Gilbert and Sullivan and institutions more freely by clothing them in superficial Japanese trappings. Gilbert wrote, "The Mikado of the opera was an imaginary monarch of a remote period and cannot by any exercise of ingenuity be taken to be a slap on an existing institution." G. K. Chesterton compared it to Jonathan Swift's "Gulliver's Travels": "Gilbert pursued and persecuted the evils of modern England till they had literally not a leg to stand on, exactly as Swift did... I doubt if there is a single joke in the whole play that fits the Japanese. But all the jokes in the play fit
Gilbert and Sullivan outright failure. Neither work entered the canon of regularly performed Gilbert and Sullivan works until the D'Oyly Carte Opera Company made the first complete professional recordings of the two operas in the 1970s. Gilbert had also offered Sullivan another libretto, "His Excellency" (1894), but Gilbert's insistence on casting Nancy McIntosh, his protege from "Utopia", led to Sullivan's refusal, and "His Excellency" was instead composed by F. Osmond Carr. Meanwhile, the Savoy Theatre continued to revive the Gilbert and Sullivan operas, in between new pieces, and D'Oyly Carte touring companies also played them in repertory. After "The Grand Duke", the partners