Joseph Hirsch "The New Masses", following the July 1946 lynching of two black men and their wives in Monroe, Georgia. "The Burden" (1947) depicts a hollow-eyed American GI installing white cross gravemarkers in a military cemetery, while in the background a second GI unloads yet another jeep-full. Hirsch's poster for the original 1949 Broadway production of Arthur Miller's "Death of a Salesman" depicts a beaten-down Willy Loman trudging onward with his heavy suitcases. Hirsch was of German-Jewish heritage, but occasionally explored Christian themes. In "The Crucifixion" (1945), we see a close-up of the cross from behind, and the thick timbers block any
Willy Roper he suffers a mental breakdown and refuses any contact with Pauline, which devastates her. Not content with putting Arthur in prison, Willy spends the beginning of 1996 trying to woo Pauline in his absence. Her son Mark Fowler is furious at the amount of time Willy and Pauline spend together, but Pauline finds Willy to be a great comfort and refuses to stop seeing him socially. Following his mother's death in April 1996, Willy asks Pauline to go on holiday to Jersey. Mark correctly figures out that his real motive is to put the stolen money in an off-shore account