Monterey Jazz Festival & Orchestra, "Symphony for Brass & Percussion" by Gunther Schuller, Buddy Collette, Chris Barber, George Lewis New Orleans Band, Paul Horn, Brass Ensemble performs new works by Werner Heider, Andre Hodier, J.J. Johnson and John Lewis; New works by Benny Golson, J.J. Johnson, John Lewis and Quincy Jones 1960 Duke Ellington Orchestra, Jon Hendricks w/ Miriam Makeba, Clarence Horatius "Big" Miller, Odetta, Jimmy Witherspoon, Louis Armstrong All-Stars, John Coltrane Quartet, Modern Jazz Quartet, Julian "Cannonball" Adderley, Ornette Coleman Quartet, Jimmy Rushing, André Previn Trio, and Helen Humes 1961 Duke Ellington, Dizzy Gillespie Quintet, Dave Brubeck Quartet, John Coltrane Quartet w/
Jazz include Jackie McLean, and two of the musicians who had also played on "Kind of Blue": John Coltrane and Bill Evans. By the 1950s, Afro-Cuban jazz had been using modes for at least a decade, as much of it borrowed from Cuban popular dance forms which are structured around multiple ostinatos with only a few chords. A case in point is Mario Bauza's "Tanga" (1943), the first Afro-Cuban jazz piece. Machito's Afro-Cubans recorded modal tunes in the 1940s, featuring jazz soloists such as Howard McGhee, Brew Moore, Charlie Parker, and Flip Phillips. However, there is no evidence that Davis or