Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
The White Doe of Rylstone to make a weekly pilgrimage from Rylstone to Bolton Abbey. The historical parts of the story of "The White Doe" are taken from a ballad called "The Rising in the North", which Wordsworth had read in Percy's "Reliques of Ancient English Poetry", and also from Nicolson and Burn's "The History and Antiquities of the Counties of Westmorland and Cumberland". The influence of other ballads from Percy's "Reliques" has also been traced in the poem, and the dedicatory poem to "The White Doe" is filled with references to Spenser's "The Faerie Queene". The metre of the poem is similar to that