History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
In the Name of the Father (novel) Name of the Father is a carefully woven, sophisticated first novel that avoids sentimentality and self-indulgence."-Jane Larkin Crain of New York Times Book Review "Growing up poor and Catholic in the Chicago of the 1950s and 1960s, Tonto Schwartz, son of an Irish-Catholic mother and a Jewish veteran, goes through schooling with the nuns, friendship, sexual encounters, drinking, and an abortive sojourn in college. Philosophical musings and wrestling with the name his dying father willed him seem to preclude success in work, school, and personal relationships. Following participation in the 1968 Democratic Convention and an accident, Tonto comes to terms