Dixieland the careers of New Orleans musicians who had become lost in the shuffle of musical styles that had occurred over the preceding years. Younger black musicians largely shunned the revival, largely because of a distaste for tailoring their music to what they saw as nostalgia entertainment for white audiences with whom they did not share such nostalgia. The Jim Crow associations of the name "Dixieland" also did little to attract younger black musicians to the revival. The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American
Tarragona International Dixieland Festival a focal point. Cooperation between public resources and private enterprise in the programmes and their financing. The Festival’s artistic direction is free and independent but also integrated into the cultural management team of the Culture Department of the City Council of Tarragona. Other participants in the programme are : the owners of private venues with business management that hold the Festival, and other non-profitmaking organizations that manage stages and coordinate concerts for schools. Creation of new jazz markets. The Tarragona Festival has helped dixieland to be really present today in public and private programmes in Catalonia. No doubt the increase