Jazz in the post-war years: In the early 1940s, bebop-style performers began to shift jazz from danceable popular music toward a more challenging "musician's music." The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. Divorcing itself from dance music, bebop established itself more as an art form, thus lessening its potential popular and commercial appeal. Composer Gunther Schuller wrote, "In 1943 I heard the great Earl Hines band which had Bird in it and all those other great musicians. They were playing all the flatted
History of music in Paris Rouge, the Club Saint-Germain; and Le Tabou. The jazz clubs The clubs attracted students from the nearby university, the Paris intellectual community, and celebrities from the Paris cultural world. They soon had doormen who controlled who was important or famous enough to be allowed inside into the cramped, smoke-filled cellars. A few of the musicians went on to celebrated careers; Sidney Bechet was the star of the first jazz festival held at the Salle Pleyel in 1949, and headlined at the Olympia music hall in 1955. A concert by Dizzy Gillespie and his orchestra at the Salle Pleyel in 1948