Panel painting uses heated wax as the medium for the pigments. This was replaced before the end of first millennium by tempera, which uses an egg-yolk medium. Using small brushes dipped in a mixture of pigment and egg-yolk, the paint was applied in very small, almost transparent, brushstrokes. Thin layers of paint would be used to create volumetric forms. By the beginning of the 15th century, oil painting was developed. This was more tolerant, and allowed the exceptional detail of Early Netherlandish art. This used a very painstaking multi-layered technique, where the painting, or a particular part of it, had to be
Alan (given name) what is today Brittany, France. An early figure who bore the name was St Alan, a 5th-century bishop of Quimper. This saint became a cult figure in the Brittany during the Middle Ages. Another early bearer of the name was St Alan, a 6th-century Cornish saint, who has a church dedicated to his memory in Cornwall (for example see St Allen, a civil parish in Cornwall named after this saint). Today the use of the given name (and its variants) is due to its popularity among the Bretons who imported the name to England, to Cornwall, and later to Ireland.