Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
The Lyre of Orpheus (novel) themselves in Toronto to monitor and record the production of the opera from start to finish. As often happens in Davies' novels, all is not simple; for example, the ghost of Hoffman (ETAH), trapped in Limbo as a result of the unsatisfactory state of his artistic work, attends and comments on the ongoing proceedings. Nor is all peaceful among the characters, as they react to Powell's seduction of Maria Cornish, Dahl-Soot's seduction of Schnak, and the inevitable tensions created by the effort to mount an operatic production. The Lyre of Orpheus (novel) The Lyre of Orpheus, first published by Macmillan