True self and false self false self; while Winnicott's true/false distinction has also been compared to Michael Balint's "basic fault" and to Ronald Fairbairn's notion of the "compromised ego". Erich Fromm, in his book "The Fear of Freedom" distinguished between original self and pseudo self – the inauthenticality of the latter being a way to escape the loneliness of freedom; while much earlier the existentialist like Kierkegaard had claimed that "to will to be that self which one truly is, is indeed the opposite of despair" – the despair of choosing "to be another than himself". Karen Horney, in her 1950 book, "Neurosis and Human
Always True to You in My Fashion own sick way, I'll always stay true to you". Always True to You in My Fashion "Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical "Kiss Me, Kate". It is based on "Non Sum Qualis Eram Bonae sub Regno Cynarae," a similarly ironic poem by the English Decadent poet Ernest Dowson (1867–1900), which has the refrain 'I have been faithful to thee, Cynara, in my fashion,' and which was probably inspired by Dowson's lifelong friend Adelaide Foltinowicz, who never returned his devotion. The phrase "faithful in my fashion" entered the