Mau Mau Uprising of a lack of targets, and, by late 1955, Lathbury felt so sure of final victory that he reduced army forces to almost pre-Mau Mau levels. He noted, however, that the British should have "no illusions about the future. Mau Mau has not been cured: it has been suppressed. The thousands who have spent a long time in detention must have been embittered by it. Nationalism is still a very potent force and the African will pursue his aim by other means. Kenya is in for a very tricky political future." The government's public relations officer, Granville Roberts, presented villagisation
Gallery Mau Mau an uprising. In formal, mainstream galleries, artists have their work taken away from them (and the viewer) -- displays are clinical and prices exorbitant -- but Mau Mau showcases affordable, underground art at street level. Now, even established dealers can be seen hanging around here. They also want to see what's contemporary, cutting edge and desirable"." Petra Mason "Poetry as art or art as poetry?" An exhibition of poetry manuscripts, Benita Munitz, Cape Times, "Display oozes an African vitality" – Vital Functions – Benita Munitz, Cape Times "Notty Spaces", Herman Wittenberg, M&G April 24–30, 1998 "Nailed to the Kras", Chris