Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Classical piano in Cuba she has also offered Master Classes at Miami’s New World Symphony and the European Piano Teachers Association in Blonay, Switzerland. Classical piano in Cuba After its arrival in Cuba at the end of the 18th century, the pianoforte (commonly called piano) rapidly became one of the favorite instruments among the Cuban population. Along with the humble guitar, the piano accompanied the popular Cuban guarachas and contradanzas (derived from the European country dance) at salons and ballrooms in Havana and all over the country. As soon as in 1804, a concert program in Havana announced a vocal concert “accompanied at the