So, we'll go no more a roving the latter part of it, and sitting up late o' nights--had knocked me up a little. But it is over--and it is now Lent, with all its abstinence and sacred music... Though I did not dissipate much upon the whole, yet I find 'the sword wearing out the scabbard,' though I have but just turned the corner of twenty nine." The poem seems to have been suggested in part by the refrain of a Scottish song known as "The Jolly Beggar." The Jolly Beggar was published in Herd's "Scots Songs" in 1776, 41 years before Byron's letter, and goes partially
Rival Poet and Richard Barnfield have been proposed as identities for the Rival Poet. Chapman was a prominent poet and translator of Homer. Scholars speculate that Shakespeare was familiar with his work, having read part of his translation of the "Iliad" for his own "Troilus and Cressida", a dramatic reworking of Chaucer's epic poem. Chapman wrote "Ovid's Banquet Of Sense", a metaphysical poem seen as a response to the erotic "Venus and Adonis," which incidentally features Shakespeare's most quoted poet, Ovid. In "Shakespeare and the Rival Poet", Acheson conjectures that Chapman's erotic poems were written with a view to gaining Southampton's patronage.