Gamelan composers such as Peter Sculthorpe, Andrew Schultz and Ross Edwards have written several works with parts for gamelan instruments or full gamelan ensembles. I Nyoman Windha is among contemporary Indonesian composers that have written compositions using western instruments along with Gamelan. Hungarian composer György Ligeti wrote a piano étude called "Galamb Borong" influenced by gamelan. Avant-garde composer Harry Partch, one of America's most idiosyncratic composers, was also influenced by Gamelan, both in his microtonal compositions and the instruments he built for their performance In jazz, the music of Don Cherry, especially his 1968 record "Eternal Rhythm", shows influences of gamelan
Gamelan Sekaten are "Kyai Guntur Madu" and "Kyai Guntur Sari". According to Benjamin Brinner, the "gamelan sekaten", exists in halves: divided between the two rival courts in Surakarta and Yogyakorta, each court had a matching second half made. The pitches of the "Sekaten" ensemble is in "pelog", but lower than standard ensembles today. According to Benjamin Brinner it is the lowest pitched, largest, and loudest ensemble in Java. In recent times the gamelan at ISI Surakarta commissioned a special "Sekaten" set that would be compatible with their other gamelan, to be used in new experimental compositions. Historically, the "Sekaten" ensemble is notable