Major thirds tuning tuning's simplicity and consistency are not shared by standard tuning, whose seventh-chord fingering is discussed at the end of this section. Each major-thirds tuning repeats its open-notes after every two strings, which results in two copies of the three open-strings' notes, each in a different octave. This repetition again simplifies the learning of chords and improvisation. This advantage is not shared by two popular regular-tunings, all-fourths and all-fifths tuning. Chord inversion is especially simple in major-thirds tuning. Chords are inverted simply by raising one or two notes three strings. The raised notes are played with the same finger as the
Septimal major third 3:2 / 9:7 = 7:6 ). Similarly, the septimal major third is the interval between the third and the fifth of the septimal minor triad. In the early meantone era the interval made its appearance as the alternative major third in remote keys, under the name diminished fourth. Tunings of the meantone fifth in the neighborhood of Zarlino's -comma meantone will give four septimal thirds among the twelve major thirds of the tuning; this entails that three septimal major triads appear along with one chord containing a septimal major third with an ordinary minor third above it, making up a