Faust Overture Faust Overture The Faust Overture is a concert overture by German composer Richard Wagner. Wagner originally composed it between 1839 and 1840, intending it to be the first movement of a "Faust Symphony" based on the play "Faust" by German playwright Johann Wolfgang von Goethe. Realizing that he would not finish the planned symphony, Wagner revised the piece between 1843 and 1844, incorporating ideas from the other planned movements, and creating instead a single-movement concert overture. He made a final revision in 1855. The work is one of Wagner's few compositions intended for the concert hall, rather than the theatre.
Music of the United States famously William Henry Fry and George Frederick Bristow, supported the idea of an American classical style, though their works were very European in orientation. It was John Knowles Paine, however, who became the first American composer to be accepted in Europe. Paine's example inspired the composers of the "Second New England School", which included such figures as Amy Beach, Edward MacDowell, and Horatio Parker. Louis Moreau Gottschalk is perhaps the best-remembered American composer of the 19th century, said by music historian Richard Crawford to be known for "bringing indigenous or folk, themes and rhythms into music for the concert hall".