Augustan prose other novelists should be mentioned, for they, like Fielding and Richardson, were in dialog through their works. Laurence Sterne and Tobias Smollett held a personal dislike for one another, and their works similarly offered up oppositional views of the self in society and the method of the novel. Laurence Sterne was a clergyman, and he consciously set out to imitate Jonathan Swift with his "Tristram Shandy" (1759–1767). "The Life and Opinions of Tristram Shandy, gentleman" was a stylistic and formal revolution for the novel. Like Swift's satires, it begins with radical skepticism and a willingness to break apart figurative language
John Hall-Stevenson the result that in 1760 Hall-Stevenson abused Smollett and his associates in "A Nosegay and a Simile for the Reviewers" and "Two Lyrical Epistles, or Margery the Cook Maid, to the Critical Reviewers". Hall-Stevenson's "A Sentimental Dialogue between two Souls in the palpable Bodies of an English Lady of Quality and an Irish Gentleman" (1768) was seen as a parody of his friend Sterne's "Tristram Shandy". Hall-Stevenson also wrote on politics. He denounced the Earl of Bute and all politicians, whether Whig or Tory, with such works as "A Pastoral Cordial; or an Anodyne Sermon, preached before their Graces Newcastle