1940s in jazz 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of
Charlie Drayton Charlie Drayton's son, Bernard "Bernie" Drayton, was a studio audio engineer, and producer of recording artists and jingles. He widely known by fans of John Coltrane as the audio engineer for Coltrane's last recording, "." His grandson, Charley Drayton, is a drummer. Charlie Drayton Charles H. Drayton (5 May 1919 Brooklyn, New York – 31 July 1953 Los Angeles) was an American jazz bassist who performed and recorded from the late 1930s until his death with artists that include Louis Jordan, Benny Carter, Dizzy Gillespie, Pete Brown, Ben Webster, Joan Edwards, Timmie Rogers, Savannah Churchill, the Basin Street Boys, Barney