The Seasons (Haydn) France or French people; Haydn in fact had friendly relationships with French musicians (see, e.g. Paris symphonies). Rather, Haydn was probably referring to an earlier attempt by van Swieten to persuade him to set the croaking of the frogs by showing him a work by the French composer André Grétry that likewise included frog-croaking. Although the work has always attracted far less attention than "The Creation", it nonetheless has been strongly appreciated by critics. Charles Rosen calls both oratorios "among the greatest works of the century", but judges "The Seasons" to be the musically more successful of the two. Daniel
The Seasons (Cage) built on the Indian concept of seasons: winter is associated with quiescence, spring with creation, summer with preservation and fall with destruction. The Finale is a reprise of the first Prelude, symbolizing the cyclical nature of seasons. As in the majority of Cage's compositions from the 1940s, the music of "The Seasons" is based on a predefined proportion. In this case the proportion is 2, 2, 1, 3, 2, 4, 1, 3, 1, and it governs not only the construction of individual movements, but also the proportions of the entire work, roughly defining the relative lengths of the movements. The