Opus number developed other catalogue-number systems; among them the "Bach-Werke-Verzeichnis" (BWV-number), and the "Köchel-Verzeichnis" (K- and KV -numbers) with which are organised the works of Johann Sebastian Bach and Wolfgang Amadeus Mozart, respectively. In the classical period, the Latin word "opus" ("work", "labour") was used to identify, list, and catalogue a work of art. By the 15th and 16th centuries, the word "opus" was used by Italian composers to denote a specific musical composition, and by German composers for collections of music. In compositional practise, numbering musical works in chronological order dates from 17th century Italy, especially Venice. In common usage, the
Reșița works the last quarter of the 19th century. For decades, the two complemented each other within the same integrated factory. Until 1855, the works belonged to the Treasury of what had become the Austrian Empire, which exercised control through the Banat Mining Directorate in Oraviţa. By 1815, they were producing cast iron pieces coming directly from the furnaces, rods forged from iron, hoops for cart wheels, tools, nails and utensils for agricultural and home use. In 1855, with the empire facing financial crisis and looking to sell, the works were bought by an international consortium, the Imperial Royal Privileged Austrian State