A German Requiem (Brahms) humanism persists through the work. Brahms purposely omitted Christian dogma. In his correspondence with Carl Reinthaler, when Reinthaler expressed concern over this, Brahms refused to add references to "the redeeming death of the Lord", as Reinthaler described it, such as . In the Bremen performance of the piece, Reinthaler took the liberty of inserting the aria "I know that my Redeemer liveth" from Handel's "Messiah" to satisfy the clergy. In addition to soprano and baritone soloists and mixed chorus, "A German Requiem" is scored for: Since Brahms inserted the fifth movement, the work shows symmetry around the fourth movement, which
A World Requiem A World Requiem A World Requiem, Op. 60 is a large-scale symphonic work with soloists and choirs by the British composer John Foulds. Written as a requiem and using forces similar in scale to Gustav Mahler's Eighth Symphony, the work calls for a full symphony orchestra, soloists, massed choirs including children's choirs, offstage instrumentalists and an organ. Foulds wrote the work between 1919 and 1921, and conceived it as a memorial to the dead of all nations in the wake of the First World War. The text (in English), assembled by his wife Maud MacCarthy, to whom the score is