Cavalier painter Sir Anthony van Dyck, the archetypal recorder of the Cavalier image, all took the Parliamentary side in the Civil War. Probably the most famous image identified as of a "cavalier", Frans Hals' "Laughing Cavalier", shows a gentleman from the strongly Calvinist Dutch town of Haarlem, and is dated 1624. These derogatory terms (for at the time they were so intended) also showed what the typical Parliamentarian thought of the Royalist side – capricious men who cared more for vanity than the nation at large. The chaplain to King Charles I, Edward Simmons described a Cavalier as "a Child of
Laughing Cavalier Marquess of Hertford, who outbid Baron James de Rothschild at more than six times the sales estimate. It was in Hertford's Paris home in 1871, listed as "portrait d'un homme" ("portrait of a man"), and then brought to London, probably for the purpose of exhibiting it in a large and long loan exhibition of old master paintings at Bethnal Green, which was deliberately sited away from the West End of London to attract the working classes. The exhibition was a huge success and "A Cavalier" (the catalogue title) a particular hit with both public and the critics; it played a