Benny Goodman returned to his swing band because he concluded that was what he knew best. In 1953, he said, "Maybe bop has done more to set music back for years than anything...Basically it's all wrong. It's not even knowing the scales...Bop was mostly publicity and people figuring angles." In 1949 he studied with clarinetist Reginald Kell, requiring a change in technique: "instead of holding the mouthpiece between his front teeth and lower lip, as he had done since he first took a clarinet in hand 30 years earlier, Goodman learned to adjust his embouchure to the use of both lips and
Jess Stacy which came to be called "Chicago-style". Stacy cites his main influences as Louis Armstrong and especially pianist Earl Hines, who played piano for Armstrong and the Carroll Dickerson band. In 1935 Benny Goodman asked him to join his band. Stacy left Floyd Towne, moved to New York City, and spent 1935–39 with the Benny Goodman Orchestra, including the Carnegie Hall concert in 1938. The Carnegie Hall performance was elevated in part by Stacy's unplanned piano solo during "Sing, Sing, Sing (With a Swing)", around which a great modern legacy has grown. Following a Goodman/Krupa duet, Stacy received a nod from