Religious syncretism correspondence varied: Jupiter makes perhaps a better match for Zeus than the rural huntress Diana does for the feared Artemis. Ares does not quite match Mars. The Romans physically imported the Anatolian goddess Cybele into Rome from her Anatolian cult-center Pessinos in the form of her original aniconic archaic stone idol; they identified her as "Magna Mater" and gave her a matronly, iconic image developed in Hellenistic Pergamum. Likewise, when the Romans encountered Celts and Germanic peoples, they mingled these peoples' gods with their own, creating Sulis Minerva, Apollo Sucellos (Apollo the Good Smiter) and Mars Thingsus (Mars of the
Diana and Actaeon choreographed by Marius Petipa to music by Cesare Pugni, included a "pas de trois" for dancers portraying Diana, the Roman goddess of the moon, the hunt, and chastity; Endymion, a beautiful shepherd, and a Satyr. This "divertissement" told of a poetic encounter in which Diana (or Selene, another name for the moon goddess) looked down upon the sleeping youth, descended to earth, kissed him, and fell in love. In a production mounted in the early twentieth century, Anna Pavlova was among those who danced Diana, and Vaslav Nijinsky appeared as the Satyr. In 1917, George Balanchine, then Balanchivadze, also danced