Eastern Standard the integrity of either his troubling content or his effervescent theatrical form . . . For anyone who has been waiting for a play that tells what it is like to be more or less middle-class, more or less young and more or less well-intentioned in a frightening city at this moment in this time zone, "Eastern Standard" at long last is it." Michael Kuchwara, in his review for the Associated Press, wrote: "Alternately compassionate and caustic, funny and sad, "Eastern Standard" marks the arrival of a major playwrighting talent who has been percolating on the theater scene for several
Comparison of standard Bosnian, Croatian, Montenegrin and Serbian Comparison of standard Bosnian, Croatian, Montenegrin and Serbian Standard Bosnian, Croatian, Montenegrin, and Serbian are different national variants and official registers of the pluricentric Serbo-Croatian language. In socialist Yugoslavia, the official policy insisted on one unitary language with two regional normative varieties—Eastern (used in Serbia, Montenegro, and Bosnia and Herzegovina by all ethnicities, either with the Ekavian or the Ijekavian accent) and Western (used in Croatia by all ethnicities, the Ijekavian accent only). However, due to discontent in Croatian intellectual circles, beginning in the late 1960s Croatian cultural workers started to refer to the language exclusively as 'the Croatian literary