Serpent (instrument) also appears in operatic scores by Spontini and Bellini, but it was replaced in the 19th century by a fully keyed brass instrument, the ophicleide, and later on by valved bass brass instruments such as the euphonium and tuba. After that the serpent dropped off in popularity for a period of time. Bernard Herrmann used a serpent in the scores of "White Witch Doctor" (1953) and "Journey to the Center of the Earth" (1959), as did Jerry Goldsmith in his score for "Alien" (1979). In the 1970s, instrument-maker Christopher Monk began playing, and later making Serpents, and in 1976 he
Tuba of notes. Prior to the invention of valves, brass instruments were limited to notes in the harmonic series, and were thus generally played very high with respect to their fundamental pitch. Harmonics starting three octaves above the fundamental pitch are about a whole step apart, making a useful variety of notes possible. The ophicleide used a bowl-shaped brass instrument mouthpiece but employed keys and tone holes similar to those of a modern saxophone. Another forerunner to the tuba was the serpent, a bass instrument that was shaped in a wavy form to make the tone holes accessible to the player.