Camel (in rhythmic landscape with trees) were also created at this time. This is the period when the artist was working and teaching at the Bauhaus in Weimar under the direction of Walter Gropius. The task of teaching caused Klee to meditate on the problems of art and as a result he produced what Herbert Read called "the most profound and illuminating statement of the aesthetic basis of the modern movement in art ever made by a practising artist". Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the
The Queen Was in the Parlour The Queen Was in the Parlour The Queen Was in the Parlour: a romance in three acts is a play by the English writer Noël Coward. Belonging to the Ruritanian romance genre, its title is drawn from a line in the nursery rhyme "Sing a Song of Sixpence". Although written in 1922, it was not produced until 24 August 1926, when it was premiered at the St Martin's Theatre. It has been adapted for film three times - the first two times under its original title (in 1927 as a silent movie and in 1928 as a talking picture) and