Baroque music of the British Isles George III (reigned 1760–1820), and the aristocracy in general, continued to be patrons of music through the foundation of organisations like the Royal Concert of Music in 1776 and events like the Handel Festival from 1784. Outside of court patronage there were also a number of major figures, including the Scottish composer Thomas Erskine, 6th Earl of Kellie (1732–81) well known in his era, but whose work was quickly forgotten after his death and has only just begun to be reappraised. Baroque music of the British Isles Baroque music of the British Isles bridged the gap between the early music
Baroque music of the British Isles music, religious and cultural differences from many European countries and the disruption to court music caused by the Wars of the Three Kingdoms and Interregnum. Under the restored Stuart monarchy the court became once again a centre of musical patronage, but royal interest in music tended to be less significant as the seventeenth century progressed, to be revived again under the House of Hanover. The Baroque era in British music can be seen as one of an interaction of national and international trends, sometimes absorbing continental fashions and practices and sometimes attempting, as in the creation of ballad opera, to