Owl Judging from this, the Late Miocene remains from France described as ""Ardea" aureliensis" should also be restudied. The Messelasturidae, some of which were initially believed to be basal Strigiformes, are now generally accepted to be diurnal birds of prey showing some convergent evolution towards owls. The taxa often united under "Strigogyps" were formerly placed in part with the owls, specifically the Sophiornithidae; they appear to be Ameghinornithidae instead. For fossil species and paleosubspecies of extant taxa, see the genus and species articles. Unresolved and basal forms (all fossil) Fossil genera Placement unresolved Extinct Genus Fossil genera Placement unresolved Among the
Birds in music Birds in music Birds have played a role in Western Classical music since at least the 14th century, when composers such as Jean Vaillant quoted birdsong in some of their compositions. Among the birds whose song is most often used in music are the nightingale and the cuckoo. Composers and musicians have made use of birds in their music in different ways: they can be inspired by birdsong; they can intentionally imitate bird song in a composition; they can incorporate recordings of birds into their works, as Ottorino Respighi first did; or, like the cellist Beatrice Harrison in 1924 and