Mau Mau Uprising to them as "the White Mau Mau". Second, the brutality of Mau Mau attacks on civilians made it easy for the movement's opponents—including native Kenyan and loyalist security forces—to adopt a totally dehumanised view of Mau Mau adherents. A variety of persuasive techniques were initiated by the colonial authorities to punish and break Mau Mau's support: Baring ordered punitive communal-labour, collective fines and other collective punishments, and further confiscation of land and property. By early 1954, tens of thousands of head of livestock had been taken, and were allegedly never returned. Detailed accounts of the policy of seizing livestock from
Gallery Mau Mau an uprising. In formal, mainstream galleries, artists have their work taken away from them (and the viewer) -- displays are clinical and prices exorbitant -- but Mau Mau showcases affordable, underground art at street level. Now, even established dealers can be seen hanging around here. They also want to see what's contemporary, cutting edge and desirable"." Petra Mason "Poetry as art or art as poetry?" An exhibition of poetry manuscripts, Benita Munitz, Cape Times, "Display oozes an African vitality" – Vital Functions – Benita Munitz, Cape Times "Notty Spaces", Herman Wittenberg, M&G April 24–30, 1998 "Nailed to the Kras", Chris