Bach cantata her company in staged productions, "The Peasant Cantata" and "The Coffee Cantata". In 1931 a recording was made of a performance of , in Barcelona. The number of performances and recordings increased in the decades after the Second World War. In the early 1950s Fritz Lehmann recorded several cantatas with the Berliner Motettenchor and the Berlin Philharmonic. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester. Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the
So, It's Like That members, which he dubbed "far too generic", and claimed that "Pain and Sorrow" is "the only thing that clearly separates Bonamassa from generic boorishness". Reviewing the album for "The Austin Chronicle", Maragaret Moser was also critical of "So, It's Like That", describing many of its songs as "solid but undistinguished", although praised Bonamassa as "a more than adept multi-instrumentalist" and offered him "extra credit for the heartfelt effort". So, It's Like That So, It's Like That is the second studio album by American blues-rock musician Joe Bonamassa. Recorded largely at Harddrive Recording Studio in North Hollywood, California and Blue Iron