Suite (music) at the age of 23. In the late 19th century, Sibelius's "Karelia Suite" was written for the students of the Helsinki university. Brought on by Impressionism, the piano suite was reintroduced by early 20th-century French composers such as Ravel and Debussy. Debussy's "Pour le piano" is a suite in three movements, published in 1901, and his "Suite bergamasque", revised in 1905, is probably one of the most famous suites, especially the third movement, "Clair de Lune". Ravel is particularly well known for his "Miroirs" suite for piano and lesser known for "Le tombeau de Couperin", both requiring tremendous skill and
Suite (music) or entirely original movements ("Holberg Suite", "The Planets"). Estienne du Tertre published "suyttes de bransles" in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl's "Newe Padouan, Intrada, Dantz, and Galliarda" of 1611, in which the four dances of the title appear repeatedly in ten suites. The "Banchetto musicale" by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, "Sandley's Suite", was published in 1663. The "classical" suite