Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Brandon Jovanovich in Strauss' "Ariadne auf Naxos" with the Lyric Opera of Chicago and Boston Lyric Opera; the title role in Verdi's "Don Carlos" with the Houston Grand Opera; Turiddu in "Cavalleria rusticana" at the Houston Grand Opera, Dallas Opera, Angers-Nantes Opéra, Palm Beach Opera and New York City Opera; Luigi in Puccini's "Il tabarro" with the San Francisco Opera and Angers-Nantes Opéra; Boris in Janáček's "Káťa Kabanová" at the Lyric Opera of Chicago; Steva in Janáček's "Jenufa" at the Bayrische Staatsoper and Angers-Nantes Opéra; the title role in Britten's "Peter Grimes" with Teatro di San Carlo in Napoli; Pollione in Bellini's