The Carnival of the Animals (the original uses two pianos). Saint-Saëns did specify in his will that the work should be published posthumously. Following his death in December 1921, the work was published by Durand in Paris in April 1922 and the first public performance was given on 25 February 1922 by Concerts Colonne (the orchestra of Édouard Colonne). "Carnival" has since become one of Saint-Saëns's best-known works, played by the original eleven instrumentalists, or more often with the full string section of an orchestra. Normally a glockenspiel substitutes for the rare glass harmonica. Ever popular with music teachers and young children, it is often
The Lives of Animals invention originating in the nineteenth century. She talks about the Hindu prohibition on harming animals and argues that compassion for animals can be found in many non-Western cultures throughout history. Anthropologist and University of Michigan professor Barbara Smuts takes as her starting point the near absence of any loving relationships between people and animals in Coetzee's novella. Smuts starts her reflection noting that, as a lonely old woman, Costello is likely to live with cats. But Costello never mentions any personal relationship with animals. As a scientist, Smuts, at one point in her work, followed a group of baboons with