The Seven Last Words of Christ (Haydn) were not the original Latin but pietist poetry, written in German. Haydn was impressed with the new work and decided to improve on it, preparing his own choral version. He had the assistance of Baron Gottfried van Swieten, who revised the lyrics used by Friebert. This was the first work in a serial collaboration with van Swieten as librettist that continued with the later oratorios "The Creation" and "The Seasons". The choral version was privately premiered in Vienna on 26 March 1796 before an audience of the nobility, under the sponsorship of the Gesellschaft der Associierten. The public premiere was
Music for the Requiem Mass the actual Roman Catholic liturgy, are often composed as one movement. Musico-thematic relationships among movements within a Requiem can be found as well. Beginning in the 18th century and continuing through the 19th, many composers wrote what are effectively concert works, which by virtue of employing forces too large, or lasting such a considerable duration, prevent them being readily used in an ordinary funeral service; the requiems of Gossec, Berlioz, Verdi, and Dvořák are essentially dramatic concert oratorios. A counter-reaction to this tendency came from the Cecilian movement, which recommended restrained accompaniment for liturgical music, and frowned upon the use