The Oval Portrait The Oval Portrait "The Oval Portrait" is a short story by Edgar Allan Poe involving the disturbing circumstances surrounding a portrait in a chateau. It is one of his shortest stories, filling only two pages in its initial publication in 1842. The tale begins with an injured narrator (the story offers no further explanation of their impairment) seeking refuge in an abandoned mansion in the Apennines. The narrator spends their time admiring the paintings that decorate the strangely shaped room and perusing a volume, found upon a pillow, that describes them. Upon moving the candle closer to the book, the
Masque of the Red Death and Other Tales setting's fine, but it's a sidebar to the system overhaul. "Masque of the Red Death" makes a persuasive case for reality-based role-playing, where wits count more than muscle and a shotgun packs more punch than a fireball. Endearingly human, these are the only "AD&D" game characters I'd consider using as investigators in a "Call of Cthulhu" game or, for that matter, as adversaries in a "Vampire" campaign. And nitpickers who've been clamoring for a streamlined, skill-based "AD&D" game ought to be dancing in the streets. "Masque of the Red Death" doesn't qualify as the Third Edition of the "AD&D" game,