The Rite of Spring (MacMillan) "made a brave musicianly and tasteful attempt" while questioning whether "the stage can really be its home – that remains unproven"; "dance and dancers" described it as "a singular and signal triumph"; Mason's performance was judged "brilliantly done", "one of British ballet's most memorable performances". In "The Times" John Percival commented that ever since Nijinsky's original attempt in 1913 "The Rite" had been waiting for a choreographer who could make it work on stage, and MacMillan's was the most successful version to date: "Mr MacMillan's invention can never have been more musical or assured. Time and time again Stravinsky's music,
The Rite of Spring Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original. Massine's was the forerunner of many innovative productions directed by the world's leading ballet-masters, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in