The Masque of the Red Death However, there is much dispute over how to interpret "The Masque of the Red Death"; some suggest it is not allegorical, especially due to Poe's admission of a distaste for didacticism in literature. If the story really does have a moral, Poe does not explicitly state that moral in the text. Blood, emphasized throughout the tale, along with the color red, serves as a dual symbol, representing both death and life. This is emphasized by the masked figure – never explicitly stated to be the Red Death, but only a reveler in a costume of the Red Death – making
Murders in the Rue Morgue (1971 film) a premonition of what was going to happen. When it's tinted, it's just so obvious. Audiences picked up on it immediately." AIP also removed a lot of Lilli Palmer's scenes. "She was vital to the plot and by cutting her scenes down, it was like she was an extra in the film," said Hessler. Robards later called the film "a disaster... but I got a good price and part of the picture." "Murders in the Rue Morgue" received mixed to negative reviews from critics. Leonard Maltin panned the film, awarding the film 1 1/2 out of 4 stars. Howard Thompson