Critical approaches to Hamlet amuse their rulers with their inventive language. Osric and Polonius seem to especially respect this suggestion. Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens back to Greek political speeches. Hamlet seems the most educated in rhetoric of all the characters, using anaphora, as the king does, but also asyndeton and highly developed metaphors, while at
Hamlet (Thomas) nervous character by the use of dotted-note rhythms, a chromatic melody line, and high-range woodwind instruments. The excerpt below ends with 3 bars of florid solo flute music which foreshadows Ophélie's coloratura singing later in the opera. She is worried that Hamlet's grief will blight their happiness (Ophélie: "Hélas! votre âme" – "Alas! your soul") and is concerned that, since Claudius has given Hamlet permission to leave, Hamlet will flee the court. Hamlet protests he cannot make promises of love one day, only to forget them the next. His heart is not that of a woman. Ophélie is distraught at