Geração de Orpheu literature with principal function of agitating, subverting and scandalizing the Portuguese bourgeoisie and - by extension - all social conventions. The journal's name, "Orpheu" was not chosen by accident - as in Greek myth, Orpheus ("Orfeu" in Portuguese) was the musician who, to save his wife Eurydice from Hades, had to travel from the world of the living with the stipulation to not looking back. It was this metaphor that was important to the men of the Geração de Orpheu: the not looking back, the forgetting, the relinquishing of the past and the concentration of attention and force to the
Hades More elaborate names of the same genre were "Ploutodótēs" () or "Ploutodotḗr" (), meaning "giver of wealth". Epithets of Hades include "Agesander" () and "Agesilaos" (), both from "ágō" (, "lead", "carry" or "fetch") and "anḗr" (, "man") or "laos" (, "men" or "people"), describing Hades as the god who carries away all. Nicander uses the form "Hegesilaus" (). He was also referred to as "Zeus katachthonios" (Ζεὺς καταχθόνιος), meaning "the Zeus of the Underworld", by those avoiding his actual name, as he had complete control over the Underworld. In Greek mythology, Hades, the god of the underworld, was the