Snow camouflage as Hugh B. Cott have echoed his observations, adding that other animals of the Arctic such as musk ox, moose, reindeer, wolverine and raven never become white "even in the coldest parts of their range". Cott noted that both animals that hunt, like polar bear and stoat, and prey animals like ptarmigan and mountain hare, require camouflage to hide from prey or from predators respectively. There is little experimental evidence for the adaptiveness of white as camouflage, though the ornithologist W. L. N. Tickell, reviewing proposed explanations of white plumage in birds, writes that in the ptarmigan "it is difficult
White Mountain art his 1868 painting titled "". In all, over four hundred artists are known to have painted White Mountain views during the 19th century. They came from the Boston area, Maine, Pennsylvania, and New York. Most of the Hudson River School painters worked in the White Mountains while maintaining studios in New York City, including such well-known artists as Sanford Robinson Gifford (1823–1880) and Jasper Francis Cropsey (1823–1900). Most artists came to the White Mountains in the summer, but returned to their urban studios, or sometimes to warmer climates like Florida, in the winter. Therefore, paintings of winter scenes are not