Gamelan their inclusion of a double-reed wind ("selompret", "slompret", or "sompret") in addition to variable drum and gong components, with some also including the shaken bamboo "angklung". In Indonesia, gamelan often accompanies dance, "wayang" puppet performances, or rituals and ceremonies. Typically players in the gamelan will be familiar with dance moves and poetry, while dancers are able to play in the ensemble. In "wayang", the "dalang" (puppeteer) must have a thorough knowledge of gamelan, as he gives the cues for the music. Gamelan can be performed by itself – in ""klenengan"" style, or for radio broadcasts – and concerts presentation are
American gamelan East and West coasts. Following Murphy's model was Barbara Benary, who built the instruments still used today for Gamelan Son of Lion. On the West coast, the airline industry made aluminum affordable, and this became the material of choice for several gamelan builders. Daniel Schmidt, a composer-builder, built an ensemble called "The Berkeley Gamelan" (independent of the University of California, Berkeley) as well as the set of instruments that would develop into Gamelan Pacifica in Seattle. Paul Dresher also used aluminum. Harrison worked with John Cage in the 40s on percussion compositions with found metal objects, resulting in alternate scaled