Witches' Sabbath (Goya, 1798) in the centre foreground. Typical of the imagery of witchcraft, many of the symbols used are inverted. The goat extends his left rather than right hoof towards the child, while the quarter moon faces out of the canvas at the top left corner. In the middle high-ground, a number of bats can be seen flying overhead, their flocking motion echoing the curve of the crescent moon. Goya used the imagery of covens of witches in a number of works, most notably in one of his "Black Paintings", "Witches' Sabbath or The Great He-Goat" (1821–1823). Interest in the supernatural was a
Sabbath in Christianity Sabbath commandment, referring it to eschatological rest rather than observance of a literal day. Such writing, however, did serve to deepen the idea of Christian rest on Sunday, and its practice increased in prominence throughout the early Middle Ages. Thomas Aquinas taught that the Decalogue is an expression of natural law which binds all men, and therefore the Sabbath commandment is a moral requirement along with the other nine. Thus in the west, Sunday rest became more closely associated with a Christian application of the Sabbath, a development towards the idea of a "Christian Sabbath" rather than a Hebrew one.