Putto the events depicted in narrative paintings. There are two popular forms of the putto as the main subject of a work of art in 16th-century Italian Renaissance art: the sleeping putto and the standing putto with an animal or other object. Putti, cupids, and angels (see below) can be found in both religious and secular art from the 1420s in Italy, the turn of the 16th century in the Netherlands and Germany, the Mannerist period and late Renaissance in France, and throughout Baroque ceiling frescoes. So many artists have depicted them that a list would be pointless, but among the
Lya De Putti the U.S. version, one scene had de Putti fully dressed whereas the same scene in the European release had de Putti topless. De Putti once was rumored to be engaged to Count Ludwig von Salm-Hoogstraeten, a former husband of oil heiress Millicent Rogers. She denied the engagement. In 1913, she married Zoltán Szepessy, a county magistrate. They divorced in 1918. The couple had two daughters, Ilona (b. 1914) and Judith (b. 1916). The following year, de Putti went to Hollywood but found little success. Despite working with distinguished actors such as Adolphe Menjou and Zasu Pitts, she failed to make