Big band a considerable range of styles among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel. Count Basie played a relaxed, propulsive swing, Bob Crosby more of a dixieland style, Benny Goodman a hard driving swing, and Duke Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and Artie Shaw, the trombone of Jack Teagarden, the trumpet of Harry James, the drums of Gene Krupa, and the vibes of Lionel Hampton. The popularity of many
Benny Goodman at the Savoy", and "Goody, Goody". Goodman also played three concerts produced by Chicago socialite and jazz aficionado Helen Oakley. These "Rhythm Club" concerts at the Congress Hotel included sets in which Goodman and Krupa sat in with Fletcher Henderson's band, perhaps the first racially integrated big band appearing before a paying audience in the United States. Goodman and Krupa played in a trio with Teddy Wilson on piano. Both combinations were well received, and Wilson remained. In his 1935–1936 radio broadcasts from Chicago, Goodman was introduced as the "Rajah of Rhythm." Slingerland Drum Company had been calling Krupa the