Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat in the highly-aggressive nature of their pencak silat. Acehnese pencak silat borrows its foundation from silat Melayu and silek Minangkabau, particularly the arm-seizing techniques of the former and the ground-sitting postures of the latter. Bladed weaponry is favoured, specifically knives and swords. The primary weapon is the rencong, an L-shaped dagger used mainly for thrusting but also for slashing. The kris is used as well but the native rencong takes precedence. Batak land is situated between the Minangkabau to the south and Aceh to the north, and the culture shows both Indian and Chinese influence. The word Batak refers to