Serpent (instrument) also appears in operatic scores by Spontini and Bellini, but it was replaced in the 19th century by a fully keyed brass instrument, the ophicleide, and later on by valved bass brass instruments such as the euphonium and tuba. After that the serpent dropped off in popularity for a period of time. Bernard Herrmann used a serpent in the scores of "White Witch Doctor" (1953) and "Journey to the Center of the Earth" (1959), as did Jerry Goldsmith in his score for "Alien" (1979). In the 1970s, instrument-maker Christopher Monk began playing, and later making Serpents, and in 1976 he
Tuba a strap joined to the tuba with two rings. The strap goes over the shoulder like a sash, so the musician can play the instrument in the same position as when sitting. The tuba has been used in jazz since the genre's inception. In the earliest years, bands often used a tuba for outdoor playing and a double bass for indoor performances. In this context, the tuba was sometimes called "brass bass", as opposed to the double bass "(string bass)". Many musicians played both instruments. In modern jazz, tubas usually fill the traditional bass role, though it is not uncommon