Six Sonatas for Violin and Harpsichord, BWV 1014–1019 alto solo. At first declamatory in the "forte" passages, the "piano" responses are expressive but subdued. Bach's knowledge of the expressive qualities of the violin is shown in the opening phrases, written so they can be played on the G string, the lowest string on the violin, regarded as having a "noble" tone. As explains, citing the opening of BWV 1017/3 as an example, the G string's "energy and powerful voice make it a whole instrument in itself and the lower this voice is, the more opportunity it gives to expression to attain the sublime." Around the violin melody, in
The Well-Tuned Piano third, consider that 5:4 is equivalent to 386 cents () and 9:7 is equivalent to 435 cents (). This difference is audible to the listener by comparing the tuning for each pitch of the western chromatic scale with the chromatic scale used in "The Well-Tuned Piano". "The Well-Tuned Piano" is based on a pitch lattice of perfect fifths and harmonic sevenths. "The Well-Tuned Piano", being improvisatory in nature, as well as ever-changing, has no specific form. The closest a listener can come to understanding the structure of Young's piece is by studying the liner notes from the 1981 Gramavision recording.