Gamelan construction of musical instruments, as well as scheduling performances at the court. In the palaces of Java the oldest known ensembles, Gamelan "Munggang" and "Gamelan Kodok Ngorek", are apparently from the 12th century. These formed the basis of a "loud style" of music. In contrast, a "soft style" developed out of the "kemanak" tradition and is related to the traditions of singing Javanese poetry, in a manner often believed to be similar to the chorus that accompanies the modern "bedhaya" dance. In the 17th century, these loud and soft styles mixed, and to a large extent the variety of modern
Gamelan Surakarta bonang panembung. A typical performance ensemble includes a female vocal soloist (pesinden) and male chorus (gerongan); in certain passages, the singers clap rhythmically (keplok). In Yogyakarta, there is a tendency to have more sarons of each register and it is more likely that the bonang panembung will be present. An archaic instrument, the celuring, a set of struck bells is found only on a few gamelan in the Yogyakarta Kraton and is played in place of the saron panerus. The Solonese style is often considered more refined (or "alus") than Yogyanese style. One specific difference is in saron peking playing;