Critical approaches to Hamlet amuse their rulers with their inventive language. Osric and Polonius seem to especially respect this suggestion. Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens back to Greek political speeches. Hamlet seems the most educated in rhetoric of all the characters, using anaphora, as the king does, but also asyndeton and highly developed metaphors, while at
Prince Hamlet of his guilty conscience. When Claudius leaves the audience deeply upset, Hamlet knows that the ghost was telling the truth. He follows Claudius into his chambers in order to kill him, but stops when he sees his uncle praying; he does not want to kill Claudius while he is in a state of grace because Hamlet wants Claudius to suffer in purgatory and Claudius has just attempted to cleanse his sin through confession. A second attempt on Claudius' life ends in Polonius' accidental death. Claudius, now fearing for his life, sends Hamlet to England, accompanied (and closely watched) by Rosencrantz