Putto best-known are the sculptor Donatello and the painter Raphael. The two relaxed and curious putti who appear at the foot of Raphael's Sistine Madonna are often reproduced. They also experienced a major revival in the 19th century, where they gamboled through paintings by French academic painters, from Gustave Doré’s illustrations for "Orlando Furioso" to advertisements. The iconography of putti is deliberately unfixed, so that it is difficult to tell the difference between putti, cupids, and various forms of angels. They have no unique, immediately identifiable attributes, so that putti may have many meanings and roles in the context of art.
Children Playing with a Goat they slowly became known as "witjes" (little whites). The shadows in the painting are supposed to be aligned with the light source, so in this case, the painting was probably an overdoor with a window on the left. The painter Jacob de Wit excelled at this "painting of putti in a bas-relief" style of grisaille, and though no original autograph version of this specific scene is known, the art historian Hessel Miedema discovered two "grauwtjes" by De Wit after reliefs by Duquesnoy in the estate sale of Lambert ten Kate. According to Walter Liedtke, a comparison of this painting with