Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
The Creatures of Prometheus The Creatures of Prometheus The Creatures of Prometheus (), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given 28 performances. It is the only full length ballet by Beethoven. For Act I of this ballet, Beethoven wrote an Overture and an Introduction, followed by these three numbers: For Act II, he wrote another 13 numbers: According to musicologist Lewis Lockwood, Beethoven’s music for this ballet is "easier and lighter than music for the concert hall…[I]t shows