Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Jazz in Bulgaria music their music was similar with its syncretism, improvisatory character, and reiteration of old well-known melodies into something new. That tradition gave rise to several influential musicians who set out to use their traditional folk instruments playing contemporary jazz that blended the western music with Balkan influences such as the unusual timbres, complex, and often asymmetrical meters, unusual for western music melodies and often passionate aggressive style of playing. Bulgarian clarinetist Ivo Papazov and his band do not deviate too much from the wedding band music style, though they are active performers at jazz festivals as well as the countryside.