Nude (art) freestanding statue of a nude since antiquity, several decades before Michelangelo's massive "David" (1501–04). Nudes in Michelangelo's Sistine Chapel ceiling reestablished a tradition of male nudes in depictions of Biblical stories; the subject of the martyrdom of the near-naked Saint Sebastian had already become highly popular. The monumental female nude returned to Western art in 1486 with "The Birth of Venus" by Sandro Botticelli for the Medici family, who also owned the classical Venus de' Medici, whose pose Botticelli adapted. The "Dresden Venus" of Giorgione (c. 1510), also drawing on classical models, showed a reclining female nude in a landscape,
Madonna in Glory with Seraphim (Botticelli) the cruciform nimbus, is looking towards the observer and raising his hand in blessing. Botticelli has succeeded in expressing the tensions in this theme with sensitivity: the mother, who is fully aware of the Passion her son will suffer, is holding him protectively in her arms. Madonna in Glory with Seraphim (Botticelli) Madonna in Glory with Seraphim is a painting by the Italian Renaissance painter Sandro Botticelli, executed c. 1469-1470. It is housed in Galleria degli Uffizi, Florence. Some panel paintings of the Madonna by Botticelli remain from the years around 1470 which are striking expressions of Botticelli's stylistic development.