Rienzi friend Apel, who had likely first made the suggestion that Wagner compose "Rienzi", mentions a plan to perform the overture to "Rienzi" "a fortnight hence", but contains a clear indication that her husband had just been committed to a debtors' prison. The full score of "Rienzi" was completed on 19 November 1840. In 1841 Wagner moved to Meudon, just outside Paris, where the debt laws could be more easily evaded, whilst awaiting developments for "Rienzi", having already written to King Frederick Augustus II of Saxony, requesting that he order a production of the work in Dresden. With the support of
Pique Dame (Suppé) a rushing brilliant coda brings the overture to a happy conclusion. The "Pique Dame" overture was often heard in cinemas during the era of the silent film when deluxe screenings were preceded by an overture or other concert piece played by a live orchestra. The film music director and composer Hugo Riesenfeld listed it as one of the ten most frequently performed pieces of music in movie theaters of the era. D. W. Griffith's 1914 film "Judith of Bethulia" had a complete live sound track specified by Griffiths himself in which the "Pique Dame" overture, played in its entirety, opened