Marlene Dietrich well as George Bernard Shaw's "Back to Methuselah" and "Misalliance". It was in musicals and revues such as "Broadway", "Es Liegt in der Luft", and "Zwei Krawatten", however, that she attracted the most attention. By the late 1920s, Dietrich was also playing sizable parts on screen, including roles in "Café Elektric" (1927), "I Kiss Your Hand, Madame" (1928), and "The Ship of Lost Souls" (1929). In 1929, Dietrich landed the breakthrough role of Lola Lola, a cabaret singer who caused the downfall of a hitherto respectable schoolmaster (played by Emil Jannings), in the UFA production of "The Blue Angel" (1930),
Marlene Dietrich worked without Sternberg for the first time in three years in the romantic drama "Song of Songs" (1933), playing a naive German peasant, under the direction of Rouben Mamoulian. Dietrich and Sternberg's last two films, "The Scarlet Empress" (1934), and "The Devil Is a Woman" (1935)—the most stylized of their collaborations—were their lowest-grossing films. Dietrich later remarked that she was at her most beautiful in "The Devil Is a Woman". Sternberg is noted for his exceptional skill in lighting and photographing Dietrich to optimum effect. He had a signature use of light and shadow, including the impact of light passed