Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
Bruce Ford (tenor) Théâtre de Bordeaux as Almaviva, and the Aix-en-Provence Festival, as Lindoro. He began specializing in the bel canto repertory notably Rossini, appearing at the Pesaro Festival and the Wexford Festival in roles such as Argirio in "Tancredi", Uberto in "La donna del lago", Rinaldo in "Armida", Agorante in "Ricciardo e Zoraide", Antenore in "Zelmira", Erisso in "Maometto II", Oreste in "Ermione", etc. In 1991, he sang in "Mitridate, re di Ponto" at the Royal Opera House in London. He also appeared at La Monnaie in Brussels, at La Scala in Milan, the Vienna State Opera, the Metropolitan Opera in New