Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
Go West: Music for the Films of Buster Keaton Buster Keaton classic often compared to the Charlie Chaplin classics. The story follows a down-and-out Midwesterner following Horace Greeley's adage "Go West, young man!" Classic hilarity in this film includes a milking scene and a card game. (Roscoe "Fatty" Arbuckle makes an in-drag cameo.) The original soundtrack recording also includes Kermit Driscoll on acoustic and electric basses and Joey Barron on percussion. Frisell and his band performed the music to all three films at St. Ann's in Brooklyn, NY, in May 1993. The warmly recorded albums are adventurous and evocative. Critics described Bill Frisell's inspired episodic work with Keaton's films