Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
Yōsui Inoue and led the group to fame. It reached the number-one on the chart in a following year and became a massive hit, selling more than a 600,000 copies. The song won the 26th Japan Record Award for "Gold Prize", and has been well known as a signature song for the group. Inoue also wrote the lyrics for some of the group's subsequent releases, including a song "Koi no Yokan" that became the second top-ten hit for the band. Also in 1984, Inoue contributed another number-one hit "Kazari ja nai no yo Namida wa" for a pop idol Akina Nakamori. In