Readymades of Marcel Duchamp not the true "Mona Lisa", but Duchamp's own slightly-different version that he modelled partly after himself. The inference of Shearer's viewpoint is that Duchamp was creating an even larger joke than he admitted. Readymades of Marcel Duchamp The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the Found object became art. Duchamp was not interested in what he called "retinal art" — art that was only visual — and sought
Marcel Duchamp the Salon d'Automne in Paris, where they were both exhibiting. Duchamp showed a larger version of his "Young Man and Girl in Spring" 1911, a work that had an Edenic theme and a thinly veiled sexuality also found in Picabia's contemporaneous "Adam and Eve" 1911. According to Duchamp, "our friendship began right there". A group met almost nightly at the Arensberg home, or caroused in Greenwich Village. Together with Man Ray, Duchamp contributed his ideas and humor to the New York activities, many of which ran concurrent with the development of his Readymades and "The Large Glass". The most prominent