century. The largest collection of haiku translated into English on any single subject is "Cherry Blossom Epiphany" by Robin D. Gill, which contains some 3,000 Japanese haiku on the subject of the cherry blossom.< Gill, Robin D. "Cherry Blossom Epiphany", Paraverse Press, 2007 > H. Mack Horton's translation of the 16th-century "Journal of Sōchō", by a pre-eminent renga poet of
Mora (linguistics) moraic system of writing. For example, in the two-syllable word "mōra", the "ō" is a long vowel and counts as two morae. The word is written in three symbols, モーラ, corresponding here to , each containing one mora. Such scholars also argue that the 5/7/5 pattern of the haiku in modern Japanese is of morae rather than syllables. The Japanese syllable-final "n" is also said to be moraic, as is the first part of a geminate consonant. For example, the Japanese name for "Japan", 日本, has two different pronunciations, one with three morae ("Nihon") and one with four ("Nippon"). In