Gamelan gong gede Gamelan gong gede Gamelan gong gede, meaning "gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and special occasions such as temple festivals. Usually performed by a temple orchestra of over forty musicians, music written for the gong gede is sedate and graceful, following an andante tempo. It fluctuates in cycles, one fast, one slow, one loud, and one soft. The beat is provided by the largest gong. During their colonization of Bali in the late nineteenth century,
Gamelan semar pegulingan Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the