The Exorcist (film series) search for the missing footage is "ongoing". An upcoming book titled "The Evolution Of William Peter Blatty's The Exorcist III: From Concept To Novel To Screen" by author Erik Kristopher Myers will reveal the whole story behind the film's development, and publish never-before-seen images, the original script, studio notes, various drafts of the story as it has evolved, and interviews with Blatty, Brad Dourif, Mark Kermode, John Carpenter, and many others associated with the film. Myers in an interview said that "The Exorcist III" "has sort of turned into horror genre’s equivalent to Orson Welles' "The Magnificent Ambersons", in that
The Exorcist (film) or "semi-subliminal". In an interview in a 1999 book about the film, "The Exorcist" author Blatty addressed the controversy by explaining that, "There are no subliminal images. If you can see it, it's not subliminal." The editing of the title sequence was the first major project for the film title designer Dan Perri. As a result of the success of "The Exorcist", Perri went on to design opening titles for a number of major films including "Taxi Driver" (1976), "Star Wars" (1977) and "Gangs of New York" (2002). Lalo Schifrin's working score was rejected by Friedkin. Schifrin had written six