Regan (King Lear) Lear" 1.1.67–74. Later in the play, Lear leaves his kingdom to live with Goneril. She rejects him. After Lear leaves Goneril's house, he asks Regan to take him in. She tells him he has too many servants and knights, just as Goneril had. Unwilling to budge, Regan drives Lear out into the storm. In Act 3, Scene 7, after learning that the Earl of Gloucester has helped Lear escape to Dover, Regan, Goneril, and the Duke of Cornwall discuss what Gloucester's fate should be. While Regan suggests that they "hang him instantly," (3.7. 4), Goneril orders that his eyes be
King Lear other) Restoration adaptations of Shakespeare. For example, in "The Spectator" on 16 April 1711 Joseph Addison wrote ""King Lear" is an admirable Tragedy ... as "Shakespeare" wrote it; but as it is reformed according to the chymerical Notion of poetical Justice in my humble Opinion it hath lost half its Beauty." Yet on the stage, Tate's version prevailed. David Garrick was the first actor-manager to begin to cut back on elements of Tate's adaptation in favour of Shakespeare's original: he retained Tate's major changes, including the happy ending, but removed many of Tate's lines, including Edgar's closing speech. He also