Neo-völkisch movements forms and esoteric themes, so that neo-"völkisch" currents often have the character of new religious movements. Included under the neo-"völkisch" umbrella are movements ranging from conservative revolutionary schools of thought ("Nouvelle Droite", European New Right, Evolian Traditionalism) to white supremacist and white separatist interpretations of Christianity, pantheism and paganism (Christian Identity, Creativity Movement, Cosmotheism, Nordic racial paganism) to Neo-Nazi subcultures (Esoteric Hitlerism, Nazi Satanism, National Socialist black metal). According to the Southern Poverty Law Center, only pagan-type groups are recognized as "Neo-Volkisch", excluding Christian Identity. Among the terms used are Nazi Satanism and Fascist Satanism. Sometimes these groups self-identify as
Neo-Fauvism Neo-Fauvism Neo-Fauvism was a poetic style of painting from the mid-1920s proposed as a challenge to Surrealism. The magazine "Cahiers d'Art" was launched in 1926 and its writers mounted a challenge to the Surrealist practice of automatism by seeing it not in terms of unconscious expression, but as another development of traditional artistry. They identified a group of artists as the exponents of this and termed them Neo-Fauves. Although these artists were later mostly forgotten, the movement had an effect of disillusioning the Surrealist group with the technique of graphic automatism as a revolutionary means of by-passing conventional aesthetics, ideology