Baroque pop contested much of the time's low fidelity musical aesthetic. In classical music, the term "Baroque" is used to describe the art music of Europe approximately between the years 1600 and 1750, with some of its most prominent composers including J. S. Bach and Antonio Vivaldi. Much of the instrumentation of baroque pop is akin to that of the late Baroque period or the early Classical period, chronologically defined as the period of European music from 1690 to 1760 and stylistically defined by balanced phrases, clarity and beauty, using string sections, woodwinds and brass instruments. Baroque pop, stylistically, fuses elements of
Baroque World, made by local craftsmen; examples include the Rosary Chapel of the Church of Santo Domingo in Oaxaca, Mexico (1724–31). The term "Baroque" is also used to designate the style of music composed during a period that overlaps with that of Baroque art. The first uses of the term 'baroque' for music were criticisms. In an anonymous, satirical review of the première in October 1733 of Rameau's "Hippolyte et Aricie," printed in the "Mercure de France" in May 1734, the critic implied that the novelty in this opera was "du barocque," complaining that the music lacked coherent melody, was filled