Orpheus und Eurydike Orpheus und Eurydike Orpheus und Eurydike ("Orpheus and Eurydice") is an opera by Ernst Krenek. The German text is based on a play by Oskar Kokoschka. Kokoschka began writing his play during his convalescence (from wounds received on the Ukrainian front in 1915) and it premiered in 1921, one year before Rilke's Sonnets to Orpheus appeared. In 1923 he let it be known that he was looking for a composer to write incidental music. Kokoschka's expressionist, psychological treatment of the Orpheus myth, marked by his passion for Alma Mahler, appealed to Krenek so he approached Kokoschka. They quickly decided that
Pseudo-Orpheus Pseudo-Orpheus "This article is about the poem known as Pseudo-Orpheus, not about the term "Pseudo-Orpheus" as it is applied to the unknown writer of other works falsely attributed to Orpheus." Pseudo-Orpheus is the name of a poetic text, preserved only in quotations by various Christian writers, which has a complex history. Pseudo-Orpheus appears in multiple recensions (versions created over time). The poem presents the legendary Greek figure Orpheus as giving a poetic speech to his son, Musaeus, identified as the biblical Moses, passing on to him hidden wisdom he learned in Egypt. It presents a monotheistic view of God, whom,