Proserpina most extensive myth of Proserpina in Latin is Claudian's (4th century AD). It is closely connected with that of Orpheus and Eurydice. In Virgil's Georgics, Orpheus' beloved wife, Eurydice, died from a snake-bite; Proserpina allowed Orpheus into Hades without losing his life; charmed by his music, she allowed him to lead his wife back to the land of the living, as long as he did not look back during the journey. But Orpheus could not resist a backward glance, so Eurydice was forever lost to him. Proserpina's figure inspired many artistic compositions, eminently in sculpture (Bernini, see "The Rape of
Charon (moon) Future", naming them , , and . After its discovery, Charon was originally known by the temporary designation S/1978 P 1, according to the then recently instituted convention. On June 24, 1978, Christy first suggested the name "Charon" as a scientific-sounding version of his wife Charlene's nickname, "Char". Although colleagues at the Naval Observatory proposed "Persephone", Christy stuck with "Charon" after discovering that it coincidentally refers to a Greek mythological figure: Charon ( or ; Greek Χάρων) is the ferryman of the dead, closely associated in myth with the god Hades, whom the Romans identified with their god Pluto. The