Tintin and the Blue Oranges new kidnappers evidently had no use for the Thom(p)son twins, as they are discovered still tied up (much to the Captain's enjoyment). Snowy discovers an "agal" belonging to one of the Arab kidnappers, and Tintin realises that the rich Emir of Sakali (who had courted Bianca Castafiore earlier in the film) was the same man as the Arab enemy described by Professor Zalamea. The rich Emir of Sakali's yacht is moored up at the docks, so Tintin and the Captain try to rescue the Professors. Unfortunately, the Professors have been drugged, and their loud voices raise the alarm and Tintin
Tintin in the Congo the final scene. Literary critic Tom McCarthy concurred that Tintin represented the Belgian state, but also suggested that he acted as a Christian missionary, even being "a kind of god" akin to the character of Kurtz in Joseph Conrad's "Heart of Darkness" (1899). McCarthy compared the scene where Tintin exposes Muganga as a fraud to that in which the character of Prospero exposes the magician in William Shakespeare's "The Tempest". In the late 20th and early 21st centuries, several campaigners and writers characterised "Tintin in the Congo" as racist due to its portrayal of the Congolese as infantile and stupid.