Zur Namensfeier day in 1814, he was unable to finish it in time, so he set aside work on it until the following spring. The theme at the beginning is related to that which he used to set Schiller's Ode to Joy in his Ninth Symphony nine years later. In spite of its late opus number, it is a middle-period composition. Beethoven used ideas which he had sketched between 1810 and 1814; his earliest "late period" compositions are usually dated to 1816. Zur Namensfeier Zur Namensfeier (French: "", English: "Feastday" or "Name day"), Op. 115, is a symphonic overture in C major
Ode to Psyche odes." To Harold Bloom, the last lines of Keats's ode "rivals any as an epitome of the myth-making faculty". He elaborates further on this when he writes, "The poem "Ode to Psyche" is unique, and also central, for its art is a natural growth out of nature, based as it is upon a very particular act of consciousness, which Keats arrests in all its concreteness." Ode to Psyche "Ode to Psyche" is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes, which include "Ode on a Grecian Urn" and "Ode to