Taijitu is "two-part Taiji diagram". Unicode features the "yin-yang symbol" in the Miscellaneous Symbols block, at code point U+262F (YIN YANG ☯). The related "double body symbol" is included at U+0FCA (TIBETAN SYMBOL NOR BU NYIS -KHYIL ࿊), in the Tibetan block. The Soyombo symbol, that includes a taijitu, is available in Unicode as U+11A9E, 𑪞, U+11A9F, 𑪟, and U+11AA0, 𑪠. Ornamental patterns with visual similarity to the "yin-yang symbol" are found in archaeological artefacts of European prehistory; such designs are sometimes descriptively dubbed "yin yang symbols" in archaeological literature by modern scholars. The "taijitu" consists of five parts. Strictly speaking,
Yang ± Yin: Gender in Chinese Cinema in spite of social conservatism and government censorship. Chia-Chi Wu writes, 'In its queering of Chinese-language film– reclaiming or recreating Chinese texts for queer interpretation – "Yang±Yin" undercuts heteronormativity and patriarchy foundational to nationalist discourses of Chinese communities and creates a queer imaginary that is ‘pan-Chinese’.' Kwan draws attention to the coded or subtle queerness of Chinese cinema. For example, director Zhang Che describes, 'possible 'Freudian' readings' of his film "The Slaughter In Xi'an" (1990), thus, according to Fran Martin, 'validating the power of the spectators agency and never denying the erotic tensions bubbling beneath supposedly chaste canons of Confuscian