Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
Political commentary of the Aeneid that Virgil wrote the "Aeneid" to reflect the Roman political stance of his time. Virgil does this primarily by splitting the story into two parts. The first half shows an obsession with the fall of Troy, together with failed attempts to establish cities during Aeneas' wanderings; while the second half depicts victory in battle and the establishment of a new Troy at Rome. This mirrors Rome's disestablishment of the republic after the strife of a civil war, and the establishment of peace and prosperity with the new Roman Empire. These reflect Augustan propaganda which asks that his people to forget