Culture of Indonesia and pre-Islamic sculptures can be traced in the artworks of indigenous Indonesian tribes. The most notable sculptures are those of Asmat wooden sculpture of Papua, the Dayak wooden mask and sculpture, the ancestral wooden statue of Toraja, also the totem-like sculpture of Batak and Nias tribe. The stone sculpture artform particularly flourished in 8th-to-10th-century Java and Bali, which demonstrate the influences of Hindu-Buddhist culture, both as stand-alone works of art and also incorporated into temples. Most notable sculpture of classical Hindu-Buddhist era of Indonesia are the hundreds of meters of relief and hundreds of stone buddhas at the temple of
Candi of Indonesia and Thai term "prasat" which refer to the towering structure of a temple. From Hindu perspective, the term "candi" itself is believed was derived from "Candika", one of the manifestations of the goddess Durga as the goddess of death. This suggests that in ancient Indonesia the "candi" had mortuary functions as well as connections with the afterlife. The association of the name "candi", candika or durga with Hindu-Buddhist temples is unknown in India and other parts of Southeast Asia outside of Indonesia, such as Cambodia, Thailand, or Burma. Another theory from Buddhist perspective, suggested that the term "candi" might be