Anthracite iron and nail factory), had determined how to burn anthracite in iron working processing furnaces during the War of 1812, but its use in smelting operations was hit or miss, dependent upon the material packing geometries of any particular charging load in a cold blast furnace. The earlier development of coking of bituminous coal, as well anthracite coke enabled the smelting of iron using local coal sources with cold blast air in blast furnaces after the latter 1830s allowed the production of the vast quantities of iron that built the fundamental infrastructure of the early North American Industrial Revolution — which
Anthracite Fields dissonances in the vocal parts are whole step apart. Then in measure 30 the last syllable of “flowers” ends on a G. And then the song changes. In measure 34, rather than the vocalists resolving to the tonic through a 4th or a 5th they resolve in sixteenth tones a whole step apart. In measure 52, everyone sings staccato eighth notes and the dissonances are either are primarily a whole step apart, or a 4th and 5th apart. Anthracite Fields Anthracite Fields is an oratorio for choir and chamber ensemble by the American composer Julia Wolfe. The work was commissioned