Haiku the 31 poems contained in "Microgramas" (Tokio 1940) and the Argentine Jorge Luis Borges in the collection "La cifra" (1981). In Lusophone (Portuguese-speaking) Brazil, after several early false starts, including a collection of 56 by Waldomiro Siqueira Jr. (1912–?) in his "Haikais" (São Paulo 1933), the form was popularised by Guilherme de Almeida, first through his 1937 magazine article "Os Meus Haicais" and then in his collection "Poesia Vária" (1947).. Since Modernism, several anthologies of Brazilian haikai have been published. In 1992 Nobel laureate Czesław Miłosz published the volume "Haiku" in which he translated from English to Polish haiku of
Haiku in English the one-line form can create a variety of ambiguities involving the perceived placement of cuts and the grammatical status of individual words, thereby allowing for multiple readings of the same haiku. A variation of the format breaks the line at the "caesura" or pause. At its most minimal, a single word may occasionally be claimed to be a haiku: The first was printed alone on an otherwise blank page and arguably only "works" in that context. The second example is an allusion to the first and also depends on its placement at the center of a haiku collection. Haiku of