Jaime Bravo corrida, Bravo had used a similar press-grabbing tactic, when he was not performing his best, and another matador's superior performance was poised to gain the next day's headlines. Before that corrida ended, Bravo cursed at the bullring judge, just enough to infuriate the judge so that Bravo was immediately arrested and jailed. Cameras captured countless photos of Bravo being cuffed, escorted from the bullring, and locked in a jail cell. The next day, the newspapers' headlines boldly declared that Jaime Bravo had been jailed. Much further down the page, and in much smaller type, only a few sentences detailed the
Jaime Gili the universal abstract language of the mid-20th Century into contemporary painting. More specifically, his work has been contextualised as a revision of Latin American abstraction, especially the Venezuelan optical and kinetic work of artists such as Carlos Cruz-Diez and Alejandro Otero, with an input from popular art and London's energy. Critic Fisun Guner wrote in 2003 about his show at the Jerwood Space: "What do you get when you mix Pop Art, Minimalism, Vorticism, Futurism and graffiti art? The answer may well resemble the work of (...) Jaime Gili." Venezuelan Curator Jesús Fuenmayor wrote in 2006 for the catalogue of