Modern didgeridoo designs mouthpiece with a concave face that is close to double the diameter of a regular didgeridoo mouthpiece. This mouthpiece gives a player more room to control the vibration of their lips at frequencies below the traditional drone. The technique is similar to playing pedal tones on a brass instrument. The desired tone is different then brass, and there for the embouchure used to play it is different than brass technique. The most prominent playable note on these instruments is always one octave below the fundamental didgeridoo drone. Several other drone-notes can be played below the fundamental as well, and these
Vibrato and shaping of the lips and facial muscles, essentially repeatedly "bending" the note. This is called lip-vibrato, and is probably the most commonly used technique of vibrato on a lower brass instrument. It is also known to give the best sound and timbre on a brass instrument and is encouraged in upper-level or militaristic style brass ensembles. Players may also produce vibrato by gently shaking the horn which varies the pressure of the mouthpiece against the lip. This is referred to as hand vibrato. It is more favored in higher brass, but does not possess the same sound quality as