Witches' Sabbath (The Great He-Goat) posthumously. Around 1874, some fifty years after his death, the plaster murals were taken down and transferred to canvas supports. "Witches' Sabbath" was much wider before transfer – it was the broadest of the Black Paintings. During the transfer about of the painting was cut from the right-hand side. At its reduced dimensions of 141 × 436 cm (56 × 172 in), its framing is unusually tightly cropped, which some critics find adds to its haunted, spectral aura, although others believe it distorts Goya's intentions by moving the centre of balance and reducing the painting's impact. Goya did not title
Witches' Sabbath century. The "Canon Episcopi" forwards the Christian doctrine that things of this nature were false delusions and did not occur in reality. "Errores Gazariorum" later evoked the Sabbat, in 1452. Helping to publicize belief in and the threat of the Witches' Sabbath was the extensive preaching of the popular Franciscan reformer, Saint Bernardino of Siena (1380–1444), whose widely circulating sermons contain various references to the sabbath as it was then conceived and hence represent valuable early sources into the history of this phenomenon. Some allusions to meetings of more than one witch and possibly other demons are made in the