Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Julius Caesar (overture) Julius Caesar (overture) The Julius Caesar overture, Op. 128, is a concert overture written in 1851 by Robert Schumann, inspired by Shakespeare's play "Julius Caesar" and influenced by the "Egmont" and "Coriolan" overtures of Ludwig van Beethoven. "Julius Caesar" is usually associated with two other Schumann concert overtures written about that time, also inspired by great literature: "The Bride of Messina", Op. 100 (based on Schiller's eponymous play) and "Hermann und Dorothea", Op. 136 (based on Goethe's epic poem). The year 1851 was intensely active for Schumann: not only did he complete these three overtures, he also wrote his Piano