Serse tragedy and comedy or high and low class characters. The musicologist Charles Burney later took "Serse" to task for violating decorum in this way, writing: "I have not been able to discover the author of the words of this drama: but it is one of the worst Handel ever set to Music: for besides feeble writing, there is a mixture of tragic-comedy and buffoonery in it, which Apostolo Zeno and Metastasio had banished from serious opera." Another unusual aspect of "Serse" is the number of short, one-part arias, when a typical opera seria of Handel's time was almost wholly made
Music of Hungary rise of imported opera and other concert styles in cities like Pozsony, Kismarton, Nagyszeben and Budapest. Operas at the time were in either the German or Italian style. The field Hungarian opera began with school dramas and interpolations of German operas, which began at the end of the 18th century. School dramas in places like the Pauline School in Sátoraljaújhely, the Calvinist School in Csurgó and the Piarist School in Beszterce. Pozsony produced the first music drama experiments in the country, though the work of Gáspár Pacha and József Chudy; it was the latter's 1793 "Prince Pikkó and Jutka Perzsi"