Stephen Andrews (artist) to his own experience of living with HIV. Andrews’ method of homemade colour separation evokes both the 19th-century painting technique of Pointillism: “in which small, distinct dots of pure color are applied in patterns to form an image”, and the Ben-Day dots of mechanical printing. Beyond these references, Andrews’ uses the technique to, at the same time, evoke the alchemy of vision and break its mechanics down. As a result, Andrews creates works that “hover at legibility.” “The pixilation or dot matrix completely obscures details, making specifics impossible to see. We can't grasp the full picture.“ The series of rubbed-crayon
Problem picture form characteristic of impressionism and post-impressionism. Pamela Fletcher, "Narrating Modernity: The British Problem Picture, 1895-1914" (Ashgate, 2003). Problem picture A problem picture is a genre of art popular in late Victorian painting, characterised by the deliberately ambiguous depiction of a key moment in a narrative that can be interpreted in several different ways, or which portrays an unresolved dilemma. It has some relation to the problem play. The viewer of the picture is invited to speculate about several different possible explanations of the scene. The genre has much in common with that of book illustration, then at its most popular,