Anne Whateley of great poetry. Robert Frazer, who believed that The Earl of Derby wrote the canon, argued that Shakespeare actually married Whateley, not Hathaway. Anne has also appeared in imaginative literature about Shakespeare, typically portrayed as Shakespeare's true love, in contrast to a less appealing Anne Hathaway. Anne appears in Hubert Osborne's play "The Good Men Do" (1917), which dramatises a meeting between the newly widowed Anne Hathaway and Anne Whateley. Hathaway is depicted as viciously shrewish and spiteful, in contrast to her noble-minded former rival. Both women portray Shakespeare's life as an actor and playwright as morally degrading, Whateley insisting
Anne Hathaway and "real." Preparing for the role, Hathaway consumed fewer than 500 calories a day to lose , researched prostitution and cut her hair. To get into the character's mental space alone during filming in London, Hathaway sent her husband back to the US; this resulted in her becoming increasingly temperamental. Christopher Orr from "The Atlantic" wrote that "Hathaway gives it everything she has, beginning in quiet sorrow before building to a woebegone climax: she gasps, she weeps, she coughs." Ann Hornaday of "the Washington Post" wrote that "the centerpiece of a movie composed entirely of centerpieces belongs to Anne Hathaway,