White wine the death knell of northern viticulture. The vine disappeared from northern Germany and Baden, and the maximum altitude for viticulture descended to 220 metres. Hans-Jürgen Otto noted that: "all the vineyards suffered and decreased in area". In England the vine also disappeared. The less early vineyards preferred to select white varieties of grapes because, even if unripe, white grapes allowed wine that was a little sour to still be consumable, while red grapes do not give enough colour and green tannins make the wine bitter. The interruption of the fermentation by a cold winter led to the discovery of the
The Fox and the Grapes in the labyrinth of Versailles. He can therefore afford a thoughtful, moralising tone: But Benserade then adds another quatrain, speculating on the fox's mental processes; finally it admits that the grapes really were ripe but 'what cannot be had, you speak of badly'. One of La Fontaine's early illustrators was the artist Jean-Baptiste Oudry, who was also artistic director at both the Beauvais and the Gobelins tapestry works. In consequence of this a series based on La Fontaine's fables designed by Oudry was produced by them during the 1740s and included "The Fox and the Grapes". These stayed in production