Blade Runner (franchise) Will Brooker. "Film Architecture: From Metropolis to Blade Runner" by Dietrich Neumann. "All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners" by Rutger Hauer. "All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners" by Michael Deeley, co-written with Matthew Field. Philip K. Dick refused a $400,000 offer to write a "Blade Runner" novelization, saying: "[I was] told the cheapo novelization would have to appeal to the twelve-year-old audience" and it "would have probably been disastrous to me artistically". He added, "That insistence on my part of bringing out the original novel and not doing the novelization
Blade Runner (soundtrack) Ben [Wallfisch] was four-years-old, I had actually experienced all of this. We watched and literally, as we stopped watching, we decided on the palette. We decided this wasn't going to be an orchestral thing. The story spoke to us." The sequel score includes a fairly faithful remake of the original "Tears in Rain" (retitled "Tears in the Rain"), and borrows many musical cues from the original Vangelis score throughout, including its frequent use of pitch bending. </div> Blade Runner (soundtrack) Blade Runner is a soundtrack composed by Greek electronic composer Vangelis for Ridley Scott's 1982 film "Blade Runner". It is