The Black Duchess been kept at the New York Hispanic Society, operated by the Hispanic Society of America. The "Portrait of the Duchess of Alba" was painted in 1797 by Spanish painter Francisco José de Goya y Lucientes. The work is kept at the New York Hispanic Society, owned and operated by the Hispanic Society of America. In the painting, the duchess (María Cayetana de Silva, 13th Duchess of Alba) is thirty-five years old, and her husband had died the year before, so she is dressed in mourning clothes (attire). In the painting, she is pointing to the ground, where the words "solo
Witches' Sabbath Inquistors' manual of witch-hunting, the "Malleus Maleficarum" (1486). Nevertheless, it was during the Renaissance when Sabbath folklore was most popular, more books on them were published, and more people lost their lives when accused of participating. "Commentarius de Maleficiis" (1622), by Peter Binsfeld, cites accusation of participation in Sabbaths as a proof of guiltiness in an accusation for the practice of witchcraft. Bristol University's Ronald Hutton has encapsulated the witches' sabbath as an essentially modern construction, saying: The book "Compendium Maleficarum" (1608) by Francesco Maria Guazzo illustrates a typical witch-phobic view of gathering of witches as "the attendants riding flying