Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
The Devils of Loudun (opera) thought that the music was more appropriate for soundtrack than an opera. Even with these criticisms, the opera received better reviews in the U.S. than in Europe. Especially, the staging in the U.S. praised over the staging in Europe. The opera was recorded in 1971. The recording of "The Devils of Loudun" received mixed reviews as well. One critic wrote that "the music is always striking, its style eclectic, and its images mesmerizing." However, there were critics who disagreed by saying that the piece was made for an electronic medium rather than for an orchestra. The music was also accused