The Bartered Bride to the Offenbach genre. Smetana was hurt by this remark, which he felt downgraded his opera to operetta status, and was convinced that press hostility had been generated by a former adversary, the Russian composer Mily Balakirev. The pair had clashed some years earlier, over the Provisional Theatre's stagings of Glinka's "A Life for the Tsar" and "Ruslan and Lyudmila". Smetana believed that Balakirev had used the Russian premiere of "The Bartered Bride" as a means of exacting revenge. "The Bartered Bride" was not performed abroad again until after Smetana's death in 1884. It was staged by the Prague National
Bride Wars when Kermode included "Terminator Salvation" and "Couples Retreat" on his list by popular demand, "Bride Wars" still finished eighth, allowing him to keep his job. In one of the few positive reviews of the film, "Time" critic Mary Pols wrote, "At least, and this is something to be grateful for, "Bride Wars" deviates from the usual wedding-flick routine of maids of honor who should be the bride (or groom). And even though the catfighting goes over the top, the notion that a passionate female friendship can turn ugly in a heartbeat is, sadly, realistic." Apart from negative reviews, the film