William Matteuzzi tutte"), Vincenzo Bellini ("I Puritani" and "La Sonnambula"), Gaetano Donizetti ("La fille du régiment") and Giovanni Pacini ("L’ultimo giorno di Pompei"). A highly respected Rossini specialist, he made his Metropolitan Opera debut in 1988 as Count Almaviva in "Il barbiere di Siviglia". He has performed Rossini's comic operas "La scala di seta", "L'occasione fa il ladro", "L'italiana in Algeri", "La gazza ladra", "La Cenerentola", "La pietra del paragone", "Il viaggio a Reims", "Le comte Ory" as well as his "opere serie" "Otello", "Zelmira, Armida", "Ricciardo e Zoraide", "Maometto II", "Semiramide", etc. He now mainly dedicates himself to teaching singing and
Philadelphia La Scala Opera Company the 1925-1926 season including Gaetano Donizetti's "Lucia di Lammermoor" (with Rosalinda Rudko-Morini in the title role, Giuseppe Reschiglian as Edgardo, and Emanuel Nugnez as Enrico), Giuseppe Verdi's "Aida" (with Alice Eversman in the title role and Bernardo de Muro as Radames), Verdi's "Rigoletto", "Cavalleria rusticana" (with Emilia Vergeri as Santuzza), and "Pagliacci" (with Nicola Zerola as Canio) among others. After its first season, Francesco Pelosi was appointed General Manager and Artistic Director of the company in 1926. For the second season the company was renamed the Philadelphia La Scala Grand Opera Company which it performed under until 1938 when the