Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Vincent Monteil and Poulenc's "La voix humaine" (1998). He also conducted different ballets such as Orff's "Carmina Burana" (1999), Prokofiev's "Romeo and Juliet" (2001) and many symphonic concerts with famous soloists like Marielle Nordmann, Patrice Fontanarosa, Paul Meyer, Bernard Soustrot, Jacques Taddei, Maxence Larrieu, Pascal Rogé and Gabriel Tacchino. In addition to his duties with the Opera and the Orchestra, Vincent Monteil took an active part into the creation of many contemporary works during the MANCA festival in Nice. From 1999 to 2003, Vincent Monteil began his collaboration with the Prague State Opera (Czech Republic). In 2002, he conducted a French trilogy: