John Huston documentaries." Huston did an uncredited rewrite of Anthony Veiller's screenplay for "The Stranger" (1946), a film he was to have directed. When Huston became unavailable Orson Welles was offered the opportunity to direct. He had been cast in the role of a high-ranking Nazi fugitive who manages to settle in New England under an assumed name. His next picture, which he wrote, directed, and briefly appeared in as an American, asked to "help out a fellow American, down on his luck", was "The Treasure of the Sierra Madre" (1948). It would become one of the films which established his reputation
John Huston prime interest in the image, the moving portrait and the use of color." Huston explored the use of "stylistic framing", especially well-planned close-ups, in much of his directing. In his first film, "The Maltese Falcon", for instance, Huston sketched out all of his scenes beforehand, "like canvases of paintings". His daughter, Anjelica Huston, adds that even for his subsequent films, he sketched storyboards "constantly". She agrees that for her father, "it was a form of study, and my father was a painter, a very good one." She also notes that "there was an extremely developed sensory quality about my father,