Gilbert and Sullivan ancestor and the device of the ghostly ancestors stepping out of their portraits. When "Ruddigore" closed, no new opera was ready. Gilbert again proposed a version of the "lozenge" plot for their next opera, and Sullivan reiterated his reluctance to set it. While the two men worked out their artistic differences, and Sullivan finished other obligations, Carte produced revivals of such old favourites as "H.M.S. Pinafore", "The Pirates of Penzance", and "The Mikado". "The Yeomen of the Guard" (1888), their only joint work with a serious ending, concerns a pair of strolling players—a jester and a singing girl—who are caught
Gilbert and Sullivan the theme from "Iolanthe" of the war between the sexes. The opera is based on Tennyson's poem "The Princess: A Medley". Gilbert had written a blank verse farce based on the same material in 1870, called "The Princess", and he reused a good deal of the dialogue from his earlier play in the libretto of "Princess Ida". "Ida" is the only Gilbert and Sullivan work with dialogue entirely in blank verse and is also the only one of their works in three acts. Lillian Russell had been engaged to create the title role, but Gilbert did not believe that she