Bianca (Othello) request. Midway through 4.1., and prior to Bianca's entrance, Othello has been secretly observing a bawdy discussion between Iago and Cassio about the latter's sexual exploits with a young woman. Thanks to Iago's impeccable planning (and some bad luck), neither speaker mentions the name of the woman in question; it is in fact Bianca, but Othello tragically assumes it to be his wife, Desdemona. Bianca suddenly enters, and her suspicions of Cassio are even greater than before. She is convinced that the handkerchief belongs to another woman, and throws it contemptuously at Cassio's feet. In Othello's eyes, her apparent jealousy
Othello (paintings) intense colors and violent movement of the brush seem to add emphasis to the nature of the subject. The embraces of the figures representing Othello and Desdemona are viewed by some as scenes that move "from tender and loving to confusion and rage." When the "Othello" were exhibited at the gallery space of a theater in Atlanta in 1985, the paintings were considered “too provocative” and were taken down the day after the exhibit had been hung. The paintings in the series are divided almost equally in two parts. The first part consists of works often depicting compositions of naked