The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds is a painting of the traditional subject which was painted during the last year of El Greco's life. The painting is a work which the artist made to hang over his own tomb in the church of Santo Domingo el Antiguo in Toledo. El Greco's signature, in Greek, may be seen in the lower left corner. Extreme distortion of body characterizes the "Adoration of the Shepherds" like all the last paintings of El Greco.The infant Christ seems to emit a light which plays off the faces of
Art of El Greco "madness". The critic Zacharie Astruc and the scholar Paul Lefort helped to promote a widespread revival of interest in his painting. In the 1890s, Spanish painters then living in Paris adopted him as their guide and mentor. In 1908, art historian Manuel Bartolomé Cossío, who regarded El Greco's style as a response to Spanish mystics, published the first comprehensive catalogue of El Greco's works. In this book, El Greco is described as the founder of the Spanish School and as the conveyor of the Spanish soul. Julius Meier-Graefe, a scholar of French Impressionism, travelled in Spain in 1908 and wrote