Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque sculpture of traditional classical ideas with new Baroque opinions. His inspiration by antique is the moste visible at Tomb of Pope Leo XI created between 1634–44, for which Algardi gained fame around the whole Rome. After that he gained popularity with the Pope Innocent X, too. He was promoted to the post of papal sculptor and commissioned by many works for him. His style was during this period more and more influenced by baroque methods and his sculpture became more dynamic, dramatic and emocional. But still they kept their classic reference and did not link up completely to new approaches. His