Dido was buried. She left with those who hated or feared Pygmalion. None of these details contradicts Justin's epitome, but Virgil very much changes the import and many details of the story when he brings Aeneas and his followers to Carthage. (1.657f) Dido and Aeneas fall in love by the management of Juno and Venus, acting in concert, though for different reasons. (4.198f) When the rumour of the love affair comes to King Iarbas the Gaetulian, "a son of Jupiter Ammon by a raped Garamantian nymph", Iarbas prays to his father, blaming Dido who has scorned marriage with him yet now
Virgil the "Aeneid" in "Amores" 1.1.1–2, and his summary of the Aeneas story in Book 14 of the "Metamorphoses", the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the "Bellum Civile" has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic "Thebaid" engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine "Aeneid", but follow afar and ever venerate its footsteps." In