Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Suite of Symphonies for brass, strings and timpani No. 1 a four-movement work that consists of the "Rondeau", which is a piece of music where the main theme or melody is repeated several times throughout; the second movement is the "Gracieusement sans lenteur"; the third movement is the "Allegro"; the final movement being the "Guay". The Symphony was written for Prince of Dombes, Louis Auguste de Bourbon, the grandson of King Louis XIV of France. Auguste had served under the military commander Prince Eugene of Savoy. Mouret dedicated this suite to his skill in battle, inspired by the Austro-Turkish War. Mouret first played this piece for King Louis XV in