Orpheus voice. Sarah Ruhl's "Eurydice" likewise presents the story of Orpheus' descent to the underworld from Eurydice's perspective. Ruhl removes Orpheus from the center of the story by pairing their romantic love with the paternal love of Eurydice's dead father. David Almond's 2014 novel, "A Song for Ella Grey", was inspired by the myth of Orpheus and Eurydice, and won the Guardian Children's Fiction Prize in 2015. The 2014 novel "Orfeo" by Richard Powers is based on Orpheus. Vinicius de Moraes' play "Orfeu da Conceição" (1956), later adapted by Marcel Camus in the 1959 film "Black Orpheus", tells the story in
Hades (DC Comics) in final combat. As a result of the machinations of the alien god Darkseid, the Olympian gods were each split into separate entities for many years, existing as both their Greek and Roman variations. Hades' Roman counterpart, Pluto, ruled his own dimensional variant of the Underworld, occasionally coming into conflict with his "brother". The pantheons were eventually merged once more centuries later. Hades shared a sometimes tense relationship with Wonder Woman's people, the Amazons of Themyscira. The Amazons had been appointed to guard an entryway to his realm, Doom's Doorway, behind which were trapped many monsters and undead abominations. Over