The Bartered Bride as "a tour de force of the genre, wonderfully spirited & wonderfully crafted." Tyrrell draws attention to several of its striking features – its extended string fugato, climactic tutti and prominent syncopations. The overture does not contain many of the opera's later themes: biographer Brian Large compares it to Mozart's overtures to "The Marriage of Figaro" and "The Magic Flute", in establishing a general mood. It is followed immediately by an extended orchestral prelude, for which Smetana adapted part of his 1849 piano work "Wedding Scenes", adding special effects such as bagpipe imitations. Schonberg has suggested that Bohemian composers express
The Bride (album) in a series of piano-focused ballads that, while uniformly beautiful [...] aren't distinctive enough songwriting-wise to stand out from one another", adding that "Khan may have prioritized the concept over the listening experience as a whole." Slant Magazine's Sal Cinquemani wrote, "That "The Bride" works best as a song cycle rather than a collection of pop hooks is a testament to its cohesion and intrinsic intertexuality, but what's missing here is Khan's knack for grafting avant-art-rock concepts onto mainstream forms." "The Bride" debuted at number nine on the UK Albums Chart with 8,242 copies sold in its first week, becoming