King James Version merely a description. The use of Authorized Version or Authorised Version, capitalized and used as a name, is found as early as 1814. For some time before this, descriptive phrases such as "our present, and only publicly authorised version" (1783), "our Authorised version" (1792), and "the authorized version" (1801, uncapitalized) are found. The Oxford English Dictionary records a usage in 1824. In Britain, the 1611 translation is generally known as the "Authorised Version" today. As early as 1814, we find King James' version, evidently a descriptive phrase, being used. "The King James Version" is found, unequivocally used as a name,
The Holy Bible (album) cut deeper." Upon its re-release ten years later, Dan Martin of "NME" described "The Holy Bible" as "a work of genuine genius". Joe Tangari of Pitchfork wrote: "In a way, the story of Edwards' spiral into some unknown oblivion is tied to the experience of "The Holy Bible", which in retrospect has become a sort of horror-show eulogy for a man who couldn't live with the world around him." David Fricke of "Rolling Stone" wrote that "even the pall of [Edwards'] absence can't cancel out the life-affirming force that hits you with the very first song". Mark Edwards of "Stylus