Rienzi friend Apel, who had likely first made the suggestion that Wagner compose "Rienzi", mentions a plan to perform the overture to "Rienzi" "a fortnight hence", but contains a clear indication that her husband had just been committed to a debtors' prison. The full score of "Rienzi" was completed on 19 November 1840. In 1841 Wagner moved to Meudon, just outside Paris, where the debt laws could be more easily evaded, whilst awaiting developments for "Rienzi", having already written to King Frederick Augustus II of Saxony, requesting that he order a production of the work in Dresden. With the support of
Overture opposed to one serving to begin a later section of the work". Although by the end of the eighteenth century opera overtures were already beginning to be performed as separate items in the concert hall, the "concert overture", intended specifically as an individual concert piece without reference to stage performance and generally based on some literary theme, began to appear early in the Romantic era. Carl Maria von Weber wrote two concert overtures, "Der Beherrscher der Geister" ('The Ruler of the Spirits', 1811, a revision of the overture to his unfinished opera "Rübezahl" of 1805), and "Jubel-Ouvertüre" ('Jubilee Overture', 1818,