Readymades of Marcel Duchamp not the true "Mona Lisa", but Duchamp's own slightly-different version that he modelled partly after himself. The inference of Shearer's viewpoint is that Duchamp was creating an even larger joke than he admitted. Readymades of Marcel Duchamp The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the Found object became art. Duchamp was not interested in what he called "retinal art" — art that was only visual — and sought
Readymades of Marcel Duchamp distinguish them from handmade goods. He selected the pieces on the basis of "visual indifference," and the selections reflect his sense of irony, humor and ambiguity: "...it was always the idea that came first, not the visual example," he said; "...a form of denying the possibility of defining art." The first definition of "readymade" appeared in André Breton and Paul Éluard's "Dictionnaire abrégé du Surréalisme": "an ordinary object elevated to the dignity of a work of art by the mere choice of an artist." While published under the name of Marcel Duchamp (or his initials, "MD," to be precise), André