Pungi fifty years ago. However, prior to this it derived from Indian folk music and was used for religious purposes for snake charming. The pungi is traditionally made from a dried bottle gourd. Often, the neck of the gourd is carved for aesthetic reasons. On the other end, two (sometimes one or three) reed or bamboo pipes are connected. These are known as the "jivala". One of the pipes has 5 - 9 holes and plays the melody; the other pipe is for drone. The jivala is fitted to the gourd with beeswax, which can be adjusted for pitch modification. The
Ode to the West Wind The canto is no more a request or a prayer as it had been in the fourth canto—it is a demand. The poet becomes the wind's instrument, his "lyre" (57). This is a symbol of the poet's own passivity towards the wind; he becomes his musician and the wind's breath becomes his breath. The poet's attitude—towards the wind has changed: in the first canto the wind has been an "enchanter" (3), now the wind has become an "incantation" (65). And there is another contrast between the two last cantos: in the fourth canto the poet had articulated himself in singular: