Adagio for Strings eye." In 1938, Olin Downes noted that with the piece, Barber "achieved something as perfect in mass and detail as his craftsmanship permits." In an edition of "A Conductor's Analysis of Selected Works", John William Mueller devoted over 20 pages to "Adagio for Strings". Wayne Clifford Wentzel, author of "Samuel Barber: A Research and Information Guide (Composer Resource Manuals)", said that it was a piece usually selected for a closing act because it was moderately famous. Roy Brewer, writer for AllMusic, stated that it was one of the most recognizable pieces of American concert music. G. Schirmer has published several
Adagio for Strings by Eugene Ormandy at Carnegie Hall. Like the original 1938 performance, these were broadcast on radio and recorded. "Adagio for Strings" begins softly with a B played by the first violins. The lower strings come in two beats after the violins, which, as Johanna Keller from "The New York Times" put it, creates "an uneasy, shifting suspension as the melody begins a stepwise motion, like the hesitant climbing of stairs." NPR Music said that "with a tense melodic line and taut harmonies, the composition is considered by many to be the most popular of all 20th-century orchestral works." Thomas Larson