The Story of Gilbert and Sullivan time to take a triumphant curtain call before the enthusiastic crowd. Nevertheless, Sullivan is unhappy writing comic opera. When Gilbert proposes a new piece involving the device of a magic lozenge, Sullivan objects that he wants to devote himself to serious music. Sullivan's friend, critic Joseph Bennett, writes a libretto for a cantata based on Henry Wadsworth Longfellow's "The Golden Legend". Meanwhile, Gilbert, inspired by the sight of a Japanese sword hanging in his study, proposes a new plot, and Sullivan begins work. When Bennett goes to see Sullivan, he finds that "The Mikado" is being rehearsed instead of his
National Gilbert & Sullivan Opera Company Players, Charles Court Opera, and the festival's own National Gilbert & Sullivan Opera Company. In 1995, the operators of the International Gilbert and Sullivan Festival formed an opera company to provide festivalgoers with professional productions of the Savoy operas. The company was soon called the Gilbert & Sullivan Opera Company. It engaged such performers as Richard Suart, Simon Butteriss, Bruce Graham, Gillian Knight, Barry Clark, Michael Rayner, Jill Pert, Gareth Jones, Patricia Leonard, Donald Maxwell, Oliver White, Rebecca Bottone, Ian Belsey and the Opera Babes. John Owen Edwards, David Russell Hulme, David Steadman or Andrew Nicklin have usually served as