Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat front foot turned slightly inward are typical, developed for fighting on Riau's muddy ground, while also preventing the knee joint from being exposed to frontal kicks. Seizing techniques which grab the arm are common. The most prominent weapons in silat Melayu are the staff ("toya") and the spear. Spear forms in Riau usually begin with the blade pointed downward. Staff technique in silat Melayu of the Palembang area is said to be the best in all of Indonesian pencak silat. The weapon is made of wood and usually measures seven feet long. Fixed hand positions with very little sliding along