2001: A Space Odyssey (soundtrack) that shift slowly over time. This technique was pioneered in "Atmosphères", the only Ligeti piece heard in its entirety in the film. Ligeti admired Kubrick's film, but in addition to being irritated by Kubrick's failure to obtain permission directly from him, he was offended that his music was used in a film soundtrack shared by composers Johann and Richard Strauss. The Richard and Johann Strauss pieces and György Ligeti's "Requiem" (the Kyrie section) act as recurring motifs in the film's storyline. Richard Strauss' "Also Sprach Zarathustra" is first heard in the opening title which juxtaposes the Sun, Earth, and Moon.
2001: A Space Odyssey (film) level of being that represents the next stage of human evolution. The film also conveys what some viewers have described as a sense of the sublime and numinous. Ebert writes in his essay on "2001" in "The Great Movies": In a book on architecture, Gregory Caicco writes that "Space Odyssey" illustrates how our quest for space is motivated by two contradictory desires, a "desire for the sublime" characterized by a need to encounter something totally other than ourselves—"something numinous"—and the conflicting desire for a beauty that makes us feel no longer "lost in space," but at home. Similarly, an article