Gilbert and Sullivan ancestor and the device of the ghostly ancestors stepping out of their portraits. When "Ruddigore" closed, no new opera was ready. Gilbert again proposed a version of the "lozenge" plot for their next opera, and Sullivan reiterated his reluctance to set it. While the two men worked out their artistic differences, and Sullivan finished other obligations, Carte produced revivals of such old favourites as "H.M.S. Pinafore", "The Pirates of Penzance", and "The Mikado". "The Yeomen of the Guard" (1888), their only joint work with a serious ending, concerns a pair of strolling players—a jester and a singing girl—who are caught
Gilbert and Sullivan began to play parlour music at home and more theatres and concert halls opened. In 1874, Gilbert wrote a short libretto on commission from producer-conductor Carl Rosa, whose wife would have played the leading role, but her death in childbirth cancelled the project. Not long afterwards, Richard D'Oyly Carte was managing the Royalty Theatre and needed a short opera to be played as an afterpiece to Offenbach's "La Périchole". Carte knew about Gilbert's libretto for Rosa and suggested that Sullivan write a score for it. Gilbert read the piece to Sullivan in February 1875, and the composer was delighted with