King Lear of King Lear" (1949), argues that "Lear" dramatizes, among other things, the current meanings of "Nature". The words "nature," "natural" and "unnatural" occur over forty times in the play, reflecting a debate in Shakespeare's time about what nature really was like; this debate pervades the play and finds symbolic expression in Lear's changing attitude to Thunder. There are two strongly contrasting views of human nature in the play: that of the Lear party (Lear, Gloucester, Albany, Kent), exemplifying the philosophy of Bacon and Hooker, and that of the Edmund party (Edmund, Cornwall, Goneril, Regan), akin to the views later formulated
The Yiddish King Lear role for the last time in 1924, two years before his death. The play was made into a 1934 Yiddish-language film. The play continues to be revived often, and there have been several recent English-language translations and adaptations. In 2018, David Serero performs the play in his own English adaptation, featuring Yiddish songs of the era, at the Orensanz Foundation in New York and records the first cast album recording of the play The Yiddish King Lear The Yiddish King Lear ( "Der Yidisher Konig Lir", also known as The Jewish King Lear) was an 1892 play by Jacob Gordin,