Symphony instruments, 19th century symphonies were gradually augmented with more string players and more wind parts, so that the orchestra grew substantially in sheer numbers, as concert halls likewise grew. At the beginning of the 20th century, Gustav Mahler wrote long, large-scale symphonies. His Eighth Symphony, for example, was composed in 1906 and is nicknamed the "Symphony of a Thousand" because of the large number of voices required to perform the work. Additionally, his Third Symphony is one of the longest regularly performed symphonies at around 100 minutes in length for most performances. The 20th century also saw further diversification in
The Man Who Wrote Frankenstein might be accepted by readers with no vested interest in the issue, it would be "vehemently rejected out of hand" by the "literary establishment". Sadownick wrote that Lauritsen confirmed his view that "Frankenstein" is a gay work in the same sense as Walt Whitman's "Leaves of Grass" (1855) and Oscar Wilde's "The Ballad of Reading Gaol" (1897), and offered a commendable psychological analysis, and a sensitive line-by-line reading, of the work. Charles E. Robinson rejected Lauritsen's thesis in "The Original Frankenstein" (2008), arguing that the testimony of authors such as Lord Byron, William Godwin, Claire Clairmont, Charles Clairmont, and Leigh