Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Piano ballad Op. 122 (1852–53) which were written for piano and voice. Claude Debussy, a later composer, also wrote for piano and voice with his "Trois Ballades de François Villon" (, 1910). Works for piano and orchestra also bearing the title "ballad" have been written. These include Fauré's "Ballade", op. 19, which was written in 1881, and Charles Koechlin's "Ballade" for piano and orchestra, op. 50, written between 1911–1919. This work also exists as a solo work for piano. Piano ballad In 19th century romantic music, a piano ballad is a piece for solo piano written in a balletic narrative style, often