Orpheus but now forever. The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus (by the time of Virgil's "Georgics", the myth has Aristaeus chasing Eurydice when she was bitten by a serpent) and the tragic outcome. Other ancient writers, however, speak of Orpheus' visit to the underworld in a more negative light; according to Phaedrus in Plato's "Symposium", the infernal gods only "presented an apparition" of Eurydice to him. In fact, Plato's representation of Orpheus is that of a coward, as instead of choosing to die in order to be with the
The Lyre of Orpheus (novel) themselves in Toronto to monitor and record the production of the opera from start to finish. As often happens in Davies' novels, all is not simple; for example, the ghost of Hoffman (ETAH), trapped in Limbo as a result of the unsatisfactory state of his artistic work, attends and comments on the ongoing proceedings. Nor is all peaceful among the characters, as they react to Powell's seduction of Maria Cornish, Dahl-Soot's seduction of Schnak, and the inevitable tensions created by the effort to mount an operatic production. The Lyre of Orpheus (novel) The Lyre of Orpheus, first published by Macmillan