Paul Verlaine Much of the French poetry produced during the "fin de siècle" was characterized as "decadent" for its lurid content or moral vision. In a similar vein, Verlaine used the expression "poète maudit" ("cursed poet") in 1884 to refer to a number of poets like Stéphane Mallarmé, Arthur Rimbaud, Aloysius Bertrand, Comte de Lautréamont or Alice de Chambrier, who had fought against poetic conventions and suffered social rebuke or were ignored by the critics. But with the publication of Jean Moréas' "Symbolist Manifesto" in 1886, it was the term symbolism which was most often applied to the new literary environment. Along
Poet Lore In its first few decades, "Poet Lore" published the works of such renowned writers as Rabindranath Tagore, Rainer Maria Rilke, Paul Verlaine, Frederick Mistral, Stephane Mallarmé, Anton Chekhov, Maxim Gorky, Jose Echegaray, Hermann Hesse, Henrik Ibsen, August Strindberg, Emma Lazarus, and Sara Teasdale. Award-winning American poets whose early work (in some cases their first published poems) appeared in the pages of "Poet Lore" include Mary Oliver, Linda Pastan, Colette Inez, R. T. Smith, D. Nurkse, John Balaban, Carolyn Forché, Alice Fulton, Dana Gioia, Pablo Medina, Kim Addonizio, David Baker, Carl Phillips, Natasha Trethewey, Terrance Hayes, and Reginald Dwayne Betts. Poet