Erik (The Phantom of the Opera) other adaptations such as films, television shows, books, and musicals. One such popular literary adaptation is the Susan Kay novel "Phantom" (1990), a fictional in-depth story of Erik from the time of his birth to the end of his life at the Paris Opera House. For the most part, Kay's novel stays in context with Erik's life history as laid down by Leroux, however Kay (as explained in her Author's Note) changes and shapes the character to match her own vision, influenced by other adaptations besides the original. In addition, the ending/resolution is quite different from Leroux's. The story follows
Erik (The Phantom of the Opera) finally confronts the Phantom, he claims that he cannot speak without his mask, as his mother forced him to wear it whenever he wished to speak as a child, and he is not Edouard LaFosse. Holmes therefore admits that he is not sure how true any of the theories or claims of the Phantom's identity are. The Phantom never provides a given name in the novel; he only tells Christine that his name is "Nobody" (a reference to the name Odysseus gave Polyphemus in the "Odyssey"). Regardless of his identity, the Phantom in "The Canary Trainer" is much more unhinged