The Birth of Venus adopted by Renaissance art historians in general, and it remains problematic, since it depends on the painting being commissioned by the Medici, yet the work is not documented in Medici hands until well into the following century. Mack sees the scene as inspired by both the Homeric Hymn and the ancient paintings. But something more than a rediscovered Homeric hymn was likely in the mind of the Medici family member who commissioned this painting from Botticelli. Once again, Botticelli, in his version of the Birth of Venus, might be seen as completing the task begun by his ancient predecessor Apelles,
Portrait of a Lady Known as Smeralda Brandini "* The same Lady, here surrounded by the masque of Spring, is evidently the subject of a portrait by Botticelli formerly in the Pourtales collection in Paris. This portrait is inscribed "Smeralda Bandinelli"". Rossetti's suggestion that the portrait depicted the model Botticelli used for his "Spring" now seems unlikely. Portrait of a Lady Known as Smeralda Brandini The Portrait of Smeralda Brandini is a tempera on panel painting by the Italian Renaissance artist Sandro Botticelli of about 1475, in the Victoria and Albert Museum, London (museum no. CAI.100). The identification of the sitter is based on the old, but probably