A Midsummer Night's Dream the pieces from the incidental music is the famous "Wedding March", frequently used as a recessional in weddings. The choreographer Marius Petipa, more famous for his collaborations with Tchaikovsky (on the ballets "Swan Lake" and "The Sleeping Beauty") made another ballet adaptation for the Imperial Ballet of St. Petersburg with additional music and adaptations to Mendelssohn's score by Léon Minkus. The revival premiered 14 July 1876. English choreographer Frederick Ashton also created a 40-minute ballet version of the play, retitled to "The Dream". George Balanchine was another to create a "Midsummer Night's Dream" ballet based on the play, using Mendelssohn's
A Midsummer Night's Dream writing to be "subtle and ethereal", and standing above literary criticism and its reductive reasoning. Also in 1849, Georg Gottfried Gervinus wrote extensively about the play. He denied the theory that this play should be seen as a dream. He argued that it should be seen as an ethical construct and an allegory. He thought that it was an allegorical depiction of the errors of sensual love, which is likened to a dream. In his view, Hermia lacks in filial obedience and acts as if devoid of conscience when she runs away with Lysander. Lysander is also guilty for disobeying