Baroque music of the British Isles produce an indigenous tradition. However, arguably the most significant British composer of the era, George Frideric Handel, was a naturalised German, who helped integrate British and continental music and define the future of the classical music of the United Kingdom that would be officially formed in 1801. With the Restoration of the monarchy in 1660, Charles II made the court once more the centre of musical patronage in Britain, the theatres were reopened and, after the introduction of a new Book of Common Prayer in 1662, choral music began to be developed again. The king's time on the continent, his
Baroque music of the British Isles Despite these hindrances, his aim (and that of his collaborator John Dryden) was to establish serious opera as a dramatic form in England, but these hopes ended with Purcell's early death at the age of 37 in 1695 and English opera gradually fell out of favour and Italian opera began to dominate. After the death of Charles II in 1685, royal patronage of music became less significant. In the short and troubled reign of his successor James II (1685–88), whose more overt Catholicism, together with his preference for Italian music and musicians, limited patronage of Anglican church music and the