Chinese sun and moon mirrors water. (Laufer 1915: 221-222). Owing to the similarities of Chinese "yangsui" and "fangzhu" mirrors with Indian "sūryakānta" and "candrakānta" stones, Tang (1935) proposes a trans-cultural diffusion from China to the Mughal Empire. Chinese sun and moon mirrors The yángsuì 陽燧 or sun-mirror was an ancient Chinese burning-mirror that concentrates sunlight to ignite tinder and the fāngzhū 方諸 or moon-mirror was a device that collects nighttime dew by condensation. These two bronze implements are literary metaphors for yin and yang, associating the ""yang"-mirror" "yangsui" with the sun (a.k.a. "tàiyáng" 太陽 "great "yang""), fire, dry, and round, and the ""yin"-mirror" "fangshu" with
Yin and yang (winter and summer), the landscape (north-facing shade and south-facing brightness), sexual coupling (female and male), the formation of both men and women as characters, and sociopolitical history (disorder and order).There are various dynamics in Chinese cosmology. In the cosmology pertaining to Yin and Yang, the material energy, which this universe has created itself out of, is also referred to as qi. It is believed that the organization of qi in this cosmology of Yin and Yang has formed many things . Included among these forms are humans. Many tangible dualities (such as light and dark, fire and water, expanding and