The Rime of the Ancient Mariner a salvation story. The poem's structure is multi-layered text based on Coleridge's interest in Higher Criticism. "Like the Iliad or Paradise Lost or any great historical product, the "Rime" is a work of transhistorical rather than so-called universal significance. This verbal distinction is important because it calls attention to a real one. Like The Divine Comedy or any other poem, the "Rime" is not valued or used always or everywhere or by everyone in the same way or for the same reasons." George Whalley, in his 1946–47 essay, "The Mariner and the Albatross", suggests that the Ancient Mariner is an
Stylistics poetic effects in understanding a poem's meaning. Widdowson points out that in Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner" (1798), the mystery of the Mariner's abrupt appearance is sustained by an idiosyncratic use of tense. (Widdowson. 1992, 40) For instance, the Mariner 'holds' the wedding-guest with his 'skinny hand' in the present tense, but releases it in the past tense ('...his hands dropt he.'); only to hold him again, this time with his 'glittering eye', in the present (Widdowson. 1992, 41). Widdowson notices that when the content of poetry is summarised, it often refers to very general