Gilbert and Sullivan the other's, and partly caused by the opposing personalities of the two—Gilbert was often confrontational and notoriously thin-skinned (though prone to acts of extraordinary kindness), while Sullivan eschewed conflict. In addition, Gilbert imbued his libretti with "topsy-turvy" situations in which the social order was turned upside down. After a time, these subjects were often at odds with Sullivan's desire for realism and emotional content. Also, Gilbert's political satire often poked fun at the wealthy and powerful whom Sullivan sought out for friendship and patronage. Gilbert and Sullivan disagreed several times over the choice of a subject. After both "Princess Ida"
Gilbert and Sullivan is not found in the librettos. Many other children's books have since been written retelling the stories of the operas or adapting characters or events from them. In the 19th century, the most popular Gilbert and Sullivan songs and music were adapted as dance pieces. Many musical theatre and film adaptations of the operas have been produced, including the following: Gilbert and Sullivan Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas