The Masque of the Red Death (play) to create hidden set pieces within the performance in response to themes of the main show, including Kneehigh, Blind Summit, Julian Fox, Kazuko Hohki, Hannah Ringham and BAC's Young People's Theatre. Despite the title, the show was actually based on eight Edgar Allan Poe tales, including "The Masque of the Red Death", "The Black Cat", "William Wilson", "The Fall of the House of Usher", "Berenice", "Ligeia", "The System of Doctor Tarr and Professor Fether", "The Telltale Heart" and "The Cask of Amontillado". The show did not utilise a central narrative beyond the loose themes of The Masque Of The Red
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932