Toccata Toccata Toccata (from Italian "toccare", literally, "to touch") is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera "L'Orfeo" being a notable example). The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli,
A Toccata of Galuppi's A Toccata of Galuppi's "A Toccata of Galuppi's" is a poem by Robert Browning, originally published in the 1855 collection "Men and Women". The title refers to the fact that the speaker is either playing or listening to a toccata by the 18th-century Venetian composer Baldassare Galuppi. The poem consists of fifteen rhymed tercets; its prevailing meter is trochaic octameter catalectic. It is not known whether Browning was thinking of any one piece by Galuppi; in Galuppi's time, the terms "toccata" and "sonata" were less clearly differentiated than they later became, and were used interchangeably. A number of Galuppi's sonatas