Mala vita staged in Rome at Sonzogno's expense. Giordano submitted "Marina". When the winners were announced in March 1890, the three chosen from the 72 entires were Niccola Spinelli's "Labilia", Vincenzo Ferroni's "Rudello", and Mascagni's "Cavalleria rusticana", with "Cavalleria" awarded the First Prize. However, "Marina" received one of the 13 "honourable mentions" and impressed. Amintore Galli, Sonzogno's music advisor, who convinced the publisher to offer a commission to the young Giordano for a full-length opera. The huge success of "Cavalleria rusticana" based on the verismo play of the same name by Giovanni Verga, led to the choice of a similar subject for
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role