Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Myrna Sharlow Don José. In the spring of 1914 Sharlow made her European debut in Paris as Cio-Cio-San in Puccini's "Madama Butterfly" with Henry Russell's opera company in that city. She was also heard there as Santuzza in "Cavalleria rusticana". She also made appearances that year at the Paris Opera and the Berlin State Opera. In July 1914 she sang at the Royal Opera House in London in the English premiere of Riccardo Zandonai's "Francesca da Rimini". "The Times" stated in their review, "A special word of praise seems due to Miss Myrna Sharlow, who as Samaritana sang with an appealing freshness