Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Solo Flight: The Genius of Charlie Christian Goodman and His Sextet featuring Count Basie): Tracks 5-7, Side 3 recorded in New York 19 Dec 1940. Personnel (Benny Goodman and His Sextet): Tracks 1-3, Side 4 recorded in New York 15 Jan 1941. Personnel (Benny Goodman and His Sextet featuring Count Basie): Track 4, Side 4 recorded in New York, 4 Mar 1941. Personnel (Benny Goodman and His Orchestra): Tracks 5 & 6, Side 4 recorded in New York, 13 Mar 1941 during warm-up sessions while members of the Benny Goodman Sextet waited for their tardy leader. Columbia Records' practice at the time was to record all takes,