Rebecca (1940 film) not revealed at all. The only thing we know about her is that she came to Manderley when Rebecca was a bride. The Breen Office, Hollywood's censorship board, specifically prohibited any outright hint of a lesbian infatuation or relationship between Mrs. Danvers and Rebecca, though the film clearly does dwell on Danvers' obsessive memories of her late mistress. "The Hollywood Reporter" reported in 1944 that Edwina Levin MacDonald sued Selznick, Daphne du Maurier, United Artists and Doubleday for plagiarism. MacDonald claimed that the film "Rebecca" was stolen from her novel "Blind Windows", and sought an undisclosed amount of accounting and
Daphne du Maurier Scapegoat", which she partly financed. Du Maurier was often categorised as a "romantic novelist", a term that she deplored, given her novels rarely have a happy ending, and often have sinister overtones and shadows of the paranormal. In this light, she has more in common with the "sensation novels" of Wilkie Collins and others, which she admired. The obituarist Kate Kellaway wrote: "Du Maurier was mistress of calculated irresolution. She did not want to put her readers' minds at rest. She wanted her riddles to persist. She wanted the novels to continue to haunt us beyond their endings." Du Maurier's