The Rite of Spring of the evening Stravinsky had asserted that "Monteux, almost alone among conductors, never cheapened "Rite" or looked for his own glory in it, and he continued to play it all his life with the greatest fidelity". Commentators have often described "The Rite"s music in vivid terms; Paul Rosenfeld, in 1920, wrote of it "pound[ing] with the rhythm of engines, whirls and spirals like screws and fly-wheels, grinds and shrieks like laboring metal". In a more recent analysis, "The New York Times" critic Donal Henahan refers to "great crunching, snarling chords from the brass and thundering thumps from the timpani". The
The Forbidden Rite The Forbidden Rite The Forbidden Rite is a 1962 Australian TV play. It is a filmed ballet - the first ballet written in Australia exclusively for TV. On a Mediterranean island, a tourist party inspects the ruins of a shrine built to the goddess of love. "The Forbidden Rite" was composed by Robert Hughes, a music writer and arranger for the Victorian Symphony Orchestra. It is the first work commissioned for the Alfred Hill Memorial Award. The ballet was choreographed by Rex Reid. The "Sydney Morning Herald" called "The Forbidden Rite" "a triple success for composer Robert Hughes, producer William