Haiku in non-Japanese haiku or by modern writers of Japanese "free-form" haiku. The best-known Japanese haiku is Bashō's "old pond": This separates into "on" as: Translated: Another haiku by Bashō: This separates into "on" as: Translated: This haiku by Bashō illustrates that he was not always constrained to a 5-7-5 "on" pattern. It contains 18 "on" in the pattern 6-7-5 ("ō" or is treated as two "on".) This separates into "on" as: Translated: This haiku by Issa illustrates that 17 Japanese "on" do not always equate to 17 English syllables ("nan" counts as two "on" and "nonda" as three.) This separates
Strugnell's Haiku Strugnell's Haiku Strugnell's Haiku is a collection of three songs for voice and piano by the composer Colin Matthews, set to haiku poems by Jason Strugnell, an alter ego of the poet Wendy Cope. The texts cover the angst of living in South London, the abode of the fictional Strugnell, who lived in Tulse Hill and worked at Norwood library, and whose work shows the influence of a number of poets, including Ted Hughes, Craig Raine and James Elroy Flecker. The poems were originally published in Cope's collection "Making Cocoa for Kingsley Amis." The haiku touch on various experiences in