The Bartered Bride ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Czech national opera until this time had been represented only by minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment made considerable use of traditional Bohemian dance forms such as the polka and furiant, and although he largely avoided the direct quotation of folksong he nevertheless
The Bartered Bride Theatre company in Vienna, as part of the Vienna Music and Theatre Exhibition of 1892, where its favourable reception was the beginning of its worldwide popularity among opera audiences. Since the Czech language was not widely spoken, international performances tended to be in German. The United States premiere took place at the Haymarket Theatre, Chicago, on 20 August 1893. The opera was introduced to the Hamburg State Opera in 1894 by Gustav Mahler, then serving as its director; a year later a German company brought a production to the Theatre Royal, Drury Lane in London. In 1897, after his appointment