Jessica (The Merchant of Venice) critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and her apparently selfish motivations and aimless behaviour. In her 1980 survey, "In Defense of Jessica: The Runaway Daughter in "The Merchant of Venice"", Camille Slights calls out Arthur Quiller-Couch's opinion in the 1926 "The Cambridge Dover Wilson Shakespeare" as an extreme but representative example: Slights sees this as a consequence of sympathetic readings of Shylock, where the play is seen primarily as exposing Christian hypocrisy, and his actions merely natural responses to ostracism and prejudice. In such a reading Jessica's
Jessica (The Merchant of Venice) Christians (who do). Lorenzo joins them and Jessica recounts their conversation, leading to further banter between Lorenzo and Gobbo, until Gobbo leaves to prepare for dinner. In response to questioning by Lorenzo, Jessica praises Portia as great and peerless. Act 5, Scene 1—the final scene of the play, and following on from the courtroom scene in Act 4—opens with Jessica and Lorenzo strolling in the gardens of Belmont. They exchange romantic metaphors, invoking in turn characters from classical literature: "Troilus and Criseyde", Pyramus and Thisbē, Aeneas and Dido, Jason and Medea, and finally themselves in the same mode, until they