Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Resurrection of Jesus of Jesus was removed in the same night by a gardener named Juda, after hearing the disciples planned to steal the body of Jesus. However, "Toledot Yeshu" is not considered either canonical or normative within rabbinic literature. Van Voorst states that "Toledot Yeshu" is a medieval document set without a fixed form which is "most unlikely" to have reliable information about Jesus. The Blackwell Companion to Jesus states that the "Toledot Yeshu" has no historical facts as such, and was perhaps created as a tool for warding off conversions to Christianity. The resurrection of Jesus has long been central to