Mariachi other music into their repertoires, including waltzes and polkas. It also required them to play in public venues. From the late 19th century to the 1930s, Mariachi groups were semi-professional. In the early 20th century, U.S., record companies began actively recording rural music in other parts of the world. One of these as a recording called Cuarteto Coculense by Columbia, Edison and Victor in 1908 and 1909, recognized as the “first” mariachi recordings. The music also gained attention in Mexico City when a wealthy hacienda family brought an early Mariachi from Cocula to play for President Porfirio Díaz in 1905.
La Hija del Mariachi the memory of her father. He was a mariachi singer, bohemian and passionate, and an affectionate man. Yet he filled his family’s life with sadness because he spent his nights with work, liquor, and women. In a desperate attempt to erase the memory of a turbulent childhood, Rosario is struggling to earn a degree in Business Management. Despite the sadness, the image of her father is linked to joy and passion, so preserved as a relic of mariachi attire. A dress without a master, a pain that only fades when Rosario unwittingly falls in love with Emiliano and lends him