Jacopo Peri eventually developed into recitative and aria. Peri and Corsi brought in the poet Ottavio Rinuccini to write a text, and the result, "Dafne", though nowadays thought to be a long way from anything the Greeks would have recognised, is seen as the first work in a new form, opera. Rinuccini and Peri next collaborated on "Euridice". This was first performed on 6 October 1600 at the Palazzo Pitti. Unlike "Dafne", it has survived to the present day (though it is hardly ever staged, and then only as an historical curio). The work made use of recitatives, a new development which
Jacopo Bertoia painting the panel depicting the "Entry of Christ into Jerusalem". He was commissioned by Cardinal Alessandro Farnese in 1572-1573 to paint galleries ("Sale del Giudizio", "della Penitenza", "dei Sogni", as well as the "Anticamera degli Angeli") of the Villa Farnese in Caprarola, where he replaced the role of Taddeo Zuccari. He had earlier worked in Caprarola with Federico Zuccari in 1574, painting in the "Sala di Ercole". Jacopo Bertoia Jacopo Bertoia, also known as Giacomo Zanguidi or Jacopo Zanguidi or Bertoja, (1544 – ca. 1574), was an Italian painter of a late-Renaissance or Mannerist style that emerged in Parma towards