Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Frank R. Fisher One of the most famous jazz spots in the Fillmore was Jimbo's Bop City. Many famous jazz artists performed at Bop City, and at the clubs in the Fillmore district. Such artists as; Ella Fitzgerald, John Coltrane, Lionel Hampton, Dexter Gordon, Billie Holiday, Louis Armstrong, Stan Getz, Duke Ellington, Ben Webster, Billy Eckstine, Miles Davis, Dizzy Gillespie, Count Basie, Dinah Washington, Art Tatum, Pony Poindexter, Charlie Parker, Kenny Dorham, Jimmy Heath, Woody Herman, John Handy, Charles Mingus, Dexter Gordon, Zoot Sims. Mr. Fisher was a part of the Great Migration (African American)s, to the West Coast in the 40s. The