Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Old Japanese line of the first poem in the "Kojiki" was written with five characters: This method of writing Japanese syllables by using characters for their Chinese sounds ("ongana") was supplemented with indirect methods in the complex mixed script of the "Man'yōshū" (c. 759). In "man'yōgana", each Old Japanese syllable was represented by a Chinese character. Although any one of several characters could be used for a given syllable, a careful analysis revealed that 88 syllables were distinguished in the "Kojiki": The system has the same gaps of "yi" and "wu" found in later forms of Japanese. However, many syllables that have