Witches' Sabbath (Goya, 1798) in the centre foreground. Typical of the imagery of witchcraft, many of the symbols used are inverted. The goat extends his left rather than right hoof towards the child, while the quarter moon faces out of the canvas at the top left corner. In the middle high-ground, a number of bats can be seen flying overhead, their flocking motion echoing the curve of the crescent moon. Goya used the imagery of covens of witches in a number of works, most notably in one of his "Black Paintings", "Witches' Sabbath or The Great He-Goat" (1821–1823). Interest in the supernatural was a
William Painter (author) works such as Beaumont and Fletcher's "Triumph of Death", John Webster's "The Duchess of Malfi" (from "Belleforest"), and James Shirley's "Love's Cruelty". "The Palace of Pleasure" was edited by Joseph Haslewood in 1813. This edition was collated (1890) with the British Museum copy of 1575 by Joseph Jacobs, who added further prefatory matter, including an introduction on the importance of the Italian novella in Elizabethan drama. It has been suggested that Painter was responsible for the 1580 work "A Moorning Diti upon the Deceas of the High and Mighti Prins Henri, Earl of Arundel", attributed to Guil. P. G. Painter's