Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
The Ballad of Baby Doe time Horace comes in. They sing of their love. Scene 5 A year later, Tabor has left Augusta and is living with Baby Doe. Her friends inform Augusta, now living in Denver, that Horace plans to divorce her. She swears to ruin him. Scene 6 Horace and Baby Doe's wedding party in Washington DC. Baby's mother praises the couple's riches, but the society wives deride Baby Doe. However, when the couple comes in they are well received. The debate turns to the silver standard and Baby Doe sings "Gold is a Fine Thing". Horace then presents Baby with Queen Isabella's