Symphony No. 39 (Michael Haydn) 41 in C major (also written in 1788). The last movement is a vigorous fugato, something else this work has in common with Mozart's Symphony No. 41 and Haydn's own Symphony No. 28 in C major which Mozart certainly studied. Unlike the "Jupiter" Symphony, in this symphony the fugal theme is at its first instance accompanied by its usual countersubject: Robbins Landon speculates that Mozart also studied Haydn's No. 39 before writing his No. 41, since he "often requested his father Leopold to send him the latest fugue that Haydn had written." (Robbins Landon, 1967) Whether Mozart knew Haydn's later
Symphony No. 3 (Saint-Saëns) Symphony No. 3 (Saint-Saëns) The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at what was probably the artistic peak of his career. It is also popularly known as the "Organ Symphony", even though it is not a true symphony for organ, but simply an orchestral symphony where two sections out of four use the pipe organ. The composer inscribed it as: "Symphonie No. 3 "avec orgue"" (with organ). Of composing the work Saint-Saëns said "I gave everything to it I was able to give. What I have here accomplished, I will never