Brigadier Gerard and glory, he is always ready with a stirring speech or a gallant remark to a lady. Conan Doyle, in making his hero a vain, and often rather uncomprehending, Frenchman, was able to satirise both the stereotypical English view of the French and – by presenting them from Gerard's baffled point of view – English manners and attitudes. Gerard tells the stories from the point of view of an old man now living in retirement in Paris. We discover that he was born in Gascony in the early 1780s (he is 25 in "How the Brigadier Captured Saragossa"). In "How
Modern Age of Comic Books this "silver age" and "bronze age" background. 1970s horror anthology series merely continued what had already been established during the late 1960s, and endured into the 1980s until they were markedly transformed into new formats, many of which were greatly influenced by, or directly reprinted, "pre-code" content and styles of the early 1950s. Starting with Alan Moore’s groundbreaking work on DC's "Swamp Thing" in the early 1980s, horror comic books incorporated elements of science fiction/fantasy and strove to a new artistic standard. Other examples include Neil Gaiman’s "The Sandman" (followed a few years later by Garth Ennis and Steve Dillon’s