China painting paintings, engravers, enamels and even the painters themselves to the Imperial court, and these designs found their way into porcelain decoration. Colorful enamel paints, used in German tin-glazed pottery, gave rise to new techniques such as famille rose coloring in Chinese porcelain. Designs of European origin found their way onto many porcelain items made in China for export to Europe. At least 60 million pieces of Chinese porcelain were imported to Europe in the 18th century. A first attempt to manufacture porcelain in Europe was undertaken in Florence, Italy in the late 16th century, sponsored by Francesco I de' Medici,
Biscuit porcelain by giving them a temporary coating of wax or something similar to keep the glaze off; this is a fairly common feature of Longquan celadon (which is porcelain in Chinese terms), and also found in Ming dragons. Some Chinese pieces are described as "porcelain with polychrome enamels on the biscuit" - that is, using the normal "overglaze" technique on biscuit, but with no actual glaze, often a revivalist style evoking earlier sancai wares (which were not in porcelain). The laborious and mostly 19th-century pâte-sur-pâte technique often uses biscuit for at least one of the colours. Biscuit porcelain Biscuit porcelain, bisque