Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Miles Davis he accompanied a singer. In 1945, he replaced Dizzy Gillespie in Charlie Parker's quintet. On November 26, Davis participated in several recording sessions as part of Parker's group Reboppers that also involved Gillespie and Max Roach, displaying hints of the style he would become known for. In Parker's song "Now's the Time", Davis played a solo that anticipated cool jazz. He then joined a big band led by Benny Carter, performing in St. Louis and remaining with the band in California. He again played with Parker and Gillespie. In Los Angeles, Parker had a nervous breakdown that put him in