Norman Beaton in London's West End. In 1970 he played the role of Ariel in Shakespeare's "The Tempest", which he described in his autobiography as "the most important role of my acting career", and also played a small role in the Frankie Howerd comedy film "Up the Chastity Belt" the following year. In 1975, he helped to establish the Black Theatre of Brixton. In 1975 Beaton played Nanki-Poo in "The Black Mikado", a modern version of Gilbert and Sullivan's "The Mikado". In 1976, Beaton broke into television in the series "The Fosters", which also featured a young Lenny Henry, and the following
Norman Studios course 40 of a few days. These films included "The Wrecker" and "Sleepy Sam the Sleuth," and after they were processed at Norman's laboratory in Chicago, they would be screened and any funds raised would be split between Norman and the town. This led to his filming other events and productions throughout the Midwest, including the play "Pro Patria" at the University of Illinois—Urbana Chamapign. His first silent film with an all black cast was "The Green-Eyed Monster" (1919), adapted from his earlier home talent film "The Wrecker." Set in the railroad industry, this expanded film included a dramatic story