White-tailed ptarmigan wings, square-ended tail, small black beak and short legs with feathering extending to the toes. Adults are long, with the males being only slightly larger than the females. The average weight is . During the summer, the white-tailed ptarmigan is a speckled grayish brown with white underparts, tail and wings. In the fall, the plumage has turned a much more reddish-brown color and white feathers begin to grow through. By winter all the summer brown feathers are lost and the bird is completely white. A further molt in the spring precedes the breeding season and the bird returns to its
White Mountain art his 1868 painting titled "". In all, over four hundred artists are known to have painted White Mountain views during the 19th century. They came from the Boston area, Maine, Pennsylvania, and New York. Most of the Hudson River School painters worked in the White Mountains while maintaining studios in New York City, including such well-known artists as Sanford Robinson Gifford (1823–1880) and Jasper Francis Cropsey (1823–1900). Most artists came to the White Mountains in the summer, but returned to their urban studios, or sometimes to warmer climates like Florida, in the winter. Therefore, paintings of winter scenes are not