Mozart's name name "Amadeus". The dominance of "Amadeus" began around about 1810; Romanticism, notably in the person of E. T. A. Hoffmann, "seized upon this name to proclaim its veneration for Mozart". Although various scholars since that time have made use of "Amadè" or "Gottlieb", "Amadeus" remains by far the most familiar term for the general public. In the frequently playful letters of his youth Mozart would sometimes spell his name backwards, viz., "Mozart Wolfgang" or "Trazom". See above for the possible origin of "Amadeus" as facetious. Mozart's name The composer Wolfgang Amadeus Mozart (; ; ) went by many different names
Wolfgang Amadeus Mozart Theme from Mozart's Opera "Die Zauberflöte" (1822), Frédéric Chopin's Variations on "Là ci darem la mano" from "Don Giovanni" (1827), and Max Reger's Variations and Fugue on a Theme by Mozart (1914), based on the variation theme in the piano sonata K. 331; Pyotr Ilyich Tchaikovsky wrote his Orchestral Suite No. 4 in G, "Mozartiana" (1887), as a tribute to Mozart. For unambiguous identification of works by Mozart, a "Köchel catalogue number" is used. This is a unique number assigned, in regular chronological order, to every one of his known works. A work is referenced by the abbreviation "K." or