Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Monterey Jazz Festival Eric Dolphy & Wes Montgomery, Carmen McRae, George Shearing Quintet, Odetta, and Jimmy Rushing 1962 Louis Armstrong All-Stars, Dizzy Gillespie Quintet, Carmen McRae, Dave Brubeck, Gerry Mulligan Quartet, Stan Getz Quartet, Quincy Jones & the Monterey Jazz Festival Orchestra 1963 Carmen McRae, Miles Davis Quintet, Dizzy Gillespie Quintet, Dave Brubeck Quartet, Herbie Hancock, Thelonious Monk Quartet, Jon Hendricks, Harry James Orchestra, Jimmy Witherspoon, The Andrews Sisters & the Gospel Song, and Helen Merrill, Joe Sullivan 1964 Duke Ellington Orchestra, Dizzy Gillespie Quintet, Miles Davis Quintet w/ Wayne Shorter, Herbie Hancock, Ron Carter & Tony Williams, Gerry Mulligan, Thelonious Monk Quartet,