Witches' Sabbath (The Great He-Goat) posthumously. Around 1874, some fifty years after his death, the plaster murals were taken down and transferred to canvas supports. "Witches' Sabbath" was much wider before transfer – it was the broadest of the Black Paintings. During the transfer about of the painting was cut from the right-hand side. At its reduced dimensions of 141 × 436 cm (56 × 172 in), its framing is unusually tightly cropped, which some critics find adds to its haunted, spectral aura, although others believe it distorts Goya's intentions by moving the centre of balance and reducing the painting's impact. Goya did not title
James Roberts (painter) was the reason her father agreed to sit for Roberts, that the result was uncharacteristic, and that the book shown was a novel. Roberts was also a scene painter at Blenheim Palace, in 1788 and 1789. In 1789 he was designer for "The Maid of the Oaks", and "False Appearances". a translation by Henry Seymour Conway of "Trompeurs Dehors" by Louis de Boissy. By 1795, Roberts had an appointment as portrait painter to the Duke of Clarence. He exhibited again annually at the Royal Academy from 1795 to 1799. The National Portrait Gallery, London holds 52 portraits by Roberts or