Rebecca (1940 film) not revealed at all. The only thing we know about her is that she came to Manderley when Rebecca was a bride. The Breen Office, Hollywood's censorship board, specifically prohibited any outright hint of a lesbian infatuation or relationship between Mrs. Danvers and Rebecca, though the film clearly does dwell on Danvers' obsessive memories of her late mistress. "The Hollywood Reporter" reported in 1944 that Edwina Levin MacDonald sued Selznick, Daphne du Maurier, United Artists and Doubleday for plagiarism. MacDonald claimed that the film "Rebecca" was stolen from her novel "Blind Windows", and sought an undisclosed amount of accounting and
Rebecca (novel) According to the sketch, producer Selznick initially insisted, against director Hitchcock's instructions, that the film contain "a dame called Rebecca." The movie consists of Maxim bringing Rebecca to a Manderley whose master, his servants, and guests constantly remind the first wife of her inferiority to an as-yet-undetermined "second Mrs de Winter". Du Maurier herself adapted "Rebecca" as a stage play in 1939; it had a successful London run in 1940 of over 350 performances. The Talking Books for the blind edition read by Barbara Caruso borrows heavily from this stage adaptation which differs materially from the novel in many respects