Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Aotearoa (overture) Aotearoa (overture) Aotearoa is a concert overture written for orchestra by New Zealand composer Douglas Lilburn in the year 1940. The overture is one of three early works by Lilburn which center on the theme of national identity; the other two are 1944's "Landfall in Unknown Seas", for narrator and orchestra, and the tone poem "A Song of Islands" of 1946. The title of the overture ("Aotearoa") is taken from the Māori name for the islands. Lilburn wrote the overture while he was still a student at London's Royal College of Music, and it was premiered in Great Britain, at