TARDIS by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall. However, as fate would have it the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial. The TARDIS has at least two console rooms: the primary one most used throughout the programme's history, and the secondary console room used during Season 14 in 1976/77, which has wood panelling and a more antique feel to it. It had been designed to make shooting more comfortable for the camera crew.
Ways That Are Dark that while China's virtues will speak for themselves, "in appraising a stranger with whom we are to deal, it is important to know his shortcomings". In the first two chapters he describes the atrocious conditions he witnessed in China. Shanghai is depicted as a squalid, noisy, and polluted den of crime, poverty, and disease, and yet still comparatively wealthy compared to the rest of the country. The interior of the country is difficult to access due to lack of infrastructure, is mostly unsafe for travel, and is wracked constantly by famine and starvation. Townsend had asserted in chapter one that