Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Overture of the arias are quoted. In 19th-century opera the overture, "Vorspiel", "Einleitung," Introduction, or whatever else it may be called, is generally nothing more definite than that portion of the music which takes place before the curtain rises. Richard Wagner's "Vorspiel" to "Lohengrin" is a short self-contained movement founded on the music of the Grail. In Italian opera after about 1800, the "overture" became known as the "sinfonia". Fisher also notes the term "Sinfonia avanti l'opera" (literally, the "symphony before the opera") was "an early term for a sinfonia used to begin an opera, that is, as an overture as