Neo-noir noir. The film directors knowingly refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and a motif of revenge, paranoia, and alienation, among other sensibilities. The term "neo-noir" is a contraction of the phrase "new film noir", using the Greek prefix for the word "new" rendered as "neo" (from the Greek "neo"). "Noir", when used as an isolated term in film theory and critique, is a short form reference to "film noir". As a neologism, neo-noir is defined by
Neo-Ricardianism Neo-Ricardianism The neo-Ricardian school is an economic school that derives from the close reading and interpretation of David Ricardo by Piero Sraffa, and from Sraffa's critique of neo-classical economics as presented in his "The Production of Commodities by Means of Commodities", and further developed by the neo-Ricardians in the course of the Cambridge capital controversy. It particularly disputes neo-classical theory of income distribution. Prominent neo-Ricardians are usually held to include Pierangelo Garegnani, Krishna Bharadwaj, Luigi Pasinetti, Joan Robinson, John Eatwell, Fernando Vianello, Murray Milgate, Ian Steedman, Heinz D. Kurz, Neri Salvadori, Bertram Schefold, Fabio Petri, Massimo Pivetti, Franklin Serrano, Fabio