The seamstress (A Tale of Two Cities) entire novel. Carton's last meaningful action in his life is to provide solace to the seamstress in her last moments, in which Dickens effectively continues his theme of redemption in the novel as Carton moves on to a supposed better life. Doris Y. Kadish describes the seamstress as "a humble heroine of the revolution," while "Lisa Robson (Modern Criticism, pp. 97-101) and other feminist critics draw on late-twentieth century studies of the role of women in the French Revolution to offer new perspectives on...the seamstress..." and Beth Harris writes that "the anonymous seamstress in "A Tale of Two Cities", who
A Tale of Two Cities (1935 film) emotional sledge-hammer blows ... Ronald Colman gives his ablest performance in years as Sydney Carton and a score of excellent players are at their best in it ... Only Donald Woods's Darnay is inferior, an unpleasant study in juvenile virtue. It struck me, too, that Blanche Yurka was guilty of tearing an emotion to tatters in the rôle of Madame Defarge ... you can be sure that 'A Tale of Two Cities' will cause a vast rearranging of ten-best lists." The film is recognized by American Film Institute in these lists: A Tale of Two Cities (1935 film) A Tale