The Warped Ones films whose outlook made way for the Japanese pink film. In the film Tim Lucas noted antecedents and a possible influence to "the most hellbent characters" in the films of acclaimed director Quentin Tarantino's films and specifically to Stanley Kubrick's iconic "A Clockwork Orange" (1971). Lucas drew comparisons between "The Warped Ones"<nowiki>'</nowiki> main character Akira and "A Clockwork Orange"<nowiki>'</nowiki>s Alex DeLarge, including their respective obsessions with hard jazz and the music of Ludwig van Beethoven, the former with a framed copy of Ornette Coleman's album "The Shape of Jazz to Come" next to his bed, the latter an engraving of
A Clockwork Orange (film) himself, "I was cured, all right!" The film's central moral question (as in many of Burgess' novels) is the definition of "goodness" and whether it makes sense to use aversion therapy to stop immoral behaviour. Stanley Kubrick, writing in "Saturday Review", described the film as: Similarly, on the film production's call sheet (cited at greater length above), Kubrick wrote: After aversion therapy, Alex behaves like a good member of society, though not through choice. His goodness is involuntary; he has become the titular clockwork orange — organic on the outside, mechanical on the inside. In the prison, after witnessing the