Paul Verlaine with Verlaine, Mallarmé, Rimbaud, Paul Valéry, Albert Samain and many others began to be referred to as "Symbolists." These poets would often share themes that parallel Schopenhauer's aesthetics and notions of will, fatality and unconscious forces, and used themes of sex (such as prostitutes), the city, irrational phenomena (delirium, dreams, narcotics, alcohol), and sometimes a vaguely medieval setting. In poetry, the symbolist procedure—as typified by Verlaine—was to use subtle suggestion instead of precise statement (rhetoric was banned) and to evoke moods and feelings through the magic of words and repeated sounds and the cadence of verse (musicality) and metrical innovation.
Paul Fleming (poet) which is contained in several hymnals. Johann Sebastian Bach used the final stanza to close both cantatas ' (BWV 13) and "Sie werden euch in den Bann tun" (BWV 44). The complete hymn is the base for Bach's chorale cantata ' (BWV 97). Already in the 17th century another composer, David Pohle (1624–1695), had set twelve of Fleming's love-songs to music. Source: Paul Fleming (poet) Paul Fleming, also spelt Flemming (October 5, 1609 – April 2, 1640), was a German physician and poet. As well as writing notable verse and hymns, he spent several years accompanying the Duke of Holstein's