Persian hagiography This material formed the basis for the surviving hagiographical material of Zarathustra, which is found in Middle Persian or Pahlavi texts including the "Dēnkard" and the "Wizidagiha", and in New Persian texts including the "Zaratosht-nama" and the "Shahnameh". Using and developing the historiographical methods of the "muḥaddithūn" (scholars of the sayings and history of the Prophet), Persian scholars drew on oral tradition and their own observations to write about holy figures. However, many hagiographies also drew on earlier written sources, often adapting those sources to reflect the writers' own view of sainthood. For example, in the twelfth century CE, Muḥammad
Also Sprach Zarathustra (painting) where the character is forged, and human will and strength are forged." Jean-Christophe Ammann called the painting of the series tablets. "Figurative language of Lena Hades expresses itself often intentionally as a poster, because we see here some visual tablets which should stir and awaken. At the same time, the language of her images remains faithful to the fundamental task of the artist: every artist should be a dervish, not only in order to conjure the collective memory, being in constant motion, but also to stay in the thought and memory of our times. Lena Hades is a dervish." Also