Richard III of England due to the fact that it helped to legitimise Henry VII's seizure of the throne. The Richard III Society contends that this means that 'a lot of what people thought they knew about Richard III was pretty much propaganda and myth building.' The Tudor characterisation culminated in the famous fictional portrayal of him in Shakespeare's play "Richard III" as a physically deformed, Machiavellian villain, ruthlessly committing numerous murders in order to claw his way to power; Shakespeare's intention perhaps being to use Richard III as a vehicle for creating his own Marlowesque protagonist. Rous himself, in his "History of the
Richard II of England Abbey. Here Richard himself had prepared an elaborate tomb, where the remains of his wife Anne were already entombed. In the last years of Richard's reign, and particularly in the months after the suppression of the appellants in 1397, the king enjoyed a virtual monopoly on power in the country, a relatively uncommon situation in medieval England. In this period a particular court culture was allowed to emerge, one that differed sharply from that of earlier times. A new form of address developed; where the king previously had been addressed simply as "highness", now "royal majesty", or "high majesty" were