The Phantom of the Opera (miniseries) Erik dies with his father and Christine at his side. Christine replaces Erik's mask and is led away by the Comte. Arthur Kopit had long been an admirer of Gaston Leroux's story, but felt that the horror premise had left out the possibility of a more compelling relationship between the two main characters. So he came up with a script in which the Phantom is a romantic hero, frightening only to those who would misuse the opera house wherein he dwells - and to those who would stand in the way of Christine's eventual rise to stardom. And he decided
The Phantom of the Opera in the graveyard are lined with human bones. Indeed, Drumright notes that "The Phantom of the Opera" checks off every trope necessary to have a Gothic novel according to the "Encyclopedia of Literature's" description which says, “Such novels were expected to be dark and tempestuous and full of ghosts, madness, outrage, superstition, and revenge.” Although the Phantom is really just a disfigured man, he has ghost-like qualities in that no one can ever find him or his lair and he is seen as a monster. People are frightened by him because of his deformities and the acts of violence he