Emilia (Othello) nature in sharp contrast to Desdemona, who seems almost unable to believe that any woman could contemplate such an act. Throughout the play, Iago uses Emilia's close friendship with Desdemona to gain access to her and, in particular, asks her to steal Desdemona's handkerchief, which he subsequently drops in Cassio's house and later uses this as evidence to convince Othello that Cassio has been with Desdemona. Emilia does not agree to steal the handkerchief for Iago. Iago snatches it from her and all she can do is ask about what he'll do with it (III.iii.310–320). Iago is the one who
The Maidservant provenance of the painting is as follows: The Maidservant The Maidservant (formerly Gentleman and Lady in a Bedroom) (ca.1667-1670) is an oil on panel painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Metropolitan Museum of Art. This painting by Hooch was documented by Hofstede de Groot in 1908, who wrote; "80. Gentleman and Lady in a Bedroom. To the right a lady in bed converses with her husband who is sitting in his night-gown on a chair, pulling on his stockings. A fur-trimmed cape and a