Paul Verlaine with Verlaine, Mallarmé, Rimbaud, Paul Valéry, Albert Samain and many others began to be referred to as "Symbolists." These poets would often share themes that parallel Schopenhauer's aesthetics and notions of will, fatality and unconscious forces, and used themes of sex (such as prostitutes), the city, irrational phenomena (delirium, dreams, narcotics, alcohol), and sometimes a vaguely medieval setting. In poetry, the symbolist procedure—as typified by Verlaine—was to use subtle suggestion instead of precise statement (rhetoric was banned) and to evoke moods and feelings through the magic of words and repeated sounds and the cadence of verse (musicality) and metrical innovation.
Cinesias (poet) fragmentary verse (fragment 156. 10 K-A). Another comic poet, Strattis, wrote an entire play against Cinesias, of which only fragments survive (fragments 14-22 K-A), and he was considered by Pherecrates to have had a corrupting influence on dithyrambic poetry (fragment 155. 8ff. K-A). Cinesias (poet) Cinesias (; c. 450 – 390 BC) was an innovative dithyrambic poet (an exponent of the "new music") in classical Athens whose work has survived only in a few fragments. An inscription indicates that he was awarded a victory at the Dionysia in the early 4th century (IG 2/3.3028). His contemporary, the comic poet Aristophanes,