The Man with the Golden Helmet The Man with the Golden Helmet The Man with the Golden Helmet (c. 1650) is an oil on canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle. Categorized as a work by Rembrandt for many years, doubts were expressed as to its provenance in 1984 by a Dutch curators' commission specifically created to investigate Rembrandt works of questionable authenticity. They made their remarks whilst viewing the painting in West Berlin. In November 1985, Berlin-based art expert Jan Kelch announced that important details in the painting's style did not
The Man with the Golden Arm (novel) at the time, and it did receive some critical reviews. In a 1956 article for "The New Yorker" entitled "The Man with the Golden Beef," Norman Podhoretz was critical of what he saw as the glorification of the underclass at the expense of respectable society. This sentiment was shared by Leslie Fiedler in an article on Algren's writings for "The Reporter" entitled "The Noble Savages of Skid Row." Like Algren's previous novel, "Never Come Morning", "The Man with the Golden Arm" drew fire from leaders of Chicago's Polish community, who criticized the portrayal of their community in the story. Royko