Portrait of a Venetian Woman black-and pearl necklace and highly-fashionable patterned dress; all of which are highlighted against a flat black background. It is similar in pose and colour tone to his c 1507 "A German Woman from Venice", while at least two studies of Venetian women are known, both of which are very daring. One shows the model with a plunging neckline, the other with bare shoulders. During his visit to Italy Dürer became fascinated by and befriended Giovanni Bellini, an established master when Dürer was still a relative unknown outside of Germany. The Franconian artist's influence can be seen in this work's soft
Ottoman–Venetian War (1537–1540) the Venetian cities in Dalmatia, severely impacted by the Turkish occupation of the hinterland in the previous war, recovered and held steady even throughout this war. Ottoman–Venetian War (1537–1540) The Third Ottoman Venetian War (1537–1540) was the second of three Ottoman Venetian wars which took place during the 16th century. The war arose out of the Franco-Ottoman alliance between Francis I of France and Süleyman I of the Ottoman Empire against the Holy Roman Emperor Charles V. The initial plan between the two had been to jointly invade Italy, Francis through Lombardy in the North and Süleyman through Apulia to