Gamelan no longer in use, and the last orchestra is kept at the Sumenep palace. One important style of Sundanese gamelan is "Gamelan Degung", which uses a subset of gamelan instruments with a particular mode of "pelog" scale. Balinese gamelan is often associated with the virtuosity and rapid changes of tempo and dynamics of "Gamelan gong kebyar", its best-known style. Other popular Balinese styles include "Kecak", a theatrical dance and music form also known as the "monkey chant." Javanese gamelan, largely dominated by the courts of the 19th century central Javanese rulers, each with its own style, is known for a
Indonesian art "[[gambuh]]" and "[[topeng]]", Javanese "[[wayang wong]], [[ketoprak]]" and "[[ludruk]]"; Betawi "[[lenong]]"; Sundanese "[[sandiwara]]"; also colonial "[[toneel]]". [[File:Wayang Kulit - Museum Wayang 02.jpg|thumb|right|Indonesian Javanese "[[wayang kulit]]" shadow puppet.]] "Wayang" refer to a theatrical performance with puppets or human dancers. When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as "wayang." Performances of [[Shadow play|shadow puppet]] theatre is known as "wayang kulit", are accompanied by a "[[gamelan]]" orchestra in [[Java (island)|Java]], and by "[[Gamelan gender wayang|gender wayang]]" in [[Bali]]. It has been developed into a complete and refined artform, especially in Java