Monterey Jazz Festival & Orchestra, "Symphony for Brass & Percussion" by Gunther Schuller, Buddy Collette, Chris Barber, George Lewis New Orleans Band, Paul Horn, Brass Ensemble performs new works by Werner Heider, Andre Hodier, J.J. Johnson and John Lewis; New works by Benny Golson, J.J. Johnson, John Lewis and Quincy Jones 1960 Duke Ellington Orchestra, Jon Hendricks w/ Miriam Makeba, Clarence Horatius "Big" Miller, Odetta, Jimmy Witherspoon, Louis Armstrong All-Stars, John Coltrane Quartet, Modern Jazz Quartet, Julian "Cannonball" Adderley, Ornette Coleman Quartet, Jimmy Rushing, André Previn Trio, and Helen Humes 1961 Duke Ellington, Dizzy Gillespie Quintet, Dave Brubeck Quartet, John Coltrane Quartet w/
Tritone substitution Tritone substitution The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. Though examples of the tritone substitution, known in the classical world as an augmented sixth chord, can be found extensively in classical music since the Renaissance period, they were not heard until much later in jazz by musicians such as Dizzy Gillespie and Charlie Parker in the 1940s, as well as Duke Ellington, Art Tatum, Coleman Hawkins, Roy Eldridge