TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
History of Roman and Byzantine domes dome. Dating from the 2nd century, it is an unreinforced concrete dome wide resting on a circular wall, or rotunda, thick. This rotunda, made of brick-faced concrete, contains a large number of relieving arches and is not solid. Seven interior niches and the entrance way divide the wall structurally into eight virtually independent piers. These openings and additional voids account for a quarter of the rotunda wall's volume. The only opening in the dome is the brick-lined oculus at the top, in diameter, that provides light and ventilation for the interior. The shallow coffering in the dome accounts for a