Thriller (Michael Jackson album) gifted vocalist". "Rolling Stone" critic Stephen Holden likened his vocals to the "breathless, dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly." With the release of "Thriller", Jackson could sing low—down to a basso low C—but he preferred to sing higher because pop tenors have more range to create style. "Rolling Stone" critic Christopher Connelly wrote that Jackson was now singing in a "fully adult voice" that was "tinged by sadness". "P.Y.T. (Pretty Young Thing)", credited to James Ingram and Quincy Jones and "The
Michael Jackson New York, Jackson frequented the Studio 54 nightclub and was exposed to early hip hop, influencing his beatboxing on future tracks such as "Working Day and Night". In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations. Jackson's fifth solo album, "Off the Wall" (1979), co-produced by Jackson and Jones, established Jackson as a solo performer. The album helped Jackson transition from the bubblegum pop of