Orpheus in the Underworld Orpheus in the Underworld Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffon (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux. The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow full-length works of certain genres. "Orpheus" was not only longer, but more musically adventurous than Offenbach's
Orpheus (film) the Portland Opera in 2010. "New York Times" critic Anthony Tommasini, following a negative review by the paper's Edward Rothstein of the opera's premiere, wrote about the release of the recording, "14 years after my first hearing, I was swept away by "Orphée"." Orpheus (film) Orpheus (; also the title used in the UK) is a 1950 French film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, which consists of "The Blood of a Poet" (1930), "Orpheus" (1950) and "Testament of Orpheus" (1960). Set in contemporary Paris, the story of the