Tafelmusik significant composers of "Tafelmusik" included Johann Schein, whose "Banchetto musicale" of 1617 acquired considerable fame, and Michael Praetorius, who wrote about the phenomenon of "Tafelmusik" in his "Syntagma musicum" of 1619. Music from Schein's collection is still performed by early music ensembles with some regularity. The "Tafelmusik" or "Musique de Table" by the Baroque composer Georg Philipp Telemann is perhaps his most celebrated collection of music. Composed in 1733, Telemann's "Tafelmusik" has been compared as a collection to the renowned Brandenburg concertos of Johann Sebastian Bach in clearly demonstrating the composer’s supreme skill in handling a diversity of musical genres
Piano concertos by Wolfgang Amadeus Mozart Piano concertos by Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart wrote 23 original concertos for piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him. For a long time relatively neglected, they are recognised as among his greatest achievements. They were championed by Donald Francis Tovey in his "Essay on the Classical Concerto" in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively. Hans Tischler published a structural and thematic analysis of the concertos in 1966,