Giovanni Verga in the Fields"), including ""Fantasticheria"" ("Daydreaming"), ""La lupa"" ("The She-wolf"), ""Jeli il pastore"" ("Jeli the Shepherd"), ""Pentolaccia"" ("The Plaything"), and "Rosso Malpelo", most of which were about rural Sicily, came out. It also included ""Cavalleria rusticana"" ("Rustic Chivalry"), which he adapted for the theatre and later formed the basis for several opera librettos including Mascagni's "Cavalleria rusticana" and Gastaldon's "Mala Pasqua!". Verga's short story, ""Malaria"", was one of the first literary depictions of the disease malaria. He then embarked on a projected series of five novels, but only completed two, "I Malavoglia" and "Mastro-don Gesualdo" (1889), the second of which
Herva Nelli del destino", Puccini's "Tosca" (conducted by Eugene Ormandy), and "Un ballo in maschera". In 1951, Nelli reappeared with the New York City Opera, in "Cavalleria rusticana" again, as well as "Aida"; the next year, she portrayed Maddalena de Coigny in Giordano's "Andrea Chénier" (in Theodore Komisarjevsky's production). With the San Francisco Opera, in 1951 and 1952, the soprano sang in "Otello", "La forza del destino" (with Robert Weede), "Aida" (with Mario Del Monaco), "Cavalleria rusticana", "Il trovatore", and "La bohème" (this last on tour to Los Angeles); in 1957, she returned for "Un ballo in maschera". With the Baltimore Civic