Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 7 (Dvořák) somewhat different aspect of his personality. No. 7 is the most ambitious in structure, and the most consciously international in its message. The Dvořák specialist John Clapham writes that "without doubt" the No. 7 "must surely be Dvořák's greatest symphony," although elsewhere he writes that the No. 9 is the most popular worldwide. As Symphony No. 9 is so often played, Clapham in effect recommends that conductors perform, and listeners hear, No. 7 as well. Notes Sources Symphony No. 7 (Dvořák) Antonín Dvořák's Symphony No. 7 in D minor, Op. 70, B. 141, was completed on 17 March 1885 and