Gilbert and Sullivan is more often heard than the original overture by Clarke. Toye's "Pirates" overture, however, did not last long and is now presumed lost. Sir Malcolm Sargent devised a new ending for the overture to "The Gondoliers", adding the "cachucha" from the second act of the opera. This gave the "Gondoliers" overture the familiar fast-slow-fast pattern of most of the rest of the Savoy Opera overtures, and this version has competed for popularity with Sullivan's original version. Gilbert and Sullivan operas have been translated into many languages, including Portuguese, Yiddish, Hebrew, Swedish, Dutch, Danish, Estonian, Hungarian, Russian, Japanese, French, Italian, Spanish
Gilbert and Sullivan never published and is now lost, except for one song that was published separately, a chorus that was re-used in "The Pirates of Penzance", and the Act II ballet music. Over the next three years, Gilbert and Sullivan did not have occasion to work together again, but each man became more eminent in his field. Gilbert worked with Frederic Clay on "Happy Arcadia" (1872) and with Alfred Cellier on "Topsyturveydom" (1874), and wrote "The Wicked World" (1873) "Sweethearts" (1874) and several other libretti, farces, extravaganzas, fairy comedies, dramas and adaptations. Sullivan completed his "Festival Te Deum" (1872); another oratorio, "The