Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Boris Godunov (play) only in an English translation. This production was based on Meyerhold's design and featured Prokofiev's music, together with supplemental music by Peter Westergaard. Chester Dunning, Caryl Emerson, and Sergei Fomichev's "The Uncensored Boris Godunov" seeks to rescue Pushkin's play from obscurity. The Royal Shakespeare Company staged the British premiere of the original 1825 edition at Stratford on Avon in the fall of 2012. The play had been translated into English by Adrian Mitchell. A familiarity with the historical events surrounding the Time of Troubles — the interregnum period of relative anarchy following the end of the Rurik Dynasty (1598) and