The Ballad of Baby Doe Karan Armstrong, Faith Esham, and Elizabeth Futral. The opera's premiere took place at the Central City Opera in Colorado in 1956. Hanya Holm and Edwin Levy directed the production, and sopranos Dolores Wilson and Leyna Gabriele alternated in the title role. The opera's New York premiere, directed by Vladimir Rosing, was presented at the New York City Opera in 1958 in a revised version which added the gambling scene in Act 2 and an additional aria for Baby Doe. At the time, further revisions were being considered, but these were abandoned upon the sudden death of Latouche. Based on the
Wozzeck on the compositional direction of "Wozzeck". In a letter to his wife written in June 1918, he wrote, "There is a little bit of me in his character, since I have been spending these war years just as dependent on people I hate, have been in chains, sick, captive, resigned, in fact, humiliated." His correspondence and notebooks dating from the war years reveal a painful obsession with completing "Wozzeck". Compositional sketches and notes for both Wozzeck and the "" of Three Pieces for Orchestra that Berg made during the war are strewn with disjointed fragments of military ordinances and terminology.