Orpheus in the Underworld Orpheus in the Underworld Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffon (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux. The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow full-length works of certain genres. "Orpheus" was not only longer, but more musically adventurous than Offenbach's
Italian opera tragedy. The theme of Orpheus, the demi-god of music, was understandably popular and attracted Claudio Monteverdi (1567–1643) who wrote his first opera, "La Favola d'Orfeo" (The Fable of Orpheus), in 1607 for the court of Mantua. Monteverdi insisted on a strong relationship between the words and music. When "Orfeo" was performed in Mantua, an orchestra of 38 instruments, numerous choruses and recitatives were used to make a lively drama. It was a far more ambitious version than those previously performed — more opulent, more varied in recitatives, more exotic in scenery — with stronger musical climaxes which allowed the full