Fiscorn powerful baritone voice has no counterpart, (save perhaps the piston-valved marching baritone), in the organology. The forward-projected sound makes a pair of fiscorns the most suitable two instruments to join the shrill Catalan shawms (tenoras and tibles) and flabiol pipe, together with trumpets and trombone in the outdoor town-square setting where the cobla bands play for sardana dancers. While the instrument is often played by trombonists, its conical nature is easily mastered by tuba or euphonium players. Several instrument manufacturers have attempted to solve the intonational discrepancies of the instrument in recent years, with a varied success. The instrument is
Tenor cornett cornetts, true alto or tenor cornetts. However, a number of instruments with a larger bore have survived and these instruments seem to have had a sound somewhat reminiscent of the serpent. The timbre of the small bore tenor cornetti is more "focused" and incisive than that of their large bore counterparts. Some modern cornett makers, like Christopher Monk, for instance, have made both varieties of tenor cornett available to customers. The tenor cornett was used almost exclusively as a consort instrument. No solo music survives for this instrument. In the works of Schütz, Schein, Scheidt, Praetorius, Gabrieli, Viadana and other