Charlie Chaplin use ("Easy Street", 1917). He often explored these topics ironically, making comedy out of suffering. Social commentary was a feature of Chaplin's films from early in his career, as he portrayed the underdog in a sympathetic light and highlighted the difficulties of the poor. Later, as he developed a keen interest in economics and felt obliged to publicise his views, Chaplin began incorporating overtly political messages into his films. "Modern Times" (1936) depicted factory workers in dismal conditions, "The Great Dictator" (1940) parodied Adolf Hitler and Benito Mussolini and ended in a speech against nationalism, "Monsieur Verdoux" (1947) criticised war
Charlie Chaplin with Chaplin describing to the composer(s) exactly what he wanted and singing or playing tunes he had improvised on the piano. These tunes were then developed further in a close collaboration among the composer(s) and Chaplin. According to film historian Jeffrey Vance, "although he relied upon associates to arrange varied and complex instrumentation, the musical imperative is his, and not a note in a Chaplin musical score was placed there without his assent." Chaplin's compositions produced three popular songs. "Smile", composed originally for "Modern Times" (1936) and later set to lyrics by John Turner and Geoffrey Parsons, was a hit