Beyond the Fringe of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March which resists Moore's repeated attempts to bring it to an end. The show prefigured the Satire Boom of the 1960s. Without it, there might not have been either "That Was the Week That Was" or "Private Eye", the satirical magazine which originated at the same time, that partially survived due to financial support from Peter Cook, and that served as the model for the later American "Spy Magazine". Cook and Moore formed a comedy team and appeared in the popular television
Social history of the piano piano was largely owned by royalty (e.g. the kings of Portugal and Prussia); see Fortepiano for details. Even later on, (i.e. throughout the 18th and early 19th centuries), pianos were financially beyond the reach of most families, and the pianos of those times were generally the property of the gentry and the aristocracy. Visiting music masters taught their children to play the piano. Both Parakilas and Loesser emphasize a connection during this period between pianos and the female gender; piano study was apparently more common for girls than boys. Despite this, women were discouraged from playing the piano professionally and