Gamelan gong kebyar and, "loosely constructed," at the beginning of the 20th century but became increasingly standardized. The music is divided into 4 beat groups, this whole rhythmic cycle is called the gongan. The gongs divide gongan into sections, gong ageng, the largest gong, marks the end of gongan, the smaller gongs mark the 4th or 8th beat and the smallest gongs outline the pulse. Gamelan gong kebyar Gamelan gong kebyar is a style or genre of Balinese gamelan music. "Kebyar" means "the process of flowering", and refers to the explosive changes in tempo and dynamics characteristic of the style. It is the
Gamelan notation Gamelan notation Notation plays a relatively minor role in the oral traditions of Indonesian gamelan but, in Java and Bali, several systems of gamelan notation were devised beginning at the end of the 19th century, initially for archival purposes. Kepatihan is a type of cipher musical notation that was devised for notation of the Indonesian gamelan. The system was devised around 1900 at the "Kepatihan" (the Grand Vizier's compound) in Surakarta, and was based upon the Galin-Paris-Chevé system, imported in the nineteenth century by Christian missionaries to allow the notation of hymns. It superseded several other notation systems of Javanese