Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku in English several "hokku" in her book "What's O'Clock" (1925; winner of the Pulitzer Prize). Individualistic haiku-like verses by the innovative Buddhist poet and artist Paul Reps (1895–1990) appeared in print as early as 1939 ("More Power to You—Poems everyone Can Make", Preview Publications, Montrose CA.). Inspired by R. H. Blyth's translations, other Westerners, including those of the Beat period, such as Gary Snyder, Jack Kerouac, Richard Wright and James W. Hackett, wrote original haiku in English. African-American novelist Richard Wright, in his final years, composed some 4,000 haiku, 817 of which are collected in the volume "Haiku: This Other World". Wright