Perrault's Colonnade divided into five parts, is a typical solution of French classicism. The simple character of the ground floor basement sets off the paired Corinthian columns, modeled strictly according to Vitruvius, against a shadowed void, with pavilions at the ends. This idea of coupled columns on a high podium goes back as far as Bramante. Those rhythmical columns form a shadowed colonnade with a central pedimented triumphal arch entrance raised on a high, rather defensive base. Crowned by an uncompromising Italian balustrade along its distinctly non-French flat roof, the whole ensemble represents a ground-breaking departure in French architecture. Perrault (1613–1688) won
Undertone series of the voice below what is normally available. However, the frequency relationships of the component partials of the tone produced by the acoustic instrument or voice played in such a way still resemble the harmonic series, not the subharmonic series. In this sense, "subharmonic" is a term created by reflection from the second sense of the term "harmonic", which in that sense refers to an instrumental technique for making an instrument's pitch seem higher than normal by eliminating some lower partials by damping the resonator at the antinodes of vibration of those partials (such as placing a finger lightly on