The Maze (painting) it undigestible. The skull in the painting has been opened up by ribbon, to suggest the work of the doctors at the mental hospital, attempting to make a proper diagnosis. Kurelek depicted the rat spirit as inert, unwilling to leave his prison even though it has been opened up for him. This was Kurelek's way of showing his doctors what their job was. He writes, in his autobiography, "Now clean me out, I challenge you scientists, and put me back together again - a happy, balanced, mature, fulfilled personality. Lift that rat out and unwind him and let him run
Hans Holbein the Younger "Oberried Altarpiece", the "Solothurn Madonna", and the "Passion". Only when Basel's reformers turned to iconoclasm in the later 1520s did his freedom and income as a religious artist suffer. Holbein continued to produce religious art, but on a much smaller scale. He designed satirical religious woodcuts in England. His small painting for private devotion, "Noli Me Tangere", has been taken as an expression of his personal religion. Depicting the moment when the risen Christ tells Mary Magdalene not to touch him, Holbein adheres to the details of the bible story. The 17th-century diarist John Evelyn wrote that he "never saw