Rienzi hymns, processions and the musical clash of arms". Cosima Wagner recorded Wagner's comment in her diary for 20 June 1871: "Rienzi" is very repugnant to me, but they should at least recognize the fire in it; I was a music director and I wrote a grand opera; the fact that it was this same music director who gave them some hard nuts to crack – that's what should astonish them. Thus the work has remained outside today's Wagner canon, and was only performed at the Bayreuth Festival in 2013, staged by Matthias von Stegmann. Although the composer disclaimed it, it
Pique Dame (Suppé) a rushing brilliant coda brings the overture to a happy conclusion. The "Pique Dame" overture was often heard in cinemas during the era of the silent film when deluxe screenings were preceded by an overture or other concert piece played by a live orchestra. The film music director and composer Hugo Riesenfeld listed it as one of the ten most frequently performed pieces of music in movie theaters of the era. D. W. Griffith's 1914 film "Judith of Bethulia" had a complete live sound track specified by Griffiths himself in which the "Pique Dame" overture, played in its entirety, opened