The Phantom of the Opera (miniseries) Erik dies with his father and Christine at his side. Christine replaces Erik's mask and is led away by the Comte. Arthur Kopit had long been an admirer of Gaston Leroux's story, but felt that the horror premise had left out the possibility of a more compelling relationship between the two main characters. So he came up with a script in which the Phantom is a romantic hero, frightening only to those who would misuse the opera house wherein he dwells - and to those who would stand in the way of Christine's eventual rise to stardom. And he decided
The Phantom of the Opera at the Royal Albert Hall that "things have changed" as the jealous Angel of Music condemns Raoul for "sharing in my triumph". Christine begs him to reveal himself. The Angel obliges and materialises in her mirror. The mirror opens, revealing the Angel to be the Phantom of the Opera, who leads Christine away. Raoul finds Christine's dressing room empty and calls out for her ("The Mirror (Angel of Music)"). The Phantom and Christine cross a subterranean lake to his secret lair beneath the Opéra house ("The Phantom of the Opera"). The Phantom explains that he has chosen Christine to sing his music and serenades her