Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
The Man Who Fell in Love with the Moon Man Who Fell in Love with the Moon" was very well received when it was published in 1991. "The Washington Post" called it "amazing" and "dazzlingly accomplished" and "The Oregonian" said the novel "boldly creates a new voice from the Old West." "The New York Times" was equally effusive: "The miracle of the novel is that it obliges us to rethink our whole idea of narration and history and myth." The "Los Angeles Times" found it "brave, original, ribald, funny, <nowiki>[and]</nowiki> heart-rending" and concluded that the book is "as bright as it is dark, full of fictional and philosophical pleasures,