Pandora's box should be the more dreary and depressing." One's interpretation hangs on two related questions: First, how are we to render "elpis", the Greek word usually translated as "hope"? Second, does the jar preserve "Elpis" for men, or keep "Elpis" away from men? The first question might confuse the non-specialist. But as with most ancient Greek words, "elpis" can be translated a number of ways. A number of scholars prefer the neutral translation of "expectation." But expectation of what? Classical authors use the word "elpis" to mean "expectation of bad," as well as "expectation of good." Statistical analysis demonstrates that the
Pandora Days" states that Hesiod shows no awareness [of this]." Jane Ellen Harrison also turned to the repertory of vase-painters to shed light on aspects of myth that were left unaddressed or disguised in literature. On a fifth-century amphora in the Ashmolean Museum (her fig.71) the half-figure of Pandora emerges from the ground, her arms upraised in the epiphany gesture, to greet Epimetheus. A winged "ker" with a fillet hovers overhead: "Pandora rises from the earth; she "is" the Earth, giver of all gifts," Harrison observes. Over time this "all-giving" goddess somehow devolved into an "all-gifted" mortal woman. A.H. Smith, however,