A Midsummer Night's Dream palace and the forest, and the fairies were portrayed as gossamer-winged ballerinas. The overture by Felix Mendelssohn was always used throughout this period. Augustin Daly's production opened in 1895 in London and ran for 21 performances. Herbert Beerbohm Tree staged a 1911 production which featured "mechanical birds twittering in beech trees, a simulated stream, fairies wearing battery-operated lighting, and live rabbits following trails of food across the stage." Max Reinhardt staged "A Midsummer Night's Dream" thirteen times between 1905 and 1934, introducing a revolving set. After he fled Germany he devised a more spectacular outdoor version at the Hollywood Bowl
A Midsummer Night's Dream first bliss of new and reunited lovers. The wedding of Theseus and Hippolyta and the mistaken and waylaid lovers, Titania and Bottom, even the erstwhile acting troupe, model various aspects (and forms) of love. Both David Wiles of the University of London and Harold Bloom of Yale University have strongly endorsed the reading of this play under the themes of Carnivalesque, Bacchanalia, and Saturnalia. Writing in 1998, David Wiles stated that: "The starting point for my own analysis will be the proposition that although we encounter "A Midsummer Night's Dream" as a text, it was historically part of an aristocratic