Rienzi the German Empire and making it great once more." The original performance version of "Rienzi" was lost in the Dresden bombing of 1945, and the manuscript (on which it had been based) was lost in Berlin in 1945. No full copies had been made of either version, as far as is known. However, "Rienzi" was never established by the composer into a finalized version, so all performances of it since 1945 have been reconstructions. A vocal score of the early 1840s, based on Wagner's draft, remains as the only existing primary source. Two surviving full scores made in Dresden in
Music of Scotland in the nineteenth century Hae" by Burns. Major composers included of the national school that developed in the late nineteenth century included Alexander Mackenzie (1847–1935), William Wallace (1860–1940), Learmont Drysdale (1866–1909) and Hamish MacCunn (1868–1916). Mackenzie, who studied in Germany and Italy and mixed Scottish themes with German Romanticism, is best known for his three "Scottish Rhapsodies" (1879–80, 1911), "Pibroch" for violin and orchestra (1889) and the "Scottish Concerto" for piano (1897), all involving Scottish themes and folk melodies. Wallace's work included an overture, "In Praise of Scottish Poesie" (1894). Drysdale's work often dealt with Scottish themes, including the overture "Tam O’ Shanter" (1890),