A Big Hunk o' Love 10, 1958, in Nashville, Tennessee. It was the first session that did not include guitarist Scotty Moore and bassist Bill Black, who had both worked with Elvis since his first recordings for Sam Phillips at the Memphis Recording Service, which later became known as Sun Studios. The recording featured Elvis' regular drummer D.J. Fontana and backing vocalists the Jordanaires, who would continue to work with Elvis until Elvis' appearance at the Hilton in Las Vegas. The rest of the musicians were top Nashville session men, such as guitarist Hank Garland on Gibson Byrdland guitar, Floyd Cramer on piano, Bob Moore
The Who group. "Irish" Jack Lyons said, "The Who weren't a joke, they were fucking real, and so were we." Daltrey initially based his style on Motown and rock and roll, but from "Tommy" onwards he tackled a wider range of styles. His trademark sound with the band, as noted in 1983, has been a characteristic scream, as heard at the end of "Won't Get Fooled Again". Group backing vocals are prominent in the Who. After "I Can't Explain" used session men for backing vocals, Townshend and Entwistle resolved to do better themselves on subsequent releases, producing strong backing harmonies. Daltrey, Townshend