Choir choral works, though not as numerous as his works for other media, stand out as some of his greatest (such as the "Great" Mass in C minor and Requiem in D minor, the latter of which is often considered the greatest Requiem Mass of all time). Haydn became more interested in choral music near the end of his life following his visits to England in the 1790s, when he heard various Handel oratorios performed by large forces; he wrote a series of masses beginning in 1797 and his two great oratorios "The Creation" and "The Seasons". Beethoven wrote only two
Chaos and Creation in the Backyard BBC, Daryl Easlea described "Chaos and Creation" as "Very, very good", and added: "'Riding To Vanity Fair', 'Too Much Rain', 'Anyway' and 'How Kind Of You' are full of subtle nuances, killer hooks and sweet surprises. They really do rank among his very best work." In "The New York Times", Jon Pareles wrote that McCartney's return to a multi-instrumentalist role "makes the songs more intimate and less conventional", while remarking of the project: "Sir Paul chose a producer who favored the experimental side: Nigel Godrich … Sir Paul also lined up his best backup band since the Beatles: himself." In