King Lear the realm of which the king is head, not to Lear himself, and he tells Lear to behave better for the good of the realm. By contrast, Lear makes an argument similar to James that as king, he holds absolute power and could disregard the views of his subjects if they displease him whenever he liked. In the play, the characters like the Fool, Kent and Cordelia, whose loyalties are institutional, seeing their first loyalty to the realm, are portrayed more favorably than those like Regan and Goneril, who insist they are only loyal to the king, seeing their loyalties
The Yiddish King Lear The Yiddish King Lear The Yiddish King Lear ( "Der Yidisher Konig Lir", also known as The Jewish King Lear) was an 1892 play by Jacob Gordin, and is generally seen as ushering in the first great era of Yiddish theater in the Yiddish Theater District, in which serious drama gained prominence over operetta. Gordin, a respected intellectual and Yiddish-language novelist, had been recruited by Jacob Adler in an effort to create a more serious repertoire for Yiddish theater, comparable to what he knew from Russian theater. His first two plays, "Siberia" and "Two Worlds" had failed commercially, although "Siberia"