Symphony No. 41 (Mozart) below, the Symphony garnered approbation from critics, theorists, composers and biographers and came to be viewed as a canonized masterwork, known for its fugue and its overall structure which exuded clarity. The first known recording of the Jupiter Symphony is from 1913, at the dawn of the recording era, making it one of the very first symphonies to be recorded using the earliest recording technology. The 1913 Jupiter Symphony recording lists Victor Concert Orchestra as the performers conducted by Walter B. Rogers. Symphony No. 41 (Mozart) Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on
Symphony No. 41 (Mozart) Later, he used it in the Credo of an early "Missa Brevis" in F major, the first movement of his Symphony No. 33 and trio of the minuet of this symphony. Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39,