Jolana Fogašová J. Bělohlávek, M. Venzago, S.A. Reck, J. Fiore, I. Fischer, O. Lenárd, S. Lano, A. Eschwé, R.Štúr, L. Langrée, G. Korsten, H. Wolf, B. Gregor, A. Ligeti and others. Her melodramatic soprano repertiore covers a wide area od operatic parts, which are enabled by her voice type "soprano spinto d'agilita": Tosca, Manon Lescaut, Elza (Lohengrin), Salome, Venuss (Tannhauser), Eglantine (Euryanthe), Lucrezia Contarini (Due Foscari), Abigaille (Nabucco), Joan of Arc (Joan of Arc), Judith (Bluebeard’s Castle), Santuzza (Cavelleria Rusticana), Marina (Boris Godunov), Lucrezia Borgia (Lucrezia Borgia), Kostelnicka (Jenufa), Witch and the Foreign Princess (Rusalka), The Fox (The Cunning Little Vixen) and
Baby Doe Tabor boarding house, where she had been living under the name "Ruth Norman". For the rest of her life, Baby Doe refused to believe the woman found as Ruth Norman had been her daughter, stating, "I did not see the body they said was my little girl." Alone in the cabin outside Leadville, Baby Doe turned to religion. She considered her life of great wealth a period of vanity and created penances for herself. During the frigidly bitter Colorado high-country winters, she wound burlap sacks around her legs. With no money, she ate very little, living on stale bread and suet,