Palace of Versailles to the Palace in 1682. The bed is a replica of the original commissioned by King Louis-Philippe in the 19th century when he turned the Palace into a Museum. The ceiling paintings by the Flemish artist Jean Baptiste de Champaigne depicts the god Mercury in his chariot, drawn by a rooster, and Alexander the Great and Ptolemy surrounded by scholars and philosophers. The Automaton Clock was made for the King by the royal clockmaker Antoine Morand in 1706. When it chimes the hour, figures of Louis XIV and Fame descend from a cloud. The Salon of Mars was used by
History of the Palace of Versailles well as a symbol of the system of absolute monarchy of the Ancien Régime. The earliest mention of the name of Versailles is found in a document which predates 1038, the Charte de l'abbaye Saint-Père de Chartres (Charter of the Saint-Père de Chartres Abbey), in which one of the signatories was a certain Hugo de Versailliis (Hugues de Versailles), who was seigneur of Versailles. During this period, the village of Versailles centred on a small castle and church, and the area was governed by a local lord. Its location on the road from Paris to Dreux and Normandy brought some