L'amico Fritz L'amico Fritz L'amico Fritz () is an opera in three acts by Pietro Mascagni, premiered in 1891 from a libretto by P. Suardon (Nicola Daspuro) (with additions by Giovanni Targioni-Tozzetti), based on the French novel "L'ami Fritz" by Émile Erckmann and Pierre-Alexandre Chatrian. While the opera enjoyed some success in its day and is probably Mascagni's most famous work after "Cavalleria rusticana", today it is performed far more rarely than "Cavalleria", which remains Mascagni's only enduringly popular work in America (though in Italy, "L'amico Fritz" and "Iris" are still in the active repertoire). The "Cherry Duet" between Fritz and Suzel
Maria Duchêne pneumonia just as Maria was about to take the stage as Lola in "Cavalleria rusticana". Her final and 166th performance with the Met was as Ulrica in "Un ballo in maschera" in an out of town performance at the Boston Opera House on April 18, 1916. Details of her life after leaving the Met are unknown. Maria Duchêne Maria Duchêne-Billiard (1884 - ?) was a French contralto of the Metropolitan Opera from 1912 to 1916. She portrayed such roles as Amneris in "Aida", Giulietta in "The Tales of Hoffmann", Lola in "Cavalleria rusticana", Maddalena in "Rigoletto". She sang the role