Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
The Boy Who Heard Music The Boy Who Heard Music The Boy Who Heard Music is a rock opus that began life as an Internet novella written by musician and songwriter Pete Townshend. Townshend wrote in the foreword to the novella that he typically sketches out his opera in this way to lay out the plots and storylines, but in this case he published the material on an Internet blog site in 2005 and 2006, opening an interactive discussion with readers. The work was later released as a maxi-single and album by The Who and adapted as a rock opera. The story covers a period