Jessica (The Merchant of Venice) father's casket of Ducats, motivates Shylock's vengefulness towards Antonio; she serves as a mirror highlighting the differences between Shylock's Jewish household and Portia's Christian one; and serves as the means by which Shylock is forcibly converted to Christianity. Her first appearance on stage is in Act 2, Scene 3, in a brief scene with Launcelot Gobbo. Gobbo is leaving Shylock's service to give his allegiance to Bassiano, and Jessica bemoans the loss of his company in a household that is "hell". She speeds him along, to avoid her father seeing their interaction, with a Ducat as a parting gift and
Jessica (The Merchant of Venice) actions amount to abandoning her father and betraying him to his enemies. By the last half of the 20th century this "sentimentally sympathetic reading" was starting to be rejected, but without a corresponding reassessment of Jessica. She was still viewed as inhabiting primarily negative values, in contrast with the positive values associated with Portia, Bassanio, and Antonio. Writing in 1977, Raymond B. Waddington thinks that: Slights contradicts this view, pointing out that it conflicts with "a natural audience response" and argues that "we must question judgments that deny the most obvious emotional force of Shakespearean plots and characters." Shakespeare's plays