The Mamas & the Papas Cass Elliot had a successful solo career, touring the US and Europe; appearing frequently on television, including in two specials ("The Mama Cass Television Program" on ABC in January 1969 and "Don't Call Me Mama Anymore" on CBS in September 1973); and producing hits such as "Make Your Own Kind of Music" and "It's Getting Better". However, she never surpassed her two Dunhill albums, "Dream a Little Dream" (1968) and "Bubblegum, Lemonade, and ... Something for Mama" (1969). None of the three albums she recorded for RCA – "Cass Elliot" (1972), "The Road Is No Place for a Lady" (1972),
Kyōiku mama financial demands to complement the family budget, and by psychological demands to relate themselves to society. Child-rearing women in the 1960s inspired the media to produce the idiom kyōiku mama, which referred to "the domestic counterpart of sararii-man" (salaryman). This encompassed a major responsibility to "rear children, especially the males, to successfully pass the competitive tests needed to enter high school and college". No such idiom emerged that deemed men "education papas"; it was "mamas" who became a social phenomenon. The education system and larger political economy it serves influence why mothers become obsessed with children's education. Social prejudices influence