Orpheus voice. Sarah Ruhl's "Eurydice" likewise presents the story of Orpheus' descent to the underworld from Eurydice's perspective. Ruhl removes Orpheus from the center of the story by pairing their romantic love with the paternal love of Eurydice's dead father. David Almond's 2014 novel, "A Song for Ella Grey", was inspired by the myth of Orpheus and Eurydice, and won the Guardian Children's Fiction Prize in 2015. The 2014 novel "Orfeo" by Richard Powers is based on Orpheus. Vinicius de Moraes' play "Orfeu da Conceição" (1956), later adapted by Marcel Camus in the 1959 film "Black Orpheus", tells the story in
Hades then a subscript marking (), and finally omitted entirely (). Perhaps from fear of pronouncing his name, around the 5th century BC, the Greeks started referring to Hades as Plouton ( "Ploútōn"), with a root meaning "wealthy", considering that from the abode below (i.e., the soil) come riches (e.g., fertile crops, metals and so on). Plouton became the Roman god who both rules the underworld and distributed riches from below. This deity was a mixture of the Greek god Hades and the Eleusinian icon Ploutos, and from this he also received a priestess, which was not previously practiced in Greece.