Lucia Elizabeth Vestris she showed off her fabulously perfect legs, launched her career as a scandalous beauty. From then on she remained an extraordinary favourite in opera, musical farces, and comedies until her retirement in 1854. At the King's Theatre she sang in the English premieres of many Rossini operas, sometimes conducted by the composer himself: "La gazza ladra" (as Pippo, 1821), "La donna del lago" (as Malcolm Groeme, 1823), "Ricciardo e Zoraide" (as Zomira, 1823), "Matilde di Shabran" (as Edoardo, 1823), "Zelmira" (as Emma, 1824), and "Semiramide" (as Arsace, 1824). She excelled in "breeches parts," and she also performed in Mozart operas,
La straniera new style and its restless harmonic shifts into remote keys did not please all. 45 years later it was stated that "Bellini's style was abstruse, discontinuous, distorted, and lacking in distinction, that it alternated among the "serio" and the "buffo" and the "semi-serio"." 19th century performances The opera was first performed at La Scala, Milan on 14 February 1829, with Henriette Méric-Lalande and Domenico Reina in the leading roles. Alessandro Sanquirico, the well-established set designer of the time, designed the sets, and the opera was presented on a triple bill, along with the ballets "Buondelmonte" and "L'avviso ai maritati". Within