2001 (Dr. Dre album) The album primarily featured co-production between Dr. Dre and Mel-Man and was generally well received by critics. AllMusic writer Stephen Thomas Erlewine noted that Dr. Dre had expanded on the G-funk beats on his previous album, "The Chronic", and stated, "He's pushed himself hard, finding new variations in the formula by adding ominous strings, soulful vocals, and reggae, resulting in fairly interesting recontextualizations" and went on to say, "Sonically, this is first-rate, straight-up gangsta." "Entertainment Weekly"s Tom Sinclair depicted the album as "Chilly keyboard motifs gliding across gut-punching bass lines, strings and synths swooping in and out of the mix,
2001 (Dr. Dre album) or Miles Davis." In a negative review, Robert Christgau from "The Village Voice" found Dr. Dre's lyrics distastefully misogynistic, writing "it's a New Millennium, but he's Still S.L.I.M.E. ... For an hour, with time out for some memorable Eminem tracks, Dre degrades women every way he can think of, all of which involve his dick." "Chicago Tribune" critic Greg Kot said Dr. Dre's production boasted unique elements but "the endless gangsta babble, with its casual misogyny and flippant violence," sounded flagrantly trite. AllMusic's Erlewine spoke of how the number of guest rappers affected the album, and questioned his reasons for