Japanese poetry poetry: The largest anthology of haiku in Japanese is the 12-volume Bunruihaiku-zenshū (Classified Collection of Haiku) compiled by Masaoka Shiki, completed after his death, which collected haiku by seasonal theme and sub-theme. It includes work dating back to the 15th century. The largest collection of haiku translated into English on any single subject is "Cherry Blossom Epiphany" by Robin D. Gill, which contains some 3,000 Japanese haiku on the subject of the cherry blossom.< Gill, Robin D. "Cherry Blossom Epiphany", Paraverse Press, 2007 > H. Mack Horton's translation of the 16th-century "Journal of Sōchō", by a pre-eminent renga poet of
Japanese consonant and vowel verbs verbs ended in "-hu," which is still seen on occasion in historical kana usage, and thus unambiguously ended in "h". The terms "consonant-stem" and "vowel-stem" come from considering the invariant part of the verb (the verb stem) on the basis of phonemes – concretely, by writing in rōmaji. This is an abstract perspective, as the consonant stem itself never occurs independently, but only with a following vowel, as Japanese words are formed of morae – concretely, writing in kana. For example, while the stem of "yomu" is "yom-," the bare *"yom" is not an independent word. The standard Japanese terms,