Dizzy Gillespie Watrous describes his performance style: Wynton Marsalis summed up Gillespie as a player and teacher: Gillespie's trademark trumpet featured a bell which bent upward at a 45-degree angle rather than pointing straight ahead as in the conventional design. According to Gillespie's autobiography, this was originally the result of accidental damage caused by the dancers Stump and Stumpy falling onto the instrument while it was on a trumpet stand on stage at Snookie's in Manhattan on January 6, 1953, during a birthday party for Gillespie's wife Lorraine. The constriction caused by the bending altered the tone of the instrument, and Gillespie
Horn in jazz though he began composing without recognition earlier. His first piece, “Jumpin in the Future” was an atonal jazz composition based on 12-tone music. However once Schuller began composing, he stopped playing horn. Once he spent too much time away from the instrument, he believed he no longer had the chops to continue playing. Still, most of his third stream works include horn parts. Many contemporary jazz horn players have made a name for themselves in the 70s, 80s, 90s, and 00s. Some popular jazz hornists were taught privately by the breakthrough jazz horn players. Besides those mentioned below, other important