André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Droit de suite and their families, had suffered from the war, and "droit de suite" was a means to remedy socially difficult situations. According to Renaud Donnedieu de Vabres, "droit de suite" was created in France following the sale of Millet's 1858 painting, the "Angélus", in 1889 at the Secretan sale. The owner of the painting made a huge profit from this sale, whereas the family of the artist lived in poverty. The 2001/84/EC directive mandates a somewhat uniform system of "droit de suite" across the European Union. This directive is controversial in the United Kingdom. In France, this system is in force