Anne Whateley of great poetry. Robert Frazer, who believed that The Earl of Derby wrote the canon, argued that Shakespeare actually married Whateley, not Hathaway. Anne has also appeared in imaginative literature about Shakespeare, typically portrayed as Shakespeare's true love, in contrast to a less appealing Anne Hathaway. Anne appears in Hubert Osborne's play "The Good Men Do" (1917), which dramatises a meeting between the newly widowed Anne Hathaway and Anne Whateley. Hathaway is depicted as viciously shrewish and spiteful, in contrast to her noble-minded former rival. Both women portray Shakespeare's life as an actor and playwright as morally degrading, Whateley insisting
Anne Hathaway song "At The Ballet" from "A Chorus Line"; Hathaway played the role of Maggie, one of a trio of dancers hoping to be cast in an upcoming show. Her final film that year was alongside Jason Sudeikis in Nacho Vigalondo's science fiction black comedy film "Colossal" (2016). Playing an unemployed young writer, Hathaway was the first actress to sign on at a time when the project had no financial backing. She found herself attached to the genre-hopping nature of the script, later comparing it to "Being John Malkovich" (1999), one of her favorite films. The film received positive reviews from