Ascension of Jesus in Christian art churches. In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels. In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation. Sometimes the last two footprints of Christ on the rock are seen; these were shown to pilgrims at what is now the Chapel of the Ascension on the Mount of Olives in Jerusalem. The scene
Historicity and origin of the resurrection of Jesus (a two-part work by the same anonymous author, usually dated to around 80–90 CE) based their lives of Jesus on the Gospel of Mark but diverge widely after Mark 16:8, where Mark ends with the discovery of the empty tomb: Matthew has two post-Resurrection appearances, the first to Mary Magdalene and "the other Mary" at the tomb, and the second, based on Mark 16:7, to all the disciples on a mountain in Galilee, where Jesus claims authority over heaven and earth and commissions the disciples to preach the gospel to the whole world. Luke does not mention any of the