The Cock, the Dog and the Fox the cock a jazz club performer and the protective dog a bouncer. There is a carving of "The Cock and the Cat" from the Bharhut stupa, dating from 150 BCE, which is now displayed in the Indian Museum in Calcutta. Aesop's fable can be found on household china in Europe, but it is not always clear whether the story of "Chanticleer and the Fox" is meant instead without the appearance of the dog as well. The dog occupies the foreground on an 18th-century ornamental dessert dish from the Chelsea porcelain factory, while in Marc Chagall's 1952 series of etchings, which
The Cock, the Dog and the Fox must be messengers from the King of the Beasts. When the agitated fox starts to leave, the cock asks him the reason; the fox replies that he fears the dogs were not present when the peace was announced. This version of the story was an influence on the fable's retelling in Europe. It is to be found early among the humorous tales of Poggio Bracciolini's "Facetiae" (1450), where the fleeing fox explains only that the dogs have not yet heard that peace has been declared. In France the story reappeared in the first book of emblems of Guillaume Gueroult (1550).