Overture incorporating "God Save the King" at its climax). However, the overture "A Midsummer Night's Dream" (1826) by Felix Mendelssohn is generally regarded as the first concert overture (Temperley 2001). Mendelssohn's other contributions to this genre include his "Calm Sea and Prosperous Voyage" overture (1828), his overture "The Hebrides" (1830; also known as "Fingal's Cave") and the overtures "Die schöne Melusine" ("The Fair Melusine", 1834) and "Ruy Blas" (1839). Other notable early concert overtures were written by Hector Berlioz (e.g., "Les Francs juges" (1826), and "Le corsaire" (1828)). In the 1850s the concert overture began to be supplanted by the symphonic
Drysdale Overture first under Sir William Southgate and second under Kenneth Young. "Drysdale Overture" was first published in 2014 by Promethean Editions; this edition was edited by Robert Hoskins and Roderick Biss. Drysdale Overture The Drysdale Overture of 1937 is among the earliest works for orchestra by New Zealand composer Douglas Lilburn. The piece was written while Lilburn was a student at the Royal College of Music, and was based on something of a challenge from his professor, Ralph Vaughan Williams. Reportedly, Vaughan Williams had begun his teaching by asking Lilburn to write fugues and part-songs; one day, though, he asked, "Isn't