King Lear the realm of which the king is head, not to Lear himself, and he tells Lear to behave better for the good of the realm. By contrast, Lear makes an argument similar to James that as king, he holds absolute power and could disregard the views of his subjects if they displease him whenever he liked. In the play, the characters like the Fool, Kent and Cordelia, whose loyalties are institutional, seeing their first loyalty to the realm, are portrayed more favorably than those like Regan and Goneril, who insist they are only loyal to the king, seeing their loyalties
King Lear (1987 film) review by Vincent Canby compared it unfavourably to the rest of Godard's oeuvre as "tired, familiar and out of date", remarking that the few lines of Shakespeare delivered in the play overpower his dialogue, making it "seem much punier than need be". Nonetheless, Canby praises the acting as "remarkably good under terrible circumstances". Canby also called the film "sad and embarrassing" and was quoted by Keith Harrison in the introduction to his "Bakhtinian Polyphony in Godard's King Lear". Harrison cites the critical responses of Peter S. Donaldson, Alan Walworth and Anthony R. Guneratne for their sustained coherence of analysis of