Haiku matter. The loosening of traditional standards has resulted in the term "haiku" being applied to brief English-language poems such as "mathemaku" and other kinds of pseudohaiku. Some sources claim that this is justified by the blurring of definitional boundaries in Japan. Subsequent to Paul-Louis Couchoud’s popularisation of the form in France through his essays and translations, the next major haiku collection to appear there was the sequence of war poems by , "Cent visions de guerre" (1916). Later haiku by him were included among the work of the twelve published together in the "Nouvelle Revue Française" (No. 84, September 1920),
Japanese consonant and vowel verbs verbs ended in "-hu," which is still seen on occasion in historical kana usage, and thus unambiguously ended in "h". The terms "consonant-stem" and "vowel-stem" come from considering the invariant part of the verb (the verb stem) on the basis of phonemes – concretely, by writing in rōmaji. This is an abstract perspective, as the consonant stem itself never occurs independently, but only with a following vowel, as Japanese words are formed of morae – concretely, writing in kana. For example, while the stem of "yomu" is "yom-," the bare *"yom" is not an independent word. The standard Japanese terms,