Blade Runner (franchise) Will Brooker. "Film Architecture: From Metropolis to Blade Runner" by Dietrich Neumann. "All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners" by Rutger Hauer. "All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners" by Michael Deeley, co-written with Matthew Field. Philip K. Dick refused a $400,000 offer to write a "Blade Runner" novelization, saying: "[I was] told the cheapo novelization would have to appeal to the twelve-year-old audience" and it "would have probably been disastrous to me artistically". He added, "That insistence on my part of bringing out the original novel and not doing the novelization
Blade Runner "Blade Runner". In light of the lack of a release of an album, the New American Orchestra recorded an orchestral adaptation in 1982 which bore little resemblance to the original. Some of the film tracks would, in 1989, surface on the compilation "Vangelis: Themes", but not until the 1992 release of the "Director's Cut" version would a substantial amount of the film's score see commercial release. These delays and poor reproductions led to the production of many bootleg recordings over the years. A bootleg tape surfaced in 1982 at science fiction conventions and became popular given the delay of an