Masque of the Red Death and Other Tales carbines" and for its rules on magic, "Reduced reliance on magic further nudges Masque in the direction of realism." He commented on the three adventure booklets, saying that they "answer most of the questions about staging campaigns. Red Tide serves up few surprises—anyone who can't anticipate the plot twists hasn't seen enough late shows—but plenty of action and a lot of fun. Red Jack, a Jack the Ripper take-off, put my entire party in the cemetery—consider that a recommendation. Red Death uses Edgar Allan Poe as a springboard for a tricky mystery. Swan contended that graphically, "the Ravenloft campaign remains
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932