Devadatta practised in a similar way and with the same books as common Buddhists, but followed the similar tapas and performed rituals to the past three buddhas and not Śākyamuni. In Cullavagga section VII of the Vinayapiṭaka of the Theravādins which deals with schisms, it is told how Devadatta went forth along with a number of the Buddha’s other relatives and clansmen. In the first year he attained psychic power, but made no supermundane achievement. Looking round to see whom he could convince to honour him he decided to approach Prince Ajātasattu, the heir to the Magadhan throne. Having psychic power
Branded to Kill to "packed audiences who wildly applauded" at all-night revivals in and around Tokyo. However, Suzuki was blacklisted by the major studios and did not make another feature film until "A Tale of Sorrow and Sadness" (1977) ten years after "Branded to Kill". In the meantime, he subsisted on commercial and television work and writing books of essays. "Branded to Kill" first reached international audiences in the 1980s, featuring in various film festivals and retrospectives dedicated wholly or partially to Suzuki, which was followed by home video releases in the late 1990s. It garnered a reputation as one of his most