Pungi of Murli is surely meant to put someone in half conscious state, but not just set back a snake in typical bag or case. In fact, Murli is same musical instrument played by Jogis or cobra charmers which needs round mouthful of air for playing. The melody of Murli is high and thin in tone or a continuous low humming sound and almost fast tone for tune or melody. Pungi is constructed from a solid cover of coconut by fitting piece of bamboo in it. Pungi is particularly played by snake charmers to involve snakes for dancing mostly in Terai
Ode to the West Wind The canto is no more a request or a prayer as it had been in the fourth canto—it is a demand. The poet becomes the wind's instrument, his "lyre" (57). This is a symbol of the poet's own passivity towards the wind; he becomes his musician and the wind's breath becomes his breath. The poet's attitude—towards the wind has changed: in the first canto the wind has been an "enchanter" (3), now the wind has become an "incantation" (65). And there is another contrast between the two last cantos: in the fourth canto the poet had articulated himself in singular: