Witches' Sabbath (The Great He-Goat) placing their faith in ghouls, quack doctors and tyrants. Goya had used witchcraft imagery in his 1797–98 "Caprichos" print series, and in his similarly titled 1789 painting "Witches' Sabbath". In both the 1789 and 1822 Sabbath pictures, the Devil is presented as a goat surrounded by a ring of terrified women. The earlier painting uses witchcraft imagery in a manner that inverts the order of traditional Christian iconography. The goat extends his left rather than right hoof towards the child, the quarter moon faces out at the left hand corner of the canvas. These inversions may be metaphor for the
Sabbath in Christianity Sabbath commandment, referring it to eschatological rest rather than observance of a literal day. Such writing, however, did serve to deepen the idea of Christian rest on Sunday, and its practice increased in prominence throughout the early Middle Ages. Thomas Aquinas taught that the Decalogue is an expression of natural law which binds all men, and therefore the Sabbath commandment is a moral requirement along with the other nine. Thus in the west, Sunday rest became more closely associated with a Christian application of the Sabbath, a development towards the idea of a "Christian Sabbath" rather than a Hebrew one.