Hungarian Rhapsody No. 10 Hungarian Rhapsody No. 10 Hungarian Rhapsody No. 10 in E major, S.244/10, is a composition for solo piano by Franz Liszt. It is tenth in the set of his Hungarian Rhapsodies, and is subtitled "Preludio", although this name is not commonly used. It, along with the rest of the first fifteen rhapsodies, were published in 1853. After a brief introduction with three glissando-like passages in a rather free time, the tempo changes to "Andante deciso", and the instantly recognizable, lighthearted and carefree first theme is introduced. After a cadenza, the tempo changes to "Allegretto capriccioso" and a much darker theme
The Classical Style (opera) to heaven—disappointed, but understanding. The opera ends with Rosen being visited by the composer Robert Schumann (also descended from heaven), who himself signaled a shift from the Classical era to the Romantic era of classical music. The work is scored for an orchestra consisting of two flutes (doubling piccolos), two oboes, two clarinets, two bassoons, two horns, two trumpets, trombone, timpani, percussion, harpsichord (doubling piano and celesta), and strings. Reviewing the world premiere, Joshua Kosman of the "San Francisco Chronicle" lauded "The Classical Style" as an "exuberantly witty and often touching one-act opera" and wrote, "There has been plenty of