Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Anaglyph 3D anaglyphic photo image. A red filter lens over the left eye allows graduations of red to cyan from within the anaglyph to be perceived as graduations of bright to dark. The cyan (blue/green) filter over the right eye conversely allows graduations of cyan to red from within the anaglyph to be perceived as graduations of bright to dark. Red and cyan colour fringes in the anaglyph display represent the red and cyan colour channels of the parallax-displaced left and right images. The viewing filters each cancel out opposing colored areas, including graduations of less pure opposing colored areas, to each