Orpheus Stravinsky's ballet "Orpheus" (1948) and two operas by Harrison Birtwistle: "The Mask of Orpheus" (1973–1984) and "The Corridor" (2009). The Bulgarian Rousse State Opera commissioned and performed "Orpheus: A Masque" by John Robertson. It debuted in 2015. Rainer Maria Rilke's "Sonnets to Orpheus" (1922) are based on the Orpheus myth. Poul Anderson's Hugo Award-winning novelette "Goat Song", published in 1972, is a retelling of the story of Orpheus in a science fiction setting. Some feminist interpretations of the myth give Eurydice greater weight. Margaret Atwood's "Orpheus and Eurydice Cycle" (1976–86) deals with the myth, and gives Eurydice a more prominent
Hades More elaborate names of the same genre were "Ploutodótēs" () or "Ploutodotḗr" (), meaning "giver of wealth". Epithets of Hades include "Agesander" () and "Agesilaos" (), both from "ágō" (, "lead", "carry" or "fetch") and "anḗr" (, "man") or "laos" (, "men" or "people"), describing Hades as the god who carries away all. Nicander uses the form "Hegesilaus" (). He was also referred to as "Zeus katachthonios" (Ζεὺς καταχθόνιος), meaning "the Zeus of the Underworld", by those avoiding his actual name, as he had complete control over the Underworld. In Greek mythology, Hades, the god of the underworld, was the