The Rite of Spring a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of the Sacre du Printemps". By May 1910 Stravinsky was discussing his idea with Nicholas Roerich, the foremost Russian expert on folk art and ancient rituals. Roerich had a reputation as an artist and mystic, and had provided the stage designs for Diaghilev's 1909 production of the "Polovtsian Dances". The pair quickly agreed on a working title, "The Great Sacrifice" (Russian: "Velikaia zhertva"); Diaghilev gave his blessing to the work, although the collaboration was put on hold for a
Picasso and the Ballets Russes travel back to the land of human beings" after spending time with Diaghilev. Diaghilev, however, valued Picasso's work, and the drop curtain he created for "Le Train Bleu" - the painting of which was completed not by Picasso, but by Prince Alexander Schervashidze - was deemed so impressive that Diaghilev used it as the logo for the Ballets Russes. The writer Jean Cocteau, who introduced Picasso to Diaghilev, wrote the scenario for "Parade", and was Picasso’s neighbor in Rome said, "Picasso amazes me every day, to live near him is a lesson in nobility and hard work ... A badly