Hungarian Rhapsody No. 19 transcribed." On the transcription itself, Horowitz mentions some "doubling and expanding" in the lassan section, while changing the form of the friska section, noting that Liszt "repeats the same thing," describing it as "a little bit naïve." Another aspect of Horowitz's transcription was the ending, which he made "more brilliant ... but not brilliancy for its own sake". Horowitz also told Frost: Hungarian Rhapsody No. 19 Hungarian Rhapsody No. 19 (S.244/19) in D minor is the last of a set of 19 Hungarian Rhapsodies by the Hungarian composer Franz Liszt. It was written in 1885. "Hungarian Rhapsody No. 19" is
Alexander Mackenzie (composer) 19th- and early 20th-century Britain". During his time teaching in Edinburgh, Mackenzie wrote several works, including a piano trio, a string quartet and a piano quartet, and he maintained a considerable output despite his crowded schedule both then and later. "The Times" reported that his list of compositions numbered 90, of which 20 were distinctly Scottish. His orchestral works include the overture "Cervantes", performed at Schwarzburg-Sondershausen in 1877, three "Scottish Rhapsodies", a violin concerto premiered by Pablo de Sarasate at the Birmingham Festival of 1885, a "Scottish" concerto for piano (1897), a suite, "London Day by Day" (1902), and a