Joseph Hirsch "The New Masses", following the July 1946 lynching of two black men and their wives in Monroe, Georgia. "The Burden" (1947) depicts a hollow-eyed American GI installing white cross gravemarkers in a military cemetery, while in the background a second GI unloads yet another jeep-full. Hirsch's poster for the original 1949 Broadway production of Arthur Miller's "Death of a Salesman" depicts a beaten-down Willy Loman trudging onward with his heavy suitcases. Hirsch was of German-Jewish heritage, but occasionally explored Christian themes. In "The Crucifixion" (1945), we see a close-up of the cross from behind, and the thick timbers block any
Willy Loman of the show as he bares his soul saying "Pop, I'm nothing! I'm nothing, Pop! Can't you understand that? There's no spite in it any more. I'm just what I am, that's all." At Willy's funeral, Biff states that "He had the wrong dreams...He never knew who he was.". Although his younger son, Happy, is self-absorbed, he attempts to humor Willy. He views his Uncle Ben (his father's brother) as his role model rather than his father because Ben went out to the world as a teenager and was rich by the age of 21. He repeatedly reminds Willy of