Music for the Royal Fireworks for outdoor performance. Together, these works constitute Handel's most famous music for what we would now consider the orchestra. Older recordings tend to use arrangements of Handel's score for the modern orchestra, for example, the arrangements by Hamilton Harty and Leopold Stokowski. More recent recordings tend to use more historically informed performance methods appropriate for baroque music and often use authentic instruments. There are also arrangements for pipe organ, alone or with brass. In 1970, José Feliciano recorded for his "Fireworks" LP part of the work transcribed for classical guitar by himself. This music was performed under the baton of
Music of Hungary using French and Italian models, thus launching the field of Hungarian opera. At the end of the 19th century, Hungarian music was dominated by compositions in the German classical style, while Viennese-style operettas gained immensely in popularity. This ended beginning in about 1905, when Endre Ady's poems were published, composer Béla Bartók was published for the first time, and Zoltán Kodály began collecting folk songs. Bartók and Kodály were two exceptional composers who created a distinctively Hungarian style. Bartók collected songs across Eastern Europe, though much of his activity was in Hungary, and he used their elements in his music.