Myriad (typeface) the Local Hard Disk Drive. Myriad Arabic was designed by Robert Slimbach, with the help of Adobe’s technical team as well as outside Arabic experts. The principal outside consultant was Dr. Mamoun Sakkal. Five weights of Myriad Arabic (which include Latin-alphabet characters) were licensed by Apple for inclusion with macOS, but must be manually enabled by the user. Myriad Hebrew is an extension of Adobe’s popular humanist sans-serif typeface Myriad, bringing the sensibility of Myriad into another language and another writing system. Myriad Hebrew is one of the most extensive families of Hebrew typefaces available today, comprising twenty different digital
Grotesque (Stephenson Blake typefaces) artistically and systematically designed than later families like Univers and Helvetica, they were very commonly used in British commercial printing in the metal type era, with a revival of interest as part of a resurgence of use of such "industrial" sans-serifs around the 1950s. Writing in "The Typography of Press Advertisement" (1956), printer Kenneth Day commented that the family "has a personality sometimes lacking in the condensed forms of the contemporary sans cuttings of the last thirty years." Jeremy Tankard has described them as the "most idiosyncratic of designs". Not all versions have been digitised. The family of typefaces was