Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Anaglyph 3D image a pair of either color or monochrome images. This is called mosaicking or image stitching. In the 1970s filmmaker Stephen Gibson filmed direct anaglyph blaxploitation and adult movies. His "Deep Vision" system replaced the original camera lens with two color-filtered lenses focused on the same film frame. In the 1980s, Gibson patented his mechanism. Many computer graphics programs provide the basic tools (typically layering and adjustments to individual colour channels to filter colours) required to prepare anaglyphs from stereo pairs. In simple practice, the left eye image is filtered to remove blue & green. The right eye image is