Eurydice the basis of a play by Sarah Ruhl. It inspired the 1959 film "Black Orpheus" by Marcel Camus. The myth also inspired the American playwright Tennessee Williams' 1957 drama "Orpheus Descending". Other uses include: Eurydice In Greek mythology, Eurydice (; , "Eurydikē" "wide justice", derived from "ευρυς eurys" "wide" and "δικη dike" "justice”) was an oak nymph or one of the daughters of Apollo. She was the wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Eurydice was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful
Orpheus "to change allegiance, status, ownership". Cognates could include Greek ὄρφνη ("órphnē") "darkness", and surely Greek ὀρφανός ("orphanós") "fatherless, orphan", from which comes English "orphan" by way of Latin. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the unlikely etymology meaning "best voice," "Oraia-phonos". The earliest literary reference to Orpheus is a two-word fragment of the sixth-century BC lyric poet Ibycus: "onomaklyton Orphēn" ("Orpheus famous-of-name"). He is not mentioned in Homer or Hesiod. Most ancient sources accept his historical existence; Aristotle is an exception. Pindar calls Orpheus "the father of songs" and identifies him as a