Dido, Queen of Carthage (opera) Dido, Queen of Carthage (opera) Dido, Queen of Carthage was an opera in three acts by Stephen Storace. Its English libretto by Prince Hoare was adapted from Metastasio's 1724 libretto, "Didone abbandonata" ("Dido Abandoned"), which had been set by many composers. Storace's opera premiered on 23 May 1792 at The King's Theatre in London combined with a performance of his masque, "Neptune's Prophecy". The story is based on that of Dido and Aeneas in the fourth book of Virgil's "Aeneid". The opera was not a success and was never revived after its original run of performances. The score has been
Dido will, a deceitful explanation for the building of the pyre, and Dido's final suicide. In both versions Dido is loyal to her original husband in the end. But whereas the earlier Elissa remained always loyal to her husband's memory, Virgil's Dido dies as a tortured and repentant woman who has fallen away from that loyalty. Virgil consistently uses the form "Dido" as nominative, but derivates of "Elissa" for the oblique cases. Letter 7 of Ovid's "Heroides" is a feigned letter from Dido to Aeneas written just before she ascends the pyre. The situation is as in Virgil's "Aeneid". In Ovid's