Desdemona and Ellen Terry who all played the melodramatic role of womanly innocence traduced and overwhelmed to the hilt. In 1839, Samuel Phelps and William Charles Macready alternated in the roles of Othello and Iago at the Haymarket Theatre with Helen Faucit in the role of Desdemona. In 1881, Ellen Terry performed the role at London's Lyceum Theatre with Edwin Booth and Henry Irving alternating in the roles of Othello and Iago. The production was a great artistic and financial success. In the twentieth century, Peggy Ashcroft played the character opposite Paul Robeson in London's Savoy Theatre in 1930, and Uta
Emilia Lanier The character Emilia speaks some of the first feminist lines on an English stage and could thus be seen as a contemporary allegory for Emilia Lanier herself, while the musicians in both plays, Prior argues, are allegories for members of her family. For these and other reasons it has been argued by Prior and other scholars that Lanier co-authored these plays, especially the 1623 First Folio version of "Othello" which contains 163 key lines not present in the 1622 Quarto. In addition, Hudson believes that another "signature" exists in "Titus Andronicus" where there are an Aemilius and a Bassianus, each