Mau Mau Uprising the Kikuyu, and the Kikuyu from the rest of the colony's population and the world outside. In driving a wedge between Mau Mau and the Kikuyu generally, these propaganda efforts essentially played no role, though they could apparently claim an important contribution to the isolation of Mau Mau from the non-Kikuyu sections of the population. By the mid-1960s, the view of Mau Mau as simply irrational activists was being challenged by memoirs of former members and leaders that portrayed Mau Mau as an essential, if radical, component of African nationalism in Kenya, and by academic studies that analysed the movement
Gallery Mau Mau an uprising. In formal, mainstream galleries, artists have their work taken away from them (and the viewer) -- displays are clinical and prices exorbitant -- but Mau Mau showcases affordable, underground art at street level. Now, even established dealers can be seen hanging around here. They also want to see what's contemporary, cutting edge and desirable"." Petra Mason "Poetry as art or art as poetry?" An exhibition of poetry manuscripts, Benita Munitz, Cape Times, "Display oozes an African vitality" – Vital Functions – Benita Munitz, Cape Times "Notty Spaces", Herman Wittenberg, M&G April 24–30, 1998 "Nailed to the Kras", Chris