Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Ethno jazz saxophonist Stan Getz and guitarist Charlie Byrd recorded the album "Jazz Samba" with Verve Records; the track "Desafinado" reached #1 status in the pop charts and won the Grammy for Best Solo Performance. In 1958, Antonio Carlos de Almeida ("Jobim") introduced a style similar to samba called "bossa nova", which means “New Flair.” This music is slower, text-based, melancholic, and has a mellow sensation. A famous example of Jobim’s music is the piece “Wave,” which appears on his album of the same name. Brazilian music was gaining popularity, prompting other jazz musicians to incorporate it into their style. Dizzy Gillespie