Menelaus challenges Paris to a duel for Helen’s return. Menelaus soundly beats Paris, but before he can kill him and claim victory, Aphrodite spirits Paris away inside the walls of Troy. In Book 4, while the Greeks and Trojans squabble over the duel’s winner, Athena inspires the Trojan Pandarus to shoot Menelaus with his bow and arrow. However, Athena never intended for Menelaus to die and she protects him from the arrow of Pandarus. Menelaus is wounded in the abdomen, and the fighting resumes. Later, in Book 17, Homer gives Menelaus an extended "aristeia" as the hero retrieves the corpse of
The Boy Who Was a King term. The film presents not only the life of the former Tsar, but also intertwines within the story vignettes of various Bulgarians, who were supporting him, sending him gifts, or merely tattooing his face on their body. The story is told through personal footage and vast amounts of archive material. The film received praise for its editing and use of archives with Variety's Robert Koehler writing that "Pic’s terrific use of archival footage includes an exiled Simeon interviewed in the early ’60s, disputing his playboy rep." and "Editing is aces." The Boy Who Was a King The Boy Who Was