Euphonium repertoire euphonium was embraced from its earliest days by composers and arrangers in band settings, orchestral composers have generally not taken advantage of its capabilities. Nevertheless, there are several orchestral works, a few of which are in the standard repertoire, in which composers have called for a tenor tuba, a German "Tenorhorn"¹, a Wagner tuba, or a French tuba in C. In all of these cases, the composer's desired effect was that of "tenor-voiced, valved brass" instrument – and in many of these cases the euphonium is substituted for the called-for instrument, either because the instrument is obsolete (French C tuba),
Brass instrument Baroque or Classical pieces. In more modern compositions, they are occasionally used for their intonation or tone color. Brass instruments may also be characterised by two generalizations about geometry of the bore, that is, the tubing between the mouthpiece and the flaring of the tubing into the bell. Those two generalizations are with regard to While all modern valved and slide brass instruments consist in part of conical and in part of cylindrical tubing, they are divided as follows: The second division, based on bore diameter in relation to length, determines whether the fundamental tone or the first overtone is