The Anatomy Lesson of Dr. Deijman (162164), is seen on the left, holding the top of the dead man's skull. The perspective of the corpse is depicted with exaggerated foreshortening to give the viewer a sense of standing in front of the dissection table, similar to the foreshortening in Mantegna's "Lamentation of Christ", which Rembrandt would have been familiar with through prints. The Anatomy Lesson of Dr. Deijman The Anatomy Lesson of Dr. Deijman (alternative spelling Deyman) is a 1656, fragmentary painting by Rembrandt, now in Amsterdam Museum. It is a group portrait showing a brain dissection by Dr. Jan Deijman (161966). Much of the canvas
The Anatomy Lesson (Roth novel) of writing autobiographical novels," adding, "no modern writer, perhaps no writer, has taken self-examination so far and so literally." In "The New Yorker", John Updike was more complimentary finding, "The postmodernist writer's bind is expressed in flat authoritative accents reminiscent of Hemingway...Throughout, a beautiful passion to be honest propels the grinding, whining paragraphs. Yet, though lavish with laughs and flamboyant invention, "The Anatomy Lesson" seemed to this Roth fan the least successful of the Zuckerman trio, the least objectified and coherent." The first and second books in the Zuckerman trilogy are 1979's "The Ghost Writer" and 1981's "Zuckerman Unbound". The