History of the Chile national football team Soviet Union, Italy, and North Korea, Chile was only able to gain 1 point, with a 1–1 draw against North Korea. Chile scored two goals in the 1966 World Cup, both coming from Ruben Marcos. Chile qualified for the 1974 World Cup after a controversial play-off with the USSR. Following a drawn first leg in Moscow, the Soviets refused to play the second leg at the Estadio Nacional in Santiago, which had been used as a concentration camp by the military dictatorship of Pinochet. However, FIFA refused to switch the match to a neutral venue, so the Chilean players kicked
Cinema of Chile Battle of Chile" (1979), Marilú Mallet's "Journal inachevé" (1982), Angelina Vásquez's "Presencia lejana" (1982) and "Acta General de Chile" (1986). Film production within Chile was relatively low throughout the military regime, with most filmmakers working in exile, but began to increase again when the regime ended in 1989. In 1992, the FONDART national art fund was established which would go on to support some 90% of Chilean feature-length films made since its creation. Although many films released in the late 1980s and early 1990s received both public and critical acclaim, including "Johnny Cien Pesos" (Hundred Peso Johnny, 1993) by Gustavo