1940s in jazz figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail. The American Federation of Musicians recording ban, called by James Petrillo, continued through 1943. 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular
Live at the Village Vanguard (Dizzy Gillespie album) Live at the Village Vanguard (Dizzy Gillespie album) Live at the Village Vanguard is a live album by American jazz trumpeter Dizzy Gillespie featuring performances recorded in 1967 at the Village Vanguard and originally released on three separate LPs on the Solid State label, one under the "Vanguard" title and as two volumes entitled Jazz for a Sunday Afternoon. The recordings were subsequently re-released in unedited form as a 2-CD set on the Blue Note label in 1993. The Allmusic review stated "These lengthy performances (all but one of the seven songs are over 11 minutes) contain some loose and