Oud later), tuned in successive fourths. Curt Sachs said they were called (from lowest to highest pitch) "bamm", "maṭlaṭ", "maṭnā" and "zīr". "As early as the ninth century" a fifth string "ḥād" ("sharp") was sometimes added "to make the range of two octaves complete". It was highest in pitch, placed lowest in its positioning in relation to other strings. Modern tuning preserves the ancient succession of fourths, with adjunctions (lowest or highest courses) which may be tuned differently following regional or personal preferences. Sachs gives one tuning for this arrangement of five pairs of strings, d, e, a, d', g'. Historical
Electric violin Braia, Kernunna, Carol Carolo, Os Minervas, Leonardo Araujo, Transfonika Orkestra, Sagrado Coração da Terra, and others. In the mid-1980s, Zeta Music developed a prototype violin for Laurie Anderson that, through the employment of a custom pickup and a conversion module, sent MIDI data, allowing the violinist to control synthesizers. This design was later refined and turned into a commercial product. Unlike most pickup designs, the Zeta pickup has the ability to output the signal from each string on a separate audio channel. Using a multi-pin cable to their pitch-to-MIDI interface, this allows for polyphonic MIDI control with each string set