1940s in jazz of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases". Despite the initial friction, by the 1950s bebop had become an accepted part of the jazz vocabulary. The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and
Charlie Parker's Savoy and Dial sessions Charlie Parker's Savoy and Dial sessions This article lists Charlie Parker's Savoy and Dial sessions as leader, which were recorded between 1945 and 1948. Also included is Miles Davis's first session as leader in 1947, with Parker on tenor saxophone (Session 7). Charlie Parker's Reboppers. Recorded November 26, 1945, in New York City for Savoy Records. Charlie Parker (alto sax), Miles Davis (trumpet, 1,3,4), Dizzy Gillespie (trumpet, 6; piano, 1,3,5,6), Sadik Hakim (piano, 2,4), Curley Russell (bass), Max Roach (drums) Charlie Parker Septet. Recorded March 28, 1946, in Hollywood for Dial Records. Charlie Parker (alto sax), Miles Davis (trumpet), Lucky