Minoan chronology culture was termed Helladic and Cycladic. In 1941 Arne Furumark applied the term Mycenaean to LH and LC. As it is clear that the Mycenaean Greeks dominated at Knossos at some point in Late Minoan (LM), the latter is often included under "Mycenaean" or called "Minoan-Mycenaean". The major study of Cretan pottery was Evans'. A very general stylistic trend was from dark decoration on a light background in the Early Minoan to white and red decorations on a dark wash or slip in Middle Minoan. Finally, there was a return to the earlier manner of dark on light in Late
Minoan pottery which first workshop painters begin to be identifiable through their characteristic motifs; as with all Minoan art, no name ever appears. In LMIB, the Marine Style also emerges; in this style, perhaps inspired by frescoes, the entire surface of a pot was covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges (Examples 1, Examples 2, Examples 3, Examples 4. The Marine Style is more free flowing with no distinct zones, because it shows sea creatures as floating, as they would in the ocean. The Marine style was the last purely Minoan style; towards