Gillian Knight to her end, like all the best Carmens, with an almost heroic insolence." The role brought her to international attention, and she performed it opposite Plácido Domingo. She also performed at Covent Garden in "Arabella"; "The Bartered Bride"; "The Cunning Little Vixen"; "Eugene Onegin"; "Falstaff"; "The Fiery Angel"; "The Golden Cockerel"; "Iphigénie en Tauride"; "Jenůfa"; "Die Meistersinger"; "Rigoletto"; the "Ring" cycle; "Der Rosenkavalier"; "Semele"; "La traviata"; "Il trovatore"; "Otello"; and "Wozzeck". Among modern operas at Covent Garden, Knight appeared in Peter Maxwell Davies's "Taverner"; Hans Werner Henze's "We Come to the River"; Nicholas Maw's "Sophie's Choice"; Michael Tippett's "King Priam";
Baby Doe Tabor purchasing clothing and jewelry for them. Her mother was proud that her daughter was marrying a wealthy man, and Baby Doe herself was quite happy. At her wedding in Washington, she wore a white satin dress that cost $7,000 and the $90,000 necklace known as the "Isabella" necklace. Two days after the wedding, the priest who had performed the ceremony refused to sign the marriage license when he learned that both the bride and the groom had previously divorced and that Baby Doe was a Roman Catholic. Although Tabor's contemporaries had winked at or ignored his dalliance with Baby Doe,