The Short Happy Life of Francis Macomber in hours, and indeed even in minutes. Hemingway biographer Carlos Baker claims that Macomber loses his fear as the buffalo charges, and the loss of fear ushers Macomber into manhood, which Margot instantly kills. Baker believes Wilson symbolizes the man free of woman (because he refuses to allow Margot to dominate him) or of fear; the man Macomber wishes to be. Wilson understands, as he blasts the lion dead, that Margot is a woman who needs to be dominated. Jeffrey Meyers considers Margot Macomber to be the villain of the story. She characterises "a predatory (rather than a passive) female
Man and Woman in Front of a Pile of Excrement black sky against which the disjointed limbs of the figures are highlighted. Miró's choice of title was to use French and not Spanish. Miró said that the reference to excrement comes from a saying by Rembrandt who said that when it came to painting, rubies and diamonds were found in dung heaps. This picture was painted in Mont-roig del Camp in 1935 and was in the possession of Pilar Juncosa Miró, but is now in the permanent collection of the Fundació Joan Miró in Barcelona. Pilar Juncosa had been Miró's wife since 1929 and she was a supporter of his