TARDIS tight schedule, which led to Brachacki leaving the show due to disagreements with the production team and possibly a feeling that he had been given an impossible task. Despite his leaving the show and mixed reactions as to how the set looked (producer Verity Lambert liked it but director Waris Hussein did not), the basic design of the hexagonal console and wall roundels has persisted to the present day. In the Third Doctor serial "The Time Monster" (1972), the console room of the TARDIS was dramatically altered, including the wall roundels. This new set, designed by Tim Gleeson, was disliked
All That Heaven Allows would not allow it, as he wanted a more positive ending. Some exteriors for the film were shot on “Colonial Street,” a studio backlot built by Paramount Pictures on the property of Universal Studios four years earlier and used in the film "The Desperate Hours". The set was re-designed to mimic an upper-middle class, New England town. The film contains only one visible crane shot in which the camera scan over the fictional town of Stoningham, seen during the opening credits. Tracking and dollying shots are used frequently for interior shots. The set was later featured on the television series