Tokyo Sonata scene depicts Kenji performing "Clair de Lune" from the Suite bergamasque at his audition with Megumi, Ryūhei, and his piano teacher watching. His performance is flawless. Peter Bradshaw of "The Guardian" gave the film 4 out of 5 stars, while Nick Schager of "Slant Magazine" gave it 3 out of 4 stars. Christopher Bourne of "Meniscus Magazine" said, "Kurosawa's latest film, "Tokyo Sonata", is his best in quite a few years, a truly frightening work that achieves its effects without resorting to tired genre mechanics." He also wrote that "Debussy's 'Clair de Lune' may well have never been put to
Orchestral Suite No. 3 (Tchaikovsky) the two he had previously written. The problem lay with the opening movement. Titled "Contrastes", it was to be a fantasia of contrasting musical sounds and patterns, not unlike the "Jeu de sons" movement that opened the Second Orchestral Suite. The more he worked with the music, the more recalcitrant the music became and the more he hated it. "Contrastes" finally found its way into the Concert Fantasia. Tchaikovsky's original layout for the Third Suite was similar to that of his Second—a fairly large opening movement as in his first two orchestral suites, then three smaller ones and a theme–and–variations