The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Anthem of Europe the words for the choral movement of Ludwig van Beethoven's 9th Symphony. In 1971 the Parliamentary Assembly of the Council of Europe decided to propose adopting the prelude to the "Ode to Joy" from Beethoven's 9th Symphony as the European anthem, taking up a suggestion made by Richard von Coudenhove-Kalergi in 1955. Beethoven was generally seen as the natural choice for a European anthem. The Committee of Ministers of the Council of Europe officially announced the European Anthem on 19 January 1972 at Strasbourg: the prelude to "Ode to Joy", 4th movement of Ludwig van Beethoven's 9th symphony. In 1974