The Carnival of the Animals on 2 April at the home of Pauline Viardot with an audience including Franz Liszt, a friend of the composer, who had expressed a wish to hear the work. There were other private performances, typically for the French mid-Lent festival of , but Saint-Saëns was adamant that the work would not be published in his lifetime, seeing it as detracting from his "serious" composer image. He relented only for the famous cello solo "The Swan", which forms the penultimate movement of the work, and which was published in 1887 in an arrangement by the composer for cello and solo piano
The Man Who Wrote Frankenstein public, and for unknown reasons decided to attribute authorship to Mary Shelley, thus helping to begin a "hoax" that has persisted up to the present. Lauritsen maintains that revisions to "Frankenstein" made in 1823 and 1831 weakened the work, and that while it was ostensibly Mary Shelley who revised "Frankenstein" into its 1831 form, it may primarily have been revised by the political philosopher William Godwin. Lauritsen argues that handwriting alone cannot be used to determine the actual author of "Frankenstein". The drafts and manuscripts are incomplete and in the final stages. Moreover, portions of the novel were dictated by