Colley Cibber was not well received. In the middle of the play, he whispered to fellow actor Benjamin Victor that he wanted to go home, perhaps realising he was too old for the part and its physical demands. Cibber also essayed tragic parts in plays by Shakespeare, Ben Jonson, John Dryden and others, but with less success. By the end of his acting career, audiences were being entranced by the innovatively naturalistic acting of the rising star David Garrick, who made his London debut in the title part in a production of Cibber's adaptation of "Richard III" in 1741. He returned to
Music of Scotland in the eighteenth century By the mid-eighteenth century there were several Italians resident in Scotland, acting as composers and performers. By 1775 Edinburgh was a minor, but functioning European musical centre, with foreign and native resident composers and professional musicians. In the mid-eighteenth century a group of Scottish composers began to attempt to create their own musical tradition, creating the "Scots drawing room style". "A Select Collection of Original Scottish Airs" helped make Scottish songs part of the European cannon of classical music, but this championing of Scottish music associated with Robert Burns may have prevented the establishment of a tradition of European concert