Dido and Aeneas In a poem of about 1686, Tate alluded to James II as Aeneas, who is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original "Aeneid". It would be noble, or at least acceptable, for Aeneas to follow the decree of the Gods, but not so acceptable for him to be tricked by ill-meaning
Parallels between Virgil's Aeneid and Homer's Iliad and Odyssey of the "Aeneid" reveals a prophecy for Aeneas by the Sibyl of Cumae stating that a Latin-born Achilles, who is also the son of a goddess ("Aeneid", Book VI, lines 89–90), exists. There are many scholarly debates on who this Latin-born Achilles is, whether he is Aeneas, Turnus, or some other character, and if so, is the opponent symbolic of another character from the "Iliad"? If comparing Aeneas to Achilles and Turnus to Hector, several parallels can be drawn. One example is when Aeneas is absent from the battlefield, Turnus lays waste to the Trojan army, just as Hector did