Witches' Sabbath (The Great He-Goat) Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It explores themes of violence, intimidation, aging and death. Satan hulks, in the form of a goat, in moonlit silhouette over a coven of ugly and terrified witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress. It is one of the fourteen "Black Paintings" that Goya applied in oil on the plaster walls of his house, the Quinta del Sordo.
Witches' Sabbath goats, trampling the cross, and being re-baptised in the name of the Devil while giving their clothes to him, kissing his behind, and dancing back to back forming a round." As referenced earlier, Hawthorne seems to have been describing a witches' sabbath and the surrounding activity in his short story, "Young Goodman Brown." Musically, the supposed ritual has been used as inspiration for such works as Night on Bald Mountain by Modest Mussorgsky and the fifth movement of Hector Berlioz's Symphonie Fantastique. In film, Robert Eggers' 2015 "The Witch" depicts a celebration of this ritual during the movie's climax. Also,