Late works of Franz Liszt to Saint-Saëns. The three czárdás that Liszt wrote—titled "Czárdás", "Czárdás obstinée" and "Czárdás macabre"—are less freely treated than the Hungarian Rhapsodies and remain more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of Bartók's work. Because of these attributes, the czárdás are considered by Liszt scholars among the more interesting of the composer's late output. The same, some critics argue, cannot be said as uniformly about his Hungarian Rhapsodies 16-19, composed after he had neglected the genre 30 years. Of these four late rhapsodies, only the
Three Hungarian Folktunes Three Hungarian Folktunes Three Hungarian Folksongs, Sz. 66, BB 80b () is a collection of folksongs for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. There is much speculation about when the set was composed, but some of the most reliable sources point to it being composed somewhere between 1914 and 1918, in a period where Bartók felt very fascinated with folk music from Romania and his native Hungary. Many of the small compositions he wrote when collecting folk music all around these countries was either lost or revamped into later works, and some would