Mariachi rural settings, notably in charro outfits. This use of the charro outfit was repeated with urban mariachi in the 1920s. The Charro outfit was also used in the national "Orquestra Típica Mexicana" ("Mexican Typical Orchestra"), organized in 1884 by Carlo Curti, and touring the United States and Mexico as part of a presentation of nationalism for the Mexican president Porfirio Diaz. Curti's "Orquestra Típica Mexicana" has been called the "predecessor of the Mariachi." After the Mexican Revolution, many haciendas had to let workers go, including mariachis. Groups began to wander and play for a fee, which obliged them to incorporate
Mariachi rajes!" and "¡Así se quiere en Jalisco!" The main characters used his ability to sing mariachi as a way to show strength, virility, and aesthetic beauty. Its use in film also made the music popular and a symbol of ethnic pride for Mexican Americans in the United States. Its use in film also promoted a negative perception of mariachi music. The films associated the charros and mariachi music with machismo, womanizing and drinking, especially of tequila. The reason that the movies did this was that mariachi music was associated with bars and the lower classes in a number of segments