The Duchess of Alba and la Beata Beata" is considered to form part of Goya's "caprichos", and was painted shortly after he fell deaf. It is signed "Goya in 1795" in the lower right corner. It is in the collection of the Museo del Prado, Madrid, having been acquired from a private collection. Goya portrayed María Cayetana de Silva a number of other times, notably "The White Duchess" of the same year and the 1797 "Portrait of the Duchess of Alba". The Duchess of Alba and la Beata The Duchess of Alba and "la Beata" (or The Duchess of Alba and the Pious Woman; Spanish: La duquesa
Witches' Sabbath (The Great He-Goat) The paintings were completed in secret: he did not title any of the works or leave a record of his intentions in creating them. Absent of fact, "Witches' Sabbath" is generally seen by art historians as a satire on the credulity of the age, a condemnation of superstition and the witch trials of the Spanish Inquisition. As with the other works in the group, "Witches' Sabbath" reflects its painter's disillusionment and can be linked thematically to his earlier etching "The Sleep of Reason Produces Monsters" as well as the "Disasters of War" print series, another bold political statement published only