Classical music in Scotland by the visits of Frédéric Chopin (1810–49) and Felix Mendelssohn (1809–47) in the 1840s. Mendelssohn was probably the most influential composer of his era and visited Britain ten times, for a total of twenty months, from 1829. Scotland inspired two of his most famous works, the overture "Fingal's Cave" (also known as the "Hebrides Overture") and the "Scottish Symphony" (Symphony No. 3). On his last visit to England in 1847, he conducted his own "Scottish Symphony" with the Philharmonic Orchestra before Queen Victoria and Prince Albert. Max Bruch (1838–1920) composed the "Scottish Fantasy" (1880) for violin and orchestra, which includes
Overture of the arias are quoted. In 19th-century opera the overture, "Vorspiel", "Einleitung," Introduction, or whatever else it may be called, is generally nothing more definite than that portion of the music which takes place before the curtain rises. Richard Wagner's "Vorspiel" to "Lohengrin" is a short self-contained movement founded on the music of the Grail. In Italian opera after about 1800, the "overture" became known as the "sinfonia". Fisher also notes the term "Sinfonia avanti l'opera" (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as