Man and Woman in Front of a Pile of Excrement Man and Woman in Front of a Pile of Excrement Man and Woman in Front of a Pile of Excrement ("Homme et femme devant un tas d'excréments") is a 1935 oil painting on copper by Joan Miró. The painting was made on a piece of copper in the week between 15 and 22 October 1935. Miró said that the subject resulted from trying to represent the tragedy and torture of the Spanish Civil War. The painting was one of twelve known as the "Wild Paintings". Half of these were painted on copper whilst the remaining six were on the type
Woman in the Nineteenth Century the differences between men and women in order to enforce that women need their intellectual and spiritual resources strengthened. She says that the souls of men and women are the same, even with differences in masculinity and femininity. The differences are not between men and women, though, for both have masculine and feminine energies, but are between individuals: "There is no wholly masculine man, no purely feminine woman." The conclusion of the essay is that before a true union can occur, each person must be an individual and self-dependent unit. For women to become such individuals, men need to remove