George Bernard Shaw throughout the Second World War, starring such actors as Edith Evans, John Gielgud, Deborah Kerr and Robert Donat. In 1944 nine Shaw plays were staged in London, including "Arms and the Man" with Ralph Richardson, Laurence Olivier, Sybil Thorndike and Margaret Leighton in the leading roles. Two touring companies took his plays all round Britain. The revival in his popularity did not tempt Shaw to write a new play, and he concentrated on prolific journalism. A second Shaw film produced by Pascal, "Major Barbara" (1941), was less successful both artistically and commercially than "Pygmalion", partly because of Pascal's insistence on
George Bernard Shaw Cathedral", in which Becket's slayers explain their actions to the audience, might have been influenced by "Saint Joan". The critic Eric Bentley comments that Eliot's later play "The Confidential Clerk" "had all the earmarks of Shavianism ... without the merits of the real Bernard Shaw". Among more recent British dramatists, Crawford marks Tom Stoppard as "the most Shavian of contemporary playwrights"; Shaw's "serious farce" is continued in the works of Stoppard's contemporaries Alan Ayckbourn, Henry Livings and Peter Nichols. Shaw's influence crossed the Atlantic at an early stage. Bernard Dukore notes that he was successful as a dramatist in America