Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
The Man Who Fell in Love with the Moon Hoban. The novel received some critical comments as well. "The Oregonian's" reviewer thought the characters were too "extreme," felt that the narrative took too long to get going, and concluded that Shed's method of communicating in sentence fragments (often missing a verb or subject) difficult to comprehend. Nevertheless, while these elements were "irritating", the reviewer concluded: "<nowiki>[T]he</nowiki> exasperation is worth it: There is something triumphant about a novelist who risks this much and manages to find his way home." The same reviewer also found that some passages might make some readers queasy: "Spanbauer's book, his second novel, is not for