Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
Orpheus and Eurydice exit, Orpheus lost his faith and turned to see Eurydice behind him, but her shadow was whisked back among the dead, now trapped in Hades forever. Orpheus tried to return to the Underworld, but a man cannot enter the realm of Hades twice while alive. According to various versions of the myth, Orpheus started playing a mourning song with his lyre, calling for death so that he could be united with Eurydice forever. Orpheus is ultimately killed either by beasts tearing him apart, or by the Maenads, in a frenzied mood. According to another version, Zeus decided to strike him