Symphony No. 1 (Mozart) in the finale of his "Jupiter" symphony, No. 41. The four notes, Do, Re, Fa, Mi, make an appearance in several of Mozart's works, including his Symphony No. 33. This theme is stated by the horns in his first symphony. In his book on the Piano Concertos, Cuthbert Girdlestone pointed out the similarity between the opening of this symphony and that of Mozart’s Piano Concerto No. 22 K482, composed some twenty years later. Symphony No. 1 (Mozart) The Symphony No. 1 in E major, K. 16, was written in 1764 by Wolfgang Amadeus Mozart at the age of eight years.
Symphony No. 5 (Glass) these was the moment that counted. What mattered was that right at the end, with an emphatic conclusion in sight, Mr. Glass drew back, took his music into darker, more chromatic territory, had his choir re-enter in moaning disconsolateness, and only then moved toward his close. Irony is not his strong point, but here it seemed that he was, within his own work, undercutting its preposterous pretensions." Symphony No. 5 (Glass) The Symphony No. 5 "Requiem, Bardo, Nirmanakaya" is a symphony for chorus and orchestra by the American composer Philip Glass. It was commissioned by the Salzburg Festival, Austria and