A Midsummer Night's Dream palace and the forest, and the fairies were portrayed as gossamer-winged ballerinas. The overture by Felix Mendelssohn was always used throughout this period. Augustin Daly's production opened in 1895 in London and ran for 21 performances. Herbert Beerbohm Tree staged a 1911 production which featured "mechanical birds twittering in beech trees, a simulated stream, fairies wearing battery-operated lighting, and live rabbits following trails of food across the stage." Max Reinhardt staged "A Midsummer Night's Dream" thirteen times between 1905 and 1934, introducing a revolving set. After he fled Germany he devised a more spectacular outdoor version at the Hollywood Bowl
Never Just a Dream Mail and was the 'disc of the week'. As described by NOW magazine, "Never Just A Dream combines laid-back jazz flavours and concise pop structures. Country references drop in here and there, as do some flavours borrowed from 60s girl groups." As AW Music observes, "there is a focus on the instrumentation associated with these influences, so reminiscent of the classical lounge sounds back in the days." ""Never Just a Dream"" explores all things romantic – jealousy, rebounding, May–December pairings. When Emma-Lee designed the artwork for "Never Just a Dream", she was inspired by a photo of a red velvet