Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor purchasing clothing and jewelry for them. Her mother was proud that her daughter was marrying a wealthy man, and Baby Doe herself was quite happy. At her wedding in Washington, she wore a white satin dress that cost $7,000 and the $90,000 necklace known as the "Isabella" necklace. Two days after the wedding, the priest who had performed the ceremony refused to sign the marriage license when he learned that both the bride and the groom had previously divorced and that Baby Doe was a Roman Catholic. Although Tabor's contemporaries had winked at or ignored his dalliance with Baby Doe,