Orpheus Stravinsky's ballet "Orpheus" (1948) and two operas by Harrison Birtwistle: "The Mask of Orpheus" (1973–1984) and "The Corridor" (2009). The Bulgarian Rousse State Opera commissioned and performed "Orpheus: A Masque" by John Robertson. It debuted in 2015. Rainer Maria Rilke's "Sonnets to Orpheus" (1922) are based on the Orpheus myth. Poul Anderson's Hugo Award-winning novelette "Goat Song", published in 1972, is a retelling of the story of Orpheus in a science fiction setting. Some feminist interpretations of the myth give Eurydice greater weight. Margaret Atwood's "Orpheus and Eurydice Cycle" (1976–86) deals with the myth, and gives Eurydice a more prominent
Pseudo-Orpheus Pseudo-Orpheus "This article is about the poem known as Pseudo-Orpheus, not about the term "Pseudo-Orpheus" as it is applied to the unknown writer of other works falsely attributed to Orpheus." Pseudo-Orpheus is the name of a poetic text, preserved only in quotations by various Christian writers, which has a complex history. Pseudo-Orpheus appears in multiple recensions (versions created over time). The poem presents the legendary Greek figure Orpheus as giving a poetic speech to his son, Musaeus, identified as the biblical Moses, passing on to him hidden wisdom he learned in Egypt. It presents a monotheistic view of God, whom,