Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Boris Godunov (opera) and Khrushchov a Voyevoda (воевода). Pimen, Grigoriy, Varlaam, and Misail were likely given non-clerical designations to satisfy the censor. Mussorgsky orchestration Rimsky-Korsakov orchestration Shostakovich orchestration An understanding of the drama of "Boris Godunov" may be facilitated by a basic knowledge of the historical events surrounding the Time of Troubles, the interregnum of relative anarchy following the end of the Ryurik Dynasty (1598) and preceding the Romanov Dynasty (1613). Key events are as follows: Note: The culpability of Boris in the matter of Dmitriy's death can neither be proved nor disproved. Karamzin accepted his responsibility as fact, and Pushkin and Mussorgsky