The Mamas & the Papas played something closer to folk rock, with bass and drums. Their rehearsals in the Virgin Islands were "the first time that we tried playing electric". The band then traveled from New York to Los Angeles for an audition with Lou Adler, co-owner of Dunhill Records. The audition was arranged by Barry McGuire, who had befriended Cass Elliot and John Phillips independently over the previous two years, and who had recently signed with Dunhill himself. It led to "a deal in which they would record two albums a year for the next five years", with a royalty of 5 percent on
The Mamas & the Papas the record in the fall of 1966, playing a series of precarious and reportedly bizarre shows. At a September 1966 concert at Fordham University in New York City, the band was noted by Gus Duffy and Jim Mason of their co-headlining band, Webster's New Word, as being clearly "high, drunk, or tripping. When they got on stage, it was clear that these people shouldn't be on stage ... They tumbled onto the stage, shambled around, and just got nowhere. After completing their brief East coast tour, the group started work immediately on its third album, "The Mamas & The Papas