Dixieland (with or without harmonizing) of bebop in the 1940s. The "West Coast revival," which used banjo and tuba, began in the late 1930s in San Francisco. The Dutch "old-style jazz" was played with trumpets, trombones and saxophones accompanied by a single clarinet, sousaphone and a section of Marching percussion usually including a washboard. The Original Dixieland Jass Band, recording its first disc in 1917, was the first instance of jazz music being called "Dixieland", though at the time, the term referred to the band, not the genre. The band's sound was a combination of African American/New Orleans ragtime and Sicilian
Dixieland back onto the jazz circuit after years of not playing (e.g., Kid Ory and Red Nichols). Many Dixieland groups of the revival era consciously imitated the recordings and bands of decades earlier. Other musicians continued to create innovative performances and new tunes. For example, in the 1950s a style called "Progressive Dixieland" sought to blend polyphonic improvisation with bebop-style rhythm. Spike Jones & His New Band and Steve Lacy played with such bands. This style is sometimes called "Dixie-bop". Lacy went on to apply that approach to the music of Thelonious Monk, Charles Mingus, Duke Ellington, and Herbie Nichols. While