The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
Classical music of the United Kingdom deep impression on British musical life. Not only did he compose and perform, but he also edited for British publishers the first critical editions of oratorios of Handel and of the organ music of J. S. Bach. Scotland inspired two of his most famous works, the overture "Fingal's Cave" (also known as the "Hebrides Overture") and the "Scottish Symphony" (Symphony No. 3). His oratorio "Elijah" was premièred in Birmingham at the Triennial Music Festival on August 26, 1846. On his last visit to England in 1847 he was the soloist in Beethoven's Piano Concerto No. 4 and conducted his own