Haiku third lines end-rhymed. Yasuda considered that haiku translated into English should utilize all of the poetic resources of the language. Yasuda's theory also includes the concept of a "haiku moment" based in personal experience, and provides the motive for writing a haiku (' an aesthestic moment' of a timeless feeling of enlightened harmony as the poet's nature and the environment are unified'). This notion of the haiku moment has resonated with haiku writers in English, even though the notion is not widely promoted in Japanese haiku.(See however, 'Shiki's Haiku Moments for Us Today' In 1958, "An Introduction to Haiku: An
Japanese rebus monogram katakana or hiragana; the other a simple symbol, such as a circle or square. The symbol is pronounced according to its name, and together (in either order, but generally symbol first) these form a Japanese name. Japanese family names are generally two kanji characters, each usually of one or two morae – hence one or two hiragana or katakana if written that way – and thus can be represented as one symbol plus one kanji character, sometimes one hiragana or katakana. Only a few symbols are used, and thus only a few names can be written as a monogram this