Aureola crown, modified by an equally simple idea of the emanation of light from the head of a superior being, or by the meteorological phenomenon of a halo. The probability is that all later associations with the symbol refer back to an early astrological origin (compare Mithras), the person so glorified being identified with the sun and represented in the sun's image; so the aureole is the "Hvareno" of Mazdaism. From this early astrological use, the form of "glory" or "nimbus" has been adapted or inherited under new beliefs. A "mandorla" is a vesica piscis shaped aureola which surrounds the figures
What Price Glory? (play) What Price Glory? (play) What Price Glory?, a 1924 comedy-drama written by Maxwell Anderson and critic/veteran Laurence Stallings was Anderson's first commercial success, with a long run on Broadway, starring Louis Wolheim. The play depicted the rivalry between two U.S. Marine Corps officers fighting in France during World War I. The play was notable for its profanity, "toot goddam sweet," etc., and for censorship efforts by military and religious groups. These efforts failed when the primary censorship authority, Rear Admiral Charles P. Plunkett, was revealed by columnist Heywood Broun to have written a far more vulgar series of letters to