Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Historicity and origin of the resurrection of Jesus experiences of the risen Christ attested by the earliest written sources – the "primitive Church" creed of 1 Corinthians 15:3-5, in 1 Corinthians 15:8 and Galatians 1:16 – are ecstatic rapture events and "invasions of heaven". A physical resurrection was unnecessary for this visionary mode of seeing the risen Christ, but the general movement of subsequent New Testament literature is towards the physical nature of the resurrection. This development is linked to the changing make-up of the Christian community: Paul the Apostle and the earliest Christ followers were Jewish, and Second Temple Judaism emphasised the life of the soul; the