Emilia (Othello) the ensign's wife is in the final sentence of the tale when, long after Desdemona's murder and once her husband is dead, she reveals what she knows of the past. Though Emilia is mentioned in 1.3 when Othello asks Iago to allow his wife to accompany Desdemona to Cyprus as her attendant, the character first appears on stage in 2.1 when she disembarks in Cyprus with Iago, Desdemona, and Roderigo. She banters briefly with her companions before leaving the stage, presumabably in Desdemona's entourage. Though not specifically mentioned, she probably appears as Desdemona's attendant at the beginning of 2.3, then
The Maidservant provenance of the painting is as follows: The Maidservant The Maidservant (formerly Gentleman and Lady in a Bedroom) (ca.1667-1670) is an oil on panel painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Metropolitan Museum of Art. This painting by Hooch was documented by Hofstede de Groot in 1908, who wrote; "80. Gentleman and Lady in a Bedroom. To the right a lady in bed converses with her husband who is sitting in his night-gown on a chair, pulling on his stockings. A fur-trimmed cape and a