Gilbert and Sullivan and institutions more freely by clothing them in superficial Japanese trappings. Gilbert wrote, "The Mikado of the opera was an imaginary monarch of a remote period and cannot by any exercise of ingenuity be taken to be a slap on an existing institution." G. K. Chesterton compared it to Jonathan Swift's "Gulliver's Travels": "Gilbert pursued and persecuted the evils of modern England till they had literally not a leg to stand on, exactly as Swift did... I doubt if there is a single joke in the whole play that fits the Japanese. But all the jokes in the play fit
Gilbert and Sullivan used to an offending menial." As scholar Andrew Crowther has explained: Things soon degraded, a legal hearing was held, and Sullivan supported Carte by making an affidavit erroneously stating that there were minor legal expenses outstanding from a battle Gilbert had in 1884 with Lillian Russell. On 5 May 1890, Gilbert had written to Sullivan: "The time for putting an end to our collaboration has at last arrived." Gilbert later asked Sullivan to say he had been mistaken in his affidavit, but Sullivan refused. Gilbert felt it was a moral issue, and could not look past it. Sullivan felt that