Witches' Sabbath (The Great He-Goat) whose full-length portrait appears in the same series. As with the other "Black Paintings", Goya began with a black background which he painted over with lighter pigments, then with broad, heavy brushstrokes of grey, blue and brown. The darker areas were achieved by leaving the black under-paint exposed; this is most obvious in the figure of the Devil. Like the other works in the series, "Witches' Sabbath" is worked up through heavy, slashing brushstrokes. The plaster was underlaid with thick carbon black before the paint was applied in hues of white lead, Prussian blue, vermilion of mercury, and crystals of
William Painter (author) works such as Beaumont and Fletcher's "Triumph of Death", John Webster's "The Duchess of Malfi" (from "Belleforest"), and James Shirley's "Love's Cruelty". "The Palace of Pleasure" was edited by Joseph Haslewood in 1813. This edition was collated (1890) with the British Museum copy of 1575 by Joseph Jacobs, who added further prefatory matter, including an introduction on the importance of the Italian novella in Elizabethan drama. It has been suggested that Painter was responsible for the 1580 work "A Moorning Diti upon the Deceas of the High and Mighti Prins Henri, Earl of Arundel", attributed to Guil. P. G. Painter's