Andromeda (play) just defeated the Gorgon Medusa. Upon appearing, Perseus believes Andromeda is a statue and remarks "Hold—what promontory do I see here, lapped by sea foam, and what maiden's likeness, a statue carved by an expert hand to her very form in stone?" When Perseus asks Andromeda if she will show his gratitude if he saves her, she responds "Take me, stranger, whether for servant, wife, or slave." During their dialogue, Perseus apparently moved from being struck by Andromeda's beauty to feeling pity for her to falling in love with her. This may have been the first depiction of a man
Andromeda (mythology) the subject of tragedies, and its incidents were represented in numerous ancient works of art, including Greek vases. Jean-Baptiste Lully's opera, "Persée", also dramatizes the myth. Andromeda has been the subject of numerous ancient and modern works of art, which typically show the moment of rescue, with Andromeda usually still chained, and often naked or nearly so. Examples include: one of Titian's "poesies" (Wallace Collection), and compositions by Joachim Wtewael (Louvre), Veronese (Rennes), many versions by Rubens, Ingres, and Gustave Moreau. From the Renaissance onward the chained nude figure of Andromeda typically was the centre of interest. Rembrandt's "Andromeda Chained