The Gaze of Orpheus taken by Orpheus from light to dark and back to light is symbolic of the artist’s journey from reality to the edges of the surreal, “…the force that enables Orpheus to cross the boundaries of light and life, and to descend to Eurydice, according to Blanchot, is that of art. Rendering this dark point, the lure, the point in which the artist's control is undermined, is also the object of the work of art.” (New Media Narratives). Blanchot uses the myth to transcribe the creative process. “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's
Charon (moon) Future", naming them , , and . After its discovery, Charon was originally known by the temporary designation S/1978 P 1, according to the then recently instituted convention. On June 24, 1978, Christy first suggested the name "Charon" as a scientific-sounding version of his wife Charlene's nickname, "Char". Although colleagues at the Naval Observatory proposed "Persephone", Christy stuck with "Charon" after discovering that it coincidentally refers to a Greek mythological figure: Charon ( or ; Greek Χάρων) is the ferryman of the dead, closely associated in myth with the god Hades, whom the Romans identified with their god Pluto. The