The Apostles (Elgar) the disciples of Jesus and their reactions to the extraordinary events they witness. Despite arranging the commission in December 1901, Elgar paid little attention to "The Apostles "until July 1902, when he had finished composing and rehearsing his "Coronation Ode", Op. 44. Elgar's planning of the libretto included a long immersion in theological writings, as well as Wagner's sketch for "Jesus von Nazareth", and Henry W. Longfellow's poem "The Divine Tragedy". He assembled his libretto from verses of scripture, as had been the pattern for many of the most influential oratorios, including Handel's "Messiah" (1741) and Mendelssohn's "Elijah" (1836). After
Vocation of the Apostles Moses and those of Christ, as a sign of continuity between the Old and the New Testament. A continuity also between the divine law of the Tables and the message of Jesus, who, in turn, chose Peter (the first alleged bishop of Rome) as his successor: this would finally result in a legitimation of the latter's successors, the popes of Rome. Two frescoes are certainly by Ghirlandaio, the "Vocation of the Apostles" and the "Resurrection", which was repainted in the late 16th century due to extensive damage. A third, "The Crossing of the Red Sea", in the "Stories of Moses"