Gilbert and Sullivan Ida" showed signs of flagging, Carte realised that, for the first time in the partnership's history, no new opera would be ready when the old one closed. On 22 March 1884, he gave Gilbert and Sullivan contractual notice that a new opera would be required in six months' time. In the meantime, when "Ida" closed, Carte produced a revival of "The Sorcerer". The most successful of the Savoy Operas was "The Mikado" (1885), which made fun of English bureaucracy, thinly disguised by a Japanese setting. Gilbert initially proposed a story for a new opera about a magic lozenge that would
Gilbert and Sullivan Carolyn Williams has noted, however: "The influence of Gilbert and Sullivan – their wit and sense of irony, the send ups of politics and contemporary culture – goes beyond musical theater to comedy in general. Allusions to their work have made their way into our own popular culture". Gilbert and Sullivan expert and enthusiast Ian Bradley agrees: The works of Gilbert and Sullivan are themselves frequently pastiched and parodied. Well known examples of this include Tom Lehrer's "The Elements" and "Clementine"; Allan Sherman's "I'm Called Little Butterball", "When I Was a Lad", "You Need an Analyst" and "The Bronx Bird-Watcher";