The Beggar's Opera piece satirised Italian opera, which had become popular in London. According to "The New York Times": "Gay wrote the work more as an anti-opera than an opera, one of its attractions to its 18th-century London public being its lampooning of the Italian opera style and the English public's fascination with it." Instead of the grand music and themes of opera, the work uses familiar tunes and characters that were ordinary people. Some of the songs were by opera composers like Handel, but only the most popular of these were used. The audience could hum along with the music and identify
Royal Patriarchal Music Seminary of Lisbon had passed he was already recruiting Italian opera singers and others to establish a professional opera company within the court's structure. Among several others, probably the most important of these was the Neapolitan-trained organist and composer, Davide Perez who in 1752 was appointed as "mestre de capela" at the Royal Chapel and music master to the royal princesses. Within of that same year, he opened within the palace building a new theatre called the "Teatro do Forte" which he had created by converting the room in which foreign ambassadors had once been presented. A number of operas by Perez, Johann