Orpheus Monument the Middle Ages, it was used as a pillory. Criminals were tied to the iron rings attached to its lower part. Since March 2008, it has the status of a national cultural monument. The central relief illustrates scenes from the myth of Orpheus, who plays the lyre while mourning his lost love Eurydice. Other reliefs depict the Greek-Egyptian god Serapis, who symbolizes the hope of resurrection. The corners each contain a prone lion gnawing on a ram's head. Beneath this, a relief in the tympanum depicts the Moon goddess Selene, leaning over her dead lover Endymion. All the reliefs and
The Mask of Orpheus with the Orpheus myth decaying. "The Mask of Orpheus", in addition to vocal and orchestral music, contains a significant amount of electronic music, (which was precisely composed by Birtwistle, and realized on his behalf by Barry Anderson). Each act has its own electronic "aura", which goes on continuously, sometimes prominently, sometimes inaudibly; the voice of Apollo is heard on several occasions as an electronic sound "speaking" in an invented language. These electronic sounds were made by Anderson in Paris at IRCAM. There are also six purely electronic interludes created by computer manipulation of harp sounds. Jocelyn Herbert was commissioned to