French porcelain letters sent to Father Orry in Paris were first published by Jean-Baptiste Du Halde in 1735, with English editions appearing in 1736 or 1738. The letters were later again published by Abbé Jean-Baptiste Grosier in his "General Description of China". D'Entrecolles also sent material specimens to Europe, which were analysed by Réaumur, and led to the establishment of the Sèvres Manufactory once equivalent materials were found in Europe. After 1730, polychrome porcelain also came to be produced, often in imitation of Chinese polychrome styles of porcelain, such as the "Famille rose" types. The Japanese "Kakiemon" style of Arita porcelain, Japan,
Chinese porcelain in European painting Europe, through what is known as "Carrak" trade, hence the name Kraak porcelain. French painters, such as François Desportes and Paul Gauguin, also represented Chinese bowls in their still-life paintings. Some like Jacques Linard in 1627 even painstainkingly reproduced Chinese writing, in "", 1627. This artistic trend coinciding with the fashion for Chinese porcelain in Europe in the 17th–18th century, which led to the development of a local porcelain industry initially highly imitative of Chinese wares, as seen in French porcelain. Chinese porcelain in European painting Chinese porcelain in European painting is known from the 16th century, following the importation