Sonnet 11 his name. An English sonnet is made up of fourteen lines grouped into three quatrains and an ending couplet, with the rhyme scheme "ABAB CDCD EFEF GG". Sonnet 11 exhibits this structure. The sonnet has four feminine endings (accepting the Quarto's contraction of "grow'st" and "bestow'st"). "Convertest" would have been pronounced as a perfect rhyme with the second line's "departest", a holdover from Medieval English. Carl D. Atkins notes "This is a sonnet of contrasts: feminine lines, regular lines; regular iambs, irregular line 10; no midline pauses, multiple midline pauses; waning, growth, beauty, harshness, life and death, beginning and end."
Sonnet introduced, such as CDCDCD. Petrarch typically used an ABBA ABBA pattern for the octave, followed by either CDE CDE or CDC CDC rhymes in the sestet. The symmetries (ABBA vs. CDC) of these rhyme schemes have also been rendered in musical structure in the late 20th century composition "Scrivo in Vento" by Elliott Carter, inspired by Petrarch's Sonnet 212, "Beato in Sogno".) In English, both the English or Shakespearean sonnet, and the Italian Petrarchan sonnet are traditionally written in iambic pentameter. The first known sonnets in English, written by Sir Thomas Wyatt and Henry Howard, Earl of Surrey, used the