Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Philadelphia La Scala Opera Company the 1925-1926 season including Gaetano Donizetti's "Lucia di Lammermoor" (with Rosalinda Rudko-Morini in the title role, Giuseppe Reschiglian as Edgardo, and Emanuel Nugnez as Enrico), Giuseppe Verdi's "Aida" (with Alice Eversman in the title role and Bernardo de Muro as Radames), Verdi's "Rigoletto", "Cavalleria rusticana" (with Emilia Vergeri as Santuzza), and "Pagliacci" (with Nicola Zerola as Canio) among others. After its first season, Francesco Pelosi was appointed General Manager and Artistic Director of the company in 1926. For the second season the company was renamed the Philadelphia La Scala Grand Opera Company which it performed under until 1938 when the