Haiku the 31 poems contained in "Microgramas" (Tokio 1940) and the Argentine Jorge Luis Borges in the collection "La cifra" (1981). In Lusophone (Portuguese-speaking) Brazil, after several early false starts, including a collection of 56 by Waldomiro Siqueira Jr. (1912–?) in his "Haikais" (São Paulo 1933), the form was popularised by Guilherme de Almeida, first through his 1937 magazine article "Os Meus Haicais" and then in his collection "Poesia Vária" (1947).. Since Modernism, several anthologies of Brazilian haikai have been published. In 1992 Nobel laureate Czesław Miłosz published the volume "Haiku" in which he translated from English to Polish haiku of
Japanese abbreviated and contracted words be commonly used, or they may be specific to a particular group of people. For example, the is known as by its employees, but this terminology is not familiar to most Japanese. Japanese words are spelled using characters that represent syllables (morae), rather than individual phonetic units (phonemes) as in the English alphabet. These characters are compiled into two syllabaries: hiragana and katakana. Japanese also makes extensive use of adopted Chinese characters, or kanji, which may be pronounced with one or more syllables. Therefore, when a word or phrase is abbreviated, it does not take the form of initials, but