Giuseppina Ronzi de Begnis and her husband moved to Paris where they sang for the re-opening of the Théâtre Italien in the Parisian premiere of Ferdinando Paër's dramma semi-serio "I Fuoriusciti di Firenze" on 20 March. The opera received a good review in "Le Moniteur Universel", and the "Journal de Paris" praised Giuseppe for his Uberto and Giuseppina for her Isabella. In the meantime Rossini had been informed that the de Begnises had been secured for "La gazza ladra". The prospects were encouraging and on 5 May the couple sang in Pietro Alessandro Guglielmi's "La pastorella nobile". Positive reviews greeted the couple during the
Loreley (opera) his "Edgar" for a La Scala production in 1889. The world premiere of "Loreley" finally took place on 16 February 1890 at the Teatro Regio in Turin conducted by Edoardo Mascheroni. The production, with Virginia Ferni-Germano in the title role, had sets by Ugo Gheduzzi and costumes designed by Adolf Hohenstein. It proved to be Catalani's most enduring work, surpassed only by his last opera "La Wally". In the years following the Turin premiere, "Loreley" was performed in multiple Italian cities, including Milan where it was first performed at La Scala in 1905. It subsequently premiered at London's Royal Opera