The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Symphony No. 8 (Beethoven) C from the opening finally gets an "explanation": “and now it appears that Beethoven has held that note in reserve, wherewith to batter at the door of some immensely distant key. Out bursts the theme then, in F sharp minor.” A few bars later, there is a stunning modulation in which this key is "hammered down" by a semitone, arriving instantaneously at the home key of F major. The symphony ends in good humour on a very long passage of loud tonic harmony. Tchaikovsky called this movement, "One of the greatest symphonic masterpieces of Beethoven." Symphony No. 8 (Beethoven) The