Metaphysical poets English poetry. Colin Burrow's opinion, on the other hand, is that the term 'Metaphysical poets' still retains some value. For one thing, Donne's poetry had considerable influence on subsequent poets, who emulated his style. And there are several instances in which 17th-century poets used the word 'metaphysical' in their work, meaning that Samuel Johnson's description has some foundation in the usage of the previous century. However, the term does isolate English poets from those who shared similar stylistic traits in Europe and America. Since the 1960s, therefore, it has been argued that gathering all of these under the heading of
Richard Leigh (poet) York's or King's Company. There were two other actors named "Leigh" during that period in the company, Anthony Leigh and John Leigh, but no records of a Richard Leigh in either company survive. While he was a young man, Leigh wrote a prose tract attacking poet John Dryden (1631–1700), entitled "The Censure of the Rota on Mr. Dryden's Conquest of Granada, an attack which annoyed Dryden who subsequently called Leigh "the Fastidious Brisk of Oxford". Some of Leigh's works include "Poems on Several Occasions and to Several Persons", "Greatness in Little" (1675), "Sleeping on her Couch", and "The Eccho". His