1940s in jazz figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail. The American Federation of Musicians recording ban, called by James Petrillo, continued through 1943. 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular
Monterey Jazz Festival Eric Dolphy & Wes Montgomery, Carmen McRae, George Shearing Quintet, Odetta, and Jimmy Rushing 1962 Louis Armstrong All-Stars, Dizzy Gillespie Quintet, Carmen McRae, Dave Brubeck, Gerry Mulligan Quartet, Stan Getz Quartet, Quincy Jones & the Monterey Jazz Festival Orchestra 1963 Carmen McRae, Miles Davis Quintet, Dizzy Gillespie Quintet, Dave Brubeck Quartet, Herbie Hancock, Thelonious Monk Quartet, Jon Hendricks, Harry James Orchestra, Jimmy Witherspoon, The Andrews Sisters & the Gospel Song, and Helen Merrill, Joe Sullivan 1964 Duke Ellington Orchestra, Dizzy Gillespie Quintet, Miles Davis Quintet w/ Wayne Shorter, Herbie Hancock, Ron Carter & Tony Williams, Gerry Mulligan, Thelonious Monk Quartet,