Sandro Botticelli His only large painting with a mythological subject ever to be sold on the open market is the "Venus and Mars", bought at Christie's by the National Gallery for a rather modest £1,050 in 1874. The first nineteenth-century art historian to be enthusiastic about Botticelli's Sistine frescoes was Alexis-François Rio; Anna Brownell Jameson and Charles Eastlake were alerted to Botticelli as well, and works by his hand began to appear in German collections. The Pre-Raphaelite Brotherhood incorporated elements of his work into their own. Walter Pater created a literary picture of Botticelli, who was then taken up by the Aesthetic
Sandro Botticelli Florence from over twenty years as a banker and wool merchant in London, where he was known as "John de Barde", and aspects of the painting may reflect north European and even English art and popular devotional trends. There may have been other panels in the altarpiece, which are now missing. A larger and more crowded altarpiece is the San Barnaba Altarpiece of about 1487, now in the Uffizi, where elements of Botticelli's emotional late style begin to appear. Here the setting is a palatial heavenly interior in the latest style, showing Botticelli taking a new degree of interest in