Taijitu is still. In stillness it generates "yin"; yet at the limit of stillness it is also active. Activity and stillness alternate; each is the basis of the other. In distinguishing "yin" and "yang", the Two Modes are thereby established. The alternation and combination of "yang" and "yin" generate water, fire, wood, metal, and earth. With these five [phases of] "qi" harmoniously arranged, the Four Seasons proceed through them. The Five Phases are simply "yin" and "yang"; "yin" and "yang" are simply the Supreme Polarity; the Supreme Polarity is fundamentally Non-polar. [Yet] in the generation of the Five Phases, each one
Taijitu and called the "River Chart spontaneously generated by Heaven and Earth". By the end of the Ming period, this diagram had become a widespread representation of Chinese cosmology. The dots were introduced in the later Ming period (replacing the droplet-shapes used earlier, in the 16th century) and are encountered more frequently in the Qing period. The dots represent the seed of yin within yang and the seed of yang within yin; the idea that neither can exist without the other. Lai Zhide's design is similar to the "gakyil" ("dga' 'khyil" or "wheel of joy") symbols of Tibetan Buddhism; but while