Monotonic scale phrase is marked by a descending glissando. Monotonic passages are also used in art music for stylistic effect. In Schubert's "Death and the Maiden", the character of Death generally employs monotonic recitation, described by one scholar as depicting "an inanimate being incapable of the lyricism of the living." In "La gazza ladra" (1817), Rossini represents Ninetta's simplicity and innocence with an almost monotone declamation at "A mio nome deh consegna questo anello", whereas in the Wolf's Glen scene of "Der Freischütz" (1821), Weber characterizes the powers of evil by having the invisible spirits sing in monotone, and denies song entirely
La Wally La Wally La Wally is an opera in four acts by composer Alfredo Catalani, to a libretto by Luigi Illica, first performed at La Scala, Milan, on 20 January 1892. The libretto is based on a hugely successful ' by Wilhelmine von Hillern (1836–1916), ' ("The Vulture Wally: A Story from the Tyrolean Alps"). Wally, short for Walburga, is a girl with some heroic attributes. The story is based on an episode in the life of Tyrolean painter Anna Stainer-Knittel whom von Hillern met. She gets her "Geier" (vulture) epithet from once stealing a vulture's hatchling from her nest. Von