Suite (music) at the age of 23. In the late 19th century, Sibelius's "Karelia Suite" was written for the students of the Helsinki university. Brought on by Impressionism, the piano suite was reintroduced by early 20th-century French composers such as Ravel and Debussy. Debussy's "Pour le piano" is a suite in three movements, published in 1901, and his "Suite bergamasque", revised in 1905, is probably one of the most famous suites, especially the third movement, "Clair de Lune". Ravel is particularly well known for his "Miroirs" suite for piano and lesser known for "Le tombeau de Couperin", both requiring tremendous skill and
Orchestral Suite No. 3 (Tchaikovsky) the two he had previously written. The problem lay with the opening movement. Titled "Contrastes", it was to be a fantasia of contrasting musical sounds and patterns, not unlike the "Jeu de sons" movement that opened the Second Orchestral Suite. The more he worked with the music, the more recalcitrant the music became and the more he hated it. "Contrastes" finally found its way into the Concert Fantasia. Tchaikovsky's original layout for the Third Suite was similar to that of his Second—a fairly large opening movement as in his first two orchestral suites, then three smaller ones and a theme–and–variations