The Gaze of Orpheus taken by Orpheus from light to dark and back to light is symbolic of the artist’s journey from reality to the edges of the surreal, “…the force that enables Orpheus to cross the boundaries of light and life, and to descend to Eurydice, according to Blanchot, is that of art. Rendering this dark point, the lure, the point in which the artist's control is undermined, is also the object of the work of art.” (New Media Narratives). Blanchot uses the myth to transcribe the creative process. “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's
Greek mythology in popular culture been traditionally depicted in classical Greek warrior armor. Jean Cocteau regarded Orpheus as "his myth", and used it as the basis for many projects, including "Orphee" The film "Orfeu Negro" is Marcel Camus' reworking of the Cocteau film. The 2001 film "Moulin Rouge!" is also based on the Orpheus story, but set in 1899, and containing modern pop music. The 1997 Disney production of "Hercules" was inspired by Greek myths, but it "greatly modernizes the narrative, ... going to great lengths to spice up its mythic materials with wacky comedy and cheerfully anachronistic dialogue," which, Keith Booker says, is playing