Marcel Duchamp implying that the woman in the painting is in a state of sexual excitement and availability. It may also have been intended as a Freudian joke, referring to Leonardo da Vinci's alleged homosexuality. Duchamp gave a "loose" translation of L.H.O.O.Q. as "there is fire down below" in a late interview with Arturo Schwarz. According to Rhonda Roland Shearer, the apparent "Mona Lisa" reproduction is in fact a copy modeled partly on Duchamp's own face. Research published by Shearer also speculates that Duchamp himself may have created some of the objects which he claimed to be "found objects". Duchamp worked on
Marcel Duchamp like parallels and distorting the object. The object is completely stretched out, as if elastic. The lines follow each other in parallels, while changing subtly to form the movement, or the form of the young man in question. I also used this procedure in the "Nude Descending a Staircase". In his 1911, "Portrait of Chess Players" ("Portrait de joueurs d'échecs") there is the Cubist overlapping frames and multiple perspectives of his two brothers playing chess, but to that Duchamp added elements conveying the unseen mental activity of the players. (Notably, "échec" is French for "failure".) Works from this time also