The Gilbert and Sullivan Light Opera Company of Long Island a confirmed Savoyard. He’d served as vice president of the New York Gilbert & Sullivan Society, and even produced a televised version of The Mikado in 1949. When Helen Marx, president of the Camp Avenue School PTA, asked him if he could organize a fundraiser, his thoughts turned—as they so often did—to Gilbert & Sullivan. Initially the idea was for Packer and Waters to run an adult-education class in G&S that would culminate in a performance of The Mikado. But when Packer recruited an old friend, Sally Buckstone of Oceanside, to sing, the seeds of a new group were planted.
Gilbert and Sullivan outright failure. Neither work entered the canon of regularly performed Gilbert and Sullivan works until the D'Oyly Carte Opera Company made the first complete professional recordings of the two operas in the 1970s. Gilbert had also offered Sullivan another libretto, "His Excellency" (1894), but Gilbert's insistence on casting Nancy McIntosh, his protege from "Utopia", led to Sullivan's refusal, and "His Excellency" was instead composed by F. Osmond Carr. Meanwhile, the Savoy Theatre continued to revive the Gilbert and Sullivan operas, in between new pieces, and D'Oyly Carte touring companies also played them in repertory. After "The Grand Duke", the partners