Desdemona the mouth of the lady) that European women are unwise to marry the temperamental males of other nations. While Shakespeare followed Cinthio's tale very closely in composing "Othello", he deviated significantly in some details. He invented Desdemona's father, Brabantio, and her dissolute Venetian admirer, Roderigo. He invented the entire first act in which Iago arouses Brabantio's prejudices against Othello, and Desdemona defends her choice of husband before the King. Shakespeare considerably expanded the role of Cinthio's ensign's wife. In Cinthio, she is simply Disdemona's companion but in Shakespeare she becomes Desdemona's attendant and confidante. In Cinthio, the ensign filches Disdemona's
Name of the Father their eyes are the ones who err most". Lacan's concept draws on the mythical father of Freud's "Totem and Taboo"; and was used by him as a strategic move in his opposition to what he saw as the over-emphasis of object relations theory on the exclusive relationship of the individual and his/her mother as a dual pair. Lacan emphasised instead the importance of the third party in the Oedipus complex – what he called "the place that she [the mother] reserves for the Name-of-the Father in the promulgation of the law". He saw this as a vital element in helping