Camel (in rhythmic landscape with trees) were also created at this time. This is the period when the artist was working and teaching at the Bauhaus in Weimar under the direction of Walter Gropius. The task of teaching caused Klee to meditate on the problems of art and as a result he produced what Herbert Read called "the most profound and illuminating statement of the aesthetic basis of the modern movement in art ever made by a practising artist". Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the
World landscape changed, but panoramic views continued to be painted in the 19th century, and artists such as those in the Hudson River School, Edward Lear and Russian landscape painters took the compositional style to new landscapes around the world in works such as "The Heart of the Andes" (1859, Frederic Edwin Church), though often excluding all people and buildings. These still featured in the huge apocalyptic religious paintings of the English painter John Martin, which are often literally "end of the world landscapes", taking the history of the genre back to its origins with Bosch. World landscape The world landscape, a