Samuel Taylor Coleridge has been deeply influential in the field of literary criticism. This influence can be seen in such critics as A. O. Lovejoy and I. A. Richards. Coleridge is probably best known for his long poems, "The Rime of the Ancient Mariner" and "Christabel". Even those who have never read the "Rime" have come under its influence: its words have given the English language the metaphor of an albatross around one's neck, the quotation of "water, water everywhere, nor any drop to drink" (almost always rendered as "but not a drop to drink"), and the phrase "a sadder and a wiser
Samuel Coleridge-Taylor revived. Coleridge-Taylor also composed chamber music, anthems, and the "African Dances" for violin, among other works. The "Petite Suite de Concert" is still regularly played. He set one poem by his near-namesake Samuel Taylor Coleridge, "The Legend of Kubla Khan". Coleridge-Taylor was greatly admired by African Americans; in 1901, a 200-voice African-American chorus was founded in Washington, D.C., named the Samuel Coleridge-Taylor Society. He visited the United States three times in the early 1900s, receiving great acclaim, and earned the title "the African Mahler" from the white orchestral musicians in New York in 1910. Public schools were named after him