The Bartered Bride the plot [...] is taken from village life and demands a national treatment." According to his biographer John Clapham, Smetana "certainly felt the pulse of the peasantry and knew how to express this in music, yet inevitably he added something of himself." Historian Harold Schonberg argues that "the exoticisms of the Bohemian musical language were not in the Western musical consciousness until Smetana appeared." Smetana's musical language is, on the whole, one of happiness, expressing joy, dancing and festivals. The mood of the entire opera is set by the overture, a concert piece in its own right, which Tyrrell describes
The Bartered Bride as director of the Vienna State Opera, Mahler brought "The Bartered Bride" into the Vienna repertory, and conducted regular performances of the work between 1899 and 1907. Mahler's enthusiasm for the work was such that he had incorporated a quote from the overture into the final movement of his First Symphony (1888). When he became Director of the Metropolitan Opera in New York in 1907 he added the opera to its repertory. The New York premiere, again in German, took place on 19 February 1909, and was warmly received. "The New York Times" commented on the excellence of the staging