Androcles and the Lion (film) a wounded paw. Androcles sees that the cause is a large thorn embedded in its paw, which he draws out while talking baby language to the lion. His wife had fled, and Androcles is next seen in a procession of Christian prisoners on their way to the Colosseum in Rome. They are joined by the fierce convert Ferrovius who subsequently provides much of the comic entertainment in his struggle to keep his nature in check. Love interest is also introduced by the growing attraction of the Captain to the noble-born convert Lavinia. Eventually the party is sent into the arena
Breton Women at a Pardon in particular. One photograph shows a grassy area in which the artist had a friend pose, another a view of the church seen here in the background, complete with the festival flags protruding from the lower spire. The vertical framing and almost uncomfortable proximity of the women add to its 'snapshot' aspect. From the photographs, the painting is known to have been posed at the Pardon de Rumengol, Finistère, Brittany. "Breton Women at a Pardon" was first exhibited at the Salon in 1889, where it drew acclaim and won the Grand Prise. It is often compared to Paul Gauguin's at