Wall of Sound but Phil came along and took these to make sounds that had not been used in the past. I thought it was ingenious." During the mid-1950s, Spector worked with Brill Building songwriters Jerry Leiber and Mike Stoller during a period where they sought a fuller sound by the use of excessive instrumentation, using up to five electric guitars and four percussionists. This was later to evolve into Spector's Wall of Sound, which Leiber and Stoller consider to be very distinct from what they were doing, stating: "Phil was the first one to use multiple drum kits, three pianos and so
British Academy of Songwriters, Composers, and Authors for a fairer environment for songwriters and composers by addressing the major problem areas threatening the value and security of creators’ rights. The campaign is calling for: • A 50/50 split in gross royalty income for writers from digital services (as in broadcasting). • A higher proportion of advertising income. • The removal of auto predictive fill in of illegal content with internet search engines (e.g.: Google searches and alerts). • The removal of safe harbour for active content platforms such asYouTube. • More transparency around non-disclosure agreements for writers so they clearly understand how and what they are being