Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Japanese poetry are a short, 3-line verse form, which have achieved significant global popularity, and the haiku form has been adapted from Japanese into other languages. Typical of the haiku form is the metrical pattern of 3 lines with a distribution of 5, 7, and 5 "on" (also known as morae) within those lines. Other features include the juxtaposition of two images or ideas with a "kireji" ("cutting word") between them, and a "kigo", or seasonal reference, usually drawn from a "saijiki", or traditional list of such words. Much of Japanese poetry has been transmitted historically through published anthologies, many of them