Gillian Knight to her end, like all the best Carmens, with an almost heroic insolence." The role brought her to international attention, and she performed it opposite Plácido Domingo. She also performed at Covent Garden in "Arabella"; "The Bartered Bride"; "The Cunning Little Vixen"; "Eugene Onegin"; "Falstaff"; "The Fiery Angel"; "The Golden Cockerel"; "Iphigénie en Tauride"; "Jenůfa"; "Die Meistersinger"; "Rigoletto"; the "Ring" cycle; "Der Rosenkavalier"; "Semele"; "La traviata"; "Il trovatore"; "Otello"; and "Wozzeck". Among modern operas at Covent Garden, Knight appeared in Peter Maxwell Davies's "Taverner"; Hans Werner Henze's "We Come to the River"; Nicholas Maw's "Sophie's Choice"; Michael Tippett's "King Priam";
Baby Doe Tabor have gained the name "Baby Doe" from the local men watching. She lacked domestic skills with which to work and earn money, and she had nothing in common with the women of the town. Often, having little to do with her time, she visited the local clothing store, attracted in part by the expensive fabrics. She became friendly with the owner of the town's clothing store, Jake Sandelowsky. At the same time Harvey lost his job, and their marriage began to deteriorate. By that time Baby Doe was pregnant. Suspecting the child was Jake's, Harvey left her temporarily, and in