Witches' Sabbath (Goya, 1798) feature of Romanticism, and is to be found for example in Weber's opera "Der Freischütz". However, in a Spanish context, Goya's paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition, which had been active in Witch hunting during the seventeenth-century Basque witch trials. The later "Witches Sabbath" was painted as a bitter struggle raged between liberals and those in favour of a church and a royalist-lead state, which culminated in the so-called Ominous Decade (1823-1833). Both paintings can be seen as an attack on the superstitious beliefs rife in Spain
Spanish and Portuguese Jews prayers for the New Year and Yom Kippur, and in 1771 a translation of the daily, Sabbath and Festival prayers. There was an unofficial translation into English in 1771 by A. Alexander and others by David Levi in 1789 and following years, but the Prayer Books were first officially translated into English in 1836, by "hakham" David de Aaron de Sola. Today Spanish and Portuguese Jews in England have little tradition of using Spanish, except for the hymn "Bendigamos", the translation of the Biblical passages in the prayer-book for Tisha B'Av, and in certain traditional greetings. The Hebrew of the