Late works of Franz Liszt to Saint-Saëns. The three czárdás that Liszt wrote—titled "Czárdás", "Czárdás obstinée" and "Czárdás macabre"—are less freely treated than the Hungarian Rhapsodies and remain more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of Bartók's work. Because of these attributes, the czárdás are considered by Liszt scholars among the more interesting of the composer's late output. The same, some critics argue, cannot be said as uniformly about his Hungarian Rhapsodies 16-19, composed after he had neglected the genre 30 years. Of these four late rhapsodies, only the
Aporias: Requia for Piano and Orchestra Aporias: Requia for Piano and Orchestra Aporias: Requia for Piano and Orchestra is an album of contemporary classical music by American composer and saxophonist/multi-instrumentalist John Zorn performed by Stephen Drury, the Hungarian Radio Children's Choir and the American Composers Orchestra. The Allmusic review by Joslyn Layne awarded the album 3½ stars stating "the first three sections of this modern orchestral work are elusive, a crinoline fog of overtones emanating from various parts of the orchestra, be it the string section, or the boy sopranos of the Hungarian radio children's choir. The immediate opening lures you in with a few familiar