The Communist Manifesto and non-socialist trade unions. Marx himself, later in his life, acknowledged that the middle-class was not disappearing in his work "Theories of Surplus Value" (1863). The obscurity of the later work means that Marx's acknowledgement of this error is not well known. George Boyer described the "Manifesto" as "very much a period piece, a document of what was called the 'hungry' 1840s." Many have drawn attention to the passage in the "Manifesto" that seems to sneer at the stupidity of the rustic: "The bourgeoisie ... draws all nations ... into civilisation ... It has created enormous cities ... and thus
Art manifesto Surrealist André Breton supported the Communist party. Often however, these political organizations rejected the artists’ attention; in other cases, artists were censored and persecuted by European authoritarian governments, like Fascist Italy and Communist Russia, which institutionally rejected the avant-garde. Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition, 1855, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation." In 1886 the Symbolist Manifesto was published in the French