Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Yin and yang 阳 "sunny side" are linguistically analyzable in terms of Chinese characters, pronunciations and etymology, meanings, topography, and loanwords. The Traditional Chinese characters and for the words "yīn" and "yáng" are both classified as radical- esphonetic characters, combining the semantically significant "mound; hill" radical or with the phonetic indicators "ying" and "yang" . The first phonetic "yīn" "cloudy" ideographically combines "jīn" "now; present" and "yún" "cloud", denoting the "今 presence of 云 clouds". The second phonetic "yáng" "bright" originally pictured the "sun" with "rays coming down". This phonetic is expanded with the "sun" radical into "yáng" 暘 "rising sun; sunshine". The