El Greco El Greco officially complained about this event. A few months later, on 18 September 1572, he paid his dues to the Guild of Saint Luke in Rome as a miniature painter. At the end of that year, El Greco opened his own workshop and hired as assistants the painters Lattanzio Bonastri de Lucignano and Francisco Preboste. In 1577, El Greco migrated to Madrid, then to Toledo, where he produced his mature works. At the time, Toledo was the religious capital of Spain and a populous city with "an illustrious past, a prosperous present and an uncertain future". In Rome, El
Dormition of the Virgin (El Greco) that was discovered in 1983 in the church of the same name in Syros. Marina Lambraki-Plaka believes that such a connection exists. Robert Byron, according to whom the iconographic type of the "Dormition" was the compositional model for "The Burial of the Count of Orgaz", asserts that El Greco as a genuine Byzantine painter worked throughout his life with a repertoire of components and motifs at will, depending on the narrative and expressive requirements of the art. Dormition of the Virgin (El Greco) El Greco painted his Dormition of the Virgin near the end of his Cretan period, probably before