Bass guitar the 3rd, 5th, 7th, 9th fret and 12th fret (the 12th fret being the octave of the open string) and on the octave-up equivalents of the 3rd fret and as many additional positions as an instrument has frets for. Typically, one marker is on the 3rd, 5th, 7th and 9th fret positions and two markers on the 12th fret. The long scale necks on Leo Fender's basses—with a scale length (distance between nut and bridge) of — set the standard for electric basses, although "short scale" instruments, such as the Höfner 500/1 "violin bass" played by Paul McCartney, and the
Seven-string guitar A. Seven-string semi-acoustic archtop guitars were used by jazz-guitarist Ralph Patt after he began exploring major-thirds tuning in 1964. Patt's tuning is a regular tuning, in the sense that all of the intervals between its successive open strings are major thirds; in contrast, the standard guitar-tuning has one major-third amid four fourths. Major-thirds tuning has a smaller scope than standard guitar-tuning, and so Patt started using seven-string guitars, which enabled major-thirds tuning to have the E-e' range of the standard tuning. He first experimented with a wide-neck Mango guitar from the 1920s, which he modified to have seven strings in