Thelonious Monk early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style (in the Harlem stride tradition) was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this
The Jazz Review contributed articles to "The Jazz Review": A later California-based magazine also titled "The Jazz Review", edited by Ken Borgers and Bill Wasserzieher, appeared in 1991-1992, with cover stories on Dizzy Gillespie, Miles Davis, Charlie Haden and other artists. The Jazz Review The Jazz Review was a magazine which was founded by Nat Hentoff, Martin Williams, and Hsio Wen Shih, in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence. Many issues of "The Jazz Review" are available at Jazz Studies Online which assesses its quality as follows: A regular feature