Art of El Greco like a vision, all of the buildings painted glistening white. According to Wethey, in his surviving landscapes, "El Greco demonstrated his characteristic tendency to dramatize rather than to describe". Professor Nicos Hadjinicolaou notes the manner in which El Greco could adjust his style in accordance with his surroundings and stresses the importance of Toledo for the complete development of El Greco's mature style. Wethey asserts that "although Greek by descent and Italian by artistic preparation, the artist became so immersed in the religious environment of Spain that he became the most vital visual representative of Spanish mysticism". The same scholar
Posthumous fame of El Greco article to El Greco with engravings of four works. In this article, Lefort extols El Greco, refuting the all-powerful commonplace of his "madness" and proclaiming him the founder of the Spanish School. Between 1860–1880 the archival research reveals some new important documents, such as a letter written by the Croatian miniaturist, Giulio Clovio, who characterized El Greco as "a rare talent in painting". In the 1890s, Spanish painters living in Paris adopted him as their guide and mentor. During this period, however, El Greco continued to still be a matter for the "happy few". Lefort was opposed to distinguished critics