The Story of Gilbert and Sullivan time to take a triumphant curtain call before the enthusiastic crowd. Nevertheless, Sullivan is unhappy writing comic opera. When Gilbert proposes a new piece involving the device of a magic lozenge, Sullivan objects that he wants to devote himself to serious music. Sullivan's friend, critic Joseph Bennett, writes a libretto for a cantata based on Henry Wadsworth Longfellow's "The Golden Legend". Meanwhile, Gilbert, inspired by the sight of a Japanese sword hanging in his study, proposes a new plot, and Sullivan begins work. When Bennett goes to see Sullivan, he finds that "The Mikado" is being rehearsed instead of his
The Gilbert and Sullivan Light Opera Company of Long Island Company stalwarts Al Grand, Bob Tartell and Elaine Lerner, and directed by Sally Buckstone, what eventually became the Gilbert & Sullivan Yiddish Light Opera Company of Long Island developed Der Yiddisher Pinafore, Di Yam Gazlonim and Der Yiddisher Mikado, Yiddish versions of the beloved “Big Three” Savoy operas. Touring nationally and internationally, it marked out a unique corner of the Gilbert & Sullivan universe and made it its own. Two landmarks defined the 1990s for the Company: One was the development of the Gilbert & Sullivan Light Opera Orchestra of Long Island, under the direction first of founding music director