Taijitu prior to 1686. It combines several abstract shapes, including a "Taiji" symbol illustrating the mutual complement of man and woman. In socialist times, it was alternatively interpreted as two fish symbolizing vigilance, because fish never close their eyes. The modern symbol has also been widely used in martial arts, particularly t'ai chi ch'uan (Taijiquan), and Jeet Kune Do, since the 1970s. In this context, it is generally used to represent the interplay between hard and soft techniques. The dots in the modern "yin-yang symbol" have been given the additional interpretation of "intense interaction" between the complementary principles. Similarities can be
Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and partially funded by the BFI to mark the centenary of cinema. Using archival footage and specially shot interviews with major filmmakers and actors, director Stanley Kwan constructs a visual essay that attempts to demonstrate that queerness has existed in Chinese cinema since its very earliest movies. He argues that China has provocatively dealt with questions of gender and sexuality in cinema,