Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Cameo glass was in the Art Nouveau period, by makers such as Émile Gallé (1846–1904) and Daum of Nancy, when Roman-inspired subjects and color schemes were totally abandoned, and plant and flower designs predominate. Cameo glass Louis Comfort Tiffany made only a small number of cameo pieces, which were a French specialty in this period, though other firms such as the Czech Moser Glass were also producers. Introduction of glass-working methods by Jesuits resulted in a Chinese form of Cameo glass, Peking glass. As with European Cameo glass, a textured image is created by carving away layers of glass from the core