Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Ethno jazz saxophonist Stan Getz and guitarist Charlie Byrd recorded the album "Jazz Samba" with Verve Records; the track "Desafinado" reached #1 status in the pop charts and won the Grammy for Best Solo Performance. In 1958, Antonio Carlos de Almeida ("Jobim") introduced a style similar to samba called "bossa nova", which means “New Flair.” This music is slower, text-based, melancholic, and has a mellow sensation. A famous example of Jobim’s music is the piece “Wave,” which appears on his album of the same name. Brazilian music was gaining popularity, prompting other jazz musicians to incorporate it into their style. Dizzy Gillespie