Charlie Chaplin use ("Easy Street", 1917). He often explored these topics ironically, making comedy out of suffering. Social commentary was a feature of Chaplin's films from early in his career, as he portrayed the underdog in a sympathetic light and highlighted the difficulties of the poor. Later, as he developed a keen interest in economics and felt obliged to publicise his views, Chaplin began incorporating overtly political messages into his films. "Modern Times" (1936) depicted factory workers in dismal conditions, "The Great Dictator" (1940) parodied Adolf Hitler and Benito Mussolini and ended in a speech against nationalism, "Monsieur Verdoux" (1947) criticised war
Charlie Chaplin century. He is often credited as one of the medium's first artists. Film historian Mark Cousins has written that Chaplin "changed not only the imagery of cinema, but also its sociology and grammar" and claims that Chaplin was as important to the development of comedy as a genre as D.W. Griffith was to drama. He was the first to popularise feature-length comedy and to slow down the pace of action, adding pathos and subtlety to it. Although his work is mostly classified as slapstick, Chaplin's drama "A Woman of Paris" (1923) was a major influence on Ernst Lubitsch's film "The