Aureola crown, modified by an equally simple idea of the emanation of light from the head of a superior being, or by the meteorological phenomenon of a halo. The probability is that all later associations with the symbol refer back to an early astrological origin (compare Mithras), the person so glorified being identified with the sun and represented in the sun's image; so the aureole is the "Hvareno" of Mazdaism. From this early astrological use, the form of "glory" or "nimbus" has been adapted or inherited under new beliefs. A "mandorla" is a vesica piscis shaped aureola which surrounds the figures
What Is Art? art. In short, new artists imitate the classics, setting their own feelings aside, which, according to Tolstoy, is contrary to the point of art. Art schools teach people how to imitate the method of the masters, but they cannot teach the sincerity of emotion that is the propellant of great works. In Tolstoy's words, "[n]o school can call up feelings in a man, and still less can it teach a man what is the essence of art: the manifestation of feeling in his own particular fashion". Throughout the book Tolstoy demonstrates a willingness to dismiss generally accepted masters, among them