Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Goodman reports spread word of the exciting music and enthusiastic dancing. The Palomar engagement was such a marked success that it is often described as the beginning of the swing era. According to Donald Clarke, "It is clear in retrospect that the Swing Era had been waiting to happen, but it was Goodman and his band that touched it off." The reception of American swing was less enthusastic in Europe. British author J. C. Squire filed a complaint with BBC radio and to demand it stop playing Goodman's music, which he called "an awful series of jungle noises which can hearten