Norman Beaton in London's West End. In 1970 he played the role of Ariel in Shakespeare's "The Tempest", which he described in his autobiography as "the most important role of my acting career", and also played a small role in the Frankie Howerd comedy film "Up the Chastity Belt" the following year. In 1975, he helped to establish the Black Theatre of Brixton. In 1975 Beaton played Nanki-Poo in "The Black Mikado", a modern version of Gilbert and Sullivan's "The Mikado". In 1976, Beaton broke into television in the series "The Fosters", which also featured a young Lenny Henry, and the following
Black sitcom the advertising agency BBDO which has analyzed ratings figures, to the failure of humor to translate. The high ratings achieved by Bill Cosby have been ascribed to humor that has appealed to both whites and blacks. In the early days of television, black actors were often cast in stereotypical roles, often as comic clowns in a tradition tracing back to the genre of black minstrelsy popular in the early 20th century. The first television sitcom to portray black people, "Amos 'n Andy", was widely popular among diverse audiences. The actors on the original radio show were both white, however the