1940s in jazz 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of
Mingus: Charlie Mingus 1968 Charlie Parker, John Coltrane, Miles Davis and many more lived and breathed the music. In order to be a true musician’s musician, which Mingus definitely was, there had to be immense dedication. When asked about Mingus, trumpet player Dizzy Gillespie said “Sometimes he plays and his fingers start bleedin.’” He also said that Mingus had a “lack of peers” because not many were up to his caliber and able to make music successfully with him. As a talented jazz bassist, Mingus was an amazing artist who played small clubs and ensembles throughout his professional career. Later in life, during the