Mau Mau Uprising to them as "the White Mau Mau". Second, the brutality of Mau Mau attacks on civilians made it easy for the movement's opponents—including native Kenyan and loyalist security forces—to adopt a totally dehumanised view of Mau Mau adherents. A variety of persuasive techniques were initiated by the colonial authorities to punish and break Mau Mau's support: Baring ordered punitive communal-labour, collective fines and other collective punishments, and further confiscation of land and property. By early 1954, tens of thousands of head of livestock had been taken, and were allegedly never returned. Detailed accounts of the policy of seizing livestock from
Gallery Mau Mau Roper, M&G January 30-Feb 5 1998 "Sharp contrasts make potent stuff", Benita Munitz, Cape Times "Of Freaks and Pervs", Dennis Mair, M&G "Mau Mau offers a feast of schlocky horror flieks", Ian McDonald, Argust Tonight, 1997 "B-Grade Movie mini-festival", staff reporter, Cape Times "Lesson One, Manipulate the Mainstream", Dennis Mair, M&G, November 22–28, 1996 "Photocopy art on show", Gary van Dyk, Argus Tonight Pillaging the Spoken Word", Tracy Murinik, M&G July, 10-16 1998 "Photo experiment at gallery," Leonard Shapiro, Cape Times July 22, 1998 Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town,