Clown clowns with "whiteface" makeup: The classic "white clown" is derived from the Pierrot character. His makeup is white, usually with facial features such as eyebrows emphasized in black. He is the more intelligent and sophisticated clown, contrasting with the rude or grotesque "Auguste" types. Francesco Caroli and Glenn "Frosty" Little are examples of this type. The second type of whiteface is the buffoonish clown of the "Bozo" type, known as "Comedy" or "Grotesque Whiteface". This type has grotesquely emphasized features, especially a red nose and red mouth, often with partial (mostly red) hair. In the comedic partnership of Abbott and
When a white horse is not a horse is it that yellow or black horses are acceptable in one case and unacceptable in the other case? It is clear that acceptable and unacceptable are mutually contrary. Hence, yellow and black horses are the same, one can respond that there are horses, but one cannot respond that there are white horses. Thus, it is evident that white horses are not horses. This dialogue continues with deliberations over colored and colorless horses and whether "white" and "horse" can be separated from "white horse". Other "Gongsun longzi" chapters discuss "Baima"-related concepts of "jian" "hard; hardness" and "bai" "white; whiteness", "ming" "name;