Metaphysical poets still young, introducing into it a string of Metaphysical conceits in the lines beginning “Most souls, ‘tis true, but peep out once an age” which in part echo a passage from Donne's “Second Anniversary”. By the time Pope wrote this, the vogue for the Metaphysical style was over and a new orthodoxy had taken its place, of which the rewriting of Donne's satires was one expression. Nevertheless, Johnson's dismissal of the ‘school’ was still in the future and at the start of the 18th century allusions to their work struck an answering chord in readers. During the course of the
Metaphysical Interior with Biscuits Metaphysical Interior with Biscuits Metaphysical Interior with Biscuits (1916) is a painting by the Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into de Chirico’s career. Like the others in this series, this painting depicts a room cluttered with objects in a surreal arrangement. In this case the main focus is a panel on which are mounted several biscuits (crackers) arranged to resemble an abstract face. Behind this panel is a picture in an irregularly shaped frame. The image in the frame is an architectural scene in