Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
Julius Caesar (overture) 9. Eric Sams suggests there are many other clues throughout Schumann's works, including a cipher for "C-A-E-S-A-R" in the opening chords of the "Julius Caesar" overture. The work has been recorded a number of times, but is not often performed in concert. Julius Caesar (overture) The Julius Caesar overture, Op. 128, is a concert overture written in 1851 by Robert Schumann, inspired by Shakespeare's play "Julius Caesar" and influenced by the "Egmont" and "Coriolan" overtures of Ludwig van Beethoven. "Julius Caesar" is usually associated with two other Schumann concert overtures written about that time, also inspired by great literature: "The