Cross tuning if played in regular tuning, while the sounded pitch is altered. Cross tuning is commonly used on the fiddle in folk music of Appalachia, the southern United States and Scandinavia. The fiddle may be re-tuned in any number of ways in these musical idioms, but there are two common re-tunings. While the standard tuning for open strings of the violin is GDAE—with the G being the tuning of the lowest-pitched string and the E being the tuning for the highest-pitched string—fiddlers playing tunes in the key of D major sometimes employ a tuning of ADAE. In this tuning the open
Viol for the lowest-pitched bass strings on viols, and on many other string instruments as well. Viols are fretted in a manner similar to early guitars or lutes, by means of movable wrapped-around and tied-on gut frets. A low seventh string was supposedly added in France to the bass viol by Monsieur de Sainte-Colombe (c. 1640–1690), whose students included the French gamba virtuoso and composer Marin Marais. Also, the painting (1618) by Domenichino (1581–1641) shows what may be a seven-string viol. Unlike members of the violin family, which are tuned in fifths, viols are usually tuned in fourths with a major