Persian hagiography This material formed the basis for the surviving hagiographical material of Zarathustra, which is found in Middle Persian or Pahlavi texts including the "Dēnkard" and the "Wizidagiha", and in New Persian texts including the "Zaratosht-nama" and the "Shahnameh". Using and developing the historiographical methods of the "muḥaddithūn" (scholars of the sayings and history of the Prophet), Persian scholars drew on oral tradition and their own observations to write about holy figures. However, many hagiographies also drew on earlier written sources, often adapting those sources to reflect the writers' own view of sainthood. For example, in the twelfth century CE, Muḥammad
Also sprach Zarathustra (Strauss) clarinet in B-flat, 3 bassoons, contrabassoon, 6 horns in F and E, 4 trumpets in C and E, 3 trombones, 2 tubas, timpani, bass drum, cymbals, triangle, glockenspiel, bell on low E, organ, and strings: 2 harps, violins I, II (16 each), violas (12), cellos (12), and double basses (8) (with low C string). The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of Friedrich Nietzsche's novel "Thus Spoke Zarathustra": These selected chapters from Nietzsche's novel highlight major moments of the character Zarathustra's philosophical journey in the novel. The