Shamisen three" or "lowered third" refers to tuning the shamisen to honchoshi and lowering the 3rd string (the string with the highest pitch) down a whole step, so that now the instrument is tuned in fourths, e.g. D, G, C. Instead of having a set tuning, such as on a guitar (i.e. E, A, D, G, B, E) or a violin (i.e. G, D, A, E), the shamisen is tuned according to the register of the singer, or simply to the liking of the player. The shamisen player can tune the shamisen to whatever register desired, so long as the above
Scientific pitch Pyke Hullah in the mid-19th century, but never established as a standard. In the 19th century, Italian composer Giuseppe Verdi tried to stop the increase in pitch to which orchestras were tuned. In 1874 he wrote his "Requiem" using the official French standard "diapason normal" pitch of A4 tuned to 435 Hz. Later, he indicated that 432 Hz would be slightly better for orchestras. One solution he proposed was scientific pitch. He had little success. In 1988, Lyndon LaRouche's Schiller Institute initiated a campaign to establish scientific pitch as the classical music concert pitch standard. The Institute called this pitch