The Expression of the Emotions in Man and Animals in the field of comparative psychology and his impact on academic psychology was muted, partly because of the widespread influence of the behaviourist school during the twentieth century. The lavish style of biological illustration was followed in work on animal locomotion by photographer Eadweard Muybridge (1830–1904)(leading to cinematography), and by the Scottish naturalist James Bell Pettigrew (1832–1908); in the extensively (and controversially) illustrated works of the evolutionary biologist Ernst Haeckel; and – to a lesser extent – in D'Arcy Thompson's "On Growth and Form" (1917). Darwin's ideas were followed up in William James' "What Is An Emotion ?" (1884); and,
The Man Who Wrote Frankenstein that while he argues that Mary Shelley was not well educated enough to have written "Frankenstein", his argument fails because "it is not a good, let alone a great novel and hardly merits the attention it has been given." Lauritsen replied that "Frankenstein" "is a radical and disturbing work, containing some of the most beautiful prose in the English language ... a profound and moving masterpiece, fully worthy of its author, Percy Bysshe Shelley." "The Man Who Wrote Frankenstein" received positive reviews from Jim Herrick in "Gay Humanist Quarterly", Hubert Kennedy in "The Guide", and Douglas Sadownick in "The Gay