1940s in jazz figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail. The American Federation of Musicians recording ban, called by James Petrillo, continued through 1943. 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular
American Jazz Museum American Jazz Museum The American Jazz Museum is a jazz museum in the historic 18th and Vine district of Kansas City, Missouri. The museum preserves the history of American jazz music, with exhibits on Charlie Parker, Duke Ellington, Louis Armstrong, Ella Fitzgerald and others. Nested within the museum is a fully functioning jazz club, The Blue Room, which holds live performances multiple nights a week. One of the significant items on display is the Graphon alto saxophone played by Charlie Parker at the famous January, 1953 Massey Hall concert in Montreal with Max Roach, Dizzy Gillespie, Charles Mingus and Bud