Pointe shoe ballet shoe had heels. Mid-18th century dancer Marie Camargo of the Paris Opéra Ballet was the first to wear a non-heeled shoe, enabling her to perform leaps that would have been difficult, if not impossible, in the more conventional shoes of the age. After the French Revolution, heels were completely eliminated from standard ballet shoes. These flat-bottomed predecessors of the modern pointe shoe were secured to the feet by ribbons and incorporated pleats under the toes to enable dancers to leap, execute turns, and fully extend their feet. The first dancers to rise up on their toes did so with
Slip-on shoe (the 'Gucci' loafer). A less casual, earlier type of slip-on is made with side gussets (sometimes called a "dress loafer"). Made in the same shape as lace-up Oxfords, but lacking the laces, these shoes have elasticated inserts on the side which allow the shoe to be easily removed but remain snug when worn. This cut has its greatest popularity in Britain. A bespoke shoe company based in London that was established in 1847 developed the first loafer as a country house shoe for the landed gentry and the royal family. The "Wildsmith Loafer" made by Raymond Lewis Wildsmith of Wildsmith