Symphony No. 5 (Sibelius) 1909 Schoenberg continued pushing for more dissonant and chromatic harmonies in his Five Pieces for Orchestra, Op. 16. From 1910–1913 Igor Stravinsky premiered his innovative and revolutionary ballets "The Firebird", "Petrushka" and "The Rite of Spring" ("Le Sacre du Printemps"). Ravel and Debussy were at work developing and performing their Impressionistic music. Though he had been in the public spotlight for nearly 30 years, Sibelius found his works receiving poor reviews for the first time with the 1911 premiere of his Fourth Symphony and, James Hepokoski writes, “was beginning to sense his own eclipse as a contending modernist.” These events
Picasso and the Ballets Russes again until 1946, when he did the curtain design for Roland Petit's "Le Rendez-vous" at the Ballets des Champs-Élysées. Olivier Berggruen, ed. "Picasso: Between Cubism and Classicism, 1915–1925" (Skira, 2018). Picasso and the Ballets Russes Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's "Parade" (1917, choreography: Léonide Massine), "Le Tricorne" ("The Three-Cornered Hat") (1919, choreography: Massine), "Pulcinella" (1920, choreographer: Massine), and "Cuadro Flamenco" (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of "La Boutique fantasque" ("La course"),