The Birth of Venus sources and interpretations. Many art historians who specialize in the Italian Renaissance have found Neoplatonic interpretations, of which two different versions have been articulated by Edgar Wind and Ernst Gombrich, to be the key to understanding the painting. Botticelli represented the Neoplatonic idea of divine love in the form of a nude Venus. For Plato – and so for the members of the Florentine Platonic Academy – Venus had two aspects: she was an earthly goddess who aroused humans to physical love or she was a heavenly goddess who inspired intellectual love in them. Plato further argued that contemplation of
Divine Comedy Illustrated by Botticelli sequence of the "Inferno" drawings for cantos XVII to canto XXX for "Paradiso" is without gaps. The page for the drawing of canto XXXI appears blank, and the sequence ends with the unfinished drawing for canto XXXII. The film "Botticelli Inferno" is based on the history of the illustrated manuscript. Divine Comedy Illustrated by Botticelli The Divine Comedy Illustrated by Botticelli is a manuscript of the "Divine Comedy" by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter. The images are mostly not taken beyond silverpoint drawings,