Kireji in translations of such verses into this language, kireji may be represented by punctuation (typically by a dash or an ellipsis), an exclamatory particle (such as 'how...'), or simply left unmarked. The examples below are laid out as follows: Kireji Classical renga developed a tradition of 18 kireji, which were adopted by haikai, thence used for both renku and haiku, the most common of which are listed below: Hokku and haiku consist of 17 Japanese syllables, or on (a phonetic unit identical to the mora), in three metrical phrases of 5, 7, and 5 on respectively. A kireji is typically
Strugnell's Haiku the poet's life. The first of Strugnell's "Three Haiku" is a eulogy to cherry blossom, which the poet thinks "looks really nice". In the second haiku, the poet laments his imminent baldness, comparing it to the seasonal fallen leaves and snow. In the last haiku, describing a November evening, the poet notes that "the pubs are open". Matthews's settings of the first two haiku are essentially pentatonic in melody and harmony. The first haiku is marked by Matthews as "with fervour, but soon becoming gentle and introspective"; the second as "delicate: like porcelain." In the second haiku the time signature