Penny-farthing the trend was short-lived, the penny-farthing became a symbol of the late Victorian era. Its popularity also coincided with the birth of cycling as a sport. Eugène Meyer of Paris, France is now regarded as the father of the high bicycle by the International Cycling History Conference in place of James Starley. Meyer patented a wire-spoke tension wheel with individually adjustable spokes in 1869. They were called "spider" wheels in Britain when introduced there. Meyer produced a classic high bicycle design during the 1880s. James Starley in Coventry added the tangent spokes and the mounting step to his famous bicycle
A Portrait of the Artist as Filipino Joaquin’s play was described by Anita Gates, a reviewer from "The New York Times", as an "engaging, well plotted metaphor for the passing of Old Manila." Set in the Filipino world of pre-World War II Intramuros of Old Manila in October 1941, the play explores the many aspects of Philippine high society by telling the story of the Marasigan sisters, Candida and Paula, and their father, the painter Don Lorenzo Marasigan. Due to an artistic drought on Don Lorenzo's part, the family has to make ends meet by relying on the financial support provided by their brother Manolo and sister