The Birth of Venus to Botticelli's Florentine contemporary, and Lorenzo di Medici's court poet, Angelo Poliziano. The iconography of "The Birth of Venus" is similar to a description of a relief of the event in Poliziano's poem the "Stanze per la giostra", commemorating a Medici joust in 1475, which may also have influenced Botticelli, although there are many differences. For example Poliziano talks of multiple Horae and zephyrs. Older writers, following Horne, posited that "his patron Lorenzo di Pierfrancesco asked him to paint a subject illustrating the lines", and that remains a possibility, though one difficult to maintain so confidently today. Another poem by
St. Sebastian (Botticelli) the better. The two great masters of the nude in the late "quattrocento", Pollaiuolo and Botticelli, are concerned with embodiments of energy or ecstatic motion, with a wrestling Hercules or a flying angel, and only once, in Botticelli's "St. Sebastian", achieve a satisfactory nude in repose. Rainer Maria Rilke's poem "Sankt Sebastian" (in "Neue Gedichte", 1907) seems to have a close correspondence in description and mood to Botticelli's painting, as Rilke's translator J.B. Leishman and Jane Davidson Reid have observed. St. Sebastian (Botticelli) St. Sebastian is a painting of the eponymous Christian saint by the Italian Renaissance painter Sandro Botticelli,