Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Bergamasque dialect quotidiano, e rimetti a noi i nostri debiti come noi li rimettiamo ai nostri debitori, e non ci indurre in tentazione, ma liberaci dal male. Amen. Bergamasque - Pader nòst che te sé in cél a'l sìes santificàt ol tò nòm, a'l végne 'l tò régn, la sìes facia la tò olontà cóme in cél, isé 'n tèra. Daga 'ncö ol nòst pà de töcc i dé e pàghega i nòscc débecc cóme nóter m' ghi paga ai nòscc debitùr faga mìa börlà in tentassiù, ma sàlvega del mal. Amen. Bergamasque dialect The Bergamasque dialect is the western variant of