New Opera Singapore Dichterliebe 48. He captivated the crowd with his soulful and strong vocals, bringing out every emotion from the pieces, using a plethora of vocal techniques and dramatic expressions. Jacques Offenbach: Orpheus in the Underworld . This production was staged at Victoria Theatre on 29 July 2016 and 31 July 2016. New Opera Singapore commended its fifth commemoration with another stellar execution at the restored Victoria Theater. Established by Korean Soprano and singing educator Jeong Ae Ree, the fit troupe exhibits the exemplary Greek story of Orpheus and Euridice, deciphered by Jeremy Sams, with music composed by Jacques Offenbach. Orpheus In
The Gaze of Orpheus song” (Huffer 175). Another interpretation or usage of the gaze of Orpheus is by Geoffrey Sirc. Sirc uses Orpheus’s moment of violation as argument for creative form in writing versus the standard polished text. Urging the adolescent writer to break free of formal notions of form, Sirc views the journal as the media through which Orpheus yearns for Eurydice. “If the Work is freed of concern, the gaze is transgressive, then we’re clearly not talking about the polished text, especially one oriented dutifully around the tiny truths available through an analysis of middle-brow media” (Sirc 14). Sirc’s primary reference to