Jessica (The Merchant of Venice) usually extend and deepen existing dramatic conventions, and Jessica must be seen in a context of classical and Elizabethan conventions for such characters. Slights highlights comedies where children rebel against a miserly father, or romances where daughters defy a repressive father for love. These conventions would be familiar for both Shakespeare and an Elizabethan theatre audience, and, indeed, modern audiences tend to accept Jessica's actions as natural within the context of the plot. Her escape from Shylock's repressive household to Belmont a quest for freedom, and from misfortune to happiness. This view is supported by John Russell-Brown, the editor of
Hamlet's Father Hamlet is sent to Hell for the harm he's caused and will be with his father for eternity. Orson Scott Card has modernized other Shakespeare plays, including "The Taming of the Shrew", "The Merchant of Venice", and "Romeo and Juliet", "so that modern audiences can understand them instantly and easily while still remaining "[sic]" all the flavor of blank verse in Elizabethan English." In his foreword to the "Hamlet's Father", Card says that he could never identify with Hamlet: "I have little interest in a dithering hero; nor am I much inspired by revenge plots." He wrote the story in