Music of Bali cymbals, bells, drums and the anklung (a bamboo rattle). There are two sizes of bamboo flutes, both used in theatrical music, and a rebab (two-stringed spike fiddle). Modern forms of Balinese gamelan include kebyar, an energetic style played by clubs, which generally compose their own music. An extensive study of gamelan gong kebyar is found in "Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music" (2000) by Michael Tenzer, and . Triguna: A Hindu-Balinese Philosophy for Gamelan Gong Gede Music by Made Mantle Hood Music of Bali Bali is an Indonesian island that shares in the gamelan and other Indonesian
Gamelan Surakarta although the pattern it plays for the balungan is often the same, in the Yogyanese style it is rhythmically shifted earlier, creating a different emphasis in relation to the balungan. Gamelan Surakarta A typical large, double gamelan in contemporary Solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang,