Orange (colour) with green, of yellow with violet ... trying to make the colours intense and not a harmony of grey". In another letter he wrote simply, "there is no orange without blue." Van Gogh, Pierre-Auguste Renoir and many other impressionist and post-impressionist painters frequently placed orange against azure or cobalt blue, to make both colours appear brighter. The actual complement of orange is azure – a colour that is one quarter of the way between blue and green on the colour spectrum. The actual complementary colour of true blue is yellow. Orange pigments are largely in the ochre or cadmium families,
Color temperature experiment with their own hardware and software. Photographic emulsion film does not respond to lighting color identically to the human retina or visual perception. An object that appears to the observer to be white may turn out to be very blue or orange in a photograph. The color balance may need to be corrected during printing to achieve a neutral color print. The extent of this correction is limited since color film normally has three layers sensitive to different colors and when used under the "wrong" light source, every layer may not respond proportionally, giving odd color casts in the