Modern didgeridoo designs mouthpiece with a concave face that is close to double the diameter of a regular didgeridoo mouthpiece. This mouthpiece gives a player more room to control the vibration of their lips at frequencies below the traditional drone. The technique is similar to playing pedal tones on a brass instrument. The desired tone is different then brass, and there for the embouchure used to play it is different than brass technique. The most prominent playable note on these instruments is always one octave below the fundamental didgeridoo drone. Several other drone-notes can be played below the fundamental as well, and these
Growling (wind instruments) consonance and dissonance effects produced. The technique of simultaneous playing a note and singing into an instrument is also known as horn chords or multiphonics. The most common and effective method of woodwind growling is to hum, sing, or even scream into the mouthpiece of the instrument. This method introduces interference within the instrument itself, breaking up the normal quality of sound waves produced. Furthermore, the vibration of the vocal note in the mouth and lips creates rustle noise in the instrument. The vocally produced note can be the same note (though this is believed to be less effective), a