Hip, Hip, Hurrah! scene (and in composition and subject draws obvious comparisons to Renoir's "Luncheon of the Boating Party"), but at the same time it harks back to the "freundschaftbild" tradition of artists of the Danish Golden Age such as Ditlev Blunck and Wilhelm Bendz in depicting artistic communities spontaneously drawing together. The development of Krøyer's Skagen style can be seen by comparing "Hip, Hip, Hurrah!" with ("Artists' Luncheon at Skagen"), a similarly themed 1883 painting which features many of the same people; and with later works like "" ("Summer Evening at Skagen beach. The Artist and his Wife") and "Roser" ("Roses"). The
Luncheon in the Studio Luncheon in the Studio Luncheon in the Studio (or The Luncheon) is an 1868 oil painting by Édouard Manet. Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. Critic Nan Stalnaker notes that "despite continued questions about its meaning, the work is acknowledged to be brilliantly painted and a major Manet work". In the summer of 1868 Manet traveled to Boulogne-sur-Mer for his summer vacation,