Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Japanese poetry the "honored guest" composing a few beginning lines, often in the form of the "hokku" (which, as a stand-alone piece, eventually evolved into the haiku). This initial sally was followed by a stanza composed by the "host." This process could continue, sometimes with many stanzas composed by numerous other "guests", until the final conclusion. Other collaborative forms of Japanese poetry also evolved, such as the "renku" ("linked-verse") form. In other cases, the poetry collaborations were more competitive, such as with "uta-awase" gatherings, in which Heian period poets composed "waka" poems on set themes, with a judge deciding the winner(s). Haiku