The Scarlet Pimpernel (1934 film) vengeful French mobs are outraged when again and again French aristocrats are saved from death by the audacious "Band of the Scarlet Pimpernel", a secret society of 20 English noblemen, "one to command, and nineteen to obey". Among the latest scheduled for execution are the Count de Tournay, former ambassador to Great Britain, and his family. However, one of the Scarlet Pimpernel's men visits them in prison disguised as a priest and gives them a message of hope. As the prisoners are being escorted to the cart to be taken to the guillotine, the guards take the count away; French
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the