Tokyo Sonata scene depicts Kenji performing "Clair de Lune" from the Suite bergamasque at his audition with Megumi, Ryūhei, and his piano teacher watching. His performance is flawless. Peter Bradshaw of "The Guardian" gave the film 4 out of 5 stars, while Nick Schager of "Slant Magazine" gave it 3 out of 4 stars. Christopher Bourne of "Meniscus Magazine" said, "Kurosawa's latest film, "Tokyo Sonata", is his best in quite a few years, a truly frightening work that achieves its effects without resorting to tired genre mechanics." He also wrote that "Debussy's 'Clair de Lune' may well have never been put to
Choses vues à droite et à gauche (sans lunettes) aside, Satie was painstaking in his efforts to redevelop these old musical forms in modern terms, harmonically and structurally. He rejected the first movement he completed, an untitled 31-bar chorale in G Major, and experimented with several fugue subjects (including a quotation of the folksong "Au clair de la lune") for the "Fugue à tâtons". In his analysis of Satie's composing methods Robert Orledge remarked on "how ordinary his first thoughts often were", and this certainly applies to the "Choses vues". Satie's original order for the pieces - "Fantaisie", "Choral", "Fugue" - would have given the suite a conventional fast-slow-fast