Petrography rock was affixed to a microscope slide and then ground so thin that light could be transmitted through mineral grains that otherwise appeared opaque. The position of adjoining grains was not disturbed, thus permitting analysis of rock texture. Thin section petrography became the standard method of rock study. Since textural details contribute greatly to knowledge of the sequence of crystallization of the various mineral constituents in a rock, petrography progressed into petrogenesis and ultimately into petrology. It was in Europe, principally in Germany, that petrography advanced in the last half of the nineteenth century. The macroscopic characters of rocks, those
What Is Art? Aylmer Maude, translator of many of Tolstoy's writings, calls it "probably the most masterly of all Tolstoy's works", citing the difficulty of the subject matter and its clarity. For a comprehensive review of the reception at the time of publication, see Maude 1901"b". Bayley, John (1986 [1966]). ""What is Art?" - excerpt from Tolstoy and the Novel" in Bloom, Harold (ed.). Leo Tolstoy. New York: Chelsea House. p. 141-152. Jahn, Gary R. (1975). "The aesthetic theory of Leo Tolstoy's "What is Art?"". "Journal of Aesthetics and Art Criticism" 34 (1): 59-65. Maude, Aylmer (1901a). “"What is Art?" - An Introduction”,