Choral symphony Choral symphony A choral symphony is a musical composition for orchestra, choir, and sometimes solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphonic musical form. The term "choral symphony" in this context was coined by Hector Berlioz when he described his "Roméo et Juliette" as such in his five-paragraph introduction to that work. The direct antecedent for the choral symphony is Ludwig van Beethoven's Ninth Symphony. Beethoven's Ninth incorporates part of the "Ode an die Freude" ("Ode to Joy"), a poem by Friedrich Schiller, with text sung by soloists and chorus in the last
Symphony No. 3 (Beethoven) that Mozart and Beethoven each coincidentally heard and learned the theme from elsewhere. Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution. In autumn of 1804, Beethoven withdrew his dedication of the third symphony to Napoleon, lest it cost him the composer's fee paid him by a noble patron; so, Beethoven re-dedicated his third symphony to Prince Joseph Franz Maximilian Lobkowitz – nonetheless, despite such a bread-and-butter consideration, the politically idealistic Beethoven titled the work "Buonaparte". Later, about the composer's response to Napoleon having proclaimed himself Emperor