The Oval Portrait is the rhythmical creation of beauty, and that the most poetical topic in the world is the death of a beautiful woman (see "The Philosophy of Composition"). "The Oval Portrait" suggests that the woman's beauty condemns her to death. Poe suggests in the tale that art can reveal the artist's guilt or evil and that the artist feeds on and may even destroy the life he has modeled into art. "The Oval Portrait" was first published as a longer version titled "Life in Death" in "Graham's Magazine" in 1842. "Life in Death" included a few introductory paragraphs explaining how the
Masque of the Red Death and Other Tales setting's fine, but it's a sidebar to the system overhaul. "Masque of the Red Death" makes a persuasive case for reality-based role-playing, where wits count more than muscle and a shotgun packs more punch than a fireball. Endearingly human, these are the only "AD&D" game characters I'd consider using as investigators in a "Call of Cthulhu" game or, for that matter, as adversaries in a "Vampire" campaign. And nitpickers who've been clamoring for a streamlined, skill-based "AD&D" game ought to be dancing in the streets. "Masque of the Red Death" doesn't qualify as the Third Edition of the "AD&D" game,