The Merchant of Venice (opera) latter's flesh. Lorenzo kidnaps Jessica, together with much of Shylock's wealth. Shylock is taunted by the citizens of Venice. Act II takes place at Portia's residence at Belmont, where Bassanio is able to win her hand after defeating two foreign princes in choosing correctly between three caskets of gold, silver and lead. Act III is set in the Duke's courtroom; Antonio's business ventures seem to have failed, and Shylock claims his pound of flesh. Portia and her servant Nerissa, disguised as lawyers, successfully defend Antonio and force Shylock to forgo his loan, to accept Lorenzo as a son-in-law, and to
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss