The Duchess of Alba and la Beata The Duchess of Alba and la Beata The Duchess of Alba and "la Beata" (or The Duchess of Alba and the Pious Woman; Spanish: La duquesa de Alba y su dueña o La Duquesa de Alba y "la Beata") is a small 1795 oil on canvas painting by the Spanish artist Francisco Goya. It portrays the Duchess María Cayetana de Silva, 13th Duchess of Alba reaching playfully towards her maid (or "duena") Rafaela Luisa Velazquez (known as "la Beata"), who leans away. María holds a red cord under the chin of the older woman, which seems to scare her as
Witches' Sabbath A number of recipes for such 'flying ointments have survived from early modern times, permitting not only an assessment of their likely pharmacological effects – based on their various plant (and to a lesser extent animal) ingredients – but also the actual recreation of and experimentation with such fat or oil-based preparations. It is surprising (given the relative wealth of material available) that Ginzburg makes only the most fleeting of references to the use of entheogens in European witchcraft at the very end of his extraordinarily wide-ranging and detailed analysis of the Witches Sabbath, mentioning only the fungi Claviceps purpurea