Classical music of the United Kingdom of the Dublin Choral Society in 1837, the Irish Academy of Music in 1848 (which was to be granted a royal charter in 1872); and the Royal Choral Institute in 1851 under such figures as Sir Robert Prescot. In the earlier part of the century the British singers Michael Kelly, Nancy Storace and John Braham were prominent and by their example sustained the international opera and oratorio works of Handel, Haydn, Mozart and their successors in the British arena. Braham, whose career thoroughly spanned the opera stage and concert platform, established a tradition in public recital which was continued by
Music history of Hungary a complex rhythmic structure. Italian religious music played an important role in this development, which was documented in an "unparalleled example of ancient Hungarian music", the "Harmonia Caelestis" of Prince Pál Eszterházy, who tried to create a distinctively Hungarian style of church music using influences from opera, oratio literature, the German music of Johann Kaspar von Kerll and Johann Schmeltzer, and the oratorio and cantata styles. Eszterházy's efforts did not last, as the following century saw an influx of muic from Western Europe under the Habsburgs. Around the start of the 18th century, however, the last national uprising of the