André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Suite Gothique This movement returns to C minor, ending with a Tierce de Picardie on full organ. The suite was transcribed for brass band by Eric Ball, and is frequently used as a concert finale by bands such as Fodens, Black Dyke and Brighouse & Rastrick, as well as a test piece in contesting. Suite Gothique Suite gothique, Op. 25 is a suite for organ composed by Léon Boëllmann in 1895. The suite consists of four movements: The first movement (Introduction - Choral) is in C minor and is made up of harmonized choral phrases that are first played in block chords