André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Suite for Piano (Schoenberg) Suite for Piano (Schoenberg) Arnold Schoenberg's Suite for Piano (German: ), Op. 25, is a twelve tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier "5 Stücke", Op. 23 (1920–23) employs a 12-tone row only in the final Waltz movement, and the "Serenade", Op. 24 uses a single row in its central "Sonnet". The Basic Set of the "Suite for Piano" consists of the following succession: E–F–G–D–G–E–A–D–B–C–A–B. In form and style the work echoes many features