Dido, Queen of Carthage (opera) role of Anfossi's "Didone abbandonata" and had sung at the King's Theatre several times in the intervening years. The role of Aeneas was sung "en travesti" by the English soprano and stage actress, Anna Maria Crouch. Her lover and frequent stage partner, Michael Kelly, sang the tenor role of Iarbas. The pair had appeared in several earlier works by Storace, including "No song, no supper" (1790) and "The Siege of Belgrade" (1791) and would later appear in his comic opera "The Pirates". "Dido, Queen of Carthage" opened on 23 May 1792 at The King's Theatre and was scheduled to run
Aeneas As such, in the "natural order", the meaning of Aeneas' name combines Greek "ennos" ("dweller") and "demas" ("body"), which becomes "ennaios", meaning "in-dweller" (i.e. as a god inhabiting a mortal body). However, there is no certainty regarding the origin of his name. In imitation of the "Iliad", Virgil borrows epithets of Homer, including; Anchisiades, "magnanimum", "magnus", "heros", and "bonus". Though he borrows many, Virgil gives Aeneas two epithets of his own in the "Aeneid:" "pater" and "pius". The epithets applied by Virgil are an example of an attitude different from that of Homer, for whilst Odysseus is "poikilios" ("wily"), Aeneas