Christ on the Mount of Olives (Beethoven) of the orchestra and chorus at its premiere. He panned Huber's libretto, saying, in an 1824 letter to the Gesellschaft für Musikfreunde, "Let us leave out of consideration "the value" of poems of this sort. We all know that allowances are to be made... so far as I am concerned, I would rather set Homer, Klopstock, Schiller to music. If they offer difficulties to overcome, "these immortal poets" at least are worthy of it." (Beethoven eventually did set Schiller to music in his monumental Ninth Symphony, nearly twenty years later.) The editors at Breitkopf & Härtel agreed with Beethoven's critical
The Creatures of Prometheus Beethoven exploiting instruments and coloristic orchestral effects that would never appear in his symphonies or serious dramatic overtures." Beethoven later based the fourth movement of his "Eroica" symphony and his Eroica Variations (piano) on the main theme of the last movement (Finale) of this ballet. The ballet requires the use of harp and basset-horn among the orchestral instruments. The Creatures of Prometheus The Creatures of Prometheus (), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given