Ikebana room decoration and commenced in a rudimentary way to consider natural beauty in floral arrangement. At this time "ikebana" was known as "rikka". This same age conceived another form called "nageirebana". "Rikka" and "nageirebana" are the two branches into which "ikebana" has been divided. Popularity of the two styles vacillated between these two for centuries. In the beginning, "rikka" was stiff, formal, and more decorative while "nageirebana" was simpler and more natural. Although "nageirebana" began to come into favour in the Higashiyama period, "rikka" was still preferred, and "nageirebana" did not truly gain popularity until the Momoyama period, about a
English landscape garden there. He noted that Chinese gardens avoided formal rows of trees and flower beds, and instead placed trees, plants, and other garden features in irregular ways to strike the eye and create beautiful compositions, with an understatement criticizing the formal compositions of the gardens at the Palace of Versailles of Louis XIV of France. His observations on the Chinese garden were cited by the essayist Joseph Addison in an essay in 1712, who used them to attack the English gardeners who, instead of imitating nature, tried to make their gardens in the French style, as far from nature as possible.