Minor scale based on the accidentals of the "natural" minor scale, not on those of the harmonic or melodic minor scales. For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F). Major and minor keys that share the same key signature are "relative" to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is
Phrygian dominant scale the Freygish scale is used in Klezmer music, the sixth degree may be left unflatted if it is melodically approached and left from above, or the seventh degree may be raised as well. Phrygian dominant scale In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. Also called the altered Phrygian scale, dominant flat 2 flat 6 (in jazz), the Freygish scale (also spelled Fraigish), or simply the fifth mode of the harmonic minor scale. It resembles the scale of the Phrygian mode but has a major third. In the