Paula Robison encore at one of her 92nd Street Y concerts, a dance for flute and pandeiro, a large tambourine traditional in Brazil. Silverman invited the percussionist Cyro Baptista to join her. The flutist Irna Priore, who was at the concert, told her that in Brazil there was a huge repertory for flute in the choro, a tradition of popular song originating in 19th century Rio de Janeiro. Cyro Baptista's wife provided recordings and tapes of music that was largely unknown in the US. Robison began to work on it with Baptista and other Brazilian musicians, who toured with her and eventually
What is a Masterpiece? particular (the fruits of the era in which the artist lived) with the universal (the grand themes raised by the human condition itself) in Clark's view. Clark's definition of an artistic masterpiece was based on a number of different considerations and criteria that apply to different works produced in markedly different time periods and milieux. For example, in this particular work he argued that it is the "creation of an individual artist's authentic genius." At the same time, he expounded a number of other aspects that for him were essential in the configuration of a masterpiece: that it is "a