Suite (music) These optional movements were known as "galanteries": common examples are the minuet, gavotte, passepied, and bourrée. Often there would be two contrasting "galanteries" with the same name, e.g. Minuet I and II, to be played "alternativement", meaning that the first dance is played again after the second, thus I, II, I. The later addition of an overture to make up an "overture-suite" was extremely popular with German composers; Telemann claimed to have written over 200 overture-suites, J. S. Bach had his four orchestral suites along with other suites, and Handel put his "Water Music" and "Music for the Royal Fireworks"
History of music in Paris the melody comes all the power of music over the human spirit." To illustrate his point, Rousseau wrote a text for a new one-act opera ("intermède"), "Le devin du village" ("The village soothsayer"), about the love of two simple peasants, which became part of the Academy repertoire for the next sixty years. Over the course of the 18th century, the heroic style of Lully and Rameau quietly disappeared from Paris stages, replaced by the more natural and more romantic Italian style. Another operatic feud began with the arrival of the German composer Christoph Willibald Gluck in Paris in 1776. He