The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
Miracle of the Cross at the Bridge of S. Lorenzo no geometrical perspective. Some of them feature the typical inverted cone chimneys of medieval Venice. Miracle of the Cross at the Bridge of S. Lorenzo The Miracle of the Cross at the Bridge of S. Lorenzo (Italian: "Miracolo della Croce caduta nel canale di San Lorenzo") is a painting by Italian Renaissance artist Gentile Bellini, dating from 1500. It is now housed in the Gallerie dell'Accademia in Venice. The painting was commissioned for the Grand Hall of the Scuola Grande di San Giovanni Evangelista, the seat of the eponymous brotherhood in Venice. The commission included a total of nine large