The Masque of the Red Death (play) building. The narrative was based on the short stories of Edgar Allan Poe, including but not limited to "The Masque of the Red Death". The production fell within several genres of theatre, including site-specific theatre, promenade theatre, interactive theatre and immersive theatre. The audience members, who were free to roam around the sets at will, wore white masks to distinguish themselves from the cast who were maskless and the stewards/staff who wore discreet black masks. The narrative was communicated through a series of overlapping scenes blending the mediums of interpretive dance, contemporary dance and traditional acting. Following the show on
Murders in the Rue Morgue (1932 film) Morgue, "sends your thumping heart up into your throat!" Much praise is also given to cinematographer Karl W. Freund for giving the film a "German Expressionistic" look. A lot of the criticism arises from comparisons to other great horror films from the time period. A writer for the NY Times wrote, "The entire production suffers from an overzealous effort at terrorization, and the cast, inspired by the general hysteria, succumbs to the temptation to overact." A print is preserved in the Library of Congress collection. Murders in the Rue Morgue (1932 film) Murders in the Rue Morgue is a 1932