King Lear of King Lear" (1949), argues that "Lear" dramatizes, among other things, the current meanings of "Nature". The words "nature," "natural" and "unnatural" occur over forty times in the play, reflecting a debate in Shakespeare's time about what nature really was like; this debate pervades the play and finds symbolic expression in Lear's changing attitude to Thunder. There are two strongly contrasting views of human nature in the play: that of the Lear party (Lear, Gloucester, Albany, Kent), exemplifying the philosophy of Bacon and Hooker, and that of the Edmund party (Edmund, Cornwall, Goneril, Regan), akin to the views later formulated
The History of King Lear of Shakespeare's text in 1756, it was by no means a complete return to Shakespeare, and he continued to play Tate's Lear in some form to the end of his career. His performances met with enormous success, and continued to draw tears from his audiences, even without Shakespeare's final, tragic scene where Lear enters with Cordelia's body in his arms. As literary critics grew increasingly scornful of Tate, his version still remained "the starting point for performances on the English-speaking stage." John Philip Kemble, in 1809, even dropped some of Garrick's earlier restorations of Shakespeare, and returned several passages to