Dixieland music. The music of Sicily was one of the many genres in the New Orleans music scene during the 1910s, alongside sanctified church music, brass band music and blues. Much later, the term "Dixieland" was applied to early jazz by traditional jazz revivalists, starting in the 1940s and 1950s. The name is a reference to the "Old South", specifically anything south of the Mason-Dixon line. The term encompasses earlier brass band marches, French Quadrilles, biguine, ragtime, and blues with collective, polyphonic improvisation. While instrumentation and size of bands can be very flexible, the "standard" band consists of a "front line"
Marshall Brown (musician) with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing music, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane. During the 60s Marshall was the resident trombonist in Jimmy Ryan's - noted as a dixieland venue. He also club dated with Luke O'Malley's Irish band during this time. Brown also performed or recorded with Ruby Braff and Beaver Harris and Lee Konitz. Originally Marshall came to the US from Canada. At that time he was Marshall Braun. Obviously he did a name change &