The Immaculate Conception (El Greco, Toledo) in his artistic career; between the years of 1581 and 1585. As such, the demand for devotional works by El Greco’s patrons escalated rapidly. His customers were able to choose from a few samples, often smaller versions of his works, which he would then alter to suit their preferences. El Greco later became the master of a workshop which dealt with the creation of architectural or framing devices for cathedrals. These years of 1597 - 1607 were a profitable decade for him and his workshop, yielding several commissions and outputs. Despite staying in Toledo, this granted El Greco significant projects
El Greco fallacy abilities. El Greco fallacy The El Greco fallacy is typically a perceptive fallacy, where it is assumed that particular perceptual abnormalities will influence interactions with the world of a similar nature. It is named after an erroneous explanation for the vertically distorted painting style of El Greco, which held that the artist must have seen the world as distorted by a peculiar astigmatism, and thus painted this distorted world. This theoretical astigmatism cannot explain El Greco's style though, as he would have seen his canvases distorted in the same way, and painting onto them would have cancelled out any distortion.