Hearth tax a baker who, to avoid chimney tax, had knocked through the wall from her oven to her neighbour's chimney. After the Glorious Revolution, the hearth tax was repealed by the newly empowered English Parliament and agreed to by the newly installed William III and Mary II in 1689, as "not only a great oppression to the poorer sort, but a badge of slavery upon the whole people, exposing every man’s house to be entered into, and searched at pleasure, by persons unknown to him." At the end of the Glorious Revolution in 1688, William III and Mary II also agreed
17th-century French literature their stages were narrow, and facilities for sets and scene changes were often non-existent (this would encourage the development of unity of place). Eventually theaters would develop systems of elaborate machines and decors, fashionable for the chevaleresque flights of knights found in the tragicomedies of the first half of the 17th century. In the early part of the 17th century, theater performances took place twice a week, starting at two or three o'clock. Theatrical representations often encompassed several works; they began with a comic prologue, then a tragedy or tragicomedy, then a farce and finally a song. Nobles sometimes sat