The Parasol of human behavior, which helped him paint his future paintings. Goya was influenced by neoclassicism, which was gaining favor over the rococo style at the time. This particular painting is considered classicism for its relation to everyday life. Around this same time, Goya began painting portraits for many of the Spanish Monarchs. This was his first popular success that ultimately changed his career. He was then elected to the Royal Academy of San Fernando in 1780, named painter to the king in 1786, and made a court painter in 1789. The Parasol The Parasol (also known as El Quitasol) is
Witches' Sabbath Inquistors' manual of witch-hunting, the "Malleus Maleficarum" (1486). Nevertheless, it was during the Renaissance when Sabbath folklore was most popular, more books on them were published, and more people lost their lives when accused of participating. "Commentarius de Maleficiis" (1622), by Peter Binsfeld, cites accusation of participation in Sabbaths as a proof of guiltiness in an accusation for the practice of witchcraft. Bristol University's Ronald Hutton has encapsulated the witches' sabbath as an essentially modern construction, saying: The book "Compendium Maleficarum" (1608) by Francesco Maria Guazzo illustrates a typical witch-phobic view of gathering of witches as "the attendants riding flying