Poppaea Sabina Cassius Dio, Sporus bore an uncanny resemblance to Sabina, and Nero even called him by his dead wife’s name. According to Cassius Dio, Poppaea enjoyed having milk baths. She would have them daily because she was once told "therein lurked a magic which would dispel all diseases and blights from her beauty." Fifteen centuries after her time, Poppaea was depicted in Claudio Monteverdi's last opera "L'incoronazione di Poppea" ("The coronation of Poppaea") of 1642. Her story clearly was chosen to appeal to the titillation favored in the nascent culture of the Venetian public opera theaters, and its prologue immediately explains
Lex Papia Poppaea Lex Papia Poppaea The Lex Papia Poppaea was a Roman law introduced in 9 AD to encourage and strengthen marriage. It included provisions against adultery and celibacy and complemented and supplemented Augustus' "Lex Julia de Maritandis Ordinibus" of 18 BC and the Lex Iulia de Adulteriis Coercendis of 17 BC. The law was introduced by the suffect consuls of that year, Marcus Papius Mutilus and Quintus Poppaeus Secundus, although they themselves were unmarried. Tacitus mentions several "leges Iuliae" (Julian Laws) pertaining to morals and marriage, and the "Lex Papia Poppaea" as a separate later law, refining the Julian Laws ("Annals",