Taijitu during the Qing period for their possible connection with Zhou Dunyi's "taijitu". Ming period author Lai Zhide (1525–1604) simplified the "taijitu" to a design of two interlocking spirals. In the Ming era, the combination of the two interlocking spirals of the "taijitu" with two black-and-white dots superimposed on them became identified with the "He tu" or "Yellow River diagram" (河圖). This version was reported in Western literature of the late 19th century as the "Great Monad", and has been widely popularised in Western popular culture as the "yin-yang symbol" since the 1960s. The contemporary Chinese term for the modern symbol
Yin and yang light; female and male; moon and sun", however, is an exception. Scholars have proposed various explanations for why "yinyang" violates this pattern, including "linguistic convenience" (it is easier to say "yinyang" than "yangyin"), the idea that "proto-Chinese society was matriarchal", or perhaps, since "yinyang" first became prominent during the late Warring States period, this term was "purposely directed at challenging persistent cultural assumptions". Needham discusses Yin and Yang together with Five Elements as part of the School of Naturalists. He says that it would be proper to begin with Yin and Yang before Five Elements because the former: "lay, as