Monterey Jazz Festival & Orchestra, "Symphony for Brass & Percussion" by Gunther Schuller, Buddy Collette, Chris Barber, George Lewis New Orleans Band, Paul Horn, Brass Ensemble performs new works by Werner Heider, Andre Hodier, J.J. Johnson and John Lewis; New works by Benny Golson, J.J. Johnson, John Lewis and Quincy Jones 1960 Duke Ellington Orchestra, Jon Hendricks w/ Miriam Makeba, Clarence Horatius "Big" Miller, Odetta, Jimmy Witherspoon, Louis Armstrong All-Stars, John Coltrane Quartet, Modern Jazz Quartet, Julian "Cannonball" Adderley, Ornette Coleman Quartet, Jimmy Rushing, André Previn Trio, and Helen Humes 1961 Duke Ellington, Dizzy Gillespie Quintet, Dave Brubeck Quartet, John Coltrane Quartet w/
Horn in jazz compete directly with Basie's hard-swinging blues, the duo capitalized on their contrast from Basie’s sound, playing with a soft and mellow sound. By showcasing their different sound, Ruff and Mitchell continued to get bookings from Birdland to play intermission for other big name groups like Miles Davis, Dizzy Gillespie, Sarah Vaughan, Lester Young, Dinah Washington and others. After working with Claude Thornhill and arranging for his orchestra, he began arranging for Miles Davis. In 1948 the Miles Davis Nonet was formed with a sound completely unlike anything jazz listeners had heard before. The original idea for the nonet was to