Hungarian Rhapsody No. 2 expression. These elements would eventually play a significant role in Liszt's compositions. Although this prolific composer's works are highly varied in style, a relatively large part of his output is nationalistic in character, the "Hungarian Rhapsodies" being an ideal example. Composed in 1847 and dedicated to Count László Teleki, "Hungarian Rhapsody No. 2" was first published as a piano solo in 1851 by Senff and Ricordi. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler, and published by Schuberth. In addition to the orchestral version,
Piano ballad Op. 122 (1852–53) which were written for piano and voice. Claude Debussy, a later composer, also wrote for piano and voice with his "Trois Ballades de François Villon" (, 1910). Works for piano and orchestra also bearing the title "ballad" have been written. These include Fauré's "Ballade", op. 19, which was written in 1881, and Charles Koechlin's "Ballade" for piano and orchestra, op. 50, written between 1911–1919. This work also exists as a solo work for piano. Piano ballad In 19th century romantic music, a piano ballad is a piece for solo piano written in a balletic narrative style, often