The Phillips Collection by European masters such as Gustave Courbet, Pierre Bonnard, Georges Braque, Jacques Villon, Paul Cézanne, Honoré Daumier, Edgar Degas, Vincent van Gogh, Paul Klee, Henri Matisse, Claude Monet, and Pablo Picasso. In 1923, Phillips purchased Pierre-Auguste Renoir's impressionist painting, "Luncheon of the Boating Party" (1880–81), the museum’s best-known work. From the 1920s to the 1960s, Phillips re-arranged his galleries in installations that were non-chronological and non-traditional, reflecting the relationships he saw between various artistic expressions. He presented visual connections—between past and present, between classical form and romantic expression—as dialogues on the walls of the museum. Giving equal focus to American
Luncheon in the Studio where he painted "Luncheon in the Studio" and other works. "Luncheon" was posed in the dining room of Manet's rented house. Leenhoff is the focus of the painting, with his back to the other two people, who have at various points been identified as his mother and Manet. These identifications are now seen as incorrect; the man seated at the table, smoking a cigar and enjoying a coffee and a "digestif", is anonymous—although he bears a resemblance to Manet (his friend, the painter Auguste Rousselin has also been suggested). The woman gazing toward the viewer is a servant. Given the