Australian jazz jazz as a definable musical genre in the United States. Until the 1950s the primary form of accompaniment at Australian public dances was jazz-based dance music, modeled on the leading white British and American jazz bands, and this style enjoyed wide popularity. It was not until after World War II that Australian jazz scene began to diversify as local musicians were finally able to get access to recordings by leading African-American jazz musicians like Charlie Parker, Dizzy Gillespie, Miles Davis and Thelonious Monk, and bebop, cool jazz and free jazz exerting a strong influence on Australian musicians in the late
John LaPorta with the Woody Herman Orchestra. Beginning in 1947 he studied with Lennie Tristano. With Teo Macero and Charles Mingus he was a member of the Jazz Composers Workshop, trying to combine jazz with classical music. In the classical world, he worked with Boston Pops, Leonard Bernstein, Leopold Stokowski, and Igor Stravinsky. In jazz he worked with Kenny Clarke, Miles Davis, Dizzy Gillespie, Charlie Parker, Buddy Rich, and Lester Young. He taught at Parkway Music School, then at public schools on Long Island, followed by the Manhattan School of Music and the Berklee College of Music. With guitarist Jack Petersen, he