What a Pushkin, what a son of a bitch! year: What a Pushkin, what a son of a bitch! "What a Pushkin, what a son of a bitch!" (; sometimes separated by exclamation mark instead of comma) is a catchphrase and winged word from Alexander Pushkin's correspondence with one of his friends, poet Pyotr Vyazemsky. The phrase commonly expresses a joy after finishing one's work and appears particularly in several Russian literary works. In a letter dated circa November 7 or beginning of October, 1825 Pushkin, celebrating his finished drama "Boris Godunov" wrote to Vyazemsky: That was preceded by what Pushkin wrote to Vyazemsky on July 13 of the
The Navigator: A Medieval Odyssey reds and oranges of the motorway lights and furnace fires evoke images of hell in the works of Hieronymous Bosch, Pieter Bruegel and Matthias Grünewald. Ward later said he had not achieved what he wanted to with the colour of the modern-day scenes due to the film's short shooting schedule. The colour in the medieval scenes, which were turned into black and white, was far better than that in the 20th century scenes. Some of the mining scenes were inspired by engravings from the German mining manual "De re metallica", although it dates from two centuries after the time of