Mozart's Twelfth Mass, K. Anh. 232 Mozart's Twelfth Mass, K. Anh. 232 Mozart's Twelfth Mass, once a top seller among the liturgical compositions published by Vincent Novello in the 19th century, is a work no longer attributed to Wolfgang Amadeus Mozart. Köchel rejected the attribution to Mozart in the Anhang (appendix) of the first edition of his catalogue of Mozart's works, there listed as K. Anh. 232, and in later editions as K. Anh. C1.04. The mass was published in 1819 as No. 12 in Novello's series of masses by Mozart, which is the origin of its name. Simrock was the first to publish the mass
19th-century London one of the most ambitious public works projects undertaken in 19th century London. It transformed the appearance of the riverside between Chelsea and Blackfriars and consists of three different sections: the Victoria Embankment, constructed between 1864 and 1870, the Albert Embankment (1866-70), and the Chelsea Embankment (1871-74). The embankments protected low lying areas along the Thames from flooding, provided a more attractive prospect of the river compared to the mudflats and boatyards which abounded previously, and created prime reclaimed land for development. The Victoria Embankment was the most ambitious: it concealed a massive interceptor sewage tunnel, which channeled waste from