Sephardic music at a Sephardic wedding one will definitely not find any medieval instruments, but will likely hear an electronic keyboard. From the sephardic music roots has grown a large corpus of original new classical music. Notable among modern composers are "en la mar ay una torre" 19 Sephardic songs by the Jewish Community Choir of Thessaloniki, with the Codex ensemble under the direction of Kostis Papazoglou (Minos EMI) Sephardic music Sephardic music is an umbrella term used to refer to the music of the Sephardic Jewish community. Sephardic Jews have a diverse repertoire the origins of which center primarily around the
Sephardic law and customs process of standardization: in a list of differences preserved from the time of the Geonim, most of the usages recorded as Palestinian are now obsolete. (In the list of usages below, Sephardic usages inherited from Palestine are marked P, and instances where the Sephardic usage conforms to the Babylonian while the Ashkenazic usage is Palestinian are marked B.) By the 12th century, as a result of the efforts of Babylonian leaders such as Yehudai Gaon and Pirqoi ben Baboi, the communities of Palestine, and Diaspora communities such as Kairouan which had historically followed Palestinian usages, had adopted Babylonian rulings in