The Anatomy Lesson of Dr. Nicolaes Tulp Trevor Manuel, and Helen Zille. The African National Congress condemned the work as disrespectful to Mandela, racist, and culturally insensitive to African taboos on depiction of living people as dead. The 2012 painting "The Anatomy Lesson of Dr Freeman" by Susan Dorothea White references the Rembrandt composition but renders each of the onlookers as an anatomical prosection and skeleton in a contemporary university laboratory; the enormous book is replaced by a computer screen and the background chart by a projection screen; the tendon orientation in the cadaver's left forearm is corrected. In "Asterix and the Soothsayer" (1972), Uderzo and Goscinny
The Doctor (Doctor Who) of the Dead", confirmed to have been his name towards the end of "Forest of the Dead". The events of "The Time of the Doctor" make it clear that his people, the Time Lords, know his true name, despite referring to him by his chosen alias as "the Doctor", even in formal settings such as court. Although listed in the on-screen credits for nearly twenty years as "Doctor Who" or "Dr Who", the Doctor is seldom called by that name in the programme, except in a tongue-in-cheek manner. For example, in "The Gunfighters" the Doctor assumes the name of Doctor