Paul Verlaine Much of the French poetry produced during the "fin de siècle" was characterized as "decadent" for its lurid content or moral vision. In a similar vein, Verlaine used the expression "poète maudit" ("cursed poet") in 1884 to refer to a number of poets like Stéphane Mallarmé, Arthur Rimbaud, Aloysius Bertrand, Comte de Lautréamont or Alice de Chambrier, who had fought against poetic conventions and suffered social rebuke or were ignored by the critics. But with the publication of Jean Moréas' "Symbolist Manifesto" in 1886, it was the term symbolism which was most often applied to the new literary environment. Along
Sam Hunt (poet) tours have been undertaken with another poet and "fellow exuberant", Gary McCormick. Hunt has a high regard for other twentieth-century English language poets such as William Butler Yeats, W. H. Auden and Dylan Thomas (Hunt particularly loves Thomas' poem, "In my Craft or Sullen Art", which he sees as speaking to his own mission as a poet; he has said that he sometimes gives his occupation (to Customs Officers and such) as "sullen artist"). He also loves foreign language poets such as the Italian, Salvatore Quasimodo, and the Hungarian poet Jozsef Attila (Hunt often recites Attila's poem "A Hetedik" or