Joseph Hirsch "The New Masses", following the July 1946 lynching of two black men and their wives in Monroe, Georgia. "The Burden" (1947) depicts a hollow-eyed American GI installing white cross gravemarkers in a military cemetery, while in the background a second GI unloads yet another jeep-full. Hirsch's poster for the original 1949 Broadway production of Arthur Miller's "Death of a Salesman" depicts a beaten-down Willy Loman trudging onward with his heavy suitcases. Hirsch was of German-Jewish heritage, but occasionally explored Christian themes. In "The Crucifixion" (1945), we see a close-up of the cross from behind, and the thick timbers block any
Fredric March whereupon director Elia Kazan cast Lee J. Cobb as Willy, and Arthur Kennedy as one of Willy's sons, Biff Loman, two men that the director had worked with in the film "Boomerang" (1947). March later regretted turning down the role and finally played Willy Loman in Columbia Pictures's 1951 film version of the play, directed by Laslo Benedek, receiving his fifth and final Oscar nomination as well as a Golden Globe Award. March also played one of two leads in "The Desperate Hours" (1955) with Humphrey Bogart. Bogart and Spencer Tracy had both insisted upon top billing and Tracy withdrew,