Teresa Belloc-Giorgi Simon Mayr's "Medea in Corinto" in 1823, and Isabella in the first performance of "L'inganno felice" in Venice in 1812. She favored Rossini roles and created Ninetta, a soprano part, in "La gazza ladra" at La Scala in 1817. However, the contralto roles of "La Cenerentola", "Tancredi", and Isabella in "L'italiana in Algeri" were her most successful roles. In 1818, Belloc-Giorgi appeared in London under the name of Bellochi, but failed to find success and returned to Milan. She married a Frenchman and retired in 1828. She died in San Giorgio Canavese. Teresa Belloc-Giorgi Maria Teresa Belloc-Giorgi (Bellochi; Giorgi-Belloc; née
La straniera new style and its restless harmonic shifts into remote keys did not please all. 45 years later it was stated that "Bellini's style was abstruse, discontinuous, distorted, and lacking in distinction, that it alternated among the "serio" and the "buffo" and the "semi-serio"." 19th century performances The opera was first performed at La Scala, Milan on 14 February 1829, with Henriette Méric-Lalande and Domenico Reina in the leading roles. Alessandro Sanquirico, the well-established set designer of the time, designed the sets, and the opera was presented on a triple bill, along with the ballets "Buondelmonte" and "L'avviso ai maritati". Within