Violin of scordatura in classical music is Camille Saint-Saëns' "Danse Macabre", where the solo violin's E string is tuned down to E to impart an eerie dissonance to the composition. Other examples are the third movement of "Contrasts", by Béla Bartók, where the E string is tuned down to E and the G tuned to a G, and the Mystery Sonatas by Biber, in which each movement has different scordatura tuning. In Indian classical music and Indian light music, the violin is likely to be tuned to D–A–D–A in the South Indian style. As there is no concept of absolute pitch
Violone with the violin, but can't necessarily be described as genuine violin family instruments because their tunings, proportions and/or construction issues may be at odds with the other sizes. In the Renaissance and Baroque era and even in the 2000s, there are players who changed or adapted their instruments in unique ways. In this category we might find bass viols that are tuned in E (instead of D), or where the bottom string is tuned an extra step lower, to a C (a pitch found in numerous Baroque works). Or we might find a contrabass/double bass tuned in fourths, but with