Orpheus voice. Sarah Ruhl's "Eurydice" likewise presents the story of Orpheus' descent to the underworld from Eurydice's perspective. Ruhl removes Orpheus from the center of the story by pairing their romantic love with the paternal love of Eurydice's dead father. David Almond's 2014 novel, "A Song for Ella Grey", was inspired by the myth of Orpheus and Eurydice, and won the Guardian Children's Fiction Prize in 2015. The 2014 novel "Orfeo" by Richard Powers is based on Orpheus. Vinicius de Moraes' play "Orfeu da Conceição" (1956), later adapted by Marcel Camus in the 1959 film "Black Orpheus", tells the story in
Christian views on Hades the souls of the wicked are in a state the reverse of this." The Latin word "infernus" or "infernum" (underworld) indicated the abode of the dead and so was used as the equivalent of the Greek word "ᾅδης" (hades). It appears in both the documents quoted above, and pointed more obviously than the Greek word to an existence beneath the earth. Later, the transliteration "hades" of the Greek word ceased to be used in Latin and "infernum" became the normal way of expressing the idea of Hades. Though "infernus" is usually translated into English as "hell", it did not have