The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
The Merchant of Venice (1961 film) a little bit of edge to her tongue. Tanya has all these." The Merchant of Venice (1961 film) The Merchant of Venice is a 1961 Australian TV adaptation of the play by William Shakespeare. The "Sydney Morning Herald" called it "the most important television play of the year. and among Sydney's actresses the role of Portia was the most sought after." It went to the relatively inexperienced Tanya Halesworth who was a presented at the ABC. Director Alan Burke said he saw Portia "as a beautiful debutante, the darling of the deb set of her day. I wanted a beautiful