Parable of the Good Samaritan rejecting authority figures in general, but in the sense of rejecting religious hypocrisy. By contrasting the noble acts of a despised religion to the crass and selfish acts of a priest and a Levite, two representatives of the Jewish religious establishment, some argue that the parable attempts to downplay the importance of status in the religious hierarchy (or importance of knowledge of scripture) in favor of the practice of religious principles. "The following is based on the public domain article Brotherly Love found in the 1906 Jewish Encyclopedia" The story of the good Samaritan, in the Pauline Gospel of Luke
Parable of the Good Samaritan Samaritan laws encourage those who choose to serve and tend to others who are injured or ill. This parable was one of the most popular in medieval art. The allegorical interpretation was often illustrated, with Christ as the Good Samaritan. Accompanying angels were sometimes also shown. In some Orthodox icons of the parable, the identification of the Good Samaritan as Christ is made explicit with a halo bearing a cross. The numerous later artistic depictions of the parable include those of Rembrandt, Jan Wijnants, Vincent van Gogh, Aimé Morot, Domenico Fetti, Johann Carl Loth, George Frederic Watts, and Giacomo Conti.