Christ on the Mount of Olives (Beethoven) of the orchestra and chorus at its premiere. He panned Huber's libretto, saying, in an 1824 letter to the Gesellschaft für Musikfreunde, "Let us leave out of consideration "the value" of poems of this sort. We all know that allowances are to be made... so far as I am concerned, I would rather set Homer, Klopstock, Schiller to music. If they offer difficulties to overcome, "these immortal poets" at least are worthy of it." (Beethoven eventually did set Schiller to music in his monumental Ninth Symphony, nearly twenty years later.) The editors at Breitkopf & Härtel agreed with Beethoven's critical
Ode to Psyche odes." To Harold Bloom, the last lines of Keats's ode "rivals any as an epitome of the myth-making faculty". He elaborates further on this when he writes, "The poem "Ode to Psyche" is unique, and also central, for its art is a natural growth out of nature, based as it is upon a very particular act of consciousness, which Keats arrests in all its concreteness." Ode to Psyche "Ode to Psyche" is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes, which include "Ode on a Grecian Urn" and "Ode to