Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Slovenica for themselves and confirm the ensemble‘s remarkable reputation. Carmina Slovenica and Karmina Šilec received many international prizes. Carmina Slovenica performs with an artistry that inspires audiences and critics alike and stands as a role model in the international choir movement. Choregie projects Fortuna Won't Be Fauvel's Match, Toxic Psalms, Placebo, Vampirabile, Rusalki, From Time Immemorial..., Scivias and many others have been received with high praise, and Carmina Slovenica and Karmina Šilec received many international prizes. Carmina Slovenica performs with an artistry that inspires audiences and critics alike and stands as a model in the international choir movement CARMINA SLOVENICA PRODUCTION: