Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the collection of the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany. The painting is one of the first Klee did in oils and is typical of the artist's interest in colour theory, draughtsmanship and musicality. It is also one of many images in Western art to use camels as subject matter. The composition of the painting is based on horizontal bands dotted with circular shapes. Camels appear in manuscripts, mosaics, sculptures and paintings. For example, camels
The Red Balloon by a fierce, squabbling mass. Then, fortunately, it floats off, with the breeze of magic-realism, into a feeling of escape and peace, "The Red Balloon" taking hold of Pascal, lifting him out of this rigid, petty, earthbound life." In a review in "The Washington Post," critic Philip Kennicott had a cynical view: "[The film takes] place in a world of lies. Innocent lies? Not necessarily. "The Red Balloon" may be the most seamless fusion of capitalism and Christianity ever put on film. A young boy invests in a red balloon the love of which places him on the outside of