American gamelan music. Lou Harrison and William Colvig, who met in 1967 in San Francisco, built a set of tuned percussion instruments that they called "an American gamelan" in order to differentiate it from Indonesian ensembles. It was first used in Harrison's work "La Koro Sutro" in 1972. These are now referred to as "Old Granddad", and Harrison wrote some pieces that can only be played on this set, including "La Koro Sutro". Lou Harrison spent some time with a Javanese gamelan in 1976 (when Kyai Udan Mas, now at the University of California, Berkeley, was in residence at San Jose State
Gamelan semar pegulingan the royal family to sleep when it played in the late evenings in the inner sanctum of the palace. There are very few of these gamelan left in Bali. This orchestra is used primarily for instrumental pieces, as the dance repertoire is long since forgotten. The orchestra includes saron jongkok, a gentorag bell-tree, gumanak tube chimes and a kempyung–all features of court gamelan. Mekar Bhuana about Gamelan Semar Pagulingan by Vaughan Hatch Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved