Metaphysical poets the Metaphysical style. The choice of style by the young Milton and the young Dryden can therefore be explained in part as contextual. Both went on to develop radically different ways of writing; neither could be counted as potentially Metaphysical poets. Nor could Alexander Pope, yet his early poetry evidences an interest in his Metaphysical forebears. Among his juvenilia appear imitations of Cowley. As a young man he began work on adapting Donne's second satire, to which he had added the fourth satire too by 1735. Pope also wrote his “Elegy to the Memory of an Unfortunate Lady” (1717) while
Metaphysical naturalism in commitment to naturalism. It was not until the early modern era of philosophy and the Age of Enlightenment that naturalists like Benedict Spinoza (who put forward a theory of psychophysical parallelism), David Hume, and the proponents of French materialism (notably Denis Diderot, Julien La Mettrie, and Baron d'Holbach) started to emerge again in the 17th and 18th centuries. In this period, some metaphysical naturalists adhered to a distinct doctrine, materialism, which became the dominant category of metaphysical naturalism widely defended until the end of the 19th century. Immanuel Kant rejected (reductionist) materialist positions in metaphysics, but he was not