The Scarlet Pimpernel (1934 film) leader Maximilien Robespierre wishes to question him further. The countess and her daughter are rescued and spirited away to England. Back in Paris, Robespierre meets with Chauvelin, the republic's new ambassador to Britain, to discuss the problem of the Scarlet Pimpernel. Summoning the Count de Tournay, they offer him his life in return for information from his English contacts as to the Pimpernel's true identity. The Scarlet Pimpernel is Sir Percy Blakeney, a wealthy English baronet and friend of the Prince of Wales. Sir Percy cultivates the image of a fop in order to throw off suspicion. His pose is
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the