Haiku in non-Japanese haiku or by modern writers of Japanese "free-form" haiku. The best-known Japanese haiku is Bashō's "old pond": This separates into "on" as: Translated: Another haiku by Bashō: This separates into "on" as: Translated: This haiku by Bashō illustrates that he was not always constrained to a 5-7-5 "on" pattern. It contains 18 "on" in the pattern 6-7-5 ("ō" or is treated as two "on".) This separates into "on" as: Translated: This haiku by Issa illustrates that 17 Japanese "on" do not always equate to 17 English syllables ("nan" counts as two "on" and "nonda" as three.) This separates
Japanese hip hop ends phrases in auxiliary verbs. Whereas English ends in verbs or nouns, which are extremely common, Japanese rappers were limited by the small number of grammatically correct possibilities for ending a phrase. Japanese also lacks the stresses on certain syllables that provide flow to English rapping. Even traditional Japanese poetry was based on the numbers of syllables present, unlike English poetry, which was based on the stresses in a line. Most Japanese lyrical music was also formulated using textual repetition, not relying on the flow of the words. The Japanese also have many ways of indicating class distinctions. English is