Music for the Royal Fireworks for outdoor performance. Together, these works constitute Handel's most famous music for what we would now consider the orchestra. Older recordings tend to use arrangements of Handel's score for the modern orchestra, for example, the arrangements by Hamilton Harty and Leopold Stokowski. More recent recordings tend to use more historically informed performance methods appropriate for baroque music and often use authentic instruments. There are also arrangements for pipe organ, alone or with brass. In 1970, José Feliciano recorded for his "Fireworks" LP part of the work transcribed for classical guitar by himself. This music was performed under the baton of
American classical music of the immediate environment of the audience, thus extending the definition of music to consist of any and all sounds even though they are without a composer created structure. Another more current, example of Postmodern music is that of American composer Miguel del Aguila who blends American idioms with those of his Hispanic, Latin American roots. In the 20th century, Incidental music saw new heights with the development of the full orchestrated Film score. Drawing from the opera styles of composition and the rules of Richard Wagner (specifically the idea of Gesamtkunstwerk), many early soundtracks include Overtures, Intermission Music, and