Diana and Actaeon which might have been better called "Diana and Endymion," is still performed today as a spectacular showpiece for a ballerina and her partner. Diana and Actaeon The myth of Diana and Actaeon can be found in Ovid’s "Metamorphoses". The tale recounts the unfortunate fate of a young hunter named Actaeon, who was a grandson of Cadmus, and his encounter with chaste Artemis, known to the Romans as Diana, goddess of the hunt. The latter is nude and enjoying a bath in a spring with help from her escort of nymphs when the mortal man unwittingly stumbles upon the scene. The
Luna (goddess) black horse and one white." Luna in her "biga" was an element of Mithraic iconography, usually in the context of the tauroctony. In the mithraeum of S. Maria Capua Vetere, a wall painting that uniquely focuses on Luna alone shows one of the horses of the team as light in color, with the other a dark brown. A "biga" of oxen was also driven by Hecate, the chthonic aspect of the triple goddess in complement with the "horned" or crescent-crowned Diana and Luna. The three-form Hecate ("trimorphos") was identified by Servius with Luna, Diana, and Proserpina. According to the Archaic