The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds is a painting of the traditional subject which was painted during the last year of El Greco's life. The painting is a work which the artist made to hang over his own tomb in the church of Santo Domingo el Antiguo in Toledo. El Greco's signature, in Greek, may be seen in the lower left corner. Extreme distortion of body characterizes the "Adoration of the Shepherds" like all the last paintings of El Greco.The infant Christ seems to emit a light which plays off the faces of
El Greco in nature". Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. Jonathan Brown believes that El Greco endeavored to create a sophisticated form of art; according to Nicholas Penny "once in Spain, El Greco was able to create a style of his own—one that disavowed most of the descriptive ambitions of painting". In his mature works El Greco demonstrated a characteristic tendency to dramatize rather than to describe. The strong spiritual emotion transfers