Desdemona the mouth of the lady) that European women are unwise to marry the temperamental males of other nations. While Shakespeare followed Cinthio's tale very closely in composing "Othello", he deviated significantly in some details. He invented Desdemona's father, Brabantio, and her dissolute Venetian admirer, Roderigo. He invented the entire first act in which Iago arouses Brabantio's prejudices against Othello, and Desdemona defends her choice of husband before the King. Shakespeare considerably expanded the role of Cinthio's ensign's wife. In Cinthio, she is simply Disdemona's companion but in Shakespeare she becomes Desdemona's attendant and confidante. In Cinthio, the ensign filches Disdemona's
Name of the Father Name of the Father The name of the father (French ) is a concept that Jacques Lacan developed from his seminar "The Psychoses" (1955–1956) to cover the role of the father in the Symbolic Order. Lacan plays with the similar sounds in French of ' (the name of the father), ' (the no of the father), and "" (the non-dupes err) to emphasize with the first two phrases the legislative and prohibitive functions of the father and to emphasize with the last phrase that "those who do not let themselves be caught in the symbolic deception/fiction and continue to believe