Bass clarinet Nos. 4, 7, 8, and 11, and Leoš Janáček's Sinfonietta. All of these works exploit the instrument's dark, powerful lower range. Prokofiev wrote parts for the instrument in his Symphonies Nos. 2–7 and in his ballet "Romeo and Juliet". Sergei Rachmaninoff used the instrument to great effect in his Symphonies Nos. 2 and 3 and in his symphonic poem, "Isle of The Dead". Igor Stravinsky also wrote complex parts for the instrument throughout his career, most prominently in his ballets "The Firebird" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). The bass clarinet has a solo at the opening
The Rite of Spring the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of "Les Marges", who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who wrote: "The idea was excellent, but was not successfully carried out". Calvocoressi failed to observe any direct hostility to the composer—unlike, he said,