Shusaku Arakawa Shusaku Arakawa Shusaku Arakawa, who spoke of himself as an "eternal outsider" and "abstractionist of the distant future," first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo's Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa's early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and with whom he eventually
Sumida River being manufactured by Korean prisoners of war. Sandra Andacht wrote in 1987, "Sumida gawa wares have found great popularity with collectors, dealers and investors. The motifs conform to the general Western concepts of what Oriental designs are expected to depict; writhing dragons, Buddhist disciples, mythological and legendary beings and creatures. Thus these wares are sought after and prices (here in the States) are quite high, even for pieces in less than perfect condition." The "Noh" play "Sumida-gawa", which the British composer Benjamin Britten saw while visiting Japan in 1956, inspired him to compose "Curlew River" (1964), a dramatic work based