Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
Nicolaes Tulp but also because of the fantastic stories that he relates. An example; Jan de Doot, a blacksmith in Amsterdam, was in such pain from a bladder stone, that he sharpened a knife and removed it himself, because he refused to be the victim of the 'stone cutters'. These were the barber-surgeons who performed such procedures but had a high death rate. To everyone's surprise, Jan de Doot survived this operation which was said to produce a stone the size of an egg. A painting illustrating this story is in the collection of the Anatomy Museum of Leiden. Tulp minutely described