Serpent (instrument) also appears in operatic scores by Spontini and Bellini, but it was replaced in the 19th century by a fully keyed brass instrument, the ophicleide, and later on by valved bass brass instruments such as the euphonium and tuba. After that the serpent dropped off in popularity for a period of time. Bernard Herrmann used a serpent in the scores of "White Witch Doctor" (1953) and "Journey to the Center of the Earth" (1959), as did Jerry Goldsmith in his score for "Alien" (1979). In the 1970s, instrument-maker Christopher Monk began playing, and later making Serpents, and in 1976 he
Tenor cornett cornetts, true alto or tenor cornetts. However, a number of instruments with a larger bore have survived and these instruments seem to have had a sound somewhat reminiscent of the serpent. The timbre of the small bore tenor cornetti is more "focused" and incisive than that of their large bore counterparts. Some modern cornett makers, like Christopher Monk, for instance, have made both varieties of tenor cornett available to customers. The tenor cornett was used almost exclusively as a consort instrument. No solo music survives for this instrument. In the works of Schütz, Schein, Scheidt, Praetorius, Gabrieli, Viadana and other