Orpheus Stravinsky's ballet "Orpheus" (1948) and two operas by Harrison Birtwistle: "The Mask of Orpheus" (1973–1984) and "The Corridor" (2009). The Bulgarian Rousse State Opera commissioned and performed "Orpheus: A Masque" by John Robertson. It debuted in 2015. Rainer Maria Rilke's "Sonnets to Orpheus" (1922) are based on the Orpheus myth. Poul Anderson's Hugo Award-winning novelette "Goat Song", published in 1972, is a retelling of the story of Orpheus in a science fiction setting. Some feminist interpretations of the myth give Eurydice greater weight. Margaret Atwood's "Orpheus and Eurydice Cycle" (1976–86) deals with the myth, and gives Eurydice a more prominent
Christian views on Hades Christian views on Hades Hades, according to various Christian denominations, is "the place or state of departed spirits". In the Septuagint (an ancient translation of the Hebrew Bible into Greek), the Greek term ᾅδης (Hades) is used to translate the Hebrew term שאול (Sheol) in, for example, . In New Testament Greek, the Hebrew phrase "לא־תעזב נפשׁי לשׁאול" (you will not abandon my soul to "Sheol") in is quoted in as "οὐκ ἐγκαταλείψεις τὴν ψυχήν μου εἰς ᾅδου" (you will not abandon my soul to "Hades"). In the Textus Receptus version of the New Testament, on which the English King