The Virgin of Charity (El Greco) of the Virgin"). It updates the medieval iconography of the Virgin of Mercy. The central figure of the Virgin opens her cloak, sheltering a group of figures in then-fashionable ruffs, including the painter's son and other members of the Toledan aristocracy. The Virgin of Charity (El Greco) The Virgin of Charity (Spanish - "La Virgen de la Caridad") is a 1597-1603 painting by El Greco. It was part of a commission to paint five works for the high altarpiece of the Santuario de Nuestra Señora de la Caridad in the Spanish town of Illescas, Toledo, gained through the mediation of
Art of El Greco for the Spanish influence in Cézanne. Things themselves necessitate it, the influence of El Greco, a Venetian painter, on him. But his structure is Cubist". The early cubist explorations of Picasso were to uncover other aspects in the work of El Greco: structural analysis of his compositions, multi-faced refraction of form, interweaving of form and space, and special effects of highlights. Several traits of cubism, such as distortions and the materialistic rendering of time, have their analogies in El Greco's work. According to Picasso, El Greco's structure is cubist. On February 22, 1950, Picasso began his series of "paraphrases" of