Thelonious Monk early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style (in the Harlem stride tradition) was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this
Charlie Parker's Savoy and Dial sessions Charlie Parker's Savoy and Dial sessions This article lists Charlie Parker's Savoy and Dial sessions as leader, which were recorded between 1945 and 1948. Also included is Miles Davis's first session as leader in 1947, with Parker on tenor saxophone (Session 7). Charlie Parker's Reboppers. Recorded November 26, 1945, in New York City for Savoy Records. Charlie Parker (alto sax), Miles Davis (trumpet, 1,3,4), Dizzy Gillespie (trumpet, 6; piano, 1,3,5,6), Sadik Hakim (piano, 2,4), Curley Russell (bass), Max Roach (drums) Charlie Parker Septet. Recorded March 28, 1946, in Hollywood for Dial Records. Charlie Parker (alto sax), Miles Davis (trumpet), Lucky