Cultural influence of Gilbert and Sullivan societies performing the Gilbert and Sullivan works worldwide. It is not surprising, given the focus of Gilbert on politics, that politicians, cartoonists and political pundits have often found inspiration in these works. The phrase "A short, sharp shock," from the Act I song "I am so proud" in "The Mikado", has been used in political manifestos. Likewise "Let the punishment fit the crime," from the title character's Act II song, is particularly mentioned in the course of British political debates. Political humour based on Gilbert and Sullivan's style and characters continues to be written. In 1996, Virginia Bottomley, heritage secretary
Gilbert and Sullivan of the opera. In 1880, Sullivan's cantata "The Martyr of Antioch" premiered at the Leeds Triennial Music Festival, with a libretto modified by Gilbert from an 1822 epic poem by Henry Hart Milman concerning the 3rd century martyrdom of St. Margaret of Antioch. Sullivan became the conductor of the Leeds festival beginning in 1880 and conducted the performance. The Carl Rosa Opera Company staged the cantata as an opera in 1898. "Patience" (1881) satirised the aesthetic movement in general and its colourful poets in particular, combining aspects of Algernon Charles Swinburne, Dante Gabriel Rossetti, Oscar Wilde, James McNeill Whistler and