The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
The Rite of Spring the public would receive the work, and suggested that they might react badly if they thought they were being mocked. On the evening of 29 May, Gustav Linor reported, "Never ... has the hall been so full, or so resplendent; the stairways and the corridors were crowded with spectators eager to see and to hear". The evening began with "Les Sylphides", in which Nijinsky and Karsavina danced the main roles. "The Rite" followed. Some eyewitnesses and commentators said that the disturbances in the audience began during the Introduction, and grew in a crescendo when the curtain rose on the stamping