Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Italian overture the classical multi-movement cycle - used in genres including the symphony, concerto, and sonata - developed around the middle of the 18th century. For more about the (18th century) relationship between "Italian" overtures, other types of overtures (e.g. the "French overture") and early symphonies, see sinfonia. Italian overture The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three-movement structure – the outer movements are quick, the middle movement is slow. This type of overture was particularly popular