Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Ukrainian Baroque Ukrainian Baroque period. Advances utilized a complex system of symbolism, allegories, heraldic signs, and sumptuous ornamentation. Certain features of the Ukrainian baroque, such as bud and pear-shaped domes, were borrowed by the similar Naryshkin baroque movement in 17th-18th century Moscow. Modern Ukrainian church buildings, such as Troeshchina Cathedral, are also built in this style, but it is not typical for Ukrainian baroque. Originating in the 17th century, Ukrainian baroque reached its golden age in the time of Cossack Hetman Ivan Mazepa. Mazepa baroque is original synthesis of West-European baroque architectural forms and Ukrainian national baroque architectural traditions. Ukrainian Baroque Ukrainian