Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Form and document creation The selection of typeface is also important in situations where more than one typeface is present in a form or document. Mackiewicz says: "if more than one typeface is being used within a document, students should also carefully consider the extent to which the personalities of the typefaces they have selected are concordant". One way that Mackiewicz notes that technical communicators can determine a typeface’s personality is through looking at its history; she says: "the personality a typeface conveys may stem in large part from the ways in which that typeface has been used in the past". To show what