Joseph Hirsch "The New Masses", following the July 1946 lynching of two black men and their wives in Monroe, Georgia. "The Burden" (1947) depicts a hollow-eyed American GI installing white cross gravemarkers in a military cemetery, while in the background a second GI unloads yet another jeep-full. Hirsch's poster for the original 1949 Broadway production of Arthur Miller's "Death of a Salesman" depicts a beaten-down Willy Loman trudging onward with his heavy suitcases. Hirsch was of German-Jewish heritage, but occasionally explored Christian themes. In "The Crucifixion" (1945), we see a close-up of the cross from behind, and the thick timbers block any
Death of a Salesman (1951 film) no involvement with or control over the movie. Benedek also stressed the dreary, middle class setting of the film, using small rooms and gray shots. Though the film won over many film critics and received nominations for many awards, it was a box office failure. The subject matter, the failure of the American dream, did not appeal to many of the era's moviegoers. Miller himself denounced the adaptation of his play, claiming the actors all sounded like "Willy Loman with a diploma, fat with their success". He also claimed that, though he wrote the play cinematically, Benedek managed to "chop