Witches' Sabbath (The Great He-Goat) placing their faith in ghouls, quack doctors and tyrants. Goya had used witchcraft imagery in his 1797–98 "Caprichos" print series, and in his similarly titled 1789 painting "Witches' Sabbath". In both the 1789 and 1822 Sabbath pictures, the Devil is presented as a goat surrounded by a ring of terrified women. The earlier painting uses witchcraft imagery in a manner that inverts the order of traditional Christian iconography. The goat extends his left rather than right hoof towards the child, the quarter moon faces out at the left hand corner of the canvas. These inversions may be metaphor for the
Witches' Sabbath to the witches' equivalent to the Christian day of rest; a more common term was "synagogue" or "synagogue of Satan" possibly reflecting anti-Jewish sentiment, although the acts attributed to witches bear little resemblance to the Sabbath in Christianity or Jewish Shabbat customs. The "Errores Gazariorum" ("Errors of the Cathars"), which mentions the Sabbat, while not discussing the actual behavior of the Cathars, is named after them, in an attempt to link these stories to an heretical Christian group. Christian missionaries' attitude to African cults was not much different in principle to their attitude to the Witches' Sabbath in Europe; some