TARDIS to those first seen in 1963, with multiple roundels illuminated from behind. The fourth major redesign of the TARDIS in the revived series appeared in the eleventh series. New production designer Arwel Wyn Jones said that the inspiration for the Thirteenth Doctor's TARDIS was based on the 2005-10 model, which he had worked on. The console room is the "safest place on the ship," and so when its occupants are in danger the TARDIS will reinvent its architecture so as to allow them to enter the console room. This can also result in the TARDIS materialising itself within its own
Detachment of wall paintings applied to a new support. Minimum intervention and reversibility are core conservation ethics that favour preservation "in situ". Detachment breaks the intrinsic link between wall paintings and architecture; causes irreversible physical damage to the texture, topography, and tone of the painting; leaves a void in the stripped interior; with the introduction of new materials, typically leads to a cycle of retreatment; and has resulted in "many transfers in terrible condition that serve as examples of serious, albeit unintentional, maltreatment". Detachment of wall paintings The detachment of wall paintings involves the removal of a wall painting from the structure of which