Jessica (The Merchant of Venice) critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and her apparently selfish motivations and aimless behaviour. In her 1980 survey, "In Defense of Jessica: The Runaway Daughter in "The Merchant of Venice"", Camille Slights calls out Arthur Quiller-Couch's opinion in the 1926 "The Cambridge Dover Wilson Shakespeare" as an extreme but representative example: Slights sees this as a consequence of sympathetic readings of Shylock, where the play is seen primarily as exposing Christian hypocrisy, and his actions merely natural responses to ostracism and prejudice. In such a reading Jessica's
The Shakespeare Project involving the five guests from the Royal Shakespeare Company...a unique venture." Stasio added, "Everybody at the opening night party, including such members of the theatrical community as Milo O'Shea, Barnard Hughes and Gloria Foster, seemed to want to a regular event of the unprecedented project." In the evenings, the five actor also performed a "five-hander" version of Shakespeare "The Merchant of Venice", Dylan Thomas' "Under Milk Wood", and the New York premiere of D. H. Lawrence's "The Tarnished Phoenix". The week-long residency drew sell-out crowds at its two venues, the All Angels Episcopal Church at Lincoln Center, and The Shakespeare