Oshibori give out towels made of non-woven cloth or paper, which are generally used once and then disposed of. Paper ones sometimes contain a sterilizing agent such as alcohol or stabilized chlorine dioxide. Paper o-shibori, unlike cloth o-shibori, can be folded and put into a very thin plastic wrapping, for inclusion with packaged products such as bentō lunch boxes in convenience stores. An oshibori can be moistened with hot water at an appropriate temperature or steam to make a hot oshibori, or placed damp into a refrigerator to make a cold oshibori suitable for use in summer. Restaurants usually use an
A Japanese Tragedy cousin. Alexander Jacoby regarded the basic story of the mother and her selfish children to be more "vivid" than the wider context provided by the newsreels. Isolde Standish points out that the newsreels give credence to the "subjective memories" of the characters that are shown in the film's flashback scenes. For example, newsreel footage of American soldiers cavorting with Japanese women foreshadow a flashback scene depicting Haruko's decision to become a prostitute. According to film critic Donald Richie, "A Japanese Tragedy" was one of the first post-war films to focus on Japanese mothers, as Mikio Naruse's "Repast" was one of