The Maze (painting) it undigestible. The skull in the painting has been opened up by ribbon, to suggest the work of the doctors at the mental hospital, attempting to make a proper diagnosis. Kurelek depicted the rat spirit as inert, unwilling to leave his prison even though it has been opened up for him. This was Kurelek's way of showing his doctors what their job was. He writes, in his autobiography, "Now clean me out, I challenge you scientists, and put me back together again - a happy, balanced, mature, fulfilled personality. Lift that rat out and unwind him and let him run
The Ambassadors (Holbein) England, Holbein displayed the influence of Early Netherlandish painters in this work. This influence can be noted most outwardly in the use of oil paint, the use of which for panel paintings had been developed a century before in Early Netherlandish painting. What is most "Flemish" of Holbein's use of oils is his use of the medium to render meticulous details that are mainly symbolic: as Jan van Eyck and the Master of Flémalle used extensive imagery to link their subjects to divinity, Holbein used symbols to link his figures to show the same things on the table. Among the