Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Burana and prosaic satire, directed mostly against the papal seat". The first pieces to be published were Middle-High German texts, which Aretin's colleague Bernhard Joseph Docen published in 1806. Additional pieces were eventually published by Jacob Grimm in 1844. The first collected edition of the "Carmina Burana" was not published until 1847, almost 40 years after Aretin's discovery. Publisher Johann Andreas Schmeller chose a misleading title for the collection, which created the misconception that the works contained in the "Codex Buranas" were not from Benediktbeuren. Schmeller attempted to organize the collection into "joking" ("Scherz") and "serious" ("Ernst") works, but he never