1940s in jazz of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases". Despite the initial friction, by the 1950s bebop had become an accepted part of the jazz vocabulary. The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and
The Jazz Review contributed articles to "The Jazz Review": A later California-based magazine also titled "The Jazz Review", edited by Ken Borgers and Bill Wasserzieher, appeared in 1991-1992, with cover stories on Dizzy Gillespie, Miles Davis, Charlie Haden and other artists. The Jazz Review The Jazz Review was a magazine which was founded by Nat Hentoff, Martin Williams, and Hsio Wen Shih, in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence. Many issues of "The Jazz Review" are available at Jazz Studies Online which assesses its quality as follows: A regular feature