Dixieland the careers of New Orleans musicians who had become lost in the shuffle of musical styles that had occurred over the preceding years. Younger black musicians largely shunned the revival, largely because of a distaste for tailoring their music to what they saw as nostalgia entertainment for white audiences with whom they did not share such nostalgia. The Jim Crow associations of the name "Dixieland" also did little to attract younger black musicians to the revival. The Dixieland revival music during the 1940s and 1950s gained a broad audience that established traditional jazz as an enduring part of the American
At the Jazz Band Ball Eddie Condon, Art Hodes, Sidney Bechet, Joe Venutti, the Sons of Bix, Nick LaRocca and His Dixieland Jazz Band, Kid Ory, the Belgrade Dixieland Orchestra, and Ted Heath also recorded the song. At the Jazz Band Ball "At the Jazz Band Ball" is a 1917 jazz instrumental recorded by the Original Dixieland Jazz Band. The instrumental is one of the earliest and most recorded jazz compositions. The song is a jazz classic and a standard of the genre. The instrumental was recorded by Larry Shields, Tony Sbarbaro, Henry Ragas, Nick LaRocca, and Eddie Edwards, the members of the Original Dixieland