Deborah Kerr awards: a Cannes Film Festival Tribute in 1984; a BAFTA Special Award in 1991; and an Academy Honorary Award in 1994. In September and October 2010, Josephine Botting of the British Film Institute curated the "Deborah Kerr Season", which included around twenty of her feature films and an exhibition of posters, memorabilia and personal items loaned by her family. Deborah Kerr was nominated six times for the Academy Award for Best Actress: "Edward, My Son" (1949), "From Here to Eternity" (1953), "The King and I" (1956), "Heaven Knows, Mr. Allison" (1957), "Separate Tables" (1958) and "The Sundowners" (1960). She received
The Sweet Body of Deborah The "Saturday Review" gave the film a positive review, noting that: "the film's unstinting effort to entertain at all costs is both welcome and refreshing." The film was considered very sexy for its time, showing brief glimpses of Carroll Baker's nudity and Ida Galli's fetishistic clothing. Upon the film's release, "The New Yorker" republished a snippet of a review by John Mahoney of "The Hollywood Reporter", which contained an extensive and detailed description of Baker's nude body as it appeared in the film. The Sweet Body of Deborah The Sweet Body of Deborah () is a 1968 "giallo" film directed