Classical music of the United Kingdom of the Dublin Choral Society in 1837, the Irish Academy of Music in 1848 (which was to be granted a royal charter in 1872); and the Royal Choral Institute in 1851 under such figures as Sir Robert Prescot. In the earlier part of the century the British singers Michael Kelly, Nancy Storace and John Braham were prominent and by their example sustained the international opera and oratorio works of Handel, Haydn, Mozart and their successors in the British arena. Braham, whose career thoroughly spanned the opera stage and concert platform, established a tradition in public recital which was continued by
Secular Jewish music was the most successful opera composer of the century, and the Jews were commonly held, what would have seemed nonsensical a hundred years earlier, to be a 'musical people'. On the other hand, the origin of Gregorian chant, which was the earliest manifestation of European classical music, was Jewish choral music of the Temple and synagogue, according to a large number of analytical liturgists and music historians. After Jews were admitted to mainstream society in England (gradually after their return in the 17th century), France, Austria-Hungary, the German Empire, and Russia (in that order), the Jewish contribution to the European