Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Inner Hebrides people from Ireland to "Domon and to Erdomon in the north of Alba", which is mentioned in the 12th century "Lebor Gabála Érenn". Domon, meaning the "deep sea isle" refers to the Outer Hebrides and Erdomon, meaning "east of, on or near Domon" is thus the Inner Hebrides. The individual island and place names in the Outer Hebrides have mixed Gaelic and Norse origins. Although Ptolemy's map identifies various tribes such as the "Creones" that might conceivably have lived in the Inner Hebrides in the Roman era, the first written records of life begin in the 6th century AD when