Incense in China "Xiangbang" (香棒, with "stick; club") means "incense stick; joss stick". Two "incense" synonyms specifying religious offerings to ancestors or deities are "gāoxiāng" (高香, ""high incense"") and "gōngxiāng" (供香, ""offering incense""). The Sunni Muslim Hui Gedimu and the Yihewani burned incense during worship. This was viewed as Daoist or Buddhist influence. The Hui, also known as "White-capped HuiHui", used incense during worship, while the Salar, also known as "black-capped HuiHui" considered this to be a heathen ritual and denounced it. The Chinese developed a sophisticated art form with incense burning like with tea and calligraphy called xiangdao (香道). It involves various
Chinese gods and immortals "god" and "deity", Latin "genius" (meaning a generative principle, "spirit") and "deus" or "divus"; "dì", sometimes translated as "thearch", implies a manifested or incarnate "godly" power. It is etymologically and figuratively analogous to the concept of "di" as the base of a fruit, which falls and produces other fruits. This analogy is attested in the "Shuowen Jiezi" explaining "deity" as "what faces the base of a melon fruit". The latter term 仙 "xiān" unambiguously means a man who has reached immortality, similarly to the Western idea of "hero". Chinese traditional theology, which comes in different interpretations according to the classic