1940s in jazz 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of
Julian Barry in Riverdale, the North Bronx. He played saxophone for his high school band, and traveled to jazz clubs in New York City to hear jazz performed by Charlie Parker, Dizzy Gillespie, Miles Davis, Thelonious Monk and John Coltrane. After high school, Barry attended Syracuse University in Syracuse, New York, where he majored in drama and performed in university productions with comedian Jerry Stiller. He was drafted into the Army during the Korean War and served until 1953. Barry was cast in the 1955 Orson Welles production of "King Lear" at New York City Center theater. He continued working on Broadway