The Rite of Spring Monteux, "The musicians thought it absolutely crazy". At one point—a climactic brass fortissimo—the orchestra broke into nervous laughter at the sound, causing Stravinsky to intervene angrily. The role of the sacrificial victim was to have been danced by Nijinsky's sister, Bronislava Nijinska; when she became pregnant during rehearsals, she was replaced by the then relatively unknown Maria Piltz. Paris's Théâtre des Champs-Élysées was a new structure, which had opened on 2 April 1913 with a programme celebrating the works of many of the leading composers of the day. The theatre's manager, Gabriel Astruc, was determined to house the 1913 Ballets
Rite of Spring (film) also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era". Rite of Spring (film) Rite of Spring (Portuguese: Acto da Primavera) is a 1963 Portuguese film directed by Manoel de Oliveira, his second feature. The poet and director António Reis was the film's assistant director, and his influence can be felt deeply throughout it. (The film was included in the film program "The School of Reis" in 2012.) The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about