Poetry Kanto Poetry Kanto Poetry Kanto is a Japan-based, English and Japanese bilingual poetry print journal founded and originally edited by award-winning translator William I. Elliott and internationally acclaimed poet Shuntarō Tanikawa. The annual journal, currently edited by Alan Botsford, is published by the Kanto Poetry Center at Kanto Gakuin University in Yokohama, Japan and showcases modern and contemporary Japanese poetry in English translation, as well as contemporary English-language poetry from the United States, the United Kingdom, New Zealand, Australia, Wales, South Africa, Hong Kong, Canada, Ireland, and other countries. Bridging East and West, "Poetry Kanto" features "outstanding poetry that navigates the
Kanto (music) exist records produced in studios. While the lyrics began to include satirical takes on contemporary cultural trends and fashion. The songs were recorded with the 78 rpm phonograph. Columbia was the leading record label that commissioned kanto from Kaptanzade Ali Rıza Bey, Refik Fersan, Dramalı Hasan, Sadettin Kaynak, Cümbüş Mehmet and Mildan Niyazi Bey. The makams were the same but the instrumentation had changed. Kanto were now accompanied by cümbüş (a fretlees banjo-like instrument) the ud (a fretless lute), and calpara (castanets). Foxtrot, charleston, and rumba rhythms were fusioned with the typical kanto forms. Female soloists from this period include: