Gilbert and Sullivan ancestor and the device of the ghostly ancestors stepping out of their portraits. When "Ruddigore" closed, no new opera was ready. Gilbert again proposed a version of the "lozenge" plot for their next opera, and Sullivan reiterated his reluctance to set it. While the two men worked out their artistic differences, and Sullivan finished other obligations, Carte produced revivals of such old favourites as "H.M.S. Pinafore", "The Pirates of Penzance", and "The Mikado". "The Yeomen of the Guard" (1888), their only joint work with a serious ending, concerns a pair of strolling players—a jester and a singing girl—who are caught
Gilbert and Sullivan of the opera. In 1880, Sullivan's cantata "The Martyr of Antioch" premiered at the Leeds Triennial Music Festival, with a libretto modified by Gilbert from an 1822 epic poem by Henry Hart Milman concerning the 3rd century martyrdom of St. Margaret of Antioch. Sullivan became the conductor of the Leeds festival beginning in 1880 and conducted the performance. The Carl Rosa Opera Company staged the cantata as an opera in 1898. "Patience" (1881) satirised the aesthetic movement in general and its colourful poets in particular, combining aspects of Algernon Charles Swinburne, Dante Gabriel Rossetti, Oscar Wilde, James McNeill Whistler and