Mungojerrie and Rumpleteazer by Rumpleteazer. They pretend to be dogs in one song, "The Awefull Battle of the Pekes and the Pollicles". Onstage, Mungojerrie and Rumpleteazer are usually costumed as orange, black and brown calico or tabby cats. Their relation, be it siblings, friends or mates, is unknown. In the original Broadway production, they wore baggy clown-like costumes seemingly made of various food wrappers as characters performing for Bustopher Jones. Generally, Mungojerrie's costume is a darker, more heavily striped tabby pattern, while Rumpleteazer is paler. However, when they perform their duet song, they have additional costume pieces that vary by which version of
T. S. Eliot "The Waste Land"." It is Eliot's major poem of the late 1920s. Similar to Eliot's other works, its themes are overlapping and fragmentary. Post-war Europe under the Treaty of Versailles (which Eliot despised), the difficulty of hope and religious conversion, Eliot's failed marriage. Allen Tate perceived a shift in Eliot's method, writing, "The mythologies disappear altogether in "The Hollow Men"." This is a striking claim for a poem as indebted to Dante as anything else in Eliot's early work, to say little of the modern English mythology—the "Old Guy Fawkes" of the Gunpowder Plot—or the colonial and agrarian mythos of