Chinese sun and moon mirrors water. (Laufer 1915: 221-222). Owing to the similarities of Chinese "yangsui" and "fangzhu" mirrors with Indian "sūryakānta" and "candrakānta" stones, Tang (1935) proposes a trans-cultural diffusion from China to the Mughal Empire. Chinese sun and moon mirrors The yángsuì 陽燧 or sun-mirror was an ancient Chinese burning-mirror that concentrates sunlight to ignite tinder and the fāngzhū 方諸 or moon-mirror was a device that collects nighttime dew by condensation. These two bronze implements are literary metaphors for yin and yang, associating the ""yang"-mirror" "yangsui" with the sun (a.k.a. "tàiyáng" 太陽 "great "yang""), fire, dry, and round, and the ""yin"-mirror" "fangshu" with
Neo-Confucianism views within the neo-Confucian community, but overall, a system emerged that resembled both Buddhist and Taoist (Daoist) thought of the time and some of the ideas expressed in the I Ching (Book of Changes) as well as other yin yang theories associated with the Taiji symbol (Taijitu). A well known neo-Confucian motif is paintings of Confucius, Buddha, and Lao Tzu all drinking out of the same vinegar jar, paintings associated with the slogan "The three teachings are one!" While neo-Confucianism incorporated Buddhist and Taoist ideas, many neo-Confucianists strongly opposed Buddhism and Taoism. Indeed, they rejected the Buddhist and Taoist religions.