The Carnival of the Animals century, with one piano always maintaining a bouncy eighth-note rhythm. Although the melody is relatively simple, the supporting harmonies are ornamented in the style that is typical of Saint-Saëns' compositions for piano; dazzling scales, glissandi and trills. Many of the previous movements are quoted here from the introduction, the lion, the donkeys, hens, and kangaroos. The work ends with a series of six "Hee Haws" from the donkeys, as if to say that the donkey has the last laugh, before the final strong group of C major chords. As the title suggests, the work follows a zoological program and progresses
Carnival in the Netherlands Bruegel, called The Fight Between Carnival and Lent from 1559 (the man with the stick in the jar beneath the figure on the barrel). The Rhenish variant, which is celebrated in the province of Limburg and has an overlap in the eastern part of North Brabant, is based on the carnaval celebrations in cities in the western German state of North Rhine - Westphalia. Especially Cologne, which in turn was based mostly on the carnival of Venice, has had a major impact on the nature of this carnaval. By the end of the 19th century, the carnaval in the Rhineland