King Lear 80, was deemed ideal for the role and "at home with Lear's skin" by critic Sam Wollaston. The first recording of the Argo Shakespeare for Argo Records was "King Lear" in 1957, directed and produced by George Rylands with William Devlin in the title role, Jill Balcon as Goneril and Prunella Scales as Cordelia. The Shakespeare Recording Society recorded a full-length unabridged audio productions on LP in 1965 (SRS-M-232) directed by Howard Sackler, with Paul Scofield as Lear, Cyril Cusack as Gloucester. Robert Stephens as Edmund, Rachel Roberts, Pamela Brown and John Stride. "King Lear" was broadcast live on the
Lear (play) Gravedigger's Boy, whose kindness towards the old King led to his murder. Eventually Lear, after becoming a prophet reminiscent of Leo Tolstoy, makes a gesture toward dismantling the wall he began. This gesture leads to his death, which offers hope as an example of practical activism. The play also features a character called Cordelia, wife of the murdered Gravedigger's Boy who becomes a Stalinist-type dictator herself. "Lear" features some punishing scenes of violence, including knitting needles being plunged into a character's eardrum, a bloody on-stage autopsy and a machine which sucks out Lear's eyeballs. However, it is often lyrical and