Norman Beaton in London's West End. In 1970 he played the role of Ariel in Shakespeare's "The Tempest", which he described in his autobiography as "the most important role of my acting career", and also played a small role in the Frankie Howerd comedy film "Up the Chastity Belt" the following year. In 1975, he helped to establish the Black Theatre of Brixton. In 1975 Beaton played Nanki-Poo in "The Black Mikado", a modern version of Gilbert and Sullivan's "The Mikado". In 1976, Beaton broke into television in the series "The Fosters", which also featured a young Lenny Henry, and the following
British African-Caribbean people (Rudolph Walker) and "Rising Damp" (Don Warrington) when their role was often to act simply as either the butt of, or foil to, racist jokes made by White characters. The most influential programme in moving away from this formula was the 1989–94 Channel Four barbershop sitcom "Desmond's", starring Norman Beaton and Carmen Munroe. One of the biggest African-Caribbean names in comedy is Lenny Henry, who began his career as a stand-up comedian but whose television sketch shows, where he often caricatured Caribbean émigrés, made him popular enough to headline numerous primetime comedy shows from, for instance, "Lenny Henry" in 1984