Gamelan composers such as Peter Sculthorpe, Andrew Schultz and Ross Edwards have written several works with parts for gamelan instruments or full gamelan ensembles. I Nyoman Windha is among contemporary Indonesian composers that have written compositions using western instruments along with Gamelan. Hungarian composer György Ligeti wrote a piano étude called "Galamb Borong" influenced by gamelan. Avant-garde composer Harry Partch, one of America's most idiosyncratic composers, was also influenced by Gamelan, both in his microtonal compositions and the instruments he built for their performance In jazz, the music of Don Cherry, especially his 1968 record "Eternal Rhythm", shows influences of gamelan
Malay Gamelan was first brought to Kuala Lumpur in 1969 in a public performance. Since then, it has become a part of the Malaysian arts and cultural heritage. Malay Gamelan The Malay gamelan which exists today in Malaysia is basically from the courts of Riau-Lingga, Pahang and Terengganu. Although originated from the land of Java, Indonesia, the Malay gamelan has developed a distinct identity compared to the Javanese, Balinese and Sundanese gamelan from Indonesia. The Malay gamelan was usually played at royal occasions during the reign of Sultan Ahmad of Pahang (1882-1914) and Sultan Sulaiman of Terengganu (1920-1942). Based on the ancient