Haiku a phrase in the remaining 12 "on" (it may not be apparent from the English translation of the Issa that the first five "on" mean "Edo's rain"). In comparison with English verse typically characterized by syllabic meter, Japanese verse counts sound units known as ""on"" or morae. Traditional haiku consist of 17 "on", in three phrases of five, seven and five "on" respectively. Among contemporary poems "teikei" ( fixed form) haiku continue to use the 5-7-5 pattern while "jiyuritsu" ( free form) haiku do not. One of the examples below illustrates that traditional haiku masters were not always constrained by
Haiku the 31 poems contained in "Microgramas" (Tokio 1940) and the Argentine Jorge Luis Borges in the collection "La cifra" (1981). In Lusophone (Portuguese-speaking) Brazil, after several early false starts, including a collection of 56 by Waldomiro Siqueira Jr. (1912–?) in his "Haikais" (São Paulo 1933), the form was popularised by Guilherme de Almeida, first through his 1937 magazine article "Os Meus Haicais" and then in his collection "Poesia Vária" (1947).. Since Modernism, several anthologies of Brazilian haikai have been published. In 1992 Nobel laureate Czesław Miłosz published the volume "Haiku" in which he translated from English to Polish haiku of