Luncheon of the Boating Party his friends in "Luncheon of the Boating Party". Identification of the sitters was made in 1912 by Julius Meier-Graefe. Among them are the following: At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics. "It is fresh and free without being too bawdy," wrote Paul de Charry in "Le Pays", March 10, 1882. In "La Vie Moderne" (March 11, 1882), Armand Silvestre wrote, "...one of the best things [Renoir] has painted...There are bits of drawing that are completely remarkable, drawing- true drawing- that is a result of the juxtaposition of hues and not of line. It
Luncheon in the Studio where he painted "Luncheon in the Studio" and other works. "Luncheon" was posed in the dining room of Manet's rented house. Leenhoff is the focus of the painting, with his back to the other two people, who have at various points been identified as his mother and Manet. These identifications are now seen as incorrect; the man seated at the table, smoking a cigar and enjoying a coffee and a "digestif", is anonymous—although he bears a resemblance to Manet (his friend, the painter Auguste Rousselin has also been suggested). The woman gazing toward the viewer is a servant. Given the