Francesco Cilea Pubblica Istruzione (Department of Education). In 1889, for his final examination at the end of his course of study, he submitted his opera "Gina", with a libretto by Enrico Golisciani which was adapted from the old French play "Catherine, ou La Croix d'or" by Baron Anne-Honoré-Joseph Duveyrier de Mélésville (1787—1865). This "melodramma idilico" was performed in the college theatre, and it attracted the attention of the publishers Sonzogno, who arranged for a second production, in Florence, in 1892. Sonzogno also then commissioned from Cilea "La Tilda", a verismo opera in three short acts along the lines of Mascagni's "Cavalleria rusticana".
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role