Symphony No. 2 (Shostakovich) October Revolution in his Twelfth Symphony, subtitled "The Year 1917". The symphony is a short (about 20 minutes) experimental work in one movement; within this movement are four sections, the last of which includes a chorus. In a marked departure from his First Symphony, Shostakovich composed his Second in a gestural, geometric "music without emotional structure" manner, with the intent of reflecting speech patterns and physical movements in a neo-realistic style. This choice may have been influenced at least partially by Vsevolod Meyerhold's theory of biomechanics. Shostakovich placed far more emphasis on texture in this work than he did on
Symphony No. 4 (Villa-Lobos) Symphony No. 4 (Villa-Lobos) Symphony No. 4, "A Vitória" (Victory) is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1919. A recording conducted by the composer lasts just over thirty minutes. Villa-Lobos composed his Fourth Symphony in Rio de Janeiro in 1919, beginning in October, as the second in a trilogy of programmatic symphonies based on arguments by . This symphony is subtitled "A Vitória" (Victory), while its predecessor and successor are subtitled "A Guerra" (War) and "A Paix" (Peace), respectively. It is also the fourth in a cycle of five symphonies in the style of Vincent d'Indy.