Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
William Chapman (baritone) NYCO. At Spoleto he also appeared in the world premiere of Tennessee Williams's play "The Milk Train Doesn't Stop Here Anymore". In March 1962 he portrayed Horace Tabor in Douglas Moore's "The Ballad of Baby Doe" opposite Beverly Sills in the title role and the Secret Police Agent in Menotti's "The Consul". In the 1964–1965 season Chapman added four new roles to his NYCO repertoire: Rangoni in Modest Mussorgsky's "Boris Godunov" with Norman Treigle in the title role; Jochanaan in Richard Strauss's "Salome" with Norman Kelley as Herod, Patricia Neway as Herodias, and Curtin in the title role; Boris in