Dixieland the careers of New Orleans musicians who had become lost in the shuffle of musical styles that had occurred over the preceding years. Younger black musicians largely shunned the revival, largely because of a distaste for tailoring their music to what they saw as nostalgia entertainment for white audiences with whom they did not share such nostalgia. The Jim Crow associations of the name "Dixieland" also did little to attract younger black musicians to the revival. The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American
Dixieland Jass Band One-Step and played by the Original Dixieland Jass Band" omitted the phrase "Composed and played by". Max Hart, the manager of the ODJB, made an agreement with J. W. Stern in 1917 for the publication rights to "Dixieland Jass Band One- Step." Nick LaRocca wrote to Eddie Edwards on November 8, 1929: "Ed, I want you to look up Max Hart and see if he will sign the Dixieland one step to one of us so we can get behind the publisher to settle up with us, on royalty due band. Suppose you go and see J. W. Stern or his