Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
The Taming of the Shrew late to save him. Starring Aureliano Pertile and Mercedes Llopart, it was first performed at La Scala in Milan. Rudolf Karel's "The Taming of the Shrew" is an unfinished opera upon which he worked between 1942 and 1944. Philip Greeley Clapp's "The Taming of the Shrew" (1948) was first performed at the Metropolitan Opera. Vittorio Giannini's "The Taming of the Shrew" (1953) is an opera buffa, with libretto by Giannini and Dorothy Fee. It was first performed at the Cincinnati Music Hall, starring Dorothy Short and Robert Kircher. Vissarion Shebalin's "Ukroshchenye stroptivoy" (1957), with libretto by Abram Akimovich Gozenpud, was