Cypro-Minoan syllabary the origin of the script) is rather deceptive, as the archaeological context of Cyprus was largely different from that of Minoan Crete, even in spite of visible traces of trade with Crete in the archaeological context, as well as common presence of Cypriot and Cretan writing in Ugarit. There were no visible traces of Minoan invasion, colonization, or even significant cultural influence in Bronze Age Cyprus. At that time, the island was part of the Near-East cultural circle rather than Aegean civilizations. Based on the above-mentioned classification of the script into several varieties, Emilia Masson hypothesized that they may (not
Warfare in Minoan Art There were very few images of war in fresco art, however, the city of Knossos had many figural frescoes that could explain some form of war. Bull leaping fresco from Knossos is the most well known piece of artwork. As mentioned above, bull leaping was a sort of activity Minoan men did as a past time and it showed the interaction between the bull and man. Akrotiri was a Minoan Bronze Age settlement on the island of Thera now known as Santorini. Here were found well kept frescoes that has survived through all the years. 37 stone vessels talked about