Ivanhoe, the Norman Swordsman Ivanhoe, the Norman Swordsman Ivanhoe, the Norman Swordsman () is a 1971 peplum film directed by Roberto Mauri. After the death of King Henry I in 12th-century England, the throne is taken by Stephen Cunningham who claims to possess the mythical "Sword of Normandy." A man named Ivanhoe returns from years in the Holy Land knowing that Henry I's son, the rightful heir to the throne, died in the Crusades, and that Cunningham's sword is a fake. After forging alliances with a group of highwaymen and a band of traveling thespians, Ivanhoe reclaims the real sword that will topple Cunningham.
The Last of England (film) fatalities that bomber crews experienced and the carpet-bombing of civilians. The book and to a lesser extent the film are very much in the tradition of Roland Barthes "Camera Lucida", Susan Sontag's "On Photography", Jeanette Winterson's 'Art Objects' and to a lesser extent John Berger's "Ways of Seeing" in that he has used the deeply familiar and personal as a vehicle for dialogue about art and contemporary culture. The Last of England (film) The Last of England is a 1987 British arthouse film directed by Derek Jarman and starring Tilda Swinton. It is a poetic, rather than realistic, depiction of