Symphony, K. 19b (Mozart) symphonies K. 16 and K. 19 (strings, 2 oboes, and 2 horns). In his third edition of the Köchel catalogue, he dated it to early 1765 in London, and opined that the incipit showed the influence of J. C. Bach's symphonies. His remarks were copied unchanged by the sixth edition of the Köchel catalogue. Neal Zaslaw agreed that the opening was characteristic of J. C. Bach in his book "Mozart's Symphonies", but questioned if this was a legitimate method of dating works, given that the seven symphonies of J. C. Bach beginning in this march-like way were written later than
Catalogue of Works in Refutation of Methodism is itself divided further, the first group of works representing those called "Anti-Methodistical", the second group listed under "Methodist Authors" (being by Methodist authors themselves), the third called "Miscellaneous", and the last group listed as "Political". Catalogue of Works in Refutation of Methodism Catalogue of Works in Refutation of Methodism: from its Origin in 1729, to the Present Time (often referred to as Catalogue of Works in Refutation of Methodism) is the title of an antiquarian bibliography or catalogue first published in America in 1846 by the 19th century author Curtis H. Cavender, who compiled the work under the anagrammatic