Far from the Madding Crowd keep his appointment with Fanny. Seeing the reason for her failure to meet him, he gently kisses the corpse and tells the anguished Bathsheba, "This woman is more to me, dead as she is, than ever you were, or are, or can be". The next day he spends all his money on a marble tombstone with the inscription: "Erected by Francis Troy in beloved memory of Fanny Robin ..." Then, loathing himself and unable to bear Bathsheba's company, he leaves. After a long walk he bathes in the sea, leaving his clothes on the beach. A strong current carries him
The Boy Who Was a King term. The film presents not only the life of the former Tsar, but also intertwines within the story vignettes of various Bulgarians, who were supporting him, sending him gifts, or merely tattooing his face on their body. The story is told through personal footage and vast amounts of archive material. The film received praise for its editing and use of archives with Variety's Robert Koehler writing that "Pic’s terrific use of archival footage includes an exiled Simeon interviewed in the early ’60s, disputing his playboy rep." and "Editing is aces." The Boy Who Was a King The Boy Who Was