Marching brass 1980s and early 1990s, DEG Music Products commissioned Willson Brass of Switzerland to design a Euphonium bugle, and their design used a medium shank mouthpiece that is not regularly seen in the United States. The contrabass bugle, or "contra", is the bugle equivalent of a marching tuba and its variants (the sousaphone and helicon). This bugle was designed in the 1960s. The original design for a contrabass called for an instrument in CC (the equivalent tubing length of a CC tuba), carried in front of the marcher like the higher voices. This was quickly replaced with a shoulder carried variant
Tenor cornett about the sound of the tenor cornett; he describes it as "bullocky and horn-like" in his "Syntagma Musicum" of 1619. He suggests that a trombone is to be preferred and the alto and tenor voices of cornett and trombone ensembles was usually played on trombones. However, tenor cornetts seem to have been common enough and composers like Gabrieli, Lassus, Hassler and Schütz (the fourth cornetto part of the "Psalmen Davids" of 1619 requires a tenor cornett) frequently made use of this instrument. Christopher Monk speculates that Praetorius heard the instrument played rather badly on several occasions. The "In Dulci Jubilo