The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
Machiavelli and the Four Seasons Niccolò Machiavelli. The unusual title stems from a conceit found throughout the cover, although not in the tracks themselves, that this is actually an album by a group called "Machiavelli and the Four Seasons". The liner notes include an essay on the band's music, written with gushing praise. Track titles are also given, entirely revolving around the words "I", "Love", "You" and "Baby". A hidden track at the end of the actual album, entitled "Phillip Glass's Arse", is a melodic, a cappella harmonised song that gives a representation of what Machiavelli and the Four Seasons might actually sound like. TISM