Horn in jazz Horn in jazz While the horn (also known as the French Horn) is primarily used in classical music pieces, in the mid-20th century the French horn broke into the jazz world. While the instrument remains relatively rare, the role of the horn in jazz has developed from its beginnings in the 1940s through to the 2010s. Note that the expression "horns" in jazz is often used colloquially to refer to all brass instruments used in jazz (e.g., trumpet, sax, trombone, etc.). This article focuses on the use of the French horn. The Claude Thornhill Orchestra was the first group to
Latin American music in the United States for a Latin orchestra, such as that of Vincent López, to alternate with a big band because dancers insisted on it. Latin American music was extremely popular with dancers, not only the samba, pasodoble, rhumba, and mambo, but even the conga (adapted for the ballroom). In the 1950s, Perez Prado made the mambo famous, and the Afro-Cuban jazz of Dizzy Gillespie opened many ears to the harmonic, melodic, and rhythmic possibilities of Latin American music and is still influential in salsa. Latin American music imported from Cuba (chachachá, mambo, rhumba) and Mexico (ranchera and mariachi) had brief periods of popularity