The Cock, the Dog and the Fox the cock a jazz club performer and the protective dog a bouncer. There is a carving of "The Cock and the Cat" from the Bharhut stupa, dating from 150 BCE, which is now displayed in the Indian Museum in Calcutta. Aesop's fable can be found on household china in Europe, but it is not always clear whether the story of "Chanticleer and the Fox" is meant instead without the appearance of the dog as well. The dog occupies the foreground on an 18th-century ornamental dessert dish from the Chelsea porcelain factory, while in Marc Chagall's 1952 series of etchings, which
The Desert Fox: The Story of Rommel former enemies. British popular knowledge focuses on the reconstruction of the fighting in that theatre of war, almost to the exclusion of all others. "The Desert Fox" helped in creating an image of the German army that would be acceptable to the British public. The film received nearly-universally positive reviews in Britain, but protests at the movie theatres broke out in Vienna and Milan. Basil Liddell Hart, who later edited Rommel's wartime writings into the 1953 book "The Rommel Papers", watching the movie with other high-ranking British officers, reported being "pleasantly surprised". The Desert Fox: The Story of Rommel The