Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque violin authentic performance that began in the 1950s and increased during the 1970s and 1980s. Their use reflects an attempt to rediscover the style of violin playing best suited to music of their period. Many luthiers today offer violin-family instruments in early set-up, though much is still unknown, given the relative scarcity of unaltered original instruments for study. Typically, period instrument players attempt to learn the style and aesthetic appropriate to the music and instruments in period treatises and facsimile editions. This practice is referred to as Historically Informed Performance (HIP). Baroque violin A Baroque violin is a violin set up