Eurydice the basis of a play by Sarah Ruhl. It inspired the 1959 film "Black Orpheus" by Marcel Camus. The myth also inspired the American playwright Tennessee Williams' 1957 drama "Orpheus Descending". Other uses include: Eurydice In Greek mythology, Eurydice (; , "Eurydikē" "wide justice", derived from "ευρυς eurys" "wide" and "δικη dike" "justice”) was an oak nymph or one of the daughters of Apollo. She was the wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Eurydice was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful
The Mask of Orpheus with the Orpheus myth decaying. "The Mask of Orpheus", in addition to vocal and orchestral music, contains a significant amount of electronic music, (which was precisely composed by Birtwistle, and realized on his behalf by Barry Anderson). Each act has its own electronic "aura", which goes on continuously, sometimes prominently, sometimes inaudibly; the voice of Apollo is heard on several occasions as an electronic sound "speaking" in an invented language. These electronic sounds were made by Anderson in Paris at IRCAM. There are also six purely electronic interludes created by computer manipulation of harp sounds. Jocelyn Herbert was commissioned to