Taijitu is still. In stillness it generates "yin"; yet at the limit of stillness it is also active. Activity and stillness alternate; each is the basis of the other. In distinguishing "yin" and "yang", the Two Modes are thereby established. The alternation and combination of "yang" and "yin" generate water, fire, wood, metal, and earth. With these five [phases of] "qi" harmoniously arranged, the Four Seasons proceed through them. The Five Phases are simply "yin" and "yang"; "yin" and "yang" are simply the Supreme Polarity; the Supreme Polarity is fundamentally Non-polar. [Yet] in the generation of the Five Phases, each one
Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and partially funded by the BFI to mark the centenary of cinema. Using archival footage and specially shot interviews with major filmmakers and actors, director Stanley Kwan constructs a visual essay that attempts to demonstrate that queerness has existed in Chinese cinema since its very earliest movies. He argues that China has provocatively dealt with questions of gender and sexuality in cinema,