Dido and Aeneas in three sections, and then disperse. "The palace" Dido and Belinda enter, shocked at Aeneas’ disappearance. Dido is distraught and Belinda comforts her. Suddenly Aeneas returns, but Dido is full of fear before Aeneas speaks, and his words only serve to confirm her suspicions. She derides his reasons for leaving, and even when Aeneas says he will defy the gods and not leave Carthage, Dido rejects him for having once thought of leaving her. After Dido forces Aeneas to leave, she states that "Death must come when he is gone." The opera and Dido's life both slowly come to a
Dido twelve times in his plays: four times in "The Tempest", albeit all in one dialogue, twice in "Titus Andronicus", and also in "Henry VI Part 2", "Antony and Cleopatra", "Hamlet", "Romeo and Juliet, A Midsummer Night's Dream," and most famously in "The Merchant of Venice", in Lorenzo's and Jessica's mutual wooing: In 1794 Germany, Charlotte von Stein wrote her own drama named "Dido", with an autobiographical element - as von Stein had been forsaken by her own lover, the famous Goethe, in a manner which she found reminiscent of Aeneas. Even today, Dido appears in Sid Meier's strategy games "Civilization