Ode to Joy himself regarded it as a failure later in his life, going so far as to call it "detached from reality" and "of value maybe for us two, but not for the world, nor for the art of poetry" in an 1800 letter to his long-time friend and patron Christian Gottfried Körner (whose friendship had originally inspired him to write the ode). The lines marked with * have been revised as follows: Academic speculation remains as to whether Schiller originally wrote an Ode to Freedom "(Ode an die Freiheit)" and changed it to an Ode to Joy. "... [T]he thought lies
The Creatures of Prometheus Beethoven exploiting instruments and coloristic orchestral effects that would never appear in his symphonies or serious dramatic overtures." Beethoven later based the fourth movement of his "Eroica" symphony and his Eroica Variations (piano) on the main theme of the last movement (Finale) of this ballet. The ballet requires the use of harp and basset-horn among the orchestral instruments. The Creatures of Prometheus The Creatures of Prometheus (), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given