Mariachi Jalisco, especially in a region called Los Altos. After the Revolution, the charreada became a national sport in Mexico and rings were constructed specifically for them, followed by professional charro associations. With the breakup of the large haciendas, charros were no longer economically necessary but were used as a cultural ideal, especially by the film industry in the mid-20th century. The first charro movies date from the 1920s, but the first to sing mariachi was Tito Guízar in "Allá en el Rancho Grande" in 1936. The character was played by Jorge Negrete in films such as "¡Ay, Jalisco... no te
El Mariachi him free. Meanwhile, Azul, who has no directions to Moco's home, takes Dominó with him and orders her to take him to Moco's, or Moco will kill the mariachi. Dominó agrees in order to save the Mariachi's life. When they arrive at Moco's gated compound, Azul pretends to take Dominó hostage in order to gain entry. Moco soon realizes that Dominó has fallen for the Mariachi and, in a rage, shoots both her and Azul. Suddenly, the Mariachi arrives to find the woman he loves gunned down. Moco then shoots the Mariachi's left hand, rendering him useless as a guitar