Witches' Sabbath (Goya, 1798) feature of Romanticism, and is to be found for example in Weber's opera "Der Freischütz". However, in a Spanish context, Goya's paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition, which had been active in Witch hunting during the seventeenth-century Basque witch trials. The later "Witches Sabbath" was painted as a bitter struggle raged between liberals and those in favour of a church and a royalist-lead state, which culminated in the so-called Ominous Decade (1823-1833). Both paintings can be seen as an attack on the superstitious beliefs rife in Spain
Sabbath in Christianity Sabbath commandment, referring it to eschatological rest rather than observance of a literal day. Such writing, however, did serve to deepen the idea of Christian rest on Sunday, and its practice increased in prominence throughout the early Middle Ages. Thomas Aquinas taught that the Decalogue is an expression of natural law which binds all men, and therefore the Sabbath commandment is a moral requirement along with the other nine. Thus in the west, Sunday rest became more closely associated with a Christian application of the Sabbath, a development towards the idea of a "Christian Sabbath" rather than a Hebrew one.