Laocoön (El Greco) turmoil. The dark, sinister rocks of the foreground add to the intense emotional atmosphere. El Greco places the classical subject against a gloomy view of Toledo. El Greco’s use of Toledo as the backdrop for his depiction of Laocoön’s death may be based on local folklore that the people of Toledo descended from the Trojans. In the painting, the Trojan horse moves towards the city, a reminder of Laocoön’s failed attempt to convince his countrymen of the trap. El Greco portrays the city Toledo as a world of suffering, using color to create a sense of doom. The high horizon
Dormition of the Virgin (El Greco) that was discovered in 1983 in the church of the same name in Syros. Marina Lambraki-Plaka believes that such a connection exists. Robert Byron, according to whom the iconographic type of the "Dormition" was the compositional model for "The Burial of the Count of Orgaz", asserts that El Greco as a genuine Byzantine painter worked throughout his life with a repertoire of components and motifs at will, depending on the narrative and expressive requirements of the art. Dormition of the Virgin (El Greco) El Greco painted his Dormition of the Virgin near the end of his Cretan period, probably before