Pygmalion (mythology) was a son, and they also had a daughter, Metharme. Ovid's mention of Paphos suggests that he was drawing on a more circumstantial account than the source for a passing mention of Pygmalion in Pseudo-Apollodorus' "Bibliotheke", a Hellenic mythography of the 2nd-century AD. Perhaps he drew on the lost narrative by Philostephanus that was paraphrased by Clement of Alexandria. "Pygmalion" is the Greek version of the Phoenician royal name "Pumayyaton", and figures in the legend of Paphos in Cyprus. The story of the breath of life in a statue has parallels in the examples of Daedalus, who used quicksilver to
Pygmalion and the Image series strongly evocative of Michelangelo's "Creation" painting on the ceiling of the Sistine Chapel, the goddess adds colour and sensuality to Pygmalion's austere studio and Galatea's soft flesh. The rich-colour drapery, wrapped suggestively around an intricately carved pole at left, is noticeably absent from the other images in the series. When Pygmalion returns home, he finds that his statue has come to life and humbles himself at her feet. This was not Burne-Jones' only series of pictures: others include "The Briar Rose" series (1885–1890), which was based on Charles Perrault's fairy tale, "Sleeping Beauty" (as retold by the Brothers Grimm), and