Japanese pottery and porcelain were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own styles of the highly coloured enamelled wares that Europeans found so attractive, including famille rose, famille verte and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of Japanese export porcelain had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware. Porcelain was also exported to China,
Van Tilburg Collection (1465-1487), Hongzhi (1488-1505), Zhengde (1506-1521), Jiajing (1522-1566) and Wanli (1573-1619) wares are found in the Collection. Noteworthy Kangxi (1662-1722) and Qianlong (1736-1795) pieces are the large blue-and-white porcelain chargers, the underglaze red pots and blue-and-white ritual stand with two side vases. There are numerous polychrome Kangxi 'Famille verte' and Qianlong 'Famille rose' plates in the collection. The collection holds a pair of 'Famille noire' pots which belonged to the Kangxi Emperor. There are also a number of Imperial Japanese pieces in the collection, among them a blue-and-white Arita gendi with Arabian ormulo mouldings, an early 19th-century blue-and-white Arita charger decorated