Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Goodman and recorded on July 1. In Pittsburgh at the Stanley Theater some members of the audience danced in the aisles. But these arrangements had little impact on the tour until August 19 at McFadden's Ballroom in Oakland, California. Goodman and his band, which included Bunny Berrigan, drummer Gene Krupa, and singer Helen Ward were met by a large crowd young dancers who cheered the music they had heard on "Let's Dance". Herb Caen wrote, "from the first note, the place was in an uproar." One night later, at Pismo Beach, the show was a flop, and the band thought the