Sydney punchbowls porcelain was decorated with a combination of Chinese patterns and Western motifs selected by its commissioner. The Chinese manufacturers sent porcelain samples of decorations to their prospective clients in Europe and the United States and their clients provided the porcelain painters in China with paintings, drawings or sketches for their orders. These dinner wares are categorized into "familles" (French for "families") mainly by the colors they are painted in such as famille verte, noire, jaune and rose. These sets of tableware included all the dishes necessary to set a grand table for a gala dinner. A 1766 order form from
Jingdezhen porcelain dominate production for the luxury market under the Qing. The imperial kilns were revived with 6 kilns and 23 workshops, dividing the other parts of the production process between them. Massive orders for the imperial palaces and temples resumed. While imperial taste in decoration remained somewhat conservative, the technical quality of Kangxi imperial wares reached new heights. The imperial kilns led the development of the new palettes of overglaze enamels; "famille verte", developed in two phases, was followed by "famille rose", and later others; these were the last major technical innovations at Jingdezhen, along with a technique for firing gold