Symphony, K. 19b (Mozart) symphonies K. 16 and K. 19 (strings, 2 oboes, and 2 horns). In his third edition of the Köchel catalogue, he dated it to early 1765 in London, and opined that the incipit showed the influence of J. C. Bach's symphonies. His remarks were copied unchanged by the sixth edition of the Köchel catalogue. Neal Zaslaw agreed that the opening was characteristic of J. C. Bach in his book "Mozart's Symphonies", but questioned if this was a legitimate method of dating works, given that the seven symphonies of J. C. Bach beginning in this march-like way were written later than
Catalogue of Works in Refutation of Methodism Catalogue of Works in Refutation of Methodism Catalogue of Works in Refutation of Methodism: from its Origin in 1729, to the Present Time (often referred to as Catalogue of Works in Refutation of Methodism) is the title of an antiquarian bibliography or catalogue first published in America in 1846 by the 19th century author Curtis H. Cavender, who compiled the work under the anagrammatic pen name of H.C. Decanver. A reference work of religious criticism, the "Catalogue" is Decanver's debut publication, and his only written work. It is notable as one of the most prominent writings critical of Methodist doctrine