Gamelan gong gede the Dutch dissolved the courts. The use of the gong gede became limited to temple music. It was later superseded in popularity by gong kebyar, a more up-tempo form of gamelan played with smaller gongs, that originated in Balinese villages in the late 19th century and became widely popular in the 1920s and 1930s. Examples of recordings of gamelan gong gede: Gamelan gong gede Gamelan gong gede, meaning "gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and
American gamelan East and West coasts. Following Murphy's model was Barbara Benary, who built the instruments still used today for Gamelan Son of Lion. On the West coast, the airline industry made aluminum affordable, and this became the material of choice for several gamelan builders. Daniel Schmidt, a composer-builder, built an ensemble called "The Berkeley Gamelan" (independent of the University of California, Berkeley) as well as the set of instruments that would develop into Gamelan Pacifica in Seattle. Paul Dresher also used aluminum. Harrison worked with John Cage in the 40s on percussion compositions with found metal objects, resulting in alternate scaled