Nikolay Speshnev chapter of "Demons" when, in the midst of confessing to a terrible crime, he formulates the guiding idea of his life: "that I neither know nor feel good and evil and that I have not only lost any sense of it, but that there is neither good nor evil (which pleased me), and that it is just a prejudice." It is speculated that Dostoevsky also refers to Speshnev on one occasion in "The Idiot". The central character, Prince Myshkin, recounts a long conversation with "a certain S—", an erudite and well-bred man, on the subject of atheism. Nikolay Speshnev Nikolay
Prince Myshkin the Prince have much in common. It is occasionally evident that Ippolit shares Myshkin's sense of the sacred and the beautiful, and he consciously addresses himself to that sensibility when constructing his atheistic philosophy. Ippolit's interpretation of the book's key religious symbol, Holbein's painting "The Body of the Dead Christ in the Tomb", as something that perfectly illustrates the omnipotence of 'blind nature', is posited precisely because it is Christ who is depicted: 'nature' has "senselessly seized, smashed and devoured, dully and without feeling, a great priceless Being, a Being worth all of nature and its laws, worth the whole