The Rite of Spring piano version, subsequently lost, which he may have used to demonstrate the work to Diaghilev and the Ballet Russes conductor Pierre Monteux in April 1912. He also made a four-hand piano arrangement which became the first published version of "The Rite"; he and the composer Claude Debussy played the first half of this together, in June 1912. Following Diaghilev's decision to delay the premiere until 1913, Stravinsky put " The Rite" aside during the summer of 1912. He enjoyed the Paris season, and accompanied Diaghilev to the Bayreuth Festival to attend a performance of "Parsifal". Stravinsky resumed work on "The
The Rite of Spring the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of "Les Marges", who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who wrote: "The idea was excellent, but was not successfully carried out". Calvocoressi failed to observe any direct hostility to the composer—unlike, he said,