Zoroaster Street and Madison Avenue in Manhattan. A sculpture of Zoroaster appears with other prominent religious figures on the south side of the exterior of Rockefeller Memorial Chapel on the campus of the University of Chicago. Although a few recent depictions of Zoroaster show the prophet performing some deed of legend, in general the portrayals merely present him in white vestments (which are also worn by present-day Zoroastrian priests). He often is seen holding a "baresman" (Avestan; Middle Persian "barsom"), which is generally considered to be another symbol of priesthood, or with a book in hand, which may be interpreted to
Zoroaster that it was a form of rational Deism, preferable to Christianity. Zoroaster was the subject of the 1749 opera, "Zoroastre", by Jean-Philippe Rameau. With the translation of the Avesta by Abraham Anquetil-Duperron, Western scholarship of Zoroastrianism began. An early 19th-century representation of Zoroaster derived from the portrait of a figure that appears in a 4th-century sculpture at Taq-e Bostan in south-western Iran. In E. T. A. Hoffmann's novel "" (1819), the mage Prosper Alpanus states that Professor Zoroaster was his teacher. In his seminal work "Also sprach Zarathustra (Thus Spoke Zarathustra)" (1885) the philosopher Friedrich Nietzsche uses the native Iranian