L.H.O.O.Q. a late interview (Schwarz 203), Duchamp gives a loose translation of "L.H.O.O.Q." as "there is fire down below". Francis Picabia, in an attempt to publish "L.H.O.O.Q." in his magazine 391 could not wait for the work to be sent from New York City, so with the permission of Duchamp, drew the moustache on Mona Lisa himself (forgetting the goatee). Picabia wrote underneath "Tableau Dada par Marcel Duchamp". Duchamp noticed the missing goatee. Two decades later, Duchamp corrected the omission on Picabia's replica, found by Jean Arp at a bookstore. Duchamp drew the goatee in black ink with a fountain pen,
Marcel Duchamp position that can arise in the endgame. Using enneagram-like charts that fold upon themselves, the authors demonstrated that in this position, the most Black can hope for is a draw. The theme of the "endgame" is important to an understanding of Duchamp's complex attitude toward his artistic career. Irish playwright Samuel Beckett was an associate of Duchamp, and used the theme as the narrative device for the 1957 play of the same name, "Endgame". In 1968, Duchamp played an artistically important chess match with avant-garde composer John Cage, at a concert entitled "Reunion". Music was produced by a series of