Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor boarding house, where she had been living under the name "Ruth Norman". For the rest of her life, Baby Doe refused to believe the woman found as Ruth Norman had been her daughter, stating, "I did not see the body they said was my little girl." Alone in the cabin outside Leadville, Baby Doe turned to religion. She considered her life of great wealth a period of vanity and created penances for herself. During the frigidly bitter Colorado high-country winters, she wound burlap sacks around her legs. With no money, she ate very little, living on stale bread and suet,