Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor walked the empty streets at night, dressed in a mixture of women's and men's clothing, wearing trousers and mining boots. She protected the mine from strangers with a shot-gun, and "she became a sad spectre of Baby Doe to old-timers; a spectacle to the young." In the winter of 1935, after an unusually severe snowstorm, some neighbors noticed that no smoke was coming out of the chimney at the Matchless mine cabin. Investigating, they found Baby Doe dead, her body frozen on the floor. The "Rocky Mountain News" reported that a miner and friend, concerned at not seeing her for