Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
Le baruffe chiozzotte (overture) Le baruffe chiozzotte (overture) Le baruffe chiozzotte, Op. 32, is a concert overture by Leone Sinigaglia written in 1907. It was introduced in Milan under Arturo Toscanini's baton in the spring of that year. Based on the comedy "Le baruffe chiozzotte" by Carlo Goldoni, it is a spirited work that opens with brilliant subject for full orchestra. A subsidiary theme, more serene in nature, provides contrast. The second main subject of the work is a folk song, first heard in the oboe; it is soon taken up by the first violins. With the quickening of tempo the music becomes more