Rienzi hymns, processions and the musical clash of arms". Cosima Wagner recorded Wagner's comment in her diary for 20 June 1871: "Rienzi" is very repugnant to me, but they should at least recognize the fire in it; I was a music director and I wrote a grand opera; the fact that it was this same music director who gave them some hard nuts to crack – that's what should astonish them. Thus the work has remained outside today's Wagner canon, and was only performed at the Bayreuth Festival in 2013, staged by Matthias von Stegmann. Although the composer disclaimed it, it
Overture in C, "In Memoriam" alone can bring." The overture enjoyed considerable popularity in the composer's own lifetime, but it was rarely heard in the 20th century. Only two recordings were made before 1992. Since that time, however, the piece has been recorded several more times. The composition is structured as a single multi-tempo movement marked "Andante religioso - Allegro molto" and lasts around eleven to twelve minutes in performance. The critic Andrew Lamb writes that, although the composer described the overture as an outpouring of grief, The piece's dark, slow texture has its main theme in the major key, as seen here in its