Dido, Queen of Carthage (opera) role of Anfossi's "Didone abbandonata" and had sung at the King's Theatre several times in the intervening years. The role of Aeneas was sung "en travesti" by the English soprano and stage actress, Anna Maria Crouch. Her lover and frequent stage partner, Michael Kelly, sang the tenor role of Iarbas. The pair had appeared in several earlier works by Storace, including "No song, no supper" (1790) and "The Siege of Belgrade" (1791) and would later appear in his comic opera "The Pirates". "Dido, Queen of Carthage" opened on 23 May 1792 at The King's Theatre and was scheduled to run
Virgil image of Turnus' soul lamenting as it flees to the underworld. Critics of the "Aeneid" focus on a variety of issues. The tone of the poem as a whole is a particular matter of debate; some see the poem as ultimately pessimistic and politically subversive to the Augustan regime, while others view it as a celebration of the new imperial dynasty. Virgil makes use of the symbolism of the Augustan regime, and some scholars see strong associations between Augustus and Aeneas, the one as founder and the other as re-founder of Rome. A strong teleology, or drive towards a climax,