The Cunning Little Vixen the English National Opera) under the direction of Colin Graham, with conductor Colin Davis, and with scenery and costume designs by Barry Kay. In 1981, the New York City Opera mounted a production in English based on images created by Maurice Sendak and conducted by Michael Tilson Thomas in his company debut. It starred soprano Gianna Rolandi as Vixen Sharp-Ears and baritone Richard Cross as the Forester. Glyndebourne Festival Opera staged it in 2012, directed by Melly Still, and a revival was included in the Glyndebourne Festival for 2016 with Christopher Purves as the Forester and Elena Tsallagova as the
The White Doe of Rylstone to make a weekly pilgrimage from Rylstone to Bolton Abbey. The historical parts of the story of "The White Doe" are taken from a ballad called "The Rising in the North", which Wordsworth had read in Percy's "Reliques of Ancient English Poetry", and also from Nicolson and Burn's "The History and Antiquities of the Counties of Westmorland and Cumberland". The influence of other ballads from Percy's "Reliques" has also been traced in the poem, and the dedicatory poem to "The White Doe" is filled with references to Spenser's "The Faerie Queene". The metre of the poem is similar to that