The Warped Ones films whose outlook made way for the Japanese pink film. In the film Tim Lucas noted antecedents and a possible influence to "the most hellbent characters" in the films of acclaimed director Quentin Tarantino's films and specifically to Stanley Kubrick's iconic "A Clockwork Orange" (1971). Lucas drew comparisons between "The Warped Ones"<nowiki>'</nowiki> main character Akira and "A Clockwork Orange"<nowiki>'</nowiki>s Alex DeLarge, including their respective obsessions with hard jazz and the music of Ludwig van Beethoven, the former with a framed copy of Ornette Coleman's album "The Shape of Jazz to Come" next to his bed, the latter an engraving of
A Clockwork Orange (soundtrack) Floyd bassist Roger Waters to use elements of the "Atom Heart Mother" suite. Waters refused when he found that Kubrick wanted the freedom to cut up the piece to fit the film. Later, Waters asked Kubrick if he could use sounds from ""; Kubrick duly refused. The album can be seen in the film, during the scene in the record store. It is said that Carlos was so insulted by Kubrick's decision to jettison most of the synthesizer score that she and Elkind refused to work with Kubrick again until "The Shining." A Clockwork Orange (soundtrack) The soundtrack to Stanley