Dixieland the careers of New Orleans musicians who had become lost in the shuffle of musical styles that had occurred over the preceding years. Younger black musicians largely shunned the revival, largely because of a distaste for tailoring their music to what they saw as nostalgia entertainment for white audiences with whom they did not share such nostalgia. The Jim Crow associations of the name "Dixieland" also did little to attract younger black musicians to the revival. The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American
Trad jazz well. Trad jazz Trad jazz, short for "traditional jazz", is the Dixieland and ragtime jazz styles of the early 20th century, which typically used a front line of trumpet, clarinet, and trombone, in contrast to more modern styles which usually include saxophones, and the revival of these styles in mid 20th-century Britain before the emergence of beat music. A Dixieland revival began in the United States on the West Coast in the late 1930s as a backlash to the Chicago style, which was close to swing. Lu Watters and the Yerba Buena Jazz Band, and trombonist Turk Murphy, adopted the