Siciliana another set of variations by Brahms, the orchestral Variations on a Theme by Haydn (1873), the 7th variation also takes the form of a siciliana. The second of Moritz Moszkowski's "Trois Morceaux poétiques", Op. 42 (1887), is a Siciliano. Hélène's aria, "Merci, jeunes amies" ("Thank you, beloved friends") from Verdi's opera "Les vêpres siciliennes" is another example of a siciliana, suited to its setting, and is referred to as such in the score, even though it is popularly called a bolero. The opening aria of Mascagni's masterpiece "Cavalleria rusticana" is the Siciliana "O Lola". Ernest Chausson composed a sicilienne as
Cavalleria rusticana ("We rejoice that our Saviour is living!") joined by Santuzza. The villagers enter the church, while Santuzza and Lucia remain outside. Lucia asks Santuzza why she signalled her to remain silent when Alfio said that he had seen Turiddu that morning. Santuzza exclaims, "Voi lo sapete" ("You well know") and tells Lucia the story of her seduction by Turiddu and his affair with Lola. Lucia pities Santuzza, who feels dishonored, having been seduced by Turiddu only to be abandoned by him for his old flame, Lola. Santuzza feels she cannot enter the church, but begs Lucia to go inside herself