Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Boris Godunov (1986 film) of Ivan the Terrible, Boris Godunov takes the throne, by the decision of the Zemsky Sobor, with the help of intrigues, alliances and the arrangement of his sister Irina's marriage to Tsarevich Feodor, gains great influence and power in the court. But suddenly there is a new contender for the throne – a man posing as Dmitri, the younger son of Ivan the Terrible, who officially died in Uglich in 1591. The pretender shows up in Poland and after he receives the support of Prince Vishnevetzky, Sandomierz voivode Mniszech and his daughter, the beautiful Marina, returns to Russia. Despite the