Baroque pop contested much of the time's low fidelity musical aesthetic. In classical music, the term "Baroque" is used to describe the art music of Europe approximately between the years 1600 and 1750, with some of its most prominent composers including J. S. Bach and Antonio Vivaldi. Much of the instrumentation of baroque pop is akin to that of the late Baroque period or the early Classical period, chronologically defined as the period of European music from 1690 to 1760 and stylistically defined by balanced phrases, clarity and beauty, using string sections, woodwinds and brass instruments. Baroque pop, stylistically, fuses elements of
Melchior Hoffmann (composer) is a Magnificat for solo soprano and small group, which during the 19th century was assigned a BWV number of BWV Anh. 21. Joshua Rifkin has identified Hoffman's style as having "freshness and charm" while noting the "occasional melodic angularity". He has been sometimes confused with composer Johann Georg Hoffmann, although there is no relation. None of his operas survive, but contemporary reviews indicate they were well received. He has been identified as the first composer to use bells in a serious manner. Melchior Hoffmann (composer) Georg Melchior Hoffmann (c. 1679 – 6 October 1715) was a Baroque composer who