Arthur Miller Miller brilliantly solves the problem of revealing his main character's inner discord, rendering Willy Loman as solid as the society in which he tries to sell himself. Indeed, many critics believe that Miller has never surpassed his achievement in this play, which stands as his breakthrough work, distinguished by an extremely long Broadway run, by many revivals, and by many theater awards, including the Pulitzer Prize in 1949. "Death of a Salesman" seems destined to remain an American classic and a standard text in American classrooms. Willy Loman desperately wants to believe that he has succeeded, that he is “well
Death of a Salesman (1966 U.S. film) Linda Loman from the original 1949 stage production. "Playbill" markets this version of the play as an "abbreviated" one. Although the performance is abridged, it was adapted for television by Miller himself, meaning that not much substance was lost in the changes. The production was filmed after several weeks of rehearsals. It was a 1966 CBS television adaptation, which included Gene Wilder, James Farentino, Bernie Kopell and George Segal. Cobb was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as