Beauty and the Beast (musical) tale. In 1995, some of Hould-Ward's costumes, namely Lumiere, were put on display in Nordstrom stores. Meanwhile, Belle and the Beast's ballroom costumes were exhibited at Westside Pavilion, and Mrs. Potts and LeFou appeared at South Coast Plaza. Largely due to audience reception, "Beauty and the Beast" remains one of Broadway's biggest successes of the current era. "Beauty and the Beast" established itself as a musical that could survive on Broadway despite its unenthusiastic reviews. Several detractors had thought that musicals like "Beauty and the Beast" would be a one-time event, but the results ultimately turned out to be quite
Gaston (Beauty and the Beast) Beast" parodies the idea of excessive masculinity, a trait shared by both Gaston and the Beast. Obsessed with his own virility, Gaston shares several opinions associated with "the hyper-masculine male", boasting many "traditionally heroic" qualities and beliefs. Representing "everything that can go wrong in the heterosexual male" according to "The Meanings of "Beauty and the Beast": A Handbook" author Jerry Griswold, Gaston is essentially a caricature of hypermasculinity; he proudly hunts, drinks, fights, spits, bullies and lies in addition to being shallow and ignorant, exuding what are considered to be some of the worst masculine traits. Gaston intimidates and threatens