Opera Nova Bydgoszcz and on July 2, Offenbach's operetta "Orpheus in the Underworld". "Opera Studio" was renamed on March 3, 1959, "Musical Theatre of Opera and Operetta" (), so as to meet cultural expectations of the inhabitants of the entire Bydgoszcz Voivodeship. A year later, on March 1, 1960, the institution was nationalized. In 1963, the "Musical Theatre of Opera and Operetta" had then its own orchestra established, putting an end to the use of musicians from the Pomeranian Philharmonic. Bydgoszcz musical scene, once nationalised, changed its name several times: "Opera and Operetta" (1964), "National Opera" (1980), "Opera Nova" (1990), and from 1996,
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path