King James Version of this name on both sides of the Atlantic: it is found both in a "Historical sketch of the English translations of the Bible" published in Massachusetts in 1815, and in an English publication from 1818, which explicitly states that the 1611 version is "generally known by the name of King James's Bible". This name was also found as King James' Bible (without the final "s"): for example in a book review from 1811. The "phrase" "King James's Bible" is used as far back as 1715, although in this case it is not clear whether this is a name or
The Holy Bible (album) cut deeper." Upon its re-release ten years later, Dan Martin of "NME" described "The Holy Bible" as "a work of genuine genius". Joe Tangari of Pitchfork wrote: "In a way, the story of Edwards' spiral into some unknown oblivion is tied to the experience of "The Holy Bible", which in retrospect has become a sort of horror-show eulogy for a man who couldn't live with the world around him." David Fricke of "Rolling Stone" wrote that "even the pall of [Edwards'] absence can't cancel out the life-affirming force that hits you with the very first song". Mark Edwards of "Stylus