Twentieth-century English literature Terence Rattigan and Noël Coward were challenged in the 1950s by these Angry Young Men, in plays like John Osborne's "Look Back in Anger" (1956). Arnold Wesker and Nell Dunn also brought social concerns to the stage. Again in the 1950s, the absurdist play "Waiting for Godot" (1955) (originally "En attendant Godot", 1952), by Irish writer Samuel Beckett profoundly affected British drama. The Theatre of the Absurd influenced Harold Pinter (born 1930), author of (The Birthday Party, 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (born 1937) ("Rosencrantz and Guildenstern are Dead", 1966).
Nobel Prize in Literature Some, such as Indian academic Sabaree Mitra, have noted that, though the Nobel Prize in Literature is significant and tends to overshadow other awards, it is "not the only benchmark of literary excellence." Nobel's "vague" wording for the criteria for the prize has led to recurrent controversy. In the original Swedish, the word "idealisk" translates as "ideal". The Nobel Committee's interpretation has varied over the years. In recent years, this means a kind of idealism championing human rights on a broad scale. Alfred Nobel stipulated in his last will and testament that his money be used to create a series