Ballad some of which were later set to music by Schubert. Later important examples of the poetic form included Rudyard Kipling's "Barrack-Room Ballads" (1892-6) and Oscar Wilde's "The Ballad of Reading Gaol" (1897). Victorian poet Christina Rossetti used ballad forms to explore spiritual and moral issues and to discuss the stereotypical treatment and representation of men and women's roles in society. In the 18th century ballad operas developed as a form of English stage entertainment, partly in opposition to the Italian domination of the London operatic scene. It consisted of racy and often satirical spoken (English) dialogue, interspersed with songs that
Ballad of the Goodly Fere Ballad of the Goodly Fere The Ballad of the Goodly Fere is a poem by Ezra Pound, first published in 1909. The narrator is Simon Zelotes, speaking after the Crucifixion about his memories of Jesus (the "goodly fere"—Old English for "companion"—of the title). Pound wrote the poem as a direct response to what he considered inappropriately effeminate portrayals of Jesus, comparing Jesus—a "man o' men"—to "capon priest(s)"; he subsequently told "T.P.'s Weekly" that he had "been made very angry by a certain sort of cheap irreverence". Charles Elkin Mathews expressed his concerns that readers would find "Fere"s humanization of Jesus