The Bartered Bride Bride" is strictly accurate, but the more euphonious "Bartered Bride" has been adopted throughout the English-speaking world. Sabina evidently did not fully appreciate Smetana's intention to write a full-length opera, later commenting: "If I had suspected what Smetana would make of my operetta, I should have taken more pains and written him a better and more solid libretto." The Czech music specialist John Tyrrell has observed that, despite the casual way in which "The Bartered Bride's" libretto was put together, it has an intrinsic "Czechness", being one of the few in the Czech language written in trochees (a stressed syllable
The Bartered Bride dance from "The Brandenburgers of Bohemia". When "The Bartered Bride" returned to the Provisional Theatre in January 1869, this dance was removed, and replaced with a polka. A new scene, with a drinking song for the chorus, was added to act 1, and Mařenka's act 2 aria "Oh what grief!" was extended. So far, changes to the original had been of a minor nature, but when the opera reappeared in June 1869 it had been entirely restructured. Although the musical numbers were still linked by dialogue, the first act had been divided in two, to create a three-act opera. Various