Jaime Bravo son, named Aleco Jaime Bravo. By the late 1960s, Bravo was a renowned bullfighter, known still for his charisma and good looks. He began looking to the film world for a career that might suit him once he retired from the bulls. There were a variety of production companies keen to give him a chance in film. His profile remained such that he could still draw crowds from within the Mexican interior and the USA, especially with a large following in border towns such as Tijuana, Nogales, Juarez and Matamoros, and states such as California, Arizona, and Texas. On February
Jaime Gili the universal abstract language of the mid-20th Century into contemporary painting. More specifically, his work has been contextualised as a revision of Latin American abstraction, especially the Venezuelan optical and kinetic work of artists such as Carlos Cruz-Diez and Alejandro Otero, with an input from popular art and London's energy. Critic Fisun Guner wrote in 2003 about his show at the Jerwood Space: "What do you get when you mix Pop Art, Minimalism, Vorticism, Futurism and graffiti art? The answer may well resemble the work of (...) Jaime Gili." Venezuelan Curator Jesús Fuenmayor wrote in 2006 for the catalogue of