Tuba after American bandmaster John Philip Sousa, resembles a hélicon with the bell pointed up (in the original models as the J. W. Pepper prototype and Sousa's concert instruments) and then curved to point forward (as developed by Conn and others). Some ancestors of the tuba, such as the military "bombardon", had unusual valve and bore arrangements compared to modern tubas. During the American Civil War, most brass bands used a branch of the brass family known as "saxhorns", which, by today's standards, have a narrower bore taper than tuba—the same as true cornets and baritones, but distinct from trumpets, euphoniums,
The Civil Wars: A Tree Is Best Measured When It Is Down Wilson and Byrne, were modular white squares resembling Japanese shoji screens that moved fluidly to redefine the space for each scene. Byrne's music, however, took its inspiration not from Japan but from the Dirty Dozen Brass Band of New Orleans. The instrumentation was for a brass ensemble, and incorporated a number of traditional tunes, including "In the Upper Room", "Social Studies (The Gift of Sound)", "Theadora is Dozing", and "Things to Do (I've Tried)". New York Times critic John Rockwell wrote "The 'plot' traces the transformation of a tree into a boat into a book into a tree again, almost