Rembrandt "Danaë", 1636), seeking to emulate the baroque style of Rubens. With the occasional help of assistants in Uylenburgh's workshop, he painted numerous portrait commissions both small ("Jacob de Gheyn III") and large ("Portrait of the Shipbuilder Jan Rijcksen and his Wife", 1633, "Anatomy Lesson of Dr. Nicolaes Tulp", 1632). By the late 1630s Rembrandt had produced a few paintings and many etchings of landscapes. Often these landscapes highlighted natural drama, featuring uprooted trees and ominous skies ("Cottages before a Stormy Sky", c. 1641; "The Three Trees", 1643). From 1640 his work became less exuberant and more sober in tone, possibly
The Doctor (Doctor Who) episodes. She is later revealed to be a dissident Time Lady, who opposed the Time Lord High Council's plan to escape the Time War. When she reveals her face to the Doctor, his reaction indicates that he recognises her. Julie Gardner, in the episode's commentary, states that while some have speculated that the Time Lady is the Doctor's mother, neither she nor Russell T. Davies are willing to comment on her identity. When later asked by Wilfred who she was, the Doctor evades answering the question, making their connection unclear. In "Doctor Who: The Writer's Tale – The Final Chapter",