Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 3 (Szymanowski) as 'interwoven polymelody'. The symphony is in three un-numbered movements and there is no break between the first and second movements (attacca): Szymanowski scored his symphony for a very large orchestra consisting of standard instruments, as well as unusual “instruments” (for a symphony) such as a solo tenor and an "ad lib" choir: Symphony No. 3 (Szymanowski) Symphony No. 3 Op. 27 (a.k.a. "The Song of the Night") is a symphony composed by Karol Szymanowski during the period 1914 - 1916 after a period spent travelling in Eastern Europe. The symphony is considered to be one of Szymanowski's finest works.