The Rite of Spring patterns of speech; rhythms would match the energy of dance ... sonorities would have the hardness of life as it is really lived". Among 20th-century composers most influenced by "The Rite" is Stravinsky's near contemporary, Edgard Varèse, who had attended the 1913 premiere. Varèse, according to Ross, was particularly drawn to the "cruel harmonies and stimulating rhythms" of "The Rite", which he employed to full effect in his concert work "Amériques" (1921), scored for a massive orchestra with added sound effects including a lion's roar and a wailing siren. Aaron Copland, to whom Stravinsky was a particular inspiration in the
The Rite of Spring Rite" in the autumn; the sketchbooks indicate that he had finished the outline of the final sacrificial dance on 17 November 1912. During the remaining months of winter he worked on the full orchestral score, which he signed and dated as "completed in Clarens, March 8, 1913". He showed the manuscript to Maurice Ravel, who was enthusiastic and predicted, in a letter to a friend, that the first performance of the "Le Sacre" would be as important as the 1902 premiere of Debussy's "Pelléas et Mélisande". After the orchestral rehearsals began in late March, Monteux drew the composer's attention to