Ballad some of which were later set to music by Schubert. Later important examples of the poetic form included Rudyard Kipling's "Barrack-Room Ballads" (1892-6) and Oscar Wilde's "The Ballad of Reading Gaol" (1897). Victorian poet Christina Rossetti used ballad forms to explore spiritual and moral issues and to discuss the stereotypical treatment and representation of men and women's roles in society. In the 18th century ballad operas developed as a form of English stage entertainment, partly in opposition to the Italian domination of the London operatic scene. It consisted of racy and often satirical spoken (English) dialogue, interspersed with songs that
Magnus Hirschfeld number, C33, as a way of symbolically linking his fate to theirs, to read out aloud Wilde's poem "The Ballad of Reading Gaol". Hirschfeld found the reading of "The Ballad of Reading Gaol" to be ""markerschütternd"" (shaken to the core of one's being, i.e. something that is emotionally devastating), going on to write that the poem reading was "the most earth-shattering outcry that has ever been voiced by a downtrodden soul about its own torture and that of humanity". By the end of the reading of "The Ballad of Reading Gaol", Hirshfeld felt "quiet joy" as he was convinced that,