Symphony No. 41 (Mozart) Reportedly, from the very first chords, Mozart's Symphony No. 41, in C Major reminded Cramer of Jupiter and his thunderbolts. The celebrated finale of the symphony is a re-working, albeit a majestic one, of the opening movement of Carl Ditters's symphony in D, "Der Sturz Phaëtons" (The Fall of Phaëton) of 1785. In those days of classical education, members of the Philharmonic Society, of which Salomon was a founding member, will have known that the planet that the ancient Greeks called "Phaët(h)on" is the same planet that the ancient Romans called "Jupiter." Thus the majestic nickname is also a humorous
Symphony No. 41 (Mozart) Later, he used it in the Credo of an early "Missa Brevis" in F major, the first movement of his Symphony No. 33 and trio of the minuet of this symphony. Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39,