Gamelan gender wayang Gamelan gender wayang Gamelan gender wayang is a style of gamelan music played in Bali, Indonesia. It is required for wayang and other, most sacred Bali Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above. Like other gamelan genres it incorporates delicate interlocking melodies and active contrapuntal movement, yet poses unique challenges in technique and composition. I Wayan Loceng reports that "Gender wayang, one of the most ancient musical ensembles existing in Bali, accompanies shadow theatre as well as tooth filings, cremations, and other religious
Gamelan semar pegulingan the royal family to sleep when it played in the late evenings in the inner sanctum of the palace. There are very few of these gamelan left in Bali. This orchestra is used primarily for instrumental pieces, as the dance repertoire is long since forgotten. The orchestra includes saron jongkok, a gentorag bell-tree, gumanak tube chimes and a kempyung–all features of court gamelan. Mekar Bhuana about Gamelan Semar Pagulingan by Vaughan Hatch Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved