The Apu Trilogy 1995 film "My Family", the final scene is duplicated from the final scene of "Apur Sansar". Similar influences and references to the trilogy can be found, for example, in recent works such as "Sacred Evil", Key's 2004 visual novel "Clannad", Paul Auster's 2008 novel "Man in the Dark", the "Elements trilogy" of Deepa Mehta and even in films of Jean-Luc Godard. The technique of bounce lighting pioneered by Subrata Mitra, to recreate the effect of daylight on sets, has also had a profound influence on the development of cinematography. Ravi Shankar's soundtracks to the films were also a major influence
Satyajit Ray for a short essay". After "Aranyer", Ray addressed contemporary Bengali life. He completed what became known as the "Calcutta trilogy": "Pratidwandi" (1970), "Seemabaddha" (1971), and "Jana Aranya" (1975), three films that were conceived separately but had thematic connections. "Pratidwandi" ("The Adversary") is about an idealist young graduate; if disillusioned at the end of film, he is still uncorrupted. "Jana Aranya" ("The Middleman") showed a young man giving in to the culture of corruption to make a living. "Seemabaddha" ("Company Limited") portrayed an already successful man giving up his morality for further gains. In the first film, "Pratidwandi", Ray introduces a