Marlene Dietrich well as George Bernard Shaw's "Back to Methuselah" and "Misalliance". It was in musicals and revues such as "Broadway", "Es Liegt in der Luft", and "Zwei Krawatten", however, that she attracted the most attention. By the late 1920s, Dietrich was also playing sizable parts on screen, including roles in "Café Elektric" (1927), "I Kiss Your Hand, Madame" (1928), and "The Ship of Lost Souls" (1929). In 1929, Dietrich landed the breakthrough role of Lola Lola, a cabaret singer who caused the downfall of a hitherto respectable schoolmaster (played by Emil Jannings), in the UFA production of "The Blue Angel" (1930),
Marlene Dietrich filmography films directed by Sternberg, including "Dishonored" (1931), "Blonde Venus" (1932), and "Shanghai Express" (1932). Dietrich and Sternberg's last two film collaborations, "The Scarlet Empress" (1934) and "The Devil Is a Woman" (1935)—the most styled of their collaborations—were their least successful at the box office. Her first sound film without Sternberg was 1933's "The Song of Songs", directed by Rouben Mamoulian, although she and Sternberg would later work together another two times. But without Sternberg, Dietrich—along with Fred Astaire, Joan Crawford, Mae West, Greta Garbo, Katharine Hepburn, Dolores del Río and others—was labeled "box office poison" after the movie "Knight Without