Salsa music Caribbean, and New York cultures and musics, with no mention of Cuba. In one scene, the Afro-Cuban folkloric genres of batá and rumba are shown being performed in Puerto Rico, implying that they originated there. In advancing the concept of salsa as a musical "sauce", containing many different ingredients from various cultures mixed together, some point to the occasional use of non-Cuban forms in salsa, such as the Puerto Rican bomba. The percentage of salsa compositions based in non-Cuban genres is low though, and despite an openness to experimentation and a willingness to absorb non-Cuban influences, - such as Jazz
Salsa music mozambique (1963). Neither the dance, nor the music caught on outside of Cuba. In spite of this, members of Eddie Palmieri's "Conjunto la Perfecta" did hear this new music over shortwave radio, inspiring them to create a similar rhythm which they also called mozambique. Although the two rhythms share no parts in common, the band received death threats because some right wing Cuban exiles thought Palmieri's band was playing contemporary Cuban music. There was one final distinct Latin music era in New York before salsa emerged, and it was an original, home-grown hybrid: the Latin boogaloo (or boogalú). By the