Neo-noir noir. The film directors knowingly refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and a motif of revenge, paranoia, and alienation, among other sensibilities. The term "neo-noir" is a contraction of the phrase "new film noir", using the Greek prefix for the word "new" rendered as "neo" (from the Greek "neo"). "Noir", when used as an isolated term in film theory and critique, is a short form reference to "film noir". As a neologism, neo-noir is defined by
Neo-Aristotelianism Bryant. Neo-Aristotelianism Neo-Aristotelianism is a view of literature and rhetorical criticism propagated by the Chicago School — Ronald S. Crane, Elder Olson, Richard McKeon, Wayne Booth, and others — which means. "A view of literature and criticism which takes a pluralistic attitude toward the history of literature and seeks to view literary works and critical theories intrinsically" Neo-Artistotelianism was one of the first rhetorical methods of criticism. Its central features were first suggested in Herbert A. Wichelns' "The Literary Criticism of Oratory" in 1925. It focused on analyzing the methodology behind a speech's ability to convey an idea to its