Symphonic poem temporary stop to the debate as to whether the genre was dead. Nevertheless, composers began to explore the "more compact form" of the concert overture "...as a vehicle within which to blend musical, narrative and pictoral ideas." Examples included Mendelssohn's overtures "A Midsummer Night's Dream" (1826) and "The Hebrides" (1830). Between 1845 and 1847, the Belgian composer César Franck wrote an orchestral piece based on Victor Hugo's poem "Ce qu'on entend sur la montagne". The work exhibits characteristics of a symphonic poem, and some musicologists, such as Norman Demuth and Julien Tiersot, consider it the first of its genre, preceding
Overture (Bruckner) Overture (Bruckner) Anton Bruckner composed the Overture in G minor, WAB 98 in 1862–63, during his tuition by Otto Kitzler. In the fall of 1862, when studying with Otto Kitzler in Linz, Bruckner composed his first orchestral compositions: the Four Orchestral Pieces (the March in D minor and the Three Pieces for orchestra). His next orchestral composition was an Overture in G minor, WAB 98. A sketch of the Overture, which was started in November 1862, is found in the "Kizler-Studienbuch" pp. 287-301. A first version of the Overture was fulfilled on 24 December 1862. On 6 January 1863 Bruckner