Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Drysdale Overture first under Sir William Southgate and second under Kenneth Young. "Drysdale Overture" was first published in 2014 by Promethean Editions; this edition was edited by Robert Hoskins and Roderick Biss. Drysdale Overture The Drysdale Overture of 1937 is among the earliest works for orchestra by New Zealand composer Douglas Lilburn. The piece was written while Lilburn was a student at the Royal College of Music, and was based on something of a challenge from his professor, Ralph Vaughan Williams. Reportedly, Vaughan Williams had begun his teaching by asking Lilburn to write fugues and part-songs; one day, though, he asked, "Isn't