Orpheus Stravinsky's ballet "Orpheus" (1948) and two operas by Harrison Birtwistle: "The Mask of Orpheus" (1973–1984) and "The Corridor" (2009). The Bulgarian Rousse State Opera commissioned and performed "Orpheus: A Masque" by John Robertson. It debuted in 2015. Rainer Maria Rilke's "Sonnets to Orpheus" (1922) are based on the Orpheus myth. Poul Anderson's Hugo Award-winning novelette "Goat Song", published in 1972, is a retelling of the story of Orpheus in a science fiction setting. Some feminist interpretations of the myth give Eurydice greater weight. Margaret Atwood's "Orpheus and Eurydice Cycle" (1976–86) deals with the myth, and gives Eurydice a more prominent
Hades dead (also called Erebus) where all mortals go when they die. Very few mortals could leave Hades once they entered. The exceptions, Heracles and Theseus, are heroic. Even Odysseus in his "Nekyia" ("Odyssey", xi) calls up the spirits of the departed, rather than descend to them. Later Greek philosophy introduced the idea that all mortals are judged after death and are either rewarded or cursed. There were several sections of the realm of Hades, including Elysium, the Asphodel Meadows, and Tartarus. Greek mythographers were not perfectly consistent about the geography of the afterlife. A contrasting myth of the afterlife concerns