Perseus and Andromeda (Leighton) by killing the monster. The couple fell in love but the Princess was already betrothed to Phineus. Perseus argued with Phineus at the wedding, but the fight was drawn to a conclusion when Phineus was turned to stone after Perseus brandished the head of the defeated Medusa. The mythological theme of Andromeda is depicted in a dramatic manner. The scene is a representation of the myth set on a rocky shore. Perseus is depicted flying above the head of Andromeda, on his winged horse Pegasus. He is shooting an arrow from the air, that hits the sea monster, who turns
Perseus with the Head of Medusa was the first to integrate narrative relief into the sculpture of the piazza. As the "Perseus" was installed in the Loggia, it dominated the dimensions of later pedestals of other sculptural works within the Loggia, like Giambologna’s "The Rape of the Sabine". "Perseus" added to the cast of Olympian gods protecting the Medici. Weil-Garris also focuses on the pedestal beneath the sculpture in the round. However, it may not have been Cellini’s original intent, as the relief was still being worked on and installed when the bronze sculpture above had already been revealed. The Medici still dominated the theme of