King Lear 80, was deemed ideal for the role and "at home with Lear's skin" by critic Sam Wollaston. The first recording of the Argo Shakespeare for Argo Records was "King Lear" in 1957, directed and produced by George Rylands with William Devlin in the title role, Jill Balcon as Goneril and Prunella Scales as Cordelia. The Shakespeare Recording Society recorded a full-length unabridged audio productions on LP in 1965 (SRS-M-232) directed by Howard Sackler, with Paul Scofield as Lear, Cyril Cusack as Gloucester. Robert Stephens as Edmund, Rachel Roberts, Pamela Brown and John Stride. "King Lear" was broadcast live on the
The Oxford Shakespeare was first printed. This resulted in many controversial choices: for example, presenting "Hamlet" with several famous speeches relegated to appendices on the grounds that Shakespeare added them after the original performances; presenting two separate texts of "King Lear" due to the drastic differences between the two extant texts; and changing the name of Falstaff in "Henry IV Part One" to 'Oldcastle' due to historical evidence that this name was used in the first performances even though it never survived to print. The Oxford "Complete Works" was the first to emphasize Shakespeare's collaborative work, describing "Macbeth", "Measure for Measure" and "Timon