Salsa music Caribbean, and New York cultures and musics, with no mention of Cuba. In one scene, the Afro-Cuban folkloric genres of batá and rumba are shown being performed in Puerto Rico, implying that they originated there. In advancing the concept of salsa as a musical "sauce", containing many different ingredients from various cultures mixed together, some point to the occasional use of non-Cuban forms in salsa, such as the Puerto Rican bomba. The percentage of salsa compositions based in non-Cuban genres is low though, and despite an openness to experimentation and a willingness to absorb non-Cuban influences, - such as Jazz
Music of Puerto Rico Puerto Rico) collectively constitute a unique Puerto Rican genre. In the 1950s, the dance-band ensemble of Rafael Cortijo and Ismael Rivera performed several songs which they labelled as "bombas"; although these bore some similarities to the "sicá" style of bomba, in their rhythms and horn arrangements they also borrowed noticeably from the Cuban dance music which had long been popular in the island. Giving rise to Charanga music. As of the 1980s, bomba had declined, although it was taught, in a somewhat formalized fashion, by the Cepeda family in Santurce, San Juan, and was still actively performed informally, though with