Double bass fifths point out that all of the other orchestral strings are tuned in fifths (violin, viola, and cello), so this puts the bass in the same tuning approach. Fifth tuning provides a bassist with a wider range of pitch than a standard E–A–D–G bass, as it ranges (without an extension) from C to A. Some players who use fifths tuning who play a five-string bass use an additional high string (thus, from lowest to highest: C–G–D–A–E). Some fifth tuning bassists who only have a four string instrument and who are mainly performing soloistic works use the G–D–A–E tuning, thus omitting
The Well-Tuned Piano octaves, with nine notes extending the bass of the piano. Young describes the pitches of his tuning as being, "derived from various partials of the overtone series of an inferred low fundamental E-flat reference ten octaves below the lowest E-flat on the Bösendorfer Imperial". Although it might seem that Young is giving a nod to Bach's "The Well-Tempered Clavier" with his title "The Well-Tuned Piano", musical tuning and musical temperament are two very different things. Temperament actually involves the deliberate mistuning of pitches to make the overall octave more or less usable in various different tones. In "The Well-Tuned Piano",