Ode to Joy himself regarded it as a failure later in his life, going so far as to call it "detached from reality" and "of value maybe for us two, but not for the world, nor for the art of poetry" in an 1800 letter to his long-time friend and patron Christian Gottfried Körner (whose friendship had originally inspired him to write the ode). The lines marked with * have been revised as follows: Academic speculation remains as to whether Schiller originally wrote an Ode to Freedom "(Ode an die Freiheit)" and changed it to an Ode to Joy. "... [T]he thought lies
Symphony No. 7 (Beethoven) Meyerbeer and Antonio Salieri, The Italian guitar virtuoso Mauro Giuliani played cello at the premiere. The piece was very well received, such that the audience demanded the "Allegretto" movement be encored immediately. Spohr made particular mention of Beethoven's antics on the rostrum ("as a "sforzando" occurred, he tore his arms with a great vehemence asunder ... at the entrance of a "forte" he jumped in the air"), and "the friends of Beethoven made arrangements for a repetition of the concert" by which "Beethoven was extricated from his pecuniary difficulties". The symphony is scored for 2 flutes, 2 oboes, 2 clarinets