Motifs in the James Bond film series a final attack on Bond and his lover in the final scene. In the first twenty two films of the Eon Bond series, only "On Her Majesty's Secret Service" and "Casino Royale", have ended with the central Bond girl deceased. In all other films, except "Quantum of Solace" and "Skyfall", Bond is kissing her, making love, or implying that he will do so. Sometimes an embarrassed M catches Bond during his embraces. Most endings feature a double entendre and, in many of the films, the Bond girl purrs, "Oh, James." Until "A View to a Kill", the title of the
Motifs in the James Bond film series title sequence for "Spectre". A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. Writing for "Rolling Stone", Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. "On Her Majesty's Secret Service" has an entirely instrumental credit sequence, though the film features an alternate theme, "We Have All the Time in the World", sung by Louis Armstrong.