Body proportions a series of continuous geometric progressions. Polykleitos uses the distal phalanx of the little finger as the basic module for determining the proportions of the human body, scaling this length up repeatedly by to obtain the ideal size of the other phalanges, the hand, forearm, and upper arm in turn. Leonardo da Vinci believed that the ideal human proportions were determined by the harmonious proportions that he believed governed the universe, such that the ideal man would fit cleanly into a circle as depicted in his famed drawing of "Vitruvian man". Body proportions While there is significant variation in anatomical
Bartholomew the Apostle also came to be associated with salt, oil, and cheese merchants. Although Bartholomew's death is commonly depicted in artworks of a religious nature, his story has also been used to represent anatomical depictions of the human body devoid of flesh. An example of this can be seen in Marco d'Agrate's "St Bartholomew Flayed" (1562) where Bartholomew is depicted wrapped in his own skin with every muscle, vein and tendon clearly visible, acting as a clear description of the muscles and structure of the human body. The Martyrdom of Saint Bartholomew (1634) by Jusepe de Ribera depicts Bartholomew's final moments before