Pure Gold (Glenn Miller album) "Pennsylvania Six-Five Thousand": Saxes: Hal McIntyre, Tex Beneke, Wilbur Schwartz, Ernie Caceres, Al Klink; Trumpets: John Best, R. D. McMickle, Clyde Hurley, Legh Knowles; Trombones: Glenn Miller, Jimmy Priddy, Paul Tanner, Frank D'Annolfo; Piano: Chummy MacGregor; String Bass: Herman "Trigger" Alpert; Guitar: Jack Lathrop; Drums: Moe Purtill. The personnel on the May 7, 1941 recording of "Chattanooga Choo Choo" by Glenn Miller and his Orchestra in Hollywood on RCA Bluebird were Paula Kelly, the Modernaires (vocals), Billy May, John Best, Ray Anthony, R.D. McMickle (trumpet), Glenn Miller, Jim Priddy, Paul Tanner, Frank D'Annolfo (trombone), Hal McIntyre, Wilbur Schwartz (clarinet, alto
Glenn Miller Orchestra skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger. In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the "Glenn Miller sound". Frustrated with his agency over playing