Gayane (ballet) version stands as the definitive version of "Gayane". In the end, Nina Anisimova proved that character dancing endures and should be included in the world of classical ballet. The dance in "Gayane" did not follow the Petipa tradition, for example "Swan Lake", wherein the audience is treated to national dance in discrete divertissements of "dances of le salon", in Petipa's words; in contrast, the dance in "Gayane", by force of character, is felt throughout the ballet; it is a natural part of the people and of their history. In time, the ballet helped choreographers understand the importance of choreographic art
Odette Dulac " (1924) co-authored with Charles-Etienne about the downfall of a gay man in 1920s Paris; "Tel quel" (1926), denouncing social and religious hypocrisy and encouraging women to speak up for themselves; and "Leçons d'amour" (1929). Odette Dulac Odette Dulac (14 July 1865 – 3 November 1939) was a French actress, singer and "diseuse" in the manner of Yvette Guilbert. Dulac was born in Aire-sur-Adour. She became a militant feminist and novelist. "La houille rouge: les enfants de la violence" ("The Red Coal", 1916) narrated the horrors of raped and impregnated Frenchwomen at the time the First World War was being