The Expression of the Emotions in Man and Animals in the field of comparative psychology and his impact on academic psychology was muted, partly because of the widespread influence of the behaviourist school during the twentieth century. The lavish style of biological illustration was followed in work on animal locomotion by photographer Eadweard Muybridge (1830–1904)(leading to cinematography), and by the Scottish naturalist James Bell Pettigrew (1832–1908); in the extensively (and controversially) illustrated works of the evolutionary biologist Ernst Haeckel; and – to a lesser extent – in D'Arcy Thompson's "On Growth and Form" (1917). Darwin's ideas were followed up in William James' "What Is An Emotion ?" (1884); and,
The Expression of the Emotions in Man and Animals with engravings of the Darwin family's domestic pets by the zoological illustrator T. W. Wood as well as work by the artists Briton Rivière, Joseph Wolf and A.D. May. It also included portraits by the Swedish photographer Oscar Rejlander (1813–1875), anatomical diagrams by Sir Charles Bell (1774–1842) and Friedrich Henle (1809–1885), as well as illustrational quotations from the "Mécanisme de la physionomie humaine" (1862) by the French neurologist Duchenne de Boulogne (1806–1875). As a result of his domestic psychology experiments, Darwin reduced the number of commonly observed emotions from Duchenne's calculation of more than sixty facial expressions, to just six