Demi-glace warm. At this point, the espagnole is prepared, and when it is finished, the brown stock is added in equal portions to the espagnole. Demi-glace keeps very well, about six months refrigerated or almost indefinitely frozen. Due to the considerable effort involved in making the traditional demi-glace, chefs commonly substitute a simple "jus lié" of veal stock or to create a simulated version, which the American cookbook author Julia Child referred to as a "semi-demi-glace"(i.e. sans espagnole sauce). However, even today, many chefs who prepare French "haute cuisine" use a demi-glace prepared in their own kitchen. Concentrates and mixes, mostly
French opera Classical "Pénélope" (1913) and Paul Dukas's colourful Symbolist drama, "Ariane et Barbe-Bleue" (1907). The more frivolous genres of operetta and opéra comique still thrived in the hands of composers like André Messager and Reynaldo Hahn. Indeed, for many people, light and elegant works like this represented the true French tradition as opposed to the "Teutonic heaviness" of Wagner. This was the opinion of Maurice Ravel, who wrote only two short but ingenious operas: "L'heure espagnole" (1911), a farce set in Spain; and "L'enfant et les sortilèges" (1925), a fantasy set in the world of childhood in which various animals and