Beatnik the breeze and digging the music. Charlie Parker, Dizzy Gillespie and Miles Davis rapidly became what Ginsberg dubbed "secret heroes" to this group of aesthetes. The Beat authors borrowed much from the jazz/hipster slang of the 1940s, peppering their works with words such as "square", "cats", "cool" and "dig". At the time the term "beatnik" was coined, a trend existed among young college students to adopt the stereotype. Men emulated the trademark look of bebop trumpeter Dizzy Gillespie by wearing goatees, horn-rimmed glasses and berets, rolling their own cigarettes, and playing bongos. Fashions for women included black leotards and long,
The Genius of Charlie Parker Vol. 2" [Savoy MG 12009] and "The Charlie Parker Story" [Savoy MG 12079]) completing the reissue of the previously released master takes, and the original issue of most of the unreleased takes from these seven sessions. Parker's entire Savoy ouvre was finally issued on "Charlie Parker: The Complete Savoy Studio Sessions" in 1978. The master take of "Koko", included here, is controversial in that it is unclear who, precisely, plays trumpet and\or piano on the track. The liner notes credit Miles Davis with trumpet for the session, but also credit Dizzy Gillespie with both trumpet and piano. Several sources claim