Giuseppina Ronzi de Begnis and her husband moved to Paris where they sang for the re-opening of the Théâtre Italien in the Parisian premiere of Ferdinando Paër's dramma semi-serio "I Fuoriusciti di Firenze" on 20 March. The opera received a good review in "Le Moniteur Universel", and the "Journal de Paris" praised Giuseppe for his Uberto and Giuseppina for her Isabella. In the meantime Rossini had been informed that the de Begnises had been secured for "La gazza ladra". The prospects were encouraging and on 5 May the couple sang in Pietro Alessandro Guglielmi's "La pastorella nobile". Positive reviews greeted the couple during the
La Gioconda (opera) opera", the equivalent of French "Grand-Opéra". Ponchielli revised the work several times; the version that is played today was first given in 1880. There are several complete recordings of the opera, and it is regularly performed, especially in Italy. It is one of only a few operas that features a principal role for each of the six major voice types. "La Gioconda" was first performed at the Teatro alla Scala, Milan, on 8 April 1876. It was especially successful in its third and final version first seen at the same theatre on 28 March 1880. The opera had its American