Bayreuth Festival conducted performances in Paris and Barcelona, performing "Parsifal", "Die Walküre" and "Tristan und Isolde". In 1973, faced with overwhelming criticism and family infighting, the Bayreuth Festival and its assets were transferred to a newly created Richard Wagner Foundation. The board of directors included members of the Wagner family and others appointed by the state. As chairman, Wolfgang Wagner remained in charge of administration of the festival. While Wolfgang Wagner continued to administer the festival, beginning in the 1970s, production was handled by a number of new directors in what Wolfgang called "Werkstatt Bayreuth" (Bayreuth Workshop). The idea was to turn
Bayreuth Festival beauty of Wieland's reinterpretation of his grandfather's works. Wieland's innovative productions invited comparison to Wolfgang's, which critics unanimously found to be uninspired. If Wieland's productions were radical, Wolfgang's were regressive. Although still minimalist in approach, Wolfgang resurrected much of the naturalistic and romantic elements of pre-war productions. Thus, when Wieland died prematurely from lung cancer in 1966, many wondered if Bayreuth had a future. They began to question Bayreuth's primacy among German opera houses, and some suggested that more interesting productions were being staged elsewhere. Around this time (1955), in order to broaden its audience, the whole Bayreuth Festival company