John Huston documentaries." Huston did an uncredited rewrite of Anthony Veiller's screenplay for "The Stranger" (1946), a film he was to have directed. When Huston became unavailable Orson Welles was offered the opportunity to direct. He had been cast in the role of a high-ranking Nazi fugitive who manages to settle in New England under an assumed name. His next picture, which he wrote, directed, and briefly appeared in as an American, asked to "help out a fellow American, down on his luck", was "The Treasure of the Sierra Madre" (1948). It would become one of the films which established his reputation
John Huston films are adaptations, and he believes that through his films there was a "cohesive world-view, not only thematically but also stylistically; there is the Huston look". The "Huston look" was also noted by screenwriter James Agee, who adds that this "look proceeds from Huston's sense of what is natural to the eye and his delicate, simple feeling for space relationships." In any case, notes Flint, Huston took "uncommon care to preserve the writer's styles and values ... and sought repeatedly to transpose the interior essence of literature to film with dramatic and visual tension", as he did in "Red Badge