The Communist Manifesto was a one-party state under the rule of the Communist Party of the Soviet Union (CPSU). Unlike their mass-based counterparts of the Second International, the CPSU and other Leninist parties like it in the Third International expected their members to know the classic works of Marx, Engels and Lenin. Further, party leaders were expected to base their policy decisions on Marxist-Leninist ideology. Therefore works such as the "Manifesto" were required reading for the party rank-and-file. Therefore the widespread dissemination of Marx and Engels' works became an important policy objective; backed by a sovereign state, the CPSU had relatively inexhaustible resources
Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a