History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
Name of the Father first symbolized by the operation of the absence of the mother". All paternity thus involves metaphoric substitution. Lacan originally presents the 'paternal metaphor' in his Seminar "La relation d'objet" (1956–1957): it is the fundamental metaphor on which all signification depends (all signification is phallic). If the Name-of-the-Father is foreclosed, as in psychosis, there can be no paternal metaphor and hence no phallic signification. In his late seminars, Lacan downplayed the hitherto central importance of the Name-of-the-Father and the Oedipus complex as well, considering them either irrelevant or misleading in terms of his then-current concerns. Name of the Father The name