Suite bergamasque movement of "Suite bergamasque" is Clair de lune, in D major. Its name comes from Verlaine's poem "Clair de lune", which means "moonlight" in French. It is written in meter, marked "andante très expressif", and to be played mostly "pianissimo". It is not to be confused with the two settings of the poem made by Debussy for voice and piano accompaniment. The final movement is Passepied in F minor, "allegretto ma non troppo". A passepied is a type of dance which originated in Brittany. Debussy's "Passepied" is a happy, strangely medieval piece, which is surprisingly faster than its Baroque counterparts.
Au clair de la lune clair de la lune" as the basis of his song "Pierrot" ("Pantomime", L. 31) from "Quatre Chansons de Jeunesse". Erik Satie quoted this song in the section "Le flirt" (No. 19) of his 1914 piano collection "Sports et divertissements". In 1926, Samuel Barber rewrote "H-35: Au Claire de la Lune: A Modern Setting of an old folk tune" while studying at the Curtis Institute of Music. In 1928, Marc Blitzstein orchestrated "Variations sur 'Au Claire du la Lune'." In 1964, French pop singer France Gall recorded a version of this song, with altered lyrics to make it a love song.