Suite (music) at the age of 23. In the late 19th century, Sibelius's "Karelia Suite" was written for the students of the Helsinki university. Brought on by Impressionism, the piano suite was reintroduced by early 20th-century French composers such as Ravel and Debussy. Debussy's "Pour le piano" is a suite in three movements, published in 1901, and his "Suite bergamasque", revised in 1905, is probably one of the most famous suites, especially the third movement, "Clair de Lune". Ravel is particularly well known for his "Miroirs" suite for piano and lesser known for "Le tombeau de Couperin", both requiring tremendous skill and
Au clair de la lune clair de la lune" as the basis of his song "Pierrot" ("Pantomime", L. 31) from "Quatre Chansons de Jeunesse". Erik Satie quoted this song in the section "Le flirt" (No. 19) of his 1914 piano collection "Sports et divertissements". In 1926, Samuel Barber rewrote "H-35: Au Claire de la Lune: A Modern Setting of an old folk tune" while studying at the Curtis Institute of Music. In 1928, Marc Blitzstein orchestrated "Variations sur 'Au Claire du la Lune'." In 1964, French pop singer France Gall recorded a version of this song, with altered lyrics to make it a love song.