Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Tschaikovsky Suite No. 3 Tschaikovsky Suite No. 3 Tschaikovsky Suite No. 3 is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Tschaikovsky's Suite No. 3 for Orchestra in G major, Op. 55 (1884). The premiere took place on 3 December 1970 at the New York State Theater, Lincoln Center, with scenery and costumes by Nicolas Benois. Balanchine set the final movement of Tschaikovsky's third orchestra suite in 1947 for Ballet Theatre under the title "Theme and Variations". He incorporated this choreography substantially unchanged into Tschaikovsky Suite No. 3 as the fourth–and final–movement, which is sometimes called "Tema