The Mamas & the Papas from 1964 to 1965. The last member to join was Cass Elliot, Doherty's bandmate in the Mugwumps, who had to overcome John Phillips' concern that her voice was too low for his arrangements, that her physical appearance would be an obstacle to the band's success, and that her temperament was incompatible with his. The group considered calling itself the Magic Cyrcle before switching to the Mamas & the Papas, inspired by the Hells Angels, whose female associates were called "mamas". The quartet spent the period from early spring to midsummer 1965 in the Virgin Islands "to rehearse and just put
Kyōiku mama financial demands to complement the family budget, and by psychological demands to relate themselves to society. Child-rearing women in the 1960s inspired the media to produce the idiom kyōiku mama, which referred to "the domestic counterpart of sararii-man" (salaryman). This encompassed a major responsibility to "rear children, especially the males, to successfully pass the competitive tests needed to enter high school and college". No such idiom emerged that deemed men "education papas"; it was "mamas" who became a social phenomenon. The education system and larger political economy it serves influence why mothers become obsessed with children's education. Social prejudices influence