Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
Anyone Who Had a Heart (song) to be realized despite her association with The Beatles, her recording of the Lennon-McCartney original "Love of the Loved" having been only a modest hit (No.35). Martin produced the session for Black's recording of "Anyone Who Had a Heart" at Abbey Road Studios; the arrangement was by Johnny Pearson and the session personnel included guitarists Vic Flick and Big Jim Sullivan and The Breakaways vocal group. Black's single of "Anyone Who Had a Heart" debuted at No.28 on the UK Top 50 dated 8 February 1964. The Dionne Warwick original, issued by Scepter's UK licensee Pye Records, debuted on the