A Clockwork Orange: Wendy Carlos's Complete Original Score Carlos in terms of total contribution to the film, but there remained the opportunity to present the music in a separate album, which led to this collection. The record label did not attempt to use images from the movie on the album cover. The image chosen was a surrealistic collage of objects and images representing ideas in the film by visual artist Karenlee Grant. These included a rifle, an image of Beethoven inside the numeral "9", various mechanical images including a clockwork mechanism superimposed on a sliced orange, dancers representing the classical themes, and so on. This again was not
A Clockwork Orange (film) 1971, making "A Clockwork Orange" the quickest film shoot in his career. Technically, to achieve and convey the fantastic, dream-like quality of the story, he filmed with extreme wide-angle lenses such as the Kinoptik Tegea 9.8mm for 35mm Arriflex cameras, and used fast- and slow motion to convey the mechanical nature of its bedroom sex scene or stylise the violence in a manner similar to Toshio Matsumoto's "Funeral Parade of Roses" (1969). The society depicted in the film was perceived by some as Communist (as Michel Ciment pointed out in an interview with Kubrick) due to its slight ties to