Orpheus his version of Orpheus in "The Sandman" comics series (1989–2015). Gaiman's Orpheus is the son of Oneiros (the Dream Lord Morpheus) and the muse Calliope. Because of the pervasiveness of the Orpheus myth, many interpretations are in conversation with previous interpretations as well: Pina Bausch's dance-opera "Orpheus und Euridike" displays original choreography set to Gluck's "Orfeo ed Euridice". Baz Luhrmann, in DVD commentaries for his 2001 film "Moulin Rouge!", characterizes the film as, in part, a tale of an Orphic hero (in this case a songwriter) who embarks upon a visit to the underworld (in this case the demi-monde around
Orpheus "to change allegiance, status, ownership". Cognates could include Greek ὄρφνη ("órphnē") "darkness", and surely Greek ὀρφανός ("orphanós") "fatherless, orphan", from which comes English "orphan" by way of Latin. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the unlikely etymology meaning "best voice," "Oraia-phonos". The earliest literary reference to Orpheus is a two-word fragment of the sixth-century BC lyric poet Ibycus: "onomaklyton Orphēn" ("Orpheus famous-of-name"). He is not mentioned in Homer or Hesiod. Most ancient sources accept his historical existence; Aristotle is an exception. Pindar calls Orpheus "the father of songs" and identifies him as a