Zur Namensfeier day in 1814, he was unable to finish it in time, so he set aside work on it until the following spring. The theme at the beginning is related to that which he used to set Schiller's Ode to Joy in his Ninth Symphony nine years later. In spite of its late opus number, it is a middle-period composition. Beethoven used ideas which he had sketched between 1810 and 1814; his earliest "late period" compositions are usually dated to 1816. Zur Namensfeier Zur Namensfeier (French: "", English: "Feastday" or "Name day"), Op. 115, is a symphonic overture in C major
Curse of the ninth had to wait a further 13 years for its first performance). Still another case is that of Louis Spohr, who wrote and completed a tenth symphony and then withdrew it. After Mahler, some composers used as examples of the curse include: Kurt Atterberg, Elie Siegmeister, Alfred Schnittke, Roger Sessions, Egon Wellesz, Ralph Vaughan Williams, Peter Mennin, Malcolm Arnold and David Maslanka. However, many of these examples have elements which tend to work against the superstition: Schnittke wrote his Ninth and last symphony with his left hand while virtually paralysed and unable to speak from a series of strokes; the authenticity