Laocoön (El Greco) turmoil. The dark, sinister rocks of the foreground add to the intense emotional atmosphere. El Greco places the classical subject against a gloomy view of Toledo. El Greco’s use of Toledo as the backdrop for his depiction of Laocoön’s death may be based on local folklore that the people of Toledo descended from the Trojans. In the painting, the Trojan horse moves towards the city, a reminder of Laocoön’s failed attempt to convince his countrymen of the trap. El Greco portrays the city Toledo as a world of suffering, using color to create a sense of doom. The high horizon
El Greco custom of identifying a man by designating a country or city of origin was a common practice. The curious form of the article ("El") may be from the Venetian dialect or more likely from the Spanish, though in Spanish his name would be "". The Cretan master was generally known in Italy and Spain as "Dominico Greco", and was called only after his death El Greco (). b. According to a contemporary, El Greco acquired his name, not only for his place of origin, but also for the sublimity of his art: "Out of the great esteem he was held