Lucia Elizabeth Vestris she showed off her fabulously perfect legs, launched her career as a scandalous beauty. From then on she remained an extraordinary favourite in opera, musical farces, and comedies until her retirement in 1854. At the King's Theatre she sang in the English premieres of many Rossini operas, sometimes conducted by the composer himself: "La gazza ladra" (as Pippo, 1821), "La donna del lago" (as Malcolm Groeme, 1823), "Ricciardo e Zoraide" (as Zomira, 1823), "Matilde di Shabran" (as Edoardo, 1823), "Zelmira" (as Emma, 1824), and "Semiramide" (as Arsace, 1824). She excelled in "breeches parts," and she also performed in Mozart operas,
Loreley (opera) his "Edgar" for a La Scala production in 1889. The world premiere of "Loreley" finally took place on 16 February 1890 at the Teatro Regio in Turin conducted by Edoardo Mascheroni. The production, with Virginia Ferni-Germano in the title role, had sets by Ugo Gheduzzi and costumes designed by Adolf Hohenstein. It proved to be Catalani's most enduring work, surpassed only by his last opera "La Wally". In the years following the Turin premiere, "Loreley" was performed in multiple Italian cities, including Milan where it was first performed at La Scala in 1905. It subsequently premiered at London's Royal Opera