Neo-Vedanta the higher educated classes in India. It has received appraisal for its "solution of synthesis", but has also been criticised for its Universalism. The terms "Neo-Hindu" or "Neo-Vedanta" themselves have also been criticised for its polemical usage, the prefix "Neo-" then intended to imply that these modern interpretations of Hinduism are "inauthentic" or in other ways problematic. According to Halbfass, the terms "Neo-Vedanta" and "Neo-Hinduism" refer to "the adoption of Western concepts and standards and the readiness to reinterpret traditional ideas in light of these new, imported and imposed modes of thought". Promiment in Neo-Vedanta is Vivekananda, who's theology, according
Neo-Fauvism Neo-Fauvism Neo-Fauvism was a poetic style of painting from the mid-1920s proposed as a challenge to Surrealism. The magazine "Cahiers d'Art" was launched in 1926 and its writers mounted a challenge to the Surrealist practice of automatism by seeing it not in terms of unconscious expression, but as another development of traditional artistry. They identified a group of artists as the exponents of this and termed them Neo-Fauves. Although these artists were later mostly forgotten, the movement had an effect of disillusioning the Surrealist group with the technique of graphic automatism as a revolutionary means of by-passing conventional aesthetics, ideology