Haiku a phrase in the remaining 12 "on" (it may not be apparent from the English translation of the Issa that the first five "on" mean "Edo's rain"). In comparison with English verse typically characterized by syllabic meter, Japanese verse counts sound units known as ""on"" or morae. Traditional haiku consist of 17 "on", in three phrases of five, seven and five "on" respectively. Among contemporary poems "teikei" ( fixed form) haiku continue to use the 5-7-5 pattern while "jiyuritsu" ( free form) haiku do not. One of the examples below illustrates that traditional haiku masters were not always constrained by
Haiku Mexican poet José Juan Tablada is credited with popularising haiku in his country, reinforced by the publication of two collections composed entirely in that form: "Un dia" (1919), and "El jarro de flores" (1922). In the introduction to the latter, Tablada noted that two young Mexicans, Rafael Lozano and Carlos Gutiérrez Cruz, had also begun writing them. They were followed soon after by Carlos Pellicer, Xavier Villaurrutia, and by Jaime Torres Bodet in his collection "Biombo" (1925). Much later, Octavio Paz included many haiku in "Piedras Sueltas" (1955). Elsewhere the Ecuadorian poet and diplomat Jorge Carrera Andrade included haiku among