Taijitu the Tibetan designs have three or four swirls (representing the Three Jewels or the Four Noble Truths, i.e. as a triskele and a tetraskelion design), Lai Zhide's taijitu has two swirls, terminating in a central circle. The Ming-era design of the taijitu of two interlocking spirals has been reported as "yin-yang symbol" in the first half of the 20th century. The flag of South Korea, originally introduced as the flag of Joseon era Korea in 1882, shows this symbol in red and blue. This was a modernisation of the older (early 19th century) form of the Bat Quai Do used
Yang ± Yin: Gender in Chinese Cinema in spite of social conservatism and government censorship. Chia-Chi Wu writes, 'In its queering of Chinese-language film– reclaiming or recreating Chinese texts for queer interpretation – "Yang±Yin" undercuts heteronormativity and patriarchy foundational to nationalist discourses of Chinese communities and creates a queer imaginary that is ‘pan-Chinese’.' Kwan draws attention to the coded or subtle queerness of Chinese cinema. For example, director Zhang Che describes, 'possible 'Freudian' readings' of his film "The Slaughter In Xi'an" (1990), thus, according to Fran Martin, 'validating the power of the spectators agency and never denying the erotic tensions bubbling beneath supposedly chaste canons of Confuscian