Minor scale based on the accidentals of the "natural" minor scale, not on those of the harmonic or melodic minor scales. For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F). Major and minor keys that share the same key signature are "relative" to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is
Scale (music) the scale, and the selection of chords taken naturally from the scale. A musical scale that contains tritones is called tritonic (though the expression is also used for any scale with just three notes per octave, whether or not it includes a tritone), and one without tritones is "atritonic". A scale or chord that contains semitones is called hemitonic, and without semitones is anhemitonic. Scales can be abstracted from performance or composition. They are also often used precompositionally to guide or limit a composition. Explicit instruction in scales has been part of compositional training for many centuries. One or more