The Scarlet Pimpernel (musical) betrayed the Marquis de St.-Cyr, his friend, to the revolutionary government ("Wedding Dance"). Heartbroken, Percy is torn between his love for Marguerite and the knowledge of what she has done ("Prayer"). The Blakeneys' marriage grows cold. Percy determines to make amends for his friend's death by saving other innocents from the guillotine. He takes on the identity of the Scarlet Pimpernel and convinces some of his friends (subsequently called "bounders") to join him in his daring rescue attempts; Armand insists on being included ("Into the Fire"). The band pretend to be inane fops, effectively throwing off any suspicions about the
Romantic hero Romantic hero include: Romantic hero The Romantic hero is a literary archetype referring to a character that rejects established norms and conventions, has been rejected by society, and has himself (or herself) as the center of his or her own existence. The Romantic hero is often the protagonist in a literary work, and the primary focus is on the character's thoughts rather than his or her actions. Literary critic Northrop Frye noted that the Romantic hero is often "placed outside the structure of civilization and therefore represents the force of physical nature, amoral or ruthless, yet with a sense of