Bayreuth Festival for Margrave Frederick and his wife, Friederike Sophie Wilhelmine (sister of Frederick the Great) in 1747. With its ample capacity and strong acoustics, the opera house was a good match for Wagner's vision. Second, the town of Bayreuth found itself outside of regions where Wagner no longer owned the rights to the performance of his own works, which he had sold off in 1864 in order to alleviate pressing financial concerns. Finally, the town had no cultural life that could offer competition to Wagner's own artistic dominance. The Festival, once launched, would be the dominant feature of Bayreuth's cultural landscape.
Bayreuth Festival the festival into an opportunity for directors to experiment with new methods for presenting the operas. The change came out of necessity, as it was impossible for Wolfgang to both administer and direct the festival. It also provided an opportunity for Bayreuth to renew itself with each production, rather than continue to present the same operas in the same way, year after year. Ingmar Bergman, who famously made a film version in Swedish of Mozart's "Die Zauberflöte", turned down an invitation to direct the festival. The most sensational production in "Werkstatt Bayreuth" was the Centennial Ring Cycle under the direction