Hartford Symphony Orchestra of Carl Orff’s "Carmina Burana". After hearing the piece for the first time, audiences jumped to their feet with standing ovations and the local papers overflowed with excellent reviews. On March 27, 1957 the Symphony recorded "Carmina Burana" on the Vanguard record label. Fritz Mahler continued the Hartford Symphony’s recording project with the Vanguard label, recording three new albums: Berlioz’s Requiem, Gustav Mahler’s Das Klagende Lied, and Bloch’s Three Jewish Poems for Orchestra and Copland’s Variations for Orchestra & Fanfare for the Common Man. The sixties opened with a general sense of uneasiness amongst the Hartford Symphony administration over the
Carmina Burana fully completed the task. The ordering scheme used today was proposed in 1930 by Alfons Hilka and Otto Schumann in the first critical text edition of the "Carmina Burana". The two based their edition on previous work by Munich philologist Wilhelm Meyer, who discovered that some pages of the "Codex Buranus" had mistakenly been bound into other old books. He also was able to revise illegible portions of the text by comparing them to similar works. About one-quarter of the poems in the "Carmina Burana" are accompanied in the manuscript by music using unheighted, staffless neumes, an archaic system of