Mariachi Jalisco, especially in a region called Los Altos. After the Revolution, the charreada became a national sport in Mexico and rings were constructed specifically for them, followed by professional charro associations. With the breakup of the large haciendas, charros were no longer economically necessary but were used as a cultural ideal, especially by the film industry in the mid-20th century. The first charro movies date from the 1920s, but the first to sing mariachi was Tito Guízar in "Allá en el Rancho Grande" in 1936. The character was played by Jorge Negrete in films such as "¡Ay, Jalisco... no te
La Hija del Mariachi the memory of her father. He was a mariachi singer, bohemian and passionate, and an affectionate man. Yet he filled his family’s life with sadness because he spent his nights with work, liquor, and women. In a desperate attempt to erase the memory of a turbulent childhood, Rosario is struggling to earn a degree in Business Management. Despite the sadness, the image of her father is linked to joy and passion, so preserved as a relic of mariachi attire. A dress without a master, a pain that only fades when Rosario unwittingly falls in love with Emiliano and lends him