Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Overture to an Italian Comedy manner.The opening subject returns, followed again by the "vulgar" theme, and the work ends in spirited fashion. The overture does not appear to have been inspired by any one piece.The published score is subtitled, "Sorry you've been troubled". Overture to an Italian Comedy The Overture to an Italian Comedy for orchestra was composed in 1936 by Australian composer Arthur Benjamin; it was first performed in London on 2 March 1937, under the direction of Gordon Jacob. The piece opens "fortissimo", presenting its first main subject in the woodwinds against pizzicato strings and creating a lively mood.The second theme is much