Luis Korda Díaz acted primarily as photographer and travel companion of Fidel Castro, with whom he had a close relationship, and also Ernesto Guevara, whom he saw as rather arrogant – a personal view he shared with many other photographers. Luis Korda’s most famous image is also the most important photo of the Cuban revolution, showing the revolutionaries entering Havana on 8 January 1959 with Fidel Castro and Camilo Cienfuegos at the head of the procession. The fear that Studio Korda, a privately held company, could fall victim to nationalisation, drove Alberto Diaz and Luis Peirce to bequeath it to the Oficina
Alexander Korda he had previously directed in the United States. He collaborated with several figures who would contribute to his future success in Britain. Korda was offered a series of scripts, all of which he disliked, before he finally agreed to make "The Princess and the Plumber" (1930). Korda's reluctance to make the film led to his conflict with studio bosses, which brought to an end his first period in Hollywood. Korda went to France where he made "The Men Around Lucy" (1931) for Paramount. He also made "Rive gauche" (1931). Korda had a success with "Marius" (1931) starring Raimu from the