Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
The Doctor (Doctor Who) and the junkyard in which they find him bears the sign "I.M. Foreman". When addressed by Ian with this name, the Doctor responds, "Eh? Doctor who? What's he talking about?" Later, when Ian realises that "Foreman" is not the Doctor's name, Ian asks Barbara, "Who is he? Doctor who?" In an ultimately unused idea from documents written at the programme's inception, Barbara and Ian would have subsequently referred to the Doctor as "Doctor Who", given their not knowing his name. Throughout both the classic and revived programme, a running joke is that when the Doctor is introduced as just the