1923 Great Kantō earthquake largely consist of interviews with survivors, witnesses and perpetrators. The importance of obtaining and providing accurate information following natural disasters has been emphasized in Japan ever since. Earthquake preparation literature in modern Japan almost always directs citizens to carry a portable radio and use it to listen to reliable information, and not to be misled by rumors in the event of a large earthquake. Following the devastation of the earthquake, some in the government considered the possibility of moving the capital elsewhere. Proposed sites for the new capital were even discussed. Japanese commentators interpreted the disaster as an act of
Kanto (music) usually divided into two periods. The division, particulariy in terms of musical structure, is clear between the early kanto (1900s - 1923) and the kanto of the Post-Republican period (especially after the mid-1930s). It is further possible to identify two styles within the early period: Galata and Direklerarası (after the neighbourhoods of Old Istanbul). The early period kanto tradition was nourished in Istanbul. The same was also true in the Post-Republican period. The city's large and diverse population provided the themes that were the mainstay of kanto. Kanto was heavily influenced by musical theatre, Balkan and Byzantine or Anatolian music