Carmelo Torres Mexico City and its Function in the Social Development of the Population" which won the UNESCO Prize in 1982. From 1982 to 1985 he contributed to the program "Bulls and Bullfighters" XEIPN-TV, Once-TV channel 11 Mexico (1982–1985). His last production was "The Bulls in the World" (2002). As bullfighting columnist for the newspaper "El Universal" from 1970 to 1973 he wrote under the penname Cartof. He was also a correspondent for the Mexican paper "El Redondel" and the Spanish "Digame". Carmelo Torres' first unpublished work was called "Broken Illusion", a novel, which he did not finish writing. In Mexico he
Jaime Gili the universal abstract language of the mid-20th Century into contemporary painting. More specifically, his work has been contextualised as a revision of Latin American abstraction, especially the Venezuelan optical and kinetic work of artists such as Carlos Cruz-Diez and Alejandro Otero, with an input from popular art and London's energy. Critic Fisun Guner wrote in 2003 about his show at the Jerwood Space: "What do you get when you mix Pop Art, Minimalism, Vorticism, Futurism and graffiti art? The answer may well resemble the work of (...) Jaime Gili." Venezuelan Curator Jesús Fuenmayor wrote in 2006 for the catalogue of