Louvre Palace the museum from the main reception area under the glass pyramid, the north part of the complex is now referred to as the Richelieu wing; the east, as the Sully wing; and the south, as the Denon wing. This allows the casual visitor to avoid (to some extent) becoming totally mystified at the bewildering array of named wings and pavilions. The origin of the name "Louvre" is unclear. The French historian Henri Sauval, probably writing in the 1660s, stated that he had seen "in an old Latin-Saxon glossary, Leouar is translated castle" and thus took Leouar to be the origin
Louvre Palace distinctly non-French flat roof, it was a ground-breaking departure in French architecture. The severe design was chosen over a design provided by the great Italian architect Bernini, who had journeyed to Paris specifically to work on the Louvre. Perrault had translated the Roman architect Vitruvius into French. Now Perrault's rhythmical paired columns form a shadowed colonnade with a central pedimented triumphal arch entrance raised on a high, rather defensive base, in a restrained classicizing baroque manner that has provided models for grand edifices in Europe and America for centuries. The Metropolitan Museum in New York, for one example, reflects Perrault's