Metaphysical poets the Metaphysical style. The choice of style by the young Milton and the young Dryden can therefore be explained in part as contextual. Both went on to develop radically different ways of writing; neither could be counted as potentially Metaphysical poets. Nor could Alexander Pope, yet his early poetry evidences an interest in his Metaphysical forebears. Among his juvenilia appear imitations of Cowley. As a young man he began work on adapting Donne's second satire, to which he had added the fourth satire too by 1735. Pope also wrote his “Elegy to the Memory of an Unfortunate Lady” (1717) while
Metaphysical naturalism of all being and a rejection of the logical possibility for any ultimate answer), free will compatibilism, the nature of mind, abstract objects, ontological reductionism, the nature of emotions, the meaning of life, the nature of reason, atheism, aesthetics, morality (including ethical naturalism and a recommendation for a science of morality), and politics. Several Metaphysical Naturalists have used the trends in scientific discoveries about minds to argue that no supernatural minds exist. For instance, Lowder says, "Since all known mental activity has a physical basis, there are probably no disembodied minds. But God is conceived of as a disembodied mind.