History of Cape Verde Guinea (now Guinea-Bissau). This largesse ultimately backfired on the Portuguese, however, as literate Cape Verdeans became aware of the pressures for independence building on the mainland, while the islands continued suffering from frequent drought and famine, at times from epidemic diseases and volcanic eruptions, and the Portuguese government did nothing. Thousands of people died of starvation during the first half of the 20th century. Although the nationalist movement appeared less fervent in Cape Verde than in Portugal's other African holdings, the African Party for the Independence of Guinea and Cape Verde (PAIGC, acronym for the Portuguese "Partido Africano da Independência
Culture of Cape Verde for "Morna", a form of folk music usually sung in the Cape Verdean Creole, accompanied by clarinet, violin, guitar and cavaquinho. The islands also feature native genres such as "funaná", "batuque", "coladeira", and "mazurka". Cesária Évora is perhaps the best internationally known practitioner of morna. One of Cape Verde's most famous stars, on her passing, one Cape Verdean restaurateur stated that she was "more important than our flag". Theatre in Cape Verde was mainly religious (biblical scenes translated into popular theatre) until the end of the 19th century, when cultural societies appeared. Modern theatre arose around independence (1975), and received