Mozart's name by Mozart scholar Michael Lorenz in the registers of the Lower Austrian Governorship, where in May 1787 "Mozart Wolfgang Amadeus" is referred to as having applied for the return of his written surety for his friend . Other uses of "Amadeus", from immediately after Mozart's death in 1791, are given above. The 19th century saw the gradual victory of "Amadeus" over alternative middle names. The earliest (18th century) biographers of Mozart, such as Friedrich Schlichtegroll and Franz Niemetschek, used "Gottlieb". However, in 1798 the publishing firm of Breitkopf & Härtel began to issue a (partial) Complete Works edition under the
Wolfgang Amadeus Mozart to the exclusion of other harmonies; symmetrical phrases; and clearly articulated partitions in the overall form of movements. Some of Mozart's early symphonies are Italian overtures, with three movements running into each other; many are homotonal (all three movements having the same key signature, with the slow middle movement being in the relative minor). Others mimic the works of J. C. Bach, and others show the simple rounded binary forms turned out by Viennese composers. As Mozart matured, he progressively incorporated more features adapted from the Baroque. For example, the Symphony No. 29 in A major K. 201 has a