Berber music bands of musicians traveling from village to village, entertaining at weddings and other social events with their songs, tales and poetry. Most Berber music is of the village- and urban-folk musical variety. Berber music and culture is influenced by the Berber people's long-standing struggle to achieve basic language rights and identity recognition in modern North African societies, aside from aesthetics and style. Berber music is characterized by its use of folk oral traditions, as well as particular scales and rhythmic patterns, which include pentatonic music and African rhythms. All these elements are combined together to form one of the main
Names of the Berber people Sheba in the "Targum". According to Leo Africanus, "Amazigh" meant "free man". Etymologically, the name may be related to the well attested "aze" strong, "Tizzit" bravery, or "jeghegh" to be brave/courageous. Further it also has a cognate in the Tuareg word "Amajegh", meaning "noble". Names of the Berber people The ethnonym Berber dates to the 19th century, derived from "Barbary" the term for the Maghreb coast used during the early modern period, itself from Greek "barbaria" "land of barbarians". The contemporary self-designation current mostly in Morocco is "Imazighen" (singular "Amazigh"). This term is common in Morocco, especially among Central Atlas,