A German Requiem (Brahms) the traditional Roman Catholic Requiem Mass, which employs a standardized text in Latin, the text is derived from the German Luther Bible. Brahms's first known use of the title "Ein deutsches Requiem" was in an 1865 letter to Clara Schumann in which he wrote that he intended the piece to be ""eine Art deutsches Requiem"" (a sort of German Requiem). Brahms was quite moved when he found out years later that Robert Schumann had planned a work of the same name. "German" refers primarily to the language rather than the intended audience. Brahms told Carl Martin Reinthaler, director of music
Vladimir J. Konečni interesting question of “hedonic effects of development vs. chance in resolved and unresolved aural episodes.” Furthermore, he contributed to topics of interest to musicians, such as a two-part article that presented a psychological analysis of J. S. Bach’s "St. Matthew Passion", and another on mode and tempo in Western classical music of the common-practice era. In addition, Konečni wrote about the (Latin) "Requiem" by the Russian composer Vyacheslav Artyomov and about the playing style of the Canadian pianist Glenn Gould. There are also his three contributions to "Music in the Social and Behavioral Sciences: An Encyclopedia" by SAGE and a