Gamelan construction of musical instruments, as well as scheduling performances at the court. In the palaces of Java the oldest known ensembles, Gamelan "Munggang" and "Gamelan Kodok Ngorek", are apparently from the 12th century. These formed the basis of a "loud style" of music. In contrast, a "soft style" developed out of the "kemanak" tradition and is related to the traditions of singing Javanese poetry, in a manner often believed to be similar to the chorus that accompanies the modern "bedhaya" dance. In the 17th century, these loud and soft styles mixed, and to a large extent the variety of modern
Gamelan semar pegulingan the royal family to sleep when it played in the late evenings in the inner sanctum of the palace. There are very few of these gamelan left in Bali. This orchestra is used primarily for instrumental pieces, as the dance repertoire is long since forgotten. The orchestra includes saron jongkok, a gentorag bell-tree, gumanak tube chimes and a kempyung–all features of court gamelan. Mekar Bhuana about Gamelan Semar Pagulingan by Vaughan Hatch Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved