Dante Gabriel Rossetti with William Morris and Edward Burne-Jones in 1857, also sat for him during these years, she "consumed and obsessed him in paint, poetry, and life". Jane Morris was also photographed by John Robert Parsons, whose photographs were painted by Rossetti. In 1869, Morris and Rossetti rented a country house, Kelmscott Manor at Kelmscott, Oxfordshire, as a summer home, but it became a retreat for Rossetti and Morris to have a long-lasting and complicated liaison. They spent summers there with the Morris's children, while Morris travelled to Iceland in 1871 and 1873. During these years, Rossetti was prevailed upon by friends,
Dante Gabriel Rossetti along with John Everett Millais. The group's intention was to reform English art by rejecting what they considered to be the mechanistic approach first adopted by the Mannerist artists who succeeded Raphael and Michelangelo and the formal training regime introduced by Sir Joshua Reynolds. Their approach was to return to the abundant detail, intense colours, and complex compositions of Quattrocento Italian and Flemish art. The eminent critic John Ruskin wrote: For the first issue of the brotherhood's magazine, "The Germ", published early in 1850, Rossetti contributed a poem, "The Blessed Damozel", and a story about a fictional early Italian artist