Twentieth-century English literature Terence Rattigan and Noël Coward were challenged in the 1950s by these Angry Young Men, in plays like John Osborne's "Look Back in Anger" (1956). Arnold Wesker and Nell Dunn also brought social concerns to the stage. Again in the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by Irish writer Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (born 1930), author of (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (born 1937) ("Rosencrantz and Guildenstern are Dead", 1966).
Algerian literature the first time in a 1911 novel by Robert Randau, "Les Algérianistes". A "Cercle algérianiste" was created in France in 1973 by Pieds-Noirs, with several local chapters. It has for "purpose to safeguard the cultural heritage born from the French presence in Algeria." Albert Camus, a French-Algerian (or pied noir), is undoubtedly the best known writer ever to come from Algeria. A philosopher, novelist and playwright, Camus won the Nobel Prize for Literature in 1957. While most of his stories are set in Algeria and he supported civil rights for the indigenous Algerians, he opposed Algerian independence, which has hurt