Portrait painting benefitted greatly from such commissions and from the general appreciation of art by bourgeois clients, who supported portraiture as well as still-life and landscapes painting. In addition, the first significant art and dealer markets flourished in Holland at that time. With plenty of demand, Rembrandt was able to experiment with unconventional composition and technique, such as chiaroscuro. He demonstrated these innovations, pioneered by Italian masters such as Caravaggio, most notably in his famous "Night Watch" (1642). "The Anatomy Lesson of Dr. Tulp" (1632) is another fine example of Rembrandt's mastery of the group painting, in which he bathes the corpse
The Visitation (Doctor Who) on capture-escape-capture storytelling, but it's brimful of oaky, shadowy 17th-century atmosphere". A novelisation of this serial, written by Eric Saward, was published by Target Books in August 1982. Its cover was originally to be painted like the other Target Doctor Who novels, but an objection by Peter Davison's agent resulted in a photographic cover being used instead. This was the only Peter Davison story to have its novelisation titled as "Doctor Who and the..." in its original edition. An unabridged recording of the Target novelisation was released in 2012, read by Matthew Waterhouse. A behind-the-scenes book following the production process