Nineteen Eighty-Four Dips into the Near Future" by John A. Hobson; "Brave New World" (1932) by Aldous Huxley; "We" (1921) by Yevgeny Zamyatin which he reviewed in 1946; and "The Managerial Revolution" (1940) by James Burnham predicting perpetual war among three totalitarian superstates. Orwell told Jacintha Buddicom that he would write a novel stylistically like "A Modern Utopia" (1905) by H. G. Wells. Extrapolating from World War II, the novel's pastiche parallels the politics and rhetoric at war's end—the changed alliances at the "Cold War's" (1945–91) beginning; the Ministry of Truth derives from the BBC's overseas service, controlled by the Ministry of
Nineteen Eighty-Four it end via Fascist "coup d'état" from above or via Socialist revolution from below"? Later, he admitted that events proved him wrong: "What really matters is that I fell into the trap of assuming that 'the war and the revolution are inseparable'." "Nineteen Eighty-Four" (1949) and "Animal Farm" (1945) share themes of the betrayed revolution, the person's subordination to the collective, rigorously enforced class distinctions (Inner Party, Outer Party, Proles), the cult of personality, concentration camps, Thought Police, compulsory regimented daily exercise, and youth leagues. Oceania resulted from the US annexation of the British Empire to counter the Asian peril