Orpheus Monument the Middle Ages, it was used as a pillory. Criminals were tied to the iron rings attached to its lower part. Since March 2008, it has the status of a national cultural monument. The central relief illustrates scenes from the myth of Orpheus, who plays the lyre while mourning his lost love Eurydice. Other reliefs depict the Greek-Egyptian god Serapis, who symbolizes the hope of resurrection. The corners each contain a prone lion gnawing on a ram's head. Beneath this, a relief in the tympanum depicts the Moon goddess Selene, leaning over her dead lover Endymion. All the reliefs and
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path