Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Au clair de la lune Anderson and William March write: "A few days later, in the same apartment. The living-room is empty: Rhoda can be seen practicing 'Au Clair de la Lune' on the piano in the den." Au clair de la lune "" (, lit. "By the Light of the Moon") is a French folk song of the 18th century. Its composer and lyricist are unknown. Its simple melody () is commonly taught to beginners learning an instrument. Some sources report that "plume" (pen) was originally "lume" (an old word for "light" or "lamp"). 19th-century French composer Camille Saint-Saëns quoted the first few notes