Gamelan construction of musical instruments, as well as scheduling performances at the court. In the palaces of Java the oldest known ensembles, Gamelan "Munggang" and "Gamelan Kodok Ngorek", are apparently from the 12th century. These formed the basis of a "loud style" of music. In contrast, a "soft style" developed out of the "kemanak" tradition and is related to the traditions of singing Javanese poetry, in a manner often believed to be similar to the chorus that accompanies the modern "bedhaya" dance. In the 17th century, these loud and soft styles mixed, and to a large extent the variety of modern
Gamelan interference beats are meant to give the listener a feeling of a god's presence or a stepping stone to a meditative state. The scale roughly approximates that of the phrygian mode of the Western major scale (E-E on the white keys of the piano), with the notes EFGBC corresponding to the note positions 12356 in the "slendro" scale used by most gamelan. As well as the non-western octave and the use of beats, Javanese gamelan uses a combination of tempo and density known as "Irama", relating how many beats on the "saron panerus" instrument there are to notes in the