Marcel Duchamp implying that the woman in the painting is in a state of sexual excitement and availability. It may also have been intended as a Freudian joke, referring to Leonardo da Vinci's alleged homosexuality. Duchamp gave a "loose" translation of L.H.O.O.Q. as "there is fire down below" in a late interview with Arturo Schwarz. According to Rhonda Roland Shearer, the apparent "Mona Lisa" reproduction is in fact a copy modeled partly on Duchamp's own face. Research published by Shearer also speculates that Duchamp himself may have created some of the objects which he claimed to be "found objects". Duchamp worked on
Marcel Duchamp of Rrose Sélavy, entitled, "Poils et coups de pieds en tous genres". In 1918, Duchamp took leave of the New York art scene, interrupting his work on the "Large Glass", and went to Buenos Aires, where he remained for nine months and often played chess. He carved his own chess set from wood with help from a local craftsman who made the knights. He moved to Paris in 1919, and then back to the United States in 1920. Upon his return to Paris in 1923, Duchamp was, in essence, no longer a practicing artist. Instead, his main interest was chess,