The Carnival of the Animals (the original uses two pianos). Saint-Saëns did specify in his will that the work should be published posthumously. Following his death in December 1921, the work was published by Durand in Paris in April 1922 and the first public performance was given on 25 February 1922 by Concerts Colonne (the orchestra of Édouard Colonne). "Carnival" has since become one of Saint-Saëns's best-known works, played by the original eleven instrumentalists, or more often with the full string section of an orchestra. Normally a glockenspiel substitutes for the rare glass harmonica. Ever popular with music teachers and young children, it is often
Carnival in Bern opportunity to present an anti-Catholic message during the carnival (or shrovetide) Lenten celebrations. Some Reformation era carnival plays depicted contrasts between Catholics and Protestants, while others contrasted Jews and gentiles, such as in "Goliath" by Hans von Rüte. Niklaus Manuel was the first writer to present ideas for reform and to belittle the Papacy in his plays. In 1522 he wrote two farces about the Pope, in which he showed the difference between the Pope and his priests, and Jesus. Real life events, in particular the Battle of Novara (1513), created the backdrop for Manuel's writings. He wrote about Cardinal