Dixieland the careers of New Orleans musicians who had become lost in the shuffle of musical styles that had occurred over the preceding years. Younger black musicians largely shunned the revival, largely because of a distaste for tailoring their music to what they saw as nostalgia entertainment for white audiences with whom they did not share such nostalgia. The Jim Crow associations of the name "Dixieland" also did little to attract younger black musicians to the revival. The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American
Marshall Brown (musician) with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing music, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane. During the 60s Marshall was the resident trombonist in Jimmy Ryan's - noted as a dixieland venue. He also club dated with Luke O'Malley's Irish band during this time. Brown also performed or recorded with Ruby Braff and Beaver Harris and Lee Konitz. Originally Marshall came to the US from Canada. At that time he was Marshall Braun. Obviously he did a name change &