Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
La Lodoiska a ballet of the same name choreographed by Lorenzo Panzieri, which premiered at La Fenice in January 1797, and the opera itself was revived at La Fenice in November of that year. On 4 November 1798 it had its first performance at the Teatro Real de São Carlos in Lisbon in celebration of the name day of Carlota Joaquina of Spain. Mayr then revised the opera to a two-act version which nevertheless had more musical numbers than the original three-act version. The new version premiered at La Scala on 26 December 1799. It was Mayr's first opera to be performed