Bach cantata her company in staged productions, "The Peasant Cantata" and "The Coffee Cantata". In 1931 a recording was made of a performance of , in Barcelona. The number of performances and recordings increased in the decades after the Second World War. In the early 1950s Fritz Lehmann recorded several cantatas with the Berliner Motettenchor and the Berlin Philharmonic. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester. Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the
Cantata The vocal forces consisted of a 4-part choir and soloists. Bach also wrote some cantatas for only one solo singer (ex. BWV 51). The term "cantata" came to be applied almost exclusively to choral works, as distinguished from solo vocal music. In early 19th-century cantatas the chorus is the vehicle for music more lyric and songlike than in oratorio, not excluding the possibility of a brilliant climax in a fugue as in Ludwig van Beethoven's "Der glorreiche Augenblick", Carl Maria von Weber's "Jubel-Kantate", and Felix Mendelssohn's "Die erste Walpurgisnacht". Anton Bruckner composed several Name-day cantatas, a Festive Cantata and two