Kansas City jazz Kansas City jazz Kansas City jazz is a style of jazz that developed in Kansas City during the 1920s and 1930s, which marked the transition from the structured big band style to the musical improvisation style of Bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie who in 1929 signed with the Bennie Moten's Kansas City Orchestra and Kansas City native Charlie Parker who ushered in the Bebop style in America. "While New Orleans was the birthplace of jazz, America's music grew up in Kansas City". Kansas City is known as one of the most popular "cradles of
Dixieland the term "Dixieland" is still in wide use, the term's appropriateness is a hotly debated topic in some circles. For some it is the preferred label (especially bands on the USA's West coast and those influenced by the 1940s revival bands), while others would rather use terms like "Classic jazz" or "Traditional jazz". Some of the latter consider "Dixieland" a derogatory term implying superficial hokum played without passion or deep understanding of the music and because "Dixie" is a reference to pre-Civil War Southern States. Many black musicians have traditionally rejected the term as a style distinctive from traditional jazz,