El Greco case, Philip's dissatisfaction ended any hopes of royal patronage El Greco may have had. Lacking the favor of the king, El Greco was obliged to remain in Toledo, where he had been received in 1577 as a great painter. According to Hortensio Félix Paravicino, a 17th-century Spanish preacher and poet, "Crete gave him life and the painter's craft, Toledo a better homeland, where through Death he began to achieve eternal life." In 1585, he appears to have hired an assistant, Italian painter Francisco Preboste, and to have established a workshop capable of producing altar frames and statues as well as
The Entombment of Christ (El Greco) The Entombment of Christ (El Greco) The Entombment of Christ is an oil painting by El Greco, painted between 1570 and 1576. It is preserved in the Alexandros Soutzos Museum. It belongs to the Roman period of El Greco. The scene takes place in a cave, where the figures are silhouetted against a dark background and craggy rocks. A character back introduces the public to the composition, a mannerist style. the strong influence of Michelangelo is seen in the face of Christ to the apostles. El Greco manages to convey the feelings of sadness and desolation of the holy women.