The Birth of Venus to Botticelli's Florentine contemporary, and Lorenzo di Medici's court poet, Angelo Poliziano. The iconography of "The Birth of Venus" is similar to a description of a relief of the event in Poliziano's poem the "Stanze per la giostra", commemorating a Medici joust in 1475, which may also have influenced Botticelli, although there are many differences. For example Poliziano talks of multiple Horae and zephyrs. Older writers, following Horne, posited that "his patron Lorenzo di Pierfrancesco asked him to paint a subject illustrating the lines", and that remains a possibility, though one difficult to maintain so confidently today. Another poem by
Sandro Botticelli Berlin. This was painted at the same time as the Pollaiuolo brothers' much larger altarpiece of the same saint, a showpiece of anatomical poses, with the saint shown in great pain. Though very similar in pose, no doubt after Botticelli had seen the other painting, Botticelli's Sebastian seems calm and poised, following the legend that the arrows did not kill Sebastian, whose wounds were miraculously healed. The almost nude body is very carefully drawn; usually Botticelli was not greatly concerned with anatomical precision, and he painted relatively few nudes, though some are among his most famous works. The delicate winter