King Lear of King Lear" (1949), argues that "Lear" dramatizes, among other things, the current meanings of "Nature". The words "nature," "natural" and "unnatural" occur over forty times in the play, reflecting a debate in Shakespeare's time about what nature really was like; this debate pervades the play and finds symbolic expression in Lear's changing attitude to Thunder. There are two strongly contrasting views of human nature in the play: that of the Lear party (Lear, Gloucester, Albany, Kent), exemplifying the philosophy of Bacon and Hooker, and that of the Edmund party (Edmund, Cornwall, Goneril, Regan), akin to the views later formulated
H. S. Shivaprakash and Girish Karnad's "Taledanda". Shivaprakash won the Karnataka Sahitya Akademi award for this play. His other plays include "Sultan Tipu", "Shakespeare Swapnanauke", "Manteswamy Kathaprasanga", "Madari Madayya", "Madurekanda", "Madhavi", "Matrika", "Makarachandra", "Sati", "Cassandra" and "Maduvehennu". He has also translated Shakespeare's "King Lear" and adapted Federico García Lorca's "The Shoemaker's Prodigious Wife" into Kannada under the title "Mallammana Mane Hotlu" and Shakespeare's "Macbeth" under the name "Maranayakana Drishtanta". "Manteswamy Kathaprasanga", a play about a 16th-century Dalit saint was made into a successful stage adaptation by director Suresh Anagalli and produced over 300 shows. It kindled interest in this obscure saint and the