Dizzy Gillespie Gillespie left Eckstine's band because he wanted to play with a small combo. A "small combo" typically comprised no more than five musicians, playing the trumpet, saxophone, piano, bass and drums. Bebop was known as the first modern jazz style. However, it was unpopular in the beginning and was not viewed as positively as swing music was. Bebop was seen as an outgrowth of swing, not a revolution. Swing introduced a diversity of new musicians in the bebop era like Charlie Parker, Thelonious Monk, Bud Powell, Kenny Clarke, Oscar Pettiford, and Gillespie. Through these musicians, a new vocabulary of musical
Horn in jazz though he began composing without recognition earlier. His first piece, “Jumpin in the Future” was an atonal jazz composition based on 12-tone music. However once Schuller began composing, he stopped playing horn. Once he spent too much time away from the instrument, he believed he no longer had the chops to continue playing. Still, most of his third stream works include horn parts. Many contemporary jazz horn players have made a name for themselves in the 70s, 80s, 90s, and 00s. Some popular jazz hornists were taught privately by the breakthrough jazz horn players. Besides those mentioned below, other important