Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
Victoria State Opera rivalled those of the Australian Opera given in the same space. At its height, the VSO had over 13,000 season subscribers. In 1985 Brian Stacey was appointed as Head of Music. Other notable production highlights include appearances by Suzanne Steele, most notably in the lead role of "La belle Hélène" and as Eurydice in "Orpheus in the Underworld". There were also "Don Giovanni", "Tannhäuser", "The Pearl Fishers" (which toured to Sydney), "The Tales of Hoffmann", "Faust", "Aida", "Il trovatore", "The Barber of Seville", "The Magic Flute", "Andrea Chénier", "Turandot", "Madama Butterfly" (the traditional production by Andrew Sinclair or the Ken