Dating creation for the creation by using ancient sources or records of mythological figures. Since Inachus was dated 400 years after the flood of Ogyges and that Ogyges himself was considered a Titan or a primordial Autochthon "from earliest ages", some ancient Greek or Romans dated the creation (beginning with Chaos or Gaia) only a few hundred years before Ogyges (2376–2050 BC). Most ancient Greeks, however, did not subscribe to such a literalist view of using mythology to attempt to date the creation; Hecataeus of Miletus was an early ancient Greek logographer who strongly criticised this method, while Ptolemy wrote of such
Ancient Greek sculpture survive, for example the bronze Piraeus Athena (2.35 metres high, including a helmet). In Greek and Roman mythology, a "palladium" was an image of great antiquity on which the safety of a city was said to depend, especially the wooden one that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to Rome by Aeneas. (The Roman story was related in Virgil's "Aeneid" and other works.) Ancient Greek sculpture Ancient Greek sculpture is the sculpture of ancient Greece. Modern scholarship identifies three major stages in monumental sculpture. At all periods there were great numbers of