Fax art Fax art Fax art is art specifically designed to be sent or transmitted by a facsimile machine, where the "fax art" is the received "fax". It is also called telecommunications art or telematic art. "Fax art was another means of mediating distances", according to art historians Annmarie Chandler and Norie Neumark. Fax art was first "faxed" in 1980, but that was not "documented" until 1985. On January 12, 1985, Joseph Beuys together with Andy Warhol and the Japanese artist Kaii Higashiyama participated in the "Global-Art-Fusion" project. This was a Fax-Art project, initiated by the conceptual artist Ueli Fuchser, in which
Mark Fax College in 1946. From 1947 to 1972, Fax taught music theory at Howard University and served as director of the School of Music. Later, Fax became Acting Dean of Howard's College of Fine Arts. Concurrently, he served as music director at Washington's famed Asbury Methodist Church. Fax composed works for chorus, symphony, chamber ensemble, voice, piano and organ, in addition to two full-length operas, Christmas Miracle (1958) and 'Til Victory Is Won (1967). In the Washington limelight, he finally received public attention. "Washington Post" critic Paul Hume praised Fax's Sonata for Clarinet and Piano as "striking…difficult…a work of surprising contrapuntal