Chimera of Arezzo because his wife accused him of ravishing her, and he assumed that the warrior would perish in the attempt to kill the beast. Bellerophon set out on his winged horse, Pegasus, and emerged victorious from his battle, eventually winning not only the hand of Iobates' daughter but also his kingdom. It is this story that led art historians to believe that the Chimera of Arezzo was originally part of a group sculpture that included Bellerophon and Pegasus. Votive offerings for the Gods often depicted mythological stories. A round hole on the left rump of the Chimera might suggest a spot
Chimera (mythology) in "Inferno" xvii.7–17, 25–27, hybrid monsters, more akin to the Manticore of Pliny's Natural History (viii.90), provided iconic representations of hypocrisy and fraud well into the seventeenth century, through an emblematic representation in Cesare Ripa's "Iconologia". The myths of the Chimera may be found in the "Bibliotheca" of Pseudo-Apollodorus (book 1), the "Iliad" (book 16) by Homer, the "Fabulae" 57 and 151 by Hyginus, the "Metamorphoses" (book VI 339 by Ovid; IX 648), and the "Theogony" 319ff by Hesiod. Virgil, in the "Aeneid" (book 5) employs "Chimaera" for the name of gigantic ship of Gyas in the ship-race, with possible