TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
All That Heaven Allows would not allow it, as he wanted a more positive ending. Some exteriors for the film were shot on “Colonial Street,” a studio backlot built by Paramount Pictures on the property of Universal Studios four years earlier and used in the film "The Desperate Hours". The set was re-designed to mimic an upper-middle class, New England town. The film contains only one visible crane shot in which the camera scan over the fictional town of Stoningham, seen during the opening credits. Tracking and dollying shots are used frequently for interior shots. The set was later featured on the television series