The Moonstone the best of modern English detective novels in a genre invented by Collins and not by Poe," and Dorothy L. Sayers praised it as "probably the very finest detective story ever written." In "The Victorian Age in Literature," G. K. Chesterton calls it "probably the best detective tale in the world." It was published in 1868, later than Poe's short story mysteries "The Murders in the Rue Morgue" (1841) (which introduced the famous locked-room paradigm), "The Mystery of Marie Rogêt" (1842), and "The Purloined Letter" (1845). The plot also shows some parallels with "The Hermitage" (1839), an earlier murder mystery
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932