Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 4 (Dvořák) Symphony No. 4 (Dvořák) The Symphony No. 4 in D minor, Op. 13, B. 41, is a classical composition by Czech composer Antonín Dvořák. Dvořák composed his fourth symphony between January and March 1874. It shows an influence of Wagner in its themes' development, and even in its thematic material, i.e. principal theme of the second movement is a near-quotation from "Tannhauser", or the Trio section of the third movement includes a vivid reminder of a passage from the overture of "Die Meistersinger". The influence of Brahms could also be heard. Both influences will pervade many of his subsequent works.