Baroque violin owing to the high placement of its "eyes"—holes on either side. The fingerboard on a Baroque violin is also shorter than that on a modern violin. During the Baroque period, the use of higher positions on the violin increased. In 1600, the highest note in regular use was the C above the E-string, while by 1700 the A one octave above the E-string was relatively common (being, for instance, the highest note used in Bach's violin music). Virtuoso violinists throughout the period continued to push the boundaries of possibility, with Locatelli reputedly playing in 22nd position. Baroque violins are typically
Baroque violin one note but sounds undulating, so would it be if every note were played with the tremolo. Performers there are who tremble consistently on each note as if they had palsy. The tromolo must only be used at places where nature herself would produce it... Baroque bows are typically held in the same way as modern bows, with the thumb on the underside of the stick towards the frog, though in the earlier Baroque period a "French grip" with the thumb positioned on the hair of the bow was also used. An important, but often overstated, aspect of Baroque playing