Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat either done outdoors or in the "balai", a building in the kampung specifically made for combat practice. Batak silat is primarily armed, employing such weapons as the spear, single-edge blade, and a short-bladed knife known as the "raut". The raut is similar to the badik both in appearance and in its pinch-grip. The most common target is the opponent's midsection. The weapon is held loosely and used in an upward or downward hacking motion. Once the raut has pierced the enemy, the fighter pushes the knife further in with a palm strike. Unarmed techniques are derived from silek Minangkabau, as