Witches' Sabbath (Goya, 1798) feature of Romanticism, and is to be found for example in Weber's opera "Der Freischütz". However, in a Spanish context, Goya's paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition, which had been active in Witch hunting during the seventeenth-century Basque witch trials. The later "Witches Sabbath" was painted as a bitter struggle raged between liberals and those in favour of a church and a royalist-lead state, which culminated in the so-called Ominous Decade (1823-1833). Both paintings can be seen as an attack on the superstitious beliefs rife in Spain
Sabbath in seventh-day churches Anabaptists, such as Oswald Glaidt, argued that the seventh day should be observed as the sabbath and that Sunday sabbath was an invention of the Pope. Seventh-day Sabbatarianism was revived in 17th-century England. Early advocates included the Elizabethan Seventh-Day Men, the Traskites (after John Traske, 1586–1636), and Thomas Brabourne. The majority of seventh-day Sabbatarians were part of the Seventh Day Baptist church and experienced harsh opposition from Anglican authorities and Puritans. The first Seventh Day Baptist church in the United States was established in Rhode Island in 1671. Seventh Day Baptists are Christian Baptists who observe seventh-day Sabbath. The Seventh