The Creation (Haydn) of tone painting, perhaps an inspiration to Haydn's own pervasive use of this device in "The Creation". The text of "The Creation" has a long history. The three sources are Genesis, the Biblical book of Psalms, and John Milton's "Paradise Lost". In 1795, when Haydn was leaving England, the impresario Johann Peter Salomon (1745–1815) who had arranged his concerts there handed him a new poem entitled "The Creation of the World". This original had been offered to Handel, but the old master had not worked on it, as its wordiness meant that it would have been 4 hours in length
Music for the Requiem Mass the actual Roman Catholic liturgy, are often composed as one movement. Musico-thematic relationships among movements within a Requiem can be found as well. Beginning in the 18th century and continuing through the 19th, many composers wrote what are effectively concert works, which by virtue of employing forces too large, or lasting such a considerable duration, prevent them being readily used in an ordinary funeral service; the requiems of Gossec, Berlioz, Verdi, and Dvořák are essentially dramatic concert oratorios. A counter-reaction to this tendency came from the Cecilian movement, which recommended restrained accompaniment for liturgical music, and frowned upon the use