Mary Salome and Zebedee Mary Salome and Zebedee Mary Salome and Zebedee by Tilman Riemenschneider (c.1460–1531) originally formed the right wing of an altarpiece showing the family of the Virgin Mary. The central scene would have shown St Anne seated with her daughter Mary and the Christ Child. Mary Salome was another daughter of St Anne, half sister of the Virgin and wife of Zebedee. Riemenschnieder was one of the most important sculptors in southern Germany in the late fifteenth and sixteenth century. He specialised is carving limewood altarpieces, some of which were painted. Others, such as this example which was carved in Würzburg
Salome (opera) orders his soldiers, "Kill that woman!" They rush forward and crush Salome under their shields. Strauss scored "Salome" for the following large orchestra: The music of "Salome" includes a system of leitmotifs, or short melodies with symbolic meanings. Some are clearly associated with people such as Salome and Jochanaan (John the Baptist). Others are more abstract in meaning. Strauss's use of leitmotifs is complex, with both symbolism and musical form subject to ambiguity and transformation. Some leitmotifs, especially those associated with Herod, change frequently in form and symbolic meaning, making it futile to pin them down to a specific meaning.