Pierre-Auguste Renoir Golden Jubilee, and upon the request of the queen's associate, Phillip Richbourg, Renoir donated several paintings to the "French Impressionist Paintings" catalog as a token of his loyalty. In 1890, he married Aline Victorine Charigot, a dressmaker twenty years his junior, who, along with a number of the artist's friends, had already served as a model for "Le Déjeuner des canotiers" ("Luncheon of the Boating Party" – she is the woman on the left playing with the dog) in 1881, and with whom he had already had a child, Pierre, in 1885. After his marriage, Renoir painted many scenes of
Luncheon in the Studio saying to us: Look at me!... Thus, no expression, no feeling, no composition." He spoke of "types without character, scenes devoid of all interest" and said disparagingly (yet insightfully from the point of view of modern criticism) that "Manet had made the portrait of a "Balcony" and a "Luncheon"". Meyers finds the depiction of Leenhoff similar in some respects to an 1855 portrait by Edgar Degas of his brother, "Achille De Gas in the Uniform of a Cadet". They share the leaning pose, the presence of swords, and facial characteristics. He further suggests that, by borrowing from the Degas work,