John Rylands Library four boundaries, was noted for the pleasant contrast between the 'sullen roar' of Manchester and the 'internal cloister quietude of Rylands'. It was lit by oriel windows in the reading alcoves supplemented by high clerestory windows along both sides. Embellishments in the reading room include two large stained glass windows with portraits of religious and secular figures, designed by C. E. Kempe; a series of statues in the reading room by Bridgeman's of Lichfield; and bronzework in the art nouveau style by Singer of Frome. The portraits in sculpture (20) and stained glass (40) represent a selection of personages from
Rylands Library Papyrus P52 formula_1, nevertheless continued to maintain that "The Rylands papyrus may therefore be accepted as of the first half of the second century". An altogether different approach to dating New Testament payri has been proposed by a number of paleographers in recent years, drawing on the notion of "graphic stream" developed by Guglielmo Cavallo. Rather than comparing letter forms of undated papyri directly with dated comparators, it is proposed that the hand in question should first be identified to a graphic stream representing the overall development of a particular handwriting style. "The way that individual letters are formed within these graphic