Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
What Cha' Gonna Do for Me highest charting album until her 80's-era breakthrough "I Feel For You". Its popularity among jazz audiences was likely due to the inclusion of the Dizzy Gillespie composition "Night In Tunisia" with a guest appearance by Gillespie himself as well as what today would be called a 'sample' of Charlie Parker's legendary four bar alto break from his 1946 recording of the title. Khan's vocal interpretation also features lyrics written by the singer herself. This album was nominated for Best R&B Vocal Performance, Female in 1981. Two tracks from the "What Cha Gonna Do For Me" sessions were only released as