Sainte-Chapelle The Passion (centre) with the Infancy of Christ (left) and the Life of John the Evangelist (right). By contrast, the windows of the nave are dominated by Old Testament exemplars of ideal kingship/queenship in an obvious nod to their royal patrons. The cycle starts at the western bay of the north wall with scenes from the Book of Genesis (heavily restored). The next ten windows of the nave follow clockwise with scenes from Exodus, Joseph, Numbers/Leviticus, Joshua/Deuteronomy, Judges, (moving to the south wall) Jeremiah/Tobias, Judith/Job, Esther, David and the Book of Kings. The final window, occupying the westernmost bay of
The Book of Genesis (comics) on the work, as would have been expected. Reviewers have called the style "humanizing", with a "human-looking deity" with "enormous, hairy, veiny hands"; unlike much later Christian art, which Europeanized the characters from the Old and New Testaments, the characters in Crumb's book are "plac[ed...] squarely in the Middle East — and populat[ed...] with distinctly Semitic-looking people". The clothing and sets in the book were based on stills from classic Hollywood movies, as "there's not a lot of documentation about how people dressed and lived in ancient Mesopotamia." Crumb originally intended to do a sendup of the Book of Genesis,