Melia azedarach a different genus. Common names of "Melia azedarach" include chinaberry, chinaberry tree, Persian lilac (ambiguous), this name is also used for a lilac hybrid, Syringa × persica. other names include Texas umbrella, umbrella tree, umbrella cedar, white cedar, bead-tree, Cape lilac, Ceylon cedar, Ceylon mahogany, syringa, syringa berry tree. Names in other languages include Kavadya Nimb or Bakan (Marathi) "malai vembu" (), "bakain" (Hindi), "seringboom" (Afrikaans), "zanzalakht" (), "dharek" or "dhraik" (), and "turaka vepa" (Telugu). "Ghora" ("horse") "neem" (), "hebbevu" in Kannada, "Tora Shandai" in Pashto, "vilayati" ("foreign") "neem" in Bundelkhand, and "bkain" in Haryana, Rajasthan, East Uttar Pradesh
Flowering Orchards an intensity through their pairing. Mancoff says of flowering trees and this work, "In his flowering trees, Vincent attained a sense of spontaneity, freeing himself from the strict self-analytical approach he took in Paris. In "Almond Tree in Blossom," Vincent used the light, broken strokes of impressionism and the dabs of colour of divisionism for a sparkling surface effect. The distinctive contours of the tree and its position in the foreground recall the formal qualities of Japanese prints." The southern region and the flowering trees seems to have awakened Van Gogh from his doldrums into a state of clear direction,