Creamware cheap, good-quality, mass-produced creamware to Europe had a similar impact on Continental tin-glazed faience factories. By the 1780s Josiah Wedgwood was exporting as much as 80% of his output to Europe. Creamware is made from white clays from Dorset and Devonshire combined with an amount of calcined flint. This body is the same as that used for salt-glazed stoneware, but it is fired to a lower temperature (around 800 °C as opposed to 1,100 to 1,200 °C) and glazed with lead to form a cream-coloured earthenware. The white clays ensured a fine body and the addition of flint improved its
The Paul Revere Pottery which were more popular and produced in greater abundance were expressed from molds. Every pottery piece is signed with “S.E.G.” on the bottom, signifying the reading group, followed by the initials of the young woman artist who made or finished the form. On occasion, multiple initials were present on the forms. In addition to making pottery vessels and objects, Paul Revere Pottery also made several ceramic tile friezes, usually depicting people interacting in wholesome environments with idyllic, romantic interactions occurring amongst characters and animals. The pottery's artistic director, Edith Brown (September 10, 1872 - August 27, 1932), was born in