Honorific speech in Japanese word "meshi", the Japanese equivalent of Sino-Japanese "go-han", is considered rough and masculine (男性語). The honorific "o-" is also sometimes attached to of native verbs (hence native "o-") to refer to a specific item associated with the verb, as in oshibori (お絞り、絞る) "hot towel", and onigiri/omusubi (お握り、握る and お結び、結ぶ) "rice ball". In rare cases, both a base form and honorific are in use with different readings. A notable example is 利益 "ri-eki" "benefit, profit (e.g., business)" and 御利益 "go-ri-yaku" "divine favor, grace"; plain "ri-yaku" is sometimes used, but "go-ri-eki" is generally not. The former, an everyday term, uses the usual
Interior of a Restaurant in Arles of two studies Vincent created of this restaurant, the other being "Interior of the Restaurant Carrel in Arles". Long supposed to be a view from inside the Hotel Carrel, de la Faille remarks they were probably the interior of the restaurant next to the Yellow House". While certainly a representation of diners in Arles (regardless of the cafe), in his article "Van Gogh's Last Supper: Transforming "the guise of observable reality,"" Baxter argues this is van Gogh's initial attempt in creating a Symbolist or "sacred realism" "Last Supper": Although Hulsker argued that determining whether this or its sister painting came