Jaime Bravo corrida, Bravo had used a similar press-grabbing tactic, when he was not performing his best, and another matador's superior performance was poised to gain the next day's headlines. Before that corrida ended, Bravo cursed at the bullring judge, just enough to infuriate the judge so that Bravo was immediately arrested and jailed. Cameras captured countless photos of Bravo being cuffed, escorted from the bullring, and locked in a jail cell. The next day, the newspapers' headlines boldly declared that Jaime Bravo had been jailed. Much further down the page, and in much smaller type, only a few sentences detailed the
Carlos Torres Ríos producer in his own right, directing and screenwriting "Bólidos de acero" in 1950. Carlos Torres Ríos Carlos Torres Ríos (1898–1956) was an Argentine cinematographer, film director, screenwriter, film editor and film producer of the classic era. Born in Buenos Aires, he worked as a cinematographer in films beginning with "Palomas rubias" (1920), "La Gaucha" (1921) and "Buenos Aires, ciudad de ensueño" (1922) and films such as "Adiós Buenos Aires" (1938) and "Al marido hay que seguirlo" (1948). He later worked with his brother Leopoldo Torres Ríos in films of the 1940s and 1950s, a highly influential pair in Argentine cinema.