Tuba as is the case with Berlioz). In most of Europe, the F tuba is the standard orchestral instrument, supplemented by the CC or BB only when the extra weight is desired. Wagner, for example, specifically notates the low tuba parts for "Kontrabasstuba," which are played on CC or BB tubas in most regions. In the United Kingdom, the E is the standard orchestral tuba. The euphonium is sometimes referred to as a tenor tuba and is pitched in B, one octave higher than the BB contrabass tuba. The term "tenor tuba" is often used more specifically to refer to B
Tenor cornett about the sound of the tenor cornett; he describes it as "bullocky and horn-like" in his "Syntagma Musicum" of 1619. He suggests that a trombone is to be preferred and the alto and tenor voices of cornett and trombone ensembles was usually played on trombones. However, tenor cornetts seem to have been common enough and composers like Gabrieli, Lassus, Hassler and Schütz (the fourth cornetto part of the "Psalmen Davids" of 1619 requires a tenor cornett) frequently made use of this instrument. Christopher Monk speculates that Praetorius heard the instrument played rather badly on several occasions. The "In Dulci Jubilo