Gamelan for "gamelan" is gangsa, formed either from the words "tembaga" and "rejasa" referring to the materials used in bronze gamelan construction (copper and tin), or "tiga" and "sedasa" referring to their proportions (three and ten). The gamelan predates the Hindu-Buddhist culture that dominated Indonesia in its earliest records and thus represents an indigenous art form. In contrast to the heavy Indian influence in other art forms, the only obvious Indian influence in gamelan music is in the Javanese style of singing, and in the themes of the Wayang kulit (shadow puppet plays). In Javanese mythology, the gamelan was created by
Gamelan Sekaten are "Kyai Guntur Madu" and "Kyai Guntur Sari". According to Benjamin Brinner, the "gamelan sekaten", exists in halves: divided between the two rival courts in Surakarta and Yogyakorta, each court had a matching second half made. The pitches of the "Sekaten" ensemble is in "pelog", but lower than standard ensembles today. According to Benjamin Brinner it is the lowest pitched, largest, and loudest ensemble in Java. In recent times the gamelan at ISI Surakarta commissioned a special "Sekaten" set that would be compatible with their other gamelan, to be used in new experimental compositions. Historically, the "Sekaten" ensemble is notable