The Birth of Venus (Bouguereau) composition, resembles a previous rendition of this subject, Sandro Botticelli's "The Birth of Venus", as well as Raphael's "The Triumph of Galatea". "The Birth of Venus" was created for the Paris Salon of 1879. It was awarded the Grand Prix de Rome, and was purchased by the state for the Musée du Luxembourg. The painting is now in the permanent collection of the Musée d'Orsay in Paris. At the center of the painting, Venus stands nude on a scallop shell being pulled by a dolphin, one of her symbols. Fifteen putti, including Cupid and Psyche, and several nymphs and centaurs
Sandro Botticelli especially, his workshop, and others apparently by unconnected artists. When interest in Botticelli revived in the 19th century, it was initially largely in his Madonnas, which then began to be forged on a considerable scale. In the "Magnificat Madonna" in the Uffizi (118 cm or 46.5 inches across, c. 1483), Mary is writing down the "Magnificat", a speech from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth, some months before the birth of Jesus. She holds the baby Jesus, and is surrounded by wingless angels impossible to