Erik (The Phantom of the Opera) In the 2004 film adaptation of the musical, Erik's makeup was made to look much less gruesome than previous adaptations of the story. Instead of a skull-like face, his disfigurement resembles that of a mildly malformed face, which he covers with the mask. Film critic Roger Ebert noted that Butler was more "conventionally handsome" than his predecessors "in a GQ kind of way". Onscreen, Erik has often been cast as a tragic hero but also a tragic villain, depending on the film's point of view. "See main list: The Phantom of the Opera" Erik (The Phantom of the Opera) Erik
The Phantom of the Opera was a switch in directors and Edward Sedgwick finished the film while changing the direction the movie was going to take. His take on the novel and making it a dark romantic movie with comedy wasn’t popular by audiences. Finally, the film was adapted one last time by Maurice Pivar and Louis Weber where they took out most of Sedgwick's adaptation and stuck to the original film. This time, the movie was a success with audiences in 1925. The Phantom of the Opera The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French writer Gaston