Adolf Krössing In September of that same year he played Wenzel in the premiere of the final version of Bedřich Smetana's opera "The Bartered Bride", a role which he would repeat often throughout his career. His portrayal in this production impressed Smetana, and Krössing was soon invited to join his group of artists that would later be established at the Prague National Theatre. Krössing performed with Smetana's group of artists at the Nové České Divadlo (New Czech Theatre) up until 1881 when the National Theatre opened. He continued to appear at that house in operas, operettas, plays, and even the occasional ballet
The Bartered Bride 1934, "The New York Times" commented that it "carr[ied] most of the comedy of the original" but was "rather weak on the musical side", despite the presence of stars such as Novotná. Opera-lovers, the review suggested, should not expect too much, but the work nevertheless gave an attractive portrait of Bohemian village life in the mid-19th century. The reviewer found most of the acting first-rate, but commented that "the photography and sound reproduction are none too clear at times." Other film adaptations of the opera were made in 1922 directed by Oldrich Kminek (Atropos), in 1933, directed by Jaroslav Kvapil,