Nichiren Buddhism in one's present form" ("sokushin jobutsu") he drew a distinction, insisting both concepts should be seen as practical and realizable amidst the concrete realities of daily life. He took issue with other Buddhist schools of his time that stressed transcendence over immanence. Nichiren's emphasis on "self-power" (Jpn. "ji-riki") led him to harshly criticize Honen and his Pure Land Buddhism school because of its exclusive reliance on Amida Buddha for salvation which resulted in "other-dependence." (Jpn. "ta-riki") In addition to his critique of Pure Land Buddhism, he later expanded his polemics to criticisms of the Zen, Shingon, and Ritsu sects. These
Japanese Zen often pointed to as an event that enhanced its profile in the Western world. It was during the late 1950s and the early 1960s that the number of Westerners pursuing a serious interest in Zen, other than descendants of Asian immigrants, reached a significant level. Eugen Herrigel's book "Zen in the Art of Archery" describing his training in the Zen-influenced martial art of Kyūdō, inspired many of the Western world's early Zen practitioners. However, many scholars, such as Yamada Shoji, are quick to criticize this book. The single most influential person for the spread of Zen Buddhism was D. T.