Baroque violin owing to the high placement of its "eyes"—holes on either side. The fingerboard on a Baroque violin is also shorter than that on a modern violin. During the Baroque period, the use of higher positions on the violin increased. In 1600, the highest note in regular use was the C above the E-string, while by 1700 the A one octave above the E-string was relatively common (being, for instance, the highest note used in Bach's violin music). Virtuoso violinists throughout the period continued to push the boundaries of possibility, with Locatelli reputedly playing in 22nd position. Baroque violins are typically
Baroque orchestra and 80 players for day-to-day performances, being enlarged to 150 players for special occasions. The term 'Baroque orchestra' is commonly used in the 2010s to refer to chamber orchestras giving historically informed performances of baroque or classical on period Baroque instruments or replica instruments. The period-instrument revival during the 1970s inspired the development of the first period-instrument baroque orchestras, led by Nikolaus Harnoncourt, Gustav Leonhardt, Frans Bruggen and Terrence Holford. Since the 1970s many baroque orchestras have been formed across Europe, as well as some in North America. Baroque orchestras active in the 2010s include: Baroque orchestra The Baroque orchestra