Friedrich Schiller van Beethoven said that a great poem is more difficult to set to music than a merely good one because the composer must rise higher than the poet – "who can do that in the case of Schiller? In this respect Goethe is much easier," wrote Beethoven. There are relatively few famous musical settings of Schiller's poems. Notable exceptions are Beethoven's setting of "An die Freude" ("Ode to Joy") in the final movement of his Ninth Symphony, Johannes Brahms' choral setting of "Nänie" and "Des Mädchens Klage" by Franz Schubert, who set 44 of Schiller's poems as Lieder, mostly for
Curse of the ninth written a Ninth stood too close to the hereafter." The difficulties with this analysis are obvious. From Mahler's point of view, the only important victim of any "curse of the ninth" (Mahler is not known to have used the term) would have been Ludwig van Beethoven. Even Anton Bruckner (with whom Mahler had been closely associated) fails to qualify: Bruckner died "before completing" the work that is now played as his (unfinished) "Ninth Symphony", with the result that his symphonic total is eight if only the completed canonical works are counted – and ten if the list includes the early