Boris Godunov (opera) fought an often losing battle against the conservatism of conductors and singers, who, raised on the plush Rimsky-Korsakov edition, found it impossible to adapt to Mussorgsky's comparatively unrefined and bleak original scores. Recently, however, a new appreciation for the rugged individuality of Mussorgsky's style has resulted in increasing performances and recording of his original versions. Musicologist Gerald Abraham wrote: For many, "Boris Godunov" is the greatest of all Russian operas because of its originality, drama, and characterization, regardless of any cosmetic imperfections it may possess. Models and influences A conflation of the 1869 and 1872 versions is often made when
Wozzeck ever "got to Heaven, we'd all have to manufacture thunder!" The flustered Captain, unable to comprehend Wozzeck, finally concedes that he is "a decent man, only you think too much!" The Captain concludes the discussion, saying it has "quite fatigued" him and again chides Wozzeck to walk slowly before finally exiting. "Scene 2 (Rhapsody and Hunting Song)" Wozzeck and Andres are cutting sticks as the sun is setting. Wozzeck has frightening visions and Andres tries unsuccessfully to calm him. "Scene 3 (March and Lullaby)" A military parade passes by outside Marie's room. Margret taunts Marie for flirting with the soldiers.