Francesco Cilea Pubblica Istruzione (Department of Education). In 1889, for his final examination at the end of his course of study, he submitted his opera "Gina", with a libretto by Enrico Golisciani which was adapted from the old French play "Catherine, ou La Croix d'or" by Baron Anne-Honoré-Joseph Duveyrier de Mélésville (1787—1865). This "melodramma idilico" was performed in the college theatre, and it attracted the attention of the publishers Sonzogno, who arranged for a second production, in Florence, in 1892. Sonzogno also then commissioned from Cilea "La Tilda", a verismo opera in three short acts along the lines of Mascagni's "Cavalleria rusticana".
Arrigo Pola next three years in the Philippines. Among the roles Pola sang with the Manila Opera were Canio in "Pagliacci", Manrico in "Il trovatore", Rodolfo in "La bohème", and Turiddu in "Cavalleria rusticana". In 1954, Pola returned to Italy with the hopes of reviving his opera career in Italy; an attempt which never gained much momentum. That year, he was approached by a baker named Fernando Pavarotti who wanted to know whether the tenor voice of his 19-year-old son, Luciano, was good enough for training as a professional opera singer. Pola later reported that he knew, after an approximately 15-minute audition,