Air on the G String original. Later, a spurious story was put about that the melody was always intended to be played on the G string alone. The violin solo part of Wilhelmj's arrangement is sometimes played on the counter-tenor violoncello. As a result of the popularity of the piece, "on the G string" remained in the name of various arrangements whether or not a string instrument playing on its G string was involved. Most of these versions have in common that the original melody of the first violins is played in the low register of a solo instrument, accompanied by a reduction of the
Violin in Indian classical music, any convenient tuning maintaining these relative pitch intervals between the strings can be used. Another prevalent tuning with these intervals is B–F–B–F, which corresponds to Sa–Pa–Sa–Pa in the Indian carnatic classical music style. In the North Indian Hindustani style, the tuning is usually Pa-Sa-Pa-Sa instead of Sa–Pa–Sa–Pa. This could correspond to F–B–F–B, for instance. In Iranian classical music and Iranian light music, the violin ls different tunings in any Dastgah, the violin is likely to be tuned (E–A–E–A) in Dastgah-h Esfahan or in Dastgāh-e Šur is (E–A–D–E) and (E–A–E–E), in Dastgāh-e Māhur is (E–A–D–A). In Arabic