Ophelia whomever he wants. Ophelia's father, Polonius, who enters while Laertes is leaving, also forbids Ophelia from pursuing Hamlet, as Polonius fears that Hamlet is not earnest about her. In Ophelia's next appearance, she tells Polonius that Hamlet rushed into her room with his clothing askew and a "hellish" expression on his face; he only stared at her, nodding three times without speaking to her. Based on what Ophelia told him, Polonius concludes that he was wrong to forbid Ophelia from seeing Hamlet, and that Hamlet must be mad with love for her. Polonius immediately decides to go to Claudius, the
Ophelia (painting) trees around Ophelia, the contouring of her face, and the intricate work Millais did on her dress. Millais produced "Ophelia" in two separate stages: He first painted the landscape, and secondly the figure of Ophelia. Having found a suitable setting for the picture, Millais remained on the banks of the Hogsmill River in Ewell—within a literal stone's throw of where fellow Pre-Raphaelite William Holman Hunt painted "The Light of the World"—for up to 11 hours a day, six days a week, over a five-month period in 1851. This allowed him to accurately depict the natural scene before him. Millais encountered