André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Suite No. 1 (Rachmaninoff) of the emotional tone of the music," the music itself is not programmatic. This work was first performed on November 30, 1893, by Rachmaninoff and Pavel Pabst in Moscow, and is dedicated to Tchaikovsky. Rachmaninoff composed a second suite in 1901. The four movements are: Perhaps surprisingly, given that Rachmaninoff wrote orchestral and two-piano versions of his "Symphonic Dances", which is effectively a three-movement symphony, no one has orchestrated this "Suite" as a possible symphony. Suite No. 1 (Rachmaninoff) Suite No. 1 (or "Fantaisie-Tableaux" for two pianos), Op. 5, is a composition for two pianos by Sergei Rachmaninoff. Composed in