Dido, Queen of Carthage (opera) Dido, Queen of Carthage (opera) Dido, Queen of Carthage was an opera in three acts by Stephen Storace. Its English libretto by Prince Hoare was adapted from Metastasio's 1724 libretto, "Didone abbandonata" ("Dido Abandoned"), which had been set by many composers. Storace's opera premiered on 23 May 1792 at The King's Theatre in London combined with a performance of his masque, "Neptune's Prophecy". The story is based on that of Dido and Aeneas in the fourth book of Virgil's "Aeneid". The opera was not a success and was never revived after its original run of performances. The score has been
Virgil the "Aeneid" in "Amores" 1.1.1–2, and his summary of the Aeneas story in Book 14 of the "Metamorphoses", the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the "Bellum Civile" has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic "Thebaid" engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine "Aeneid", but follow afar and ever venerate its footsteps." In