Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
The Temple in the Underworld usual inimitable way. The riffing speeds up, taking a catchy beatdown that most modern thrash bands would kill to have thought of and the tension builds until the music reaches an almost transcendental point, announcing the band's presence in style". The Temple in the Underworld The Temple in the Underworld is the third studio album by Czech black metal band Root, released on December 1992 through Monitor. This marked the end of their early raw black metal sound, and was also their last release with guitarist Daniel "Mr. D.A.N." Janáček. It was re-issued under CD format by Monitor with two