Maple Leaf Rag (ballet) on stage, he tears off her skirt. "Maple Leaf Rag" was Graham's 180th choreographic work. Even so, reviewers noted, she still had the capacity to surprise and delight. "The new piece is an entertaining poke by a genius at her own cliches, tersely and wittily stated," wrote "The New York Times"' Anna Kisselgoff. A critic seeing a much later performance said, "While she worked out her obsessions onstage, Graham also had a keen but oft-overlooked sense of humor. Set to several Scott Joplin rags that were still in vogue during her teenage years, "Maple Leaf Rag" is a sly and
Maple Leaf Rag his appearance he manages to wow the crowd with the Maple Leaf Rag. While the men are jealous of his dancing abilities and draw their razors, the women love him, and the "finest belle" sends for a carriage and the two of them ride away. Modern ragtime composer Ron O'Dell has commented that the song has characteristics in common with rap, such as the lyrical themes, the lyrics being written in the African American Vernacular English of the time, and the fact that the lyrics are sung over the least melodic strain of the music. There have been many claims