Orpheus Paris' Montmartre) in search of his fortune and ultimately to attempt the rescue of his doomed love. The film adapts a widely known piece from Jacques Offenbach's comedic operetta "Orphée aux enfers" ("Orpheus in the Underworld"), identified with the once-popular can-can music hall dance. Offenbach's operatic work had itself parodied the classical tale of Orpheus' attempted rescue of Eurydice from Pluto (Hades). Gavin Bryars' music for Édouard Lock's full length ballet "Dido and Orfeo" (2011) reworks music from the operas "Dido and Aeneas" (Purcell) and "Orfeo ed Euridice" (Gluck) for a small ensemble of saxophone, viola, cello and piano. Orpheus
The Mask of Orpheus with the Orpheus myth decaying. "The Mask of Orpheus", in addition to vocal and orchestral music, contains a significant amount of electronic music, (which was precisely composed by Birtwistle, and realized on his behalf by Barry Anderson). Each act has its own electronic "aura", which goes on continuously, sometimes prominently, sometimes inaudibly; the voice of Apollo is heard on several occasions as an electronic sound "speaking" in an invented language. These electronic sounds were made by Anderson in Paris at IRCAM. There are also six purely electronic interludes created by computer manipulation of harp sounds. Jocelyn Herbert was commissioned to