The Rite of Spring composer Julius Harrison acknowledged the uniqueness of the work negatively: it demonstrated Stravinsky's "abhorrence of everything for which music has stood these many centuries ... all human endeavour and progress are being swept aside to make room for hideous sounds ..." In "The Firebird", Stravinsky had begun to experiment with bitonality (the use of two different keys simultaneously). He took this technique further in "Petrushka", but reserved its full effect for "The Rite" where, as the analyst E.W. White explains, he "pushed [it] to its logical conclusion". White also observes the music's complex metrical character, with combinations of duple and
Rite of Spring (film) also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era". Rite of Spring (film) Rite of Spring (Portuguese: Acto da Primavera) is a 1963 Portuguese film directed by Manoel de Oliveira, his second feature. The poet and director António Reis was the film's assistant director, and his influence can be felt deeply throughout it. (The film was included in the film program "The School of Reis" in 2012.) The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about