Boris Godunov (opera) fought an often losing battle against the conservatism of conductors and singers, who, raised on the plush Rimsky-Korsakov edition, found it impossible to adapt to Mussorgsky's comparatively unrefined and bleak original scores. Recently, however, a new appreciation for the rugged individuality of Mussorgsky's style has resulted in increasing performances and recording of his original versions. Musicologist Gerald Abraham wrote: For many, "Boris Godunov" is the greatest of all Russian operas because of its originality, drama, and characterization, regardless of any cosmetic imperfections it may possess. Models and influences A conflation of the 1869 and 1872 versions is often made when
Baby Doe Tabor Baby Doe Tabor ... was found dead on her cabin floor ... only partially clothed ...frozen into the shape of a cross". She was rumored to be a gold-digger and a poor mother. Scavengers searched for non-existent treasure after her death, but Temple says the real treasure was found in Baby Doe's writing, which has taken decades to archive, analyze and study, and only now is beginning to reveal the inner life of the woman. Temple sees her as one in a long line of women who endured shunning and punishment for her beauty and for being disruptive to prevailing