Monotonic scale phrase is marked by a descending glissando. Monotonic passages are also used in art music for stylistic effect. In Schubert's "Death and the Maiden", the character of Death generally employs monotonic recitation, described by one scholar as depicting "an inanimate being incapable of the lyricism of the living." In "La gazza ladra" (1817), Rossini represents Ninetta's simplicity and innocence with an almost monotone declamation at "A mio nome deh consegna questo anello", whereas in the Wolf's Glen scene of "Der Freischütz" (1821), Weber characterizes the powers of evil by having the invisible spirits sing in monotone, and denies song entirely
La pietra del paragone back with her signature on it. The Count recognizes the signature and comes rushing from his rooms. To general amazement Clarice throws off her disguise and the lovers are finally reconciled. The Count orders a celebration feast and all the guests head off to toast the happy couple and enjoy the promised banquet. La pietra del paragone La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, in two acts by Gioachino Rossini, to an original Italian libretto by Luigi Romanelli. "La pietra del paragone" was first performed at La Scala, Milan, on 26 September 1812. It was