Giacomo Puccini "La bohème" was "Tosca" (1900), arguably Puccini's first foray into "verismo", the realistic depiction of many facets of real life including violence. Puccini had been considering an opera on this theme since he saw the play "Tosca" by Victorien Sardou in 1889, when he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this "Tosca" the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." The music of "Tosca" employs musical signatures for
Giacomo Puccini remained popular. "Turandot", Puccini's final opera, was left unfinished, and the last two scenes were completed by Franco Alfano based on the composer's sketches. The libretto for "Turandot" was based on a play of the same name by Carlo Gozzi. The music of the opera is heavily inflected with pentatonic motifs, intended to produce an Asiatic flavor to the music. Unlike "La fanciulla", "Turandot" contains a number of memorable stand-alone arias, among them "Nessun dorma". The libretto of "Edgar" was a significant factor in the failure of that opera. Thereafter, especially throughout his middle and late career, Puccini was extremely