Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16, S.244/16, in A minor, is the sixteenth Hungarian Rhapsody composed by Franz Liszt for solo piano. Being one of the later Hungarian Rhapsodies, it was composed and published in 1882. The rhapsody, subtitled "Budapest Munkácsy-Festlichkeiten", has a duration of approximately five minutes and is dedicated to Mihály Munkácsy. It was arraged for piano four-hands by the composer himself, marked as S.622, published in the same year. The piece begins with an outset of the main theme, hovering around A Minor, but with a distinct ambiguity of tonality. This section ends with a
Classical music of the United Kingdom in three "Scottish Rhapsodies" for orchestra (1880–81, 1911), and in various concerted works for piano or violin and orchestra composed during the 1880s and 1890s. Similarly, John McEwen's "Pibroch" (1889), "Border Ballads" (1908) and "Solway Symphony" (1911) also incorporated traditional Scottish folk melodies. Under the Anglo-Irish Treaty of 1921, twenty-six of Ireland's thirty-two counties, including the city of Dublin, were formally separated from the United Kingdom. While the two countries continued to share a classical music heritage, they would now develop on different lines. In what was now the United Kingdom of Great Britain and Northern Ireland, the outstanding composers