A Tale of Two Cities (1935 film) French Revolution and deals with two men who are alike, not only in appearance, but in their love for the same woman. The film is generally regarded as the best cinematic version of Dickens' novel. On the eve of the French Revolution, Lucie Manette (Elizabeth Allan) is informed that her father (Henry B. Walthall) is not dead, but has been a prisoner in the Bastille for many long years before finally being released. She travels to Paris to take her father to her home in England. Dr. Manette has been taken care of by a friend, Ernest Defarge (Mitchell Lewis),
A Tale of Two Cities the end of the novel, Dickens foresees a resurrected social order in France, rising from the ashes of the old one. Hans Biedermann writes that water "is the fundamental symbol of all the energy of the unconscious—an energy that can be dangerous when it overflows its proper limits (a frequent dream sequence)." This symbolism suits Dickens's novel; in "A Tale of Two Cities", the frequent images of water stand for the building anger of the peasant mob, an anger that Dickens sympathizes with to a point, but ultimately finds irrational and even animalistic. Early in the book, Dickens suggests this