The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Symphony No. 7 (Beethoven) the first melody is resumed and elaborated upon in a strict fugato. The third movement is a scherzo in F major and trio in D major. Here, the trio (based on an Austrian pilgrims' hymn) is played twice rather than once. This expansion of the usual A–B–A structure of ternary form into A–B–A–B–A was quite common in other works of Beethoven of this period, such as his Fourth Symphony, "Pastoral Symphony", and String Quartet Op. 59 No. 2. The last movement is in sonata form. According to music historian Glenn Stanley, Beethoven "exploited the possibility that a string section can