Sandro Botticelli at its most effective, emphasized by the soft continual contours and pastel colors. The "Primavera" and the "Birth" were both seen by Vasari in the mid-16th century at the Villa di Castello, owned from 1477 by Lorenzo di Pierfrancesco de' Medici, and until the publication in 1975 of a Medici inventory of 1499, it was assumed that both works were painted specifically for the villa. Recent scholarship suggests otherwise: the "Primavera" was painted for Lorenzo di Pierfrancesco's townhouse in Florence, and "The Birth of Venus" was commissioned by someone else for a different site. Botticelli painted only a small number
Sandro Botticelli for Botticelli. According to Vasari, Botticelli became a follower of the deeply moralistic Dominican friar Girolamo Savonarola, who preached in Florence from 1490 until his execution in 1498: Botticelli was a follower of Savonarola's, and this was why he gave up painting and then fell into considerable distress as he had no other source of income. None the less, he remained an obstinate member of the sect, becoming one of the "piagnoni", the snivellers, as they were called then, and abandoning his work; so finally, as an old man, he found himself so poor that if Lorenzo de' Medici ...