El Mariachi rights. Columbia eventually spent $200,000 to transfer the print to film, to remix the sound, and on other post-production work. It then spent millions more on marketing and distribution. The success of Rodriguez's directorial debut led him to create two further entries, "Desperado" (1995) and "Once Upon a Time in Mexico" (2003). For the two sequels, Antonio Banderas took over from Carlos Gallardo for the main character El Mariachi, though Gallardo co-produced both films and had a minor role in "Desperado". In 2011, "El Mariachi" was inducted into the Library of Congress to be preserved as part of its National
Mariachi rajes!" and "¡Así se quiere en Jalisco!" The main characters used his ability to sing mariachi as a way to show strength, virility, and aesthetic beauty. Its use in film also made the music popular and a symbol of ethnic pride for Mexican Americans in the United States. Its use in film also promoted a negative perception of mariachi music. The films associated the charros and mariachi music with machismo, womanizing and drinking, especially of tequila. The reason that the movies did this was that mariachi music was associated with bars and the lower classes in a number of segments