Night on Bald Mountain Baron Georgiy Mengden, a military friend of the composer. In 1860 Mussorgsky informed Balakirev that he had been commissioned to write one act of an opera on this subject: However, as with the previous project, it is unknown whether any materials were written down, and, if so, whether they were transferred to subsequent projects. Rimsky-Korsakov declares in his memoirs ("Chronicle of My Musical Life") that in the early 1860s Mussorgsky, under the influence of Franz Liszt's "Totentanz", had written a version of the "Bald Mountain" music for piano and orchestra. However, it is believed that Mussorgsky did not hear Liszt's
Night on Bald Mountain April 1890, at the [[Théâtre de la Monnaie]] in [[Brussels]]. The following program is printed in Rimsky-Korsakov's edition of "Night on Bald Mountain", published in 1886 by [[V. Bessel and Co.]]: Subterranean sounds of non-human voices. Appearance of the spirits of darkness, followed by that of Chernobog. Glorification of Chernobog and [[Black Mass|Black Service]]. Sabbath. At the height of the sabbath, the distant ringing of a village church bell is heard; it disperses the spirits of darkness. Morning. Recordings of Rimsky-Korsakov's revision are too numerous to catalog in this article. [[File:Leopold Stokowski LOC 26447u.jpg|upright|thumb|Leopold Stokowski]] Millions of 20th-century listeners owe