Sprigging (pottery) the Fulham Pottery or the German-born Elers brothers were first is uncertain. They used metal moulds, which tend to leave a thin line impressed into the body around the outline of the sprig. White Chinese Dehua porcelain cups and pots with sprigged prunus (plum/cherry) blossom decoration were copied by several European porcelain factories in the mid-18th century, from Meissen and Sèvres to Bow. Sprigging was used extensively in the Staffordshire potteries on a variety of wares and reached a height with Josiah Wedgwood's Jasperware, and his replica of the Portland Vase in 1790, which fully exploited the possibilities of contrasting
Japanese pottery and porcelain the mid-17th century when Japan started to industrialize, high-quality standard wares produced in factories became popular exports to Europe. In the 20th century, a modern ceramics industry (e.g., Noritake and Toto Ltd.) grew up. Japanese pottery is distinguished by two polarised aesthetic traditions. On the one hand, there is a tradition of very simple and roughly finished pottery, mostly in earthenware and using a muted palette of earth colours. This relates to Zen Buddhism and many of the greatest masters were priests, especially in early periods. Many pieces are also related to the Japanese tea ceremony and embody the aesthetic