La donna del lago the première on 24 September 1819 was not a success, there followed many performances throughout major European venues (as well as being presented in Cuba and by major South American houses) until about 1860, after which the opera disappeared until 1958. In modern times, performances have been given fairly frequently. The period between "La gazza ladra" (1817) and "Semiramide" (1823) was marked by the production of twelve operas of little significance, with the exception of "La donna del lago". After being obliged to leave Pesaro hurriedly in May 1819 (it turned out to be his last visit there), Rossini returned
Academy of Music (New York City) role and Giuseppe Mario as Pollione headlining the performance under Max Maretzek's baton. The first season's repertoire was ambitious, and included "Semiramide" and "The Barber of Seville" by Rossini; "Norma" and "La Sonnambula" by Bellini; and "Don Pasquale", "Lucrezia Borgia", "La Favorita" and "Lucia di Lammermoor" by Donizetti. Maretzek's company performed an annual season at the Academy through 1878. His company was not the only group active at the opera house as the theater during this time. Musicologist George Whitney Martin writes: New York's Academy of Music, from 1854 to 1883 the city's leading house for opera, did not offer