Sophie Menter she became professor of piano at the Saint Petersburg Conservatory but left in 1886 to continue concertizing. Because of her popularity, Menter succeeded with music that no other pianist would touch. This included Liszt's First Piano Concerto, which she played in Vienna in 1869, 12 years after its disastrous premiere there. One of her recital specialties was a piece entitled "Rhapsodies". This was a composite of three of Liszt's Hungarian Rhapsodies—Nos. 2, 6 and 12—along with fragments from several others. She also composed various pieces for piano, mainly in a brilliant style, yet referred to her own compositional talent as
Piano ballad Op. 122 (1852–53) which were written for piano and voice. Claude Debussy, a later composer, also wrote for piano and voice with his "Trois Ballades de François Villon" (, 1910). Works for piano and orchestra also bearing the title "ballad" have been written. These include Fauré's "Ballade", op. 19, which was written in 1881, and Charles Koechlin's "Ballade" for piano and orchestra, op. 50, written between 1911–1919. This work also exists as a solo work for piano. Piano ballad In 19th century romantic music, a piano ballad is a piece for solo piano written in a balletic narrative style, often