Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
The Consecration of the House (overture) August von Kotzebue's play of the same name, for the dedication of a new theatre in Pest. This same work was to be performed again in 1822 for the new theatre in Vienna. However, Carl Meisl, the commissioner of the Royal Imperial Navy, changed the texts of numbers 1, 6, 7, and 8 of Beethoven's work. Beethoven was not pleased with the revision, and felt that the new text did not fit the music. Meisl also introduced a section, "Wo sich die Pulse", for which Beethoven wrote new music (WoO 98). Beethoven wrote a completely new overture for the work,