1940s in jazz figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail. The American Federation of Musicians recording ban, called by James Petrillo, continued through 1943. 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular
Flea (musician) interest in music to jazz performers like Jaco Pastorius, Miles Davis, Duke Ellington, Charlie Parker, Louis Armstrong, John Coltrane, and Dizzy Gillespie. After Kiedis introduced him to punk and rock, Flea became infatuated with artists such as Black Flag, David Bowie, and Defunkt. Flea's early influences before "Blood Sugar Sex Magik" were mainly funk artists. They would become a notable aspect of the Red Hot Chili Peppers' sound up to "Mother's Milk". Originally, Flea was given the impression by punk bands, that one should play as hard and fast as they possibly could, but ultimately rejected this philosophy during "Blood