The Bartered Bride melancholy in a delicate, elegiac manner "without the crushing world-weariness and pessimism of the Russians." Thus, Mařenka's unhappiness is illustrated in the opening chorus by a brief switch to the minor key; likewise, the inherent pathos of Vašek's character is demonstrated by the dark minor key music of his act 3 solo. Smetana also uses the technique of musical reminiscence, where particular themes are used as reminders of other parts of the action; the lilting clarinet theme of "faithful love" is an example, though it and other instances fall short of being full-blown Wagnerian leading themes or "Leitmotifs". Large has
The Bartered Bride Covent Garden. This production in English was directed by Francesca Zambello and conducted by Bernard Haitink; it was criticised both for its stark settings and for ruining the act 2 entrance of Vašek. It was nevertheless twice revived by the ROH – in 2001 and 2006, under Charles Mackerras. A New York Metropolitan staging was in 1996 under James Levine, a revival of John Dexter's 1978 production with stage designs by Josef Svoboda. In 2005 "The Bartered Bride" returned to New York, at the Juilliard School theatre, in a new production by Eve Shapiro, conducted by Mark Stringer. In its