Piano Concerto (Massenet) B major, is a slow, deliberate promenade featuring the piano prominently throughout. There are sweeping orchestral flourishes in the middle of this movement. Eventually the music comes to a restful reprise of the theme, and the movement ends quietly in a fading murmur. The third movement, in C minor, is subtitled "Airs Slovaques", alluding to the ersatz Slovak-like dance tune Massenet uses throughout. The brief 2/4 section towards the end evokes the virtuosic passages of Liszt's Hungarian Rhapsodies, before returning to the main theme, perpetually accelerating into tumbling passages in the piano and flamboyant outbursts in the orchestra. Massenet adds
Romanian Rhapsodies (Enescu) reputation as a composer". He himself recorded each of the rhapsodies three times, but he viewed requests for yet more recordings as "un grosse affaire commerciale". Both rhapsodies have received dozens of recordings by other conductors and orchestras. Romanian Rhapsodies (Enescu) The two Romanian Rhapsodies, Op. 11, for orchestra, are George Enescu's best-known compositions. They were written in 1901, and first performed together in 1903. The two rhapsodies, and particularly the first, have long held a permanent place in the repertory of every major orchestra. They employ elements of lăutărească music, vivid Romanian rhythms, and an air of spontaneity. They