The Producers (2005 film) a flop could generate up to $2 million. Max asks for Leo's help with the scheme, only for the latter to refuse ("We Can Do It"). Returning to his old accounting firm, Leo starts fantasizing about being a Broadway producer ("I Wanna Be a Producer"). Leo quits his job and forms "Bialystock & Bloom" with Max. Searching for the worst play ever written, the duo finds "Springtime for Hitler", a musical written by an ex-Nazi named Franz Liebkind. Max and Leo, in order to acquire Franz's rights to the musical, perform Hitler's favorite song and swear the sacred "Siegfried Oath"
The Producers (1967 film) to cheat theatrical investors by devising a designed-to-fail tasteless Broadway musical about Hitler only 23 years after the end of World War II. Among the most harsh critics were Stanley Kauffmann in "The New Republic," who wrote that "the film bloats into sogginess" and Pauline Kael who called it "amateurishly crude" in "The New Yorker." On the other hand, others considered the film to be a great success. "Time" magazine's reviewers wrote that the film was "hilariously funny" but pointed out that "the film is burdened with the kind of plot that demands resolution" but unfortunately "ends in a whimper