Romanticism in Scotland Perhaps the most influential composer of the first half of the nineteenth century was the German Felix Mendelssohn, who visited Britain ten times, for a total of twenty months, from 1829. Scotland inspired two of his most famous works, the overture "Fingal's Cave" (also known as the "Hebrides Overture") and the "Scottish Symphony" (Symphony No. 3). On his last visit to England in 1847, he conducted his own "Scottish Symphony" with the Philharmonic Orchestra before Queen Victoria and Prince Albert. Max Bruch (1838–1920) composed the "Scottish Fantasy" (1880) for violin and orchestra, which includes an arrangement of the tune "Hey
Overture the overture were almost interchangeable, with overtures being extracted from operas to serve as stand alone instrumental works, and symphonies were tagged to the front of operas as overtures. With the reform of "opera seria," the overture began to distinguish itself from the symphony, and composers began to link the content of overtures to their operas dramatically and emotionally. Elements from the opera are foreshadowed in the overture, following the reform ideology that the music and every other element on stages serves to enhance the plot. One such overture was that of "La Magnifique" by André-Ernest-Modeste Grétry, in which several