Dixieland music. The music of Sicily was one of the many genres in the New Orleans music scene during the 1910s, alongside sanctified church music, brass band music and blues. Much later, the term "Dixieland" was applied to early jazz by traditional jazz revivalists, starting in the 1940s and 1950s. The name is a reference to the "Old South", specifically anything south of the Mason-Dixon line. The term encompasses earlier brass band marches, French Quadrilles, biguine, ragtime, and blues with collective, polyphonic improvisation. While instrumentation and size of bands can be very flexible, the "standard" band consists of a "front line"
Bop City War II. While modern jazz, whether in the form of swing or bebop, was popular on Los Angeles' Central Avenue, San Francisco was at the time a haven of traditional jazz (also known as Dixieland). In the 1940s and early 1950s, the Bay Area scene was dominated by Dixieland revival bands such as Lu Watters' Yerba Buena Jazz Band. In the late 1940s, however, new clubs emerged in the Tenderloin and North Beach districts, which changed the music scene in the city. Bop City emerged from the short-lived club Vout City, run by Slim Gaillard on the same premises. Gaillard