El Greco the other seventy), equal in value to a work by Titian or Tintoretto of that period. Therefore, it seems that El Greco traveled to Venice sometime after 27 December 1566. In one of his last articles, Wethey reassessed his previous estimations and accepted that El Greco left Crete in 1567. According to other archival material—drawings El Greco sent to a Cretan cartographer—he was in Venice by 1568. g. Mancini reports that El Greco said to the Pope that if the whole work was demolished he himself would do it in a decent manner and with seemliness. h. Toledo must have
Dormition of the Virgin (El Greco) that was discovered in 1983 in the church of the same name in Syros. Marina Lambraki-Plaka believes that such a connection exists. Robert Byron, according to whom the iconographic type of the "Dormition" was the compositional model for "The Burial of the Count of Orgaz", asserts that El Greco as a genuine Byzantine painter worked throughout his life with a repertoire of components and motifs at will, depending on the narrative and expressive requirements of the art. Dormition of the Virgin (El Greco) El Greco painted his Dormition of the Virgin near the end of his Cretan period, probably before