Giuseppina Ronzi de Begnis "La gazza ladra" for the grand inauguration of the newly built Teatro Nuovo in Pesaro. Rossini had grand ideas for the occasion and he wanted Isabella Colbran and Andrea Nozzari for a colossal production of his "Armida"; however budget constraints forced him to downsize his dreams, but when an attempt to secure his friend Rosa Morandi for "La gazza ladra" failed, he engaged Giuseppina Ronzi de Begnis and, at a reduced fee, her husband Giuseppe de Begnis as the Mayor. This move left him with enough money to engage a first class tenor like Alberico Curioni. In January 1819, Giuseppina
La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches