Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
A Midsummer Night's Dream (Mendelssohn) This was followed by incidental music for Sophocles' "Oedipus" (Potsdam, 1 November 1845; published posthumously as Op. 93) and Jean Racine's "Athalie" (Berlin, 1 December 1845; Op. 74). The "A Midsummer Night's Dream" Overture, Op. 21, originally written as an independent piece 16 years earlier, was incorporated into the Op. 61 incidental music as its overture, and the first of its 14 numbers. There are also vocal sections and other purely instrumental movements, including the Scherzo, Nocturne and "Wedding March". The vocal numbers include the song "Ye spotted snakes" and the melodramas "Over hill, over dale", "The Spells", "What hempen