Sonnet 30 up of fourteen lines in three quatrains and a couplet, rhyming "abab cdcd efef gg". While using the rhyming and metrical structure of the 'English' or 'Surreyan' sonnet, Shakespeare often also reflected the rhetorical form of the Italian form also known as the Petrarchan sonnet. It divides the sonnet into two parts: the "octet" (the first eight lines) usually states and develops the subject, while the "sestet" (the last six lines) winds up to a climax. Thus a change in emphasis, known as the "volta", occurs between the end of the eighth and the beginning of the ninth lines —
Sonnet 41 that the loss of his mistress did not hurt him badly, because he did not love her, trying not to blame the youth but blaming him still. Sonnet 41 continues the saga with desperate attempts to excuse the youth's behavior, eventually admitting his hurt. In the last of the three (42) the speaker continues his trend of self-deception exemplified in sonnet 41. There are many allusions and textual references in this sonnet taken from other Shakespeare works. They have been helpful in understanding the context and creating our "modern" interpretation of the sonnet. Sonnet 41, lines 5-8: <poem> "Gentle thou