Colley Cibber was not well received. In the middle of the play, he whispered to fellow actor Benjamin Victor that he wanted to go home, perhaps realising he was too old for the part and its physical demands. Cibber also essayed tragic parts in plays by Shakespeare, Ben Jonson, John Dryden and others, but with less success. By the end of his acting career, audiences were being entranced by the innovatively naturalistic acting of the rising star David Garrick, who made his London debut in the title part in a production of Cibber's adaptation of "Richard III" in 1741. He returned to
Colley Cibber day were jealous of their fame, self-promotion of such an overt sort was shocking, and Cibber offended Christian humility as well as gentlemanly modesty. Additionally, Cibber consistently fails to see fault in his own character, praises his vices, and makes no apology for his misdeeds; so it was not merely the fact of the autobiography, but the manner of it that shocked contemporaries. His diffuse and chatty writing style, conventional in poetry and sometimes incoherent in prose, was bound to look even worse in contrast to stylists like Pope. Henry Fielding satirically tried Cibber for murder of the English language