South Pacific (musical) of her portrayal of Nellie Forbush ... who is so shocked to find her early racial prejudices cropping up. Hers is a completely irresistible performance." When "South Pacific" opened in London in November 1951, the reviews were mixed. London's "Daily Express" praised the music but disliked other elements of that show, writing, "We got a 42nd Street "Madame Butterfly", the weakest of all the Hammerstein-Rodgers musicals. The "Daily Mail" suggested, "The play moved so slowly between its songs that it seemed more like "South Soporific"." "The Times" applauded the songs but indicated that "before the end the singing and the
False protagonist but then are replaced early in the show's run by another character entirely. When the series is viewed as a whole, this can lead to the appearance of a false protagonist. In video games, a false protagonist may initially be a playable character, only to be killed or revealed to be the antagonist. One key way in which video games employ the method that differs from uses in non-interactive fiction is by granting the player direct control over the false protagonist. Since most video games allow a player to control only the main characters (and their success or failure is