Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Self colour the tip. The term can also be used to distinguish between colour and pattern; patterns are unpigmented areas with pink skin and white hair. In this definition, an animal has only one self-colour, which is the sum effect of all the genes acting on the pigment. For example, a black and tan piebald Dachshund has patterns (piebald) and self-colours (black and tan). Self colour A self colour refers to the top coat colouration of several domestic animals, such as dogs, pet rodents and cats. It refers to hairs of a uniform shade, with no banding or tipping of another colour.