Mr. Mistoffelees capable of performing feats of magic and sleight of hand. These traits are portrayed as amusing, not fearsome or particularly deadly. In "Cats", Mistoffelees is a principal role and maintains most of the same attributes as Eliot's original character, although he is much flashier. He has his own song and an extended dance solo in the second act of the show, and, in most productions, also sings the "Invitation to the Jellicle Ball" in the first act. In the original London Cast, Mistoffelees also sang "The Old Gumbie Cat"; and in the original Broadway production, he sang "Mungojerrie and Rumpleteazer".
T. S. Eliot "The Waste Land"." It is Eliot's major poem of the late 1920s. Similar to Eliot's other works, its themes are overlapping and fragmentary. Post-war Europe under the Treaty of Versailles (which Eliot despised), the difficulty of hope and religious conversion, Eliot's failed marriage. Allen Tate perceived a shift in Eliot's method, writing, "The mythologies disappear altogether in "The Hollow Men"." This is a striking claim for a poem as indebted to Dante as anything else in Eliot's early work, to say little of the modern English mythology—the "Old Guy Fawkes" of the Gunpowder Plot—or the colonial and agrarian mythos of