Muses daughters of Harmonia (the daughter of Aphrodite and Ares), which contradicts the myth in which they were dancing at the wedding of Harmonia and Cadmus. The Muses had several temples and shrines in ancient Greece, their two main cult centres being Mount Helikon in Boiotia and Pieria in Makedonia. Strabo wrote: The cult of the Muses where also commonly connected to that of Apollo. Some Greek writers give the names of the nine Muses as Kallichore, Helike, Eunike, Thelxinoë, Terpsichore, Euterpe, Eukelade, Dia, and Enope. In Renaissance and Neoclassical art, the dissemination of emblem books such as Cesare Ripa's "Iconologia"
The Vision of Delight masque; it features the mythological figures and personifications of abstractions that are standard for the form. The work opens with personifications of Delight, Harmony, Grace, Love, Laughter, Revel, Sport, and Wonder; they are later joined by the ancient Greek deities Zephyrus and Aurora. Jonson's verse, heralding the coming of Spring, is lush and vibrant; the nineteenth-century critic and editor William Gifford called the masque "one of the most beautiful of Jonson's little pieces, light, airy, harmonious, and poetical in no common degree. It stands without parallel among performances of this kind..." Two anti-masques feature comical figures of "pantaloons" and "phantasms,"