Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Form and document creation Finally, the form or document should be evaluated during the monitoring stage as it is in use to "maintain its optimal performance". Sless emphasizes the importance of testing at these designated times instead of evaluating as time and money permits. There can be many individualized decisions and problems that can occur depending on the form or document being created, the target audience, and the organization producing the form or document. These problems can occur because of rules set by a technical communicator’s own company or an external governing body. Problems can also occur based on technical problems that the technical