Chinese sun and moon mirrors water. (Laufer 1915: 221-222). Owing to the similarities of Chinese "yangsui" and "fangzhu" mirrors with Indian "sūryakānta" and "candrakānta" stones, Tang (1935) proposes a trans-cultural diffusion from China to the Mughal Empire. Chinese sun and moon mirrors The yángsuì 陽燧 or sun-mirror was an ancient Chinese burning-mirror that concentrates sunlight to ignite tinder and the fāngzhū 方諸 or moon-mirror was a device that collects nighttime dew by condensation. These two bronze implements are literary metaphors for yin and yang, associating the ""yang"-mirror" "yangsui" with the sun (a.k.a. "tàiyáng" 太陽 "great "yang""), fire, dry, and round, and the ""yin"-mirror" "fangshu" with
The Religion of China: Confucianism and Taoism a question why capitalism did not develop in China. From the chronological perspective, he concentrated on early period of Chinese history (Hundred Schools of Thought, Warring States period), during which major Chinese schools of thoughts (Confucianism, Taoism) were invented. In that period, he focused on the issues of Chinese urban development, Chinese patrimonialism and officialdom, and Chinese religion, as the areas in which Chinese development differed most distinctively from the European route. Weber's choice of topics and analysis inspired further attention and critique. The sociologist of Chinese religion C.K. Yang, for instance, wrote that Weber's interpretation is "largely the result