1923 Great Kantō earthquake largely consist of interviews with survivors, witnesses and perpetrators. The importance of obtaining and providing accurate information following natural disasters has been emphasized in Japan ever since. Earthquake preparation literature in modern Japan almost always directs citizens to carry a portable radio and use it to listen to reliable information, and not to be misled by rumors in the event of a large earthquake. Following the devastation of the earthquake, some in the government considered the possibility of moving the capital elsewhere. Proposed sites for the new capital were even discussed. Japanese commentators interpreted the disaster as an act of
Kanto (music) and Darulelhan (Istanbul Conservatory of Music) had trained musicians that turned out to work as kanto artists. Before the 1930s, Western lifestyle and western art had put pressure on the traditional Turkish formats which were marginalized. The operetta, the tango and later the charleston, and the foxtrot overshadowed kanto. Kanto's popularity began to fade, the centers of entertainment shifted and the theaters of Galata and Direklerarası were eventually closed. Turkish female artists who were not receptive to kanto's typical ribaldry chose to turn away from it. The kanto singers of this period were also composers. The songs had simple melodies