Erik (The Phantom of the Opera) In the 2004 film adaptation of the musical, Erik's makeup was made to look much less gruesome than previous adaptations of the story. Instead of a skull-like face, his disfigurement resembles that of a mildly malformed face, which he covers with the mask. Film critic Roger Ebert noted that Butler was more "conventionally handsome" than his predecessors "in a GQ kind of way". Onscreen, Erik has often been cast as a tragic hero but also a tragic villain, depending on the film's point of view. "See main list: The Phantom of the Opera" Erik (The Phantom of the Opera) Erik
Phantom of the Opera (1943 film) return, along with Claude Rains as the Phantom, most likely meaning that his character survived the cave-in at the finale of the first film (indeed, in the final shot of the mask and violin atop the rubble, there is a sound of moving rock). The sequel, however, was later cancelled due to story troubles and problems concerning the availability of Claude Rains. "The Climax" was indeed released the year after "Phantom of the Opera", but it was not a continuation of the previous film and featured completely new characters. The film was nominated for four Academy Awards, winning in two