The Immaculate Conception (El Greco, Toledo) The Immaculate Conception (El Greco, Toledo) "The Virgin of the Immaculate Conception" is a painting of the Immaculate Conception by El Greco. The work on the painting began in 1607 and was completed in 1613. It is owned by the church of San Nicolás de Bari in Toledo. It is displayed, however, in the Museo De Toledo. El Greco immersed himself in the Italian Renaissance during his stay in Venice and Rome, which allowed him to experiment with the opposing "colore" and "disegno" techniques for size. Afterwards, El Greco relocated to Toledo in 1577, and this move signified the beginning
El Greco in nature". Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. Jonathan Brown believes that El Greco endeavored to create a sophisticated form of art; according to Nicholas Penny "once in Spain, El Greco was able to create a style of his own—one that disavowed most of the descriptive ambitions of painting". In his mature works El Greco demonstrated a characteristic tendency to dramatize rather than to describe. The strong spiritual emotion transfers