The Ambassadors (Holbein) viewer must approach the painting from high on the right side, or low on the left side, to see the form as an accurate rendering of a human skull. While the skull is evidently intended as a "vanitas" or "memento mori", it is unclear why Holbein gave it such prominence in this painting. One possibility is that this painting represents three levels: the heavens (as portrayed by the astrolabe and other objects on the upper shelf), the living world (as evidenced by books and a musical instrument on the lower shelf), and death (signified by the skull). It has also
Lenin in Kremlin (painting) depicted sitting in a chair on a summer day in the garden. The same approach is seen in his large genre painting "Lenin in Kremlin" of 1960. The event depicted in the painting "Lenin in the Kremlin" related to the second half of 1921. The artist reproduces in detail the situation of the working office of Lenin in the Kremlin. The idea of painting is typical for the time of the turn of 1950-60's. The event shown in the picture likely relates to the second half of 1921. Nikolai Baskakov wanted to show Lenin as a statesman at the time