Vilém Blodek made up of a handful of closed numbers: five solos, two duets, one quartet, an overture and an intermezzo, and three brief ensembles for chorus and soloists. It was the first Czech comic opera to replace spoken dialogue with recitative. Blodek’s opera is often considered to be one of the most ‘Czech’ operas after those of Smetana – it was written shortly after the première of The Bartered Bride. Blodek’s next opera, "Zítek", again to a Sabina libretto (a historical comedy set in the 14th century), was a more ambitious work both in its musical vocabulary and in its operatic
The Bartered Bride commented that despite the colour and vigour of the music, there is little by way of characterisation, except in the cases of Kecal and, to a lesser extent, the loving pair and the unfortunate Vašek. The two sets of parents and the various circus folk are all conventional and "penny-plain" figures. In contrast, Kecal's character – that of a self-important, pig-headed, loquacious bungler – is instantly established by his rapid-patter music. Large suggests that the character may have been modelled on that of the boastful Baron in Cimarosa's opera "Il matrimonio segreto". Mařenka's temperament is shown in vocal flourishes which