Cordelia (King Lear) by Cordelia's wicked sisters, Goneril and Regan, he goes mad. Cordelia returns at the end of the play with the intentions of helping Lear, ultimately reversing her role as daughter to that of mother. But when she arrives, Lear can not even recognize her in his state of madness. Nevertheless, she forgives him for banishing her. By the time Lear finally regains his reason and realizes who Cordelia is, they have little time to talk and reconcile. Edmund arrives and sends them both to prison, where Cordelia is ultimately hanged. In Nahum Tate's "happy-ending" revision "The History of King Lear"
The History of King Lear Tate. The play was suppressed for several years prior to the death of King George III in 1820, as its focus on a mad king suggested an unfortunate resemblance to the situation of the reigning monarch. But in 1823, Kemble's rival, Edmund Kean (who had previously acted Tate's Lear), "stimulated by Hazlitt's remonstrances and Charles Lamb's essays," became the first to restore the tragic ending, though much of Tate remained in the earlier acts. "The London audience," Kean told his wife, "have no notion of what I can do till they see me over the dead body of Cordelia." Kean