Michael Grade Management & Representation. Among the artists whom Grade represented were Morecambe and Wise (he successfully negotiated the duo's defection from ATV to BBC2 in 1968) and Larry Grayson. Grade entered the television industry in 1973 when he joined London Weekend Television (LWT) as Deputy Controller of Programmes (Entertainment). During this time he bought the scripts of an Afro-American sitcom "Good Times" which had an all-black cast. Adapted as "The Fosters" (1976–77), it became the first British sitcom to have an entirely black cast. At LWT, Grade worked with both John Birt and Greg Dyke. After he became Director of Programmes
Norman Studios course 40 of a few days. These films included "The Wrecker" and "Sleepy Sam the Sleuth," and after they were processed at Norman's laboratory in Chicago, they would be screened and any funds raised would be split between Norman and the town. This led to his filming other events and productions throughout the Midwest, including the play "Pro Patria" at the University of Illinois—Urbana Chamapign. His first silent film with an all black cast was "The Green-Eyed Monster" (1919), adapted from his earlier home talent film "The Wrecker." Set in the railroad industry, this expanded film included a dramatic story