Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Au clair de la lune In 2008, a phonautograph paper recording made by Édouard-Léon Scott de Martinville of "Au clair de la lune" on 9 April 1860, was digitally converted to sound by U.S. researchers. This one-line excerpt of the song was widely reported to have been the earliest recognizable record of the human voice and the earliest recognizable record of music. According to those researchers, the phonautograph recording contains the beginning of the song, "". In 2008, composer Fred Momotenko composed "Au clair de la lune" as an artistic journey back in time to rediscover the original recording made on 9 April 1860. It