Jessica (The Merchant of Venice) critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and her apparently selfish motivations and aimless behaviour. In her 1980 survey, "In Defense of Jessica: The Runaway Daughter in "The Merchant of Venice"", Camille Slights calls out Arthur Quiller-Couch's opinion in the 1926 "The Cambridge Dover Wilson Shakespeare" as an extreme but representative example: Slights sees this as a consequence of sympathetic readings of Shylock, where the play is seen primarily as exposing Christian hypocrisy, and his actions merely natural responses to ostracism and prejudice. In such a reading Jessica's
S. S. Millard S. S. Millard Sam S. Millard (also known as Elid Stanch) was a filmmaker of the 1920s through the 1950s and 1960s. Nicknamed "Steamship", he was one of the Forty Thieves of exploiters. Considered an early father of the roadshow-style exploitation film circuit, his film productions and presentations laid the groundwork for a number of later exploitation films. Millard's actual date and place of birth is unknown, but it is believed he is of Romanian descent, and was once able to pass off as Romanian nobility to a former Romanian queen. While a financially successful individual, he often gave an