Catulli Carmina of them have decided that, with the fall of Nazi Germany and the depressed feeling of Europe in the aftermath of World War II, it simply did not have the opportunity to be presented to any large audience for a long time. Catulli Carmina Catulli Carmina ("Songs of Catullus") is a cantata by Carl Orff dating from 1940–1943. He described it as "ludi scaenici" (scenic plays). The work mostly sets poems of the Latin poet Catullus to music, with some text by the composer. "Catulli Carmina" is part of "Trionfi", the musical triptych that also includes the "Carmina Burana" and
Carmina Burana (Orff) ZDF; Orff collaborated in its production. Orff's style demonstrates a desire for directness of speech and of access. "Carmina Burana" contains little or no development in the classical sense, and polyphony is also conspicuously absent. "Carmina Burana" avoids overt harmonic complexities, a fact which many musicians and critics have pointed out, such as Ann Powers of "The New York Times". Orff was influenced melodically by late Renaissance and early Baroque models including William Byrd and Claudio Monteverdi. It is a common misconception that Orff based the melodies of "Carmina Burana" on neumeatic melodies; while many of the lyrics in the