History of the Cyclades and Syros tended to approach the Northeast Aegean from a cultural point of view, while the Southern Cyclades seem to have been closer to the Cretan civilisation. Ancient tradition speaks of a Minoan maritime empire, a sweeping image that demands some nuance, but it is nevertheless undeniable that Crete ended up having influence over the entire Aegean. This began to be felt more strongly beginning with the Late Cycladic, or the Late Minoan (from 1700/1600 BC), especially with regard to influence by Knossos and Cydonia. During the Late Minoan, important contacts are attested at Kea, Milos and Santorini; Minoan pottery
Minoan pottery which first workshop painters begin to be identifiable through their characteristic motifs; as with all Minoan art, no name ever appears. In LMIB, the Marine Style also emerges; in this style, perhaps inspired by frescoes, the entire surface of a pot was covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges (Examples 1, Examples 2, Examples 3, Examples 4. The Marine Style is more free flowing with no distinct zones, because it shows sea creatures as floating, as they would in the ocean. The Marine style was the last purely Minoan style; towards