Sporus "Mistress". Suetonius quotes one Roman who lived around this time who remarked that the world would have been better off if Nero's father Gnaeus Domitius Ahenobarbus had married someone more like the castrated boy. Suetonius places his account of the Nero–Sporus relationship in his scandalous accounts of Nero's sexual aberrations, between his raping a vestal virgin and committing incest with his mother. Some think that Nero used his marriage to Sporus to assuage the feelings of guilt he felt for kicking his pregnant wife Poppaea to death. Dio Cassius, in a more detailed account, writes that Sporus bore an uncanny
Brigand and His Wife in Prayer criminal activities and for the health of the heavily-pregnant wife. The sympathy-inspiring depictions of the frugality and piety of the couple reflect Robert's fascination with the culture of the Italian brigands, who the painter found to be a faithful people despite their criminality. Brigand and His Wife in Prayer Brigand and His Wife in Prayer is an early 19th century painting by Léopold Robert. Done in oil paint on canvas, the work depicts a brigand and his wife in prayer before a cross in the mountains of central Italy. The painting is part of The Whitney Collection, and is currently