The seamstress (A Tale of Two Cities) entire novel. Carton's last meaningful action in his life is to provide solace to the seamstress in her last moments, in which Dickens effectively continues his theme of redemption in the novel as Carton moves on to a supposed better life. Doris Y. Kadish describes the seamstress as "a humble heroine of the revolution," while "Lisa Robson (Modern Criticism, pp. 97-101) and other feminist critics draw on late-twentieth century studies of the role of women in the French Revolution to offer new perspectives on...the seamstress..." and Beth Harris writes that "the anonymous seamstress in "A Tale of Two Cities", who
A Tale of Two Cities (1911 film) film industry. The director Rex Ingram wrote in 1922: "In 1913, when I was studying drawings and sculpture at the Yale School of Fine Arts, a motion picture play, founded upon Charles Dickens' famous story "A Tale of Two Cities", came to New Haven. It followed in the wake of many cut and dried one-reel subjects, and while this picture was necessarily full of imperfections, common to all pioneer films, it marked a tremendous step ahead in the making of them...I left the theatre greatly impressed; absolutely convinced that it would be through the medium of the film play, to