Orpheus und Eurydike Orpheus und Eurydike Orpheus und Eurydike ("Orpheus and Eurydice") is an opera by Ernst Krenek. The German text is based on a play by Oskar Kokoschka. Kokoschka began writing his play during his convalescence (from wounds received on the Ukrainian front in 1915) and it premiered in 1921, one year before Rilke's Sonnets to Orpheus appeared. In 1923 he let it be known that he was looking for a composer to write incidental music. Kokoschka's expressionist, psychological treatment of the Orpheus myth, marked by his passion for Alma Mahler, appealed to Krenek so he approached Kokoschka. They quickly decided that
Christian views on Hades the souls of the wicked are in a state the reverse of this." The Latin word "infernus" or "infernum" (underworld) indicated the abode of the dead and so was used as the equivalent of the Greek word "ᾅδης" (hades). It appears in both the documents quoted above, and pointed more obviously than the Greek word to an existence beneath the earth. Later, the transliteration "hades" of the Greek word ceased to be used in Latin and "infernum" became the normal way of expressing the idea of Hades. Though "infernus" is usually translated into English as "hell", it did not have