Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
History of anatomy research. Only certified anatomists were allowed to perform dissections, and sometimes then only yearly. These dissections were sponsored by the city councilors and often charged an admission fee, rather like a circus act for scholars. Many European cities, such as Amsterdam, London, Copenhagen, Padua, and Paris, all had Royal anatomists (or some such office) tied to local government. Indeed, Nicolaes Tulp was Mayor of Amsterdam for three terms. Though it was a risky business to perform dissections, and unpredictable depending on the availability of fresh bodies, "attending" dissections was legal. The supply of printed anatomy books from Italy and France