Pendant portraits of Maerten Soolmans and Oopjen Coppit by Eugène Fromentin in 1877 with the remark that they were examples of Rembrandt at his best and were painted in the same period that Rembrandt painted his "Anatomy Lesson of Dr. Nicolaes Tulp", traditionally marking the beginning of his career in Amsterdam. Clearly, the flamboyance of these young newlyweds did more to launch Rembrandt's career as a portrait painter for the Amsterdam upper class than his sober depiction of a class of serious students in Leiden. The entire Van Loon collection was sold to Rothschild for 40,000 pounds, which at the time was over a million francs. Wilhelm von
The Visitation (Doctor Who) on capture-escape-capture storytelling, but it's brimful of oaky, shadowy 17th-century atmosphere". A novelisation of this serial, written by Eric Saward, was published by Target Books in August 1982. Its cover was originally to be painted like the other Target Doctor Who novels, but an objection by Peter Davison's agent resulted in a photographic cover being used instead. This was the only Peter Davison story to have its novelisation titled as "Doctor Who and the..." in its original edition. An unabridged recording of the Target novelisation was released in 2012, read by Matthew Waterhouse. A behind-the-scenes book following the production process