Mary Poppins (character) of the stage musical, the Mary Poppins character is more deliberately mysterious than in the movie version. She is slightly stricter with the children (who are also naughtier than their book and movie counterparts) but only because she wants them to become the best they can be. Mary in the stage version is also more aware of Bert's feelings towards her. Mary Poppins first appeared in the short story "Mary Poppins and the Match Man" in 1926, and in several early bits and pieces of the first novel. P.L. Travers later changed the story of the character's origins, stating that
Mary Poppins Returns era of superhero franchises where sequels to successful movies turn up almost instantly, Mary Poppins’s return shows that sometimes it pays to wait. Half a century on, her allure hasn’t faded at all." Owen Gleiberman of "Variety" deemed the film as a "rapturous piece of nostalgia", lauded Blunt's take on Mary Poppins and described her casting as "practically perfect", while lending his praise on Marshall's direction as well the production design, musical score, songs, and the supporting performances (particularly Miranda, Whishaw, Firth, and Streep). He also drew comparisons of the film's quality and tone to the 1960s musicals as well