The Mamas & the Papas played something closer to folk rock, with bass and drums. Their rehearsals in the Virgin Islands were "the first time that we tried playing electric". The band then traveled from New York to Los Angeles for an audition with Lou Adler, co-owner of Dunhill Records. The audition was arranged by Barry McGuire, who had befriended Cass Elliot and John Phillips independently over the previous two years, and who had recently signed with Dunhill himself. It led to "a deal in which they would record two albums a year for the next five years", with a royalty of 5 percent on
The Papas & The Mamas In retrospect, Adler has said that the recording space was not well made, and the sound quality was not well-suited for a vocal group like The Mamas & The Papas. With the exception of the very successful cover version of "Dream a Little Dream of Me" (which is not representative of the rest of the album), the album's subject matter is often downbeat and world-weary, most notably in the lyrical content of "Safe in My Garden", "Mansions", "Too Late" and "Rooms". There are few love songs and it is also more experimental - the Hendrix-like guitar textures of "Gemini Childe"