Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Burana fully completed the task. The ordering scheme used today was proposed in 1930 by Alfons Hilka and Otto Schumann in the first critical text edition of the "Carmina Burana". The two based their edition on previous work by Munich philologist Wilhelm Meyer, who discovered that some pages of the "Codex Buranus" had mistakenly been bound into other old books. He also was able to revise illegible portions of the text by comparing them to similar works. About one-quarter of the poems in the "Carmina Burana" are accompanied in the manuscript by music using unheighted, staffless neumes, an archaic system of