Poppaea Sabina Cassius Dio, Sporus bore an uncanny resemblance to Sabina, and Nero even called him by his dead wife’s name. According to Cassius Dio, Poppaea enjoyed having milk baths. She would have them daily because she was once told "therein lurked a magic which would dispel all diseases and blights from her beauty." Fifteen centuries after her time, Poppaea was depicted in Claudio Monteverdi's last opera "L'incoronazione di Poppea" ("The coronation of Poppaea") of 1642. Her story clearly was chosen to appeal to the titillation favored in the nascent culture of the Venetian public opera theaters, and its prologue immediately explains
María Sabina local commercial ventures, from restaurants to taxi companies. The Mexican counterculture has an affinity for Sabina. The Mexican rock group Santa Sabina is named for her, and El Tri, one of the first and most successful rock groups in Mexico, dedicated the song "María Sabina" to her, proclaiming her ""un símbolo de la sabiduría y el amor"" ("a symbol of wisdom and love"). Mexican musician, Jorge Reyes, included prerecorded chants of Maria Sabina in the track "The Goddess of the Eagles", in his album "Comala". Reyes also used more of the recording in his collaboration with "Deep Forest" on the