The Carnival of the Animals conclusion of the verse for the "Fossils", for example, fits perfectly with the punchline-like first bar of the music: In 2014 the English contemporary music organisation New Music in the South West (NMSW) commissioned a set of responses to the 14 movements of "Carnival of the Animals". The pieces, collectively known as "A Modern Menagerie", were premièred by the Bristol Ensemble on 7 September 2014 at St. George’s, Bristol. The programme consisted of the original Saint-Saëns movements interleaved with the contemporary responses under the title "Carnival of the Animals" meets "A Modern Menagerie". A number of the composers have taught
Russian classical music traditions of opera and classical music in general, to inspire future generations of Russian composers. A number of composers received training in Italy or from these recent Italian emigres and composed vocal and instrumental works in the Italian Classical tradition popular in the day. These include ethnic Ukrainian composers Dmitri Bortniansky, Maksim Berezovsky and Artem Vedel who not only composed masterpieces of choral music but also included operas, chambers works and symphonic works. The first great Russian composer to exploit native Russian music traditions into the realm of Secular music was Mikhail Glinka (1804–1857), who composed the early Russian language