Paterson (poem) caught Williams' attention for its use, with a technical skill that seemed to rival Pound's in "The Cantos", of such diverse and seemingly prosaic materials as notes from a congressional investigation, an X-ray report and a physician's testimony on cross-examination. He wrote to fellow poet Louis Zukofsky, "I've begun to think about poetic form again. So much has to be thought out and written out there before we can have any solid criticism and consequently well-grounded work here." In 1944, Williams read a poem by Byron Vazakas in "Partisan Review" that would help lead him to solutions in form and
A Poet in New York while the script came from one of the few writers who could hope to do the poet justice." and "This was tragedy in the Shakespearean sense: a great man undone by one fatal weakness. ... The production was lush, lyrical and very, very funny." In "Financial Times", Antonia Quirke wrote: "We see so many performances based on real people ... actors faced with the gnarled question of whether to impersonate or interpret. ... Tom Hollander gives a performance finely balanced between the two approaches: terrific mimicry, but unpredictable and subtle.". A Poet in New York A Poet in New York