Das Kapital Democritus (circa 460–370 BC) and Epicurus (341–270 BC). The logical architecture of "Das Kapital" is derived in part from the "Politics" and the "Nicomachean Ethics" by Aristotle, including the fundamental distinction between use value and exchange value, the "syllogisms" (C-M-C' and M-C-M') for simple commodity circulation and the circulation of value as capital. Moreover, the description of machinery, under capitalist relations of production, as "self-acting automata" derives from Aristotle’s speculations about inanimate instruments capable of obeying commands as the condition for the abolition of slavery. In the nineteenth century, Marx’s research of the available politico-economic literature required twelve years, usually
Art manifesto Surrealist André Breton supported the Communist party. Often however, these political organizations rejected the artists’ attention; in other cases, artists were censored and persecuted by European authoritarian governments, like Fascist Italy and Communist Russia, which institutionally rejected the avant-garde. Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition, 1855, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation." In 1886 the Symbolist Manifesto was published in the French