Serse January, the third by 6 February, and Handel put the finishing touches to the score on 14 February. "Serse" was first performed at the King's Theatre, Haymarket on 15 April 1738. The first production was a complete failure. The audience may have been confused by the innovative nature of the work. Unlike his other operas for London, Handel included comic ("buffo") elements in "Serse". Although this had been typical for 17th-century Venetian works such as Cavalli's original setting of the libretto, by the 1730s an "opera seria" was expected to be wholly serious, with no mixing of the genres of
Music of Scotland in the eighteenth century is also evidence of adoption of the European-style fiddle. There were numerous publications of traditional tunes in the period, particularly when the oppression of secular music and dancing by the kirk began to ease between about 1715 and 1725. In the late eighteenth century the music of the Highland bagpipes began a revival, particularly the ceòl mór (the great music), which had developed for ceremonial purposes for the Gaelic aristocracy from the seventeenth century. The Italian style of classical music was probably first brought to Scotland by the cellist and composer Lorenzo Bocchi, who travelled to Scotland in the 1720s.