D-flat major No. 3 ("Ballade"). Claude Debussy also composed the famous "Clair de lune" in this key, with a significant section in C-sharp minor. Edvard Grieg composed the second movement of his Piano Concerto in D-flat. Frédéric Chopin'sNocturne in D-flat, Op. 27, is in this key. Franz Liszt composed heavily in this key, with his most recognizable piece being the third movement of his piano composition "Trois études de concert", dubbed "Un sospiro". Liszt took advantage of the piano's configuration of the key and used it to create an arpeggiating melody using alternating hands. In orchestral music, the examples are fewer. Gustav
Suite (music) or entirely original movements ("Holberg Suite", "The Planets"). Estienne du Tertre published "suyttes de bransles" in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl's "Newe Padouan, Intrada, Dantz, and Galliarda" of 1611, in which the four dances of the title appear repeatedly in ten suites. The "Banchetto musicale" by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, "Sandley's Suite", was published in 1663. The "classical" suite