Hartford Symphony Orchestra of Carl Orff’s "Carmina Burana". After hearing the piece for the first time, audiences jumped to their feet with standing ovations and the local papers overflowed with excellent reviews. On March 27, 1957 the Symphony recorded "Carmina Burana" on the Vanguard record label. Fritz Mahler continued the Hartford Symphony’s recording project with the Vanguard label, recording three new albums: Berlioz’s Requiem, Gustav Mahler’s Das Klagende Lied, and Bloch’s Three Jewish Poems for Orchestra and Copland’s Variations for Orchestra & Fanfare for the Common Man. The sixties opened with a general sense of uneasiness amongst the Hartford Symphony administration over the
Carl Orff as "O Fortuna", from "Carmina Burana", is often used to denote primal forces, for example in the Oliver Stone film "The Doors". The work's association with fascism also led Pier Paolo Pasolini to use the movement "Veris leta facies" to accompany the concluding scenes of torture and murder in his final film "Salò, or the 120 Days of Sodom". With the success of "Carmina Burana", Orff disowned all of his previous works except for "Catulli Carmina" and the "Entrata" (an orchestration of "The Bells" by William Byrd (1539–1623)), which were rewritten until acceptable by Orff. Later on, however, many of