Molly Bloom Bloom and Stephen Dedalus. Molly's physicality is often contrasted with the intellectualism of the male characters, Stephen Dedalus in particular. Joyce's novel presented the action with numbered "episodes" rather than named chapters. Most critics since Stuart Gilbert, in his "James Joyce's Ulysses", have named the episodes and they are often called chapters. The final chapter is referred to as "Penelope", after Molly's mythical counterpart. In the course of the monologue, Molly accepts Leopold into her bed, frets about his health, and then reminisces about their first meeting and about when she knew she was in love with him. The final
Leopold Bloom and threatened because of his being perceived as a Jew. Richard Ellmann, Joyce's biographer, described Bloom as "a nobody", who "has virtually no effect upon the life around him". In this Ellmann found nobility: "The divine part of Bloom is simply his humanity - his assumption of a bond between himself and other created being." Joyce told Sylvia Beach that Holbrook Jackson resembled Bloom. Writer-director Mel Brooks used the name "Leo Bloom" for the mousy accountant in his film/musical "The Producers". Leo is a nervous accountant, prone to panic attacks, who keeps a security blanket to calm himself. Nevertheless, it