Perrault's Colonnade divided into five parts, is a typical solution of French classicism. The simple character of the ground floor basement sets off the paired Corinthian columns, modeled strictly according to Vitruvius, against a shadowed void, with pavilions at the ends. This idea of coupled columns on a high podium goes back as far as Bramante. Those rhythmical columns form a shadowed colonnade with a central pedimented triumphal arch entrance raised on a high, rather defensive base. Crowned by an uncompromising Italian balustrade along its distinctly non-French flat roof, the whole ensemble represents a ground-breaking departure in French architecture. Perrault (1613–1688) won
The Three Graces (Indianapolis) with a free-standing colonnade (reminiscent of that at the Canopus of Hadrian's Villa in Tivoli) and other architectural features. The simple design implemented using only the Graces may have been a cost-saving measure or a rejection of the grandiosity of the architectural plans, but it did not compensate for the relative size, and the sculpture was probably then considered unsatisfactorily small for its location. It seems likely that as the trees grew the sculpture became less adequate and needed to become more prominent. The chosen solution was to bring in a tall pedestal to elevate and effectively enlarge the sculpture.