Bedřich Smetana tried before. To musicologist John Clapham, the cycle presents "a cross-section of Czech history and legend and impressions of its scenery, and ... conveys vividly to us Smetana's view of the ethos and greatness of the nation." Despite its nationalistic associations this work has, according to Newmarch, carried Smetana's name further afield than anything he wrote, with the exception of "The Bartered Bride" Overture. Smetana dedicated "Má vlast" to the city of Prague; after its first performance in November 1882 it was acclaimed by the Czech musical public as the true representation of Czech national style. Its "Vltava" (or "The
The Bartered Bride as director of the Vienna State Opera, Mahler brought "The Bartered Bride" into the Vienna repertory, and conducted regular performances of the work between 1899 and 1907. Mahler's enthusiasm for the work was such that he had incorporated a quote from the overture into the final movement of his First Symphony (1888). When he became Director of the Metropolitan Opera in New York in 1907 he added the opera to its repertory. The New York premiere, again in German, took place on 19 February 1909, and was warmly received. "The New York Times" commented on the excellence of the staging