The Bartered Bride as "a tour de force of the genre, wonderfully spirited & wonderfully crafted." Tyrrell draws attention to several of its striking features – its extended string fugato, climactic tutti and prominent syncopations. The overture does not contain many of the opera's later themes: biographer Brian Large compares it to Mozart's overtures to "The Marriage of Figaro" and "The Magic Flute", in establishing a general mood. It is followed immediately by an extended orchestral prelude, for which Smetana adapted part of his 1849 piano work "Wedding Scenes", adding special effects such as bagpipe imitations. Schonberg has suggested that Bohemian composers express
The Bride of Messina sposa di Messina" by the Italian composer Nicola Vaccai (premiered in 1839). Robert Schumann wrote an overture to "Die Braut von Messina", his Opus 100. (English translation) The Bride of Messina The Bride of Messina () is a tragedy by Friedrich Schiller; it premiered on 19 March 1803 in Weimar. It is one of the most controversial works by Schiller, due to his use of elements from Greek tragedies (which were considered obsolete at the time it was written). In the play, Schiller attempts to combine antique and modern theatre. It is set in Sicily, at a time when Paganism