Lilian May Miller in 1920. After a brief period at the State Department, she returned to Tokyo in 1920. She was in financial ruin after the Great Kanto earthquake of September 1, 1923, when many of her prints and paintings were destroyed. Miller lived with her parents in Seoul, Korea from 1923 until 1927 or 1928. While in Korea, Miller made prints and recuperated over a long period of time from a serious illness. In 1930 Miller returned to Japan and moved to Kyoto. Her father returned to the U.S. and became head of the Far Eastern Department in the State Department, Washington.
Kanto (music) Makbule Enver, Mahmure, and Neriman; Beşiktaşlı Kemal Senman was the most sought after male singer for duets. Among the themes explored by the new kantocu (singer(s) or composer(s) of kanto), the most frequent subject of satire was the new role of women after the formation of the Republic. Songs like "Sarhoş Kızlar" (Drunken Girls) or "Şoför Kadınlar" (Female Drivers) were written in revenge for all the suffering women had endured at the hands of men in the past. Other songs with similar themes include "Daktilo" (The Typewriter) (which brought to mind the newly formed Secretaires Society), "Bereli Kız" (The Girl