The Short Happy Life of Francis Macomber himself, who hold the opposite view. Hemingway scholar Carlos Baker calls Margot Macomber "easily the most unscrupulous of Hemingway's fictional females"; a woman "who is really and literally deadly" and who "covets her husband's money but values even more her power over him." Literary critic and early mentor to Hemingway Edmund Wilson observed bluntly, “The men in …these African stories are married to American bitches of the most soul-destroying sort.” Other authors who hold similar views regarding Margot include Philip Young, Leslie A. Fiedler and Frank O'Connor (see below). A related point that has been widely debated is whether Hemingway
Man and Woman in Front of a Pile of Excrement black sky against which the disjointed limbs of the figures are highlighted. Miró's choice of title was to use French and not Spanish. Miró said that the reference to excrement comes from a saying by Rembrandt who said that when it came to painting, rubies and diamonds were found in dung heaps. This picture was painted in Mont-roig del Camp in 1935 and was in the possession of Pilar Juncosa Miró, but is now in the permanent collection of the Fundació Joan Miró in Barcelona. Pilar Juncosa had been Miró's wife since 1929 and she was a supporter of his