Violin Concerto No. 7 (Mozart) to the insertion of new works bearing the numbers K. 271b to K. 271H in the catalogue. He believed that the work was based on a rough sketch of a violin concerto by Mozart from 1777, but states that the original form of the work cannot easily be reconstructed. The uncharacteristic number of passages for the solo violin in the high register, in "pizzicato" (in the second movement), and in double stops in tenths were considered by Einstein to be 19th-century additions. Friedrich Blume, on the other hand, was firmly in favour of the work's authenticity, stating that "not one
Term Catalogue omitting many; and refusing all under 1sh[illing] [in] Price; hath occasioned the Printing of this Catalogue: wherein those defects are rectified. Collected by, and printed for, the Booksellers of "London". A comparison of the numbers of titles listed in the late 17th and early 18th century term catalogues and numbers the English Short Title Catalogue provides justification for these complaints. The 161 catalogues printed between 1668 and 1711 show an increase in the number of titles. The average catalogue listed 109 books under 10 headings. Some catalogues had up to 13 headings; the minimum was six in the small catalogue