A Midsummer Night's Dream (Mendelssohn) A Midsummer Night's Dream (Mendelssohn) At two separate times, Felix Mendelssohn composed music for William Shakespeare's play, "A Midsummer Night's Dream". First in 1826, near the start of his career, he wrote a concert overture (Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing Overture. The incidental music includes the world-famous "Wedding March". The German title reads Ein Sommernachtstraum. The Overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was
A Midsummer Night's Dream of patriarchal control. In his book "Power on Display", Leonard Tennenhouse says the problem in "A Midsummer Night's Dream" is the problem of "authority gone archaic". The Athenian law requiring a daughter to die if she does not do her father's will is outdated. Tennenhouse contrasts the patriarchal rule of Theseus in Athens with that of Oberon in the carnivalistic Faerie world. The disorder in the land of the fairies completely opposes the world of Athens. He states that during times of carnival and festival, male power is broken down. For example, what happens to the four lovers in the