Jessica (The Merchant of Venice) are interrupted by Stephano, a messenger. No sooner has Stephano informed them that Portia and Nerissa will soon arrive than Gobbo comes with the same news for Bassanio and Gratiano. They decide to await the arrivals in the gardens, and ask Stephano to fetch his instrument and play for them. Portia and Nerissa enter, followed shortly by Bassanio, Antonio, and Gratiano. After they are all reunited, Nerissa hands Lorenzo a deed of gift from Shylock, won in the trial, giving Jessica all of his wealth upon his death. The generally accepted sources for "The Merchant of Venice" are Giovanni Fiorentino's
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss