Sir Orfeo as being a parallel dimension to the everyday world rather than the Land of the Dead as in the Greek myth of Orpheus and Eurydice. The ability to move between one world and the other distinguishes the tale as told in its various British versions such as "Sir Orfeo" and the Shetland ballad "King Orfeo" where the captors are envisaged as inhabitants of a parallel fairy domain rather than as the infernal region of the Dead ruled over by Hades as in the Greek myth. Katharine Briggs sees the tale as related in British folk narratives as being equally influenced
Greek mythology in popular culture been traditionally depicted in classical Greek warrior armor. Jean Cocteau regarded Orpheus as "his myth", and used it as the basis for many projects, including "Orphee" The film "Orfeu Negro" is Marcel Camus' reworking of the Cocteau film. The 2001 film "Moulin Rouge!" is also based on the Orpheus story, but set in 1899, and containing modern pop music. The 1997 Disney production of "Hercules" was inspired by Greek myths, but it "greatly modernizes the narrative, ... going to great lengths to spice up its mythic materials with wacky comedy and cheerfully anachronistic dialogue," which, Keith Booker says, is playing