Rembrandt "Danaë", 1636), seeking to emulate the baroque style of Rubens. With the occasional help of assistants in Uylenburgh's workshop, he painted numerous portrait commissions both small ("Jacob de Gheyn III") and large ("Portrait of the Shipbuilder Jan Rijcksen and his Wife", 1633, "Anatomy Lesson of Dr. Nicolaes Tulp", 1632). By the late 1630s Rembrandt had produced a few paintings and many etchings of landscapes. Often these landscapes highlighted natural drama, featuring uprooted trees and ominous skies ("Cottages before a Stormy Sky", c. 1641; "The Three Trees", 1643). From 1640 his work became less exuberant and more sober in tone, possibly
The Visitation (Doctor Who) on capture-escape-capture storytelling, but it's brimful of oaky, shadowy 17th-century atmosphere". A novelisation of this serial, written by Eric Saward, was published by Target Books in August 1982. Its cover was originally to be painted like the other Target Doctor Who novels, but an objection by Peter Davison's agent resulted in a photographic cover being used instead. This was the only Peter Davison story to have its novelisation titled as "Doctor Who and the..." in its original edition. An unabridged recording of the Target novelisation was released in 2012, read by Matthew Waterhouse. A behind-the-scenes book following the production process