Imperial diptych offerings to the emperor. However, the fact that the Barberini ivory was almost certainly not a diptych, but some kind of imperial icon without a second panel is a serious argument against the existence of the imperial diptych type. The two panels representing the empress Ariadne, in the Bargello in Florence and the Kunsthistorisches Museum in Vienna, also belong to the hypothesied imperial diptych type. They are the only central panels of such a diptych (other than the Barberini ivory) to survive, since all other fragments of such diptychs are from side panels. Imperial diptych In Late Antiquity, an imperial
Imperial (automobile) but retained a unique bodyshell. The styling kept the overall straight-line, sharp-edged Engel theme, but there were many detail changes intended to make Imperial look less like Lincoln and more into its own territory. The spare tire bulge was completely gone from the rear, although the boss remained. The practically full-width taillights spread out from it, straight, but ended before chrome-tipped rear wings. A base Imperial model, simply called Imperial, returned for the first time since 1963, complementing the Crown and LeBaron levels of trim. It was the first four-door pillared Imperial sedan since 1960. New standard features included dual