Violin Concerto No. 7 (Mozart) to the insertion of new works bearing the numbers K. 271b to K. 271H in the catalogue. He believed that the work was based on a rough sketch of a violin concerto by Mozart from 1777, but states that the original form of the work cannot easily be reconstructed. The uncharacteristic number of passages for the solo violin in the high register, in "pizzicato" (in the second movement), and in double stops in tenths were considered by Einstein to be 19th-century additions. Friedrich Blume, on the other hand, was firmly in favour of the work's authenticity, stating that "not one
19th century Scott; the Irish Oscar Wilde; the Americans Edgar Allan Poe, Ralph Waldo Emerson, and Mark Twain; and the French Victor Hugo, Honoré de Balzac, Jules Verne, Alexandre Dumas and Charles Baudelaire. The Realism and Romanticism of the early 19th century gave way to Impressionism and Post-Impressionism in the later half of the century, with Paris being the dominant art capital of the world. In the United States the Hudson River School was prominent. 19th-century painters included: Sonata form matured during the Classical era to become the primary form of instrumental compositions throughout the 19th century. Much of the music from