A Shot in the Dark (1964 film) him to take over as director of "A Shot in the Dark" from Anatole Litvak. Edwards declined initially, but eventually relented under pressure on the condition he could rewrite the script and substitute Inspector Clouseau for the lead character and choreograph comic scenes on the fly as he and Sellers had successfully done for their previous film. The relationship between Edwards and Sellers deteriorated to such a point that at the conclusion of the film they vowed never to work together again. They eventually reconciled to collaborate successfully four years later on "The Party", and on three more "Pink Panther"
Dark Was the Night, Cold Was the Ground of a preacher and his wordless voice the part of a rapt congregation." Johnson's recording of "Dark Was the Night, Cold Was the Ground" was selected by the Library of Congress as a 2010 addition to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant". “Dark was the Night, Cold was the Ground” was used on the Oscar-nominated soundtrack to Pier Paolo Pasolini's classic film, "The Gospel According to St Matthew", in scenes where Judas Iscariot laments betraying Christ and a cripple asks to be healed. Ry Cooder based his soundtrack to the Palme