Symphony No. 9 (Beethoven) unity in which every part is based on either the main theme, the "Seid umschlungen" theme, or some combination of the two. Indeed, Rosen also notes that the movement can also be analysed as a set of variations and simultaneously as a concerto sonata form with double exposition (with the fugato acting both as a development section and the second tutti of the concerto). The text is largely taken from Schiller's "Ode to Joy", with a few additional introductory words written specifically by Beethoven (shown in italics). The text, without repeats, is shown below, with a translation into English. The
Symphony No. 9 (Beethoven) version of the Choral Fantasy theme is found in the song "Gegenliebe" (Returned Love) for piano and high voice, which dates from before 1795. According to Robert W. Gutman, Mozart's K. 222 Offertory in D minor, "Misericordias Domini", written in 1775, contains a melody that foreshadows "Ode to Joy". Although his major works had primarily been premiered in Vienna, Beethoven was keen to have his latest composition performed in Berlin as soon as possible after finishing it, as he thought that musical taste in Vienna had become dominated by Italian composers such as Rossini. When his friends and financiers heard