Gilbert and Sullivan a composer of comic opera—that a musical knight should not stoop below oratorio or grand opera. Sullivan, despite the financial security of writing for the Savoy, increasingly viewed his work with Gilbert as unimportant, beneath his skills, and repetitious. Furthermore, he was unhappy that he had to simplify his music to ensure that Gilbert's words could be heard. But paradoxically, in February 1883, just after "Iolanthe" opened, Sullivan had signed a five-year agreement with Gilbert and Carte requiring him to produce a new comic opera on six months' notice. "Princess Ida" (1884) spoofed women's education and male chauvinism and continued
Gilbert and Sullivan especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody prevails; while, in the latter, the music of the most grotesque situations is redolent of fun." Further changes were made, including a new overture, when Rupert D'Oyly Carte revived "Ruddigore" after the First World War, and the piece was regularly performed by the D'Oyly Carte Opera Company thereafter. Some of the plot elements of "Ruddigore" were introduced by Gilbert in his earlier one-act opera, "Ages Ago" (1869), including the tale of the wicked