A Midsummer Night's Dream palace and the forest, and the fairies were portrayed as gossamer-winged ballerinas. The overture by Felix Mendelssohn was always used throughout this period. Augustin Daly's production opened in 1895 in London and ran for 21 performances. Herbert Beerbohm Tree staged a 1911 production which featured "mechanical birds twittering in beech trees, a simulated stream, fairies wearing battery-operated lighting, and live rabbits following trails of food across the stage." Max Reinhardt staged "A Midsummer Night's Dream" thirteen times between 1905 and 1934, introducing a revolving set. After he fled Germany he devised a more spectacular outdoor version at the Hollywood Bowl
Aotearoa (overture) Aotearoa (overture) Aotearoa is a concert overture written for orchestra by New Zealand composer Douglas Lilburn in the year 1940. The overture is one of three early works by Lilburn which center on the theme of national identity; the other two are 1944's "Landfall in Unknown Seas", for narrator and orchestra, and the tone poem "A Song of Islands" of 1946. The title of the overture ("Aotearoa") is taken from the Māori name for the islands. Lilburn wrote the overture while he was still a student at London's Royal College of Music, and it was premiered in Great Britain, at