Anne Whateley of great poetry. Robert Frazer, who believed that The Earl of Derby wrote the canon, argued that Shakespeare actually married Whateley, not Hathaway. Anne has also appeared in imaginative literature about Shakespeare, typically portrayed as Shakespeare's true love, in contrast to a less appealing Anne Hathaway. Anne appears in Hubert Osborne's play "The Good Men Do" (1917), which dramatises a meeting between the newly widowed Anne Hathaway and Anne Whateley. Hathaway is depicted as viciously shrewish and spiteful, in contrast to her noble-minded former rival. Both women portray Shakespeare's life as an actor and playwright as morally degrading, Whateley insisting
Anne Hathaway said that after her breakthrough in "The Princess Diaries", she struggled to find serious roles or ones that were not about princesses. According to Judi Gugliemli of "People", Hathaway used this fear of being typecast as motivation to build a versatile body of work. Gugliemli believes that Hathaway's ability to extensively research her roles is the key to her success. A writer for "The Daily Telegraph" commends her willingness to appear in different genres, ranging from action comedies to dramas. Hathaway aspires to appear in many different films, work with different directors and play diverse roles. She says she would