Mandolin are used. Usually, courses of 2 adjacent strings are tuned in unison. By far the most common tuning is the same as violin tuning, in scientific pitch notation G–D–A–E, or in Helmholtz pitch notation: g–d′–a′–e″. Note that the numbers of Hz shown above assume a 440 Hz A, standard in most parts of the western world. Some players use an A up to 10 Hz above or below a 440, mainly outside the United States. Other tunings exist, including "cross-tunings", in which the usually doubled string runs are tuned to different pitches. Additionally, guitarists may sometimes tune a mandolin to
Violin in Indian classical music, any convenient tuning maintaining these relative pitch intervals between the strings can be used. Another prevalent tuning with these intervals is B–F–B–F, which corresponds to Sa–Pa–Sa–Pa in the Indian carnatic classical music style. In the North Indian Hindustani style, the tuning is usually Pa-Sa-Pa-Sa instead of Sa–Pa–Sa–Pa. This could correspond to F–B–F–B, for instance. In Iranian classical music and Iranian light music, the violin ls different tunings in any Dastgah, the violin is likely to be tuned (E–A–E–A) in Dastgah-h Esfahan or in Dastgāh-e Šur is (E–A–D–E) and (E–A–E–E), in Dastgāh-e Māhur is (E–A–D–A). In Arabic