Gilbert and Sullivan for All productions of the operas, throughout Britain and made several world tours to North America, Australasia, and the Far East. By 1963, Round had left the D'Oyly Carte Opera Company, and, together with Adams and Meadmore (a former director of D'Oyly Carte), formed the group. Gilbert and Sullivan for All, usually composed of five or six singers and a pianist, would perform on nights when D'Oyly Carte was playing "The Gondoliers", since Adams was not engaged by D'Oyly Carte to play in that opera. In the early years, the pianist was often the former D'Oyly Carte assistant musical director, William Cox-Ife.
The Story of Gilbert and Sullivan time to take a triumphant curtain call before the enthusiastic crowd. Nevertheless, Sullivan is unhappy writing comic opera. When Gilbert proposes a new piece involving the device of a magic lozenge, Sullivan objects that he wants to devote himself to serious music. Sullivan's friend, critic Joseph Bennett, writes a libretto for a cantata based on Henry Wadsworth Longfellow's "The Golden Legend". Meanwhile, Gilbert, inspired by the sight of a Japanese sword hanging in his study, proposes a new plot, and Sullivan begins work. When Bennett goes to see Sullivan, he finds that "The Mikado" is being rehearsed instead of his