Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Clarinet-cello-piano trio ensembles, such as Tashi, as well as by ad hoc groups. The original repertoire for clarinet, cello and piano (by name of composer with date & publisher where known) includes: In addition to this original repertoire, one can pick some pieces for clarinet-viola-piano trio or clarinet-violin-piano trio and replace the viola (violin) by the cello, or replace the violin by the clarinet in a classical Piano trio; cases where the composer has foreseen this possibility are listed above. Other substitutions are possible: The available repertoire has been expanded by transcribers (other than the composers, whose own transcriptions are listed under