Haiku in languages other than Japanese following Haiku by (1995) as an example: Haiku have found a foothold in German poetry since the 1920s, with examples from Rainer Maria Rilke, Franz Blei, Yvan Goll, Peter Altenberg, Alfred Mombert and Arno Holz among others being cited. The collection "Ihr gelben Chrysanthemen!" by (Vienna 1939) was published in the 1930s. Also written in the 1930s, haiku by Imma von Bodmershof appeared in book-form in 1962 and were republished in Japan in 1979 as "Löwenzahn: die auf 17 Silben verkürzten Haiku". In 1988, Margaret Buerschaper founded the German Haiku Society (Die Deutsche Haiku-Gesellschaft e. V.). Authors in Spain who
Strugnell's Haiku the poet's life. The first of Strugnell's "Three Haiku" is a eulogy to cherry blossom, which the poet thinks "looks really nice". In the second haiku, the poet laments his imminent baldness, comparing it to the seasonal fallen leaves and snow. In the last haiku, describing a November evening, the poet notes that "the pubs are open". Matthews's settings of the first two haiku are essentially pentatonic in melody and harmony. The first haiku is marked by Matthews as "with fervour, but soon becoming gentle and introspective"; the second as "delicate: like porcelain." In the second haiku the time signature