The Rite of Spring that the Diaghilev–Stravinsky collaboration would continue, in the first instance with "Petrushka" (1911) and then "The Rite of Spring". In a note to the conductor Serge Koussevitzky in February 1914, Stravinsky described "The Rite of Spring" as "a musical-choreographic work, [representing] pagan Russia ... unified by a single idea: the mystery and great surge of the creative power of Spring". In his analysis of "The Rite", Pieter van den Toorn writes that the work lacks a specific plot or narrative, and should be considered as a succession of choreographed episodes. The French titles are given in the form given in
The Firebird and Princess Vasilisa The king demanded that he bring him the bird. The huntsman went to his horse, who told him to demand that measures of corn be spread over the fields. He did, and the firebird came to eat and was caught. He brought it to the king, who said that because he had done that, now he must bring him Princess Vasilisa to be his bride. The horse had him demand food and drink for the journey, and a tent with a golden top. With it, they set out to a lake where the princess was rowing. He set up the