André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Suite (music) or entirely original movements ("Holberg Suite", "The Planets"). Estienne du Tertre published "suyttes de bransles" in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl's "Newe Padouan, Intrada, Dantz, and Galliarda" of 1611, in which the four dances of the title appear repeatedly in ten suites. The "Banchetto musicale" by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, "Sandley's Suite", was published in 1663. The "classical" suite