Charlie Chaplin hone his craft as he moved to the Essanay, Mutual, and First National corporations. By 1918, he was one of the best-known figures in the world. In 1919, Chaplin co-founded the distribution company United Artists which gave him complete control over his films. His first feature-length film was "The Kid" (1921), followed by "A Woman of Paris" (1923), "The Gold Rush" (1925), and "The Circus" (1928). He refused to move to sound films in the 1930s, instead producing "City Lights" (1931) and "Modern Times" (1936) without dialogue. He became increasingly political, and his next film "The Great Dictator" (1940) satirized
Charlie Chaplin take in "The Kid". For "The Immigrant", a 20 minute-short, Chaplin shot 40,000 feet of film – enough for a feature-length. Describing his working method as "sheer perseverance to the point of madness", Chaplin would be completely consumed by the production of a picture. Robinson writes that even in Chaplin's later years, his work continued "to take precedence over everything and everyone else." The combination of story improvisation and relentless perfectionism – which resulted in days of effort and thousands of feet of film being wasted, all at enormous expense – often proved taxing for Chaplin who, in frustration, would