Aesop's Fables without drawing a moral. For many centuries the main transmission of Aesop's fables across Europe remained in Latin or else orally in various vernaculars, where they mixed with folk tales derived from other sources. This mixing is often apparent in early vernacular collections of fables in mediaeval times. The main impetus behind the translation of large collections of fables attributed to Aesop and translated into European languages came from an early printed publication in Germany. There had been many small selections in various languages during the Middle Ages but the first attempt at an exhaustive edition was made by Heinrich
The Greek Slave first time of seeing it as an era". In 1848, while walking through Boston Common, Lucy Stone stopped to admire the statue and broke into tears, seeing in its chains the symbol of man's oppression of the female sex. From that day forward, Stone included women's rights issues in her speeches. Powers conceived of the "Greek Slave" as an artwork that would be produced in one or more finished marble statues, a common practice in nineteenth-century sculpture studios. He and his contemporaries rarely carved marble replicas themselves, relying instead on teams of skilled artisans to produce the finished works on