The Bible in film religious epics produced as vehicles for its biggest stars. "Samson and Delilah" was the biggest moneymaking movie of 1949 and is considered the picture that sparked the biblical-epic film craze of the 1950s. It was followed by two of 1951’s biggest box-office hits, "Quo Vadis" and "David and Bathsheba". Charlton Heston starred in Cecil B. DeMille's "The Ten Commandments" and "Ben-Hur". According to author Diane Apostolos-Cappadona, in the 1950s and 1960s, during the era of the production code, "the most acceptable cinematic path for movies to incorporate sex and violence was the biblical epic". Basing a film on the Bible
Beatrice deMille scandalous Evelyn Nesbit had attended and the school as "guilty by association". Beatrice recovered rapidly by taking on even more writers including her sons. Cecil B de Mille credits his mother with teaching him to write and direct. Beatrice was a deal maker and she introduced her son to Jesse Lasky and his production grew to be Paramount Pictures. The company would produce her son's silent epics. She moved to California in 1914 and she is credited with launching the careers of actor Victor Moore who appeared in her son's films and screen writer Beulah Marie Dix. Over the next