Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Hungarian Dances (Brahms) 4 and 7), Paul Juon (No. 4), Martin Schmeling (1864–1943) (Nos. 5 to 7), Hans Gál (Nos. 8 and 9), (Nos. 5, 6 and 11 to 16) and (Nos. 4, 8 and 9). More recently, Iván Fischer has orchestrated the complete set. Brahms's "Hungarian Dances" were influential in the development of ragtime. See, for example, the role of German-American piano teacher Julius Weiss in ragtime composer Scott Joplin's early life and career. The earliest known recording of any movement of Hungarian Dances was a condensed piano-based rendition of Hungarian Dances No. 1, from 1890, played by Brahms himself, and was