Keyboard concertos by Johann Sebastian Bach that Bach composed the original in Weimar or Cöthen.) Both relate the work to performances by Bach of concerted movements for organ and orchestra in Dresden and Leipzig. Wolff also details why the violinistic figuration in the harpsichord part does not demonstrate that it is a transcription from a previous violin part; for one thing, the "extended and extreme passagework" in the solo part "cannot be found in any of Bach's violin concertos"; for another, he points to other relevant Bach keyboard works that "display direct translations of characteristic violin figuration into idiomatic passagework for the keyboard." Also did not
Piano concertos by Wolfgang Amadeus Mozart given by Cliff Eisen in 1997 is: Cadenzas to at least K. 466 and 467 also possibly existed. These cadenzas are part of the public domain and can be accessed here: http://imslp.org/wiki/36_Cadenzas,_K.624_%28Mozart,_Wolfgang_Amadeus%29 Piano concertos by Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart wrote 23 original concertos for piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him. For a long time relatively neglected, they are recognised as among his greatest achievements. They were championed by Donald Francis Tovey in his "Essay on the Classical Concerto"