Boris Godunov (opera) ("Flow, flow, bitter tears!") of the arrival of the enemy and of woe to Russia. Russian opera of the early 1870s was dominated by Western European works—mainly Italian. The domestic product was regarded with skepticism and sometimes hostility. The playwright Tikhonov wrote in 1898: As the most daring and innovative member of the Mighty Handful, Mussorgsky frequently became the target of conservative critics and rival composers, and was often derided for his supposedly clumsy and crude musical idiom. After the premiere of "Boris Godunov", influential critic Herman Laroche wrote: Reviews of the premiere performance of "Boris Godunov" were for the
Baby Doe Law Baby Doe Law The Baby Doe Law or Baby Doe Amendment is the name of an amendment to the Child Abuse Law passed in 1984 in the United States that sets forth specific criteria and guidelines for the treatment of seriously ill and/or disabled newborns, regardless of the wishes of the parents. The Baby Doe Law mandates that states receiving federal money for child abuse programs develop procedures to report medical neglect, which the law defines as the withholding of treatment unless a baby is irreversibly comatose or the treatment for the newborn's survival is "virtually futile." Assessments of a