Exorcist: The Beginning then allowed Warner Bros. to release Schrader's version theatrically under the title "". It had a more limited release in May 2005, and received slightly better critical notices than Harlin's version. William Peter Blatty (the author/screenwriter of "The Exorcist") said that watching "Exorcist: The Beginning" was his "most humiliating professional experience." On the other hand, Blatty said that "Dominion" is "a handsome, classy, elegant piece of work." Critical responses to "Exorcist: The Beginning" were mostly negative, with the film earning a low 11% "rotten" rating on Rotten Tomatoes. Prominent critic Roger Ebert wrote, "I've seen both versions and much prefer
The Exorcist (film) or "semi-subliminal". In an interview in a 1999 book about the film, "The Exorcist" author Blatty addressed the controversy by explaining that, "There are no subliminal images. If you can see it, it's not subliminal." The editing of the title sequence was the first major project for the film title designer Dan Perri. As a result of the success of "The Exorcist", Perri went on to design opening titles for a number of major films including "Taxi Driver" (1976), "Star Wars" (1977) and "Gangs of New York" (2002). Lalo Schifrin's working score was rejected by Friedkin. Schifrin had written six