Paris the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy ("Suite bergamasque", and its well-known third movement, "Clair de lune", "La Mer", "Pelléas et Mélisande"), Erik Satie ("Gymnopédies", "Je te veux", "Gnossiennes", "Parade") and Maurice Ravel ("Miroirs", "Boléro", "La valse", "L'heure espagnole"). Several foreign-born composers, such as Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), Niccolò Paganini (Italy), and Igor Stravinsky (Russia), established themselves or made significant contributions both with their works and their influence in Paris. Bal-musette is a style of French music and dance that
Suite for Piano (Schoenberg) Suite for Piano (Schoenberg) Arnold Schoenberg's Suite for Piano (German: ), Op. 25, is a twelve tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier "5 Stücke", Op. 23 (1920–23) employs a 12-tone row only in the final Waltz movement, and the "Serenade", Op. 24 uses a single row in its central "Sonnet". The Basic Set of the "Suite for Piano" consists of the following succession: E–F–G–D–G–E–A–D–B–C–A–B. In form and style the work echoes many features