Köchel catalogue Horn Concerto No. 1, K. (412+514)/386b. In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing. Köchel's 551-page catalogue was titled "Chronologisch-thematisches Verzeichnis sämmtlicher Tonwerke W. A. Mozarts" ("Chronological-thematic Catalogue of the Complete Musical Works of W. A. Mozart"). Köchel attempted to arrange the works in chronological order, but many compositions written before 1784 could only be estimated, although Leopold Mozart had compiled a partial list of his
Catalogue of Works in Refutation of Methodism is itself divided further, the first group of works representing those called "Anti-Methodistical", the second group listed under "Methodist Authors" (being by Methodist authors themselves), the third called "Miscellaneous", and the last group listed as "Political". Catalogue of Works in Refutation of Methodism Catalogue of Works in Refutation of Methodism: from its Origin in 1729, to the Present Time (often referred to as Catalogue of Works in Refutation of Methodism) is the title of an antiquarian bibliography or catalogue first published in America in 1846 by the 19th century author Curtis H. Cavender, who compiled the work under the anagrammatic