Major thirds tuning tuning's simplicity and consistency are not shared by standard tuning, whose seventh-chord fingering is discussed at the end of this section. Each major-thirds tuning repeats its open-notes after every two strings, which results in two copies of the three open-strings' notes, each in a different octave. This repetition again simplifies the learning of chords and improvisation. This advantage is not shared by two popular regular-tunings, all-fourths and all-fifths tuning. Chord inversion is especially simple in major-thirds tuning. Chords are inverted simply by raising one or two notes three strings. The raised notes are played with the same finger as the
Major thirds tuning of major-third and minor-sixth intervals are termed "inverse intervals" in the theory of music. Consequently, chord charts for minor-sixths tunings may be used for left-handed major-thirds tunings; conversely, chord charts for major-thirds tunings may be used for left-handed minor-sixths tunings. Major-thirds tuning facilitates playing chords with closed voicings. In contrast, standard tuning would require more hand-stretching to play closed-voice seventh chords, and so standard tuning uses open voicings for many four-note chords, for example of dominant seventh chords. By definition, a "dominant seventh" is a four-note chord combining a major chord and a minor seventh. For example, the C7 seventh