Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Workin' with the Miles Davis Quintet is in fact a John Coltrane composition (originally titled "John Paul Jones", and from an earlier session led by bassist Paul Chambers; before the closing statement of theme, Coltrane and Davis play a bit of Charlie Parker's "The Hymn"). As his star rose in 1955, Davis formed a new quintet, featuring saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones. In order to fulfill contractual obligations, he recorded lengthy, spontaneous songs with the quintet, which were released over four albums—"Workin", "Cookin'", "Relaxin'", and "Steamin' with the Miles Davis Quintet". Prestige – LP 7166: All tracks