A Midsummer Night's Dream (Mendelssohn) A Midsummer Night's Dream (Mendelssohn) At two separate times, Felix Mendelssohn composed music for William Shakespeare's play, "A Midsummer Night's Dream". First in 1826, near the start of his career, he wrote a concert overture (Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing Overture. The incidental music includes the world-famous "Wedding March". The German title reads Ein Sommernachtstraum. The Overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was
A Midsummer Night's Dream Titania's changeling ward—in the story must be considered in the context of the "culture of early modern England" as a commentary on the "aesthetic rigidities of comic form and political ideologies of the prevailing order". Aspects of ambiguous sexuality and gender conflict in the story are also addressed in essays by Shirley Garner and William W.E. Slights albeit all the characters are played by males. Male dominance is one thematic element found in "A Midsummer Night's Dream". In "A Midsummer Night's Dream", Lysander and Hermia escape into the woods for a night where they do not fall under the laws