Othello tale in composing "Othello", he departed from it in some details. Brabantio, Roderigo, and several minor characters are not found in Cinthio, for example, and Shakespeare's Emilia takes part in the handkerchief mischief while her counterpart in Cinthio does not. Unlike in "Othello", in Cinthio, the "Ensign" (the play's Iago) lusts after Desdemona and is spurred to revenge when she rejects him. Shakespeare's opening scenes are unique to his tragedy, as is the tender scene between Emilia and Desdemona as the lady prepares for bed. Shakespeare's most striking departure from Cinthio is the manner of his heroine's death. In Shakespeare,
Emilia Lanier The character Emilia speaks some of the first feminist lines on an English stage and could thus be seen as a contemporary allegory for Emilia Lanier herself, while the musicians in both plays, Prior argues, are allegories for members of her family. For these and other reasons it has been argued by Prior and other scholars that Lanier co-authored these plays, especially the 1623 First Folio version of "Othello" which contains 163 key lines not present in the 1622 Quarto. In addition, Hudson believes that another "signature" exists in "Titus Andronicus" where there are an Aemilius and a Bassianus, each