The Cunning Little Vixen as "Jenůfa" and "Káťa Kabanová". In "The Cunning Little Vixen", the composer moved away from the more conversational style of previous and subsequent operas in favor of a more folk-like style, and wove into its fabric some of his most experimental opera concepts (ballet, mime, and orchestral interludes). Janáček based "The Cunning Little Vixen"s tonality on modes (similarly to much output during his last decade), expanding the music's harmonic range through the utilisation of the seventh and ninth chords. The composition makes frequent use of folk-influenced rhythms and "sčasovka" (personally-coined term for a short motif), while it has been noted
Boris Godunov (play) only in an English translation. This production was based on Meyerhold's design and featured Prokofiev's music, together with supplemental music by Peter Westergaard. Chester Dunning, Caryl Emerson, and Sergei Fomichev's "The Uncensored Boris Godunov" seeks to rescue Pushkin's play from obscurity. The Royal Shakespeare Company staged the British premiere of the original 1825 edition at Stratford on Avon in the fall of 2012. The play had been translated into English by Adrian Mitchell. A familiarity with the historical events surrounding the Time of Troubles — the interregnum period of relative anarchy following the end of the Rurik Dynasty (1598) and