Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Budgerigar colour genetics from oranges, peaches, pinks to reds. When these feathers are exposed to a white light source, such as sunlight, only the blue part of the spectrum is reflected by the eumelanin granules. This reflected blue light passes through the yellow pigment layer, resulting in the green colouration known as "lightgreen" in only the budgerigar and/or "green" in any other naturally green coloured parrot species. The many colour variations of budgerigars, such as albino, blue, cinnamon, Clearwinged, the various Fallows, Grey, Greygreen, Greywing, Lutino, Mauve, Olive, Opaline, Spangled, Suffused and Violet are the result of mutations that have occurred within specific