Mau Mau Uprising given rise to three native Kenyan political blocks: "conservative", "moderate nationalist" and "militant nationalist". It has also been argued that Mau Mau was not explicitly national, either intellectually or operationally. Bruce Berman argues that, "While Mau Mau was clearly not a tribal atavism seeking a return to the past, the answer to the question of 'was it nationalism?' must be yes and no." As the Mau Mau rebellion wore on, the violence forced the spectrum of opinion within the Kikuyu, Embu and Meru to polarise and harden into the two distinct camps of loyalist and Mau Mau. This neat division
Gallery Mau Mau Roper, M&G January 30-Feb 5 1998 "Sharp contrasts make potent stuff", Benita Munitz, Cape Times "Of Freaks and Pervs", Dennis Mair, M&G "Mau Mau offers a feast of schlocky horror flieks", Ian McDonald, Argust Tonight, 1997 "B-Grade Movie mini-festival", staff reporter, Cape Times "Lesson One, Manipulate the Mainstream", Dennis Mair, M&G, November 22–28, 1996 "Photocopy art on show", Gary van Dyk, Argus Tonight Pillaging the Spoken Word", Tracy Murinik, M&G July, 10-16 1998 "Photo experiment at gallery," Leonard Shapiro, Cape Times July 22, 1998 Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town,