Murders in the Rue Morgue (1971 film) century theatre troupe in Paris specializing in gory, naturalistic horror plays in the fashion of the Grand Guignol. The director, Cesar Charron (Jason Robards), is presenting Poe's "Murders in the Rue Morgue". Cesar's wife, the actress Madeline (Christine Kaufmann), whose mother (Lilli Palmer) had been murdered by axe, is haunted by nightmares of an ax-wielding man. Then, suddenly, Rene Marot (Herbert Lom), a former lover of Madeline's mother thought long dead after being horribly disfigured on stage, mysteriously returns and begins murdering members and ex-members of the acting troupe, confounding the Paris police, who initially suspect Cesar. Gordon Hessler was
Masque of the Red Death and Other Tales setting's fine, but it's a sidebar to the system overhaul. "Masque of the Red Death" makes a persuasive case for reality-based role-playing, where wits count more than muscle and a shotgun packs more punch than a fireball. Endearingly human, these are the only "AD&D" game characters I'd consider using as investigators in a "Call of Cthulhu" game or, for that matter, as adversaries in a "Vampire" campaign. And nitpickers who've been clamoring for a streamlined, skill-based "AD&D" game ought to be dancing in the streets. "Masque of the Red Death" doesn't qualify as the Third Edition of the "AD&D" game,