The Masque of the Red Death (play) building. The narrative was based on the short stories of Edgar Allan Poe, including but not limited to "The Masque of the Red Death". The production fell within several genres of theatre, including site-specific theatre, promenade theatre, interactive theatre and immersive theatre. The audience members, who were free to roam around the sets at will, wore white masks to distinguish themselves from the cast who were maskless and the stewards/staff who wore discreet black masks. The narrative was communicated through a series of overlapping scenes blending the mediums of interpretive dance, contemporary dance and traditional acting. Following the show on
Masque of the Red Death and Other Tales with a cover by Robh Ruppel. Rick Swan reviewed "Masque of the Red Death and Other Tales" for "Dragon" magazine #216 (April 1995). He declares that "Masque of the Red Death" is cause for celebration, especially for players whose "AD&D" game campaigns have gone stale. Not exactly the Ravenloft setting and not exactly a new game, Connors' little mutant is the most provocative "AD&D" variant since the Spelljammer campaign." He commented: "Balancing blood-soaked imagery with humorous flourishes [...] "Masque" deftly combines the gloom of White Wolf's "" game and the whimsy of R. Talsorian's "Castle Falkenstein" game. Though "Masque" would've