The White Duchess The White Duchess The White Duchess is a life sized (192 x 128 cm) oil-on-canvas painting by the Spanish artist Francisco Goya, completed in 1795 and now in the collection of the Duchess of Alba, Madrid. It portrays María Cayetana de Silva, 13th Duchess of Alba, and is one of a number of portraits Goya painted of her around this time, and is usually compared alongside the similarly sized but tonally very different "Black Duchess", which was painted two years later, just after her husband, José Álvarez de Toledo died aged 39. The duke and duchess were highly placed, cultivated
Witches' Sabbath Inquistors' manual of witch-hunting, the "Malleus Maleficarum" (1486). Nevertheless, it was during the Renaissance when Sabbath folklore was most popular, more books on them were published, and more people lost their lives when accused of participating. "Commentarius de Maleficiis" (1622), by Peter Binsfeld, cites accusation of participation in Sabbaths as a proof of guiltiness in an accusation for the practice of witchcraft. Bristol University's Ronald Hutton has encapsulated the witches' sabbath as an essentially modern construction, saying: The book "Compendium Maleficarum" (1608) by Francesco Maria Guazzo illustrates a typical witch-phobic view of gathering of witches as "the attendants riding flying