Ryōunkaku Ryōunkaku's fame spread, it appeared in the works of contemporary authors such as Tanizaki Junichiro, Ishikawa Takuboku, Kitahara Hakushu and Kaneko Mitsuharu. The edifice's opening was commemorated in Ogawa Kazumasa's most famous work, "Types of Japan, Celebrated Geysha of Tokyo in Collotype and From Photographic Negatives Taken by Him", published around 1892. Ryōunkaku The was Japan's first western-style skyscraper. It stood in the Asakusa district of City of Tokyo (now Taitō, Tokyo) from 1890 until its demolition following the Great Kanto earthquake of 1923. The , as it was affectionately called by Tokyoites, was Tokyo's most popular attraction, and a
Kanto (music) exist records produced in studios. While the lyrics began to include satirical takes on contemporary cultural trends and fashion. The songs were recorded with the 78 rpm phonograph. Columbia was the leading record label that commissioned kanto from Kaptanzade Ali Rıza Bey, Refik Fersan, Dramalı Hasan, Sadettin Kaynak, Cümbüş Mehmet and Mildan Niyazi Bey. The makams were the same but the instrumentation had changed. Kanto were now accompanied by cümbüş (a fretlees banjo-like instrument) the ud (a fretless lute), and calpara (castanets). Foxtrot, charleston, and rumba rhythms were fusioned with the typical kanto forms. Female soloists from this period include: