Vienen spill correctly. Michelle Bush, in her book "Myth-X", noted that the oil platform is named "Galpex-Orpheux", a reference to the ancient Greek religious and mythological figure Orpheus, who was a legendary musician, poet, and prophet. According to the myth, Orpheus's wife Eurydice stepped on a viper, was bitten, and died instantly. Hades, the god of the underworld—after hearing Orpheus' moving music—allowed Orpheus to retrieve his wife's soul with one condition: he must not look at her until the two of them have climbed safely out of the underworld. Orpheus fails, and his wife's soul is returned to the underworld. Bush
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path