Sainte-Chapelle The Passion (centre) with the Infancy of Christ (left) and the Life of John the Evangelist (right). By contrast, the windows of the nave are dominated by Old Testament exemplars of ideal kingship/queenship in an obvious nod to their royal patrons. The cycle starts at the western bay of the north wall with scenes from the Book of Genesis (heavily restored). The next ten windows of the nave follow clockwise with scenes from Exodus, Joseph, Numbers/Leviticus, Joshua/Deuteronomy, Judges, (moving to the south wall) Jeremiah/Tobias, Judith/Job, Esther, David and the Book of Kings. The final window, occupying the westernmost bay of
The Exodus were Canaanite rulers of the Egyptian Delta in the 16th century BCE, may have formed the basis of the descent into Egypt and the exodus. The meaning a reader takes away from a text depends on his or her understanding of the literary "type" to which it belongs: as one scholar puts it in his discussion of the Genesis creation myth, "it makes an enormous difference whether the first chapters of Genesis are read as scientific cosmology, creation myth, or historical saga" (Wood, 1990). There is an almost universal consensus among scholars that the Exodus story is best understood as