Waiting for Godot as a capitalist-aristocrat, and Lucky as labour-proletarian. This prompted Beckett to issue a rare statement, stating that the reaction was based on a misconception of the play. To Beckett, the play tries to not be able to be defined. The New York showing of the play was well-received with critics. Brooks Atkinson of the New York Times praised Lahr for his performance as Estragon. Waiting for Godot Waiting for Godot ( ) is a play by Samuel Beckett, in which two characters, Vladimir (Didi) and Estragon (Gogo), wait for the arrival of someone named Godot who never arrives, and while
Postmodern literature For example, some mark the beginning of postmodernism with the first publication of John Hawkes' "The Cannibal" in 1949, the first performance of "En attendant Godot" in 1953 ("Waiting for Godot", 1955), the first publication of "Howl" in 1956 or of "Naked Lunch" in 1959. For others the beginning is marked by moments in critical theory: Jacques Derrida's "Structure, Sign, and Play" lecture in 1966 or as late as Ihab Hassan's usage in "The Dismemberment of Orpheus" in 1971. Brian McHale details his main thesis on this shift, although many postmodern works have developed out of modernism, modernism is characterised