Dido, Queen of Carthage (opera) role of Anfossi's "Didone abbandonata" and had sung at the King's Theatre several times in the intervening years. The role of Aeneas was sung "en travesti" by the English soprano and stage actress, Anna Maria Crouch. Her lover and frequent stage partner, Michael Kelly, sang the tenor role of Iarbas. The pair had appeared in several earlier works by Storace, including "No song, no supper" (1790) and "The Siege of Belgrade" (1791) and would later appear in his comic opera "The Pirates". "Dido, Queen of Carthage" opened on 23 May 1792 at The King's Theatre and was scheduled to run
Virgil the "Aeneid" in "Amores" 1.1.1–2, and his summary of the Aeneas story in Book 14 of the "Metamorphoses", the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the "Bellum Civile" has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic "Thebaid" engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine "Aeneid", but follow afar and ever venerate its footsteps." In