The Bartered Bride dedication of the latter's Opus 1: "Six Characteristic Pieces for Piano" in 1848, and had encouraged the younger composer's career since then. In September 1857 Smetana visited Liszt in Weimar, where he met Peter Cornelius, a follower of Liszt's who was working on a comic opera, "Der Barbier von Bagdad". Their discussions centred on the need to create a modern style of comic opera, as a counterbalance to Wagner's new form of music drama. A comment was made by the Viennese conductor Johann von Herbeck to the effect that Czechs were incapable of making music of their own, a remark
The Bride (album) in a series of piano-focused ballads that, while uniformly beautiful [...] aren't distinctive enough songwriting-wise to stand out from one another", adding that "Khan may have prioritized the concept over the listening experience as a whole." Slant Magazine's Sal Cinquemani wrote, "That "The Bride" works best as a song cycle rather than a collection of pop hooks is a testament to its cohesion and intrinsic intertexuality, but what's missing here is Khan's knack for grafting avant-art-rock concepts onto mainstream forms." "The Bride" debuted at number nine on the UK Albums Chart with 8,242 copies sold in its first week, becoming