Ethno jazz who was born to a gypsy family and performed with famous musicians like Arthur Briggs, Bill Coleman, and Bill Arnold. His predominate style of playing was “Gypsy-Jazz.” Traveling to and learning from other cultures was another factor that influenced the development of Ethno Jazz. For example, a variety of musicians like pianist Randy Weston, trumpeter Lester Bowie, multi-instrumentalists Yusef Lateef, Ornette Coleman, and drummer Max Roach had a fascination for other cultures’ music. They went to Africa and studied different countries’ melodies, rhythms, and harmonies, and adapted them into their jazz playing and compositions. Intercultural musical exchange was well received
Jazz improvisation bassline for 1920s-1950s jazz; rock-style ostinato riffs for jazz-rock fusion; and Latin basslines for Latin jazz. Improvised basslines typically outline the harmony of each chord by playing the root, third, seventh and fifth of each chord, and playing any other notes that the composer has requested in the chord (e.g., if the chord chart indicates a sixth chord on the tonic in C Major, the bassist might include the sixth degree of the C Major scale, an "A" note, in her/his bassline). The chordal instrument players improvise chords based on the chord progression. Chordal instrument players use jazz chord voicings