Cultural views on the navel Early Japanese poems feature many references to the female navel. In some, the word "navel" actually refers to an indentation or hole instead of the belly button. The shape of the umbilicus of a newborn baby would be discussed at length. If a baby's navel points downward, the parents would brace themselves for a weakling child who will bring them woe. The thunder god Raijin, with his terrifying drums, great horns, and long tusks, was said to have an insatiable appetite for young navels, and mothers had to nag their youngsters constantly to keep themselves well covered up. Due to
Cultural views on the navel has actresses expose their navels. Film scholar Mahesh Kathi commented that Telugu cinema has a long history of "fondness for the navel", citing old South Indian temple architecture, which features numerous prominent displays of navels in their carvings, and calling such displays a "South Indian aesthetic sensibility". He continued, "Cinematically, while cleavage is just a peek at the bosom, the navel encompasses the woman's entire sensuality. The 1978 film "Maro Charitra" was the first to feature the scene where a top spins on the female protagonist's navel. Veteran Telugu film director Kovelamudi Raghavendra Rao's movies always have guaranteed navel show