Felix Mendelssohn of Schlesinger. In 1824 the 15-year-old wrote his first symphony for full orchestra (in C minor, Op. 11). At age 16 Mendelssohn wrote his String Octet in E-flat major, a work which has been regarded as "mark[ing] the beginning of his maturity as a composer." This Octet and his Overture to Shakespeare's "A Midsummer Night's Dream", which he wrote a year later in 1826, are the best-known of his early works. (Later, in 1843, he also wrote incidental music for the play, including the famous "Wedding March".) The Overture is perhaps the earliest example of a concert overture—that is, a
A Midsummer Night's Dream Titania's changeling ward—in the story must be considered in the context of the "culture of early modern England" as a commentary on the "aesthetic rigidities of comic form and political ideologies of the prevailing order". Aspects of ambiguous sexuality and gender conflict in the story are also addressed in essays by Shirley Garner and William W.E. Slights albeit all the characters are played by males. Male dominance is one thematic element found in "A Midsummer Night's Dream". In "A Midsummer Night's Dream", Lysander and Hermia escape into the woods for a night where they do not fall under the laws