Graham Greene of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: "Brighton Rock", "The Power and the Glory", "The Heart of the Matter", and "The End of the Affair"; which have been named "the gold standard" of the Catholic novel. Several works, such as "The Confidential Agent", "The Quiet American", "Our Man in Havana", "The Human Factor", and his screenplay for "The
Graham Greene that as a revival of the Quietist heresy. This aspect of his work also was criticised by the theologian Hans Urs von Balthasar, as giving sin a mystique. Greene responded that constructing a vision of pure faith and goodness in the novel was beyond his talents. Praise of Greene from an orthodox Catholic point of view by Edward Short is in "Crisis Magazine", and a mainstream Catholic critique is presented by Joseph Pearce. Catholicism's prominence decreased in his later writings. According to Ernest Mandel in his "Delightful Murder: a Social History of the Crime Story": "Greene started out as a