Where the Wild Things Are Pols of "Time" magazine wrote that "[w]hat makes Sendak's book so compelling is its grounding effect: Max has a tantrum and in a flight of fancy visits his wild side, but he is pulled back by a belief in parental love to a supper 'still hot,' balancing the seesaw of fear and comfort." "New York Times" film critic Manohla Dargis noted that "there are different ways to read the wild things, through a Freudian or colonialist prism, and probably as many ways to ruin this delicate story of a solitary child liberated by his imagination." In Selma G. Lanes's book
The Boy Who Saw True (book) The Boy Who Saw True (book) The Boy Who Saw True (originally published Neville Spearman, 1953, with an introduction, afterword and notes by Cyril Scott) is the allegedly true diary of a young Victorian boy with clairvoyant gifts. Born with unusual talents, the anonymous author could apparently see auras and spirits, yet failed to realise that other people were not similarly gifted. "In consequence he was misunderstood, and had to suffer many indignities." Noted English composer Cyril Scott describes the diary in the book's introduction as "a highly diverting and important human document. The document is of interest in that