Brandenburg Concerto No. 5 Another coincidence is that the concerto's middle movement is built on a theme composed by Marchand, as if Bach wanted to show off to his prospective competitor how he could elaborate that theme quite differently from its composer's original treatment. The possibility of a performance of the early version of the fifth "Brandenburg Concerto" in Dresden in 1717 was first tentatively proposed by harpsichordist and musicologist in the early 1990s. Although the hypothesis rests on a complex of circumstantial indications without direct evidence, it has been picked up by Bach scholars. Formally the fifth "Brandenburg Concerto" is a concerto grosso,
Brandenburg Concertos of silver. The autograph manuscript of the concertos was only rediscovered in the archives of Brandenburg by Siegfried Wilhelm Dehn in 1849; the concertos were first published in the following year. The manuscript was nearly lost in World War II, when being transported for safekeeping to Prussia by train in the care of a librarian. The train came under aerial bombardment, and the librarian escaped the train to the nearby forest, with the scores hidden under his coat. In the modern era these works have been performed by orchestras with the string parts each played by a number of players,