Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Jazz in Bulgaria music their music was similar with its syncretism, improvisatory character, and reiteration of old well-known melodies into something new. That tradition gave rise to several influential musicians who set out to use their traditional folk instruments playing contemporary jazz that blended the western music with Balkan influences such as the unusual timbres, complex, and often asymmetrical meters, unusual for western music melodies and often passionate aggressive style of playing. Bulgarian clarinetist Ivo Papazov and his band do not deviate too much from the wedding band music style, though they are active performers at jazz festivals as well as the countryside.