Gamelan music. American folk guitarist John Fahey included elements of gamelan in many of his late-1960s sound collages, and again in his 1997 collaboration with Cul de Sac, "The Epiphany of Glenn Jones." Influenced by gamelan, Robert Fripp and Adrian Belew used rhythmically interlocking guitars in their duets with each other in the 1981–1984 trilogy of albums ("Discipline", "Beat", "Three of a Perfect Pair") by rock band King Crimson and with "The League of Crafty Guitarists". The gamelan has also been used by British multi-instrumentalist Mike Oldfield at least three times, "Woodhenge" (1979), "The Wind Chimes (Part II)" (1987) and "Nightshade"
Gamelan Surakarta although the pattern it plays for the balungan is often the same, in the Yogyanese style it is rhythmically shifted earlier, creating a different emphasis in relation to the balungan. Gamelan Surakarta A typical large, double gamelan in contemporary Solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang,