Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Piano Quartet No. 1 (Brahms) at the instigation of conductor Otto Klemperer and premiered by the Los Angeles Philharmonic Orchestra conducted by Klemperer; this orchestrated version was made into the ballet "Brahms–Schoenberg Quartet" by George Balanchine. The Hungarian-born composer Ernst von Dohnányi transcribed the fourth movement as a bravura showpiece for solo piano. There is a recording of Dohnányi playing the transcription on the Ampico B recording piano. This recording was released on a Newport Classic CD called "The Performing Piano II" (NC 60030) however, the piece is incorrectly attributed as being one of the Hungarian Dances. Piano Quartet No. 1 (Brahms) The Piano Quartet