Guy de Mey the English National Opera; Lully's "Atys" under William Christie at the Paris Opera, in Florence and New York; Berg’s "Lulu" with Teresa Stratas in a production by Ruth Berghaus, and "Boris Godunov" with José Van Dam at the Brussels Opera La Monnaie; Händel’s "Judas Maccabaeus" with the San Francisco Philharmonia Baroque Orchestra; Bach’s "St Matthew Passion" with the Concertgebouw orkest Amsterdam ; Berlioz’ "L’Enfance du Christ" at the Festival of Aix-en-Provence; Scarlatti’s "Mitridate" at the Schwetzinger Festspiele; Debussy’s "Pelléas et Mélisande" at the Nantes Opera ; Berg’s "Lulu" and Janáček’s "The Cunning Little Vixen" and "Katja Kabanova" at the Flemish
Baby Doe Tabor her husband's death, Baby Doe was still an attractive woman in her mid-forties. After her husband's death, Baby Doe stayed in Denver for a period, according to her diaries and correspondence. Why she decided to leave Denver and the society there to make a return to Leadville, in the high mountains with its cold winters, is unknown, but it almost certainly had to do with the Matchless mine. For two years she unsuccessfully tried to find investors to bring the Matchless back into production. The family may have tried to regain ownership to the Matchless mine, but documentation is fragmented,