Ethno jazz influenced by jazz. One of the most important collaborations was when Bauzá was working with famous jazz trumpeter Dizzy Gillespie. Bauzá introduced Dizzy to Chano Pozo and Chiquitico, conga and bongo players, respectively; together they began a big band that combined jazz and Cuban music. Consequently, in 1946 they performed the first Afro-Cuban jazz concert in Carnegie Hall. This concert was a sensation because it combined Latin syncopated bass lines, percussion drumming, cross rhythms, and bebop language over a Latin feel. Some of the most famous recordings from this band were "Cuban Be," "Cuban Bop," "Algo Bueno," and "Manteca." As
Music of Cuba playing conga with Dizzy Gillespie and Machito in New York City. Cuban jazz had started much earlier, in Havana, in the period 1910–1930. Arsenio Rodríguez, one of Cuba's most famous tres players and conjunto leaders, emphasised the "son"'s African roots by adapting the "guaguancó" style, and by adding a cowbell and conga to the rhythm section. He also expanded the role of the tres as a solo instrument. In the late 1930s and 40s, the danzonera Arcaño y sus Maravillas incorporated more syncopation and added a montuno (as in son), transforming the music played by charanga orchestras. The big band