The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
The Merchant of Venice edition in 1600 states that it had been performed "divers times" by that date. Salerino's reference to his ship the "Andrew" (I,i,27) is thought to be an allusion to the Spanish ship "St. Andrew," captured by the English at Cádiz in 1596. A date of 1596–97 is considered consistent with the play's style. The play was entered in the Register of the Stationers Company, the method at that time of obtaining copyright for a new play, by James Roberts on 22 July 1598 under the title "The Merchant of Venice", otherwise called "The Jew of Venice". On 28 October 1600