Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Boris Godunov from the Golden Horde to Russia and founded the Ipatiev Monastery in Kostroma. Boris was the son of Feodor Ivanovich Godunov "Krivoy" ("the one-eyed") (died, c. 1568–1570) and his wife Stepanida Ivanovna. His older brother Vasily died young and without issue. Godunov's career began at the court of Ivan the Terrible. He is mentioned in 1570 for taking part in the Serpeisk campaign as an archer of the guard. The following year he became an oprichnik – a member of Ivan's personal guard and secret police. In 1570/1571, Godunov strengthened his position at court by his marriage to Maria Grigorievna