Aztec Empire to retain and freely continue their own religious traditions, so long as they added the imperial god to their local pantheons. The word "Aztec" in modern usage would not have been used by the people themselves. It has variously been used to refer to the Triple Alliance empire, the Nahuatl-speaking people of central Mexico prior to the Spanish conquest, or specifically the Mexica ethnicity of the Nahuatl-speaking peoples. The name comes from a Nahuatl word meaning "people from Aztlan," reflecting the mythical place of origin for Nahua peoples. For the purpose of this article, "Aztec" refers only to those cities
Evolution of timpani in the 18th and 19th centuries Evolution of timpani in the 18th and 19th centuries The modern timpani evolved in the 18th and 19th centuries from the simple 12th-century membranophone of the Naker to a complex instrument, consisting of a suspended kettle with a foot operated clutch, capable of rapid tuning. The technological evolution of the instrument led to increased interest in its capabilities and sound among such composers as Ludwig van Beethoven, Robert Schumann, and Hector Berlioz. Initially used only outdoors, the instrument underwent modifications in the 16th and 17th centuries that led to its incorporation into chamber ensembles. During the 18th and 19th centuries,