The Carnival of the Animals on 2 April at the home of Pauline Viardot with an audience including Franz Liszt, a friend of the composer, who had expressed a wish to hear the work. There were other private performances, typically for the French mid-Lent festival of , but Saint-Saëns was adamant that the work would not be published in his lifetime, seeing it as detracting from his "serious" composer image. He relented only for the famous cello solo "The Swan", which forms the penultimate movement of the work, and which was published in 1887 in an arrangement by the composer for cello and solo piano
The Colours of Animals in evolution. She writes that Poulton's position was highly influential, stating that later "Darwinian experts on coloration" followed his views, citing Frank Evers Beddard's 1892 "Animal Coloration" as evidence. In his Introduction to Hugh Bamford Cott's 1940 book "Adaptive Coloration in Animals", Julian Huxley praised Cott's work as "a worthy successor to Sir Edward Poulton's "The Colours of Animals"... The one was a pioneer study, the other is in many respects the last word on the subject"". The Colours of Animals The Colours of Animals is a zoology book written in 1890 by Sir Edward Bagnall Poulton (1856–1943). It was