The Big O (album) mobile studio truck that had all the gear in it and running the cords into the area in which they wanted to record in. Using this technique Orbison was able to achieve the polished studio sound his record label preferred in the most live sounding way possible. The orchestra was overdubbed in Nashville over the stereo two-track mix. While MGM chose not to release the album in North America, London-Decca opted to release it elsewhere in early 1970. All produced by Ron Randall, except for "Penny Arcade" (produced by Wesley Rose) arranged by Jim Hall The Big O (album) The
The Big O such settings but they just as likely end up becoming a killing ground. The series score is representative of its setting. While no classic "noir" possesses a jazz score, the music could be heard in nightclubs within the films. Roger's recurring theme, a lone saxophone accompaniment to the protagonist's narration, best exemplifies the "noir" stylings of the series. Amnesia is a common plot device in "film noir". Because most of these stories focused on a character proving his innocence, authors up the ante by making him an amnesiac, unable to prove his innocence even to himself. "The Big O" goes