The Carnival of the Animals and xylophone. From the beginning, Saint-Saëns regarded the work as a piece of fun. On 9 February 1886 he wrote to his publishers Durand in Paris that he was composing a work for the coming Shrove Tuesday, and confessing that he knew he should be working on his Third Symphony, but that this work was "such fun" (). He had apparently intended to write the work for his students at the École Niedermeyer, but it was first performed at a private concert given by the cellist Charles Lebouc on Shrove Tuesday, 9 March 1886. A second (private) performance was given
Carnival in the Netherlands and Vorarlberg (Western Austria). It traditionally represents the time of year when the reign of the cold, grim winter spirits is over and these spirits are being driven out and expelled by the Carnaval rituals. Also the ritual re-enactment of the Wild Hunt was a cultural phenomenon among many Gallic and Germanic peoples. There is evidence that the ancient Roman festivals of Saturnalia and Bacchanalia may have been absorbed into the Italian carnival, while other scholars say that there is insufficient evidence to draw any connection between these festivals and the modern Christian Carnival. The Saturnalia, in turn, may be