Edmund Burke most conservative, the least abstract, always anxious to preserve and renovate rather than to innovate. In politics he resembled the modern architect who would restore an old house instead of pulling it down to construct a new one on the site". Burke's "Reflections on the Revolution in France" was controversial at the time of its publication, but after his death, it was to become his best known and most influential work, and a manifesto for Conservative thinking. Two contrasting assessments of Burke also were offered long after his death by Karl Marx and Winston Churchill. In "Das Kapital", Marx wrote:
Art manifesto Surrealist André Breton supported the Communist party. Often however, these political organizations rejected the artists’ attention; in other cases, artists were censored and persecuted by European authoritarian governments, like Fascist Italy and Communist Russia, which institutionally rejected the avant-garde. Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition, 1855, echoing the tone of the period's political manifestos. In it he asserts his goal as an artist "to translate the customs, the ideas, the appearance of my epoch according to my own estimation." In 1886 the Symbolist Manifesto was published in the French