The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Symphony No. 10 (Beethoven/Cooper) by Universal Edition, Vienna, and appeared in a new edition in 2013. After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing his late string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece on the piano for his friend Karl Holz, whose description of what he heard matches the sketches identified by Cooper. Cooper claimed that he found over 250 bars of sketches for the first movement, which he wove together to form the movement, keeping