Eurydice the basis of a play by Sarah Ruhl. It inspired the 1959 film "Black Orpheus" by Marcel Camus. The myth also inspired the American playwright Tennessee Williams' 1957 drama "Orpheus Descending". Other uses include: Eurydice In Greek mythology, Eurydice (; , "Eurydikē" "wide justice", derived from "ευρυς eurys" "wide" and "δικη dike" "justice”) was an oak nymph or one of the daughters of Apollo. She was the wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Eurydice was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path