Lilian May Miller in 1920. After a brief period at the State Department, she returned to Tokyo in 1920. She was in financial ruin after the Great Kanto earthquake of September 1, 1923, when many of her prints and paintings were destroyed. Miller lived with her parents in Seoul, Korea from 1923 until 1927 or 1928. While in Korea, Miller made prints and recuperated over a long period of time from a serious illness. In 1930 Miller returned to Japan and moved to Kyoto. Her father returned to the U.S. and became head of the Far Eastern Department in the State Department, Washington.
Kanto (music) with the Beret), "Kadın Asker", and "Olursa" (If Women Were Soldiers). Kanto had a tremendous impact on contemporary Turkish popular music. However, the word Kanto eventually became more of a generalized umbrella term than a precise definition of a musical genre. Any tune that does not follow any conventions, or any song that appealed to the trends and tastes of the time it is released is labeled kanto. Any music instrumented in a novel way is also labeled kanto. Nurhan Damcıoğlu is an example of a contemporary (post 1980s) artist labeled as a kanto singer. Most rebetiko songs are based