Sonnet 11 his name. An English sonnet is made up of fourteen lines grouped into three quatrains and an ending couplet, with the rhyme scheme "ABAB CDCD EFEF GG". Sonnet 11 exhibits this structure. The sonnet has four feminine endings (accepting the Quarto's contraction of "grow'st" and "bestow'st"). "Convertest" would have been pronounced as a perfect rhyme with the second line's "departest", a holdover from Medieval English. Carl D. Atkins notes "This is a sonnet of contrasts: feminine lines, regular lines; regular iambs, irregular line 10; no midline pauses, multiple midline pauses; waning, growth, beauty, harshness, life and death, beginning and end."
Sonnet 41 that the loss of his mistress did not hurt him badly, because he did not love her, trying not to blame the youth but blaming him still. Sonnet 41 continues the saga with desperate attempts to excuse the youth's behavior, eventually admitting his hurt. In the last of the three (42) the speaker continues his trend of self-deception exemplified in sonnet 41. There are many allusions and textual references in this sonnet taken from other Shakespeare works. They have been helpful in understanding the context and creating our "modern" interpretation of the sonnet. Sonnet 41, lines 5-8: <poem> "Gentle thou