Lilian May Miller in 1920. After a brief period at the State Department, she returned to Tokyo in 1920. She was in financial ruin after the Great Kanto earthquake of September 1, 1923, when many of her prints and paintings were destroyed. Miller lived with her parents in Seoul, Korea from 1923 until 1927 or 1928. While in Korea, Miller made prints and recuperated over a long period of time from a serious illness. In 1930 Miller returned to Japan and moved to Kyoto. Her father returned to the U.S. and became head of the Far Eastern Department in the State Department, Washington.
Kanto (music) (Karsilamas) (which was however often a subject of satire in kanto songs) and Greek music (Kalamatiano, Ballos, Syrtos) (especially the Istanbul Rum who were so fond of urban forms of entertainment). In other words, kanto was the resuit of cultural exchange and almost all the early kanto singers were either Rum or Armenian: Pepron, Karakas, Haim, Shamiram Kelleciyan, and Peruz Terzekyan (all of them performed during the period following 1903). Galata was the part of Istanbul where sailors, rowdies, and roustabouts used to frequent. Ahmet Rasim Bey gives a vivid picture of the Galata theaters in his novel Fuhs-i Akit