Kireji in translations of such verses into this language, kireji may be represented by punctuation (typically by a dash or an ellipsis), an exclamatory particle (such as 'how...'), or simply left unmarked. The examples below are laid out as follows: Kireji Classical renga developed a tradition of 18 kireji, which were adopted by haikai, thence used for both renku and haiku, the most common of which are listed below: Hokku and haiku consist of 17 Japanese syllables, or on (a phonetic unit identical to the mora), in three metrical phrases of 5, 7, and 5 on respectively. A kireji is typically
Haiku independently, were written in the context of renku. Shiki formally separated his new style of verse from the context of collaborative poetry. Being agnostic, he also separated it from the influence of Buddhism. Further, he discarded the term "hokku" and proposed the term "haiku" as an abbreviation of the phrase ""haikai no ku"" meaning a verse of "haikai", although the term predates Shiki by some two centuries, when it was used to mean "any" verse of haikai. Since then, "haiku" has been the term usually applied in both Japanese and English to all independent haiku, irrespective of their date of