Hungarian Rhapsody No. 2 expression. These elements would eventually play a significant role in Liszt's compositions. Although this prolific composer's works are highly varied in style, a relatively large part of his output is nationalistic in character, the "Hungarian Rhapsodies" being an ideal example. Composed in 1847 and dedicated to Count László Teleki, "Hungarian Rhapsody No. 2" was first published as a piano solo in 1851 by Senff and Ricordi. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler, and published by Schuberth. In addition to the orchestral version,
Hungarian Dances (Brahms) Hungarian Dances include Nos. 1 and 5, the latter which was based on the csárdás "" (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong. A footnote on the Ludwig-Masters edition of a modern orchestration of Hungarian Dance No.1 states: "The material for this dance is believed to have come from the "Divine Csárdás" (ca. 1850) of Hungarian composer and conductor Miska Borzó." Brahms wrote orchestral arrangements for Nos. 1, 3 and 10. Other composers have orchestrated the other dances. These composers include Antonín Dvořák (Nos. 17 to 21), Andreas Hallén (Nos. 2,