Opus number developed other catalogue-number systems; among them the "Bach-Werke-Verzeichnis" (BWV-number), and the "Köchel-Verzeichnis" (K- and KV -numbers) with which are organised the works of Johann Sebastian Bach and Wolfgang Amadeus Mozart, respectively. In the classical period, the Latin word "opus" ("work", "labour") was used to identify, list, and catalogue a work of art. By the 15th and 16th centuries, the word "opus" was used by Italian composers to denote a specific musical composition, and by German composers for collections of music. In compositional practise, numbering musical works in chronological order dates from 17th century Italy, especially Venice. In common usage, the
19th century in science a cube twice the volume of a given cube, nor to construct a square equal in area to a given circle. Mathematicians had vainly attempted to solve all of these problems since the time of the ancient Greeks. On the other hand, the limitation of three dimensions in geometry was surpassed in the 19th century through considerations of parameter space and hypercomplex numbers. In the later 19th century, Georg Cantor established the first foundations of set theory, which enabled the rigorous treatment of the notion of infinity and has become the common language of nearly all mathematics. Cantor's set theory,