Susan Gritton "Turandot" (Covent Garden); Donna Anna "Don Giovanni" (Bolshoi & Opera de Montreal & Scottish Opera); Elettra "Idomeneo" (Netherlands Opera) and Konstanze "Die Entführung aus dem Serail" (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bartered Bride (Covent Garden) and The Cunning Little Vixen (ENO). On the concert platform her work spans many periods and styles and includes Ravel's "Shéhérazade" (RLPO/Mackerras); Brahms' "Ein Deutsches Requiem" (Berlin Philharmonic/Rattle & Philharmonia/von Dohnànyi); Berg's "Bruchstücke aus Wozzeck" (Swedish Radio Orchestra/Harding) and Honegger's "Jeanne d'Arc au bûcher" (Accademia Nazionale di Santa Cecilia/Pappano). Other highlights include Handel's "Messiah" (ROH Orchestra/Pappano);
The Cunning Little Vixen to contain similarities to the music of French composer Claude Debussy. At Janáček's request, the final scene from " The Cunning Little Vixen" was performed at his funeral in 1928. Ursula Dubosarsky's 2018 novel for children, "Brindabella", is based on Rudolf Těsnohlídek's "Vixen Sharp Ears", the source story of the Cunning Little Vixen, relocated in the Australian bush, with the role of the Vixen played by a kangaroo. Broken down from the original Czech, the title is There is no mention in the Czech of a diminutive ("little"), although this idea is included in both the German "(Das schlaue Füchslein)"