Bedřich Smetana himself into the musical life of the city, primarily as a champion of the new genre of Czech opera. In 1866 his first two operas, "The Brandenburgers in Bohemia" and "The Bartered Bride", were premiered at Prague's new Provisional Theatre, the latter achieving great popularity. In that same year, Smetana became the theatre's principal conductor, but the years of his conductorship were marked by controversy. Factions within the city's musical establishment considered his identification with the progressive ideas of Franz Liszt and Richard Wagner inimical to the development of a distinctively Czech opera style. This opposition interfered with his creative
The Bartered Bride whom you've bought"), wondering how anyone could believe that he would really do this, and finally expressing his love for Mařenka. Kecal summons the villagers to witness the contract he has made ("Come inside and listen to me"). He reads the terms: Mařenka is to marry no one but Mícha's son. Krušina and the crowd marvel at Jeník's apparent self-denial, but the mood changes when they learn that he has been paid off. The act ends with Jenik being denounced by Krušina and the rest of the assembly as a rascal. Vašek expresses his confusions in a short, sad song