Symphony No. 41 (Mozart) fourth movement. But there are fugal sections throughout the movement either by developing one specific theme or by combining two or more themes together, as seen in the interplay between the woodwinds. The main theme consists of four notes: Four additional themes are heard in the "Jupiter's" finale, which is in sonata form, and all five motifs are combined in the fugal coda. In an article about the Jupiter Symphony, Sir George Grove wrote that "it is for the finale that Mozart has reserved all the resources of his science, and all the power, which no one seems to have
Symphony No. 2 (Schnittke) a particular chorale but more often is "rather free and extensive" in style. "Yet musically almost all these sections blend the choral [sic] tune and subsequent extensive orchestral 'commentary.'" The work becomes what Schnittke called an "Invisible Mass," something Alexander Ivashkin termed "a symphony against a chorale backdrop." Symphony No. 2 (Schnittke) Russian composer Alfred Schnittke wrote his Symphony No. 2, subtitled "St. Florian" and "Invisible Mass" in 1979. It is a choral symphony, written for contralto, countertenor, tenor and bass, plus chorus and orchestra. The symphony was written in homage to 19th century Austrian composer and organist Anton Bruckner,