Anamorphosis before 1583. "The Ambassadors" (c. 1533) by Hans Holbein the Younger is well known for the prominent oblique anamorphic transformation in the painting. In this artwork, a distorted shape lies diagonally across the bottom of the frame. Viewing this from an acute angle transforms it into the plastic image of a human skull. The painting is regarded as a "vanitas" - a meditation on the transience of life - with the skull a symbolic "memento mori". The altered perspective required to see the image reflects the contemporary practice of painting skulls on the reverse of otherwise tranquil paintings. Four centuries
The Archduke Leopold Wilhelm in his Painting Gallery in Brussels the Duke of Hamilton. The following is a list of the recognizable paintings of the collection, not all of which were included in the Italian catalog prepared by Teniers, which was a selection of 243 of the most prized paintings out of a collection of 1300-1400 pieces. Many are still in the Viennese collection. Here is a list of the paintings depicted, which starts with the paintings on the rear wall, running from left to right and from top to bottom. Next listed are the paintings in the foreground propped against chairs: The Archduke Leopold Wilhelm in his Painting Gallery