Aileen Pringle and Valentino, of which Mencken wrote an account, some weeks after Valentino had died. Mencken does not name her but describes her as "discreet as she is charming." Ralph Barton, American artist, was also a devoted friend and used her as the model for "Dorothy" in his illustrations for "Gentlemen Prefer Blondes" by Anita Loos. Another admirer was George Gershwin who met her in Hollywood and wrote much of the Second Rhapsody at her Santa Monica, California, home. Her wit, keen intellect and sparkling personality made her a sought-after companion. After her 1926 divorce from Charles Pringle, Aileen Pringle further
The Fuzzy Pink Nightgown in color with Dean Martin in his first semi-serious role - which he's done fabulously since - and the publicity alone would have pulled it off. Or we should have had another director...Norman still got his slapstick ending, but it just seemed old fashioned without color. The picture was neither fish nor fowl, but I still liked it.". Despite her honest assessment of the movie, Jane considered "The Fuzzy Pink Nightgown," along with Gentlemen Prefer Blondes (1953) as the two favorite films of her career . "Fuzzy Pink Nightgown" bombed when it was released in the fall of 1957 and