Agrippina the Elder idealized features. In the phase following Claudius' marriage, her features are made to more closely resemble those of her daughter. The goal was to strengthen Agrippina the Younger's connection with her mother. Finally, the portraits of her dating to the time of Tiberius are still idealized, but not as much as those from the period of Caligula's reign. Images of Agrippina from this period are the most lifelike. Agrippina has been depicted in many works of art. The most notable of which include: Agrippina the Elder Agrippina the Elder (Latin:"Vipsania Agrippina"; Classical Latin: , c. 14 BC – AD 33),
Agrippina the Elder Agrippina the Elder merely standing on a bridge waving the soldiers passing by, whereas her daughter eclipses her by presiding over a military tribunal and accepting gifts from foreign ambassadors. Tacitus also records serious tension between Agrippina and Livia. He describes Livia as having visited "stepmotherly provocations" on Agrippina. He says of Agrippina: "were it not that through her moral integrity and love for her husband she converted an otherwise ungovernable temper to the good" (Tacitus, "Annals" 1.33). Despite being sympathetic to her as a victim of imperial oppression, he uses expressions like "excitable", "arrogant", "proud", "fierce", "obstinate", and "ambitious"