History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
Name of the Father of the paternal figure are to be observed with particular frequency in cases where the father really has the function of a legislator...with too many opportunities of being in a position of undeserving, inadequacy, even of fraud, and, in short, of excluding the Name-of-the-Father from its position in the signifier". Psychosis for Lacanians is the exact opposite of the Name of the Father – the absence of that identification with the symbolic order which ensures our place in the shared intersubjective world of common sense. The Name-of-the-Father is thus the fundamental signifier which permits signification to proceed normally. It not