Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku in languages other than Japanese published by the Estonian Writers' Union's magazine "Looming" ("Creation"). Estonian haiku have been actively translated into Finnish. Jhinabhai Desai introduced Haiku in Gujarati literature and popularized it. "Soneri Chand Rooperi Suraj" (1967) is the collection of 359 haiku and six Tanka poems. "Kevalveej" (1984) and "Sunrise on the Snowpeaks" are his other haiku collections. Dhiru Parikh published Haiku collection titled "Aagiya" in 1982. Haiku poetry is a relatively new practice in the Arabic literature. It wasn't until 2010 when the first book was published by a Syrian writer Muhammad Adimah containing 1000 haiku translated from Japanese directly. Although most of