Jaws (franchise) about a great white shark terrorizing a beach resort. After various revisions and rewrites, Benchley delivered his final draft in January 1973. The title was not decided until shortly before the book went to print. Benchley says that he had spent months thinking of titles, many of which he calls "pretentious" such as "The Stillness in the Water" and "Leviathan Rising". Benchley regarded other ideas, such as "The Jaws of Death" and "The Jaws of Leviathan", as "melodramatic, weird, or pretentious." According to Benchley, the novel still did not have a title until twenty minutes before production of the book.
Jaws (franchise) for his work on the first film. The shark theme is used in all three sequels, a continuity that Williams compares to "the great tradition" for repeating musical themes in Hollywood serials such as Roy Rogers and The Lone Ranger. Alan Parker composed and conducted the score for "Jaws 3-D", while the final film was scored by Michael Small. The latter was particularly praised for his work, which many critics considered superior to the film. "Jaws" was the first film to use "wide release" as a distribution pattern. As such, it is an important film in the history of film