Gilbert and Sullivan is more often heard than the original overture by Clarke. Toye's "Pirates" overture, however, did not last long and is now presumed lost. Sir Malcolm Sargent devised a new ending for the overture to "The Gondoliers", adding the "cachucha" from the second act of the opera. This gave the "Gondoliers" overture the familiar fast-slow-fast pattern of most of the rest of the Savoy Opera overtures, and this version has competed for popularity with Sullivan's original version. Gilbert and Sullivan operas have been translated into many languages, including Portuguese, Yiddish, Hebrew, Swedish, Dutch, Danish, Estonian, Hungarian, Russian, Japanese, French, Italian, Spanish
Cultural influence of Gilbert and Sullivan a tremendous debt to Gilbert and Sullivan, who introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century. According to theatre writer John Bush Jones, Gilbert and Sullivan were "the primary progenitors of the twentieth century American musical" in which book, music and lyrics combine to form an integrated whole, and they demonstrated "that musicals can address contemporary social and political issues without sacrificing entertainment value". Gilbert's complex rhyme schemes and satirical lyrics served as a model for Edwardian musical comedy writers such as Adrian Ross and Owen Hall, and for such