Creamware cheap, good-quality, mass-produced creamware to Europe had a similar impact on Continental tin-glazed faience factories. By the 1780s Josiah Wedgwood was exporting as much as 80% of his output to Europe. Creamware is made from white clays from Dorset and Devonshire combined with an amount of calcined flint. This body is the same as that used for salt-glazed stoneware, but it is fired to a lower temperature (around 800 °C as opposed to 1,100 to 1,200 °C) and glazed with lead to form a cream-coloured earthenware. The white clays ensured a fine body and the addition of flint improved its
Poole Pottery three Wills sisters, Laura, Julia and Carolyn, produced two lines which are probably the most famous of all Poole's output: Delphis and Aegean. Delphis is easily recognised: it is psychedelic, with vibrant colours and designs inspired by artists such as Mondrian, Warhol, Matisse and Pollock. Aegean is more subtle, with the sgraffito technique used to create the "silhouette" patterns that make this range so recognisable. Poole Pottery (Carter, Stabler and Adams) produced two-coloured tableware from the 1930s, but had to stop production during World War Two. When they re-launched the range in the late 1940s, they named it Twintone. Twintone