The Scarlet Pimpernel (1982 film) though he admits he will love her until the day he dies. Soon after, Chauvelin discovers that Armand is in league with the Scarlet Pimpernel, and summons him back to Paris. Blackmailing Marguerite by threatening her brother's life, Chauvelin coerces her into discovering the vigilante's identity. After finding that the Scarlet Pimpernel is to rendezvous at midnight, Marguerite tells Chauvelin. However, she immediately warns the Scarlet Pimpernel—actually her husband, unbeknownst to her—and adds that Chauvelin betrayed her trust and faked her signature. Percy's faith in his wife is restored. Having been thwarted from encountering them, Chauvelin angrily leaves for Paris.
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the