Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Overture in D minor (Handel, arr. Elgar) Overture in D minor (Handel, arr. Elgar) The Overture in D minor (Handel, arr. Elgar) is a transcription made in 1923 by Sir Edward Elgar of a musical work by George Frideric Handel composed in 1717-18. The transcription is an arrangement for full orchestra of the overture to Chandos Anthem No. 2 (HWV247) "In the Lord put I my Trust", which Handel wrote when he was resident composer for the Duke of Chandos at Cannons house. The transcription was first performed at the Worcester Festival on 2 September 1923, conducted by the composer. It was recorded a month after the