Chinese sun and moon mirrors Chinese sun and moon mirrors The yángsuì 陽燧 or sun-mirror was an ancient Chinese burning-mirror that concentrates sunlight to ignite tinder and the fāngzhū 方諸 or moon-mirror was a device that collects nighttime dew by condensation. These two bronze implements are literary metaphors for yin and yang, associating the ""yang"-mirror" "yangsui" with the sun (a.k.a. "tàiyáng" 太陽 "great "yang""), fire, dry, and round, and the ""yin"-mirror" "fangshu" with the moon ("tàiyīn" 太陰 "great "yin""), water, wet, and square. There are numerous Chinese names for the fire-producing "yángsuì" 陽燧 "sun-mirror" and water-producing "fāngzhū" 方諸 "moon-mirror". Yángsuì < Old Chinese *"laŋsə-lu[t]-s" can
Yang ± Yin: Gender in Chinese Cinema brotherhood.' The film is also notable for being Kwan publicly coming-out as gay in it. In a scene towards the end of the film, he reveals his sexuality to his mother by asking her to reflect on her own ideas and experiences of gender norms and queerness. Interviews in the documentary include Ang Lee, Kaige Chen, Leslie Chung and John Woo. Yang ± Yin: Gender in Chinese Cinema Yang ± Yin: Gender in Chinese Cinema is a 1996 documentary by filmmaker Stanley Kwan exploring representations of queerness and LGBT identity in film from Greater China. The film was produced and