T. S. Eliot one of the most moving poems Eliot wrote, and perhaps the "most perfect", though it was not well received by everyone. The poem's groundwork of orthodox Christianity discomfited many of the more secular "literati". In 1939, Eliot published a book of light verse, "Old Possum's Book of Practical Cats" ("Old Possum" was Ezra Pound's nickname for him). This first edition had an illustration of the author on the cover. In 1954, the composer Alan Rawsthorne set six of the poems for speaker and orchestra in a work titled "Practical Cats". After Eliot's death, the book was adapted as the basis
T. S. Eliot is unmistakable. It reaches out like a clear signal to the reader." Julius's viewpoint has been supported by literary critics such as Harold Bloom, Christopher Ricks, George Steiner, Tom Paulin and James Fenton. In a series of lectures delivered at the University of Virginia in 1933, published under the title "After Strange Gods: A Primer of Modern Heresy" (1934), Eliot wrote of societal tradition and coherence, "What is still more important [than cultural homogeneity] is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable." Eliot never re-published this book/lecture.