A Midsummer Night's Dream (Mendelssohn) form and shaped by regular phrasings and harmonic transitions. The piece is also noted for its striking instrumental effects, such as the emulation of scampering 'fairy feet' at the beginning and the braying of Bottom as an ass (effects which were influenced by the aesthetic ideas and suggestions of Mendelssohn's friend at the time, Adolf Bernhard Marx). Heinrich Eduard Jacob, in his biography of the composer, said that Mendelssohn had scribbled the chords after hearing an evening breeze rustle the leaves in the garden of the family's home. The overture begins with four chords in the winds. Following the first
A Midsummer Night's Dream (opera) and powers of mimicry, and suddenly realised we could do Puck this way." There are many recordings available, including two conducted by the composer, one a live recording of the 11 June 1960 premiere with the complete original cast, the second a studio recording made in 1967 with some of the original cast, Deller as Oberon, Owen Brannigan as Bottom, and Peter Pears elevated from Flute to Lysander, which omits some music from the lovers' awakening early in act 3. A Midsummer Night's Dream (opera) A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and