Leda and the Swan (Peter Paul Rubens) either Zeus or Tyndareus, each man is said to be the father of all four children. Castor and Pollux were called the Dioscuri meaning “Zeus’s sons,” even though Castor was mortal because he was the son of Tyndareus and Pollux was immortal because he was the son of Zeus. According to Hermes in Lucians’ "The Dialogues of the Dead", Leda and her daughter (Helen of Troy) are the only women worthy of the title “beauties of old.” Rubens’s depictions of Leda clearly embody the phrase. With Leda’s curvy figure, alabaster skin, and golden hair, she is a sight to behold.
Castor and Pollux (Prado) other, and to their left on an altar is a small female figure, usually interpreted as a statue of a female divinity. She holds a sphere, variously interpreted as an egg or pomegranate. The group is 161 cm high and is now accepted as portraying Castor and Pollux. The lefthand figure was originally headless but was restored in the 17th century, the heyday of interpretive restorations, by Ippolito Buzzi, when the sculpture was in the collection of Cardinal Ludovico Ludovisi, using a Hadrianic-era (ca. 130) bust of Antinous of the Apollo-Antinous type from another statue. The identification of the figures