Monotonic scale phrase is marked by a descending glissando. Monotonic passages are also used in art music for stylistic effect. In Schubert's "Death and the Maiden", the character of Death generally employs monotonic recitation, described by one scholar as depicting "an inanimate being incapable of the lyricism of the living." In "La gazza ladra" (1817), Rossini represents Ninetta's simplicity and innocence with an almost monotone declamation at "A mio nome deh consegna questo anello", whereas in the Wolf's Glen scene of "Der Freischütz" (1821), Weber characterizes the powers of evil by having the invisible spirits sing in monotone, and denies song entirely
Bruce Ford (tenor) Théâtre de Bordeaux as Almaviva, and the Aix-en-Provence Festival, as Lindoro. He began specializing in the bel canto repertory notably Rossini, appearing at the Pesaro Festival and the Wexford Festival in roles such as Argirio in "Tancredi", Uberto in "La donna del lago", Rinaldo in "Armida", Agorante in "Ricciardo e Zoraide", Antenore in "Zelmira", Erisso in "Maometto II", Oreste in "Ermione", etc. In 1991, he sang in "Mitridate, re di Ponto" at the Royal Opera House in London. He also appeared at La Monnaie in Brussels, at La Scala in Milan, the Vienna State Opera, the Metropolitan Opera in New