Orpheus Paris' Montmartre) in search of his fortune and ultimately to attempt the rescue of his doomed love. The film adapts a widely known piece from Jacques Offenbach's comedic operetta "Orphée aux enfers" ("Orpheus in the Underworld"), identified with the once-popular can-can music hall dance. Offenbach's operatic work had itself parodied the classical tale of Orpheus' attempted rescue of Eurydice from Pluto (Hades). Gavin Bryars' music for Édouard Lock's full length ballet "Dido and Orfeo" (2011) reworks music from the operas "Dido and Aeneas" (Purcell) and "Orfeo ed Euridice" (Gluck) for a small ensemble of saxophone, viola, cello and piano. Orpheus
Orpheus (film) the Portland Opera in 2010. "New York Times" critic Anthony Tommasini, following a negative review by the paper's Edward Rothstein of the opera's premiere, wrote about the release of the recording, "14 years after my first hearing, I was swept away by "Orphée"." Orpheus (film) Orpheus (; also the title used in the UK) is a 1950 French film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, which consists of "The Blood of a Poet" (1930), "Orpheus" (1950) and "Testament of Orpheus" (1960). Set in contemporary Paris, the story of the