Pandora other pains" (100). Prometheus had (fearing further reprisals) warned his brother Epimetheus not to accept any gifts from Zeus. But Epimetheus did not listen; he accepted Pandora, who promptly scattered the contents of her jar. As a result, Hesiod tells us, "the earth and sea are full of evils" (101). One item, however, did not escape the jar (96–9): <poem> Only Hope was left within her unbreakable house, she remained under the lip of the jar, and did not fly away. Before [she could], Pandora replaced the lid of the jar. This was the will of aegis-bearing Zeus the Cloudgatherer.</poem>
Pandora dangerous type of beauty, generally naked or semi-naked. She is only differentiated from other paintings or statues of such females by being given the attribute of a jar or, increasingly in the 19th-century, a straight-sided box. As well as the many European paintings of her from this period, there are examples in sculptures by Henri-Joseph Ruxthiel (1819),John Gibson (1856), Pierre Loison (1861, see above) and Chauncy Bradley Ives (1871). There is an additional reason why Pandora should appear nude, in that it was a theological commonplace going back to the early Church Fathers that the Classical myth of Pandora made