John Rylands Library four boundaries, was noted for the pleasant contrast between the 'sullen roar' of Manchester and the 'internal cloister quietude of Rylands'. It was lit by oriel windows in the reading alcoves supplemented by high clerestory windows along both sides. Embellishments in the reading room include two large stained glass windows with portraits of religious and secular figures, designed by C. E. Kempe; a series of statues in the reading room by Bridgeman's of Lichfield; and bronzework in the art nouveau style by Singer of Frome. The portraits in sculpture (20) and stained glass (40) represent a selection of personages from
Rylands Library Papyrus P52 Stanley Porter, is much narrower than the ranges envisaged by Barker or Nongbri, and implies within their dating schema that formula_1 and formula_1 stand as the earliest New Testament papyri so far identified (although, strangely, at the conclusion of their article, Orsini and Clarysse state that formula_1, formula_1, and formula_1 "probably all [date to] the second half of the second century)." The John Rylands Library states "The first editor dated the Fragment to the first half of the second century (between 100-150 AD). The date was estimated palaeographically, by comparing the handwriting with other manuscripts. However, palaeography is not an