Choral Fantasy (Beethoven) a rather troubled one; according to the composer's secretary, Anton Schindler, it "simply fell apart," a result most likely attributable to insufficient rehearsal time. Because of a mistake in the execution of the piece, it was stopped half way through and restarted. In Ignaz von Seyfried's words: The work includes a sequence of variations on a theme that is widely felt to be an early version of a far better known variation theme, namely the one to which Beethoven set the words of Friedrich Schiller's "Ode to Joy" in his Ninth Symphony. The two themes are compared below. \new Score
Symphony No. 3 (Beethoven) ends with a coda, which takes image on all previous sections and variations of the movement. At the end of the coda, there is a surprise, which is when the dynamic changes from "pp" to "ff" all of a sudden as the tempo abruptly changes to presto. A flurry of sforzandos appear, and the finale ends with three large E-flat major chords on the tutti, marked "fff". Beethoven began composing the third symphony soon after Symphony No. 2 in D major, Opus 36 and completed the composition in early 1804. The first public performance of Symphony No. 3 was on