Provenance Provenance Provenance (from the French "provenir", 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership,
Hail to the Thief black sludge. We've created this incredibly vibrant society, but we're going to have to deal with the consequences sooner or later." Essayist Amy Britton interpreted the artwork as an allusion to the Bush administration's "road map for peace" plan for the Israeli–Palestinian conflict. Joseph Tate, likening the art to the paintings of French artist Jean Dubuffet, found it depicted a "homogenized and heavily regimented" portrayal of "capitalism's glaring visual presence: an oppressive sameness of style and color that mirrors globalization's reduction of difference." Other artworks included with the album refer to cities relevant to the war on terror, including New