Morocco (film) agreed to bring the German actress to Hollywood under a two-picture contract, in February 1930. When Dietrich arrived in the United States to begin filming "Morocco" "[she] was subjected to the full power of Paramount's public relations machine" launching her into "international stardom" "before" American moviegoers had seen her as Lola Lola in "The Blue Angel", which appeared in U.S. theatres in 1931. Premiering in New York City on December 6, 1930, "Morocco"s success at the box-office was "immediate and impressive". Accolades for the film were issued by Soviet director Sergei Eisenstein, film critic Robert E. Sherwood and filmmaker Charles
Marlene Dietrich fashion than any other actress. Marlene Dietrich favoured Dior. In an interview with "The Observer" in 1960, she said, "I dress for the image. Not for myself, not for the public, not for fashion, not for men. If I dressed for myself I wouldn't bother at all. Clothes bore me. I'd wear jeans. I adore jeans. I get them in a public store – men's, of course; I can't wear women's trousers. But I dress for the profession." Her public image included openly defying sexual norms, and she was known for her androgynous film roles and her bisexuality. A significant