Blue Is the Warmest Colour trying to make their flesh more familiar to us than his own." "Blue Is the Warmest Colour" is also filled with visual symbolism. The colour blue is used extensively throughout the film—from the lighting in the gay club Adèle visits, to the dress she wears in the last scene and most notably, in Emma's hair and eyes. For Adèle, blue represents emotional intensity, curiosity, love, and sadness. Adèle also references Pablo Picasso a number of times, who famously went through a melancholy Blue Period. As Emma grows out of her relationship with Adèle and their passion wanes, she removes the
Thorn in the flesh his other epistles do not directly address the topic. Throughout church history, there has been a significant amount of speculation about what Paul was referring to, although scholars such as Philip Edgcumbe Hughes, F. F. Bruce and Ralph P. Martin conclude that definite identification of the thorn is impossible with the evidence available. The "thorn" is most commonly interpreted as a reference to some form of serious physical infirmity that hindered his work. This is also the earliest known Christian interpretation, mentioned in the early third century in Tertullian's "On Modesty", where it is understood as a reference to ear