The Apostles (Elgar) the disciples of Jesus and their reactions to the extraordinary events they witness. Despite arranging the commission in December 1901, Elgar paid little attention to "The Apostles "until July 1902, when he had finished composing and rehearsing his "Coronation Ode", Op. 44. Elgar's planning of the libretto included a long immersion in theological writings, as well as Wagner's sketch for "Jesus von Nazareth", and Henry W. Longfellow's poem "The Divine Tragedy". He assembled his libretto from verses of scripture, as had been the pattern for many of the most influential oratorios, including Handel's "Messiah" (1741) and Mendelssohn's "Elijah" (1836). After
Music of the United Kingdom inspiration from continental Europe as it developed into modern classical music. The Baroque era in British music can be seen as one of an interaction of national and international trends, sometimes absorbing continental fashions and practices and sometimes attempting, as in the creation of ballad opera, to produce an indigenous tradition. However, arguably the most significant British composer of the era, George Frideric Handel, was a naturalised German, who helped integrate British and continental music and define the future of the classical music of the United Kingdom that would be officially formed in 1801. Musical composition, performance and training in