Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Taijitu the "yin and yang symbol", itself popularly called "taijitu", represents the second of these five parts of the diagram. The term "taijitu" in modern Chinese is commonly used to mean the simple "divided circle" form (), but it may refer to any of several schematic diagrams that contain at least one circle with an inner pattern of symmetry representing yin and yang. While the concept of yin and yang dates to Chinese antiquity, the interest in "diagrams" (圖 "tú") is an intellectual fashion of Neo-Confucianism during the Song period (11th century), and it declined again in the Ming period, by