Metaphysical poets the Metaphysical style. The choice of style by the young Milton and the young Dryden can therefore be explained in part as contextual. Both went on to develop radically different ways of writing; neither could be counted as potentially Metaphysical poets. Nor could Alexander Pope, yet his early poetry evidences an interest in his Metaphysical forebears. Among his juvenilia appear imitations of Cowley. As a young man he began work on adapting Donne's second satire, to which he had added the fourth satire too by 1735. Pope also wrote his “Elegy to the Memory of an Unfortunate Lady” (1717) while
Metaphysical Interior with Biscuits Metaphysical Interior with Biscuits Metaphysical Interior with Biscuits (1916) is a painting by the Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into de Chirico’s career. Like the others in this series, this painting depicts a room cluttered with objects in a surreal arrangement. In this case the main focus is a panel on which are mounted several biscuits (crackers) arranged to resemble an abstract face. Behind this panel is a picture in an irregularly shaped frame. The image in the frame is an architectural scene in