Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
The Buster Keaton Story ask if he knows where Gloria is. Larry tells him that Gloria has resumed her old job at the studio; he calls Gloria into his office and leaves the two alone. Buster demonstrates to Gloria that he is quitting drinking, and tells her that he is returning to his roots, vaudeville. He tells her that she is free from the marriage. Buster returns to vaudeville, where audiences still laugh at his routines. Gloria goes to see Buster backstage, and he impresses her into his act. Together, they are a hit. Buster tells Gloria that together they will be The Two