Classical music of the United Kingdom of the Dublin Choral Society in 1837, the Irish Academy of Music in 1848 (which was to be granted a royal charter in 1872); and the Royal Choral Institute in 1851 under such figures as Sir Robert Prescot. In the earlier part of the century the British singers Michael Kelly, Nancy Storace and John Braham were prominent and by their example sustained the international opera and oratorio works of Handel, Haydn, Mozart and their successors in the British arena. Braham, whose career thoroughly spanned the opera stage and concert platform, established a tradition in public recital which was continued by
Baroque music of the British Isles Despite these hindrances, his aim (and that of his collaborator John Dryden) was to establish serious opera as a dramatic form in England, but these hopes ended with Purcell's early death at the age of 37 in 1695 and English opera gradually fell out of favour and Italian opera began to dominate. After the death of Charles II in 1685, royal patronage of music became less significant. In the short and troubled reign of his successor James II (1685–88), whose more overt Catholicism, together with his preference for Italian music and musicians, limited patronage of Anglican church music and the