The Masque of the Red Death However, there is much dispute over how to interpret "The Masque of the Red Death"; some suggest it is not allegorical, especially due to Poe's admission of a distaste for didacticism in literature. If the story really does have a moral, Poe does not explicitly state that moral in the text. Blood, emphasized throughout the tale, along with the color red, serves as a dual symbol, representing both death and life. This is emphasized by the masked figure – never explicitly stated to be the Red Death, but only a reveler in a costume of the Red Death – making
Murders in the Rue Morgue (1932 film) He grabs Camille when the police arrive and they chase him. The police shoot Janos in the back when he tries to keep them at bay. Erik, pursued, is cornered on the roof of a small dockside house. He confronts Dupin, who shoots the animal dead and eventually saves his fiancée from the peril. Murders in the Rue Morgue was filmed in approximately one month, from October 19, 1931 to November 13, 1931 as documented in the New York Times. However, to compete with the success of Frankenstein (1931), the studio asked for additional scenes and retakes that were shot