The Rite of Spring (MacMillan) and 2008) Mara Galeazzi (2005), Zenaida Yanowsky (2005), Steven McRae (2011) and Edward Watson (2011). MacMillan had been invited to create a new production of "The Rite of Spring" for the Royal Ballet in 1959, but had declined. The company had little history of presenting Stravinsky ballets, with the exceptions of Ashton's "Le baiser de la fée" (1935) and "Scènes de ballet" (1948), and MacMillan's "Dances concertantes" (1955), "Agon" (1958) and "Le baiser de la fée" (1961). MacMillan took "The Rite" up in 1962, creating a work conspicuously removed from the Royal Ballet's classical tradition. His conception of the piece,
The Rite of Spring of musical language that they could never again be put together as before". The academic and critic Jan Smaczny, echoing Bernstein, calls it one of the 20th century's most influential compositions, providing "endless stimulation for performers and listeners". According to Kelly the 1913 premiere might be considered "the most important single moment in the history of 20th century music", and its repercussions continue to reverberate in the 21st century. Ross has described "The Rite" as a prophetic work, presaging the "second avant-garde" era in classical composition—music of the body rather than of the mind, in which "[m]elodies would follow the