Monterey Jazz Festival & Orchestra, "Symphony for Brass & Percussion" by Gunther Schuller, Buddy Collette, Chris Barber, George Lewis New Orleans Band, Paul Horn, Brass Ensemble performs new works by Werner Heider, Andre Hodier, J.J. Johnson and John Lewis; New works by Benny Golson, J.J. Johnson, John Lewis and Quincy Jones 1960 Duke Ellington Orchestra, Jon Hendricks w/ Miriam Makeba, Clarence Horatius "Big" Miller, Odetta, Jimmy Witherspoon, Louis Armstrong All-Stars, John Coltrane Quartet, Modern Jazz Quartet, Julian "Cannonball" Adderley, Ornette Coleman Quartet, Jimmy Rushing, André Previn Trio, and Helen Humes 1961 Duke Ellington, Dizzy Gillespie Quintet, Dave Brubeck Quartet, John Coltrane Quartet w/
Ahmadiyya in the United States Clouds." Although Dizzy Gillespie, Miles Davis, and John Coltrane did not become Ahmadi Muslims, they were influenced by the spirit of Islam bought by the Ahmadis. "A Love Supreme", one of Coltrane's greatest pieces of work, considered by some as the greatest Jazz album of all time, was deeply influenced by the work of the Ahmadiyya movement. In the liner notes of the album, Coltrane repeatedly echoes "Basmala", the opening verse of almost every chapter of the Quran: "Now and again through the unerring hand of God, I do perceive his ... Omnipotence ... He is Gracious and Merciful." Between