Ode to Joy himself regarded it as a failure later in his life, going so far as to call it "detached from reality" and "of value maybe for us two, but not for the world, nor for the art of poetry" in an 1800 letter to his long-time friend and patron Christian Gottfried Körner (whose friendship had originally inspired him to write the ode). The lines marked with * have been revised as follows: Academic speculation remains as to whether Schiller originally wrote an Ode to Freedom "(Ode an die Freiheit)" and changed it to an Ode to Joy. "... [T]he thought lies
Symphony No. 8 (Beethoven) movement, in sonata rondo form that proceeds at a very fast tempo. (The metronome marking supplied by Beethoven himself is semibreve = 84.) This is the first symphonic movement in which the timpani are tuned in octaves, foreshadowing the similar octave-F tuning in the scherzo of the Ninth Symphony. Antony Hopkins quotes the entire opening theme of the finale “in order to emphasise the outrageous impropriety of the last roaring C sharp”: “All that precedes it is so delicate in texture, so nimble and light-footed.” Donald Tovey cites the abrupt intrusion of the C sharp as an example of Beethoven’s