Anamorphosis before 1583. "The Ambassadors" (c. 1533) by Hans Holbein the Younger is well known for the prominent oblique anamorphic transformation in the painting. In this artwork, a distorted shape lies diagonally across the bottom of the frame. Viewing this from an acute angle transforms it into the plastic image of a human skull. The painting is regarded as a "vanitas" - a meditation on the transience of life - with the skull a symbolic "memento mori". The altered perspective required to see the image reflects the contemporary practice of painting skulls on the reverse of otherwise tranquil paintings. Four centuries
The Ambassadors (Holbein) The Ambassadors (Holbein) The Ambassadors (1533) is a painting by Hans Holbein the Younger. Also known as "Jean de Dinteville and Georges de Selve", it was created in the Tudor period, in the same year Elizabeth I was born. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. It also incorporates a much-cited example of anamorphosis in painting. It is part of the collection at the National Gallery in London. Although a German-born artist who spent most of his time in