In Our Time (short story collection) which bears similarities to Eliot's "The Waste Land". Eliot's "Waste Land" motif exists throughout much of Hemingway's early fiction, but is most notable in this collection, "The Sun Also Rises" (1926), and "A Farewell to Arms" (1929). He borrowed Eliot's device of using imagery to evoke feeling. Benson attributes similarities between Hemingway and Eliot to Pound, who edited both. Motifs and themes reappear, the most obvious being the juxtaposition of life and death. There are some recurring images such as water and darkness – places of safety. Benson notes how, after reading the first few vignettes and stories, readers "realize
Man and Woman in Front of a Pile of Excrement black sky against which the disjointed limbs of the figures are highlighted. Miró's choice of title was to use French and not Spanish. Miró said that the reference to excrement comes from a saying by Rembrandt who said that when it came to painting, rubies and diamonds were found in dung heaps. This picture was painted in Mont-roig del Camp in 1935 and was in the possession of Pilar Juncosa Miró, but is now in the permanent collection of the Fundació Joan Miró in Barcelona. Pilar Juncosa had been Miró's wife since 1929 and she was a supporter of his