Sanding (dance) the box of rosin before matches to improve his grip. Sims' popularity as a tap dancer and career at the Apollo certainly made him one of the most if not the most influential sand-dancer of all time. Sand dancing was also used by the popular comedic vaudeville trio, Wilson, Keppel and Betty. They spread sand over the stage in one of their most well-known numbers, "Sand Dance". In their performance, there was no allusion to African American heritage; rather to the sandy environs of Egypt, a clear inspiration for their number. In spite of this deviation from the African American
Crossroads dance Crossroads dance The crossroads dance was a type of social event popular in Ireland up to the mid-20th century, in which people would congregate at the large cleared space of a crossroads to dance. In contrast to the later ceili styles, crossroad dances were generally set dancing or solo dancing. The crossroads dance declined in popularity in the mid-20th century, due to rural depopulation, musical recordings, and pressure of the Catholic clergy which resulted in the Public Dance Halls Act of 1935 which restricted all dancing to licensed establishments. In the early 1930s the wooden platforms at crossroads became the