Keyboard concertos by Johann Sebastian Bach practice that lasted until the early nineteenth century, namely the soloist played along with the orchestra in "tutti" sections, only coming into prominence in "solo" passages. The works BWV 1052–1057 were intended as a set of six, shown in the manuscript in Bach's traditional manner beginning with 'J.J.' ("Jesu juva", "Jesus, help") and ending with 'Finis. S. D. Gl.' ("Soli Deo Gloria"). Aside from the Brandenburg concertos, it is the only such collection of concertos in Bach's oeuvre, and it is the only set of concertos from his Leipzig years. The concerto BWV 1058 and fragment BWV 1059 are at
Twelve Concertos, Op. 7 (Vivaldi) Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: No. 1 in B-flat major for oboe, RV Anh. 143 (formerly RV 465); No. 7 in B-flat major for oboe,