Tone (musical instrument) their tone. These may include equalization controls (such as the tone controls on electric guitars, basses, and amplifiers), "gain, drive, or fuzz" controls, reverb, etc. Electronic keyboards and synthesizers typically have multiple patches that can be selected to make the instrument produce a different timbre. Timbre Tone (musical instrument) Tone and sound are terms used by musicians and related professions to refer to the audible characteristics of a player's sound. Tone is the product of all influences on what can be heard by the listener, including the characteristics of the instrument itself, differences in playing technique (e.g. embouchure for woodwind
Electronic musical instrument a commercial modular synthesizer, the Buchla Music Easel. Robert Moog, who had been a student of Peter Mauzey and one of the RCA Mark II engineers, created a synthesizer that could reasonably be used by musicians, designing the circuits while he was at Columbia-Princeton. The Moog synthesizer was first displayed at the Audio Engineering Society convention in 1964. It required experience to set up sounds but was smaller and more intuitive than what had come before, less like a machine and more like a musical instrument. Moog established standards for control interfacing, using a logarithmic 1-volt-per-octave for pitch control and