Air instrument Air instrument In the context of musical performance, air instruments are imaginary musical instruments for which people mimic the sound-producing gestures in the air without touching a real instrument. In simple words air instruments are the musical instruments which could be played without touching the real instrument. Air instruments include: There are other air instruments as well. The playing of air instruments has been documented through the 20th century (see: Air guitar). However, no sources have been found that exclude the playing of air instruments in ancient times, during private performances, such as for air flute or air lyre (for
Musical instrument which produce sound by electronic means. Within each category are many subgroups. The system has been criticised and revised over the years, but remains widely used by ethnomusicologists and organologists. Andre Schaeffner, a curator at the Musée de l'Homme, disagreed with the Hornbostel-Sachs system and developed his own system in 1932. Schaeffner believed that the pure physics of a musical instrument, rather than its specific construction or playing method, should always determine its classification. (Hornbostel-Sachs, for example, divide aerophones on the basis of sound production, but membranophones on the basis of the shape of the instrument). His system divided instruments