Fiscorn powerful baritone voice has no counterpart, (save perhaps the piston-valved marching baritone), in the organology. The forward-projected sound makes a pair of fiscorns the most suitable two instruments to join the shrill Catalan shawms (tenoras and tibles) and flabiol pipe, together with trumpets and trombone in the outdoor town-square setting where the cobla bands play for sardana dancers. While the instrument is often played by trombonists, its conical nature is easily mastered by tuba or euphonium players. Several instrument manufacturers have attempted to solve the intonational discrepancies of the instrument in recent years, with a varied success. The instrument is
Victor Ewald instruments played in Bellon’s quintet and certainly in current times, by such as Canadian Brass. Photographic evidence from about 1912 shows that Ewald himself played in a brass quintet. It is seen to consist of two piston-valved cornets, rather than the modern choice of trumpets; a rotary-valved alto horn, rather than the French horn; a rotary-valved tenor horn, rather than the trombone; and a rotary-valved tuba (played by Ewald himself). Of these instruments, it is the alto and tenor horns that are most strikingly different from their modern quintet counterparts. There is no documented evidence of exactly for whom Ewald