Romanticism in Scotland Perhaps the most influential composer of the first half of the nineteenth century was the German Felix Mendelssohn, who visited Britain ten times, for a total of twenty months, from 1829. Scotland inspired two of his most famous works, the overture "Fingal's Cave" (also known as the "Hebrides Overture") and the "Scottish Symphony" (Symphony No. 3). On his last visit to England in 1847, he conducted his own "Scottish Symphony" with the Philharmonic Orchestra before Queen Victoria and Prince Albert. Max Bruch (1838–1920) composed the "Scottish Fantasy" (1880) for violin and orchestra, which includes an arrangement of the tune "Hey
Music of Scotland in the nineteenth century most influential composer of his era and visited Britain ten times, for a total of twenty months, from 1829. Scotland inspired two of his most famous works, the overture "Fingal's Cave" (also known as the "Hebrides Overture") and the "Scottish Symphony" (Symphony No. 3). On his last visit to England in 1847, he conducted his own "Scottish Symphony" with the Philharmonic Orchestra before Queen Victoria and Prince Albert. Max Bruch (1838–1920) composed the "Scottish Fantasy" (1880) for violin and orchestra, which includes an arrangement of the tune "Hey Tuttie Tatie", best known for its use in the song "Scots Wha