Jane Austen arranged for his sister to be buried in the north aisle of the nave of Winchester Cathedral. The epitaph composed by her brother James praises Austen's personal qualities, expresses hope for her salvation and mentions the "extraordinary endowments of her mind", but does not explicitly mention her achievements as a writer. After Austen's death, Cassandra, Henry Austen and Murray arranged for the publication of "Persuasion" and "Northanger Abbey" as a set. Henry Austen contributed a "Biographical Note" which for the first time identified his sister as the author of the novels. Tomalin describes it as "a loving and polished eulogy".
Reception history of Jane Austen family. James Edward Austen-Leigh had a portrait of Jane Austen painted, based on the earlier watercolour, softening her image and making her presentable to the Victorian public. The engraving by Bentley which formed the frontispiece of "Memoir" is based on the idealised image. The publication of the "Memoir" spurred a major reissue of Austen's novels. The first popular editions were released in 1883—a cheap sixpenny series published by Routledge. This was followed by a proliferation of elaborate illustrated editions, collectors' sets, and scholarly editions. However, contemporary critics continued to assert that her works were sophisticated and only appropriate for those