Pigment pigment derived from a parasitic insect found in Central and South America—attained great status and value in Europe. Produced from harvested, dried, and crushed cochineal insects, carmine could be—and still is—used in fabric dye, food dye, body paint, or—in its solid lake form—almost any kind of paint or cosmetic. According to Diana Magaloni, the Florentine Codex contains a variety of illustrations with multiple variations of the red pigments. Specifically in the case of "achiotl (light red)," technical analysis of the paint reveals multiple layers of the pigment although the layers of the pigment is not visible to the naked eye.
Pigment Therefore, it proves that the process of applying multiple layers is more significant in comparison to the actual color itself. Furthermore, the process of layering the various hues of the same pigment on top of each other enabled the Aztec artists to create variations in the intensity of the subject matter. A bolder application of pigment draws the viewer's eye to the subject matter which commands attention and suggests a power of the viewer. A weaker application of pigment commands less attention and has less power. This would suggest that the Aztec associated the intensity of pigments with the idea