The Bartered Bride the plot [...] is taken from village life and demands a national treatment." According to his biographer John Clapham, Smetana "certainly felt the pulse of the peasantry and knew how to express this in music, yet inevitably he added something of himself." Historian Harold Schonberg argues that "the exoticisms of the Bohemian musical language were not in the Western musical consciousness until Smetana appeared." Smetana's musical language is, on the whole, one of happiness, expressing joy, dancing and festivals. The mood of the entire opera is set by the overture, a concert piece in its own right, which Tyrrell describes
The Bartered Bride Theatre company in Vienna, as part of the Vienna Music and Theatre Exhibition of 1892, where its favourable reception was the beginning of its worldwide popularity among opera audiences. Since the Czech language was not widely spoken, international performances tended to be in German. The United States premiere took place at the Haymarket Theatre, Chicago, on 20 August 1893. The opera was introduced to the Hamburg State Opera in 1894 by Gustav Mahler, then serving as its director; a year later a German company brought a production to the Theatre Royal, Drury Lane in London. In 1897, after his appointment