The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Curse of the ninth "serious" music criticism. Though composers can indeed be found who died after achieving nine symphonies (the most famous example perhaps being Ludwig van Beethoven), nine is not a statistically predominant total in the history of the symphony. In addition, while some very prominent composers (e.g. Schubert, Dvořák, Spohr, Bruckner, Mahler, and Vaughan Williams) are regularly adduced as examples, several of them are only credited with having "composed nine symphonies" as a result of error or oversimplification (see below). According to Arnold Schoenberg, this superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote "Das Lied von der Erde",