Synth-pop (1981), which produced a series of hit singles. These included "Don't You Want Me", which reached number one in the UK at the end of 1981. Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as Orchestral Manoeuvres in the Dark, Japan, Ultravox, Soft Cell, Depeche Mode and even Kraftwerk, enjoying top ten hits. In early 1982 synthesizers were so dominant that the Musicians Union attempted to limit their use. By the end of 1982, these acts had been joined in the charts by synth-based singles from Thomas Dolby, Blancmange, and Tears for
Kenny Rogers and The First Edition and had its first big hit in early 1968 with the pop-psychedelic single "Just Dropped In (To See What Condition My Condition Was In)" (US No. 5). After only one more chart hit, "But You Know I Love You" (US No. 19), the group, newly billed as "Kenny Rogers and the First Edition", once again hit the top ten, this time in the summer of 1969 with the topical "Ruby, Don't Take Your Love to Town" (US No. 6, UK No.2). For the next six years, First Edition bounced between country rock, pop and psychedelic rock, enjoying worldwide success. By