Baroque pop contested much of the time's low fidelity musical aesthetic. In classical music, the term "Baroque" is used to describe the art music of Europe approximately between the years 1600 and 1750, with some of its most prominent composers including J. S. Bach and Antonio Vivaldi. Much of the instrumentation of baroque pop is akin to that of the late Baroque period or the early Classical period, chronologically defined as the period of European music from 1690 to 1760 and stylistically defined by balanced phrases, clarity and beauty, using string sections, woodwinds and brass instruments. Baroque pop, stylistically, fuses elements of
The Baroque Beatles Book indicates in the liner notes (signed "1684" and written as a parody of a 17th-century composer attempting to curry favor and employment with a monarch) that one of his motivations was to demonstrate how the melodies of John Lennon and Paul McCartney can be favorably compared with those of the great Baroque masters. The pieces on the album all call to mind similar works by Baroque composers. For example, the opening track "The Royale Beatleworks Musique" is, despite its name, an almost movement-for-movement parody not of Georg Friedrich Händel's "Royal Fireworks Music", but of the "Suite for Orchestra No. 4