The Body of the Dead Christ in the Tomb by the work. In 1867, his wife had to drag him away from the panel lest its grip on him induce an epileptic fit. Dostoevsky saw in Holbein an impulse similar to one of his own main literary preoccupations: the pious desire to confront Christian faith with everything that negated it, in this case the laws of nature and the stark reality of death. In his 1869 novel "The Idiot", the character Prince Myshkin, having viewed a copy of the painting in the home of Rogozhin, declares that it has the power to make the viewer lose his faith. The
Prince Myshkin and actions. —Nastásya Filíppovna Baráshkova (Настасья Филипповна Барашкова) It is in the character of Nastasya Filippovna that the capacity of the Prince to affect an other's interior dialogue is most marked. Viewed by both society and her self as a 'fallen woman' because of years of sexual exploitation by Totsky, Nastasya Filippovna often embraces the sharp-tongued, destructive persona of a cynical courtesan. Myshkin understands that this persona grows out of an internalisation of the abuse she suffered and the unjust moral condemnation consequent upon it, and from their first meeting lets her know that it is not who she really