The Exorcist (film series) search for the missing footage is "ongoing". An upcoming book titled "The Evolution Of William Peter Blatty's The Exorcist III: From Concept To Novel To Screen" by author Erik Kristopher Myers will reveal the whole story behind the film's development, and publish never-before-seen images, the original script, studio notes, various drafts of the story as it has evolved, and interviews with Blatty, Brad Dourif, Mark Kermode, John Carpenter, and many others associated with the film. Myers in an interview said that "The Exorcist III" "has sort of turned into horror genre’s equivalent to Orson Welles' "The Magnificent Ambersons", in that
The Exorcist (film series) her review in "The New Yorker" that "Exorcist II" "had more visual magic than a dozen movies." Since "Exorcist II's" initial release, some notable critics and directors have praised the film. Kim Newman wrote in "Nightmare Movies" (1988) that "it doesn't work in all sorts of ways... However, like Ennio Morricone's mix of tribal and liturgical music, it does manage to be very interesting." Director Martin Scorsese asserted, "The picture asks: Does great goodness bring upon itself great evil? This goes back to the Book of Job; it's God testing the good. In this sense, Regan (Linda Blair) is a