Zoroaster parallels include the evident similarities between Amesha Spenta and the archangel Gabriel, and the mention of Thamud and the Iram of the Pillars in the Quran. These may also indicate the vast influence of the Achaemenid Empire on the development of either religion. The Sabaeans, who believed in free will coincident with Zoroastrians, are also mentioned in the Quran. Like the Greeks of classical antiquity, Islamic tradition understands Zoroaster to be the founding prophet of the Magians (via Aramaic, Arabic "Majus", collective "Majusya"). The 11th-century Cordoban Ibn Hazm (Zahiri school) contends that "Kitabi" "of the Book" cannot apply in light
Zoroaster that it was a form of rational Deism, preferable to Christianity. Zoroaster was the subject of the 1749 opera, "Zoroastre", by Jean-Philippe Rameau. With the translation of the Avesta by Abraham Anquetil-Duperron, Western scholarship of Zoroastrianism began. An early 19th-century representation of Zoroaster derived from the portrait of a figure that appears in a 4th-century sculpture at Taq-e Bostan in south-western Iran. In E. T. A. Hoffmann's novel "" (1819), the mage Prosper Alpanus states that Professor Zoroaster was his teacher. In his seminal work "Also sprach Zarathustra (Thus Spoke Zarathustra)" (1885) the philosopher Friedrich Nietzsche uses the native Iranian