The seamstress (A Tale of Two Cities) entire novel. Carton's last meaningful action in his life is to provide solace to the seamstress in her last moments, in which Dickens effectively continues his theme of redemption in the novel as Carton moves on to a supposed better life. Doris Y. Kadish describes the seamstress as "a humble heroine of the revolution," while "Lisa Robson (Modern Criticism, pp. 97-101) and other feminist critics draw on late-twentieth century studies of the role of women in the French Revolution to offer new perspectives on...the seamstress..." and Beth Harris writes that "the anonymous seamstress in "A Tale of Two Cities", who
A Tale of Two Cities (1911 film) the production of which the laws that govern the fine arts had been applied, that a universal understanding and appreciation of art finally would be reached." Due to the film's enormous success, Vitagraph reissued "A Tale of Two Cities" in 1913. A Tale of Two Cities (1911 film) A Tale of Two Cities is a 1911 silent film produced by Vitagraph Studios, loosely based on the 1859 novel by Charles Dickens. The film's three reels were respectively released on February 21, 24, and 25, 1911. Many film exhibitors at this time were hesitant to screen pictures of more than one