Portrait of Anne Hathaway states: Did Curzon copy a portrait - long since vanished - of a young, soberly attractive woman of times past, and playfully offer it as an "imago vero" of Shakespeare's wife? That is more plausible (given the facetious tone of the verses) than a theory of deliberate imposition in the manner of the later fabricators; more plausible too than the infinitely exciting hypothesis that Curzon had somehow stumbled upon an authentic portrait of Anne Hathaway. Schoenbaum also notes that Curzon seemingly did not know the name of Shakespeare's wife (as she is simply called "Shakespear's Consort"). The drawing was made
Anne Hathaway and "real." Preparing for the role, Hathaway consumed fewer than 500 calories a day to lose , researched prostitution and cut her hair. To get into the character's mental space alone during filming in London, Hathaway sent her husband back to the US; this resulted in her becoming increasingly temperamental. Christopher Orr from "The Atlantic" wrote that "Hathaway gives it everything she has, beginning in quiet sorrow before building to a woebegone climax: she gasps, she weeps, she coughs." Ann Hornaday of "the Washington Post" wrote that "the centerpiece of a movie composed entirely of centerpieces belongs to Anne Hathaway,