Art of El Greco like a vision, all of the buildings painted glistening white. According to Wethey, in his surviving landscapes, "El Greco demonstrated his characteristic tendency to dramatize rather than to describe". Professor Nicos Hadjinicolaou notes the manner in which El Greco could adjust his style in accordance with his surroundings and stresses the importance of Toledo for the complete development of El Greco's mature style. Wethey asserts that "although Greek by descent and Italian by artistic preparation, the artist became so immersed in the religious environment of Spain that he became the most vital visual representative of Spanish mysticism". The same scholar
Saint Sebastian (El Greco, 1576–1579) As Andrew Casper says in his "Art and the Religious image in El Greco's Italy", the figure in "Saint Sebastian" is a quotation of a “figure taken from Michelangelo's body of work—though scholars do not agree on which one.” Certainly a number of scholars have made much of the seeming comparison between El Greco's Sebastian and various figures from Michelangelo's body of work. In his work on El Greco, Michael Scholz-Hansel states without prelude that the figure is “based on Michelangelo as well as on the renowned Greco-Roman statue of Laocoön and His Sons which the artist had evidently studied