The Scarlet Pimpernel (musical) of Michelon, having no idea that Chauvelin is on their trail. On the way, Marguerite learns her husband's secret identity. At Michelon, Marguerite and Armand discover that a guillotine has been erected at the harbour. Chauvelin and his soldiers arrive, and when Marguerite desperately calls for Percy to run, Chauvelin finally begins to suspect who his adversary truly is. Grappin turns up and informs Chauvelin that the Pimpernel—who Grappin confirms is Sir Percy Blakeney—is heading for Calais. Chauvelin sends some of his men off to intercept the Pimpernel but still keeps soldiers to assist him. When Percy "accidentally" lets his
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the