Portrait of a Venetian Woman black-and pearl necklace and highly-fashionable patterned dress; all of which are highlighted against a flat black background. It is similar in pose and colour tone to his c 1507 "A German Woman from Venice", while at least two studies of Venetian women are known, both of which are very daring. One shows the model with a plunging neckline, the other with bare shoulders. During his visit to Italy Dürer became fascinated by and befriended Giovanni Bellini, an established master when Dürer was still a relative unknown outside of Germany. The Franconian artist's influence can be seen in this work's soft
Prasaṅgika according to Tsongkhapa all "arrive at the same intended point" of realization. However, they openly admit that this non-denominational position is very difficult to establish through reason. According to Tsongkhapa, if both people in a debate or discussion have a valid understanding of emptiness already, then autonomous syllogistic arguments could be quite effective. However, in a circumstance where one or both parties in a debate or discussion do not hold a valid understanding, "the debate [should be] founded on what the parties accept as valid. Hence, it is proper to refute opponents in terms of what they accept." In other words, it is