20,000 Leagues Under the Sea: Submarine Voyage the cavern entrance simulating a surface storm, the Captain would order the submarine down into the depths as a precaution, and the guests enter the show building section of the attraction. Within minutes, the devastation such natural phenomenon can create was made clear with the ominous Graveyard Of Lost Ships, with shipwrecks from various centuries littering the sea bed, guarded by the silent, gliding figures of sharks. Leaving the destruction behind, the Nautilus would reach the North Pole, circumnavigating the Polar Ice Cap from below the surface, and narrowly avoiding large icebergs stabbing through the water. Venturing deeper, the Nautilus
The Fabulous World of Jules Verne Diabolic Tenant" (1909). Zeman freely used details from Méliès's style as inspiration; for example, the piston-powered steam engine and submarine in "Vynález zkázy" are creatively adapted variants of those in "The Impossible Voyage". Other possible cinematic sources include Fritz Lang's 1927 film "Metropolis", Sergei Eisenstein's 1925 film "Battleship Potemkin", and possibly even Stuart Paton's 1916 version of "20,000 Leagues Under the Sea". The film has long been noted for its unique visual style, which faithfully recreates that of the Victorian line engravings (by Édouard Riou, Léon Benett, and others) featured in the original editions of Verne's novels. According to Karel