Violin Concerto No. 7 (Mozart) to the insertion of new works bearing the numbers K. 271b to K. 271H in the catalogue. He believed that the work was based on a rough sketch of a violin concerto by Mozart from 1777, but states that the original form of the work cannot easily be reconstructed. The uncharacteristic number of passages for the solo violin in the high register, in "pizzicato" (in the second movement), and in double stops in tenths were considered by Einstein to be 19th-century additions. Friedrich Blume, on the other hand, was firmly in favour of the work's authenticity, stating that "not one
Catalogue of Works in Refutation of Methodism is itself divided further, the first group of works representing those called "Anti-Methodistical", the second group listed under "Methodist Authors" (being by Methodist authors themselves), the third called "Miscellaneous", and the last group listed as "Political". Catalogue of Works in Refutation of Methodism Catalogue of Works in Refutation of Methodism: from its Origin in 1729, to the Present Time (often referred to as Catalogue of Works in Refutation of Methodism) is the title of an antiquarian bibliography or catalogue first published in America in 1846 by the 19th century author Curtis H. Cavender, who compiled the work under the anagrammatic