Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Overture in C, "In Memoriam" alone can bring." The overture enjoyed considerable popularity in the composer's own lifetime, but it was rarely heard in the 20th century. Only two recordings were made before 1992. Since that time, however, the piece has been recorded several more times. The composition is structured as a single multi-tempo movement marked "Andante religioso - Allegro molto" and lasts around eleven to twelve minutes in performance. The critic Andrew Lamb writes that, although the composer described the overture as an outpouring of grief, The piece's dark, slow texture has its main theme in the major key, as seen here in its