Das Kapital class struggle rooted in the capitalist social relations of production. The first of three volumes of "Das Kapital. Kritik der politischen Ökonomie" ("Capital. Critique of Political Economy") was published on 14 September 1867, dedicated to Wilhelm Wolff and was the sole volume published in Marx’s lifetime. "Capital, Volume II", subtitled "The Process of Circulation of Capital", was prepared by Engels from notes left by Marx and published in 1885. It is divided into three parts: "The Metamorphoses of Capital and Their Circuits", "The Turnover of Capital" and "The Reproduction and Circulation of the Aggregate Social Capital". In "Volume II", the
Art manifesto Surrealist André Breton supported the Communist party. Often however, these political organizations rejected the artists’ attention; in other cases, artists were censored and persecuted by European authoritarian governments, like Fascist Italy and Communist Russia, which institutionally rejected the avant-garde. Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition, 1855, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation." In 1886 the Symbolist Manifesto was published in the French