A Big Hunk o' Love 10, 1958, in Nashville, Tennessee. It was the first session that did not include guitarist Scotty Moore and bassist Bill Black, who had both worked with Elvis since his first recordings for Sam Phillips at the Memphis Recording Service, which later became known as Sun Studios. The recording featured Elvis' regular drummer D.J. Fontana and backing vocalists the Jordanaires, who would continue to work with Elvis until Elvis' appearance at the Hilton in Las Vegas. The rest of the musicians were top Nashville session men, such as guitarist Hank Garland on Gibson Byrdland guitar, Floyd Cramer on piano, Bob Moore
Backing track or more of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band (e.g., a power trio) can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows. Bands or solo musicians may use backing tracks to add extra instrumental or vocal tracks to a live performance, to enhance the sound (as in the employment of doubled backing vocals) or to replicate more closely the instrumentation heard on a recording (as in the use of additional recorded parts such as