Minoan civilization especially the sequence of ceramic styles, have been used by archaeologists to define the three phases of Minoan culture (EM, MM, LM). Since wood and textiles have decomposed, the best-preserved (and most instructive) surviving examples of Minoan art are its pottery, palace architecture (with frescos which include landscapes), stone carvings and intricately-carved seal stones. Frescoes were the primary art form of Minoan culture. They include many depictions of people, with sexes distinguished by color; the men's skin is reddish-brown, and the women's white. Several frescoes at Knossos and Santorini survive. In contrast to Egyptian frescoes, Crete had true frescoes. Probably
Cypro-Minoan syllabary originated or about the underlying language. However, its use continued into the early Iron Age, forming a link to the Cypriot syllabary, which has been deciphered as Greek. Arthur Evans considered the Cypro-Minoan syllabary to be a result of uninterrupted evolution of the Minoan Linear A script. He believed that the script was brought to Cyprus by Minoan colonizers or immigrants. Evans' theory was uncritically supported until recently, when it was shown that the earliest Cypro-Minoan inscriptions were separated from the earliest texts in Linear A by less than a century, yet the Cypro-Minoan script at its earliest stage was