Bard are known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal" respectively. The word is a Celtic loan word from Scottish Gaelic "bàrd", Irish "bard", Welsh "bardd". In 16th-century Scotland, it was a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott. In medieval Gaelic and Welsh society, a "bard" (Scottish and Irish Gaelic) or "bardd" (Welsh) was a professional poet, employed to compose eulogies for his lord (see planxty). If the employer failed to pay the proper amount, the bard would then compose a satire (c.f. "fili", "fáith").
The Navigator: A Medieval Odyssey reds and oranges of the motorway lights and furnace fires evoke images of hell in the works of Hieronymous Bosch, Pieter Bruegel and Matthias Grünewald. Ward later said he had not achieved what he wanted to with the colour of the modern-day scenes due to the film's short shooting schedule. The colour in the medieval scenes, which were turned into black and white, was far better than that in the 20th century scenes. Some of the mining scenes were inspired by engravings from the German mining manual "De re metallica", although it dates from two centuries after the time of