Leda and the Swan (Michelangelo) Francis I of France, who later sent it to the Palace of Fontainebleau. The best known copy is attributed to Rosso Fiorentino and hangs in the National Gallery in London, with others in the Gemäldegalerie (Dresden), the Gemäldegalerie (Berlin) and the Correr Museum in Venice. The Casa Buonarroti in Florence holds not only a copy but also a preparatory drawing of Leda's head, held to be by Michelangelo himself. There are also several prints of the work, the most faithful of which is thought to be the one by Nicolas Béatrizet, which also shows Castor and Pollux. Leda and the
Leda and the Swan (Peter Paul Rubens) a painted ellipse that cut off the left elbow and part of the right foot as seen through x-rays. Today it is in a rectangular format along with the 1602 painting. In his second painting, the brushstrokes are more precise, there is more detail, there is a clearer landscape in the background, an elaborate headpiece, more vibrant colors, and the drapery is white and red. A common Renaissance and Baroque theme is females that are abducted or seduced by divinities. This includes Leda and the swan as Zeus, as well as Europa, Antiope, and Danae. Many portrayals of women being