Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the collection of the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany. The painting is one of the first Klee did in oils and is typical of the artist's interest in colour theory, draughtsmanship and musicality. It is also one of many images in Western art to use camels as subject matter. The composition of the painting is based on horizontal bands dotted with circular shapes. Camels appear in manuscripts, mosaics, sculptures and paintings. For example, camels
World landscape changed, but panoramic views continued to be painted in the 19th century, and artists such as those in the Hudson River School, Edward Lear and Russian landscape painters took the compositional style to new landscapes around the world in works such as "The Heart of the Andes" (1859, Frederic Edwin Church), though often excluding all people and buildings. These still featured in the huge apocalyptic religious paintings of the English painter John Martin, which are often literally "end of the world landscapes", taking the history of the genre back to its origins with Bosch. World landscape The world landscape, a