Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 9 (Shostakovich) is shorter.) The symphony is a playful and vivid musical work, with a neoclassical air that has led to comparisons to Haydn's symphonies and to Prokofiev's Classical Symphony. Shostakovich himself considered it "a joyful little piece". Symphony No. 9 (Shostakovich) Symphony No. 9 in E-flat major, Op. 70, was composed by Dmitri Shostakovich in 1945. It was premiered on 3 November 1945 in Leningrad by the Leningrad Philharmonic Orchestra under Yevgeny Mravinsky. The ninth symphony was originally intended to be a celebration of the Soviet victory over Nazi Germany in World War II (see Eastern Front). The composer declared in