Cordelia (King Lear) is depicted as Queen Cordelia. In Shakespeare's "King Lear", Cordelia is briefly on stage during Act 1, scene 1. Her father Lear exiles her as a response to her honesty when he asks for professions of love from his three daughters to determine how to divide the lands of his kingdom between them. Cordelia's sisters, Goneril and Regan, give deceitfully-lavish speeches professing their love, flattering his vanity. Cordelia, seeing right through her sisters' feigned professions of love, refuses to do the same. Lear deems her answer ("Love, and be silent" 1.1.62) as too simple. Lear asks her, "What can you
King Lear daughter, it can be interpreted as him rejecting death; Lear is unwilling to face the finitude of his being. The play's poignant ending scene, wherein Lear carries the body of his beloved Cordelia, was of great importance to Freud. In this scene, Cordelia forces the realization of his finitude, or as Freud put it, she causes him to "make friends with the necessity of dying". Shakespeare had particular intentions with Cordelia's death, and was the only writer to have Cordelia killed (in the version by the Nahum Tate, she continues to live happily, and in Holinshed's, she restores her father