Gilbert and Sullivan and "Ruddigore", which were less successful than the seven other operas from "H.M.S. Pinafore" to "The Gondoliers", Sullivan asked to leave the partnership, saying that he found Gilbert's plots repetitive and that the operas were not artistically satisfying to him. While the two artists worked out their differences, Carte kept the Savoy open with revivals of their earlier works. On each occasion, after a few months' pause, Gilbert responded with a libretto that met Sullivan's objections, and the partnership was able to continue successfully. In April 1890, however, during the run of "The Gondoliers", Gilbert challenged Carte over the expenses
Gilbert and Sullivan a composer of comic opera—that a musical knight should not stoop below oratorio or grand opera. Sullivan, despite the financial security of writing for the Savoy, increasingly viewed his work with Gilbert as unimportant, beneath his skills, and repetitious. Furthermore, he was unhappy that he had to simplify his music to ensure that Gilbert's words could be heard. But paradoxically, in February 1883, just after "Iolanthe" opened, Sullivan had signed a five-year agreement with Gilbert and Carte requiring him to produce a new comic opera on six months' notice. "Princess Ida" (1884) spoofed women's education and male chauvinism and continued