Christ on the Mount of Olives (Beethoven) of the orchestra and chorus at its premiere. He panned Huber's libretto, saying, in an 1824 letter to the Gesellschaft für Musikfreunde, "Let us leave out of consideration "the value" of poems of this sort. We all know that allowances are to be made... so far as I am concerned, I would rather set Homer, Klopstock, Schiller to music. If they offer difficulties to overcome, "these immortal poets" at least are worthy of it." (Beethoven eventually did set Schiller to music in his monumental Ninth Symphony, nearly twenty years later.) The editors at Breitkopf & Härtel agreed with Beethoven's critical
Symphony No. 10 (Beethoven/Cooper) by Universal Edition, Vienna, and appeared in a new edition in 2013. After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing his late string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece on the piano for his friend Karl Holz, whose description of what he heard matches the sketches identified by Cooper. Cooper claimed that he found over 250 bars of sketches for the first movement, which he wove together to form the movement, keeping