Baroque orchestra and/or pipe organ. In the Baroque period, the orchestra was not standardised in size. There were large differences in size, instrumentation and playing styles – and therefore orchestral soundscapes and palettes – between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player per part, to larger scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen where he had access to an ensemble of up to 18 players. Examples of large scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35
Baroque sculpture collaborators and pupils represent the most important saints of the Catholic Church. Aleijadinho in Brazil was also one of the great names of baroque sculpture, and his master work is the set of statues of the "Santuário de Bom Jesus de Matosinhos" in Congonhas. The soapstone sculptures of old testament prophets around the terrace are considered amongst his finest work. Baroque sculpture Baroque sculpture is the sculpture associated with the Baroque cultural movement of the period between the early 17th and late 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and