Symphony No. 41 (Mozart) fourth movement. But there are fugal sections throughout the movement either by developing one specific theme or by combining two or more themes together, as seen in the interplay between the woodwinds. The main theme consists of four notes: Four additional themes are heard in the "Jupiter's" finale, which is in sonata form, and all five motifs are combined in the fugal coda. In an article about the Jupiter Symphony, Sir George Grove wrote that "it is for the finale that Mozart has reserved all the resources of his science, and all the power, which no one seems to have
Symphony No. 37 (Mozart) Symphony No. 37 (Mozart) The so-called Symphony No. 37 in G major, K. 444/425a, is an introduction by Wolfgang Amadeus Mozart to a symphony in G by Michael Haydn. The complete symphony was for a long time believed to be a work by Mozart, but is now known to have actually been mostly written by Michael Haydn, being his Symphony No. 25 in G major, Perger 16, Sherman 25, MH 334. The true authorship was discovered by Lothar Perger in 1907. Modern commentators find it "difficult to comprehend how the editors of the Breitkopf edition of Mozart could have considered