A German Requiem (Brahms) humanism persists through the work. Brahms purposely omitted Christian dogma. In his correspondence with Carl Reinthaler, when Reinthaler expressed concern over this, Brahms refused to add references to "the redeeming death of the Lord", as Reinthaler described it, such as . In the Bremen performance of the piece, Reinthaler took the liberty of inserting the aria "I know that my Redeemer liveth" from Handel's "Messiah" to satisfy the clergy. In addition to soprano and baritone soloists and mixed chorus, "A German Requiem" is scored for: Since Brahms inserted the fifth movement, the work shows symmetry around the fourth movement, which
Classical music of the United Kingdom born Jenny Lind, perhaps the most internationally renowned singer of the era, settled permanently in England, continuing to perform and teach. Among the most important figures in British classical music in this period was Sir William Sterndale Bennett. A RAM pupil of Potter's, he was a pianist, composer and conductor who for eleven years took control of the Philharmonic Society baton. Lucy Anderson and her pupil Arabella Goddard, with Franklin Taylor, were leading native mid-Victorian pianists. This century saw the trend towards larger orchestras and correspondingly larger musical venues, permitting public concerts for mass audiences. The Crystal Palace concerts were