La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches
Metropolitan Opera House (Philadelphia) Academy of Music for the 1920-1921 opera season, the MOH became the home of the Philadelphia Civic Opera Company until 1928. The Philadelphia Grand Opera Company and the Philadelphia La Scala Opera Company, two companies that primarily performed at the Academy of Music, also occasionally performed there during the 1920s and 1930s. The MOH was also host to many traveling productions by opera companies from other cities. The last opera production mounted at the MOH was a double billing of "Cavalleria rusticana" and "Pagliacci" under the baton of Aldo Franchetti, presented by the Chicago Grand Opera Company on May 5,