Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
Orpheus significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting. For the Greeks, Orpheus was a founder and prophet of the so-called "Orphic" mysteries. He was credited with the composition of the Orphic Hymns and the Orphic "Argonautica". Shrines containing purported relics of Orpheus were regarded as oracles. Several etymologies for the name "Orpheus" have been proposed. A probable suggestion is that it is derived from a hypothetical PIE root "*h₃órbʰos" "orphan, servant, slave" and ultimately the verb root "*h₃erbʰ-"