Buster Keaton up to provide replacements, as happened to some other late-arriving divisions. During his time in uniform, he suffered an ear infection that permanently impaired his hearing. In February 1917, Keaton met Roscoe "Fatty" Arbuckle at the Talmadge Studios in New York City, where Arbuckle was under contract to Joseph M. Schenck. Joe Keaton disapproved of films, and Buster also had reservations about the medium. During his first meeting with Arbuckle, he asked to borrow one of the cameras to get a feel for how it worked. He took the camera back to his hotel room and dismantled and reassembled it.
Buster Keaton Rides Again which is in colour. The choice of black-and-white was not only for economic reasons, as the format allowed for an easy integration of the footage from Keaton's earlier films. "Buster Keaton Rides Again" was released with "The Railrodder". The motivation behind making "The Railrodder" with Buster Keaton, was that "critics were rediscovering and wildly praising his great silent comedies of the '20s." Produced primarily as a made-for-television short feature on the Canadian Broadcasting Corporation (CBC), after broadcast, the film was made available on 16 mm to schools, libraries and other interested parties. The film was also made available to film