Witches' Sabbath (The Great He-Goat) during the Logroño Inquisition, was an appalling regression to liberals such as Goya. As court painter Goya was a part of the established order; surviving evidence indicates he was acquiesced to the wishes of his patrons. Yet numerous paintings and etchings have emerged since, suggesting he had convictions favouring liberalism, enlightenment, and reason. He seems to have kept such beliefs private, only expressing them in his private art; his more sensitive works were not published at the time, probably for fear of reprisal or persecution. In "Witches' Sabbath" Goya mocks and ridicules the superstition, fear and irrationality of the ignorant
Samuel Colman (British painter) which shows the ruination of a Gothic cathedral, being criticisms of the Church of England. His apocalyptic paintings have drawn comparisons to those of John Martin. He signed works as "Colman" and alternatively "Coleman". Samuel Colman (British painter) Samuel Colman, also Samuel Coleman, (1780‑1845) was an English painter, based in Bristol for most of his career. In about 1815 Colman moved from Yeovil to Bristol, where he lived until around 1840. He worked as a portrait painter and drawing-master in the city, as well as painting minutely detailed Romantic, Biblical and genre scenes. He was a religious Nonconformist who worshipped