Religious syncretism correspondence varied: Jupiter makes perhaps a better match for Zeus than the rural huntress Diana does for the feared Artemis. Ares does not quite match Mars. The Romans physically imported the Anatolian goddess Cybele into Rome from her Anatolian cult-center Pessinos in the form of her original aniconic archaic stone idol; they identified her as "Magna Mater" and gave her a matronly, iconic image developed in Hellenistic Pergamum. Likewise, when the Romans encountered Celts and Germanic peoples, they mingled these peoples' gods with their own, creating Sulis Minerva, Apollo Sucellos (Apollo the Good Smiter) and Mars Thingsus (Mars of the
Diana the Huntress Diana the Huntress Diana the Huntress is an oil on canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana. It is in the Louvre, which acquired it in 1840. In its linear elegance the painting exemplifies the French version of the Northern Mannerist style that was introduced to France by Italian artists such as Rosso Fiorentino and Francesco Primaticcio in the 1530s. It is one of many works by artists of the