Suite (music) These optional movements were known as "galanteries": common examples are the minuet, gavotte, passepied, and bourrée. Often there would be two contrasting "galanteries" with the same name, e.g. Minuet I and II, to be played "alternativement", meaning that the first dance is played again after the second, thus I, II, I. The later addition of an overture to make up an "overture-suite" was extremely popular with German composers; Telemann claimed to have written over 200 overture-suites, J. S. Bach had his four orchestral suites along with other suites, and Handel put his "Water Music" and "Music for the Royal Fireworks"
Music of Germany the 20th century. Wolfgang Amadeus Mozart's "Die Zauberflöte" (1791) is usually said to be the beginning of German opera. An earlier starting date for German opera, however, could be Heinrich Schütz's "Dafne" from 1627. Schütz is said to be the first great German composer before Johann Sebastian Bach, and was a major figure in 17th-century music. In the 19th century, two figures were paramount in German opera: Carl Maria von Weber and Richard Wagner. Wagner introduced devices like the Leitmotiv, a musical theme which recurs for important characters or ideas. Wagner (and Weber) based his operas of German history and