Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Jazz in Belgium The major big bands like "Robert De Kers and his Cabaret Kings" performed regularly in the Brussels Centre for Fine Arts and in the hall of the Antwerp Zoo. After the liberation in 1945 the jazz scene in the United States had changed, and "bop" (or bebop) had become the latest thing. Characterized by its virtuosity, harmonic complexity and tempo changes, bebop brought about a stylistic revolution. The big names were now Dizzy Gillespie and Charlie Parker, and Europeans learned about this new style of jazz when American records became available. In Belgium swing music was at its peak. The