The Hebrides (overture) retains this position to the present day. Mendelssohn's first visit to England in 1829 resulted from invitations by Sir George Smart and the Philharmonic Society. Following his tour of England, Mendelssohn proceeded to Scotland, where he began work on his Symphony No. 3, "Scottish". He was engaged on a tour of Scotland with his travelling companion Karl Klingemann when he sent a postcard to his family with the opening phrase of the overture written on it. In a note to his sister Fanny, he said: "In order to make you understand how extraordinarily the Hebrides affected me, I send you
Overture as his "Tragic Overture", Op. 81. An example clearly influenced by the symphonic poem is Tchaikovsky's "1812 Overture". His equally well-known "Romeo and Juliet" is also labelled a 'fantasy-overture'. In European music after 1900, an example of an overture displaying a connection with the traditional form is Dmitri Shostakovich's "Festive Overture", Op. 96 (1954), which is in two linked sections, "Allegretto" and "Presto" (Temperely 2001). Malcolm Arnold's "A Grand, Grand Overture", Op. 57 (1956), is a 20th-century parody of the late 19th century concert overture, scored for an enormous orchestra with organ, additional brass instruments, and obbligato parts for four