Lucia Elizabeth Vestris she showed off her fabulously perfect legs, launched her career as a scandalous beauty. From then on she remained an extraordinary favourite in opera, musical farces, and comedies until her retirement in 1854. At the King's Theatre she sang in the English premieres of many Rossini operas, sometimes conducted by the composer himself: "La gazza ladra" (as Pippo, 1821), "La donna del lago" (as Malcolm Groeme, 1823), "Ricciardo e Zoraide" (as Zomira, 1823), "Matilde di Shabran" (as Edoardo, 1823), "Zelmira" (as Emma, 1824), and "Semiramide" (as Arsace, 1824). She excelled in "breeches parts," and she also performed in Mozart operas,
La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches