Giuseppina Ronzi de Begnis and her husband moved to Paris where they sang for the re-opening of the Théâtre Italien in the Parisian premiere of Ferdinando Paër's dramma semi-serio "I Fuoriusciti di Firenze" on 20 March. The opera received a good review in "Le Moniteur Universel", and the "Journal de Paris" praised Giuseppe for his Uberto and Giuseppina for her Isabella. In the meantime Rossini had been informed that the de Begnises had been secured for "La gazza ladra". The prospects were encouraging and on 5 May the couple sang in Pietro Alessandro Guglielmi's "La pastorella nobile". Positive reviews greeted the couple during the
La Fenice sooner had the opera house been rebuilt than a legal dispute broke out between the company managing it and the owners, the Venier family. The issue was decided in favor of the Veniers. At the beginning of the 19th century, La Fenice acquired a European reputation. Rossini mounted two major productions there: "Tancredi" in 1813 and "Semiramide" in 1823. Two of Bellini's operas were given their premieres there: "I Capuleti e i Montecchi" in March 1830 and "Beatrice di Tenda" in March 1833. Donizetti, fresh from his triumphs at La Scala in Milan and at the Teatro di San Carlo