Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
The Cunning Little Vixen to contain similarities to the music of French composer Claude Debussy. At Janáček's request, the final scene from " The Cunning Little Vixen" was performed at his funeral in 1928. Ursula Dubosarsky's 2018 novel for children, "Brindabella", is based on Rudolf Těsnohlídek's "Vixen Sharp Ears", the source story of the Cunning Little Vixen, relocated in the Australian bush, with the role of the Vixen played by a kangaroo. Broken down from the original Czech, the title is There is no mention in the Czech of a diminutive ("little"), although this idea is included in both the German "(Das schlaue Füchslein)"