Witches' Sabbath (The Great He-Goat) placing their faith in ghouls, quack doctors and tyrants. Goya had used witchcraft imagery in his 1797–98 "Caprichos" print series, and in his similarly titled 1789 painting "Witches' Sabbath". In both the 1789 and 1822 Sabbath pictures, the Devil is presented as a goat surrounded by a ring of terrified women. The earlier painting uses witchcraft imagery in a manner that inverts the order of traditional Christian iconography. The goat extends his left rather than right hoof towards the child, the quarter moon faces out at the left hand corner of the canvas. These inversions may be metaphor for the
Sabbath in Christianity fulfillment of the law" (), the new-covenant "law" is considered to be based entirely upon love and to rescind Sabbath requirements. Non-Sabbatarians who affirm that Sabbath-keeping remains for God's people (as in ) frequently regard this as present weeklong spiritual rest or future heavenly rest rather than as physical weekly rest. For instance, Irenaeus saw Sabbath rest from secular affairs for one day each week as a sign of the way that Christians were called to permanently devote themselves to God and an eschatological symbol. One such interpretation of Hebrews states that seventh-day Sabbath is no longer relevant as a