Silat Harum Sundal Malam", and the colour remake of "Orang Minyak". Other notable instances of authentic silat in film include the following. Period dramas which feature silat have been a common staple of Indonesian television for many decades, typically supplemented by wire-work and/or CG effects. In Malaysia, this genre is said to have reached its peak during the 1990s when directors like Uwei Shaari strove to depict silat in its original form by casting martial artists rather than famous actors. Series from that period such as "Keris Lok Tujuh", "Pendekar: Bayangan Harta" and "Keris Hitam Bersepuh Emas" are still regarded as
Indonesian martial arts body may be targeted so long as the link to the line is maintained. An individual who has been knocked out of line may get up and rejoin their line; until rejoining he is off-limits to the attacks of the opposing team. In earlier days, such an individual would be kicked into submission or until unconscious. Sisemba originated as a form of mass defence in which every man in the village repelled invaders. It served its purpose well enough that no form of pencak silat, wrestling, or any other unarmed fighting art exists in the Toraja culture. Sisemba was also