The Wreckers (opera) her friend Mary Dodge. Describing the opera in the "New Grove Dictionary", Stephen Banfield notes "Its greatest strength is in its dramatic strategy, strikingly prophetic of (Britten's) "Peter Grimes" in details such as the offstage church service set against the foreground confrontation in Act 1." However, Amanda Holden makes the point that, musically, Smyth is "no Wagnerite, she makes use of his motivic technique, while the texture, orchestration, and even some of the music's dramatic density, show knowledge of the works of Richard Strauss ... but it also slips too readily into operatic convention." Old tales of Cornish villages where,
Peter Cornelius (opera singer) as a guest artist with major opera houses throughout Europe. Peter Cornelius (opera singer) Peter Cornelius (4 January 1865 – 30 December 1934) was a Danish opera singer. Born in 1865, Cornelius made his professional opera debut at the Royal Danish Theatre in 1892 as baritone in the role of Escamillo in Georges Bizet's "Carmen". He was a member of that theatre until his retirement from the stage in 1922. In 1899, he began performing tenor roles while still performing many roles from the baritone repertoire. After 1902 he was heard frequently in the leading Wagnerian heldentenor parts such as