Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku in languages other than Japanese 2009. The so-called "Estonian haiku" is shorter than a Japanese one; the syllable count in Japanese haiku is 5+7+5, while Estonian haiku also goes in three lines but only comprises 4+6+4 syllables. Estonian authors claim that this is a distinctively Estonian form. Asko Künnap is credited as the inventor of Estonian haiku. The first collection of Estonian haiku was published in 2010: "Estonian Haiku" by poets Asko Künnap, Jürgen Rooste, and Karl Martin Sinijärv. An Estonian-language haiku competition was organized at the 2011 Helsinki Book Fair where Estonia was the guest of honor. A selection of Estonian haiku has been