Capo plays a B note for any capo position at or below the seventh fret), and thus a performer does not need to adjust for or relearn the entire fretboard as they might with retuning. The scale length of the strings of an instrument affects the timbre of the strings, and thus the use of a capo may alter the tone of the instrument. Musicians also use capos to bring a guitar tuned below standard up to standard tuning. Manufacturers sometimes recommend tuning a twelve-string guitar a whole-step or more below standard to offset the additional stress of the additional strings.
Fret generally perpendicular to the instrument's neck centerline and parallel to each other, on a "fanned" fretboard, the frets are angled (spread like a fan) with only one center fret perpendicular to the neck’s centerline. This gives the lower-pitched strings more length and the higher strings shorter length (comparable to a piano or a harp where heavier strings have different lengths). The idea is to give more accurate tuning and deeper bass. Some think that fanned frets might be more ergonomic. Fanned frets first appeared on the 16th century Orpharion, a variant of the cittern, tuned like a lute. John Starrett