So, we'll go no more a roving the latter part of it, and sitting up late o' nights--had knocked me up a little. But it is over--and it is now Lent, with all its abstinence and sacred music... Though I did not dissipate much upon the whole, yet I find 'the sword wearing out the scabbard,' though I have but just turned the corner of twenty nine." The poem seems to have been suggested in part by the refrain of a Scottish song known as "The Jolly Beggar." The Jolly Beggar was published in Herd's "Scots Songs" in 1776, 41 years before Byron's letter, and goes partially
A Poet in New York while the script came from one of the few writers who could hope to do the poet justice." and "This was tragedy in the Shakespearean sense: a great man undone by one fatal weakness. ... The production was lush, lyrical and very, very funny." In "Financial Times", Antonia Quirke wrote: "We see so many performances based on real people ... actors faced with the gnarled question of whether to impersonate or interpret. ... Tom Hollander gives a performance finely balanced between the two approaches: terrific mimicry, but unpredictable and subtle.". A Poet in New York A Poet in New York