Gilbert and Sullivan the other's, and partly caused by the opposing personalities of the two—Gilbert was often confrontational and notoriously thin-skinned (though prone to acts of extraordinary kindness), while Sullivan eschewed conflict. In addition, Gilbert imbued his libretti with "topsy-turvy" situations in which the social order was turned upside down. After a time, these subjects were often at odds with Sullivan's desire for realism and emotional content. Also, Gilbert's political satire often poked fun at the wealthy and powerful whom Sullivan sought out for friendship and patronage. Gilbert and Sullivan disagreed several times over the choice of a subject. After both "Princess Ida"
The Gilbert and Sullivan Light Opera Company of Long Island Company stalwarts Al Grand, Bob Tartell and Elaine Lerner, and directed by Sally Buckstone, what eventually became the Gilbert & Sullivan Yiddish Light Opera Company of Long Island developed Der Yiddisher Pinafore, Di Yam Gazlonim and Der Yiddisher Mikado, Yiddish versions of the beloved “Big Three” Savoy operas. Touring nationally and internationally, it marked out a unique corner of the Gilbert & Sullivan universe and made it its own. Two landmarks defined the 1990s for the Company: One was the development of the Gilbert & Sullivan Light Opera Orchestra of Long Island, under the direction first of founding music director