The Gaze of Orpheus taken by Orpheus from light to dark and back to light is symbolic of the artist’s journey from reality to the edges of the surreal, “…the force that enables Orpheus to cross the boundaries of light and life, and to descend to Eurydice, according to Blanchot, is that of art. Rendering this dark point, the lure, the point in which the artist's control is undermined, is also the object of the work of art.” (New Media Narratives). Blanchot uses the myth to transcribe the creative process. “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's
The Lyre of Orpheus (novel) themselves in Toronto to monitor and record the production of the opera from start to finish. As often happens in Davies' novels, all is not simple; for example, the ghost of Hoffman (ETAH), trapped in Limbo as a result of the unsatisfactory state of his artistic work, attends and comments on the ongoing proceedings. Nor is all peaceful among the characters, as they react to Powell's seduction of Maria Cornish, Dahl-Soot's seduction of Schnak, and the inevitable tensions created by the effort to mount an operatic production. The Lyre of Orpheus (novel) The Lyre of Orpheus, first published by Macmillan