Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
Academy of Music (New York City) role and Giuseppe Mario as Pollione headlining the performance under Max Maretzek's baton. The first season's repertoire was ambitious, and included "Semiramide" and "The Barber of Seville" by Rossini; "Norma" and "La Sonnambula" by Bellini; and "Don Pasquale", "Lucrezia Borgia", "La Favorita" and "Lucia di Lammermoor" by Donizetti. Maretzek's company performed an annual season at the Academy through 1878. His company was not the only group active at the opera house as the theater during this time. Musicologist George Whitney Martin writes: New York's Academy of Music, from 1854 to 1883 the city's leading house for opera, did not offer