Provenance it moves from hand to hand." Another metaphor is that provenience is an artifact's "birthplace", while provenance is its "résumé", though this is imprecise (many artifacts originated as trade goods created in one region but were used and finally deposited in another). Aside from scientific precision, a need for the distinction in these fields has been described thus: In this context, the "provenance" can occasionally be the detailed history of where an object has been since its creation, as in art history contexts – not just since its modern finding. In some cases, such as where there is an inscription
Hail to the Thief black sludge. We've created this incredibly vibrant society, but we're going to have to deal with the consequences sooner or later." Essayist Amy Britton interpreted the artwork as an allusion to the Bush administration's "road map for peace" plan for the Israeli–Palestinian conflict. Joseph Tate, likening the art to the paintings of French artist Jean Dubuffet, found it depicted a "homogenized and heavily regimented" portrayal of "capitalism's glaring visual presence: an oppressive sameness of style and color that mirrors globalization's reduction of difference." Other artworks included with the album refer to cities relevant to the war on terror, including New