Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
La casa disabitata in Dresden. The story is not original. The opera's title, plot, setting, and characters are the same as those of Giovanni Giraud's one-act farce "La casa disabitata", first performed in 1808 and published in 1825. Giraud's play was also the basis of the two-act opera "La casa disabitata", composed by Lauro Rossi to a libretto by Jacopo Ferretti. Rossi's opera premiered at La Scala to great success in 1834, a year before Princess Amalie's version, and was subsequently performed throughout Italy and in Paris. Princess Amalie's "La casa disabitata" was performed in the small court theatre of Pillnitz Castle on