Monotonic scale phrase is marked by a descending glissando. Monotonic passages are also used in art music for stylistic effect. In Schubert's "Death and the Maiden", the character of Death generally employs monotonic recitation, described by one scholar as depicting "an inanimate being incapable of the lyricism of the living." In "La gazza ladra" (1817), Rossini represents Ninetta's simplicity and innocence with an almost monotone declamation at "A mio nome deh consegna questo anello", whereas in the Wolf's Glen scene of "Der Freischütz" (1821), Weber characterizes the powers of evil by having the invisible spirits sing in monotone, and denies song entirely
La Fenice sooner had the opera house been rebuilt than a legal dispute broke out between the company managing it and the owners, the Venier family. The issue was decided in favor of the Veniers. At the beginning of the 19th century, La Fenice acquired a European reputation. Rossini mounted two major productions there: "Tancredi" in 1813 and "Semiramide" in 1823. Two of Bellini's operas were given their premieres there: "I Capuleti e i Montecchi" in March 1830 and "Beatrice di Tenda" in March 1833. Donizetti, fresh from his triumphs at La Scala in Milan and at the Teatro di San Carlo