Christ on the Mount of Olives (Beethoven) of the orchestra and chorus at its premiere. He panned Huber's libretto, saying, in an 1824 letter to the Gesellschaft für Musikfreunde, "Let us leave out of consideration "the value" of poems of this sort. We all know that allowances are to be made... so far as I am concerned, I would rather set Homer, Klopstock, Schiller to music. If they offer difficulties to overcome, "these immortal poets" at least are worthy of it." (Beethoven eventually did set Schiller to music in his monumental Ninth Symphony, nearly twenty years later.) The editors at Breitkopf & Härtel agreed with Beethoven's critical
Symphony No. 8 (Beethoven) C from the opening finally gets an "explanation": “and now it appears that Beethoven has held that note in reserve, wherewith to batter at the door of some immensely distant key. Out bursts the theme then, in F sharp minor.” A few bars later, there is a stunning modulation in which this key is "hammered down" by a semitone, arriving instantaneously at the home key of F major. The symphony ends in good humour on a very long passage of loud tonic harmony. Tchaikovsky called this movement, "One of the greatest symphonic masterpieces of Beethoven." Symphony No. 8 (Beethoven) The