Theoretical key the signature this leads to a key whose key signature has an additional sharp. A piece in C that performs this modulation would lead to the theoretical key of G major, requiring eight sharps, meaning an F in place of the F already present. To write that passage with a new key signature would require recasting the new section using the enharmonically equivalent key signature of A major. An example of such recasting is Claude Debussy's "Suite bergamasque": in the third movement "Clair de lune" the key shifts for a few measures from D major to D minor (eight flats),
Suite (music) or entirely original movements ("Holberg Suite", "The Planets"). Estienne du Tertre published "suyttes de bransles" in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is Peuerl's "Newe Padouan, Intrada, Dantz, and Galliarda" of 1611, in which the four dances of the title appear repeatedly in ten suites. The "Banchetto musicale" by Johann Schein (1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer, "Sandley's Suite", was published in 1663. The "classical" suite