The Bartered Bride as "a tour de force of the genre, wonderfully spirited & wonderfully crafted." Tyrrell draws attention to several of its striking features – its extended string fugato, climactic tutti and prominent syncopations. The overture does not contain many of the opera's later themes: biographer Brian Large compares it to Mozart's overtures to "The Marriage of Figaro" and "The Magic Flute", in establishing a general mood. It is followed immediately by an extended orchestral prelude, for which Smetana adapted part of his 1849 piano work "Wedding Scenes", adding special effects such as bagpipe imitations. Schonberg has suggested that Bohemian composers express
The Bartered Bride premiere "The Bartered Bride" has entered the repertory of all major opera companies, and is regularly revived worldwide. After several unsuccessful attempts to stage it in France, it was premiered at the Opéra-Comique in Paris in 1928, sung in French as "La Fiancée vendue". In 2008 the opera was added to the repertoire of the Paris Opera, in a new production staged at the Palais Garnier. In the English-speaking world, recent productions of "The Bartered Bride" in London have included the Royal Opera House (ROH) presentation in 1998, staged at Sadler's Wells during the restoration of the ROH's headquarters at