Dido whirlwind. This legend inspired the Renaissance drama "Dido, Queen of Carthage" by Christopher Marlowe. Also from the 17th century is a ballad inspired by the relationship between Dido and Aeneas. The ballad, often printed on a broadside, is called "The Wandering Prince of Troy," and it alters the end of the relationship between the two lovers, rethinking Dido's final sentiment for Aeneas and rewriting Aeneas's visit to the underworld as Dido's choice to haunt him. The story of Dido and Aeneas remained popular throughout the post-Renaissance era and was the basis for many operas, including: William Shakespeare refers to Dido
Dido twelve times in his plays: four times in "The Tempest", albeit all in one dialogue, twice in "Titus Andronicus", and also in "Henry VI Part 2", "Antony and Cleopatra", "Hamlet", "Romeo and Juliet, A Midsummer Night's Dream," and most famously in "The Merchant of Venice", in Lorenzo's and Jessica's mutual wooing: In 1794 Germany, Charlotte von Stein wrote her own drama named "Dido", with an autobiographical element - as von Stein had been forsaken by her own lover, the famous Goethe, in a manner which she found reminiscent of Aeneas. Even today, Dido appears in Sid Meier's strategy games "Civilization