Chinese sun and moon mirrors water. (Laufer 1915: 221-222). Owing to the similarities of Chinese "yangsui" and "fangzhu" mirrors with Indian "sūryakānta" and "candrakānta" stones, Tang (1935) proposes a trans-cultural diffusion from China to the Mughal Empire. Chinese sun and moon mirrors The yángsuì 陽燧 or sun-mirror was an ancient Chinese burning-mirror that concentrates sunlight to ignite tinder and the fāngzhū 方諸 or moon-mirror was a device that collects nighttime dew by condensation. These two bronze implements are literary metaphors for yin and yang, associating the ""yang"-mirror" "yangsui" with the sun (a.k.a. "tàiyáng" 太陽 "great "yang""), fire, dry, and round, and the ""yin"-mirror" "fangshu" with
Yin and yang light; female and male; moon and sun", however, is an exception. Scholars have proposed various explanations for why "yinyang" violates this pattern, including "linguistic convenience" (it is easier to say "yinyang" than "yangyin"), the idea that "proto-Chinese society was matriarchal", or perhaps, since "yinyang" first became prominent during the late Warring States period, this term was "purposely directed at challenging persistent cultural assumptions". Needham discusses Yin and Yang together with Five Elements as part of the School of Naturalists. He says that it would be proper to begin with Yin and Yang before Five Elements because the former: "lay, as