Nero to Tacitus, the source of conflict between Nero and his mother was Nero's affair with Poppaea Sabina. In "Histories" Tacitus writes that the affair began while Poppaea was still married to Rufrius Crispinus, but in his later work "Annals" Tacitus says Poppaea was married to Otho when the affair began. In "Annals" Tacitus writes that Agrippina opposed Nero's affair with Poppaea because of her affection for his wife Octavia. Anthony Barrett writes that Tacitus' account in "Annals" "suggests that Poppaea's challenge drove [Nero] over the brink." A number of modern historians have noted that Agrippina's death would not have offered
Brigand and His Wife in Prayer criminal activities and for the health of the heavily-pregnant wife. The sympathy-inspiring depictions of the frugality and piety of the couple reflect Robert's fascination with the culture of the Italian brigands, who the painter found to be a faithful people despite their criminality. Brigand and His Wife in Prayer Brigand and His Wife in Prayer is an early 19th century painting by Léopold Robert. Done in oil paint on canvas, the work depicts a brigand and his wife in prayer before a cross in the mountains of central Italy. The painting is part of The Whitney Collection, and is currently