Symphony No. 9 (Beethoven) unity in which every part is based on either the main theme, the "Seid umschlungen" theme, or some combination of the two. Indeed, Rosen also notes that the movement can also be analysed as a set of variations and simultaneously as a concerto sonata form with double exposition (with the fugato acting both as a development section and the second tutti of the concerto). The text is largely taken from Schiller's "Ode to Joy", with a few additional introductory words written specifically by Beethoven (shown in italics). The text, without repeats, is shown below, with a translation into English. The
Symphony No. 9 (Beethoven) time, he instructed the singers and musicians to ignore the almost totally deaf Beethoven. At the beginning of every part, Beethoven, who sat by the stage, gave the tempos. He was turning the pages of his score and beating time for an orchestra he could not hear. There are a number of anecdotes about the premiere of the Ninth. Based on the testimony of the participants, there are suggestions that it was underrehearsed (there were only two full rehearsals) and rather scrappy in execution. On the other hand, the premiere was a great success. In any case, Beethoven was not