Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Suite Gothique This movement returns to C minor, ending with a Tierce de Picardie on full organ. The suite was transcribed for brass band by Eric Ball, and is frequently used as a concert finale by bands such as Fodens, Black Dyke and Brighouse & Rastrick, as well as a test piece in contesting. Suite Gothique Suite gothique, Op. 25 is a suite for organ composed by Léon Boëllmann in 1895. The suite consists of four movements: The first movement (Introduction - Choral) is in C minor and is made up of harmonized choral phrases that are first played in block chords