Witches' Sabbath (The Great He-Goat) whose full-length portrait appears in the same series. As with the other "Black Paintings", Goya began with a black background which he painted over with lighter pigments, then with broad, heavy brushstrokes of grey, blue and brown. The darker areas were achieved by leaving the black under-paint exposed; this is most obvious in the figure of the Devil. Like the other works in the series, "Witches' Sabbath" is worked up through heavy, slashing brushstrokes. The plaster was underlaid with thick carbon black before the paint was applied in hues of white lead, Prussian blue, vermilion of mercury, and crystals of
Witches' Sabbath Rob Zombie's "The Lords of Salem" incorporates such imagery as flashbacks into the titular town's backstory. Depictions in painting include the following: In spite of the number of times that religious authorities retold stories of gatherings of witches, modern researchers have been unable to find any corroboration that any such event ever physically occurred. The historian Scott E. Hendrix presents a two-fold explanation for why these stories were so commonly told in spite of the fact that sabbats likely never actually occurred in his study "The Pursuit of Witches and the Sexual Discourse of the Sabbat." First, belief in the