Violin of scordatura in classical music is Camille Saint-Saëns' "Danse Macabre", where the solo violin's E string is tuned down to E to impart an eerie dissonance to the composition. Other examples are the third movement of "Contrasts", by Béla Bartók, where the E string is tuned down to E and the G tuned to a G, and the Mystery Sonatas by Biber, in which each movement has different scordatura tuning. In Indian classical music and Indian light music, the violin is likely to be tuned to D–A–D–A in the South Indian style. As there is no concept of absolute pitch
The Well-Tuned Piano octaves, with nine notes extending the bass of the piano. Young describes the pitches of his tuning as being, "derived from various partials of the overtone series of an inferred low fundamental E-flat reference ten octaves below the lowest E-flat on the Bösendorfer Imperial". Although it might seem that Young is giving a nod to Bach's "The Well-Tempered Clavier" with his title "The Well-Tuned Piano", musical tuning and musical temperament are two very different things. Temperament actually involves the deliberate mistuning of pitches to make the overall octave more or less usable in various different tones. In "The Well-Tuned Piano",