Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 3 (Szymanowski) Symphony No. 3 (Szymanowski) Symphony No. 3 Op. 27 (a.k.a. "The Song of the Night") is a symphony composed by Karol Szymanowski during the period 1914 - 1916 after a period spent travelling in Eastern Europe. The symphony is considered to be one of Szymanowski's finest works. The symphony is a musical setting of a poem by the 13th-century Persian mystic Jalal ud-Din Rumi translated by Polish poet and friend of composer Tadeusz Miciński, supposed to celebrate the exceptional beauty of the Eastern night. A typical performance of the symphony lasts about 25 minutes. The symphony is influenced by Richard