Beyond the Fringe of, in 1960, by an Oxford graduate, Robert Ponsonby, artistic director for the Edinburgh International Festival. John Bassett, a graduate of Wadham College, Oxford, who was Ponsonby's assistant, recommended Dudley Moore, his jazz bandmate and a rising cabaret talent. Moore in turn recommended Alan Bennett, who had had a hit at Edinburgh a few years before. Bassett also chose Jonathan Miller, who had been a Footlights star in 1957. Miller recommended Cook. Bennett and Miller were already pursuing careers in academia and medicine respectively, but Cook had an agent, having written a West End revue for Kenneth Williams. Cook's agent
Beyond the Fringe established comedy revue, it was a series of satirical sketches and musical pieces using a minimal set, looking at events of the day. It effectively represented the views and disappointments of the first generation of British people to grow up after World War II, and gave voice to a sense of the loss of national purpose with the end of the British Empire. Although all of the cast contributed material, the most often quoted pieces were those by Cook, many of which had appeared before in his Cambridge Footlights revues. The show broke new ground with Peter Cook's impression of