Cecil B. DeMille Christian and Jewish heritage to convey a message of tolerance. "The Crusades" was the first film to show accord between Christians and Muslims. DeMille received more than a dozen awards from Jewish religious and cultural groups, including B’nai B’rith. In 1954, he was seeking approval for a lavish remake of his 1923 silent film "The Ten Commandments". He went before the Paramount board of directors, which was mostly Jewish-American. The members rejected his proposal, even though his last two films, "Samson and Delilah" and "The Greatest Show on Earth", had been record-breaking hits. Adolph Zukor, the chairman of the board,
Agnes de Mille L.B. Johnson after its activation. Her love for acting played a very important role in her choreography. De Mille revolutionized musical theatre by creating choreography which not only conveyed the emotional dimensions of the characters but enhanced the plot. Her choreography, as a reflection of her awareness of acting, reflected the angst and turmoil of the characters instead of simply focusing on a dancer's physical technique. De Mille regularly worked with a recognizable core group of dancers, including Virginia Bosler, Gemze de Lappe, Lidija Franklin, Jean Houloose, Dania Krupska, Bambi Linn, Joan McCracken, James Mitchell, Mavis Ray, and, at American