Taijitu seen in Tripilja culture in Ukraine, displayed in the Ukraine pavilion at the Expo 2010 in Shanghai, China. Also, the interlocking design is found in artifacts of the European Iron Age. While this design appears to become a standard ornamental motif in Iron-Age Celtic culture by the 3rd century BC, found on a wide variety of artifacts, it is not clear what symbolic value was attached to it. Unlike the Chinese symbol, the Celtic yin-yang lack the element of mutual penetration, and the two halves are not always portrayed in different colors. Comparable designs are also found in Etruscan art.
Taijitu and called the "River Chart spontaneously generated by Heaven and Earth". By the end of the Ming period, this diagram had become a widespread representation of Chinese cosmology. The dots were introduced in the later Ming period (replacing the droplet-shapes used earlier, in the 16th century) and are encountered more frequently in the Qing period. The dots represent the seed of yin within yang and the seed of yang within yin; the idea that neither can exist without the other. Lai Zhide's design is similar to the "gakyil" ("dga' 'khyil" or "wheel of joy") symbols of Tibetan Buddhism; but while