Black Country Living Museum Industrial Revolution and 20th century. Standing alongside canal arm are the lime kilns, built by the Earl of Dudley to process limestone quarried from Wren's Nest workings. The earliest of the three surviving kilns dates from the late 18th century. The trap shop was built in 1913 in Rookery Street, Wednesfield. It was offered to the museum in 1982. Sidebotham's Steel Trap Works was not rebuilt in its entirety and the original structure was shortened. The exhibit, set around 1930, contains the office, trap shop and the machine shop. The nail shop is a replica of a back-yard workshop, built
The Living Art Museum space each year, Nýló also promotes artistic expressions in various forms such as [[performance art|performance]], screenings, school visits and workshops to increase program variability. In this way, the museum promotes a critical approach to visual art, while opting to question and reflect on its own current direction and activities at all times. The Living Art Museum does not represent individual artists, but throughout the years has been indisputably important to promoting artists within a nurturing, supportive and non-hierarchical relationship. Nýló is a small institution with an inherent flexibility, which allows the museum to constantly reconsider and revise existing ideas and