Orpheus but now forever. The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus (by the time of Virgil's "Georgics", the myth has Aristaeus chasing Eurydice when she was bitten by a serpent) and the tragic outcome. Other ancient writers, however, speak of Orpheus' visit to the underworld in a more negative light; according to Phaedrus in Plato's "Symposium", the infernal gods only "presented an apparition" of Eurydice to him. In fact, Plato's representation of Orpheus is that of a coward, as instead of choosing to die in order to be with the
Greek mythology in popular culture been traditionally depicted in classical Greek warrior armor. Jean Cocteau regarded Orpheus as "his myth", and used it as the basis for many projects, including "Orphee" The film "Orfeu Negro" is Marcel Camus' reworking of the Cocteau film. The 2001 film "Moulin Rouge!" is also based on the Orpheus story, but set in 1899, and containing modern pop music. The 1997 Disney production of "Hercules" was inspired by Greek myths, but it "greatly modernizes the narrative, ... going to great lengths to spice up its mythic materials with wacky comedy and cheerfully anachronistic dialogue," which, Keith Booker says, is playing