Parable of the Good Samaritan In his essay "Lost in Non-Translation", biochemist and author Isaac Asimov asserts (despite portrayals of many good Samaritans in Luke 17:11-19; Acts 8:5-7; 15:3, as well as John 4:4-42, etc.) that at the time when the parable was included in the gospel, there were no good Samaritans; in his view, this was half the point of the parable. As Asimov put it, we need to think of the story occurring in Alabama in 1950, with a mayor and a preacher ignoring a man who has been beaten and robbed, with the role of the Samaritan being played by a poor
The Good Samaritan Window, Chartres Cathedral the two trees; the curves of the trees suggest the mandorla typical of "Maiestas Domini" iconography. He stretches out his right hand in a gesture of authority and holds an orb in his left. Pilgrimage is clearly the dominating motif of the Good Samaritan window. Good shoes, such as those provided by the shoemakers of Chartres (Panels 1-3), and food for the journey (if indeed bread is what is shown in Panel 24) are basic necessities for the successful completion of a journey. The window then reproduces in visual form the allegorical interpretations of the parable of the Good Samaritan