The Creation (Haydn) handywork of God".) The unusual intensity of the ending may be the result of Haydn's piling of coda upon coda, each occurring at a point where the music seems about to end. "End of the fourth day." Part II celebrates the creation of sea creatures, birds, animals, and lastly, man. No. 14. Und Gott sprach: Es bringe das Wasser in der Fülle hervor Recitative for soprano (Genesis 1:20), leading into: No. 15. Auf starkem Fittiche schwinget sich der Adler stolz Aria for soprano in F major, celebrating the creation of birds. The species mentioned are the eagle, the lark, the
The Creation of the Violin symbolised by the violin, used here as a prototype for all music. This is a world of emotion and the evocation of emotion in others. The demonstration of something unprecedented combines visual and aural perceptions. "The Creation of the Violin" can also be interpreted as a combination of the male and the female in a world without desire. Psychoanalytically, it involves generativity and triangulation. From the male and the female, a third object is produced: music, which evokes joy or sorrow. The power of a musician (who evokes feelings) is quite different from the power of a king, who rules