The Birth of Venus Roman equivalent of the Greek Chloris; in the "Primavera" Chloris is transformed into the figure of Flora next to her, following Ovid's "Fasti", but it is hard to see that such a transformation is envisaged here. However, the roses blown along with the two flying figures would be appropriate for Chloris. The subject is not strictly the "Birth of Venus", a title only given the painting in the nineteenth century (though given as the subject by Vasari), but the next scene in her story, where she arrives on land, blown by the wind. The land probably represents either Cythera or
Lamentation over the Dead Christ (Botticelli, Milan) He does not apply the rules of naturalism to the painting. Instead, he focuses on his own personal preference of geometry. This very style of geometry had an influence on third generation renaissance painters to come. Sandro Botticelli was a second generation renaissance painter born Allesandro di Mariano Filipepi in 1445. His nickname was Botticelli meaning little barrel. The renaissance began in fourteenth century Italy. Dramatic changes in art, architecture, and sculpture took place during this time. Botticelli has been noted as one of the most powerful painters of the lyrical current. In his later works, Botticelli developed a more