Gender are universally more religious than men. They believe that the difference in religiosity between genders is due to biological differences, for instance usually people seeking security in life are more religious, and as men are considered to be greater risk takers than women, they are less religious. Although religious fanaticism is more often seen in men than women. In Taoism, yin and yang are considered feminine and masculine, respectively. The Taijitu and concept of the Zhou period reach into family and gender relations. Yin is female and yang is male. They fit together as two parts of a whole. The
Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and partially funded by the BFI to mark the centenary of cinema. Using archival footage and specially shot interviews with major filmmakers and actors, director Stanley Kwan constructs a visual essay that attempts to demonstrate that queerness has existed in Chinese cinema since its very earliest movies. He argues that China has provocatively dealt with questions of gender and sexuality in cinema,