Gilbert and Sullivan the other's, and partly caused by the opposing personalities of the two—Gilbert was often confrontational and notoriously thin-skinned (though prone to acts of extraordinary kindness), while Sullivan eschewed conflict. In addition, Gilbert imbued his libretti with "topsy-turvy" situations in which the social order was turned upside down. After a time, these subjects were often at odds with Sullivan's desire for realism and emotional content. Also, Gilbert's political satire often poked fun at the wealthy and powerful whom Sullivan sought out for friendship and patronage. Gilbert and Sullivan disagreed several times over the choice of a subject. After both "Princess Ida"
Gilbert and Sullivan the composer for his successful oratorio, "The Golden Legend", considered the score to "Yeomen" to be Sullivan's finest, including its overture, which was written in sonata form, rather than as a sequential pot-pourri of tunes from the opera, as in most of his other overtures. The "Daily Telegraph" wrote: "Yeomen" was a hit, running for over a year, with strong New York and touring productions. During the run, on 12 March 1889, Sullivan wrote to Gilbert, Sullivan insisted that the next opera must be a grand opera. Gilbert did not feel that he could write a grand opera libretto, but