1923 Great Kantō earthquake divine punishment to admonish the Japanese people for their self-centered, immoral, and extravagant lifestyles. In the long run, the response to the disaster was a strong sense that Japan had been given an unparalleled opportunity to rebuild the city, and to rebuild Japanese values. In reconstructing the city, the nation, and the Japanese people, the earthquake fostered a culture of catastrophe and reconstruction that amplified discourses of moral degeneracy and national renovation in interwar Japan. After the earthquake, Gotō Shinpei organized a reconstruction plan of Tokyo with modern networks of roads, trains, and public services. Parks were placed all over
Jun'ichirō Tanizaki (1922) and "A Serpent's Lust" (1923) (based on the story of the same title by Ueda Akinari, which was, in part, the inspiration for Mizoguchi Kenji's 1953 masterpiece "Ugetsu monogatari"). Some have argued that Tanizaki's relation to cinema is important to understanding his overall career. Tanizaki's reputation began to take off in 1923, when he moved to Kyoto after the Great Kanto earthquake, which destroyed his house in Yokohama (at the time Tanizaki was on a bus in Hakone and thus escaped injury). The loss of Tokyo's historic buildings and neighborhoods in the quake triggered a change in his enthusiasms,