Cecil B. DeMille Christian and Jewish heritage to convey a message of tolerance. "The Crusades" was the first film to show accord between Christians and Muslims. DeMille received more than a dozen awards from Jewish religious and cultural groups, including B’nai B’rith. In 1954, he was seeking approval for a lavish remake of his 1923 silent film "The Ten Commandments". He went before the Paramount board of directors, which was mostly Jewish-American. The members rejected his proposal, even though his last two films, "Samson and Delilah" and "The Greatest Show on Earth", had been record-breaking hits. Adolph Zukor, the chairman of the board,
Agnes de Mille the most widely known dance form at this time, and de Mille's apparent lack of ability limited her opportunities. She taught herself from watching film stars on the set with her father in Hollywood; these were more interesting for her to watch than perfectly turned out legs, and she developed strong character work and compelling performances. One of de Mille's earliest jobs, thanks to her father's connections, was choreographing the Cecil B. DeMille film "Cleopatra" (1934). DeMille's dance director LeRoy Prinz clashed with the younger de Mille. Her uncle always deferred to Prinz, even after agreeing to his niece's dances