The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
The Merchant of Venice "Il Pecorone" by Giovanni Fiorentino, which was published in Milan in 1558. Elements of the trial scene are also found in "The Orator" by Alexandre Sylvane, published in translation in 1596. The story of the three caskets can be found in "Gesta Romanorum", a collection of tales probably compiled at the end of the 13th century. The date of composition for "The Merchant of Venice" is believed to be between 1596 and 1598. The play was mentioned by Francis Meres in 1598, so it must have been familiar on the stage by that date. The title page of the first