Minoan religion other than the center court, where youths of both sexes would practice the bull-leaping ritual. There are no Minoan frescoes that depict any deities. One of the cultic figures of ancient Crete and later of the Mycenaeans is known as the Minoan Genius. This was a fantastic creature with similarities both to the lion and the hippopotamus, which implies a connection with ancient Egypt. This deity played a role as a protector of children, and also in various fertility rituals. A major festive celebration was exemplified in the famous athletic Minoan bull dance, represented at large in the frescoes of
Minoan pottery Minoan chronology. Evans classified fine pottery by the changes in its forms and styles of decoration. Platon concentrated on the episodic history of the Palace of Knossos. A new method, fabric analysis, involves geologic analysis of coarse and mainly non-decorated sherds as though they were rocks. The resulting classifications are based on composition of the sherds. Little is known about the way the pottery was produced, but it was probably in small artisanal workshops, often clustered in settlements near good sources of clay for potting. For many, potting may well have been a seasonal activity, combined with farming, although the