Dizzy Gillespie 1947. He and his big bands, with arrangements provided by Tadd Dameron, Gil Fuller, and George Russell, popularized bebop and made him a symbol of the new music. His big bands of the late 1940s also featured Cuban "rumberos" Chano Pozo and Sabu Martinez, sparking interest in Afro-Cuban jazz. He appeared frequently as a soloist with Norman Granz's Jazz at the Philharmonic. In 1948, Gillespie was involved in a traffic accident when the bicycle he was riding was bumped by an automobile. He was slightly injured and found that he could no longer hit the B-flat above high C. He
Horn in jazz compete directly with Basie's hard-swinging blues, the duo capitalized on their contrast from Basie’s sound, playing with a soft and mellow sound. By showcasing their different sound, Ruff and Mitchell continued to get bookings from Birdland to play intermission for other big name groups like Miles Davis, Dizzy Gillespie, Sarah Vaughan, Lester Young, Dinah Washington and others. After working with Claude Thornhill and arranging for his orchestra, he began arranging for Miles Davis. In 1948 the Miles Davis Nonet was formed with a sound completely unlike anything jazz listeners had heard before. The original idea for the nonet was to