Tertiary color if they exist at all, though indigo and scarlet are standard for blue–violet and red–vermilion. In another sense, a tertiary color is obtained by mixing secondary-colored pigments. These three colors are russet (orange–purple), slate (purple–green), and citron (green–orange), with the corresponding three quaternary colors plum (russet–slate), sage (slate–citron), buff (citron–russet) (with olive sometimes used for either slate or citron). Beyond that are shades of grey (blue grey and brown greys), which approach but never quite reach black. The RYB color terminology outlined above and in the color samples shown below is ultimately derived from the 1835 book "Chromatography", an analysis
Red On the color wheel long used by painters, and in traditional color theory, red is one of the three primary colors, along with blue and yellow. Painters in the Renaissance mixed red and blue to make violet: Cennino Cennini, in his 15th-century manual on painting, wrote, "If you want to make a lovely violet colour, take fine lac [red lake], ultramarine blue (the same amount of the one as of the other) with a binder" he noted that it could also be made by mixing blue indigo and red hematite. In modern color theory, also known as the RGB color