Regan (King Lear) measure of pain that others are prepared to inflict; her mind itself is a lynch mob" (291). Regan (King Lear) Regan is a fictional character in William Shakespeare's tragic play, "King Lear", named after a King of the Britons recorded by the medieval scribe Geoffrey of Monmouth. Shakespeare based the character on "Regan", a personage described by Geoffrey of Monmouth in his pseudohistorical chronicle "Historia regum Britanniae" ("History of the Kings of Britain", ) as one of the British king Lear's three daughters, alongside Goneril and Cordeilla (the source for Cordelia), and the mother of Cunedagius. She is the middle
King Lear ideas of Jan Kott, in particular his observation that "King Lear" was the precursor of absurdist theatre: in particular, the film has parallels with Beckett's "Endgame". Critics who dislike the film particularly draw attention to its bleak nature from its opening: complaining that the world of the play does not deteriorate with Lear's suffering, but commences dark, colourless and wintry, leaving, according to Douglas Brode, "Lear, the land, and "us" with nowhere to go". Cruelty pervades the film, which does not distinguish between the violence of ostensibly good and evil characters, presenting both savagely. Paul Scofield, as Lear, eschews sentimentality: