Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 85 (Haydn) whose nickname is of 18th-century origin. The symphony is in standard four movement form and is scored for flute, two oboes, two bassoons, two horns, and strings. The first movement contains a reference to Symphony No. 45. The second movement is described by H. C. Robbins Landon as "a set of variations on the old French folk-song 'La gentille et jeune Lisette'; see Haydn and folk music. Symphony No. 85 (Haydn) The Symphony No. 85 in B major, Hoboken I/85, is the fourth of the six Paris symphonies (numbers 82–87) written by Joseph Haydn. It is popularly known as La