Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Bergamasque dialect in central Lombardy. Bergamasque is generally mutually intelligible for speakers of Eastern Lombard's variants of neighbouring areas (i.e. from Brescia) but this is not always true for distant peripheric areas, especially in alpine valleys. Differences include either lexical, grammatical and phonetic aspects. Bergamasque is often referred to as a dialect of the Italian language; this is not entirely correct, as Bergamasque and Italian are not mutually intelligible. Monolingual Bergamasque speakers are now virtually non-existent. All Lombard speakers also speak Italian, and their command of each of the two languages varies according to their geographical position as well as their socio-economic