African-American music Ruth persuaded a gospel group to sing in a secular setting, the Apollo Theater, with such success that he subsequently arranged gospel caravans that traveled around the country, playing the same venues that rhythm and blues singers had popularized. Meanwhile, jazz performers began to push jazz away from swing, a danceable popular music towards more intricate arrangements, improvisation, and technically challenging forms, culminating in the bebop of Charlie Parker and Dizzy Gillespie, the cool sounds and modal jazz of Miles Davis, and the free jazz of Ornette Coleman and John Coltrane. African-American musicians in the 1940s and 1950s were developing
Charlie Parker's Savoy and Dial sessions Charlie Parker's Savoy and Dial sessions This article lists Charlie Parker's Savoy and Dial sessions as leader, which were recorded between 1945 and 1948. Also included is Miles Davis's first session as leader in 1947, with Parker on tenor saxophone (Session 7). Charlie Parker's Reboppers. Recorded November 26, 1945, in New York City for Savoy Records. Charlie Parker (alto sax), Miles Davis (trumpet, 1,3,4), Dizzy Gillespie (trumpet, 6; piano, 1,3,5,6), Sadik Hakim (piano, 2,4), Curley Russell (bass), Max Roach (drums) Charlie Parker Septet. Recorded March 28, 1946, in Hollywood for Dial Records. Charlie Parker (alto sax), Miles Davis (trumpet), Lucky