Mau Mau Uprising Kikuyu.. This was coupled with a relaxation of the ban on native Kenyans growing coffee, a primary cash crop. In the cities the colonial authorities decided to dispel tensions by raising urban wages, thereby strengthening the hand of moderate union organisations like the KFRTU. By 1956, the British had granted direct election of native Kenyan members of the Legislative Assembly, followed shortly thereafter by an increase in the number of local seats to fourteen. A Parliamentary conference in January 1960 indicated that the British would accept "one person—one vote" majority rule. The uprising was, in David Anderson's words, "a story
Gallery Mau Mau an uprising. In formal, mainstream galleries, artists have their work taken away from them (and the viewer) -- displays are clinical and prices exorbitant -- but Mau Mau showcases affordable, underground art at street level. Now, even established dealers can be seen hanging around here. They also want to see what's contemporary, cutting edge and desirable"." Petra Mason "Poetry as art or art as poetry?" An exhibition of poetry manuscripts, Benita Munitz, Cape Times, "Display oozes an African vitality" – Vital Functions – Benita Munitz, Cape Times "Notty Spaces", Herman Wittenberg, M&G April 24–30, 1998 "Nailed to the Kras", Chris