The Rime of the Ancient Mariner who are playing dice for the souls of the crew. With a roll of the dice, Death wins the lives of the crew members and Life-in-Death the life of the mariner, a prize she considers more valuable. Her name is a clue to the mariner's fate: he will endure a fate worse than death as punishment for his killing of the albatross. One by one, all of the crew members die, but the mariner lives on, seeing for seven days and nights the curse in the eyes of the crew's corpses, whose last expressions remain upon their faces. Eventually, this
Nautical fiction identified "the sea as an archetype of the Sublime in nature: 'of all the objects that I have ever seen, there is none which affects my imagination as much as the sea or ocean' ". Later in this century Samuel Taylor Coleridge's narrative poem "Rime of the Ancient Mariner" (1798), developed the idea of the ocean as "realm of unspoiled nature and a refuge from the perceived threats of civilization". However, it is Byron "who has taken most of the credit for inventing the nineteenth-century sea, in "Childe Harold's Pilgrimage" (1812-16): A distinct sea novel genre, which focuses on representing