The Virgin of Charity (El Greco) of the Virgin"). It updates the medieval iconography of the Virgin of Mercy. The central figure of the Virgin opens her cloak, sheltering a group of figures in then-fashionable ruffs, including the painter's son and other members of the Toledan aristocracy. The Virgin of Charity (El Greco) The Virgin of Charity (Spanish - "La Virgen de la Caridad") is a 1597-1603 painting by El Greco. It was part of a commission to paint five works for the high altarpiece of the Santuario de Nuestra Señora de la Caridad in the Spanish town of Illescas, Toledo, gained through the mediation of
Posthumous fame of El Greco Manet. The first painter who appears to have noticed the structural code in the morphology of the mature El Greco was Paul Cézanne, one of the forerunners of cubism. Maurice Denis, a deep admirer of Cézanne, was the first one to connect El Greco with Cézanne; he had the idea of connecting the early period of Cézanne to El Greco. In an article of his in 1907 Denis, when he is referring to El Greco, he does not omit any of the commonplaces which have been formulated about him, but, on the other hand, he establishes a new, dynamic relationship