Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Cuban Overture process. It is possible the score will include repeating the second to the last measure of the work three times. Cuban Overture Cuban Overture is a symphonic overture or tone poem for orchestra composed by American composer George Gershwin. Originally titled "Rumba", it was a result of a two-week holiday which Gershwin took in Havana, Cuba in February 1932. Gershwin composed the piece in July and August 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental color and technique. It is a rich and exciting work with complexity and sophistication, illustrating