Sentimental novel a model for refined, sensitive emotional effect. The ability to display feelings was thought to show character and experience, and to shape social life and relations. Among the most famous sentimental novels in English are Samuel Richardson's "Pamela, or Virtue Rewarded" (1740), Oliver Goldsmith's "Vicar of Wakefield" (1766), Laurence Sterne's "Tristram Shandy" (1759–67), "Sentimental Journey" (1768), Henry Brooke's "The Fool of Quality" (1765–70), Henry Mackenzie's "The Man of Feeling" (1771) and Maria Edgeworth's "Castle Rackrent" (1800). Continental examples are Jean-Jacques Rousseau's novel "Julie, or the New Heloise", his autobiography "The Confessions" (1764–70) and Goethe's novel "The Sorrows of Young Werther"
Laurence Sterne Foster Wallace. Italo Calvino referred to "Tristram Shandy" as the "undoubted progenitor of all avant-garde novels of our century". The Russian Formalist writer Viktor Shklovsky regarded "Tristram Shandy" as the archetypal, quintessential novel, of which all other novels are mere subsets: ""Tristram Shandy" is the most typical novel of world literature." However, the leading critical opinions of "Tristram Shandy" tend to be markedly polarised in their evaluations of its significance. Since the 1950s, following the lead of DW Jefferson, there are those who argue that, whatever its legacy of influence may be, "Tristram Shandy" in its original context actually represents