The Birth of Venus of Venus" flatter not only the Medici and Botticelli but all of Florence, home to the worthy successors to some of the greatest figures of antiquity, both in governance and in the arts. These essentially pagan readings of Botticelli's "Birth of Venus" should not exclude a more purely Christian one, which may be derived from the Neoplatonic reading of the painting indicated above. Viewed from a religious standpoint, the nudity of Venus suggests that of Eve before the Fall as well as the pure love of Paradise. Once landed, the goddess of love will don the earthly garb of mortal
Sandro Botticelli Sandro Botticelli Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), known as Sandro Botticelli (), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his "Vita" of Botticelli as a "golden age". Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting. As well as the small number of mythological subjects which are his best