The Bartered Bride the plot [...] is taken from village life and demands a national treatment." According to his biographer John Clapham, Smetana "certainly felt the pulse of the peasantry and knew how to express this in music, yet inevitably he added something of himself." Historian Harold Schonberg argues that "the exoticisms of the Bohemian musical language were not in the Western musical consciousness until Smetana appeared." Smetana's musical language is, on the whole, one of happiness, expressing joy, dancing and festivals. The mood of the entire opera is set by the overture, a concert piece in its own right, which Tyrrell describes
Bride Trafficking in Haryana alleviate financial burdens associated with conventional marriage in favour of "dowry-free, no expenses" weddings offered by Haryanvi men. Those trafficked into marriage are bartered at prices based on their physicality such as health, age, beauty and virginity at prices ranging tom 5,000 rupees ($USD70) to 40,000 rupees ($USD600). Locals refer to the brides as "paro" or "molki" which are derogatory terms meaning "one who has a price." For the bride, marriage often means the end of their rights to bodily autonomy, freedom of movement and access to education as traditional gender roles require maintenance of the marital home and caregiving