A German Requiem (Brahms) the traditional Roman Catholic Requiem Mass, which employs a standardized text in Latin, the text is derived from the German Luther Bible. Brahms's first known use of the title "Ein deutsches Requiem" was in an 1865 letter to Clara Schumann in which he wrote that he intended the piece to be ""eine Art deutsches Requiem"" (a sort of German Requiem). Brahms was quite moved when he found out years later that Robert Schumann had planned a work of the same name. "German" refers primarily to the language rather than the intended audience. Brahms told Carl Martin Reinthaler, director of music
Classical music of the United Kingdom Ars Nova and laid some of the foundations of later national and international classical music. Musicians from the British Isles also developed some distinctive forms of music, including Celtic chant, the Contenance Angloise, the rota, polyphonic votive antiphons and the carol in the medieval era and English madrigals, lute ayres and masques in the Renaissance era, which led particularly to English language opera developed in the early Baroque period. The dominant figure in classical music in the later baroque era, and beyond, was the German-born George Frideric Handel (1685–1759). With the Act of Union 1800 passed by both the Parliament