Gilbert and Sullivan There continue to be hundreds of amateur companies performing the Gilbert and Sullivan works worldwide. The first commercial recordings of individual numbers from the Savoy operas began in 1898. In 1917 the Gramophone Company (HMV) produced the first album of a complete Gilbert and Sullivan opera, "The Mikado", followed by recordings of eight more. Electrical recordings of most of the operas were then issued by HMV and Victor, beginning in the late 1920s, supervised by Rupert D'Oyly Carte. The D'Oyly Carte Opera Company continued to produce well-regarded recordings until 1979, helping to keep the operas popular through the decades. Many
Gilbert and Sullivan Carolyn Williams has noted, however: "The influence of Gilbert and Sullivan – their wit and sense of irony, the send ups of politics and contemporary culture – goes beyond musical theater to comedy in general. Allusions to their work have made their way into our own popular culture". Gilbert and Sullivan expert and enthusiast Ian Bradley agrees: The works of Gilbert and Sullivan are themselves frequently pastiched and parodied. Well known examples of this include Tom Lehrer's "The Elements" and "Clementine"; Allan Sherman's "I'm Called Little Butterball", "When I Was a Lad", "You Need an Analyst" and "The Bronx Bird-Watcher";