The Merchant of Venice (opera) 2013. Keith Warner directed the production, which was also supported by the Adam Mickiewicz Institute and the Grand Theatre – National Opera, Warsaw. The opera libretto follows the plot of the original play very closely, generally using Shakespeare's own words. Many of the minor characters are excised. Act I introduces the melancholy merchant Antonio, his friend Bassanio who asks Antonio for money to back his wooing of Portia, the Jewish moneylender Shylock, his daughter Jessica and her Gentile lover, Lorenzo. Despite evident mutual personal animosity, Shylock agrees to lend Antonio 3000 ducats against the pledge of a pound of the
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss