Desdemona strength of the love she bears for Othello, that inspires her boldness. Yet the passion of her love both arouses and unnerves her husband too, adding to the seeds of fear and suspicion. When Emilia's husband Iago sees Desdemona's handkerchief, he appropriates it and forbids Emilia to disclose its whereabouts to Desdemona. Iago plants the article in Cassio's room. Eventually, Othello sees Cassio with the handkerchief and accepts it as confirmation of Desdemona's infidelity. Desdemona is concerned over the loss of the handkerchief but maintains that its loss will not cause Othello to grow angry. Emilia is more cynical, especially
The Maidservant The Maidservant The Maidservant (formerly Gentleman and Lady in a Bedroom) (ca.1667-1670) is an oil on panel painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Metropolitan Museum of Art. This painting by Hooch was documented by Hofstede de Groot in 1908, who wrote; "80. Gentleman and Lady in a Bedroom. To the right a lady in bed converses with her husband who is sitting in his night-gown on a chair, pulling on his stockings. A fur-trimmed cape and a hat lie near him on a table