Planē (mythology) Planē (mythology) Planē or "Plane" (, pronounced "pla-neh"), in ancient Greek religion, was an abstract goddess, the personification of the concept of error (her name deriving from the Greek term for 'wandering' [see planet ] ). Though her mythology is obscure, it is known that she was present at the musical competition between the god Apollo and the satyr Marsyas. She is depicted in that scene, looking on in horror at the sight of Marsyas about to be flayed for losing, in a few 4th century mosaics in the House of Aion in Nea Paphos. Planē (or Plane) is also
Greek mythology libretti for many of Handel's and Mozart's operas. By the end of the 18th century, Romanticism initiated a surge of enthusiasm for all things Greek, including Greek mythology. In Britain, new translations of Greek tragedies and Homer inspired contemporary poets (such as Alfred Lord Tennyson, Keats, Byron and Shelley) and painters (such as Lord Leighton and Lawrence Alma-Tadema). Christoph Gluck, Richard Strauss, Jacques Offenbach and many others set Greek mythological themes to music. American authors of the 19th century, such as Thomas Bulfinch and Nathaniel Hawthorne, held that the study of the classical myths was essential to the understanding of