Bass clarinet and a bass clarinet solo by Omer Simeon can be heard in the 1926 recording "Someday Sweetheart" by Jelly Roll Morton and His Red Hot Peppers. Additionally, Benny Goodman recorded with the instrument a few times early in his career. Harry Carney, Duke Ellington's baritone saxophonist for 47 years, played bass clarinet in some of Ellington's arrangements, first recording with it on "Saddest Tale" in 1934. He was featured soloist on many Ellington recordings, including 27 titles on bass clarinet. The first jazz album on which the leader solely played bass clarinet was "Great Ideas of Western Mann" (1957) by
Benny Goodman reports spread word of the exciting music and enthusiastic dancing. The Palomar engagement was such a marked success that it is often described as the beginning of the swing era. According to Donald Clarke, "It is clear in retrospect that the Swing Era had been waiting to happen, but it was Goodman and his band that touched it off." The reception of American swing was less enthusastic in Europe. British author J. C. Squire filed a complaint with BBC radio and to demand it stop playing Goodman's music, which he called "an awful series of jungle noises which can hearten