Mungojerrie and Rumpleteazer male cat: "...they were plausible fellows..." However, Rumpleteazer is usually portrayed as female in the musical. In the original Broadway production, the person cast as Rumpleteazer doubled as another character, Etcetera. In smaller local productions, this double character casting still occurs. In addition, Rumpleteazer and Mungojerrie can be cast to double as another tertiary set of characters: the twins Tantomile and Coricopat. Three distinct versions of the "Mungojerrie and Rumpleteazer" music exist: the original London production's version has a slower tempo and more jazz-like sound, while the more common original Broadway version is upbeat. Andrew Lloyd Webber wrote a new
T. S. Eliot "The Waste Land"." It is Eliot's major poem of the late 1920s. Similar to Eliot's other works, its themes are overlapping and fragmentary. Post-war Europe under the Treaty of Versailles (which Eliot despised), the difficulty of hope and religious conversion, Eliot's failed marriage. Allen Tate perceived a shift in Eliot's method, writing, "The mythologies disappear altogether in "The Hollow Men"." This is a striking claim for a poem as indebted to Dante as anything else in Eliot's early work, to say little of the modern English mythology—the "Old Guy Fawkes" of the Gunpowder Plot—or the colonial and agrarian mythos of