Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor Colorado, almost certainly invited there by Sandelowsky, who changed his name to Sands. Alone and without a husband, Baby Doe needed to find a means of financial support quickly. Jake Sandelowsky, who opened a store in Leadville and almost certainly wanted to marry her, offered her employment. Working at a clothing store, however, was a prospect Baby Doe found dull, boring, and too similar to the life she had left behind in Oshkosh. In Leadville, she caught the attention of Horace Tabor, mining millionaire and owner of Leadville's Matchless Mine. Tabor was married, but in 1880 he left his wife