D-flat major No. 3 ("Ballade"). Claude Debussy also composed the famous "Clair de lune" in this key, with a significant section in C-sharp minor. Edvard Grieg composed the second movement of his Piano Concerto in D-flat. Frédéric Chopin'sNocturne in D-flat, Op. 27, is in this key. Franz Liszt composed heavily in this key, with his most recognizable piece being the third movement of his piano composition "Trois études de concert", dubbed "Un sospiro". Liszt took advantage of the piano's configuration of the key and used it to create an arpeggiating melody using alternating hands. In orchestral music, the examples are fewer. Gustav
Choses vues à droite et à gauche (sans lunettes) aside, Satie was painstaking in his efforts to redevelop these old musical forms in modern terms, harmonically and structurally. He rejected the first movement he completed, an untitled 31-bar chorale in G Major, and experimented with several fugue subjects (including a quotation of the folksong "Au clair de la lune") for the "Fugue à tâtons". In his analysis of Satie's composing methods Robert Orledge remarked on "how ordinary his first thoughts often were", and this certainly applies to the "Choses vues". Satie's original order for the pieces - "Fantaisie", "Choral", "Fugue" - would have given the suite a conventional fast-slow-fast