Putto of Ilaria del Carretto, sculpted by Jacopo della Quercia in Lucca). Since then, Donatello has been called the originator of the putto because of the contribution to art he made in restoring the classical form of putto. He gave putto a distinct character by infusing the form with Christian meanings and using it in new contexts such as musician angels. Putti also began to feature in works showing figures from classical mythology, which became popular in the same period. Most Renaissance putti are essentially decorative and they ornament both religious and secular works, without usually taking any actual part in
Lya De Putti Mosheim, and Lil Dagover and was filmed by directors F.W. Murnau and Fritz Lang. De Putti came to America in February 1926. At the time, she told reporters she was 22 years old but her ocean liner's records list her as having been 26. De Putti generally was cast as a vamp character, and often wore her dark hair short in a style similar to that of Louise Brooks or Colleen Moore. De Putti starred in D.W. Griffith's "The Sorrows of Satan" (1926). The film was released in two versions, one in the U.S. and the other in Europe. In