Myra Keaton performing together in various medicine shows and vaudeville. Their son, silent film actor Buster Keaton (Joseph Frank Keaton), was born October 4, 1895. Their other children included Harry Keaton and Louise Keaton. At the age of four, Buster officially joined the family's vaudeville act, which was billed as "The Three Keatons". Myra and Buster left the act in 1917, as a result of problems arising from Joe Keaton's drinking. All members of the Keaton family occasionally appeared in Buster's silent and sound comedies. Although estranged in later years, Myra remained married to Joe until Joe's death in 1946. Myra Keaton
Buster Keaton the United States Post Office, including Rudolph Valentino and Keaton. Hirschfeld said that modern film stars were more difficult to depict, that silent film comedians such as Laurel and Hardy and Keaton "looked like their caricatures". In his essay "Film-arte, film-antiartístico", artist Salvador Dalí declared the works of Keaton to be prime examples of "anti-artistic" filmmaking, calling them "pure poetry". In 1925, Dalí produced a collage titled "The Marriage of Buster Keaton" featuring an image of the comedian in a seated pose, staring straight ahead with his trademark boater hat resting in his lap. Film critic Roger Ebert stated, "The