Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor and refused to accept charity. Baby Doe lived like this for 35 years. During these years she wrote incessantly. In diaries, letters, and scraps she called "Dreams and Visions", consisting of about 2000 fragments later found bundled in piles of paper in her cabin, she wrote entries such as: "Nov. 26—1918 Papa Tabor's Birthday I owe my room rent & am in need of food and only enough bread for tonight & breakfast ... my shoes and stockings only 1 pair are in rags." An eyewitness described her in 1927 as dressed "in corduroy trousers, mining boots, and a torn