Martha Lipton Emilia in "Otello". She also performed as Mrs. Sedley in "Peter Grimes" in 1948, Mother Goose in "The Rake's Progress", in 1953, and Madame Larina in the 1957 Peter Brook staging of "Eugene Onegin". Her final appearance at the Met was as the Innkeeper in "Boris Godunov" in 1961. Lipton also sang in Europe. She sang the title role in Benjamin Britten's "The Rape of Lucretia" for the English Opera Group in 1954, and in 1956 starred as Augusta in the world premiere of Douglas Moore's seminal opera "The Ballad of Baby Doe" at the Central City Opera House in
The White Doe of Rylstone to make a weekly pilgrimage from Rylstone to Bolton Abbey. The historical parts of the story of "The White Doe" are taken from a ballad called "The Rising in the North", which Wordsworth had read in Percy's "Reliques of Ancient English Poetry", and also from Nicolson and Burn's "The History and Antiquities of the Counties of Westmorland and Cumberland". The influence of other ballads from Percy's "Reliques" has also been traced in the poem, and the dedicatory poem to "The White Doe" is filled with references to Spenser's "The Faerie Queene". The metre of the poem is similar to that