Serse January, the third by 6 February, and Handel put the finishing touches to the score on 14 February. "Serse" was first performed at the King's Theatre, Haymarket on 15 April 1738. The first production was a complete failure. The audience may have been confused by the innovative nature of the work. Unlike his other operas for London, Handel included comic ("buffo") elements in "Serse". Although this had been typical for 17th-century Venetian works such as Cavalli's original setting of the libretto, by the 1730s an "opera seria" was expected to be wholly serious, with no mixing of the genres of
Early music of the British Isles in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. Our understanding of this music is limited by a lack of written sources for much of what was an oral culture. In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant. The separate development of British Christianity from the direct influence of Rome until the 8th century, with its flourishing monastic culture, led to the development of a distinct form of liturgical Celtic chant. Although no notations of this music survive, later