The Oval Portrait is the rhythmical creation of beauty, and that the most poetical topic in the world is the death of a beautiful woman (see "The Philosophy of Composition"). "The Oval Portrait" suggests that the woman's beauty condemns her to death. Poe suggests in the tale that art can reveal the artist's guilt or evil and that the artist feeds on and may even destroy the life he has modeled into art. "The Oval Portrait" was first published as a longer version titled "Life in Death" in "Graham's Magazine" in 1842. "Life in Death" included a few introductory paragraphs explaining how the
The Murders in the Rue Morgue on the language the murderer spoke, Dupin concludes they were not hearing a human voice at all. He and the narrator examine the house thoroughly; the following day, Dupin dismisses the idea of both Le Bon's guilt and a robbery motive, citing the fact that the gold was not taken from the room. He also points out that the murderer would have had to have superhuman strength to force the daughter's body up the chimney. He formulates a method by which the murderer could have entered the room and killed both women, involving an agile climb up a lightning rod