American gamelan music. Lou Harrison and William Colvig, who met in 1967 in San Francisco, built a set of tuned percussion instruments that they called "an American gamelan" in order to differentiate it from Indonesian ensembles. It was first used in Harrison's work "La Koro Sutro" in 1972. These are now referred to as "Old Granddad", and Harrison wrote some pieces that can only be played on this set, including "La Koro Sutro". Lou Harrison spent some time with a Javanese gamelan in 1976 (when Kyai Udan Mas, now at the University of California, Berkeley, was in residence at San Jose State
Gamelan Sekaten are "Kyai Guntur Madu" and "Kyai Guntur Sari". According to Benjamin Brinner, the "gamelan sekaten", exists in halves: divided between the two rival courts in Surakarta and Yogyakorta, each court had a matching second half made. The pitches of the "Sekaten" ensemble is in "pelog", but lower than standard ensembles today. According to Benjamin Brinner it is the lowest pitched, largest, and loudest ensemble in Java. In recent times the gamelan at ISI Surakarta commissioned a special "Sekaten" set that would be compatible with their other gamelan, to be used in new experimental compositions. Historically, the "Sekaten" ensemble is notable