Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
Classical music of Birmingham Company - specialises in staging innovative performances in unusual venues (in 2005 it performed Monteverdi's "Il Ritorno d'Ulisse in Patria" in a burnt-out ice rink in the Chinese Quarter). Its artistic director, Graham Vick, has also directed at La Scala, Milan, the Metropolitan Opera in New York and the Royal Opera House in London. Visiting opera companies such as Opera North and Welsh National Opera perform regularly at the Hippodrome. Birmingham's other principal classical music venues include The National Indoor Arena (NIA), CBSO Centre, The Bradshaw Hall at the Royal Birmingham Conservatoire, the Barber Concert Hall at the Barber Institute