Choral Fantasy (Beethoven) the "Choral Fantasy" text – universal fraternity with the meeting of arts – evokes similar feelings as the "Ode to Joy" text. Beethoven himself acknowledged the kinship of the two works. In a letter of 1824, when he was writing the Ninth Symphony, he described his project as "a setting of the words of Schiller's immortal "Lied an die Freude" in the same way as my pianoforte fantasia with chorus, but on a far grander scale." The "Choral Fantasy" theme is itself taken from earlier work by Beethoven: it is a slightly modified version of the composer's "Gegenliebe", a lied
Symphony No. 9 (Beethoven) second in G major, the third in E major, the fourth in F major, and the fifth in B major. The final variation is twice interrupted by episodes in which loud fanfares from the full orchestra are answered by octaves by the first violins. A prominent French horn solo is assigned to the fourth player. A typical performance lasts about 16 minutes. The famous choral finale is Beethoven's musical representation of universal brotherhood based on the 'Ode to Joy' theme and is in theme and variations form. \new Score { </score> The movement starts with an introduction in which musical