Old English give certain evidence of an influence on syntax. The change to Old English from Old Norse was substantive, pervasive, and of a democratic character. Old Norse and Old English resembled each other closely like cousins and with some words in common, they roughly understood each other; in time the inflections melted away and the analytic pattern emerged. It is most "important to recognize that in many words the English and Scandinavian language differed chiefly in their inflectional elements. The body of the word was so nearly the same in the two languages that only the endings would put obstacles in
Old English metre in alphabetical order of the most frequently used type-lines in the Old English corpus. Another metrical system was put forward by John C. Pope in which rhythmic stress is assigned using musical patterns. This system seems to make more sense when considering that the poetry of the Anglo-Saxons was set to music. An explanation of the Pope system is also included in Cassidy & Ringler and in "Eight Old English Poems". The theory of Old English metre has become an obsession for many scholars, such as Sievers, but what does it all mean in the overall study of Old English