French porcelain letters sent to Father Orry in Paris were first published by Jean-Baptiste Du Halde in 1735, with English editions appearing in 1736 or 1738. The letters were later again published by Abbé Jean-Baptiste Grosier in his "General Description of China". D'Entrecolles also sent material specimens to Europe, which were analysed by Réaumur, and led to the establishment of the Sèvres Manufactory once equivalent materials were found in Europe. After 1730, polychrome porcelain also came to be produced, often in imitation of Chinese polychrome styles of porcelain, such as the "Famille rose" types. The Japanese "Kakiemon" style of Arita porcelain, Japan,
Chinese export porcelain popular. From around 1720, the new "Famille Rose" palette was adopted and quickly supplanted the earlier "Famille Verte" porcelains of the Kangxi period. Famille rose enamels for the export market included the Mandarin Palette. Specific patterns such as tobacco leaf and faux tobacco leaf were popular as were, from around 1800, Canton decorated porcelain with its figures and birds, flowers and insects. Many other types of decoration such as "encre de chine" or Jesuit wares, made for Christian missionaries, pieces with European subjects like the Judgement of Paris, or Adam and Eve, were made for the European market. Other examples