Beyond the Fringe of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March which resists Moore's repeated attempts to bring it to an end. The show prefigured the Satire Boom of the 1960s. Without it, there might not have been either "That Was the Week That Was" or "Private Eye", the satirical magazine which originated at the same time, that partially survived due to financial support from Peter Cook, and that served as the model for the later American "Spy Magazine". Cook and Moore formed a comedy team and appeared in the popular television
The Mavis Bramston Show The Mavis Bramston Show The Mavis Bramston Show was a weekly Australian television satirical sketch comedy revue series which aired on the Seven Network from 1964 to 1968. Inspired by the British TV satirical revue TV shows of the period (notably "That Was The Week That Was"), "Mavis Bramston" was the first successful venture in this genre on Australian TV. At its peak it was one of the most popular Australian TV programs of its era and it propelled many of the 'classic' cast to national stardom in Australia, including June Salter, Barry Creyton, Noeline Brown, Gordon Chater, Ron Frazer