Bayreuth Festival derided for his 1956 production of "Die Meistersinger von Nürnberg." Stripped of its pageantry, conservatives viewed the breaking of this "sacred German tradition" as an outrage. Wieland defended the changes as an attempt to create an "invisible stage" that would allow the audience to experience the full psychosocial aspects of the drama without the baggage and distraction of elaborate set designs. Others have speculated that by stripping Wagner's works of their Germanic and historic elements, Wieland was attempting to distance Bayreuth from its nationalistic past and create productions with universal appeal. Over time, many critics came to appreciate the unique
Presteigne Festival ‘Open Borders’ Festival, which commissioned twelve new works, one from each of the then European Community countries; 1993 Appointment of George Vass as Artistic Director. Presteigne Festival of Music and the Arts Limited registered as a charity; 1994 Establishment of annual composer-in-residence scheme; 1999 The Festival was short listed for one of the annual Royal Philharmonic Society awards(nominated again in 2003); 2006 Pēteris Vasks first non-British composer-in-residence; Baltic music feature; 2007 25th anniversary festival which included seventeen world premieres. Australian musician Peter Sculthorpe was composer-in-residence; 2008 New executive structure introduced, which enabled the Festival to become more flexible and professional