Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
Buster Keaton Rides Again libraries operated by university and provincial authorities. "Buster Keaton Rides Again" was submitted to the 1966 Canadian Film Awards, where John Spotton won Best General Information Award. He also won the CIDALC Award at the 1966 Venice Film Festival. Spotton was also nominated for the Flaherty Documentary Award at the 1967 BAFTA Awards. "Buster Keaton Rides Again" went on to be entered in a number of film festivals, winning other prestigious awards, including first prize at the 1967 American Film and Video Festival in the category of Music, Literature and Films (Itinerant). "Buster Keaton Rides Again" and "The Railrodder" are