Geração de Orpheu literature with principal function of agitating, subverting and scandalizing the Portuguese bourgeoisie and - by extension - all social conventions. The journal's name, "Orpheu" was not chosen by accident - as in Greek myth, Orpheus ("Orfeu" in Portuguese) was the musician who, to save his wife Eurydice from Hades, had to travel from the world of the living with the stipulation to not looking back. It was this metaphor that was important to the men of the Geração de Orpheu: the not looking back, the forgetting, the relinquishing of the past and the concentration of attention and force to the
Christian views on Hades the souls of the wicked are in a state the reverse of this." The Latin word "infernus" or "infernum" (underworld) indicated the abode of the dead and so was used as the equivalent of the Greek word "ᾅδης" (hades). It appears in both the documents quoted above, and pointed more obviously than the Greek word to an existence beneath the earth. Later, the transliteration "hades" of the Greek word ceased to be used in Latin and "infernum" became the normal way of expressing the idea of Hades. Though "infernus" is usually translated into English as "hell", it did not have