The Man with the Golden Helmet The Man with the Golden Helmet The Man with the Golden Helmet (c. 1650) is an oil on canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle. Categorized as a work by Rembrandt for many years, doubts were expressed as to its provenance in 1984 by a Dutch curators' commission specifically created to investigate Rembrandt works of questionable authenticity. They made their remarks whilst viewing the painting in West Berlin. In November 1985, Berlin-based art expert Jan Kelch announced that important details in the painting's style did not
The Man with the Golden Gun (film) Writing for "The New York Times", Nora Sayre considered the film to suffer from "poverty of invention and excitement", criticising the writing and Moore's performance and finding Villechaize and Lee as the only positive points for their "sinister vitality that cuts through the narrative dough." The "Sunday Mirror" critic observed that "The Man with the Golden Gun" "isn't the best Bond ever" but found it "remarkable that Messrs. Saltzman and Broccoli can still produce such slick and inventive entertainment". Arthur Thirkwell, writing in the "Sunday Mirror"s sister paper, the "Daily Mirror" concentrated more on lead actor Roger Moore than the