Witches' Sabbath (Goya, 1798) feature of Romanticism, and is to be found for example in Weber's opera "Der Freischütz". However, in a Spanish context, Goya's paintings have been seen as a protest against those who upheld and enforced the values of the Spanish Inquisition, which had been active in Witch hunting during the seventeenth-century Basque witch trials. The later "Witches Sabbath" was painted as a bitter struggle raged between liberals and those in favour of a church and a royalist-lead state, which culminated in the so-called Ominous Decade (1823-1833). Both paintings can be seen as an attack on the superstitious beliefs rife in Spain
Sabbath in Christianity of Laodicea (363-364), for example, mandated only that Sabbath Eucharists must be observed in the same manner as those on the first day. Neander has suggested that Sabbath Eucharists in many places were kept "as a feast in commemoration of the Creation". The issues about Hebrew practices that continued into the 2nd century tended to relate mostly to the Sabbath. Justin Martyr, who attended worship on the first day, wrote about the cessation of Hebrew Sabbath observance and stated that the Sabbath was enjoined as a temporary sign to Israel to teach it of human sinfulness (), no longer needed