Parable of the Good Samaritan In his essay "Lost in Non-Translation", biochemist and author Isaac Asimov asserts (despite portrayals of many good Samaritans in Luke 17:11-19; Acts 8:5-7; 15:3, as well as John 4:4-42, etc.) that at the time when the parable was included in the gospel, there were no good Samaritans; in his view, this was half the point of the parable. As Asimov put it, we need to think of the story occurring in Alabama in 1950, with a mayor and a preacher ignoring a man who has been beaten and robbed, with the role of the Samaritan being played by a poor
Parable of the Good Samaritan Samaritan laws encourage those who choose to serve and tend to others who are injured or ill. This parable was one of the most popular in medieval art. The allegorical interpretation was often illustrated, with Christ as the Good Samaritan. Accompanying angels were sometimes also shown. In some Orthodox icons of the parable, the identification of the Good Samaritan as Christ is made explicit with a halo bearing a cross. The numerous later artistic depictions of the parable include those of Rembrandt, Jan Wijnants, Vincent van Gogh, Aimé Morot, Domenico Fetti, Johann Carl Loth, George Frederic Watts, and Giacomo Conti.