Gene Krupa in Calumet City, Illinois. In the 1930s, Krupa became the first endorser of Slingerland drums. At Krupa's urging, Slingerland developed tom-toms with tuneable top and bottom heads, which immediately became important elements of virtually every drummer's setup. Krupa developed and popularized many of the cymbal techniques that became standards. His collaboration with Avedis Zildjian developed the modern hi-hat cymbals and standardized the names and uses of the ride cymbal, crash cymbal, splash cymbal. He is also credited with helping to formulate the modern drum set, being one of the first jazz drummers (for that recording studio) to use a bass
Musical instrument which produce sound by electronic means. Within each category are many subgroups. The system has been criticised and revised over the years, but remains widely used by ethnomusicologists and organologists. Andre Schaeffner, a curator at the Musée de l'Homme, disagreed with the Hornbostel-Sachs system and developed his own system in 1932. Schaeffner believed that the pure physics of a musical instrument, rather than its specific construction or playing method, should always determine its classification. (Hornbostel-Sachs, for example, divide aerophones on the basis of sound production, but membranophones on the basis of the shape of the instrument). His system divided instruments