Cultural depictions of Richard III of England Cultural depictions of Richard III of England Richard III of England has been depicted in literature and popular culture many times. In the Tudor period he was invariably portrayed as a villain, most famously in Shakespeare's play "Richard III", but also in other literature of the period. Richard's life was not much depicted again until the 20th century when the "Ricardian" movement sought to restore his reputation. Much of more recent creative literature has portrayed him in a positive light. However his reputation as a hunchbacked villain has remained a familiar historical cliché within popular culture. The foremost work of
Richard II of England Abbey. Here Richard himself had prepared an elaborate tomb, where the remains of his wife Anne were already entombed. In the last years of Richard's reign, and particularly in the months after the suppression of the appellants in 1397, the king enjoyed a virtual monopoly on power in the country, a relatively uncommon situation in medieval England. In this period a particular court culture was allowed to emerge, one that differed sharply from that of earlier times. A new form of address developed; where the king previously had been addressed simply as "highness", now "royal majesty", or "high majesty" were