TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
Woman in Blue Reading a Letter the quotidian, private moment becomes revealing of the human condition. The painting is unique among Vermeer's interiors in that no fragment of corner, wall or ceiling can be seen. Woman in Blue Reading a Letter Woman Reading a Letter () is a painting by the Dutch painter Johannes Vermeer. Part of the collection of the City of Amsterdam as part of the Van der Hoop bequest, it has been in the Rijksmuseum since its inception, and was thus the first Vermeer they acquired. The central element of the painting is a woman in blue standing in front of a window