Diana and Actaeon which might have been better called "Diana and Endymion," is still performed today as a spectacular showpiece for a ballerina and her partner. Diana and Actaeon The myth of Diana and Actaeon can be found in Ovid’s "Metamorphoses". The tale recounts the unfortunate fate of a young hunter named Actaeon, who was a grandson of Cadmus, and his encounter with chaste Artemis, known to the Romans as Diana, goddess of the hunt. The latter is nude and enjoying a bath in a spring with help from her escort of nymphs when the mortal man unwittingly stumbles upon the scene. The
Charge of the Goddess opening paragraph names a collection of goddesses, some derived from Greek or Roman mythology, others from Celtic or Arthurian legends, affirming a belief that these various figures represent a single Great Mother: This theme echoes the ancient Roman belief that the Goddess Isis was known by ten thousand names and also that the Goddess still worshipped today by Wiccans and other neopagans is known under many guises but is in fact one universal divinity. The second paragraph is largely derived and paraphrased from the words that Aradia, the messianic daughter of Diana, speaks to her followers in Charles Godfrey Leland's