Haiku to what is now called "haiku". Bashō also used his "hokku" as torque points within his short prose sketches and longer travel diaries. This subgenre of "haikai" is known as "haibun". His best-known work, "Oku no Hosomichi", or "Narrow Roads to the Interior", is counted as one of the classics of Japanese literature and has been translated into English extensively. Bashō was deified by both the imperial government and Shinto religious headquarters one hundred years after his death because he raised the haikai genre from a playful game of wit to sublime poetry. He continues to be revered as a
Japanese pitch accent that of Kōchi in Shikoku. Japanese pitch accent also varies in how it interacts with syllables and morae. Kagoshima is a purely syllabic dialect, while Osaka is moraic. For example, the low-tone unaccented noun "shimbun" 'newspaper' is in Kagoshima, with the high tone spread across the entire final syllable "bun," but in Osaka it is , with the high tone restricted to the final mora "n". In Tokyo, accent placement is constrained by the syllable, though the downstep occurs between the morae of that syllable. That is, a stressed syllable in Tokyo dialect, as in "kai" 'shell' or "san" 'divining