Orpheus in the Underworld Gable, conducted by Alexander Faris. 1997: The Lyon production is also issued on DVD with Minkowski conducting, Natalie Dessay, Laurent Naouri, Jean-Paul Fouchécourt, Yann Beuron and others in a production by Laurent Pelly (TDK DV-OPOAE). This is basically the two-act version. Orpheus in the Underworld Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffon (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux. The work, first performed in
The Mask of Orpheus with the Orpheus myth decaying. "The Mask of Orpheus", in addition to vocal and orchestral music, contains a significant amount of electronic music, (which was precisely composed by Birtwistle, and realized on his behalf by Barry Anderson). Each act has its own electronic "aura", which goes on continuously, sometimes prominently, sometimes inaudibly; the voice of Apollo is heard on several occasions as an electronic sound "speaking" in an invented language. These electronic sounds were made by Anderson in Paris at IRCAM. There are also six purely electronic interludes created by computer manipulation of harp sounds. Jocelyn Herbert was commissioned to