Luncheon of the Boating Party his friends in "Luncheon of the Boating Party". Identification of the sitters was made in 1912 by Julius Meier-Graefe. Among them are the following: At the Seventh Impressionist Exhibition in 1882, the painting generally received praise from critics. "It is fresh and free without being too bawdy," wrote Paul de Charry in "Le Pays", March 10, 1882. In "La Vie Moderne" (March 11, 1882), Armand Silvestre wrote, "...one of the best things [Renoir] has painted...There are bits of drawing that are completely remarkable, drawing- true drawing- that is a result of the juxtaposition of hues and not of line. It
The Painted Skin into English as "The Painted Skin" by the British sinologist Herbert A. Giles and was included in his 1880 translation of "Strange Tales". It reappeared with modifications in a subsequent edition, published in 1908. Since then, many other translators, including John Minford (2006), have published their translations of "The Painted Skin". On the surface, "The Painted Skin" is a story of a lustful scholar's encounter with a demon who disguises itself as a lady. Pu Songling intended for the story to be viewed as a parable of human desire and its negative consequences, and emphasised this with his appended comment,