A Midsummer Night's Dream the pieces from the incidental music is the famous "Wedding March", frequently used as a recessional in weddings. The choreographer Marius Petipa, more famous for his collaborations with Tchaikovsky (on the ballets "Swan Lake" and "The Sleeping Beauty") made another ballet adaptation for the Imperial Ballet of St. Petersburg with additional music and adaptations to Mendelssohn's score by Léon Minkus. The revival premiered 14 July 1876. English choreographer Frederick Ashton also created a 40-minute ballet version of the play, retitled to "The Dream". George Balanchine was another to create a "Midsummer Night's Dream" ballet based on the play, using Mendelssohn's
A Midsummer Night's Dream Oberon is a "horrid brute". Towards the end of the 19th century, Georg Brandes (1895–6) and Frederick S. Boas (1896) were the last major additions to "A Midsummer Night's Dream" criticism. Brandes' approach to anticipates later psychological readings, seeing Oberon's magic as symbolic and "typifying the sorcery of the erotic imagination". Brandes felt that in the play, Shakespeare looks inward at the "domain of the unconscious". Boas eschews the play as ethical treatise or psychological study and instead takes a more historicist and literal approach. To Boas the play is, despite its fantastical and exotic trappings, "essentially English and Elizabethan".