Tibetan Buddhism namely Nyingma, Kagyu, Sakya and Gelug (developed out of Sakya). The Jonang is a smaller school, and the Rimé movement is an eclectic movement involving the Sakya, Kagyu and Nyingma schools. Among the prominent proponents of Tibetan Buddhism are the Dalai Lama and Panchen Lama, the leaders of Gelug school in Tibet. Westerners unfamiliar with Tibetan Buddhism initially turned to China for an understanding. There the term used was "lamaism" (literally, "doctrine of the lamas": "lama jiao") to distinguish it from a then-traditional Chinese form ("fo jiao"). The term was taken up by western scholars including Hegel, as early as
Culture of Buddhism the Tendai and Shingon sects. There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Many ritual musical instruments are used in association with Buddhist practice including singing bowls, bells, tingsha, drums, cymbals, wind instruments and others. The relationship between Buddhism and music is thought to be complicated since the association of music with earthly desires led early Buddhists to condemn the musical practice, and even observation of musical performance, for monks and nuns. However, in Pure Land Buddhism Buddhist paradises are represented as musical places in which Buddhist law takes the form of melodies.