Arthur Miller Miller brilliantly solves the problem of revealing his main character's inner discord, rendering Willy Loman as solid as the society in which he tries to sell himself. Indeed, many critics believe that Miller has never surpassed his achievement in this play, which stands as his breakthrough work, distinguished by an extremely long Broadway run, by many revivals, and by many theater awards, including the Pulitzer Prize in 1949. "Death of a Salesman" seems destined to remain an American classic and a standard text in American classrooms. Willy Loman desperately wants to believe that he has succeeded, that he is “well
Death of a Salesman because “One thing about the play that is very Chinese is the way Willy tries to make his sons successful." The Chinese father always wants his sons to be ‘dragons.’ The original Broadway production was produced by Kermit Bloomgarden and Walter Fried. The play opened at the Morosco Theatre on February 10, 1949, closing on November 18, 1950, after 742 performances. The play starred Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, Howard Smith as Charley and Cameron Mitchell as Happy. Albert Dekker and Gene Lockhart later played Willy Loman during the original Broadway