Pandora's box should be the more dreary and depressing." One's interpretation hangs on two related questions: First, how are we to render "elpis", the Greek word usually translated as "hope"? Second, does the jar preserve "Elpis" for men, or keep "Elpis" away from men? The first question might confuse the non-specialist. But as with most ancient Greek words, "elpis" can be translated a number of ways. A number of scholars prefer the neutral translation of "expectation." But expectation of what? Classical authors use the word "elpis" to mean "expectation of bad," as well as "expectation of good." Statistical analysis demonstrates that the
Pandora and is compared to the other attributes of vanity surrounding her (fine clothes, jewellery, a pot of gold coins). Again, Pietro Paolini’s lively Pandora of about 1632 seems more aware of the effect that her pearls and fashionable headgear is making than of the evils escaping from the jar she holds. There is a social message carried by these paintings too, for education, no less than expensive adornment, is only available to those who can afford it. But an alternative interpretation of Pandora’s curiosity makes it merely an extension of childish innocence. This comes out in portrayals of Pandora as