Jessica (The Merchant of Venice) father's casket of Ducats, motivates Shylock's vengefulness towards Antonio; she serves as a mirror highlighting the differences between Shylock's Jewish household and Portia's Christian one; and serves as the means by which Shylock is forcibly converted to Christianity. Her first appearance on stage is in Act 2, Scene 3, in a brief scene with Launcelot Gobbo. Gobbo is leaving Shylock's service to give his allegiance to Bassiano, and Jessica bemoans the loss of his company in a household that is "hell". She speeds him along, to avoid her father seeing their interaction, with a Ducat as a parting gift and
S. S. Millard S. S. Millard Sam S. Millard (also known as Elid Stanch) was a filmmaker of the 1920s through the 1950s and 1960s. Nicknamed "Steamship", he was one of the Forty Thieves of exploiters. Considered an early father of the roadshow-style exploitation film circuit, his film productions and presentations laid the groundwork for a number of later exploitation films. Millard's actual date and place of birth is unknown, but it is believed he is of Romanian descent, and was once able to pass off as Romanian nobility to a former Romanian queen. While a financially successful individual, he often gave an