Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Benny Goodman During the 1942–44 strike, the War Department approached the union and requested the production of V-Discs, a set of records containing new recordings for soldiers to listen to, thereby boosting the rise of new artists Also, by the late 1940s, swing was no longer the dominant style of jazz musicians. By the 1940s, some jazz musicians were borrowing from classical music, while others, such as Charlie Parker, were broadening the rhythmic, harmonic, and melodic vocabulary of swing to created creating bebop (or bop). The bebop recordings Goodman made for Capitol were praised by critics. For his bebop band he hired