Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku the colloquialism of the language and is closest to natural conversational rhythm, necessary to carry the weight of the hokku A haiku traditionally contains a "kigo", a word or phrase that symbolizes or implies the season of the poem and which is drawn from a "saijiki", an extensive but prescriptive list of such words. Kigo are often in the form of metonyms and can be difficult for those who lack Japanese cultural references to spot. The Bashō examples below include "kawazu", "frog" implying spring, and "shigure", a rain shower in late autumn or early winter. Kigo are not always included