Gilbert and Sullivan change the characters, which Sullivan found artificial and lacking in "human interest and probability", as well as being too similar to their earlier opera, "The Sorcerer". As dramatised in the film "Topsy-Turvy", the author and composer were at an impasse until 8 May 1884, when Gilbert dropped the lozenge idea and agreed to provide a libretto without any supernatural elements. The story focuses on a "cheap tailor," Ko-Ko, who is promoted to the position of Lord High Executioner of the town of Titipu. Ko-Ko loves his ward, Yum-Yum, but she loves a musician, who is really the son of the
Gilbert and Sullivan English language (even if not originated by Gilbert), such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one". The operas have influenced political style and discourse, literature, film and television, have been widely parodied by humorists, and have been quoted in legal rulings. The American and British musical owes a tremendous debt to G&S, who were admired and copied by early musical theatre authors and composers such as Ivan Caryll, Adrian Ross, Lionel Monckton, P. G. Wodehouse, Guy Bolton, and Victor Herbert, and later Jerome