Rule of thirds two thirds of water, and these together, forming about one-third of the picture, the remaining two-thirds to be for air and sky; and he applies the same rule to the crossing and breaking of lines and objects, &c. Even at this early date, there was skepticism over the universality of such a rule, at least in regards to color, for Field continues: This rule, however, does not supply a general law, but universalises a particular, the invariable observance of which would produce a uniform and monotonous practice. But, however occasionally useful, it is neither accurate nor universal, the true mean
Major thirds tuning of major-third and minor-sixth intervals are termed "inverse intervals" in the theory of music. Consequently, chord charts for minor-sixths tunings may be used for left-handed major-thirds tunings; conversely, chord charts for major-thirds tunings may be used for left-handed minor-sixths tunings. Major-thirds tuning facilitates playing chords with closed voicings. In contrast, standard tuning would require more hand-stretching to play closed-voice seventh chords, and so standard tuning uses open voicings for many four-note chords, for example of dominant seventh chords. By definition, a "dominant seventh" is a four-note chord combining a major chord and a minor seventh. For example, the C7 seventh