The Creation (Haydn) of Eve is usually sung by the same soloist who sings Gabriel. This was the practice Haydn followed, but some conductors prefer to cast each of the five roles with a different soloist. The choral singers are employed in a series of monumental choruses, several of them celebrating the end of one particular day of creation. The orchestra often plays alone, notably in the episodes of tone painting: the appearance of the sun, the creation of various beasts, and above all in the overture, the famous depiction of the Chaos before the creation. The oratorio is structured in three parts.
The Creation of the Violin symbolised by the violin, used here as a prototype for all music. This is a world of emotion and the evocation of emotion in others. The demonstration of something unprecedented combines visual and aural perceptions. "The Creation of the Violin" can also be interpreted as a combination of the male and the female in a world without desire. Psychoanalytically, it involves generativity and triangulation. From the male and the female, a third object is produced: music, which evokes joy or sorrow. The power of a musician (who evokes feelings) is quite different from the power of a king, who rules