Othello (paintings) human figures encountered in intimate situations heightened by the contrast of light and dark, and various sexual metaphors. The second part contains about thirty canvases dealing with themes of intrigue, suspicion, and killing making direct references to the characters Iago, Othello, and Desdemona in Shakespeare’s tragedy. They reveal images of aggressiveness, intensity, and violence with webs of turbulent rhythm, whirling forms, and allegorical concepts as a means of conjuring imagery with layers of meanings and symbols that may visually reinterpret the intensity of events leading to Othello killing of Desdemona. Othello (paintings) Othello is a series of paintings executed in
Desdemona handkerchief from a sash at her waist; his wife is not involved in the mischief as is Shakespeare's Emilia. Later, Cinthio's ensign's wife learns of her husband's villainy in the handkerchief deception but feels constrained to remain silent. Unlike Shakespeare's Emilia, Cintho's ensign's wife lives to tell what she knows of Disdemona's death long after her husband and the Moor are dead. Disdemona's death in Cinthio is strikingly different from Desdemona's death in Shakespeare. The poet's gentle scene between Desdemona and Emilia while preparing for bed does not exist in Cinthio, and Cinthio's murder of Disdemona is accomplished when the