Classical music in Scotland by the visits of Frédéric Chopin (1810–49) and Felix Mendelssohn (1809–47) in the 1840s. Mendelssohn was probably the most influential composer of his era and visited Britain ten times, for a total of twenty months, from 1829. Scotland inspired two of his most famous works, the overture "Fingal's Cave" (also known as the "Hebrides Overture") and the "Scottish Symphony" (Symphony No. 3). On his last visit to England in 1847, he conducted his own "Scottish Symphony" with the Philharmonic Orchestra before Queen Victoria and Prince Albert. Max Bruch (1838–1920) composed the "Scottish Fantasy" (1880) for violin and orchestra, which includes
Julius Caesar (overture) Julius Caesar (overture) The Julius Caesar overture, Op. 128, is a concert overture written in 1851 by Robert Schumann, inspired by Shakespeare's play "Julius Caesar" and influenced by the "Egmont" and "Coriolan" overtures of Ludwig van Beethoven. "Julius Caesar" is usually associated with two other Schumann concert overtures written about that time, also inspired by great literature: "The Bride of Messina", Op. 100 (based on Schiller's eponymous play) and "Hermann und Dorothea", Op. 136 (based on Goethe's epic poem). The year 1851 was intensely active for Schumann: not only did he complete these three overtures, he also wrote his Piano