Hartford Symphony Orchestra of Carl Orff’s "Carmina Burana". After hearing the piece for the first time, audiences jumped to their feet with standing ovations and the local papers overflowed with excellent reviews. On March 27, 1957 the Symphony recorded "Carmina Burana" on the Vanguard record label. Fritz Mahler continued the Hartford Symphony’s recording project with the Vanguard label, recording three new albums: Berlioz’s Requiem, Gustav Mahler’s Das Klagende Lied, and Bloch’s Three Jewish Poems for Orchestra and Copland’s Variations for Orchestra & Fanfare for the Common Man. The sixties opened with a general sense of uneasiness amongst the Hartford Symphony administration over the
Catulli Carmina last forever. However, in the postlude, the young people have clearly decided to ignore the message and the cantata ends with their continued exclamations of "eis aiona", to the exasperation of the old men. The orchestra only plays in the prelude and postlude, whereas in the Catullus play itself, the soloists are only accompanied by the chorus, who takes the part of a Greek "choros". The piece experiments with repeated phrases and syncopated rhythms even more so than "Carmina Burana". Scholars have debated the reason why this is such a lesser-known work compared to its predecessor for many years. Most