Ethno jazz who was born to a gypsy family and performed with famous musicians like Arthur Briggs, Bill Coleman, and Bill Arnold. His predominate style of playing was “Gypsy-Jazz.” Traveling to and learning from other cultures was another factor that influenced the development of Ethno Jazz. For example, a variety of musicians like pianist Randy Weston, trumpeter Lester Bowie, multi-instrumentalists Yusef Lateef, Ornette Coleman, and drummer Max Roach had a fascination for other cultures’ music. They went to Africa and studied different countries’ melodies, rhythms, and harmonies, and adapted them into their jazz playing and compositions. Intercultural musical exchange was well received
Jazz in Belgium the 'Panopcticum de Monsieur Castan'. Belgium, however, had no recording studios of its own and therefore the spread of pre-jazz music for a long time (until after the First World War) relied on foreign record labels such as "Colombia", "Zonophone" and "Favorite". Another invention which to a large extent contributed to the development of jazz music was Adolphe Sax's new instrument. By 1890 saxophones in the United States were made by the Conn and Buescher companies, and Belgian virtuoso saxophonists such as Jean Moermans of Sousa's Orchestra ensured the growing popularity of the instrument. The saxophone quickly became the symbol