Dizzy Gillespie on traditional Afro-Cuban rhythms. Gillespie was introduced to Chano Pozo in 1947 by Mario Bauza, a Latin jazz trumpet player. Chano Pozo became Gillespie's conga drummer for his band. Gillespie also worked with Mario Bauza in New York jazz clubs on 52nd Street and several famous dance clubs such as the Palladium and the Apollo Theater in Harlem. They played together in the Chick Webb band and Cab Calloway's band, where Gillespie and Bauza became lifelong friends. Gillespie helped develop and mature the Afro-Cuban jazz style. Afro-Cuban jazz was considered bebop-oriented, and some musicians classified it as a modern style.
Jazz in Belgium French speaking musicians and bands. The early 1950s in the United States was the period of cool (or west coast) jazz, more peaceful than bebop, and with a more outspoken interest in composition and arrangement. The Antwerp saxophonist Jack Sels became the leader of the "All Stars Bop Orchestra", inspired by the Afro-Cuban big bands of Dizzy Gillespie and Stan Kenton. Later, he would organize his "Jack Sels Chamber Music" band. In Paris, Sadi also started up his own big band, for which he composed and arranged. In jazz circles he was considered the best European vibraphonist, in the tradition