The Rite of Spring of the evening Stravinsky had asserted that "Monteux, almost alone among conductors, never cheapened "Rite" or looked for his own glory in it, and he continued to play it all his life with the greatest fidelity". Commentators have often described "The Rite"s music in vivid terms; Paul Rosenfeld, in 1920, wrote of it "pound[ing] with the rhythm of engines, whirls and spirals like screws and fly-wheels, grinds and shrieks like laboring metal". In a more recent analysis, "The New York Times" critic Donal Henahan refers to "great crunching, snarling chords from the brass and thundering thumps from the timpani". The
Picasso and the Ballets Russes travel back to the land of human beings" after spending time with Diaghilev. Diaghilev, however, valued Picasso's work, and the drop curtain he created for "Le Train Bleu" - the painting of which was completed not by Picasso, but by Prince Alexander Schervashidze - was deemed so impressive that Diaghilev used it as the logo for the Ballets Russes. The writer Jean Cocteau, who introduced Picasso to Diaghilev, wrote the scenario for "Parade", and was Picasso’s neighbor in Rome said, "Picasso amazes me every day, to live near him is a lesson in nobility and hard work ... A badly