Double bass the "old" German method sounded an octave below where notation except in the treble clef, where the music was written at pitch. The double bass is generally tuned in fourths, in contrast to other members of the orchestral string family, which are tuned in fifths (for example, the violin's four strings are, from lowest-pitched to highest-pitched: G-D-A-E). The standard tuning (lowest-pitched to highest-pitched) for bass is E–A–D–G, starting from E below second low C (concert pitch). This is the same as the standard tuning of a bass guitar and is one octave lower than the four lowest-pitched strings of standard
Scientific pitch Pyke Hullah in the mid-19th century, but never established as a standard. In the 19th century, Italian composer Giuseppe Verdi tried to stop the increase in pitch to which orchestras were tuned. In 1874 he wrote his "Requiem" using the official French standard "diapason normal" pitch of A4 tuned to 435 Hz. Later, he indicated that 432 Hz would be slightly better for orchestras. One solution he proposed was scientific pitch. He had little success. In 1988, Lyndon LaRouche's Schiller Institute initiated a campaign to establish scientific pitch as the classical music concert pitch standard. The Institute called this pitch