Symphony No. 1 (Mozart) in the finale of his "Jupiter" symphony, No. 41. The four notes, Do, Re, Fa, Mi, make an appearance in several of Mozart's works, including his Symphony No. 33. This theme is stated by the horns in his first symphony. In his book on the Piano Concertos, Cuthbert Girdlestone pointed out the similarity between the opening of this symphony and that of Mozart’s Piano Concerto No. 22 K482, composed some twenty years later. Symphony No. 1 (Mozart) The Symphony No. 1 in E major, K. 16, was written in 1764 by Wolfgang Amadeus Mozart at the age of eight years.
Symphony No. 2 (Lutosławski) (1959–1964), he began designating pieces "farewell to the orchestra". These ideas led Lutosławski to look ahead to a time when the orchestra would be replaced by an ensemble that could produce what he already heard in his head. Symphony No. 2 (Lutosławski) The Symphony No. 2 by the Polish composer Witold Lutosławski is an orchestral composition in two movements written between 1965 and 1967. The work exhibits Lutosławski's technique of "limited aleatoricism", where the individual instrumental parts are notated exactly, but their precise co-ordination is organised using controlled elements of chance. Lutosławski wrote his Symphony No. 2 between 1965 and