Italian opera revisited, history was retold and imagination was stimulated. The strength of it fell into a more violent era for opera: verismo, with "Cavalleria rusticana" by Pietro Mascagni and "Pagliacci" by Ruggero Leoncavallo. Some of the greatest Italian operas of the 20th century were written by Giacomo Puccini (1858–1924). These include "Manon Lescaut", "La bohème", "Tosca", "Madama Butterfly", "La fanciulla del West", "La rondine" and "Turandot", the last two being left unfinished. In 1926 and in 2002 Franco Alfano and Luciano Berio respectively attempted a completion of "Turandot", and in 1994 Lorenzo Ferrero completed the orchestration of the third version of
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role