Opus number developed other catalogue-number systems; among them the "Bach-Werke-Verzeichnis" (BWV-number), and the "Köchel-Verzeichnis" (K- and KV -numbers) with which are organised the works of Johann Sebastian Bach and Wolfgang Amadeus Mozart, respectively. In the classical period, the Latin word "opus" ("work", "labour") was used to identify, list, and catalogue a work of art. By the 15th and 16th centuries, the word "opus" was used by Italian composers to denote a specific musical composition, and by German composers for collections of music. In compositional practise, numbering musical works in chronological order dates from 17th century Italy, especially Venice. In common usage, the
19th century in science later in the 19th century by the German mathematician Bernhard Riemann; here no parallel can be found and the angles in a triangle add up to more than 180°. Riemann also developed Riemannian geometry, which unifies and vastly generalizes the three types of geometry. The 19th century saw the beginning of a great deal of abstract algebra. Hermann Grassmann in Germany gave a first version of vector spaces, William Rowan Hamilton in Ireland developed noncommutative algebra. The British mathematician George Boole devised an algebra that soon evolved into what is now called Boolean algebra, in which the only numbers were