The Rime of the Ancient Mariner of mist and snow"; the south wind that had initially led them from the land of ice now sends the ship into uncharted waters near the equator, where it is becalmed. The sailors change their minds again and blame the mariner for the torment of their thirst. In anger, the crew forces the mariner to wear the dead albatross about his neck, perhaps to illustrate the burden he must suffer from killing it, or perhaps as a sign of regret: Eventually, the ship encounters a ghostly hulk. On board are Death (a skeleton) and the "Night-mare Life-in-Death", a deathly-pale woman,
Samuel Coleridge-Taylor Samuel Coleridge-Taylor Samuel Coleridge-Taylor (15 August 18751 September 1912) was an English composer and conductor of mixed race; his mother was an English woman and his father was a Sierra Leone Creole physician. Coleridge-Taylor achieved such success that he was referred to by white New York musicians as the "African Mahler" when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas based on the epic poem, "Song of Hiawatha" by American Henry Wadsworth Longfellow. Coleridge-Taylor premiered the first section in 1898, when he was 22. He married an Englishwoman,