Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Kalama Kainapau, Alvin Isaacs Sr and Tommy Castro. In between his participation with the McDiarmid band, Benny played with the Wally Lavque's band, also at the Royal Hawaiian Hotel. He toured the mainland with the Royal Hawaiian Serenaders, appearing in movies and on recordings. Benny Kalama was with Andy Bright's band the years 1952–1955 at the Moana Hotel in Waikiki. In 1955, he began working with Alfred Apaka in Las Vegas, followed by 15 years with Henry Kaiser's Hawaiian Village. Kalama's arrangements are credited with helping Apaka's success. On radio, Kalama was a director and arranger on KGU's "Voice of Hawaii"