Cultural views on the navel Early Japanese poems feature many references to the female navel. In some, the word "navel" actually refers to an indentation or hole instead of the belly button. The shape of the umbilicus of a newborn baby would be discussed at length. If a baby's navel points downward, the parents would brace themselves for a weakling child who will bring them woe. The thunder god Raijin, with his terrifying drums, great horns, and long tusks, was said to have an insatiable appetite for young navels, and mothers had to nag their youngsters constantly to keep themselves well covered up. Due to
Cultural views on the navel trikinis for beach or pool scenes. Japan has long had a special regard for the navel. During the early Jōmon period in northern Japan, three small balls indicating the breasts and navel were pasted onto flat clay objects to represent the female body. The navel was exaggerated in size, informed by the belief that the navel symbolizes the center of where life begins. On many middle Jomon figurines, the significance of the navel was emphasized with an indentation or hole. Sometimes, the importance of the navel was further enhanced by connecting with a line from the navel towards the chest.