Zoot suit occasionally with a long feather as decoration, and pointy, French-style shoes. A young Malcolm X, who wore zoot suits in his youth, described the zoot suit as: "a killer-diller coat with a drape shape, reet pleats, and shoulders padded like a lunatic's cell". Zoot suits usually featured a watch chain dangling from the belt to the knee or below, then back to a side pocket. A woman accompanying a man wearing a zoot suit commonly would herself wear a flared skirt and a long coat. The amount of material and tailoring required made them luxury items, so much so that
Blue then by London society and the upper classes. Originally the coat and trousers were different colours, but in the 19th century the suit of a single colour became fashionable. By the late 19th century the black suit had become the uniform of businessmen in England and America. In the 20th century, the black suit was largely replaced by the dark blue or grey suit. At the beginning of the 20th century, many artists recognised the emotional power of blue, and made it the central element of paintings. During his Blue Period (1901–1904) Pablo Picasso used blue and green, with hardly