Greek mythology in popular culture of Greek mythology to disguise his commentaries calling for reform within the German Democratic Republic. The 2012 play "The Architects", by the London-based Shunts, is based on the myth of the Minotaur and is about a "return to when Greece was the cradle of civilisation and not about riots on the streets". The 2016 stage musical Hadestown, a production with music by Anais Mitchell, follows the stories of Orpheus and Eurydice as well as Hades and Persephone. The show premiered Off-Broadway in 2016, ran at the National Theatre in London in 2018, and is scheduled to have a Broadway run
Hades Achilles, whom Odysseus conjured with a blood libation, said: Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed into use. Since precious minerals come from under the earth (i.e., the "underworld" ruled by Hades), he was considered to have control of these as well, and as such the Greeks referred to him as Πλούτων (Greek "Plouton"; Latin