Symphony Edward Elgar, Gustav Mahler, Jean Sibelius, Carl Nielsen, Igor Stravinsky, Bohuslav Martinů, Roger Sessions, and Dmitri Shostakovich composed symphonies "extraordinary in scope, richness, originality, and urgency of expression" (Steinberg 1995, 404). One measure of the significance of a symphony is the degree to which it reflects conceptions of temporal form particular to the age in which it was created. Five composers from across the span of the 20th century who fulfil this measure are Sibelius, Stravinsky, Luciano Berio (in his Sinfonia, 1968–69), Elliott Carter (in his "Symphony of Three Orchestras", 1976), and Pelle Gudmundsen-Holmgreen (in "Symphony/Antiphony", 1980). Beginning in the
Gaelic Symphony Gaelic Symphony Gaelic Symphony or Symphony in E-Minor, Op. 32 was written by Amy Marcy Cheney Beach in 1894; it was the first symphony composed and published by a female American composer. The piece debuted in Boston on Friday, October 30, 1896 to "public and journalistic acclaim." Beach drew inspiration for the large orchestral work from simple old English, Irish, and Scottish melodies; thus, she subtitled the work 'Gaelic.' Beach began composing her symphony in November 1894. Although Beach would later become more accepting of music from North American traditions—such as Eskimo and Native American themes—Beach chose to incorporate songs