André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Orchestral Suite No. 3 (Tchaikovsky) Orchestral Suite No. 3 (Tchaikovsky) Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, "Contrastes", instead became the closing movement of the fantasia. Both works were also intended initially as more mainstream compositions than they became; the fantasia was intended as a piano concerto, while the suite was conceived as a symphony. The suite's first performance was in Saint Petersburg, Russia on January 24, 1885, under the direction of Hans von