Molly Bloom Bloom and Stephen Dedalus. Molly's physicality is often contrasted with the intellectualism of the male characters, Stephen Dedalus in particular. Joyce's novel presented the action with numbered "episodes" rather than named chapters. Most critics since Stuart Gilbert, in his "James Joyce's Ulysses", have named the episodes and they are often called chapters. The final chapter is referred to as "Penelope", after Molly's mythical counterpart. In the course of the monologue, Molly accepts Leopold into her bed, frets about his health, and then reminisces about their first meeting and about when she knew she was in love with him. The final
False protagonist False protagonist In fiction, a false protagonist is a literary technique, often used to make the plot more jarring or more memorable by fooling the audience's preconceptions, that constructs a character who the audience assumes is the protagonist but is later revealed not to be. A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e. making them a lesser character, a character who leaves the story,