D-flat major No. 3 ("Ballade"). Claude Debussy also composed the famous "Clair de lune" in this key, with a significant section in C-sharp minor. Edvard Grieg composed the second movement of his Piano Concerto in D-flat. Frédéric Chopin'sNocturne in D-flat, Op. 27, is in this key. Franz Liszt composed heavily in this key, with his most recognizable piece being the third movement of his piano composition "Trois études de concert", dubbed "Un sospiro". Liszt took advantage of the piano's configuration of the key and used it to create an arpeggiating melody using alternating hands. In orchestral music, the examples are fewer. Gustav
Au clair de la lune clair de la lune" as the basis of his song "Pierrot" ("Pantomime", L. 31) from "Quatre Chansons de Jeunesse". Erik Satie quoted this song in the section "Le flirt" (No. 19) of his 1914 piano collection "Sports et divertissements". In 1926, Samuel Barber rewrote "H-35: Au Claire de la Lune: A Modern Setting of an old folk tune" while studying at the Curtis Institute of Music. In 1928, Marc Blitzstein orchestrated "Variations sur 'Au Claire du la Lune'." In 1964, French pop singer France Gall recorded a version of this song, with altered lyrics to make it a love song.