The Rime of the Ancient Mariner a salvation story. The poem's structure is multi-layered text based on Coleridge's interest in Higher Criticism. "Like the Iliad or Paradise Lost or any great historical product, the "Rime" is a work of transhistorical rather than so-called universal significance. This verbal distinction is important because it calls attention to a real one. Like The Divine Comedy or any other poem, the "Rime" is not valued or used always or everywhere or by everyone in the same way or for the same reasons." George Whalley, in his 1946–47 essay, "The Mariner and the Albatross", suggests that the Ancient Mariner is an
Samuel Coleridge-Taylor for string orchestra, tambourine, and triangle. Coleridge-Taylor's only large-scale operatic work, "Thelma", was long believed to have been lost. As recently as 1995, Geoffrey Self in his biography of Coleridge-Taylor, "The Hiawatha Man", stated that the manuscript of "Thelma" had not been located, and that the piece may have been destroyed by its creator. While researching for a PhD on the life and music of Samuel Coleridge-Taylor, Catherine Carr unearthed the manuscripts of "Thelma" in the British Library. She assembled a libretto and catalogued the opera in her thesis, presenting a first critical examination of the work by a thorough