Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Goodman Buddy Greco, Zoot Sims, and Wardell Gray. He consulted his friend Mary Lou Williams for advice on how to approach the music of Dizzy Gillespie and Charlie Parker. Pianist Mel Powell was also an adviser in 1945. Goodman enjoyed bebop. When he heard Thelonious Monk, he said, "I like it, I like that very much. I like the piece and I like the way he played it...I think he's got a sense of humor and he's got some good things there." He also admired Swedish clarinetist Stan Hasselgard. But after playing with a bebop band for over a year, he