Emilia (Othello) the ensign's wife is in the final sentence of the tale when, long after Desdemona's murder and once her husband is dead, she reveals what she knows of the past. Though Emilia is mentioned in 1.3 when Othello asks Iago to allow his wife to accompany Desdemona to Cyprus as her attendant, the character first appears on stage in 2.1 when she disembarks in Cyprus with Iago, Desdemona, and Roderigo. She banters briefly with her companions before leaving the stage, presumabably in Desdemona's entourage. Though not specifically mentioned, she probably appears as Desdemona's attendant at the beginning of 2.3, then
Emilia Lanier The character Emilia speaks some of the first feminist lines on an English stage and could thus be seen as a contemporary allegory for Emilia Lanier herself, while the musicians in both plays, Prior argues, are allegories for members of her family. For these and other reasons it has been argued by Prior and other scholars that Lanier co-authored these plays, especially the 1623 First Folio version of "Othello" which contains 163 key lines not present in the 1622 Quarto. In addition, Hudson believes that another "signature" exists in "Titus Andronicus" where there are an Aemilius and a Bassianus, each