Abraham Kuyper as "the physical basis for all higher development" in the Stone Lectures (1898). Harinck argues that "Kuyper was not guided by the cultural racism of his day, but by his Calvinistic creed of human equality". Kuyper's legacy includes a granddaughter, Johtje Vos, who is noted for having sheltered many Jews in her home in the Netherlands from the Nazis. After World War II she moved to New York City. Conversely, Kuyper's son Professor H. H. Kuyper, a supporter of Afrikaner Nationalism and colour racism, was a wartime Nazi collaborator and his grandson joined the Waffen SS and died on the
Eric de Kuyper black-and-white 106'-long feature without a dialogue starts with a stationary camera showing attractive men grooming in front of a mirror while the soundtrack of operatic arias and fragments of other songs challenges the viewer to perceive the two levels as seductive and intoxicating parallels, speculative contrasts, or mold-breaking transgressions. The film establishes a relation with its cinematic objects, male bodies, that is both sensual and distant, somewhat reminiscent of "Flesh" (dir. Paul Morrissey; 1968) produced by Andy Warhol. In his most narrative film, de Kuyper explores the themes of melodrama in the context of the characters' selection of lovers, and