Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor of the townspeople by wearing a costume that showed glimpses of her legs. Lizzy and Harvey were married in 1877 at the Catholic church, to the dissatisfaction of his parents. They then traveled with Harvey's father to Colorado to look after his mining investments, most importantly his half-ownership of the Fourth of July Mine in Central City. After a two-week honeymoon in Denver's American House, the newlyweds joined the elder Doe in the mining town in the mountains. Lizzie found Colorado enchanting. There she may have gained the nickname "Baby Doe". In Central City, she quickly found that her husband's