Putto the events depicted in narrative paintings. There are two popular forms of the putto as the main subject of a work of art in 16th-century Italian Renaissance art: the sleeping putto and the standing putto with an animal or other object. Putti, cupids, and angels (see below) can be found in both religious and secular art from the 1420s in Italy, the turn of the 16th century in the Netherlands and Germany, the Mannerist period and late Renaissance in France, and throughout Baroque ceiling frescoes. So many artists have depicted them that a list would be pointless, but among the
Lya De Putti Mosheim, and Lil Dagover and was filmed by directors F.W. Murnau and Fritz Lang. De Putti came to America in February 1926. At the time, she told reporters she was 22 years old but her ocean liner's records list her as having been 26. De Putti generally was cast as a vamp character, and often wore her dark hair short in a style similar to that of Louise Brooks or Colleen Moore. De Putti starred in D.W. Griffith's "The Sorrows of Satan" (1926). The film was released in two versions, one in the U.S. and the other in Europe. In