Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Cartilage baroque established Baroque, placing it during the years 1620-1660. Cartilage baroque draws heavily on established Renaissance art forms, but gets its distinctive style from added ornamental elements, such as leaves and garlands, and a suppressed curvature. The Scottish craftsman, woodcutter and painter Andrew Lawrenceson Smith is seen as one of the leading examples in the use of cartilage baroque, especially for his work in Stavanger Cathedral. Cartilage baroque Cartilage baroque denotes a stylistic period centering around the middle of the 17th century in Northern Europe, particularly in Scandinavia and Germany. Primarily a style of ornament, it is known as "bruskbarokk" in