The Seasons (Haydn) – whether they are two separate works or an enormous religious diptych. Van Swieten, at any rate, was certainly keen to follow up on the former's success with another large-scale pictorial work in a similar vein, and some authors have seen the two oratorios as constituting the first and second act of a metaphorical 'vast sacred opera'. The Seasons (Haydn) The Seasons (German: "Die Jahreszeiten"), Hob. XXI:3), is an oratorio by Joseph Haydn, first performed in 1801. Haydn was led to write "The Seasons" by the great success of his previous oratorio "The Creation" (1798), which had become very popular
Music for the Requiem Mass the actual Roman Catholic liturgy, are often composed as one movement. Musico-thematic relationships among movements within a Requiem can be found as well. Beginning in the 18th century and continuing through the 19th, many composers wrote what are effectively concert works, which by virtue of employing forces too large, or lasting such a considerable duration, prevent them being readily used in an ordinary funeral service; the requiems of Gossec, Berlioz, Verdi, and Dvořák are essentially dramatic concert oratorios. A counter-reaction to this tendency came from the Cecilian movement, which recommended restrained accompaniment for liturgical music, and frowned upon the use