Orpheus and Eurydice exit, Orpheus lost his faith and turned to see Eurydice behind him, but her shadow was whisked back among the dead, now trapped in Hades forever. Orpheus tried to return to the Underworld, but a man cannot enter the realm of Hades twice while alive. According to various versions of the myth, Orpheus started playing a mourning song with his lyre, calling for death so that he could be united with Eurydice forever. Orpheus is ultimately killed either by beasts tearing him apart, or by the Maenads, in a frenzied mood. According to another version, Zeus decided to strike him
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path