Ryōunkaku Ryōunkaku's fame spread, it appeared in the works of contemporary authors such as Tanizaki Junichiro, Ishikawa Takuboku, Kitahara Hakushu and Kaneko Mitsuharu. The edifice's opening was commemorated in Ogawa Kazumasa's most famous work, "Types of Japan, Celebrated Geysha of Tokyo in Collotype and From Photographic Negatives Taken by Him", published around 1892. Ryōunkaku The was Japan's first western-style skyscraper. It stood in the Asakusa district of City of Tokyo (now Taitō, Tokyo) from 1890 until its demolition following the Great Kanto earthquake of 1923. The , as it was affectionately called by Tokyoites, was Tokyo's most popular attraction, and a
Kanto (music) Makbule Enver, Mahmure, and Neriman; Beşiktaşlı Kemal Senman was the most sought after male singer for duets. Among the themes explored by the new kantocu (singer(s) or composer(s) of kanto), the most frequent subject of satire was the new role of women after the formation of the Republic. Songs like "Sarhoş Kızlar" (Drunken Girls) or "Şoför Kadınlar" (Female Drivers) were written in revenge for all the suffering women had endured at the hands of men in the past. Other songs with similar themes include "Daktilo" (The Typewriter) (which brought to mind the newly formed Secretaires Society), "Bereli Kız" (The Girl