Sea in culture sea nymphs whose parents were Nereus and Doris. The Tritons, sons of Poseidon, who were variously represented with the tails of fish or seahorses, formed Poseidon's retinue along with the Nereids. The mythic sea was further peopled by dangerous sea monsters such as Scylla. Poseidon himself had something of the shifting character of the sea, presiding not only over the sea, but also earthquakes, storms and horses. Neptune occupied a similar position in Roman mythology. Another Greek sea-god, Proteus, specifically embodies the domain of sea change, the adjectival form "protean" meaning mutable, able to assume many forms. Shakespeare makes use
Amphitrite spindle." For later poets, Amphitrite became simply a metaphor for the sea: Euripides, in "Cyclops" (702) and Ovid, "Metamorphoses", (i.14). Eustathius said that Poseidon first saw her dancing at Naxos among the other Nereids, and carried her off. But in another version of the myth, she fled from his advances to Atlas, at the farthest ends of the sea; there the dolphin of Poseidon sought her through the islands of the sea, and finding her, spoke persuasively on behalf of Poseidon, if we may believe Hyginus and was rewarded by being placed among the stars as the constellation Delphinus. In