Nineteen Eighty-Four essay "Notes on Nationalism" about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In "Nineteen Eighty-Four", the Party's artificial, minimalist language 'Newspeak' addresses the matter. O'Brien concludes: "The object of persecution is persecution. The object of torture is torture. The object of power is power." In the book, Inner Party member O'Brien describes the Party's vision of the future: A major theme of "Nineteen Eighty-Four" is censorship, especially in the Ministry of Truth, where photographs are modified and public archives rewritten to rid them of "unpersons" (persons who are erased from history by the
George Orwell bibliography as a left-wing anti-totalitarian. As he explained in the essay "Why I Write" (1946), "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it." To that end Orwell used his fiction as well as his journalism to defend his political convictions. He first achieved widespread acclaim with his fictional novella "Animal Farm" and cemented his place in history with the publication of "Nineteen Eighty-Four" shortly before his death. While fiction accounts for a small fraction of his total output, these two novels are