History of Samoa who brought the tools necessary to create the art of tatau, or in English tattoo, whence came the traditional Samoan "malofie" (also known as "pe'a" for men and as "malu" for women). The foundation of the cultural tradition of Samoa, or the fa'asamoa came with the rise of the warrior queen Nafanua. Her rule instituted traditions of the fa'amatai or local family and village and regional chiefly systems, a decentralized system. Her niece Salamasina continued under this system and their time is considered a golden age of Samoan cultural traditions. For a long period, a Tongan aristocracy ruled in Samoa.
Two Tahitian Women Two Tahitian Women Two Tahitian Women is an 1899 painting by Paul Gauguin. It depicts two topless women, one holding mango blossoms, on the Pacific Island of Tahiti. The painting is part of the permanent collection of the Metropolitan Museum of Art in New York City and was donated to the museum by William Church Osborn in 1949. Although Tahiti is depicted as an innocent paradise, the two women in the painting confront the viewer in a way similar to that in Manet's "Le déjeuner sur l'herbe" (1863) or "Olympia" (1863), and follow an artistic tradition of comparing woman's breasts