History of Tibetan Buddhism Kamalaśīlas philosophy should form the basis for Tibetan Buddhism. However, a Chinese source found in Dunhuang written by Mo-ho-yen says their side won, and some scholars conclude that the entire episode is fictitious. Pioneering Buddhologist Giuseppe Tucci speculated that Mohayen's ideas were preserved by the Nyingmapas in the form of dzogchen teachings. John Myrdhin Reynolds and Sam van Schaik reject this possibility. According to Reynolds, "Except for a brief flirtation with Ch'an in the early days of Buddhism in Tibet in the eighth century, the Tibetans exhibited almost no interest at all in Chinese Buddhism, except for translating a few
Culture of Buddhism the Tendai and Shingon sects. There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Many ritual musical instruments are used in association with Buddhist practice including singing bowls, bells, tingsha, drums, cymbals, wind instruments and others. The relationship between Buddhism and music is thought to be complicated since the association of music with earthly desires led early Buddhists to condemn the musical practice, and even observation of musical performance, for monks and nuns. However, in Pure Land Buddhism Buddhist paradises are represented as musical places in which Buddhist law takes the form of melodies.