Camel (in rhythmic landscape with trees) were also created at this time. This is the period when the artist was working and teaching at the Bauhaus in Weimar under the direction of Walter Gropius. The task of teaching caused Klee to meditate on the problems of art and as a result he produced what Herbert Read called "the most profound and illuminating statement of the aesthetic basis of the modern movement in art ever made by a practising artist". Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the
The Red Balloon by a fierce, squabbling mass. Then, fortunately, it floats off, with the breeze of magic-realism, into a feeling of escape and peace, "The Red Balloon" taking hold of Pascal, lifting him out of this rigid, petty, earthbound life." In a review in "The Washington Post," critic Philip Kennicott had a cynical view: "[The film takes] place in a world of lies. Innocent lies? Not necessarily. "The Red Balloon" may be the most seamless fusion of capitalism and Christianity ever put on film. A young boy invests in a red balloon the love of which places him on the outside of