Gamelan premiere only in 1889. The gamelan Debussy heard in it was in the "slendro" scale and was played by Central Javanese musicians. Despite his enthusiasm, direct citations of gamelan scales, melodies, rhythms, or ensemble textures have not been located in any of Debussy's own compositions. However, the equal-tempered whole tone scale appears in his music of this time and afterward, and a Javanese gamelan-like heterophonic texture is emulated on occasion, particularly in "Pagodes", from "Estampes" (solo piano, 1903), in which the great gong's cyclic punctuation is symbolized by a prominent perfect fifth. The composer Erik Satie, an influential contemporary of
Gamelan Gadhon (end-blown bamboo flute), and siter (plucked stringed instrument). Vocal parts called gerong (for male singers) or sindhen (for female singers) can be added in certain sections of pieces, as can alok, vocal cries that accent certain parts of the form or melody. Gamelan Gadhon A Gamelan Gadhon is an ensemble consisting of the "soft" instruments of the Javanese gamelan. This can include rebab, gendér, gendér panerus, voice, slenthem, suling, siter, gong, kempul, kenong and kendhang. The rebab, a two-stringed fiddle, is the melodic leader of the ensemble. The rebab player signals changes between sections of a piece, and to a