Serse tragedy and comedy or high and low class characters. The musicologist Charles Burney later took "Serse" to task for violating decorum in this way, writing: "I have not been able to discover the author of the words of this drama: but it is one of the worst Handel ever set to Music: for besides feeble writing, there is a mixture of tragic-comedy and buffoonery in it, which Apostolo Zeno and Metastasio had banished from serious opera." Another unusual aspect of "Serse" is the number of short, one-part arias, when a typical opera seria of Handel's time was almost wholly made
Paris in the 18th century houses were being constructed. As the boulevards attracted crowds, they also attracted street entertainers; acrobats, musicians, dancers, and every kind of trained animal performed on the sidewalks. The end of the 18th century saw the opening of the pleasure gardens of Ranelegh, Vauxhall, and Tivoli. These were large private gardens where, in summer, Parisians paid an admission charge and found food, music, dancing, and other entertainment, from pantomime to magic lantern shows and fireworks. The admission fee was relatively high; the owners of the gardens wanted to attract a more upper class clientele, and to keep out the more boisterous