The Cunning Little Vixen the English National Opera) under the direction of Colin Graham, with conductor Colin Davis, and with scenery and costume designs by Barry Kay. In 1981, the New York City Opera mounted a production in English based on images created by Maurice Sendak and conducted by Michael Tilson Thomas in his company debut. It starred soprano Gianna Rolandi as Vixen Sharp-Ears and baritone Richard Cross as the Forester. Glyndebourne Festival Opera staged it in 2012, directed by Melly Still, and a revival was included in the Glyndebourne Festival for 2016 with Christopher Purves as the Forester and Elena Tsallagova as the
Baby Doe Tabor her husband's death, Baby Doe was still an attractive woman in her mid-forties. After her husband's death, Baby Doe stayed in Denver for a period, according to her diaries and correspondence. Why she decided to leave Denver and the society there to make a return to Leadville, in the high mountains with its cold winters, is unknown, but it almost certainly had to do with the Matchless mine. For two years she unsuccessfully tried to find investors to bring the Matchless back into production. The family may have tried to regain ownership to the Matchless mine, but documentation is fragmented,