Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
Master and Servant Act by imprisonment of up to three months with or without hard labour. There were also penalties of up to 10 pounds for anyone who harboured, concealed or re-employed a 'servant' (i.e. worker) who had deserted or absconded or absented himself from his duty implied in the 'contract'. The 1823 Act is not a widely remembered part of Australian political history (although there is a more general association of unacceptable exploitation of workers with the Victorian period). In 2006 a group of trade unionists referred to the 1823 Act in their criticism of the "WorkChoices" industrial relations policies of the Howard