French porcelain letters sent to Father Orry in Paris were first published by Jean-Baptiste Du Halde in 1735, with English editions appearing in 1736 or 1738. The letters were later again published by Abbé Jean-Baptiste Grosier in his "General Description of China". D'Entrecolles also sent material specimens to Europe, which were analysed by Réaumur, and led to the establishment of the Sèvres Manufactory once equivalent materials were found in Europe. After 1730, polychrome porcelain also came to be produced, often in imitation of Chinese polychrome styles of porcelain, such as the "Famille rose" types. The Japanese "Kakiemon" style of Arita porcelain, Japan,
Chinese ceramics terms used to classify Chinese porcelain by the dominant element in its colour palette. Famille verte (康熙五彩, "Kangxi wucai", also 素三彩, "Susancai"), adopted in the Kangxi period (1662–1722), uses green and iron red with other overglaze colours. It developed from the "Wucai" (五彩, "Five colours") style. Famille jaune is a variation using famille verte enamels on a yellow ground. Famille noire (Chinese: 黑地素三彩, "Modi susancai") uses a black ground (although some clobbered wares had the black added in the 19th century). Famille rose (known in Chinese as "Fencai" (粉彩) or "Ruancai" (軟彩, simplified 软彩), meaning 'soft colours', and later as