Jaime Bravo confirmed in Madrid. During the 1950s and 1960s, Mexico was full of crossover movie stars including Antonio Aguilar, making western films and usually singing in them like a Latin version of Elvis, the scripts groomed to fit his more high-profile career. Gaston Santos, the rejoneador, was also making movies. Wrestlers like Blue Demon, El Santo, Chanoc, Mil Mascaras and Nathaniel Leon had roles in horror films, while bullfighters like Carlos Arruza, Luis Procuna, Manuel Capetillo, and David Liceaga also entered the field. As a bullfighter for many years, Bravo was especially popular with the ladies and border town crowds. In
Carlos Torres Ríos producer in his own right, directing and screenwriting "Bólidos de acero" in 1950. Carlos Torres Ríos Carlos Torres Ríos (1898–1956) was an Argentine cinematographer, film director, screenwriter, film editor and film producer of the classic era. Born in Buenos Aires, he worked as a cinematographer in films beginning with "Palomas rubias" (1920), "La Gaucha" (1921) and "Buenos Aires, ciudad de ensueño" (1922) and films such as "Adiós Buenos Aires" (1938) and "Al marido hay que seguirlo" (1948). He later worked with his brother Leopoldo Torres Ríos in films of the 1940s and 1950s, a highly influential pair in Argentine cinema.