Friedrich Kalkbrenner seriously intended to become Kalkbrenner's pupil, but he changed his mind after this encounter with the celebrated man: Clara Schumann, wife of composer Robert Schumann, and herself an eminent pianist and composer, spent several months in Paris during the year 1839. She met many of the Parisian pianists, Kalkbrenner among them. In a letter home to her father, piano pedagogue Friedrich Wieck, she wrote: German poet and satirist Heinrich Heine in his "Letters on Music from Paris (1840–47)" wrote with biting wit on musical life and musicians in the French capital. Kalkbrenner was the target of some of Heine’s more
Clara Schumann these recitals. Wieck performed to sell-out crowds and laudatory critical reviews; Benedict Randhartinger, a friend of Franz Schubert, gave Wieck an autographed copy of Schubert's "Erlkönig", inscribing it "To the celebrated artist, Clara Wieck." Frédéric Chopin described her playing to Franz Liszt, who came to hear one of Wieck's concerts and subsequently "praised her extravagantly in a letter that was published in the Parisian "Revue et Gazette Musicale" and later, in translation, in the Leipzig journal "Neue Zeitschrift für Musik"." On 15 March, Wieck was named a "Königliche und Kaiserliche Kammervirtuosin" ("Royal and Imperial Chamber Virtuoso"), Austria's highest musical honor.