Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
Loreley (opera) his "Edgar" for a La Scala production in 1889. The world premiere of "Loreley" finally took place on 16 February 1890 at the Teatro Regio in Turin conducted by Edoardo Mascheroni. The production, with Virginia Ferni-Germano in the title role, had sets by Ugo Gheduzzi and costumes designed by Adolf Hohenstein. It proved to be Catalani's most enduring work, surpassed only by his last opera "La Wally". In the years following the Turin premiere, "Loreley" was performed in multiple Italian cities, including Milan where it was first performed at La Scala in 1905. It subsequently premiered at London's Royal Opera