Symphony Edward Elgar, Gustav Mahler, Jean Sibelius, Carl Nielsen, Igor Stravinsky, Bohuslav Martinů, Roger Sessions, and Dmitri Shostakovich composed symphonies "extraordinary in scope, richness, originality, and urgency of expression" (Steinberg 1995, 404). One measure of the significance of a symphony is the degree to which it reflects conceptions of temporal form particular to the age in which it was created. Five composers from across the span of the 20th century who fulfil this measure are Sibelius, Stravinsky, Luciano Berio (in his Sinfonia, 1968–69), Elliott Carter (in his "Symphony of Three Orchestras", 1976), and Pelle Gudmundsen-Holmgreen (in "Symphony/Antiphony", 1980). Beginning in the
Symphony, K. 135+61h (Mozart) Symphony, K. 135+61h (Mozart) The Symphony in D major, K. 135+61h, was probably composed by Wolfgang Amadeus Mozart in 1772. All the movements are from the overture to the opera "Lucio Silla", K. 135, except for the minuet, K. 61h No. 3, which was composed separately. The symphony is scored for two oboes, two horns, two trumpets, timpani and strings. \relative c' { </score> The symphony was discovered by Ernst Hintermaier in 1991. The parts he discovered were copied by Matthias Kracher, who was in close connection to Michael Haydn, but probably did not have a direct contact with the