Putto best-known are the sculptor Donatello and the painter Raphael. The two relaxed and curious putti who appear at the foot of Raphael's Sistine Madonna are often reproduced. They also experienced a major revival in the 19th century, where they gamboled through paintings by French academic painters, from Gustave Doré’s illustrations for "Orlando Furioso" to advertisements. The iconography of putti is deliberately unfixed, so that it is difficult to tell the difference between putti, cupids, and various forms of angels. They have no unique, immediately identifiable attributes, so that putti may have many meanings and roles in the context of art.
What Is a Nation? often adopted the religion and manners, and married the women, of the people they conquered. He notes that France was quite ethnically diverse during the French Revolution. For example, "at the end of one or two generations, the Norman invaders were indistinguishable from the rest of the population". Nonetheless, they had a profound influence, bringing with them "a nobility of military habit, a patriotism" which did not exist before. - Renan then states what has become one of the most famous and enduring ideas of the essay. "Forgetfulness, and I would even say historical error, are essential in the creation