Portrait of the Duke of Wellington its frame in July 1965. Following a high-profile trial in which he was defended by Jeremy Hutchinson, QC, Bunton was found not guilty of stealing the painting, but guilty of stealing the frame. The theft entered popular culture, as it was referenced in the 1962 James Bond film "Dr. No". In the film, the painting was on display in Dr. Julius No's lair, suggesting the first Bond villain had stolen the work. Portrait of the Duke of Wellington The Portrait of the Duke of Wellington is a painting by the Spanish artist Francisco Goya of the British general Arthur Wellesley,
Villain distinguishing heroic traits from villainous ones. Others point out that many acts of villains have a hint of wish-fulfillment, which makes some people identify with them as characters more strongly than with the heroes. Because of this, a convincing villain must be given a characterization that provides a motive for doing wrong, as well as being a worthy adversary to the hero. As put by film critic Roger Ebert: "Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try