Francesco Cilea Pubblica Istruzione (Department of Education). In 1889, for his final examination at the end of his course of study, he submitted his opera "Gina", with a libretto by Enrico Golisciani which was adapted from the old French play "Catherine, ou La Croix d'or" by Baron Anne-Honoré-Joseph Duveyrier de Mélésville (1787—1865). This "melodramma idilico" was performed in the college theatre, and it attracted the attention of the publishers Sonzogno, who arranged for a second production, in Florence, in 1892. Sonzogno also then commissioned from Cilea "La Tilda", a verismo opera in three short acts along the lines of Mascagni's "Cavalleria rusticana".
Herva Nelli del destino", Puccini's "Tosca" (conducted by Eugene Ormandy), and "Un ballo in maschera". In 1951, Nelli reappeared with the New York City Opera, in "Cavalleria rusticana" again, as well as "Aida"; the next year, she portrayed Maddalena de Coigny in Giordano's "Andrea Chénier" (in Theodore Komisarjevsky's production). With the San Francisco Opera, in 1951 and 1952, the soprano sang in "Otello", "La forza del destino" (with Robert Weede), "Aida" (with Mario Del Monaco), "Cavalleria rusticana", "Il trovatore", and "La bohème" (this last on tour to Los Angeles); in 1957, she returned for "Un ballo in maschera". With the Baltimore Civic