Carmen (1915 Cecil B. DeMille film) so DeMille instructed his screenwriter brother William to base his scenario on the public domain novella "Carmen" by Prosper Mérimée. The novella's Carmen was more wilful and manipulative than the opera version. For instance, William included a cigarette factory fight scene from the book which was not found in the opera. Composer Hugo Riesenfeld arranged the orchestral score, his first of many for film, which "was" based on that of Bizet's opera. It was performed at the premiere and other prestigious screenings. There have been two restorations of Riesenfeld's score: the first was by Gillian Anderson, recorded with the London
Opera in Arabic in the United Arab Emirates, Polish opera director Ryszard Peryt directed Egyptian musicologist Aly Sadek's translation of Mozart's "Don Giovanni," as performed by soloists, the choir of the Université Antonine, Baabda, Lebanon, and the Warsaw Philharmonic's Chamber Orchestra, conducted by Zbigniew Graca. The project planned to present other Mozart opera in the Arabic language, e.g. "The Marriage of Figaro" and "The Magic Flute" and record on the Opera in Arabic label. The first opera in Arabic may be that of the Lebanese composer Wadih Sabra, whose opera "The Two Kings" to a libretto by Father Marun Ghusn, was premiered in