Gene Krupa in Calumet City, Illinois. In the 1930s, Krupa became the first endorser of Slingerland drums. At Krupa's urging, Slingerland developed tom-toms with tuneable top and bottom heads, which immediately became important elements of virtually every drummer's setup. Krupa developed and popularized many of the cymbal techniques that became standards. His collaboration with Avedis Zildjian developed the modern hi-hat cymbals and standardized the names and uses of the ride cymbal, crash cymbal, splash cymbal. He is also credited with helping to formulate the modern drum set, being one of the first jazz drummers (for that recording studio) to use a bass
The Gene Krupa Story to read music; Gene has never learned that skill and Ethel encourages him to finally do so. He does, under the tutelage of a member of the New York Philharmonic. Though Dorsey already has a drummer, Eddie gives the bandleader the idea to highlight Krupa in a "special return appearance". The performance starts out great, but hecklers begin jeering him. To the audience’s surprise the Tommy Dorsey Band drummer picks up the beat when Krupa falters, and covers for his fellow drummer as a sign of support. Gene composes himself and is able to finish a call-and-response two-man drum solo.