Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Yin and yang with fire, sky, the sun, masculinity and daytime. The yin-yang symbol, having no "officially standardized" rendition, has been the basis of much artistic variation, most of it "frivolous" (that is, "merely" artistic, with no philosophical/mystical meaning, e.g., tattoos). Yin and yang also applies to the human body. In traditional Chinese medicine good health is directly related to the balance between yin and yang qualities within oneself. If yin and yang become unbalanced, one of the qualities is considered deficient or has vacuity. In the "I Ching", originally a divination manual of the Western Zhou period (c. 1000–750 BC), yin and