Pandora's box from the human race. If one takes "elpis" to mean expectant hope, then the myth's tone is pessimistic: All the evils in the world were scattered from Pandora's jar, while the one potentially mitigating force, Hope, remains locked securely inside. This interpretation raises yet another question, complicating the debate: are we to take Hope in an absolute sense, or in a narrow sense where we understand Hope to mean hope only as it pertains to the evils released from the jar? If Hope is imprisoned in the jar, does this mean that human existence is utterly hopeless? This is the
Greek mythology in western art and literature Greek mythology in western art and literature With the rediscovery of classical antiquity in the Renaissance, the poetry of Ovid became a major influence on the imagination of poets and artists, and remained a fundamental influence on the diffusion and perception of Greek mythology through subsequent centuries. From the early years of the Renaissance, artists portrayed subjects from Greek mythology alongside more conventional Christian themes. Among the best-known subjects of Italian artists are Botticelli's "Birth of Venus" and "Pallas and the Centaur", the Ledas of Leonardo da Vinci and Michelangelo, and Raphael's "Galatea". Through the medium of Latin and the