Othello tale in composing "Othello", he departed from it in some details. Brabantio, Roderigo, and several minor characters are not found in Cinthio, for example, and Shakespeare's Emilia takes part in the handkerchief mischief while her counterpart in Cinthio does not. Unlike in "Othello", in Cinthio, the "Ensign" (the play's Iago) lusts after Desdemona and is spurred to revenge when she rejects him. Shakespeare's opening scenes are unique to his tragedy, as is the tender scene between Emilia and Desdemona as the lady prepares for bed. Shakespeare's most striking departure from Cinthio is the manner of his heroine's death. In Shakespeare,
The Maidservant provenance of the painting is as follows: The Maidservant The Maidservant (formerly Gentleman and Lady in a Bedroom) (ca.1667-1670) is an oil on panel painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Metropolitan Museum of Art. This painting by Hooch was documented by Hofstede de Groot in 1908, who wrote; "80. Gentleman and Lady in a Bedroom. To the right a lady in bed converses with her husband who is sitting in his night-gown on a chair, pulling on his stockings. A fur-trimmed cape and a