Jellicle cats and used for many of the ensemble characters in the musical. In contrast with the poem, Lloyd Webber's Jellicles possess many kinds of coat-patterns, diverse personalities and individual talents. Also detailed on this page are Chorus characters from the musical "Cats" whose names are from other works by T. S. Eliot, or not directly derived from the poems. The name "jellicle" comes from a previously unpublished poem by Eliot entitled "Pollicle Dogs and Jellicle Cats", where "jellicle cats" is a corruption of "dear little cats" and "pollicle dogs" of "poor little dogs". The term jellicle cats was used by the
T. S. Eliot is unmistakable. It reaches out like a clear signal to the reader." Julius's viewpoint has been supported by literary critics such as Harold Bloom, Christopher Ricks, George Steiner, Tom Paulin and James Fenton. In a series of lectures delivered at the University of Virginia in 1933, published under the title "After Strange Gods: A Primer of Modern Heresy" (1934), Eliot wrote of societal tradition and coherence, "What is still more important [than cultural homogeneity] is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable." Eliot never re-published this book/lecture.