Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
The Big Bubble: Part Four of the Mole Trilogy not in the cover photo. On the back of the LP record, it is written "Produced by Konrad" after a letter sent by a fan regarding Whatever Happened to Vileness Fats? and what they did wrong and what could have improved on it. The following tracks were included only on the 1989 CD release: The Big Bubble: Part Four of the Mole Trilogy The Big Bubble is an album by The Residents. It was released in 1985, and fleshed out the backstory of the band's "Mole Trilogy", which had been introduced in "Mark of the Mole" (1981) and "The Tunes