Brandenburg Concerto No. 5 the concerto to the set of "Brandenburg Concertos" in 1721 he had reworked it for a two-manual harpsichord, expanding the accompaniment with an additional cello part. Because of the limited input of the violin and flute solo parts, as compared to that of the harpsichord, the concerto can be seen as a harpsichord concerto, moreover, the first harpsichord concerto ever written. Nonetheless, the structure of the concerto and the soloist material of the harpsichordist are greatly indebted to violin concertos such as Vivaldi's "Grosso mogul" (which Bach had transcribed for organ, BWV 594) and Johann Ernst of Saxe-Weimar's G major
Piano concertos by Wolfgang Amadeus Mozart orchestra" rather than the more obviously "piano" concertos of the nineteenth century (e.g., that of Grieg etc.). Because Mozart was developing the form of his concertos as he wrote them and not following any preconceived "rules" (apart, presumably, from his own judgement of taste), many of the concertos contravene one or other of the generalisations given above. For example, K. 488 in A major lacks new expositional material, and "merely" repeats the preludial material; further, it effectively merges the first ritornello and the middle section, as does K. 449 in E. Several of the later concertos do not hesitate to