Otakar Hostinský Otakar Hostinský Otakar Hostinský (2 January 1847, Martiněves (near Litoměřice) – 19 January 1910, Prague) was a Czech historian, musicologist, and professor of musical aesthetics. He is known primarily for his support of composer Bedřich Smetana and his contributions to Czech aesthetic theory, which influenced many cultural figures in early twentieth-century Prague, including Zdeněk Nejedlý, Otakar Zich, and Vladimír Helfert. He also wrote the opera librettos to Zdeněk Fibich's masterpiece, "The Bride of Messina", and Josef Rozkosný's "Cinderella". "Art and Nationality", 1869 "Wagnerianism and Czech National Identity", 1870 "On "Program" Music", 1873 "Das Musikalisch-Schöne und das Gesamtkunstwerk vom Standpunkte der
A Bride from the Bush Raffles. When he published the novel "Peccavi" in 1900, a critic from "The Advertiser" wrote a scathing review, writing that Hornung should go back to Australia so he would be inspired to write something as good as "A Bride from the Bush" again. Upon Hornung's death, a tribute in "The Freeman's Journal" called "A Bride from the Bush" "the best and the best known" of Hornung's Australia-related stories. In 1924 André Cœuroy and Theodore Baker argued in "The Musical Quarterly" that Hornung's characterisation of the novel's hero as being pitiable for being unable to appreciate anthems demonstrates that "A Bride