Serse by the success in London of ballad operas such as "The Beggar's Opera" and John Frederick Lampe's "The Dragon of Wantley", the latter of which was visited by Handel. "Serse" disappeared from the stage for almost two hundred years. It enjoyed its first modern revival in Göttingen on 5 July 1924 in a version by Oscar Hagen. By 1926 this version had been staged at least 90 times in 15 German cities. "Serse"'s success has continued. According to Winton Dean, "Serse" is Handel's most popular opera with modern audiences after "Giulio Cesare". The very features which 18th-century listeners found so
Music of Germany the 20th century. Wolfgang Amadeus Mozart's "Die Zauberflöte" (1791) is usually said to be the beginning of German opera. An earlier starting date for German opera, however, could be Heinrich Schütz's "Dafne" from 1627. Schütz is said to be the first great German composer before Johann Sebastian Bach, and was a major figure in 17th-century music. In the 19th century, two figures were paramount in German opera: Carl Maria von Weber and Richard Wagner. Wagner introduced devices like the Leitmotiv, a musical theme which recurs for important characters or ideas. Wagner (and Weber) based his operas of German history and