Dominic Frontiere where he enrolled at UCLA. He eventually became musical director at 20th Century Fox. He scored several films under the tutelage of Alfred and Lionel Newman, while also recording jazz music. An association with director and producer Leslie Stevens led to several projects, such as his innovative blend of music and sound effects for "The Outer Limits". He scored several iconic themes of the '60's such as "The Rat Patrol", "Branded", "The Flying Nun", and for producer Quinn Martin "The Invaders", "The Fugitive", and "Twelve O'Clock High". After scoring for TV shows, he went on to compose the music for
The Untouchables (1959 TV series) his crew involved in the capture of the Ma Barker gang, an incident in which the real-life Ness played no part. The producers agreed to insert a spoken disclaimer on future broadcasts of the episode stating that the FBI had primary responsibility for the Barker case. "The Untouchables" was an unusually violent program for its time and its excessive violence and surprisingly frank depictions of drug abuse and prostitution were described by the National Association for Better Radio and Television as "not fit for the television screen". In an article titled "The New Enemies of 'The Untouchables'" Ayn Rand argued