Capo plays a B note for any capo position at or below the seventh fret), and thus a performer does not need to adjust for or relearn the entire fretboard as they might with retuning. The scale length of the strings of an instrument affects the timbre of the strings, and thus the use of a capo may alter the tone of the instrument. Musicians also use capos to bring a guitar tuned below standard up to standard tuning. Manufacturers sometimes recommend tuning a twelve-string guitar a whole-step or more below standard to offset the additional stress of the additional strings.
Romantic guitar Gagliano in Naples. This guitar, which was displayed in the Heyer Museum, Cologne before that museum was dispersed, showed some important differences from the modern classical guitar. It had 5 single strings, inlaid brass frets, a long neck relative to string length (the fretboard meeting the body at the 11th fret), a pegged bridge and a characteristic figure-8 shaped tuning head. It lacked only a sixth string to make it identical with the early romantic guitar. The earliest extant six-string guitar was built in 1779 by Gaetano Vinaccia (1759 – after 1831) in Naples, Italy. The Vinaccia family of luthiers