Petrarchan sonnet Italian sonnet form in the poems of his that were not translation and adaptation work. As a result, he is often credited for integrating the Petrarchan sonnet into English vernacular tradition. The form also gave rise to an "anti-Petrarchan" convention which may have revealed the mistress to be ugly and unworthy. The convention was also mocked, or adopted for alternative persuasive means by many of the Inns of Court writers during the Renaissance. The sonnet is split in two groups: the "octave" (of 8 lines) and the "sestet" (of 6 lines), for a total of 14 lines. The octave (the
Sonnet 41 that the loss of his mistress did not hurt him badly, because he did not love her, trying not to blame the youth but blaming him still. Sonnet 41 continues the saga with desperate attempts to excuse the youth's behavior, eventually admitting his hurt. In the last of the three (42) the speaker continues his trend of self-deception exemplified in sonnet 41. There are many allusions and textual references in this sonnet taken from other Shakespeare works. They have been helpful in understanding the context and creating our "modern" interpretation of the sonnet. Sonnet 41, lines 5-8: <poem> "Gentle thou