The Duchess of Alba and la Beata Beata" is considered to form part of Goya's "caprichos", and was painted shortly after he fell deaf. It is signed "Goya in 1795" in the lower right corner. It is in the collection of the Museo del Prado, Madrid, having been acquired from a private collection. Goya portrayed María Cayetana de Silva a number of other times, notably "The White Duchess" of the same year and the 1797 "Portrait of the Duchess of Alba". The Duchess of Alba and la Beata The Duchess of Alba and "la Beata" (or The Duchess of Alba and the Pious Woman; Spanish: La duquesa
Witches' Sabbath and Amanita muscaria by name, and confining himself to but a single paragraph on the 'flying ointment' on page 303 of 'Ecstasies...' : In the Sabbath the judges more and more frequently saw the accounts of real, physical events. For a long time the only dissenting voices were those of the people who, referring back to the "Canon episcopi", saw witches and sorcerers as the victims of demonic illusion. In the sixteenth century scientists like Cardano or Della Porta formulated a different opinion : animal metamorphoses, flights, apparitions of the devil were the effect of malnutrition or the use of