Robert of Bridlington "Book of Exodus", which survives in two manuscripts, a commentary on the minor prophets, surviving in three copies, a commentary on the Pauline Epistles in two extant copies, and a commentary on the visions in the "Book of Revelation", surviving in two manuscripts. The work on Revelation may have been by Robert of Cricklade. None of these works have been published yet. Robert's works that do not survive include a commentary on the "Book of Genesis", one on the "Book of Leviticus", a commentary on the "Book of Numbers", a treatise on the "Book of Deuteronomy", a commentary on the
The Book of Genesis (comics) on the work, as would have been expected. Reviewers have called the style "humanizing", with a "human-looking deity" with "enormous, hairy, veiny hands"; unlike much later Christian art, which Europeanized the characters from the Old and New Testaments, the characters in Crumb's book are "plac[ed...] squarely in the Middle East — and populat[ed...] with distinctly Semitic-looking people". The clothing and sets in the book were based on stills from classic Hollywood movies, as "there's not a lot of documentation about how people dressed and lived in ancient Mesopotamia." Crumb originally intended to do a sendup of the Book of Genesis,