Pandeiro in parts of Galicia and Portugal to describe the square-shaped drum, while the round drum with jingles is known as "Pandeira" in Galicia. Some of the best-known pandeiro players today are Paulinho da Costa, Nanny Assis, Airto Moreira, Marcos Suzano, Cyro Baptista, Zé Maurício, and Carlinhos Pandeiro de Ouro. Another notable pandeiro player was Milt Holland, a Los Angeles-based studio percussionist and drummer who travelled the world extensively to collect and study various ethnical percussion. Artists such as Stanton Moore use it non-traditionally by tuning it low to sound like a bass drum with jingles, mounting it on a stand
Hello, Hello Brazil: Popular Music in the Making of Modern Brazil McCann makes note of the potential critiques about his research in the introduction about this research. The reader will note that McCann's analysis concentrates overwhelmingly on the music produced in Rio de Janeiro and not in other cities in Brazil. This is where he is able to discuss audience interpretation, and the primary audience is the metropolitan Brazilian. This is unavoidable: through the period, Rio was the bureaucratic and cultural capital of the nation, home to the principal recording studios and the most powerful radio stations. Review by Frederick Moehn in the "Latin American Music Review" 28 (2007): 309-315. Review