African-American music Ruth persuaded a gospel group to sing in a secular setting, the Apollo Theater, with such success that he subsequently arranged gospel caravans that traveled around the country, playing the same venues that rhythm and blues singers had popularized. Meanwhile, jazz performers began to push jazz away from swing, a danceable popular music towards more intricate arrangements, improvisation, and technically challenging forms, culminating in the bebop of Charlie Parker and Dizzy Gillespie, the cool sounds and modal jazz of Miles Davis, and the free jazz of Ornette Coleman and John Coltrane. African-American musicians in the 1940s and 1950s were developing
Walter Davis Jr. Hank Mobley With Max Roach With Julian Priester With Sonny Rollins With Charlie Rouse With Art Taylor Walter Davis Jr. Walter Davis Jr. (September 2, 1932 – June 2, 1990) was an American hard bop pianist. Born in Richmond, Virginia, Davis performed as a teenager with Babs Gonzales. In the 1950s, Davis recorded with Melba Liston, Max Roach and played with Roach, Charlie Parker, and Dizzy Gillespie. In 1958 he played with trumpeter Donald Byrd at Le Chat Qui Pêche in Paris and shortly after realized his dream of becoming pianist and composer-arranger for Art Blakey's Jazz Messengers. After retiring