Yin Yang Style postures. The characteristics of the Lion Form Palms: the movements are smooth, dynamic, powerful. It is like a lion playing with a ball, and intimidation. The Tiger Form Palms of Tian's family Yin Yang Bagua Zhang consists of eight postures: Each posture has 3 Chengs and the total is 24 Chengs. The Tiger Form Palms routine is divided into two parts and each part includes four postures. The characteristics of the Tiger Form Palms: the movements are powerful and mighty. It is like a hungry tiger preying and smashing. The Bear Form Palms of Tian's family Yin Yang Bagua Zhang
Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and partially funded by the BFI to mark the centenary of cinema. Using archival footage and specially shot interviews with major filmmakers and actors, director Stanley Kwan constructs a visual essay that attempts to demonstrate that queerness has existed in Chinese cinema since its very earliest movies. He argues that China has provocatively dealt with questions of gender and sexuality in cinema,