Japanese poetry are a short, 3-line verse form, which have achieved significant global popularity, and the haiku form has been adapted from Japanese into other languages. Typical of the haiku form is the metrical pattern of 3 lines with a distribution of 5, 7, and 5 "on" (also known as morae) within those lines. Other features include the juxtaposition of two images or ideas with a "kireji" ("cutting word") between them, and a "kigo", or seasonal reference, usually drawn from a "saijiki", or traditional list of such words. Much of Japanese poetry has been transmitted historically through published anthologies, many of them
Haiku in English verse, were published between 1997 and 2006 (issues 1-8 were edited by Patricia Kelsall; issues 9-20 by Beverley George). Nowadays "Paper Wasp" is published in Australia, "Kokako" in New Zealand and "Chrysanthemum" (bilingual German/English) in Germany and Austria. Two other online English-language haiku journals founded outside North America, "A Hundred Gourds" and "Notes from the Gean", are now defunct. John Barlow's Snapshot Press is a notable UK-based publisher of haiku books. In the early 20th century, Nobel laureate Rabindranath Tagore composed haiku in Bengali. He also translated some from Japanese. In Gujarati, Jhinabhai Desai 'Sneharashmi' popularized haiku and remained a