Camel (in rhythmic landscape with trees) were also created at this time. This is the period when the artist was working and teaching at the Bauhaus in Weimar under the direction of Walter Gropius. The task of teaching caused Klee to meditate on the problems of art and as a result he produced what Herbert Read called "the most profound and illuminating statement of the aesthetic basis of the modern movement in art ever made by a practising artist". Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the
Composition with Red Blue and Yellow life that lies beneath the surface. Mondrian theories do not accumulate in Composition; he did not even consider this is a success. He called it “static.” He continued to progress and refine his work, and it is in his final pieces of work before his death (1944) that he achieves some satisfaction. Despite De Stijl being a movement confined to Dutch regions, many credit the movement, and specifically Mondrian, as having played a major role in articulating the abstract landscape and defining the current terms for the art world today. Composition with Red Blue and Yellow Composition with Red Blue