Theatre of the United Kingdom works are often characterised by menace or claustrophobia. Beckett also influenced Tom Stoppard (1937-) ("Rosencrantz and Guildenstern are Dead",1966). Stoppard's works are however also notable for their high-spirited wit and the great range of intellectual issues which he tackles in different plays. Both Pinter and Stoppard continued to have new plays produced into the 1990s. "Beyond the Fringe" was a comedy stage revue written and performed by Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller. It played in London's West End and then on New York's Broadway in the early 1960s, and is widely regarded as seminal to the
The Billy Barnes Revue for a total of 48 weeks. The "Billy Barnes Revue", with original cast members Joyce Jameson, Bert Convy, Patti Regan, Ken Berry, Ann Guilbert, Jackie Joseph, Len Weinrib and sketch writer/director Bob Rodgers, opened at the York Playhouse in New York City on June 9, 1959. The production was produced by George Eckstein (Ann Guilbert's husband) in association with Bob Reese. Billy Barnes was the musical director, with Armin Hoffman on the second piano. "The New York Times" review by Lewis Funke was mixed: "A crisply played and highly polished little entertainment called "The Billy Barnes Revue" arrived at the