Ivanhoe, the Norman Swordsman Ivanhoe, the Norman Swordsman Ivanhoe, the Norman Swordsman () is a 1971 peplum film directed by Roberto Mauri. After the death of King Henry I in 12th-century England, the throne is taken by Stephen Cunningham who claims to possess the mythical "Sword of Normandy." A man named Ivanhoe returns from years in the Holy Land knowing that Henry I's son, the rightful heir to the throne, died in the Crusades, and that Cunningham's sword is a fake. After forging alliances with a group of highwaymen and a band of traveling thespians, Ivanhoe reclaims the real sword that will topple Cunningham.
The Last of England (painting) British public from national collections, which were used for "Art Everywhere The World's Largest Public Art Exhibition". The Last of England (painting) The Last of England is an 1855 oil-on-panel painting by Ford Madox Brown depicting two emigrants leaving England to start a new life in Australia with their baby. Brown began the painting in 1852 inspired by the departure of his close friend, the Pre-Raphaelite sculptor, Thomas Woolner, who had left for Australia in July of that year. Emigration from England was at a peak, with over 350,000 people leaving that year. Brown, who at the time considered himself