Coloration evidence for natural selection J. Bowler wrote that Darwin's theory In his 1889 book "Darwinism", the naturalist Alfred Russel Wallace considered the white coloration of Arctic animals. He recorded that the Arctic fox, Arctic hare, ermine and ptarmigan change their colour seasonally, and gave "the obvious explanation", that it was for concealment. The modern ornithologist W. L. N. Tickell, reviewing proposed explanations of white plumage in birds, writes that in the ptarmigan "it is difficult to escape the conclusion that cryptic brown summer plumage becomes a liability in snow, and white plumage is therefore another cryptic adaptation." All the same, he notes, "in spite
White Mountain art his 1868 painting titled "". In all, over four hundred artists are known to have painted White Mountain views during the 19th century. They came from the Boston area, Maine, Pennsylvania, and New York. Most of the Hudson River School painters worked in the White Mountains while maintaining studios in New York City, including such well-known artists as Sanford Robinson Gifford (1823–1880) and Jasper Francis Cropsey (1823–1900). Most artists came to the White Mountains in the summer, but returned to their urban studios, or sometimes to warmer climates like Florida, in the winter. Therefore, paintings of winter scenes are not