Double bass fifths point out that all of the other orchestral strings are tuned in fifths (violin, viola, and cello), so this puts the bass in the same tuning approach. Fifth tuning provides a bassist with a wider range of pitch than a standard E–A–D–G bass, as it ranges (without an extension) from C to A. Some players who use fifths tuning who play a five-string bass use an additional high string (thus, from lowest to highest: C–G–D–A–E). Some fifth tuning bassists who only have a four string instrument and who are mainly performing soloistic works use the G–D–A–E tuning, thus omitting
Tabula Rasa (Pärt) "A," until in mm. 6, when the pattern reverses, and again the instrument sections are phased in, displaced by a half measure, but this time beginning with the lowest instrument pair (cello and contrabass). The string orchestra’s phasing pattern is reflected in the solo violin parts. When the orchestra is phasing in each part from highest pitch range to lowest, the solo violin plays an eighth note melody, when the solo bass line is played, the solo parts switch and play triplets, and when the chamber orchestra reverses the pattern and phase in again from the lowest pitch range to