Witches' Sabbath (The Great He-Goat) posthumously. Around 1874, some fifty years after his death, the plaster murals were taken down and transferred to canvas supports. "Witches' Sabbath" was much wider before transfer – it was the broadest of the Black Paintings. During the transfer about of the painting was cut from the right-hand side. At its reduced dimensions of 141 × 436 cm (56 × 172 in), its framing is unusually tightly cropped, which some critics find adds to its haunted, spectral aura, although others believe it distorts Goya's intentions by moving the centre of balance and reducing the painting's impact. Goya did not title
Witches' Sabbath (The Great He-Goat) any of the fourteen "Black Paintings"; their modern names came about after his death. They are not inscribed, mentioned in his letters, and there are no records of him speaking of them. The works today are known by a variety of titles, most of which date to around the 1860s: his children were largely responsible for the names, with close friend contributing the rest. The title "El Gran Cabron" ("The Great He-Goat") was given by painter Antonio Brugada (1804–63). The Basque term for a Witches' Sabbath, "akelarre", is the source of the Spanish title "Aquelarre" and a derivation of "akerra",