Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Sonatine for Flute and Piano rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before. A frenzied accelerando played by both instruments concludes the piece. Sonatine for Flute and Piano The Sonatine for Flute and Piano is an early work by the 20th-century French composer Henri Dutilleux, composed and published in 1943. It lasts about 9 minutes and consists of three movements, played without break. The "Sonatine for Flute and Piano" is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between 1942 and 1951. They were commissioned by then-director