The Carnival of the Animals cello solo (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in one piano and rolled chords in the other (said to represent the swan's feet, hidden from view beneath the water, propelling it along). A staple of the cello repertoire, this is one of the most well-known movements of the suite, usually in the version for cello with solo piano which was the only publication of this work in Saint-Saëns's lifetime. More than twenty other arrangements of this movement have also been published, with solo instruments ranging from flute to alto saxophone. A short
Carnival in the Netherlands Bruegel, called The Fight Between Carnival and Lent from 1559 (the man with the stick in the jar beneath the figure on the barrel). The Rhenish variant, which is celebrated in the province of Limburg and has an overlap in the eastern part of North Brabant, is based on the carnaval celebrations in cities in the western German state of North Rhine - Westphalia. Especially Cologne, which in turn was based mostly on the carnival of Venice, has had a major impact on the nature of this carnaval. By the end of the 19th century, the carnaval in the Rhineland