Planets in science fiction and it is extremely hostile to life. Various planets of the Solar System were used as settings for science fiction stories in the first half of the 20th century; but dissatisfaction with the limits imposed by science led many writers early on to forsake the Solar System for fictional planets around distant stars. As increasing knowledge of the Solar System made the prospects of life in the vicinity of Earth marginal at best, the extrasolar planet has become almost the only venue for contemporary science fiction. In many works of science fiction, planets are only described casually, as points of
Suite (music) dexterity from the pianist. Arnold Schoenberg's first use of the twelve-tone technique throughout an entire work was in his Suite for Piano, op. 25. Modeled on the Baroque keyboard suite, the piece consists of six movements entitled "Präludium" (Prelude), "Gavotte", "Musette", "Intermezzo", "Menuett" (Minuet, with Trio), and "Gigue". Other famous examples of early 20th-century suites are "The Planets" by Gustav Holst, a 'Suite for Orchestra' in which each piece represents the astrological significance of one of the seven uninhabited planets then known, as well as his First Suite in E-flat and Second Suite in F for Military Band. There are