The Masque of the Red Death However, there is much dispute over how to interpret "The Masque of the Red Death"; some suggest it is not allegorical, especially due to Poe's admission of a distaste for didacticism in literature. If the story really does have a moral, Poe does not explicitly state that moral in the text. Blood, emphasized throughout the tale, along with the color red, serves as a dual symbol, representing both death and life. This is emphasized by the masked figure – never explicitly stated to be the Red Death, but only a reveler in a costume of the Red Death – making
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932