Rifat Ozbek native Turkey, with the classic silhouettes of the West. Ozbek created eclectic clothing which encouraged the urban consumer to embrace “ethnic chic.” His use of embroidery, tassels, and vivid colors like turquoise and fushia was completely at odds with 1980s power dressing; nevertheless, his antifashion approach to modern dressing received quite a bit of attention from those who appreciated the departure from sharp-edged suiting. Ozbek’s designs reflected both club scene and New Age influences, when in 1990, he made clear his faith in spiritualism by presenting an all-white collection. His popularity ontinued throughout the 1990s as he continued his investigation
Rifat Ozbek own company and then began to show his yearly collections in Milan and New York City, and more recently, in Paris. In 1987 the production of his studio line, Future Ozbek, was licensed to Aeffe SpA, in Italy, and his notoriety continued to grow. By 1995, Özbek had launched his own perfume called "Ozbek", and later a second perfume called "Ozbek 1001". The fall 1999/spring 2000 collections of many designers reflected the very aesthetic that Ozbek valued for over a decade—the artful mixing of unlikely patterns, shapes, and ornamentation, rowed from a global grab bag.along with bits and pieces borrowed