Michael Grade Management & Representation. Among the artists whom Grade represented were Morecambe and Wise (he successfully negotiated the duo's defection from ATV to BBC2 in 1968) and Larry Grayson. Grade entered the television industry in 1973 when he joined London Weekend Television (LWT) as Deputy Controller of Programmes (Entertainment). During this time he bought the scripts of an Afro-American sitcom "Good Times" which had an all-black cast. Adapted as "The Fosters" (1976–77), it became the first British sitcom to have an entirely black cast. At LWT, Grade worked with both John Birt and Greg Dyke. After he became Director of Programmes
British sitcom of British sitcom. Well-remembered series include John Cleese and Connie Booth's farcical "Fawlty Towers" (1975, 1979), John Esmonde and Bob Larbey's self-sufficiency comedy "The Good Life" (1975–78). "Whatever Happened to the Likely Lads?" (1973–74), a sequel to the earlier show, surpassed the original, while the same writers (Dick Clement and Ian La Frenais) provided Ronnie Barker with his most successful sitcom vehicle, "Porridge" (1974–77). Barker also starred (along with David Jason) in the very popular "Open All Hours" (1973, 1976–85), written by Roy Clarke. Clarke's long-running "Last of the Summer Wine" began in 1973 and ended in 2010, becoming the