Piano Concerto No. 6 (Mozart) the movement. A section in G minor is called "the one really virtuoso page of the concerto, requiring some very nimble Baroque-style fingerwork". Mozart wrote another short cadenza, with rests that still should be improvised by the soloist. Piano Concerto No. 6 (Mozart) The Piano Concerto No. 6 in B-flat major, K. 238, was composed by Wolfgang Amadeus Mozart in January 1776. His Concerto No. 7 (K. 242) for three pianos and his Concerto No. 8 (K. 246) in C major would follow within three months. The three works share what Cuthbert Girdlestone refers to as a galant style. The
Wolfgang Amadeus Mozart to the exclusion of other harmonies; symmetrical phrases; and clearly articulated partitions in the overall form of movements. Some of Mozart's early symphonies are Italian overtures, with three movements running into each other; many are homotonal (all three movements having the same key signature, with the slow middle movement being in the relative minor). Others mimic the works of J. C. Bach, and others show the simple rounded binary forms turned out by Viennese composers. As Mozart matured, he progressively incorporated more features adapted from the Baroque. For example, the Symphony No. 29 in A major K. 201 has a