Per stirpes receive one-third (all of "D"s one-third share). Under "per capita", the two-thirds remaining after "C" 's one-third share was taken would be divided equally among all three children of "B" and "D". (Two-thirds = six ninths) Each would receive two-ninths: "B1", "B2", and "D1" would all receive two-ninths. "Notes:" In many U.S. states, such as New York, a statute has modified the "per stirpes" approach and utilizes instead a per capita with representation approach (also known as modern American per stirpes). Under the per capita with representation approach, the number of branches is determined by reference to the generation nearest
Major thirds tuning of major-third and minor-sixth intervals are termed "inverse intervals" in the theory of music. Consequently, chord charts for minor-sixths tunings may be used for left-handed major-thirds tunings; conversely, chord charts for major-thirds tunings may be used for left-handed minor-sixths tunings. Major-thirds tuning facilitates playing chords with closed voicings. In contrast, standard tuning would require more hand-stretching to play closed-voice seventh chords, and so standard tuning uses open voicings for many four-note chords, for example of dominant seventh chords. By definition, a "dominant seventh" is a four-note chord combining a major chord and a minor seventh. For example, the C7 seventh