Orpheus Paris' Montmartre) in search of his fortune and ultimately to attempt the rescue of his doomed love. The film adapts a widely known piece from Jacques Offenbach's comedic operetta "Orphée aux enfers" ("Orpheus in the Underworld"), identified with the once-popular can-can music hall dance. Offenbach's operatic work had itself parodied the classical tale of Orpheus' attempted rescue of Eurydice from Pluto (Hades). Gavin Bryars' music for Édouard Lock's full length ballet "Dido and Orfeo" (2011) reworks music from the operas "Dido and Aeneas" (Purcell) and "Orfeo ed Euridice" (Gluck) for a small ensemble of saxophone, viola, cello and piano. Orpheus
Hades (DC Comics) in final combat. As a result of the machinations of the alien god Darkseid, the Olympian gods were each split into separate entities for many years, existing as both their Greek and Roman variations. Hades' Roman counterpart, Pluto, ruled his own dimensional variant of the Underworld, occasionally coming into conflict with his "brother". The pantheons were eventually merged once more centuries later. Hades shared a sometimes tense relationship with Wonder Woman's people, the Amazons of Themyscira. The Amazons had been appointed to guard an entryway to his realm, Doom's Doorway, behind which were trapped many monsters and undead abominations. Over