Celesta (1925), Richard Strauss's "Ariadne auf Naxos" (1912), and "Die Frau ohne Schatten" (1918), while "an excellent example of its beauty when well employed", is the Silver Rose scene in his "Der Rosenkavalier" (1911), Ferruccio Busoni's "Arlecchino" (1917) and "Doktor Faust" (1925), Carl Orff's "Carmina Burana" (1936) and "Der Mond" (1939), Gian Carlo Menotti's "Amelia Goes to the Ball" (1937), Benjamin Britten's "The Turn of the Screw" (1954) and "A Midsummer Night's Dream" (1960), Conrad Susa's "Transformations" (1973), and Philip Glass' "Akhnaten" (1984). The keyboard glockenspiel part in Mozart's "The Magic Flute" is nowadays often played by a celesta. Since Earl
Carmina Burana (Orff) repertoire, and parts of the baritone aria "Dies nox et omnia" are often sung in falsetto, a unique example in baritone repertoire. Also noted is the solo soprano aria, "Dulcissime" which demands extremely high notes. Orff intended this aria for a lyric soprano, not a coloratura, so that the musical tensions would be more obvious. "Carmina Burana" is scored for a large orchestra consisting of: The score also has short solos for three tenors, baritone and two basses. A reduced version for soloists, SATB mixed choir, children's choir, two pianos and six percussion (timpani + 5) was prepared by Orff's