The Bartered Bride the plot [...] is taken from village life and demands a national treatment." According to his biographer John Clapham, Smetana "certainly felt the pulse of the peasantry and knew how to express this in music, yet inevitably he added something of himself." Historian Harold Schonberg argues that "the exoticisms of the Bohemian musical language were not in the Western musical consciousness until Smetana appeared." Smetana's musical language is, on the whole, one of happiness, expressing joy, dancing and festivals. The mood of the entire opera is set by the overture, a concert piece in its own right, which Tyrrell describes
The Bride (album) in a series of piano-focused ballads that, while uniformly beautiful [...] aren't distinctive enough songwriting-wise to stand out from one another", adding that "Khan may have prioritized the concept over the listening experience as a whole." Slant Magazine's Sal Cinquemani wrote, "That "The Bride" works best as a song cycle rather than a collection of pop hooks is a testament to its cohesion and intrinsic intertexuality, but what's missing here is Khan's knack for grafting avant-art-rock concepts onto mainstream forms." "The Bride" debuted at number nine on the UK Albums Chart with 8,242 copies sold in its first week, becoming