Tell Me Something beautiful and perfect object, and sadistic voyeurism, which stems from the fear of castration" (Kim, 107). Soo-yeon's father derives fetishistic pleasure from making the young Soo-yeon stand for painting and photographing her. Her college acquaintance and stalker also photographs her to build a shrine, and Detective Jo repeatedly gazes at her via surveillance camera. The painting that scared Su-Yeon as a child and appears over the opening credits is a recreation of "The Anatomy Lesson of Dr. Nicolaes Tulp" by Rembrandt, which in turn references "De humani corporis fabrica", recalling the anatomy theater of the Renaissance. Kim writes that "Tell
The Doctor (Doctor Who) night and the storm in the heart of the sun, he's ancient and forever, he burns at the centre of time..." and "the man who can turn an army around at the mention of his name". Though the Doctor tends to present a jocular, even childlike, persona, when the stakes rise—e.g., in "Pyramids of Mars" (1975)—that mask tends to fall, revealing a Doctor who is cold, driven, at times callous. This dark side sits in contrast to the Doctor's deep compassion, which manifests to different strength and effect across their incarnations. The Doctor prefers a pacifist solution to most problems,