The Mamas & the Papas played something closer to folk rock, with bass and drums. Their rehearsals in the Virgin Islands were "the first time that we tried playing electric". The band then traveled from New York to Los Angeles for an audition with Lou Adler, co-owner of Dunhill Records. The audition was arranged by Barry McGuire, who had befriended Cass Elliot and John Phillips independently over the previous two years, and who had recently signed with Dunhill himself. It led to "a deal in which they would record two albums a year for the next five years", with a royalty of 5 percent on
Kyōiku mama financial demands to complement the family budget, and by psychological demands to relate themselves to society. Child-rearing women in the 1960s inspired the media to produce the idiom kyōiku mama, which referred to "the domestic counterpart of sararii-man" (salaryman). This encompassed a major responsibility to "rear children, especially the males, to successfully pass the competitive tests needed to enter high school and college". No such idiom emerged that deemed men "education papas"; it was "mamas" who became a social phenomenon. The education system and larger political economy it serves influence why mothers become obsessed with children's education. Social prejudices influence