The Graveyard of the Hesperides Albia, a widow, works as a "delatrix" (a detective or private informer) in ancient Rome, like Falco. The cover of the UK hardback edition has an image of a golden apple with a silver leaf, resting on a marble surface with a few drops of what appears to be blood, and it carries the strapline: "A Flavia Albia Novel". The American hardback edition has a colourful image of a woman walking away between classical columns. The plot features sex workers, bones, wedding planners and lentils. In Greek mythology, the Garden of the Hesperides is the garden of the goddess Hera
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of