Horn in jazz Horn in jazz While the horn (also known as the French Horn) is primarily used in classical music pieces, in the mid-20th century the French horn broke into the jazz world. While the instrument remains relatively rare, the role of the horn in jazz has developed from its beginnings in the 1940s through to the 2010s. Note that the expression "horns" in jazz is often used colloquially to refer to all brass instruments used in jazz (e.g., trumpet, sax, trombone, etc.). This article focuses on the use of the French horn. The Claude Thornhill Orchestra was the first group to
Horn in jazz compete directly with Basie's hard-swinging blues, the duo capitalized on their contrast from Basie’s sound, playing with a soft and mellow sound. By showcasing their different sound, Ruff and Mitchell continued to get bookings from Birdland to play intermission for other big name groups like Miles Davis, Dizzy Gillespie, Sarah Vaughan, Lester Young, Dinah Washington and others. After working with Claude Thornhill and arranging for his orchestra, he began arranging for Miles Davis. In 1948 the Miles Davis Nonet was formed with a sound completely unlike anything jazz listeners had heard before. The original idea for the nonet was to