The Masque of the Red Death However, there is much dispute over how to interpret "The Masque of the Red Death"; some suggest it is not allegorical, especially due to Poe's admission of a distaste for didacticism in literature. If the story really does have a moral, Poe does not explicitly state that moral in the text. Blood, emphasized throughout the tale, along with the color red, serves as a dual symbol, representing both death and life. This is emphasized by the masked figure – never explicitly stated to be the Red Death, but only a reveler in a costume of the Red Death – making
Murders in the Rue Morgue (1971 film) hired to direct the film. Hessler says he felt the story was so familiar it needed to be changed, so he and writer Christopher Wicking decided to do it as a play-within-a-play, with a mystery happening around a theatre that was putting on a production of "Murder in the Rue Morgue". The new storyline owned a lot to "Phantom of the Opera". Hessler said Vincent Price "was very upset that he wasn't in" the film "but I had nothing to with that." He thought Price was having contractual fights with AIP at the time. Hessler says AIP hired Jason Robard