Symphony No. 41 (Mozart) fourth movement. But there are fugal sections throughout the movement either by developing one specific theme or by combining two or more themes together, as seen in the interplay between the woodwinds. The main theme consists of four notes: Four additional themes are heard in the "Jupiter's" finale, which is in sonata form, and all five motifs are combined in the fugal coda. In an article about the Jupiter Symphony, Sir George Grove wrote that "it is for the finale that Mozart has reserved all the resources of his science, and all the power, which no one seems to have
Symphony No. 7 (Sibelius) 1", a "symphonic fantasy". The composer was apparently undecided on what name to give the piece, and only granted it status as a symphony after some deliberation. For its publication on 25 February 1925, the score was titled "Symphony No. 7 (in one movement)". The concept of a continuous, single-movement symphony was one Sibelius only reached after a long process of experimentation. His Symphony No. 3, dating from 1907, contained three movements, an earlier fourth movement having been fused into the third. The final result was successful enough for Sibelius to use the same idea in his Symphony No. 5,