The Bible in film religious epics produced as vehicles for its biggest stars. "Samson and Delilah" was the biggest moneymaking movie of 1949 and is considered the picture that sparked the biblical-epic film craze of the 1950s. It was followed by two of 1951’s biggest box-office hits, "Quo Vadis" and "David and Bathsheba". Charlton Heston starred in Cecil B. DeMille's "The Ten Commandments" and "Ben-Hur". According to author Diane Apostolos-Cappadona, in the 1950s and 1960s, during the era of the production code, "the most acceptable cinematic path for movies to incorporate sex and violence was the biblical epic". Basing a film on the Bible
Agnes de Mille in advance, and Agnes de Mille left the film. De Mille graduated from UCLA with a degree in English where she was a member of Kappa Alpha Theta sorority, and in 1933 moved to London to study with Dame Marie Rambert, eventually joining Rambert's company, The Ballet Club, later Ballet Rambert, and Antony Tudor's London Ballet. De Mille began her association with the fledgeling American Ballet Theatre (then called the Ballet Theatre) in 1939, but her first significant work, "Rodeo" (1942) with the score by Aaron Copland, was staged for the Ballet Russe de Monte Carlo. Although de Mille continued