Paris in the Belle Époque of Richard Wagner, he went on to experiment with impressionism in music, atonal music and chromaticism. His most famous works include "Clair de Lune" for piano (written ca. 1890, published 1905), "La Mer" for orchestra (1905) and the opera "Pelléas et Mélisande" (1903-1905). The most revolutionary composer to work in Paris during the "Belle Époque" was the Russian-born Igor Stravinsky. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: "The Firebird" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). The last of these transformed the
The Rite of Spring of musical language that they could never again be put together as before". The academic and critic Jan Smaczny, echoing Bernstein, calls it one of the 20th century's most influential compositions, providing "endless stimulation for performers and listeners". According to Kelly the 1913 premiere might be considered "the most important single moment in the history of 20th century music", and its repercussions continue to reverberate in the 21st century. Ross has described "The Rite" as a prophetic work, presaging the "second avant-garde" era in classical composition—music of the body rather than of the mind, in which "[m]elodies would follow the