Jazz standard and Billy Strayhorn's "Take the 'A' Train" (1941). With the big bands struggling to keep going during World War II, a shift was happening in jazz in favor of smaller groups. Some swing era musicians, such as Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. Bebop emerged in the early 1940s, with Charlie Parker, Dizzy Gillespie and Thelonious Monk leading the way. It appealed to a more specialized audiences than earlier forms of jazz, with sophisticated harmonies, fast tempos and often virtuoso musicianship.
The Genius of Charlie Parker Vol. 2" [Savoy MG 12009] and "The Charlie Parker Story" [Savoy MG 12079]) completing the reissue of the previously released master takes, and the original issue of most of the unreleased takes from these seven sessions. Parker's entire Savoy ouvre was finally issued on "Charlie Parker: The Complete Savoy Studio Sessions" in 1978. The master take of "Koko", included here, is controversial in that it is unclear who, precisely, plays trumpet and\or piano on the track. The liner notes credit Miles Davis with trumpet for the session, but also credit Dizzy Gillespie with both trumpet and piano. Several sources claim