Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque violin possible. Because this style had fallen out of use long before recording technology was invented, modern performers rely heavily on documentary evidence to recreate a Baroque-style technique. They then apply this technique to the music of the period, looking in particular for facsimile or critical editions of the music to play from, as many later editions include editorial "improvements" which depart from Baroque practice. Early violins and violas were typically held against the left chest, below the shoulder. By the 18th century, the typical position was a little higher, on top of the shoulder, with the chin occasionally making contact