Jaime Bravo son, named Aleco Jaime Bravo. By the late 1960s, Bravo was a renowned bullfighter, known still for his charisma and good looks. He began looking to the film world for a career that might suit him once he retired from the bulls. There were a variety of production companies keen to give him a chance in film. His profile remained such that he could still draw crowds from within the Mexican interior and the USA, especially with a large following in border towns such as Tijuana, Nogales, Juarez and Matamoros, and states such as California, Arizona, and Texas. On February
Carlos Torres Ríos producer in his own right, directing and screenwriting "Bólidos de acero" in 1950. Carlos Torres Ríos Carlos Torres Ríos (1898–1956) was an Argentine cinematographer, film director, screenwriter, film editor and film producer of the classic era. Born in Buenos Aires, he worked as a cinematographer in films beginning with "Palomas rubias" (1920), "La Gaucha" (1921) and "Buenos Aires, ciudad de ensueño" (1922) and films such as "Adiós Buenos Aires" (1938) and "Al marido hay que seguirlo" (1948). He later worked with his brother Leopoldo Torres Ríos in films of the 1940s and 1950s, a highly influential pair in Argentine cinema.