Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor Tabor's divorce and quick remarriage created a scandal which prevented the couple from being accepted in polite society. Only a few months later, Horace's bid to be elected governor of Colorado ended in failure. Baby Doe's father died at around the same time. The couple returned to Colorado, where they took up permanent residence in a Denver mansion. Baby Doe was snubbed by Denver socialites, from whom she received neither visits nor invitations. Although she did not join charities or clubs, as was customary during that period for wealthy women, she was generous with her money, donating funds to various