The Bartered Bride ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Czech national opera until this time had been represented only by minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment made considerable use of traditional Bohemian dance forms such as the polka and furiant, and although he largely avoided the direct quotation of folksong he nevertheless
The Bride (album) in a series of piano-focused ballads that, while uniformly beautiful [...] aren't distinctive enough songwriting-wise to stand out from one another", adding that "Khan may have prioritized the concept over the listening experience as a whole." Slant Magazine's Sal Cinquemani wrote, "That "The Bride" works best as a song cycle rather than a collection of pop hooks is a testament to its cohesion and intrinsic intertexuality, but what's missing here is Khan's knack for grafting avant-art-rock concepts onto mainstream forms." "The Bride" debuted at number nine on the UK Albums Chart with 8,242 copies sold in its first week, becoming