Dizzy Gillespie he dreamed of becoming a jazz musician. He won a music scholarship to the Laurinburg Institute in North Carolina which he attended for two years before accompanying his family when they moved to Philadelphia. Gillespie's first professional job was with the Frank Fairfax Orchestra in 1935, after which he joined the respective orchestras of Edgar Hayes and later Teddy Hill, replacing Frankie Newton as second trumpet in May 1937. Teddy Hill's band was where Gillespie made his first recording, "King Porter Stomp". In August 1937 while gigging with Hayes in Washington D.C., Gillespie met a young dancer named Lorraine Willis
Music of Cuba playing conga with Dizzy Gillespie and Machito in New York City. Cuban jazz had started much earlier, in Havana, in the period 1910–1930. Arsenio Rodríguez, one of Cuba's most famous tres players and conjunto leaders, emphasised the "son"'s African roots by adapting the "guaguancó" style, and by adding a cowbell and conga to the rhythm section. He also expanded the role of the tres as a solo instrument. In the late 1930s and 40s, the danzonera Arcaño y sus Maravillas incorporated more syncopation and added a montuno (as in son), transforming the music played by charanga orchestras. The big band