Nineteen Eighty-Four Dips into the Near Future" by John A. Hobson; "Brave New World" (1932) by Aldous Huxley; "We" (1921) by Yevgeny Zamyatin which he reviewed in 1946; and "The Managerial Revolution" (1940) by James Burnham predicting perpetual war among three totalitarian superstates. Orwell told Jacintha Buddicom that he would write a novel stylistically like "A Modern Utopia" (1905) by H. G. Wells. Extrapolating from World War II, the novel's pastiche parallels the politics and rhetoric at war's end—the changed alliances at the "Cold War's" (1945–91) beginning; the Ministry of Truth derives from the BBC's overseas service, controlled by the Ministry of
George Orwell bibliography before he could support himself as an author. These pieces include first-hand journalism (e.g. 1931's "The Spike"), articles (e.g. 1931's "Hop-Picking"), and even a one-act play—"Free Will". (He would also adapt four plays as radio dramas.) His production of fiction was not as prolific—while living in Paris he wrote a few unpublished stories and two novels, but burned the manuscripts (Orwell routinely destroyed his manuscripts and with the exception of a partial copy of "Nineteen Eighty-Four", all are lost. Davison would publish this as "Nineteen Eighty-Four: The Facsimile of the Extant Manuscript" by Houghton Mifflin Harcourt in May 1984, .)