King Lear the realm of which the king is head, not to Lear himself, and he tells Lear to behave better for the good of the realm. By contrast, Lear makes an argument similar to James that as king, he holds absolute power and could disregard the views of his subjects if they displease him whenever he liked. In the play, the characters like the Fool, Kent and Cordelia, whose loyalties are institutional, seeing their first loyalty to the realm, are portrayed more favorably than those like Regan and Goneril, who insist they are only loyal to the king, seeing their loyalties
King Lear to be that old and to be banished from your family into the open air in a storm. That's a level of impoverishment you would never want to see in any other human being, ever." In 2016 Talawa Theatre Company and Royal Exchange Manchester co-produced a production of "King Lear" with Don Warrington in the title role. The production, featuring a largely black cast, was described in "The Guardian" as being "as close to definitive as can be". "The Daily Telegraph" said "Don Warrington's King Lear is a heartbreaking tour de force". "King Lear" was also staged by Royal Shakespeare