Luncheon of the Boating Party his friends in "Luncheon of the Boating Party". Identification of the sitters was made in 1912 by Julius Meier-Graefe. Among them are the following: At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics. "It is fresh and free without being too bawdy," wrote Paul de Charry in "Le Pays", March 10, 1882. In "La Vie Moderne" (March 11, 1882), Armand Silvestre wrote, "...one of the best things [Renoir] has painted...There are bits of drawing that are completely remarkable, drawing- true drawing- that is a result of the juxtaposition of hues and not of line. It
Luncheon in the Studio Luncheon in the Studio Luncheon in the Studio (or The Luncheon) is an 1868 oil painting by Édouard Manet. Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. Critic Nan Stalnaker notes that "despite continued questions about its meaning, the work is acknowledged to be brilliantly painted and a major Manet work". In the summer of 1868 Manet traveled to Boulogne-sur-Mer for his summer vacation,