The Hebrides (overture) a concert conducted by Thomas Attwood, that also featured Mendelssohn's "Overture to A Midsummer Night's Dream". The final revision was completed by 20 June 1832. and premiered on 10 January 1833 in Berlin under the composer's own baton. The music, though labelled as an overture, is intended to stand as a complete work. Although programme music, it does not tell a specific story and is not "about" anything; instead, the piece depicts a mood and "sets a scene", making it an early example of such musical tone poems. The overture consists of two primary themes; the opening notes of the
Never Just a Dream Mail and was the 'disc of the week'. As described by NOW magazine, "Never Just A Dream combines laid-back jazz flavours and concise pop structures. Country references drop in here and there, as do some flavours borrowed from 60s girl groups." As AW Music observes, "there is a focus on the instrumentation associated with these influences, so reminiscent of the classical lounge sounds back in the days." ""Never Just a Dream"" explores all things romantic – jealousy, rebounding, May–December pairings. When Emma-Lee designed the artwork for "Never Just a Dream", she was inspired by a photo of a red velvet