Rienzi hymns, processions and the musical clash of arms". Cosima Wagner recorded Wagner's comment in her diary for 20 June 1871: "Rienzi" is very repugnant to me, but they should at least recognize the fire in it; I was a music director and I wrote a grand opera; the fact that it was this same music director who gave them some hard nuts to crack – that's what should astonish them. Thus the work has remained outside today's Wagner canon, and was only performed at the Bayreuth Festival in 2013, staged by Matthias von Stegmann. Although the composer disclaimed it, it
Music of Scotland in the nineteenth century Hae" by Burns. Major composers included of the national school that developed in the late nineteenth century included Alexander Mackenzie (1847–1935), William Wallace (1860–1940), Learmont Drysdale (1866–1909) and Hamish MacCunn (1868–1916). Mackenzie, who studied in Germany and Italy and mixed Scottish themes with German Romanticism, is best known for his three "Scottish Rhapsodies" (1879–80, 1911), "Pibroch" for violin and orchestra (1889) and the "Scottish Concerto" for piano (1897), all involving Scottish themes and folk melodies. Wallace's work included an overture, "In Praise of Scottish Poesie" (1894). Drysdale's work often dealt with Scottish themes, including the overture "Tam O’ Shanter" (1890),