Adolf Krössing In September of that same year he played Wenzel in the premiere of the final version of Bedřich Smetana's opera "The Bartered Bride", a role which he would repeat often throughout his career. His portrayal in this production impressed Smetana, and Krössing was soon invited to join his group of artists that would later be established at the Prague National Theatre. Krössing performed with Smetana's group of artists at the Nové České Divadlo (New Czech Theatre) up until 1881 when the National Theatre opened. He continued to appear at that house in operas, operettas, plays, and even the occasional ballet
The Bartered Bride whom you've bought"), wondering how anyone could believe that he would really do this, and finally expressing his love for Mařenka. Kecal summons the villagers to witness the contract he has made ("Come inside and listen to me"). He reads the terms: Mařenka is to marry no one but Mícha's son. Krušina and the crowd marvel at Jeník's apparent self-denial, but the mood changes when they learn that he has been paid off. The act ends with Jenik being denounced by Krušina and the rest of the assembly as a rascal. Vašek expresses his confusions in a short, sad song