A Midsummer Night's Dream (1999 film) in the Tuscan region of Italy, although all textual mentions of Athens were retained. The film made use of Felix Mendelssohn's incidental music for an 1843 stage production (including the famous "Wedding March"), alongside operatic works from Giuseppe Verdi, Gaetano Donizetti, Vincenzo Bellini, Gioacchino Rossini and Pietro Mascagni. "A Midsummer Night's Dream" received mixed-to-positive reviews, and currently holds a rating of 67% on Rotten Tomatoes, and a score of 61 on Metacritic, indicating generally favorable reviews. Many critics singled out Kevin Kline and Stanley Tucci for particular praise. In "The New York Times", Janet Maslin wrote: In the "Chicago Sun-Times",
A Midsummer Night's Dream Oberon is a "horrid brute". Towards the end of the 19th century, Georg Brandes (1895–6) and Frederick S. Boas (1896) were the last major additions to "A Midsummer Night's Dream" criticism. Brandes' approach to anticipates later psychological readings, seeing Oberon's magic as symbolic and "typifying the sorcery of the erotic imagination". Brandes felt that in the play, Shakespeare looks inward at the "domain of the unconscious". Boas eschews the play as ethical treatise or psychological study and instead takes a more historicist and literal approach. To Boas the play is, despite its fantastical and exotic trappings, "essentially English and Elizabethan".