André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
The Carnival of the Animals (better known in the English-speaking world as "Twinkle Twinkle Little Star"), the French nursery rhymes "Au clair de la lune", and "J'ai du bon tabac" (the piano plays the same melody upside down), the popular anthem "Partant pour la Syrie", as well as the aria "Una voce poco fa" from Rossini's "The Barber of Seville" can also be heard. The musical joke in this movement, according to Leonard Bernstein's narration on his recording of the work with the New York Philharmonic, is that the musical pieces quoted are the fossils of Saint-Saëns's time. Two pianos and cello: the lushly romantic