Lucia Elizabeth Vestris she showed off her fabulously perfect legs, launched her career as a scandalous beauty. From then on she remained an extraordinary favourite in opera, musical farces, and comedies until her retirement in 1854. At the King's Theatre she sang in the English premieres of many Rossini operas, sometimes conducted by the composer himself: "La gazza ladra" (as Pippo, 1821), "La donna del lago" (as Malcolm Groeme, 1823), "Ricciardo e Zoraide" (as Zomira, 1823), "Matilde di Shabran" (as Edoardo, 1823), "Zelmira" (as Emma, 1824), and "Semiramide" (as Arsace, 1824). She excelled in "breeches parts," and she also performed in Mozart operas,
Philadelphia La Scala Opera Company the 1925-1926 season including Gaetano Donizetti's "Lucia di Lammermoor" (with Rosalinda Rudko-Morini in the title role, Giuseppe Reschiglian as Edgardo, and Emanuel Nugnez as Enrico), Giuseppe Verdi's "Aida" (with Alice Eversman in the title role and Bernardo de Muro as Radames), Verdi's "Rigoletto", "Cavalleria rusticana" (with Emilia Vergeri as Santuzza), and "Pagliacci" (with Nicola Zerola as Canio) among others. After its first season, Francesco Pelosi was appointed General Manager and Artistic Director of the company in 1926. For the second season the company was renamed the Philadelphia La Scala Grand Opera Company which it performed under until 1938 when the