In Our Time (short story collection) which bears similarities to Eliot's "The Waste Land". Eliot's "Waste Land" motif exists throughout much of Hemingway's early fiction, but is most notable in this collection, "The Sun Also Rises" (1926), and "A Farewell to Arms" (1929). He borrowed Eliot's device of using imagery to evoke feeling. Benson attributes similarities between Hemingway and Eliot to Pound, who edited both. Motifs and themes reappear, the most obvious being the juxtaposition of life and death. There are some recurring images such as water and darkness – places of safety. Benson notes how, after reading the first few vignettes and stories, readers "realize
Book censorship in the United States of World War I, and the story of the two lovers, Frederic Henry and Catherine Barkley, includes graphic details of a childbirth gone awry. This story strays greatly from traditionalist literature, the majority of American literature at the time, which depicted good prevailing over evil. Some cities, including Boston, banned "A Farewell to Arms" in 1929, labeling the book "salacious." In addition, Boston in the 1920s censored other novels such as "The American Mercury", "Elmer Gantry", "An American Tragedy", "Strange Interlude", and "Lady Chatterley’s Lover". The rise of censorship in Boston aroused local opposition. The Harvard Crimson in 1929 wrote,