The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
Tsarevitch Ivan, the Firebird and the Gray Wolf The wolf agreed, the exchange was done, and Ivan returned to his own kingdom with Helen, the horse, and the Firebird. The wolf said its service was done when they returned to where it had eaten Ivan's horse. Ivan dismounted and lamented their parting. They went on for a time and slept. His older brothers found them, killed Ivan, sliced his body to pieces, and told Helen that they would kill her if she would not say that they had fairly won the horse, the firebird, and her. They brought them to their father, and the second son received half