Mau Mau Uprising the Kikuyu, and the Kikuyu from the rest of the colony's population and the world outside. In driving a wedge between Mau Mau and the Kikuyu generally, these propaganda efforts essentially played no role, though they could apparently claim an important contribution to the isolation of Mau Mau from the non-Kikuyu sections of the population. By the mid-1960s, the view of Mau Mau as simply irrational activists was being challenged by memoirs of former members and leaders that portrayed Mau Mau as an essential, if radical, component of African nationalism in Kenya, and by academic studies that analysed the movement
Gallery Mau Mau Roper, M&G January 30-Feb 5 1998 "Sharp contrasts make potent stuff", Benita Munitz, Cape Times "Of Freaks and Pervs", Dennis Mair, M&G "Mau Mau offers a feast of schlocky horror flieks", Ian McDonald, Argust Tonight, 1997 "B-Grade Movie mini-festival", staff reporter, Cape Times "Lesson One, Manipulate the Mainstream", Dennis Mair, M&G, November 22–28, 1996 "Photocopy art on show", Gary van Dyk, Argus Tonight Pillaging the Spoken Word", Tracy Murinik, M&G July, 10-16 1998 "Photo experiment at gallery," Leonard Shapiro, Cape Times July 22, 1998 Gallery Mau Mau Gallery Mau Mau (1996–1998) was a counter-culture "art space" situated in Cape Town,