Dido and Aeneas in three sections, and then disperse. "The palace" Dido and Belinda enter, shocked at Aeneas’ disappearance. Dido is distraught and Belinda comforts her. Suddenly Aeneas returns, but Dido is full of fear before Aeneas speaks, and his words only serve to confirm her suspicions. She derides his reasons for leaving, and even when Aeneas says he will defy the gods and not leave Carthage, Dido rejects him for having once thought of leaving her. After Dido forces Aeneas to leave, she states that "Death must come when he is gone." The opera and Dido's life both slowly come to a
Dido will, a deceitful explanation for the building of the pyre, and Dido's final suicide. In both versions Dido is loyal to her original husband in the end. But whereas the earlier Elissa remained always loyal to her husband's memory, Virgil's Dido dies as a tortured and repentant woman who has fallen away from that loyalty. Virgil consistently uses the form "Dido" as nominative, but derivates of "Elissa" for the oblique cases. Letter 7 of Ovid's "Heroides" is a feigned letter from Dido to Aeneas written just before she ascends the pyre. The situation is as in Virgil's "Aeneid". In Ovid's