Maple Leaf Rag (ballet) she exits, the ensemble returns to joyous movement. The ballet is approximately 15 minutes in length. Three Scott Joplin rags provide the work's structure: "Maple Leaf Rag" (1899) opens the dance, followed by the waltz "Bethena" (1905) and "Elite Syncopations" (1902); a reprise of "Maple Leaf Rag" concludes the dance. The work is brimming with parodies of Graham's signature moves and send-ups of her best-known dances. Her twirling white-clad surrogate crosses the stage intermittently, accompanied each time by ill-boding percussive piano. Graham also pokes fun at the overwrought sexuality of some her repertory. Just before darkness hides the remaining couple
Frog Legs Rag number of characteristic James Scott compositional devices in this early work. Jasen's appraisal of "Frog Legs Rag" is not unreserved: he also places "Frog Legs Rag" within the early period when James Scott compositions were "flag-waving" and lacking in the restraint the songwriter developed after 1906. Unlike Joplin, who lengthened traditional ragtime phrasing, Scott explored the genre's dynamic qualities with shortened phrasings. Among songs published by Stark, "Frog Legs Rag" was second in sales after Joplin's "Maple Leaf Rag". "Frog Legs Rag" has been described as "brash" and "exuberant". It was also considered to be a landmark in ragtime sheet