Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
International Buster Keaton Society of Muskegon—in 2010, Michigan Live in 2011, and The Muskegon Tribune in 2013. The Damfinos are listed online at Turner Classic Movies. The group has also been referenced in several Keaton related books, including Imogen Sara Smith's "Buster Keaton: The Persistence of Comedy," Kevin W. Sweeney's "Buster Keaton: Interviews," Edward McPherson's "Buster Keaton: Tempest in a Flat Hat," "The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia" by James L. Neibaur and "Silent Echoes: discovering early Hollywood through the films of Buster Keaton" by John Bengtson. The current president of the International Buster Keaton Society is