Susan Dorothea White a woman, an Australian aboriginal. Her 'female disciples' are sitting to her right and left: women from all corners of the world..." and "...the image generates intense discussion". An American doctoral dissertation and a 1999 journal article analyse "The First Supper" as "a subversive postmodern ironic reading of Leonardo da Vinci's "The Last Supper"". White's 2012 painting "The Anatomy Lesson of Dr Freeman" references Rembrandt's The Anatomy Lesson of Dr. Nicolaes Tulp by setting it in a contemporary university laboratory with each of the onlookers rendered as an anatomical prosection and skeleton. The painting was first exhibited in a 'circuito
The Anatomy Lesson (Roth novel) of writing autobiographical novels," adding, "no modern writer, perhaps no writer, has taken self-examination so far and so literally." In "The New Yorker", John Updike was more complimentary finding, "The postmodernist writer's bind is expressed in flat authoritative accents reminiscent of Hemingway...Throughout, a beautiful passion to be honest propels the grinding, whining paragraphs. Yet, though lavish with laughs and flamboyant invention, "The Anatomy Lesson" seemed to this Roth fan the least successful of the Zuckerman trio, the least objectified and coherent." The first and second books in the Zuckerman trilogy are 1979's "The Ghost Writer" and 1981's "Zuckerman Unbound". The