Hey Jude climaxes with one of pop's most legendary hooks." Julian Lennon discovered that "Hey Jude" had been written for him almost 20 years after McCartney composed the song. He recalled of his and McCartney's relationship: "Paul and I used to hang about quite a bit – more than Dad and I did. We had a great friendship going and there seems to be far more pictures of me and Paul playing together at that age than there are pictures of me and my dad." In 1996, Julian paid £25,000 for the recording notes to "Hey Jude" at an auction. He spent
Hey Jude video, with a different introduction and vocal, from the same date. Upon the single's release, Derek Johnson of the "NME" wrote: "The intriguing features of 'Hey Jude' are its extreme length and the 40-piece orchestral accompaniment – and personally I would have preferred it without either!" While he viewed the track overall as "a beautiful, compelling song", and the first three minutes as "absolutely sensational", Johnson rued the long coda's "vocal improvisations on the basically repetitive four-bar chorus". "Time" magazine described the coda as "a fadeout that engagingly spoofs the fadeout as a gimmick for ending pop records". The same