Mariachi rural settings, notably in charro outfits. This use of the charro outfit was repeated with urban mariachi in the 1920s. The Charro outfit was also used in the national "Orquestra Típica Mexicana" ("Mexican Typical Orchestra"), organized in 1884 by Carlo Curti, and touring the United States and Mexico as part of a presentation of nationalism for the Mexican president Porfirio Diaz. Curti's "Orquestra Típica Mexicana" has been called the "predecessor of the Mariachi." After the Mexican Revolution, many haciendas had to let workers go, including mariachis. Groups began to wander and play for a fee, which obliged them to incorporate
La Hija del Mariachi the memory of her father. He was a mariachi singer, bohemian and passionate, and an affectionate man. Yet he filled his family’s life with sadness because he spent his nights with work, liquor, and women. In a desperate attempt to erase the memory of a turbulent childhood, Rosario is struggling to earn a degree in Business Management. Despite the sadness, the image of her father is linked to joy and passion, so preserved as a relic of mariachi attire. A dress without a master, a pain that only fades when Rosario unwittingly falls in love with Emiliano and lends him