Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku Haiku In Japanese, haiku are traditionally printed in a single vertical line while haiku in English often appear in three lines to parallel the three phrases of Japanese haiku. Previously called "hokku", haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. In Japanese haiku a "kireji", or cutting word, typically appears at the end of one of the verse's three phrases. A "kireji" fills a role somewhat analogous to a "caesura" in classical western poetry or to a volta in sonnets. Depending on which cutting word is chosen, and its