Curse of Scotland excluded, making the 7, later called the "beer card", a "stop") but there is no direct relation with the 9. Gomme's book goes on to claim "At the game of Pope Joan, the nine of diamonds is Pope; therefore the nine of diamonds is the curse of Scotland". "The Spectator" review considered the claim "more cogent in form than in matter". A letter written in response to "The Spectator's" book review pointed out that the saying was established well before Culloden, and preferred the Pope Joan theory to other explanations. Other explanations given in the letter were: An 1864 book
Transformation playing card Butler Yeats was one of the first to contribute a card design to the magazine. The feature remained popular for some time. Some have estimated that around 70 different transformation decks were created throughout the entire nineteenth century, which by modern standards is a relatively small number. This period of time also witnessed progression with this art-form. By the late 19th century more colourful and creative transformation decks by Vanity Fair and Harlequin appeared, which showed pips incorporated into artwork that depicted people dining, skating, playing tennis and riding bicycles. Transformation playing cards like "Art for the Earth" by The