Musical system of ancient Greece tradition were (; ): These names are derived from Ancient Greek subgroups (Dorians), one small region in central Greece (Locris), and certain neighboring (non-Greek) peoples from Asia Minor (Lydia, Phrygia). The association of these ethnic names with the octave species appears to precede Aristoxenus, who criticized their application to the "tonoi" by the earlier theorists whom he called the Harmonicists . The term "tonos" (pl. "tonoi") was used in four senses: "as note, interval, region of the voice, and pitch. We use it of the region of the voice whenever we speak of Dorian, or Phrygian, or Lydian, or any
Ancient Greek art of ancient Greece was painted colourfully. This aspect of Greek stonework is described as polychrome (from Greek "πολυχρωμία", "πολύ" = many and "χρώμα" = colour). Due to intensive weathering, polychromy on sculpture and architecture has substantially or totally faded in most cases. Although the word "polychrome" is created from the combining of two Greek words, it was not used in ancient Greece. The term was coined in the early nineteenth century by Antoine Chrysostôme Quatremère de Quincy. Painting was also used to enhance the visual aspects of architecture. Certain parts of the superstructure of Greek temples were habitually painted since