The Good Samaritan Window, Chartres Cathedral twenty-four, the image of Christ in Majesty, depicts Christ in glory. The Good Samaritan Window, Chartres Cathedral Trade windows first appeared at the cathedrals of Chartres and Bourges between 1205 and 1215. The 176 windows of Chartres present 125 depictions of tradesmen engaged in twenty-five different occupations making, transporting, and selling their products in forty-two windows. Anne Harris suggests that the trade windows at Chartres are an attempt to confront the increasingly pressing challenge which the town’s emerging urban economy presented to the church’s way of life and its understanding of the world. The parable of the Good Samaritan (Luke
Parable of the Good Samaritan it "pink" (probably authentic). The paradox of a disliked outsider such as a Samaritan helping a Jew is typical of Jesus' provocative parables, and is a deliberate feature of this parable. In the Greek text, the shock value of the Samaritan's appearance is enhanced by the emphatic Σαμαρίτης ("Samaritēs") at the beginning of the sentence in verse 33. Bernard Brandon Scott, a member of the Jesus Seminar, questions the authenticity of the parable's context, suggesting that "the parable originally circulated separately from the question about neighborliness" and that the "existence of the lawyer's question in and , in addition to