Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Herva Nelli del destino", Puccini's "Tosca" (conducted by Eugene Ormandy), and "Un ballo in maschera". In 1951, Nelli reappeared with the New York City Opera, in "Cavalleria rusticana" again, as well as "Aida"; the next year, she portrayed Maddalena de Coigny in Giordano's "Andrea Chénier" (in Theodore Komisarjevsky's production). With the San Francisco Opera, in 1951 and 1952, the soprano sang in "Otello", "La forza del destino" (with Robert Weede), "Aida" (with Mario Del Monaco), "Cavalleria rusticana", "Il trovatore", and "La bohème" (this last on tour to Los Angeles); in 1957, she returned for "Un ballo in maschera". With the Baltimore Civic