Petrarchan sonnet Petrarchan sonnet The Petrarchan sonnet is a sonnet form not developed by Petrarch himself, but rather by a string of Renaissance poets. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form divides the poem's 14 lines into two parts, the first part being an octave and the second being a sestet. The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include
Sonnet 20 syllable to the traditional form may also represent a phallus. Sonnet 20 is one of only two in the sequence with feminine endings to its lines; the other is Sonnet 87. Stackhouse also comments on the reveal of the gender of the addressee in the final few lines as a way of Shakespeare playing with the idea of gender throughout the poem. Stackhouse's analysis of the nature aspect also seemed to play into the "gender-bending" model by creating this idea of Mother Nature falling in love with her creation and thus imparting a phallus to him. Which is represented in