Military dictatorship of Chile (1973–1990) themselves by trying to burn and destroy incriminating evidence. Such actions had the effect of justifying the existence of heavily armed forces in Chile. And by extension, justified the dictatorship's conduct against such "violent" offenders. In the 1970s junta members Gustavo Leigh and Augusto Pinochet clashed on several occasions beginning in the day of the 1973 Chilean coup d'état. Leigh criticized Pinochet for having joined the coup very late and then pretending to keep all power for himself. In December 1974 Leigh opposed the proposal to name Pinochet president of Chile. Leigh recalls about that moment that, "Pinochet was furious,
Cinema of Chile Battle of Chile" (1979), Marilú Mallet's "Journal inachevé" (1982), Angelina Vásquez's "Presencia lejana" (1982) and "Acta General de Chile" (1986). Film production within Chile was relatively low throughout the military regime, with most filmmakers working in exile, but began to increase again when the regime ended in 1989. In 1992, the FONDART national art fund was established which would go on to support some 90% of Chilean feature-length films made since its creation. Although many films released in the late 1980s and early 1990s received both public and critical acclaim, including "Johnny Cien Pesos" (Hundred Peso Johnny, 1993) by Gustavo