Orpheus and Eurydice died, but Orpheus, protected by the gods, went to Hades and arrived at the infamous Stygian realm, passing by ghosts and souls of people unknown. He also managed to charm Cerberus, the monster known to have three heads. Orpheus presented himself in front of the god of the Underworld Hades (Pluto) and his wife Persephone. Orpheus played his lyre, melting even Hades' heart. Hades told Orpheus that he could take Eurydice with him but under one condition; Eurydice would follow him while walking out to the light from the caves of the Underworld, but he should not look at her
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path