Georgina Hale Criterion Theatre in November 1979). In 1981, Hale played the role of Josie in Nell Dunn’s play, "Steaming", at the Comedy Theatre in London. Hale received a 1981 Best Comedy Performance Olivier nomination for her performance. A year later in April 1982 she starred opposite Glenda Jackson in "Summit Conference" at the Lyric Theatre, playing Benito Mussolini's mistress Clara Petacci in a revival of Robert David MacDonald's play for the Citizens' Theatre, Glasgow. Over the years, Hale has made numerous appearances with the Citizens'. These include "Mourning Becomes Electra" (1991), "The Milk Train Doesn't Stop Here Anymore" (1994), "Britannicus" (2002)
The Mistress of the Copper Mountain kind and nature. She compares the character with Mephistopheles, because a human needs to wager his soul with her in order to get the ultimate knowledge, however, the Mistress does not force anyone to abandon their moral values, and therefore "is not painted in dark colours". Lyudmila Skorino believed that she represented the nature of the Urals, which inspires a creative person with its beauty. The Mistress of the Copper Mountain The Mistress of the Copper Mountain (), also known as The Malachite Maid, is a legendary creature from Slavic mythology and a Russian fairy tale character, the mountain spirit