Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Italian overture Italian overture The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three-movement structure – the outer movements are quick, the middle movement is slow. This type of overture was particularly popular among Italian composers such as Alessandro Scarlatti, and in the early 18th century would usually be called "sinfonia". Later, to avoid confusion with other types of sinfonia/symphony, the term "Italian overture" was used more frequently. The structure of the Italian overture/sinfonia was the base from which