Public enemy it to describe various notorious fugitives they were pursuing throughout the 1930s. Unlike Loesch's use of the term, the FBI's "Public Enemies" were wanted criminals and fugitives who were already charged with crimes. Among the criminals whom the FBI called "public enemies" were John Dillinger, Baby Face Nelson, Bonnie and Clyde, Pretty Boy Floyd, Machine Gun Kelly, Ma Barker, and Alvin Karpis. The term was used so extensively during the 1930s that some writers call that period of the FBI's early (the BOI became the FBI in 1935) history the "Public Enemy Era". Dillinger, Floyd, Nelson, and Karpis, in that
Generation of the '30s 20th century who instigated the turning point into modernity with surrealism in his poetry. After the Balkan Wars and the disastrous Greco-Turkish War of 1922, literature could no longer boast nationalistic aspirations of the previous generation. Thus, there was a need to establish a new dogma, or Greekness (Greek: Ελληνικότητα), that would aestheticize Hellenocentric opinions, attitudes, and symbols, and foster a new national identity. The Generation of the ‘30s enacted this by publishing various art and literature that were autonomous from other foreign models, and institutionalized modern literature to open up new perspectives and explore new ways to understand Greekness.