African-American music Ruth persuaded a gospel group to sing in a secular setting, the Apollo Theater, with such success that he subsequently arranged gospel caravans that traveled around the country, playing the same venues that rhythm and blues singers had popularized. Meanwhile, jazz performers began to push jazz away from swing, a danceable popular music towards more intricate arrangements, improvisation, and technically challenging forms, culminating in the bebop of Charlie Parker and Dizzy Gillespie, the cool sounds and modal jazz of Miles Davis, and the free jazz of Ornette Coleman and John Coltrane. African-American musicians in the 1940s and 1950s were developing
Julian Barry in Riverdale, the North Bronx. He played saxophone for his high school band, and traveled to jazz clubs in New York City to hear jazz performed by Charlie Parker, Dizzy Gillespie, Miles Davis, Thelonious Monk and John Coltrane. After high school, Barry attended Syracuse University in Syracuse, New York, where he majored in drama and performed in university productions with comedian Jerry Stiller. He was drafted into the Army during the Korean War and served until 1953. Barry was cast in the 1955 Orson Welles production of "King Lear" at New York City Center theater. He continued working on Broadway