Stephen Andrews (artist) to his own experience of living with HIV. Andrews’ method of homemade colour separation evokes both the 19th-century painting technique of Pointillism: “in which small, distinct dots of pure color are applied in patterns to form an image”, and the Ben-Day dots of mechanical printing. Beyond these references, Andrews’ uses the technique to, at the same time, evoke the alchemy of vision and break its mechanics down. As a result, Andrews creates works that “hover at legibility.” “The pixilation or dot matrix completely obscures details, making specifics impossible to see. We can't grasp the full picture.“ The series of rubbed-crayon
What Where out of reach. Those "familiar with his preoccupation, themes, images, figures of speech … may assume that the 'what where' question is a kind of Oedipus' riddle and that the answer to it cannot be found, despite an obligation to ask the question." Rather than simply "What?" and "Where?" the full questions could easily be: "What is the meaning of life?" and "Where does it all come from?" If Bam is trying to ascertain the details surrounding a particular crime, the question has to be asked: what crime? James Knowlson believes "that crime appears likely to be Calderón’s ‘original sin