Hearth tax a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour's chimney. After the Glorious Revolution, the hearth tax was repealed by the newly empowered English Parliament and agreed to by the newly installed William III and Mary II in 1689, as "not only a great oppression to the poorer sort, but a badge of slavery upon the whole people, exposing every man’s house to be entered into, and searched at pleasure, by persons unknown to him." At the end of the Glorious Revolution in 1688, William III and Mary II also agreed
17th-century French art his long reign and the religious problems created by the revocation of the Edict of Nantes made his last years dark ones. 17th-century French art 17th-century French art is generally referred to as Baroque, but from the mid to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period. In the early part of the 17th century, late mannerist and early Baroque tendencies continued to flourish in the court of Marie de'