Morocco (film) agreed to bring the German actress to Hollywood under a two-picture contract, in February 1930. When Dietrich arrived in the United States to begin filming "Morocco" "[she] was subjected to the full power of Paramount's public relations machine" launching her into "international stardom" "before" American moviegoers had seen her as Lola Lola in "The Blue Angel", which appeared in U.S. theatres in 1931. Premiering in New York City on December 6, 1930, "Morocco"s success at the box-office was "immediate and impressive". Accolades for the film were issued by Soviet director Sergei Eisenstein, film critic Robert E. Sherwood and filmmaker Charles
Marlene Dietrich audience's sentimentality) Marlene Dietrich adds a third—the mysterious force of her belief in her own magic. Those who find themselves unable to share this belief tend to blame themselves rather than her." Her use of body-sculpting undergarments, nonsurgical temporary facelifts (tape), expert makeup and wigs, combined with careful stage lighting, helped to preserve Dietrich's glamorous image as she grew older. Dietrich's return to West Germany in 1960 for a concert tour was met with mixed reception— despite a consistently negative press, vociferous protest by chauvinistic Germans who felt she had betrayed her homeland, and two bomb threats, her performance attracted