A Shot in the Dark (1964 film) because Sellers is a clever comedian and never that painful to take. But enough is enough already." Richard L. Coe of "The Washington Post" called it "a hardworking comedy," adding "While the lines are bright and sometimes blue, the real fun comes from sight gags, an old if neglected film ingredient." "The Monthly Film Bulletin" wrote, "Where "The Pink Panther" had style and a certain subtlety, its successor ... can substitute only slapstick of the crudest kind. As the bumbling inspector, Sellers is this time absolutely out of hand, his principal—and endlessly repeated—gag being to fall with a resounding splash
A Way to See in the Dark for dark times, but they come up just short of being straight worship music". Lennie of Cross Rhythms wrote that the "main strengths of the album are the radio-friendly production, Jason's fine vocals and, most notable of all, the original, thoughtful lyrics that attend every one of these dozen tracks." However, Lennie also said it was unoriginal and like Steven Curtis Chapman's works, but did go onto say "this is still a fine album." Caldwell of Jesus Freak Hideout says "A Way to See in the Dark" that it "delivers on all those levels, and then some," and notes the