Japanese pottery and porcelain were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own styles of the highly coloured enamelled wares that Europeans found so attractive, including famille rose, famille verte and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of Japanese export porcelain had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware. Porcelain was also exported to China,
Chinese export porcelain the Dutch called "klapmuts". The blue pigment used by the artist has faded badly since the picture was painted. Under the Kangxi Emperor's reign (1662–1722) the Chinese porcelain industry at Jingdezhen was reorganised and the export trade soon flourished again. Chinese export porcelain from the late 17th century included Blue and white and "Famille verte" wares (and occasionally "Famille noire" and "Famille jaune"). Wares included garnitures of vases, dishes, teawares, ewers, and other useful wares along with figurines, animals and birds. Blanc de Chine porcelains and Yixing stonewares arriving in Europe and gave inspiration to many European potters. For the