Japanese pottery and porcelain were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own styles of the highly coloured enamelled wares that Europeans found so attractive, including famille rose, famille verte and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of Japanese export porcelain had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware. Porcelain was also exported to China,
Dresden Porcelain Collection One strength is the collection of traditional Chinese and Japanese porcelain acquired by Augustus the Strong. Above all this includes blue-and-white porcelain from the Ming and Qing Dynasties, in particular the "Dragoon Vases" acquired by Augustus from King Frederick William I in exchange for a regiment of dragoons. There are also colourful famille-verte and famille-rose items, white Dehua ceramics, Japanese Arita porcelain, and ceramics made especially for export. The other strongpoint is the collection of Saxon porcelain, in particular Meissen porcelain. This crockery is decorated partly with Chinese patterns, but also with various European motifs such as scenes from mythology