Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat thrown and unthrown. Their aim was impeccable, having been honed by fishing and hunting. The spear may be of "nibong" wood or bamboo, single-pronged or three-pronged, barbed or unbarbed, and tipped with wood or steel. Contact with the southern Philippines and the Sulu sultanate of Borneo allowed the Bajau to acquire other weapons through barter, specifically swords, shields, lances and parang. The most notable Bajau style of pencak silat is centered in Kendari. It is characterized by cross-legged stances and rapid turning, designed to be used in cramped spaces such as boats. Generalizations in pencak silat technique are very difficult;