TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
Hexagonal window in the Northern European manor architecture of the 19th century. The concept became popular thanks to the Russian constructivist architect Konstantin Melnikov, whose own famous house had 124 hexagonal windows, which were the main source of light as ceiling lights were not provided in many rooms. Cellular windows are also a feature of the Scandinavian functionalism architecture of the 1940s–1960s and are a kind of synthesis of tradition and modernism in the architecture. Today, hexagonal windows may be associated with honeycomb houses, a concept proposed by architect Frank Lloyd Wright and explore an idea of organic architecture, which considers the