King Lear of King Lear" (1949), argues that "Lear" dramatizes, among other things, the current meanings of "Nature". The words "nature," "natural" and "unnatural" occur over forty times in the play, reflecting a debate in Shakespeare's time about what nature really was like; this debate pervades the play and finds symbolic expression in Lear's changing attitude to Thunder. There are two strongly contrasting views of human nature in the play: that of the Lear party (Lear, Gloucester, Albany, Kent), exemplifying the philosophy of Bacon and Hooker, and that of the Edmund party (Edmund, Cornwall, Goneril, Regan), akin to the views later formulated
The History of King Lear the first scene, and would justify Edgar's disguise, "making that a generous Design that was before a poor Shift to save his Life." "The History of King Lear" was first performed in 1681, in the Duke's Theatre in London, with the leading roles taken by Thomas Betterton (as Lear) and Elizabeth Barry (as Cordelia), both remembered now for their portrayal of Shakespeare's characters. Tate relates that he was "Rackt with no small Fears" because of the boldness of his undertaking, until he "found it well receiv'd by [his] Audience" This happy-ending adaptation was, in fact, so well received by audiences,