The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Symphony No. 1 (Beethoven) the real key (or home key) of the symphony. In correlation to the tradition, however, the first movement is composed exemplarily in sonata form. Here, as a new element, Beethoven uses the more lyrical second subject to display and intertwine the woodwind with the string instruments. The development is elaborate and mainly based on the first subject of the movement and explores a long harmonic progression (starting from A major, reaching F major, passing F major at the end); it also refines the juxtaposition and combination of the orchestral instruments (woodwinds and strings); the recapitulation is almost coherent with the