Poetry Kanto journal's origins can be traced back to the founding of the Kanto Poetry Center in 1968 by Professor Emeritus William I. Elliott, when he proposed a four-fold center to be housed at Kanto Gakuin University—the first of its kind and scope in Japan, to include a library of contemporary poetry, a poetry journal, regular poetry readings in the university, and an annual poetry conference. The Center, modeled after American counterparts, was originally directed by Kanto Gakuin's Prof. Naoyuki Yagyū and his colleagues, Kazuo Kawamura and William I. Elliott, and has over the years sought, in Elliott's words, "to promote the
Kanto (music) Kanto (music) Kanto (, ) is a popular genre of Turkish music. Italian opera and theater had a profound effect on Turkish culture during the early 20th century. The terminology of music and theater derived from Italian. In the argot of the improvisational theater of Istanbul the stage was called "sahano", backstage was referred to as "koyuntu", backdrops depicting countryside as "bosko", the applause as "furi", and the songs sung as solos or duets between the acts and plays were called "kanto" (as was the case with their Italian counterparts, the Turkish troupe members played songs and music before the