Big band a considerable range of styles among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel. Count Basie played a relaxed, propulsive swing, Bob Crosby more of a dixieland style, Benny Goodman a hard driving swing, and Duke Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and Artie Shaw, the trombone of Jack Teagarden, the trumpet of Harry James, the drums of Gene Krupa, and the vibes of Lionel Hampton. The popularity of many
Benny Goodman I look back, they seem like a life sentence." He was generous and funded several college educations, though always secretly. When a friend asked him why, he said, "Well, if they knew about it, everyone would come to me with their hand out." Goodman helped racial integration in America. In the early 1930s, black and white musicians could not play together in most clubs and concerts. In the Southern states, racial segregation was enforced by Jim Crow laws. Goodman hired Teddy Wilson for his trio and added vibraphonist Lionel Hampton for his quartet. In 1939 he hired guitarist Charlie Christian.