Benny Goodman even to use new fingering techniques. He had his old finger calluses removed and started to learn how to play his clarinet again—almost from scratch." Goodman commissioned compositions for clarinet and chamber ensembles or orchestra that have become standard pieces of classical repertoire. He premiered works by composers, such as "Contrasts" by Béla Bartók; "Clarinet Concerto No. 2, Op. 115" by Malcolm Arnold; "Derivations for Clarinet and Band" by Morton Gould; "Sonata for Clarinet and Piano" by Francis Poulenc, and "Clarinet Concerto" by Aaron Copland. "Prelude, Fugue, and Riffs" by Leonard Bernstein was commissioned for Woody Herman's big band, but
Benny Goodman overwhelming reception in Oakland had been a fluke. The next night, August 21, 1935, at the Palomar Ballroom in Los Angeles, Goodman and his band began a three-week engagement. On top of the "Let's Dance" airplay, Al Jarvis had been playing Goodman's records on KFWB radio. Goodman started the evening with stock arrangements, but after an indifferent response, he began the second set with arrangements by Fletcher Henderson and Spud Murphy. According to Willard Alexander, the band's booking agent, Krupa said, "If we're gonna die, Benny, let's die playing our own thing." The crowd broke into cheers and applause. News