Dickens in America in the 1850s. Miriam thinks Dickens would have been pleased to see the rebuilt monument. Ron Dale tells Miriam that Upper Canadians make it very clear that they distinguish themselves from Americans. Miriam travels to Toronto where she meets Dickens collector Dan Calinescu of "Boz and Friends Rare Books". His collection of over 5,000 items includes two original letters written by Dickens, a drawing of Nicholas Nickleby drawn by Catherine Dickens that looks a lot like her husband, first editions and playbills, including one from "The Frozen Deep" at Tavistock House. Miriam admits she is envious. In Montreal, Miriam tours
Racism in the work of Charles Dickens foreign European cultures and taking his attitude to "colonized people" to "genocidal extremes", albeit based mainly on a vision of British virtue, rather than any concept of heredity. Ledger and Ferneaux do not believe he advocated any form of "scientific racism" regarding heredity – but still had the highest possible antipathy for the lifestyles of native peoples in British colonies, and believed that the sooner they were civilised, the better. Dickens scholar Grace Moore sees Dickens' racism as having abated in his later years, while cultural historian Patrick Brantlinger and journalist William Oddie see it as having intensified. Moore contends