Proserpina most extensive myth of Proserpina in Latin is Claudian's (4th century AD). It is closely connected with that of Orpheus and Eurydice. In Virgil's Georgics, Orpheus' beloved wife, Eurydice, died from a snake-bite; Proserpina allowed Orpheus into Hades without losing his life; charmed by his music, she allowed him to lead his wife back to the land of the living, as long as he did not look back during the journey. But Orpheus could not resist a backward glance, so Eurydice was forever lost to him. Proserpina's figure inspired many artistic compositions, eminently in sculpture (Bernini, see "The Rape of
Magic in the Graeco-Roman world (Circe is called a witch by a companion of Odysseus). In this mode it is worth noting that Circe is representative of a power (the Titans) that had been conquered by the younger Olympian gods such as Zeus, Poseidon and Hades. The 6th century BCE gives rise to scattered references of magoi at work in Greece. Many of these references representing a more positive conceptualisation of magic. Among the most famous of these Greek magoi, between Homer and the Hellenistic period, are the figures of Orpheus, Pythagoras, and Empedocles. Orpheus is a mythical figure, said to have lived in Thrace