The Sorcerer's Apprentice (Dukas) Romantic genre of programmatic music, which composers like Franz Liszt, Claude Debussy, Jean Sibelius and Richard Strauss increasingly explored as an alternative to earlier symphonic forms. Unlike other tone poems, such as "La mer" by Debussy or "Finlandia" by Sibelius, Dukas's work is, like works such as "Till Eulenspiegel's Merry Pranks" by Strauss, descriptively programmatic, closely following the events described in the Goethe poem. It was customary, in fact, to publish the poem as part of the orchestral score. The instrumentation of the piece consists of two flutes and piccolo, two oboes, two soprano clarinets and bass clarinet, three bassoons
The Sorcerer's Apprentice two with an axe – but each of the pieces becomes a whole new broom that takes up a pail and continues fetching water, now at twice the speed. When all seems lost, the old sorcerer returns and quickly breaks the spell. The poem finishes with the old sorcerer's statement that powerful spirits should only be called by the master himself. is well known in the German-speaking world. The lines in which the apprentice implores the returning sorcerer to help him with the mess he has created have turned into a cliché, especially the line ' ("The spirits that I