Isolation (illusion) important developments was the combination of crystal ball isolations and body-popping/locking/waving dance styles, as seen in the styles of, amongst others, Nik Robson and Matt Hennem in the '90s. Isolation (illusion) In contact juggling, poi spinning, hooping and other types of object manipulation, an isolation is an illusion whereby a prop appears to float in space, with the performer's hands and body moving around it. In reality the performer is supporting the prop, and countering his or her movement relative to the prop. Michael Moschen is originally credited for developing several of the techniques for ball isolations (as well as
Thirteen Ways of Looking at a Blackbird is not meant to be a collection of epigrams or of ideas", Stevens remarks in one of his letters, "but of sensations". Stevens, in his essay "Three Academic Pieces" (1947), begins by saying: Stevens' term "resemblance" refers to those relations of similarity and contrast, as he goes on to demonstrate in that essay. A more technical word for what he is referring to is "organic form." Stevens was cautious of the word "form" used to mean a prefabricated structure: "So it comes to this, I suppose, that I believe in freedom regardless of form". The poem has inspired a number