Creamware Staffordshire, according to one early historian, although this is disputed. The method involved first firing the ware to a biscuit state, and then glazing and re-firing it. Foremost of the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. Although he has become popularly associated almost exclusively with tortoiseshell creamware, in fact he produced a wide variety of creamware. He first mentions ‘Cream Colour’ in 1749. The young Josiah Wedgwood was in partnership with Thomas Whieldon from 1754 to 1759 and after Wedgwood had left to set up independently at Ivy House, he immediately directed his efforts to the
Poole Pottery three Wills sisters, Laura, Julia and Carolyn, produced two lines which are probably the most famous of all Poole's output: Delphis and Aegean. Delphis is easily recognised: it is psychedelic, with vibrant colours and designs inspired by artists such as Mondrian, Warhol, Matisse and Pollock. Aegean is more subtle, with the sgraffito technique used to create the "silhouette" patterns that make this range so recognisable. Poole Pottery (Carter, Stabler and Adams) produced two-coloured tableware from the 1930s, but had to stop production during World War Two. When they re-launched the range in the late 1940s, they named it Twintone. Twintone