The Scarlet Plague that biographers and critics have called a "professional decline", from September 1912 to May 1916. In this period, he stopped writing short works and shifted to longer works including "The Abysmal Brute" (1913), "John Barleycorn" (1913), "The Mutiny of the Elsinore" (1914), "The Star Rover" (1915), among others. "The Scarlet Plague" was later reprinted in the February 1949 issue of "Famous Fantastic Mysteries". Jack London was inspired in part by Edgar Allan Poe's 1842 short story "The Masque of the Red Death". Both Poe's story and London's fall into a genre of apocalyptic fiction featuring a universal plague that nearly
The Masque of the Red Death (play) Friday and Saturday nights throughout the run were "Red Death Lates", an open after-party for show attendees and others, involving members of the cast together with changing external entertainment. The move from the main theatre show through to the afterparty was handled seamlessly by virtue of the fact that the final scene in The Masque Of The Red Death involved a party in the main hall in celebration of the passing of the eponymous plague. Although the main elements of the show were a collaboration between Punchdrunk and the Battersea Arts Centre, the production also commissioned other artists and groups