Haiku in non-Japanese haiku or by modern writers of Japanese "free-form" haiku. The best-known Japanese haiku is Bashō's "old pond": This separates into "on" as: Translated: Another haiku by Bashō: This separates into "on" as: Translated: This haiku by Bashō illustrates that he was not always constrained to a 5-7-5 "on" pattern. It contains 18 "on" in the pattern 6-7-5 ("ō" or is treated as two "on".) This separates into "on" as: Translated: This haiku by Issa illustrates that 17 Japanese "on" do not always equate to 17 English syllables ("nan" counts as two "on" and "nonda" as three.) This separates
Haiku hokku's poetic value. One of the first advocates of English-language hokku was the Japanese poet Yone Noguchi. In "A Proposal to American Poets," published in the "Reader" magazine in February 1904, Noguchi gave a brief outline of the hokku and some of his own English efforts, ending with the exhortation, "Pray, you try Japanese Hokku, my American poets!" At about the same time the poet Sadakichi Hartmann was publishing original English-language hokku, as well as other Japanese forms in both English and French. In France, haiku was introduced by Paul-Louis Couchoud around 1906. Couchoud's articles were read by early Imagist