Beauty and the Beast (1991 soundtrack) a lullaby, Ashman and Menken conceived "Beauty and the Beast" as "a song that could have a life outside the movie." The film's final musical number, "The Mob Song", was written as what Menken described as "a macho adventure underscore". When the film was released, it garnered three separate Academy Award nominations for Best Original Song for "Belle", "Be Our Guest" and "Beauty and the Beast". Producer Don Hahn expressed concern that this would cause confusion among audiences and voters, and potentially result in an unfavorable tie. In order to prevent this from happening, the studio fought in favor of
Gaston (Beauty and the Beast) Beast" parodies the idea of excessive masculinity, a trait shared by both Gaston and the Beast. Obsessed with his own virility, Gaston shares several opinions associated with "the hyper-masculine male", boasting many "traditionally heroic" qualities and beliefs. Representing "everything that can go wrong in the heterosexual male" according to "The Meanings of "Beauty and the Beast": A Handbook" author Jerry Griswold, Gaston is essentially a caricature of hypermasculinity; he proudly hunts, drinks, fights, spits, bullies and lies in addition to being shallow and ignorant, exuding what are considered to be some of the worst masculine traits. Gaston intimidates and threatens