Wolfgang Amadeus Mozart and Prague little known that Mozart's visits to the Bertramka are actually very scantily documented. No contemporary observer ever reported seeing him there, and Mozart himself never reported staying there in any surviving correspondence from Prague. The best evidence that he stayed there (and only during his second visit to Prague) comes from his son Karl Thomas Mozart in a reminiscence of 1856. Carl Thomas was not present for the incident reported, rather only heard about it from friends of Mozart he met in Prague as a boy in the 1790s. Wolfgang Amadeus Mozart and Prague There is no question that the
Wolfgang Amadeus Mozart to the exclusion of other harmonies; symmetrical phrases; and clearly articulated partitions in the overall form of movements. Some of Mozart's early symphonies are Italian overtures, with three movements running into each other; many are homotonal (all three movements having the same key signature, with the slow middle movement being in the relative minor). Others mimic the works of J. C. Bach, and others show the simple rounded binary forms turned out by Viennese composers. As Mozart matured, he progressively incorporated more features adapted from the Baroque. For example, the Symphony No. 29 in A major K. 201 has a