A Big Hunk o' Love 10, 1958, in Nashville, Tennessee. It was the first session that did not include guitarist Scotty Moore and bassist Bill Black, who had both worked with Elvis since his first recordings for Sam Phillips at the Memphis Recording Service, which later became known as Sun Studios. The recording featured Elvis' regular drummer D.J. Fontana and backing vocalists the Jordanaires, who would continue to work with Elvis until Elvis' appearance at the Hilton in Las Vegas. The rest of the musicians were top Nashville session men, such as guitarist Hank Garland on Gibson Byrdland guitar, Floyd Cramer on piano, Bob Moore
Backing track the methods used for backing tracks vary; smaller bands frequently use CDs, DAT playback, MiniDisc or even an MP3 player; larger acts more commonly use computers or standalone MIDI-and-audio playback devices with onboard sound modules. The use of backing tracks has drawn criticism from some music critics. Many fans dislike the use of tracks live, feeling that they detract from the integrity and honesty of a live performance. The amount of criticism tends to vary with the number of backing tracks used. The playback of additional audio such as rapid, complex synthesizer parts or string section parts while a band