Paula Robison encore at one of her 92nd Street Y concerts, a dance for flute and pandeiro, a large tambourine traditional in Brazil. Silverman invited the percussionist Cyro Baptista to join her. The flutist Irna Priore, who was at the concert, told her that in Brazil there was a huge repertory for flute in the choro, a tradition of popular song originating in 19th century Rio de Janeiro. Cyro Baptista's wife provided recordings and tapes of music that was largely unknown in the US. Robison began to work on it with Baptista and other Brazilian musicians, who toured with her and eventually
Slavery in Brazil product of slavery and black consciousness has slowly grown into a more powerful force. Musical representation of problems and issues have long been part of Brazil's history, and Ilê Aiyê and Olodum both produce creative ways to remain relevant and popular. Slavery as an institution in Brazil was unrivaled in all of the Americas. The sheer number of African slaves brought to Brazil and moved around South America greatly influenced the entirety of the Americas. Indigenous groups, Portuguese colonists, and African slaves all contributed to the melting pot that has created Brazil. The mixture of African religions that survived throughout