Symphony No. 24 (Haydn) inclusion of an obvious cadential point at the end of the movement. (This is also true of the slow movement of Haydn's Symphony No 13.) In the final movement, Haydn again incorporates the same figure as seen in his Symphony No. 13 and Mozart's "Jupiter" Symphony No. 41. Symphony No. 24 (Haydn) Joseph Haydn wrote Symphony No. 24 in D major, Hoboken I/24, in 1764. The work is scored for flute, two oboes, bassoon, two horns, and strings with continuo. The work is in four movements: The second movement very likely derives from the Adagio movement of a now lost
Symphony No. 2 (Lutosławski) (1959–1964), he began designating pieces "farewell to the orchestra". These ideas led Lutosławski to look ahead to a time when the orchestra would be replaced by an ensemble that could produce what he already heard in his head. Symphony No. 2 (Lutosławski) The Symphony No. 2 by the Polish composer Witold Lutosławski is an orchestral composition in two movements written between 1965 and 1967. The work exhibits Lutosławski's technique of "limited aleatoricism", where the individual instrumental parts are notated exactly, but their precise co-ordination is organised using controlled elements of chance. Lutosławski wrote his Symphony No. 2 between 1965 and