The Gilbert and Sullivan Light Opera Company of Long Island a confirmed Savoyard. He’d served as vice president of the New York Gilbert & Sullivan Society, and even produced a televised version of The Mikado in 1949. When Helen Marx, president of the Camp Avenue School PTA, asked him if he could organize a fundraiser, his thoughts turned—as they so often did—to Gilbert & Sullivan. Initially the idea was for Packer and Waters to run an adult-education class in G&S that would culminate in a performance of The Mikado. But when Packer recruited an old friend, Sally Buckstone of Oceanside, to sing, the seeds of a new group were planted.
The Gilbert and Sullivan Light Opera Company of Long Island Raymond J. Osnato and then several other conductors. The Company had occasionally recruited orchestras for performances in the 1960s and 1970s, but had never had an orchestra of its own. Beginning in 1992, however, the Company made it a priority to develop its own orchestra, beginning with a tiny ensemble of six and slowly growing with the passing years. Many of the orchestra members have returned again and again to the Light Opera Orchestra, which is now in its 12th year. 1992 also saw the launching of “The Savoy Project: or, Gilbert & Sullivan from A to Z.” Spurred by