Dante Gabriel Rossetti illustration was "The Maids of Elfen-Mere" (1855), for a poem by his friend William Allingham, and he contributed two illustrations to Edward Moxon's 1857 edition of Alfred, Lord Tennyson's "Poems" and illustrations for works by his sister Christina Rossetti. His visions of Arthurian romance and medieval design also inspired William Morris and Edward Burne-Jones. Neither Burne-Jones nor Morris knew Rossetti, but were much influenced by his works, and met him by recruiting him as a contributor to their "Oxford and Cambridge Magazine" which Morris founded in 1856 to promote his ideas about art and poetry. In February 1857, Rossetti wrote
Dante Gabriel Rossetti along with John Everett Millais. The group's intention was to reform English art by rejecting what they considered to be the mechanistic approach first adopted by the Mannerist artists who succeeded Raphael and Michelangelo and the formal training regime introduced by Sir Joshua Reynolds. Their approach was to return to the abundant detail, intense colours, and complex compositions of Quattrocento Italian and Flemish art. The eminent critic John Ruskin wrote: For the first issue of the brotherhood's magazine, "The Germ", published early in 1850, Rossetti contributed a poem, "The Blessed Damozel", and a story about a fictional early Italian artist