2001: A Space Odyssey (soundtrack) mankind's eventual replacement by overmen ("Übermensch") in Nietzsche's work "Thus Spoke Zarathustra". "Gayane's Adagio" from Aram Khachaturian's "Gayane" ballet suite is heard during the sections that introduce Bowman and Poole aboard the "Discovery", conveying a somewhat lonely and mournful quality. In addition to the majestic yet fairly traditional compositions by the two Strausses and Khachaturian, Kubrick used four highly modernistic compositions by György Ligeti that employ micropolyphony, the use of sustained dissonant chords that shift slowly. This technique was pioneered in "Atmosphères", the only Ligeti piece heard in its entirety in the film. Ligeti admired Kubrick's film but, in addition
2001: A Space Odyssey (soundtrack) the music from Ligeti's "Atmosphères" which is heard when Bowman actually enters the Star Gate. No music is heard during the monolith's much briefer final appearance in Dave Bowman's celestial bedroom which immediately precedes the "Zarathustra"-accompanied transformation of Bowman into the Star-Child. A shorter excerpt from "Atmosphères" is heard during the pre-credits prelude and film intermission, which are not in all copies of the film. The adagio movement "Carpet Weavers" from Aram Khatchaturian's "Gayane" ballet suite no. 3. is heard during the sections that introduce Bowman and Poole aboard the "Discovery" conveying a somewhat lonely and mournful quality. Other music