Classical music voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a Bachelor of Music or Master of Music degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required. Performance of classical music repertoire requires a proficiency in sight-reading and ensemble playing, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms
Modern completions of Mozart's Requiem a plagal cadence with a Picardy third (iv–I in D minor) at the end of the Lacrymosa. Jones combines the two, ending the fugue with a variation on the concluding bars of Süssmayr's Lacrymosa as well as the plagal cadence. Modern completions of Mozart's Requiem This article lists some of the modern completions of the "Requiem" by Wolfgang Amadeus Mozart. For a performance of the Requiem in Rio de Janeiro in December 1819, Austrian composer Sigismund von Neukomm constructed a further movement based on material in the Süssmayr version. Incorporating music from various movements including the Requiem aeternum, Dies irae,