The Hebrides (overture) retains this position to the present day. Mendelssohn's first visit to England in 1829 resulted from invitations by Sir George Smart and the Philharmonic Society. Following his tour of England, Mendelssohn proceeded to Scotland, where he began work on his Symphony No. 3, "Scottish". He was engaged on a tour of Scotland with his travelling companion Karl Klingemann when he sent a postcard to his family with the opening phrase of the overture written on it. In a note to his sister Fanny, he said: "In order to make you understand how extraordinarily the Hebrides affected me, I send you
Overture on Hebrew Themes reorchestrate it" but, nevertheless, he was persuaded to make a version for chamber orchestra in 1934, published as Op. 34a . The orchestrated version is performed less often, because it lacks the earthiness and uncanny timbral balance of the original . Prokofiev did not regard the work very highly. When a Scots critic, Andrew Fraser, published an article in 1929 describing the Overture as "a beautiful and pathetic work", the composer wrote in response, "its technique is conventional, its form is bad (4 + 4 + 4 + 4)". When his friend Nikolai Myaskovsky praised the second theme, Prokofiev retorted,