Louvre Pyramid of an Egyptian death symbol in the middle of Paris. Meanwhile, political critics referred to the structure as "Pharaoh Francois' Pyramid". Many still continue to feel the harsh modernism of the edifice is out of place. During the design phase, there was a proposal that the design include a spire on the pyramid to simplify window washing. Pei objected, however, and this proposal was eliminated. It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. Dominique Stezepfandt's book "François Mitterrand, Grand Architecte de l'Univers"
Louvre two days of packing, truck convoys began to leave Paris. By 28 December, the museum was cleared of most works, except those that were too heavy and "unimportant paintings [that] were left in the basement". In early 1945, after the liberation of France, art began returning to the Louvre. By 1874, the Louvre Palace had achieved its present form of an almost rectangular structure with the Sully Wing to the east containing the Cour Carrée (Square Court) and the oldest parts of the Louvre; and two wings which wrap the Cour Napoléon, the Richelieu Wing to the north and the