Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Bagatelle (music) been recorded by several eminent classical guitarists including Julian Bream, Sharon Isbin, Christopher Parkening, and Ana Vidović. The American composer Charles Wuorinen wrote a Bagatelle for solo piano, which he later orchestrated. The Australian composer Carl Vine also wrote Five Bagatelles for piano (1994), which are quite frequently performed at piano competitions, especially in Australia. Peruvian composer Jorge Villavicencio Grossmann also wrote "Cinco Bagatelas Opacas y Traslucidas" for violin and piano (also existing in a trio version with bass clarinet). In 2015 John Zorn composed a book of 300 Bagatelles for open instrumentation that were premiered that same year by