El Greco case, Philip's dissatisfaction ended any hopes of royal patronage El Greco may have had. Lacking the favor of the king, El Greco was obliged to remain in Toledo, where he had been received in 1577 as a great painter. According to Hortensio Félix Paravicino, a 17th-century Spanish preacher and poet, "Crete gave him life and the painter's craft, Toledo a better homeland, where through Death he began to achieve eternal life." In 1585, he appears to have hired an assistant, Italian painter Francisco Preboste, and to have established a workshop capable of producing altar frames and statues as well as
Posthumous fame of El Greco Greco was "the most extraordinary painter that ever came along back then" and that he was "maybe three or four centuries ahead of his time". Wethey asserts that El Greco "developed into an artist so individual that he belongs to no conventional school but is a lonely genius of unprecedented emotional power and imagination". El Greco's re-evaluation was not limited to scholars. According to Foundoulaki, "painters and theoreticians from the beginning of the 20th century 'discovered' a new El Greco but in process they also discovered and revealed their own selves". His expressiveness and colors influenced Eugène Delacroix and Édouard