Maple Leaf Rag (ballet) on stage, he tears off her skirt. "Maple Leaf Rag" was Graham's 180th choreographic work. Even so, reviewers noted, she still had the capacity to surprise and delight. "The new piece is an entertaining poke by a genius at her own cliches, tersely and wittily stated," wrote "The New York Times"' Anna Kisselgoff. A critic seeing a much later performance said, "While she worked out her obsessions onstage, Graham also had a keen but oft-overlooked sense of humor. Set to several Scott Joplin rags that were still in vogue during her teenage years, "Maple Leaf Rag" is a sly and
Maple Leaf Rag Joplin's contract with a $0.01 royalty would have given Joplin an income of $4, or approximately $ in current value. Later sales were steady and would have given Joplin an income which would have covered his expenses; in 1909 estimated sales would have given him an income of $600 annually (approximately $ in current prices). In addition to sales of sheet music, it was also popular in orchestrations for dance bands and brass bands for years. Joplin failed to repeat the success of Maple Leaf Rag, with none of his other famous rags (such as The Entertainer) garnering as much