King Lear 80, was deemed ideal for the role and "at home with Lear's skin" by critic Sam Wollaston. The first recording of the Argo Shakespeare for Argo Records was "King Lear" in 1957, directed and produced by George Rylands with William Devlin in the title role, Jill Balcon as Goneril and Prunella Scales as Cordelia. The Shakespeare Recording Society recorded a full-length unabridged audio productions on LP in 1965 (SRS-M-232) directed by Howard Sackler, with Paul Scofield as Lear, Cyril Cusack as Gloucester. Robert Stephens as Edmund, Rachel Roberts, Pamela Brown and John Stride. "King Lear" was broadcast live on the
King Lear his subjects, not just his children, to address him in paternal terms, which infantises most of the people around him, which pointedly references James's statement in his 1598 book "The Trew Law of Free Monarchies" that the king is the "father of the nation", for whom all of his subjects are his children. "King Lear" provides a basis for "the primary enactment of psychic breakdown in English literary history". The play begins with Lear's "near-fairytale narcissism". Given the absence of legitimate mothers in "King Lear", Coppélia Kahn provides a psychoanalytic interpretation of the "maternal subtext" found in the play. According