Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
Carthage like clay masks. "Thanks to this burial archaeology we know more about archaic Carthage than about any other contemporary city in the western Mediterranean." Already in the eighth century, fabric dyeing operations had been established, evident from crushed shells of murex (from which the 'Phoenician purple' was derived). Nonetheless, only a "meager picture" of the cultural life of the earliest pioneers in the city can be conjectured, and not much about housing, monuments or defenses. The Roman poet Virgil (70–19 BC) imagined early Carthage, when his legendary character Aeneas had arrived there: "Aeneas found, where lately huts had been, marvelous