Sandro Botticelli His only large painting with a mythological subject ever to be sold on the open market is the "Venus and Mars", bought at Christie's by the National Gallery for a rather modest £1,050 in 1874. The first nineteenth-century art historian to be enthusiastic about Botticelli's Sistine frescoes was Alexis-François Rio; Anna Brownell Jameson and Charles Eastlake were alerted to Botticelli as well, and works by his hand began to appear in German collections. The Pre-Raphaelite Brotherhood incorporated elements of his work into their own. Walter Pater created a literary picture of Botticelli, who was then taken up by the Aesthetic
Divine Comedy Illustrated by Botticelli sequence of the "Inferno" drawings for cantos XVII to canto XXX for "Paradiso" is without gaps. The page for the drawing of canto XXXI appears blank, and the sequence ends with the unfinished drawing for canto XXXII. The film "Botticelli Inferno" is based on the history of the illustrated manuscript. Divine Comedy Illustrated by Botticelli The Divine Comedy Illustrated by Botticelli is a manuscript of the "Divine Comedy" by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter. The images are mostly not taken beyond silverpoint drawings,