Greek mythology in popular culture of Greek mythology to disguise his commentaries calling for reform within the German Democratic Republic. The 2012 play "The Architects", by the London-based Shunts, is based on the myth of the Minotaur and is about a "return to when Greece was the cradle of civilisation and not about riots on the streets". The 2016 stage musical Hadestown, a production with music by Anais Mitchell, follows the stories of Orpheus and Eurydice as well as Hades and Persephone. The show premiered Off-Broadway in 2016, ran at the National Theatre in London in 2018, and is scheduled to have a Broadway run
Greek underworld would have to follow behind Orpheus and he could not turn around to look at her. Once Orpheus reached the entrance, he turned around, longing to look at his beautiful wife, only to watch as his wife faded back into the underworld. He was forbidden to return to the underworld a second time and he spent his life playing his music to the birds and the mountains. Greek underworld In mythology, the Greek underworld is an otherworld where souls go after death. The original Greek idea of afterlife is that, at the moment of death, the soul is separated from