A German Requiem (Brahms) humanism persists through the work. Brahms purposely omitted Christian dogma. In his correspondence with Carl Reinthaler, when Reinthaler expressed concern over this, Brahms refused to add references to "the redeeming death of the Lord", as Reinthaler described it, such as . In the Bremen performance of the piece, Reinthaler took the liberty of inserting the aria "I know that my Redeemer liveth" from Handel's "Messiah" to satisfy the clergy. In addition to soprano and baritone soloists and mixed chorus, "A German Requiem" is scored for: Since Brahms inserted the fifth movement, the work shows symmetry around the fourth movement, which
A German Requiem (Brahms) sung in English, for the first complete British performance of the Requiem (complete except for the fifth movement, which in 1866 had not yet been written). This took place on 10 July 1871 in London, at the home of Sir Henry Thompson and his wife, the pianist Kate Loder (Lady Thompson). The pianists were Kate Loder and Cipriani Potter. This version of the Requiem became known as the "London Version" (). An arrangement by Barbara Buehlman for concert band of the first movement, under the title "Blessed Are They", has been a standard part of that ensemble's literature for many