Chinese sun and moon mirrors being hung round the neck, or because necks are concave things. Liu An's (c. 139 BCE) "Huainanzi" "Masters of Huainan", which is a compendium of writings from various schools of Chinese philosophy, was the first text to record "fangzhu" dew-collectors. Two "Huainanzi" chapters metaphorically use "sun and moon mirrors" to exemplify "yang" and "yin" categories and elucidate the Chinese notion of "ganying" "cosmic resonance" through which categorically identical things mutually resonate and influence each other. The "yángsuì" 陽燧 "burning-mirror" is "yang", round, and sun-like; the "fāngzhū" 方諸 "square receptacle" is "yin", square, and moon-like. The first context describes "yangsui" and
Yin and yang "to shelter; shade", and 陽 or 阳 "sunny" is always pronounced with rising second tone "yáng". Sinologists and historical linguists have reconstructed Middle Chinese pronunciations from data in the (7th century CE) "Qieyun" rhyme dictionary and later rhyme tables, which was subsequently used to reconstruct Old Chinese phonology from rhymes in the (11th-7th centuries BCE) "Shijing" and phonological components of Chinese characters. Reconstructions of Old Chinese have illuminated the etymology of modern Chinese words. Compare these Middle Chinese and Old Chinese (with asterisk) reconstructions of "yīn" 陰 and "yáng" 陽: Schuessler gives probable Sino-Tibetan etymologies for both Chinese words. "Yin"