Chinese sun and moon mirrors being hung round the neck, or because necks are concave things. Liu An's (c. 139 BCE) "Huainanzi" "Masters of Huainan", which is a compendium of writings from various schools of Chinese philosophy, was the first text to record "fangzhu" dew-collectors. Two "Huainanzi" chapters metaphorically use "sun and moon mirrors" to exemplify "yang" and "yin" categories and elucidate the Chinese notion of "ganying" "cosmic resonance" through which categorically identical things mutually resonate and influence each other. The "yángsuì" 陽燧 "burning-mirror" is "yang", round, and sun-like; the "fāngzhū" 方諸 "square receptacle" is "yin", square, and moon-like. The first context describes "yangsui" and
Yin Yang Style four postures. The characteristics of the Eagle Form Palms: the movements are open and natural. It has the vigor to combat the elements and disdaining the firmament, and has the spirit of soaring the sky and spanning in the empyrean. Yin Yang Style The Tian family's Yin Yang Style of the martial art Bagua Zhang originated in the area around the Ermei and Qingzhen Mountains of Sichuan Province. It was transmitted from the Daoists Bi Yun and Jing Yun during late Ming Dynasty and early Qing Dynasty. Tian Hui (田廻) was the ninth-generation-continuator and made contributions on revealing, organizing and