Double bass the instrument; bassist Ray Brown (1926–2002), known for backing Beboppers Dizzy Gillespie, Oscar Peterson, Art Tatum and Charlie Parker, and forming the Modern Jazz Quartet; hard bop bassist Ron Carter (born 1937), who has appeared on 3,500 albums make him one of the most-recorded bassists in jazz history, including LPs by Thelonious Monk and Wes Montgomery and many Blue Note Records artists; and Paul Chambers (1935–1969), a member of the Miles Davis Quintet (including the landmark modal jazz recording "Kind of Blue") and many other 1950s and 1960s rhythm sections, was known for his virtuosic improvisations. The experimental post 1960s
Charlie Parker on Dial material from 1948, including a session with Tadd Dameron's Orchestra, featuring performances by tenor saxophonists Allen Eager and Wardell Gray. The first volume features several sessions. In one, Parker and Dizzy Gillespie perform "Diggin' Diz". In another, described by Yanow as "superior", Parker and Miles Davis on trumpet lead a West Coast septet through several Parker standards, with variant takes. The final session on the album features Parker in performance with a Howard McGhee-led quintet where, according to Yanow, Parker's performance is seriously hampered by his poor physical condition. This volume features the first session, including alternate takes, that Parker