The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
The Merchant of Venice (1969 film) the Cinématheque Francaise, and in the hands of private collectors. The last two reels of the workprint have never resurfaced. A restored and reconstructed version of the film, made by using the original script and composer's notes, premiered at the 72nd Venice International Film Festival alongside "Othello" as part of the pre-opening ceremonies. The Merchant of Venice (1969 film) The Merchant of Venice is a 1969 drama short film directed by Orson Welles based on William Shakespeare's play of the same name. While actually completed, it is frequently cited as an unfinished film, though better described as a partially lost