A Midsummer Night's Dream (Mendelssohn) form and shaped by regular phrasings and harmonic transitions. The piece is also noted for its striking instrumental effects, such as the emulation of scampering 'fairy feet' at the beginning and the braying of Bottom as an ass (effects which were influenced by the aesthetic ideas and suggestions of Mendelssohn's friend at the time, Adolf Bernhard Marx). Heinrich Eduard Jacob, in his biography of the composer, said that Mendelssohn had scribbled the chords after hearing an evening breeze rustle the leaves in the garden of the family's home. The overture begins with four chords in the winds. Following the first
Aotearoa (overture) Aotearoa (overture) Aotearoa is a concert overture written for orchestra by New Zealand composer Douglas Lilburn in the year 1940. The overture is one of three early works by Lilburn which center on the theme of national identity; the other two are 1944's "Landfall in Unknown Seas", for narrator and orchestra, and the tone poem "A Song of Islands" of 1946. The title of the overture ("Aotearoa") is taken from the Māori name for the islands. Lilburn wrote the overture while he was still a student at London's Royal College of Music, and it was premiered in Great Britain, at