Helen Gurley Brown In 1965, Brown became editor-in-chief of "Cosmopolitan", then a literary magazine famed for high-toned content, and reinvented it as a magazine for the modern single career-woman. In the 1960s, Brown was an outspoken advocate of women's sexual freedom and sought to provide women with role models in her magazine. She claimed that women could have it all – "love, sex, and money". As a result of her advocacy, glamorous, fashion-focused women were sometimes called "Cosmo Girls". Her work played a part in what is often called the sexual revolution. In 1997, Brown was ousted from her role as the U.S.
Helen Haig-Brown Helen Haig-Brown Helen Haig-Brown is a Tsilhqot'in filmmaker working primarily with indigenous and First Nations themes. Many of these derive from her maternal roots in the Tsilhqot'in First Nation. Helen Haig-Brown is from the Yunesit'in community of the Tsilhqot'in Nation. She is the granddaughter of naturalist Roderick Haig-Brown and daughter of Alan Haig-Brown. She graduated from the Indigenous Independent Digital Filmmaking (IIDF) program at Capilano University. Haig-Brown's short drama "?E?Anx/The Cave" received funding from the National Film Board and BC Native Arts Counsel. It was selected for screening at the 2011 Sundance Film Festival and at Berlinale 2010. In 2009