Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
Aeneas the first true hero of Rome. Snorri Sturluson identifies him with the Norse Æsir Vidarr. Aeneas is the Latin spelling of Greek Αἰνείας ("Aineías"). In the Homeric Hymn to Aphrodite, Aeneas is first introduced with Aphrodite naming him Αἰνείας ("Aineías") for the αὶνóν ἄχος ("terrible grief") he caused her, where "Aineías" derives from the adjective αὶνóν ("ainon", meaning "terrible"). It is a popular etymology for the name, apparently exploited by Homer in the Iliad. Later in the Medieval period there were writers who held that, because the Aeneid was written by a philosopher it is meant to be read philosophically.