The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
The Creation of the Violin beautiful daughter as his wife. The tale ends with, "This is how the violin came to the world". The tale has folkloric origins and magical content; common in fairy tales, the old hag and the good fairy both possess magical powers. The good fairy, Matuya, is based on magic tales of the Hindu tradition (common in Roma tales). Matuya appears in Transylvanian, Hungarian, Polish, Russian and Serbian Roma mythology as queen of the Ursitory. These fairies, typically beautiful women who live in mountainside palaces, enjoy singing and dancing and symbolise music. One of the best-known Roma fairy tales, "The Creation