Friedrich Kalkbrenner seriously intended to become Kalkbrenner's pupil, but he changed his mind after this encounter with the celebrated man: Clara Schumann, wife of composer Robert Schumann, and herself an eminent pianist and composer, spent several months in Paris during the year 1839. She met many of the Parisian pianists, Kalkbrenner among them. In a letter home to her father, piano pedagogue Friedrich Wieck, she wrote: German poet and satirist Heinrich Heine in his "Letters on Music from Paris (1840–47)" wrote with biting wit on musical life and musicians in the French capital. Kalkbrenner was the target of some of Heine’s more
Friedrich Wieck "For Clara's sake and the world's, we can no longer keep each other at a distance. You too are now a family man – is a longer explanation needed?". The reconciliation was welcomed by Clara, although Robert was less enthusiastic. In 1844 Wieck was again involved in managing Clara's career, but by March 1850 he was promoting the musical career not of Clara but of her sister, Marie, as well as the singer Minna "Schulz-Wieck," whom he falsely advertised as his daughter. Wieck published a very positive review of Frédéric Chopin's Variations on "La ci darem la mano" in the