Witches' Sabbath (Goya, 1798) in the centre foreground. Typical of the imagery of witchcraft, many of the symbols used are inverted. The goat extends his left rather than right hoof towards the child, while the quarter moon faces out of the canvas at the top left corner. In the middle high-ground, a number of bats can be seen flying overhead, their flocking motion echoing the curve of the crescent moon. Goya used the imagery of covens of witches in a number of works, most notably in one of his "Black Paintings", "Witches' Sabbath or The Great He-Goat" (1821–1823). Interest in the supernatural was a
Witches' Sabbath (Goya, 1798) "Witches' Sabbath" shows the devil in the form of a garlanded goat, surrounded by a coven of disfigured, young and aging witches in a moonlit barren landscape. The goat possesses large horns and is crowned by a wreath of oak leaves. An old witch holds an infant in her hands. The devil seems to be acting as priest at an initiation ceremony for the child, though popular superstition at the time believed the devil often fed on children and human fetuses. The skeletons of two infants can be seen; one discarded to the left, the other held by a crone