Siciliana another set of variations by Brahms, the orchestral Variations on a Theme by Haydn (1873), the 7th variation also takes the form of a siciliana. The second of Moritz Moszkowski's "Trois Morceaux poétiques", Op. 42 (1887), is a Siciliano. Hélène's aria, "Merci, jeunes amies" ("Thank you, beloved friends") from Verdi's opera "Les vêpres siciliennes" is another example of a siciliana, suited to its setting, and is referred to as such in the score, even though it is popularly called a bolero. The opening aria of Mascagni's masterpiece "Cavalleria rusticana" is the Siciliana "O Lola". Ernest Chausson composed a sicilienne as
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role