Double bass the instrument; bassist Ray Brown (1926–2002), known for backing Beboppers Dizzy Gillespie, Oscar Peterson, Art Tatum and Charlie Parker, and forming the Modern Jazz Quartet; hard bop bassist Ron Carter (born 1937), who has appeared on 3,500 albums make him one of the most-recorded bassists in jazz history, including LPs by Thelonious Monk and Wes Montgomery and many Blue Note Records artists; and Paul Chambers (1935–1969), a member of the Miles Davis Quintet (including the landmark modal jazz recording "Kind of Blue") and many other 1950s and 1960s rhythm sections, was known for his virtuosic improvisations. The experimental post 1960s
Horn in jazz compete directly with Basie's hard-swinging blues, the duo capitalized on their contrast from Basie’s sound, playing with a soft and mellow sound. By showcasing their different sound, Ruff and Mitchell continued to get bookings from Birdland to play intermission for other big name groups like Miles Davis, Dizzy Gillespie, Sarah Vaughan, Lester Young, Dinah Washington and others. After working with Claude Thornhill and arranging for his orchestra, he began arranging for Miles Davis. In 1948 the Miles Davis Nonet was formed with a sound completely unlike anything jazz listeners had heard before. The original idea for the nonet was to