Cultural depictions of Richard III of England Cultural depictions of Richard III of England Richard III of England has been depicted in literature and popular culture many times. In the Tudor period he was invariably portrayed as a villain, most famously in Shakespeare's play "Richard III", but also in other literature of the period. Richard's life was not much depicted again until the 20th century when the "Ricardian" movement sought to restore his reputation. Much of more recent creative literature has portrayed him in a positive light. However his reputation as a hunchbacked villain has remained a familiar historical cliché within popular culture. The foremost work of
Richard III of England lampoon of July 1484 "The Cat, the Rat, and Lovell the Dog, all rule England under a Hog" which was pinned to the door of St. Paul's Cathedral and referred to the King himself (the Hog) and his most trusted councilors William Catesby, Richard Ratcliffe and Francis Viscount Lovell. On 30 March 1485 Richard felt forced to summon the Lords and London City Councillors to publicly deny the rumours that he had poisoned Queen Anne and that he had planned a marriage to his niece Elizabeth, at the same time ordering the Sheriff of London to imprison anyone spreading such