Gamelan gong gede the Dutch dissolved the courts. The use of the gong gede became limited to temple music. It was later superseded in popularity by gong kebyar, a more up-tempo form of gamelan played with smaller gongs, that originated in Balinese villages in the late 19th century and became widely popular in the 1920s and 1930s. Examples of recordings of gamelan gong gede: Gamelan gong gede Gamelan gong gede, meaning "gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and
Gamelan in Central Javanese villages. Gamelan is also related to the Filipino "kulintang" ensemble. The variety of gamelan can befound in over 25 countries outside Indonesia, presenting both traditional and experimental repertoire. In oral Javanese culture distinctions are made between complete or incomplete, archaic and modern, and large standard and small village gamelan. The various archaic ensembles are distinguished by their unique combinations of instruments and possession of obsolete instruments such as the bell-tree ("byong") in the 3-toned "gamelan kodhok ngorek". Regionally variable village gamelan are often distinguished from standard gamelan (which have the "rebab" as the main melodic instrument) by