Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor in black; magnificent cuff buttons of diamonds and onyx ...worth 8 million dollars." Historian Judy Nolte Temple writes that it "seemed inevitable that the prettiest woman in the mining West would eventually meet the richest man." Baby Doe met Horace Tabor in a restaurant in Leadville one evening in 1880. She told him her story and that she had arrived in Leadville because of Jake Sandelowsky's generosity. Tabor gave her $5000 on the spot. Baby Doe then had a message, and $1000, delivered to Sandelowsky, in which she declared that she would not marry him. Instead, Tabor moved her to