Menin Gate offered to the citizens of Ypres for the ornament of their city and in commemoration of the days where the British Army defended it against the invader." Reaction to the Menin Gate, the first of the Imperial (now Commonwealth) War Graves Commission's Memorials to the Missing, ranged from its condemnation by the war poet Siegfried Sassoon, to praise by the Austrian writer Stefan Zweig. Sassoon described the Menin Gate in his poem 'On Passing the New Menin Gate', saying that the dead of the Ypres Salient would "deride this sepulchre of crime". Zweig, in contrast, praised the simplicity of the
The Menin Road (painting) The Menin Road (painting) The Menin Road is a large oil painting by Paul Nash completed in 1919 that depicts a First World War battlefield. Nash was commissioned by the British War Memorials Committee to paint a battlefield scene for the proposed national Hall of Remembrance. The painting is considered one of the most iconic images of the First World War and is held by the Imperial War Museum. In September 1914, the British government set up a propaganda department at Wellington House to influence domestic and overseas opinion. In 1916 Wellington House established a section to distribute films and