Veil of Isis the motif of the veiled Isis. One was a tradition that linked Isis with nature and the goddess Artemis. European art has a long tradition of personifying nature as a motherly figure. Starting in the 16th century, this motif was influenced by the iconography of the goddess Artemis of Ephesus (also known under the name of her Roman equivalent, Diana). The Ephesian Artemis was depicted with round protuberances on her chest that may originally have been jewelry but came to be interpreted as breasts. Isis was sometimes compared with Artemis, and the Roman writer Macrobius, in the fourth century CE,
Dali (goddess) and the Greeks, noting that the Svan homeland is close to the ancient Georgian kingdom of Colchis, a region with close trading connections to Greece. Some sources have noted a similarity to the Greek goddess Artemis, who was also a patron of wild animals and hunting, although unlike Dali she was known for prudishness rather than promiscuity. Both were associated with transitions and boundaries, especially between civilization and the wilderness. Writing in the 1940s, the Georgian author Demna Shengelaya examined Dali as an equivalent of the Babylonian goddess Ishtar, identifying themes of matriarchy struggling against patriarchal values reflected in the