Ryōunkaku Ryōunkaku's fame spread, it appeared in the works of contemporary authors such as Tanizaki Junichiro, Ishikawa Takuboku, Kitahara Hakushu and Kaneko Mitsuharu. The edifice's opening was commemorated in Ogawa Kazumasa's most famous work, "Types of Japan, Celebrated Geysha of Tokyo in Collotype and From Photographic Negatives Taken by Him", published around 1892. Ryōunkaku The was Japan's first western-style skyscraper. It stood in the Asakusa district of City of Tokyo (now Taitō, Tokyo) from 1890 until its demolition following the Great Kanto earthquake of 1923. The , as it was affectionately called by Tokyoites, was Tokyo's most popular attraction, and a
Kanto (music) (Karsilamas) (which was however often a subject of satire in kanto songs) and Greek music (Kalamatiano, Ballos, Syrtos) (especially the Istanbul Rum who were so fond of urban forms of entertainment). In other words, kanto was the resuit of cultural exchange and almost all the early kanto singers were either Rum or Armenian: Pepron, Karakas, Haim, Shamiram Kelleciyan, and Peruz Terzekyan (all of them performed during the period following 1903). Galata was the part of Istanbul where sailors, rowdies, and roustabouts used to frequent. Ahmet Rasim Bey gives a vivid picture of the Galata theaters in his novel Fuhs-i Akit