La gazza ladra complete the composition of the opera. As such, "The Thieving Magpie" is best known for the overture, which is musically notable for its use of snare drums. The unique inspiration in the melodies is extreme, famously used to bizarre and dramatic effect in Stanley Kubrick's "A Clockwork Orange". It was referenced by Haruki Murakami in his work "The Wind-Up Bird Chronicle.". This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. The first performance of "The Thieving Magpie" was on 31 May 1817, at La Scala, Milan. In 1818, Rossini revised
Raquel Pierotti débuts at the Opera de Paris as Rosina in Rossini’s Barber of Seville, as well as at La Scala, Milan, as Marcellina in Mozart’s Le nozze di Figaro. Since then she has been a frequent guest at La Scala where she sang Clarice in La pietra del paragone (Rossini), Smeton in Anna Bolena (Donizetti), Rosina in Il barbiere di Siviglia (Rossini), Isabella in L’italiana in Algeri (Rossini), Maddalena in Il viaggio a Reims (Rossini), Cecilio in Lucio Silla (Mozart), and Fenena in Nabucco (Verdi) for the 1986/1987 Season Opening Night as well as in the tournées in Berlin, Japan (Tokyo,