Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Mala Pasqua! his attention to composing his first opera, "Fatma", an opera-ballet in four acts. However, he set the project aside in 1888 when the music publisher Sonzogno announced a competition for one-act operas, open to all young Italian composers who had not yet had an opera performed on stage. The three winners (selected by a jury of prominent critics and composers) would be staged in Rome at Sonzogno's expense. Gastaldon decided to enter with an opera based on "Cavalleria rusticana". His librettist, Giovanni Domenico Bartocci-Fontana, a lawyer by training and a poet by inclination, wrote to Verga asking permission to adapt