Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
Master and Servant Act government, claiming that "Our rights as workers are back where they were in the early 1800s - the only thing now missing is a Master - Servants Act." Similar comparisons have been made by social commentators, unionists and politicians. Master and Servant Act Master and Servant Acts or Masters and Servants Acts were laws designed to regulate relations between employers and employees during the 18th and 19th centuries. An 1823 United Kingdom Act described its purpose as "the better regulations of servants, labourers and work people". This particular Act greatly influenced industrial relations and employment law in the United States,