Women in Nazi Germany Dachau. Hitler did not forget that he owed part of his political ascension to women integrated in the society world (aristocrats or industrialists), such as Elsa Bruckmann. Women were also able to distinguish themselves in certain domains, but they were the exceptions that proved the rule. Thus Leni Riefenstahl was the official film director of the regime and was given enormous funding for her cinematic productions ("Triumph of the Will", and "Olympia"). Winifred Wagner directed the highly publicized Bayreuth Festival, and soprano Elisabeth Schwarzkopf was promoted as the "Nazi diva", as noted by an American newspaper. Hanna Reitsch, an aviator,
Bayreuth Festival the festival into an opportunity for directors to experiment with new methods for presenting the operas. The change came out of necessity, as it was impossible for Wolfgang to both administer and direct the festival. It also provided an opportunity for Bayreuth to renew itself with each production, rather than continue to present the same operas in the same way, year after year. Ingmar Bergman, who famously made a film version in Swedish of Mozart's "Die Zauberflöte", turned down an invitation to direct the festival. The most sensational production in "Werkstatt Bayreuth" was the Centennial Ring Cycle under the direction