Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku in languages other than Japanese Haiku in languages other than Japanese The Japanese haiku has been adopted in various languages other than Japanese. The imagist poets Ezra Pound and Amy Lowell wrote what they called hokku. Their followers were the Buddhist poet Paul Reps and the Beat poets, including Jack Kerouac. The first English-language haiku magazine was "American Haiku" (1963-1968). French poets who have written haiku in French include Paul-Louis Couchoud (1905), Paul Claudel (1942), Seegan Mabesoone and Nicolas Grenier. (2002) considers that haiku in French, due to the less rhythmic nature of the French language, often include alliterations or discrete rhymes, and cites the