Suite bergamasque how much was written in 1905, it is clear that Debussy changed the names of at least two of the pieces. Passepied had first been composed under the name "Pavane", while Clair de lune was originally titled "Promenade sentimentale". These names also come from Paul Verlaine's poems. The final title of "Suite bergamasque" comes from Verlaine's poem "Clair de lune", which refers to bergamasks in its opening stanza: The "Suite bergamasque" consists of four movements: The first piece in the suite is entitled "Prélude", in the key of F and marked "tempo rubato". It is full of dynamic contrasts with
Au clair de la lune clair de la lune" as the basis of his song "Pierrot" ("Pantomime", L. 31) from "Quatre Chansons de Jeunesse". Erik Satie quoted this song in the section "Le flirt" (No. 19) of his 1914 piano collection "Sports et divertissements". In 1926, Samuel Barber rewrote "H-35: Au Claire de la Lune: A Modern Setting of an old folk tune" while studying at the Curtis Institute of Music. In 1928, Marc Blitzstein orchestrated "Variations sur 'Au Claire du la Lune'." In 1964, French pop singer France Gall recorded a version of this song, with altered lyrics to make it a love song.