Morepork they conceded the two were easily distinguishable in appearance, so maintained the three as subspecies; the Tasmanian boobook only diverged by 2.7% from the other two, while the powerful and rufous owls diverged by 4.4% from each other. Leading from this, the southern boobook was split from the Tasmanian boobook and morepork in volume 5 of the "", however several authors, including Les Christidis and Walter Boles, contested that the data had been misinterpreted from the Norman study, which had not sampled any Australian mainland boobooks at all. They treated the three taxa (southern, Tasmanian boobooks, and moreporks) as a
Southern boobook boobook" in 1801, writing about it in English, before giving it its scientific name, taking its species epithet from a local Dharug word for the bird. The species description was based on a painting by Thomas Watling of a bird—the holotype—in the Sydney district in the 1790s. John Gould described "Athene marmorata" in 1846 from a specimen in South Australia; this is regarded as a synonym. German naturalist Johann Jakob Kaup classified the two taxa into subgenus "Spiloglaux" of a new genus "Ieraglaux" in 1852, renaming "S. boobook" to "Ieraglaux (Spiloglaux) bubuk". In his 1865 "Handbook to the Birds of