Opera rarely performed in translation. Exceptions include the English National Opera, the Opera Theater of St. Louis, Opera Theater of Pittsburgh, and Opera South East, which favor English translations. Another exception are opera productions intended for a young audience, such as Humperdinck's "Hansel and Gretel" and some productions of Mozart's "The Magic Flute". Outside the US, and especially in Europe, most opera houses receive public subsidies from taxpayers. In Milan, Italy, 60% of La Scala's annual budget of €115 million is from ticket sales and private donations, with the remaining 40% coming from public funds. In 2005, La Scala received 25%
Fedora (opera) however, operatic tastes had changed, and the opera became performed more sporadically. The 1990s saw a resurgence of interest in "Fedora", with new productions at the Vienna Staatsoper, La Scala, New York's Metropolitan Opera, Chicago Lyric Opera, the Royal Opera House, Covent Garden, the Washington National Opera and the Teatro Colón in Buenos Aires. Notable singers in post-1990 productions include Mirella Freni, Renata Scotto, Agnes Baltsa, Katia Ricciarelli, and Maria Guleghina as Fedora; and Plácido Domingo, José Carreras, and José Cura as Loris. Among "Fedora's" most recent performances are those at the Vienna Staatsoper in 2003, La Scala in 2004,