Carmen (1915 Cecil B. DeMille film) so DeMille instructed his screenwriter brother William to base his scenario on the public domain novella "Carmen" by Prosper Mérimée. The novella's Carmen was more wilful and manipulative than the opera version. For instance, William included a cigarette factory fight scene from the book which was not found in the opera. Composer Hugo Riesenfeld arranged the orchestral score, his first of many for film, which "was" based on that of Bizet's opera. It was performed at the premiere and other prestigious screenings. There have been two restorations of Riesenfeld's score: the first was by Gillian Anderson, recorded with the London
Cigarette Girl heroine (Cori Dials) of the film works in the "Vice Club", an abandoned 1930s era cigarette factory turned club, where a once iconic emblem of a giant cigarette tipping over into a giant ashtray, now sits atop the factory coated with rust like a cancer. Occasionally still tilting into the astray if the wind is strong enough, the giant cigarette squeaks like a siren, going throughout the city. We find the heroine, after her grandmother (Helen Bowman) is hospitalized with emphysema, the Cigarette Girl attempts to break her addiction to nicotine while also escaping the clutches of her employers, the