The arts and politics in music at the University of Edinburgh, in her book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich", in "the traditional Russian perception of the arts", an "interrelationship between artistic technique and ideological content is the main aesthetic criterion" (ix; cf. Blois). Ludwig van Beethoven did not use the original title "Ode to Freedom" of Friedrich Schiller's lyric, known in English as "Ode to Joy" (1785), in setting it to music in the final movement of his Ninth Symphony (1824), which "Napoleonic censors had forced the poet to change to 'Ode to Joy'." After the fall of
Ode to Ethiopia Ode to Ethiopia "Ode to Ethiopia" is an 1896 poem by Paul Laurence Dunbar, a noted African-American poet who achieved a national reputation in the United States before the end of the nineteenth century. Dunbar presents ideas of Ethiopia as a mother, shows a pride in the African-American people, and encourages hope as well as racial pride. His poem emphasizes a belief in a brighter future ahead for the people of Ethiopia which is based on their own honor and hard labour. Part of this poem was used as a prologue to the fourth movement of William Grant Still's Symphony