Witches' Sabbath (The Great He-Goat) Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It explores themes of violence, intimidation, aging and death. Satan hulks, in the form of a goat, in moonlit silhouette over a coven of ugly and terrified witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress. It is one of the fourteen "Black Paintings" that Goya applied in oil on the plaster walls of his house, the Quinta del Sordo.
Witches' Sabbath undoubtedly hallucinogenic, were not among the ingredients listed in recipes for the flying ointment. The active ingredients in such unguents were primarily, not fungi, but plants in the nightshade family Solanaceae, most commonly Atropa belladonna (Deadly Nightshade) and Hyoscyamus niger (Henbane), belonging to the tropane alkaloid-rich tribe Hyoscyameae. Other tropane-containing, nightshade ingredients included the famous Mandrake Mandragora officinarum, Scopolia carniolica and Datura stramonium, the Thornapple. The alkaloids Atropine, Hyoscyamine and Scopolamine present in these Solanaceous plants are not only potent (and highly toxic) hallucinogens, but are also fat-soluble and capable of being absorbed through unbroken human skin. Witches' Sabbath The