Baroque music of the British Isles produce an indigenous tradition. However, arguably the most significant British composer of the era, George Frideric Handel, was a naturalised German, who helped integrate British and continental music and define the future of the classical music of the United Kingdom that would be officially formed in 1801. With the Restoration of the monarchy in 1660, Charles II made the court once more the centre of musical patronage in Britain, the theatres were reopened and, after the introduction of a new Book of Common Prayer in 1662, choral music began to be developed again. The king's time on the continent, his
Baroque music of the British Isles (1702–14), had a reputation for being uninterested in culture, but had a considerable musical education and some talent. As a princess she was a patron of Purcell, Turner and Blow and from the early years of her reign she sponsored compositions for Royal processions and occasions including her coronation and the Acts of Union in 1707, which created the Kingdom of Great Britain. Her successor George Elector of Hanover, king of Great Britain and Ireland from 1714 to 1727 as George I, was perhaps the most musically minded monarch of the era, bringing German and Italian music and musicians with