Jazz Originally a B pentatonic blues, Coltrane expanded the harmonic structure of "Afro Blue." Perhaps the most respected Afro-cuban jazz combo of the late 1950s was vibraphonist Cal Tjader's band. Tjader had Mongo Santamaria, Armando Peraza, and Willie Bobo on his early recording dates. In the late 1940s, there was a revival of Dixieland, harking back to the contrapuntal New Orleans style. This was driven in large part by record company reissues of jazz classics by the Oliver, Morton, and Armstrong bands of the 1930s. There were two types of musicians involved in the revival: the first group was made up
Marshall Brown (musician) with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing music, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane. During the 60s Marshall was the resident trombonist in Jimmy Ryan's - noted as a dixieland venue. He also club dated with Luke O'Malley's Irish band during this time. Brown also performed or recorded with Ruby Braff and Beaver Harris and Lee Konitz. Originally Marshall came to the US from Canada. At that time he was Marshall Braun. Obviously he did a name change &