2011 Tōhoku earthquake and tsunami additional power, because TEP's power plants were also damaged in the earthquake. Kansai Electric Power Company (Kepco) cannot share electricity, because its system operates at 60 hertz, whereas TEPCO and TEP operate their systems at 50 hertz; this is due to early industrial and infrastructure development in the 1880s that left Japan without a unified national power grid. Two substations, one in Shizuoka Prefecture and one in Nagano Prefecture, were able to convert between frequencies and transfer electricity from Kansai to Kanto and Tōhoku, but their capacity to do so is limited to 1 GW. With the damage to so
Kanto (music) exist records produced in studios. While the lyrics began to include satirical takes on contemporary cultural trends and fashion. The songs were recorded with the 78 rpm phonograph. Columbia was the leading record label that commissioned kanto from Kaptanzade Ali Rıza Bey, Refik Fersan, Dramalı Hasan, Sadettin Kaynak, Cümbüş Mehmet and Mildan Niyazi Bey. The makams were the same but the instrumentation had changed. Kanto were now accompanied by cümbüş (a fretlees banjo-like instrument) the ud (a fretless lute), and calpara (castanets). Foxtrot, charleston, and rumba rhythms were fusioned with the typical kanto forms. Female soloists from this period include: