Serse by the success in London of ballad operas such as "The Beggar's Opera" and John Frederick Lampe's "The Dragon of Wantley", the latter of which was visited by Handel. "Serse" disappeared from the stage for almost two hundred years. It enjoyed its first modern revival in Göttingen on 5 July 1924 in a version by Oscar Hagen. By 1926 this version had been staged at least 90 times in 15 German cities. "Serse"'s success has continued. According to Winton Dean, "Serse" is Handel's most popular opera with modern audiences after "Giulio Cesare". The very features which 18th-century listeners found so
Baroque music of the British Isles music, religious and cultural differences from many European countries and the disruption to court music caused by the Wars of the Three Kingdoms and Interregnum. Under the restored Stuart monarchy the court became once again a centre of musical patronage, but royal interest in music tended to be less significant as the seventeenth century progressed, to be revived again under the House of Hanover. The Baroque era in British music can be seen as one of an interaction of national and international trends, sometimes absorbing continental fashions and practices and sometimes attempting, as in the creation of ballad opera, to