Ethno jazz influenced by jazz. One of the most important collaborations was when Bauzá was working with famous jazz trumpeter Dizzy Gillespie. Bauzá introduced Dizzy to Chano Pozo and Chiquitico, conga and bongo players, respectively; together they began a big band that combined jazz and Cuban music. Consequently, in 1946 they performed the first Afro-Cuban jazz concert in Carnegie Hall. This concert was a sensation because it combined Latin syncopated bass lines, percussion drumming, cross rhythms, and bebop language over a Latin feel. Some of the most famous recordings from this band were "Cuban Be," "Cuban Bop," "Algo Bueno," and "Manteca." As
Horn in jazz though he began composing without recognition earlier. His first piece, “Jumpin in the Future” was an atonal jazz composition based on 12-tone music. However once Schuller began composing, he stopped playing horn. Once he spent too much time away from the instrument, he believed he no longer had the chops to continue playing. Still, most of his third stream works include horn parts. Many contemporary jazz horn players have made a name for themselves in the 70s, 80s, 90s, and 00s. Some popular jazz hornists were taught privately by the breakthrough jazz horn players. Besides those mentioned below, other important