Sanding (dance) the box of rosin before matches to improve his grip. Sims' popularity as a tap dancer and career at the Apollo certainly made him one of the most if not the most influential sand-dancer of all time. Sand dancing was also used by the popular comedic vaudeville trio, Wilson, Keppel and Betty. They spread sand over the stage in one of their most well-known numbers, "Sand Dance". In their performance, there was no allusion to African American heritage; rather to the sandy environs of Egypt, a clear inspiration for their number. In spite of this deviation from the African American
Development of musical theatre Strauss II in the 1870s and 1880s. Offenbach's fertile melodies, combined with his librettists' witty satire, formed a model for the musical theatre that followed. In 1957, Mark Lubbock traced the development of musical theatre from Offenbach to Gilbert and Sullivan and eventually to Irving Berlin and Rodgers and Hammerstein, writing: "Offenbach is undoubtedly the most significant figure in the history of the 'musical'. In the mid-19th century in England, musical theatre consisted of mostly of music hall, adaptations of the French operettas (played in bad, risqué translations) and musical burlesques (the culmination of which were seen at the Gaiety