Yin Yang Style includes four postures. The characteristics of the Snake Form Palms: coiling and drilling power, mixing the hard and the soft. The movements are like a snake wandering and darting fangs. The Horse Form Palms of Tian's family Yin Yang Bagua Zhang consists of eight postures: Each posture has 3 Chengs and the total is 24 Chengs. The Horse Form Palms routine is divided into two parts and each part includes four postures. The characteristics of the horse form palms: the movements are bold and uninhibited, like a wild horse bucking and rushing. The Monkey Form Palms of Tian's family Yin
Yang ± Yin: Gender in Chinese Cinema brotherhood.' The film is also notable for being Kwan publicly coming-out as gay in it. In a scene towards the end of the film, he reveals his sexuality to his mother by asking her to reflect on her own ideas and experiences of gender norms and queerness. Interviews in the documentary include Ang Lee, Kaige Chen, Leslie Chung and John Woo. Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and