Neo-noir noir. The film directors knowingly refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and a motif of revenge, paranoia, and alienation, among other sensibilities. The term "neo-noir" is a contraction of the phrase "new film noir", using the Greek prefix for the word "new" rendered as "neo" (from the Greek "neo"). "Noir", when used as an isolated term in film theory and critique, is a short form reference to "film noir". As a neologism, neo-noir is defined by
Neo-Vedanta understanding of the scriptures as the primary means to moksha. According to Comans, the emphasis on samadhi also is not to be found in the Upanishads nor with Shankara. For Shankara, meditation and Nirvikalpa Samadhi are means to gain knowledge of the already existing unity of Brahman and Atman. In the 21st century, Neo-Vedanta has been criticized by Hindu traditionalists for the influence of "Radical Universalism", arguing that it leads to a "self-defeating philosophical relativism," and has weakened the status and strength of Hinduism. In the 20th century the German Indologist used the terms "Neo-Vedanta" and "Neo-Hinduism" polemically, to criticize