The Phantom of the Opera (miniseries) Erik dies with his father and Christine at his side. Christine replaces Erik's mask and is led away by the Comte. Arthur Kopit had long been an admirer of Gaston Leroux's story, but felt that the horror premise had left out the possibility of a more compelling relationship between the two main characters. So he came up with a script in which the Phantom is a romantic hero, frightening only to those who would misuse the opera house wherein he dwells - and to those who would stand in the way of Christine's eventual rise to stardom. And he decided
Erik (The Phantom of the Opera) Holmes develops several theories as to the Phantom's identity. His first idea is that he is an employee of the Opera; however, when the Phantom's knowledge of the Opera becomes evident, Holmes then believes that he is Charles Garnier, having faked his own death. When Garnier's corpse is identified, Holmes then theorizes that the Phantom was Edouard LaFosse, the (fictional) assistant of Garnier who designed much of the Opera's interior and who allegedly died after a building collapse. Holmes theorizes that he did not die, but was merely disfigured and therefore took to hiding in the Opera. However, when Holmes