Paris the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy ("Suite bergamasque", and its well-known third movement, "Clair de lune", "La Mer", "Pelléas et Mélisande"), Erik Satie ("Gymnopédies", "Je te veux", "Gnossiennes", "Parade") and Maurice Ravel ("Miroirs", "Boléro", "La valse", "L'heure espagnole"). Several foreign-born composers, such as Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), Niccolò Paganini (Italy), and Igor Stravinsky (Russia), established themselves or made significant contributions both with their works and their influence in Paris. Bal-musette is a style of French music and dance that
Caucasian Sketches, Suite No. 1 near the end, when after a second cadenza, slows its tempo down again. The title of a third, "In a Mosque", reflects the abundance of mosques in the once Turkish Caucausus and Circassia, and the listener can hear the Muezzin's call to prayer in the music. The most famous and admired portion is the final piece, "Procession of the Sardar", a Persian title for a military commander, leader or dignitary. Notable recordings of this suite include: Caucasian Sketches, Suite No. 1 "Caucasian Sketches, Suite No. 1", Op. 10 (Russian: "Кавказские эскизы, Сюита №1") is an orchestral suite composed in 1894