The Birth of Venus sea brings forth Venus just as the Virgin gives birth to the ultimate symbol of love, Christ. Rather than choosing one of the many interpretations offered for Botticelli's depiction of the "Birth (Arrival?) of Venus" it might be better to view it from a variety of perspectives. This layered approach—mythological, political, religious—was intended. Botticelli, or more likely his workshop, repeated the figure of Venus in another painting of about 1490. This life-sized work depicts a similar figure and pose, partially clad in a light blouse, and contrasted against a plain dark background. It is in the Galleria Sabauda in Turin.
Calumny of Apelles (Botticelli) Calumny of Apelles (Botticelli) The Calumny of Apelles is a tempera panel painting by the Italian Renaissance painter Sandro Botticelli. Based on the description of an ancient lost painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence. The content of Apelles' painting, as described by Lucian, became popular in Renaissance Italy, and Botticelli was neither the first nor last Italian Renaissance artist to depict it. Leon Battista Alberti had praised it and recommended it as a subject for artists to recreate in his highly influential "De pictura" of 1435, and there were