Symphony No. 41 (Mozart) Reportedly, from the very first chords, Mozart's Symphony No. 41, in C Major reminded Cramer of Jupiter and his thunderbolts. The celebrated finale of the symphony is a re-working, albeit a majestic one, of the opening movement of Carl Ditters's symphony in D, "Der Sturz Phaëtons" (The Fall of Phaëton) of 1785. In those days of classical education, members of the Philharmonic Society, of which Salomon was a founding member, will have known that the planet that the ancient Greeks called "Phaët(h)on" is the same planet that the ancient Romans called "Jupiter." Thus the majestic nickname is also a humorous
Symphony No. 6 (Mahler) of No. 6. Both Alban Berg and Anton Webern praised the work when they first heard it. Berg expressed his opinion of the stature of this symphony in a 1908 letter to Webern: The symphony is scored for large orchestra, consisting of the following: The status of the symphony's nickname is problematic. Mahler did not title the symphony when he composed it, or at its first performance or first publication. When he allowed Richard Specht to analyse the work and Alexander von Zemlinsky to arrange the symphony, he did not authorize any sort of nickname for the symphony. He had,