Royal Academy of Music (company) directors of the Royal Academy of Music, imploring them: The performances of "Alessandro" went off with no signs of animosity between Bordoni and Cuzzoni or their respective supporters, but it was not very long after that tension between the two erupted. As 18th century musicologist Charles Burney observed about the Cuzzoni / Faustina rivalry: Handel's next opera."Admeto", again with roles for both sopranos, was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. At the conclusion of one of Cuzzoni's arias at a performance
American classical music of the immediate environment of the audience, thus extending the definition of music to consist of any and all sounds even though they are without a composer created structure. Another more current, example of Postmodern music is that of American composer Miguel del Aguila who blends American idioms with those of his Hispanic, Latin American roots. In the 20th century, Incidental music saw new heights with the development of the full orchestrated Film score. Drawing from the opera styles of composition and the rules of Richard Wagner (specifically the idea of Gesamtkunstwerk), many early soundtracks include Overtures, Intermission Music, and