Teresa Belloc-Giorgi Simon Mayr's "Medea in Corinto" in 1823, and Isabella in the first performance of "L'inganno felice" in Venice in 1812. She favored Rossini roles and created Ninetta, a soprano part, in "La gazza ladra" at La Scala in 1817. However, the contralto roles of "La Cenerentola", "Tancredi", and Isabella in "L'italiana in Algeri" were her most successful roles. In 1818, Belloc-Giorgi appeared in London under the name of Bellochi, but failed to find success and returned to Milan. She married a Frenchman and retired in 1828. She died in San Giorgio Canavese. Teresa Belloc-Giorgi Maria Teresa Belloc-Giorgi (Bellochi; Giorgi-Belloc; née
Academy of Music (New York City) role and Giuseppe Mario as Pollione headlining the performance under Max Maretzek's baton. The first season's repertoire was ambitious, and included "Semiramide" and "The Barber of Seville" by Rossini; "Norma" and "La Sonnambula" by Bellini; and "Don Pasquale", "Lucrezia Borgia", "La Favorita" and "Lucia di Lammermoor" by Donizetti. Maretzek's company performed an annual season at the Academy through 1878. His company was not the only group active at the opera house as the theater during this time. Musicologist George Whitney Martin writes: New York's Academy of Music, from 1854 to 1883 the city's leading house for opera, did not offer