Ludwig van Beethoven Napoleon's imperial ambitions became clear, Beethoven took hold of the title page of his Third Symphony and scratched the name Bonaparte out so violently that he made a hole in the paper. He later changed the work's title to "Sinfonia Eroica, composta per festeggiare il sovvenire d'un grand'uom" ("Heroic Symphony, composed to celebrate the memory of a great man"), and he rededicated it to his patron, Prince Joseph Franz von Lobkowitz, at whose palace it was first performed. The fourth movement of his Ninth Symphony features an elaborate choral setting of Schiller's Ode "An die Freude" ("Ode to Joy"), an
Symphony No. 4 (Beethoven) the first movement, which Leonard Bernstein described as a "mysterious introduction which hovers around minor modes, tip-toeing its tenuous weight through ambiguous unrelated keys and so reluctant to settle down into its final B major." Hector Berlioz was so enamoured of the symphony's 2nd movement that he claimed it was the work of the Archangel Michael, and not that of a human. Robert Schumann called Beethoven's graceful Fourth Symphony "a slender Greek maiden between two Norse giants" (i.e., the more ponderous 3rd and 5th). According to musicologist Robert Greenberg of the San Francisco Conservatory of Music: Symphony No. 4 (Beethoven)