Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor have gained the name "Baby Doe" from the local men watching. She lacked domestic skills with which to work and earn money, and she had nothing in common with the women of the town. Often, having little to do with her time, she visited the local clothing store, attracted in part by the expensive fabrics. She became friendly with the owner of the town's clothing store, Jake Sandelowsky. At the same time Harvey lost his job, and their marriage began to deteriorate. By that time Baby Doe was pregnant. Suspecting the child was Jake's, Harvey left her temporarily, and in