History of the Shakespeare authorship question theatre audiences, and Shakespeare's status as a "great writer" shifted. Dryden's sentiments about Shakespeare's matchless genius were echoed without a break by unstinting praise from writers throughout the 18th century. Shakespeare was described as a genius who needed no learning, was deeply original, and unique in creating realistic and individual characters (see Timeline of Shakespeare criticism). The phenomenon continued during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled
The Cambridge Shakespeare first quarto of "Henry V", quarto "King Lear", the "Richard III", the quarto of "Othello", the first quarto of "Romeo and Juliet", and "The Taming of a Shrew", an alternate version of "The Taming of the Shrew". The general editors of the series are Philip Brockbank (1984-1990) and Brian Gibbons (1990-present), with individual editors, or pairs of, assigned to cover separate plays and poetry. The Cambridge Shakespeare The Cambridge Shakespeare is a long-running series of critical editions of William Shakespeare's works published by Cambridge University Press. The name encompasses three distinct series: "The Cambridge Shakespeare" (1863–1866), "The New Shakespeare" (1921–1969),