Androcles in the Louvre and showed Androcles tending the lion's paw. In the 19th century Androcles became a subject for French table ornaments. One from 1820 shows him sword in hand in the arena as the lion crouches at his feet, while another from 1825 has him tending the injured paw. About 1898, Jean-Léon Gérôme, who was soon to paint that scene too, produced a sculpture of Androcles leading the lion about on his tour of the Roman taverns. Titled "Le Mendiant" (the beggar), it is made of bronze gilt and shows the former slave standing with one hand on the
Portrait of a Gentleman with a Lion Paw gentleman wearing a rich, fur-lined black coat. He stands in front of a rich red and a green textile background and shows us a gilt lion's paw. His right hand, in a gesture typical of Lotto, touches his heart, showing two valuable rings. The composition and the colors show the influence of Titian, then the most respected painter in Venice. The symbolic meaning of the lion's paw is not clear. It could be an allusion to the subject's name, perhaps Leonino Brambati of Bergamo, or a member of the Venetian Zatta family (zatta, in Venetian dialect, means "paw"). It has