Religious syncretism correspondence varied: Jupiter makes perhaps a better match for Zeus than the rural huntress Diana does for the feared Artemis. Ares does not quite match Mars. The Romans physically imported the Anatolian goddess Cybele into Rome from her Anatolian cult-center Pessinos in the form of her original aniconic archaic stone idol; they identified her as "Magna Mater" and gave her a matronly, iconic image developed in Hellenistic Pergamum. Likewise, when the Romans encountered Celts and Germanic peoples, they mingled these peoples' gods with their own, creating Sulis Minerva, Apollo Sucellos (Apollo the Good Smiter) and Mars Thingsus (Mars of the
Diana the Huntress School of Fontainebleau depicting Diane de Poitiers, who was often personified as Diana, the Roman goddess of the hunt. The nude figure carries a bow and a quiver of arrows, and is accompanied by a dog. In her hair is an ornament in the shape of a crescent moon, an attribute of the goddess. The painting was previously attributed to the Italian artist Luca Penni. Diana the Huntress Diana the Huntress is an oil on canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers, the