Camel (in rhythmic landscape with trees) were also created at this time. This is the period when the artist was working and teaching at the Bauhaus in Weimar under the direction of Walter Gropius. The task of teaching caused Klee to meditate on the problems of art and as a result he produced what Herbert Read called "the most profound and illuminating statement of the aesthetic basis of the modern movement in art ever made by a practising artist". Camel (in rhythmic landscape with trees) Camel (in rhythmic landscape with trees) ["German: Kamel (in rhythmischer baumlandschaft)"] is a painting by Swiss artist Paul Klee in the
Landscape painting in Scotland like "Edinburgh from Caton Hill" (1825), which put Edinburgh its geological context, and rural scenes such as "Castle Huntly and The Tay" (c. 1800). His works combined Claudian principles of an ideal landscape with the reality of Scottish topography. Nasmyth was also a highly influential teacher at the Trustee's Academy in Edinburgh. Among his students were painters who took the landscape tradition into the nineteenth century. They included Andrew Wilson (1780–1840), who would become Master of the Academy in 1818, the watercolourist Hugh William Williams (1773–1829), clergyman and artist John Thompson of Duddingston (1778–1840) and probably the artist that would