Salsa music Caribbean, and New York cultures and musics, with no mention of Cuba. In one scene, the Afro-Cuban folkloric genres of batá and rumba are shown being performed in Puerto Rico, implying that they originated there. In advancing the concept of salsa as a musical "sauce", containing many different ingredients from various cultures mixed together, some point to the occasional use of non-Cuban forms in salsa, such as the Puerto Rican bomba. The percentage of salsa compositions based in non-Cuban genres is low though, and despite an openness to experimentation and a willingness to absorb non-Cuban influences, - such as Jazz
Salsa music moña begins on the pulse (subdivision) immediately following the last note of the trumpet moña. Salsa emerged from New York City in the mid-1970s, then spread throughout Latin America and the Western Hemisphere. However, the music had already been going strong in the city for several decades prior to the use of the label "salsa". New York had been a center of Cuban-style dance music since the 1940s, when landmark innovations by Machito's Afro-Cubans helped usher in the mambo era. Tito Puente worked for a time in the Afro-Cubans before starting up his own successful band. By the early 1950s,