The Scarlet Pimpernel premier of the London production was enthusiastically received by the audience, but critics considered the play 'old-fashioned.' In spite of negative reviews, the play became a popular success, running 122 performances and enjoying numerous revivals. "The Scarlet Pimpernel" became a favourite of London audiences, playing more than 2,000 performances and becoming one of the most popular shows staged in the United Kingdom. The novel "The Scarlet Pimpernel" was published two years after the play opened and was an immediate success. Orczy gained a following of readers in Britain and throughout the world. The popularity of the novel encouraged her to
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the