Literary modernism of Henri Matisse, Pablo Picasso, Georges Braque and others between 1900 and 1910. Sherwood Anderson's "Winesburg, Ohio" (1919) is known as an early work of modernism for its plain-spoken prose style and emphasis on psychological insight into characters. James Joyce was a major modernist writer whose strategies employed in his novel "Ulysses" (1922) for depicting the events during a twenty-four-hour period in the life of his protagonist, Leopold Bloom, have come to epitomize modernism's approach to fiction. The poet T.S. Eliot described these qualities in 1923, noting that Joyce's technique is "a way of controlling, of ordering, of giving a
False protagonist based on playing skill, not pre-determined story), the sudden demise of the character that is being controlled serves to surprise the player. False protagonist In fiction, a false protagonist is a literary technique, often used to make the plot more jarring or more memorable by fooling the audience's preconceptions, that constructs a character who the audience assumes is the protagonist but is later revealed not to be. A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist)