André Caplet in the orchestration of "La boîte à joujoux". In 1911, Caplet prepared an orchestration of Debussy's "Children's Corner", which, along with his orchestration of "Clair de lune" from the "Suite bergamasque" is probably the most widely performed and recorded example of his work. Caplet was a composer in his own right, whose works have been overlooked for the most part in the modern repertoire. Especially interesting is his instrumental use of voices, as in his "Septuor à cordes vocales et instrumentales" from 1909 and in the oratorio-like "Le Miroir de Jésus" from 1923, which features "choeur de femmes" in an
Le voyage dans la lune (operetta) of the show, whose première raised 3,898 francs, led to the theatre's receipts passing 10,018 francs with its seventh performance. "Le Voyage dans la Lune" left its mark on the year in which it first appeared : seven Parisian winter revues in 1875-1876 made reference to it ("Voyage de la Lune à Paris", "Mme Angot dans la Lune", "Le Voyage du Soleil", "Les Voyageurs pour Belleville", "Les Voyageurs pour la Lune", "Allons voir la Lune, mon gars !", "La Lune à Paris"). The rôle of "Caprice" was portrayed by Mme Peschard from 16 December 1875 until 16 February 1876, since