Taijitu is still. In stillness it generates "yin"; yet at the limit of stillness it is also active. Activity and stillness alternate; each is the basis of the other. In distinguishing "yin" and "yang", the Two Modes are thereby established. The alternation and combination of "yang" and "yin" generate water, fire, wood, metal, and earth. With these five [phases of] "qi" harmoniously arranged, the Four Seasons proceed through them. The Five Phases are simply "yin" and "yang"; "yin" and "yang" are simply the Supreme Polarity; the Supreme Polarity is fundamentally Non-polar. [Yet] in the generation of the Five Phases, each one
Yang ± Yin: Gender in Chinese Cinema brotherhood.' The film is also notable for being Kwan publicly coming-out as gay in it. In a scene towards the end of the film, he reveals his sexuality to his mother by asking her to reflect on her own ideas and experiences of gender norms and queerness. Interviews in the documentary include Ang Lee, Kaige Chen, Leslie Chung and John Woo. Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and