Mau Mau Uprising given rise to three native Kenyan political blocks: "conservative", "moderate nationalist" and "militant nationalist". It has also been argued that Mau Mau was not explicitly national, either intellectually or operationally. Bruce Berman argues that, "While Mau Mau was clearly not a tribal atavism seeking a return to the past, the answer to the question of 'was it nationalism?' must be yes and no." As the Mau Mau rebellion wore on, the violence forced the spectrum of opinion within the Kikuyu, Embu and Meru to polarise and harden into the two distinct camps of loyalist and Mau Mau. This neat division
Gallery Mau Mau an uprising. In formal, mainstream galleries, artists have their work taken away from them (and the viewer) -- displays are clinical and prices exorbitant -- but Mau Mau showcases affordable, underground art at street level. Now, even established dealers can be seen hanging around here. They also want to see what's contemporary, cutting edge and desirable"." Petra Mason "Poetry as art or art as poetry?" An exhibition of poetry manuscripts, Benita Munitz, Cape Times, "Display oozes an African vitality" – Vital Functions – Benita Munitz, Cape Times "Notty Spaces", Herman Wittenberg, M&G April 24–30, 1998 "Nailed to the Kras", Chris