Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Art and World War II spirit” of the German people in art. This officially sanctioned art was conservative and figurative, heavily inspired by Greco-Roman art. It was often grandiose and sentimental. In terms of contents, this art should represent and convey the regime's ideals. In 1937 in Munich, two simultaneous events demonstrated the Nazis’ views about art. One exhibition displayed art that should be eliminated (“The Degenerate Art Exhibition”), while the other promoted, by contrast, the official aesthetic (“The Great German Art Exhibition”). In Europe, other totalitarian regimes adopted a similar stance on art and encouraged or imposed an official aesthetic, which was a form