Albruna form. He similarly points to the celtic origin of the name Veleda and to Nedoma's criticism of Schramm. Schuhmann himself sees in Aurinia a mixed Celtic-Latin form consisting of the Latin prefix "aurum", borrowed from Celtic as in "aurum" for "gold" and the genuinely Celtic suffix "-inios", "-inia". He refers, among other things, to a male form of "Auriniacus". According to him, therefore, Aurinia had the original meaning "Goldine". An older attempt at an etymology is that of Gilbert Trathnigg cited by Helmut Birkhan. Trathnigg, who calls Aurinia the correct form, associates the name with the Old English "éar" (wave,
Ordo Aurum Solis by Melita Denning and Osborne Phillips, made itself evident in the frescos painted by Giotto (1270-1337) and was also incorporated into the construction of the Baptistery at Florence. The initiatory structure of Ordo Aurum Solis consists of three "Halls", preceded by a special training in the "Circle of the Pronaos". The three grades associated with the Halls of the Order are as follows: Various initiatic traditions existed in ancient Greece. These were called "Mysteries". In Greece the Mysteries of Eleusis, Samothrace, Orpheus, and Dionysus were among the most important, and in ancient Rome and across its empire, the Mithraic and