Leda and the Swan (Michelangelo) Francis I of France, who later sent it to the Palace of Fontainebleau. The best known copy is attributed to Rosso Fiorentino and hangs in the National Gallery in London, with others in the Gemäldegalerie (Dresden), the Gemäldegalerie (Berlin) and the Correr Museum in Venice. The Casa Buonarroti in Florence holds not only a copy but also a preparatory drawing of Leda's head, held to be by Michelangelo himself. There are also several prints of the work, the most faithful of which is thought to be the one by Nicolas Béatrizet, which also shows Castor and Pollux. Leda and the
Deception of Zeus anthropomorphism", and linked it to the opening of the Babylonian "Enuma Elish" where Apsu and Tiamat, respectively the fresh and salt waters, are the primordial couple who "were mixing their waters." Like Tethys and Oceanus they were superseded by a later generation of gods. Tethys does not otherwise appear in early Greek myth and she had no established cult. Deception of Zeus The section of the "Iliad" that ancient editors called the Dios apate (the "Deception of Zeus") stands apart from the remainder of Book XIV. In this episode, Hera makes an excuse to leave her divine husband Zeus; in