Riba equal quantities of the same kind of commodity ("like for like") — for example 100 kilograms of wheat for 100 kg of wheat — in a riba-free transaction called for by quoted ahadith. Or how "divine law" could prescribe that a jeweler — "who has spent his time and effort to convert gold into jewelry" and is taking gold as payment — not be compensated? M.A. Khan also notes that the authors of the IIIE blueprint have no objection to traders selling higher purity/quality commodity for cash and using the proceeds to buying more less purity/quality commodity, and wonders what
Commodity pathway diversion inherent market value. They reacted against this perceived commoditization of art by producing what they considered decommodified art. However, as Kopytoff argued, "commodities must be not only produced materially as things, but also culturally marked as being a certain kind of thing." Thus, when diverting industrial materials from their commodity pathways to produce art became culturally valuable, the objects themselves gained value (1985). Finally, pop artist Andy Warhol, created artwork couched in what Appadurai refers to as the "aesthetics of decontextualization." In his famous Campbell's Soup painting, Warhol diverts advertising from its commodity pathway by reproducing it as a work