History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
Name of the Father Law' (Écrits), and the Symbolic Father is thus not an actual subject but a position in the Symbolic Order. By contrast the Imaginary Father is an imago, the composite of all the imaginary constructs that the subject builds up in fantasy around the figure of the father; and may be construed either as an ideal father or as the opposite, the bad father – what Slavoj Zizek referred to as "the "reverse" of the father, the "anal father" who lurks behind the Name-of-the-Father "qua" bearer of the symbolic law". As to the real father, Lacan stresses how "the ravaging effects