Exorcist II: The Heretic mind". "Variety" wrote: ""Exorcist II" is not as good as "The Exorcist." It isn't even close." BBC film critic Mark Kermode stated: ""Exorcist II" is demonstrably the worst film ever made. It took the greatest film ever made and trashed it in a way that was on one level farcically stupid and on another level absolutely unforgivable. Everyone involved in this, apart from Linda Blair, should be ashamed for all eternity." Vincent Canby, writing in "The New York Times", was similarly dismissive: Given the huge box-office success of the William Peter Blatty-William Friedkin production of "The Exorcist," there had to
The Exorcist (film) or "semi-subliminal". In an interview in a 1999 book about the film, "The Exorcist" author Blatty addressed the controversy by explaining that, "There are no subliminal images. If you can see it, it's not subliminal." The editing of the title sequence was the first major project for the film title designer Dan Perri. As a result of the success of "The Exorcist", Perri went on to design opening titles for a number of major films including "Taxi Driver" (1976), "Star Wars" (1977) and "Gangs of New York" (2002). Lalo Schifrin's working score was rejected by Friedkin. Schifrin had written six