Portrait of a Venetian Woman black-and pearl necklace and highly-fashionable patterned dress; all of which are highlighted against a flat black background. It is similar in pose and colour tone to his c 1507 "A German Woman from Venice", while at least two studies of Venetian women are known, both of which are very daring. One shows the model with a plunging neckline, the other with bare shoulders. During his visit to Italy Dürer became fascinated by and befriended Giovanni Bellini, an established master when Dürer was still a relative unknown outside of Germany. The Franconian artist's influence can be seen in this work's soft
Christianity in the 16th century church in England in the early 16th century. The second strand is a range of Protestant Reformed teachings brought to England from neighbouring countries in the same period, notably Calvinism and Lutheranism. The Church of England was the national branch of the Catholic Church. The formal doctrines had been documented in canon law over the centuries, and the Church of England still follows an unbroken tradition of canon law. The English Reformation did not dispense with all previous doctrines. The church not only retained the core Catholic beliefs common to Reformed doctrine in general, such as the Trinity, the Virgin