Thelma & Louise J.D. to her room, and they sleep together. She then learns he is a thief who has broken parole. The following morning, Thelma leaves J.D. in her motel room to meet Louise downstairs for breakfast, and, when they return, they discover J.D. has stolen Louise's life savings and fled. Louise is distraught, so a guilty Thelma takes charge and later robs a nearby convenience store using tactics she learned from listening to J.D. Meanwhile, the FBI is getting closer to catching the fugitives after witnesses at the bar saw Louise's 1966 Ford Thunderbird convertible speeding out of the parking lot
The Living End (film) Jean-Luc Godard and Andy Warhol. "The Living End", she concluded, "is mostly annoying". "Rolling Stone"'s Peter Travers found "The Living End" a "savagely funny, sexy and grieving cry" made more heart-rending by "Hollywood's gutless fear of AIDS movies". In a letter (09/25/92) to playwright Robert Patrick, Quentin Crisp called the film "dreadful." The Living End (film) The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay "Thelma and Louise"," the film is an early entry in the New Queer Cinema genre. "The Living End" was nominated for a Grand Jury Prize