Paula Robison encore at one of her 92nd Street Y concerts, a dance for flute and pandeiro, a large tambourine traditional in Brazil. Silverman invited the percussionist Cyro Baptista to join her. The flutist Irna Priore, who was at the concert, told her that in Brazil there was a huge repertory for flute in the choro, a tradition of popular song originating in 19th century Rio de Janeiro. Cyro Baptista's wife provided recordings and tapes of music that was largely unknown in the US. Robison began to work on it with Baptista and other Brazilian musicians, who toured with her and eventually
What Is a Nation? often adopted the religion and manners, and married the women, of the people they conquered. He notes that France was quite ethnically diverse during the French Revolution. For example, "at the end of one or two generations, the Norman invaders were indistinguishable from the rest of the population". Nonetheless, they had a profound influence, bringing with them "a nobility of military habit, a patriotism" which did not exist before. - Renan then states what has become one of the most famous and enduring ideas of the essay. "Forgetfulness, and I would even say historical error, are essential in the creation