Anne Hathaway (wife of Shakespeare) Hathaway emerged, following the publication of Frank Harris's books on Shakespeare's love life, and after the discovery that Anne was already pregnant when the couple married. A trend in literature on Hathaway in this period was to imagine her as a sexually incontinent cradle-snatcher, or, alternatively, a calculating shrew. More recent literature has included more varied representations of her. Historian Katherine Scheil describes Hathaway as a "wife-shaped void" used by modern writers "as a canvas for expressing contemporary woman's struggles — over independence, single motherhood, sexual freedom, unfaithful husbands, woman's education and power-relations between husband and wife." An adulterous Anne
Anne Hathaway song "At The Ballet" from "A Chorus Line"; Hathaway played the role of Maggie, one of a trio of dancers hoping to be cast in an upcoming show. Her final film that year was alongside Jason Sudeikis in Nacho Vigalondo's science fiction black comedy film "Colossal" (2016). Playing an unemployed young writer, Hathaway was the first actress to sign on at a time when the project had no financial backing. She found herself attached to the genre-hopping nature of the script, later comparing it to "Being John Malkovich" (1999), one of her favorite films. The film received positive reviews from