Kireji in translations of such verses into this language, kireji may be represented by punctuation (typically by a dash or an ellipsis), an exclamatory particle (such as 'how...'), or simply left unmarked. The examples below are laid out as follows: Kireji Classical renga developed a tradition of 18 kireji, which were adopted by haikai, thence used for both renku and haiku, the most common of which are listed below: Hokku and haiku consist of 17 Japanese syllables, or on (a phonetic unit identical to the mora), in three metrical phrases of 5, 7, and 5 on respectively. A kireji is typically
Arts by region build from stone, but the jungles and forests might overgrow the buildings, as in Angkor Wat. Early-Modern Japanese literature (17th–19th centuries) developed innovations such as haiku, a form of Japanese poetry that evolved from the ancient "hokku" (Japanese language: 発句) mode. Haiku consists of three lines: the first and third lines each have five "morae" (the rough phonological equivalent of syllables), while the second has seven. Original haiku masters included such figures as Edo period poet Matsuo Bashō (松尾芭蕉); others influenced by Bashō include Kobayashi Issa and Masaoka Shiki. In Punjab, India, bhangra is popular. In all countries in Southeast