Baroque music of the British Isles George III (reigned 1760–1820), and the aristocracy in general, continued to be patrons of music through the foundation of organisations like the Royal Concert of Music in 1776 and events like the Handel Festival from 1784. Outside of court patronage there were also a number of major figures, including the Scottish composer Thomas Erskine, 6th Earl of Kellie (1732–81) well known in his era, but whose work was quickly forgotten after his death and has only just begun to be reappraised. Baroque music of the British Isles Baroque music of the British Isles bridged the gap between the early music
Music of Hungary using French and Italian models, thus launching the field of Hungarian opera. At the end of the 19th century, Hungarian music was dominated by compositions in the German classical style, while Viennese-style operettas gained immensely in popularity. This ended beginning in about 1905, when Endre Ady's poems were published, composer Béla Bartók was published for the first time, and Zoltán Kodály began collecting folk songs. Bartók and Kodály were two exceptional composers who created a distinctively Hungarian style. Bartók collected songs across Eastern Europe, though much of his activity was in Hungary, and he used their elements in his music.