Gamelan their inclusion of a double-reed wind ("selompret", "slompret", or "sompret") in addition to variable drum and gong components, with some also including the shaken bamboo "angklung". In Indonesia, gamelan often accompanies dance, "wayang" puppet performances, or rituals and ceremonies. Typically players in the gamelan will be familiar with dance moves and poetry, while dancers are able to play in the ensemble. In "wayang", the "dalang" (puppeteer) must have a thorough knowledge of gamelan, as he gives the cues for the music. Gamelan can be performed by itself – in ""klenengan"" style, or for radio broadcasts – and concerts presentation are
Gamelan semar pegulingan the royal family to sleep when it played in the late evenings in the inner sanctum of the palace. There are very few of these gamelan left in Bali. This orchestra is used primarily for instrumental pieces, as the dance repertoire is long since forgotten. The orchestra includes saron jongkok, a gentorag bell-tree, gumanak tube chimes and a kempyung–all features of court gamelan. Mekar Bhuana about Gamelan Semar Pagulingan by Vaughan Hatch Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved