Symphony No. 41 (Mozart) below, the Symphony garnered approbation from critics, theorists, composers and biographers and came to be viewed as a canonized masterwork, known for its fugue and its overall structure which exuded clarity. The first known recording of the Jupiter Symphony is from 1913, at the dawn of the recording era, making it one of the very first symphonies to be recorded using the earliest recording technology. The 1913 Jupiter Symphony recording lists Victor Concert Orchestra as the performers conducted by Walter B. Rogers. Symphony No. 41 (Mozart) Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on
Symphony No. 3 (Haydn) later write a similar canon in the minuet of his twenty-third symphony and similar canons would be later be written into G major minuets by Michael Haydn and Mozart. Later still, Haydn himself would develop this technique into the "Canones in Diapason" of the minuet of his Trauer Symphony and the "Witches' Minuet" of his D minor string quartet from Op. 76. The Finale is also contrapuntal. It is a fugue with two subjects that also integrates elements of sonata form. Symphony No. 3 (Haydn) Joseph Haydn's Symphony No. 3 in G major, Hoboken I/3, is believed to have been