Sephardic music Sephardic music Sephardic music is an umbrella term used to refer to the music of the Sephardic Jewish community. Sephardic Jews have a diverse repertoire the origins of which center primarily around the Mediterranean basin. In the secular tradition, material is usually sung in dialects of Judeo-Spanish, though other languages including Hebrew, Turkish, Greek, and other local languages of the Sephardic diaspora are widely used. Sephardim maintain geographically unique liturgical and para-liturgical traditions. Songs which are sung by women are traditionally sung while performing household tasks, without accompaniment or harmony. Tambourines and other percussion instruments are sometimes used, especially in
Sephardic law and customs basis of the later Sephardic tradition. The Catalan rite was intermediate in character between the Castilian rite and that of Provence: Haham Gaster classified the rites of Oran and Tunis in this group. After the expulsion from Spain, the Sephardim took their liturgy with them to countries throughout the Arab and Ottoman world, where they soon assumed positions of rabbinic and communal leadership. They formed their own communities, often maintaining differences based on their places of origin in the Iberian peninsula. In Salonica, for instance, there were more than twenty synagogues, each using the rite of a different locality in