Dr. Dre been influential far beyond the West Coast. The beat for the Houston-based group Geto Boys 1996 song "Still" follows the same drum pattern as "Natural Born Killaz" and Eazy E's "Wut Would U Do" (a diss to Dre) is similar to the original "Murder was the Case" instrumental. This style of production is usually accompanied by horror and occult-themed lyrics and imagery, being crucial to the creation of horrorcore. By 1996, Dre was again looking to innovate his sound. He recruited keyboardist Camara Kambon to play the keys on "Been There, Done That", and through Bud'da and Sam Sneed he
2001 (Dr. Dre album) or Miles Davis." In a negative review, Robert Christgau from "The Village Voice" found Dr. Dre's lyrics distastefully misogynistic, writing "it's a New Millennium, but he's Still S.L.I.M.E. ... For an hour, with time out for some memorable Eminem tracks, Dre degrades women every way he can think of, all of which involve his dick." "Chicago Tribune" critic Greg Kot said Dr. Dre's production boasted unique elements but "the endless gangsta babble, with its casual misogyny and flippant violence," sounded flagrantly trite. AllMusic's Erlewine spoke of how the number of guest rappers affected the album, and questioned his reasons for