The Rime of the Ancient Mariner a salvation story. The poem's structure is multi-layered text based on Coleridge's interest in Higher Criticism. "Like the Iliad or Paradise Lost or any great historical product, the "Rime" is a work of transhistorical rather than so-called universal significance. This verbal distinction is important because it calls attention to a real one. Like The Divine Comedy or any other poem, the "Rime" is not valued or used always or everywhere or by everyone in the same way or for the same reasons." George Whalley, in his 1946–47 essay, "The Mariner and the Albatross", suggests that the Ancient Mariner is an
Suspension of disbelief of poetry. Chapter XIV describes the preparations with Wordsworth for their revolutionary collaboration "Lyrical Ballads" (first edition 1798), for which Coleridge had contributed the more romantic, gothic pieces including "The Rime of the Ancient Mariner". Poetry and fiction involving the supernatural had gone out of fashion to a large extent in the 18th century, in part due to the declining belief in witches and other supernatural agents among the educated classes, who embraced the rational approach to the world offered by the new science. Alexander Pope, notably, felt the need to explain and justify his use of elemental spirits in