Orpheus Paris' Montmartre) in search of his fortune and ultimately to attempt the rescue of his doomed love. The film adapts a widely known piece from Jacques Offenbach's comedic operetta "Orphée aux enfers" ("Orpheus in the Underworld"), identified with the once-popular can-can music hall dance. Offenbach's operatic work had itself parodied the classical tale of Orpheus' attempted rescue of Eurydice from Pluto (Hades). Gavin Bryars' music for Édouard Lock's full length ballet "Dido and Orfeo" (2011) reworks music from the operas "Dido and Aeneas" (Purcell) and "Orfeo ed Euridice" (Gluck) for a small ensemble of saxophone, viola, cello and piano. Orpheus
Pseudo-Orpheus Pseudo-Orpheus "This article is about the poem known as Pseudo-Orpheus, not about the term "Pseudo-Orpheus" as it is applied to the unknown writer of other works falsely attributed to Orpheus." Pseudo-Orpheus is the name of a poetic text, preserved only in quotations by various Christian writers, which has a complex history. Pseudo-Orpheus appears in multiple recensions (versions created over time). The poem presents the legendary Greek figure Orpheus as giving a poetic speech to his son, Musaeus, identified as the biblical Moses, passing on to him hidden wisdom he learned in Egypt. It presents a monotheistic view of God, whom,