Jessica (The Merchant of Venice) the 1955 Arden Shakespeare second series edition of the play: "… nowhere in the play does Shylock show any tenderness towards his daughter …. … as a Jewess, loved by a Christian, Jessica stood in a fair way for the audience's sympathy …." In Munday's "Zelauto", Brisana (Jessica) opposes her father, Trinculo (Shylock), and eventually elopes with Rodolpho (Lorenzo); all presented sympathetically for the audience. Similarly, in Salernitano's 14th "novella", the daughter makes off with her father's money, to the same effect. "In both these examples, the father is avaricious …. It ranks him with the miserly fathers in Elizabethan
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss