American gamelan music. Lou Harrison and William Colvig, who met in 1967 in San Francisco, built a set of tuned percussion instruments that they called "an American gamelan" in order to differentiate it from Indonesian ensembles. It was first used in Harrison's work "La Koro Sutro" in 1972. These are now referred to as "Old Granddad", and Harrison wrote some pieces that can only be played on this set, including "La Koro Sutro". Lou Harrison spent some time with a Javanese gamelan in 1976 (when Kyai Udan Mas, now at the University of California, Berkeley, was in residence at San Jose State
Gamelan Gadhon (end-blown bamboo flute), and siter (plucked stringed instrument). Vocal parts called gerong (for male singers) or sindhen (for female singers) can be added in certain sections of pieces, as can alok, vocal cries that accent certain parts of the form or melody. Gamelan Gadhon A Gamelan Gadhon is an ensemble consisting of the "soft" instruments of the Javanese gamelan. This can include rebab, gendér, gendér panerus, voice, slenthem, suling, siter, gong, kempul, kenong and kendhang. The rebab, a two-stringed fiddle, is the melodic leader of the ensemble. The rebab player signals changes between sections of a piece, and to a