The Rite of Spring patterns of speech; rhythms would match the energy of dance ... sonorities would have the hardness of life as it is really lived". Among 20th-century composers most influenced by "The Rite" is Stravinsky's near contemporary, Edgard Varèse, who had attended the 1913 premiere. Varèse, according to Ross, was particularly drawn to the "cruel harmonies and stimulating rhythms" of "The Rite", which he employed to full effect in his concert work "Amériques" (1921), scored for a massive orchestra with added sound effects including a lion's roar and a wailing siren. Aaron Copland, to whom Stravinsky was a particular inspiration in the
Picasso and the Ballets Russes travel back to the land of human beings" after spending time with Diaghilev. Diaghilev, however, valued Picasso's work, and the drop curtain he created for "Le Train Bleu" - the painting of which was completed not by Picasso, but by Prince Alexander Schervashidze - was deemed so impressive that Diaghilev used it as the logo for the Ballets Russes. The writer Jean Cocteau, who introduced Picasso to Diaghilev, wrote the scenario for "Parade", and was Picasso’s neighbor in Rome said, "Picasso amazes me every day, to live near him is a lesson in nobility and hard work ... A badly