Bayreuth Festival And talks about reopening of the Wagnerian Festival started. Finally it reopened on 29 July 1951 with, as always, a performance by the Bayreuth Festival Orchestra under conductor Wilhelm Furtwängler of Beethoven's 9th Symphony, followed by the first post-war premiere of Wagner's opera, "Parsifal". Under the direction of Wieland Wagner, the "New Bayreuth" ushered in an era that was no less than revolutionary. Gone were the elaborate naturalistic sets, replaced with minimalist modern productions. In comparison, the pre-war changes seemed tame. For the first time in its history, the Bayreuth audience booed at the end of productions. Wieland was particularly
Bayreuth Festival beauty of Wieland's reinterpretation of his grandfather's works. Wieland's innovative productions invited comparison to Wolfgang's, which critics unanimously found to be uninspired. If Wieland's productions were radical, Wolfgang's were regressive. Although still minimalist in approach, Wolfgang resurrected much of the naturalistic and romantic elements of pre-war productions. Thus, when Wieland died prematurely from lung cancer in 1966, many wondered if Bayreuth had a future. They began to question Bayreuth's primacy among German opera houses, and some suggested that more interesting productions were being staged elsewhere. Around this time (1955), in order to broaden its audience, the whole Bayreuth Festival company