Carmen (1915 Cecil B. DeMille film) so DeMille instructed his screenwriter brother William to base his scenario on the public domain novella "Carmen" by Prosper Mérimée. The novella's Carmen was more wilful and manipulative than the opera version. For instance, William included a cigarette factory fight scene from the book which was not found in the opera. Composer Hugo Riesenfeld arranged the orchestral score, his first of many for film, which "was" based on that of Bizet's opera. It was performed at the premiere and other prestigious screenings. There have been two restorations of Riesenfeld's score: the first was by Gillian Anderson, recorded with the London
Carreras Cigarette Factory shifted away from the Turkish tobacco it used. The building was opened to great fanfare; a ceremony held in front of the building involved covering the pavements in front of the building with sand to replicate the deserts of Egypt. There was a procession of cast members from a contemporary London production of Verdi's opera "Aida", actors in Ancient Egyptian costume performed around the "temple" structure, and a chariot race was held on the Hampstead Road. Dominating the entrance to the building were two large -high bronze statues of cats, stylised versions of the Egyptian god Bastet (or "Bubastis", or