Music of Bali cymbals, bells, drums and the anklung (a bamboo rattle). There are two sizes of bamboo flutes, both used in theatrical music, and a rebab (two-stringed spike fiddle). Modern forms of Balinese gamelan include kebyar, an energetic style played by clubs, which generally compose their own music. An extensive study of gamelan gong kebyar is found in "Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music" (2000) by Michael Tenzer, and . Triguna: A Hindu-Balinese Philosophy for Gamelan Gong Gede Music by Made Mantle Hood Music of Bali Bali is an Indonesian island that shares in the gamelan and other Indonesian
Gamelan notation Gamelan notation Notation plays a relatively minor role in the oral traditions of Indonesian gamelan but, in Java and Bali, several systems of gamelan notation were devised beginning at the end of the 19th century, initially for archival purposes. Kepatihan is a type of cipher musical notation that was devised for notation of the Indonesian gamelan. The system was devised around 1900 at the "Kepatihan" (the Grand Vizier's compound) in Surakarta, and was based upon the Galin-Paris-Chevé system, imported in the nineteenth century by Christian missionaries to allow the notation of hymns. It superseded several other notation systems of Javanese