Giovanni Verga in the Fields"), including ""Fantasticheria"" ("Daydreaming"), ""La lupa"" ("The She-wolf"), ""Jeli il pastore"" ("Jeli the Shepherd"), ""Pentolaccia"" ("The Plaything"), and "Rosso Malpelo", most of which were about rural Sicily, came out. It also included ""Cavalleria rusticana"" ("Rustic Chivalry"), which he adapted for the theatre and later formed the basis for several opera librettos including Mascagni's "Cavalleria rusticana" and Gastaldon's "Mala Pasqua!". Verga's short story, ""Malaria"", was one of the first literary depictions of the disease malaria. He then embarked on a projected series of five novels, but only completed two, "I Malavoglia" and "Mastro-don Gesualdo" (1889), the second of which
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role