Art of ancient Egypt carved objects, from figures of the gods to toys and carved utensils. Alabaster was often used for expensive versions of these; painted wood was the most common material, and normal for the small models of animals, slaves and possessions placed in tombs to provide for the afterlife. Very strict conventions were followed while crafting statues and specific rules governed appearance of every Egyptian god. For example, the sky god (Horus) was essentially to be represented with a falcon's head, the god of funeral rites (Anubis) was to be always shown with a jackal's head. Artistic works were ranked according to
The Suffering of God describes what he calls, the “intensification of the divine presence.” This intensity of presence can be affected positively or negatively by human beings. Fretheim argues that sin drives away God (as in Ezekiel 8:6) and actually results in the intensification of divine presence in the form of God's wrath. Conversely, righteousness or “receptiveness” can move God to draw near. The most intense experience of God's presence occurs in the form of theophany. In what is probably Fretheim's most controversial chapter (chapter 6), he describes the appearances of God in the Old Testament and the human reaction to them. To Fretheim,