A German Requiem (Brahms) the traditional Roman Catholic Requiem Mass, which employs a standardized text in Latin, the text is derived from the German Luther Bible. Brahms's first known use of the title "Ein deutsches Requiem" was in an 1865 letter to Clara Schumann in which he wrote that he intended the piece to be ""eine Art deutsches Requiem"" (a sort of German Requiem). Brahms was quite moved when he found out years later that Robert Schumann had planned a work of the same name. "German" refers primarily to the language rather than the intended audience. Brahms told Carl Martin Reinthaler, director of music
Composer tributes (classical music) copies the compositional style of an earlier composer, such as: Dedication of a work to another composer or performer: Musical cryptograms, where the composer’s name is encoded in musical letters. The most famous example of this is the BACH motif, which has been used by over 400 composers in tribute to Johann Sebastian Bach (Bach himself used it more than once in his own works). Other examples include: Composer tributes (classical music) Musical tributes or homages from one composer to another can take many forms. Following are examples of the major types of tributes occurring in classical music. A particular