Witches' Sabbath (The Great He-Goat) photographs taken in preparation for the restoration by Jean Laurent, now in the Courtauld Institute's Witt Library. They show the painting "in situ" in the Quinta del Sordo and are the most reliable indicators of its appearance before restoration. But Laurent's work presents difficulties, not least because some areas of the photographs lack resolution and contain indistinct passages. Photographs from this period tended to darken yellow and red areas while lightening blues and violets. Witches' Sabbath (The Great He-Goat) Witches' Sabbath or The Great He-Goat () are names given to an oil mural by the Spanish artist Francisco Goya, completed
The Witch-Cult in Western Europe "s'esbattre", meaning "to frolic". Most historians disagree, arguing instead that the organizers of the witch trials adopted terms predominantly associated with Judaism, including "Sabbath", in order to denigrate witches as the equivalent to Jews, who were also highly denigrated in mainstream European culture during this period. In fact, many witch trial accounts used not only "Sabbath" but also "synagogue" in reference to gatherings of witches. The idea of a witch cult that until early modern times managed to survive was quickly dismissed by historians. From the 1920s on, Murray's theory was assailed by critics such as George Lincoln Burr, Hugh