Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Drysdale Overture Dyson found it to be a mess; he did, however, give it a read-through with the College orchestra. The overture is dedicated to Robert Lilburn, the composer's father. It is meant to celebrate the family farm and estate upon which Lilburn was born. In writing it, the composer once wrote that he was "left with that lovely Mark Twain image of Jim and Huckleberry drifting on their barge down that great river, looking up at the stars and wondering 'whether they was made, or only just happened'" The "Drysdale Overture" has been recorded twice by the New Zealand Symphony Orchestra: