Goodnight Desdemona (Good Morning Juliet) character, who secures the happy ending of a comedy. In scene 2, Iago discloses that he has a page from the Gustav manuscript and forms a plan to conspire against Constance. Constance bonds with Desdemona, telling of her relationship with Professor Night, while Iago eavesdrops. Constance describes the world of academia and her newfound feminist convictions. Desdemona encounters Iago carrying buckets of filth, and Iago stirs jealousy in her. Desdemona believes Iago's claims that Constance is a witch who is after Othello's heart, and she resolves to kill her! Desdemona sees Othello give Constance a necklace, and her suspicions increase.
Othello America to feature a black actor playing Othello with an otherwise all-white cast (there had been all-black productions of the play before). It ran for 296 performances, almost twice as long as any other Shakespearean play ever produced on Broadway. Although it was never filmed, it was the first lengthy performance of a Shakespeare play released on records, first on a multi-record 78 RPM set and then on a 3-LP one. Robeson had first played the role in London in 1931 in a cast that included Peggy Ashcroft as Desdemona and Ralph Richardson as Roderigo, and would return to it