Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Rhondda Gillespie formal studies were at the Sydney Conservatorium of Music under Alexander Sverjensky (where her fellow students included Malcolm Williamson, Richard Farrell and Roger Woodward) and in Britain under Louis Kentner and Denis Matthews. Wilfred Josephs' 14 Studies for Piano, Op. 53 were written for Gillespie, Joy Blech, and Yonty Solomon. Gillespie gave the world premiere of the complete set at the Cheltenham Festival in 1967. She was the second wife of the music critic and musicologist Denby Richards. They married on 29 May 1973, but divorced in 1977. In 1976, for Joseph Horovitz's 50th birthday, Gillespie played his "Jazz Concerto"