Miles Davis and the Modern Jazz Giants from the same sessions by Davis's new quintet in 1956 which resulted in "Steamin' with the Miles Davis Quintet" (PRLP 7200) and three other albums to fulfill Davis's contract with Prestige. The 1954 session is essentially Davis accompanied by the Modern Jazz Quartet, with Monk in place of John Lewis. Notable as the only time Thelonious Monk made a studio recording with Davis – the two men did not get on well, as Davis felt Monk ought to be "laying out" (refraining from playing) during the trumpeter's solos. Ira Gitler, who was present at the session and wrote the sleevenotes
Ahmadiyya in the United States Clouds." Although Dizzy Gillespie, Miles Davis, and John Coltrane did not become Ahmadi Muslims, they were influenced by the spirit of Islam bought by the Ahmadis. "A Love Supreme", one of Coltrane's greatest pieces of work, considered by some as the greatest Jazz album of all time, was deeply influenced by the work of the Ahmadiyya movement. In the liner notes of the album, Coltrane repeatedly echoes "Basmala", the opening verse of almost every chapter of the Quran: "Now and again through the unerring hand of God, I do perceive his ... Omnipotence ... He is Gracious and Merciful." Between