The Gaze of Orpheus taken by Orpheus from light to dark and back to light is symbolic of the artist’s journey from reality to the edges of the surreal, “…the force that enables Orpheus to cross the boundaries of light and life, and to descend to Eurydice, according to Blanchot, is that of art. Rendering this dark point, the lure, the point in which the artist's control is undermined, is also the object of the work of art.” (New Media Narratives). Blanchot uses the myth to transcribe the creative process. “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's
Hades More elaborate names of the same genre were "Ploutodótēs" () or "Ploutodotḗr" (), meaning "giver of wealth". Epithets of Hades include "Agesander" () and "Agesilaos" (), both from "ágō" (, "lead", "carry" or "fetch") and "anḗr" (, "man") or "laos" (, "men" or "people"), describing Hades as the god who carries away all. Nicander uses the form "Hegesilaus" (). He was also referred to as "Zeus katachthonios" (Ζεὺς καταχθόνιος), meaning "the Zeus of the Underworld", by those avoiding his actual name, as he had complete control over the Underworld. In Greek mythology, Hades, the god of the underworld, was the