La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches
La Scala orchestra pit had not yet been built. Above the boxes, La Scala has a gallery—called the "loggione"—where the less wealthy can watch the performances. The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures. For their failures, artists receive a "baptism of fire" from these aficionados, and fiascos are long remembered. For example, in 2006, tenor Roberto Alagna was booed off the stage during a performance of "Aida". This forced his understudy, Antonello Palombi, to quickly replace him mid-scene without time to change