The seamstress (A Tale of Two Cities) entire novel. Carton's last meaningful action in his life is to provide solace to the seamstress in her last moments, in which Dickens effectively continues his theme of redemption in the novel as Carton moves on to a supposed better life. Doris Y. Kadish describes the seamstress as "a humble heroine of the revolution," while "Lisa Robson (Modern Criticism, pp. 97-101) and other feminist critics draw on late-twentieth century studies of the role of women in the French Revolution to offer new perspectives on...the seamstress..." and Beth Harris writes that "the anonymous seamstress in "A Tale of Two Cities", who
A Tale of Two Cities they can be certain of harvesting that revolution in time. The lower classes do not have any agency in this metaphor: they simply react to the behaviour of the aristocracy. In this sense it can be said that while Dickens sympathizes with the poor, he identifies with the rich: they are the book's audience, its "us" and not its "them". "Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious licence and oppression over again, and it will surely yield the same fruit according