Diana and Actaeon which might have been better called "Diana and Endymion," is still performed today as a spectacular showpiece for a ballerina and her partner. Diana and Actaeon The myth of Diana and Actaeon can be found in Ovid’s "Metamorphoses". The tale recounts the unfortunate fate of a young hunter named Actaeon, who was a grandson of Cadmus, and his encounter with chaste Artemis, known to the Romans as Diana, goddess of the hunt. The latter is nude and enjoying a bath in a spring with help from her escort of nymphs when the mortal man unwittingly stumbles upon the scene. The
Diana the Huntress Diana the Huntress Diana the Huntress is an oil on canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana. It is in the Louvre, which acquired it in 1840. In its linear elegance the painting exemplifies the French version of the Northern Mannerist style that was introduced to France by Italian artists such as Rosso Fiorentino and Francesco Primaticcio in the 1530s. It is one of many works by artists of the