Krewe of Orpheus guarded the gates of Hell. He passed through crowds of ghosts, and presented himself before Hades and Persephone. Orpheus strummed his lyre as he implored them to return Eurydice to the realm of the living. As he sang, the ghosts wept and the cheeks of the Furies became wet with tears. The yearning notes from Orpheus' lyre had kindled their memories of the sweet secrets of life's pleasures. At last, Eurydice was called forth. Orpheus was permitted to take her away, on condition that he should not turn to look at her until they both reached the surface. They traveled
Orpheus "to change allegiance, status, ownership". Cognates could include Greek ὄρφνη ("órphnē") "darkness", and surely Greek ὀρφανός ("orphanós") "fatherless, orphan", from which comes English "orphan" by way of Latin. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the unlikely etymology meaning "best voice," "Oraia-phonos". The earliest literary reference to Orpheus is a two-word fragment of the sixth-century BC lyric poet Ibycus: "onomaklyton Orphēn" ("Orpheus famous-of-name"). He is not mentioned in Homer or Hesiod. Most ancient sources accept his historical existence; Aristotle is an exception. Pindar calls Orpheus "the father of songs" and identifies him as a