Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Sylvie Brunet title-role of "Carmen" at the Zürich Opera House, the role of Suzuki in "Madame Butterfly" at the Paris Opera directed by Bob Wilson, Madame de Croissy in "Dialogues des Carmélites" at the Paris Opera and the Zürich Opera, Santuzza in "Cavalleria Rusticana" at the Séville Opera, Marguerite in "La Damnation de Faust" in Zürich and eventually the title role in Meyerbeer's "l'Africaine" at the Opéra national du Rhin. Noticed by Sergio Segalini, she is invited to sing Azucena in Verdi's "Il trovatore" at the Martina Franca Festival. On this occasion, an Italian critic wrote of her: "Verdi has finally found