Petrarchan sonnet Petrarchan sonnet The Petrarchan sonnet is a sonnet form not developed by Petrarch himself, but rather by a string of Renaissance poets. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form divides the poem's 14 lines into two parts, the first part being an octave and the second being a sestet. The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include
Sonnet 26 composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions per line. The seventh line exemplifies a regular iambic pentameter line. The next contains a final extrametrical syllable or "feminine ending", of which this sonnet has six; it also exhibits an ictus moved to the right (resulting in a four-position figure, codice_1, sometimes referred to as a "minor ionic"): As Stephen Booth notes, Sonnet 26 works on a series of "shows": the word appears in four separate lines of the sonnet. Booth perceives a vague sexual pun in the second half of