Joseph Hirsch "The New Masses", following the July 1946 lynching of two black men and their wives in Monroe, Georgia. "The Burden" (1947) depicts a hollow-eyed American GI installing white cross gravemarkers in a military cemetery, while in the background a second GI unloads yet another jeep-full. Hirsch's poster for the original 1949 Broadway production of Arthur Miller's "Death of a Salesman" depicts a beaten-down Willy Loman trudging onward with his heavy suitcases. Hirsch was of German-Jewish heritage, but occasionally explored Christian themes. In "The Crucifixion" (1945), we see a close-up of the cross from behind, and the thick timbers block any
Willy Loman sudden realization that he is over the hill and does so with a fantasy world in which he remains important. "The Huffington Post"'s theater critic, Wilborn Hampton, describes the role as "one of the most complicated characters in dramatic literature", making it a draw for the great actors. The play is a statement on the idea that a man is valued by his position in life. Loman never matures enough to realize that being popular without any substance or skill is meaningless in the end and Miller uses Loman to make his point against the anti-intellectualists. In the end, Loman