Othello (character) where Olivier could see him to settle his nerves. This performance was recorded complete on LP, and filmed by popular demand in 1965 (according to a biography of Olivier, tickets for the stage production were notoriously hard to get). The film version still holds the record for the most Oscar nominations for acting ever given to a Shakespeare film — Olivier, Finlay, Maggie Smith (as Desdemona) and Joyce Redman (as Emilia, Iago's wife) were all nominated for Academy Awards. Actors have alternated the roles of Iago and Othello in productions to stir audience interest since the nineteenth century. Two of
Desdemona as "Othello" and out of character for Desdemona. Today, however, the purpose of the passage is sometimes viewed as a depiction of Desdemona's awareness of the way of the world, and her persistence in pursuing the exchanges as a characteristic innocent overconfidence displayed elsewhere in the play (3.3.41–83, 3.4.90ff). On 8 December 1660, Thomas Killigrew's new King's Company acted "Othello" at their Vere Street theatre, with Margaret Hughes as Desdemona – possibly the first time a professional actress appeared on a public stage in England. She played Desdemona in the performance of "Othello" seen by Samuel Pepys on 6 February