The Man with the Golden Helmet match the style of Rembrandt's known works, and that the painting was probably painted in 1650 by one of Rembrandt's students. "It is not a fake," Kelch averred. "It remains a great masterful work." "The Man with the Golden Helmet" is an example of Dutch Golden Age painting and is now in the collection of the Gemäldegalerie, Berlin. This painting was documented by Hofstede de Groot in 1915, who wrote: The Man with the Golden Helmet The Man with the Golden Helmet (c. 1650) is an oil on canvas painting formerly attributed to the Dutch painter Rembrandt and today considered
The Man with the Golden Arm (novel) at the time, and it did receive some critical reviews. In a 1956 article for "The New Yorker" entitled "The Man with the Golden Beef," Norman Podhoretz was critical of what he saw as the glorification of the underclass at the expense of respectable society. This sentiment was shared by Leslie Fiedler in an article on Algren's writings for "The Reporter" entitled "The Noble Savages of Skid Row." Like Algren's previous novel, "Never Come Morning", "The Man with the Golden Arm" drew fire from leaders of Chicago's Polish community, who criticized the portrayal of their community in the story. Royko