Boris Godunov (opera) the repertory due to difficulty in appreciating his raw and uncompromising idiom. Therefore, Rimsky-Korsakov was justified in making improvements to keep the work alive and increase the public's awareness of Mussorgsky's melodic and dramatic genius. The Rimsky-Korsakov version remained the one usually performed in Russia, even after Mussorgsky's earthier original (1872) gained a place in Western opera houses. The Bolshoy Theatre has only recently embraced the composer's own version. Dmitriy Shostakovich worked on "Boris Godunov" in 1939–1940 on a commission from the Bolshoy Theatre for a new production of the opera. A conflation of the 1869 and 1872 versions had
Baby Doe Tabor Baby Doe Tabor ... was found dead on her cabin floor ... only partially clothed ...frozen into the shape of a cross". She was rumored to be a gold-digger and a poor mother. Scavengers searched for non-existent treasure after her death, but Temple says the real treasure was found in Baby Doe's writing, which has taken decades to archive, analyze and study, and only now is beginning to reveal the inner life of the woman. Temple sees her as one in a long line of women who endured shunning and punishment for her beauty and for being disruptive to prevailing