Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Inner Hebrides people from Ireland to "Domon and to Erdomon in the north of Alba", which is mentioned in the 12th century "Lebor Gabála Érenn". Domon, meaning the "deep sea isle" refers to the Outer Hebrides and Erdomon, meaning "east of, on or near Domon" is thus the Inner Hebrides. The individual island and place names in the Outer Hebrides have mixed Gaelic and Norse origins. Although Ptolemy's map identifies various tribes such as the "Creones" that might conceivably have lived in the Inner Hebrides in the Roman era, the first written records of life begin in the 6th century AD when