King Lear of King Lear" (1949), argues that "Lear" dramatizes, among other things, the current meanings of "Nature". The words "nature," "natural" and "unnatural" occur over forty times in the play, reflecting a debate in Shakespeare's time about what nature really was like; this debate pervades the play and finds symbolic expression in Lear's changing attitude to Thunder. There are two strongly contrasting views of human nature in the play: that of the Lear party (Lear, Gloucester, Albany, Kent), exemplifying the philosophy of Bacon and Hooker, and that of the Edmund party (Edmund, Cornwall, Goneril, Regan), akin to the views later formulated
The Yiddish King Lear pillar of Adler's image and career. "Theater Magazine" wrote of Adler's performance in a 1901 revival of "The Yiddish King Lear", "No finer acting has ever been seen in New York than Adler's gradual transition from the high estate of the Hebrew father distributing his bounty in the opening scenes to the quavering blind beggar of later developments." Even after he was nearly paralyzed by a stroke in 1920, Adler managed to play Act I of "The Yiddish King Lear" on several occasions as part of a benefit performance, since his character remained seated throughout this act; he played the