Miles Davis and the Modern Jazz Giants from the same sessions by Davis's new quintet in 1956 which resulted in "Steamin' with the Miles Davis Quintet" (PRLP 7200) and three other albums to fulfill Davis's contract with Prestige. The 1954 session is essentially Davis accompanied by the Modern Jazz Quartet, with Monk in place of John Lewis. Notable as the only time Thelonious Monk made a studio recording with Davis – the two men did not get on well, as Davis felt Monk ought to be "laying out" (refraining from playing) during the trumpeter's solos. Ira Gitler, who was present at the session and wrote the sleevenotes
Charlie Christian was inducted in 1990 into the Rock and Roll Hall of Fame. Christian's exposure was so great in the brief period he played with Goodman that he influenced not only guitarists but other musicians as well. The influence he had on "Dizzy" Gillespie, Charlie Parker, Thelonious Monk and Don Byas can be heard on their early bop recordings "Blue 'n' Boogie" and "Salt Peanuts". Other musicians, such as the trumpeter Miles Davis, cited Christian as an early influence. Indeed, Christian's "new" sound influenced jazz as a whole. He reigned supreme in the jazz guitar polls up to two years after