Max Aitken, 1st Baron Beaverbrook 15% across the board, took control of aircraft repairs and RAF storage units, replaced the management of plants that were underperforming, and released German Jewish engineers from internment to work in the factories. He seized materials and equipment destined for other departments and was perpetually at odds with the Air Ministry. His appeal for pots and pans "to make Spitfires" was afterwards revealed by his son Sir Max Aitken to have been nothing more than a propaganda exercise. Still, a "Time Magazine" cover story declared, "Even if Britain goes down this fall, it will not be Lord Beaverbrook's fault. If
Charles Aitken the Whitechapel Art Gallery from 1901 to 1911, and became Keeper at the Tate Gallery in 1911. In 1917 he changed his title from "Keeper" to "Director". Sir John Rothenstein described Aitken as "an ordinary man: his intelligence was relatively pedestrian, his powers of self-expression scarcely adequate". However, Rothenstein considered that the job "brought out qualities that made him a great director: clarity and firmness of purpose". When one of the greatest collections of the works of William Blake came on the open market, Aitken, who had no purchasing budget, put together a consortium to save it. Because of the