Putto best-known are the sculptor Donatello and the painter Raphael. The two relaxed and curious putti who appear at the foot of Raphael's Sistine Madonna are often reproduced. They also experienced a major revival in the 19th century, where they gamboled through paintings by French academic painters, from Gustave Doré’s illustrations for "Orlando Furioso" to advertisements. The iconography of putti is deliberately unfixed, so that it is difficult to tell the difference between putti, cupids, and various forms of angels. They have no unique, immediately identifiable attributes, so that putti may have many meanings and roles in the context of art.
What Is a Man Without a Moustache? Times" had also expressed opinions of a divided nature. He called the film "pleasant if inconsequential", offered an opinion that it contains "good-natured sensibility" and a "slightly fabulous tone" while still feeling like "magic realism, without the magic", and concluded his review by stating that "the pleasant pointless of it all is laced with a tantalizing tease of allegory suggested by the dialectical twins and the strain of mellow nationalism in the dialogue." Reviewing the film for "TV Guide", Maitland McDonagh awarded the film three stars out of four calling it "sardonic" and "absurdist". What Is a Man Without a