Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16, S.244/16, in A minor, is the sixteenth Hungarian Rhapsody composed by Franz Liszt for solo piano. Being one of the later Hungarian Rhapsodies, it was composed and published in 1882. The rhapsody, subtitled "Budapest Munkácsy-Festlichkeiten", has a duration of approximately five minutes and is dedicated to Mihály Munkácsy. It was arraged for piano four-hands by the composer himself, marked as S.622, published in the same year. The piece begins with an outset of the main theme, hovering around A Minor, but with a distinct ambiguity of tonality. This section ends with a
The Classical Style (opera) to heaven—disappointed, but understanding. The opera ends with Rosen being visited by the composer Robert Schumann (also descended from heaven), who himself signaled a shift from the Classical era to the Romantic era of classical music. The work is scored for an orchestra consisting of two flutes (doubling piccolos), two oboes, two clarinets, two bassoons, two horns, two trumpets, trombone, timpani, percussion, harpsichord (doubling piano and celesta), and strings. Reviewing the world premiere, Joshua Kosman of the "San Francisco Chronicle" lauded "The Classical Style" as an "exuberantly witty and often touching one-act opera" and wrote, "There has been plenty of