Heavy Neolithic Heavy Neolithic Heavy Neolithic (alternatively, Gigantolithic) is a style of large stone and flint tools (or industry) associated primarily with the Qaraoun culture in the Beqaa Valley, Lebanon, dating to the Epipaleolithic or early Pre-pottery Neolithic at the end of the Stone Age. The type site for the Qaraoun culture is Qaraoun II. The term "Heavy Neolithic" was translated by Lorraine Copeland and Peter J. Wescombe from Henri Fleisch's term ""gros Neolithique"", suggested by Dorothy Garrod (in a letter dated February 1965) for adoption to describe the particular flint industry that was identified at sites near Qaraoun in the Beqaa
In the Neolithic Age styles in his poetry. He had also been reluctant to criticize other writers after becoming well known. In 1896, now titled "In the Neolithic Age", the poem was published in Kipling's next volume of poetry, "The Seven Seas". He placed it between two other poems about tribal singers, "The Last Rhyme of True Thomas" and "The Story of Ung". The narrator is a Stone Age tribal singer who reacts badly to criticism of his work. He also deals badly with other artists whose work he dislikes. He kills a younger singer as well as a cave painter. <poem>Then I stripped