Brandenburg Concerto No. 5 edited by Karl Geiringer for a publication of the score by Wiener Philharmonischer Verlag. Universal Edition later published Mandyczewski's version in a new revision by . Heinrich Besseler was Bärenreiter's editor for the "Brandenburg Concertos" in the New Bach Edition (Neue Bach-Ausgabe, NBA). In 1959 Bärenreiter published August Wenzinger's performance edition of the fifth "Brandenburg Concerto", based on the 1956 New Bach Edition Urtext, and with a continuo realisation by . Previously, Bärenreiter had also published performance material of the concerto with a continuo realisation by Günter Raphael. Bärenreiter published Alfred Dürr's edition of the early BWV 1050a version of
Piano concertos by Wolfgang Amadeus Mozart orchestra" rather than the more obviously "piano" concertos of the nineteenth century (e.g., that of Grieg etc.). Because Mozart was developing the form of his concertos as he wrote them and not following any preconceived "rules" (apart, presumably, from his own judgement of taste), many of the concertos contravene one or other of the generalisations given above. For example, K. 488 in A major lacks new expositional material, and "merely" repeats the preludial material; further, it effectively merges the first ritornello and the middle section, as does K. 449 in E. Several of the later concertos do not hesitate to