The Firebird Bakst. For Stravinsky, it was a major breakthrough both with the public and with the critics, Michel-Dimitri Calvocoressi in particular hailing Stravinsky as the legitimate heir to The Mighty Handful. "The Firebird"'s success also secured Stravinsky's position as Diaghilev's star composer, and there were immediate talks of a sequel, leading to the composition of "Petrushka" and "The Rite of Spring". "Mark him well—said Sergei Diaghilev to Tamara Karsavina, who was dancing the title role—he is a man on the eve of celebrity..." Stravinsky used several ideas from works by Rimsky-Korsakov in his score. Koschei's "Infernal Dance" borrows the highly chromatic
The Man Who Wrote Frankenstein Shelley as shown by several letters. "The Man Who Wrote Frankenstein" includes a favorable review of "Shelley's Fiction" (1998) by Phyllis Zimmerman, a book in which Zimmerman argues for Percy Bysshe Shelley's authorship of "Frankenstein", and a short bibliography of books and articles about Percy Bysshe Shelley and "Frankenstein". Lauritsen praises poet Edmund Blunden's "" (1946), calling it the best short biography about Percy Bysshe Shelley. "The Man Who Wrote Frankenstein" was first published in 2007 by Pagan Press. "The Man Who Wrote Frankenstein" was praised by the critic Camille Paglia, who wrote in "Salon" that "Lauritsen assembles an overwhelming