History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
Name of the Father that..."he's" part of something bigger too". For Lacan, that bigger context could be seen as "the chain of discourse...in which an entire family, an entire coterie, an entire camp, an entire nation or half the world will be caught". The internalisation of the Name of the Father with the passing of the Oedipus complex ensured for Lacan participation in that wider chain of discourse, and was for him an essential element of human sanity. Lacan distinguishes between the Symbolic, the Imaginary and the Real father: "It is in the "name of the father" that we must recognise the support of