History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
The Plays of William Shakespeare another in the dark." Raleigh then admitted that he "soon falls into the habit, when he meets with an obscure passage, of consulting Johnson's note before the others." T. S. Eliot wrote that "no poet can ask more of posterity than to be greatly honoured by the great; and Johnson's words about Shakespeare are great honour". Walter Jackson Bate, in his 1977 biography on Johnson, wrote: the edition of Shakespeare – viewed with historical understanding of what it involved in 1765 – could seem a remarkable feat; and we are not speaking of just the great "Preface" To see it