Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
Joe Keaton Louise Keaton. When Buster was only a few years old, he joined the act, which became the Three Keatons. The act was a rough-and-tumble one, with Buster being thrown around on stage most of the time. As the years went by, Joe Keaton became an alcoholic; when Buster was 21, Myra left him, taking Buster with her. However, after Buster found success in silent film, he supported Joe and gave him small parts in several movies. Myra and Joe reunited, but eventually split up again. He lived alone in a Hollywood hotel for many years. He stopped drinking with the