Corrour Bothy its local dialect— suggest an alternative origin for the place name as a shelter for the currour or forester's assistant. In the author writes that the people of mar used Coirie Odhar as a summer shieling for their cattle in the early part of the nineteenth century, but in the later part "the area was kept clear for deer". The original bothy was built in 1877 to house a deer watcher during the summer, and it housed several including Charles Robertson, John Macintosh, and Frank Scott before the estate stopped using the bothy in the 1920s. In the author gives
Bothy Culture as the touchstone for what is essentially an "ultramodern" world music album, while "CMJ New Music Monthly" emphasised the album's mixing of Gaelic traditions with "skittering" electronic beats." "The Times" felt the album was dominated by its Scottish and Islamic music elements. Bennett plays all the instruments on the album, with instruments as eclectic as the flute and violin, the Turkish oud and dudek and numerous electronic and programming devices. As with "Glen Lyon" (2002), "Bothy Culture" is one of Bennett's more studio-based albums. Permeating throughout is a "flat" synth sound that is often minimised by the bagpipes, violin, unusual