1940s in jazz 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of
Frank R. Fisher One of the most famous jazz spots in the Fillmore was Jimbo's Bop City. Many famous jazz artists performed at Bop City, and at the clubs in the Fillmore district. Such artists as; Ella Fitzgerald, John Coltrane, Lionel Hampton, Dexter Gordon, Billie Holiday, Louis Armstrong, Stan Getz, Duke Ellington, Ben Webster, Billy Eckstine, Miles Davis, Dizzy Gillespie, Count Basie, Dinah Washington, Art Tatum, Pony Poindexter, Charlie Parker, Kenny Dorham, Jimmy Heath, Woody Herman, John Handy, Charles Mingus, Dexter Gordon, Zoot Sims. Mr. Fisher was a part of the Great Migration (African American)s, to the West Coast in the 40s. The