Willow ptarmigan a reddish hue to the neck and breast, a black tail and white wings and underparts. It has two inconspicuous wattles above the eyes, which become red and prominent in the breeding season. The female is similar in appearance but lacks the wattles and has brown feathers scattered among the white feathers on the belly. During winter, the plumage of both sexes becomes completely white, except for some black feathers in the tail. Immature birds resemble the adults. The willow ptarmigan can be distinguished from the closely related rock ptarmigan ("Lagopus muta") by its larger size and thicker bill and
White Mountain art his 1868 painting titled "". In all, over four hundred artists are known to have painted White Mountain views during the 19th century. They came from the Boston area, Maine, Pennsylvania, and New York. Most of the Hudson River School painters worked in the White Mountains while maintaining studios in New York City, including such well-known artists as Sanford Robinson Gifford (1823–1880) and Jasper Francis Cropsey (1823–1900). Most artists came to the White Mountains in the summer, but returned to their urban studios, or sometimes to warmer climates like Florida, in the winter. Therefore, paintings of winter scenes are not