Boris Godunov (opera) fought an often losing battle against the conservatism of conductors and singers, who, raised on the plush Rimsky-Korsakov edition, found it impossible to adapt to Mussorgsky's comparatively unrefined and bleak original scores. Recently, however, a new appreciation for the rugged individuality of Mussorgsky's style has resulted in increasing performances and recording of his original versions. Musicologist Gerald Abraham wrote: For many, "Boris Godunov" is the greatest of all Russian operas because of its originality, drama, and characterization, regardless of any cosmetic imperfections it may possess. Models and influences A conflation of the 1869 and 1872 versions is often made when
The Ballad of Baby Doe hurt her. Scene 4 Baby Doe, at the hotel, realizes she must end her relationship with Horace and tells the hotel workers to find out when the next train leaves for Denver. The hotel workers go to find Horace so he can head her off. She sings of her love for Horace in a letter to her mother (the "Letter Aria"). Augusta comes in and tells Baby to leave. She agrees, but pleads that she and Horace have done nothing they should be ashamed of ("I Knew It Was Wrong"). When Augusta leaves, Baby decides against leaving at the same