Faith in Buddhism worship and other devotional routines as corruptions of an ideal, rational form of Buddhism, while assimilating Victorian and other modern values and designating them as traditional Buddhist, often without awareness of their roots. In Japan, from the Meiji period onward, the Japanese heavily attacked Buddhism as a foreign and superstitious belief system. In response to this, Buddhist schools such as Zen developed a movement called "New Buddhism" ("Japanese: shin bukkyo"), emphasizing rationalism, modernism and warrior ideals. Still in Japanese Buddhism, in the twentieth century, a critical response to traditional Buddhism arose, led by the two academics Hakamaya Noriaki and Matsumoto
Japanese Zen often pointed to as an event that enhanced its profile in the Western world. It was during the late 1950s and the early 1960s that the number of Westerners pursuing a serious interest in Zen, other than descendants of Asian immigrants, reached a significant level. Eugen Herrigel's book "Zen in the Art of Archery" describing his training in the Zen-influenced martial art of Kyūdō, inspired many of the Western world's early Zen practitioners. However, many scholars, such as Yamada Shoji, are quick to criticize this book. The single most influential person for the spread of Zen Buddhism was D. T.