Desdemona strength of the love she bears for Othello, that inspires her boldness. Yet the passion of her love both arouses and unnerves her husband too, adding to the seeds of fear and suspicion. When Emilia's husband Iago sees Desdemona's handkerchief, he appropriates it and forbids Emilia to disclose its whereabouts to Desdemona. Iago plants the article in Cassio's room. Eventually, Othello sees Cassio with the handkerchief and accepts it as confirmation of Desdemona's infidelity. Desdemona is concerned over the loss of the handkerchief but maintains that its loss will not cause Othello to grow angry. Emilia is more cynical, especially
Othello (paintings) intense colors and violent movement of the brush seem to add emphasis to the nature of the subject. The embraces of the figures representing Othello and Desdemona are viewed by some as scenes that move "from tender and loving to confusion and rage." When the "Othello" were exhibited at the gallery space of a theater in Atlanta in 1985, the paintings were considered “too provocative” and were taken down the day after the exhibit had been hung. The paintings in the series are divided almost equally in two parts. The first part consists of works often depicting compositions of naked