Violin Sonata No. 9 (Beethoven) supporting the belief that the acquisition of the finale of Op. 30/1 for the "Kreutzer" was a compositional intention — and not a result of lack of time, as long suspected. The sonata was originally dedicated to the violinist George Bridgetower (1778–1860) as "Sonata mulattica composta per il mulatto Brischdauer [Bridgetower], gran pazzo e compositore mulattico" (Mulatto Sonata composed for the mulatto Brischdauer, great madman mulatto composer). Shortly after completion the work was premiered by Bridgetower and Beethoven on 24 May 1803 at the Augarten Theatre at a concert that started at the unusually early hour of 8:00 am. Bridgetower
Cello Sonata No. 1 (Brahms) Härtel, who turned it down. He had however also sent the sonata to Simrock describing it, in one of the most mendacious statements made by a major composer about his own work, as "a violoncello sonata which, as far as both instruments are concerned, is certainly not difficult to play", and they published it in 1866. The work was championed in Europe and London by Robert Hausmann. In gratitude, Brahms dedicated his Second Sonata to Hausmann. There are three movements: This movement is in a long-lined sonata form, opening with solo cello over chords in the keyboard, a melody that