Cats (musical) Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash then startles the tribe and the Cats run offstage in fright. All of a sudden, hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical Cats. They are petty burglars, very mischievous, and they enjoy causing trouble for human families ("Mungojerrie and Rumpleteazer").
T. S. Eliot "The Waste Land"." It is Eliot's major poem of the late 1920s. Similar to Eliot's other works, its themes are overlapping and fragmentary. Post-war Europe under the Treaty of Versailles (which Eliot despised), the difficulty of hope and religious conversion, Eliot's failed marriage. Allen Tate perceived a shift in Eliot's method, writing, "The mythologies disappear altogether in "The Hollow Men"." This is a striking claim for a poem as indebted to Dante as anything else in Eliot's early work, to say little of the modern English mythology—the "Old Guy Fawkes" of the Gunpowder Plot—or the colonial and agrarian mythos of