Louvre Pyramid of an Egyptian death symbol in the middle of Paris. Meanwhile, political critics referred to the structure as "Pharaoh Francois' Pyramid". Many still continue to feel the harsh modernism of the edifice is out of place. During the design phase, there was a proposal that the design include a spire on the pyramid to simplify window washing. Pei objected, however, and this proposal was eliminated. It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. Dominique Stezepfandt's book "François Mitterrand, Grand Architecte de l'Univers"
Paris in the 18th century Robert; Pierre-Paul Prud'hon, whose work combined classicism and romanticism; and a major neoclassical sculptor from the earlier generation, the sculptor Jean-Antoine Houdon, famous for his busts of George Washington and Voltaire. The idea of making the Louvre into an art museum had first been proposed in 1747 by Lafont de Saint-Yenne and supported by Diderot in 1765 in the article on the Louvre in the "Encylopedie". The idea was accepted by Louis XVI, who in 1789 began work on the Grand Gallery of the Louvre. The Revolution intervened, and on 27 July 1793 the Convention decreed the creation of a