Noah's Ark for Atrahasis', Utnapishtim's, and Noah's ark, respectively (a difference of 4%). This has led professor Finkel to conclude that "the iconic story of the Flood, Noah, and the Ark as we know it today certainly originated in the landscape of ancient Mesopotamia, modern Iraq." Linguistic parallels between Noah's ark and the ark of the Babylonian flood-hero Atrahasis have also been noted. The word used for "pitch" (sealing tar or resin) in Genesis is not the normal Hebrew word, but is closely related to the word used in the Babylonian story. Likewise, the Hebrew word for "ark" ("tevah") is nearly identical
The Return of the Dove to the Ark The Return of the Dove to the Ark The Return of the Dove to the Ark is a painting by Sir John Everett Millais, completed in 1851. It is in the Thomas Combe collection at the Ashmolean Museum, Oxford. The painting portrays a scene from the Bible. Two of Noah's daughters-in-law nurture the dove that has returned to the Ark bearing an olive branch. This is the second of Millais's paintings with biblical themes, following "The Eve of the Deluge". Millais had some intention of producing a "pendant" painting titled "The Dove's First Flight", but never did so. Millais's original