La Hija del Mariachi Rosario’s selfless support, a rare commodity in the world of wealth he comes from. Thanks to her, he manages to survive as a mariachi singer in the bar while eluding the zealous pursuit of Interpol and the police in Colombia and Mexico. In this world, he discovers the widespread influence of mariachi music in Colombia. Above all, in Rosario he finds the great love of his life. She also finds love thanks to Emiliano. With him, she begins to fit together the scattered pieces of her life. The happiest and yet most painful parts of Rosario’s life are related to
Mariachi de Tecalitlán from his father in 1958 and soon after hired a trained musician, Rubín Fuentes, as musical director. Fuentes along with Vargas were instrumental in the standardization of much of mariachi music, arranging traditional songs and writing new ones that would be performed by many of the legendary performers of the mid-20th century, such as Pedro Infante, Miguel Aceves Mejía, Lola Beltrán and José Alfredo Jiménez. Mariachi Vargas still remains, tracing its history in terms of generations, starting in the 1890s, with these generations maintaining the group’s authenticity as a Mariachi while the music has evolved. The last Vargas