Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor of the townspeople by wearing a costume that showed glimpses of her legs. Lizzy and Harvey were married in 1877 at the Catholic church, to the dissatisfaction of his parents. They then traveled with Harvey's father to Colorado to look after his mining investments, most importantly his half-ownership of the Fourth of July Mine in Central City. After a two-week honeymoon in Denver's American House, the newlyweds joined the elder Doe in the mining town in the mountains. Lizzie found Colorado enchanting. There she may have gained the nickname "Baby Doe". In Central City, she quickly found that her husband's