Symphony No. 41 (Mozart) Reportedly, from the very first chords, Mozart's Symphony No. 41, in C Major reminded Cramer of Jupiter and his thunderbolts. The celebrated finale of the symphony is a re-working, albeit a majestic one, of the opening movement of Carl Ditters's symphony in D, "Der Sturz Phaëtons" (The Fall of Phaëton) of 1785. In those days of classical education, members of the Philharmonic Society, of which Salomon was a founding member, will have known that the planet that the ancient Greeks called "Phaët(h)on" is the same planet that the ancient Romans called "Jupiter." Thus the majestic nickname is also a humorous
Symphony No. 5 (Glass) these was the moment that counted. What mattered was that right at the end, with an emphatic conclusion in sight, Mr. Glass drew back, took his music into darker, more chromatic territory, had his choir re-enter in moaning disconsolateness, and only then moved toward his close. Irony is not his strong point, but here it seemed that he was, within his own work, undercutting its preposterous pretensions." Symphony No. 5 (Glass) The Symphony No. 5 "Requiem, Bardo, Nirmanakaya" is a symphony for chorus and orchestra by the American composer Philip Glass. It was commissioned by the Salzburg Festival, Austria and