Friedrich Schiller van Beethoven said that a great poem is more difficult to set to music than a merely good one because the composer must rise higher than the poet – "who can do that in the case of Schiller? In this respect Goethe is much easier," wrote Beethoven. There are relatively few famous musical settings of Schiller's poems. Notable exceptions are Beethoven's setting of "An die Freude" ("Ode to Joy") in the final movement of his Ninth Symphony, Johannes Brahms' choral setting of "Nänie" and "Des Mädchens Klage" by Franz Schubert, who set 44 of Schiller's poems as Lieder, mostly for
Symphony No. 9 (Beethoven) of the first movement, a pattern also found in the "Hammerklavier" piano sonata, written a few years earlier. At times during the piece, Beethoven specifies one downbeat every three measures—perhaps because of the fast tempo—with the direction "ritmo di tre battute" (rhythm of three beats) and one beat every four measures with the direction "ritmo di quattro battute" (rhythm of four beats). Beethoven had been criticized before for failing to adhere to standard Classical form for his compositions. He used this movement to answer his critics. Normally, a scherzo is in triple time. Beethoven wrote this piece in triple time