The Mystery of Marie Rogêt dead, an act of suicide. By his side, a remorseful note and an empty bottle of poison were found. Writing about Rogers as a sequel to "The Murders in the Rue Morgue", Poe tried to solve the aforementioned enigma by creating a murder mystery. As Poe wrote in a letter in 1842: "under the pretense of showing how Dupin ... unravelled the mystery of Marie's assassination, I, in fact, enter into a very rigorous analysis of the real tragedy in New York." He situated the narrative in Paris using the details of the original tragedy. Although there was intense media
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932