Readymades of Marcel Duchamp not the true "Mona Lisa", but Duchamp's own slightly-different version that he modelled partly after himself. The inference of Shearer's viewpoint is that Duchamp was creating an even larger joke than he admitted. Readymades of Marcel Duchamp The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the Found object became art. Duchamp was not interested in what he called "retinal art" — art that was only visual — and sought
Readymades of Marcel Duchamp it a little game between 'I' and 'me'". Duchamp was unable to define or explain his opinion of readymades: "The curious thing about the readymade is that I've never been able to arrive at a definition or explanation that fully satisfies me." Much later in life Duchamp said, "I'm not at all sure that the concept of the readymade isn't the most important single idea to come out of my work." Robert Fulford described Duchamp's ready-mades as expressing "an angry nihilism". By submitting some of them as art to art juries, the public, and his patrons, Duchamp challenged conventional notions