Panorama of the Battle of Waterloo by Ionic pilasters, and crowned with parapet with a frieze of palmettes. The entrance porch has two pairs of Tuscan columns supporting a triangular pediment. The rotunda houses an oil-on-canvas painting completed by French artist Louis Dumoulin in 1912, with 14 canvas panels sewn together to create a cylinder approximately in circumference and high. It is lit from above by a ring of glazing around the edge of the conical roof and is viewed from a high platform at the centre of the rotunda. The painting depicts several different episodes from the Battle of Waterloo in 1815, concentrating on charges
Battle of Waterloo Holy Roman Empire into a German Confederation increasingly marked by the political dominance of Prussia. The bicentenary of Waterloo prompted renewed attention in the geopolitical and economic legacy of the battle and in the century of relative transatlantic peace which followed. General Antoine-Henri, Baron Jomini, one of the leading military writers on the Napoleonic art of war, had a number of very cogent explanations of the reasons behind Napoleon's defeat at Waterloo. The Prussian soldier, historian, and theorist Carl von Clausewitz, who as a young colonel had served as chief-of-staff to Thielmann's Prussian III Corps during the Waterloo campaign, expressed