The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
The Creation of the Violin violin remains in the forest until it is found and taken by a travelling gypsy. In both tales, the violinist makes his audience laugh and cry. Creation tales are typical of mythology, and this is one of the few fairy tales which describe the creation of a musical instrument. Others are the Hungarian fairy tale, "The Violin", and the story of the Mongolian "morin khuur". Both differ significantly from the Transylvanian tale. In Greek mythology, the creation of the pan flute by Pan and Syrinx is a well-known example. interpreted the fairy tale in a hermeneutical analysis of modern audiences.