Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat prefers the latter. Prominent Sunda weapons include the "toya" (staff), "cabang" (forked truncheon), long-bladed "parang" (machete) and heavy "golok" (cleaver). The advanced weapon is the "piau" or throwing knife. Among the Betawi people of Greater Jakarta, the pencak silat tradition is rooted in the culture of the "jagoan" or "jawara", local champions seen as heroes of the common people. They went against colonial authority and were despised by the Dutch as thugs and bandits. Silat Betawi is referred to in the local dialect as "maen pukulan" or "main pukulan", literally meaning "strike-play". The most well-known schools are Cingkrik, Kwitang, and