The Creation structure voice for a late appearance. Whereas Bach and Handel reserve the high voice for the Annunciation to the shepherds, Haydn has Gabriel be the first to proclaim the wonder of the Wunderwerk (miraculous work). Differently from Handel, who keeps solo and choral singing mostly separate in his operas and oratorios, Haydn strives for an interaction of solo and chorus, as in his late Masses and contemporary opera. In the conclusion of Part I, "Die Himmel erzählen die Ehre Gottes" (The heavens are telling the glory of God), which covers the first two verses of Psalm 19, the second verse, "To
The Seasons (Cage) The Seasons (Cage) The Seasons is a ballet with music by John Cage and choreography by Merce Cunningham, first performed in 1947. It was Cage's first piece for orchestra and also the first to use what Cage later called the "gamut" technique, albeit in an early form. Cage composed the music in early 1947, in the midst of working on "Sonatas and Interludes". A piano version was first completed, and an orchestral arrangement followed. Cage dedicated "The Seasons" to Lincoln Kirstein. The ballet was premiered on May 17, 1947 by the Ballet Society (by which the work was commissioned) at