Witches' Sabbath (Goya, 1798) feature of Romanticism, and is to be found for example in Weber's opera "Der Freischütz". However, in a Spanish context, Goya's paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition, which had been active in Witch hunting during the seventeenth-century Basque witch trials. The later "Witches Sabbath" was painted as a bitter struggle raged between liberals and those in favour of a church and a royalist-lead state, which culminated in the so-called Ominous Decade (1823-1833). Both paintings can be seen as an attack on the superstitious beliefs rife in Spain
Sabbath in Christianity worship, and in the duties of necessity and mercy." Strict Sunday Sabbatarianism is sometimes called "Puritan Sabbath", which may be contrasted with "Continental Sabbath". The latter follows the reformed confessions of faith of Continental Europe such as the "Heidelberg Catechism", which emphasize rest and worship on the Lord's Day, but do not explicitly forbid recreational activities. However, in practice, many continental Reformed Christians also abstain from recreation on the Sabbath, following the admonition by the Heidelberg Catechism's author Zacharaias Ursinus that "To keep holy the Sabbath, is not to spend the day in slothfulness and idleness". Though first-day Sabbatarian practice