Luncheon of the Boating Party his friends in "Luncheon of the Boating Party". Identification of the sitters was made in 1912 by Julius Meier-Graefe. Among them are the following: At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics. "It is fresh and free without being too bawdy," wrote Paul de Charry in "Le Pays", March 10, 1882. In "La Vie Moderne" (March 11, 1882), Armand Silvestre wrote, "...one of the best things [Renoir] has painted...There are bits of drawing that are completely remarkable, drawing- true drawing- that is a result of the juxtaposition of hues and not of line. It
The Boating Party in gardens. It is also one of her largest oil paintings. In 1890 Cassatt visited the great Japanese Print exhibition at the ecole de Beaux-arts in Paris. Mary Cassatt owned Japanese prints by Kitagawa Utamaro (1753–1806). The exhibition at Durand-Ruel of Japanese art proved the most important influence on Cassatt. Frederick A. Sweet suggests that Cassatt may have been inspired by Édouard Manet's "Boating" from 1874."Boating" was exhibited at the (fourth?) Impressionist Exhibition of 1879, where it was not well received. Cassatt however, convinced her friend Louisine Havemeyer to buy it. Much of the work from the Havemeyer collection was