Ryōunkaku Ryōunkaku's fame spread, it appeared in the works of contemporary authors such as Tanizaki Junichiro, Ishikawa Takuboku, Kitahara Hakushu and Kaneko Mitsuharu. The edifice's opening was commemorated in Ogawa Kazumasa's most famous work, "Types of Japan, Celebrated Geysha of Tokyo in Collotype and From Photographic Negatives Taken by Him", published around 1892. Ryōunkaku The was Japan's first western-style skyscraper. It stood in the Asakusa district of City of Tokyo (now Taitō, Tokyo) from 1890 until its demolition following the Great Kanto earthquake of 1923. The , as it was affectionately called by Tokyoites, was Tokyo's most popular attraction, and a
1923 Great Kantō earthquake regional police and the Imperial Army used the pretext of civil unrest to liquidate political dissidents. Socialists such as (平澤計七), anarchists such as Sakae Ōsugi and Noe Itō, and the Chinese communal leader, (王希天), were abducted and killed by local police and Imperial Army, who claimed the radicals intended to use the crisis as an opportunity to overthrow the Japanese government. Director Chongkong Oh made two documentary films about the pogrom: "Hidden Scars: The Massacre of Koreans from the Arakawa River Bank to Shitamachi in Tokyo" (1983) and "The Disposed-of Koreans: The Great Kanto Earthquake and Camp Narashino" (1986). They