Piano Concerto (Massenet) B major, is a slow, deliberate promenade featuring the piano prominently throughout. There are sweeping orchestral flourishes in the middle of this movement. Eventually the music comes to a restful reprise of the theme, and the movement ends quietly in a fading murmur. The third movement, in C minor, is subtitled "Airs Slovaques", alluding to the ersatz Slovak-like dance tune Massenet uses throughout. The brief 2/4 section towards the end evokes the virtuosic passages of Liszt's Hungarian Rhapsodies, before returning to the main theme, perpetually accelerating into tumbling passages in the piano and flamboyant outbursts in the orchestra. Massenet adds
Bob Cole (composer) Bob Cole (composer) Robert Allen Cole (July 1, 1868 – August 2, 1911) was an African American composer, actor, playwright, and stage producer and director. In collaboration with Billy Johnson, he wrote and produced "A Trip to Coontown" (1898), the first musical entirely created and owned by black showmen. The popular song "La Hoola Boola" (1898) was also a result of their collaboration. Cole later partnered with brothers J. Rosamond Johnson, pianist and singer, and James Weldon Johnson, pianist, guitarist and lawyer, which resulted in over 200 songs. Their vaudeville act featured classical piano pieces and their musicals featured sophisticated