Horn (instrument) the "trombon da caccia" called for by Vivaldi in his opera "Orlando finto pazzo" (1714), and his Concerto in F for violin, two "trombon da caccia", two oboes, and bassoon, RV574, was also a hooped horn. In the eighteenth century some outstanding concertos were written for solo horn and orchestra by Telemann, Christoph Förster, Michael and Joseph Haydn, Leopold and Wolfgang Amadeus Mozart, and Carl Stamitz. Concerti grossi include concertos for two horns by Vivaldi and Bach’s First Brandenburg Concerto. At the end of the century Beethoven composed a Sonata for Horn and Piano in F major, Op. 17, for
Horn Concertos (Mozart) Horn Concertos (Mozart) The Horn Concertos by Wolfgang Amadeus Mozart were written for his friend Joseph Leutgeb whom he had known since childhood. Leutgeb was a skilled player, as the works are very difficult to perform on the natural horn of the period, requiring lip trills, much hand-stopping, and rapid tonguing. In addition to the four works listed above, there are two incomplete concerto movements, K. 370b and the Concert Rondo, K. 371, both from 1781 and both in E-flat major, and a 91-bar fragment of the first movement for a concerto in E major (K. 494a), written in 1785