Night on Bald Mountain my way with. Originally composed in the sixties under the influence of [[Franz Liszt|Liszt]]'s "[[Totentanz (Liszt)|Danse Macabre]]" for the piano with accompaniment of orchestra, this piece (then called "St. John's Eve", and both severely and justly criticized by [[Mily Balakirev|Balakirev]]) had long been utterly neglected by its author, gathering dust among his unfinished works. When composing [[Stepan Gedeonov|Gedeonov]]'s "[[Mlada]]", Mussorgsky had made use of the material to be found in "Night", and, introducing singing into it, had written the scene of [[Chernobog]] on Mount Triglav. That was the second form of the same piece in substance. Its third form had
Symphony on a French Mountain Air concertante from some critics. It consists of three movements and lasts just under half an hour: The symphony begins with an evocative melody played first by a cor anglais. The main themes of subsequent movements are based on this melody, and as the symphony progresses each subsequent variation becomes more and more like the original version. The work was dedicated to Marie-Léontine Bordes-Pène, who was the soloist at the premiere in Paris on March 20, 1887. Symphony on a French Mountain Air The Symphony on a French Mountain Air (), Op. 25, written in 1886 by Vincent d'Indy, is virtually