The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
The Merchant of Venice "Il Pecorone" by Giovanni Fiorentino, which was published in Milan in 1558. Elements of the trial scene are also found in "The Orator" by Alexandre Sylvane, published in translation in 1596. The story of the three caskets can be found in "Gesta Romanorum", a collection of tales probably compiled at the end of the 13th century. The date of composition for "The Merchant of Venice" is believed to be between 1596 and 1598. The play was mentioned by Francis Meres in 1598, so it must have been familiar on the stage by that date. The title page of the first