Late works of Franz Liszt to Saint-Saëns. The three czárdás that Liszt wrote—titled "Czárdás", "Czárdás obstinée" and "Czárdás macabre"—are less freely treated than the Hungarian Rhapsodies and remain more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of Bartók's work. Because of these attributes, the czárdás are considered by Liszt scholars among the more interesting of the composer's late output. The same, some critics argue, cannot be said as uniformly about his Hungarian Rhapsodies 16-19, composed after he had neglected the genre 30 years. Of these four late rhapsodies, only the
George Dyson (composer) addition to those mentioned by the composer, the Dyson Trust lists the following compositions as available as at 2017: "A Spring Garland", "Children's Suite" for orchestra, Evening Service in C Minor, Evening Service in D, Morning Service in D, "Prelude, Fantasy and Chaconne" for cello and orchestra, "Te Deum Laudamus", and "Three Rhapsodies" for string quartet. The Trust has published a full list of works, totalling nine orchestral works, seven chamber works, thirteen pieces or sets of pieces for piano, four solo organ pieces, twenty works for chorus and orchestra, seventy-nine works for chorus with piano, or organ or unaccompanied,