Another Suitcase in Another Hall musical, titled "Evita", playing the role of Eva; she had desired to play the part for a long time and even wrote to director Alan Parker, explaining how she would be perfect for the part. After securing the role, she underwent vocal training with coach Joan Lader since "Evita" required the actors to sing their own parts. Lader noted that the singer "had to use her voice in a way she's never used it before. "Evita" is real musical theater — its operatic, in a sense. Madonna developed an upper register that she didn't know she had." Unlike the musical,
Another Suitcase in Another Hall knew what she was doing sleeping with an older man, and yet there is something expletive about it as well. Eva's bitchiness should be enjoyed by an audience, but they should also be investing in the plight of a young girl's eviction. The narrative of this section is so well structured that it is obvious the journey of the mistress is complete by her exit. This allows the audience to invest in a single moment while also learning more about Eva and Peron's character as they move forward in the story. "Another Suitcase in Another Hall" was first recorded by