Pointe shoe ballet shoe had heels. Mid-18th century dancer Marie Camargo of the Paris Opéra Ballet was the first to wear a non-heeled shoe, enabling her to perform leaps that would have been difficult, if not impossible, in the more conventional shoes of the age. After the French Revolution, heels were completely eliminated from standard ballet shoes. These flat-bottomed predecessors of the modern pointe shoe were secured to the feet by ribbons and incorporated pleats under the toes to enable dancers to leap, execute turns, and fully extend their feet. The first dancers to rise up on their toes did so with
Pointe shoe custom-made lasts that replicate the shapes of their own feet; these may be supplied to a pointe shoe manufacturer for the purpose of manufacturing custom shoes. Dancers typically "break in" new pointe shoes to reduce or eliminate the discomfort they commonly cause, usually by performing releves and eleves that flex, and thus soften, the boxes and shanks in a natural manner. Various other methods have also been employed for breaking in pointe shoes, including deforming them with hands or against hard surfaces, striking them on hard surfaces, and moistening or heating the boxes to soften the glues, but these methods