Edmund (King Lear) Edmund (King Lear) Edmund or Edmond is a fictional character and the main antagonist in William Shakespeare's "King Lear". He is the illegitimate son of the Earl of Gloucester, and the younger brother of Edgar, the Earl's legitimate son. Early on in the play, Edmund resolves to get rid of his brother, then his father, and become Earl in his own right. He later flirts with both Goneril and Regan and attempts to play them off against each other. Shakespeare's source for the subplot of Edmund, Edgar and Gloucester was a tale from Philip Sidney's "Countess of Pembroke's Arcadia" of
King Lear ideas of Jan Kott, in particular his observation that "King Lear" was the precursor of absurdist theatre: in particular, the film has parallels with Beckett's "Endgame". Critics who dislike the film particularly draw attention to its bleak nature from its opening: complaining that the world of the play does not deteriorate with Lear's suffering, but commences dark, colourless and wintry, leaving, according to Douglas Brode, "Lear, the land, and "us" with nowhere to go". Cruelty pervades the film, which does not distinguish between the violence of ostensibly good and evil characters, presenting both savagely. Paul Scofield, as Lear, eschews sentimentality: