The Scarlet Plague that biographers and critics have called a "professional decline", from September 1912 to May 1916. In this period, he stopped writing short works and shifted to longer works including "The Abysmal Brute" (1913), "John Barleycorn" (1913), "The Mutiny of the Elsinore" (1914), "The Star Rover" (1915), among others. "The Scarlet Plague" was later reprinted in the February 1949 issue of "Famous Fantastic Mysteries". Jack London was inspired in part by Edgar Allan Poe's 1842 short story "The Masque of the Red Death". Both Poe's story and London's fall into a genre of apocalyptic fiction featuring a universal plague that nearly
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932