Tokyo: The Last Megalopolis narrative moves to 1923, Tokyo. Kato retreats to Dalian, China and he and his followers use magic to cause artificial earthquake waves that are amplified to Japan. Kato returns to Tokyo to awaken Masakado's spirit by himself, but is interrupted by Koda Rohan and Junichi Narutaki, who use Kimon Tonkou magic against him. Kato fails to awaken Masakado, but manages to stimulate the Great Kanto Earthquake. The setting moves to 1927. Torahiko Terada has been appointed by Noritsugu Hayakawa as manager of the construction of Japan's first Tokyo Metro Ginza Line. Hayakawa's construction workers run into Kato's shikigami provoking Terada
Kanto (music) usually divided into two periods. The division, particulariy in terms of musical structure, is clear between the early kanto (1900s - 1923) and the kanto of the Post-Republican period (especially after the mid-1930s). It is further possible to identify two styles within the early period: Galata and Direklerarası (after the neighbourhoods of Old Istanbul). The early period kanto tradition was nourished in Istanbul. The same was also true in the Post-Republican period. The city's large and diverse population provided the themes that were the mainstay of kanto. Kanto was heavily influenced by musical theatre, Balkan and Byzantine or Anatolian music