Haiku in languages other than Japanese following Haiku by (1995) as an example: Haiku have found a foothold in German poetry since the 1920s, with examples from Rainer Maria Rilke, Franz Blei, Yvan Goll, Peter Altenberg, Alfred Mombert and Arno Holz among others being cited. The collection "Ihr gelben Chrysanthemen!" by (Vienna 1939) was published in the 1930s. Also written in the 1930s, haiku by Imma von Bodmershof appeared in book-form in 1962 and were republished in Japan in 1979 as "Löwenzahn: die auf 17 Silben verkürzten Haiku". In 1988, Margaret Buerschaper founded the German Haiku Society (Die Deutsche Haiku-Gesellschaft e. V.). Authors in Spain who
Haiku in English four lines (sometimes known as "haiqua") or longer have been written, some of them "vertical haiku" with only a word or two per line. These poems mimic the vertical printed form of Japanese haiku. The translator Nobuyuki Yuasa considered four lines more appropriate in his translations, being closest to the natural conversational rhythm of the colloquial language of haiku, also that three lines did not carry the weight of hokku and found it impossible to use 'three lines' consistently for his translations. The contemporary poet John Martone has written a vast number of vertical haiku. Haiku have also appeared in