Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
A Midsummer Night's Dream (1959 film) A Midsummer Night's Dream (1959 film) A Midsummer Night's Dream () is a 1959 Czechoslovak animated puppet film directed by Jiří Trnka. It is based on the Shakespeare play of the same name. Trnka, working under the Czech communist regime who had previously been denied in his wish to adapt "Don Quixote", worked for several years on his adaptation of "A Midsummer Night's Dream". The film established a new pinnacle of craftmanship: Cerise Howard, discussing the film in a retrospective on Trnka for "Senses of Cinema", describes the puppet animation as "more liquid, more balletic than ever"; the scenes between