Leda and the Swan (Michelangelo) Francis I of France, who later sent it to the Palace of Fontainebleau. The best known copy is attributed to Rosso Fiorentino and hangs in the National Gallery in London, with others in the Gemäldegalerie (Dresden), the Gemäldegalerie (Berlin) and the Correr Museum in Venice. The Casa Buonarroti in Florence holds not only a copy but also a preparatory drawing of Leda's head, held to be by Michelangelo himself. There are also several prints of the work, the most faithful of which is thought to be the one by Nicolas Béatrizet, which also shows Castor and Pollux. Leda and the
Leda and the Swan (Peter Paul Rubens) Because Rubens was known for this type of female figures, Leda was the perfect subject to paint. Rubens became famous partly for his Rubenesque figures and were not common at the time, making his two "Leda’s" stand out even more. Leda and the Swan (Peter Paul Rubens) Leda and the Swan, by Peter Paul Rubens, who painted two versions of this subject. The first was completed in 1601 and the second in 1602. Rubens was heavily influenced by Michelangelo. He was introduced to his work on his journey to Italy. Rubens decided to go to Rome to make copies of