1945 PETA Revolt in Blitar national sentiments of the local people from the very beginning of its arrival, so that they would support the Japanese occupation of Indonesia. The Japanese military forces did not suppress nor restrain Indonesian people's desire for sovereignty for their nation. Instead, Indonesia Raya was allowed to be played in the middle of the city street, and ‘Sang Merah Putih’, the national flag of Indonesia could be displayed everywhere. Japan tried to spread propaganda, to make sure that Indonesians perceived imperial Japan as a friend who came to help liberate the nation, instead of as an enemy who exploited resources of
Merah Putih (2009 film) of brave young Indonesians willing to sacrifice their lives for the independence of Indonesia needed to be retold to the younger generation of Indonesia – and to the world outside, where few people know much about Indonesia's long and bloody struggle for independence. Allyn brought technical experts from Hollywood films to work hand in hand with the Indonesian filmmakers, including Sastha Sunu as editor and Thoersi Argeswara as music director. Shot in 35-millimeter film, Merah Putih gathered a topflight team of special effects and technical experts with experience in Hollywood films, including the British special effects guru Adam Howarth (Saving