Albruna form. He similarly points to the celtic origin of the name Veleda and to Nedoma's criticism of Schramm. Schuhmann himself sees in Aurinia a mixed Celtic-Latin form consisting of the Latin prefix "aurum", borrowed from Celtic as in "aurum" for "gold" and the genuinely Celtic suffix "-inios", "-inia". He refers, among other things, to a male form of "Auriniacus". According to him, therefore, Aurinia had the original meaning "Goldine". An older attempt at an etymology is that of Gilbert Trathnigg cited by Helmut Birkhan. Trathnigg, who calls Aurinia the correct form, associates the name with the Old English "éar" (wave,
Commodity pathway diversion inherent market value. They reacted against this perceived commoditization of art by producing what they considered decommodified art. However, as Kopytoff argued, "commodities must be not only produced materially as things, but also culturally marked as being a certain kind of thing." Thus, when diverting industrial materials from their commodity pathways to produce art became culturally valuable, the objects themselves gained value (1985). Finally, pop artist Andy Warhol, created artwork couched in what Appadurai refers to as the "aesthetics of decontextualization." In his famous Campbell's Soup painting, Warhol diverts advertising from its commodity pathway by reproducing it as a work