Hurdy-gurdy twenty-three different forms, and there is still no standardized design today. The six-stringed French "vielle à roue" is the best known and most common sort. A number of regional forms developed, but outside France the instrument was considered a folk instrument and there were no schools of construction that could have determined a standard form. There are two primary body styles for contemporary instruments: guitar-bodied and lute-backed. Both forms are found in French-speaking areas, while guitar-bodied instruments are the general form elsewhere. The box form of the "simphonia" is also commonly found among players of early music and historical re-enactors.
Musette de cour G. The qualification "de cour" refers to the instrument's connection with the French court and aristocracy of the early seventeenth century. "Exotic" - in the sense of "imported" or "out of place" - elements were fashionable, resulting in the appearance of traditional instruments such as bagpipe, hurdy-gurdy and galoubet in compositions for professionals and amateurs alike. The musette may well have benefited from being a bellows-blown instrument, too; it was generally considered unseemly for women to play any mouth-blown instrument. Borjon de Scellery, however, does explicitly identify grimacing and pulling faces as a habit of ill-trained musette-players. At the height