Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
The Cunning Little Vixen other chickens, jumps over the fence and runs off to freedom. The vixen takes over a badger's home and kicks him out. In the inn, the pastor, the forester, and the schoolmaster drink and talk about their mutual infatuation with the gypsy girl Terynka. The drunken schoolmaster leaves the inn and mistakes a sunflower behind which the vixen is hiding for Terynka and confesses his devotion to her. The forester, also on his way home, sees the vixen and fires two shots at her, sending her running. Later, the vixen, coming into her womanhood, meets a charming boy fox, and