George Frideric Handel exhibition marking the tercentenary of the composer's birth calls them two men of the late eighteenth century "who have left us solid evidence of the means by which they indulged their enthusiasm". With his English oratorios, such as "Messiah" and "Solomon", the coronation anthems, and other works including "Water Music" and "Music for the Royal Fireworks", Handel became a national icon in Britain, and featured in the BBC series, "The Birth of British Music: Handel – The Conquering Hero". After his death, Handel's Italian operas fell into obscurity, except for selections such as the aria from "Serse", "Ombra mai fù".
Baroque music of the British Isles Despite these hindrances, his aim (and that of his collaborator John Dryden) was to establish serious opera as a dramatic form in England, but these hopes ended with Purcell's early death at the age of 37 in 1695 and English opera gradually fell out of favour and Italian opera began to dominate. After the death of Charles II in 1685, royal patronage of music became less significant. In the short and troubled reign of his successor James II (1685–88), whose more overt Catholicism, together with his preference for Italian music and musicians, limited patronage of Anglican church music and the