The Rite of Spring (MacMillan) and 2008) Mara Galeazzi (2005), Zenaida Yanowsky (2005), Steven McRae (2011) and Edward Watson (2011). MacMillan had been invited to create a new production of "The Rite of Spring" for the Royal Ballet in 1959, but had declined. The company had little history of presenting Stravinsky ballets, with the exceptions of Ashton's "Le baiser de la fée" (1935) and "Scènes de ballet" (1948), and MacMillan's "Dances concertantes" (1955), "Agon" (1958) and "Le baiser de la fée" (1961). MacMillan took "The Rite" up in 1962, creating a work conspicuously removed from the Royal Ballet's classical tradition. His conception of the piece,
The Rite of Spring a series of flute trills that usher in the "Spring Rounds", in which a slow and laborious theme gradually rises to a dissonant fortissimo, a "ghastly caricature" of the episode's main tune. Brass and percussion predominate as the "Ritual of the Rival Tribes" begins. A tune emerges on tenor and bass tubas, leading after much repetition to the entry of the Sage's procession. The music then comes to a virtual halt, "bleached free of colour" (Hill), as the Sage blesses the earth. The "Dance of the Earth" then begins, bringing Part I to a close in a series of phrases