Opera Nova Bydgoszcz and on July 2, Offenbach's operetta "Orpheus in the Underworld". "Opera Studio" was renamed on March 3, 1959, "Musical Theatre of Opera and Operetta" (), so as to meet cultural expectations of the inhabitants of the entire Bydgoszcz Voivodeship. A year later, on March 1, 1960, the institution was nationalized. In 1963, the "Musical Theatre of Opera and Operetta" had then its own orchestra established, putting an end to the use of musicians from the Pomeranian Philharmonic. Bydgoszcz musical scene, once nationalised, changed its name several times: "Opera and Operetta" (1964), "National Opera" (1980), "Opera Nova" (1990), and from 1996,
The Gaze of Orpheus song” (Huffer 175). Another interpretation or usage of the gaze of Orpheus is by Geoffrey Sirc. Sirc uses Orpheus’s moment of violation as argument for creative form in writing versus the standard polished text. Urging the adolescent writer to break free of formal notions of form, Sirc views the journal as the media through which Orpheus yearns for Eurydice. “If the Work is freed of concern, the gaze is transgressive, then we’re clearly not talking about the polished text, especially one oriented dutifully around the tiny truths available through an analysis of middle-brow media” (Sirc 14). Sirc’s primary reference to