Friedrich Schiller van Beethoven said that a great poem is more difficult to set to music than a merely good one because the composer must rise higher than the poet – "who can do that in the case of Schiller? In this respect Goethe is much easier," wrote Beethoven. There are relatively few famous musical settings of Schiller's poems. Notable exceptions are Beethoven's setting of "An die Freude" ("Ode to Joy") in the final movement of his Ninth Symphony, Johannes Brahms' choral setting of "Nänie" and "Des Mädchens Klage" by Franz Schubert, who set 44 of Schiller's poems as Lieder, mostly for
Symphony No. 7 (Beethoven) the first melody is resumed and elaborated upon in a strict fugato. The third movement is a scherzo in F major and trio in D major. Here, the trio (based on an Austrian pilgrims' hymn) is played twice rather than once. This expansion of the usual A–B–A structure of ternary form into A–B–A–B–A was quite common in other works of Beethoven of this period, such as his Fourth Symphony, "Pastoral Symphony", and String Quartet Op. 59 No. 2. The last movement is in sonata form. According to music historian Glenn Stanley, Beethoven "exploited the possibility that a string section can