The Duchess of Alba and la Beata The Duchess of Alba and la Beata The Duchess of Alba and "la Beata" (or The Duchess of Alba and the Pious Woman; Spanish: La duquesa de Alba y su dueña o La Duquesa de Alba y "la Beata") is a small 1795 oil on canvas painting by the Spanish artist Francisco Goya. It portrays the Duchess María Cayetana de Silva, 13th Duchess of Alba reaching playfully towards her maid (or "duena") Rafaela Luisa Velazquez (known as "la Beata"), who leans away. María holds a red cord under the chin of the older woman, which seems to scare her as
Witches' Sabbath (The Great He-Goat) The paintings were completed in secret: he did not title any of the works or leave a record of his intentions in creating them. Absent of fact, "Witches' Sabbath" is generally seen by art historians as a satire on the credulity of the age, a condemnation of superstition and the witch trials of the Spanish Inquisition. As with the other works in the group, "Witches' Sabbath" reflects its painter's disillusionment and can be linked thematically to his earlier etching "The Sleep of Reason Produces Monsters" as well as the "Disasters of War" print series, another bold political statement published only