Gilbert and Sullivan is more often heard than the original overture by Clarke. Toye's "Pirates" overture, however, did not last long and is now presumed lost. Sir Malcolm Sargent devised a new ending for the overture to "The Gondoliers", adding the "cachucha" from the second act of the opera. This gave the "Gondoliers" overture the familiar fast-slow-fast pattern of most of the rest of the Savoy Opera overtures, and this version has competed for popularity with Sullivan's original version. Gilbert and Sullivan operas have been translated into many languages, including Portuguese, Yiddish, Hebrew, Swedish, Dutch, Danish, Estonian, Hungarian, Russian, Japanese, French, Italian, Spanish
Gilbert and Sullivan many of which were familiar from European opera (and some of which grew out of Gilbert's earlier association with the German Reeds): the heroic protagonist (tenor) and his love-interest (soprano); the older woman with a secret or a sharp tongue (contralto); the baffled lyric baritone—the girl's father; and a classic villain (bass-baritone). Gilbert and Sullivan added the element of the comic patter-singing character. With the success of "H.M.S. Pinafore", the D'Oyly Carte repertory and production system was cemented, and each opera would make use of these stock character types. Before "The Sorcerer", Gilbert had constructed his plays around the established