Sandro Botticelli His only large painting with a mythological subject ever to be sold on the open market is the "Venus and Mars", bought at Christie's by the National Gallery for a rather modest £1,050 in 1874. The first nineteenth-century art historian to be enthusiastic about Botticelli's Sistine frescoes was Alexis-François Rio; Anna Brownell Jameson and Charles Eastlake were alerted to Botticelli as well, and works by his hand began to appear in German collections. The Pre-Raphaelite Brotherhood incorporated elements of his work into their own. Walter Pater created a literary picture of Botticelli, who was then taken up by the Aesthetic
Portrait of a Lady Known as Smeralda Brandini "* The same Lady, here surrounded by the masque of Spring, is evidently the subject of a portrait by Botticelli formerly in the Pourtales collection in Paris. This portrait is inscribed "Smeralda Bandinelli"". Rossetti's suggestion that the portrait depicted the model Botticelli used for his "Spring" now seems unlikely. Portrait of a Lady Known as Smeralda Brandini The Portrait of Smeralda Brandini is a tempera on panel painting by the Italian Renaissance artist Sandro Botticelli of about 1475, in the Victoria and Albert Museum, London (museum no. CAI.100). The identification of the sitter is based on the old, but probably