The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
The Merchant of Venice (1923 film) German retained Shakespeare’s nomenclature, but in the American they were given new names sourced from the Italian work "Il Pecorone", a 14th-century short story collection attributed to Giovanni Fiorentino, from which Shakespeare is believed to have drawn his idea. The film purports to be a return to the original, as an excuse for its differences from the play. The characters are renamed in the extant English script. The script varies significantly from Shakespeare's original. Mordecai, The Jew of Mestri, has a young daughter, Rachela, whom he has betrothed against her will to Elias, the son of his merchant friend Tubal.