Haiku matter. The loosening of traditional standards has resulted in the term "haiku" being applied to brief English-language poems such as "mathemaku" and other kinds of pseudohaiku. Some sources claim that this is justified by the blurring of definitional boundaries in Japan. Subsequent to Paul-Louis Couchoud’s popularisation of the form in France through his essays and translations, the next major haiku collection to appear there was the sequence of war poems by , "Cent visions de guerre" (1916). Later haiku by him were included among the work of the twelve published together in the "Nouvelle Revue Française" (No. 84, September 1920),
Japanese rebus monogram katakana or hiragana; the other a simple symbol, such as a circle or square. The symbol is pronounced according to its name, and together (in either order, but generally symbol first) these form a Japanese name. Japanese family names are generally two kanji characters, each usually of one or two morae – hence one or two hiragana or katakana if written that way – and thus can be represented as one symbol plus one kanji character, sometimes one hiragana or katakana. Only a few symbols are used, and thus only a few names can be written as a monogram this