Royal Academy of Music (company) directors of the Royal Academy of Music, imploring them: The performances of "Alessandro" went off with no signs of animosity between Bordoni and Cuzzoni or their respective supporters, but it was not very long after that tension between the two erupted. As 18th century musicologist Charles Burney observed about the Cuzzoni / Faustina rivalry: Handel's next opera."Admeto", again with roles for both sopranos, was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. At the conclusion of one of Cuzzoni's arias at a performance
Secular Jewish music was the most successful opera composer of the century, and the Jews were commonly held, what would have seemed nonsensical a hundred years earlier, to be a 'musical people'. On the other hand, the origin of Gregorian chant, which was the earliest manifestation of European classical music, was Jewish choral music of the Temple and synagogue, according to a large number of analytical liturgists and music historians. After Jews were admitted to mainstream society in England (gradually after their return in the 17th century), France, Austria-Hungary, the German Empire, and Russia (in that order), the Jewish contribution to the European