Minoan civilization interpretation of these symbols, saying that they were based on apiculture rather than religion. A major festival was exemplified in bull-leaping, represented in the frescoes of Knossos and inscribed in miniature seals. Similar to other Bronze Age archaeological finds, burial remains constitute much of the material and archaeological evidence for the period. By the end of the Second Palace Period, Minoan burial was dominated by two forms: circular tombs ("tholoi") in southern Crete and house tombs in the north and the east. However, much Minoan mortuary practice does not conform to this pattern. Burial was more popular than cremation. Individual
Minoan pottery which first workshop painters begin to be identifiable through their characteristic motifs; as with all Minoan art, no name ever appears. In LMIB, the Marine Style also emerges; in this style, perhaps inspired by frescoes, the entire surface of a pot was covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges (Examples 1, Examples 2, Examples 3, Examples 4. The Marine Style is more free flowing with no distinct zones, because it shows sea creatures as floating, as they would in the ocean. The Marine style was the last purely Minoan style; towards