Morocco (film) agreed to bring the German actress to Hollywood under a two-picture contract, in February 1930. When Dietrich arrived in the United States to begin filming "Morocco" "[she] was subjected to the full power of Paramount's public relations machine" launching her into "international stardom" "before" American moviegoers had seen her as Lola Lola in "The Blue Angel", which appeared in U.S. theatres in 1931. Premiering in New York City on December 6, 1930, "Morocco"s success at the box-office was "immediate and impressive". Accolades for the film were issued by Soviet director Sergei Eisenstein, film critic Robert E. Sherwood and filmmaker Charles
Marlene Dietrich Webb, and Garbo accepted. Welles presented the two women to each other, and promptly Dietrich swarmed around Garbo and told her how inspiring she was, calling Garbo ' (divine) and an ' (undying) muse. Dietrich was evidently unimpressed by Garbo remarking to Welles, "It's not true that she doesn't wear makeup. She had her eyelashes beaded. Do you know how long it takes to have your eyelashes beaded?" They are alleged to have met one last time in New York, when Dietrich, dressed as a nurse to remain incognito, was with her grandson in Central Park. Garbo is supposed to