Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Chinese influence on Korean culture Chinese influence on Korean culture Chinese culture has had a tremendous impact in many areas of Korean culture, including arts, written language, religion and government administration, with Koreans molding these Chinese models into distinctly Korean forms. Korean wooden-frame architecture was introduced from China during the Han dynasty and has continued to the modern era. Other Chinese concepts to influence Korean architecture include yin and yang, the five elements, Chinese geomancy, Taoism and Confucianism. Chinese cultural influence around the turn of the common era formed the basis for the early Korean architecture in the Three Kingdoms period. This influence is attributed