Puck in popular culture (a modern retelling of the Scottish faerie ballad), the character of Robin Armin is implied to be Puck; he used a similar name while performing as a singer and actor for The King's Men, and had been the inspiration for the Shakespearean Puck and several other comic characters, but he and the others of his troupe were unsuccessful in luring the Bard off to the Fair Lands. In Mercedes Lackey's novel "The Wizard of London" Robin Goodfellow/Puck steps in to play himself in a boarding school's production of "A Midsummer Night's Dream" when no one suitable can be found for
A Midsummer Night's Dream (opera) herself completely dominated by Oberon and Puck, the couple that are usually considered to really hold power in The Dream. Their cruel pranks eventually quell her coloratura, which until she is freed from the power of the love-juice is fiendishly difficult to sing. Britten also parodied operatic convention in less obvious ways than "Pyramus and Thisbe". Like many other operas, "A Midsummer Night's Dream" opens with a chorus, but it is a chorus of unbroken boys' voices, singing in unison. After this comes the entrance of the prima donna and the male lead, who is as far away as possible