The Virgin of Charity (El Greco) of the Virgin"). It updates the medieval iconography of the Virgin of Mercy. The central figure of the Virgin opens her cloak, sheltering a group of figures in then-fashionable ruffs, including the painter's son and other members of the Toledan aristocracy. The Virgin of Charity (El Greco) The Virgin of Charity (Spanish - "La Virgen de la Caridad") is a 1597-1603 painting by El Greco. It was part of a commission to paint five works for the high altarpiece of the Santuario de Nuestra Señora de la Caridad in the Spanish town of Illescas, Toledo, gained through the mediation of
Art of El Greco issues about El Greco's Byzantine origins needing further illumination. According to Lambraki-Plaka "far from the influence of Italy, in a neutral place which was intellectually similar to his birthplace, Candia, the Byzantine elements of his education emerged and played a catalytic role in the new conception of the image which is presented to us in his mature work". According to Lambraki-Plaka, El Greco employed a deliberately non-naturalistic style and his completely spiritualized figures are a reference to the ascetics of Byzantine hagiography. El Greco in his lifetime was highly esteemed as an architect and sculptor. He usually designed complete altar