Foolishness for Christ appears several times in the novels of Dostoevsky. "The Idiot" explores the ramifications of placing a holy fool (the compassionate and insightful epileptic Prince Myshkin) in a secular world dominated by vanity and desire. According to Joseph Frank "though the gentlemanly and well-educated prince bears no external resemblance to these eccentric figures, he does possess their traditional gift of spiritual insight, which operates instinctively, below any level of conscious awareness or doctrinal commitment." In "Demons", the madwoman Marya Lebyadkina displays many of the attributes of the holy fool, as do the characters of Sofya Marmeladova and Lizaveta in "Crime and
Prince Myshkin dramatic convergence of multiple independent voices and perspectives rather than simply being a monological recounting of the event by a narrator. Dostoevsky makes Prince Myshkin a character whose voice is capable of "actively and confidently interfering in the interior dialogue of the other person." He is thus significant not merely to the plot, but to the very consciousness of the individual characters. His insight, compassion, sincerity, candour, disinclination to judge and lack of normal social egoism awaken a responsive consciousness in most of the people with whom he engages, and serve to disrupt the habitual flow of their self-centred thoughts