Serpent (instrument) also appears in operatic scores by Spontini and Bellini, but it was replaced in the 19th century by a fully keyed brass instrument, the ophicleide, and later on by valved bass brass instruments such as the euphonium and tuba. After that the serpent dropped off in popularity for a period of time. Bernard Herrmann used a serpent in the scores of "White Witch Doctor" (1953) and "Journey to the Center of the Earth" (1959), as did Jerry Goldsmith in his score for "Alien" (1979). In the 1970s, instrument-maker Christopher Monk began playing, and later making Serpents, and in 1976 he
Tenor cornett The tessitura of the tenor cornett is c to around e". However, an experienced player with a powerful embouchure and a small bore instrument may reach g" or higher. The timbre or sound quality of the tenor cornett is somewhat horn-like with an agreeable woodwind character. In the hands of an experienced player, the tenor cornett has a smooth sound, which is an ideal link between the sound of the higher cornetti and the lower trombones. The sound has been described as "foggy". The instrument blends extremely well with male voices, particularly those of countertenors. Michael Praetorius was not enthusiastic