Gamelan for "gamelan" is gangsa, formed either from the words "tembaga" and "rejasa" referring to the materials used in bronze gamelan construction (copper and tin), or "tiga" and "sedasa" referring to their proportions (three and ten). The gamelan predates the Hindu-Buddhist culture that dominated Indonesia in its earliest records and thus represents an indigenous art form. In contrast to the heavy Indian influence in other art forms, the only obvious Indian influence in gamelan music is in the Javanese style of singing, and in the themes of the Wayang kulit (shadow puppet plays). In Javanese mythology, the gamelan was created by
Gamelan Surakarta although the pattern it plays for the balungan is often the same, in the Yogyanese style it is rhythmically shifted earlier, creating a different emphasis in relation to the balungan. Gamelan Surakarta A typical large, double gamelan in contemporary Solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang,