A German Requiem (Brahms) humanism persists through the work. Brahms purposely omitted Christian dogma. In his correspondence with Carl Reinthaler, when Reinthaler expressed concern over this, Brahms refused to add references to "the redeeming death of the Lord", as Reinthaler described it, such as . In the Bremen performance of the piece, Reinthaler took the liberty of inserting the aria "I know that my Redeemer liveth" from Handel's "Messiah" to satisfy the clergy. In addition to soprano and baritone soloists and mixed chorus, "A German Requiem" is scored for: Since Brahms inserted the fifth movement, the work shows symmetry around the fourth movement, which
Music of Sweden Stenhammar (1871-1927) was one of the later national romantic composers. He owned a reputation as one of the finest pianist of his time. He studied some years in Berlin, where he came in contact with the German high romanticism, such as Bruckner and Wagner, which influenced him a lot when he wrote his two symphonies. He also wrote six string quartets, a respectable amount of piano music and one opera, Tyrfing, treating on a Norse mythological subject. Another national romantic composer who was also a conductor and violinist, was Hugo Alfvén (1872-1960). His orchestration is bright and colorful, reminiscent of