King Lear 80, was deemed ideal for the role and "at home with Lear's skin" by critic Sam Wollaston. The first recording of the Argo Shakespeare for Argo Records was "King Lear" in 1957, directed and produced by George Rylands with William Devlin in the title role, Jill Balcon as Goneril and Prunella Scales as Cordelia. The Shakespeare Recording Society recorded a full-length unabridged audio productions on LP in 1965 (SRS-M-232) directed by Howard Sackler, with Paul Scofield as Lear, Cyril Cusack as Gloucester. Robert Stephens as Edmund, Rachel Roberts, Pamela Brown and John Stride. "King Lear" was broadcast live on the
The History of King Lear altogether, and played Lear from a shortened and rearranged version of Shakespeare's text, with which he was later to tour New York, and which included the Fool and the tragic ending. The production was successful, and marked the end of Tate's reign in the English theatre, though it was not until 1845 that Samuel Phelps restored the complete, original Shakespearean text. In spite of Macready's visit to New York with his production of a restored Shakespeare version, Tate remained the standard version in the United States until 1875, when Edwin Booth became the first notable American actor to play Lear