Cats (musical) Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash then startles the tribe and the Cats run offstage in fright. All of a sudden, hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical Cats. They are petty burglars, very mischievous, and they enjoy causing trouble for human families ("Mungojerrie and Rumpleteazer").
T. S. Eliot of art must be viewed in the context of the artist's previous works, a "simultaneous order" of works (i.e., "tradition"). Eliot himself employed this concept on many of his works, especially on his long-poem "The Waste Land". Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective correlative", which posits a connection among the words of the text and events, states of mind, and experiences. This notion concedes that a poem means what it says, but suggests that there can be a non-subjective judgment based on different readers' different—but perhaps corollary—interpretations of