The Short Happy Life of Francis Macomber in hours, and indeed even in minutes. Hemingway biographer Carlos Baker claims that Macomber loses his fear as the buffalo charges, and the loss of fear ushers Macomber into manhood, which Margot instantly kills. Baker believes Wilson symbolizes the man free of woman (because he refuses to allow Margot to dominate him) or of fear; the man Macomber wishes to be. Wilson understands, as he blasts the lion dead, that Margot is a woman who needs to be dominated. Jeffrey Meyers considers Margot Macomber to be the villain of the story. She characterises "a predatory (rather than a passive) female
A Farewell to Arms (1957 film) Hecht script and Selznick's invariable tendency to overkill are equally to blame." In his review of the DVD release, Jeremiah Kipp of "Slant Magazine" awarded the film two out of a possible five stars and stated, "To those willing to endure "A Farewell To Arms": Don't be a hero! . . . We have David O. Selznick to blame for this bloated two-hour-plus Technicolor remake, announcing from the larger-than-life opening credits set against epic shots of sunsets, mountains, and valleys that he's aiming for another "Gone with the Wind" . . . without compelling lovers at the heart of his