Dante Gabriel Rossetti Heaven. Around 1860, Rossetti returned to oil painting, abandoning the dense medieval compositions of the 1850s in favour of powerful close-up images of women in flat pictorial spaces characterised by dense colour. These paintings became a major influence on the development of the European Symbolist movement. In them, Rossetti's depiction of women became almost obsessively stylised. He portrayed his new lover Fanny Cornforth as the epitome of physical eroticism, whilst Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. "As in Rossetti's previous reforms, the new kind of subject appeared in the context
Life of William Blake by his widow Anne Gilchrist with help from Dante Gabriel Rossetti and William Michael Rossetti. The book became the first standard text on the Blake, a foundation of the extensive scholarship on his life and work. The original 1863 edition was subtitled 'Pictor Ignotus', Latin for "unknown artist", a common phrase used for unattributed artworks. Here it refers to Blake's obscurity at the time. The phrase was taken from the recently published poem of that title by Robert Browning, part of which was used as an epigraph. A second edition was published in 1880, this included additional material and revisions