Sprigging (pottery) the Fulham Pottery or the German-born Elers brothers were first is uncertain. They used metal moulds, which tend to leave a thin line impressed into the body around the outline of the sprig. White Chinese Dehua porcelain cups and pots with sprigged prunus (plum/cherry) blossom decoration were copied by several European porcelain factories in the mid-18th century, from Meissen and Sèvres to Bow. Sprigging was used extensively in the Staffordshire potteries on a variety of wares and reached a height with Josiah Wedgwood's Jasperware, and his replica of the Portland Vase in 1790, which fully exploited the possibilities of contrasting
Jasperware Staffordshire pottery. The Real Fabrica del Buen Retiro in Madrid produced jasperware effects in biscuit porcelain. At the end of the eighteenth century they made jasperware plaques for a "porcelain room" in the Casita del Príncipe at the Escorial. In the late 19th century, Jean-Baptiste Stahl developed his own style and techniques during his work at Villeroy & Boch in Mettlach, Saar, Germany. The name Phanolith was coined for this kind of jasperware. His work is praised for the translucency of the white porcelain on a colored background. Stahl's work is known for its refined modelling and the vibrancy of