Baroque music of the British Isles George III (reigned 1760–1820), and the aristocracy in general, continued to be patrons of music through the foundation of organisations like the Royal Concert of Music in 1776 and events like the Handel Festival from 1784. Outside of court patronage there were also a number of major figures, including the Scottish composer Thomas Erskine, 6th Earl of Kellie (1732–81) well known in his era, but whose work was quickly forgotten after his death and has only just begun to be reappraised. Baroque music of the British Isles Baroque music of the British Isles bridged the gap between the early music
Early music of the British Isles accompany the mass had to employ bands of musicians with trumpets, drums, fifes, bagpipes and tabors. In England her cousin Elizabeth I was also trained in music. She played the lute, virginals, sang, danced, and even claimed to have composed dance music. She was major patron for English musicians composers (particularly in the Chapel Royal) while in her royal household she employed numerous foreign musicians in her consorts of viols, flutes, recorders, and sackbuts and shawms. Byrd emerged as the leading composer of the Elizabethan court, writing sacred and secular polyphony, viol, keyboard and consort music, reflecting the growth in