Othello alone onstage, Frank Finlay (who was playing Iago) would have to stand offstage where Olivier could see him to settle his nerves. This performance was recorded complete on LP, and filmed by popular demand in 1965 (according to a biography of Olivier, tickets for the stage production were notoriously hard to get). The film version still holds the record for the most Oscar nominations for acting ever given to a Shakespeare film – Olivier, Finlay, Maggie Smith (as Desdemona) and Joyce Redman (as Emilia, Iago's wife) were all nominated for Academy Awards. Olivier was among the last white actors to
Othello in popular culture Tragedy of Othello: The Moor of Venice" (1952), produced as a black-and-white film noir. The film stars Welles as Othello and Suzanne Cloutier as Desdemona. The troubled production was filmed over the course of three years as Welles' time and money permitted, in Mogador, Morocco and Venice. Lack of funds (and costumes) forced Roderigo's death scene to be shot in a Turkish bath with performers wearing only large, ragged towels. The film won the Palme d'Or at the 1952 Cannes Film Festival. Rather than focusing on racial disparity, the film plays on a difference between Desdemona and Othello in age,