Eurydice the basis of a play by Sarah Ruhl. It inspired the 1959 film "Black Orpheus" by Marcel Camus. The myth also inspired the American playwright Tennessee Williams' 1957 drama "Orpheus Descending". Other uses include: Eurydice In Greek mythology, Eurydice (; , "Eurydikē" "wide justice", derived from "ευρυς eurys" "wide" and "δικη dike" "justice”) was an oak nymph or one of the daughters of Apollo. She was the wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Eurydice was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful
Orpheus in the Underworld Orpheus in the Underworld Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffon (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux. The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow full-length works of certain genres. "Orpheus" was not only longer, but more musically adventurous than Offenbach's