Japanese pottery and porcelain were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own styles of the highly coloured enamelled wares that Europeans found so attractive, including famille rose, famille verte and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of Japanese export porcelain had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware. Porcelain was also exported to China,
Chelsea porcelain factory at least in the early period. The annual actions were partly intended for the chinamen, with some lots made up of a range of wares to provide a stock. The East India Company had been selling its cargos of East Asian porcelain at auction for some decades. Chelsea wares reached British America, but there were probably few exports to the Continent. Early English porcelain was soon being collected, especially in the late 19th century, when prices rose steadily. Over the 20th century there has been a great reversal in collectors' interests, with wares from later in the century far cheaper