A Midsummer Night's Dream (1999 film) in the Tuscan region of Italy, although all textual mentions of Athens were retained. The film made use of Felix Mendelssohn's incidental music for an 1843 stage production (including the famous "Wedding March"), alongside operatic works from Giuseppe Verdi, Gaetano Donizetti, Vincenzo Bellini, Gioacchino Rossini and Pietro Mascagni. "A Midsummer Night's Dream" received mixed-to-positive reviews, and currently holds a rating of 67% on Rotten Tomatoes, and a score of 61 on Metacritic, indicating generally favorable reviews. Many critics singled out Kevin Kline and Stanley Tucci for particular praise. In "The New York Times", Janet Maslin wrote: In the "Chicago Sun-Times",
A Midsummer Night's Dream essay "does not (seek to) rewrite "A Midsummer Night's Dream" as a gay play but rather explores some of its 'homoerotic significations' ... moments of 'queer' disruption and eruption in this Shakespearean comedy." Green does not consider Shakespeare to have been a "sexual radical", but that the play represented a "topsy-turvy world" or "temporary holiday" that mediates or negotiates the "discontents of civilisation", which while resolved neatly in the story's conclusion, do not resolve so neatly in real life. Green writes that the "sodomitical elements", "homoeroticism", "lesbianism", and even "compulsory heterosexuality"—the first hint of which may be Oberon's obsession with