Berber music bands of musicians traveling from village to village, entertaining at weddings and other social events with their songs, tales and poetry. Most Berber music is of the village- and urban-folk musical variety. Berber music and culture is influenced by the Berber people's long-standing struggle to achieve basic language rights and identity recognition in modern North African societies, aside from aesthetics and style. Berber music is characterized by its use of folk oral traditions, as well as particular scales and rhythmic patterns, which include pentatonic music and African rhythms. All these elements are combined together to form one of the main
Proto-Berber language has produced a comprehensive reconstruction of Proto-Berber morphology based on Tuareg. Additional work on the reconstruction of Proto-Berber morphology was done by Maarten Kossmann. Proto-Berber had no grammatical case. Its descendants developed a marked nominative that is still present in Northern Berber and Southern Berber/Tuareg. In some cases, Proto-Berber lost it thereafter, recently in Eastern Berber and Western Berber (Zenaga). The relics of the ancient morphological segments preserved in the modern varieties, in the Libyan inscriptions and in the ancient toponymical stratas show that the basis of word formation is a monosyllabic lexical unit (vc, cvc) whose vowels and consonants