Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
Orpheus (Telemann) is Telemann's own, however. The manuscript score of "Orpheus" was not rediscovered until the late 20th century. Queen Orasia of Thrace is in love with Orpheus, but he rejects her in favour of Eurydice. The queen plots to kill Eurydice as she is picking flowers in a garden. Orpheus tells his friend Eurimedes he is tired of life at Orasia's court and flees to the countryside. Eurydice is bitten by a snake and dies in Orpheus's arms. Orpheus descends to the underworld to rescue Eurydice. He charms the king of the underworld, Pluto, with his music. The god allows him