African-American music Ruth persuaded a gospel group to sing in a secular setting, the Apollo Theater, with such success that he subsequently arranged gospel caravans that traveled around the country, playing the same venues that rhythm and blues singers had popularized. Meanwhile, jazz performers began to push jazz away from swing, a danceable popular music towards more intricate arrangements, improvisation, and technically challenging forms, culminating in the bebop of Charlie Parker and Dizzy Gillespie, the cool sounds and modal jazz of Miles Davis, and the free jazz of Ornette Coleman and John Coltrane. African-American musicians in the 1940s and 1950s were developing
Jazz Review holding company, which changed ownership, absorbed "Jazz Review" around April 2009. It was revived as "Jazz Journal" at the end of April. Direct Music was no longer involved in the publication. A later California-based magazine also titled "The Jazz Review", edited by Ken Borgers and Bill Wasserzieher, appeared in 1991-1992, with cover stories on Dizzy Gillespie, Miles Davis, Charlie Haden and other artists. Jazz Review Jazz Review was a Scottish jazz magazine, founded in 1998 by a former editor of "The Wire" and jazz writer Richard Cook and Roger Spence of the talent management agency Direct Music Limited of Edinburgh,