The Immaculate Conception (El Greco, Toledo) of his vital role in the Spanish Renaissance movement. He left behind a circle of like-minded individuals in Italy, mostly scholars and fellow artists, who shared the belief that a "virtuoso", or a true artist, was one that surpassed basic craftsmanship into the realm of artistic imagination. However, this Italian mutual ideology and treatment of artists was not echoed in Toledo, Spain.In hopes of becoming a reputed and well-represented artist in Spain, El Greco aimed to be recognized by King Phillip II. Royal patronage would have ensured a secure transition to Spain, and could possibly have helped him to move
Posthumous fame of El Greco such as Charles Blanc and Louis Viardot, whose hostile comments on El Greco were a powerful commonplace. Therefore, Lefort wrote an article recommending the repossession of El Greco by the historians. In 1908, art historian Manuel Bartolomé Cossío published the first comprehensive catalogue of El Greco's works. According to Foundoulaki, "in this book El Greco is not established as the founder of the Spanish School, but as the conveyor of Spanish soul par excellence". The same year Julius Meier-Graefe, a scholar of French Impressionism, travelled in Spain and recorded his experiences in "The Spanische Reise", the first book which established