Witches' Sabbath (The Great He-Goat) photographs taken in preparation for the restoration by Jean Laurent, now in the Courtauld Institute's Witt Library. They show the painting "in situ" in the Quinta del Sordo and are the most reliable indicators of its appearance before restoration. But Laurent's work presents difficulties, not least because some areas of the photographs lack resolution and contain indistinct passages. Photographs from this period tended to darken yellow and red areas while lightening blues and violets. Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed
James Roberts (painter) was the reason her father agreed to sit for Roberts, that the result was uncharacteristic, and that the book shown was a novel. Roberts was also a scene painter at Blenheim Palace, in 1788 and 1789. In 1789 he was designer for "The Maid of the Oaks", and "False Appearances". a translation by Henry Seymour Conway of "Trompeurs Dehors" by Louis de Boissy. By 1795, Roberts had an appointment as portrait painter to the Duke of Clarence. He exhibited again annually at the Royal Academy from 1795 to 1799. The National Portrait Gallery, London holds 52 portraits by Roberts or