China painting paintings, engravers, enamels and even the painters themselves to the Imperial court, and these designs found their way into porcelain decoration. Colorful enamel paints, used in German tin-glazed pottery, gave rise to new techniques such as famille rose coloring in Chinese porcelain. Designs of European origin found their way onto many porcelain items made in China for export to Europe. At least 60 million pieces of Chinese porcelain were imported to Europe in the 18th century. A first attempt to manufacture porcelain in Europe was undertaken in Florence, Italy in the late 16th century, sponsored by Francesco I de' Medici,
Porcelain coloured, translucent (except when of considerable thickness), and resonant". However, the term "porcelain" lacks a universal definition and has "been applied in an unsystematic fashion to substances of diverse kinds which have only certain surface-qualities in common". Traditionally, East Asia only classifies pottery into low-fired wares (earthenware) and high-fired wares (often translated as porcelain), without the European concept of stoneware, which is high-fired but not generally white or translucent. Terms such as "proto-porcelain", "porcellaneous" or "near-porcelain" may be used in cases where the ceramic body approaches whiteness and translucency. A high proportion of modern porcelain is made of the variant