Desdemona and Ellen Terry who all played the melodramatic role of womanly innocence traduced and overwhelmed to the hilt. In 1839, Samuel Phelps and William Charles Macready alternated in the roles of Othello and Iago at the Haymarket Theatre with Helen Faucit in the role of Desdemona. In 1881, Ellen Terry performed the role at London's Lyceum Theatre with Edwin Booth and Henry Irving alternating in the roles of Othello and Iago. The production was a great artistic and financial success. In the twentieth century, Peggy Ashcroft played the character opposite Paul Robeson in London's Savoy Theatre in 1930, and Uta
Othello America to feature a black actor playing Othello with an otherwise all-white cast (there had been all-black productions of the play before). It ran for 296 performances, almost twice as long as any other Shakespearean play ever produced on Broadway. Although it was never filmed, it was the first lengthy performance of a Shakespeare play released on records, first on a multi-record 78 RPM set and then on a 3-LP one. Robeson had first played the role in London in 1931 in a cast that included Peggy Ashcroft as Desdemona and Ralph Richardson as Roderigo, and would return to it