The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
The Communist Manifesto but such a document was later deemed inappropriate for an open, non-confrontational organisation. Engels nevertheless wrote the "Draft of a Communist Confession of Faith", detailing the League's programme. A few months later, in October, Engels arrived at the League's Paris branch to find that Moses Hess had written an inadequate manifesto for the group, now called the League of Communists. In Hess's absence, Engels severely criticised this manifesto, and convinced the rest of the League to entrust him with drafting a new one. This became the draft "Principles of Communism", described as "less of a credo and more of an