Nude (art) freestanding statue of a nude since antiquity, several decades before Michelangelo's massive "David" (1501–04). Nudes in Michelangelo's Sistine Chapel ceiling reestablished a tradition of male nudes in depictions of Biblical stories; the subject of the martyrdom of the near-naked Saint Sebastian had already become highly popular. The monumental female nude returned to Western art in 1486 with "The Birth of Venus" by Sandro Botticelli for the Medici family, who also owned the classical Venus de' Medici, whose pose Botticelli adapted. The "Dresden Venus" of Giorgione (c. 1510), also drawing on classical models, showed a reclining female nude in a landscape,
Lamentation over the Dead Christ (Botticelli, Munich) he started in fact to abandon the allegoric inspiration that had made him a favourite of the Medici court in favour of more intimate and painstaking religious reflection. Lamentation over the Dead Christ (Botticelli, Munich) The Lamentation over the Dead Christ, is a painting of the common subject of the Lamentation of Christ by the Italian Renaissance master Sandro Botticelli, finished around 1490-1492. It is now in the Alte Pinakothek, in Munich. The portrait shows the inert body of Christ surrounded by the Virgin, St. Peter, and Mary Magdalene, St. John the Evangelist, St. Jerome and St. Paul. The pathetic