Nineteen Eighty-Four essay "Notes on Nationalism" about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In "Nineteen Eighty-Four", the Party's artificial, minimalist language 'Newspeak' addresses the matter. O'Brien concludes: "The object of persecution is persecution. The object of torture is torture. The object of power is power." In the book, Inner Party member O'Brien describes the Party's vision of the future: A major theme of "Nineteen Eighty-Four" is censorship, especially in the Ministry of Truth, where photographs are modified and public archives rewritten to rid them of "unpersons" (persons who are erased from history by the
Nineteen Eighty-Four toured the UK and played an extended run in London's West End. The play opened on Broadway in 2017. In the decades since the publication of "Nineteen Eighty-Four", there have been numerous comparisons to Aldous Huxley's novel "Brave New World", which had been published 17 years earlier, in 1932. They are both predictions of societies dominated by a central government and are both based on extensions of the trends of their times. However, members of the ruling class of "Nineteen Eighty-Four" use brutal force, torture and mind control to keep individuals in line, while rulers in "Brave New World" keep