Taijitu Taijitu A taijitu () is a symbol or diagram ( "tú") in Chinese philosophy representing Taiji ( "tàijí" "great pole" or "supreme ultimate") representing both its monist ("wuji") and its dualist (yin and yang) aspects. Such a diagram was first introduced by Song Dynasty philosopher Zhou Dunyi (周敦頤 1017–1073) in his "Taijitu shuo" 太極圖說. The modern Taoist canon, compiled during the Ming era, has at least half a dozen variants of such "taijitu". The two most similar are the "Taiji Primal Heaven" (太極先天圖 "tàijí xiāntiān tú") and the "wuji" (無極圖 "wújí tú") diagrams, both of which have been extensively studied
Yang ± Yin: Gender in Chinese Cinema in spite of social conservatism and government censorship. Chia-Chi Wu writes, 'In its queering of Chinese-language film– reclaiming or recreating Chinese texts for queer interpretation – "Yang±Yin" undercuts heteronormativity and patriarchy foundational to nationalist discourses of Chinese communities and creates a queer imaginary that is ‘pan-Chinese’.' Kwan draws attention to the coded or subtle queerness of Chinese cinema. For example, director Zhang Che describes, 'possible 'Freudian' readings' of his film "The Slaughter In Xi'an" (1990), thus, according to Fran Martin, 'validating the power of the spectators agency and never denying the erotic tensions bubbling beneath supposedly chaste canons of Confuscian