Kansas City jazz Kansas City jazz Kansas City jazz is a style of jazz that developed in Kansas City during the 1920s and 1930s, which marked the transition from the structured big band style to the musical improvisation style of Bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie who in 1929 signed with the Bennie Moten's Kansas City Orchestra and Kansas City native Charlie Parker who ushered in the Bebop style in America. "While New Orleans was the birthplace of jazz, America's music grew up in Kansas City". Kansas City is known as one of the most popular "cradles of
George Shearing in Dixieland this date falls far short of its potential". George Shearing in Dixieland George Shearing in Dixieland is a 1988 album by jazz pianist George Shearing of music associated with Dixieland. Scott Yanow reviewed the album for Allmusic and wrote that "This promising effort is a major disappointment. ...Shearing planned to revisit his roots in Dixieland and swing but he hedged his bets. Despite having an impressive septet...Shearing wrote out most of the ensembles, taking away from the spontaneity and potential excitement of the music. Despite the interesting repertoire (ranging from "Truckin'," "Honeysuckle Rose" and "Jazz Me Blues" to "Take Five,"