Tokyo Sonata scene depicts Kenji performing "Clair de Lune" from the Suite bergamasque at his audition with Megumi, Ryūhei, and his piano teacher watching. His performance is flawless. Peter Bradshaw of "The Guardian" gave the film 4 out of 5 stars, while Nick Schager of "Slant Magazine" gave it 3 out of 4 stars. Christopher Bourne of "Meniscus Magazine" said, "Kurosawa's latest film, "Tokyo Sonata", is his best in quite a few years, a truly frightening work that achieves its effects without resorting to tired genre mechanics." He also wrote that "Debussy's 'Clair de Lune' may well have never been put to
Suite (music) or entirely original movements ("Holberg Suite", "The Planets"). Estienne du Tertre published "suyttes de bransles" in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl's "Newe Padouan, Intrada, Dantz, and Galliarda" of 1611, in which the four dances of the title appear repeatedly in ten suites. The "Banchetto musicale" by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, "Sandley's Suite", was published in 1663. The "classical" suite