Putto best-known are the sculptor Donatello and the painter Raphael. The two relaxed and curious putti who appear at the foot of Raphael's Sistine Madonna are often reproduced. They also experienced a major revival in the 19th century, where they gamboled through paintings by French academic painters, from Gustave Doré’s illustrations for "Orlando Furioso" to advertisements. The iconography of putti is deliberately unfixed, so that it is difficult to tell the difference between putti, cupids, and various forms of angels. They have no unique, immediately identifiable attributes, so that putti may have many meanings and roles in the context of art.
Lya De Putti the U.S. version, one scene had de Putti fully dressed whereas the same scene in the European release had de Putti topless. De Putti once was rumored to be engaged to Count Ludwig von Salm-Hoogstraeten, a former husband of oil heiress Millicent Rogers. She denied the engagement. In 1913, she married Zoltán Szepessy, a county magistrate. They divorced in 1918. The couple had two daughters, Ilona (b. 1914) and Judith (b. 1916). The following year, de Putti went to Hollywood but found little success. Despite working with distinguished actors such as Adolphe Menjou and Zasu Pitts, she failed to make