The Rite of Spring a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of the Sacre du Printemps". By May 1910 Stravinsky was discussing his idea with Nicholas Roerich, the foremost Russian expert on folk art and ancient rituals. Roerich had a reputation as an artist and mystic, and had provided the stage designs for Diaghilev's 1909 production of the "Polovtsian Dances". The pair quickly agreed on a working title, "The Great Sacrifice" (Russian: "Velikaia zhertva"); Diaghilev gave his blessing to the work, although the collaboration was put on hold for a
Picasso and the Ballets Russes said, ""Parade" is my best bottle of wine. I do not like to open it too often." Picasso's sets and costumes for the Ballets Russes are now considered symbols of "the progressive art of their time, and [they] have only become more celebrated and better appreciated over the past century." Nevertheless, according to his biographer, John Richardson, "Picasso's Cubist followers were horrified that their hero should desert them for the chic, elitist Ballets Russes." It was the onset of World War I that prompted him to leave Paris and live in Rome, where the Ballets Russes rehearsed. He also was