L.H.O.O.Q. a late interview (Schwarz 203), Duchamp gives a loose translation of "L.H.O.O.Q." as "there is fire down below". Francis Picabia, in an attempt to publish "L.H.O.O.Q." in his magazine 391 could not wait for the work to be sent from New York City, so with the permission of Duchamp, drew the moustache on Mona Lisa himself (forgetting the goatee). Picabia wrote underneath "Tableau Dada par Marcel Duchamp". Duchamp noticed the missing goatee. Two decades later, Duchamp corrected the omission on Picabia's replica, found by Jean Arp at a bookstore. Duchamp drew the goatee in black ink with a fountain pen,
Fountain (Duchamp) object. Menno Hubregtse argues that Duchamp may have chosen "Fountain" as a readymade because it parodied Robert J. Coady's exaltation of industrial machines as pure forms of American art. Coady, who championed his call for American art in his publication "The Soil", printed a scathing review of Jean Crotti's "Portrait of Marcel Duchamp (Sculpture Made to Measure)" in the December 1916 issue. Hubregtse notes that Duchamp's urinal may have been a clever response to Coady's comparison of Crotti's sculpture with "the absolute expression of a—plumber." Some have contested that Duchamp created "Fountain", but rather assisted in submitting the piece to