The Seasons (Haydn) comparable to that of "The Creation". In the years that followed, Haydn continued to lead oratorio performances for charitable causes, but it was usually "The Creation" that he led, not "The Seasons". The aging Haydn lacked the energy needed to repeat the labor of self-publication that he had undertaken for "The Creation" and instead assigned the new oratorio to his regular publisher at that time, Breitkopf & Härtel, who published it in 1802. "The Seasons" is written for a fairly large late-Classical orchestra, a chorus singing mostly in four parts, and three vocal soloists, representing archetypal country folk: Simon (bass),
The Creation of the Violin symbolised by the violin, used here as a prototype for all music. This is a world of emotion and the evocation of emotion in others. The demonstration of something unprecedented combines visual and aural perceptions. "The Creation of the Violin" can also be interpreted as a combination of the male and the female in a world without desire. Psychoanalytically, it involves generativity and triangulation. From the male and the female, a third object is produced: music, which evokes joy or sorrow. The power of a musician (who evokes feelings) is quite different from the power of a king, who rules