Kireji in translations of such verses into this language, kireji may be represented by punctuation (typically by a dash or an ellipsis), an exclamatory particle (such as 'how...'), or simply left unmarked. The examples below are laid out as follows: Kireji Classical renga developed a tradition of 18 kireji, which were adopted by haikai, thence used for both renku and haiku, the most common of which are listed below: Hokku and haiku consist of 17 Japanese syllables, or on (a phonetic unit identical to the mora), in three metrical phrases of 5, 7, and 5 on respectively. A kireji is typically
Strugnell's Haiku Strugnell's Haiku Strugnell's Haiku is a collection of three songs for voice and piano by the composer Colin Matthews, set to haiku poems by Jason Strugnell, an alter ego of the poet Wendy Cope. The texts cover the angst of living in South London, the abode of the fictional Strugnell, who lived in Tulse Hill and worked at Norwood library, and whose work shows the influence of a number of poets, including Ted Hughes, Craig Raine and James Elroy Flecker. The poems were originally published in Cope's collection "Making Cocoa for Kingsley Amis." The haiku touch on various experiences in