The Blue Angel (1959 film) The Blue Angel (1959 film) The Blue Angel is a 1959 American drama film in CinemaScope directed by Edward Dmytryk. The film is a remake of Josef von Sternberg's 1930 film "The Blue Angel" about cabaret singer Lola-Lola (Marlene Dietrich) and the troubled, aged Professor Rath (Emil Jannings), who falls for her much to his own detriment. Professor Immanuel Rath (Curt Jurgens) is shocked to discover a number of his students have been frequenting a nightspot called the Blue Angel, where a scandalous entertainer named Lola (May Britt) performs. Rath attends the show one night in order to catch some
Morocco (film) is part of the “dream décor” that abandoned “documentary certification” to create “a world of illusions.” As Sarris points out, “The complaint that a woman in high heels would not walk off into the desert is nonetheless meaningless. A dream does not require endurance, only the will to act.” Film historian Charles Silver considers the final scene as one that "no artist today would dare attempt": Citations Morocco (film) Morocco is a 1930 American Pre-Code romantic drama film directed by Josef von Sternberg and starring Gary Cooper, Marlene Dietrich, and Adolphe Menjou. Based on the novel "Amy Jolly" by Benno