The Black Duchess The Black Duchess The Black Duchess (also Mourning Portrait of the Duchess of Alba or simply Portrait of the Duchess of Alba) is a 1797 oil-on-canvas painting by Spanish painter Francisco Goya. The Duchess in the painting is María Cayetana de Silva, 13th Duchess of Alba, then 35 years old. It is a companion piece to the more chaste "The White Duchess", completed two years earlier. In this work, de Silva is dressed in low cut "Maja" clothing. She probably agreed to this depiction in that it might show her as a "woman of the people". , the painting has
Witches' Sabbath Inquistors' manual of witch-hunting, the "Malleus Maleficarum" (1486). Nevertheless, it was during the Renaissance when Sabbath folklore was most popular, more books on them were published, and more people lost their lives when accused of participating. "Commentarius de Maleficiis" (1622), by Peter Binsfeld, cites accusation of participation in Sabbaths as a proof of guiltiness in an accusation for the practice of witchcraft. Bristol University's Ronald Hutton has encapsulated the witches' sabbath as an essentially modern construction, saying: The book "Compendium Maleficarum" (1608) by Francesco Maria Guazzo illustrates a typical witch-phobic view of gathering of witches as "the attendants riding flying