Orpheus voice. Sarah Ruhl's "Eurydice" likewise presents the story of Orpheus' descent to the underworld from Eurydice's perspective. Ruhl removes Orpheus from the center of the story by pairing their romantic love with the paternal love of Eurydice's dead father. David Almond's 2014 novel, "A Song for Ella Grey", was inspired by the myth of Orpheus and Eurydice, and won the Guardian Children's Fiction Prize in 2015. The 2014 novel "Orfeo" by Richard Powers is based on Orpheus. Vinicius de Moraes' play "Orfeu da Conceição" (1956), later adapted by Marcel Camus in the 1959 film "Black Orpheus", tells the story in
Orpheus whom he called Apollo. One early morning he went to the oracle of Dionysus at Mount Pangaion to salute his god at dawn, but was ripped to shreds by Thracian Maenads for not honoring his previous patron (Dionysus) and buried in Pieria. Here his death is analogous with that of Pentheus, who was also torn to pieces by Maenads; and it has been speculated that the Orphic mystery cult regarded Orpheus as a parallel figure to or even an incarnation of Dionysus. Both made similar journeys into Hades, and Dionysus Zagreus suffered an identical death. Pausanias writes that Orpheus was