The Birth of Venus even surpassing him. Giving added support to this interpretation of Botticelli as a born-again Apelles is the fact that that very claim was voiced in 1488 by Ugolino Verino in a poem entitled "On Giving Praise to the History of Florence." While Botticelli might well have been celebrated as a revivified Apelles, his "Birth of Venus" also testified to the special nature of Florence's chief citizen, Lorenzo de' Medici. Although it now seems that the painting was executed for another member of the Medici family, it likely was intended to celebrate and flatter its head, Lorenzo de' Medici. Tradition associates
St. Sebastian (Botticelli) St. Sebastian (Botticelli) St. Sebastian is a painting of the eponymous Christian saint by the Italian Renaissance painter Sandro Botticelli, executed in 1474 for the Church of Santa Maria Maggiore, Florence. It is housed in the Staatliche Museen of Berlin. Kenneth Clark considered this picture remarkable for its closeness to the spirit of harmonious repose found in classical sculpture: There are several reasons why for fifty years or more Donatello's "David" had no successors... Another is the inherent restlessness of the Florentine temperament. Apollo is static. His gestures are dignified and calm. But the Florentines loved movement, the more violent