Japanese pottery and porcelain were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own styles of the highly coloured enamelled wares that Europeans found so attractive, including famille rose, famille verte and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of Japanese export porcelain had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware. Porcelain was also exported to China,
Porcelain trade in Qing China use five colors. Furthermore, the Qing focused on different artistic elements when producing their porcelain, like the use of color and putting porcelain at a higher temperature to get a glossier coat. Also, many of the private kilns were trusting their own potters to create freely, a creative freedom that would help to further the creative porcelain pieces. A more creative porcelain piece would bring more profit and boost to the Qing economy. There was a researching of what techniques were better in the production of these porcelain goods, and this would help to further the marketing aspect of business