Friedrich Kalkbrenner seriously intended to become Kalkbrenner's pupil, but he changed his mind after this encounter with the celebrated man: Clara Schumann, wife of composer Robert Schumann, and herself an eminent pianist and composer, spent several months in Paris during the year 1839. She met many of the Parisian pianists, Kalkbrenner among them. In a letter home to her father, piano pedagogue Friedrich Wieck, she wrote: German poet and satirist Heinrich Heine in his "Letters on Music from Paris (1840–47)" wrote with biting wit on musical life and musicians in the French capital. Kalkbrenner was the target of some of Heine’s more
Blumenstück (Schumann) Wieck, who was implacably opposed to the marriage. "Blumenstück" features a falling four-note motif that Schumann had previously used to refer to Clara Wieck in "Carnaval", Op. 9. Rather than in his manuscript book, Schumann sketched "Blumenstück" in his Brautbuch; it was offered, along with the song cycle "Myrthen", Op. 25, of 1840, as a bridal gift. In a letter to Clara on 24 January 1839, Schumann wrote that he had recently completed a number of small piano pieces, with the titles: The "Blumenstück" is in the form of a double theme and variations, and the "Arabeske" is in rondo