How many angels can dance on the head of a pin? dancing on a needle's point occurs in an expository work by the English divine, William Sclater (1575-1626). In "An exposition with notes vpon the first Epistle to the Thessalonians" (1619), Sclater claimed that scholastic philosophers occupied themselves with such pointless questions as whether angels "did occupie a place; and so, whether many might be in one place at one time; and how many might sit on a Needles point; and six hundred such like needlesse points." Harrison proposes that the reason an English writer first introduced the "needle’s point" into a critique of medieval angelology is that it makes for
Bird flight streamlined to help overcome air-resistance. Also, the bird skeleton is hollow to reduce weight, and many unnecessary bones have been lost (such as the bony tail of the early bird "Archaeopteryx"), along with the toothed jaw of early birds, which has been replaced with a lightweight beak. The skeleton's breastbone has also adapted into a large keel, suitable for the attachment of large, powerful flight muscles. The vanes of each feather have hooklets called barbules that zip the vanes of individual feathers together, giving the feathers the strength needed to hold the airfoil (these are often lost in flightless birds).