Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Mathematics and art plastic canvas instead. Their "mathghans" (Afghans for Schools) project introduced knitting into the British mathematics and technology curriculum. Modelling is far from the only possible way to illustrate mathematical concepts. Giotto's "Stefaneschi Triptych", 1320, illustrates recursion in the form of "mise en abyme"; the central panel of the triptych contains, lower left, the kneeling figure of Cardinal Stefaneschi, holding up the triptych as an offering. Giorgio Chirico's metaphysical paintings such as his 1917 "Great Metaphysical Interior" explore the question of levels of representation in art by depicting paintings within his paintings. Art can exemplify logical paradoxes, as in some paintings