Greek mythology in popular culture of Greek mythology to disguise his commentaries calling for reform within the German Democratic Republic. The 2012 play "The Architects", by the London-based Shunts, is based on the myth of the Minotaur and is about a "return to when Greece was the cradle of civilisation and not about riots on the streets". The 2016 stage musical Hadestown, a production with music by Anais Mitchell, follows the stories of Orpheus and Eurydice as well as Hades and Persephone. The show premiered Off-Broadway in 2016, ran at the National Theatre in London in 2018, and is scheduled to have a Broadway run
Pseudo-Orpheus Pseudo-Orpheus "This article is about the poem known as Pseudo-Orpheus, not about the term "Pseudo-Orpheus" as it is applied to the unknown writer of other works falsely attributed to Orpheus." Pseudo-Orpheus is the name of a poetic text, preserved only in quotations by various Christian writers, which has a complex history. Pseudo-Orpheus appears in multiple recensions (versions created over time). The poem presents the legendary Greek figure Orpheus as giving a poetic speech to his son, Musaeus, identified as the biblical Moses, passing on to him hidden wisdom he learned in Egypt. It presents a monotheistic view of God, whom,