The Scarlet Pimpernel (1982 film) Percy and his associates also depart for France to save Armand and the Dauphin. Marguerite notices that Percy's family crest bears a scarlet pimpernel, and quickly deduces his identity. After Armand arranges the firing of the gaolers in charge of the Dauphin's care, Percy and his associates use the removal of their belongings to smuggle the Dauphin out of the city. The boy is taken to a castle on the French coast, but Percy is soon captured while trying to save Armand. Marguerite visits her husband in prison, where he tells her to arrange for the Baron de Batz—an Austrian
Romantic hero love interest, him or herself victimised by the hero's rebellious tendencies, with their fates intertwined for decades, sometimes from their youths to their deaths. (See Tatyana Larina, Elizabeth Bennet, Eugenie Grandet, et al.) The Romantic hero first began appearing in literature during the Romantic period, in works by such authors as Byron, Keats, Goethe, and Pushkin, and is seen in part as a response to the French Revolution. As Napoleon, the "living model of a hero", became a disappointment to many, the typical notion of the hero as upholding social order began to be challenged. Classic literary examples of the