Mary Salome and Zebedee right hand; he is expressively depicted as an elderly man with sunken cheeks, his gaze is fixed on the observer. He is dressed in a buttoned robe. Mary Salome and Zebedee Mary Salome and Zebedee by Tilman Riemenschneider (c.1460–1531) originally formed the right wing of an altarpiece showing the family of the Virgin Mary. The central scene would have shown St Anne seated with her daughter Mary and the Christ Child. Mary Salome was another daughter of St Anne, half sister of the Virgin and wife of Zebedee. Riemenschnieder was one of the most important sculptors in southern Germany in
Salome relationship between Pleasure/Salome and Elijah/Forethinking where one cannot act without properly function without the other Through interactions with Salome, Jung learns of how he neglected the emotional feeling side of his personality and the difficulties of accepting that part of himself that he surpressed. Salomé's story was made the subject of a Symbolist play by Oscar Wilde that was first banned in London in 1892 while rehearsals were underway, and that subsequently premiered in Paris in 1896, under the French name "Salomé". In Wilde's play, Salome takes a perverse fancy for John the Baptist, and causes him to be executed