The Producers (2005 film) Bialy”) to rival your success. Watch out, real-life producers, for an actor named Gary Beach (“Heil Myself”). Never, and I mean never, hire him if you want your play to flop! And stop spinning in your grave, Florenz Ziegfeld. Those “Springtime for Hitler and Germany” showgirls are all in good fun. Finally, congratulations to director Susan Stroman, for making this Broadway gem into a film that old-time movie musical fans like me can cheer about." Nathan Rabin wrote: "Between the rough start and an ending that lingers too long, there's a solid hour or so of terrific entertainment that serves
The Producers (1967 film) an idea about "two schnooks on Broadway who set out to produce a flop and swindle the backers." The inspiration was some people Brooks met during his early show business days: Benjamin Kutcher, a New York producer who financed his plays by sleeping with elderly women, became the basis for Max Bialystock, and the scheme had origins in two theater producers who had a lavish lifestyle while making various unsuccessful plays. When imagining what play "would have people packing up and leaving the theatre even before the first act is over," Brooks decided to combine Adolf Hitler and a musical.