China painting paintings, engravers, enamels and even the painters themselves to the Imperial court, and these designs found their way into porcelain decoration. Colorful enamel paints, used in German tin-glazed pottery, gave rise to new techniques such as famille rose coloring in Chinese porcelain. Designs of European origin found their way onto many porcelain items made in China for export to Europe. At least 60 million pieces of Chinese porcelain were imported to Europe in the 18th century. A first attempt to manufacture porcelain in Europe was undertaken in Florence, Italy in the late 16th century, sponsored by Francesco I de' Medici,
Saint-Cloud porcelain other. The glaze often shows a fine satin-like pitting of the surface that helps to distinguish it from the brilliant shiny glaze of Mennecy, which is otherwise similar. The heavy build of the pieces is also characteristic and is saved from clumsiness by a finer sense of mass, revealed in the subtly graduated thickness of wall and a delicate shaping of edges." Around 1722, Chicaneau's business passed through marriage to Henri Trou. After 1730, polychrome porcelain came to be produced, also in imitation of Chinese polychrome styles of porcelain, such as the ""Famille rose"" types. The Japanese "Kakiemon" style of