Foolishness for Christ appears several times in the novels of Dostoevsky. "The Idiot" explores the ramifications of placing a holy fool (the compassionate and insightful epileptic Prince Myshkin) in a secular world dominated by vanity and desire. According to Joseph Frank "though the gentlemanly and well-educated prince bears no external resemblance to these eccentric figures, he does possess their traditional gift of spiritual insight, which operates instinctively, below any level of conscious awareness or doctrinal commitment." In "Demons", the madwoman Marya Lebyadkina displays many of the attributes of the holy fool, as do the characters of Sofya Marmeladova and Lizaveta in "Crime and
The Idiot behaviour is inexplicable to him. According to Frank, "this limitation of the narrator is part of Dostoevsky's effort to present Myshkin's behaviour as transcending "all" the categories of worldly moral-social experience." For Bakhtin the narrator's voice is another participant, albeit of a special kind, in the great dialogue that constitutes the Dostoevsky novel. All voices, all ideas, once they enter the world of the novel, take on an imaginary form that positions them in dialogical relationship with the other voices and ideas. In this sense, even the author's own ideological positions, when they are expressed through the narrator, or Myshkin,