The Sorcerer's Apprentice him in his youth. It is, indeed, the oldest known variation of this tale type. While the similarities are so great as to make it obvious that Lucian was Goethe's inspiration, there are several minor differences: Similar themes (such as the power of magic or technology turning against the insufficiently wise person invoking it) are found in many traditions and works of art: Following Goethe's poem and Dukas' symphonic piece and the film "Fantasia", the term "The Sorcerer's Apprentice" has had numerous iterations as the title of various media pieces. These include several novels and nonfiction books, including novels by
The Grave (poem) of their anatomy is unimpeachable, and the moral expression dignified and masculine". However, Johnstone was not wholly positive in his criticism, observing that in the close of the poem there is "short-coming, if not absolute failure", and that the final triumph of Resurrection over the powers of Death and Hell were "felt to be wanting". Rather than "the rapturous exultation of the true poet", the close is "in that tone of sober confidence which might have found place in any eloquent sermon". The most famous publication of the poem was by Robert Hartley Cromek, in part because it occasioned an