Malla-yuddha such a wrestling match against a visiting champion in Singapore. Traditional Indian wrestling first began to decline in the north after the medieval Muslim invasions when influences from Persian wrestling were incorporated into native malla-yuddha. Under Mughal rule, courtly fashion favoured the Persianate pehlwani style. Traditional malla-yuddha remained popular in the south, however, and was particularly common in the Vijayanagara Empire. The 16th-century Jaina classic "Bharatesa Vaibhava" describes wrestlers challenging their opponents with grunts and traditional signs of patting the shoulders. Sculptures at Bhatkal depict wrestling matches, including female wrestlers. As part of his daily routine, the king Krishna Deva
Silambam not hold out their sticks as they do in single combat. Instead, they assume one of the numerous animal stances which makes it difficult for opponents to predict the next attack. An expert of Silambam will be familiar with varma adi or marma adi (pressure points) and know where to strike anywhere in the body to produce fatal or crippling effects by the least use of power. In one-on-one combat an expert would slide the stick to opponents wrist many times during combat. The opponent may not notice this in the heat of battle until they feel a sudden pain