Aesop's Fables the 19th century, some of the fables were adapted into Russian, and often reinterpreted, by the fabulist Ivan Krylov. In most cases, but not all, these were dependent on La Fontaine's versions. Translations into Asian languages at a very early date derive originally from Greek sources. These include the so-called "Fables of Syntipas", a compilation of Aesopic fables in Syriac, dating from the 9/11th centuries. Included there were several other tales of possibly West Asian origin. In Central Asia there was a 10th-century collection of the fables in Uighur. After the Middle Ages, fables largely deriving from Latin sources were
The Greek Slave the Turks and exposed at Istanbul, for sale. The cross and locket, visible amid the drapery, indicate that she is a Christian, and beloved. But this simple phase by no means completes the meaning of the statue. It represents a being superior to suffering, and raised above degradation, by inward purity and force of character. Thus the Greek Slave is an emblem of the trial to which all humanity is subject, and may be regarded as a type of resignation, uncompromising virtue, or sublime patience. Public reaction to the statue was mixed. When the work was first exhibited, many people