Witches' Sabbath (The Great He-Goat) Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed sometime between 1821 and 1823. It explores themes of violence, intimidation, aging and death. Satan hulks, in the form of a goat, in moonlit silhouette over a coven of ugly and terrified witches. Goya was then around 75 years old, living alone and suffering from acute mental and physical distress. It is one of the fourteen "Black Paintings" that Goya applied in oil on the plaster walls of his house, the Quinta del Sordo.
Sabbath in Christianity Sabbath commandment, referring it to eschatological rest rather than observance of a literal day. Such writing, however, did serve to deepen the idea of Christian rest on Sunday, and its practice increased in prominence throughout the early Middle Ages. Thomas Aquinas taught that the Decalogue is an expression of natural law which binds all men, and therefore the Sabbath commandment is a moral requirement along with the other nine. Thus in the west, Sunday rest became more closely associated with a Christian application of the Sabbath, a development towards the idea of a "Christian Sabbath" rather than a Hebrew one.