Jessica (The Merchant of Venice) usually extend and deepen existing dramatic conventions, and Jessica must be seen in a context of classical and Elizabethan conventions for such characters. Slights highlights comedies where children rebel against a miserly father, or romances where daughters defy a repressive father for love. These conventions would be familiar for both Shakespeare and an Elizabethan theatre audience, and, indeed, modern audiences tend to accept Jessica's actions as natural within the context of the plot. Her escape from Shylock's repressive household to Belmont a quest for freedom, and from misfortune to happiness. This view is supported by John Russell-Brown, the editor of
The Maori Merchant of Venice in 2002, while Waihoroi Shortland won the film award for best actor at the New Zealand Film and TV Awards in 2003. "The Merchant of Venice" is not the only Shakespearian play to have been adapted to Māori themes, though it is the only one to have been released as a feature film. Adaptations of "Othello", using a Māori cast and usually set during either the Musket Wars or New Zealand Land Wars of the nineteenth century, have been performed on numerous occasions since the late 1990s, most notably at Christchurch's Court Theatre in 2001. The Maori Merchant of Venice