The Apostles (Elgar) the disciples of Jesus and their reactions to the extraordinary events they witness. Despite arranging the commission in December 1901, Elgar paid little attention to "The Apostles "until July 1902, when he had finished composing and rehearsing his "Coronation Ode", Op. 44. Elgar's planning of the libretto included a long immersion in theological writings, as well as Wagner's sketch for "Jesus von Nazareth", and Henry W. Longfellow's poem "The Divine Tragedy". He assembled his libretto from verses of scripture, as had been the pattern for many of the most influential oratorios, including Handel's "Messiah" (1741) and Mendelssohn's "Elijah" (1836). After
Acts of the Apostles (genre) heads, however: the wealth and beauty of this world are to be despised, and any sexual activity is condemned as 'impure', in favour of love for God and preparation for the coming heavenly afterlife. Five of the non-canonical acts have survived almost completely, namely the Acts of John, Peter, Paul, Andrew, and Thomas. A large number of other narratives only exist in fragmentary form. The following list is not exhaustive. Acts of the Apostles (genre) The Acts of the Apostles is a genre of Early Christian literature, recounting the lives and works of the apostles of Jesus. The "Acts" (Latin: