Dido and Aeneas in three sections, and then disperse. "The palace" Dido and Belinda enter, shocked at Aeneas’ disappearance. Dido is distraught and Belinda comforts her. Suddenly Aeneas returns, but Dido is full of fear before Aeneas speaks, and his words only serve to confirm her suspicions. She derides his reasons for leaving, and even when Aeneas says he will defy the gods and not leave Carthage, Dido rejects him for having once thought of leaving her. After Dido forces Aeneas to leave, she states that "Death must come when he is gone." The opera and Dido's life both slowly come to a
Dido him from Belus son of Poseidon and Libya in earlier Greek mythology. If the story of Dido has a factual basis and is synchronized properly with history then this Belus should stand for Mattan I, father of the historical Pygmalion. Virgil (1.343f) adds that the marriage between Dido and Sychaeus, as Virgil calls Dido's husband, occurred while her father was still alive. Pygmalion slew Sychaeus secretly due to his wealth and Sychaeus appeared to Dido in a dream in which he told the truth about his death, urged her to flee the country, and revealed to her where his gold