Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Romanian Rhapsodies (Enescu) Enescu maintained this order of performance throughout his life. The Rhapsody No. 1 in A major is dedicated to the composer and pedagogue (a fellow student with Enescu in André Gedalge's counterpoint class at the Conservatoire), and is the better known of the two rhapsodies. The essence of this rhapsody is the dance. Enescu claimed that it was "just a few tunes thrown together without thinking about it", but his surviving sketches show that he carefully worked out the order in which the melodies should appear, and the best instrumental setting for each one. It was completed on 14 August