Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Form and document creation into typeface and has published multiple articles on the topic. Mackiewicz says that students should: "select typefaces that are appropriate for their technical documents". What Mackiewicz means when she talks about an "appropriate typeface" is that it contributes to the desired "overall rhetorical effect" and conveys "more specific effects…as intended". In another article, Mackiewicz points out that "typefaces substantially contribute to the visual, as opposed to the verbal, language of documents". This is important, since it has already been established that professional technical communicators see their role as largely visual as compared to verbal. In selecting an appropriate typeface, Mackiewicz