The Young Bull when he completed it; he died in 1654, before he reached 30. The painting was highly admired in the 18th and 19th centuries; in the 1870s the French artist and critic Eugène Fromentin asserted confidently that it, Rembrandt's "The Night Watch" and his "The Anatomy Lesson of Dr. Nicolaes Tulp" (also in the Mauritshuis) were the three most famous paintings in the Netherlands. The painting was enlarged by Potter, who added extra strips of canvas on both sides and at the top to his original composition, which just included the bull itself. The village in the background is Rijswijk, between
The Anatomy Lesson (Roth novel) of writing autobiographical novels," adding, "no modern writer, perhaps no writer, has taken self-examination so far and so literally." In "The New Yorker", John Updike was more complimentary finding, "The postmodernist writer's bind is expressed in flat authoritative accents reminiscent of Hemingway...Throughout, a beautiful passion to be honest propels the grinding, whining paragraphs. Yet, though lavish with laughs and flamboyant invention, "The Anatomy Lesson" seemed to this Roth fan the least successful of the Zuckerman trio, the least objectified and coherent." The first and second books in the Zuckerman trilogy are 1979's "The Ghost Writer" and 1981's "Zuckerman Unbound". The