Gillian Knight to her end, like all the best Carmens, with an almost heroic insolence." The role brought her to international attention, and she performed it opposite Plácido Domingo. She also performed at Covent Garden in "Arabella"; "The Bartered Bride"; "The Cunning Little Vixen"; "Eugene Onegin"; "Falstaff"; "The Fiery Angel"; "The Golden Cockerel"; "Iphigénie en Tauride"; "Jenůfa"; "Die Meistersinger"; "Rigoletto"; the "Ring" cycle; "Der Rosenkavalier"; "Semele"; "La traviata"; "Il trovatore"; "Otello"; and "Wozzeck". Among modern operas at Covent Garden, Knight appeared in Peter Maxwell Davies's "Taverner"; Hans Werner Henze's "We Come to the River"; Nicholas Maw's "Sophie's Choice"; Michael Tippett's "King Priam";
Baby Doe Tabor and refused to accept charity. Baby Doe lived like this for 35 years. During these years she wrote incessantly. In diaries, letters, and scraps she called "Dreams and Visions", consisting of about 2000 fragments later found bundled in piles of paper in her cabin, she wrote entries such as: "Nov. 26—1918 Papa Tabor's Birthday I owe my room rent & am in need of food and only enough bread for tonight & breakfast ... my shoes and stockings only 1 pair are in rags." An eyewitness described her in 1927 as dressed "in corduroy trousers, mining boots, and a torn