Fantasia (1940 film) according to one attendee, had the crowd applauding and cheering "until their hands were red". The final pieces were chosen the following morning, which included "Toccata and Fugue in D minor", "Cydalise et le Chèvre-pied" by Gabriel Pierné, "The Nutcracker Suite", "Night on Bald Mountain", "Ave Maria", "Dance of the Hours", "Clair de Lune" by Claude Debussy, "The Rite of Spring" and "The Sorcerer's Apprentice". Disney had already begun working out the details for the segments, and showed greater enthusiasm and eagerness as opposed to his anxiety while starting on "Pinocchio". "Clair de Lune" was soon removed from the "Fantasia"
Suite (music) or entirely original movements ("Holberg Suite", "The Planets"). Estienne du Tertre published "suyttes de bransles" in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl's "Newe Padouan, Intrada, Dantz, and Galliarda" of 1611, in which the four dances of the title appear repeatedly in ten suites. The "Banchetto musicale" by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, "Sandley's Suite", was published in 1663. The "classical" suite