Johann Sebastian Bach he submitted them in the hope of gaining employment from Margrave Christian Ludwig of Brandenburg-Schwedt in 1721; his application was unsuccessful. These works are examples of the concerto grosso genre. Bach composed and transcribed concertos for one to four harpsichords. Many of the harpsichord concertos were not original works, but arrangements of his concertos for other instruments now lost. A number of violin, oboe, and flute concertos have been reconstructed from these. In addition to concertos, Bach wrote four orchestral suites, each suite being a series of stylised dances for orchestra, preceded by a French overture. In his early youth,
Twelve Concertos, Op. 7 (Vivaldi) RV Anh. 142 (formerly RV 464); and No. 9 in B-flat major for violin, RV Anh. 153 (formerly RV 373). Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: