Parable of the Good Samaritan Snodgrass writes that "While one cannot exclude that Luke has joined two originally separate narratives, evidence for this is not convincing." The "Oxford Bible Commentary" notes: The unexpected appearance of the Samaritan led Joseph Halévy to suggest that the parable originally involved "a priest, a Levite, and an Israelite", in line with contemporary Jewish stories, and that Luke changed the parable to be more familiar to a gentile audience." Halévy further suggests that, in real life, it was unlikely that a Samaritan would actually have been found on the road between Jericho and Jerusalem, although others claim that there was
Parable of the Good Samaritan Samaritan laws encourage those who choose to serve and tend to others who are injured or ill. This parable was one of the most popular in medieval art. The allegorical interpretation was often illustrated, with Christ as the Good Samaritan. Accompanying angels were sometimes also shown. In some Orthodox icons of the parable, the identification of the Good Samaritan as Christ is made explicit with a halo bearing a cross. The numerous later artistic depictions of the parable include those of Rembrandt, Jan Wijnants, Vincent van Gogh, Aimé Morot, Domenico Fetti, Johann Carl Loth, George Frederic Watts, and Giacomo Conti.