Kireji in translations of such verses into this language, kireji may be represented by punctuation (typically by a dash or an ellipsis), an exclamatory particle (such as 'how...'), or simply left unmarked. The examples below are laid out as follows: Kireji Classical renga developed a tradition of 18 kireji, which were adopted by haikai, thence used for both renku and haiku, the most common of which are listed below: Hokku and haiku consist of 17 Japanese syllables, or on (a phonetic unit identical to the mora), in three metrical phrases of 5, 7, and 5 on respectively. A kireji is typically
Haiku to what is now called "haiku". Bashō also used his "hokku" as torque points within his short prose sketches and longer travel diaries. This subgenre of "haikai" is known as "haibun". His best-known work, "Oku no Hosomichi", or "Narrow Roads to the Interior", is counted as one of the classics of Japanese literature and has been translated into English extensively. Bashō was deified by both the imperial government and Shinto religious headquarters one hundred years after his death because he raised the haikai genre from a playful game of wit to sublime poetry. He continues to be revered as a