The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
The Creatures of Prometheus Beethoven exploiting instruments and coloristic orchestral effects that would never appear in his symphonies or serious dramatic overtures." Beethoven later based the fourth movement of his "Eroica" symphony and his Eroica Variations (piano) on the main theme of the last movement (Finale) of this ballet. The ballet requires the use of harp and basset-horn among the orchestral instruments. The Creatures of Prometheus The Creatures of Prometheus (), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given