Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque architecture and well before his death in 1724, the style had lost currency in Britain. In the Holy Roman Empire, the Baroque period began somewhat later. Although the Augsburg architect Elias Holl (1573–1646) and some theoretists, including Joseph Furttenbach the Elder already practiced the Baroque style, they remained without successors due to the ravages of the Thirty Years' War. From about 1650 on, construction work resumed, and secular and ecclesiastical architecture were of equal importance. During an initial phase, master-masons from southern Switzerland and northern Italy, the so-called "magistri Grigioni" and the Lombard master-masons, particularly the Carlone family from Val d'Intelvi,