Night on Bald Mountain Baron Georgiy Mengden, a military friend of the composer. In 1860 Mussorgsky informed Balakirev that he had been commissioned to write one act of an opera on this subject: However, as with the previous project, it is unknown whether any materials were written down, and, if so, whether they were transferred to subsequent projects. Rimsky-Korsakov declares in his memoirs ("Chronicle of My Musical Life") that in the early 1860s Mussorgsky, under the influence of Franz Liszt's "Totentanz", had written a version of the "Bald Mountain" music for piano and orchestra. However, it is believed that Mussorgsky did not hear Liszt's
Night on Bald Mountain Saturdays 22 and 29 June, new style. Upon our arrival in Paris, rehearsals commenced. The orchestra, which proved to be excellent, the men being amiable and painstaking, had been borrowed from [[Édouard Colonne|Colonne]]. Their playing in the concerts was fine... The success was considerable, with plenty of applause, but the attendance was not large. "Night on Bald Mountain" was performed at the second concert, on 29 June 1889, where it followed [[Alexander Borodin|Borodin]]'s 'Polovtsian Dances' and 'Polovtsian March' from "[[Prince Igor]]" in the second half of the program. Rimsky-Korsakov later mentions another performance of the piece, taking place on 25