Tadao Okazaki Special Prize from "Modern Haiku Magazine" Cicada Prize from "Cicada, the Journal of Canadian Haiku Society" He has published his three-line and free-verse haiku poems in Frogpond, The official journal of the Haiku Society of America; Modern Haiku; Cicada; New Cicada; Bottlerocket (in press) ; Contemporary Haibun and others. Published “Free verse haibun” poetry, where the traditionally prose part of haibun is replaced with English free-verse. Okazaki Proposed “Haiku-Ballad Theory,” that defines classical haiku form as a tri-meter/ tetra-meter/ tri-meter iambic triplet ballad. Okazaki is an old member of the Haiku Society of America, and one of very few Japanese
Haiku in English with the one-line vertical column in which Japanese haiku are often printed, was lent legitimacy principally by three people: The single-line haiku usually contains fewer than seventeen syllables. A caesura (pause) may be appropriate, dictated by sense or speech rhythm (following the traditional Japanese tradition of a break, marked by the Kireji), and usually little or no punctuation. This form was used by John Wills and, more recently, has been practiced by poets such as M. Kettner, Janice Bostok, Jim Kacian, Chris Gordon, Scott Metz, Stuart Quine, John Barlow, and many others. As the last two examples in particular illustrate,