Chinese sun and moon mirrors water. (Laufer 1915: 221-222). Owing to the similarities of Chinese "yangsui" and "fangzhu" mirrors with Indian "sūryakānta" and "candrakānta" stones, Tang (1935) proposes a trans-cultural diffusion from China to the Mughal Empire. Chinese sun and moon mirrors The yángsuì 陽燧 or sun-mirror was an ancient Chinese burning-mirror that concentrates sunlight to ignite tinder and the fāngzhū 方諸 or moon-mirror was a device that collects nighttime dew by condensation. These two bronze implements are literary metaphors for yin and yang, associating the ""yang"-mirror" "yangsui" with the sun (a.k.a. "tàiyáng" 太陽 "great "yang""), fire, dry, and round, and the ""yin"-mirror" "fangshu" with
Chinese influence on Korean culture Chinese influence on Korean culture Chinese culture has had a tremendous impact in many areas of Korean culture, including arts, written language, religion and government administration, with Koreans molding these Chinese models into distinctly Korean forms. Korean wooden-frame architecture was introduced from China during the Han dynasty and has continued to the modern era. Other Chinese concepts to influence Korean architecture include yin and yang, the five elements, Chinese geomancy, Taoism and Confucianism. Chinese cultural influence around the turn of the common era formed the basis for the early Korean architecture in the Three Kingdoms period. This influence is attributed