The Seven Last Words of Christ (Haydn) were not the original Latin but pietist poetry, written in German. Haydn was impressed with the new work and decided to improve on it, preparing his own choral version. He had the assistance of Baron Gottfried van Swieten, who revised the lyrics used by Friebert. This was the first work in a serial collaboration with van Swieten as librettist that continued with the later oratorios "The Creation" and "The Seasons". The choral version was privately premiered in Vienna on 26 March 1796 before an audience of the nobility, under the sponsorship of the Gesellschaft der Associierten. The public premiere was
The Creation of the Violin symbolised by the violin, used here as a prototype for all music. This is a world of emotion and the evocation of emotion in others. The demonstration of something unprecedented combines visual and aural perceptions. "The Creation of the Violin" can also be interpreted as a combination of the male and the female in a world without desire. Psychoanalytically, it involves generativity and triangulation. From the male and the female, a third object is produced: music, which evokes joy or sorrow. The power of a musician (who evokes feelings) is quite different from the power of a king, who rules