Gamelan gong gede Gamelan gong gede Gamelan gong gede, meaning "gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and special occasions such as temple festivals. Usually performed by a temple orchestra of over forty musicians, music written for the gong gede is sedate and graceful, following an andante tempo. It fluctuates in cycles, one fast, one slow, one loud, and one soft. The beat is provided by the largest gong. During their colonization of Bali in the late nineteenth century,
Gamelan interference beats are meant to give the listener a feeling of a god's presence or a stepping stone to a meditative state. The scale roughly approximates that of the phrygian mode of the Western major scale (E-E on the white keys of the piano), with the notes EFGBC corresponding to the note positions 12356 in the "slendro" scale used by most gamelan. As well as the non-western octave and the use of beats, Javanese gamelan uses a combination of tempo and density known as "Irama", relating how many beats on the "saron panerus" instrument there are to notes in the