The Masque of the Red Death Decay and the Red Death held dominion over all". Directly influenced by the first Gothic novel, Horace Walpole's "The Castle of Otranto", in "The Masque of the Red Death" Poe adopts many conventions of traditional Gothic fiction, including the castle setting. The multiple single-toned rooms may be representative of the human mind, showing different personality types. The imagery of blood and time throughout also indicates corporeality. The plague may, in fact, represent typical attributes of human life and mortality, which would imply the entire story is an allegory about man's futile attempts to stave off death (a commonly accepted interpretation).
The Masque of the Red Death (1964 film) Red Death" back, because of the similarities, but it was really an artificial reason in my mind," he later said. Eventually he decided to go ahead and do it anyway. Another fact in the delay was that Corman had a great deal of trouble coming up with a screenplay he was happy with. Drafts were written by John Carter, Robert Towne and Barboura Morris, but Corman was not happy with any of them. There were also a number of rival adaptations of "Masque" being mooted around this time. The Woolner Brothers announced a film based on the story as did