Zoroaster Moses, Jesus and Muhammad had all brought them, so why did you not believe in any of these prophets, having believed in Zoroaster, through the tales that came to you about him, informing that he brought forth what others did not?” Ahmadi Muslims view Zoroaster as a Prophet of God and describe the expressions of Ahura Mazda, the god of goodness, and Ahraman, the god of evil, as merely referring to the coexistence of forces of good and evil enabling humans to exercise free will. Mirza Tahir Ahmad, the fourth Caliph of the Ahmadiyya Muslim Community, in his book "Revelation,
Zoroaster that it was a form of rational Deism, preferable to Christianity. Zoroaster was the subject of the 1749 opera, "Zoroastre", by Jean-Philippe Rameau. With the translation of the Avesta by Abraham Anquetil-Duperron, Western scholarship of Zoroastrianism began. An early 19th-century representation of Zoroaster derived from the portrait of a figure that appears in a 4th-century sculpture at Taq-e Bostan in south-western Iran. In E. T. A. Hoffmann's novel "" (1819), the mage Prosper Alpanus states that Professor Zoroaster was his teacher. In his seminal work "Also sprach Zarathustra (Thus Spoke Zarathustra)" (1885) the philosopher Friedrich Nietzsche uses the native Iranian