Erik (The Phantom of the Opera) strangles the publisher and tries to retrieve his music, only to be disfigured when the publisher's assistant throws etching acid in his face. In the musical horror film "Phantom of the Paradise" (1974), Winslow (the Phantom character) gets his head caught in a record-press, while Robert Englund's horror-version has him selling his soul to Satan and having his face mutilated as a result. This version also has a gruesome variation on the mask, in which Erik is sewing flesh to his face. In Andrew Lloyd Webber's musical adaptation, only half of Erik's face is deformed (thus the famous half-mask often
The Phantom of the Opera (1925 film) his eye sockets black, giving a skull-like impression to them. He also pulled the tip of his nose up and pinned it in place with wire, enlarged his nostrils with black paint, and put a set of jagged false teeth into his mouth to complete the ghastly, deformed look of the Phantom. When audiences first saw "The Phantom of the Opera", they were said to have screamed or fainted during the scene where Christine pulls the concealing mask away, revealing his skull-like features to the audience. Chaney's appearance as the Phantom in the film has been the most accurate depiction