Laocoön (El Greco) turmoil. The dark, sinister rocks of the foreground add to the intense emotional atmosphere. El Greco places the classical subject against a gloomy view of Toledo. El Greco’s use of Toledo as the backdrop for his depiction of Laocoön’s death may be based on local folklore that the people of Toledo descended from the Trojans. In the painting, the Trojan horse moves towards the city, a reminder of Laocoön’s failed attempt to convince his countrymen of the trap. El Greco portrays the city Toledo as a world of suffering, using color to create a sense of doom. The high horizon
Posthumous fame of El Greco such texts, in time developed into "madness". In 1838 the Spanish Museum of king Louis-Philippe was inaugurated at the Louvre on January 7, 1838. In 1835 Louis-Philippe had sent Baron Isidore Justin Séverin Taylor to Spain, in order to purchase, on his account, a representative group of works from the Spanish School. Taylor enriched the king's collection with nine paintings by El Greco: four with religious motifs, four portraits and an Evangelist. Among 450 paintings by 85 Spanish painters, the French public was able to see typical works of El Greco for the first time. During this period the idea