Elpis who promptly scattered the contents of her jar. As a result, Hesiod tells us, "the earth and sea are full of evils" (101). One item, however, did not escape the jar (96–99), hope: <poem> Only Hope was left within her unbreakable house, she remained under the lip of the jar, and did not fly away. Before [she could], Pandora replaced the lid of the jar. This was the will of aegis-bearing Zeus the Cloudgatherer.</poem> Hesiod does not say why hope ("elpis") remained in the jar. The implications of Elpis remaining in the jar were the subject of intense debate even
Pandora dangerous type of beauty, generally naked or semi-naked. She is only differentiated from other paintings or statues of such females by being given the attribute of a jar or, increasingly in the 19th-century, a straight-sided box. As well as the many European paintings of her from this period, there are examples in sculptures by Henri-Joseph Ruxthiel (1819),John Gibson (1856), Pierre Loison (1861, see above) and Chauncy Bradley Ives (1871). There is an additional reason why Pandora should appear nude, in that it was a theological commonplace going back to the early Church Fathers that the Classical myth of Pandora made