Porcelain trade in Qing China from the Qing time period because there has been no substitute to create the same color and appearance on porcelain. Porcelain trade in Qing China Porcelain trade in Qing China was one of the important trading goods in during the late Ming dynasty and throughout the Qing dynasty. The porcelain that was traded reflected a transition of creative influences that altered the way porcelain looked but its high demand in Europe. In the late of Ming dynasty there were many kilns created that led the Ming dynasty to be economically well off. The late emperors of the Ming dynasty like
Jingdezhen porcelain dominate production for the luxury market under the Qing. The imperial kilns were revived with 6 kilns and 23 workshops, dividing the other parts of the production process between them. Massive orders for the imperial palaces and temples resumed. While imperial taste in decoration remained somewhat conservative, the technical quality of Kangxi imperial wares reached new heights. The imperial kilns led the development of the new palettes of overglaze enamels; "famille verte", developed in two phases, was followed by "famille rose", and later others; these were the last major technical innovations at Jingdezhen, along with a technique for firing gold