Morton's toe recorded prevalence varies in different populations, with estimates from 2.95% to 22%. The name derives from American orthopedic surgeon Dudley Joy Morton (1884–1960), who originally described it as part of Morton's triad (a.k.a. Morton's syndrome or Morton's foot syndrome): a congenital short first metatarsal bone, a hypermobile first metatarsal segment and calluses under the second and third metatarsals. Confusion has arisen from "Morton's foot" being used for a different condition, Morton's metatarsalgia, which affects the space between the bones and is named after Thomas George Morton (1835–1903). Morton's toe, especially the second-toe-is-longer versions, has a long association with disputed anthropological
Variations on the name "Abegg" Variations on the name "Abegg" The Variations on the name "Abegg" in F major is a piece (theme with variations) for piano by Robert Schumann, composed between 1829 and 1830 and published as his Opus 1. The name is believed to refer to Schumann's fictitious friend, Meta Abegg, whose surname Schumann used through a musical cryptogram as the motivic basis for the piece. The name Meta is considered to be an anagram of the word "tema" ("Latin"). Another suggestion is Pauline von Abegg. Apparently, when he was twenty years old, Schumann met her and dedicated this work to her, as