Cordelia (King Lear) by Cordelia's wicked sisters, Goneril and Regan, he goes mad. Cordelia returns at the end of the play with the intentions of helping Lear, ultimately reversing her role as daughter to that of mother. But when she arrives, Lear can not even recognize her in his state of madness. Nevertheless, she forgives him for banishing her. By the time Lear finally regains his reason and realizes who Cordelia is, they have little time to talk and reconcile. Edmund arrives and sends them both to prison, where Cordelia is ultimately hanged. In Nahum Tate's "happy-ending" revision "The History of King Lear"
Shakespeare in performance restoration of justice to the throne. Tate's worldview, and that of the theatrical world that embraced (and demanded) his "happy ending" versions of the Bard's tragic works (such as "King Lear" and "Romeo and Juliet") for over a century, arose from a profoundly different sense of morality in society and of the role that theatre and art should play within that society. Tate's versions of Shakespeare see the responsibility of theatre as a transformative agent for positive change by holding a moral mirror up to our baser instincts. Tate's versions of what we now consider some of the Bard's greatest