Nineteen Eighty-Four essay "Notes on Nationalism" about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In "Nineteen Eighty-Four", the Party's artificial, minimalist language 'Newspeak' addresses the matter. O'Brien concludes: "The object of persecution is persecution. The object of torture is torture. The object of power is power." In the book, Inner Party member O'Brien describes the Party's vision of the future: A major theme of "Nineteen Eighty-Four" is censorship, especially in the Ministry of Truth, where photographs are modified and public archives rewritten to rid them of "unpersons" (persons who are erased from history by the
Nineteen Eighty-Four (1984 film) same year. An epigraph in the closing credits claims that the "Nineteen Eighty-Four" was shot during the very months and in the very locales when and where Orwell's novel was set. Upon its U.S. premiere, Vincent Canby said the film was "admirable, bleakly beautiful", though "not an easy film to watch". Roger Ebert awarded the film 3.5/4 stars, writing that it "penetrates much more deeply into the novel's heart of darkness" than previous adaptations, and describing Hurt as "the perfect Winston Smith." Review aggregation website Rotten Tomatoes gives the film an 80% "fresh" rating, based on 21 reviews, with an