Csárdás (Liszt) Csárdás (Liszt) The three csárdás that Franz Liszt wrote in 1881-2 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the "verbunkos" in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's
Piano Sonata (Dutilleux) piece with echoes of Bartók and Prokofiev" as well as a "sonata that Debussy might have written... sensuous and classical". Piano Sonata (Dutilleux) Henri Dutilleux wrote his only piano sonata in 1947–1948. It was dedicated to and premièred by his wife Geneviève Joy on 30 April 1948. It has since become one of the most acclaimed post-World War II works in the genre and has been championed by major pianists such as John Ogdon, Robert Levin, John Chen and Claire-Marie Le Guay. Although Dutilleux had been active as a composer for ten years when he wrote his piano sonata, he