Persian literature in Western culture its narrative. Nietzsche, a radical opposer of Greek Metaphysical thought, was the author of the book "Thus Spoke Zarathustra", referring to the ancient Persian prophet Zoroaster, as the prophet of his philosophy. Nietzsche held very high interest and respect for Persians. For example, where he speaks about the Persian notion of history and "cyclical Eternal Time", he writes: "I must pay tribute to Zarathustra, a Persian, for Persians were the first who thought of history in its full entirety." and further adds: ""It was much more fortunate if Persians became masters (Herr) of the Greeks, than the very Romans." But
Zoroaster that it was a form of rational Deism, preferable to Christianity. Zoroaster was the subject of the 1749 opera, "Zoroastre", by Jean-Philippe Rameau. With the translation of the Avesta by Abraham Anquetil-Duperron, Western scholarship of Zoroastrianism began. An early 19th-century representation of Zoroaster derived from the portrait of a figure that appears in a 4th-century sculpture at Taq-e Bostan in south-western Iran. In E. T. A. Hoffmann's novel "" (1819), the mage Prosper Alpanus states that Professor Zoroaster was his teacher. In his seminal work "Also sprach Zarathustra (Thus Spoke Zarathustra)" (1885) the philosopher Friedrich Nietzsche uses the native Iranian