Zoroaster other Zoroastrian elements are either not part of Zoroaster's own teachings or are used quite differently from how they are used in Zoroastrianism. Zoroaster appears in the Bahá'í Faith as a "Manifestation of God", one of a line of prophets who have progressively revealed the Word of God to a gradually maturing humanity. Zoroaster thus shares an exalted station with Abraham, Moses, Krishna, Jesus, Muhammad, the Báb, and the founder of the Bahá'í Faith, Bahá'u'lláh. Shoghi Effendi, the head of the Bahá'í Faith in the first half of the 20th century, saw Bahá'u'lláh as the fulfillment of a post-Sassanid Zoroastrian
Zoroaster that it was a form of rational Deism, preferable to Christianity. Zoroaster was the subject of the 1749 opera, "Zoroastre", by Jean-Philippe Rameau. With the translation of the Avesta by Abraham Anquetil-Duperron, Western scholarship of Zoroastrianism began. An early 19th-century representation of Zoroaster derived from the portrait of a figure that appears in a 4th-century sculpture at Taq-e Bostan in south-western Iran. In E. T. A. Hoffmann's novel "" (1819), the mage Prosper Alpanus states that Professor Zoroaster was his teacher. In his seminal work "Also sprach Zarathustra (Thus Spoke Zarathustra)" (1885) the philosopher Friedrich Nietzsche uses the native Iranian