Pygmalion (mythology) was a son, and they also had a daughter, Metharme. Ovid's mention of Paphos suggests that he was drawing on a more circumstantial account than the source for a passing mention of Pygmalion in Pseudo-Apollodorus' "Bibliotheke", a Hellenic mythography of the 2nd-century AD. Perhaps he drew on the lost narrative by Philostephanus that was paraphrased by Clement of Alexandria. "Pygmalion" is the Greek version of the Phoenician royal name "Pumayyaton", and figures in the legend of Paphos in Cyprus. The story of the breath of life in a statue has parallels in the examples of Daedalus, who used quicksilver to
Pygmalion and Galatea (Gérôme painting) Pygmalion and Galatea (Gérôme painting) Pygmalion and Galatea () is an 1890 painting by the French artist Jean-Léon Gérôme. The motif is taken from Ovid's "Metamorphoses", and depicts how the sculptor Pygmalion kisses his ivory statue Galatea, after the goddess Aphrodite has brought her to life. Jean-Léon Gérôme painted "Pygmalion and Galatea" in the summer of 1890. In 1891 he made a marble sculpture of the same subject, possibly based on a plaster version also used as model for the painting. He made several alternative versions of the painting, each presenting the subject from a different angle. The most famous