Monotonic scale phrase is marked by a descending glissando. Monotonic passages are also used in art music for stylistic effect. In Schubert's "Death and the Maiden", the character of Death generally employs monotonic recitation, described by one scholar as depicting "an inanimate being incapable of the lyricism of the living." In "La gazza ladra" (1817), Rossini represents Ninetta's simplicity and innocence with an almost monotone declamation at "A mio nome deh consegna questo anello", whereas in the Wolf's Glen scene of "Der Freischütz" (1821), Weber characterizes the powers of evil by having the invisible spirits sing in monotone, and denies song entirely
Raquel Pierotti débuts at the Opera de Paris as Rosina in Rossini’s Barber of Seville, as well as at La Scala, Milan, as Marcellina in Mozart’s Le nozze di Figaro. Since then she has been a frequent guest at La Scala where she sang Clarice in La pietra del paragone (Rossini), Smeton in Anna Bolena (Donizetti), Rosina in Il barbiere di Siviglia (Rossini), Isabella in L’italiana in Algeri (Rossini), Maddalena in Il viaggio a Reims (Rossini), Cecilio in Lucio Silla (Mozart), and Fenena in Nabucco (Verdi) for the 1986/1987 Season Opening Night as well as in the tournées in Berlin, Japan (Tokyo,