Perseus and Andromeda (Leighton) by killing the monster. The couple fell in love but the Princess was already betrothed to Phineus. Perseus argued with Phineus at the wedding, but the fight was drawn to a conclusion when Phineus was turned to stone after Perseus brandished the head of the defeated Medusa. The mythological theme of Andromeda is depicted in a dramatic manner. The scene is a representation of the myth set on a rocky shore. Perseus is depicted flying above the head of Andromeda, on his winged horse Pegasus. He is shooting an arrow from the air, that hits the sea monster, who turns
Perseus with the Head of Medusa and the patron, Cosimo I. Michael Cole specifically draws attention to the process of casting the "Perseus". Citing Cellini’s "Vita", Cole notes how Cellini’s assistants let the metal clot and had Cellini not been present the work would have been destroyed. Cole then asserts that Cellini goes beyond reviving the work, but raised the dead, in which he means that Cellini’s salvation was remelting the bronze. Cellini also invokes Christ and by doing so he breathes life into the sculpture. Casting the "Perseus" was more than meeting the demand of Cosimo I; Cellini was proving himself to Florence in a