Louvre Pyramid declares that "the pyramid is dedicated to a power described as the Beast in the Book of Revelation (...) The entire structure is based on the number 6." The story of the 666 panes originated in the 1980s, when the official brochure published during construction did indeed cite this number (even twice, though a few pages earlier the total number of panes was given as 672 instead). The number 666 was also mentioned in various newspapers. The Louvre museum, however, states that the finished pyramid contains 673 glass panes (603 rhombi and 70 triangles). A higher figure was obtained by
Paris in the 16th century Caryatids on the music platform of the ceremonial hall of the Louvre (1550-51); and the Four Seasons decorating the facade of the Musée Carnavalet (1547); Pierre Bontemps (1505-1568), who created sculptures for the tomb of Francis I and a funeral monument for Charles de Marigny (1556), now in the Louvre; and Germain Pilon (1525-1590), who made the extremely realistic funerary figures of Henry II of France and Catherine de'Medici for their tombs in the Basilica of Saint Denis, as well as the 385 grotesque masquerons which decorate the Pont Neuf. The most prominent Paris novelist of the period was François