Late works of Franz Liszt to Saint-Saëns. The three czárdás that Liszt wrote—titled "Czárdás", "Czárdás obstinée" and "Czárdás macabre"—are less freely treated than the Hungarian Rhapsodies and remain more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of Bartók's work. Because of these attributes, the czárdás are considered by Liszt scholars among the more interesting of the composer's late output. The same, some critics argue, cannot be said as uniformly about his Hungarian Rhapsodies 16-19, composed after he had neglected the genre 30 years. Of these four late rhapsodies, only the
Clarinet-cello-piano trio ensembles, such as Tashi, as well as by ad hoc groups. The original repertoire for clarinet, cello and piano (by name of composer with date & publisher where known) includes: In addition to this original repertoire, one can pick some pieces for clarinet-viola-piano trio or clarinet-violin-piano trio and replace the viola (violin) by the cello, or replace the violin by the clarinet in a classical Piano trio; cases where the composer has foreseen this possibility are listed above. Other substitutions are possible: The available repertoire has been expanded by transcribers (other than the composers, whose own transcriptions are listed under