Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
Santiago de Espada Santiago de Espada Santiago de Espada is a concert overture by the Australian composer Malcolm Williamson. Written in 1956 when Williamson was barely 25, it was his first mature orchestral work. The overture was first heard in June 1957 when the London Philharmonic Orchestra conducted by Sir Adrian Boult included it in a private concert at St. Pancras Town Hall, London (an event which also featured the première of Williamson's Symphony No. 1 "Elevamini"). Despite this, it wasn't until a broadcast in February 1958 that the work had its first public airing. The overture was not performed in Australia until