Salisbury Cathedral and Chichester Cathedral, 1402 to 1861) and fallen down; instead, Salisbury became the tallest church spire in the country on the collapse at Lincoln in 1549. The large supporting pillars at the corners of the spire are seen to bend inwards under the stress. The addition of reinforcing tie-beams above the crossing, designed by Christopher Wren in 1668, halted further deformation. The beams were hidden by a false ceiling, installed below the lantern stage of the tower. Significant changes to the cathedral were made by the architect James Wyatt in 1790, including replacement of the original rood screen and demolition
The Last Spire origins for a honed and toned (almost) mid-tempo thrust". Chris Ward described the album as bringing Cathedral "full circle", and serving as a bookend to the band's debut; however, he also heard "enough of the flavours the band sprinkled into all their albums in between to give it the feel of a eulogy of the band's output." Dean Brown, describing "The Last Spire" as a "true doom record", also credited the band with a "masterful understanding of dynamics" that integrated Cathedral's "signature curveballs". Grayson Currin wrote for Pitchfork that "The Last Spire" "does not feel like a microwaved visitation with