Tuba after American bandmaster John Philip Sousa, resembles a hélicon with the bell pointed up (in the original models as the J. W. Pepper prototype and Sousa's concert instruments) and then curved to point forward (as developed by Conn and others). Some ancestors of the tuba, such as the military "bombardon", had unusual valve and bore arrangements compared to modern tubas. During the American Civil War, most brass bands used a branch of the brass family known as "saxhorns", which, by today's standards, have a narrower bore taper than tuba—the same as true cornets and baritones, but distinct from trumpets, euphoniums,
Saxhorn music. Contemporary works featuring this instrument are Désiré Dondeyne's "Tubissimo" for bass tuba or saxhorn and piano (1983) and Olivier Messiaen's "Et exspecto resurrectionem mortuorum" (1964). Saxhorn The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a characteristic mellow tone quality and blends well with other brass. The saxhorns form a family of seven brass instruments (although at one point ten different sizes seem to have existed). Designed for