Orpheus Stravinsky's ballet "Orpheus" (1948) and two operas by Harrison Birtwistle: "The Mask of Orpheus" (1973–1984) and "The Corridor" (2009). The Bulgarian Rousse State Opera commissioned and performed "Orpheus: A Masque" by John Robertson. It debuted in 2015. Rainer Maria Rilke's "Sonnets to Orpheus" (1922) are based on the Orpheus myth. Poul Anderson's Hugo Award-winning novelette "Goat Song", published in 1972, is a retelling of the story of Orpheus in a science fiction setting. Some feminist interpretations of the myth give Eurydice greater weight. Margaret Atwood's "Orpheus and Eurydice Cycle" (1976–86) deals with the myth, and gives Eurydice a more prominent
Orpheus and Eurydice was merely dancing with the Nymphs. In any case, while fleeing or dancing, she was bitten by a snake and died instantly. Orpheus sang his grief with his lyre and managed to move everything living or not in the world; both humans and gods were deeply touched by his sorrow and grief. At some point, Orpheus decided to descend to Hades to see his wife. Ovid's version of the myth does not explain this decision, while other versions relate that the gods and nymphs or Apollo himself, Orpheus' father, suggest that he make this journey. Any other mortal would have