Double bass fifths point out that all of the other orchestral strings are tuned in fifths (violin, viola, and cello), so this puts the bass in the same tuning approach. Fifth tuning provides a bassist with a wider range of pitch than a standard E–A–D–G bass, as it ranges (without an extension) from C to A. Some players who use fifths tuning who play a five-string bass use an additional high string (thus, from lowest to highest: C–G–D–A–E). Some fifth tuning bassists who only have a four string instrument and who are mainly performing soloistic works use the G–D–A–E tuning, thus omitting
String Quartet No. 6 (Babbitt) one instrument at a time, are used to mark off composite pitch aggregates . The work is based on an all-partition array which is (with a few swapped partitions) the M5 transform of the one used in "The Joy of More Sextets" (1986), for violin and piano . String Quartet No. 6 (Babbitt) String Quartet No. 6 is the last of six chamber-music works in the string quartet medium by the American composer Milton Babbitt. Babbitt’s expansive and lyrical Sixth Quartet was written in 1993. It is in two sections, in each of which the work's underlying six-part all-partition array