The Birth of Venus even surpassing him. Giving added support to this interpretation of Botticelli as a born-again Apelles is the fact that that very claim was voiced in 1488 by Ugolino Verino in a poem entitled "On Giving Praise to the History of Florence." While Botticelli might well have been celebrated as a revivified Apelles, his "Birth of Venus" also testified to the special nature of Florence's chief citizen, Lorenzo de' Medici. Although it now seems that the painting was executed for another member of the Medici family, it likely was intended to celebrate and flatter its head, Lorenzo de' Medici. Tradition associates
Portrait of a Man with a Medal of Cosimo the Elder resembles this. He is also sometimes claimed to be the subject of other Botticelli portraits, with completely different features (e.g. Pitti Palace, wearing a chaperon). The appearance at auction in 1982, from the Thomas Merton collection, of a rarely seen painting by Botticelli of a young man identified (with no real evidence) as Giovanni il Popolano in a similar pose, holding up a round medallion cut from a much older painting (albeit of a bearded saint, not Cosimo), has led to speculation that this might be a companion piece, and thus that the young man in this portrait is possibly