Symphony No. 3 (Mozart) Symphony No. 3 (Mozart) The so-called Symphony No. 3 in E major, K. 18, once attributed to Wolfgang Amadeus Mozart, is by today's scholarship considered not to be Mozart's own work but instead that of Carl Friedrich Abel, a leading German composer of the earlier Classical period. It was misattributed to Mozart because a manuscript score in the hand of Wolfgang Amadeus Mozart, was categorized as his Symphony No. 3 in E, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually
Wolfgang Amadeus Mozart highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal