Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
The Master (1961–1984) The Master (1961–1984) The Master (1961–1984) is a chronological box set album looking back at American R&B/soul legend Marvin Gaye's phenomenal 23-year recording career. Spanning four discs, the box set goes over all portions of Gaye's career with a repertoire that spanned doo-wop, R&B, soul, psychedelic soul and funk with a mixture of themes including dance songs, love ballads, duets, socially conscious material, sensual material and autobiographical revelations. The set includes rarities such as a recorded 1981 live track of Gaye and Gladys Knight & the Pips each singing their seminal hit "I Heard It Through the Grapevine", Gaye's famed