Pygmalion (mythology) was a son, and they also had a daughter, Metharme. Ovid's mention of Paphos suggests that he was drawing on a more circumstantial account than the source for a passing mention of Pygmalion in Pseudo-Apollodorus' "Bibliotheke", a Hellenic mythography of the 2nd-century AD. Perhaps he drew on the lost narrative by Philostephanus that was paraphrased by Clement of Alexandria. "Pygmalion" is the Greek version of the Phoenician royal name "Pumayyaton", and figures in the legend of Paphos in Cyprus. The story of the breath of life in a statue has parallels in the examples of Daedalus, who used quicksilver to
Galatea, or Pygmalion Reversed Galatea, or Pygmalion Reversed Galatea, or Pygmalion Re-Versed is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play "Pygmalion and Galatea". The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz. The work was premiered at the Gaiety Theatre, London on 26 December 1883. It starred Nellie Farren and Edward Terry. This type of work, Victorian burlesque, was popular in Britain in the late 19th century. Other examples include "The Bohemian G-yurl and the Unapproachable Pole" (1877), "Blue Beard" (1882), "Ariel" (1883, by F. C.