Brandenburg Concerto No. 5 the concerto to the set of "Brandenburg Concertos" in 1721 he had reworked it for a two-manual harpsichord, expanding the accompaniment with an additional cello part. Because of the limited input of the violin and flute solo parts, as compared to that of the harpsichord, the concerto can be seen as a harpsichord concerto, moreover, the first harpsichord concerto ever written. Nonetheless, the structure of the concerto and the soloist material of the harpsichordist are greatly indebted to violin concertos such as Vivaldi's "Grosso mogul" (which Bach had transcribed for organ, BWV 594) and Johann Ernst of Saxe-Weimar's G major
Twelve Concertos, Op. 7 (Vivaldi) RV Anh. 142 (formerly RV 464); and No. 9 in B-flat major for violin, RV Anh. 153 (formerly RV 373). Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: