The Birth of Venus Roman equivalent of the Greek Chloris; in the "Primavera" Chloris is transformed into the figure of Flora next to her, following Ovid's "Fasti", but it is hard to see that such a transformation is envisaged here. However, the roses blown along with the two flying figures would be appropriate for Chloris. The subject is not strictly the "Birth of Venus", a title only given the painting in the nineteenth century (though given as the subject by Vasari), but the next scene in her story, where she arrives on land, blown by the wind. The land probably represents either Cythera or
St. Sebastian (Botticelli) St. Sebastian (Botticelli) St. Sebastian is a painting of the eponymous Christian saint by the Italian Renaissance painter Sandro Botticelli, executed in 1474 for the Church of Santa Maria Maggiore, Florence. It is housed in the Staatliche Museen of Berlin. Kenneth Clark considered this picture remarkable for its closeness to the spirit of harmonious repose found in classical sculpture: There are several reasons why for fifty years or more Donatello's "David" had no successors... Another is the inherent restlessness of the Florentine temperament. Apollo is static. His gestures are dignified and calm. But the Florentines loved movement, the more violent