Mary of Guise grace may perceive the perplexed state of affairs in Scotland." At first Guise stayed unwillingly at Linlithgow Palace, then in July 1543 she moved with the infant Queen to Stirling Castle. When Ralph Sadler spoke to her again in August, Guise assured him the English marriage would go ahead when Mary was ten years old. In the meantime Mary was safe at Stirling, and Guise said she was glad to be at Stirling and, "much she praised there about the house." It soon became clear to Henry VIII that Mary and Edward would not be married, despite Scottish promises and
Cultural depictions of Mary, Queen of Scots Cultural depictions of Mary, Queen of Scots Mary, Queen of Scots, has inspired artistic and cultural works for more than four centuries. The following lists cover various media, enduring works of high art, and recent representations in popular culture, film and fiction. The entries represent portrayals that a reader has a reasonable chance of encountering rather than a complete catalogue. Mary, Queen of Scots, captured the imagination of Italian radicals and their fellow travellers as a political symbol. There was a restless interest in this tormented figure. The earliest years of the nineteenth century saw performances of the following plays: