IKEA Catalogue created for the catalogue. By the 2013 edition, 12% of imagery for the IKEA catalogue, brochures and website was computer-generated. As of 2014, 75% of product images (i.e. white background images) and 35% of non-product images across all IKEA communications are fully computer-generated. Augmented reality was introduced in the 2013 edition of the catalogue. "X-ray" views through furniture compartments, videos, how-to guides and other interactive content could be accessed by scanning a symbol on the catalogue with a mobile device. The 2014 catalogue contains an augmented reality app that projects an item into a real-time photograph image of the user's
Catalogue of Women as two initially separate works that had been joined: the former was genealogically structured, while the latter, in Marckscheffel's view, simply recounted myths involving notable Thessalian and Boeotian heroines, with each introduced by the "ē' hoiē"-formula. Since the Ehoie of Alcmene was attested for book 4, Marckscheffel proposed that books 1–3 were the ""Catalogue"", and books 4 and 5 were the ""Ehoiai"". As the nineteenth century progressed, there were several other important observations about the genealogical structure of the "Catalogue". In 1860 Adolf Kirchhoff noted the mass of information connected to the family of Io, a stemma which could be