Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Williams saw him was in the late 60s just before Kenny Baker returned to the band, Benny was playing fiddle with his right hand bandaged where he had got it caught in the fan on the bus the day before. His main instrument was fiddle but could play banjo, bass and guitar as well... Benny was a quiet and unassuming man and preferred to be the sideman and made many a country entertainer's song sound right." An album titled "Legend of Bill Monroe and More Bluegrass" was engineered By Bernard Rousseau of the Harriman Sound Lab and made available through Scott