Petrarchan sonnet Italian sonnet form in the poems of his that were not translation and adaptation work. As a result, he is often credited for integrating the Petrarchan sonnet into English vernacular tradition. The form also gave rise to an "anti-Petrarchan" convention which may have revealed the mistress to be ugly and unworthy. The convention was also mocked, or adopted for alternative persuasive means by many of the Inns of Court writers during the Renaissance. The sonnet is split in two groups: the "octave" (of 8 lines) and the "sestet" (of 6 lines), for a total of 14 lines. The octave (the
Sonnet 71 him to mourn. This is particularly ironic considering that there are lines in other sonnets (e.g., Sonnet 18, Sonnet 55, Sonnet 65 and Sonnet 81) that speak of immortality through poetic verse, thus negating the possibility that one can be forgotten. These examples give credence to Peguiney's argument of a calculated attempt to invoke the youth's mourning, as he writes in his essay Sonnets 71-74, "The 'if' clauses at lines 5 and 9 are cunning invitations to future readings of the verse, and how impossible it would be for 'you [to] read this [handwritten] line' and 'remember not / The