Magi in turn the product of the Hellenistic fascination for (Pseudo‑)Zoroaster, who was perceived by the Greeks to be the Chaldean founder of the Magi and inventor of both astrology and magic, a meaning that still survives in the modern-day words "magic" and "magician". "μάγοι" from the east do homage to the newborn Jesus in Chapter 2 of the Gospel of Matthew, and the transliterated plural "magi" entered English from Latin in this context around 1200 (this particular use is also commonly rendered in English as "kings" and more often in recent times as "wise men"). The singular "magus" appears considerably
Adoration of the Magi (Velázquez) Carl Justi praised "Adoration of the Magi" as being "distinguished by great power of colouring and chiaroscuro." The earliest record of this painting is from about 1764, when it was in the Jesuit Novitiate of San Luis, Seville. It was given by Ferdinand VII to the Museo del Prado in 1819. Adoration of the Magi (Velázquez) The Adoration of the Magi is a 1619 Baroque painting by the Spanish artist Diego Velázquez now held in the Museo del Prado. It shows three kings presenting gifts to the Christ child: Melchoir, who kneels in the foreground; Balthazar, who stands behind him