1923 Great Kantō earthquake largely consist of interviews with survivors, witnesses and perpetrators. The importance of obtaining and providing accurate information following natural disasters has been emphasized in Japan ever since. Earthquake preparation literature in modern Japan almost always directs citizens to carry a portable radio and use it to listen to reliable information, and not to be misled by rumors in the event of a large earthquake. Following the devastation of the earthquake, some in the government considered the possibility of moving the capital elsewhere. Proposed sites for the new capital were even discussed. Japanese commentators interpreted the disaster as an act of
Kanto (music) Makbule Enver, Mahmure, and Neriman; Beşiktaşlı Kemal Senman was the most sought after male singer for duets. Among the themes explored by the new kantocu (singer(s) or composer(s) of kanto), the most frequent subject of satire was the new role of women after the formation of the Republic. Songs like "Sarhoş Kızlar" (Drunken Girls) or "Şoför Kadınlar" (Female Drivers) were written in revenge for all the suffering women had endured at the hands of men in the past. Other songs with similar themes include "Daktilo" (The Typewriter) (which brought to mind the newly formed Secretaires Society), "Bereli Kız" (The Girl