Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor in black; magnificent cuff buttons of diamonds and onyx ...worth 8 million dollars." Historian Judy Nolte Temple writes that it "seemed inevitable that the prettiest woman in the mining West would eventually meet the richest man." Baby Doe met Horace Tabor in a restaurant in Leadville one evening in 1880. She told him her story and that she had arrived in Leadville because of Jake Sandelowsky's generosity. Tabor gave her $5000 on the spot. Baby Doe then had a message, and $1000, delivered to Sandelowsky, in which she declared that she would not marry him. Instead, Tabor moved her to