A Midsummer Night's Dream inspired by the play, that was first performed in 1827. In 1842, partly because of the fame of the overture, and partly because his employer King Friedrich Wilhelm IV of Prussia liked the incidental music that Mendelssohn had written for other plays that had been staged at the palace in German translation, Mendelssohn was commissioned to write incidental music for a production of "A Midsummer Night's Dream" that was to be staged in 1843 in Potsdam. He incorporated the existing Overture into the incidental music, which was used in most stage versions through the 19th century. The best known of
A Midsummer Night's Dream was John Dryden, writing in 1677. He was preoccupied with the question of whether fairies should be depicted in theatrical plays, since they did not exist. He concluded that poets should be allowed to depict things which do not exist but derive from popular belief. And fairies are of this sort, as are pigmies and the extraordinary effects of magick. Based on this reasoning, Dryden defended the merits of three fantasy plays: "A Midsummer Night's Dream", "The Tempest", and Ben Jonson's "Masque of Witches". Charles Gildon in the early 18th century recommended this play for its beautiful reflections, descriptions, similes,