Radical Chic & Mau-Mauing the Flak Catchers in charge of administering many of the anti-poverty programs of the time. Wolfe presents the office as corrupt, continually gamed by hustlers diverting cash into their own pockets. The essay centers on the irony of these failed programs fortifying not the diets but the resentment and contempt of the Black, Chicano, Filipino, Chinese, Indian, and Samoan communities of San Francisco. Wolfe describes hapless bureaucrats (the Flak Catchers) whose function was reduced to taking abuse, or "mau-mauing" (in reference to the intimidation tactics employed in Kenya's anti-colonial Mau Mau Uprising) from intimidating young Blacks and Samoans, who are seen as reveling
Gallery Mau Mau an uprising. In formal, mainstream galleries, artists have their work taken away from them (and the viewer) -- displays are clinical and prices exorbitant -- but Mau Mau showcases affordable, underground art at street level. Now, even established dealers can be seen hanging around here. They also want to see what's contemporary, cutting edge and desirable"." Petra Mason "Poetry as art or art as poetry?" An exhibition of poetry manuscripts, Benita Munitz, Cape Times, "Display oozes an African vitality" – Vital Functions – Benita Munitz, Cape Times "Notty Spaces", Herman Wittenberg, M&G April 24–30, 1998 "Nailed to the Kras", Chris