Hampton Court Palace large enough to hold the assembled court, and thus one of the first of the King's building works (in order to transform Hampton Court to a principal residence) was to build the vast kitchens. These were quadrupled in size in 1529, enabling the King to provide bouche of court for his entire court. The architecture of King Henry's new palace followed the design precedent set by Wolsey: perpendicular Gothic-inspired Tudor with restrained Renaissance ornament. This hybrid architecture was to remain almost unchanged for nearly a century, until Inigo Jones introduced strong classical influences from Italy to the London palaces of
Hampton Court Palace by Grinling Gibbons during the reign of Queen Anne. Opposite the altar, at first-floor level, is the royal pew where the royal family would attend services apart from the general congregation seated below. The clergy, musicians and other ecclesiastical officers employed by the monarch at Hampton Court, as in other English royal premises, are known collectively as the Chapel Royal; properly used the term does not refer to a building. The grounds as they appear today were laid out in grand style in the late 17th century. There are no authentic remains of Henry VIII's gardens, merely a small knot