Witches' Sabbath (The Great He-Goat) Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It explores themes of violence, intimidation, aging and death. Satan hulks, in the form of a goat, in moonlit silhouette over a coven of ugly and terrified witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress. It is one of the fourteen "Black Paintings" that Goya applied in oil on the plaster walls of his house, the Quinta del Sordo.
Sabbath in seventh-day churches Anabaptists, such as Oswald Glaidt, argued that the seventh day should be observed as the sabbath and that Sunday sabbath was an invention of the Pope. Seventh-day Sabbatarianism was revived in 17th-century England. Early advocates included the Elizabethan Seventh-Day Men, the Traskites (after John Traske, 1586–1636), and Thomas Brabourne. The majority of seventh-day Sabbatarians were part of the Seventh Day Baptist church and experienced harsh opposition from Anglican authorities and Puritans. The first Seventh Day Baptist church in the United States was established in Rhode Island in 1671. Seventh Day Baptists are Christian Baptists who observe seventh-day Sabbath. The Seventh