The Carnival of the Animals on 2 April at the home of Pauline Viardot with an audience including Franz Liszt, a friend of the composer, who had expressed a wish to hear the work. There were other private performances, typically for the French mid-Lent festival of , but Saint-Saëns was adamant that the work would not be published in his lifetime, seeing it as detracting from his "serious" composer image. He relented only for the famous cello solo "The Swan", which forms the penultimate movement of the work, and which was published in 1887 in an arrangement by the composer for cello and solo piano
The Carnival of the Animals on the crowing of a rooster's Cock a Doodle Doo. Two pianos: the animals depicted here are quite obviously running, an image induced by the constant, feverishly fast up-and-down motion of both pianos playing scales in octaves. These are dziggetai, donkeys that come from Tibet and are known for their great speed. Strings and piano: a satirical movement which opens with a piano playing a pulsing triplet figure in the higher register. The strings play a slow rendition of the famous "Galop infernal" (commonly called the Can-can) from Offenbach's operetta "Orphée aux enfers" (Orpheus in the Underworld). Double bass and