Neo-minimalism Neo-minimalism Neo-minimalism is an amorphous art movement of the late 20th and early 21st centuries. It has alternatively been called "neo-geometric" or "neo-geo" art. Other terms include: Neo-Conceptualism, Neo-Futurism, Neo-Op, Neo-Pop, New Abstraction, Poptometry, Post-Abstractionism, Simulationism, and Smart Art. The aspects of "postmodern art" that have been described as neo-minimalism (and related terms) involve a general "reevaluation of earlier art forms." As its various titles indicate, the movement draws on earlier mid-to-late-20th century developments in Minimalist art, Abstract Expressionism and its offshoots, plus Pop Art, Op Art, and other threads of artistic development. Contemporary artists who have been linked to
Neo-Ricardianism Ravagnani, Roberto Ciccone, Sergio Parrinello, Alessandro Roncaglia, Maurice Dobb, Gilbert Abraham-Frois, Theodore Mariolis and Giorgio Gilibert. The school partially overlaps with post-Keynesian and neo-Marxian economics. Neo-Ricardianism The neo-Ricardian school is an economic school that derives from the close reading and interpretation of David Ricardo by Piero Sraffa, and from Sraffa's critique of neo-classical economics as presented in his "The Production of Commodities by Means of Commodities", and further developed by the neo-Ricardians in the course of the Cambridge capital controversy. It particularly disputes neo-classical theory of income distribution. Prominent neo-Ricardians are usually held to include Pierangelo Garegnani, Krishna Bharadwaj, Luigi