Sonnet exclusively in [the] line count)". Paul Muldoon often experiments with 14 lines and sonnet rhymes, though without regular sonnet meter. The advent of the New Formalism movement in the United States has also contributed to contemporary interest in the sonnet. This includes the invention of the "word sonnet", which are fourteen line poems, with one word per line. Frequently allusive and imagistic, they can also be irreverent and playful. The Canadian poet Seymour Mayne published a few collections of word sonnets, and is one of the chief innovators of the form. Contemporary word sonnets combine a variation of styles often
Sonnet introduced, such as CDCDCD. Petrarch typically used an ABBA ABBA pattern for the octave, followed by either CDE CDE or CDC CDC rhymes in the sestet. The symmetries (ABBA vs. CDC) of these rhyme schemes have also been rendered in musical structure in the late 20th century composition "Scrivo in Vento" by Elliott Carter, inspired by Petrarch's Sonnet 212, "Beato in Sogno".) In English, both the English or Shakespearean sonnet, and the Italian Petrarchan sonnet are traditionally written in iambic pentameter. The first known sonnets in English, written by Sir Thomas Wyatt and Henry Howard, Earl of Surrey, used the