Arthur Miller consequences for characters who ignore or violate their social responsibilities. Miller's determination to deal with the eternal themes of life, death and human purpose is one of his most prominent themes across his works. This theme spans from Willy Loman's dedication to providing for his family and his inherent belief that his death would leave a legacy, to John Proctor's willingness to die to preserve his name. Nearly all of Miller's protagonists struggle with the mark they leave on life and what it means to die. In "Death of a Salesman" – originally entitled “The Inside of His Head” –
Fredric March whereupon director Elia Kazan cast Lee J. Cobb as Willy, and Arthur Kennedy as one of Willy's sons, Biff Loman, two men that the director had worked with in the film "Boomerang" (1947). March later regretted turning down the role and finally played Willy Loman in Columbia Pictures's 1951 film version of the play, directed by Laslo Benedek, receiving his fifth and final Oscar nomination as well as a Golden Globe Award. March also played one of two leads in "The Desperate Hours" (1955) with Humphrey Bogart. Bogart and Spencer Tracy had both insisted upon top billing and Tracy withdrew,