Chinaman (term) is almost entirely absent from British English, and has been since before 1965. However, "chinaman" (not capitalized) is still used in an alternative sense to describe a left-arm unorthodox spin bowler in cricket. Most British dictionaries see the term "Chinaman" as old-fashioned, and this view is backed up by data from the British National Corpus. According to "Merriam-Webster's Dictionary of English Usage", in American English "Chinaman" is most often used in a "knowing" way, either satirically or to evoke the word's historical connotations. It acknowledges, however, that there is still some usage that is completely innocent. In addition, Herbst notes
Style and Medium in the Motion Pictures "What Is Baroque?" and "The Ideological Antecedents of the Rolls-Royce Radiator" in the 1995 collection Three Essays on Style. Panofsky begins his essay by identifying two features that distinguish “film art” from preceding forms of art: first, film art was the only art whose beginnings were witnessed by people alive at the time of the essay’s composition (1934); second, whereas preceding arts were formed by “an artistic urge that gave rise to the discovery and gradual perfection of a new technique,” film was, alternatively, a “technical invention that gave rise to the discovery and gradual perfection of a new art.”