Dido whirlwind. This legend inspired the Renaissance drama "Dido, Queen of Carthage" by Christopher Marlowe. Also from the 17th century is a ballad inspired by the relationship between Dido and Aeneas. The ballad, often printed on a broadside, is called "The Wandering Prince of Troy," and it alters the end of the relationship between the two lovers, rethinking Dido's final sentiment for Aeneas and rewriting Aeneas's visit to the underworld as Dido's choice to haunt him. The story of Dido and Aeneas remained popular throughout the post-Renaissance era and was the basis for many operas, including: William Shakespeare refers to Dido
Dido whom Justin does not name, made his very beautiful daughter Dido and son Pygmalion his joint heirs. But on his death the people took Pygmalion alone as their ruler though Pygmalion was yet still a boy. Dido married Acerbas her uncle who as priest of Heracles—that is, Melqart—was second in power to King Pygmalion. Acerbas (Sicharbas, Zacherbas) can be equated with the Zikarbaal king of Byblos mentioned in the Egyptian "Tale of Wenamon". Rumor told that Acerbas had much wealth secretly buried and King Pygmalion had Acerbas murdered in hopes of gaining this wealth. Dido, desiring to escape Tyre, expressed