Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Yin and yang by a retreat, and every rise transforms into a fall. Thus, a seed will sprout from the earth and grow upwards towards the skyan intrinsically yang movement. Then, when it reaches its full potential height, it will fall. Also, the growth of the top seeks light, while roots grow in darkness. Certain catchphrases have been used to express yin and yang complementarity: Yin is the black side with the white dot in it, and yang is the white side with the black dot in it. The relationship between yin and yang is often described in terms of sunlight playing over