Come Away Melinda concerts on May 2 and 3, 1963, which were issued later that year as "Reunion At Carnegie Hall, 1963". Later recordings include those by Judy Collins ("Judy Collins 3"), Theodore Bikel ("A Folksinger's Choice"), Tim Rose ("Tim Rose"), Bobbie Gentry ("Local Gentry"), Uriah Heep ("...Very 'Eavy ...Very 'Umble"), Velvett Fogg ("Velvett Fogg"), UFO ("UFO 1"), Kenny Rankin ("Mind-Dusters"), The Big 3 ("Live at the Recording Studio"), Cat's Eyes, and L.Stadt. In the UK it was a number 47 hit for female singer Barry St. John in 1965. Come Away Melinda "Come Away Melinda" is a song written by Fred Hellerman
Heavy metal guitar Weinstein states that powerful sound, timbre, and volume are the key elements of metal. She argues that the loudness is designed to "sweep the listener into the sound" and to provide a "shot of youthful vitality". In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male" "...[a]t least until the mid-1980s" apart from "... exceptions such as Girlschool". However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it","carv[ing] out a considerable place for [them]selves". Given that most