Symphony No. 1 (Mozart) in the finale of his "Jupiter" symphony, No. 41. The four notes, Do, Re, Fa, Mi, make an appearance in several of Mozart's works, including his Symphony No. 33. This theme is stated by the horns in his first symphony. In his book on the Piano Concertos, Cuthbert Girdlestone pointed out the similarity between the opening of this symphony and that of Mozart’s Piano Concerto No. 22 K482, composed some twenty years later. Symphony No. 1 (Mozart) The Symphony No. 1 in E major, K. 16, was written in 1764 by Wolfgang Amadeus Mozart at the age of eight years.
Symphony No. 37 (Mozart) Symphony No. 37 (Mozart) The so-called Symphony No. 37 in G major, K. 444/425a, is an introduction by Wolfgang Amadeus Mozart to a symphony in G by Michael Haydn. The complete symphony was for a long time believed to be a work by Mozart, but is now known to have actually been mostly written by Michael Haydn, being his Symphony No. 25 in G major, Perger 16, Sherman 25, MH 334. The true authorship was discovered by Lothar Perger in 1907. Modern commentators find it "difficult to comprehend how the editors of the Breitkopf edition of Mozart could have considered