The Oval Portrait is the rhythmical creation of beauty, and that the most poetical topic in the world is the death of a beautiful woman (see "The Philosophy of Composition"). "The Oval Portrait" suggests that the woman's beauty condemns her to death. Poe suggests in the tale that art can reveal the artist's guilt or evil and that the artist feeds on and may even destroy the life he has modeled into art. "The Oval Portrait" was first published as a longer version titled "Life in Death" in "Graham's Magazine" in 1842. "Life in Death" included a few introductory paragraphs explaining how the
The Masque of the Red Death (1964 film) Red Death" back, because of the similarities, but it was really an artificial reason in my mind," he later said. Eventually he decided to go ahead and do it anyway. Another fact in the delay was that Corman had a great deal of trouble coming up with a screenplay he was happy with. Drafts were written by John Carter, Robert Towne and Barboura Morris, but Corman was not happy with any of them. There were also a number of rival adaptations of "Masque" being mooted around this time. The Woolner Brothers announced a film based on the story as did