Thelonious Monk early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style (in the Harlem stride tradition) was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this
Flea (musician) interest in music to jazz performers like Jaco Pastorius, Miles Davis, Duke Ellington, Charlie Parker, Louis Armstrong, John Coltrane, and Dizzy Gillespie. After Kiedis introduced him to punk and rock, Flea became infatuated with artists such as Black Flag, David Bowie, and Defunkt. Flea's early influences before "Blood Sugar Sex Magik" were mainly funk artists. They would become a notable aspect of the Red Hot Chili Peppers' sound up to "Mother's Milk". Originally, Flea was given the impression by punk bands, that one should play as hard and fast as they possibly could, but ultimately rejected this philosophy during "Blood