Euphonium repertoire euphonium was embraced from its earliest days by composers and arrangers in band settings, orchestral composers have generally not taken advantage of its capabilities. Nevertheless, there are several orchestral works, a few of which are in the standard repertoire, in which composers have called for a tenor tuba, a German "Tenorhorn"¹, a Wagner tuba, or a French tuba in C. In all of these cases, the composer's desired effect was that of "tenor-voiced, valved brass" instrument – and in many of these cases the euphonium is substituted for the called-for instrument, either because the instrument is obsolete (French C tuba),
Tenor horn whole-bore brass instrument, most players can play some pedal tones, the fundamentals (first partials) of (at least) the shorter tubing lengths. Tenor horn parts are written in the treble clef. The tenor horn is an E transposing instrument written a major sixth above concert pitch: the tenor horn notation for middle C represents the E below middle C in concert pitch (E in scientific pitch notation). The instrument known today as the tenor/alto horn was developed in the 1840s by the Belgian instrument maker Adolphe Sax who, among other instrument design activities, designed two similar families of valved brass instruments,