Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Rosa Carmina film increases due to her versatility, she soon proved to be a complete vedette, because she not only showed talent for dancing but also singing and acting. In 1951, Rosa Carmina films the trilogy "Percal", which consisted of three films: "The Poor's Hell", "Women Perdition" and "Men without Soul". This trilogy was based on a popular original comic of José G. Cruz. The success of the comic magazine in the audience was overcome by the film version. Despite being virtually exclusive star of Orol films and his production company (España Sono Films), he gives her the opportunity to film with