Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
The White Doe of Rylstone to make a weekly pilgrimage from Rylstone to Bolton Abbey. The historical parts of the story of "The White Doe" are taken from a ballad called "The Rising in the North", which Wordsworth had read in Percy's "Reliques of Ancient English Poetry", and also from Nicolson and Burn's "The History and Antiquities of the Counties of Westmorland and Cumberland". The influence of other ballads from Percy's "Reliques" has also been traced in the poem, and the dedicatory poem to "The White Doe" is filled with references to Spenser's "The Faerie Queene". The metre of the poem is similar to that