Gamelan traced in several songs in her album "Snow on the Sahara" such as "Snow on the Sahara", "A Rose in the Wind", and also in her collaboration works with Deep Forest on "Deep Blue Sea" on their 2002 album, "Music Detected". Philippine-born Indonesian singer Maribeth Pascua also features gamelan tunes in her songs "Denpasar Moon" and "Borobudur". Beyond Indonesia, gamelan has also had an influence on Japanese popular music, specifically the synthpop band Yellow Magic Orchestra. Their 1981 record "Technodelic", one of the first albums to heavily rely on samples and loops, made use of gamelan elements and samples. Yellow
Gamelan Surakarta bonang panembung. A typical performance ensemble includes a female vocal soloist (pesinden) and male chorus (gerongan); in certain passages, the singers clap rhythmically (keplok). In Yogyakarta, there is a tendency to have more sarons of each register and it is more likely that the bonang panembung will be present. An archaic instrument, the celuring, a set of struck bells is found only on a few gamelan in the Yogyakarta Kraton and is played in place of the saron panerus. The Solonese style is often considered more refined (or "alus") than Yogyanese style. One specific difference is in saron peking playing;