Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Indian Suite Indian Suite The Indian Suite for orchestra was composed in 1892 by Edward MacDowell. The composer's second suite for orchestra, it was first performed in New York City by the Boston Symphony on January 23, 1896. The piece is based upon numerous American Indian melodies and rhythms. The suite is in five movements. The first, "Legend," is built upon two themes, both for horns. The second, "Love Song," is derived from a love song of the Iowa tribe. The third movement is titled "In War-Time" and is martial in character. The fourth movement, "Dirge," is a threnody introduced by the