Stirling Castle and expanded his father's building programme, creating the centrepiece of the castle, the Royal Palace, built under the direction of Sir James Hamilton of Finnart and masons brought from France. James V also died young, leaving unfinished work to be completed by his widow, Mary of Guise. His infant daughter, Mary, Queen of Scots, was brought to Stirling Castle for safety, and crowned in the chapel royal on 9 September 1543. She too was brought up here, until she was sent to Inchmahome Priory, and then to France in 1548. In the 1550s, during the Regency of Mary of Guise,
Scottish art in the eighteenth century suggesting the ultimate motivation for art was love. The same theme was painted by another of Hamilton's proteges, David Allan, two years later. In the late eighteenth century Ossian became a common subject for Scottish artists, and works were undertaken by Alexander Runciman and David Allan among others. Alexander also produced one of the earliest examples of a Scottish historical painting, showing the escape of Mary, Queen of Scots from Loch Leven Castle, which would become a major form in the nineteenth century. Allan returned to Edinburgh in 1780, became director and master of the Academy of Arts in 1786.