The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
The Maori Merchant of Venice in 2002, while Waihoroi Shortland won the film award for best actor at the New Zealand Film and TV Awards in 2003. "The Merchant of Venice" is not the only Shakespearian play to have been adapted to Māori themes, though it is the only one to have been released as a feature film. Adaptations of "Othello", using a Māori cast and usually set during either the Musket Wars or New Zealand Land Wars of the nineteenth century, have been performed on numerous occasions since the late 1990s, most notably at Christchurch's Court Theatre in 2001. The Maori Merchant of Venice