Jessica (The Merchant of Venice) Shylock's line's adherence to the Jewish faith. Literary critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and apparently selfish motivations and aimless behaviour. Since the end of the 20th century their views have been more moderate and nuanced, pointing to an alternate reading that allows her actions to be motivated by love and generosity, and being driven by Shylock's own tyrannical and immoral behaviour. The central plot of "The Merchant of Venice" is relatively straightforward: Antonio borrows money from Shylock to help his friend, Bassanio, court Portia, but, through
The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother