Jazz Originally a B pentatonic blues, Coltrane expanded the harmonic structure of "Afro Blue." Perhaps the most respected Afro-cuban jazz combo of the late 1950s was vibraphonist Cal Tjader's band. Tjader had Mongo Santamaria, Armando Peraza, and Willie Bobo on his early recording dates. In the late 1940s, there was a revival of Dixieland, harking back to the contrapuntal New Orleans style. This was driven in large part by record company reissues of jazz classics by the Oliver, Morton, and Armstrong bands of the 1930s. There were two types of musicians involved in the revival: the first group was made up
Kansas City jazz City in the 1930s was very much the crossroads of the United States resulting in a mix of cultures. Transcontinental trips at the time whether by plane or train often required a stop in the city. The era marked the zenith of power of political boss Tom Pendergast. Kansas City was a wide open town with liquor laws and hours totally ignored and was called the new Storyville. Most of the jazz musicians associated with the style were born in other places but got caught up in the friendly musical competitions among performers that could keep a single song being