Peter Grimes must write an opera, and where I belonged. Britten returned to England in April 1942. Soon after his return, he asked Montagu Slater to be his librettist for "Peter Grimes". Britten and Pears both had a strong hand in drafting the story, and in this process the character of Grimes became far more complex. Rather than being the clear-cut villain he is in Crabbe's version, he became a victim of both cruel fate and society, while retaining darker aspects in his character. It is left to the audience to decide which version is more true, and to see how clear-cut
Peter Glossop York, was in 1971 as Scarpia in "Tosca". Later roles for the Metropolitan Opera included Don Carlo in "La forza del destino", Mr Redburn in "Billy Budd", Balstrode in "Peter Grimes" and the title roles in "Falstaff" and "Wozzeck". His career continued into the mid-1980s with appearances in London and the main European and American opera houses. His further repertory included Don Carlo in "Ernani", Mandryka in "Arabella", Pizarro in "Fidelio" and the title roles in "The Flying Dutchman" and "Macbeth". Glossop made a number of recordings. These include "Macbeth" with Rita Hunter in the 1960s, "Billy Budd" under the