Orpheus the modern context of a favela in Rio de Janeiro during Carnaval. Jean Cocteau's Orphic Trilogy – "The Blood of a Poet" (1930), "Orpheus" (1950) and "Testament of Orpheus" (1959) – was filmed over thirty years, and is based in many ways on the story. Philip Glass adapted the second film into the chamber opera "Orphée" (1991), part of a homage triptych to Cocteau. Nikos Nikolaidis' 1975 film "Evrydiki BA 2O37" is an innovative perspective on the classic Greek tragedy of Orpheus and Eurydice. Dino Buzzati adapted the Orpheus motif in his graphic novel "Poem Strip" (1969). Neil Gaiman depicts
The Mask of Orpheus with the Orpheus myth decaying. "The Mask of Orpheus", in addition to vocal and orchestral music, contains a significant amount of electronic music, (which was precisely composed by Birtwistle, and realized on his behalf by Barry Anderson). Each act has its own electronic "aura", which goes on continuously, sometimes prominently, sometimes inaudibly; the voice of Apollo is heard on several occasions as an electronic sound "speaking" in an invented language. These electronic sounds were made by Anderson in Paris at IRCAM. There are also six purely electronic interludes created by computer manipulation of harp sounds. Jocelyn Herbert was commissioned to