Apollo "working from afar". While Apollo presided over the prophetic powers and magic of light and heaven, Hecate presided over the prophetic powers and magic of night and chthonian darkness. If Hecate is the "gate-keeper", Apollo "Agyieus" is the "door-keeper". Hecate is the goddess of crossroads and Apollo is the god and protector of streets. The oldest evidence found for Hecate's worship is at Apollo's temple in Miletos. There, Hecate was taken to be Apollo's sister counterpart in the absence of Artemis. Hecate's lunar nature makes her the goddess of the waning moon and contrats and complements, at the same time,
Apollo (ballet) of poetry; Polyhymnia, the muse of rhetoric; and Terpsichore, the muse of dance. The theme is: Apollon musagetes instructs the muses in their arts and leads them to Parnassus. The ballet is divided into two "tableaux": Balanchine shortened the title to "Apollo" in the 1950s, which Stravinsky himself came to prefer. Despite the popularly considered Balanchine-Stravinsky Greek link due to Balanchine's later work with Stravinsky scores in "Orpheus" and "Agon", the music for "Apollo" was commissioned by the Library of Congress. "Orpheus" may be considered a sequel to "Apollo" but "Agon" is a formal plotless ballet whose title in Greek