The Bartered Bride May 2009 production at the Cutler Majestic Theatre, Opera Boston transplanted the action to 1934, in the small Iowan town of Spillville, once the home of a large Czech settlement. Although much of the music of "The Bartered Bride" is folk-like, the only significant use of authentic folk material is in the act 2 furiant, with a few other occasional glimpses of basic Czech folk melodies. The "Czechness" of the music is further illustrated by the closeness to Czech dance rhythms of many individual numbers. Smetana's diary indicates that he was trying to give the music "a popular character, because
The Bartered Bride whom you've bought"), wondering how anyone could believe that he would really do this, and finally expressing his love for Mařenka. Kecal summons the villagers to witness the contract he has made ("Come inside and listen to me"). He reads the terms: Mařenka is to marry no one but Mícha's son. Krušina and the crowd marvel at Jeník's apparent self-denial, but the mood changes when they learn that he has been paid off. The act ends with Jenik being denounced by Krušina and the rest of the assembly as a rascal. Vašek expresses his confusions in a short, sad song