Brandenburg Concerto No. 5 on the autographs in the Berlin State Library, was published by C. F. Peters in 1852. The next year the concerto was performed in the Gewandhaus in Leipzig. The Bach Gesellschaft (BG) published the "Brandenburg Concertos" in 1871, edited by Wilhelm Rust. Max Reger's orchestral arrangement of the concerto was published by Breitkopf & Härtel in 1915. Reger also arranged the concerto for piano duet. Arnold Schering's score edition of the concerto was based on the BG version and was published by Eulenburg in the late 1920s. Around 1925 Eusebius Mandyczewski provided a continuo realisation for the concerto, which was
Piano concertos by Wolfgang Amadeus Mozart of "fiddling" with all the themes, instead is left with the ritornellic impression: Mozart truly uses "art to conceal art". One further point of great importance is the interaction between piano and orchestra. In the earlier concertos, such as the not totally successful No. 13 in C major, and even more so, perforce, in the concertos for two and three pianos, the interaction between the two is limited, but the later concertos develop the subtle relations between them to a high degree; for example, in No. 16, K. 451. His later concertos are truly described as concertos for "piano and