The Ambassadors (Holbein) the lower shelf repeats a portion of a cartographically imaginative map created in possibly 1530 and of unknown origin. The map is referred to as the Ambassadors' Globe due to its popularly known appearance in the painting. The work has been described as "one of the most staggeringly impressive portraits in Renaissance art." The most notable and famous of Holbein's symbols in the work, however, is the distorted skull which is placed in the bottom center of the composition. The skull, rendered in anamorphic perspective, another invention of the Early Renaissance, is meant to be a visual puzzle as the
Lenin in Kremlin (painting) depicted sitting in a chair on a summer day in the garden. The same approach is seen in his large genre painting "Lenin in Kremlin" of 1960. The event depicted in the painting "Lenin in the Kremlin" related to the second half of 1921. The artist reproduces in detail the situation of the working office of Lenin in the Kremlin. The idea of painting is typical for the time of the turn of 1950-60's. The event shown in the picture likely relates to the second half of 1921. Nikolai Baskakov wanted to show Lenin as a statesman at the time