Anne Hathaway (poem) of my widow's head/ as he held me upon that next best bed". In "The Second Best Bed and the Legacy of Anne Hathaway", Katherine Scheil describes it as "… [centering] on an intimate relationship between the Shakespeares and the second best bed: 'The bed we loved in was a spinning world / of forests, castles, torchlight, clifftops, seas / where he would dive for pearls' while 'In the other bed, the best, our guests dozed on, / dribbling their prose'". She sees Duffy's poem as belonging to a category of recent takes on Anne Hathaway that "… have used
Anne Hathaway and "real." Preparing for the role, Hathaway consumed fewer than 500 calories a day to lose , researched prostitution and cut her hair. To get into the character's mental space alone during filming in London, Hathaway sent her husband back to the US; this resulted in her becoming increasingly temperamental. Christopher Orr from "The Atlantic" wrote that "Hathaway gives it everything she has, beginning in quiet sorrow before building to a woebegone climax: she gasps, she weeps, she coughs." Ann Hornaday of "the Washington Post" wrote that "the centerpiece of a movie composed entirely of centerpieces belongs to Anne Hathaway,