Dido and Aeneas conclusion, as the Queen of Carthage sings her last aria, "When I am laid in Earth", also known as "Dido's Lament." The chorus and orchestra then conclude the opera once Dido is dead by ordering the "cupids to scatter roses on her tomb, soft and gentle as her heart. Keep here your watch, and never, never part." The first complete recording of the opera was made by Decca Records in 1935 with Nancy Evans as Dido and Roy Henderson as Aeneas, followed in 1945 by HMV's release with Joan Hammond and Dennis Noble. Kirsten Flagstad, who had sung the role
Virgil the "Aeneid" in "Amores" 1.1.1–2, and his summary of the Aeneas story in Book 14 of the "Metamorphoses", the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the "Bellum Civile" has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic "Thebaid" engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine "Aeneid", but follow afar and ever venerate its footsteps." In