Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Entering Heaven alive and ancestor of Noah. The Roman Catholic Church distinguishes between "The Ascension", in which Christ rose to heaven by his own power, and "The Assumption" in which Mary, mother of Jesus, was raised to heaven by God's power. (Enoch and Elijah are said in scripture to have been "assumed" [experienced assumption] into heaven.) On November 1, 1950, Pope Pius XII, acting "ex cathedra", issued "Munificentissimus Deus", an authoritative statement of official doctrine of Roman Catholicism. In Section 44 the pope stated: The doctrine is based on Sacred Tradition that Mary, mother of Jesus, was bodily assumed into heaven. For centuries