Zanetto translation by Emilio Praga of François Coppée's play "Le passant" (The passer-by) in which the young Sarah Bernhardt had won fame in the "en travesti" role of Zanetto. "Zanetto" represented a return by Mascagni to the one-act format of his first opera "Cavalleria rusticana", which had premiered in 1890. However, the Renaissance setting of "Zanetto" was a far cry from the gritty contemporary story he used for "Cavalleria rusticana", the work that made him famous. By 1893, Mascagni was simultaneously working on three operas: "Vistilia", based on a novel by Rocco de Zerbi set in ancient Rome; "Guglielmo Ratcliff", which
Herva Nelli del destino", Puccini's "Tosca" (conducted by Eugene Ormandy), and "Un ballo in maschera". In 1951, Nelli reappeared with the New York City Opera, in "Cavalleria rusticana" again, as well as "Aida"; the next year, she portrayed Maddalena de Coigny in Giordano's "Andrea Chénier" (in Theodore Komisarjevsky's production). With the San Francisco Opera, in 1951 and 1952, the soprano sang in "Otello", "La forza del destino" (with Robert Weede), "Aida" (with Mario Del Monaco), "Cavalleria rusticana", "Il trovatore", and "La bohème" (this last on tour to Los Angeles); in 1957, she returned for "Un ballo in maschera". With the Baltimore Civic