Mariachi other music into their repertoires, including waltzes and polkas. It also required them to play in public venues. From the late 19th century to the 1930s, Mariachi groups were semi-professional. In the early 20th century, U.S., record companies began actively recording rural music in other parts of the world. One of these as a recording called Cuarteto Coculense by Columbia, Edison and Victor in 1908 and 1909, recognized as the “first” mariachi recordings. The music also gained attention in Mexico City when a wealthy hacienda family brought an early Mariachi from Cocula to play for President Porfirio Díaz in 1905.
Mariachi rajes!" and "¡Así se quiere en Jalisco!" The main characters used his ability to sing mariachi as a way to show strength, virility, and aesthetic beauty. Its use in film also made the music popular and a symbol of ethnic pride for Mexican Americans in the United States. Its use in film also promoted a negative perception of mariachi music. The films associated the charros and mariachi music with machismo, womanizing and drinking, especially of tequila. The reason that the movies did this was that mariachi music was associated with bars and the lower classes in a number of segments