Rule of thirds room should be in front of the subject with the vertical line running through their perceived center of mass. The rule of thirds was first written down by John Thomas Smith in 1797. In his book "Remarks on Rural Scenery," Smith quotes a 1783 work by Sir Joshua Reynolds, in which Reynolds discusses, in unquantified terms, the balance of dark and light in a painting. John Thomas Smith then continues with an expansion on the idea, naming it the "Rule of thirds": Two distinct, equal lights, should never appear in the same picture : One should be principal, and the
Major thirds tuning improvisation. In contrast, chords cannot be shifted around the fretboard in standard tuning, which requires four chord-shapes for the major chords: There are separate fingerings for chords having root notes on one of the four strings three–six. The repetition of the major-thirds tuning enables notes and chords to be raised one octave by being "vertically" shifted by three strings. Notes and chords may be shifted "diagonally" in major-thirds tuning, by combining a vertical shift of one string with a horizontal shift of four frets: "Like all regular tunings, chords in the major third tuning can be moved across the fretboard