Pygmalion (mythology) Pygmalion (mythology) Pygmalion (; Ancient Greek: Πυγμαλίων "Pugmalíōn", "gen".: Πυγμαλίωνος) is a legendary figure of Cyprus. Though "Pygmalion" is the Greek version of the Phoenician royal name "Pumayyaton", he is most familiar from Ovid's narrative poem "Metamorphoses", in which Pygmalion was a sculptor who fell in love with a statue he had carved. In Ovid's narrative, Pygmalion was a Cypriot sculptor who carved a woman out of ivory. According to Ovid, after seeing the Propoetides he was "not interested in women", but his statue was so beautiful and realistic that he fell in love with it. In time, Aphrodite's festival
Pygmalion (Rousseau) forms. During the Baroque it provided the plot for several ballets. All the adaptations and ballets showed the futility and hopelessness of Pygmalion's efforts to give the sculpture life and his problem as being solved by divine grace, making Pygmalion an important symbol of vanitas. Rousseau's version seems to be the first where Pygmalion brings his perfect image to life without divine help - 'Galathée' (Galatea) comes to life at the last stroke of his chisel, beginning to speak and recognising her creator as her mirror image. She touches herself and says "me", then touches another sculpture and says "not