Pure Gold (Glenn Miller album) "Pennsylvania Six-Five Thousand": Saxes: Hal McIntyre, Tex Beneke, Wilbur Schwartz, Ernie Caceres, Al Klink; Trumpets: John Best, R. D. McMickle, Clyde Hurley, Legh Knowles; Trombones: Glenn Miller, Jimmy Priddy, Paul Tanner, Frank D'Annolfo; Piano: Chummy MacGregor; String Bass: Herman "Trigger" Alpert; Guitar: Jack Lathrop; Drums: Moe Purtill. The personnel on the May 7, 1941 recording of "Chattanooga Choo Choo" by Glenn Miller and his Orchestra in Hollywood on RCA Bluebird were Paula Kelly, the Modernaires (vocals), Billy May, John Best, Ray Anthony, R.D. McMickle (trumpet), Glenn Miller, Jim Priddy, Paul Tanner, Frank D'Annolfo (trombone), Hal McIntyre, Wilbur Schwartz (clarinet, alto
Glenn Miller discography to the creation of be-bop, which was the predominant style of jazz in the late forties, see "Glenn Miller: The Godfather of Bop?" by Richard Jessen. Mr. Jessen says that Miller's recording of "Wham" from August 1, 1939, predates the same phrasing used in "Salt Peanuts" by Charlie Parker and Dizzy Gillespie in 1944. Jessen points out though that "Wham" was arranged by Eddie Durham. Songs that were in the civilian band and Army Air Force band libraries include: A disc released in 2010 is called "The Final - His Last Recordings" and collects Miller's last known recorded performances (November,