Fustanella have also influenced the evolution of the fustanella based on statues of Roman emperors wearing knee-length pleated skirts (in colder regions, more folds were added to provide greater warmth). Folklorist Ioanna Papantoniou considers the Celtic kilt, as viewed by the Roman legions, to have served as a prototype. Sir Arthur Evans considered the fustanella of the female peasants (worn over and above the Slavonic apron) living near the modern Bosnian-Montenegrin borders as a preserved Illyrian element among the local Slavic-speaking populations. In the Byzantine Empire, a pleated skirt known as the "podea" (Greek: ποδέα) was worn. The wearer of the
White dress of Marilyn Monroe 1950s and 1960s. The halter-like bodice has a plunging neckline and is made of two pieces of softly pleated fabric that come together behind the neck, leaving the wearer's arms, shoulders and back bare. The halter is attached to a band situated immediately under the breasts. The dress fits closely from there to the natural waistline. A soft and narrow self belt was wrapped around the torso, criss-crossing in front and then tied into a small neat bow at the waist, at the front on the left side. Below the waistband is a softly pleated skirt that reaches to mid-calf