The Apostles (Elgar) the disciples of Jesus and their reactions to the extraordinary events they witness. Despite arranging the commission in December 1901, Elgar paid little attention to "The Apostles "until July 1902, when he had finished composing and rehearsing his "Coronation Ode", Op. 44. Elgar's planning of the libretto included a long immersion in theological writings, as well as Wagner's sketch for "Jesus von Nazareth", and Henry W. Longfellow's poem "The Divine Tragedy". He assembled his libretto from verses of scripture, as had been the pattern for many of the most influential oratorios, including Handel's "Messiah" (1741) and Mendelssohn's "Elijah" (1836). After
The Boy Who Heard Music The Boy Who Heard Music The Boy Who Heard Music is a rock opus that began life as an Internet novella written by musician and songwriter Pete Townshend. Townshend wrote in the foreword to the novella that he typically sketches out his opera in this way to lay out the plots and storylines, but in this case he published the material on an Internet blog site in 2005 and 2006, opening an interactive discussion with readers. The work was later released as a maxi-single and album by The Who and adapted as a rock opera. The story covers a period