The Gaze of Orpheus this is in Kurt Cobain’s Journal’s. Lacan’s perspective on the gaze of Orpheus is more a matter of desires and yearning. On one hand we have Orpheus gazing towards the underworld, which serves to dissolve the connection between Orpheus and his desire, Eurydice. On the other hand, Orpheus’ role in the upper world is to use his creativity and artistic talent to transform his desires into a recreated form. Lacan uses the topography of the myth to construct his mirror stage. “The mirror stage is not an isolated event or situation that results in a particular configuration of vision: it
Christian views on Hades the souls of the wicked are in a state the reverse of this." The Latin word "infernus" or "infernum" (underworld) indicated the abode of the dead and so was used as the equivalent of the Greek word "ᾅδης" (hades). It appears in both the documents quoted above, and pointed more obviously than the Greek word to an existence beneath the earth. Later, the transliteration "hades" of the Greek word ceased to be used in Latin and "infernum" became the normal way of expressing the idea of Hades. Though "infernus" is usually translated into English as "hell", it did not have