Hungarian Pictures Hungarian Pictures Hungarian Pictures, sometimes also referred to as Hungarian Sketches, Sz. 97, BB 103 () is a suite for orchestra by Hungarian composer Béla Bartók finished in 1931. The suite consists of orchestrations of earlier short pieces for piano composed between 1908 and 1911. The original piano pieces were created during Bartók's journey around Romania and Hungary, when he started collecting and arranging folk music that further transformed his somewhat Lisztian early style into the style he came to develop. Therefore, many of the compositions from this period were either based on folk music or created from scratch with
Rhapsodies for Orchestra idea and others take it up." Gantz added that it "worked out better in theory than in practice, though I liked the section in which the viola crooned over the orchestra’s 12-note ostinato." Likewise, Lawrence A. Johnson of the "Chicago Classical Review" called it "not one of Stucky’s more essential pieces" and noted that "Stucky’s debt to Witold Lutosławski [was] at times glaringly evident." Music critic Carla Rees similarly opined: Rhapsodies for Orchestra Rhapsodies for Orchestra is a single-movement orchestral composition by the American composer Steven Stucky. The work was jointly commissioned by the New York Philharmonic and the BBC