Royal Academy of Music (company) directors of the Royal Academy of Music, imploring them: The performances of "Alessandro" went off with no signs of animosity between Bordoni and Cuzzoni or their respective supporters, but it was not very long after that tension between the two erupted. As 18th century musicologist Charles Burney observed about the Cuzzoni / Faustina rivalry: Handel's next opera."Admeto", again with roles for both sopranos, was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. At the conclusion of one of Cuzzoni's arias at a performance
Ballade (classical music) Ballade (classical music) A ballade (from French "", , and German "Ballade", , both being words for "ballad"), in classical music since the late 18th century, refers to a setting of a literary ballad, a narrative poem, in the musical tradition of the "", or to a one-movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballad. In late 18th century German literature, the term "ballade" was used to describe folklike narrative poetry (following Johann Gottfried Herder), some of which was set to music by composers such as Johann Friedrich Reichardt,