Pure Gold (Glenn Miller album) "Pennsylvania Six-Five Thousand": Saxes: Hal McIntyre, Tex Beneke, Wilbur Schwartz, Ernie Caceres, Al Klink; Trumpets: John Best, R. D. McMickle, Clyde Hurley, Legh Knowles; Trombones: Glenn Miller, Jimmy Priddy, Paul Tanner, Frank D'Annolfo; Piano: Chummy MacGregor; String Bass: Herman "Trigger" Alpert; Guitar: Jack Lathrop; Drums: Moe Purtill. The personnel on the May 7, 1941 recording of "Chattanooga Choo Choo" by Glenn Miller and his Orchestra in Hollywood on RCA Bluebird were Paula Kelly, the Modernaires (vocals), Billy May, John Best, Ray Anthony, R.D. McMickle (trumpet), Glenn Miller, Jim Priddy, Paul Tanner, Frank D'Annolfo (trombone), Hal McIntyre, Wilbur Schwartz (clarinet, alto
Glenn Miller high regard. Tormé credited Miller with giving him helpful advice when he first started his singing and song-writing career in the 1940s. Mel Tormé met Glenn Miller in 1942, the meeting facilitated by Tormé's father and Ben Pollack. Tormé and Miller discussed "That Old Black Magic", which was just emerging as a new song by Johnny Mercer and Harold Arlen. Miller told Tormé to pick up every song by Mercer and study it and to become a voracious reader of anything he could find, because "all good lyric writers are great readers." In an interview with George T. Simon in