Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor Colorado, almost certainly invited there by Sandelowsky, who changed his name to Sands. Alone and without a husband, Baby Doe needed to find a means of financial support quickly. Jake Sandelowsky, who opened a store in Leadville and almost certainly wanted to marry her, offered her employment. Working at a clothing store, however, was a prospect Baby Doe found dull, boring, and too similar to the life she had left behind in Oshkosh. In Leadville, she caught the attention of Horace Tabor, mining millionaire and owner of Leadville's Matchless Mine. Tabor was married, but in 1880 he left his wife