Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
Jazz in Belgium The major big bands like "Robert De Kers and his Cabaret Kings" performed regularly in the Brussels Centre for Fine Arts and in the hall of the Antwerp Zoo. After the liberation in 1945 the jazz scene in the United States had changed, and "bop" (or bebop) had become the latest thing. Characterized by its virtuosity, harmonic complexity and tempo changes, bebop brought about a stylistic revolution. The big names were now Dizzy Gillespie and Charlie Parker, and Europeans learned about this new style of jazz when American records became available. In Belgium swing music was at its peak. The