Panorama of the Battle of Waterloo by Ionic pilasters, and crowned with parapet with a frieze of palmettes. The entrance porch has two pairs of Tuscan columns supporting a triangular pediment. The rotunda houses an oil-on-canvas painting completed by French artist Louis Dumoulin in 1912, with 14 canvas panels sewn together to create a cylinder approximately in circumference and high. It is lit from above by a ring of glazing around the edge of the conical roof and is viewed from a high platform at the centre of the rotunda. The painting depicts several different episodes from the Battle of Waterloo in 1815, concentrating on charges
Battle of Waterloo holding his ground at Quatre Bras, the defeat of the Prussians forced Wellington to withdraw north to Waterloo on the 17th. Napoleon sent a third of his forces to pursue the Prussians, who had in good order. This resulted in the separate and simultaneous Battle of Wavre with the Prussian rear-guard. Upon learning that the Prussian army was able to support him, Wellington decided to offer battle on the Mont-Saint-Jean escarpment, across the Brussels road. Here he withstood repeated attacks by the French throughout the afternoon of the 18th, aided by the progressively arriving Prussians. In the evening Napoleon committed