Witches' Sabbath (The Great He-Goat) placing their faith in ghouls, quack doctors and tyrants. Goya had used witchcraft imagery in his 1797–98 "Caprichos" print series, and in his similarly titled 1789 painting "Witches' Sabbath". In both the 1789 and 1822 Sabbath pictures, the Devil is presented as a goat surrounded by a ring of terrified women. The earlier painting uses witchcraft imagery in a manner that inverts the order of traditional Christian iconography. The goat extends his left rather than right hoof towards the child, the quarter moon faces out at the left hand corner of the canvas. These inversions may be metaphor for the
Sabbath in Christianity pagan and political factors, and the decline of standards for the Sabbath day. While the Lord's Day observance of the Eucharist was established separately from the Jewish Sabbath, the centrality of the Eucharist itself made it the commonest early observance whenever Christians gathered for worship. In many places and times as late as the 4th century, they did continue to gather weekly on the Sabbath, often in addition to the Lord's Day, celebrating the Eucharist on both days. No disapproval of Sabbath observance of the Christian festival was expressed at the early church councils that dealt with Judaizing. The Council