El Greco case, Philip's dissatisfaction ended any hopes of royal patronage El Greco may have had. Lacking the favor of the king, El Greco was obliged to remain in Toledo, where he had been received in 1577 as a great painter. According to Hortensio Félix Paravicino, a 17th-century Spanish preacher and poet, "Crete gave him life and the painter's craft, Toledo a better homeland, where through Death he began to achieve eternal life." In 1585, he appears to have hired an assistant, Italian painter Francisco Preboste, and to have established a workshop capable of producing altar frames and statues as well as
El Greco custom of identifying a man by designating a country or city of origin was a common practice. The curious form of the article ("El") may be from the Venetian dialect or more likely from the Spanish, though in Spanish his name would be "". The Cretan master was generally known in Italy and Spain as "Dominico Greco", and was called only after his death El Greco (). b. According to a contemporary, El Greco acquired his name, not only for his place of origin, but also for the sublimity of his art: "Out of the great esteem he was held