Desdemona the mouth of the lady) that European women are unwise to marry the temperamental males of other nations. While Shakespeare followed Cinthio's tale very closely in composing "Othello", he deviated significantly in some details. He invented Desdemona's father, Brabantio, and her dissolute Venetian admirer, Roderigo. He invented the entire first act in which Iago arouses Brabantio's prejudices against Othello, and Desdemona defends her choice of husband before the King. Shakespeare considerably expanded the role of Cinthio's ensign's wife. In Cinthio, she is simply Disdemona's companion but in Shakespeare she becomes Desdemona's attendant and confidante. In Cinthio, the ensign filches Disdemona's
Othello (paintings) intense colors and violent movement of the brush seem to add emphasis to the nature of the subject. The embraces of the figures representing Othello and Desdemona are viewed by some as scenes that move "from tender and loving to confusion and rage." When the "Othello" were exhibited at the gallery space of a theater in Atlanta in 1985, the paintings were considered “too provocative” and were taken down the day after the exhibit had been hung. The paintings in the series are divided almost equally in two parts. The first part consists of works often depicting compositions of naked