Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque orchestra and 80 players for day-to-day performances, being enlarged to 150 players for special occasions. The term 'Baroque orchestra' is commonly used in the 2010s to refer to chamber orchestras giving historically informed performances of baroque or classical on period Baroque instruments or replica instruments. The period-instrument revival during the 1970s inspired the development of the first period-instrument baroque orchestras, led by Nikolaus Harnoncourt, Gustav Leonhardt, Frans Bruggen and Terrence Holford. Since the 1970s many baroque orchestras have been formed across Europe, as well as some in North America. Baroque orchestras active in the 2010s include: Baroque orchestra The Baroque orchestra