Witches' Sabbath (The Great He-Goat) Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It explores themes of violence, intimidation, aging and death. Satan hulks, in the form of a goat, in moonlit silhouette over a coven of ugly and terrified witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress. It is one of the fourteen "Black Paintings" that Goya applied in oil on the plaster walls of his house, the Quinta del Sordo.
Sabbath in Christianity pagan and political factors, and the decline of standards for the Sabbath day. While the Lord's Day observance of the Eucharist was established separately from the Jewish Sabbath, the centrality of the Eucharist itself made it the commonest early observance whenever Christians gathered for worship. In many places and times as late as the 4th century, they did continue to gather weekly on the Sabbath, often in addition to the Lord's Day, celebrating the Eucharist on both days. No disapproval of Sabbath observance of the Christian festival was expressed at the early church councils that dealt with Judaizing. The Council