The Salesman (2016 film) make a film until he decided his protagonists should be stage actors. Part of this decision owed to Farhadi's own background in the theatre, and his desire to re-immerse himself in that atmosphere. He also felt actors had to think of themselves as other people and create empathy, and his male protagonist would be forced to feel empathy for another man. Looking for a play within the film, Farhadi researched the work of Jean-Paul Sartre and Henrik Ibsen before finding Arthur Miller's "Death of a Salesman", which he described as "a gift for me". In Miller's play and his script,
Death of a Salesman and it is undoubtedly the best American play since "A Streetcar Named Desire".” The play reached London on July 28, 1949. London responses were mixed, but mostly favorable. "The Times" criticized it, saying that “the strongest play of New York theatrical season should be transferred to London in the deadest week of the year.” However, the public understanding of the ideology of the play was different from that in America. Some people, such as Eric Keown, think of "Death of a Salesman" as "a potential tragedy deflected from its true course by Marxist sympathies." The play was hailed as “the