Molly Bloom Bloom and Stephen Dedalus. Molly's physicality is often contrasted with the intellectualism of the male characters, Stephen Dedalus in particular. Joyce's novel presented the action with numbered "episodes" rather than named chapters. Most critics since Stuart Gilbert, in his "James Joyce's Ulysses", have named the episodes and they are often called chapters. The final chapter is referred to as "Penelope", after Molly's mythical counterpart. In the course of the monologue, Molly accepts Leopold into her bed, frets about his health, and then reminisces about their first meeting and about when she knew she was in love with him. The final
Molly Bloom is hard to distinguish between a chunk of one of Nora's letters and a chunk of Molly's final monologue". Some research also points to another possible model for Molly in Amalia Popper, one of Joyce's students to whom he taught English while living in Trieste. Amalia Popper was the daughter of a Jewish businessman named Leopoldo Popper, who had worked for a European freight forwarding company (Adolf Blum & Popper) founded in 1875 in its headquarters in Hamburg by Adolf Blum, after whom Leopold Bloom was named. In the (now published) manuscript "Giacomo Joyce", are images and themes Joyce used