Music for the Royal Fireworks for outdoor performance. Together, these works constitute Handel's most famous music for what we would now consider the orchestra. Older recordings tend to use arrangements of Handel's score for the modern orchestra, for example, the arrangements by Hamilton Harty and Leopold Stokowski. More recent recordings tend to use more historically informed performance methods appropriate for baroque music and often use authentic instruments. There are also arrangements for pipe organ, alone or with brass. In 1970, José Feliciano recorded for his "Fireworks" LP part of the work transcribed for classical guitar by himself. This music was performed under the baton of
History of music in Paris the melody comes all the power of music over the human spirit." To illustrate his point, Rousseau wrote a text for a new one-act opera ("intermède"), "Le devin du village" ("The village soothsayer"), about the love of two simple peasants, which became part of the Academy repertoire for the next sixty years. Over the course of the 18th century, the heroic style of Lully and Rameau quietly disappeared from Paris stages, replaced by the more natural and more romantic Italian style. Another operatic feud began with the arrival of the German composer Christoph Willibald Gluck in Paris in 1776. He