Clara Schumann Wieck learned to compose, and from childhood to middle age she produced a good body of work. Clara wrote that "composing gives me great pleasure... there is nothing that surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound". At age fourteen she wrote her piano concerto, with some help from Robert Schumann, and performed it at age sixteen at the Leipzig Gewandhaus with Mendelssohn conducting. As she grew older, however, she became more preoccupied with other responsibilities in life and found it hard to compose regularly,
Michael Wieck had become a vast graveyard of rubble. Of the 316,000 people who had lived there before the war, perhaps 100,000 remained, and Wieck estimated that about half of these were to die of hunger, disease, or maltreatment before the last Germans were allowed (or forced) to leave in 1949-50. The Soviet authorities declined to recognize the few surviving German Jews in Königsberg as victims of the Nazis, and initially treated all German-speakers as enemies. Wieck's incarceration in a Soviet prison camp near Königsberg-Rothenstein, and the story of how he and his parents barely managed to eke out an existence thereafter