Orpheus in the Underworld Orpheus in the Underworld Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffon (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux. The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow full-length works of certain genres. "Orpheus" was not only longer, but more musically adventurous than Offenbach's
Orpheus under Medea's guidance, is reflected in the Biblical story of Lot's wife when escaping from Sodom. More directly, the story of Orpheus is similar to the ancient Greek tales of Persephone captured by Hades and similar stories of Adonis captive in the underworld. However, the developed form of the Orpheus myth was entwined with the Orphic mystery cults and, later in Rome, with the development of Mithraism and the cult of Sol Invictus. According to a Late Antique summary of Aeschylus' lost play "Bassarids", Orpheus, towards the end of his life, disdained the worship of all gods except the sun,