The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds is a painting of the traditional subject which was painted during the last year of El Greco's life. The painting is a work which the artist made to hang over his own tomb in the church of Santo Domingo el Antiguo in Toledo. El Greco's signature, in Greek, may be seen in the lower left corner. Extreme distortion of body characterizes the "Adoration of the Shepherds" like all the last paintings of El Greco.The infant Christ seems to emit a light which plays off the faces of
Posthumous fame of El Greco Manet. The first painter who appears to have noticed the structural code in the morphology of the mature El Greco was Paul Cézanne, one of the forerunners of cubism. Maurice Denis, a deep admirer of Cézanne, was the first one to connect El Greco with Cézanne; he had the idea of connecting the early period of Cézanne to El Greco. In an article of his in 1907 Denis, when he is referring to El Greco, he does not omit any of the commonplaces which have been formulated about him, but, on the other hand, he establishes a new, dynamic relationship