Desdemona and Ellen Terry who all played the melodramatic role of womanly innocence traduced and overwhelmed to the hilt. In 1839, Samuel Phelps and William Charles Macready alternated in the roles of Othello and Iago at the Haymarket Theatre with Helen Faucit in the role of Desdemona. In 1881, Ellen Terry performed the role at London's Lyceum Theatre with Edwin Booth and Henry Irving alternating in the roles of Othello and Iago. The production was a great artistic and financial success. In the twentieth century, Peggy Ashcroft played the character opposite Paul Robeson in London's Savoy Theatre in 1930, and Uta
Goodnight Desdemona (Good Morning Juliet) reveals that she is a woman. Juliet exclaims that she loves her all the more. Constance claims that she is not a lesbian, but Juliet convinces her that they should make love. Constance reaches under Juliet's shirt, where she finds a page from the Gustav manuscript. A warp effect brings Desdemona to the scene, and she begins to smother Constance with a pillow. Juliet tries to save her and then goes to seek help. Constance holds up the necklace that Othello gave her, which has a birthday inscription to Desdemona, and Desdemona stops smothering her. Tybalt arrives, and Constance pretends