Stephen Andrews (artist) to his own experience of living with HIV. Andrews’ method of homemade colour separation evokes both the 19th-century painting technique of Pointillism: “in which small, distinct dots of pure color are applied in patterns to form an image”, and the Ben-Day dots of mechanical printing. Beyond these references, Andrews’ uses the technique to, at the same time, evoke the alchemy of vision and break its mechanics down. As a result, Andrews creates works that “hover at legibility.” “The pixilation or dot matrix completely obscures details, making specifics impossible to see. We can't grasp the full picture.“ The series of rubbed-crayon
What is a Masterpiece? confluence of memories and emotions forming a single idea", that it has "a power of recreating traditional forms so that they become expressive of an artist's own epoch and yet keep a relationship to the past". The highest masterpieces are said to be "illustrations of great themes." Clark also implicitly excluded the erotic from considerations of what constituted a masterpiece, based on his perspective that a necessary condition is the balance between sense and form (works that are too sensual are, therefore, unbalanced and not to be categorised at masterpiece level). What is a Masterpiece? What is a Masterpiece? is