Dido was buried. She left with those who hated or feared Pygmalion. None of these details contradicts Justin's epitome, but Virgil very much changes the import and many details of the story when he brings Aeneas and his followers to Carthage. (1.657f) Dido and Aeneas fall in love by the management of Juno and Venus, acting in concert, though for different reasons. (4.198f) When the rumour of the love affair comes to King Iarbas the Gaetulian, "a son of Jupiter Ammon by a raped Garamantian nymph", Iarbas prays to his father, blaming Dido who has scorned marriage with him yet now
Aeneid the entire passage of the poem, Aeneas who symbolizes "pietas" (reason) in a moment becomes "furor" (fury), thus destroying what is essentially the primary theme of the poem itself. Many have argued over these two sections. Some claim that Virgil meant to change them before he died, while others find that the location of the two passages, at the very end of the so-called Volume I (Books 1–6, the "Odyssey"), and Volume II (Books 7–12, the "Iliad"), and their short length, which contrasts with the lengthy nature of the poem, are evidence that Virgil placed them purposefully there. The "Aeneid"