Serse by the success in London of ballad operas such as "The Beggar's Opera" and John Frederick Lampe's "The Dragon of Wantley", the latter of which was visited by Handel. "Serse" disappeared from the stage for almost two hundred years. It enjoyed its first modern revival in Göttingen on 5 July 1924 in a version by Oscar Hagen. By 1926 this version had been staged at least 90 times in 15 German cities. "Serse"'s success has continued. According to Winton Dean, "Serse" is Handel's most popular opera with modern audiences after "Giulio Cesare". The very features which 18th-century listeners found so
Baroque music of the British Isles Baroque music of the British Isles Baroque music of the British Isles bridged the gap between the early music of the Medieval and Renaissance periods and the development of fully fledged and formalised orchestral classical music in the second half of the eighteenth century. It was characterised by more elaborate musical ornamentation, changes in musical notation, new instrumental playing techniques and the rise of new genres such as opera. Although the term Baroque is conventionally used for European music from about 1600, its full effects were not felt in Britain until after 1660, delayed by native trends and developments in