Geração de Orpheu literature with principal function of agitating, subverting and scandalizing the Portuguese bourgeoisie and - by extension - all social conventions. The journal's name, "Orpheu" was not chosen by accident - as in Greek myth, Orpheus ("Orfeu" in Portuguese) was the musician who, to save his wife Eurydice from Hades, had to travel from the world of the living with the stipulation to not looking back. It was this metaphor that was important to the men of the Geração de Orpheu: the not looking back, the forgetting, the relinquishing of the past and the concentration of attention and force to the
Greek underworld would have to follow behind Orpheus and he could not turn around to look at her. Once Orpheus reached the entrance, he turned around, longing to look at his beautiful wife, only to watch as his wife faded back into the underworld. He was forbidden to return to the underworld a second time and he spent his life playing his music to the birds and the mountains. Greek underworld In mythology, the Greek underworld is an otherworld where souls go after death. The original Greek idea of afterlife is that, at the moment of death, the soul is separated from