Cuban art a photograph of Ché Guevara taken by Alberto Korda (b. Havana, 1928 – d. Paris, 2001). The candid shot of a moody, exhausted Guevara, taken in March, 1960 at a memorial service for victims of an ammunition ship explosion in Havana Harbor, became one of the world's most iconic images. It was eventually altered and adapted for everything from gum wrappers to a 90 ft. tall commemorative iron sculpture in Havana's Plaza de la Revolución. Korda was a popular fashion photographer who became a devoted revolutionary and close companion of Fidel Castro, taking thousands of shots of Castro's travels and
Alexander Korda were both nautical-set adventures based on Hungarian novels. By that stage, Korda had grown irritated with Kolowrat's interference with his work and left Sascha to make an independent film, "Samson and Delilah" (1922), set in the world of opera. The film was made on a lavish scale, with large crowd scenes. The lengthy shooting schedule lasted 160 working days. The film was unsuccessful. Unable to find further backing for his film projects, Korda left Vienna and travelled to Germany. Korda raised funding for the melodrama "The Unknown Tomorrow" (1923). With backing from Germany's biggest film company, UFA, Korda returned to