Mr. Mistoffelees capable of performing feats of magic and sleight of hand. These traits are portrayed as amusing, not fearsome or particularly deadly. In "Cats", Mistoffelees is a principal role and maintains most of the same attributes as Eliot's original character, although he is much flashier. He has his own song and an extended dance solo in the second act of the show, and, in most productions, also sings the "Invitation to the Jellicle Ball" in the first act. In the original London Cast, Mistoffelees also sang "The Old Gumbie Cat"; and in the original Broadway production, he sang "Mungojerrie and Rumpleteazer".
T. S. Eliot most forcefully in a study by Anthony Julius: "T. S. Eliot, Anti-Semitism, and Literary Form" (1996). In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of my building] / Spawned in some estaminet of Antwerp." Another well-known example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar". In this poem, Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Interpreting the line as an indirect comparison of Jews to rats, Julius writes, "The anti-Semitism