Gamelan premiere only in 1889. The gamelan Debussy heard in it was in the "slendro" scale and was played by Central Javanese musicians. Despite his enthusiasm, direct citations of gamelan scales, melodies, rhythms, or ensemble textures have not been located in any of Debussy's own compositions. However, the equal-tempered whole tone scale appears in his music of this time and afterward, and a Javanese gamelan-like heterophonic texture is emulated on occasion, particularly in "Pagodes", from "Estampes" (solo piano, 1903), in which the great gong's cyclic punctuation is symbolized by a prominent perfect fifth. The composer Erik Satie, an influential contemporary of
Malay Gamelan was first brought to Kuala Lumpur in 1969 in a public performance. Since then, it has become a part of the Malaysian arts and cultural heritage. Malay Gamelan The Malay gamelan which exists today in Malaysia is basically from the courts of Riau-Lingga, Pahang and Terengganu. Although originated from the land of Java, Indonesia, the Malay gamelan has developed a distinct identity compared to the Javanese, Balinese and Sundanese gamelan from Indonesia. The Malay gamelan was usually played at royal occasions during the reign of Sultan Ahmad of Pahang (1882-1914) and Sultan Sulaiman of Terengganu (1920-1942). Based on the ancient