Boris Godunov (opera) ("Flow, flow, bitter tears!") of the arrival of the enemy and of woe to Russia. Russian opera of the early 1870s was dominated by Western European works—mainly Italian. The domestic product was regarded with skepticism and sometimes hostility. The playwright Tikhonov wrote in 1898: As the most daring and innovative member of the Mighty Handful, Mussorgsky frequently became the target of conservative critics and rival composers, and was often derided for his supposedly clumsy and crude musical idiom. After the premiere of "Boris Godunov", influential critic Herman Laroche wrote: Reviews of the premiere performance of "Boris Godunov" were for the
Boris Godunov (opera) – First performance of the Shostakovich orchestration The premiere of the Shostakovich orchestration of 1940 of Pavel Lamm's vocal score took place on 4 November 1959 at the Kirov Theatre. Sergey Yeltsin conducted. The cast included Boris Shtokolov (Boris). "Note: Musicologists are often not in agreement on the terms used to refer to the two authorial versions of "Boris Godunov". Editors Pavel Lamm and Boris Asafyev used "preliminary redaction" and "principal redaction" for the 1st and 2nd versions, respectively, and David Lloyd-Jones designated them "initial" and "definitive." This article, aiming for utmost objectivity, uses "original" and "revised."" The differences in