Gorgon (composition) a ceremonial work, used the Rochester Philharmonic Orchestra's commission to see its realization. "Gorgon" was inspired by the legend of the three Gorgons from Greek mythology: Stheno, Euryale, and Medusa. Rouse described the creatures in the score program notes, writing: He added, "Since the time of the ancient Greeks, the gorgon has become a symbol for any terror too immense — and too horrible — to be faced. It has thus become an image of sublimated brutality and savagery, perhaps a metaphor for our own private and subconscious monsters." He concluded, "In addition to certain intentional similarities common to musical
Sisters of Charity of Saints Bartolomea Capitanio and Vincenza Gerosa (SCCG) Sisters of Charity of Saints Bartolomea Capitanio and Vincenza Gerosa (SCCG) The Institute of the Sisters of Charity of Saints Bartolomea Capitanio and Vincenza Gerosa (SCCG) also known as the Sisters of Maria Bambina (Sisters of Holy Child Mary) had its origins in a house which the people called "Conventino" (small convent) in Lovere, Italy. It was founded by a young woman of 26 named Bartolomea Capitanio in 1832. Bartolomea was helped in her project by Catherine Gerosa, a simple and wealthy lady of Lovere who later took the name of Sister Vincenza, in honor of St. Vincent de Paul.