Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
Parallels between Virgil's Aeneid and Homer's Iliad and Odyssey Hector in Book II that he was to leave burning Troy to found a new city. Throughout the rest of the epic, the gods include reminders that Aeneas is destined to find Italy and found Rome for future generations. Another thing Virgil replicates from the "Iliad" is the ekphrasis of Aeneas' shield. In Book VIII of the "Aeneid", Vulcan (the Roman equivalent of the Greek god Hephaestus) forges a shield for Aeneas before he goes into battle. This is similar to Hephaestus creating Achilles' shield in Book XVII of the "Iliad". Both of the goddesses who mothered the heroes (Venus