1940s in jazz of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases". Despite the initial friction, by the 1950s bebop had become an accepted part of the jazz vocabulary. The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and
Live at the Village Vanguard (Dizzy Gillespie album) rambling moments but also plenty of creative playing by this unusual group of all-stars". "All compositions by Dizzy Gillespie except as indicated" Disc One: Disc Two: Live at the Village Vanguard (Dizzy Gillespie album) Live at the Village Vanguard is a live album by American jazz trumpeter Dizzy Gillespie featuring performances recorded in 1967 at the Village Vanguard and originally released on three separate LPs on the Solid State label, one under the "Vanguard" title and as two volumes entitled Jazz for a Sunday Afternoon. The recordings were subsequently re-released in unedited form as a 2-CD set on the Blue