Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Bagatelle (music) been recorded by several eminent classical guitarists including Julian Bream, Sharon Isbin, Christopher Parkening, and Ana Vidović. The American composer Charles Wuorinen wrote a Bagatelle for solo piano, which he later orchestrated. The Australian composer Carl Vine also wrote Five Bagatelles for piano (1994), which are quite frequently performed at piano competitions, especially in Australia. Peruvian composer Jorge Villavicencio Grossmann also wrote "Cinco Bagatelas Opacas y Traslucidas" for violin and piano (also existing in a trio version with bass clarinet). In 2015 John Zorn composed a book of 300 Bagatelles for open instrumentation that were premiered that same year by