Music of Bali cymbals, bells, drums and the anklung (a bamboo rattle). There are two sizes of bamboo flutes, both used in theatrical music, and a rebab (two-stringed spike fiddle). Modern forms of Balinese gamelan include kebyar, an energetic style played by clubs, which generally compose their own music. An extensive study of gamelan gong kebyar is found in "Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music" (2000) by Michael Tenzer, and . Triguna: A Hindu-Balinese Philosophy for Gamelan Gong Gede Music by Made Mantle Hood Music of Bali Bali is an Indonesian island that shares in the gamelan and other Indonesian
Gamelan Surakarta bonang panembung. A typical performance ensemble includes a female vocal soloist (pesinden) and male chorus (gerongan); in certain passages, the singers clap rhythmically (keplok). In Yogyakarta, there is a tendency to have more sarons of each register and it is more likely that the bonang panembung will be present. An archaic instrument, the celuring, a set of struck bells is found only on a few gamelan in the Yogyakarta Kraton and is played in place of the saron panerus. The Solonese style is often considered more refined (or "alus") than Yogyanese style. One specific difference is in saron peking playing;