Haiku the 31 poems contained in "Microgramas" (Tokio 1940) and the Argentine Jorge Luis Borges in the collection "La cifra" (1981). In Lusophone (Portuguese-speaking) Brazil, after several early false starts, including a collection of 56 by Waldomiro Siqueira Jr. (1912–?) in his "Haikais" (São Paulo 1933), the form was popularised by Guilherme de Almeida, first through his 1937 magazine article "Os Meus Haicais" and then in his collection "Poesia Vária" (1947).. Since Modernism, several anthologies of Brazilian haikai have been published. In 1992 Nobel laureate Czesław Miłosz published the volume "Haiku" in which he translated from English to Polish haiku of
Japanese rebus monogram katakana or hiragana; the other a simple symbol, such as a circle or square. The symbol is pronounced according to its name, and together (in either order, but generally symbol first) these form a Japanese name. Japanese family names are generally two kanji characters, each usually of one or two morae – hence one or two hiragana or katakana if written that way – and thus can be represented as one symbol plus one kanji character, sometimes one hiragana or katakana. Only a few symbols are used, and thus only a few names can be written as a monogram this