A Midsummer Night's Dream (Mendelssohn) form and shaped by regular phrasings and harmonic transitions. The piece is also noted for its striking instrumental effects, such as the emulation of scampering 'fairy feet' at the beginning and the braying of Bottom as an ass (effects which were influenced by the aesthetic ideas and suggestions of Mendelssohn's friend at the time, Adolf Bernhard Marx). Heinrich Eduard Jacob, in his biography of the composer, said that Mendelssohn had scribbled the chords after hearing an evening breeze rustle the leaves in the garden of the family's home. The overture begins with four chords in the winds. Following the first
A Midsummer Night's Dream (1959 film) A Midsummer Night's Dream (1959 film) A Midsummer Night's Dream () is a 1959 Czechoslovak animated puppet film directed by Jiří Trnka. It is based on the Shakespeare play of the same name. Trnka, working under the Czech communist regime who had previously been denied in his wish to adapt "Don Quixote", worked for several years on his adaptation of "A Midsummer Night's Dream". The film established a new pinnacle of craftmanship: Cerise Howard, discussing the film in a retrospective on Trnka for "Senses of Cinema", describes the puppet animation as "more liquid, more balletic than ever"; the scenes between