Iphigenia in Aulis the pretext that the girl is to be married to the Greek warrior Achilles before he sets off to fight. At the start of the play, Agamemnon has second thoughts about going through with the sacrifice and sends a second message to his wife, telling her to ignore the first. Clytemnestra never receives it, however, because it is intercepted by Menelaus, Agamemnon's brother, who is enraged over his change of heart. To Menelaus, this is not only a personal blow (for it is his wife, Helen, with whom the Trojan prince Paris ran off, and whose retrieval is the main
Greek mythology libretti for many of Handel's and Mozart's operas. By the end of the 18th century, Romanticism initiated a surge of enthusiasm for all things Greek, including Greek mythology. In Britain, new translations of Greek tragedies and Homer inspired contemporary poets (such as Alfred Lord Tennyson, Keats, Byron and Shelley) and painters (such as Lord Leighton and Lawrence Alma-Tadema). Christoph Gluck, Richard Strauss, Jacques Offenbach and many others set Greek mythological themes to music. American authors of the 19th century, such as Thomas Bulfinch and Nathaniel Hawthorne, held that the study of the classical myths was essential to the understanding of