Toccata Toccata Toccata (from Italian "toccare", literally, "to touch") is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera "L'Orfeo" being a notable example). The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli,
Toccata the most technically difficult works in the repertoire and the foremost representative of the genre in the 1800s. The Liszt toccata is a very short and austere composition from his late period, and is practically a toccata only by name. Smaller-scale toccatas are sometimes called "toccatina": Liszt's contemporary and well-known virtuoso in his day Charles-Valentin Alkan composed a brief toccatina as his last published work (Op. 75). From the early 20th century Prokofiev and Aram Khachaturian each wrote a toccata for solo piano, as did Maurice Ravel as part of "Le Tombeau de Couperin", Claude Debussy in his suite "Pour