Pointe shoe ballet shoe had heels. Mid-18th century dancer Marie Camargo of the Paris Opéra Ballet was the first to wear a non-heeled shoe, enabling her to perform leaps that would have been difficult, if not impossible, in the more conventional shoes of the age. After the French Revolution, heels were completely eliminated from standard ballet shoes. These flat-bottomed predecessors of the modern pointe shoe were secured to the feet by ribbons and incorporated pleats under the toes to enable dancers to leap, execute turns, and fully extend their feet. The first dancers to rise up on their toes did so with
Shoe Bible. A common casual shoe in the Pyrenees during the Middle Ages was the espadrille. This is a sandal with braided jute soles and a fabric upper portion, and often includes fabric laces that tie around the ankle. The term is French and comes from the esparto grass. The shoe originated in the Catalonian region of Spain as early as the 13th century, and was commonly worn by peasants in the farming communities in the area. Many medieval shoes were made using the turnshoe method of construction, in which the upper was turned flesh side out, and was lasted onto