Metaphysical poets the Metaphysical style. The choice of style by the young Milton and the young Dryden can therefore be explained in part as contextual. Both went on to develop radically different ways of writing; neither could be counted as potentially Metaphysical poets. Nor could Alexander Pope, yet his early poetry evidences an interest in his Metaphysical forebears. Among his juvenilia appear imitations of Cowley. As a young man he began work on adapting Donne's second satire, to which he had added the fourth satire too by 1735. Pope also wrote his “Elegy to the Memory of an Unfortunate Lady” (1717) while
Metaphysical necessity world could not possibly have been otherwise. What facts are metaphysically necessary, and on what basis we might view certain facts as metaphysically but not logically necessary are subjects of substantial discussion in contemporary philosophy. The concept of a metaphysically necessary being plays an important role in certain arguments for the existence of God, especially the ontological argument, but metaphysical necessity is also one of the central concepts in late 20th century analytic philosophy. Metaphysical necessity has proved a controversial concept, and criticized by David Hume, Immanuel Kant, J. L. Mackie, and Richard Swinburne, among others. Metaphysical necessity is contrasted