Pandora's box – a blessing – doing among them? This objection leads some to render "elpis" as the expectation of evil, which would make the myth's tone somewhat optimistic: although mankind is troubled by all the evils in the world, at least we are spared the continual expectation of evil, which would make life unbearable. The optimistic reading of the myth is expressed by M. L. West. "Elpis" takes the more common meaning of expectant hope. And while the jar served as a prison for the evils that escaped, it thereafter serves as a residence for Hope. West explains, "It would be
Pandora Days" states that Hesiod shows no awareness [of this]." Jane Ellen Harrison also turned to the repertory of vase-painters to shed light on aspects of myth that were left unaddressed or disguised in literature. On a fifth-century amphora in the Ashmolean Museum (her fig.71) the half-figure of Pandora emerges from the ground, her arms upraised in the epiphany gesture, to greet Epimetheus. A winged "ker" with a fillet hovers overhead: "Pandora rises from the earth; she "is" the Earth, giver of all gifts," Harrison observes. Over time this "all-giving" goddess somehow devolved into an "all-gifted" mortal woman. A.H. Smith, however,