Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Hebrides Hebrides and Outer Hebrides. The Scottish Gaelic language arrived via Ireland due to the growing influence of the kingdom of Dál Riata from the 6th century AD onwards, and became the dominant language of the southern Hebrides at that time. For a few centuries, the military might of the ' meant that Old Norse was prevalent in the Hebrides. North of , the place names that existed prior to the 9th century have been all but obliterated. The Old Norse name for the Hebrides during the Viking occupation was ', which means "Southern Isles"; in contrast to the ", or