Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Culture of Asia the form of a novel. Early-Modern Japanese literature (17th–19th centuries) developed comparable innovations such as haiku, a form of Japanese poetry that evolved from the ancient "hokku" (Japanese language: 発句) mode. Haiku consists of three lines: the first and third lines each have five "morae" (the rough phonological equivalent of syllables), while the second has seven. Original haiku masters included such figures as Edo period poet Matsuo Bashō (松尾芭蕉); others influenced by Bashō include Kobayashi Issa and Masaoka Shiki. Korean literature begins in the Three Kingdoms Period, and continues through the Goryeo and Joseon dynasties to the modern day. Examples