Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
Virgil the "Aeneid" in "Amores" 1.1.1–2, and his summary of the Aeneas story in Book 14 of the "Metamorphoses", the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the "Bellum Civile" has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic "Thebaid" engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine "Aeneid", but follow afar and ever venerate its footsteps." In