The Scarlet Pimpernel (1982 film) interested in saving the Dauphin—to smuggle the boy out of France the following night. Later, Percy agrees to personally bring Chauvelin to the Dauphin. Chauvelin and Percy, along with Marguerite and Armand who are hostages, arrive at the castle, but the Dauphin has already been removed. Angered by the deception, Chauvelin orders Percy's execution, but the firing squad consists of members of the league of the Scarlet Pimpernel, disguised as Chauvelin's troops. Percy is rescued and returns to duel with Chauvelin, and is victorious. Percy decides to leave Chauvelin's fate to Robespierre. Impersonating Chauvelin to ensure their escape, Armand departs
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the