Classical music of the United Kingdom of the Dublin Choral Society in 1837, the Irish Academy of Music in 1848 (which was to be granted a royal charter in 1872); and the Royal Choral Institute in 1851 under such figures as Sir Robert Prescot. In the earlier part of the century the British singers Michael Kelly, Nancy Storace and John Braham were prominent and by their example sustained the international opera and oratorio works of Handel, Haydn, Mozart and their successors in the British arena. Braham, whose career thoroughly spanned the opera stage and concert platform, established a tradition in public recital which was continued by
Music of Scotland in the eighteenth century the social upheavals of the Agricultural revolution and Highland Clearances that were seen as destroying the traditions and culture of the Highlands, the music of the Highland bagpipes began a revival. The Highland Society of London, formed in 1778, put an emphasis on bagpiping, particularly the ceòl mór (the great music), which had developed for ceremonial purposes for the Gaelic aristocracy from the seventeenth century. From 1781 the society organised ceòl mór competitions that became the basis for later gatherings in Scotland. The Italian style of classical music was probably first brought to Scotland by the cellist and composer Lorenzo