Hungarian Rhapsody No. 2 expression. These elements would eventually play a significant role in Liszt's compositions. Although this prolific composer's works are highly varied in style, a relatively large part of his output is nationalistic in character, the "Hungarian Rhapsodies" being an ideal example. Composed in 1847 and dedicated to Count László Teleki, "Hungarian Rhapsody No. 2" was first published as a piano solo in 1851 by Senff and Ricordi. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler, and published by Schuberth. In addition to the orchestral version,
Hungarian Dances (Brahms) 4 and 7), Paul Juon (No. 4), Martin Schmeling (1864–1943) (Nos. 5 to 7), Hans Gál (Nos. 8 and 9), (Nos. 5, 6 and 11 to 16) and (Nos. 4, 8 and 9). More recently, Iván Fischer has orchestrated the complete set. Brahms's "Hungarian Dances" were influential in the development of ragtime. See, for example, the role of German-American piano teacher Julius Weiss in ragtime composer Scott Joplin's early life and career. The earliest known recording of any movement of Hungarian Dances was a condensed piano-based rendition of Hungarian Dances No. 1, from 1890, played by Brahms himself, and was