Georgina Hale Criterion Theatre in November 1979). In 1981, Hale played the role of Josie in Nell Dunn’s play, "Steaming", at the Comedy Theatre in London. Hale received a 1981 Best Comedy Performance Olivier nomination for her performance. A year later in April 1982 she starred opposite Glenda Jackson in "Summit Conference" at the Lyric Theatre, playing Benito Mussolini's mistress Clara Petacci in a revival of Robert David MacDonald's play for the Citizens' Theatre, Glasgow. Over the years, Hale has made numerous appearances with the Citizens'. These include "Mourning Becomes Electra" (1991), "The Milk Train Doesn't Stop Here Anymore" (1994), "Britannicus" (2002)
The Mistress of the Copper Mountain miners simply missed women, because their work allowed for little contact with them. He also thought that the Mistress outgrew her initial function of a treasure keeper. She became "the embodiment of power, wealth and beauty" which revealed itself only before the best of people. E. Kulikova theorized that her place in the Ural mythology is most likely connected with the perception of the mountains as "magical space". The mountain was the source of life, the protector from hostile forces and the residence of divine patrons. Alexei Ivanov suggested that the Mistress most likely originates from a spirit of place