Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor walked the empty streets at night, dressed in a mixture of women's and men's clothing, wearing trousers and mining boots. She protected the mine from strangers with a shot-gun, and "she became a sad spectre of Baby Doe to old-timers; a spectacle to the young." In the winter of 1935, after an unusually severe snowstorm, some neighbors noticed that no smoke was coming out of the chimney at the Matchless mine cabin. Investigating, they found Baby Doe dead, her body frozen on the floor. The "Rocky Mountain News" reported that a miner and friend, concerned at not seeing her for