Mala vita staged in Rome at Sonzogno's expense. Giordano submitted "Marina". When the winners were announced in March 1890, the three chosen from the 72 entires were Niccola Spinelli's "Labilia", Vincenzo Ferroni's "Rudello", and Mascagni's "Cavalleria rusticana", with "Cavalleria" awarded the First Prize. However, "Marina" received one of the 13 "honourable mentions" and impressed. Amintore Galli, Sonzogno's music advisor, who convinced the publisher to offer a commission to the young Giordano for a full-length opera. The huge success of "Cavalleria rusticana" based on the verismo play of the same name by Giovanni Verga, led to the choice of a similar subject for
Herva Nelli del destino", Puccini's "Tosca" (conducted by Eugene Ormandy), and "Un ballo in maschera". In 1951, Nelli reappeared with the New York City Opera, in "Cavalleria rusticana" again, as well as "Aida"; the next year, she portrayed Maddalena de Coigny in Giordano's "Andrea Chénier" (in Theodore Komisarjevsky's production). With the San Francisco Opera, in 1951 and 1952, the soprano sang in "Otello", "La forza del destino" (with Robert Weede), "Aida" (with Mario Del Monaco), "Cavalleria rusticana", "Il trovatore", and "La bohème" (this last on tour to Los Angeles); in 1957, she returned for "Un ballo in maschera". With the Baltimore Civic