Capo Capo A capo (short for "capodastro", "capo tasto" or "capotasto" , Italian for "head of fretboard"; Spanish: " cejilla" or "capodastro"; French: "capodastre"; German: "Kapodaster"; Portuguese: "capodastro", Serbo-Croatian: "kapodaster"; Greek: "kapotasta") is a device used on the neck of a stringed (typically fretted) instrument to shorten the playable length of the strings, hence raising the pitch. It is a common tool for players of guitars, mandolins, mandolas, banjos, ukuleles and bouzoukis. The word derives from the Italian "capotasto" which means the nut of a stringed instrument. The earliest known use of the term "capotasto" is by Giovanni Battista Doni who,
Piano tuning the tension of the strings. Piano tuning became a profession around the beginning of the 1800s, as the "pianoforte" became mainstream. Previously musicians owned harpsichords, which were much easier to tune, and which the musicians generally tuned themselves. Early piano tuners were trained and employed in piano factories, and often underwent an apprenticeship of about 5–7 years. Early tuners faced challenges related to a large variety of new and changing pianos and non-standardized pitches. Historically, keyboard instruments were tuned using just intonation, pythagorean tuning and meantone temperament meaning that such instruments could sound "in tune" in one key, or some