Rienzi can be noted that "Rienzi" prefigures themes (brother/sister relationships, social order and revolution) to which Wagner was often to return in his later works. The success of "Rienzi" – his first real success of any kind – was crucial in Wagner's career, launching him as a composer to be reckoned with. It was followed, within months, by his appointment as Kapellmeister at the Dresden Opera (February 1843), which also gave him considerable prestige. It also received critical acclaim elsewhere in Europe. The young Eduard Hanslick, later to be one of Wagner's foremost critical adversaries, wrote in 1846 in Vienna: I
Overture in the French style, BWV 831 extending from the first letter of his name (Bach's "home" key, B, in German is B) to the last letter of his name (B in German is H). The term "overture" refers to the fact that this suite starts with an overture movement, and was a common generic name for French suites (his orchestral suites were similarly named). This "overture" movement replaces the allemande found in Bach's other keyboard suites. Also, there are optional dance movements both before and after the Sarabande. In Bach's work optional movements usually occur only after the sarabande. All three of the optional dance movements