Serse January, the third by 6 February, and Handel put the finishing touches to the score on 14 February. "Serse" was first performed at the King's Theatre, Haymarket on 15 April 1738. The first production was a complete failure. The audience may have been confused by the innovative nature of the work. Unlike his other operas for London, Handel included comic ("buffo") elements in "Serse". Although this had been typical for 17th-century Venetian works such as Cavalli's original setting of the libretto, by the 1730s an "opera seria" was expected to be wholly serious, with no mixing of the genres of
Early music of the British Isles services and anthems, employing the long lived Bryd and then following in his footsteps composers such as Orlando Gibbons (1583–1625) and Thomas Tomkins (1572–1656). The emphasis on the liturgical content of services under Charles I, associated with Archbishop William Laud, meant a need for fuller musical accompaniment. In 1626 the musical establishment of the royal household was sufficient to necessitate the creation of a new office of 'Master of the King's Music' and probably the most important composer of the reign was William Lawes (1602–45), who produced fantasia suites, consort music for harp, viols and organ and music for individual