Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
The Man Who Fell in Love with the Moon the squeamish (or Mormons without a sense of humor). The descriptions of love-making and violence done to the flesh are pretty graphic. Shed is a clear-eyed, unflinching observer, after all; and if someone is going to have her legs amputated, Shed is going to report the dismembering in detail. That makes sense in terms of the character, but it can be heavy going for the sensitive." The "Los Angeles Times"' critic noticed a resemblance between Spanbauer's novel and other novels from several years earlier which attempted to shock with sex and violence, and wondered whether the novel was "irresponsible" in