Mary, Queen of Scots the Scottish alliance with France. Beaton wanted to move Mary away from the coast to the safety of Stirling Castle. Regent Arran resisted the move, but backed down when Beaton's armed supporters gathered at Linlithgow. The Earl of Lennox escorted Mary and her mother to Stirling on 27 July 1543 with 3,500 armed men. Mary was crowned in the castle chapel on 9 September 1543, with "such solemnity as they do use in this country, which is not very costly" according to the report of Ralph Sadler and Henry Ray. Shortly before Mary's coronation, Scottish merchants headed for France were
Scottish art in the eighteenth century suggesting the ultimate motivation for art was love. The same theme was painted by another of Hamilton's proteges, David Allan, two years later. In the late eighteenth century Ossian became a common subject for Scottish artists, and works were undertaken by Alexander Runciman and David Allan among others. Alexander also produced one of the earliest examples of a Scottish historical painting, showing the escape of Mary, Queen of Scots from Loch Leven Castle, which would become a major form in the nineteenth century. Allan returned to Edinburgh in 1780, became director and master of the Academy of Arts in 1786.