Violin Concerto No. 7 (Mozart) to the insertion of new works bearing the numbers K. 271b to K. 271H in the catalogue. He believed that the work was based on a rough sketch of a violin concerto by Mozart from 1777, but states that the original form of the work cannot easily be reconstructed. The uncharacteristic number of passages for the solo violin in the high register, in "pizzicato" (in the second movement), and in double stops in tenths were considered by Einstein to be 19th-century additions. Friedrich Blume, on the other hand, was firmly in favour of the work's authenticity, stating that "not one
Reșița works the last quarter of the 19th century. For decades, the two complemented each other within the same integrated factory. Until 1855, the works belonged to the Treasury of what had become the Austrian Empire, which exercised control through the Banat Mining Directorate in Oraviţa. By 1815, they were producing cast iron pieces coming directly from the furnaces, rods forged from iron, hoops for cart wheels, tools, nails and utensils for agricultural and home use. In 1855, with the empire facing financial crisis and looking to sell, the works were bought by an international consortium, the Imperial Royal Privileged Austrian State