Minoan art metal, as they did in stone and ceramic, but none in metal are extant from Crete. The iconographical significance of these motifs is largely unknown, although some scholars have identified general themes from the contexts in which they were used. Minoan art Minoan art is the art produced by the Minoan civilization from about 2600 to 1100 BC. The largest collection of Minoan art is in the museum at Heraklion, near Knossos, on the northern coast of Crete. Minoan art and other remnants of material culture, especially the sequence of ceramic styles, have been used by archaeologists to define the
Minoan religion Mochlos cemetery, for example, would have served the inhabitants of that island who settled in the south of the area. The cemetery itself has been interpreted to indicate a visible hierarchy, perhaps indicating social differentiation within the local population; larger, monumental tombs for the 'èlite', and smaller tombs, including some early "Pithoi" burials, for the larger part of the population. The German geologist Hans Georg Wunderlich argued that the Palace of Knossos itself was a mortuary temple. This interpretation is strongly rejected by mainstream archaeology. Walter Burkert warns, "To what extent one can and must differentiate between Minoan and Mycenaean