The Birth of Venus even surpassing him. Giving added support to this interpretation of Botticelli as a born-again Apelles is the fact that that very claim was voiced in 1488 by Ugolino Verino in a poem entitled "On Giving Praise to the History of Florence." While Botticelli might well have been celebrated as a revivified Apelles, his "Birth of Venus" also testified to the special nature of Florence's chief citizen, Lorenzo de' Medici. Although it now seems that the painting was executed for another member of the Medici family, it likely was intended to celebrate and flatter its head, Lorenzo de' Medici. Tradition associates
Sandro Botticelli questions. The general consensus is that most of the drawings are late; the main scribe can be identified as Niccolò Mangona, who worked in Florence between 1482 and 1503, whose work presumably preceded that of Dante. Botticelli then appears to have worked on the drawings over a long period, as stylistic development can be seen, and matched to his paintings. Although other patrons have been proposed (inevitably including Medicis, in particular the younger Lorenzo, or il Magnifico), some scholars think that Botticelli made the manuscript for himself. There are hints that Botticelli may have worked on illustrations for printed pamphlets