Puck in popular culture (a modern retelling of the Scottish faerie ballad), the character of Robin Armin is implied to be Puck; he used a similar name while performing as a singer and actor for The King's Men, and had been the inspiration for the Shakespearean Puck and several other comic characters, but he and the others of his troupe were unsuccessful in luring the Bard off to the Fair Lands. In Mercedes Lackey's novel "The Wizard of London" Robin Goodfellow/Puck steps in to play himself in a boarding school's production of "A Midsummer Night's Dream" when no one suitable can be found for
A Midsummer Night's Dream Titania's changeling ward—in the story must be considered in the context of the "culture of early modern England" as a commentary on the "aesthetic rigidities of comic form and political ideologies of the prevailing order". Aspects of ambiguous sexuality and gender conflict in the story are also addressed in essays by Shirley Garner and William W.E. Slights albeit all the characters are played by males. Male dominance is one thematic element found in "A Midsummer Night's Dream". In "A Midsummer Night's Dream", Lysander and Hermia escape into the woods for a night where they do not fall under the laws