Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Hebrides Hebrides and Outer Hebrides. The Scottish Gaelic language arrived via Ireland due to the growing influence of the kingdom of Dál Riata from the 6th century AD onwards, and became the dominant language of the southern Hebrides at that time. For a few centuries, the military might of the ' meant that Old Norse was prevalent in the Hebrides. North of , the place names that existed prior to the 9th century have been all but obliterated. The Old Norse name for the Hebrides during the Viking occupation was ', which means "Southern Isles"; in contrast to the ", or