Sophrosyne an important topic for Plato. It is main subject of the dialogue "Charmides", wherein several definitions are proposed but no conclusion reached; however the dramatic context connotes moral purity and innocence. An etymological meaning of sophrosyne as "moral sanity" is proposed in "Cratylus" 411e. Plato's view of sophrosyne is related to Pythagorean "harmonia" ("Republic" 430e−432a, 442c) and closely linked with Plato’s tripartite division of the soul: "sophrosyne" is the harmonious moderation of the appetitive and spirited parts of the soul by the rational part (e.g., "Phaedrus" 237c−238e). For the Stoic, Zeno of Citium, "sophrosyne" is one of the four chief
Ancient Greek sculpture survive, for example the bronze Piraeus Athena (2.35 metres high, including a helmet). In Greek and Roman mythology, a "palladium" was an image of great antiquity on which the safety of a city was said to depend, especially the wooden one that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to Rome by Aeneas. (The Roman story was related in Virgil's "Aeneid" and other works.) Ancient Greek sculpture Ancient Greek sculpture is the sculpture of ancient Greece. Modern scholarship identifies three major stages in monumental sculpture. At all periods there were great numbers of