Jessica (The Merchant of Venice) usually extend and deepen existing dramatic conventions, and Jessica must be seen in a context of classical and Elizabethan conventions for such characters. Slights highlights comedies where children rebel against a miserly father, or romances where daughters defy a repressive father for love. These conventions would be familiar for both Shakespeare and an Elizabethan theatre audience, and, indeed, modern audiences tend to accept Jessica's actions as natural within the context of the plot. Her escape from Shylock's repressive household to Belmont a quest for freedom, and from misfortune to happiness. This view is supported by John Russell-Brown, the editor of
Jessica (The Merchant of Venice) and classical comedies, who are only fit to be dupes of their children …." The first critical notice of Jessica in the 18th century was made by William Warburton, who commented on the line in Act 5, Scene 1: "Fair ladies, you drop manna in the way / Of starvèd people." Warburton's comment was that ""Shakespear" is not more exact in any thing, than in adapting his images with propriety to his speakers; of which he has here given an instance in making the young "Jewess" call good fortune, "Manna"." Unfortunately, as Samuel Johnson explains rather drily—in a note to