Symphony No. 9 (Beethoven) unity in which every part is based on either the main theme, the "Seid umschlungen" theme, or some combination of the two. Indeed, Rosen also notes that the movement can also be analysed as a set of variations and simultaneously as a concerto sonata form with double exposition (with the fugato acting both as a development section and the second tutti of the concerto). The text is largely taken from Schiller's "Ode to Joy", with a few additional introductory words written specifically by Beethoven (shown in italics). The text, without repeats, is shown below, with a translation into English. The
Symphony No. 9 (Beethoven) by the Ninth Symphony. An important theme in the finale of Johannes Brahms' Symphony No. 1 in C minor is related to the "Ode to Joy" theme from the last movement of Beethoven's Ninth Symphony. When this was pointed out to Brahms, he is reputed to have retorted "Any fool can see that!" Brahms's first symphony was, at times, both praised and derided as "Beethoven's Tenth". The Ninth Symphony influenced the forms that Anton Bruckner used for the movements of his symphonies. His Symphony No. 3 is in the same D-minor key as Beethoven's 9th and makes substantial use of