Cordelia (King Lear) by Cordelia's wicked sisters, Goneril and Regan, he goes mad. Cordelia returns at the end of the play with the intentions of helping Lear, ultimately reversing her role as daughter to that of mother. But when she arrives, Lear can not even recognize her in his state of madness. Nevertheless, she forgives him for banishing her. By the time Lear finally regains his reason and realizes who Cordelia is, they have little time to talk and reconcile. Edmund arrives and sends them both to prison, where Cordelia is ultimately hanged. In Nahum Tate's "happy-ending" revision "The History of King Lear"
In the Name of My Daughter the characters' passions drive the action, director Andre Téchiné lends the film an appealing illusion of calm." Richard Brody from "The New Yorker" called the film "a ready-made classic melodrama". Nicolas Rapold writing for "The New York Times" commented that "Mr. Téchiné ’s methodical storytelling covers more narrative ground than the drama requires, sapping the film’s energy." In his review for the "San Francisco Chronicle", Mick LaSalle described "In the Name of my daughter" as "Lacking action to the point of seeming immobile, Mr. Téchiné nevertheless amasses a catalogue of anger, desire and sex, enhanced by stunning landscapes of villas