Practical Kabbalah transferred techniques from practical to speculative Kabbalah. While this led to the displacement of magical formulas and rites by contemplative exercises, the old forms of practical Kabbalah continued to exert broad appeal. Luria's position as the central teacher of modern Kabbalah, the foundation for later Hasidism, gives his proscription authoritative force. He taught that in our generations, without the Temple in Jerusalem and its ashes of the Red Heifer to purify, the pursuit of the realm of practical Kabbalah by a person with an impure body is very detrimental. The traditional role of the Baal Shem healer involved accepted methods
The Yiddish King Lear The Yiddish King Lear The Yiddish King Lear ( "Der Yidisher Konig Lir", also known as The Jewish King Lear) was an 1892 play by Jacob Gordin, and is generally seen as ushering in the first great era of Yiddish theater in the Yiddish Theater District, in which serious drama gained prominence over operetta. Gordin, a respected intellectual and Yiddish-language novelist, had been recruited by Jacob Adler in an effort to create a more serious repertoire for Yiddish theater, comparable to what he knew from Russian theater. His first two plays, "Siberia" and "Two Worlds" had failed commercially, although "Siberia"