Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
The Doctor (Doctor Who) to the anaesthetics affecting his physiology (1996 "Doctor Who" television film). While his regeneration first appeared to be smooth ("The Parting of the Ways"), the Tenth Doctor began to experience spasms and became somewhat manic, frightening his companion as he pushed the TARDIS to dangerous extremes (). After crash-landing the TARDIS, the Doctor collapsed and remained unconscious for most of the next fifteen hours ("The Christmas Invasion"). The experience was traumatic enough to cause one of his hearts to temporarily stop beating. The TARDIS appears to aid in the regenerative process, with few occasions where the Doctor regenerates outside it.