The Immaculate Conception (El Greco, Toledo) The Immaculate Conception (El Greco, Toledo) "The Virgin of the Immaculate Conception" is a painting of the Immaculate Conception by El Greco. The work on the painting began in 1607 and was completed in 1613. It is owned by the church of San Nicolás de Bari in Toledo. It is displayed, however, in the Museo De Toledo. El Greco immersed himself in the Italian Renaissance during his stay in Venice and Rome, which allowed him to experiment with the opposing "colore" and "disegno" techniques for size. Afterwards, El Greco relocated to Toledo in 1577, and this move signified the beginning
El Greco fallacy abilities. El Greco fallacy The El Greco fallacy is typically a perceptive fallacy, where it is assumed that particular perceptual abnormalities will influence interactions with the world of a similar nature. It is named after an erroneous explanation for the vertically distorted painting style of El Greco, which held that the artist must have seen the world as distorted by a peculiar astigmatism, and thus painted this distorted world. This theoretical astigmatism cannot explain El Greco's style though, as he would have seen his canvases distorted in the same way, and painting onto them would have cancelled out any distortion.