Witches' Sabbath (The Great He-Goat) posthumously. Around 1874, some fifty years after his death, the plaster murals were taken down and transferred to canvas supports. "Witches' Sabbath" was much wider before transfer – it was the broadest of the Black Paintings. During the transfer about of the painting was cut from the right-hand side. At its reduced dimensions of 141 × 436 cm (56 × 172 in), its framing is unusually tightly cropped, which some critics find adds to its haunted, spectral aura, although others believe it distorts Goya's intentions by moving the centre of balance and reducing the painting's impact. Goya did not title
Witches' Sabbath to Sunday, or to a time period similar to Sabbath in the seventh-day church minority. In connection with the medieval beliefs in the evil power of witches and in the malevolence of Jews and Judaizing heretics (both being Sabbathkeepers), satanic gatherings of witches were by outsiders called "sabbats", "synagogues", or "convents". Local variations of the name given to witches' gatherings were frequent. Perhaps the earliest work that mentions a something like a gathering that might be interpreted, from the Christian point of view, as witches sabbath is"Canon Episcopi" (906) and later included in Burchard of Worms's collection in the 11th