1940s in jazz figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail. The American Federation of Musicians recording ban, called by James Petrillo, continued through 1943. 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular
Frank R. Fisher One of the most famous jazz spots in the Fillmore was Jimbo's Bop City. Many famous jazz artists performed at Bop City, and at the clubs in the Fillmore district. Such artists as; Ella Fitzgerald, John Coltrane, Lionel Hampton, Dexter Gordon, Billie Holiday, Louis Armstrong, Stan Getz, Duke Ellington, Ben Webster, Billy Eckstine, Miles Davis, Dizzy Gillespie, Count Basie, Dinah Washington, Art Tatum, Pony Poindexter, Charlie Parker, Kenny Dorham, Jimmy Heath, Woody Herman, John Handy, Charles Mingus, Dexter Gordon, Zoot Sims. Mr. Fisher was a part of the Great Migration (African American)s, to the West Coast in the 40s. The