Fanny Eckerlin has speculated on this last point that Eckerlin may have been chafing at the restrictions of her contract, as by this time she had already appeared with some success at La Scala, where she had debuted in "La gazza ladra" during the 1817–18 season. During Eckerlin's career she spent several seasons at the Teatro Italiano in Barcelona, where a claque in her honor was created, and where she won many favorable notices for her work before accepting a contract with the Salle Favart in Paris. She was a noted interpreter of Rossini, and during his tenure at the helm of
Cristoforo Colombo (opera) performed in a revised version at La Scala, Milan. It had a number of performances throughout Italy, many of them conducted by Arturo Toscanini, and in Buenos Aires. The opera's North American premiere was presented by the Philadelphia-Chicago Grand Opera Company at the Philadelphia Metropolitan Opera House on November 20, 1913, with Titta Ruffo in the title role, Rosa Raisa as Queen Isabella of Spain, Amedeo Bassi as Don Fernan Guevara, and Gustave Huberdeau as Don Roldano Ximenes. Despite initial stage success, a massive cut of the first version, of some 100 pages of orchestral score, led to the published