Luis Korda Díaz acted primarily as photographer and travel companion of Fidel Castro, with whom he had a close relationship, and also Ernesto Guevara, whom he saw as rather arrogant – a personal view he shared with many other photographers. Luis Korda’s most famous image is also the most important photo of the Cuban revolution, showing the revolutionaries entering Havana on 8 January 1959 with Fidel Castro and Camilo Cienfuegos at the head of the procession. The fear that Studio Korda, a privately held company, could fall victim to nationalisation, drove Alberto Diaz and Luis Peirce to bequeath it to the Oficina
Alexander Korda director also had careers in the film industry, often working with their elder brother. After the death of his father, Korda began writing film reviews to support his family. Korda changed his family name from Kellner to Korda—from the Latin phrase "sursum corda" which means "lift up your hearts". Korda became an important film figure through his film magazines "Pesti Mozi", "Mozihét" and "Világ". This led to invitations to write film screenplays. Korda's first film script was for "Watchhouse in the Carpathians" (1914), which he also helped direct. When the First World War broke out, Korda was excused from military