Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Escobar residencies including the Performer's Grant by the National Endowment of the Arts in Mexico twice, and the 2014 NFA Master Artist Grant. Carmina Escobar Carmina Escobar is an experimental vocalist from Mexico City who lives and works in Los Angeles, California. She is on the Voice Arts faculty of California Institute of the Arts and is the co-founder of as well as a vocalist in "LIMINAR," a contemporary music ensemble based out of Mexico City. Her work is shown regularly at Machine Project. Escobar is most widely known for her work on "Massagem Sonora", which gained attention through its role