Giacomo Puccini line. "Verismo" is a style of Italian opera that began in 1890 with the first performance of Mascagni's "Cavalleria rusticana", peaked in the early 1900s, and lingered into the 1920s. The style is distinguished by realistic – sometimes sordid or violent – depictions of everyday life, especially the life of the contemporary lower classes. It by and large rejects the historical or mythical subjects associated with Romanticism. "Cavalleria rusticana", "Pagliacci", and "Andrea Chénier" are uniformly considered to be "verismo" operas. Puccini's career as a composer is almost entirely coincident in time with the "verismo" movement. Only his "Le Villi" and
Seymour Schwartzman he would reprise in 1969 for San Francisco Opera and in 1971 for Connecticut Opera. Schwartzman had also appeared at San Francisco Opera as Giorgio Germont in "La traviata" (1967), Tonio in "Pagliacci" (1967), and Rigoletto (1968). Although he primarily performed at New York City Opera, Schwartzman also made regular appearances with the Philadelphia Grand Opera Company between 1969 and 1973, singing Alfio in "Cavalleria rusticana", Valentin in "Faust", David in "L'Amico Fritz", Sharpless in "Madame Butterfly", High Priest of Dagon in "Samson et Dalila", and Giorgio Germont in "La traviata". His performances with other opera companies included the Grand