Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
The Sandman: Dream Country not have a common storyline running through them, though it has been argued that most Sandman stories are not entirely self-contained and are part of a larger story arc that encompasses the entire series. "Dream Country" is the shortest of the eleven Sandman collections, featuring just four issues ("Calliope", #17, and "A Dream of a Thousand Cats", #18, both pencilled by Kelley Jones and inked by Malcolm Jones III; "A Midsummer Night's Dream", #19, drawn by Charles Vess and coloured for the first time by computer colouring pioneer Steve Oliff; and "Façade", #20, penciled by Colleen Doran and inked by