Dixieland the careers of New Orleans musicians who had become lost in the shuffle of musical styles that had occurred over the preceding years. Younger black musicians largely shunned the revival, largely because of a distaste for tailoring their music to what they saw as nostalgia entertainment for white audiences with whom they did not share such nostalgia. The Jim Crow associations of the name "Dixieland" also did little to attract younger black musicians to the revival. The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American
Jazz standard to be recorded by their artists. Certain songs were pushed by recording executives and therefore quickly achieved standard status; this started with the first jazz recordings in 1916, with "That Funny Jas Band from Dixieland (1916)" by Collins and Harlan for Thomas A. Edison, Inc. on Blue Amberol in December 1916 and in 1917, when the Original Dixieland Jass Band recorded "Darktown Strutters' Ball" and "Indiana". The first record with 'Jass' on the label, "The Original Dixieland One-Step" was issue 18255 by Victor Talking Machine Company in 1917. Originally simply called "jazz", the music of early jazz bands is today