Provisional Theatre (Prague) bias in favour of Italian opera was replaced by Smetana's more balanced repertoire, which mixed Italian, German and French pieces with such Slavonic and Czech works as he could find. Apart from his own compositions ("The Bartered Bride", "The Brandenburgers in Bohemia" and "Dalibor", Smetana introduced works by the Czech composers Lepold Eugen Měchura and Josef Rozkošný, but was nevertheless attacked by some parts of the music establishment for giving insufficient encouragement to native talent. Efforts to remove him from his post, and to reinstate Maýr, were unsuccessful. Smetana was responsible for the establishment of an independent school attached to
The Bride (album) in a series of piano-focused ballads that, while uniformly beautiful [...] aren't distinctive enough songwriting-wise to stand out from one another", adding that "Khan may have prioritized the concept over the listening experience as a whole." Slant Magazine's Sal Cinquemani wrote, "That "The Bride" works best as a song cycle rather than a collection of pop hooks is a testament to its cohesion and intrinsic intertexuality, but what's missing here is Khan's knack for grafting avant-art-rock concepts onto mainstream forms." "The Bride" debuted at number nine on the UK Albums Chart with 8,242 copies sold in its first week, becoming