Sonnet 11 his name. An English sonnet is made up of fourteen lines grouped into three quatrains and an ending couplet, with the rhyme scheme "ABAB CDCD EFEF GG". Sonnet 11 exhibits this structure. The sonnet has four feminine endings (accepting the Quarto's contraction of "grow'st" and "bestow'st"). "Convertest" would have been pronounced as a perfect rhyme with the second line's "departest", a holdover from Medieval English. Carl D. Atkins notes "This is a sonnet of contrasts: feminine lines, regular lines; regular iambs, irregular line 10; no midline pauses, multiple midline pauses; waning, growth, beauty, harshness, life and death, beginning and end."
Sonnet 146 regular lines, and a characteristically Shakespearean use of metrical expectations to emphasize pronouns, suggest that readings with only an initial reversal or a regular meter may be the most appropriate. The sonnet is notable for its uncharacteristically religious tone and call for moral richness, whereas most sonnets treasure earthly qualities of beauty and love. In its vocabulary and vocative address to the soul the sonnet invites comparison with Psalm 146. Although Michael West has persuasively argued that this sonnet is indebted to the medieval genre of poetic dialogues between soul and body, the extent to which sonnet actually presents conventional