Sprigging (pottery) the Fulham Pottery or the German-born Elers brothers were first is uncertain. They used metal moulds, which tend to leave a thin line impressed into the body around the outline of the sprig. White Chinese Dehua porcelain cups and pots with sprigged prunus (plum/cherry) blossom decoration were copied by several European porcelain factories in the mid-18th century, from Meissen and Sèvres to Bow. Sprigging was used extensively in the Staffordshire potteries on a variety of wares and reached a height with Josiah Wedgwood's Jasperware, and his replica of the Portland Vase in 1790, which fully exploited the possibilities of contrasting
Japanese pottery and porcelain of Buddhism in the late 16th century, leading tea masters introduced a change of style and favored humble Korean tea bowls and domestic ware over sophisticated Chinese porcelain. The influential tea master Sen no Rikyū (1522–1591) turned to native Japanese styles of simple rustic pottery, often imperfect, which he admired for their "rugged spontaneity", a "decisive shift" of enormous importance for the development of Japanese pottery. The Raku family (named after the pottery rather than the other way round) supplied brown-glazed earthenware tea bowls. Mino, Bizen, Shigaraki (Shigaraki ware), Iga (similar to Shigaraki), and other domestic kilns also supplied tea