Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Orchestral Suite No. 3 (Tchaikovsky) performed numerous times since. 12. ^<c> Michael Paul Smith: TchaikovskyLifeandWorks.wordpress.com Orchestral Suite No. 3 (Tchaikovsky) Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, "Contrastes", instead became the closing movement of the fantasia. Both works were also intended initially as more mainstream compositions than they became; the fantasia was intended as a piano concerto, while the suite was conceived as a symphony. The suite's first performance was in Saint Petersburg, Russia