John Rylands Library four boundaries, was noted for the pleasant contrast between the 'sullen roar' of Manchester and the 'internal cloister quietude of Rylands'. It was lit by oriel windows in the reading alcoves supplemented by high clerestory windows along both sides. Embellishments in the reading room include two large stained glass windows with portraits of religious and secular figures, designed by C. E. Kempe; a series of statues in the reading room by Bridgeman's of Lichfield; and bronzework in the art nouveau style by Singer of Frome. The portraits in sculpture (20) and stained glass (40) represent a selection of personages from
John Rylands Library demolished to make way for the construction. Champneys incorporated this suggestion into his design, setting the two towers of the facade twelve feet back from the boundary and keeping the entrance block low, to allow light into the library. He designed the building in a series of tiered steps with an almost flat roof to give a 'liberal concession' to the neighbours' 'right to light'. The library was built on a rectangular plan and subsequent extensions are to the rear. It was designed to resemble a church in a decorated neo-Gothic style with Arts and Crafts details. It is constructed