Aileen Pringle and Valentino, of which Mencken wrote an account, some weeks after Valentino had died. Mencken does not name her but describes her as "discreet as she is charming." Ralph Barton, American artist, was also a devoted friend and used her as the model for "Dorothy" in his illustrations for "Gentlemen Prefer Blondes" by Anita Loos. Another admirer was George Gershwin who met her in Hollywood and wrote much of the Second Rhapsody at her Santa Monica, California, home. Her wit, keen intellect and sparkling personality made her a sought-after companion. After her 1926 divorce from Charles Pringle, Aileen Pringle further
The French Line of this half-baked dish is its dull, boring insistence. Since I am trying to forget the details as rapidly as possible, you will forgive me for not going into them specifically." The "Los Angeles Times" wrote, "As a romantic comedy with music, the film may be described as uninventively reminiscent of such predecessors as 'Gentlemen Prefer Blondes' and 'Roberta.' Even with an intermission it runs uncomfortably long." "Harrison's Reports" praised the "gorgeous" Technicolor but called the story "very weak, with the first three-fourths slow and uninspiring. It becomes lively in the model scenes in the last one-fourth, where flesh is