Critical approaches to Hamlet amuse their rulers with their inventive language. Osric and Polonius seem to especially respect this suggestion. Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens back to Greek political speeches. Hamlet seems the most educated in rhetoric of all the characters, using anaphora, as the king does, but also asyndeton and highly developed metaphors, while at
Critical approaches to Hamlet questions, which guided the audience to ponder and grow intellectually. At around the turn of the 20th century, two writers, A. C. Bradley and Sigmund Freud, developed ideas which built on the past and greatly affected the future of "Hamlet" criticism. Bradley held the view that Hamlet should be studied as one would study a real person: piecing together his consciousness from the clues given in the play. His explanation of Hamlet's delay was one of a deep "melancholy" which grew from a growing disappointment in his mother. Freud also viewed Hamlet as a real person: one whose psyche could