TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
Royal Air Force roundels official sizes for roundels were: Many variations could be seen because of the problems involved in interpreting instructions or repainting aircraft in front-line service, but most production aircraft conformed to these basic dimensions. In the China/Burma/India (CBI) theatre and Pacific it was thought that the red centres of RAF roundels could be confused with the red "hinomaru" carried by Japanese aircraft. After an RAAF No. 11 Squadron Catalina was mistaken for a Japanese aircraft by a US Navy Wildcat in the Pacific Theatre and attacked, the roundels on RAAF were modified, mostly in the field, by painting over the red