Kinetic art expressions based on optical and luminous phenomenon as well as painting illusionism. The expression "kinetic art" in this modern form first appeared at the Museum für Gestaltung of Zürich in 1960, and found its major developments in the 1960s. In most European countries, it generally included the form of optical art that mainly makes use of optical illusions, such as op art, represented by Bridget Riley, as well as art based on movement represented by Yacov Agam, Carlos Cruz-Diez, Jesús Rafael Soto, Gregorio Vardanega, or Nicolas Schöffer. From 1961 to 1968, GRAV ("Groupe de Recherche d’Art Visuel") founded by François
Christ Illusion without the memorable riffs." Jamie Thomson of "The Guardian" described the album as "wholly disappointing," and thought the band sounded "unwilling to ditch the nu-metal tendencies that have made much of their recent output so resistible." "KNAC.com" contributor Peter Atkinson felt that the album "demands OUTRAGE —more calculatingly so than any other album the band has done," and that "that, in a nutshell, is "Christ Illusion"s glaring weakness." Several aspects of "Christ Illusion"s content and promotion generated adverse attention and publicity. In particular the cover art, painted by Larry Carroll and depicting a mutilated, stoned Jesus. Carroll, who had painted