Buster Keaton up to provide replacements, as happened to some other late-arriving divisions. During his time in uniform, he suffered an ear infection that permanently impaired his hearing. In February 1917, Keaton met Roscoe "Fatty" Arbuckle at the Talmadge Studios in New York City, where Arbuckle was under contract to Joseph M. Schenck. Joe Keaton disapproved of films, and Buster also had reservations about the medium. During his first meeting with Arbuckle, he asked to borrow one of the cameras to get a feel for how it worked. He took the camera back to his hotel room and dismantled and reassembled it.
Buster Keaton of feature films. Throughout the 1940s, Keaton played character roles in both "A" and "B" features. He made his last starring feature "El Moderno Barba Azul" (1946) in Mexico; the film was a low budget production, and it may not have been seen in the United States until its release on VHS in the 1980s, under the title "Boom in the Moon". Critics rediscovered Keaton in 1949 and producers occasionally hired him for bigger "prestige" pictures. He had cameos in such films as "In the Good Old Summertime" (1949), "Sunset Boulevard" (1950), and "Around the World in 80 Days" (1956).