Buster Keaton to have a comic slant. After Keaton's successful work with Arbuckle, Schenck gave him his own production unit, Buster Keaton Productions. He made a series of two-reel comedies, including "One Week" (1920), "The Playhouse" (1921), "Cops" (1922), and "The Electric House" (1922). Keaton then moved to full-length features. Keaton's writers included Clyde Bruckman, Joseph Mitchell, and Jean Havez, but the most ingenious gags were generally conceived by Keaton himself. Comedy director Leo McCarey, recalling the freewheeling days of making slapstick comedies, said, "All of us tried to steal each other's gagmen. But we had no luck with Keaton, because he
Real-name system users may feel uncomfortable with the knowledge that their real names would be publicly displayed and choose, instead, to use a fake name that appears real to Facebook under its Name Policy. Unlike Facebook, the Twitter social networking site does not require users to enter real names when creating Twitter accounts, and the site is entirely void of the real-name system. According to Twitter's former CEO, Dick Costolo, the social networking site does not care what a user's real name is as long as the site connects users to the information that they care about. Whether the information comes from