Regular dodecahedron an edge length of one unit has the properties: The "regular dodecahedron " has two special orthogonal projections, centered, on vertices and pentagonal faces, correspond to the A and H Coxeter planes. In perspective projection, viewed above a pentagonal face, the regular dodecahedron can be seen as a linear-edged Schlegel diagram, or stereographic projection as a spherical polyhedron. These projections are also used in showing the four-dimensional 120-cell, a regular 4-dimensional polytope, constructed from 120 dodecahedra, projecting it down to 3-dimensions. The regular dodecahedron can also be represented as a spherical tiling. The following Cartesian coordinates define the 20 vertices
Regular dodecahedron dodecahedra were made and have been found in various Roman ruins in Europe. Their purpose is not certain. In 20th-century art, dodecahedra appear in the work of M. C. Escher, such as his lithographs "Reptiles" (1943) and "Gravitation" (1952). In Salvador Dalí's painting "The Sacrament of the Last Supper" (1955), the room is a hollow regular dodecahedron. Gerard Caris based his entire artistic oeuvre on the regular dodecahedron and the pentagon, which is presented as a new art movement coined as Pentagonism. In modern role-playing games, the regular dodecahedron is often used as a twelve-sided die, one of the more