Symphony, K. 19b (Mozart) symphonies K. 16 and K. 19 (strings, 2 oboes, and 2 horns). In his third edition of the Köchel catalogue, he dated it to early 1765 in London, and opined that the incipit showed the influence of J. C. Bach's symphonies. His remarks were copied unchanged by the sixth edition of the Köchel catalogue. Neal Zaslaw agreed that the opening was characteristic of J. C. Bach in his book "Mozart's Symphonies", but questioned if this was a legitimate method of dating works, given that the seven symphonies of J. C. Bach beginning in this march-like way were written later than
Catalogue of Works in Refutation of Methodism ever written, and remains the only compilation of books written from a primarily anti-Methodist perspective. An otherwise virtually unknown individual, the only evidence which suggests that the author Decanver ever existed was the publication of his "Catalogue" in 1846. He was self-evidently opposed to the doctrines of Methodism, a branch of Protestant Christianity which emerged from the teachings of John Wesley in 18th century England, and in 1846 compiled the catalogue under the full title of Catalogue of Works in Refutation of Methodism: from its Origin in 1729, to the Present Time: of Those by Methodist Authors on Lay-Representation, Methodist