Muses daughters of Harmonia (the daughter of Aphrodite and Ares), which contradicts the myth in which they were dancing at the wedding of Harmonia and Cadmus. The Muses had several temples and shrines in ancient Greece, their two main cult centres being Mount Helikon in Boiotia and Pieria in Makedonia. Strabo wrote: The cult of the Muses where also commonly connected to that of Apollo. Some Greek writers give the names of the nine Muses as Kallichore, Helike, Eunike, Thelxinoë, Terpsichore, Euterpe, Eukelade, Dia, and Enope. In Renaissance and Neoclassical art, the dissemination of emblem books such as Cesare Ripa's "Iconologia"
The Vision of Delight of the performance as an assemblage of dreamers, and through his masque illustrates Macrobius's categories of dreams. The Vision of Delight The Vision of Delight was a Jacobean era masque written by Ben Jonson. It was most likely performed on Twelfth Night, 6 January 1617 in the Banqueting House at Whitehall Palace, and repeated on 19 January that year. "The Vision of Delight" was first published in the second folio collection of Jonson's works in 1641. The scholarly consensus favors the view that the masque was designed by Inigo Jones, though no firm historical evidence necessitates this conclusion, and data