Nude (art) freestanding statue of a nude since antiquity, several decades before Michelangelo's massive "David" (1501–04). Nudes in Michelangelo's Sistine Chapel ceiling reestablished a tradition of male nudes in depictions of Biblical stories; the subject of the martyrdom of the near-naked Saint Sebastian had already become highly popular. The monumental female nude returned to Western art in 1486 with "The Birth of Venus" by Sandro Botticelli for the Medici family, who also owned the classical Venus de' Medici, whose pose Botticelli adapted. The "Dresden Venus" of Giorgione (c. 1510), also drawing on classical models, showed a reclining female nude in a landscape,
Sandro Botticelli Florence from over twenty years as a banker and wool merchant in London, where he was known as "John de Barde", and aspects of the painting may reflect north European and even English art and popular devotional trends. There may have been other panels in the altarpiece, which are now missing. A larger and more crowded altarpiece is the San Barnaba Altarpiece of about 1487, now in the Uffizi, where elements of Botticelli's emotional late style begin to appear. Here the setting is a palatial heavenly interior in the latest style, showing Botticelli taking a new degree of interest in