The Kingdom (Elgar) There is a double chorus with semichorus, and four soloists representing: The Blessed Virgin (soprano), Mary Magdalene (contralto), St John (tenor), and St Peter (bass). The work is in five parts, each played without a break, preceded by a prelude. Words were selected by Elgar from the Acts of the Apostles, supplemented by material mainly from the Gospels. As in Elgar's other mature oratorios, the Prelude introduces the main musical themes and sets the mood. The music is lyrical and mystical, with less narrative drive than in "The Apostles". Its most memorable moments are the ecstatic depiction of Pentecost, Mary's
Music of the United Kingdom (1980s) and Witchfinder General. Grindcore, or simply grind, emerged during the mid–1980s as an extreme music genre characterised by heavily distorted, down-tuned guitars, high speed tempo, blast beats, songs often lasting no more than two minutes (some are seconds long), and vocals which consist of growls and high-pitched screams. It drew inspiration from some of the most abrasive music genres – including death metal, industrial music, noise and the more extreme varieties of hardcore punk. Grindcore, as such, was developed during the mid-1980s in the United Kingdom by Napalm Death, a group who emerged from the crust punk scene. Napalm Death