A Big Hunk o' Love 10, 1958, in Nashville, Tennessee. It was the first session that did not include guitarist Scotty Moore and bassist Bill Black, who had both worked with Elvis since his first recordings for Sam Phillips at the Memphis Recording Service, which later became known as Sun Studios. The recording featured Elvis' regular drummer D.J. Fontana and backing vocalists the Jordanaires, who would continue to work with Elvis until Elvis' appearance at the Hilton in Las Vegas. The rest of the musicians were top Nashville session men, such as guitarist Hank Garland on Gibson Byrdland guitar, Floyd Cramer on piano, Bob Moore
Backing track only the vocals live to simplify the process of mixing the performance, because it means that the sound engineers do not have to set up microphones for different backing bands. Backing tracks can also be bought online through a backing track supplier and used for home practice or use in live shows. Prior to the advent of computers, backing tracks were generally employed through the use of audio tape synced with the live performance. In the 1980s, Timbuk 3 was an early band which openly used backing tracks in live performances. The band openly displayed their "boom-box" as the third