Six Sonatas for Violin and Harpsichord, BWV 1014–1019 alto solo. At first declamatory in the "forte" passages, the "piano" responses are expressive but subdued. Bach's knowledge of the expressive qualities of the violin is shown in the opening phrases, written so they can be played on the G string, the lowest string on the violin, regarded as having a "noble" tone. As explains, citing the opening of BWV 1017/3 as an example, the G string's "energy and powerful voice make it a whole instrument in itself and the lower this voice is, the more opportunity it gives to expression to attain the sublime." Around the violin melody, in
Tabula Rasa (Pärt) "A," until in mm. 6, when the pattern reverses, and again the instrument sections are phased in, displaced by a half measure, but this time beginning with the lowest instrument pair (cello and contrabass). The string orchestra’s phasing pattern is reflected in the solo violin parts. When the orchestra is phasing in each part from highest pitch range to lowest, the solo violin plays an eighth note melody, when the solo bass line is played, the solo parts switch and play triplets, and when the chamber orchestra reverses the pattern and phase in again from the lowest pitch range to