The Bartered Bride ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Czech national opera until this time had been represented only by minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment made considerable use of traditional Bohemian dance forms such as the polka and furiant, and although he largely avoided the direct quotation of folksong he nevertheless
The Bartered Bride created music considered by Czechs to be quintessentially Czech in spirit. The overture, often played as a concert piece independently from the opera, was, unusually, composed before almost any of the other music had been written. After a performance at the Vienna Music and Theatre Exhibition of 1892, the opera achieved international recognition. It was performed in Chicago in 1893, London in 1895 and reached New York in 1909, subsequently becoming the first, and for many years the only, Czech opera in the general repertory. Many of these early international performances were in German, under the title "Die verkaufte Braut",