The Carnival of the Animals on 2 April at the home of Pauline Viardot with an audience including Franz Liszt, a friend of the composer, who had expressed a wish to hear the work. There were other private performances, typically for the French mid-Lent festival of , but Saint-Saëns was adamant that the work would not be published in his lifetime, seeing it as detracting from his "serious" composer image. He relented only for the famous cello solo "The Swan", which forms the penultimate movement of the work, and which was published in 1887 in an arrangement by the composer for cello and solo piano
The Lives of Animals invention originating in the nineteenth century. She talks about the Hindu prohibition on harming animals and argues that compassion for animals can be found in many non-Western cultures throughout history. Anthropologist and University of Michigan professor Barbara Smuts takes as her starting point the near absence of any loving relationships between people and animals in Coetzee's novella. Smuts starts her reflection noting that, as a lonely old woman, Costello is likely to live with cats. But Costello never mentions any personal relationship with animals. As a scientist, Smuts, at one point in her work, followed a group of baboons with