Cape Verde with the colonial masters, who nevertheless refused to provide the local authorities with more autonomy. In 1951, Portugal changed Cape Verde's status from a colony to an overseas province in an attempt to blunt growing nationalism. In 1956, Amílcar Cabral and a group of fellow Cape Verdeans and Guineans organised (in Portuguese Guinea) the clandestine African Party for the Independence of Guinea and Cape Verde (PAIGC). It demanded improvement in economic, social and political conditions in Cape Verde and Portuguese Guinea and formed the basis of the two nations' independence movement. Moving its headquarters to Conakry, Guinea in 1960, the
Culture of Cape Verde for "Morna", a form of folk music usually sung in the Cape Verdean Creole, accompanied by clarinet, violin, guitar and cavaquinho. The islands also feature native genres such as "funaná", "batuque", "coladeira", and "mazurka". Cesária Évora is perhaps the best internationally known practitioner of morna. One of Cape Verde's most famous stars, on her passing, one Cape Verdean restaurateur stated that she was "more important than our flag". Theatre in Cape Verde was mainly religious (biblical scenes translated into popular theatre) until the end of the 19th century, when cultural societies appeared. Modern theatre arose around independence (1975), and received