Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Alumina effect pigment Alumina effect pigment An alumina effect pigment is a pearlescent pigment based on alumina (aluminium oxide). In the first step of the production process, AlO (Aluminium oxide) flakes with a very smooth surface are formed. The flakes are produced using a crystal growth process. They are formed in the corundum structure (α-AlO). The desired flake shape is achieved by controlled crystal growth in the axial and equatorial directions. The color purity and transparency of the effect pigments obtained by coating the AlO flakes with metal oxides can be attributed to the synthesis procedure yielding single-crystalline thin flakes The coating of