Readymades of Marcel Duchamp not the true "Mona Lisa", but Duchamp's own slightly-different version that he modelled partly after himself. The inference of Shearer's viewpoint is that Duchamp was creating an even larger joke than he admitted. Readymades of Marcel Duchamp The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the Found object became art. Duchamp was not interested in what he called "retinal art" — art that was only visual — and sought
De ou par Marcel Duchamp ou Rrose Sélavy (La Boîte-en-valise) infinitive") also called "The White Box", gathering new unpublished notes from the period 19121920 in an edition of 150. The box contains 79 facsimiles of notes from 191423 in a Plexiglas case of 33.3 x 29 x 3.8 cm. The Fluxus group borrowed the idea of the "Boite-en-valise" ifor their "Fluxkits". Tate "The Bride Stripped Bare by her Bachelors Even (The Green Box)" De ou par Marcel Duchamp ou Rrose Sélavy (La Boîte-en-valise) de ou par Marcel Duchamp ou Rrose Sélavy (La Boîte-en-valise) ("Valise" or box in a suitcase) is a series of reproductions of works by Marcel Duchamp conceived