The Birth of Venus sources and interpretations. Many art historians who specialize in the Italian Renaissance have found Neoplatonic interpretations, of which two different versions have been articulated by Edgar Wind and Ernst Gombrich, to be the key to understanding the painting. Botticelli represented the Neoplatonic idea of divine love in the form of a nude Venus. For Plato – and so for the members of the Florentine Platonic Academy – Venus had two aspects: she was an earthly goddess who aroused humans to physical love or she was a heavenly goddess who inspired intellectual love in them. Plato further argued that contemplation of
Madonna del Padiglione (Botticelli) Madonna del Padiglione (Botticelli) The Madonna and Child with Three Angels (also known as "Madonna del Padiglione") is a painting by the Italian Renaissance master Sandro Botticelli, executed in 1493. It is housed in the Pinacoteca Ambrosiana of Milan. The Virgin Mary is portrayed holding a book to her breast and gesturing to the Child, the latter being supported by an angel. The Italian name ("padiglione" meaning "pavilion") derives from the rich baldachin over the scene. There is an open book on a small prie-dieu between the Virgin and Child. Angels are pulling back the drapery of the pavilion. Together,