George Frideric Handel exhibition marking the tercentenary of the composer's birth calls them two men of the late eighteenth century "who have left us solid evidence of the means by which they indulged their enthusiasm". With his English oratorios, such as "Messiah" and "Solomon", the coronation anthems, and other works including "Water Music" and "Music for the Royal Fireworks", Handel became a national icon in Britain, and featured in the BBC series, "The Birth of British Music: Handel – The Conquering Hero". After his death, Handel's Italian operas fell into obscurity, except for selections such as the aria from "Serse", "Ombra mai fù".
Early music of the British Isles services and anthems, employing the long lived Bryd and then following in his footsteps composers such as Orlando Gibbons (1583–1625) and Thomas Tomkins (1572–1656). The emphasis on the liturgical content of services under Charles I, associated with Archbishop William Laud, meant a need for fuller musical accompaniment. In 1626 the musical establishment of the royal household was sufficient to necessitate the creation of a new office of 'Master of the King's Music' and probably the most important composer of the reign was William Lawes (1602–45), who produced fantasia suites, consort music for harp, viols and organ and music for individual