Brandenburg Concerto No. 5 on the autographs in the Berlin State Library, was published by C. F. Peters in 1852. The next year the concerto was performed in the Gewandhaus in Leipzig. The Bach Gesellschaft (BG) published the "Brandenburg Concertos" in 1871, edited by Wilhelm Rust. Max Reger's orchestral arrangement of the concerto was published by Breitkopf & Härtel in 1915. Reger also arranged the concerto for piano duet. Arnold Schering's score edition of the concerto was based on the BG version and was published by Eulenburg in the late 1920s. Around 1925 Eusebius Mandyczewski provided a continuo realisation for the concerto, which was
Organ concertos, Op. 7 (Handel) ornamentation supplied by Smith and have been recorded by Erato. Two modern performing editions of the concertos by the organists and musicologists Peter Williams and Ton Koopman provide missing movements and give suggestions for the ad libitum passages, possibly too earthbound according to some commentators. The recordings of the organists George Malcolm (1976) and Richard Egarr (2009) give further possibilities, which have so far not appeared in printed editions. Organ concertos, Op. 7 (Handel) The Handel organ concertos Op 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between