The Gaze of Orpheus this is in Kurt Cobain’s Journal’s. Lacan’s perspective on the gaze of Orpheus is more a matter of desires and yearning. On one hand we have Orpheus gazing towards the underworld, which serves to dissolve the connection between Orpheus and his desire, Eurydice. On the other hand, Orpheus’ role in the upper world is to use his creativity and artistic talent to transform his desires into a recreated form. Lacan uses the topography of the myth to construct his mirror stage. “The mirror stage is not an isolated event or situation that results in a particular configuration of vision: it
Orpheus (film) Orpheus (film) Orpheus (; also the title used in the UK) is a 1950 French film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, which consists of "The Blood of a Poet" (1930), "Orpheus" (1950) and "Testament of Orpheus" (1960). Set in contemporary Paris, the story of the film is a variation of the classic Greek myth of Orpheus. The picture begins with Orpheus (Marais), a famous poet, visiting the Café des Poètes. At the same time, a Princess (Casares) and Cégeste (), a handsome young poet whom she supports, arrive.