Jaws (franchise) about a great white shark terrorizing a beach resort. After various revisions and rewrites, Benchley delivered his final draft in January 1973. The title was not decided until shortly before the book went to print. Benchley says that he had spent months thinking of titles, many of which he calls "pretentious" such as "The Stillness in the Water" and "Leviathan Rising". Benchley regarded other ideas, such as "The Jaws of Death" and "The Jaws of Leviathan", as "melodramatic, weird, or pretentious." According to Benchley, the novel still did not have a title until twenty minutes before production of the book.
Jaws (film) an ordinary-guy kind of heroism born of fear-and-decency". Yet Heath moves beyond ideological content analysis to examine "Jaws" as a signal example of the film as "industrial product" that sells on the basis of "the pleasure of cinema, thus yielding the perpetuation of the industry (which is why part of the meaning of "Jaws" is to be the most profitable movie)". Andrew Britton contrasts the film to the novel's post-Watergate cynicism, suggesting that its narrative alterations from the book (Hooper's survival, the shark's explosive death) help make it "a communal exorcism, a ceremony for the restoration of ideological confidence." He