Norman Beaton in London's West End. In 1970 he played the role of Ariel in Shakespeare's "The Tempest", which he described in his autobiography as "the most important role of my acting career", and also played a small role in the Frankie Howerd comedy film "Up the Chastity Belt" the following year. In 1975, he helped to establish the Black Theatre of Brixton. In 1975 Beaton played Nanki-Poo in "The Black Mikado", a modern version of Gilbert and Sullivan's "The Mikado". In 1976, Beaton broke into television in the series "The Fosters", which also featured a young Lenny Henry, and the following
British sitcom of British sitcom. Well-remembered series include John Cleese and Connie Booth's farcical "Fawlty Towers" (1975, 1979), John Esmonde and Bob Larbey's self-sufficiency comedy "The Good Life" (1975–78). "Whatever Happened to the Likely Lads?" (1973–74), a sequel to the earlier show, surpassed the original, while the same writers (Dick Clement and Ian La Frenais) provided Ronnie Barker with his most successful sitcom vehicle, "Porridge" (1974–77). Barker also starred (along with David Jason) in the very popular "Open All Hours" (1973, 1976–85), written by Roy Clarke. Clarke's long-running "Last of the Summer Wine" began in 1973 and ended in 2010, becoming the