The Rite of Spring former's student days, considered "The Rite" a masterpiece that had created "the decade of the displaced accent and the polytonal chord". Copland adopted Stravinsky's technique of composing in small sections which he then shuffled and rearranged, rather than working through from beginning to end. Ross cites the music of Copland's ballet "Billy the Kid" as coming directly from the "Spring Rounds" section of "The Rite". For Olivier Messiaen "The Rite" was of special significance; he constantly analysed and expounded on the work, which gave him an enduring model for rhythmic drive and assembly of material. After the premiere the writer
The Rite of Spring critical triumph. It has remained in the company's repertoire for more than 50 years; after its revival in May 2011 "The Daily Telegraph"s critic Mark Monahan called it one of the Royal Ballet's greatest achievements. Moscow first saw "The Rite" in 1965, in a version choreographed for the Bolshoi Ballet by Natalia Kasatkina and Vladimir Vasiliev. This production was shown in Leningrad four years later, at the Maly Opera Theatre, and introduced a storyline that provided the Chosen One with a lover who wreaks vengeance on the elders after the sacrifice. Johnson describes the production as "a product of state