Csárdás (Liszt) Csárdás (Liszt) The three csárdás that Franz Liszt wrote in 1881-2 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the "verbunkos" in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's
Composer tributes (classical music) copies the compositional style of an earlier composer, such as: Dedication of a work to another composer or performer: Musical cryptograms, where the composer’s name is encoded in musical letters. The most famous example of this is the BACH motif, which has been used by over 400 composers in tribute to Johann Sebastian Bach (Bach himself used it more than once in his own works). Other examples include: Composer tributes (classical music) Musical tributes or homages from one composer to another can take many forms. Following are examples of the major types of tributes occurring in classical music. A particular