Major thirds tuning also facilitate advanced guitarists' improvisation, precisely the aim of jazz guitarist Ralph Patt when he began popularizing major-thirds tuning between 1963 and 1964. In standard tuning, the successive open-strings mix two types of intervals, four perfect-fourths and the major third between the G and B strings: Only major thirds occur as open-string intervals for major-thirds tuning, which is also called ""major-third" tuning", ""all-thirds" tuning", and ""M3" tuning". A popular M3 tuning has the open strings in which the low G is a major third above the low E of standard tuning. Consequently, a seventh string for the low E is
One-third hypothesis theory. One-third hypothesis The one-third hypothesis (OTH) is a sociodynamic idea—advanced by Hugo O. Engelmann—that asserts that a group's prominence increases as it approaches one-third of the population and diminishes when it exceeds or falls below one-third of the population. As the one-third hypothesis was stated originally by Hugo O. Engelmann in a letter to the "American Sociologist" in 1967: "...we would expect that the most persistent subgroups in any group would be those which approximate one-third or, by similar reasoning, a multiple of [i.e., a power of] one-third of the total group. Being the most persistent, these groups also