Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Escobar Carmina Escobar Carmina Escobar is an experimental vocalist from Mexico City who lives and works in Los Angeles, California. She is on the Voice Arts faculty of California Institute of the Arts and is the co-founder of as well as a vocalist in "LIMINAR," a contemporary music ensemble based out of Mexico City. Her work is shown regularly at Machine Project. Escobar is most widely known for her work on "Massagem Sonora", which gained attention through its role in a large scale collaborative project of the Getty Museum in tangent with Machine Project. She has been awarded several grants and