Ethno jazz who was born to a gypsy family and performed with famous musicians like Arthur Briggs, Bill Coleman, and Bill Arnold. His predominate style of playing was “Gypsy-Jazz.” Traveling to and learning from other cultures was another factor that influenced the development of Ethno Jazz. For example, a variety of musicians like pianist Randy Weston, trumpeter Lester Bowie, multi-instrumentalists Yusef Lateef, Ornette Coleman, and drummer Max Roach had a fascination for other cultures’ music. They went to Africa and studied different countries’ melodies, rhythms, and harmonies, and adapted them into their jazz playing and compositions. Intercultural musical exchange was well received
1940s in jazz 1940s in jazz In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of