Nude (art) freestanding statue of a nude since antiquity, several decades before Michelangelo's massive "David" (1501–04). Nudes in Michelangelo's Sistine Chapel ceiling reestablished a tradition of male nudes in depictions of Biblical stories; the subject of the martyrdom of the near-naked Saint Sebastian had already become highly popular. The monumental female nude returned to Western art in 1486 with "The Birth of Venus" by Sandro Botticelli for the Medici family, who also owned the classical Venus de' Medici, whose pose Botticelli adapted. The "Dresden Venus" of Giorgione (c. 1510), also drawing on classical models, showed a reclining female nude in a landscape,
Adoration of the Magi (Botticelli, 1475) these powerful personages is hard to tell. It is, however, apparent from the great pains in which Botticelli bestowed on these figures, that this formed an important part of the task. Also Gaspare himself is said to be included in the painting, as the old man on the right with white hair and a light blue robe looking and pointing at the observer. Furthermore, also Botticelli is alleged to have made a self-portrait as the blonde man with yellow mantle on the far right. In his "Lives", Vasari describes the "Adoration" in the following way: of the heads in this