Jessica (The Merchant of Venice) the 1955 Arden Shakespeare second series edition of the play: "… nowhere in the play does Shylock show any tenderness towards his daughter …. … as a Jewess, loved by a Christian, Jessica stood in a fair way for the audience's sympathy …." In Munday's "Zelauto", Brisana (Jessica) opposes her father, Trinculo (Shylock), and eventually elopes with Rodolpho (Lorenzo); all presented sympathetically for the audience. Similarly, in Salernitano's 14th "novella", the daughter makes off with her father's money, to the same effect. "In both these examples, the father is avaricious …. It ranks him with the miserly fathers in Elizabethan
Jessica (The Merchant of Venice) actions amount to abandoning her father and betraying him to his enemies. By the last half of the 20th century this "sentimentally sympathetic reading" was starting to be rejected, but without a corresponding reassessment of Jessica. She was still viewed as inhabiting primarily negative values, in contrast with the positive values associated with Portia, Bassanio, and Antonio. Writing in 1977, Raymond B. Waddington thinks that: Slights contradicts this view, pointing out that it conflicts with "a natural audience response" and argues that "we must question judgments that deny the most obvious emotional force of Shakespearean plots and characters." Shakespeare's plays