Androcles Classical accounts. Agostino Veneziano depicts the slave Androcles being freed by the Emperor in a work from 1516-17 now in the LACMA collection. There is also an early pen and wash drawing by Baldassare Peruzzi dating from the 1530s in the Hermitage Museum. Dependent on the account by Aulus Gellius, it depicts Androcles walking through a doorway with the lion on a lead at his heel. Other artists have preferred the scene of Androcles pulling the thorn from the lion's paw, as in Bernhard Rode's print of 1784. A later American example is Walter Inglis Anderson's block print scroll of
A Bride from the Bush an Australian perspective. A reviewer from "The New York Times" called the novel "a most piquant contrast between civilization and crudity". The writer Thomas Alexander Browne called the titular character of "A Bride from the Bush" "a libel to Australian womankind". A "Punch" editor made the opposite claim, arguing that the protagonist of the novel is more kind-hearted and attractive than actual Australians. Hornung's later stories in the A. J. Raffles series achieved much more popularity than "A Bride from the Bush". Nonetheless, he himself liked "A Bride from the Bush" and his other Australian stories better than those of