Faith in Buddhism worship and other devotional routines as corruptions of an ideal, rational form of Buddhism, while assimilating Victorian and other modern values and designating them as traditional Buddhist, often without awareness of their roots. In Japan, from the Meiji period onward, the Japanese heavily attacked Buddhism as a foreign and superstitious belief system. In response to this, Buddhist schools such as Zen developed a movement called "New Buddhism" ("Japanese: shin bukkyo"), emphasizing rationalism, modernism and warrior ideals. Still in Japanese Buddhism, in the twentieth century, a critical response to traditional Buddhism arose, led by the two academics Hakamaya Noriaki and Matsumoto
Shambhala Buddhism the teachings of the Shambhala lineage derive from the "Epic of Gesar" as propagated by Mipham the Great. Trungpa Rinpoche was deeply influenced by his friend Shunryu Suzuki Roshi, a Japanese Zen master who was one of the first accomplished teachers to present dharma to Westerners. As a result of this influence, certain attributes of form in Shambhala Buddhism are derived from Zen, rather than Tibetan Buddhism. The shrine rooms in Shambhala Buddhism, reflecting the Zen aesthetic of "Kanso" (簡素) or simplicity, tend to be sparsely furnished and decorated, whereas traditional Tibetan Buddhist shrine rooms are elaborate, ornate, and colorful.