Near to the Wild Heart opens with a scene of the child Joana playing in the garden, making up poems for her father. Joana's wildness and barely suppressed violence, along with her linguistic creativity, are her most notable features. She is frequently compared to animals: over the course of the book Lispector compares her to a bird, a snake, a wildcat, a horse, and a dog. She commits transgressive acts—as a child she throws a book at an old man's head, for example, and as a married woman she leaves her husband, Otávio, and greets the news of his adultery—he has made another woman, his
The Old Woman in the Wood this for many days. When the dove asked her to do something for it, she agreed. It told her to go to a house and go in. An old woman would greet her, but she should not answer. She should open an inner door, which will reveal a room full of splendid rings, but she should take a plain one. The old woman was quite angry, but the girl did not heed her. Then, when she could not see the plain ring, she saw the old woman trying to carry off a bird cage. She took it away from her.