Teresa Belloc-Giorgi Simon Mayr's "Medea in Corinto" in 1823, and Isabella in the first performance of "L'inganno felice" in Venice in 1812. She favored Rossini roles and created Ninetta, a soprano part, in "La gazza ladra" at La Scala in 1817. However, the contralto roles of "La Cenerentola", "Tancredi", and Isabella in "L'italiana in Algeri" were her most successful roles. In 1818, Belloc-Giorgi appeared in London under the name of Bellochi, but failed to find success and returned to Milan. She married a Frenchman and retired in 1828. She died in San Giorgio Canavese. Teresa Belloc-Giorgi Maria Teresa Belloc-Giorgi (Bellochi; Giorgi-Belloc; née
Aureliano in Palmira Rossini in "Elisabetta, regina d'Inghilterra" and in "The Barber of Seville". It premiered at La Scala in Milan on 26 December 1813. 19th century "Aureliano in Palmira" was Rossini's second commission from La Scala. It opened the theatre's Carnival season with the famed castrato, Giovanni Battista Velluti as Arsace. It was the only role that Rossini wrote for the castrato voice. Rossini had originally written the role of Aureliano for Giovanni David, one of the most renowned tenors of the day. However, throat problems during rehearsals led David to withdraw from the production, and Luigi Mari took his place. The