Dido, Queen of Carthage (opera) role of Anfossi's "Didone abbandonata" and had sung at the King's Theatre several times in the intervening years. The role of Aeneas was sung "en travesti" by the English soprano and stage actress, Anna Maria Crouch. Her lover and frequent stage partner, Michael Kelly, sang the tenor role of Iarbas. The pair had appeared in several earlier works by Storace, including "No song, no supper" (1790) and "The Siege of Belgrade" (1791) and would later appear in his comic opera "The Pirates". "Dido, Queen of Carthage" opened on 23 May 1792 at The King's Theatre and was scheduled to run
Aeneid free will. Several of the gods try to intervene against the powers of fate, even though they know what the eventual outcome will be. The interventions are really just distractions to continue the conflict and postpone the inevitable. If the gods represent humans, just as the human characters engage in conflicts and power struggles, so too do the gods. Fate, described as a preordained destiny that men and gods have to follow, is a major theme in the "Aeneid". One example is when Aeneas is reminded of his fate through Jupiter and Mercury while he is falling in love with