Friedrich Kalkbrenner seriously intended to become Kalkbrenner's pupil, but he changed his mind after this encounter with the celebrated man: Clara Schumann, wife of composer Robert Schumann, and herself an eminent pianist and composer, spent several months in Paris during the year 1839. She met many of the Parisian pianists, Kalkbrenner among them. In a letter home to her father, piano pedagogue Friedrich Wieck, she wrote: German poet and satirist Heinrich Heine in his "Letters on Music from Paris (1840–47)" wrote with biting wit on musical life and musicians in the French capital. Kalkbrenner was the target of some of Heine’s more
Clara Schumann city due to an outbreak of cholera. An anonymous music critic, writing of Clara Wieck's 1837–1838 Vienna recitals, said: "The appearance of this artist can be regarded as epoch-making... In her creative hands, the most ordinary passage, the most routine motive acquires a significant meaning, a colour, which only those with the most consummate artistry can give." From December 1837 to April 1838, Clara Wieck performed a series of recitals in Vienna when she was 18. Franz Grillparzer, Austria's leading dramatic poet, wrote a poem entitled "Clara Wieck and Beethoven" after hearing Wieck perform the "Appassionata" sonata during one of