Live at the Village Vanguard (Dizzy Gillespie album) rambling moments but also plenty of creative playing by this unusual group of all-stars". "All compositions by Dizzy Gillespie except as indicated" Disc One: Disc Two: Live at the Village Vanguard (Dizzy Gillespie album) Live at the Village Vanguard is a live album by American jazz trumpeter Dizzy Gillespie featuring performances recorded in 1967 at the Village Vanguard and originally released on three separate LPs on the Solid State label, one under the "Vanguard" title and as two volumes entitled Jazz for a Sunday Afternoon. The recordings were subsequently re-released in unedited form as a 2-CD set on the Blue
Jazz guitar who had absorbed the language of bebop, the guitar began to be seen as a “serious” jazz instrument. Improved electric guitars such as Gibson’s ES-175 (released in 1949), gave players a larger variety of tonal options. In the 1940s through the 1960s, players such as Wes Montgomery, Joe Pass, and Jim Hall laid the foundation of what is now known as "jazz guitar" playing. As jazz-rock fusion emerged in the early 1970s, many players switched to the more rock-oriented solid body guitars. Other jazz guitarists, like Grant Green and Wes Montgomery, turned to applying their skills to pop-oriented styles that