Sandro Botticelli at its most effective, emphasized by the soft continual contours and pastel colors. The "Primavera" and the "Birth" were both seen by Vasari in the mid-16th century at the Villa di Castello, owned from 1477 by Lorenzo di Pierfrancesco de' Medici, and until the publication in 1975 of a Medici inventory of 1499, it was assumed that both works were painted specifically for the villa. Recent scholarship suggests otherwise: the "Primavera" was painted for Lorenzo di Pierfrancesco's townhouse in Florence, and "The Birth of Venus" was commissioned by someone else for a different site. Botticelli painted only a small number
Sandro Botticelli especially, his workshop, and others apparently by unconnected artists. When interest in Botticelli revived in the 19th century, it was initially largely in his Madonnas, which then began to be forged on a considerable scale. In the "Magnificat Madonna" in the Uffizi (118 cm or 46.5 inches across, c. 1483), Mary is writing down the "Magnificat", a speech from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth, some months before the birth of Jesus. She holds the baby Jesus, and is surrounded by wingless angels impossible to