Gamelan gong kebyar and, "loosely constructed," at the beginning of the 20th century but became increasingly standardized. The music is divided into 4 beat groups, this whole rhythmic cycle is called the gongan. The gongs divide gongan into sections, gong ageng, the largest gong, marks the end of gongan, the smaller gongs mark the 4th or 8th beat and the smallest gongs outline the pulse. Gamelan gong kebyar Gamelan gong kebyar is a style or genre of Balinese gamelan music. "Kebyar" means "the process of flowering", and refers to the explosive changes in tempo and dynamics characteristic of the style. It is the
Gamelan semar pegulingan Gamelan semar pegulingan Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the