English novel Samuel Richardson (1689–1761), author of the epistolary novels "Pamela, or Virtue Rewarded" (1740) and "Clarissa" (1747–48); Henry Fielding (1707–1754), who wrote "Joseph Andrews" (1742) and "The History of Tom Jones, a Foundling" (1749); Laurence Sterne (1713–1768), who published "Tristram Shandy" in parts between 1759 and 1767; Oliver Goldsmith (1728–1774), author of "The Vicar of Wakefield" (1766); Tobias Smollett (1721–1771), a Scottish novelist best known for his comic picaresque novels, such as "The Adventures of Peregrine Pickle" (1751) and "The Expedition of Humphry Clinker" (1771), who influenced Charles Dickens; and Fanny Burney (1752–1840), whose novels "were enjoyed and admired by Jane
Laurence Sterne Foster Wallace. Italo Calvino referred to "Tristram Shandy" as the "undoubted progenitor of all avant-garde novels of our century". The Russian Formalist writer Viktor Shklovsky regarded "Tristram Shandy" as the archetypal, quintessential novel, of which all other novels are mere subsets: ""Tristram Shandy" is the most typical novel of world literature." However, the leading critical opinions of "Tristram Shandy" tend to be markedly polarised in their evaluations of its significance. Since the 1950s, following the lead of DW Jefferson, there are those who argue that, whatever its legacy of influence may be, "Tristram Shandy" in its original context actually represents