Classical music of the United Kingdom of the Dublin Choral Society in 1837, the Irish Academy of Music in 1848 (which was to be granted a royal charter in 1872); and the Royal Choral Institute in 1851 under such figures as Sir Robert Prescot. In the earlier part of the century the British singers Michael Kelly, Nancy Storace and John Braham were prominent and by their example sustained the international opera and oratorio works of Handel, Haydn, Mozart and their successors in the British arena. Braham, whose career thoroughly spanned the opera stage and concert platform, established a tradition in public recital which was continued by
Baroque music of the British Isles in Paris, probably in 1665. When he returned he became the Master of the Children of the Chapel Royal and composer to the Court. Although he died aged only 27 he was highly influential on other English composers like William Turner (1651–1740), John Blow (1649–1708) and Henry Purcell (1659–95). Early in his career Purcell wrote secular music, including for the theatre. Later, as organist of Westminster Abbey and the Chapel Royal, he devoted himself to sacred music. In both fields he emerged as the most influential British composer of the era. It was directly due to Charles II's patronage that