Bastet provides written evidence for this. The inscription suggests that the king (Amenhotep III) was personally present at the event and had great offerings made to the deity. Bastet first appears in the third millennium BC, where she is depicted as either a fierce lioness or a woman with the head of a lioness. Then some time during the Third Intermediate Period of Egypt (c. 1070–712 BC), Bastet was changed into a cat goddess, and was depicted as a domestic cat or a cat-headed woman from that point onward. Scribes of the New Kingdom and later eras began referring to her
Dancing on the Head of the Serpent on two CDs. The general lyrical theme of the album is "war against Satan", but songs such as "Still" focus on forgiveness and restoration. The record sleeve, painted by Rolf Jansson of Norway, depicts the leg of a person wearing jeans and boots—the standard attire among rockers—jumping on the head of a "demonic creature". This radical image proved too shocking for Swedish Christians and was banned by some resellers. Dancing on the Head of the Serpent Dancing on the Head of the Serpent is the fifth studio album, and the sixth album overall, by the Swedish hard rock band Jerusalem.