Mau Mau Uprising characterisation that remains extremely unpopular in Kenya. Kenyatta described the conflict in his memoirs as a civil war rather than a rebellion. The reason that the revolt was majorly limited to the Kikuyu people was, in part, that they had suffered the most as a result of the negative aspects of British colonialism. Wunyabari O. Maloba regards the rise of the Mau Mau movement as "without doubt, one of the most important events in recent African history." David Anderson, however, considers Maloba's and similar work to be the product of "swallowing too readily the propaganda of the Mau Mau war",
Gallery Mau Mau Roper, M&G January 30-Feb 5 1998 "Sharp contrasts make potent stuff", Benita Munitz, Cape Times "Of Freaks and Pervs", Dennis Mair, M&G "Mau Mau offers a feast of schlocky horror flieks", Ian McDonald, Argust Tonight, 1997 "B-Grade Movie mini-festival", staff reporter, Cape Times "Lesson One, Manipulate the Mainstream", Dennis Mair, M&G, November 22–28, 1996 "Photocopy art on show", Gary van Dyk, Argus Tonight Pillaging the Spoken Word", Tracy Murinik, M&G July, 10-16 1998 "Photo experiment at gallery," Leonard Shapiro, Cape Times July 22, 1998 Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town,