Dizzy Gillespie 1947. He and his big bands, with arrangements provided by Tadd Dameron, Gil Fuller, and George Russell, popularized bebop and made him a symbol of the new music. His big bands of the late 1940s also featured Cuban "rumberos" Chano Pozo and Sabu Martinez, sparking interest in Afro-Cuban jazz. He appeared frequently as a soloist with Norman Granz's Jazz at the Philharmonic. In 1948, Gillespie was involved in a traffic accident when the bicycle he was riding was bumped by an automobile. He was slightly injured and found that he could no longer hit the B-flat above high C. He
The Genius of Charlie Parker Vol. 2" [Savoy MG 12009] and "The Charlie Parker Story" [Savoy MG 12079]) completing the reissue of the previously released master takes, and the original issue of most of the unreleased takes from these seven sessions. Parker's entire Savoy ouvre was finally issued on "Charlie Parker: The Complete Savoy Studio Sessions" in 1978. The master take of "Koko", included here, is controversial in that it is unclear who, precisely, plays trumpet and\or piano on the track. The liner notes credit Miles Davis with trumpet for the session, but also credit Dizzy Gillespie with both trumpet and piano. Several sources claim