A Midsummer Night's Dream palace and the forest, and the fairies were portrayed as gossamer-winged ballerinas. The overture by Felix Mendelssohn was always used throughout this period. Augustin Daly's production opened in 1895 in London and ran for 21 performances. Herbert Beerbohm Tree staged a 1911 production which featured "mechanical birds twittering in beech trees, a simulated stream, fairies wearing battery-operated lighting, and live rabbits following trails of food across the stage." Max Reinhardt staged "A Midsummer Night's Dream" thirteen times between 1905 and 1934, introducing a revolving set. After he fled Germany he devised a more spectacular outdoor version at the Hollywood Bowl
A Midsummer Night's Dream if it were meant to be a comedy, and everyone retires to bed. Afterwards, Oberon, Titania, Puck, and other fairies enter, and bless the house and its occupants with good fortune. After all the other characters leave, Puck "restores amends" and suggests that what the audience experienced might just be a dream. It is unknown exactly when "A Midsummer Night's Dream" was written or first performed, but on the basis of topical references and an allusion to Edmund Spenser's "Epithalamion", it is usually dated 1595 or early 1596. Some have theorised that the play might have been written for an