Oud later), tuned in successive fourths. Curt Sachs said they were called (from lowest to highest pitch) "bamm", "maṭlaṭ", "maṭnā" and "zīr". "As early as the ninth century" a fifth string "ḥād" ("sharp") was sometimes added "to make the range of two octaves complete". It was highest in pitch, placed lowest in its positioning in relation to other strings. Modern tuning preserves the ancient succession of fourths, with adjunctions (lowest or highest courses) which may be tuned differently following regional or personal preferences. Sachs gives one tuning for this arrangement of five pairs of strings, d, e, a, d', g'. Historical
Mute violin part of the first violin in his first string quartet of 1914 to be played by a mute violin. In a recording of his five string quartets by the Schönberg Quartet (Olympia OCD 457, 1994) the effect of the mute violin was imitated by an extra heavy sordino on an 'ordinary' violin. Mute violin The mute violin is a violin without or with a very shallow sound box. The instrument has a quiet, lean sound. The mute violin can be used as an exercise instrument in situations where the sound of a violin is experienced as annoying by neighbouring people.