Witches' Sabbath (Goya, 1798) in the centre foreground. Typical of the imagery of witchcraft, many of the symbols used are inverted. The goat extends his left rather than right hoof towards the child, while the quarter moon faces out of the canvas at the top left corner. In the middle high-ground, a number of bats can be seen flying overhead, their flocking motion echoing the curve of the crescent moon. Goya used the imagery of covens of witches in a number of works, most notably in one of his "Black Paintings", "Witches' Sabbath or The Great He-Goat" (1821–1823). Interest in the supernatural was a
Sabbath in seventh-day churches Eastern Orthodox and most Protestant traditions, the third in Roman Catholic and Lutheran traditions). Most people who observe the first-day or seventh-day sabbath regard it as having been instituted as a perpetual covenant: "Wherefore the children of Israel shall keep the sabbath, to observe the sabbath throughout their generations, for a perpetual covenant." () (see also , ) This rule also applies to strangers within their gates, a sign of respect for the day during which God rested after having completed creation in six days (, ). Dr. Samuele Bacchiocchi, in his historical work "From Sabbath to Sunday", documented the