Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
Orpheus and Eurydice with lightning knowing Orpheus would reveal the secrets of the Underworld to humans. In any case, Orpheus died, but the Muses decided to save his head and keep it among the living people to sing forever, enchanting everyone with his lovely melodies and tones. Orpheus and Eurydice The ancient legend of Orpheus and Eurydice concerns the fateful love of Orpheus of Thrace, son of Apollo and the muse Calliope, for the beautiful Eurydice (from "Eurudike", "she whose justice extends widely"). It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached to Persephone. It