Claude Debussy instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré; in a 2007 book about the piano works, Margery Halford observes that "Deux arabesques" (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. Halford cites the popular "Clair de Lune" (1890) from the "Suite Bergamasque" as a transitional work pointing towards the composer's mature style. Musicians from Debussy's time onwards have
Suite for Piano (Schoenberg) Suite for Piano (Schoenberg) Arnold Schoenberg's Suite for Piano (German: ), Op. 25, is a twelve tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier "5 Stücke", Op. 23 (1920–23) employs a 12-tone row only in the final Waltz movement, and the "Serenade", Op. 24 uses a single row in its central "Sonnet". The Basic Set of the "Suite for Piano" consists of the following succession: E–F–G–D–G–E–A–D–B–C–A–B. In form and style the work echoes many features