Erik (The Phantom of the Opera) In the 2004 film adaptation of the musical, Erik's makeup was made to look much less gruesome than previous adaptations of the story. Instead of a skull-like face, his disfigurement resembles that of a mildly malformed face, which he covers with the mask. Film critic Roger Ebert noted that Butler was more "conventionally handsome" than his predecessors "in a GQ kind of way". Onscreen, Erik has often been cast as a tragic hero but also a tragic villain, depending on the film's point of view. "See main list: The Phantom of the Opera" Erik (The Phantom of the Opera) Erik
The Phantom of the Opera (1989 film) next morning in the papers, Christine is given a bad review by the famous opera critic E.A. Harrison, secretly done as a favor to Barton. Destler tracks Harrison down and brutally murders him in a Turkish spa after Harrison refuses to recant his review. Christine tearfully goes to the graveyard and prays at her father's grave. Destler appears as a shadowy violinist and offers her a chance at musical immortality if she will only go to him. Christine goes away with the Phantom in his stagecoach. Deep in the sewers below London’s opera house, Destler reveals himself as the composer