Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
Baby Doe Tabor brother paid the grocer so that the three women had food. Eventually, in an attempt to keep the decrepit mine going and to raise funds, she reluctantly sold the "Isabella necklace" Tabor had given her, but during her lifetime she refused to sell his gold watch fob. Her older daughter, Lily, left her mother to live with Baby Doe's family in Wisconsin. Later, after her mother died, Lily denied being Baby Doe's daughter. Of the two daughters, Lily, born into wealth, seemed more affected by the fall into poverty. When in 1902, Baby Doe traveled with her daughters to Oshkosh