Optical illusion There are a variety of different types of optical illusions. Many are included in the following list. Artists who have worked with optical illusions include M. C. Escher, Bridget Riley, Salvador Dalí, Giuseppe Arcimboldo, Patrick Bokanowski, Marcel Duchamp, Jasper Johns, Oscar Reutersvärd, Victor Vasarely and Charles Allan Gilbert. Contemporary artists who have experimented with illusions include Jonty Hurwitz, Sandro del Prete, Octavio Ocampo, Dick Termes, Shigeo Fukuda, Patrick Hughes, István Orosz, Rob Gonsalves, Gianni A. Sarcone, Ben Heine and Akiyoshi Kitaoka. Optical illusion is also used in film by the technique of forced perspective. Op art is a style of
When Washington Was in Vogue due to its formulaic plotlines, others saw Williams’s analysis of intra-racial social politics as a fascinating window into the period. "Publishers Weekly" heralded it as “an invaluable addition to period scholarship”, while a laudatory review in "The Crisis" said the novel was “a welcome and consistently entertaining glimpse of a pivotal era”. With Christina Moore’s 2013 “Traditional Rebirth: The Epistolary Genre in When Washington Was in Vogue,” published in "African American Review", the novel (as a published whole) received its first scholarly treatment outside of McKible’s own work. When Washington Was in Vogue When Washington Was in Vogue is a