The Bartered Bride as "a tour de force of the genre, wonderfully spirited & wonderfully crafted." Tyrrell draws attention to several of its striking features – its extended string fugato, climactic tutti and prominent syncopations. The overture does not contain many of the opera's later themes: biographer Brian Large compares it to Mozart's overtures to "The Marriage of Figaro" and "The Magic Flute", in establishing a general mood. It is followed immediately by an extended orchestral prelude, for which Smetana adapted part of his 1849 piano work "Wedding Scenes", adding special effects such as bagpipe imitations. Schonberg has suggested that Bohemian composers express
The Bride of the Wind The Bride of the Wind The Bride of the Wind (Die Windsbraut) (or The Tempest) is a 1913–1914 painting by Oskar Kokoschka. The oil on canvas work is housed in the Kunstmuseum Basel. Kokoschka's best known work, it is an allegorical picture featuring a self-portrait by the artist, lying alongside his lover Alma Mahler. In 1912, Kokoschka met first met Mahler, the recently widowed wife of composer Gustav Mahler. A passionate romance ensued, with the artist producing numerous drawings and paintings of Alma Mahler. The painting depicts Mahler in a peaceful sleep beside Kokoschka, who is awake and stares into