The Immaculate Conception (El Greco, Toledo) of his vital role in the Spanish Renaissance movement. He left behind a circle of like-minded individuals in Italy, mostly scholars and fellow artists, who shared the belief that a "virtuoso", or a true artist, was one that surpassed basic craftsmanship into the realm of artistic imagination. However, this Italian mutual ideology and treatment of artists was not echoed in Toledo, Spain.In hopes of becoming a reputed and well-represented artist in Spain, El Greco aimed to be recognized by King Phillip II. Royal patronage would have ensured a secure transition to Spain, and could possibly have helped him to move
Dormition of the Virgin (El Greco) that was discovered in 1983 in the church of the same name in Syros. Marina Lambraki-Plaka believes that such a connection exists. Robert Byron, according to whom the iconographic type of the "Dormition" was the compositional model for "The Burial of the Count of Orgaz", asserts that El Greco as a genuine Byzantine painter worked throughout his life with a repertoire of components and motifs at will, depending on the narrative and expressive requirements of the art. Dormition of the Virgin (El Greco) El Greco painted his Dormition of the Virgin near the end of his Cretan period, probably before