Parables of Jesus the unforgiving servant, dealing with forgiveness; the parable of the Good Samaritan, dealing with practical love; and the parable of the Friend at Night, dealing with persistence in prayer. Of the thirty or so parables in the canonical Gospels, four were shown in medieval art almost to the exclusion of the others, but not mixed in with the narrative scenes of the "Life of Christ". These were: the Ten Virgins, the Rich man and Lazarus, the Prodigal Son and the Good Samaritan. Artists famous for depicting parables include Martin Schongauer, Pieter the Elder Bruegal and Albrecht Dürer. The Workers in
The Name of the Rose title "Adso of Melk", but that was vetoed by his publisher, and then the title "The Name of the Rose" "came to me virtually by chance." In the "Postscript to the Name of the Rose", Eco claims to have chosen the title "because the rose is a symbolic figure so rich in meanings that by now it hardly has any meaning left". The book's last line, translates as: "the rose of old remains only in its name; we possess naked names." The general sense, as Eco pointed out, was that from the beauty of the past, now disappeared, we hold