Pure Land Buddhism and form an important component of the Mahāyāna Buddhist traditions of China, Japan, Korea, Tibet and Vietnam. The term "Pure Land Buddhism" is used to describe both the Pure Land soteriology of Mahayana Buddhism, which may be better understood as "Pure Land traditions" or "Pure Land teachings," and the separate Pure Land sects that developed in Japan from the work of Hōnen. Pure Land Buddhism is built on the belief that we will never have a world which is not corrupt, so we must strive for re-birth in another plane, referred to as the "Pure Land". The Pure Land teachings
Culture of Buddhism the Tendai and Shingon sects. There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Many ritual musical instruments are used in association with Buddhist practice including singing bowls, bells, tingsha, drums, cymbals, wind instruments and others. The relationship between Buddhism and music is thought to be complicated since the association of music with earthly desires led early Buddhists to condemn the musical practice, and even observation of musical performance, for monks and nuns. However, in Pure Land Buddhism Buddhist paradises are represented as musical places in which Buddhist law takes the form of melodies.