Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat independence, some schools have adapted themselves in the context of modern religion. Among the most popular modern styles is the Muslim-directed Tapak Suci. An evasive long-range system, it requires constant movement as the practitioner rotates on their own axis every few seconds. Similarly the Setia Hati school is Christian-organised. Rooted in silek Minangkabau of the Padang area, it relies on kicks and footwork while the hands are mainly used defensively for blocking and parrying. Java's western region was the first area from which pencak silat spread out of Sumatra. The Sundanese pencak silat of West Java may be called "silat