Voice type in baroque operas. Except for a few very rare voices (such as the American male soprano Michael Maniaci or singers with a disorder such as Kallmann syndrome), singers called countertenors generally sing in the falsetto register, sometimes using their modal voice for the lowest notes. Historically, there is much evidence that the countertenor, in England at least, also designated a very high tenor voice, the equivalent of the French "haute-contre". Until about 1830, all male voices used some falsetto-type voice production in their upper range. Countertenor voices span a broad range, covering E3 to E5. Countertenor subtypes: Countertenors are often
Holman Climax Male Voice Choir Holman Climax Male Voice Choir The Holman Climax Male Voice Choir is a Cornish choir which was formed in 1940 and is based in Camborne, Cornwall. It was originally known as the Climax Male Voice Choir, but added the name Holman to its title during the late 1960s after the two companies of Holman's and Climax merged. The Holman Climax Male Voice Choir was formed in 1940 by Edgar S. Kessell MBE (1910–1981), the first conductor of the choir, who guided it from its formation until his retirement due to ill health in 1973. Kessell also formed the Treverva Male