Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Hungarian Dances (Brahms) Hungarian Dances include Nos. 1 and 5, the latter which was based on the csárdás "" (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong. A footnote on the Ludwig-Masters edition of a modern orchestration of Hungarian Dance No.1 states: "The material for this dance is believed to have come from the "Divine Csárdás" (ca. 1850) of Hungarian composer and conductor Miska Borzó." Brahms wrote orchestral arrangements for Nos. 1, 3 and 10. Other composers have orchestrated the other dances. These composers include Antonín Dvořák (Nos. 17 to 21), Andreas Hallén (Nos. 2,