Dodecahedron pentagonal faces, with three meeting in each of the 20 vertices. However, the pentagons are not regular and the figure has no fivefold symmetry axes. Although regular dodecahedra do not exist in crystals, the tetartoid form does. The name tetartoid comes from the Greek root for one-fourth because it has one fourth of full octahedral symmetry, and half of pyritohedral symmetry. The mineral cobaltite can have this symmetry form. Its topology can be as a cube with square faces bisected into 2 rectangles like the pyritohedron, and then the bisection lines are slanted retaining 3-fold rotation at the 8 corners.
Regular dodecahedron dodecahedra were made and have been found in various Roman ruins in Europe. Their purpose is not certain. In 20th-century art, dodecahedra appear in the work of M. C. Escher, such as his lithographs "Reptiles" (1943) and "Gravitation" (1952). In Salvador Dalí's painting "The Sacrament of the Last Supper" (1955), the room is a hollow regular dodecahedron. Gerard Caris based his entire artistic oeuvre on the regular dodecahedron and the pentagon, which is presented as a new art movement coined as Pentagonism. In modern role-playing games, the regular dodecahedron is often used as a twelve-sided die, one of the more