The Masque of the Red Death However, there is much dispute over how to interpret "The Masque of the Red Death"; some suggest it is not allegorical, especially due to Poe's admission of a distaste for didacticism in literature. If the story really does have a moral, Poe does not explicitly state that moral in the text. Blood, emphasized throughout the tale, along with the color red, serves as a dual symbol, representing both death and life. This is emphasized by the masked figure – never explicitly stated to be the Red Death, but only a reveler in a costume of the Red Death – making
The Masque of the Red Death (1964 film) Red Death" back, because of the similarities, but it was really an artificial reason in my mind," he later said. Eventually he decided to go ahead and do it anyway. Another fact in the delay was that Corman had a great deal of trouble coming up with a screenplay he was happy with. Drafts were written by John Carter, Robert Towne and Barboura Morris, but Corman was not happy with any of them. There were also a number of rival adaptations of "Masque" being mooted around this time. The Woolner Brothers announced a film based on the story as did