The Story of Gilbert and Sullivan time to take a triumphant curtain call before the enthusiastic crowd. Nevertheless, Sullivan is unhappy writing comic opera. When Gilbert proposes a new piece involving the device of a magic lozenge, Sullivan objects that he wants to devote himself to serious music. Sullivan's friend, critic Joseph Bennett, writes a libretto for a cantata based on Henry Wadsworth Longfellow's "The Golden Legend". Meanwhile, Gilbert, inspired by the sight of a Japanese sword hanging in his study, proposes a new plot, and Sullivan begins work. When Bennett goes to see Sullivan, he finds that "The Mikado" is being rehearsed instead of his
Gilbert and Sullivan statements had been hurtful to his partners. Nevertheless, the partnership had been so profitable that, after the financial failure of the Royal English Opera House, Carte and his wife sought to reunite the author and composer. In late 1891, after many failed attempts at reconciliation, Gilbert and Sullivan's music publisher, Tom Chappell, stepped in to mediate between two of his most profitable artists, and within two weeks he had succeeded, eventually leading to two further collaborations between Gilbert and Sullivan. "Utopia, Limited" (1893), their penultimate opera, was a very modest success, and their last, "The Grand Duke" (1896), was an