Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Puck (A Midsummer Night's Dream) Lysander's eyes, which will cause him to fall back in love with Hermia. The four lovers wonder if the events that occurred in the forest were real, or merely a shared delusion (or, to put it another way, "A Midsummer Night's Dream"). At the end of the play (Act 5 Scene 1) Puck delivers a speech in which he addresses the audience directly, and suggests that anyone who might have been offended by the play's events should, like the characters, consider that the whole performance was just a bad dream: <poem> If we shadows have offended, Think but this, and