Night on Bald Mountain his manuscripts for publication and created performing editions of his unfinished works to enable them to enter the repertoire. The majority of the editorial work was done by [[Rimsky-Korsakov]], who in 1886 produced a redacted edition of "Night on Bald Mountain" from the "Dream Vision of the Peasant Lad" [[vocal score]]. Rimsky-Korsakov discusses his work on the piece, designated a "fantasy for orchestra", in his memoirs, "Chronicle of My Musical Life" (1909): During the season of 1882/83, I continued working on "[[Khovanshchina]]" and other compositions of Mussorgsky's. "A Night on Bald Mountain" was the only thing I could not find
Night on Bald Mountain April 1890, at the [[Théâtre de la Monnaie]] in [[Brussels]]. The following program is printed in Rimsky-Korsakov's edition of "Night on Bald Mountain", published in 1886 by [[V. Bessel and Co.]]: Subterranean sounds of non-human voices. Appearance of the spirits of darkness, followed by that of Chernobog. Glorification of Chernobog and [[Black Mass|Black Service]]. Sabbath. At the height of the sabbath, the distant ringing of a village church bell is heard; it disperses the spirits of darkness. Morning. Recordings of Rimsky-Korsakov's revision are too numerous to catalog in this article. [[File:Leopold Stokowski LOC 26447u.jpg|upright|thumb|Leopold Stokowski]] Millions of 20th-century listeners owe