Critical approaches to Hamlet amuse their rulers with their inventive language. Osric and Polonius seem to especially respect this suggestion. Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens back to Greek political speeches. Hamlet seems the most educated in rhetoric of all the characters, using anaphora, as the king does, but also asyndeton and highly developed metaphors, while at
Character mask masks, substituting a non-literal translation. English translators of other writings by Marx & Engels, or of classical Marxist texts, quite often deleted "Charaktermaske" as well, and often substituted other words such as "mask", "role", "appearance", "puppet", "guise" and "persona". Marx's concept of character masks has therefore been little known in the English-speaking world, except through the translated writings of the Frankfurt School and other (mainly German or Austrian) Marxists using the term. Tom Bottomore's sociological dictionary of Marxist thought has no entry for the important concept of character masks. The "Penguin Dictionary of Critical Theory" likewise does not refer to