Antonio (The Merchant of Venice) person … lie[s] all unlocked to your occasions" ("MoV" 1.1.146), seem to allude to a sexual dimension in Antonio's love for Bassanio. However, there is also evidence that the two shared a strictly fraternal, familial bond, as indicated by the line "Bassanio, your most noble kinsman …" ("MoV" 1.1.60) Other scholars maintain that all attempts to read Shakespeare's characters as gay or straight in terms of the modern understanding of the word are culturally and historically flawed. Alan Bray's book "Homosexuality in Renaissance England" argues that in the time period of "The Merchant of Venice's" composition, "homosexuality" did not refer
The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother