Putto of Ilaria del Carretto, sculpted by Jacopo della Quercia in Lucca). Since then, Donatello has been called the originator of the putto because of the contribution to art he made in restoring the classical form of putto. He gave putto a distinct character by infusing the form with Christian meanings and using it in new contexts such as musician angels. Putti also began to feature in works showing figures from classical mythology, which became popular in the same period. Most Renaissance putti are essentially decorative and they ornament both religious and secular works, without usually taking any actual part in
Classical Tibetan language and vocabulary of the translations being made from Indian texts, which resulted in what is now called Classical Tibetan. Nominalizing suffixes — "pa" or "ba" and "ma" — are required by the noun or adjective that is to be singled out; The plural is denoted, when required, by adding the morpheme "-rnams", when the collective nature of the plurality is stressed the morpheme "-dag" is instead used. These two morphemes combine readily (e.g. "rnams-dag" 'a group with several members', and "dag-rnams" 'several groups'). The classical written language has ten cases. Case morphology is affixed to entire noun phrases, not