Euphonium main tuning slide trigger, which allows players more flexibility with intonation. The euphonium, like the tenor trombone, is pitched in concert B. For a valved brass instrument like the euphonium, this means that when no valves are in use the instrument will produce partials of the B harmonic series. It is generally orchestrated as a non-transposing instrument like the trombone, written at concert pitch in the bass clef with higher passages in the tenor clef. Treble clef euphonium parts transposing down a major ninth are included in much concert band music: in the British-style brass band tradition, euphonium music is
Tenor cornett cornetts, true alto or tenor cornetts. However, a number of instruments with a larger bore have survived and these instruments seem to have had a sound somewhat reminiscent of the serpent. The timbre of the small bore tenor cornetti is more "focused" and incisive than that of their large bore counterparts. Some modern cornett makers, like Christopher Monk, for instance, have made both varieties of tenor cornett available to customers. The tenor cornett was used almost exclusively as a consort instrument. No solo music survives for this instrument. In the works of Schütz, Schein, Scheidt, Praetorius, Gabrieli, Viadana and other