MMXII (album) the Aegean Sea, opposite to the south-eastern tip of the Peloponnese peninsula behind Cape Maleas. This island was also the inspiration for many artists such as Italian early Renaissance painter Sandro Botticelli for his painting "The Birth of Venus", as well as for other similarly themed paintings that show the goddess Venus arriving at the shore of Cythera, for French Rococo painter Antoine Watteau's painting Embarkation for Cythera and French Modernist poet Charles Baudelaire's poem "A Voyage to Cythera", in which the poet called the island a "banal El Dorado". The penultimate track, "Trance", has a rumbling bass line mirroring
Sandro Botticelli it is now in Munich. In both the crowded, intertwined figures around the dead Christ take up nearly all the picture space, with only bare rock behind. The Virgin has swooned, and the other figures form a scrum to support her and Christ. The Munich painting has three less involved saints with attributes (somewhat oddly including Saint Peter, usually regarded as in Jerusalem on the day, but not present at this scene), and gives the figures (except Christ) flat halos shown in perspective, which from now on Botticelli often uses. Both probably date from 1490 to 1495. Early records mentioned,