The Duchess of Alba and la Beata The Duchess of Alba and la Beata The Duchess of Alba and "la Beata" (or The Duchess of Alba and the Pious Woman; Spanish: La duquesa de Alba y su dueña o La Duquesa de Alba y "la Beata") is a small 1795 oil on canvas painting by the Spanish artist Francisco Goya. It portrays the Duchess María Cayetana de Silva, 13th Duchess of Alba reaching playfully towards her maid (or "duena") Rafaela Luisa Velazquez (known as "la Beata"), who leans away. María holds a red cord under the chin of the older woman, which seems to scare her as
The Witch-Cult in Western Europe "s'esbattre", meaning "to frolic". Most historians disagree, arguing instead that the organizers of the witch trials adopted terms predominantly associated with Judaism, including "Sabbath", in order to denigrate witches as the equivalent to Jews, who were also highly denigrated in mainstream European culture during this period. In fact, many witch trial accounts used not only "Sabbath" but also "synagogue" in reference to gatherings of witches. The idea of a witch cult that until early modern times managed to survive was quickly dismissed by historians. From the 1920s on, Murray's theory was assailed by critics such as George Lincoln Burr, Hugh