The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
Tsarevitch Ivan, the Firebird and the Gray Wolf one who caught the bird would receive half his kingdom and be his heir. They drew lots to see who would be first, but both fell asleep; they tried to claim it had not come, but it had stolen an apple. Finally Ivan Tsarevich, the youngest son, asked to try; his father was reluctant because of his youth but consented. Ivan remained awake the entire time, and upon seeing the bird, tried to catch it by the tail. Unfortunately, Ivan only managed to grasp one feather. The Firebird did not return, but the king longed for the bird. He said