Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
What Is Art? "vagueness, mysteriousness, obscurity and inaccessibility to the masses". Tolstoy lambastes such works, insisting that art can and should be comprehensible to everyone. Having emphasised that art has a function in the improvement of humanity - capable of expressing man’s best sentiment - he finds it offensive that artists should be so wilfully and arrogantly abstruse. One criticism Tolstoy levels against art is that at some point it "ceased to be sincere and became artificial and cerebral", leading to the creation of millions of works of technical brilliance but few of honourable sentiment. Tolstoy outlines four common markers of bad art: