Symphony, K. 98 (Mozart) the following movements: In Vienna, an unknown person (possibly Franz Lorenz) compiled a ""Sistematisch-Thematisches Verzeichnis der sämtlichen Compositionen von Wolfgang Amadeus Mozart" ("Systematic Thematic Catalogue of all composition by Wolfgang Amadeus Mozart"). A pencil note "1771 Milan Nov" can be found for K. 98. Ludwig Ritter von Köchel, who only knew the work in an arrangement for two pianos, considered the work authentic and included it into the first edition of the Köchel catalogue. Wyzewa and Saint-Foix did not doubt the work's authenticity, but believed that Mozart only sketched the symphony and did not write it out completely. In his
Wolfgang Amadeus Mozart to the exclusion of other harmonies; symmetrical phrases; and clearly articulated partitions in the overall form of movements. Some of Mozart's early symphonies are Italian overtures, with three movements running into each other; many are homotonal (all three movements having the same key signature, with the slow middle movement being in the relative minor). Others mimic the works of J. C. Bach, and others show the simple rounded binary forms turned out by Viennese composers. As Mozart matured, he progressively incorporated more features adapted from the Baroque. For example, the Symphony No. 29 in A major K. 201 has a