Sophrosyne an important topic for Plato. It is main subject of the dialogue "Charmides", wherein several definitions are proposed but no conclusion reached; however the dramatic context connotes moral purity and innocence. An etymological meaning of sophrosyne as "moral sanity" is proposed in "Cratylus" 411e. Plato's view of sophrosyne is related to Pythagorean "harmonia" ("Republic" 430e−432a, 442c) and closely linked with Plato’s tripartite division of the soul: "sophrosyne" is the harmonious moderation of the appetitive and spirited parts of the soul by the rational part (e.g., "Phaedrus" 237c−238e). For the Stoic, Zeno of Citium, "sophrosyne" is one of the four chief
Ancient Greek art of ancient Greece was painted colourfully. This aspect of Greek stonework is described as polychrome (from Greek "πολυχρωμία", "πολύ" = many and "χρώμα" = colour). Due to intensive weathering, polychromy on sculpture and architecture has substantially or totally faded in most cases. Although the word "polychrome" is created from the combining of two Greek words, it was not used in ancient Greece. The term was coined in the early nineteenth century by Antoine Chrysostôme Quatremère de Quincy. Painting was also used to enhance the visual aspects of architecture. Certain parts of the superstructure of Greek temples were habitually painted since