The Rite of Spring patterns of speech; rhythms would match the energy of dance ... sonorities would have the hardness of life as it is really lived". Among 20th-century composers most influenced by "The Rite" is Stravinsky's near contemporary, Edgard Varèse, who had attended the 1913 premiere. Varèse, according to Ross, was particularly drawn to the "cruel harmonies and stimulating rhythms" of "The Rite", which he employed to full effect in his concert work "Amériques" (1921), scored for a massive orchestra with added sound effects including a lion's roar and a wailing siren. Aaron Copland, to whom Stravinsky was a particular inspiration in the
The Music of Francis Poulenc The Music of Francis Poulenc The Music of Francis Poulenc (1899–1963): A Catalogue, abbreviated FP, is a chronological catalogue of Francis Poulenc's works which was published by Carl B. Schmidt in 1995. Schmidt provides for each known composition, which includes unfinished, unpublished and lost works, a detailed history of composition and performance, and lists manuscripts and publications. As a pianist, Poulenc composed many pieces for his own instrument in his piano music and chamber music. He wrote works for orchestra including several concertos, also three operas, two ballets, incidental music for plays and film music. He composed songs ("mélodies"), often