Giacomo Puccini line. "Verismo" is a style of Italian opera that began in 1890 with the first performance of Mascagni's "Cavalleria rusticana", peaked in the early 1900s, and lingered into the 1920s. The style is distinguished by realistic – sometimes sordid or violent – depictions of everyday life, especially the life of the contemporary lower classes. It by and large rejects the historical or mythical subjects associated with Romanticism. "Cavalleria rusticana", "Pagliacci", and "Andrea Chénier" are uniformly considered to be "verismo" operas. Puccini's career as a composer is almost entirely coincident in time with the "verismo" movement. Only his "Le Villi" and
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role