Androcles Classical accounts. Agostino Veneziano depicts the slave Androcles being freed by the Emperor in a work from 1516-17 now in the LACMA collection. There is also an early pen and wash drawing by Baldassare Peruzzi dating from the 1530s in the Hermitage Museum. Dependent on the account by Aulus Gellius, it depicts Androcles walking through a doorway with the lion on a lead at his heel. Other artists have preferred the scene of Androcles pulling the thorn from the lion's paw, as in Bernhard Rode's print of 1784. A later American example is Walter Inglis Anderson's block print scroll of
A Wind in the Door him as a failure and an obstacle. However, later in the book Meg respects the often overlooked man. Proginoskes, a new character, is a "singular cherubim" who seems to resemble a Seraph; he becomes a particular friend of Meg's. "Progo" has what seems like hundreds of constantly moving wings, a great quantity and variety of eyes (which Meg seems to travel through at some points in the book), and "jets of flame" and smoke. He does not always take material form, and even when he does, as he tells Meg, not everyone is able to see him. Like Meg, Proginoskes