Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor Baby Doe Tabor ... was found dead on her cabin floor ... only partially clothed ...frozen into the shape of a cross". She was rumored to be a gold-digger and a poor mother. Scavengers searched for non-existent treasure after her death, but Temple says the real treasure was found in Baby Doe's writing, which has taken decades to archive, analyze and study, and only now is beginning to reveal the inner life of the woman. Temple sees her as one in a long line of women who endured shunning and punishment for her beauty and for being disruptive to prevailing