Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Historicity and origin of the resurrection of Jesus and that the earliest conception of resurrection in the Jerusalem Christian community was physical. Similarly, Helmut Koester writes that the stories of the resurrection were originally epiphanies in which the disciples are called to a ministry by the risen Jesus and were interpreted as physical proof of the event at a secondary stage. He contends that the more detailed accounts of the resurrection are also secondary and do not come from historically trustworthy sources, but instead belong to the genre of the narrative types. N. T. Wright argues that the account of the empty tomb and the visionary experiences point