Colley Cibber was not well received. In the middle of the play, he whispered to fellow actor Benjamin Victor that he wanted to go home, perhaps realising he was too old for the part and its physical demands. Cibber also essayed tragic parts in plays by Shakespeare, Ben Jonson, John Dryden and others, but with less success. By the end of his acting career, audiences were being entranced by the innovatively naturalistic acting of the rising star David Garrick, who made his London debut in the title part in a production of Cibber's adaptation of "Richard III" in 1741. He returned to
Scottish education in the eighteenth century of teaching from the late eighteenth century as the new commercial and vocational subjects led to the employment of more teachers. From the 1790s urban schools were often rebuild in a more imposing classical style, from public subscription, or a legacy, and renamed academies. One of the effects of the extensive network of parish schools was the growth of the "democratic myth", which in the nineteenth century created the widespread belief that many a "lad of pairts" had been able to rise up through the system to take high office and that literacy was much more widespread in Scotland than