Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor Baby Doe Tabor ... was found dead on her cabin floor ... only partially clothed ...frozen into the shape of a cross". She was rumored to be a gold-digger and a poor mother. Scavengers searched for non-existent treasure after her death, but Temple says the real treasure was found in Baby Doe's writing, which has taken decades to archive, analyze and study, and only now is beginning to reveal the inner life of the woman. Temple sees her as one in a long line of women who endured shunning and punishment for her beauty and for being disruptive to prevailing