Sonnet 124 Wright suggests in his book "The Structure of Shakespeare's Sonnets" that in the first four lines of Sonnet 124 the speaker puts forth a hypothetical; if the speakers' love were the product of circumstance, then it would have no strong foundations and would be "Fortune's bastard". Being "unfather'd" the love would then be subject to "Time's love or to Times' hate". The next set of lines then alludes to the personification of Time found in Sonnet 123, in which Time has a scythe (Sonnet 123. 14). In Sonnet 124, the scythe used by Time subjects its victims to either "Times
Sonnet introduced, such as CDCDCD. Petrarch typically used an ABBA ABBA pattern for the octave, followed by either CDE CDE or CDC CDC rhymes in the sestet. The symmetries (ABBA vs. CDC) of these rhyme schemes have also been rendered in musical structure in the late 20th century composition "Scrivo in Vento" by Elliott Carter, inspired by Petrarch's Sonnet 212, "Beato in Sogno".) In English, both the English or Shakespearean sonnet, and the Italian Petrarchan sonnet are traditionally written in iambic pentameter. The first known sonnets in English, written by Sir Thomas Wyatt and Henry Howard, Earl of Surrey, used the