Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Resurrection of Jesus the early Christian beliefs it reflects shows that it would be highly unlikely that belief in the empty tomb would simply appear without a clear basis in the memory of early Christians. In tandem with the historically certain visionary experiences of the early disciples and apostles, Jesus' resurrection as a historical reality becomes far more plausible. Wright treats the resurrection as a historical and accessible event, rather than as a 'supernatural' or 'metaphysical' event. Summarizing its traditional analysis, the Catholic Church stated in its Catechism: "Although the Resurrection was an historical event that could be verified by the sign of