Witches' Sabbath (The Great He-Goat) during the Logroño Inquisition, was an appalling regression to liberals such as Goya. As court painter Goya was a part of the established order; surviving evidence indicates he was acquiesced to the wishes of his patrons. Yet numerous paintings and etchings have emerged since, suggesting he had convictions favouring liberalism, enlightenment, and reason. He seems to have kept such beliefs private, only expressing them in his private art; his more sensitive works were not published at the time, probably for fear of reprisal or persecution. In "Witches' Sabbath" Goya mocks and ridicules the superstition, fear and irrationality of the ignorant
Witches' Sabbath (The Great He-Goat) The paintings were completed in secret: he did not title any of the works or leave a record of his intentions in creating them. Absent of fact, "Witches' Sabbath" is generally seen by art historians as a satire on the credulity of the age, a condemnation of superstition and the witch trials of the Spanish Inquisition. As with the other works in the group, "Witches' Sabbath" reflects its painter's disillusionment and can be linked thematically to his earlier etching "The Sleep of Reason Produces Monsters" as well as the "Disasters of War" print series, another bold political statement published only