Putto best-known are the sculptor Donatello and the painter Raphael. The two relaxed and curious putti who appear at the foot of Raphael's Sistine Madonna are often reproduced. They also experienced a major revival in the 19th century, where they gamboled through paintings by French academic painters, from Gustave Doré’s illustrations for "Orlando Furioso" to advertisements. The iconography of putti is deliberately unfixed, so that it is difficult to tell the difference between putti, cupids, and various forms of angels. They have no unique, immediately identifiable attributes, so that putti may have many meanings and roles in the context of art.
What Is a Man Without a Moustache? 62 based on five reviews from critics. In a review for "Variety" magazine, critic Deborah Young called "What Is a Man Without a Moustache?" "an entertaining romantic comedy" and a "good-humored film" while, on the other hand, noting that the film should be better received by local and regional audiences due to its story being "a hard sell abroad". Author and film critic Michael Atkinson, writing for "The Village Voice", expressed his divided opinion that the film "is not remarkable or ingenious" but that it still is "adept enough for a pass on." Critic Nathan Lee of "The New York