Paris the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy ("Suite bergamasque", and its well-known third movement, "Clair de lune", "La Mer", "Pelléas et Mélisande"), Erik Satie ("Gymnopédies", "Je te veux", "Gnossiennes", "Parade") and Maurice Ravel ("Miroirs", "Boléro", "La valse", "L'heure espagnole"). Several foreign-born composers, such as Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), Niccolò Paganini (Italy), and Igor Stravinsky (Russia), established themselves or made significant contributions both with their works and their influence in Paris. Bal-musette is a style of French music and dance that
Droit de suite and their families, had suffered from the war, and "droit de suite" was a means to remedy socially difficult situations. According to Renaud Donnedieu de Vabres, "droit de suite" was created in France following the sale of Millet's 1858 painting, the "Angélus", in 1889 at the Secretan sale. The owner of the painting made a huge profit from this sale, whereas the family of the artist lived in poverty. The 2001/84/EC directive mandates a somewhat uniform system of "droit de suite" across the European Union. This directive is controversial in the United Kingdom. In France, this system is in force