King Lear the realm of which the king is head, not to Lear himself, and he tells Lear to behave better for the good of the realm. By contrast, Lear makes an argument similar to James that as king, he holds absolute power and could disregard the views of his subjects if they displease him whenever he liked. In the play, the characters like the Fool, Kent and Cordelia, whose loyalties are institutional, seeing their first loyalty to the realm, are portrayed more favorably than those like Regan and Goneril, who insist they are only loyal to the king, seeing their loyalties
King Lear other) Restoration adaptations of Shakespeare. For example, in "The Spectator" on 16 April 1711 Joseph Addison wrote ""King Lear" is an admirable Tragedy ... as "Shakespeare" wrote it; but as it is reformed according to the chymerical Notion of poetical Justice in my humble Opinion it hath lost half its Beauty." Yet on the stage, Tate's version prevailed. David Garrick was the first actor-manager to begin to cut back on elements of Tate's adaptation in favour of Shakespeare's original: he retained Tate's major changes, including the happy ending, but removed many of Tate's lines, including Edgar's closing speech. He also