The Birth of Venus of Venus" flatter not only the Medici and Botticelli but all of Florence, home to the worthy successors to some of the greatest figures of antiquity, both in governance and in the arts. These essentially pagan readings of Botticelli's "Birth of Venus" should not exclude a more purely Christian one, which may be derived from the Neoplatonic reading of the painting indicated above. Viewed from a religious standpoint, the nudity of Venus suggests that of Eve before the Fall as well as the pure love of Paradise. Once landed, the goddess of love will don the earthly garb of mortal
St. Sebastian (Botticelli) St. Sebastian (Botticelli) St. Sebastian is a painting of the eponymous Christian saint by the Italian Renaissance painter Sandro Botticelli, executed in 1474 for the Church of Santa Maria Maggiore, Florence. It is housed in the Staatliche Museen of Berlin. Kenneth Clark considered this picture remarkable for its closeness to the spirit of harmonious repose found in classical sculpture: There are several reasons why for fifty years or more Donatello's "David" had no successors... Another is the inherent restlessness of the Florentine temperament. Apollo is static. His gestures are dignified and calm. But the Florentines loved movement, the more violent