The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
Chaos and Creation in the Backyard BBC, Daryl Easlea described "Chaos and Creation" as "Very, very good", and added: "'Riding To Vanity Fair', 'Too Much Rain', 'Anyway' and 'How Kind Of You' are full of subtle nuances, killer hooks and sweet surprises. They really do rank among his very best work." In "The New York Times", Jon Pareles wrote that McCartney's return to a multi-instrumentalist role "makes the songs more intimate and less conventional", while remarking of the project: "Sir Paul chose a producer who favored the experimental side: Nigel Godrich … Sir Paul also lined up his best backup band since the Beatles: himself." In