Haiku the 31 poems contained in "Microgramas" (Tokio 1940) and the Argentine Jorge Luis Borges in the collection "La cifra" (1981). In Lusophone (Portuguese-speaking) Brazil, after several early false starts, including a collection of 56 by Waldomiro Siqueira Jr. (1912–?) in his "Haikais" (São Paulo 1933), the form was popularised by Guilherme de Almeida, first through his 1937 magazine article "Os Meus Haicais" and then in his collection "Poesia Vária" (1947).. Since Modernism, several anthologies of Brazilian haikai have been published. In 1992 Nobel laureate Czesław Miłosz published the volume "Haiku" in which he translated from English to Polish haiku of
Japanese abbreviated and contracted words Station, is referred to by locals as , a contraction of , in which the alternative reading of "Na-" (名), the first character in "Nagoya", is used. In loanwords and names, the most common pattern is to take the first two morae (or kana) of each of the two words, and combine them forming a new, single word. For example, "family restaurant" or "famirī resutoran" becomes "famiresu". Yōon sounds, those sounds represented using a kana ending in "i" and a small "ya", "yu" or "yo" kana, such as "kyo" count as one mora. Japanese long vowels count as two morae,