Paris the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy ("Suite bergamasque", and its well-known third movement, "Clair de lune", "La Mer", "Pelléas et Mélisande"), Erik Satie ("Gymnopédies", "Je te veux", "Gnossiennes", "Parade") and Maurice Ravel ("Miroirs", "Boléro", "La valse", "L'heure espagnole"). Several foreign-born composers, such as Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), Niccolò Paganini (Italy), and Igor Stravinsky (Russia), established themselves or made significant contributions both with their works and their influence in Paris. Bal-musette is a style of French music and dance that
Tschaikovsky Suite No. 3 Tschaikovsky Suite No. 3 Tschaikovsky Suite No. 3 is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Tschaikovsky's Suite No. 3 for Orchestra in G major, Op. 55 (1884). The premiere took place on 3 December 1970 at the New York State Theater, Lincoln Center, with scenery and costumes by Nicolas Benois. Balanchine set the final movement of Tschaikovsky's third orchestra suite in 1947 for Ballet Theatre under the title "Theme and Variations". He incorporated this choreography substantially unchanged into Tschaikovsky Suite No. 3 as the fourth–and final–movement, which is sometimes called "Tema