Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Jazz Mafia from a non musical family, yet he began playing trombone in fourth grade after his neighbor introduced him to the instrument. His music teacher Ken Winett turned him on to different genres including jazz, gospel, and Jamaican pre-reggae rhythms. Theis’ passion for jazz changed his junior year of high school. At the time Theis was in a garage band. One day the band was locked out of their practice room and were left with only horn instruments, so they decided to play their band's songs on the horns. That moment changed his perception of Jazz music. Theis studied jazz composition