Orpheus the modern context of a favela in Rio de Janeiro during Carnaval. Jean Cocteau's Orphic Trilogy – "The Blood of a Poet" (1930), "Orpheus" (1950) and "Testament of Orpheus" (1959) – was filmed over thirty years, and is based in many ways on the story. Philip Glass adapted the second film into the chamber opera "Orphée" (1991), part of a homage triptych to Cocteau. Nikos Nikolaidis' 1975 film "Evrydiki BA 2O37" is an innovative perspective on the classic Greek tragedy of Orpheus and Eurydice. Dino Buzzati adapted the Orpheus motif in his graphic novel "Poem Strip" (1969). Neil Gaiman depicts
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path