Desdemona and Ellen Terry who all played the melodramatic role of womanly innocence traduced and overwhelmed to the hilt. In 1839, Samuel Phelps and William Charles Macready alternated in the roles of Othello and Iago at the Haymarket Theatre with Helen Faucit in the role of Desdemona. In 1881, Ellen Terry performed the role at London's Lyceum Theatre with Edwin Booth and Henry Irving alternating in the roles of Othello and Iago. The production was a great artistic and financial success. In the twentieth century, Peggy Ashcroft played the character opposite Paul Robeson in London's Savoy Theatre in 1930, and Uta
Othello that opposition of Brabantio to Desdemona marrying Othello-a respected and honoured general-cannot make sense except in racial terms, citing the scene where Brabantio accuses Othello of using witchcraft to make his daughter fall in love with him, saying it is "unnatural" for Desdemona to desire Othello's "sooty bosom". Singh argued that since people with dark complexions are common in the Mediterranean area that for a Venetian senator like Brabantio to oppose Desdemona marrying Othello for merely being swarthy makes no sense, and that character of Othello was intended to be black. Michael Neill, editor of "The Oxford Shakespeare", notes that