The Bartered Bride and the German-language version continues to be played and recorded. A German film of the opera was made in 1932 by Max Ophüls. Until the middle 1850s Bedřich Smetana was known in Prague principally as a teacher, pianist and composer of salon pieces. His failure to achieve wider recognition in the Bohemian capital led him to depart in 1856 for Sweden, where he spent the next five years. During this period he extended his compositional range to large-scale orchestral works in the descriptive style championed by Franz Liszt and Richard Wagner. Liszt was Smetana's long-time mentor; he had accepted a
The Bartered Bride commented that despite the colour and vigour of the music, there is little by way of characterisation, except in the cases of Kecal and, to a lesser extent, the loving pair and the unfortunate Vašek. The two sets of parents and the various circus folk are all conventional and "penny-plain" figures. In contrast, Kecal's character – that of a self-important, pig-headed, loquacious bungler – is instantly established by his rapid-patter music. Large suggests that the character may have been modelled on that of the boastful Baron in Cimarosa's opera "Il matrimonio segreto". Mařenka's temperament is shown in vocal flourishes which