The Banquet of the Rich Glutton name "Epulone" has been attached in Italy to the rich man, but also generically refers to a "feaster" (with pejorative gluttonous suggestion). The etymology of the word comes from a banquet sometime prepared in honor of the gods. The painting depicts a rich man after completion of his meal, with empty plates, surrounded by servants, while in the background, is the beggar Lazarus. The painting was purchased in 1895 from a Monte di Pietà, where such a painting would have resonated as both a "memento mori" and counsel towards charity. The painting would have been thematically antithetical to the still
In Name Only being cast instead. The film was praised by critics: "Variety"'s critic wrote: "In the steering of the story director John Cromwell has made every situation as believable as could be accomplished in order to sustain the dramatic undercurrent, strife and the beleaguered romance which has developed. Cary Grant and Carole Lombard emerge highly impressive." "Soap opera par excellence," wrote Frank Nugent in "The New York Times", "blessed with a peerless cast." Despite both Grant and Lombard playing against type, the film was popular and earned a profit of $155,000. In Name Only In Name Only is a 1939 romantic film