Yin and yang a hill" in Huayin 華陰, which is north of Mount Hua 華山 in Shaanxi province. In Japan, the characters are used in western Honshu to delineate the north-side San'in region 山陰 from the south-side San'yō region 山陽, separated by the Chugoku mountain range 中国山地. English "yin", "yang", and "yin-yang" are familiar loanwords of Chinese origin. The "Oxford English Dictionary" defines: yin (jɪn) Also Yin, Yn. [Chinese "yīn" shade, feminine; the moon.] a. In Chinese philosophy, the feminine or negative principle (characterized by dark, wetness, cold, passivity, disintegration, etc.) of the two opposing cosmic forces into which creative energy divides and
Yang ± Yin: Gender in Chinese Cinema in spite of social conservatism and government censorship. Chia-Chi Wu writes, 'In its queering of Chinese-language film– reclaiming or recreating Chinese texts for queer interpretation – "Yang±Yin" undercuts heteronormativity and patriarchy foundational to nationalist discourses of Chinese communities and creates a queer imaginary that is ‘pan-Chinese’.' Kwan draws attention to the coded or subtle queerness of Chinese cinema. For example, director Zhang Che describes, 'possible 'Freudian' readings' of his film "The Slaughter In Xi'an" (1990), thus, according to Fran Martin, 'validating the power of the spectators agency and never denying the erotic tensions bubbling beneath supposedly chaste canons of Confuscian