Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Resurrection of Jesus the time of his conversion in 386. Augustine defended resurrection, and argued that given that Christ has risen, there is resurrection of the dead. Moreover, he argued that the death and resurrection of Jesus was for the salvation of man, stating: "to achieve each resurrection of ours, the savior paid with his single life, and he pre-enacted and presented his one and only one by way of sacrament and by way of model." The 5th-century theology of Theodore of Mopsuestia provides an insight into the development of the Christian understanding of the redemptive nature of resurrection. The crucial role of