Gilbert and Sullivan place a piece like this on the stage in so complete a fashion." The opera enjoyed a run longer than any of their other joint works except for "H.M.S. Pinafore", "Patience" and "The Mikado". There was a command performance of "The Gondoliers" for Queen Victoria and the royal family at Windsor Castle in 1891, the first Gilbert and Sullivan opera to be so honoured. "The Gondoliers" was Gilbert and Sullivan's last great success. Gilbert and Sullivan sometimes had a strained working relationship, partly caused by the fact that each man saw himself as allowing his work to be subjugated to
Gilbert and Sullivan Penzance", and so on. Similarly, Mrs. Partlet in "The Sorcerer" transformed into Little Buttercup in "Pinafore", then into Ruth, the piratical maid-of-all-work in "Pirates". Relatively unknown performers whom Gilbert and Sullivan engaged early in the collaboration would stay with the company for many years, becoming stars of the Victorian stage. These included George Grossmith, the principal comic; Rutland Barrington, the lyric baritone; Richard Temple, the bass-baritone; and Jessie Bond, the mezzo-soprano soubrette. "The Pirates of Penzance" (New Year's Eve, 1879) also poked fun at grand opera conventions, sense of duty, family obligation, the "respectability" of civilisation and the peerage, and