Hartford Symphony Orchestra of Carl Orff’s "Carmina Burana". After hearing the piece for the first time, audiences jumped to their feet with standing ovations and the local papers overflowed with excellent reviews. On March 27, 1957 the Symphony recorded "Carmina Burana" on the Vanguard record label. Fritz Mahler continued the Hartford Symphony’s recording project with the Vanguard label, recording three new albums: Berlioz’s Requiem, Gustav Mahler’s Das Klagende Lied, and Bloch’s Three Jewish Poems for Orchestra and Copland’s Variations for Orchestra & Fanfare for the Common Man. The sixties opened with a general sense of uneasiness amongst the Hartford Symphony administration over the
Carmina Burana (Orff) approaches its renown, as evidenced in both pop culture's appropriation of "O Fortuna" and the classical world's persistent programming and recording of the work. In the United States, "Carmina Burana" represents one of the few box office certainties in 20th-century repertoire. Orff's disciple Wilhelm Killmayer in 1956 created a reduced version for soloists, SATB mixed choir, children's choir, two pianos and six percussion (timpani + 5). This version, authorized by Orff himself, allowed smaller ensembles the opportunity to perform the piece. The popularity of the work has ensured the creation of many additional arrangements for a variety of performing forces.