Black fax to harass large institutions or government departments, to retaliate against the senders of junk faxes, or merely as simple pranks. The basic principle of a black fax can be extended to form a "black fax attack." In this case, one or more sheets are fed halfway through the sender's fax machine and taped end to end, forming an endless loop that cycles through the machine. Not only can solid black be used, but also images which will repeat endlessly on the receiver's machine until its toner runs out. The introduction of computer-based facsimile systems (combined with integrated document imaging solutions)
Elton Fax featured in a solo art show at the offices of the "Baltimore Afro-American" newspaper. Elton Fax taught art at the Harlem Community Art Center in New York beginning in 1934, and was involved with the Works Project Administration Federal Art Project. Fax was an illustrator for magazines such as "Weird Tales", "Astounding Science-Fiction", "Complete Cowboy", "Real Western", "Story Parade", "Child Life", and "All Sports". In 1942 he began a newspaper comic named "Susabelle", and later an illustrated history panel, "They'll Never Die", both carried in African-American newspapers. He also created greeting card illustrations for The Links. Books written and illustrated