Cypro-Minoan syllabary the origin of the script) is rather deceptive, as the archaeological context of Cyprus was largely different from that of Minoan Crete, even in spite of visible traces of trade with Crete in the archaeological context, as well as common presence of Cypriot and Cretan writing in Ugarit. There were no visible traces of Minoan invasion, colonization, or even significant cultural influence in Bronze Age Cyprus. At that time, the island was part of the Near-East cultural circle rather than Aegean civilizations. Based on the above-mentioned classification of the script into several varieties, Emilia Masson hypothesized that they may (not
Minoan pottery not so clear as to make correlation with discovered artifacts easy. Using a drawing of the "Contents of the Tomb of the Tripod Hearth" at Zafer Papoura from Evans' "Palace of Minos", which depicts LM II bronze vessels, many in the forms of ceramic ones, Ventris and Chadwick were able to make a few new correlations. Minoan pottery Minoan pottery has been used as a tool for dating the mute Minoan civilization. Its restless sequence of quickly maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of