La Hija del Mariachi Rosario’s selfless support, a rare commodity in the world of wealth he comes from. Thanks to her, he manages to survive as a mariachi singer in the bar while eluding the zealous pursuit of Interpol and the police in Colombia and Mexico. In this world, he discovers the widespread influence of mariachi music in Colombia. Above all, in Rosario he finds the great love of his life. She also finds love thanks to Emiliano. With him, she begins to fit together the scattered pieces of her life. The happiest and yet most painful parts of Rosario’s life are related to
Mariachi of orchestra, keeping the traditional son/mariachi base while integrating new musical ideas and styles. One other innovation, in contrast to the machismo of the style were the first female mariachi performers, Lola Beltrán and Lucha Villa. One night Mariachi Vargas put Beltrán on stage when she was a teenager. Her versions of “Cucurrucucu Paloma” and “Tres Dias” are now considered classics. Many of the traditional sounds of Cocula were lost as mariachi groups incorporated other musical styles that were popular on the radio. New influences have come into the tradition from the Mexican American community in the United States. In