The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
S. S. Millard S. S. Millard Sam S. Millard (also known as Elid Stanch) was a filmmaker of the 1920s through the 1950s and 1960s. Nicknamed "Steamship", he was one of the Forty Thieves of exploiters. Considered an early father of the roadshow-style exploitation film circuit, his film productions and presentations laid the groundwork for a number of later exploitation films. Millard's actual date and place of birth is unknown, but it is believed he is of Romanian descent, and was once able to pass off as Romanian nobility to a former Romanian queen. While a financially successful individual, he often gave an