The Gaze of Orpheus this is in Kurt Cobain’s Journal’s. Lacan’s perspective on the gaze of Orpheus is more a matter of desires and yearning. On one hand we have Orpheus gazing towards the underworld, which serves to dissolve the connection between Orpheus and his desire, Eurydice. On the other hand, Orpheus’ role in the upper world is to use his creativity and artistic talent to transform his desires into a recreated form. Lacan uses the topography of the myth to construct his mirror stage. “The mirror stage is not an isolated event or situation that results in a particular configuration of vision: it
Charon (moon) Future", naming them , , and . After its discovery, Charon was originally known by the temporary designation S/1978 P 1, according to the then recently instituted convention. On June 24, 1978, Christy first suggested the name "Charon" as a scientific-sounding version of his wife Charlene's nickname, "Char". Although colleagues at the Naval Observatory proposed "Persephone", Christy stuck with "Charon" after discovering that it coincidentally refers to a Greek mythological figure: Charon ( or ; Greek Χάρων) is the ferryman of the dead, closely associated in myth with the god Hades, whom the Romans identified with their god Pluto. The