Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Burana are the bishop's seat of Seckau in Styria and near Brixen in South Tyrol. A bishop named Heinrich was provost in Seckau from 1232 to 1243, and he is mentioned as provost of Maria Saal in Carinthia in CB 6* of the added folio. This would support Seckau as the possible point of origin, and it is possible that Heinrich funded the creation of the "Carmina Burana". The "marchiones" (people from Steiermark) were mentioned in CB 219,3 before the Bavarians, Saxons, or Austrians, presumably indicating that Steiermark was the location closest to the writers. Many of the hymns were dedicated