Crollalanza theory of Shakespeare authorship Crollalanza theory of Shakespeare authorship The Crollalanza theory of Shakespeare's identity posits that Shakespeare was an Italian called Michelangelo Florio a.k.a. "Crollalanza", whose mother's family name is variously given as Crollalanza or Scrollalanza ("shake-speare"). He is said to have emigrated to England where he became (or at least was responsible for the works attributed to) William Shakespeare supposedly of Stratford-upon-Avon. First proposed in the 1920s, at which time it was associated confusingly with the idea that the Elizabethan linguistic scholar John Florio or his father (another Michelangelo Florio) was involved in creating Shakespeare's works, the Crollalanza hypothesis has gone through
The Plays of William Shakespeare another in the dark." Raleigh then admitted that he "soon falls into the habit, when he meets with an obscure passage, of consulting Johnson's note before the others." T. S. Eliot wrote that "no poet can ask more of posterity than to be greatly honoured by the great; and Johnson's words about Shakespeare are great honour". Walter Jackson Bate, in his 1977 biography on Johnson, wrote: the edition of Shakespeare – viewed with historical understanding of what it involved in 1765 – could seem a remarkable feat; and we are not speaking of just the great "Preface" To see it