Gamelan gender wayang Gamelan gender wayang Gamelan gender wayang is a style of gamelan music played in Bali, Indonesia. It is required for wayang and other, most sacred Bali Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above. Like other gamelan genres it incorporates delicate interlocking melodies and active contrapuntal movement, yet poses unique challenges in technique and composition. I Wayan Loceng reports that "Gender wayang, one of the most ancient musical ensembles existing in Bali, accompanies shadow theatre as well as tooth filings, cremations, and other religious
Gamelan semar pegulingan Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the