Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Goodman produced by Albert Marx as a special gift for his wife, Helen Ward, and a second set for Benny. He contracted Artists Recording Studio to make two sets. Artists Recording only had two turntables so they farmed out the second set to Raymond Scott's recording studio...It was Benny's sister-in-law who found the recordings in Benny's apartment [in 1950] and brought them to Benny's attention. Goodman took the discovered recording to Columbia, and a selection was issued on LP as "The Famous 1938 Carnegie Hall Jazz Concert". Pianist and arranger Mary Lou Williams suggested to Hammond that he see guitarist Charlie