Orpheus Paris' Montmartre) in search of his fortune and ultimately to attempt the rescue of his doomed love. The film adapts a widely known piece from Jacques Offenbach's comedic operetta "Orphée aux enfers" ("Orpheus in the Underworld"), identified with the once-popular can-can music hall dance. Offenbach's operatic work had itself parodied the classical tale of Orpheus' attempted rescue of Eurydice from Pluto (Hades). Gavin Bryars' music for Édouard Lock's full length ballet "Dido and Orfeo" (2011) reworks music from the operas "Dido and Aeneas" (Purcell) and "Orfeo ed Euridice" (Gluck) for a small ensemble of saxophone, viola, cello and piano. Orpheus
Magic in the Graeco-Roman world (Circe is called a witch by a companion of Odysseus). In this mode it is worth noting that Circe is representative of a power (the Titans) that had been conquered by the younger Olympian gods such as Zeus, Poseidon and Hades. The 6th century BCE gives rise to scattered references of magoi at work in Greece. Many of these references representing a more positive conceptualisation of magic. Among the most famous of these Greek magoi, between Homer and the Hellenistic period, are the figures of Orpheus, Pythagoras, and Empedocles. Orpheus is a mythical figure, said to have lived in Thrace