The Birth of Venus adopted by Renaissance art historians in general, and it remains problematic, since it depends on the painting being commissioned by the Medici, yet the work is not documented in Medici hands until well into the following century. Mack sees the scene as inspired by both the Homeric Hymn and the ancient paintings. But something more than a rediscovered Homeric hymn was likely in the mind of the Medici family member who commissioned this painting from Botticelli. Once again, Botticelli, in his version of the Birth of Venus, might be seen as completing the task begun by his ancient predecessor Apelles,
Adoration of the Magi (Botticelli, 1475) Adoration of the Magi (Botticelli, 1475) The Adoration of the Magi is a painting by the Italian Renaissance master Sandro Botticelli, dating from 1475 or 1476, early in his career. The work is on display at the Uffizi in Florence. Botticelli was commissioned to paint at least seven versions of "The Adoration of the Magi". This version was commissioned by Gaspare di Zanobi del Lama for his funerary chapel in Santa Maria Novella. In the scene numerous characters are present, among which are several members of the Medici family: Cosimo de' Medici (the Magus kneeling in front of the Virgin,