The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds (El Greco, Madrid) The Adoration of the Shepherds is a painting of the traditional subject which was painted during the last year of El Greco's life. The painting is a work which the artist made to hang over his own tomb in the church of Santo Domingo el Antiguo in Toledo. El Greco's signature, in Greek, may be seen in the lower left corner. Extreme distortion of body characterizes the "Adoration of the Shepherds" like all the last paintings of El Greco.The infant Christ seems to emit a light which plays off the faces of
El Greco claim to rival these masters. As his own commentaries indicate, El Greco viewed Titian, Michelangelo and Raphael as models to emulate. In his 17th century "Chronicles", Giulio Mancini included El Greco among the painters who had initiated, in various ways, a re-evaluation of Michelangelo's teachings. Because of his unconventional artistic beliefs (such as his dismissal of Michelangelo's technique) and personality, El Greco soon acquired enemies in Rome. Architect and writer Pirro Ligorio called him a "foolish foreigner", and newly discovered archival material reveals a skirmish with Farnese, who obliged the young artist to leave his palace. On 6 July 1572,