The Rite of Spring that the Diaghilev–Stravinsky collaboration would continue, in the first instance with "Petrushka" (1911) and then "The Rite of Spring". In a note to the conductor Serge Koussevitzky in February 1914, Stravinsky described "The Rite of Spring" as "a musical-choreographic work, [representing] pagan Russia ... unified by a single idea: the mystery and great surge of the creative power of Spring". In his analysis of "The Rite", Pieter van den Toorn writes that the work lacks a specific plot or narrative, and should be considered as a succession of choreographed episodes. The French titles are given in the form given in
The Rite of Spring murder and gangster film images. In February 1984 Martha Graham, in her 90th year, resumed her association with "The Rite" by choreographing a new production at New York's State Theater. "The New York Times" critic declared the performance "a triumph ... totally elemental, as primal in expression of basic emotion as any tribal ceremony, as hauntingly staged in its deliberate bleakness as it is rich in implication". On 30 September 1987, the Joffrey Ballet in Los Angeles performed "The Rite" based on a reconstruction of Nijinsky's 1913 choreography, until then thought lost beyond recall. The performance resulted from years of