The Sorcerer's Apprentice (Dukas) Romantic genre of programmatic music, which composers like Franz Liszt, Claude Debussy, Jean Sibelius and Richard Strauss increasingly explored as an alternative to earlier symphonic forms. Unlike other tone poems, such as "La mer" by Debussy or "Finlandia" by Sibelius, Dukas's work is, like works such as "Till Eulenspiegel's Merry Pranks" by Strauss, descriptively programmatic, closely following the events described in the Goethe poem. It was customary, in fact, to publish the poem as part of the orchestral score. The instrumentation of the piece consists of two flutes and piccolo, two oboes, two soprano clarinets and bass clarinet, three bassoons
Aurora (tone poem) of the dawn. This short tone poem attempts to portray in reasonably respectable sonata first movement form, the inherent sensuality of her nature. Consecutive 6/4 chords introduce a bit of night music soon to be dispelled by the dawn theme, announced by the flute. Aurora’s theme forms the second subject and (it is hoped) is of a suitably lyrical nature, as befits such a beautiful goddess. Her amorous adventures can possibly be imagined in the development section, and in the recapitulation her theme occurs twice – the first time with a light textured orchestration, and then with all the instruments