Art of El Greco like a vision, all of the buildings painted glistening white. According to Wethey, in his surviving landscapes, "El Greco demonstrated his characteristic tendency to dramatize rather than to describe". Professor Nicos Hadjinicolaou notes the manner in which El Greco could adjust his style in accordance with his surroundings and stresses the importance of Toledo for the complete development of El Greco's mature style. Wethey asserts that "although Greek by descent and Italian by artistic preparation, the artist became so immersed in the religious environment of Spain that he became the most vital visual representative of Spanish mysticism". The same scholar
Posthumous fame of El Greco such as Charles Blanc and Louis Viardot, whose hostile comments on El Greco were a powerful commonplace. Therefore, Lefort wrote an article recommending the repossession of El Greco by the historians. In 1908, art historian Manuel Bartolomé Cossío published the first comprehensive catalogue of El Greco's works. According to Foundoulaki, "in this book El Greco is not established as the founder of the Spanish School, but as the conveyor of Spanish soul par excellence". The same year Julius Meier-Graefe, a scholar of French Impressionism, travelled in Spain and recorded his experiences in "The Spanische Reise", the first book which established