Hyman Bloom admired works by artists such as Soutine ("Carcass of Beef", 1924) and Rembrandt ("Anatomy Lesson of Dr. Nicolaes Tulp", 1632; "The Slaughtered Ox", 1655) that explored similar themes. He called the colors of a decaying corpse he had seen in a morgue "harrowing" and yet "beautiful...iridescent and pearly." Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of
The Doctor (Doctor Who) of the Dead", confirmed to have been his name towards the end of "Forest of the Dead". The events of "The Time of the Doctor" make it clear that his people, the Time Lords, know his true name, despite referring to him by his chosen alias as "the Doctor", even in formal settings such as court. Although listed in the on-screen credits for nearly twenty years as "Doctor Who" or "Dr Who", the Doctor is seldom called by that name in the programme, except in a tongue-in-cheek manner. For example, in "The Gunfighters" the Doctor assumes the name of Doctor