African-American music Ruth persuaded a gospel group to sing in a secular setting, the Apollo Theater, with such success that he subsequently arranged gospel caravans that traveled around the country, playing the same venues that rhythm and blues singers had popularized. Meanwhile, jazz performers began to push jazz away from swing, a danceable popular music towards more intricate arrangements, improvisation, and technically challenging forms, culminating in the bebop of Charlie Parker and Dizzy Gillespie, the cool sounds and modal jazz of Miles Davis, and the free jazz of Ornette Coleman and John Coltrane. African-American musicians in the 1940s and 1950s were developing
Live at the Village Vanguard (Dizzy Gillespie album) rambling moments but also plenty of creative playing by this unusual group of all-stars". "All compositions by Dizzy Gillespie except as indicated" Disc One: Disc Two: Live at the Village Vanguard (Dizzy Gillespie album) Live at the Village Vanguard is a live album by American jazz trumpeter Dizzy Gillespie featuring performances recorded in 1967 at the Village Vanguard and originally released on three separate LPs on the Solid State label, one under the "Vanguard" title and as two volumes entitled Jazz for a Sunday Afternoon. The recordings were subsequently re-released in unedited form as a 2-CD set on the Blue