Royal Academy of Music (company) directors of the Royal Academy of Music, imploring them: The performances of "Alessandro" went off with no signs of animosity between Bordoni and Cuzzoni or their respective supporters, but it was not very long after that tension between the two erupted. As 18th century musicologist Charles Burney observed about the Cuzzoni / Faustina rivalry: Handel's next opera."Admeto", again with roles for both sopranos, was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. At the conclusion of one of Cuzzoni's arias at a performance
Paris in the 18th century houses were being constructed. As the boulevards attracted crowds, they also attracted street entertainers; acrobats, musicians, dancers, and every kind of trained animal performed on the sidewalks. The end of the 18th century saw the opening of the pleasure gardens of Ranelegh, Vauxhall, and Tivoli. These were large private gardens where, in summer, Parisians paid an admission charge and found food, music, dancing, and other entertainment, from pantomime to magic lantern shows and fireworks. The admission fee was relatively high; the owners of the gardens wanted to attract a more upper class clientele, and to keep out the more boisterous