Atalanta (opera) spectacular display of fireworks, which was highly popular with the royal family and the London audience, and the opera and fireworks display were revived a number of times in the year of its first performance. An arioso from the opera, "Care selve", is often heard in recital and on recordings. The German-born Handel had brought Italian opera to London stages for the first time in 1711 with his opera "Rinaldo". An enormous success, "Rinaldo" created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. Handel had presented new operas
Music of Germany the 20th century. Wolfgang Amadeus Mozart's "Die Zauberflöte" (1791) is usually said to be the beginning of German opera. An earlier starting date for German opera, however, could be Heinrich Schütz's "Dafne" from 1627. Schütz is said to be the first great German composer before Johann Sebastian Bach, and was a major figure in 17th-century music. In the 19th century, two figures were paramount in German opera: Carl Maria von Weber and Richard Wagner. Wagner introduced devices like the Leitmotiv, a musical theme which recurs for important characters or ideas. Wagner (and Weber) based his operas of German history and