Bass clarinet Nos. 4, 7, 8, and 11, and Leoš Janáček's Sinfonietta. All of these works exploit the instrument's dark, powerful lower range. Prokofiev wrote parts for the instrument in his Symphonies Nos. 2–7 and in his ballet "Romeo and Juliet". Sergei Rachmaninoff used the instrument to great effect in his Symphonies Nos. 2 and 3 and in his symphonic poem, "Isle of The Dead". Igor Stravinsky also wrote complex parts for the instrument throughout his career, most prominently in his ballets "The Firebird" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). The bass clarinet has a solo at the opening
Picasso and the Ballets Russes Picasso and the Ballets Russes Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's "Parade" (1917, choreography: Léonide Massine), "Le Tricorne" ("The Three-Cornered Hat") (1919, choreography: Massine), "Pulcinella" (1920, choreographer: Massine), and "Cuadro Flamenco" (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of "La Boutique fantasque" ("La course"), (1919, choreography: Massine). and designed the drop curtain for "Le Train Bleu" (1924, choreography: Bronislava Nijinska), based on his painting, "Two Women Running on the Beach" ("The Race"), 1922. The