Berber music bands of musicians traveling from village to village, entertaining at weddings and other social events with their songs, tales and poetry. Most Berber music is of the village- and urban-folk musical variety. Berber music and culture is influenced by the Berber people's long-standing struggle to achieve basic language rights and identity recognition in modern North African societies, aside from aesthetics and style. Berber music is characterized by its use of folk oral traditions, as well as particular scales and rhythmic patterns, which include pentatonic music and African rhythms. All these elements are combined together to form one of the main
Proto-Berber language are the only Berber languages to preserve Proto-Berber *β as β; elsewhere in Berber it becomes "h" or disappears. The Proto-Berber consonantal system reconstructed by Allati (cf. Allati, 2002, 2011) is based on remains from the ancient stages of this language preserved in the ancient toponymical stratas, in Libyan inscriptions and in the modern Berber varieties. It had stops b, t, d, k, g; fricative s; nasal n and liquids l, r. The stops of the phonological system have evolved since the proto-Berber stage into variants from which other consonants have been progressively formed (Allati, 2002, 2011). Karl G. Prasse