Battle of Kursk spreading rumours among the Soviet frontline troops and the civilian population in the German-held areas. Movement of forces and supplies to and from the salient took place at night only. Ammunition caches were carefully concealed to blend in with the landscape. Radio transmission was restricted and fires were forbidden. Command posts were hidden and motor transport in and around them forbidden. According to a Soviet General Staff report, 29 of the 35 major Luftwaffe raids on Soviet airfields in the Kursk sector in June 1943 were against dummy airfields. According to historian Antony Beevor, in contrast, Soviet aviation apparently succeeded
Kursk (play) affecting and thoughtful too." Lyn Gardner of "The Guardian", described "Kursk" as "a remarkable piece of theatre" and praised its "immersive" approach. In 2011 Jason Blake of "The Sydney Morning Herald" wrote that ""Kursk"'s blending of humour and sentiment, with Dan Jones's masterly sound design and convincing technical detail, makes for an enjoyable, rather than deeply involving, ride." Jon Bausor was nominated for an "Evening Standard" Theatre Award for Best Design in November 2009 for his work on "Kursk". The production was nominated for "Best Touring Production" at the 2010 TMA Awards. Kursk (play) Kursk is a play by the