Gamelan for "gamelan" is gangsa, formed either from the words "tembaga" and "rejasa" referring to the materials used in bronze gamelan construction (copper and tin), or "tiga" and "sedasa" referring to their proportions (three and ten). The gamelan predates the Hindu-Buddhist culture that dominated Indonesia in its earliest records and thus represents an indigenous art form. In contrast to the heavy Indian influence in other art forms, the only obvious Indian influence in gamelan music is in the Javanese style of singing, and in the themes of the Wayang kulit (shadow puppet plays). In Javanese mythology, the gamelan was created by
Gamelan Sekaten in the development of the gamelan because it marked the change from the use of the "bonang" as the most important melody instrument, as it is in the earlier "Munggang" and "Kodokngorek" ensembles, to "leading" the ensemble by playing the pitches in anticipating patterns. In the ensemble, players sit on opposite sides of the "bonang", which may have led to the modern configuration of pots, which is aimed at making octaves comfortable. Gamelan Sekaten The Gamelan Sekaten (or Sekati) is a ceremonial gamelan (musical ensemble) from central Java, Indonesia, played during the annual "Sekaten" festival. The word ""sekaten"" itself is