The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
The Creation of the Violin symbolised by the violin, used here as a prototype for all music. This is a world of emotion and the evocation of emotion in others. The demonstration of something unprecedented combines visual and aural perceptions. "The Creation of the Violin" can also be interpreted as a combination of the male and the female in a world without desire. Psychoanalytically, it involves generativity and triangulation. From the male and the female, a third object is produced: music, which evokes joy or sorrow. The power of a musician (who evokes feelings) is quite different from the power of a king, who rules