Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat these hand and arm movements and contain only limited kicks, almost all of the linear variety. The Bugis "kekuda" is identical to the southern Chinese horse stance. Styles from southwestern Sulawesi generally come under the Makassar category ("silat Mangkasara"). Chief among them are the kuntao-influenced tiger style Karena Macang and the kick-based Manca Tonaja from southern Sulawesi, which is believed to have Minang roots. The mangrove swamps and rocky inlets along the coasts of Sulawesi served as hiding places for pirates, so silat among the Bugis and Makasar community makes use of and defends against ambush. Countering surprise attacks is