How many angels can dance on the head of a pin? dancing on a needle's point occurs in an expository work by the English divine, William Sclater (1575-1626). In "An exposition with notes vpon the first Epistle to the Thessalonians" (1619), Sclater claimed that scholastic philosophers occupied themselves with such pointless questions as whether angels "did occupie a place; and so, whether many might be in one place at one time; and how many might sit on a Needles point; and six hundred such like needlesse points." Harrison proposes that the reason an English writer first introduced the "needle’s point" into a critique of medieval angelology is that it makes for
Two-Piece Reclining Figure: Points it's going to be like. If it's in two pieces there's a bigger surprise, you have more unexpected views; therefore the special advantage over painting—of having the possibility of many different views—is more fully explored. The front view doesn't enable you to foresee the back view. As you move round it, the two parts overlap or they open up and there's space in between. A work like "Two Piece Reclining Figure: Points", from 1969, has the feel that Moore aimed at — but didn't always achieve — of form as primal matter. Two-Piece Reclining Figure: Points Two-Piece Reclining Figure: Points