Azerbaijani jazz pianist and composer Vagif Mustafazadeh. Dizzy Gillespie, the legendary American jazz trumpeter, reportedly lauded Mustafazadeh for creating "the music of the future." Inna Naroditskaya, “Azerbaijani Mugham Jazz,” Jazz Worlds/World Jazz, ed. Philip V. Bohlman and Goffredo Plastino, Chicago, London: University of Chicago Press, 2016, 98-124. Azerbaijani jazz The Azerbaijani jazz () is a popular variety of jazz, widespread in Azerbaijan. It covers a broad range of styles (traditional, post-pop, fusion, free flexion) and often features a blend with traditional Azeri music. Among modern famed Azeri jazz musicians are Aziza Mustafazadeh, who was influenced by Bill Evans and Keith Jarrett, Isfar
Jazz in Belgium the 'Panopcticum de Monsieur Castan'. Belgium, however, had no recording studios of its own and therefore the spread of pre-jazz music for a long time (until after the First World War) relied on foreign record labels such as "Colombia", "Zonophone" and "Favorite". Another invention which to a large extent contributed to the development of jazz music was Adolphe Sax's new instrument. By 1890 saxophones in the United States were made by the Conn and Buescher companies, and Belgian virtuoso saxophonists such as Jean Moermans of Sousa's Orchestra ensured the growing popularity of the instrument. The saxophone quickly became the symbol