Colley Cibber was not well received. In the middle of the play, he whispered to fellow actor Benjamin Victor that he wanted to go home, perhaps realising he was too old for the part and its physical demands. Cibber also essayed tragic parts in plays by Shakespeare, Ben Jonson, John Dryden and others, but with less success. By the end of his acting career, audiences were being entranced by the innovatively naturalistic acting of the rising star David Garrick, who made his London debut in the title part in a production of Cibber's adaptation of "Richard III" in 1741. He returned to
Colley Cibber the royal family and other duty pieces incumbent on him as Poet Laureate came in for particular scorn, and these offerings would regularly be followed by a flurry of anonymous parodies, some of which Cibber claimed in his "Apology" to have written himself. In the 20th century, D. B. Wyndham-Lewis and Charles Lee considered some of Cibber's laureate poems funny enough to be included in their classic "anthology of bad verse", "The Stuffed Owl" (1930). However, Cibber was at least as distinguished as his immediate four predecessors, three of whom were also playwrights rather than poets. From the beginning of