The Birth of Venus to Botticelli's Florentine contemporary, and Lorenzo di Medici's court poet, Angelo Poliziano. The iconography of "The Birth of Venus" is similar to a description of a relief of the event in Poliziano's poem the "Stanze per la giostra", commemorating a Medici joust in 1475, which may also have influenced Botticelli, although there are many differences. For example Poliziano talks of multiple Horae and zephyrs. Older writers, following Horne, posited that "his patron Lorenzo di Pierfrancesco asked him to paint a subject illustrating the lines", and that remains a possibility, though one difficult to maintain so confidently today. Another poem by
Portrait of a Man with a Roman Medal a lake landscape: Memling was one of the first painters to use natural landscapes for backgrounds of portraits (instead of the traditional black one), influencing later Renaissance artists such as Sandro Botticelli and Pietro Perugino. The identity of the subject is unknown. It has been supposed that he could be one of the numerous Italians living at the time in Antwerp or Bruges, who often commissioned artworks to local painters. It has been variously identified as Bernardo Bembo, or with the Florentine artist Niccolò di Forzore Spinelli, who died in Lyon, where the painting was in the early 19th century.