The Man with the Golden Helmet match the style of Rembrandt's known works, and that the painting was probably painted in 1650 by one of Rembrandt's students. "It is not a fake," Kelch averred. "It remains a great masterful work." "The Man with the Golden Helmet" is an example of Dutch Golden Age painting and is now in the collection of the Gemäldegalerie, Berlin. This painting was documented by Hofstede de Groot in 1915, who wrote: The Man with the Golden Helmet The Man with the Golden Helmet (c. 1650) is an oil on canvas painting formerly attributed to the Dutch painter Rembrandt and today considered
The Man with the Golden Gun (film) Writing for "The New York Times", Nora Sayre considered the film to suffer from "poverty of invention and excitement", criticising the writing and Moore's performance and finding Villechaize and Lee as the only positive points for their "sinister vitality that cuts through the narrative dough." The "Sunday Mirror" critic observed that "The Man with the Golden Gun" "isn't the best Bond ever" but found it "remarkable that Messrs. Saltzman and Broccoli can still produce such slick and inventive entertainment". Arthur Thirkwell, writing in the "Sunday Mirror"s sister paper, the "Daily Mirror" concentrated more on lead actor Roger Moore than the