Symphony Edward Elgar, Gustav Mahler, Jean Sibelius, Carl Nielsen, Igor Stravinsky, Bohuslav Martinů, Roger Sessions, and Dmitri Shostakovich composed symphonies "extraordinary in scope, richness, originality, and urgency of expression" (Steinberg 1995, 404). One measure of the significance of a symphony is the degree to which it reflects conceptions of temporal form particular to the age in which it was created. Five composers from across the span of the 20th century who fulfil this measure are Sibelius, Stravinsky, Luciano Berio (in his Sinfonia, 1968–69), Elliott Carter (in his "Symphony of Three Orchestras", 1976), and Pelle Gudmundsen-Holmgreen (in "Symphony/Antiphony", 1980). Beginning in the
Gaelic Symphony Six. The Symphony was "forgotten during the 1920s" but "made a comeback in the 1930s and 1940s," being performed by multiple orchestras, some multiple times each, although not by "major" orchestras such as the New York Philharmonic or Boston Symphony. The symphony has received continued praise from modern critics as well, such as Andrew Achenbach of "Gramophone", who in 2003 lauded the work for its "big heart, irresistible charm and confident progress." Gaelic Symphony Gaelic Symphony or Symphony in E-Minor, Op. 32 was written by Amy Marcy Cheney Beach in 1894; it was the first symphony composed and published by