The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
The Rite of Spring murder and gangster film images. In February 1984 Martha Graham, in her 90th year, resumed her association with "The Rite" by choreographing a new production at New York's State Theater. "The New York Times" critic declared the performance "a triumph ... totally elemental, as primal in expression of basic emotion as any tribal ceremony, as hauntingly staged in its deliberate bleakness as it is rich in implication". On 30 September 1987, the Joffrey Ballet in Los Angeles performed "The Rite" based on a reconstruction of Nijinsky's 1913 choreography, until then thought lost beyond recall. The performance resulted from years of