Rule of thirds which the two other thirds should go for the sky and aerial perspectives. This rule would likewise apply in breaking a length of wall, or any other too great continuation of line that it may be found necessary to break by crossing or hiding it with some other object : In short, in applying this invention, generally speaking, or to any other case, whether of light, shade, form, or color, I have found the ratio of about two thirds to one third, or of one to two, a much better and more harmonizing proportion, than the precise formal "half", the
Major thirds tuning tuning's simplicity and consistency are not shared by standard tuning, whose seventh-chord fingering is discussed at the end of this section. Each major-thirds tuning repeats its open-notes after every two strings, which results in two copies of the three open-strings' notes, each in a different octave. This repetition again simplifies the learning of chords and improvisation. This advantage is not shared by two popular regular-tunings, all-fourths and all-fifths tuning. Chord inversion is especially simple in major-thirds tuning. Chords are inverted simply by raising one or two notes three strings. The raised notes are played with the same finger as the