Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Seymour Schwartzman he would reprise in 1969 for San Francisco Opera and in 1971 for Connecticut Opera. Schwartzman had also appeared at San Francisco Opera as Giorgio Germont in "La traviata" (1967), Tonio in "Pagliacci" (1967), and Rigoletto (1968). Although he primarily performed at New York City Opera, Schwartzman also made regular appearances with the Philadelphia Grand Opera Company between 1969 and 1973, singing Alfio in "Cavalleria rusticana", Valentin in "Faust", David in "L'Amico Fritz", Sharpless in "Madame Butterfly", High Priest of Dagon in "Samson et Dalila", and Giorgio Germont in "La traviata". His performances with other opera companies included the Grand