Kakapo and stiffness required for flight, they are exceptionally soft, giving rise to the specific epithet "habroptilus". The kakapo has a conspicuous facial disc of fine feathers resembling the face of an owl; thus, early European settlers called it the "owl parrot". The beak is surrounded by delicate feathers which resemble vibrissae or "whiskers"; it is possible kakapo use these to sense the ground as they walk with its head lowered, but there is no evidence for this. The mandible is variable in colour, mostly ivory, with the upper part often bluish-grey. The eyes are dark brown. Kakapo feet are large,
The Bird Lover the lai develops somewhat differently: instead of a happy ending, the lai ends in tragedy. A "sophisticated rationalization" of the type is found in Chrétien de Troyes's "Lancelot, the Knight of the Cart", where Lancelot appears at Guinevere's heavily barred window and cuts his fingers bending the bars back. In French scholarship, this type is often referred to as ""loiseau bleu"" or "the blue bird", so named for a story by Madame d'Aulnoy. The Bird Lover The Bird Lover, also known as The Prince as Bird, is a type of narrative structure in folklore, no. 432 in the Aarne–Thompson classification