Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 3 (Glazunov) when Glazunov shared his reminiscences of Tchaikovsky, he said, "He also knew my "Third Symphony", which is dedicated to him. Much in it found his approval and, at his request, I often played the scherzo of the symphony to him on the piano. When I asked him what he would regard as the most significant weakness in my works, he said: 'Some longevities and the lack of pauses.' Later, when Pyotr Ilyich had long departed this world, I always remembered his words, and in my subsequent production I always took pains to pay heed to them." Symphony No. 3 (Glazunov)