Ten Commandments thy neighbor's wife") is directed against a sin which may lead to a trespassing of all Ten Commandments. Critical scholarship is divided over its interpretation of the ten commandment texts. Julius Wellhausen's influential hypothesis regarding the formation of the Pentateuch suggests that Exodus 20-23 and 34 "might be regarded as the document which formed the starting point of the religious history of Israel." Deuteronomy 5 then reflects King Josiah's attempt to link the document produced by his court to the older Mosaic tradition. In a 2002 analysis of the history of this position, Bernard M. Levinson argued that this reconstruction
The Ten Commandments (1956 film) the film a rating of 94% "Certified fresh" approval rating, with an average rating of 7.5/10 and the site's consensus stating: "Bombastic and occasionally silly but extravagantly entertaining, Cecil B. DeMille's all-star spectacular is a muscular retelling of the great Bible story." Camille Paglia has called "The Ten Commandments" one of the ten greatest films of all time. "The Ten Commandments" won the Academy Award for Best Special Effects (John P. Fulton). It was also nominated for Best Color Art Direction (art directors Hal Pereira, Walter H. Tyler, and Albert Nozaki and set decorators Samuel M. Comer and Ray Moyer),