The Birth of Venus sea brings forth Venus just as the Virgin gives birth to the ultimate symbol of love, Christ. Rather than choosing one of the many interpretations offered for Botticelli's depiction of the "Birth (Arrival?) of Venus" it might be better to view it from a variety of perspectives. This layered approach—mythological, political, religious—was intended. Botticelli, or more likely his workshop, repeated the figure of Venus in another painting of about 1490. This life-sized work depicts a similar figure and pose, partially clad in a light blouse, and contrasted against a plain dark background. It is in the Galleria Sabauda in Turin.
Virgin and Child with the Infant St. John the Baptist (Botticelli) Virgin and Child with the Infant St. John the Baptist (Botticelli) The Virgin and Child with the Infant Saint John the Baptist is a tempera painting on wood executed by the Italian Renaissance master Sandro Botticelli and his studio (Bartolomeo di Giovanni or Raffaelino di'Carli). The tondo, painted in Florence between the years of 1490 and 1500, addresses a central theme of the Italian Renaissance art: the divine motherhood. The work is currently housed in the São Paulo Museum of Art. The iconography of the Madonna with the infant Jesus is one of the most recurrent themes throughout art history.