Cultural influence of Gilbert and Sullivan societies performing the Gilbert and Sullivan works worldwide. It is not surprising, given the focus of Gilbert on politics, that politicians, cartoonists and political pundits have often found inspiration in these works. The phrase "A short, sharp shock," from the Act I song "I am so proud" in "The Mikado", has been used in political manifestos. Likewise "Let the punishment fit the crime," from the title character's Act II song, is particularly mentioned in the course of British political debates. Political humour based on Gilbert and Sullivan's style and characters continues to be written. In 1996, Virginia Bottomley, heritage secretary
Gilbert and Sullivan outright failure. Neither work entered the canon of regularly performed Gilbert and Sullivan works until the D'Oyly Carte Opera Company made the first complete professional recordings of the two operas in the 1970s. Gilbert had also offered Sullivan another libretto, "His Excellency" (1894), but Gilbert's insistence on casting Nancy McIntosh, his protege from "Utopia", led to Sullivan's refusal, and "His Excellency" was instead composed by F. Osmond Carr. Meanwhile, the Savoy Theatre continued to revive the Gilbert and Sullivan operas, in between new pieces, and D'Oyly Carte touring companies also played them in repertory. After "The Grand Duke", the partners