Arthur Miller Miller brilliantly solves the problem of revealing his main character's inner discord, rendering Willy Loman as solid as the society in which he tries to sell himself. Indeed, many critics believe that Miller has never surpassed his achievement in this play, which stands as his breakthrough work, distinguished by an extremely long Broadway run, by many revivals, and by many theater awards, including the Pulitzer Prize in 1949. "Death of a Salesman" seems destined to remain an American classic and a standard text in American classrooms. Willy Loman desperately wants to believe that he has succeeded, that he is “well
A View from the Bridge great Willy Loman (a role that Hoffman would later play to great acclaim). Miller was unimpressed and later wrote that "My estimate of Grosbard all but collapsed as, observing Dustin Hoffman's awkwardness and his big nose that never seemed to get unstuffy, I wondered how the poor fellow imagined himself a candidate for any kind of acting career." Another production in New York opened on February 3, 1983, at the Ambassador Theatre, with Tony Lo Bianco as Eddie and directed by Arvin Brown. It ran for 149 performances. An award-winning production in New York opened on December 14, 1997, at