Boris Godunov (opera) ("Flow, flow, bitter tears!") of the arrival of the enemy and of woe to Russia. Russian opera of the early 1870s was dominated by Western European works—mainly Italian. The domestic product was regarded with skepticism and sometimes hostility. The playwright Tikhonov wrote in 1898: As the most daring and innovative member of the Mighty Handful, Mussorgsky frequently became the target of conservative critics and rival composers, and was often derided for his supposedly clumsy and crude musical idiom. After the premiere of "Boris Godunov", influential critic Herman Laroche wrote: Reviews of the premiere performance of "Boris Godunov" were for the
Baby Doe Tabor boarding house, where she had been living under the name "Ruth Norman". For the rest of her life, Baby Doe refused to believe the woman found as Ruth Norman had been her daughter, stating, "I did not see the body they said was my little girl." Alone in the cabin outside Leadville, Baby Doe turned to religion. She considered her life of great wealth a period of vanity and created penances for herself. During the frigidly bitter Colorado high-country winters, she wound burlap sacks around her legs. With no money, she ate very little, living on stale bread and suet,