Paris the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy ("Suite bergamasque", and its well-known third movement, "Clair de lune", "La Mer", "Pelléas et Mélisande"), Erik Satie ("Gymnopédies", "Je te veux", "Gnossiennes", "Parade") and Maurice Ravel ("Miroirs", "Boléro", "La valse", "L'heure espagnole"). Several foreign-born composers, such as Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), Niccolò Paganini (Italy), and Igor Stravinsky (Russia), established themselves or made significant contributions both with their works and their influence in Paris. Bal-musette is a style of French music and dance that
Suite No. 1 (Rachmaninoff) of the emotional tone of the music," the music itself is not programmatic. This work was first performed on November 30, 1893, by Rachmaninoff and Pavel Pabst in Moscow, and is dedicated to Tchaikovsky. Rachmaninoff composed a second suite in 1901. The four movements are: Perhaps surprisingly, given that Rachmaninoff wrote orchestral and two-piano versions of his "Symphonic Dances", which is effectively a three-movement symphony, no one has orchestrated this "Suite" as a possible symphony. Suite No. 1 (Rachmaninoff) Suite No. 1 (or "Fantaisie-Tableaux" for two pianos), Op. 5, is a composition for two pianos by Sergei Rachmaninoff. Composed in