The Immaculate Conception (El Greco, Toledo) in his artistic career; between the years of 1581 and 1585. As such, the demand for devotional works by El Greco’s patrons escalated rapidly. His customers were able to choose from a few samples, often smaller versions of his works, which he would then alter to suit their preferences. El Greco later became the master of a workshop which dealt with the creation of architectural or framing devices for cathedrals. These years of 1597 - 1607 were a profitable decade for him and his workshop, yielding several commissions and outputs. Despite staying in Toledo, this granted El Greco significant projects
Posthumous fame of El Greco that El Greco represents the beginning of the Spanish School was formulated for the first time in an allusive manner. The ruling ideology if the founders of the museum placed El Greco at the beginning of the Spanish School, and gave him more or less the title of its founder. In 1838 the A of Spanish painting was already El Greco while the Z was Goya. Nevertheless, Murillo, Velázquez, Ribera, Cano and Zurbarán were the painters to whom critics, artists and public referred reacted favorably to the Spanish Museum. Only a small élite preferred El Greco and Goya. With the