Theoretical key the signature this leads to a key whose key signature has an additional sharp. A piece in C that performs this modulation would lead to the theoretical key of G major, requiring eight sharps, meaning an F in place of the F already present. To write that passage with a new key signature would require recasting the new section using the enharmonically equivalent key signature of A major. An example of such recasting is Claude Debussy's "Suite bergamasque": in the third movement "Clair de lune" the key shifts for a few measures from D major to D minor (eight flats),
Suite Gothique This movement returns to C minor, ending with a Tierce de Picardie on full organ. The suite was transcribed for brass band by Eric Ball, and is frequently used as a concert finale by bands such as Fodens, Black Dyke and Brighouse & Rastrick, as well as a test piece in contesting. Suite Gothique Suite gothique, Op. 25 is a suite for organ composed by Léon Boëllmann in 1895. The suite consists of four movements: The first movement (Introduction - Choral) is in C minor and is made up of harmonized choral phrases that are first played in block chords