The Birth of Venus of Venus" flatter not only the Medici and Botticelli but all of Florence, home to the worthy successors to some of the greatest figures of antiquity, both in governance and in the arts. These essentially pagan readings of Botticelli's "Birth of Venus" should not exclude a more purely Christian one, which may be derived from the Neoplatonic reading of the painting indicated above. Viewed from a religious standpoint, the nudity of Venus suggests that of Eve before the Fall as well as the pure love of Paradise. Once landed, the goddess of love will don the earthly garb of mortal
The Story of Virginia (Botticelli) from left to right: This story is developed within a setting of classical architecture, in which the figures are agitated, painted with vibrant colors. The Story of Virginia (Botticelli) The Story of Virginia (Italian, Storie di Virginia), is a painting by the Italian Renaissance painter Sandro Botticelli. It is a tempera on panel and measures 86 cm tall and 165 cm wide. It is currently held by the Accademia Carrara in Bergamo, Italy. It is one of the last works that Botticelli made exemplifying virtue, like The Story of Lucretia. The painting has as a fundamental theme of violated honor