La gazza ladra the opera for subsequent productions in Pesaro; and then in 1819 for the Teatro del Fondo, in Naples, in 1820 for the Teatro di San Carlo, Naples, and in 1866 revised the music for performance in Paris. The first performance of "The Thieving Magpie" in England was at the King's Theatre, London, on 10 March 1821. As the French-language "La pie voleuse", the opera's first performance in the United States was at the Théâtre d'Orléans, New Orleans, on 30 December 1828. In 1941, Riccardo Zandonai composed a version of "The Thieving Magpie" for a revival of the opera in Pesaro.
La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches