Neo-noir noir. The film directors knowingly refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and a motif of revenge, paranoia, and alienation, among other sensibilities. The term "neo-noir" is a contraction of the phrase "new film noir", using the Greek prefix for the word "new" rendered as "neo" (from the Greek "neo"). "Noir", when used as an isolated term in film theory and critique, is a short form reference to "film noir". As a neologism, neo-noir is defined by
Neo-Lutheranism Stahl who had particularly high ecclesiology. They were polemic against idea of "invisible church", strongly claiming church as an outward, visible institution of salvation and therefore laid emphasis on ordained ministry instituted by Christ and significance of sacraments above word as Means of Grace. However, unlike the Erlangen School, this neo-Lutheranism did not make lasting influence on Lutheran theology. Properly speaking, High Church Lutheranism began in Germany much later, 1917 the Hochkirchliche Vereinigung Augsburgischen Bekenntnisses was created, inspired by 95 theses Stimuli et Clavi, exactly 100 years after Claus Harms' 95 theses. Neo-Lutheranism should not be confused with term "Neo-Protestantism",