Poppaea Sabina Cassius Dio, Sporus bore an uncanny resemblance to Sabina, and Nero even called him by his dead wife’s name. According to Cassius Dio, Poppaea enjoyed having milk baths. She would have them daily because she was once told "therein lurked a magic which would dispel all diseases and blights from her beauty." Fifteen centuries after her time, Poppaea was depicted in Claudio Monteverdi's last opera "L'incoronazione di Poppea" ("The coronation of Poppaea") of 1642. Her story clearly was chosen to appeal to the titillation favored in the nascent culture of the Venetian public opera theaters, and its prologue immediately explains
Vibia Aurelia Sabina was not involved in the conspiracy and survived her brother's persecutions, remaining to live in Roman Africa. After her first husband had died, Aurelia Sabina married Lucius Aurelius Agaclytus, a Romano-Greek Freedman who was of Equestrian rank. Aurelia Sabina spent her remaining years in Thibilis. It appears from her marriages that she had no children. Due to her status; the status of her family and her connections, Aurelia Sabina became a prominent Italian resident in North Africa. According to surviving inscriptions found in Thibilis, Aurelia Sabina became an important "patrona" in Thibilis and the citizens of Thibilis made Aurelia Sabina