Rienzi the German Empire and making it great once more." The original performance version of "Rienzi" was lost in the Dresden bombing of 1945, and the manuscript (on which it had been based) was lost in Berlin in 1945. No full copies had been made of either version, as far as is known. However, "Rienzi" was never established by the composer into a finalized version, so all performances of it since 1945 have been reconstructions. A vocal score of the early 1840s, based on Wagner's draft, remains as the only existing primary source. Two surviving full scores made in Dresden in
Overture in D minor (Handel, arr. Elgar) first performance. Elgar's friend W. H. Reed wrote of Elgar's enthusiasm for Handel: '...he would speak of Handel with tears in his eyes... would rub his hands gleefully and look up to heaven at the thought of Handel's genius'. Elgar wrote to John E. West, music editor at Novello & Co., that he had known the overture since he was a little boy and always wanted it to be heard in a large form. Elgar's arrangement followed two orchestrations of works by another composer he admired: he transcribed J. S. Bach's "Fugue in C minor" in 1921 and the "Fantasia