Witches' Sabbath (The Great He-Goat) posthumously. Around 1874, some fifty years after his death, the plaster murals were taken down and transferred to canvas supports. "Witches' Sabbath" was much wider before transfer – it was the broadest of the Black Paintings. During the transfer about of the painting was cut from the right-hand side. At its reduced dimensions of 141 × 436 cm (56 × 172 in), its framing is unusually tightly cropped, which some critics find adds to its haunted, spectral aura, although others believe it distorts Goya's intentions by moving the centre of balance and reducing the painting's impact. Goya did not title
William Painter (author) works such as Beaumont and Fletcher's "Triumph of Death", John Webster's "The Duchess of Malfi" (from "Belleforest"), and James Shirley's "Love's Cruelty". "The Palace of Pleasure" was edited by Joseph Haslewood in 1813. This edition was collated (1890) with the British Museum copy of 1575 by Joseph Jacobs, who added further prefatory matter, including an introduction on the importance of the Italian novella in Elizabethan drama. It has been suggested that Painter was responsible for the 1580 work "A Moorning Diti upon the Deceas of the High and Mighti Prins Henri, Earl of Arundel", attributed to Guil. P. G. Painter's