The Rite of Spring future career in music: "I hope [Stravinsky] appreciated that hundreds—perhaps thousands—of musicians were turned onto "The Rite of Spring" ... through "Fantasia", musicians who might otherwise never have heard the work, or at least not until many years later". In later life Stravinsky claimed distaste for the adaptation, though as Ross remarks, he said nothing critical at the time; according to Ross, the composer Paul Hindemith observed that "Igor appears to love it". Before the first gramophone disc recordings of "The Rite" were issued in 1929, Stravinsky had helped to produce a pianola version of the work for the London
The Rite of Spring Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original. Massine's was the forerunner of many innovative productions directed by the world's leading ballet-masters, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in