True or False-Face where they are attacked by False-Face's gang. The police arrive in time to arrest the gang, but False-Face escapes by disguising himself as Chief O'Hara, before gassing the real Chief O'Hara. Batman captures False-Face's assistant, Blaze, who leads the duo to what they think is False-Face's hideout, a deserted subway platform. It is in reality a False-Face trap. Batman is gassed by a vending machine, while Blaze gasses Robin. They awaken to find that False-Face has glued them to the train tracks with a super-strong epoxy. Momentarily, they will be run over a speeding train. DISASTER THREATENS<br> BASHED BY THE
Campbell's Soup Cans escape Lichtenstein's lengthening shadow. Although his soup cans were not as shocking and vulgar as some of his other early pop art, they still offended the art world's sensibilities that had developed so as to partake in the intimate emotions of artistic expression. Contrasting against Caravaggio's sensual baskets of fruit, Chardin's plush peaches, or Cézanne's vibrant arrangements of apples, the mundane "Campbell's Soup Cans" gave the art world a chill. Furthermore, the idea of isolating eminently recognizable pop culture items was ridiculous enough to the art world that both the merits and ethics of the work were perfectly reasonable debate