Haiku in non-Japanese haiku or by modern writers of Japanese "free-form" haiku. The best-known Japanese haiku is Bashō's "old pond": This separates into "on" as: Translated: Another haiku by Bashō: This separates into "on" as: Translated: This haiku by Bashō illustrates that he was not always constrained to a 5-7-5 "on" pattern. It contains 18 "on" in the pattern 6-7-5 ("ō" or is treated as two "on".) This separates into "on" as: Translated: This haiku by Issa illustrates that 17 Japanese "on" do not always equate to 17 English syllables ("nan" counts as two "on" and "nonda" as three.) This separates
On (Japanese prosody) or "queue" is perceived as a single syllable by English speakers). In "Nippon" the doubled "P" each is pronounced separately; the final "N" is also a separate hiragana, so the two English syllables translate to four "on". On (Japanese prosody) The term On (rarely "Onji") refers to counting phonetic sounds in Japanese poetry. In the Japanese language, the word ""on"" (音) means "sound". It is used to mean the phonetic units counted in haiku, tanka, and other such poetic forms. Known as "morae" to English-speaking linguists, the modern Japanese term for the linguistic concept is either "haku" () or "mōra"