The Body of the Dead Christ in the Tomb by the work. In 1867, his wife had to drag him away from the panel lest its grip on him induce an epileptic fit. Dostoevsky saw in Holbein an impulse similar to one of his own main literary preoccupations: the pious desire to confront Christian faith with everything that negated it, in this case the laws of nature and the stark reality of death. In his 1869 novel "The Idiot", the character Prince Myshkin, having viewed a copy of the painting in the home of Rogozhin, declares that it has the power to make the viewer lose his faith. The
The Idiot behaviour is inexplicable to him. According to Frank, "this limitation of the narrator is part of Dostoevsky's effort to present Myshkin's behaviour as transcending "all" the categories of worldly moral-social experience." For Bakhtin the narrator's voice is another participant, albeit of a special kind, in the great dialogue that constitutes the Dostoevsky novel. All voices, all ideas, once they enter the world of the novel, take on an imaginary form that positions them in dialogical relationship with the other voices and ideas. In this sense, even the author's own ideological positions, when they are expressed through the narrator, or Myshkin,