Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
Buster Brown York. Fisher's physical appearance, including the characteristic pageboy haircut, was copied by Outcault and given to Buster Brown. The name "Buster" came directly or indirectly from the popularity of Buster Keaton, then a child actor in vaudeville. Another boy, Roger Cushman Clark (1899-1995) of Deadwood, South Dakota, was also described as the "original model" for the Buster Brown character. The character of Mary Jane was also drawn from real life, as she was also Outcault's daughter of the same name. In Outcault's own words—and his daughter's—she was the only character drawn from life in the Buster Brown strip, although "Mrs.