Gilbert and Sullivan is more often heard than the original overture by Clarke. Toye's "Pirates" overture, however, did not last long and is now presumed lost. Sir Malcolm Sargent devised a new ending for the overture to "The Gondoliers", adding the "cachucha" from the second act of the opera. This gave the "Gondoliers" overture the familiar fast-slow-fast pattern of most of the rest of the Savoy Opera overtures, and this version has competed for popularity with Sullivan's original version. Gilbert and Sullivan operas have been translated into many languages, including Portuguese, Yiddish, Hebrew, Swedish, Dutch, Danish, Estonian, Hungarian, Russian, Japanese, French, Italian, Spanish
Gilbert and Sullivan Penzance", and so on. Similarly, Mrs. Partlet in "The Sorcerer" transformed into Little Buttercup in "Pinafore", then into Ruth, the piratical maid-of-all-work in "Pirates". Relatively unknown performers whom Gilbert and Sullivan engaged early in the collaboration would stay with the company for many years, becoming stars of the Victorian stage. These included George Grossmith, the principal comic; Rutland Barrington, the lyric baritone; Richard Temple, the bass-baritone; and Jessie Bond, the mezzo-soprano soubrette. "The Pirates of Penzance" (New Year's Eve, 1879) also poked fun at grand opera conventions, sense of duty, family obligation, the "respectability" of civilisation and the peerage, and