Philip the Arab and Christianity that appear—save for one reference to Ishmael—figure in the political history of the first three centuries of the Christian era. To Eusebius, the Saracens of the 4th century are direct-line descendants of the biblical Ishmaelites, descendants of the handmaid, Hagar, and the patriarch, Abraham. They are thus outcasts, beyond God's Covenant with the favored son of Abraham, Isaac. The twin images of the Ishmaelite and the Saracen—outcasts and "latrones", raiders of the frontiers—reinforce each other and give Eusebius' portrait of the Arab nation an unhappy color. He may have been reluctant to associate the first Christian emperor with a people
Abraham den and on the left is Abraham about to sacrifice Isaac. George Segal created figural sculptures by molding plastered gauze strips over live models in his 1987 work "Abraham's Farewell to Ishmael". The human condition was central to his concerns, and Segal used the Old Testament as a source for his imagery. This sculpture depicts the dilemma faced by Abraham when Sarah demanded that he expel Hagar and Ishmael. In the sculpture, the father's tenderness, Sarah's rage, and Hagar's resigned acceptance portray a range of human emotions. The sculpture was donated to the Miami Art Museum after the artist's death