D-flat minor D-flat minor D minor is a theoretical key based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has six flats and one double flat. Its relative major is F major (usually replaced by E major), its parallel major is D major, its direct enharmonic equivalent is C♯ minor, which is normally used. The D natural minor scale is: \override Score.TimeSignature #'stencil = ##f \relative c' { </score> Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic
Scale (music) in the Medieval and Renaissance periods (1100–1600) tends to use the white-note diatonic scale C–D–E–F–G–A–B. Accidentals are rare, and somewhat unsystematically used, often to avoid the tritone. Music of the common practice periods (1600–1900) uses three types of scale: These scales are used in all of their transpositions. The music of this period introduces "modulation," which involves systematic changes from one scale to another. Modulation occurs in relatively conventionalized ways. For example, major-mode pieces typically begin in a "tonic" diatonic scale and modulate to the "dominant" scale a fifth above.In the 19th century (to a certain extent), but more in