Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Theatre de la Jeune Lune of the World"; "The Green Bird"<br> 2002: "Medea"; "Cosi fan Tutte"; "The Nuns"<br> 2003: "The Seagull"; "Carmen"; "Figaro"; "The Man Who Laughs"; "Circus of Tales"<br> 2004: "The Ballroom"; "The Golem"; "The Miser"; "Carmina Burana"<br> 2005: "Maria de Buenos Aires"; "Antigone"; "Lettice and Lovage"; "The Little Prince"; "Tartuffe"<br> 2006: "Amerika, or The Disappearance"; "Mefistofele"; "Tartuffe"; "The Miser"<br> 2007: "The Deception"; "Don Juan Giovanni"; "Figaro"<br> 2008: "Fishtank"; "Figaro" Theatre de la Jeune Lune The Theatre de la Jeune Lune was a celebrated theater company based in Minneapolis, Minnesota. The company, in operation from 1978 to 2008, was known for its visually rich,