Violin Concerto No. 7 (Mozart) to the insertion of new works bearing the numbers K. 271b to K. 271H in the catalogue. He believed that the work was based on a rough sketch of a violin concerto by Mozart from 1777, but states that the original form of the work cannot easily be reconstructed. The uncharacteristic number of passages for the solo violin in the high register, in "pizzicato" (in the second movement), and in double stops in tenths were considered by Einstein to be 19th-century additions. Friedrich Blume, on the other hand, was firmly in favour of the work's authenticity, stating that "not one
19th-century London one of the most ambitious public works projects undertaken in 19th century London. It transformed the appearance of the riverside between Chelsea and Blackfriars and consists of three different sections: the Victoria Embankment, constructed between 1864 and 1870, the Albert Embankment (1866-70), and the Chelsea Embankment (1871-74). The embankments protected low lying areas along the Thames from flooding, provided a more attractive prospect of the river compared to the mudflats and boatyards which abounded previously, and created prime reclaimed land for development. The Victoria Embankment was the most ambitious: it concealed a massive interceptor sewage tunnel, which channeled waste from