Orpheus in the Underworld to rework the story of Orphée (Orpheus) and Eurydice – who, despite being husband and wife, hate each other – into a moral tale for the ages. However, she has her work cut out for her: Eurydice is in love with the shepherd, Aristée (Aristaeus), who lives next door ("La femme dont le coeur rêve"), and Orphée is in love with Chloë, a shepherdess. When Orphée mistakes Eurydice for her, everything comes out, and Eurydice insists they break the marriage off. However Orphée, fearing Public Opinion's reaction, torments her into keeping the scandal quiet using violin music, which she hates.
Orpheus "to change allegiance, status, ownership". Cognates could include Greek ὄρφνη ("órphnē") "darkness", and surely Greek ὀρφανός ("orphanós") "fatherless, orphan", from which comes English "orphan" by way of Latin. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the unlikely etymology meaning "best voice," "Oraia-phonos". The earliest literary reference to Orpheus is a two-word fragment of the sixth-century BC lyric poet Ibycus: "onomaklyton Orphēn" ("Orpheus famous-of-name"). He is not mentioned in Homer or Hesiod. Most ancient sources accept his historical existence; Aristotle is an exception. Pindar calls Orpheus "the father of songs" and identifies him as a