The Birth of Venus adopted by Renaissance art historians in general, and it remains problematic, since it depends on the painting being commissioned by the Medici, yet the work is not documented in Medici hands until well into the following century. Mack sees the scene as inspired by both the Homeric Hymn and the ancient paintings. But something more than a rediscovered Homeric hymn was likely in the mind of the Medici family member who commissioned this painting from Botticelli. Once again, Botticelli, in his version of the Birth of Venus, might be seen as completing the task begun by his ancient predecessor Apelles,
Annunciation (Botticelli, Glasgow) of flooring that serve to demonstrate the perspective. The solemn architecture overlooks the figures. Annunciation (Botticelli, Glasgow) The Annunciation is a painting created by Italian Renaissance painter Sandro Botticelli. It is a tempera on panel and measures 49.5 cm tall and 58.5 cm wide. It is in the Kelvingrove Art Gallery and Museum in Glasgow, Scotland. Its date is not certain though a majority of the critics consider it early, noticing certain elements reminiscent of Verrocchio. Van Marle, however, dates it circa 1490. On the lower part there is a note that indicates that it came from the Florentine Church