Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque violin playing than is typical of Romantic repertoire. The use of vibrato continuously dates from the early 20th century, from around the time of Fritz Kreisler, and is completely inappropriate for Baroque music. Nonetheless, vibrato was used for effect in the Baroque period, on long or stressed notes, but never on short notes or at the end of slurs. Leopold Mozart's advice was: The tremolo [vibrato] is an ornamentation which arises from Nature herself and which can be used charmingly on a long note, not only by good instrumentalists but clever singers... Now because the tremolo is not played purely on