La donna del lago the première on 24 September 1819 was not a success, there followed many performances throughout major European venues (as well as being presented in Cuba and by major South American houses) until about 1860, after which the opera disappeared until 1958. In modern times, performances have been given fairly frequently. The period between "La gazza ladra" (1817) and "Semiramide" (1823) was marked by the production of twelve operas of little significance, with the exception of "La donna del lago". After being obliged to leave Pesaro hurriedly in May 1819 (it turned out to be his last visit there), Rossini returned
La forza del destino (1867). Following these productions, Verdi made further, more extensive revisions to the opera with additions to the libretto by Antonio Ghislanzoni. This version, which premiered at La Scala, Milan, on 27 February 1869, has become the standard performance version. The most important changes were a new overture (replacing a brief prelude); the addition of a final scene to Act 3, following the duel between Carlo and Alvaro; and a new ending, in which Alvaro remains alive, instead of throwing himself off a cliff to his death. The opera in this version is frequently performed in the world's opera houses today.