Agrippina the Elder idealized features. In the phase following Claudius' marriage, her features are made to more closely resemble those of her daughter. The goal was to strengthen Agrippina the Younger's connection with her mother. Finally, the portraits of her dating to the time of Tiberius are still idealized, but not as much as those from the period of Caligula's reign. Images of Agrippina from this period are the most lifelike. Agrippina has been depicted in many works of art. The most notable of which include: Agrippina the Elder Agrippina the Elder (Latin:"Vipsania Agrippina"; Classical Latin: , c. 14 BC – AD 33),
Agrippina the Elder still survives (). Agrippina was fiercely independent, a trait she shared with her mother. Dio described her as having ambitions to match her pedigree. However, Anthony Barrett notes that Agrippina was fully aware that a woman in ancient Rome could not hold power in her own right. Instead, Agrippina followed the model of Livia in promoting the careers of her children. She and her daughter, Agrippina the Younger, are both described as being equally ambitious for their sons. Whereas the elder Agrippina's son failed to become emperor, the younger Agrippina's son, also named Nero, succeeds. In a contrast, Tacitus has