Witches' Sabbath (The Great He-Goat) photographs taken in preparation for the restoration by Jean Laurent, now in the Courtauld Institute's Witt Library. They show the painting "in situ" in the Quinta del Sordo and are the most reliable indicators of its appearance before restoration. But Laurent's work presents difficulties, not least because some areas of the photographs lack resolution and contain indistinct passages. Photographs from this period tended to darken yellow and red areas while lightening blues and violets. Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed
Witches' Sabbath Witches' Sabbath The Witches' Sabbath is a term applied to a gathering of those considered to practice witchcraft and other rites. Prior to the late 19th century, it is difficult to locate any English use of the term 'sabbath' to denote a gathering of witches. The phrase is used by Henry Charles Lea's in his History of the Inquisition (1888). Writing in 1900, German historian Joseph Hansen who was a correspondent and a German translator of Lea's work, frequently uses the shorthand phrase "hexensabbat" to interpret medieval trial records, though any consistently recurring term is noticeably rare in the copious