La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches
Philadelphia La Scala Opera Company the 1925-1926 season including Gaetano Donizetti's "Lucia di Lammermoor" (with Rosalinda Rudko-Morini in the title role, Giuseppe Reschiglian as Edgardo, and Emanuel Nugnez as Enrico), Giuseppe Verdi's "Aida" (with Alice Eversman in the title role and Bernardo de Muro as Radames), Verdi's "Rigoletto", "Cavalleria rusticana" (with Emilia Vergeri as Santuzza), and "Pagliacci" (with Nicola Zerola as Canio) among others. After its first season, Francesco Pelosi was appointed General Manager and Artistic Director of the company in 1926. For the second season the company was renamed the Philadelphia La Scala Grand Opera Company which it performed under until 1938 when the