Mary Read practical clothing that solidified their working place on board the ship among the other seamen. When Bonny told Read that she was a woman (apparently because she was attracted to her), Read revealed that she too was a woman. To abate the jealousy of her lover, Rackham, who suspected romantic involvement between the two, Bonny told him that Read was a woman. Speculation over the relationship between Bonny and Read led to images depicting the two in battle together. A victim of the pirates, Dorothy Thomas, left a description of Read and Bonny: They "wore men's jackets, and long trousers,
Ern Malley Ern Malley. In 1974 the Art Gallery of South Australia’s Adelaide Festival Exhibitions included the Sidney Nolan exhibition "Ern Malley and Paradise Garden". The 2009 exhibition "Ern Malley: The Hoax and Beyond" at Heide Museum of Modern Art was the first exhibition to thoroughly investigate the genesis, reception and aftermath of the hoax. The final irony is enduring fame: Malley is better known and more widely read today than either McAuley or Stewart. The Australian historian Humphrey McQueen alluded to the poems in calling his 1979 history of modernism in Australia "The Black Swan of Trespass". Several works of fiction