Royal Academy of Music (company) directors of the Royal Academy of Music, imploring them: The performances of "Alessandro" went off with no signs of animosity between Bordoni and Cuzzoni or their respective supporters, but it was not very long after that tension between the two erupted. As 18th century musicologist Charles Burney observed about the Cuzzoni / Faustina rivalry: Handel's next opera."Admeto", again with roles for both sopranos, was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. At the conclusion of one of Cuzzoni's arias at a performance
Music of Denmark an opera by the Italian Bartolomeo Bernardi. Reinhard Keiser, the prolific opera composer from Hamburg, presented his works in Copenhagen from 1721 to 1723. In 1748 "Den Danske Skueplads" (the Danish Theatre) moved into a new building and in 1779 "Det Kongelige Kapel" (the Royal Danish Orchestra) became a permanent attachment. Pietro Mingotti, from Venice, who had formed an opera company was invited to Copenhagen by Queen Louise in 1747. His members included Christoph Willibald Gluck and Giuseppe Sarti. In 1756, Sarti provided the music for the first "syngespil" which, in the early 1790s, became established as a popular national