The Mamas & the Papas played something closer to folk rock, with bass and drums. Their rehearsals in the Virgin Islands were "the first time that we tried playing electric". The band then traveled from New York to Los Angeles for an audition with Lou Adler, co-owner of Dunhill Records. The audition was arranged by Barry McGuire, who had befriended Cass Elliot and John Phillips independently over the previous two years, and who had recently signed with Dunhill himself. It led to "a deal in which they would record two albums a year for the next five years", with a royalty of 5 percent on
Big mama about Big mamas, calls this concept the Digital Panopticon. Every level of a network regulates itself and censors the level below; this works all the way down to big mamas who moderate chatrooms down to users who regulate each-other’s behavior. Big mama has created a discourse of self-censorship and control; as Lokman Tsui wrote “Big Mama is watching you”. When users censor themselves at a smaller level it is more effective than direct censorship from the top. Big mamas have led to both societal and self-censorship that is beyond government controlled top down censorship. The name is derived from the