The Rime of the Ancient Mariner to row. The pilot's boy goes crazy and laughs, thinking the mariner is the devil, and cries, "The Devil knows how to row". As penance for shooting the albatross, the mariner, driven by guilt, is forced to wander the earth, telling his story over and over, and teaching a lesson to those he meets: After relaying the story, the mariner leaves, and the wedding guest returns home, and wakes the next morning "a sadder and a wiser man". The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were
Nautical fiction identified "the sea as an archetype of the Sublime in nature: 'of all the objects that I have ever seen, there is none which affects my imagination as much as the sea or ocean' ". Later in this century Samuel Taylor Coleridge's narrative poem "Rime of the Ancient Mariner" (1798), developed the idea of the ocean as "realm of unspoiled nature and a refuge from the perceived threats of civilization". However, it is Byron "who has taken most of the credit for inventing the nineteenth-century sea, in "Childe Harold's Pilgrimage" (1812-16): A distinct sea novel genre, which focuses on representing