The Birth of Venus adopted by Renaissance art historians in general, and it remains problematic, since it depends on the painting being commissioned by the Medici, yet the work is not documented in Medici hands until well into the following century. Mack sees the scene as inspired by both the Homeric Hymn and the ancient paintings. But something more than a rediscovered Homeric hymn was likely in the mind of the Medici family member who commissioned this painting from Botticelli. Once again, Botticelli, in his version of the Birth of Venus, might be seen as completing the task begun by his ancient predecessor Apelles,
Adoration of the Magi (Botticelli, 1475) these powerful personages is hard to tell. It is, however, apparent from the great pains in which Botticelli bestowed on these figures, that this formed an important part of the task. Also Gaspare himself is said to be included in the painting, as the old man on the right with white hair and a light blue robe looking and pointing at the observer. Furthermore, also Botticelli is alleged to have made a self-portrait as the blonde man with yellow mantle on the far right. In his "Lives", Vasari describes the "Adoration" in the following way: of the heads in this