Sandro Botticelli Ferdinando Gonzaga, Duke of Mantua bought him a painting said to be a Botticelli out of historical interest "as from the hand of an artist by whom Your Highness has nothing, and who was the master of Leonardo da Vinci". That mistake is perhaps understandable, as although Leonardo was only some six years younger than Botticelli, his style could seem to a Baroque judge to be a generation more advanced. The "Birth of Venus" was displayed in the Uffizi from 1815, but is little mentioned in travellers' accounts of the gallery over the next two decades. The Berlin gallery bought
Sandro Botticelli it is now in Munich. In both the crowded, intertwined figures around the dead Christ take up nearly all the picture space, with only bare rock behind. The Virgin has swooned, and the other figures form a scrum to support her and Christ. The Munich painting has three less involved saints with attributes (somewhat oddly including Saint Peter, usually regarded as in Jerusalem on the day, but not present at this scene), and gives the figures (except Christ) flat halos shown in perspective, which from now on Botticelli often uses. Both probably date from 1490 to 1495. Early records mentioned,