Brandenburg Concertos been debated what instrument Bach had in mind for the "fiauti d'echo" parts. Nowadays these are usually played on alto recorders, although traverse flutes are sometimes used instead: it is also theorized Bach's original intent may have been the flageolet. In some performances, such as those conducted by Nikolaus Harnoncourt, the two recorders are positioned offstage, thus giving an "echo" effect. Bach adapted the 4th Brandenburg concerto as a harpsichord concerto, BWV 1057. Title on autograph score: Concerto 5 à une Traversiere, une Violino principale, une Violino è una Viola in ripieno, Violoncello, Violone è Cembalo concertato. "Concertino": harpsichord, violin,
Twelve Concertos, Op. 7 (Vivaldi) RV Anh. 142 (formerly RV 464); and No. 9 in B-flat major for violin, RV Anh. 153 (formerly RV 373). Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: