Emilia (Othello) drops the handkerchief in Cassio's chamber. (III.iii.321–322). Later Emilia even lies to Desdemona, saying she doesn't know where it is; it is clear she feels a "divided duty" in this matter between her friend and her husband. She is, however, entirely ignorant of Iago's plans until the very end of the play. Iago states on two separate occasions during the play that he suspects Emilia of infidelity with both Othello and Cassio, and this is sometimes suggested as a possible motive for his actions; however, there is little if any evidence within the play to suggest that his suspicions have
Emilia Lanier The character Emilia speaks some of the first feminist lines on an English stage and could thus be seen as a contemporary allegory for Emilia Lanier herself, while the musicians in both plays, Prior argues, are allegories for members of her family. For these and other reasons it has been argued by Prior and other scholars that Lanier co-authored these plays, especially the 1623 First Folio version of "Othello" which contains 163 key lines not present in the 1622 Quarto. In addition, Hudson believes that another "signature" exists in "Titus Andronicus" where there are an Aemilius and a Bassianus, each