The Immaculate Conception (El Greco, Toledo) the poet had viewed "The Virgin of the Immaculate Conception". Contemporary artists as well, such as Kysa Johnson, in her specific use of "The Virgin of the Immaculate Conception" as a basis for her works, have been influenced by the 16th-and-early-17th-century artist. The Immaculate Conception (El Greco, Toledo) "The Virgin of the Immaculate Conception" is a painting of the Immaculate Conception by El Greco. The work on the painting began in 1607 and was completed in 1613. It is owned by the church of San Nicolás de Bari in Toledo. It is displayed, however, in the Museo De Toledo. El
El Greco claim to rival these masters. As his own commentaries indicate, El Greco viewed Titian, Michelangelo and Raphael as models to emulate. In his 17th century "Chronicles", Giulio Mancini included El Greco among the painters who had initiated, in various ways, a re-evaluation of Michelangelo's teachings. Because of his unconventional artistic beliefs (such as his dismissal of Michelangelo's technique) and personality, El Greco soon acquired enemies in Rome. Architect and writer Pirro Ligorio called him a "foolish foreigner", and newly discovered archival material reveals a skirmish with Farnese, who obliged the young artist to leave his palace. On 6 July 1572,