Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Sarah Gillespie JAZZA Festival for the Free Palestine Movement. Reviewing "In the Current Climate", "The Jazz Breakfast" wrote: "The personal life and the sociopolitical one are blended with references to everything from the Dow Jones and the Hang Index to John the Baptist and Zeus. For "How The West Was Won", Gillespie sings an imaginary first person song of Shaker Aamer, the remaining British prisoner in Camp X-Ray". In 2012 Gillespie released a 16-minute narrative music project, "The War on Trevor." The piece charts the travails of a Londoner (Trevor) suspected of various crimes ranging from public indecency and infidelity to terrorism,