Orpheus the modern context of a favela in Rio de Janeiro during Carnaval. Jean Cocteau's Orphic Trilogy – "The Blood of a Poet" (1930), "Orpheus" (1950) and "Testament of Orpheus" (1959) – was filmed over thirty years, and is based in many ways on the story. Philip Glass adapted the second film into the chamber opera "Orphée" (1991), part of a homage triptych to Cocteau. Nikos Nikolaidis' 1975 film "Evrydiki BA 2O37" is an innovative perspective on the classic Greek tragedy of Orpheus and Eurydice. Dino Buzzati adapted the Orpheus motif in his graphic novel "Poem Strip" (1969). Neil Gaiman depicts
Hades then a subscript marking (), and finally omitted entirely (). Perhaps from fear of pronouncing his name, around the 5th century BC, the Greeks started referring to Hades as Plouton ( "Ploútōn"), with a root meaning "wealthy", considering that from the abode below (i.e., the soil) come riches (e.g., fertile crops, metals and so on). Plouton became the Roman god who both rules the underworld and distributed riches from below. This deity was a mixture of the Greek god Hades and the Eleusinian icon Ploutos, and from this he also received a priestess, which was not previously practiced in Greece.