Paul Verlaine Much of the French poetry produced during the "fin de siècle" was characterized as "decadent" for its lurid content or moral vision. In a similar vein, Verlaine used the expression "poète maudit" ("cursed poet") in 1884 to refer to a number of poets like Stéphane Mallarmé, Arthur Rimbaud, Aloysius Bertrand, Comte de Lautréamont or Alice de Chambrier, who had fought against poetic conventions and suffered social rebuke or were ignored by the critics. But with the publication of Jean Moréas' "Symbolist Manifesto" in 1886, it was the term symbolism which was most often applied to the new literary environment. Along
Thomas Bancroft (poet) a neighbour and fellow-poet, appears to have visited and been visited by him. On the evidence of one of his own epigrams and Sir Aston Cockayne's commendatory lines, in 1658 he was living in retirement at Bradley, near Ashbourne, Derbyshire. He continued there until his death, recorded in the church register there. It was said that Bancroft was 'small of stature', and that he published sermons. He was referred to as 'the small poet,' partly in reference to his stature, and partly in allusion to his "small" poems. Bancroft's first publication was "The Glvtton's Feaver" (1633), a narrative poem in