Pygmalion (mythology) was a son, and they also had a daughter, Metharme. Ovid's mention of Paphos suggests that he was drawing on a more circumstantial account than the source for a passing mention of Pygmalion in Pseudo-Apollodorus' "Bibliotheke", a Hellenic mythography of the 2nd-century AD. Perhaps he drew on the lost narrative by Philostephanus that was paraphrased by Clement of Alexandria. "Pygmalion" is the Greek version of the Phoenician royal name "Pumayyaton", and figures in the legend of Paphos in Cyprus. The story of the breath of life in a statue has parallels in the examples of Daedalus, who used quicksilver to
Pygmalion and the Image series Burne-Jones' spectacular "Cupid and Psyche" frieze. Although not imbued with the depth and texture of "The Merciful Knight" (1863), this second attempt at portraying the tale of Pygmalion and Galatea has become regarded as one of the artist's most important works. It was exhibited at Sir Coutt Lindsay's new Grosvenor Gallery in 1879, thereby establishing Burne-Jones as one of the leading artists in the burgeoning Aesthetic Movement. A pencil on paper study for the work is in The New Art Gallery Walsall. Pygmalion "(first series)" Pygmalion and the Image "(second series)" Pygmalion and the Image series Pygmalion and the Image