The Gaze of Orpheus taken by Orpheus from light to dark and back to light is symbolic of the artist’s journey from reality to the edges of the surreal, “…the force that enables Orpheus to cross the boundaries of light and life, and to descend to Eurydice, according to Blanchot, is that of art. Rendering this dark point, the lure, the point in which the artist's control is undermined, is also the object of the work of art.” (New Media Narratives). Blanchot uses the myth to transcribe the creative process. “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's
Christian views on Hades the souls of the wicked are in a state the reverse of this." The Latin word "infernus" or "infernum" (underworld) indicated the abode of the dead and so was used as the equivalent of the Greek word "ᾅδης" (hades). It appears in both the documents quoted above, and pointed more obviously than the Greek word to an existence beneath the earth. Later, the transliteration "hades" of the Greek word ceased to be used in Latin and "infernum" became the normal way of expressing the idea of Hades. Though "infernus" is usually translated into English as "hell", it did not have