Haiku Anthology of Poems and Poets from Bashô to Shiki" by Harold G. Henderson was published by Doubleday Anchor Books. This book was a revision of Henderson's earlier book titled "The Bamboo Broom" (Houghton Mifflin, 1934). After World War II, Henderson and Blyth worked for the American Occupation in Japan and for the Imperial Household, respectively, and their shared appreciation of haiku helped form a bond between the two. Henderson translated every hokku and haiku into a rhymed tercet (a-b-a), whereas the Japanese originals never used rhyme. Unlike Yasuda, however, he recognized that 17 syllables in English are generally longer than
Haiku in English poets and scholars attempting to understand English-language haiku aesthetics and history include William J. Higginson's "Haiku Handbook" (McGraw-Hill, 1985) and Lee Gurga's "Haiku: A Poet's Guide" (Modern Haiku Press, 2003). Significant contributors to American haiku include Hackett, Virgilio, Charles B. Dickson (1915–1991), Elizabeth Searle Lamb (1917–2005), Raymond Roseliep (1917–1983), Robert Spiess (1921–2002), John Wills (1921–1993), Anita Virgil (b. 1931), and Peggy Willis Lyles (1939–2010). Other major figures still active in the American haiku community include Lee Gurga, Christopher Herold, Gary Hotham, Jim Kacian, Michael McClintock, Marlene Mountain, Marian Olson, Alan Pizzarelli, Alexis Rotella, John Stevenson, George Swede, vincent tripi, Michael