Royal Academy of Music (company) directors of the Royal Academy of Music, imploring them: The performances of "Alessandro" went off with no signs of animosity between Bordoni and Cuzzoni or their respective supporters, but it was not very long after that tension between the two erupted. As 18th century musicologist Charles Burney observed about the Cuzzoni / Faustina rivalry: Handel's next opera."Admeto", again with roles for both sopranos, was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. At the conclusion of one of Cuzzoni's arias at a performance
Baroque music of the British Isles in Paris, probably in 1665. When he returned he became the Master of the Children of the Chapel Royal and composer to the Court. Although he died aged only 27 he was highly influential on other English composers like William Turner (1651–1740), John Blow (1649–1708) and Henry Purcell (1659–95). Early in his career Purcell wrote secular music, including for the theatre. Later, as organist of Westminster Abbey and the Chapel Royal, he devoted himself to sacred music. In both fields he emerged as the most influential British composer of the era. It was directly due to Charles II's patronage that