Dido whirlwind. This legend inspired the Renaissance drama "Dido, Queen of Carthage" by Christopher Marlowe. Also from the 17th century is a ballad inspired by the relationship between Dido and Aeneas. The ballad, often printed on a broadside, is called "The Wandering Prince of Troy," and it alters the end of the relationship between the two lovers, rethinking Dido's final sentiment for Aeneas and rewriting Aeneas's visit to the underworld as Dido's choice to haunt him. The story of Dido and Aeneas remained popular throughout the post-Renaissance era and was the basis for many operas, including: William Shakespeare refers to Dido
Legendary progenitor and the personages whose names are associated with these sites have often only a mythical, or, to speak technically, an "eponymic" existence." In various Greek myths, Melampus is the "legendary founder and progenitor of a great and long-continued family of prophets". Along with his brother Bias, they became kings of territory in the Argeian and was acknowledged as a leader in Homer's Odyssey. His grandson is recorded as the prophet Theoklymenos. Niccolò Machiavelli discussed how in Ancient Rome, both Aeneas, the Trojan and Romulus were both who said to have been the legendary founders. He considered how people's view of