The Rite of Spring a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of the Sacre du Printemps". By May 1910 Stravinsky was discussing his idea with Nicholas Roerich, the foremost Russian expert on folk art and ancient rituals. Roerich had a reputation as an artist and mystic, and had provided the stage designs for Diaghilev's 1909 production of the "Polovtsian Dances". The pair quickly agreed on a working title, "The Great Sacrifice" (Russian: "Velikaia zhertva"); Diaghilev gave his blessing to the work, although the collaboration was put on hold for a
The Rite of Spring its premiere, the ballet has been the subject of at least 150 productions, many of which have become classics and have been performed worldwide. Among the more radical interpretations is Glen Tetley's 1974 version, in which the Chosen One is a young male. More recently there have been solo dance versions devised by Molissa Fenley and Javier de Frutos, a punk rock interpretation from Michael Clark, and "Rites" (2008), by The Australian Ballet in conjunction with Bangarra Dance Theatre, which represents Aboriginal perceptions of the elements of earth, air, fire and water. On 18 February 1914 "The Rite" received its