Dido whirlwind. This legend inspired the Renaissance drama "Dido, Queen of Carthage" by Christopher Marlowe. Also from the 17th century is a ballad inspired by the relationship between Dido and Aeneas. The ballad, often printed on a broadside, is called "The Wandering Prince of Troy," and it alters the end of the relationship between the two lovers, rethinking Dido's final sentiment for Aeneas and rewriting Aeneas's visit to the underworld as Dido's choice to haunt him. The story of Dido and Aeneas remained popular throughout the post-Renaissance era and was the basis for many operas, including: William Shakespeare refers to Dido
Dido, Queen of Carthage (opera) was employed upon the "Didone Abbandonata" of Metastasio; and fitted its music, I fear, not with syllable, but English words, distributed into recitative and air; and Dido, with immense splendour of scenery, dresses, and decorations, was brought out on the 23rd of May. Madame Mara was your Dido, Kelly Iarbas, and the pious Eneas Mrs Crouch herself! There was, for garnish, a masque, in which Bannister was the Neptune, Miss Collins Venus, and the three Graces, Misses Decamp, Jacobs, and Heard. And yet, all this, with the aid of Sedgewick, and Dignum, and Master Welsh, with supernumeraries out of number,