Adolf Krössing In September of that same year he played Wenzel in the premiere of the final version of Bedřich Smetana's opera "The Bartered Bride", a role which he would repeat often throughout his career. His portrayal in this production impressed Smetana, and Krössing was soon invited to join his group of artists that would later be established at the Prague National Theatre. Krössing performed with Smetana's group of artists at the Nové České Divadlo (New Czech Theatre) up until 1881 when the National Theatre opened. He continued to appear at that house in operas, operettas, plays, and even the occasional ballet
A Bride from the Bush Raffles. When he published the novel "Peccavi" in 1900, a critic from "The Advertiser" wrote a scathing review, writing that Hornung should go back to Australia so he would be inspired to write something as good as "A Bride from the Bush" again. Upon Hornung's death, a tribute in "The Freeman's Journal" called "A Bride from the Bush" "the best and the best known" of Hornung's Australia-related stories. In 1924 André Cœuroy and Theodore Baker argued in "The Musical Quarterly" that Hornung's characterisation of the novel's hero as being pitiable for being unable to appreciate anthems demonstrates that "A Bride