Chimera (mythology) repertory of the Greek vase-painters. The Chimera first appears at an early stage in the repertory of the proto-Corinthian pottery-painters, providing some of the earliest identifiable mythological scenes that may be recognized in Greek art. The Corinthian type is fixed, after some early hesitation, in the 670s BC; the variations in the pictorial representations suggests multiple origins to Marilyn Low Schmitt. The fascination with the monstrous devolved by the end of the seventh century into a decorative Chimera-motif in Corinth, while the motif of Bellerophon on Pegasus took on a separate existence alone. A separate Attic tradition, where the goats
Sheep–goat chimera parts that grew from the sheep embryo were woolly. Those that grew from the goat embryo were hairy. In a chimera, each set of cells (germ line) keeps its own species' identity instead of being intermediate in type between the parental species. Because the chimera contains cells from two different genetic individuals, and each of these arose by normal mating, it has "four" parents. In contrast, a hybrid has only two parents. A sheepgoat chimera may be fertile, but it passes on either sheep or goat genes, depending on whether its reproductive organs were formed from the goat embryo or