Charge of the Goddess opening paragraph names a collection of goddesses, some derived from Greek or Roman mythology, others from Celtic or Arthurian legends, affirming a belief that these various figures represent a single Great Mother: This theme echoes the ancient Roman belief that the Goddess Isis was known by ten thousand names and also that the Goddess still worshipped today by Wiccans and other neopagans is known under many guises but is in fact one universal divinity. The second paragraph is largely derived and paraphrased from the words that Aradia, the messianic daughter of Diana, speaks to her followers in Charles Godfrey Leland's
Temple of Artemis BC and continued for many years. The third temple was larger than the second; 137 m (450 ft) long by 69 m (225 ft) wide and 18 m (60 ft) high, with more than 127 columns. Athenagoras of Athens names Endoeus, a pupil of Daedalus, as sculptor of Artemis' main cult image. Pausanias (c. 2nd century AD) reports another image and altar in the Temple, dedicated to Artemis "Protothronia" (Artemis "of the first seat") and a gallery of images above this altar, including an ancient figure of Nyx (the primordial goddess of Night) by the sculptor Rhoecus (6th century BC).