The Birth of Venus adopted by Renaissance art historians in general, and it remains problematic, since it depends on the painting being commissioned by the Medici, yet the work is not documented in Medici hands until well into the following century. Mack sees the scene as inspired by both the Homeric Hymn and the ancient paintings. But something more than a rediscovered Homeric hymn was likely in the mind of the Medici family member who commissioned this painting from Botticelli. Once again, Botticelli, in his version of the Birth of Venus, might be seen as completing the task begun by his ancient predecessor Apelles,
Lamentation over the Dead Christ (Botticelli, Munich) he started in fact to abandon the allegoric inspiration that had made him a favourite of the Medici court in favour of more intimate and painstaking religious reflection. Lamentation over the Dead Christ (Botticelli, Munich) The Lamentation over the Dead Christ, is a painting of the common subject of the Lamentation of Christ by the Italian Renaissance master Sandro Botticelli, finished around 1490-1492. It is now in the Alte Pinakothek, in Munich. The portrait shows the inert body of Christ surrounded by the Virgin, St. Peter, and Mary Magdalene, St. John the Evangelist, St. Jerome and St. Paul. The pathetic