Antonio (The Merchant of Venice) Antonio (The Merchant of Venice) Antonio is the title character in Shakespeare's "The Merchant of Venice". An influential, powerful and wealthy nobleman of Venice, he is a middle-aged man and a merchant by trade who has his financial interests tied up in overseas shipments when the play begins. He is kind, generous, honest and confident, and is loved and revered by all the Christians who know him. His willingness to die for Bassanio is a manifestation of his character. Antonio manifests anti-semitism by cursing and spitting at Shylock (anti-semitism was common in Europe in Shakespeare's days). He is a structural
The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright