Neo-noir noir. The film directors knowingly refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and a motif of revenge, paranoia, and alienation, among other sensibilities. The term "neo-noir" is a contraction of the phrase "new film noir", using the Greek prefix for the word "new" rendered as "neo" (from the Greek "neo"). "Noir", when used as an isolated term in film theory and critique, is a short form reference to "film noir". As a neologism, neo-noir is defined by
Neo-Nazism internationally). A "neither East, nor West" pan-Europeanism was most popular among French fascistic activists until the late 1960s, partly motivated by feelings of national vulnerability following the collapse of their empire; thus the Belgian SS-veteran Jean-François Thiriart's group Jeune Europe also had a considerable French contingent. It was the 1960s, during the Fifth French Republic, that a considerable upturn in French neo-fascism occurred; some of it in response to the Protests of 1968. The most explicitly pro-Nazi of these was the FANE of Mark Fredriksen. Neo-fascist groups included Pierre Sidos' Occident, the Ordre Nouveau (which was banned after violent clashes