Nude (art) freestanding statue of a nude since antiquity, several decades before Michelangelo's massive "David" (1501–04). Nudes in Michelangelo's Sistine Chapel ceiling reestablished a tradition of male nudes in depictions of Biblical stories; the subject of the martyrdom of the near-naked Saint Sebastian had already become highly popular. The monumental female nude returned to Western art in 1486 with "The Birth of Venus" by Sandro Botticelli for the Medici family, who also owned the classical Venus de' Medici, whose pose Botticelli adapted. The "Dresden Venus" of Giorgione (c. 1510), also drawing on classical models, showed a reclining female nude in a landscape,
Sandro Botticelli unreliable account, Botticelli "earned a great deal of money, but wasted it all through carelessness and lack of management". He continued to live in the family house all his life, also having his studio there. On his father's death in 1482 it was inherited by his brother Giovanni, who had a large family. By the end of his life it was owned by his nephews. From the 1490s he had a modest country villa and farm at Bellosguardo (now swallowed up by the city), which was leased with his brother Simone. Botticelli never married, and apparently expressed a strong dislike