The Cunning Little Vixen Vixen, conductor Jakub Hrůša and the London Philharmonic Orchestra. In May 2014 the Cleveland Orchestra, conducted by Franz Welser-Möst performed an innovative version directed by Yuval Sharon. This production returned the opera to its roots by utilizing animation and hand drawn video sets by the artists Bill Barminski and Christopher Louie of Walter Robot Studios. The production featured the use of hole-in-the-wall carnival cutouts to place the singers heads on the animated bodies of the animal characters. Glimmerglass Opera staged a new production in the summer of 2018. In the forest, the animals and insects are playing and dancing. The
Wozzeck on the compositional direction of "Wozzeck". In a letter to his wife written in June 1918, he wrote, "There is a little bit of me in his character, since I have been spending these war years just as dependent on people I hate, have been in chains, sick, captive, resigned, in fact, humiliated." His correspondence and notebooks dating from the war years reveal a painful obsession with completing "Wozzeck". Compositional sketches and notes for both Wozzeck and the "" of Three Pieces for Orchestra that Berg made during the war are strewn with disjointed fragments of military ordinances and terminology.