Dido, Queen of Carthage (opera) role of Anfossi's "Didone abbandonata" and had sung at the King's Theatre several times in the intervening years. The role of Aeneas was sung "en travesti" by the English soprano and stage actress, Anna Maria Crouch. Her lover and frequent stage partner, Michael Kelly, sang the tenor role of Iarbas. The pair had appeared in several earlier works by Storace, including "No song, no supper" (1790) and "The Siege of Belgrade" (1791) and would later appear in his comic opera "The Pirates". "Dido, Queen of Carthage" opened on 23 May 1792 at The King's Theatre and was scheduled to run
Political commentary of the Aeneid of Mars and a vestal virgin. According to the historian Livy, this vestal virgin's name was Rhea Silvia, who is described in Book I of the Aeneid as a descendant of Aeneas. Virgil establishes a stronger connection of Silvia to the Trojans by changing her name in the epic to Ilia. This new name connects her by its similarity to the name "Ilium", another name for the city of Troy, and because it is the feminine form of both Ilus (Aeneas' great-great-grandfather) and Ilus, the second name of Ascanius before the fall of Troy. Virgil also references Julius Caesar's claim