Cypro-Minoan syllabary the origin of the script) is rather deceptive, as the archaeological context of Cyprus was largely different from that of Minoan Crete, even in spite of visible traces of trade with Crete in the archaeological context, as well as common presence of Cypriot and Cretan writing in Ugarit. There were no visible traces of Minoan invasion, colonization, or even significant cultural influence in Bronze Age Cyprus. At that time, the island was part of the Near-East cultural circle rather than Aegean civilizations. Based on the above-mentioned classification of the script into several varieties, Emilia Masson hypothesized that they may (not
Minoan sealstone Minoan sealstone Minoan seal-stones are carved gemstones produced in the Minoan civilization. They have been found in quantity at specific sites, for example in Knossos, Mallia and Phaistos. Minoan seal-stones are of a small size, 'pocket-size', in the manner of a personal amulet. They might be thought of as equivalent to the pocket-sized, scaraboid seals of Ancient Egypt. However Minoan seals can be larger, with largest examples of many inches. These include with animals, dance, and goddesses. One common iconographic motif in Minoan art, especially frescoes, is bull-leaping; the example illustrated shows leapers and a bull. Other themes are varied,