The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
The Shakespeare Project involving the five guests from the Royal Shakespeare Company...a unique venture." Stasio added, "Everybody at the opening night party, including such members of the theatrical community as Milo O'Shea, Barnard Hughes and Gloria Foster, seemed to want to a regular event of the unprecedented project." In the evenings, the five actor also performed a "five-hander" version of Shakespeare "The Merchant of Venice", Dylan Thomas' "Under Milk Wood", and the New York premiere of D. H. Lawrence's "The Tarnished Phoenix". The week-long residency drew sell-out crowds at its two venues, the All Angels Episcopal Church at Lincoln Center, and The Shakespeare