Vitreography (art form) fine art rendition of the Ken Burns effect, giving new dimension and life to still images. Both the particular art form and the application of the term "vitreography" were pioneered by the French-American artist Jean-Pierre Weill, Weill having trademarked the word in 1992. Painting on successive glass panes to add real-world dimension to a depiction is seen by some as the natural bridge between the arts of sculpting and painting. What distinguishes vitreography from other stacked glass pane paintings is that each level of a vitreography largely maintains its independence, creating scenes within a larger scene rather than a singular
Form and document creation language and word choice. After evaluating the purpose and desired effect of a form or document, and creating a structure and wording that meets that purpose and effect, a technical communicator may think the majority of the job is complete. However, the typeface used for a form and document can greatly affect not only the reader, but the purpose and effect of that form or document. Most simply, "a font is what you use, and a typeface is what you see". "The Typographer’s Glossary" defines typeface as: "An artistic interpretation, or design, of a collection of alphanumeric symbols". Typeface includes