Symphony, K. 19b (Mozart) symphonies K. 16 and K. 19 (strings, 2 oboes, and 2 horns). In his third edition of the Köchel catalogue, he dated it to early 1765 in London, and opined that the incipit showed the influence of J. C. Bach's symphonies. His remarks were copied unchanged by the sixth edition of the Köchel catalogue. Neal Zaslaw agreed that the opening was characteristic of J. C. Bach in his book "Mozart's Symphonies", but questioned if this was a legitimate method of dating works, given that the seven symphonies of J. C. Bach beginning in this march-like way were written later than
19th century Scott; the Irish Oscar Wilde; the Americans Edgar Allan Poe, Ralph Waldo Emerson, and Mark Twain; and the French Victor Hugo, Honoré de Balzac, Jules Verne, Alexandre Dumas and Charles Baudelaire. The Realism and Romanticism of the early 19th century gave way to Impressionism and Post-Impressionism in the later half of the century, with Paris being the dominant art capital of the world. In the United States the Hudson River School was prominent. 19th-century painters included: Sonata form matured during the Classical era to become the primary form of instrumental compositions throughout the 19th century. Much of the music from