What Dreams May Come in the book are derived from my wide range of reading." One of Matheson's influences was Harold W. Percival, an adherent of Theosophy, a belief system with a strong Eastern and Hindu influence. The story also shares the same theme of the ancient Greek myth Orpheus and Eurydice, in which the gifted musician makes a challenging journey to Hell to retrieve his wife. One character quotes from the writings of 18th century Christian mystic Emanuel Swedenborg. Matheson bases his descriptions of the death experience itself on studies by Elisabeth Kübler-Ross and Raymond Moody. When reading these accounts, Matheson found that
The Gaze of Orpheus Common analogies are made between Orpheus’s gaze and writing processes, philosophical interpretation, and artistic origins. Some of the most famous uses of the gaze of Orpheus can be found in Maurice Blanchot’s work The Gaze of Orpheus, Geoffrey Sirc’s, The Composition’s Eye/Orpheus’s Gaze/Cobain’s Journals, and Jaques Lacan’s work on the mirror stage Blanchot's interpretation or use of the Gaze of Orpheus is in artistic creation. Some have offered, “…the Orpheus myth as a model which provides ways to discuss many of the features of Blanchot's work, which until now appeared not to have common thematic links” (Champagne 1254). The path