Anamorphosis before 1583. "The Ambassadors" (c. 1533) by Hans Holbein the Younger is well known for the prominent oblique anamorphic transformation in the painting. In this artwork, a distorted shape lies diagonally across the bottom of the frame. Viewing this from an acute angle transforms it into the plastic image of a human skull. The painting is regarded as a "vanitas" - a meditation on the transience of life - with the skull a symbolic "memento mori". The altered perspective required to see the image reflects the contemporary practice of painting skulls on the reverse of otherwise tranquil paintings. Four centuries
Love at the Bottom of the Sea first release with Merge since 1999's "69 Love Songs". After releasing three albums relatively free of synthesizers as part of a "no-synth trilogy" (2004's "i", 2008's "Distortion", and 2010's "Realism"), "Love at the Bottom of the Sea" features the blend of acoustic and synthesized instruments that the band was known for in the 1990s. Stephin Merritt claims he took a fresh approach with the instrumentation, stating "Most of the synthesizers on the record didn't exist when we were last using synthesizers." All of the tracks on the album are less than three minutes long. "Love at the Bottom of the