Medieval poetry the Messiah") Medieval poetry Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours and the minnesänger are known for their lyric poetry about courtly love. Among the most famous of secular poetry is "Carmina Burana", a manuscript collection of 254 poems. Twenty-four poems of "Carmina Burana" were later set to music by German composer Carl Orff in 1936. Old English religious poetry includes the poem "Christ" by Cynewulf and the poem "The Dream of the Rood", preserved in both manuscript form and on the Ruthwell Cross. We do have some secular poetry; in fact
Carmina Burana (Orff) ZDF; Orff collaborated in its production. Orff's style demonstrates a desire for directness of speech and of access. "Carmina Burana" contains little or no development in the classical sense, and polyphony is also conspicuously absent. "Carmina Burana" avoids overt harmonic complexities, a fact which many musicians and critics have pointed out, such as Ann Powers of "The New York Times". Orff was influenced melodically by late Renaissance and early Baroque models including William Byrd and Claudio Monteverdi. It is a common misconception that Orff based the melodies of "Carmina Burana" on neumeatic melodies; while many of the lyrics in the