Diana (mythology) of the asylum. Worship of Diana probably spread into the city of Rome beginning around 550 BCE, during her Hellenization and combination with the Greek goddess Artemis. Diana was first worshiped along with her brother and mother, Apollo and Latona, in their temple in the Campus Martius, and later in the Temple of Apollo Palatinus. The first major temple dedicated primarily to Diana in the vicinity of Rome was the Temple of Diana Aventina (Diana of the Aventine Hill). According to the Roman historian Livy, the construction of this temple began in the 6th century BCE and was inspired by
Diana the Huntress Diana the Huntress Diana the Huntress is an oil on canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana. It is in the Louvre, which acquired it in 1840. In its linear elegance the painting exemplifies the French version of the Northern Mannerist style that was introduced to France by Italian artists such as Rosso Fiorentino and Francesco Primaticcio in the 1530s. It is one of many works by artists of the