Brandenburg Concerto No. 5 edited by Karl Geiringer for a publication of the score by Wiener Philharmonischer Verlag. Universal Edition later published Mandyczewski's version in a new revision by . Heinrich Besseler was Bärenreiter's editor for the "Brandenburg Concertos" in the New Bach Edition (Neue Bach-Ausgabe, NBA). In 1959 Bärenreiter published August Wenzinger's performance edition of the fifth "Brandenburg Concerto", based on the 1956 New Bach Edition Urtext, and with a continuo realisation by . Previously, Bärenreiter had also published performance material of the concerto with a continuo realisation by Günter Raphael. Bärenreiter published Alfred Dürr's edition of the early BWV 1050a version of
Piano concertos by Wolfgang Amadeus Mozart of "fiddling" with all the themes, instead is left with the ritornellic impression: Mozart truly uses "art to conceal art". One further point of great importance is the interaction between piano and orchestra. In the earlier concertos, such as the not totally successful No. 13 in C major, and even more so, perforce, in the concertos for two and three pianos, the interaction between the two is limited, but the later concertos develop the subtle relations between them to a high degree; for example, in No. 16, K. 451. His later concertos are truly described as concertos for "piano and