Monterey Jazz Festival & Orchestra, "Symphony for Brass & Percussion" by Gunther Schuller, Buddy Collette, Chris Barber, George Lewis New Orleans Band, Paul Horn, Brass Ensemble performs new works by Werner Heider, Andre Hodier, J.J. Johnson and John Lewis; New works by Benny Golson, J.J. Johnson, John Lewis and Quincy Jones 1960 Duke Ellington Orchestra, Jon Hendricks w/ Miriam Makeba, Clarence Horatius "Big" Miller, Odetta, Jimmy Witherspoon, Louis Armstrong All-Stars, John Coltrane Quartet, Modern Jazz Quartet, Julian "Cannonball" Adderley, Ornette Coleman Quartet, Jimmy Rushing, André Previn Trio, and Helen Humes 1961 Duke Ellington, Dizzy Gillespie Quintet, Dave Brubeck Quartet, John Coltrane Quartet w/
Flea (musician) interest in music to jazz performers like Jaco Pastorius, Miles Davis, Duke Ellington, Charlie Parker, Louis Armstrong, John Coltrane, and Dizzy Gillespie. After Kiedis introduced him to punk and rock, Flea became infatuated with artists such as Black Flag, David Bowie, and Defunkt. Flea's early influences before "Blood Sugar Sex Magik" were mainly funk artists. They would become a notable aspect of the Red Hot Chili Peppers' sound up to "Mother's Milk". Originally, Flea was given the impression by punk bands, that one should play as hard and fast as they possibly could, but ultimately rejected this philosophy during "Blood