Paris the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy ("Suite bergamasque", and its well-known third movement, "Clair de lune", "La Mer", "Pelléas et Mélisande"), Erik Satie ("Gymnopédies", "Je te veux", "Gnossiennes", "Parade") and Maurice Ravel ("Miroirs", "Boléro", "La valse", "L'heure espagnole"). Several foreign-born composers, such as Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), Niccolò Paganini (Italy), and Igor Stravinsky (Russia), established themselves or made significant contributions both with their works and their influence in Paris. Bal-musette is a style of French music and dance that
Le voyage dans la lune (operetta) of the show, whose première raised 3,898 francs, led to the theatre's receipts passing 10,018 francs with its seventh performance. "Le Voyage dans la Lune" left its mark on the year in which it first appeared : seven Parisian winter revues in 1875-1876 made reference to it ("Voyage de la Lune à Paris", "Mme Angot dans la Lune", "Le Voyage du Soleil", "Les Voyageurs pour Belleville", "Les Voyageurs pour la Lune", "Allons voir la Lune, mon gars !", "La Lune à Paris"). The rôle of "Caprice" was portrayed by Mme Peschard from 16 December 1875 until 16 February 1876, since