Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Gospel According to the Mark of Silver Gospel According to the Mark of Silver The Gospel According to the Mark of Silver is a work from the "Carmina Burana" later used to satirise Pope Leo X (1513-1521), who was famous for his profligate spending of church money. While Leo was also criticized by ecclesiastical officials after his death, the "Gospel" was a product of the Goliard movement. At that time, the Pope said to the Romans, "When the son of man comes to the seat of our majesty, first say, `Friend, why have you come?' But if he continues knocking without giving you anything, throw him out