Colley Cibber was not well received. In the middle of the play, he whispered to fellow actor Benjamin Victor that he wanted to go home, perhaps realising he was too old for the part and its physical demands. Cibber also essayed tragic parts in plays by Shakespeare, Ben Jonson, John Dryden and others, but with less success. By the end of his acting career, audiences were being entranced by the innovatively naturalistic acting of the rising star David Garrick, who made his London debut in the title part in a production of Cibber's adaptation of "Richard III" in 1741. He returned to
Scottish education in the eighteenth century compared with 35 per cent for men. Overall literacy rates were slightly higher than in England as a whole, but female rates were much lower than for their English counterparts. There were some notable aristocratic female writers, including included Lady Elizabeth Wardlaw (1627–1727) and Lady Grizel Baillie (1645–1746). There are 50 autobiographies extant from the late seventeenth to the early eighteenth century, of which 16 were written by women, all of which are largely religious in content. In the Scottish Highlands, popular education was challenged by problems of distance and physical isolation, as well as teachers' and ministers' limited knowledge