Hip, Hip, Hurrah! scene (and in composition and subject draws obvious comparisons to Renoir's "Luncheon of the Boating Party"), but at the same time it harks back to the "freundschaftbild" tradition of artists of the Danish Golden Age such as Ditlev Blunck and Wilhelm Bendz in depicting artistic communities spontaneously drawing together. The development of Krøyer's Skagen style can be seen by comparing "Hip, Hip, Hurrah!" with ("Artists' Luncheon at Skagen"), a similarly themed 1883 painting which features many of the same people; and with later works like "" ("Summer Evening at Skagen beach. The Artist and his Wife") and "Roser" ("Roses"). The
Luncheon in the Studio is discussed in Ross King's "The Judgment of Paris", where King notes: "In the bottom left of the painting is a medieval helmet and a pair of swords. In many respects it was, like "Le dejeuner sur l'herbe", and "Olympia", a defiant reworking of artistic tradition... the signatures of masculine bravery became cast-off props in a provincial dining-room, sharing the same dignity and distinction—no more, no less—as the potted plants, corked bottles and coffee urn." Luncheon in the Studio Luncheon in the Studio (or The Luncheon) is an 1868 oil painting by Édouard Manet. Partially a portrait of 16-year-old Léon