Choral Fantasy (Beethoven) the "Choral Fantasy" text – universal fraternity with the meeting of arts – evokes similar feelings as the "Ode to Joy" text. Beethoven himself acknowledged the kinship of the two works. In a letter of 1824, when he was writing the Ninth Symphony, he described his project as "a setting of the words of Schiller's immortal "Lied an die Freude" in the same way as my pianoforte fantasia with chorus, but on a far grander scale." The "Choral Fantasy" theme is itself taken from earlier work by Beethoven: it is a slightly modified version of the composer's "Gegenliebe", a lied
Symphony No. 3 (Beethoven) ends with a coda, which takes image on all previous sections and variations of the movement. At the end of the coda, there is a surprise, which is when the dynamic changes from "pp" to "ff" all of a sudden as the tempo abruptly changes to presto. A flurry of sforzandos appear, and the finale ends with three large E-flat major chords on the tutti, marked "fff". Beethoven began composing the third symphony soon after Symphony No. 2 in D major, Opus 36 and completed the composition in early 1804. The first public performance of Symphony No. 3 was on