The Carnival of the Animals cello solo (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in one piano and rolled chords in the other (said to represent the swan's feet, hidden from view beneath the water, propelling it along). A staple of the cello repertoire, this is one of the most well-known movements of the suite, usually in the version for cello with solo piano which was the only publication of this work in Saint-Saëns's lifetime. More than twenty other arrangements of this movement have also been published, with solo instruments ranging from flute to alto saxophone. A short
Orchestral Manoeuvres in the Dark journalist said: "If Kraftwerk were the Elvis Presley of synth-pop, then Orchestral Manoeuvres in the Dark were its Beatles." In 2008, American publication "The A.V. Club" noted that McCluskey and Humphreys were "often labeled as the 'Lennon-McCartney of synth-pop'." In a 2008 piece on OMD, "The Quietus" magazine editor John Doran called them "the only Liverpool band to come near to living up to the monolithic standards of productivity and creativity set in place by the Beatles", and asserted: "Orchestral Manouevres in the Dark are not one of the best synth bands ever: they are one of the best bands