Fosca (opera) Fosca (opera) Fosca is an opera seria in four acts by Brazilian composer Antônio Carlos Gomes to an Italian-language libretto by Antonio Ghislanzoni based on 's 1869 novel "La festa delle Marie". The opera premiered at La Scala in Milan on February 16, 1873. It was a failure because of a dispute between lovers of bel canto and supporters of Wagnerian music-drama. Gomes revised it in 1877, and the premiere of the new version (this time described as a melodramma) on February 7, 1878, also at La Scala, was a success. Since then, performances of the opera, mostly in Brazil,
La Scala orchestra pit had not yet been built. Above the boxes, La Scala has a gallery—called the "loggione"—where the less wealthy can watch the performances. The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures. For their failures, artists receive a "baptism of fire" from these aficionados, and fiascos are long remembered. For example, in 2006, tenor Roberto Alagna was booed off the stage during a performance of "Aida". This forced his understudy, Antonello Palombi, to quickly replace him mid-scene without time to change