Bedřich Smetana the Czech opera repertory, but of these only "The Bartered Bride" is performed regularly outside the composer's homeland. After reaching Vienna in 1892, and London in 1895, it rapidly became part of the repertory of every major opera company worldwide. Newmarch argues that "The Bartered Bride", while not a "gem of the first order", is nevertheless "a perfectly cut and polished stone of its kind." Its trademark overture, which Newmarch says "lifts us off our feet with its madcap vivacity", was composed in a piano version before Smetana received the draft libretto. Clapham believes that this has few precedents in
The Bartered Bride 1934, "The New York Times" commented that it "carr[ied] most of the comedy of the original" but was "rather weak on the musical side", despite the presence of stars such as Novotná. Opera-lovers, the review suggested, should not expect too much, but the work nevertheless gave an attractive portrait of Bohemian village life in the mid-19th century. The reviewer found most of the acting first-rate, but commented that "the photography and sound reproduction are none too clear at times." Other film adaptations of the opera were made in 1922 directed by Oldrich Kminek (Atropos), in 1933, directed by Jaroslav Kvapil,