Andromeda (play) Menelaus arrives dressed in rags. He then uses a parody of "Andromeda" in which the kinsman as Andromeda laments his fate to the response of his echo, Euripides as Perseus arrives via the crane, and falls quickly in love with her. In the parody, Perseus' love as depicted in "Andromeda" is transformed to lust. Aristophanes also referenced "Andromeda" in his 405 play "The Frogs", where the god Dionysus states that while reading "Andromeda" he was smitten with longing for Euripides. It has been reported from antiquity that Alexander the Great was able to perform a portion of "Andromeda" by heart.
The Sea Monster on Anna Perenna, who escapes from Aeneas with the aid of a horned water-god. Art historian Jane Campbell Hutchison suggests that the Milanese headdress may refer to the Lombard queen Theodelinda, who was also abducted by a sea monster. The horned Tritonesque figure echoes a description given by Poggio Bracciolini of a sea monster that had terrorised the Adriatic coast in the early 15th century. The Sea Monster The Sea Monster (German: Das Meerwunder) is a c. 1498–1500 engraving by the German Renaissance master Albrecht Dürer. It shows a voluptuous naked middle-aged woman riding on the back of a male