Jason Voorhees sculpted a full-body, foam latex suit for Kane Hodder to wear under the costume. The idea was to reveal as much of Jason's skin as possible, because Nicotero and Berger knew the physical character would not be seen for most of the film. Stephan Dupuis was given the task of redesigning Jason for the tenth "Friday the 13th" film. One concept brought into the film was Jason's regenerative abilities. Dupuis gave the character more hair and more of a natural flesh appearance to illustrate the constant regeneration the character goes through; Dupuis wanted a more "gothic" design for Jason, so
Jason Voorhees "The New Blood". Since Jason had been submerged under water in the previous entry, the effects team wanted Jason to appear "rotted", with bones and ribs showing, and for Jason's features to have a more defined feel to them. Howard Berger was inspired by Carl Fullerton's design in "The New Blood", and wanted to incorporate the exposed flesh concept into his model for "Jason Goes to Hell". Berger designed Jason's skin to overlap with the mask, to make it appear as if the skin and mask had fused and the mask could no longer be removed. Gregory Nicotero and Berger