Euphonium repertoire euphonium was embraced from its earliest days by composers and arrangers in band settings, orchestral composers have generally not taken advantage of its capabilities. Nevertheless, there are several orchestral works, a few of which are in the standard repertoire, in which composers have called for a tenor tuba, a German "Tenorhorn"¹, a Wagner tuba, or a French tuba in C. In all of these cases, the composer's desired effect was that of "tenor-voiced, valved brass" instrument – and in many of these cases the euphonium is substituted for the called-for instrument, either because the instrument is obsolete (French C tuba),
Michael Rath Trombones finished at Merton in 1981 and for the next nine years served an apprenticeship with Paxman Musical Instruments, a Covent Garden-based manufacturer of (French) horns. Himself a brass player – he began on tuba at age 11 – Rath opened his own brass instrument shop in West Yorkshire, specializing in repairs and customization. His clientele grew to include professional musicians, particularly trombonists, from throughout Europe. In 1995, British jazz trombonist Mark Nightingale asked Rath to create a bespoke instrument. Completed in 1996 after nearly two years of prototyping, this tenor instrument became the first Rath trombone. With tenor trombones in