Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor and refused to accept charity. Baby Doe lived like this for 35 years. During these years she wrote incessantly. In diaries, letters, and scraps she called "Dreams and Visions", consisting of about 2000 fragments later found bundled in piles of paper in her cabin, she wrote entries such as: "Nov. 26—1918 Papa Tabor's Birthday I owe my room rent & am in need of food and only enough bread for tonight & breakfast ... my shoes and stockings only 1 pair are in rags." An eyewitness described her in 1927 as dressed "in corduroy trousers, mining boots, and a torn