Petrography rock was affixed to a microscope slide and then ground so thin that light could be transmitted through mineral grains that otherwise appeared opaque. The position of adjoining grains was not disturbed, thus permitting analysis of rock texture. Thin section petrography became the standard method of rock study. Since textural details contribute greatly to knowledge of the sequence of crystallization of the various mineral constituents in a rock, petrography progressed into petrogenesis and ultimately into petrology. It was in Europe, principally in Germany, that petrography advanced in the last half of the nineteenth century. The macroscopic characters of rocks, those
The Study of Touch jazz piano trio in the 21st century". Writing for The Guardian reviewer John Fordham called it "A session by a master improvising composer, and in ideal company". On All About Jazz, Mike Jurkovic noted "With boundless humor and flexible grace, pianist Django Bates offers us "The Study of Touch" the perfect piano trio music for the significant other who absolutely hates piano trio music" while Karl Ackermann said "it seems that in teaming with Eldh and Bruun, more than ten years back, Bates was simultaneously laying the groundwork for what has become his own version of a standards trio. In