Berliner Gramophone formulations remained the standard disc record material until the first vinyl records – initially made only for radio use and other special applications – were introduced in the 1930s. Beginning in 1896, Berliner's gramophones were made by Philadelphia-based machinist Eldridge Johnson, who added a spring motor to drive the previously hand-rotated turntable. Berliner also opened an office in New York City, staffed by Frank Seaman and O. D. LaDow and organized as the National Gramophone Company. Master recordings were made onto zinc plates, which were then electroplated and a negative-image "mother" made from them to stamp discs. A major reversal
Unusual types of gramophone records are the copies still in very good state of listening these days Some records are cut with completely independent bands on the same side. In this case the bands appear as separate tracks on the record and are not intertwined as with parallel grooves (see below). This has most often been used on educational records but is also sometimes used on discs of commercial pop and rock music. These individual bands need not be cut at the same speed. The second Moby Grape album "Wow/Grape Jam" (1968) has this setup. Following the fourth song on side one there is a