Regan (King Lear) Lear" 1.1.67–74. Later in the play, Lear leaves his kingdom to live with Goneril. She rejects him. After Lear leaves Goneril's house, he asks Regan to take him in. She tells him he has too many servants and knights, just as Goneril had. Unwilling to budge, Regan drives Lear out into the storm. In Act 3, Scene 7, after learning that the Earl of Gloucester has helped Lear escape to Dover, Regan, Goneril, and the Duke of Cornwall discuss what Gloucester's fate should be. While Regan suggests that they "hang him instantly," (3.7. 4), Goneril orders that his eyes be
King Lear ideas of Jan Kott, in particular his observation that "King Lear" was the precursor of absurdist theatre: in particular, the film has parallels with Beckett's "Endgame". Critics who dislike the film particularly draw attention to its bleak nature from its opening: complaining that the world of the play does not deteriorate with Lear's suffering, but commences dark, colourless and wintry, leaving, according to Douglas Brode, "Lear, the land, and "us" with nowhere to go". Cruelty pervades the film, which does not distinguish between the violence of ostensibly good and evil characters, presenting both savagely. Paul Scofield, as Lear, eschews sentimentality: