Taijitu seen in Tripilja culture in Ukraine, displayed in the Ukraine pavilion at the Expo 2010 in Shanghai, China. Also, the interlocking design is found in artifacts of the European Iron Age. While this design appears to become a standard ornamental motif in Iron-Age Celtic culture by the 3rd century BC, found on a wide variety of artifacts, it is not clear what symbolic value was attached to it. Unlike the Chinese symbol, the Celtic yin-yang lack the element of mutual penetration, and the two halves are not always portrayed in different colors. Comparable designs are also found in Etruscan art.
Yang ± Yin: Gender in Chinese Cinema brotherhood.' The film is also notable for being Kwan publicly coming-out as gay in it. In a scene towards the end of the film, he reveals his sexuality to his mother by asking her to reflect on her own ideas and experiences of gender norms and queerness. Interviews in the documentary include Ang Lee, Kaige Chen, Leslie Chung and John Woo. Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and