Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
The Doctor (Doctor Who) night and the storm in the heart of the sun, he's ancient and forever, he burns at the centre of time..." and "the man who can turn an army around at the mention of his name". Though the Doctor tends to present a jocular, even childlike, persona, when the stakes rise—e.g., in "Pyramids of Mars" (1975)—that mask tends to fall, revealing a Doctor who is cold, driven, at times callous. This dark side sits in contrast to the Doctor's deep compassion, which manifests to different strength and effect across their incarnations. The Doctor prefers a pacifist solution to most problems,