The Scarlet Plague that biographers and critics have called a "professional decline", from September 1912 to May 1916. In this period, he stopped writing short works and shifted to longer works including "The Abysmal Brute" (1913), "John Barleycorn" (1913), "The Mutiny of the Elsinore" (1914), "The Star Rover" (1915), among others. "The Scarlet Plague" was later reprinted in the February 1949 issue of "Famous Fantastic Mysteries". Jack London was inspired in part by Edgar Allan Poe's 1842 short story "The Masque of the Red Death". Both Poe's story and London's fall into a genre of apocalyptic fiction featuring a universal plague that nearly
Masque of the Red Death and Other Tales setting's fine, but it's a sidebar to the system overhaul. "Masque of the Red Death" makes a persuasive case for reality-based role-playing, where wits count more than muscle and a shotgun packs more punch than a fireball. Endearingly human, these are the only "AD&D" game characters I'd consider using as investigators in a "Call of Cthulhu" game or, for that matter, as adversaries in a "Vampire" campaign. And nitpickers who've been clamoring for a streamlined, skill-based "AD&D" game ought to be dancing in the streets. "Masque of the Red Death" doesn't qualify as the Third Edition of the "AD&D" game,