The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
The Masque at Kenilworth and the ancient Greek poet Arion, who arrives astride a dolphin. A performance of the "summer night" scene from "The Merchant of Venice" is given, and then the Queen is sung lovingly to sleep. The "Merchant of Venice" scene is anachronistic, since Shakespeare was a young boy in 1575, but Chorley notes in his preface that Scott had also anachronistically used Shakespeare material. Chorley's effort was ridiculed as "trivial". In addition, Chorley faced much criticism over a misquote of "The Merchant of Venice" in No. 7, "Scene from "The Merchant of Venice"". Chorley's line reads: "Still quiring to the young-eyed