Foolishness for Christ appears several times in the novels of Dostoevsky. "The Idiot" explores the ramifications of placing a holy fool (the compassionate and insightful epileptic Prince Myshkin) in a secular world dominated by vanity and desire. According to Joseph Frank "though the gentlemanly and well-educated prince bears no external resemblance to these eccentric figures, he does possess their traditional gift of spiritual insight, which operates instinctively, below any level of conscious awareness or doctrinal commitment." In "Demons", the madwoman Marya Lebyadkina displays many of the attributes of the holy fool, as do the characters of Sofya Marmeladova and Lizaveta in "Crime and
The Idiot Myshkin: their circumstances force them to address the same metaphysical questions, but their responses are diametrically opposed. "(For further discussion of the major characters see the article Prince Myshkin.)" A dialogue between the intimately related themes of Atheism and Christian faith (meaning, for Dostoevsky, Russian Orthodoxy) pervades the entire novel. Dostoevsky's personal image of Christian faith, formed prior to his philosophical engagement with Orthodoxy but never abandoned, was one that emphasized the human need for belief in the immortality of the soul, and identified Christ with ideals of "beauty, truth, brotherhood and Russia". The character of Prince Myshkin was originally