The Thieving Magpie (album) The Thieving Magpie (album) The Thieving Magpie (La Gazza Ladra) is a double live album by the British neo-progressive rock band Marillion. It was named after the introductory piece of classical music the band used before coming on stage during the "Clutching at Straws" tour 1987–1988, the overture to Rossini's opera "La gazza ladra", which translates as "The Thieving Magpie". The album was released shortly after singer Fish's departure from the band (and before Steve Hogarth's arrival) and was intended to document the "Fish years". It complements the band's first live album "Real to Reel" insofar as there are no
La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches