Public enemy it to describe various notorious fugitives they were pursuing throughout the 1930s. Unlike Loesch's use of the term, the FBI's "Public Enemies" were wanted criminals and fugitives who were already charged with crimes. Among the criminals whom the FBI called "public enemies" were John Dillinger, Baby Face Nelson, Bonnie and Clyde, Pretty Boy Floyd, Machine Gun Kelly, Ma Barker, and Alvin Karpis. The term was used so extensively during the 1930s that some writers call that period of the FBI's early (the BOI became the FBI in 1935) history the "Public Enemy Era". Dillinger, Floyd, Nelson, and Karpis, in that
Public Enemy (band) to Armageddon" from It Takes a Nation of Millions to Hold Us Back. The band had previously sampled Public Enemy on their 1991 single Motown Junk. The revolutionary influence of the band is seen throughout hip-hop and is recognized in society and politics. The band "rewrote the rules of hip-hop", changing the image, sound and message forever. Pro-black lyrics brought political and social themes to hardcore hip hop, with stirring ideas of racial equality, and retribution against police brutality, aimed at disenfranchised blacks, but appealing to all the poor and underrepresented. Before Public Enemy, hip hop music was seen as