TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
Detachment of wall paintings applied to a new support. Minimum intervention and reversibility are core conservation ethics that favour preservation "in situ". Detachment breaks the intrinsic link between wall paintings and architecture; causes irreversible physical damage to the texture, topography, and tone of the painting; leaves a void in the stripped interior; with the introduction of new materials, typically leads to a cycle of retreatment; and has resulted in "many transfers in terrible condition that serve as examples of serious, albeit unintentional, maltreatment". Detachment of wall paintings The detachment of wall paintings involves the removal of a wall painting from the structure of which