Louvre Palace the museum from the main reception area under the glass pyramid, the north part of the complex is now referred to as the Richelieu wing; the east, as the Sully wing; and the south, as the Denon wing. This allows the casual visitor to avoid (to some extent) becoming totally mystified at the bewildering array of named wings and pavilions. The origin of the name "Louvre" is unclear. The French historian Henri Sauval, probably writing in the 1660s, stated that he had seen "in an old Latin-Saxon glossary, Leouar is translated castle" and thus took Leouar to be the origin
Paris in the 16th century Caryatids on the music platform of the ceremonial hall of the Louvre (1550-51); and the Four Seasons decorating the facade of the Musée Carnavalet (1547); Pierre Bontemps (1505-1568), who created sculptures for the tomb of Francis I and a funeral monument for Charles de Marigny (1556), now in the Louvre; and Germain Pilon (1525-1590), who made the extremely realistic funerary figures of Henry II of France and Catherine de'Medici for their tombs in the Basilica of Saint Denis, as well as the 385 grotesque masquerons which decorate the Pont Neuf. The most prominent Paris novelist of the period was François