Paula Robison encore at one of her 92nd Street Y concerts, a dance for flute and pandeiro, a large tambourine traditional in Brazil. Silverman invited the percussionist Cyro Baptista to join her. The flutist Irna Priore, who was at the concert, told her that in Brazil there was a huge repertory for flute in the choro, a tradition of popular song originating in 19th century Rio de Janeiro. Cyro Baptista's wife provided recordings and tapes of music that was largely unknown in the US. Robison began to work on it with Baptista and other Brazilian musicians, who toured with her and eventually
Podemos (Brazil) the future of Brazil. In this line, Podemos intends to give voice to people who do not feel represented by the current Brazilian political parties. Podemos believes that the Brazilian people need to know well who they voted for, what they stand for and their decisions. For Podemos, transparency means the right of the population to know what happens in the country and thus avoid corruption. Podemos believes that Brazil needs more popular participation in politics, such as people being part of the governments, in the decisions of their neighborhoods, consultations to help the mayor, suggestions for their cities or