Stephen Andrews (artist) to his own experience of living with HIV. Andrews’ method of homemade colour separation evokes both the 19th-century painting technique of Pointillism: “in which small, distinct dots of pure color are applied in patterns to form an image”, and the Ben-Day dots of mechanical printing. Beyond these references, Andrews’ uses the technique to, at the same time, evoke the alchemy of vision and break its mechanics down. As a result, Andrews creates works that “hover at legibility.” “The pixilation or dot matrix completely obscures details, making specifics impossible to see. We can't grasp the full picture.“ The series of rubbed-crayon
What the Water Gave Me (painting) critic Bertram Wolfe, Kahlo's paintings appeared to bring together surrealism and a "deep-rooted Mexican tradition". On the basis of this painting, Kahlo was labeled a surrealist. Before this she never considered herself a “surrealist” she just utilized this portrait as her platform to express her hurt and expel her demons. André Breton saw Kahlo's art as Surrealist, saying of her work, "The promises of fantasy are filled with greater splendor by reality itself!" For Breton, this work was exemplary of her Surrealism. What the Water Gave Me (painting) What the Water Gave Me ("Lo que el agua me dio" in