Orpheus in the Underworld malsaine" (an unhealthy odor). In the opinion of Piat, however, Offenbach's "Orphée" is, like most of his major operettas, a "bijou" (jewel) that only snobs will fail to appreciate. The piece was not immediately a hit, but critics' condemnation of it, particularly that of Jules Janin, who called it a "profanation of holy and glorious antiquity," only provided vital publicity, serving to heighten the public's curiosity to see the piece. "Scene 1: Near Thebes" A melodrama (Introduction and Melodrame) opens the work. Public Opinion explains who she is – the guardian of morality ("Qui suis-je? du Théâtre Antique"). She seeks
Krewe of Orpheus Sirens, Orpheus took up his lyre and began to sing. The Sirens' song lost all its power, and the women were changed into rocks. However, Orpheus' greatest feat involved his beautiful wife, Eurydice. Shortly after their marriage, Eurydice was pursued by Aristaeus, who was overwhelmed by her beauty. When fleeing his advances, Eurydice stepped on a snake, which bit her foot, and she died. Overcome with grief, Orpheus vowed to rescue her from the regions of the dead. Orpheus gained entry to the Underworld by using his music to charm Charon, the ferryman and Cerberus, the three headed dog that