Harry Nilsson Playboy Club, Tramp and the homes of friends and business associates. Nilsson's work and interests took him to the US for extended periods, and while he was away he lent his place to numerous musician friends. During one of his absences, singer Cass Elliot, formerly of The Mamas & the Papas, and a few members of her tour group stayed at the flat while she performed solo at the London Palladium, headlining with her torch songs and "Don't Call Me Mama Anymore". Following a strenuous performance with encores on July 29, 1974, Elliot was discovered in one of the bedrooms,
Kyōiku mama financial demands to complement the family budget, and by psychological demands to relate themselves to society. Child-rearing women in the 1960s inspired the media to produce the idiom kyōiku mama, which referred to "the domestic counterpart of sararii-man" (salaryman). This encompassed a major responsibility to "rear children, especially the males, to successfully pass the competitive tests needed to enter high school and college". No such idiom emerged that deemed men "education papas"; it was "mamas" who became a social phenomenon. The education system and larger political economy it serves influence why mothers become obsessed with children's education. Social prejudices influence