Teresa Belloc-Giorgi Simon Mayr's "Medea in Corinto" in 1823, and Isabella in the first performance of "L'inganno felice" in Venice in 1812. She favored Rossini roles and created Ninetta, a soprano part, in "La gazza ladra" at La Scala in 1817. However, the contralto roles of "La Cenerentola", "Tancredi", and Isabella in "L'italiana in Algeri" were her most successful roles. In 1818, Belloc-Giorgi appeared in London under the name of Bellochi, but failed to find success and returned to Milan. She married a Frenchman and retired in 1828. She died in San Giorgio Canavese. Teresa Belloc-Giorgi Maria Teresa Belloc-Giorgi (Bellochi; Giorgi-Belloc; née
La Scala into a costume. As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840: At the Opera they were giving Otto Nicolai's "Templario". Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches