La gazza ladra complete the composition of the opera. As such, "The Thieving Magpie" is best known for the overture, which is musically notable for its use of snare drums. The unique inspiration in the melodies is extreme, famously used to bizarre and dramatic effect in Stanley Kubrick's "A Clockwork Orange". It was referenced by Haruki Murakami in his work "The Wind-Up Bird Chronicle.". This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. The first performance of "The Thieving Magpie" was on 31 May 1817, at La Scala, Milan. In 1818, Rossini revised
Academy of Music (New York City) role and Giuseppe Mario as Pollione headlining the performance under Max Maretzek's baton. The first season's repertoire was ambitious, and included "Semiramide" and "The Barber of Seville" by Rossini; "Norma" and "La Sonnambula" by Bellini; and "Don Pasquale", "Lucrezia Borgia", "La Favorita" and "Lucia di Lammermoor" by Donizetti. Maretzek's company performed an annual season at the Academy through 1878. His company was not the only group active at the opera house as the theater during this time. Musicologist George Whitney Martin writes: New York's Academy of Music, from 1854 to 1883 the city's leading house for opera, did not offer