Haiku Anthology of Poems and Poets from Bashô to Shiki" by Harold G. Henderson was published by Doubleday Anchor Books. This book was a revision of Henderson's earlier book titled "The Bamboo Broom" (Houghton Mifflin, 1934). After World War II, Henderson and Blyth worked for the American Occupation in Japan and for the Imperial Household, respectively, and their shared appreciation of haiku helped form a bond between the two. Henderson translated every hokku and haiku into a rhymed tercet (a-b-a), whereas the Japanese originals never used rhyme. Unlike Yasuda, however, he recognized that 17 syllables in English are generally longer than
Haiku of the 18th century (in regard to this period of "haikai", it came to mean 'trite' and 'hackneyed'). Shiki also criticized Bashō. Like the Japanese intellectual world in general at that time, Shiki was strongly influenced by Western culture. He favored the painterly style of Buson and particularly the European concept of "plein-air" painting, which he adapted to create a style of haiku as a kind of nature sketch in words, an approach called "shasei" (, "sketching from life"). He popularized his views by verse columns and essays in newspapers. Hokku up to the time of Shiki, even when appearing