The Hebrides (overture) a concert conducted by Thomas Attwood, that also featured Mendelssohn's "Overture to A Midsummer Night's Dream". The final revision was completed by 20 June 1832. and premiered on 10 January 1833 in Berlin under the composer's own baton. The music, though labelled as an overture, is intended to stand as a complete work. Although programme music, it does not tell a specific story and is not "about" anything; instead, the piece depicts a mood and "sets a scene", making it an early example of such musical tone poems. The overture consists of two primary themes; the opening notes of the
The Consecration of the House (overture) altered some of the musical numbers, and added others, including a final chorus with violin solo and ballet. This new overture is known as "The Consecration of the House" Overture. (The extra incidental pieces constitute the entire work.) An anecdote by Anton Schindler describes Beethoven conceiving two themes for the overture while on a walk, and relates the composer's intention of treating one of these in contrapuntal fashion after Handel. Beethoven chose a monothematic structure, in which a modulation occurs, but in which the new key features the same theme. This suggests the influence of Haydn. The overture opens with