Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Silat at least the fifteenth century in Malacca. The preset forms of silambam are known as "silatguvarisai". The most popular theory in Malaysia is that it derives from "sekilat" meaning "as (fast as) lightning." Other theories derive silat from the Sanskrit "sīla" meaning morality or principle, or the Southern Chinese "saula" which means to push or perform with the hands. The Sanskrit theory is particularly popular in Thailand, as "sila" is an alternate form of the word silat in that country. Other similar-sounding words have been proposed, but are generally not considered by etymologists. One example is "si elat" which means