Prometheus and water by Hephaestus now explicitly called Pandora (""all gifts"") (82). Zeus in this case gets the help of Athena, Aphrodite, Hermes, the Graces and the Hours (59–76). After Prometheus steals the fire, Zeus sends Pandora in retaliation. Despite Prometheus' warning, Epimetheus accepts this "gift" from the gods (89). Pandora carried a jar with her from which were released mischief and sorrow, plague and diseases (94–100). Pandora shuts the lid of the jar too late to contain all the evil plights that escaped but Hope is left trapped in the jar because Zeus forces Pandora to seal it up before
Pandora and is compared to the other attributes of vanity surrounding her (fine clothes, jewellery, a pot of gold coins). Again, Pietro Paolini’s lively Pandora of about 1632 seems more aware of the effect that her pearls and fashionable headgear is making than of the evils escaping from the jar she holds. There is a social message carried by these paintings too, for education, no less than expensive adornment, is only available to those who can afford it. But an alternative interpretation of Pandora’s curiosity makes it merely an extension of childish innocence. This comes out in portrayals of Pandora as