Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Pencak Silat the staff is characteristic of silat Melayu. The Minangkabau formed the dominant sovereignty in West Sumatra and make up the majority of Sumatran pencak silat systems. These styles may be referred to as "silat Minangkabau", "silat Padang" (lit. field silat), or "silek", the local pronunciation of silat. Very few systems in Indonesia have not been influenced by silek, and its techniques form the core of pencak silat throughout Sumatra. It developed as an extension of the original silat Melayu from Riau. Folklore traces this to five masters, namely Ninik Datuak Suri Dirajo from Padang Panjang, Kambiang Utan ("forest goat") from