Kansas City jazz Kansas City jazz Kansas City jazz is a style of jazz that developed in Kansas City during the 1920s and 1930s, which marked the transition from the structured big band style to the musical improvisation style of Bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie who in 1929 signed with the Bennie Moten's Kansas City Orchestra and Kansas City native Charlie Parker who ushered in the Bebop style in America. "While New Orleans was the birthplace of jazz, America's music grew up in Kansas City". Kansas City is known as one of the most popular "cradles of
At the Jazz Band Ball At the Jazz Band Ball "At the Jazz Band Ball" is a 1917 jazz instrumental recorded by the Original Dixieland Jazz Band. The instrumental is one of the earliest and most recorded jazz compositions. The song is a jazz classic and a standard of the genre. The instrumental was recorded by Larry Shields, Tony Sbarbaro, Henry Ragas, Nick LaRocca, and Eddie Edwards, the members of the Original Dixieland Jazz Band. The song was composed by Nick LaRocca and Larry Shields. The song was first recorded as "At the Jass Band Ball" by the Original Dixieland Jazz Band on September 3,