The Firebird Bakst. For Stravinsky, it was a major breakthrough both with the public and with the critics, Michel-Dimitri Calvocoressi in particular hailing Stravinsky as the legitimate heir to The Mighty Handful. "The Firebird"'s success also secured Stravinsky's position as Diaghilev's star composer, and there were immediate talks of a sequel, leading to the composition of "Petrushka" and "The Rite of Spring". "Mark him well—said Sergei Diaghilev to Tamara Karsavina, who was dancing the title role—he is a man on the eve of celebrity..." Stravinsky used several ideas from works by Rimsky-Korsakov in his score. Koschei's "Infernal Dance" borrows the highly chromatic
The Firebird scale Rimsky-Korsakov created for the character Chernobog in his opera "Mlada". The Khorovod, meanwhile, uses the same folk tune Rimsky-Korsakov presented in his Sinfonietta, Op. 31. The "Firebird" has been restaged by many choreographers, including George Balanchine and Jerome Robbins (co-choreographers), Graeme Murphy, Alexei Ratmansky, and Yuri Possokhov. The ballet was revived in 1934 by Colonel Wassily de Basil's company, the Ballets Russes de Monte-Carlo, in a production staged in London, using the original decor and costumes from Diaghilev's company. The company subsequently performed the ballet in Australia, during the 1936–37 tour. The work was staged by George Balanchine for