King Lear the realm of which the king is head, not to Lear himself, and he tells Lear to behave better for the good of the realm. By contrast, Lear makes an argument similar to James that as king, he holds absolute power and could disregard the views of his subjects if they displease him whenever he liked. In the play, the characters like the Fool, Kent and Cordelia, whose loyalties are institutional, seeing their first loyalty to the realm, are portrayed more favorably than those like Regan and Goneril, who insist they are only loyal to the king, seeing their loyalties
The History of King Lear Reader and Audience to have Vertue and Piety meet so unjust a Reward. . . . We rejoice at the deaths of the "Bastard" and the two Sisters, as of Monsters in Nature under whom the very Earth must groan. And we see with horror and Indignation the Death of the King, "Cordelia" and "Kent". The translator and author Thomas Cooke also gave Tate's version his blessing: in the introduction to his own play "The Triumphs of Love and Honour" (1731), he commented that Lear and Gloucester "are made sensible or their Errors, and are placed in a State of