Laocoön (El Greco) turmoil. The dark, sinister rocks of the foreground add to the intense emotional atmosphere. El Greco places the classical subject against a gloomy view of Toledo. El Greco’s use of Toledo as the backdrop for his depiction of Laocoön’s death may be based on local folklore that the people of Toledo descended from the Trojans. In the painting, the Trojan horse moves towards the city, a reminder of Laocoön’s failed attempt to convince his countrymen of the trap. El Greco portrays the city Toledo as a world of suffering, using color to create a sense of doom. The high horizon
Christ Driving the Money Changers from the Temple (El Greco, Washington) scene. This is a picture of varied influences, from Tintoretto to Michelangelo and Raphael through Paolo Veronese, and other painters of the Cinquecento venetian school. Still, some errors are seen like the absence of a point of view, the difficulty in making complex groups and the lack of experience in modeling figures. This article is based on the translation of the of Spanish Wikipedia. Christ Driving the Money Changers from the Temple (El Greco, Washington) Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington,