Sarah Siddons as the Tragic Muse paintings of Melpoméne, she is represented with a tragic mask and also often holds in her other hand a knife or club. In Greek mythology, she is the daughter of Zeus and Mnemosyne, who had eight other daughters, Melpoméne's sisters and the eight other muses are: Calliope, muse of epic poetry; Clio, muse of history; Euterpe, muse of flute playing; Terpsichore, muse of dancing; Erato, muse of erotic poetry; Thalia muse of comedy; Polyhymnia, muse of hymns; and Urania, muse of astronomy. Reynolds was inspired not only by Sarah Siddons' extreme talent to embody the tragic heroine in Macbeth, but
The Vision of Delight of the performance as an assemblage of dreamers, and through his masque illustrates Macrobius's categories of dreams. The Vision of Delight The Vision of Delight was a Jacobean era masque written by Ben Jonson. It was most likely performed on Twelfth Night, 6 January 1617 in the Banqueting House at Whitehall Palace, and repeated on 19 January that year. "The Vision of Delight" was first published in the second folio collection of Jonson's works in 1641. The scholarly consensus favors the view that the masque was designed by Inigo Jones, though no firm historical evidence necessitates this conclusion, and data