Pandeiro in parts of Galicia and Portugal to describe the square-shaped drum, while the round drum with jingles is known as "Pandeira" in Galicia. Some of the best-known pandeiro players today are Paulinho da Costa, Nanny Assis, Airto Moreira, Marcos Suzano, Cyro Baptista, Zé Maurício, and Carlinhos Pandeiro de Ouro. Another notable pandeiro player was Milt Holland, a Los Angeles-based studio percussionist and drummer who travelled the world extensively to collect and study various ethnical percussion. Artists such as Stanton Moore use it non-traditionally by tuning it low to sound like a bass drum with jingles, mounting it on a stand
Hello, Hello Brazil: Popular Music in the Making of Modern Brazil by Christopher Dunn in the "Luso-Brazilian Review" 43 (2006): 156-160. Review by Sean Stroud in the "Journal of Latin American Studies" 37 (2005): 398-400. Hello, Hello Brazil: Popular Music in the Making of Modern Brazil Hello, Hello Brazil: Popular Music in the Making of Modern Brazil is a book by historian Bryan McCann published by Duke University Press in 2004. This book discusses the social impacts of Brazilian music in society and culture between the 1920s-1950s. Alongside the social impacts during the time period, the book also analyzes the long term effects of the music in Brazilian culture and how