Leda and the Swan (Michelangelo) to spend in hiding. It was a square work in tempera, representing Jupiter as a swan making love to a reclining Leda (based on a composition from ancient Roman gems and seals), an egg and Castor and Pollux as children. It was completed by mid-October 1530 but Alfonso described it as a "little thing" in Michelangelo's hearing and so he refused to hand it over. The work and some of the preparatory drawings were in fact acquired (either as a purchase or a gift) by Antonio Mini, who took it to France in 1531. In 1532 he left it to
Leda and the Swan (Peter Paul Rubens) a painted ellipse that cut off the left elbow and part of the right foot as seen through x-rays. Today it is in a rectangular format along with the 1602 painting. In his second painting, the brushstrokes are more precise, there is more detail, there is a clearer landscape in the background, an elaborate headpiece, more vibrant colors, and the drapery is white and red. A common Renaissance and Baroque theme is females that are abducted or seduced by divinities. This includes Leda and the swan as Zeus, as well as Europa, Antiope, and Danae. Many portrayals of women being