Paula Robison encore at one of her 92nd Street Y concerts, a dance for flute and pandeiro, a large tambourine traditional in Brazil. Silverman invited the percussionist Cyro Baptista to join her. The flutist Irna Priore, who was at the concert, told her that in Brazil there was a huge repertory for flute in the choro, a tradition of popular song originating in 19th century Rio de Janeiro. Cyro Baptista's wife provided recordings and tapes of music that was largely unknown in the US. Robison began to work on it with Baptista and other Brazilian musicians, who toured with her and eventually
What a piece of work is a man What a piece of work is a man "What a piece of work is man!" is a phrase within a soliloquy by Prince Hamlet in William Shakespeare's play of the same name. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition. The soliloquy, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose: Hamlet is saying that although humans may appear to think and act "nobly"