Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
A Midsummer Night's Dream (1935 film) out on the screen". Today, the film gets mostly good reviews. Emanuel Levy notices: "Bold and impressive, Reinhardt's screen version of his famous Hollywood Bowl Shakespearean production was nominated for the Best Picture Oscar." , Reinhardt's "A Midsummer Night's Dream" holds an 88% rating on the film-critics aggregate site Rotten Tomatoes, based on 8 reviews. The film is often used as a comparison to modern comedy: slapstick, insults, puns, the battle of the sexes, witty retorts, mockery are just some of the ways that the art of Shakespeare and Reinhardt is as relevant as ever. The film won two Academy