Earle K. Bergey expanding paperback book industry along with skilled pulp artists like Rudolph Belarski, whose work is often confused with Bergey's. While continuing to paint pulp covers until his death, Bergey sold illustrations to at least four (4) leading paperback publishing houses, including Popular Library and Pocket Books. His art graced the covers of dozens of novels and helped to sell millions of volumes. His paperback cover illustrations were as diverse as his work for the pulps. In addition to his work on Anita Loos' famous "Gentlemen Prefer Blondes", Bergey painted cover art for well-known authors from Émile Zola to the Western
The French Line of this half-baked dish is its dull, boring insistence. Since I am trying to forget the details as rapidly as possible, you will forgive me for not going into them specifically." The "Los Angeles Times" wrote, "As a romantic comedy with music, the film may be described as uninventively reminiscent of such predecessors as 'Gentlemen Prefer Blondes' and 'Roberta.' Even with an intermission it runs uncomfortably long." "Harrison's Reports" praised the "gorgeous" Technicolor but called the story "very weak, with the first three-fourths slow and uninspiring. It becomes lively in the model scenes in the last one-fourth, where flesh is