History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
Nevillean theory of Shakespeare authorship Nevillean theory of Shakespeare authorship The Nevillean theory of Shakespeare authorship attributes the work of William Shakespeare to the English parliamentarian and diplomat Sir Henry Neville (1562 – 1615). It was first proposed in 2005 by Brenda James and William Rubinstein in their book "The Truth Will Out". James had set the 144 letters of the dedication to "Shakespeare’s Sonnets" (1609) in a grid of 12 vertical columns of 12 letters and performed various manipulations to find the name "Henry Nevell", a name that was unknown to her. Further investigation led her to Neville, who as ambassador to France (1600–01)