The Warped Ones films whose outlook made way for the Japanese pink film. In the film Tim Lucas noted antecedents and a possible influence to "the most hellbent characters" in the films of acclaimed director Quentin Tarantino's films and specifically to Stanley Kubrick's iconic "A Clockwork Orange" (1971). Lucas drew comparisons between "The Warped Ones"<nowiki>'</nowiki> main character Akira and "A Clockwork Orange"<nowiki>'</nowiki>s Alex DeLarge, including their respective obsessions with hard jazz and the music of Ludwig van Beethoven, the former with a framed copy of Ornette Coleman's album "The Shape of Jazz to Come" next to his bed, the latter an engraving of
The Clockwork Testament, or Enderby's End tries to impress on them that poetry arises from craftsmanlike effort, not emotional self-indulgence. The students, however, just look at him pityingly and ask him when he plans to leave. As the title suggests, "The Clockwork Testament" also gives the author a chance to explore his own bemusement over Stanley Kubrick's film adaptation of "A Clockwork Orange": Burgess came to hate the film that made him famous. This autobiographical element is most apparent in the talk show scene, where Enderby's fellow guests (an actress and a psychologist) attack the poet for his involvement in a film version of "The Wreck