Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
The Doctor (Doctor Who) episodes. She is later revealed to be a dissident Time Lady, who opposed the Time Lord High Council's plan to escape the Time War. When she reveals her face to the Doctor, his reaction indicates that he recognises her. Julie Gardner, in the episode's commentary, states that while some have speculated that the Time Lady is the Doctor's mother, neither she nor Russell T. Davies are willing to comment on her identity. When later asked by Wilfred who she was, the Doctor evades answering the question, making their connection unclear. In "Doctor Who: The Writer's Tale – The Final Chapter",