Kenneth Yasuda Haiku in English being as popular as with its Japanese audience. In Yasuda's haiku theory the intent of the haiku is contained in the concept of a "haiku moment," 'that moment of absolute intensity when the poet's grasp of his intuition is complete so that the image lives its own life', (seventeen syllables corresponding to that 'moment', divided into three lines within 'one breath length' ). This notion of the haiku moment has been defined as 'an aesthetic moment' a timeless feeling of enlightened harmony as a poet's nature and environment are unified'The passing momentary experience that comes alive through
Estonian haiku Estonian haiku Estonian haiku () is a short poem in Estonian language which has adopted the form and style of the original Japanese haiku. Estonian haiku was first introduced in 2009. The so-called "Estonian haiku" is shorter than the Japanese one; the syllable count in Japanese haiku is 5+7+5, while Estonian haiku also goes in three lines but only comprises 4+6+4 syllables. Estonian authors claim that this is a distinctively Estonian form. Traditional haiku have been developed in Estonia since 1960s. Andres Ehin (1940–2011) was the most prominent Estonian-language haiku writer of the 20th century; his bilingual English-Estonian collection "Moose