Giacomo Puccini "La bohème" was "Tosca" (1900), arguably Puccini's first foray into "verismo", the realistic depiction of many facets of real life including violence. Puccini had been considering an opera on this theme since he saw the play "Tosca" by Victorien Sardou in 1889, when he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this "Tosca" the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." The music of "Tosca" employs musical signatures for
The Letter (opera) old-fashioned—Paul's musical language is in no way derivative of Verdi or Puccini—but we do want it to move fast and hit hard." Later Teachout described the challenges to adapting a literary work into a new medium, in this case an opera: "Every great opera based on a literary source involves an imaginative transformation of the original, one that typically goes far beyond the setting of the old words to new music." In May 2008 Moravec and Teachout discussed the opera at a press conference held in Santa Fe. Moravec called it “an opera "noir", a music drama about ordinary people