The Masque of the Red Death Decay and the Red Death held dominion over all". Directly influenced by the first Gothic novel, Horace Walpole's "The Castle of Otranto", in "The Masque of the Red Death" Poe adopts many conventions of traditional Gothic fiction, including the castle setting. The multiple single-toned rooms may be representative of the human mind, showing different personality types. The imagery of blood and time throughout also indicates corporeality. The plague may, in fact, represent typical attributes of human life and mortality, which would imply the entire story is an allegory about man's futile attempts to stave off death (a commonly accepted interpretation).
Murders in the Rue Morgue (1971 film) hired to direct the film. Hessler says he felt the story was so familiar it needed to be changed, so he and writer Christopher Wicking decided to do it as a play-within-a-play, with a mystery happening around a theatre that was putting on a production of "Murder in the Rue Morgue". The new storyline owned a lot to "Phantom of the Opera". Hessler said Vincent Price "was very upset that he wasn't in" the film "but I had nothing to with that." He thought Price was having contractual fights with AIP at the time. Hessler says AIP hired Jason Robard