Pointillism Pointillism Pointillism () is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, and is now used without its earlier mocking connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionists, too, used a similar technique of patterns to form images, though with larger cube-like brushstrokes. The technique relies on the ability of the
A Family (painting) seminal painting in the history of 20th-century Irish art. It is not only an important transitional work in the artist's oeuvre but one anticipating modernism as an everyday style in Irish art." During its 1951 first exhibition at Gimpel Fils, the painting attracted considerable praise. John Berger observed in "Art News and Review": 'Le Brocquy is completely free of contemporary tendency to cosmic megalomania. It has become pretentious to talk of an artist's humility, yet that is what distinguishes his work; his studies testify to his patience, and his final, large picture to his refusal to evade simple but difficult