Anne Bonny Rackam landed her on the island of Cuba and there she had a son. Many different theories state that he was left with his family or simply abandoned. Bonny rejoined Rackham and continued the pirate life, having divorced her husband and marrying Rackham while at sea. Bonny, Rackham, and Mary Read stole the ship "William", then at anchor in Nassau harbour, and put out to sea. Rackham and the two women recruited a new crew. Their crew spent years in Jamaica and the surrounding area. Over the next several months, they enjoyed success, capturing many, albeit smaller, vessels and bringing
Ern Malley Ern Malley. In 1974 the Art Gallery of South Australia’s Adelaide Festival Exhibitions included the Sidney Nolan exhibition "Ern Malley and Paradise Garden". The 2009 exhibition "Ern Malley: The Hoax and Beyond" at Heide Museum of Modern Art was the first exhibition to thoroughly investigate the genesis, reception and aftermath of the hoax. The final irony is enduring fame: Malley is better known and more widely read today than either McAuley or Stewart. The Australian historian Humphrey McQueen alluded to the poems in calling his 1979 history of modernism in Australia "The Black Swan of Trespass". Several works of fiction