Clytemnestra Lydia, according to Plutarch's The Greek Questions, 45, having succeeded Omphale who had received from Herakles Hippolyte's (the queen of the Amazons') axe, carried this axe (called labrys by Lydians) as one of their sacred insignia of office. In the tradition following the Sicilian lyric poet Stesichorus's "Oresteia" Clytemnestra used such a double-edged ax to assist her lover Aegisthus in the killing of Agamemnon (and later, to attempt to kill her son Orestes, as he arrived to avenge his father's death), as depicted on the mixing bowl (calyx krater) with the killing of Agamemnon (Early Classical Period – about 460
Greek mythology in western art and literature Greek mythology in western art and literature With the rediscovery of classical antiquity in the Renaissance, the poetry of Ovid became a major influence on the imagination of poets and artists, and remained a fundamental influence on the diffusion and perception of Greek mythology through subsequent centuries. From the early years of the Renaissance, artists portrayed subjects from Greek mythology alongside more conventional Christian themes. Among the best-known subjects of Italian artists are Botticelli's "Birth of Venus" and "Pallas and the Centaur", the Ledas of Leonardo da Vinci and Michelangelo, and Raphael's "Galatea". Through the medium of Latin and the