Rich man and Lazarus which was related by Jesus to his followers. This was generally the view of the medieval Church. Supporters of this view point to a key detail in the story: the use of a personal name (Lazarus) not found in any other parable. By contrast, in all of the other parables Jesus refers to a central character by a description, such as "a certain man", "a sower", and so forth. Critics of this view point out that "The "soul that sins, it shall die" (Ezekiel 18); "For dust you are and to dust you shall return" (Genesis 3:19). Paul (1 Thessalonians
Triumph of the Name of Jesus horns. Others are in the process of transforming into hound light creatures. They have tormented faces, some shielding their faces from the harsh heavenly light. Gaulli has adapted the "Triumph of the Name of Jesus" to extend both downward to the viewers and upward into the illusionistic heavens. Relying on his friend Bernini to influence and inspire one of his greatest works. Illusionistic ceiling paintings began to move in new directions after the completion of this piece. Gaulli's fresco has a complexity to it, making it a work worthy of a High Baroque status. Triumph of the Name of Jesus