The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Atlanta Symphony Orchestra label several works by composer Osvaldo Golijov. One of the orchestra and chorus's best-known recordings, of Beethoven's Ninth Symphony conducted by Robert Shaw, was recorded for the now defunct Pro Arte label, and is out of print, though excerpts from the "Ode to Joy" fourth movement may be found in anthologies issued on the Reference Gold and Classical Heritage labels. Another of the ASO's recordings now out-of-print because it was recorded for the Pro Arte label is that of Brahms's Piano Concerto No. 1, with Peter Serkin as soloist and Robert Shaw conducting. It is one of the few recordings