Gillian Knight to her end, like all the best Carmens, with an almost heroic insolence." The role brought her to international attention, and she performed it opposite Plácido Domingo. She also performed at Covent Garden in "Arabella"; "The Bartered Bride"; "The Cunning Little Vixen"; "Eugene Onegin"; "Falstaff"; "The Fiery Angel"; "The Golden Cockerel"; "Iphigénie en Tauride"; "Jenůfa"; "Die Meistersinger"; "Rigoletto"; the "Ring" cycle; "Der Rosenkavalier"; "Semele"; "La traviata"; "Il trovatore"; "Otello"; and "Wozzeck". Among modern operas at Covent Garden, Knight appeared in Peter Maxwell Davies's "Taverner"; Hans Werner Henze's "We Come to the River"; Nicholas Maw's "Sophie's Choice"; Michael Tippett's "King Priam";
Baby Doe Tabor of the townspeople by wearing a costume that showed glimpses of her legs. Lizzy and Harvey were married in 1877 at the Catholic church, to the dissatisfaction of his parents. They then traveled with Harvey's father to Colorado to look after his mining investments, most importantly his half-ownership of the Fourth of July Mine in Central City. After a two-week honeymoon in Denver's American House, the newlyweds joined the elder Doe in the mining town in the mountains. Lizzie found Colorado enchanting. There she may have gained the nickname "Baby Doe". In Central City, she quickly found that her husband's