Witches' Sabbath (Goya, 1798) feature of Romanticism, and is to be found for example in Weber's opera "Der Freischütz". However, in a Spanish context, Goya's paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition, which had been active in Witch hunting during the seventeenth-century Basque witch trials. The later "Witches Sabbath" was painted as a bitter struggle raged between liberals and those in favour of a church and a royalist-lead state, which culminated in the so-called Ominous Decade (1823-1833). Both paintings can be seen as an attack on the superstitious beliefs rife in Spain
Sabbath in Christianity who is constantly keeping sabbath", and Tertullian (early 3rd century) argued "that we still more ought to observe a sabbath from all servile work always, and not only every seventh-day, but through all time". This early metaphorical interpretation of Sabbath applied it to the entire Christian life. Ignatius, cautioning against "Judaizing" in his letter to the Magnesians, contrasts the Jewish Sabbath practices with the Christian life which includes the Lord's Day: "Let us therefore no longer keep the Sabbath after the Jewish manner, and rejoice in days of idleness ... But let every one of you keep the Sabbath after