1940s in jazz figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail. The American Federation of Musicians recording ban, called by James Petrillo, continued through 1943. 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular
The Jazz Review contributed articles to "The Jazz Review": A later California-based magazine also titled "The Jazz Review", edited by Ken Borgers and Bill Wasserzieher, appeared in 1991-1992, with cover stories on Dizzy Gillespie, Miles Davis, Charlie Haden and other artists. The Jazz Review The Jazz Review was a magazine which was founded by Nat Hentoff, Martin Williams, and Hsio Wen Shih, in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence. Many issues of "The Jazz Review" are available at Jazz Studies Online which assesses its quality as follows: A regular feature