The Producers (1967 film) Glazier budgeted the film at $1 million, and sought financiers. Half the money came from philanthropist Louis Wolfson, who liked the idea of laughing at a dictator, and the remainder, along with the distribution, was arranged by Joseph E. Levine of Embassy Pictures. Levine's only condition was to change the title, as he felt many distributors would not carry a picture named "Springtime for Hitler." Brooks renamed it "The Producers," considering it ironic as "these guys are anything but producers." As Brooks "couldn't think of anybody to direct it," eventually he decided to take the task for himself, even though
The Producers (1967 film) for Space" ("Spaceballs"); and "Springtime for the Slum" ("Life Stinks"). When it was first released, the film received a mixed response and garnered some exceptionally harsh reviews, while others considered it a great success. One of the mixed reviews came from Renata Adler, who, writing for "The New York Times," stated: ""The Producers", which opened yesterday at the Fine Arts Theater, is a violently mixed bag. Some of it is shoddy and gross and cruel; the rest is funny in an entirely unexpected way." About the acting, she writes that Mostel is "overacting grotesquely under the direction of Mel Brooks"