Food and dining in the Roman Empire and a pesto-like preparation, somewhat similar to pizza or focaccia. Maintaining a bread oven is labor-intensive and requires space, so apartment dwellers probably prepared their dough at home, then had it baked in a communal oven. Mills and commercial ovens, usually combined in a bakery complex, were considered so vital to the wellbeing of Rome that several religious festivals honored the deities who furthered these processes—and even the donkeys who toiled in the mills. Vesta, the goddess of the hearth, was seen as complementary to Ceres, the goddess of grain, and donkeys were garlanded and given a rest on the
The Goddess (1934 film) goddess is behind bars. The bars are in focus but the figure of the goddess and her face become more blurred. The film's title has several layers of meaning. On one level, it is a description of the nameless character played by Ruan Lingyu, who is equated with a protective goddess in the film. On another level, the title refers to her character's occupation, in that the Chinese term "shennü", while primarily meaning "goddess," also was an old euphemism for a prostitute. Wu’s directorial debut was received well back in 1934. Ruan Lingyu’s popularity definitely played a factor but also