Coalport porcelain as vases, small boxes and table baskets. In 1820 Rose received the gold medal of the Society of Arts for his feldspar porcelain and an improved, lead-free glaze, with which the enamel colours fused in firing. Favourite patterns were the "worm sprig" and the "Tournai sprig" introduced by Billingsley at Pinxton, the Dresden-inspired "Berlin china edge", and the blue transfer willow pattern and blue dragon pattern. During the 1830s the factory initiated the practice of applying a light transfer printed blue outline, to guide the painters. This preserved some of the freedom of hand-painted decoration, while it enabled Rose to
Porcelain trade in Qing China use five colors. Furthermore, the Qing focused on different artistic elements when producing their porcelain, like the use of color and putting porcelain at a higher temperature to get a glossier coat. Also, many of the private kilns were trusting their own potters to create freely, a creative freedom that would help to further the creative porcelain pieces. A more creative porcelain piece would bring more profit and boost to the Qing economy. There was a researching of what techniques were better in the production of these porcelain goods, and this would help to further the marketing aspect of business