Rainbow curved and located high above the Sun (or Moon) with its convex side pointing downwards (creating the impression of an "upside down rainbow"); the circumhorizontal arc runs much closer to the horizon, is more straight and located at a significant distance below the Sun (or Moon). Both arcs have their red side pointing towards the sun and their violet part away from it, meaning the circumzenithal arc is red on the bottom, while the circumhorizontal arc is red on top. The circumhorizontal arc is sometimes referred to by the misnomer "fire rainbow". In order to view it, the Sun or
Rainbow (1996 film) imagination" and pointed out that the scenes where "colour drains away and society starts tearing itself apart… are genuinely disturbing [with] effective use of transitions between colour and monochrome." Kemp further reflected that the "chief credit for the clarity and richness of the images should go to veteran cinematographer Freddie Francis, whose experience of colour/monochrome effects goes back 40 years to his work with Oswald Morris on John Huston's "Moby Dick".” According to "Halliwell's Film Guide", "Rainbow" was a "Heavy-handed, didactic children's film that strives for a fairy-tale quality, but too frequently falls flat." Rainbow (1996 film) Rainbow is a