Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
The Mask of Orpheus Orpheus must travel through is given a symbolic name. At the start of this act, time is moving backwards: Orpheus travels back out of and into the Underworld, and Euridice dies once more. Then time moves forwards as Orpheus leaves the Underworld again. One version of the Orpheus story is that he is then killed by a thunderbolt thrown by Zeus, while another is that he is dismembered by the women of Dionysus. Orpheus then becomes the subject of a cult and an oracle. Time flows backwards once more, and Orpheus' death is acted out again, and the opera ends