The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
The Firebird and Princess Vasilisa The king demanded that he bring him the bird. The huntsman went to his horse, who told him to demand that measures of corn be spread over the fields. He did, and the firebird came to eat and was caught. He brought it to the king, who said that because he had done that, now he must bring him Princess Vasilisa to be his bride. The horse had him demand food and drink for the journey, and a tent with a golden top. With it, they set out to a lake where the princess was rowing. He set up the