Perseus and Andromeda (Leighton) by killing the monster. The couple fell in love but the Princess was already betrothed to Phineus. Perseus argued with Phineus at the wedding, but the fight was drawn to a conclusion when Phineus was turned to stone after Perseus brandished the head of the defeated Medusa. The mythological theme of Andromeda is depicted in a dramatic manner. The scene is a representation of the myth set on a rocky shore. Perseus is depicted flying above the head of Andromeda, on his winged horse Pegasus. He is shooting an arrow from the air, that hits the sea monster, who turns
Medusa symbol of rage and a protector of women's secrets," wrote Wilk. Even in contemporary pop culture, Medusa has became largely synonymous with feminine rage. Through many of her iterations, Medusa pushes back against a story that seeks to place the male, Perseus, at its center, blameless and heroic. Author Sibylle Baumbach described Medusa as a “multimodal image of intoxication, petrifaction, and luring attractiveness," citing her seductive contemporary representation, as well as her dimensionality, as the reason for her longevity. Elizabeth Johnston's November 2016 Atlantic essay called Medusa the original 'Nasty Woman.' Johnston goes on to say that as Medusa has