Köchel catalogue Horn Concerto No. 1, K. (412+514)/386b. In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing. Köchel's 551-page catalogue was titled "Chronologisch-thematisches Verzeichnis sämmtlicher Tonwerke W. A. Mozarts" ("Chronological-thematic Catalogue of the Complete Musical Works of W. A. Mozart"). Köchel attempted to arrange the works in chronological order, but many compositions written before 1784 could only be estimated, although Leopold Mozart had compiled a partial list of his
John Field (composer) were influenced by these works, which are particularly notable for their central movements, frequently nocturne-like. Some of the less known works were also historically important: particularly the piano fantasies, in which Field pioneered the Romantic large scale episodic structure. None of his piano sonatas, and only two of his 7 piano concertos, have a formal slow movement. In performance, Field would interpolate an existing nocturne in a related key or improvise one. This list is arranged according to Hopkinson numbers, introduced in the 1961 catalogue by Cecil Hopkinson. Many of these works were arranged for other instruments and (or) revised