Joseph Hirsch "The New Masses", following the July 1946 lynching of two black men and their wives in Monroe, Georgia. "The Burden" (1947) depicts a hollow-eyed American GI installing white cross gravemarkers in a military cemetery, while in the background a second GI unloads yet another jeep-full. Hirsch's poster for the original 1949 Broadway production of Arthur Miller's "Death of a Salesman" depicts a beaten-down Willy Loman trudging onward with his heavy suitcases. Hirsch was of German-Jewish heritage, but occasionally explored Christian themes. In "The Crucifixion" (1945), we see a close-up of the cross from behind, and the thick timbers block any
Willy Loman this. In the end, he is determined to not only adopt his father's dream (even when it killed him), but to surpass him as he states "It's the only dream you can have -- to come out No. 1 man." Besides interacting with his wife and his sons, Willy spends much time during the play in fantasy conversations with his long-dead brother Ben, whom Willy still idolizes, calling on him for guidance, for instance, when he is fired from his job. Toward the end of the play - when Willy has dreamed up a scheme to kill himself so that