Orange (colour) with green, of yellow with violet ... trying to make the colours intense and not a harmony of grey". In another letter he wrote simply, "there is no orange without blue." Van Gogh, Pierre-Auguste Renoir and many other impressionist and post-impressionist painters frequently placed orange against azure or cobalt blue, to make both colours appear brighter. The actual complement of orange is azure – a colour that is one quarter of the way between blue and green on the colour spectrum. The actual complementary colour of true blue is yellow. Orange pigments are largely in the ochre or cadmium families,
Low-degree saturation Low-degree saturation In a scale-free network the degree distribution follows a power law function. In some empirical examples this power-law fits the degree distribution well only in the high degree region, however for small degree nodes the empirical degree-distribution deviates from it. See for example the network of scientific citations. This deviation of the observed degree-distribution from the theoretical prediction at the low-degree region is often referred as low-degree saturation. Typically the empirical degree-distribution deviates downwards from the power-law function fitted on higher order nodes, which means low-degree nodes are less frequent in real data than what is predicted by