Witches' Sabbath (Goya, 1798) in the centre foreground. Typical of the imagery of witchcraft, many of the symbols used are inverted. The goat extends his left rather than right hoof towards the child, while the quarter moon faces out of the canvas at the top left corner. In the middle high-ground, a number of bats can be seen flying overhead, their flocking motion echoing the curve of the crescent moon. Goya used the imagery of covens of witches in a number of works, most notably in one of his "Black Paintings", "Witches' Sabbath or The Great He-Goat" (1821–1823). Interest in the supernatural was a
Sabbath in Christianity fulfillment of the law" (), the new-covenant "law" is considered to be based entirely upon love and to rescind Sabbath requirements. Non-Sabbatarians who affirm that Sabbath-keeping remains for God's people (as in ) frequently regard this as present weeklong spiritual rest or future heavenly rest rather than as physical weekly rest. For instance, Irenaeus saw Sabbath rest from secular affairs for one day each week as a sign of the way that Christians were called to permanently devote themselves to God and an eschatological symbol. One such interpretation of Hebrews states that seventh-day Sabbath is no longer relevant as a