Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Taijitu the 16th century. The original description of a "taijitu" is due to Song era philosopher Zhou Dunyi (1017–1073), author of the "Taijitu shuo" "Explanation of the Diagram of the Supreme Ultimate", which became the cornerstone of Neo-Confucianist cosmology. His brief text synthesized aspects of Chinese Buddhism and Taoism with metaphysical discussions in the "Yijing". Zhou's key terms Wuji and Taiji appear in the opening line , which Adler notes could also be translated "The Supreme Polarity that is Non-Polar". Non-polar ("wuji") and yet Supreme Polarity ("taiji")! The Supreme Polarity in activity generates "yang"; yet at the limit of activity it