Creamware Staffordshire, according to one early historian, although this is disputed. The method involved first firing the ware to a biscuit state, and then glazing and re-firing it. Foremost of the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. Although he has become popularly associated almost exclusively with tortoiseshell creamware, in fact he produced a wide variety of creamware. He first mentions ‘Cream Colour’ in 1749. The young Josiah Wedgwood was in partnership with Thomas Whieldon from 1754 to 1759 and after Wedgwood had left to set up independently at Ivy House, he immediately directed his efforts to the
Pottery in the Indian subcontinent of a population which was nomadic and mainly pastoralist," and is dated to approximately the late second millennium BCE and early first millennium BCE. In Sindh, urban growth began again after approximately 500 BCE. Together with the Gandhara grave culture and the Ochre Coloured Pottery culture, the Cemetery H culture is considered by some scholars as a factor in the formation of the Vedic civilization. Wilhelm Rau (1972) has examined the references to pottery in Vedic texts like the Black Yajur Veda and the Taittiriya Samhita. According to his study, Vedic pottery is for example hand-made and unpainted. According to