Taijitu is still. In stillness it generates "yin"; yet at the limit of stillness it is also active. Activity and stillness alternate; each is the basis of the other. In distinguishing "yin" and "yang", the Two Modes are thereby established. The alternation and combination of "yang" and "yin" generate water, fire, wood, metal, and earth. With these five [phases of] "qi" harmoniously arranged, the Four Seasons proceed through them. The Five Phases are simply "yin" and "yang"; "yin" and "yang" are simply the Supreme Polarity; the Supreme Polarity is fundamentally Non-polar. [Yet] in the generation of the Five Phases, each one
Chinese sun and moon mirrors respond with fire: the pure essence of "yang". When placed before the moon—the ultimate "yin" 陰 phenomenon in the world—they respond with water: the pure essence of "yin". Thus mirrors offer the paradigm for "proper responsiveness": they reflect the true essence of the ultimate "yin" and "yang"—the alpha and omega of phenomena in early Chinese cosmology." (Carr and Ivanhoe 2000: 56) Erin Cline says the early Chinese attributed mirrors to have a mysterious power and great religious significance. The ceremonial bronze "fusui" 夫遂 and "yangsui" 陽燧 mirrors were seen as active, responsive objects because they could be used to produce