Haiku the 17 "on" of a traditional Japanese haiku. Because the normal modes of English poetry depend on accentual meter rather than on syllabics, Henderson chose to emphasize the order of events and images in the originals. Nevertheless, many of Henderson's translations were in the five-seven-five pattern. The first haiku written in English was arguably by Ezra Pound, "In a Station of the Metro", published in 1913. Since then, the haiku has become a fairly popular form among English-speaking poets. English haiku can follow the traditional Japanese rules, but are frequently less strict, particularly concerning the number of syllables and subject
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among