Samuel Taylor Coleridge has been deeply influential in the field of literary criticism. This influence can be seen in such critics as A. O. Lovejoy and I. A. Richards. Coleridge is probably best known for his long poems, "The Rime of the Ancient Mariner" and "Christabel". Even those who have never read the "Rime" have come under its influence: its words have given the English language the metaphor of an albatross around one's neck, the quotation of "water, water everywhere, nor any drop to drink" (almost always rendered as "but not a drop to drink"), and the phrase "a sadder and a wiser
Nautical fiction identified "the sea as an archetype of the Sublime in nature: 'of all the objects that I have ever seen, there is none which affects my imagination as much as the sea or ocean' ". Later in this century Samuel Taylor Coleridge's narrative poem "Rime of the Ancient Mariner" (1798), developed the idea of the ocean as "realm of unspoiled nature and a refuge from the perceived threats of civilization". However, it is Byron "who has taken most of the credit for inventing the nineteenth-century sea, in "Childe Harold's Pilgrimage" (1812-16): A distinct sea novel genre, which focuses on representing