Giacomo Puccini "La bohème" was "Tosca" (1900), arguably Puccini's first foray into "verismo", the realistic depiction of many facets of real life including violence. Puccini had been considering an opera on this theme since he saw the play "Tosca" by Victorien Sardou in 1889, when he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this "Tosca" the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." The music of "Tosca" employs musical signatures for
Madama Butterfly States in 1906, first in Washington, D.C., in October, and then in New York in November, performed by Henry Savage's New English Opera Company (so named because it performed in English-language translations). In 1906, Puccini wrote a third version, which was performed at the Metropolitan Opera in New York. In 1907, Puccini made several changes in the orchestral and vocal scores, and this became the fourth version, which was performed in Paris. In 1907, Puccini made his final revisions to the opera in a fifth version, which has become known as the "Standard Version" and is the one which is