Proserpina most extensive myth of Proserpina in Latin is Claudian's (4th century AD). It is closely connected with that of Orpheus and Eurydice. In Virgil's Georgics, Orpheus' beloved wife, Eurydice, died from a snake-bite; Proserpina allowed Orpheus into Hades without losing his life; charmed by his music, she allowed him to lead his wife back to the land of the living, as long as he did not look back during the journey. But Orpheus could not resist a backward glance, so Eurydice was forever lost to him. Proserpina's figure inspired many artistic compositions, eminently in sculpture (Bernini, see "The Rape of
Hades More elaborate names of the same genre were "Ploutodótēs" () or "Ploutodotḗr" (), meaning "giver of wealth". Epithets of Hades include "Agesander" () and "Agesilaos" (), both from "ágō" (, "lead", "carry" or "fetch") and "anḗr" (, "man") or "laos" (, "men" or "people"), describing Hades as the god who carries away all. Nicander uses the form "Hegesilaus" (). He was also referred to as "Zeus katachthonios" (Ζεὺς καταχθόνιος), meaning "the Zeus of the Underworld", by those avoiding his actual name, as he had complete control over the Underworld. In Greek mythology, Hades, the god of the underworld, was the