Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
The Cunning Little Vixen Forester enters and lies down against a tree for a nap. A curious Vixen Cub (usually sung by a young girl), inquisitively chases a frog right into the lap of the surprised forester who forcibly takes the vixen home as a pet. Time passes (in the form of an orchestral interlude) and we see the Vixen, now grown up into a young adult (and sung by a soprano), tied up in the forester's yard with the conservative old dachshund. Fed up with life in confinement, the vixen chews through her rope, attacks the Cock and Chocholka the hen, kills the