La gazza ladra complete the composition of the opera. As such, "The Thieving Magpie" is best known for the overture, which is musically notable for its use of snare drums. The unique inspiration in the melodies is extreme, famously used to bizarre and dramatic effect in Stanley Kubrick's "A Clockwork Orange". It was referenced by Haruki Murakami in his work "The Wind-Up Bird Chronicle.". This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. The first performance of "The Thieving Magpie" was on 31 May 1817, at La Scala, Milan. In 1818, Rossini revised
La straniera new style and its restless harmonic shifts into remote keys did not please all. 45 years later it was stated that "Bellini's style was abstruse, discontinuous, distorted, and lacking in distinction, that it alternated among the "serio" and the "buffo" and the "semi-serio"." 19th century performances The opera was first performed at La Scala, Milan on 14 February 1829, with Henriette Méric-Lalande and Domenico Reina in the leading roles. Alessandro Sanquirico, the well-established set designer of the time, designed the sets, and the opera was presented on a triple bill, along with the ballets "Buondelmonte" and "L'avviso ai maritati". Within