The Birth of Venus sources and interpretations. Many art historians who specialize in the Italian Renaissance have found Neoplatonic interpretations, of which two different versions have been articulated by Edgar Wind and Ernst Gombrich, to be the key to understanding the painting. Botticelli represented the Neoplatonic idea of divine love in the form of a nude Venus. For Plato – and so for the members of the Florentine Platonic Academy – Venus had two aspects: she was an earthly goddess who aroused humans to physical love or she was a heavenly goddess who inspired intellectual love in them. Plato further argued that contemplation of
History of painting antiquity inspired a style of painting that emphasized the ideal. Artists such as Paolo Uccello, Masaccio, Fra Angelico, Piero della Francesca, Andrea Mantegna, Filippo Lippi, Sandro Botticelli, Leonardo da Vinci, Michelangelo Buonarroti, and Raphael took painting to a higher level through the use of perspective, the study of human anatomy and proportion, and through their development of an unprecedented refinement in drawing and painting techniques. A somewhat more naturalistic style emerged in Venice. Painters of the Venetian school, such as Giovanni Bellini, Giorgione, Titian, Tintoretto, and Veronese, were less concerned with precision in their drawing than with the richness of