Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Boris Godunov from the Golden Horde to Russia and founded the Ipatiev Monastery in Kostroma. Boris was the son of Feodor Ivanovich Godunov "Krivoy" ("the one-eyed") (died, c. 1568–1570) and his wife Stepanida Ivanovna. His older brother Vasily died young and without issue. Godunov's career began at the court of Ivan the Terrible. He is mentioned in 1570 for taking part in the Serpeisk campaign as an archer of the guard. The following year he became an oprichnik – a member of Ivan's personal guard and secret police. In 1570/1571, Godunov strengthened his position at court by his marriage to Maria Grigorievna