Jaime Bravo contemporaries, Bravo drew tremendous crowds who were mesmerized by his repeated flirtations with danger and death. As one journalist put it, "The bull was probably scared of Jaime." "Jaime was gored more than 50 times in his career." Larry Jones, an official of a Tijuana ring, said when informed of the bullfighter's death, "He was very daring and thought he had to get injured to please the fans. Bravo delighted in challenging the bull to the fullest extent. He was popular in Tijuana because he was flashy and colorful. Few bullfighters took more chances than Jaime." Fans thought that his
Carlos Torres Ríos producer in his own right, directing and screenwriting "Bólidos de acero" in 1950. Carlos Torres Ríos Carlos Torres Ríos (1898–1956) was an Argentine cinematographer, film director, screenwriter, film editor and film producer of the classic era. Born in Buenos Aires, he worked as a cinematographer in films beginning with "Palomas rubias" (1920), "La Gaucha" (1921) and "Buenos Aires, ciudad de ensueño" (1922) and films such as "Adiós Buenos Aires" (1938) and "Al marido hay que seguirlo" (1948). He later worked with his brother Leopoldo Torres Ríos in films of the 1940s and 1950s, a highly influential pair in Argentine cinema.