Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Haiku in English popular in English-language schools as a way to encourage the appreciation and writing of poetry. "Haiku" is a term sometimes loosely applied to any short, impressionistic poem, but there are certain characteristics that are commonly associated with the genre: Some additional traits are especially associated with English-language haiku (as opposed to Japanese-language haiku): Arguably, the first successful haiku in English was "In a Station of the Metro" by Ezra Pound, published in 1913. During the Imagist period, a number of mainstream poets, including Pound, wrote what they called "hokku", usually in a five-six-four syllable pattern. American poet Amy Lowell published