Standard tuning strings. This is done to simplify fingering. A few guitarists, mostly those using tapping, play without this interval, instead tuning in all fourths; thus on a six-string guitar the top two strings become C and F instead of B and E. Other unusual tunings include all major thirds, all minor thirds, and various other choices. In standard notation, the guitar sounds one octave lower than it is written. This is to avoid switching between treble and bass clef, or using ledger lines or 8vb, since it is very common to play past the 12th fret on the E string (E)
Seven-string guitar A. Seven-string semi-acoustic archtop guitars were used by jazz-guitarist Ralph Patt after he began exploring major-thirds tuning in 1964. Patt's tuning is a regular tuning, in the sense that all of the intervals between its successive open strings are major thirds; in contrast, the standard guitar-tuning has one major-third amid four fourths. Major-thirds tuning has a smaller scope than standard guitar-tuning, and so Patt started using seven-string guitars, which enabled major-thirds tuning to have the E-e' range of the standard tuning. He first experimented with a wide-neck Mango guitar from the 1920s, which he modified to have seven strings in