Planets in science fiction and it is extremely hostile to life. Various planets of the Solar System were used as settings for science fiction stories in the first half of the 20th century; but dissatisfaction with the limits imposed by science led many writers early on to forsake the Solar System for fictional planets around distant stars. As increasing knowledge of the Solar System made the prospects of life in the vicinity of Earth marginal at best, the extrasolar planet has become almost the only venue for contemporary science fiction. In many works of science fiction, planets are only described casually, as points of
Gustav Holst found his genuine voice in his setting of Whitman's verses, "The Mystic Trumpeter" (1904), in which the trumpet calls that characterise Mars in "The Planets" are briefly anticipated. In this work, Holst first employs the technique of bitonality—the use of two keys simultaneously. At the beginning of the 20th century, according to Matthews, it appeared that Holst might follow Schoenberg into late Romanticism. Instead, as Holst recognised afterwards, his encounter with Purcell's "Dido and Aeneas" prompted his searching for a "musical idiom of the English language"; the folksong revival became a further catalyst for Holst to seek inspiration from other