Stephen Andrews (artist) to his own experience of living with HIV. Andrews’ method of homemade colour separation evokes both the 19th-century painting technique of Pointillism: “in which small, distinct dots of pure color are applied in patterns to form an image”, and the Ben-Day dots of mechanical printing. Beyond these references, Andrews’ uses the technique to, at the same time, evoke the alchemy of vision and break its mechanics down. As a result, Andrews creates works that “hover at legibility.” “The pixilation or dot matrix completely obscures details, making specifics impossible to see. We can't grasp the full picture.“ The series of rubbed-crayon
Big Painting No. 6 red brushstroke that depicts dripping paint. The black contours contribute a dynamic effect to the two-dimensional work. The subject of the painting is the process of Abstract Expressionist painting via sweeping brushstrokes and drips, but the result of Lichtenstein's simplification that uses a Ben-Day dots background is a representation of the mechanical/industrial color printing reproduction. "Big Painting No. 6" is depicts imitations of what could be typical Abstract Expressionist brushstrokes on an extremely large scale. Since it is depicted as a reproduction of an imitation the painting is two steps removed from an original. While each Abstract Expressionist brushstroke is