Felix Mendelssohn Melusine (Die schöne Melusine)" (1830). A contemporary writer considered these works as "perhaps the most beautiful overtures that, so far, we Germans possess". Mendelssohn also wrote in 1839 an overture to "Ruy Blas", commissioned for a charity performance of Victor Hugo's drama (which the composer hated) His incidental music to "A Midsummer Night's Dream" (Op. 61), including the well-known Wedding March, was written in 1843, seventeen years after the Overture. The Violin Concerto in E minor, Op. 64 (1844), was written for Ferdinand David. David, who had worked closely with Mendelssohn during the piece's preparation, gave the premiere of the
A Midsummer Night's Dream essay "does not (seek to) rewrite "A Midsummer Night's Dream" as a gay play but rather explores some of its 'homoerotic significations' ... moments of 'queer' disruption and eruption in this Shakespearean comedy." Green does not consider Shakespeare to have been a "sexual radical", but that the play represented a "topsy-turvy world" or "temporary holiday" that mediates or negotiates the "discontents of civilisation", which while resolved neatly in the story's conclusion, do not resolve so neatly in real life. Green writes that the "sodomitical elements", "homoeroticism", "lesbianism", and even "compulsory heterosexuality"—the first hint of which may be Oberon's obsession with