The Producers (musical) Roger agrees and tells them the second act must be rewritten so the Germans win World War II. Max and Leo return to the office to meet a Swedish bombshell who wants to audition for their next play: Ulla Inga Hansen Benson Yansen Tallen Hallen Svaden Swanson. She auditions for them ("When You've Got It, Flaunt It"). The producers are impressed, mostly by her beauty, and hire her to be their "secretary-slash-receptionist". Max leaves to raise two million dollars for "Springtime for Hitler" by calling on all the little old ladies in New York ("Along Came Bialy"), which he does
The Producers (1967 film) to cheat theatrical investors by devising a designed-to-fail tasteless Broadway musical about Hitler only 23 years after the end of World War II. Among the most harsh critics were Stanley Kauffmann in "The New Republic," who wrote that "the film bloats into sogginess" and Pauline Kael who called it "amateurishly crude" in "The New Yorker." On the other hand, others considered the film to be a great success. "Time" magazine's reviewers wrote that the film was "hilariously funny" but pointed out that "the film is burdened with the kind of plot that demands resolution" but unfortunately "ends in a whimper