Menelaus to Crete and Egypt where they were becalmed, unable to sail away. They trapped Proteus, and forced him to reveal how to make the voyage home. After their homecoming, Menelaus and Helen’s marriage is strained; Menelaus continually revisits the losses of the Trojan War, particularly as he and Helen have no male heir. Menelaus is fond of Megapenthes and Nicostratus, his sons by other women. According to Euripides’ "Helen", Menelaus is reunited with Helen after death, on the Isle of the Blessed. Menelaus appears in Greek vase painting in the 6th to 4th centuries BC, such as: Menelaus’s reception of
The Boy Who Was a King term. The film presents not only the life of the former Tsar, but also intertwines within the story vignettes of various Bulgarians, who were supporting him, sending him gifts, or merely tattooing his face on their body. The story is told through personal footage and vast amounts of archive material. The film received praise for its editing and use of archives with Variety's Robert Koehler writing that "Pic’s terrific use of archival footage includes an exiled Simeon interviewed in the early ’60s, disputing his playboy rep." and "Editing is aces." The Boy Who Was a King The Boy Who Was