Petrarchan sonnet Petrarchan sonnet The Petrarchan sonnet is a sonnet form not developed by Petrarch himself, but rather by a string of Renaissance poets. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form divides the poem's 14 lines into two parts, the first part being an octave and the second being a sestet. The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include
Sonnet 146 regular lines, and a characteristically Shakespearean use of metrical expectations to emphasize pronouns, suggest that readings with only an initial reversal or a regular meter may be the most appropriate. The sonnet is notable for its uncharacteristically religious tone and call for moral richness, whereas most sonnets treasure earthly qualities of beauty and love. In its vocabulary and vocative address to the soul the sonnet invites comparison with Psalm 146. Although Michael West has persuasively argued that this sonnet is indebted to the medieval genre of poetic dialogues between soul and body, the extent to which sonnet actually presents conventional