The Sugar Factory (album) documentary film by German filmmaker Thomas Riedelsheimer about profoundly deaf Scottish percussionist Evelyn Glennie and how she hears with her body. In 2003 Riedelsheimer asked English experimental musician Fred Frith to perform with Glennie in the film; Frith had previously worked with Riedelsheimer on the soundtrack for his 2001 documentary, "Rivers and Tides". Frith and Glennie performed in an abandoned sugar factory in Dormagen, Germany in July 2003, and were filmed under the pretext of "making a record". This was the first time that Frith and Glennie had worked together, and their entire performance was improvised. For the purpose of
What the World Needs Now Is Love to play it for DeShannon. The song was also rejected by Gene Pitney, reportedly over a financial dispute. DeShannon's version was recorded on March 23, 1965, at New York's Bell Sound studios. Bacharach arranged, conducted and produced the session. In addition to the DeShannon hit recording and the numerous cover versions, "What the World Needs Now is Love" served as the basis for a distinctive 1971 remix. Disc jockey Tom Clay was working at radio station KGBS in Los Angeles, California, when he created the single "What the World Needs Now is Love/Abraham, Martin and John", a social commentary that