South Pacific (musical) cracker stereotype – she's lovable ... But how can we love a racist?" Most argues that even Emile is tainted by racism, as his lifestyle is dependent on the maintenance of a system whereby he benefits from underpaid native labor – Bloody Mary is able to attract workers to make grass skirts for sale to GIs because, as she puts it, "French planters stingy bastards!" Nellie Forbush, in her journey from Little Rock, Arkansas, to serving as a Navy nurse and on to the domesticity of the final scene of "South Pacific", parallels the experience of many American women of
Nellie Mae Rowe the Guerilla Girls, an anonymous group of feminist, female artists, recognized Nellie Mae Rowe along the ranks of the Frida Kahlo, Edmonia Lewis, and Georgia O'Keeffe. And finally, in 1999, the American Folk Art Museum mounted "The Art of Nellie Mae Rowe: Ninety-Nine and Half Won't Do." In 2014, The High Museum of Art in Atlanta, showed “Nellie Mae Rowe: At Night Things Come to Me.” ""I don't know what he put me here for, but he got me here for something 'cause I don't draw like nobody. You speak one way, but I come on and say it different.