Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
One-hit wonder One-hit wonder A one-hit wonder is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one top-40 hit single that overshadows their other work. Sometimes, artists dubbed "one-hit wonders" in a particular country have had great success in other countries. In "The Billboard Book of One-Hit Wonders," music journalist Wayne Jancik defines a one-hit wonder as "an act that has won a position on [the] national, pop, Top 40 record chart