Uriah Heep (band) so that's how we decided to shape it," Box recalled. Gerry Bron brought in session player Colin Wood, followed by Ken Hensley, a former colleague of Newton in the Gods, who was then playing guitar in Toe Fat. "I saw a lot of potential in the group to do something very different," remembered Hensley. Their 1970 debut album, "…Very 'Eavy …Very 'Umble" (released as "Uriah Heep" in the United States), introduced Hensley's heavy organ and guitar-driven sound, with David Byron's theatrical, dynamic vocals soaring above thunderous sonic backgrounds, although acoustic and jazz elements also featured in the mix. The album's
Heavy metal subculture headbanger, hesher, mosher and heavy, with the term thrasher being used only for fans of thrash metal music, which began to differentiate itself from other varieties of metal in the late 80's. These vary with time and regional divisions, but "headbanger" and "metalhead" are universally accepted to refer to fans or the subculture itself. Heavy metal fans have created a "subculture of alienation" with its own standards for achieving authenticity within the group. Deena Weinstein’s book "Heavy Metal: The Music And Its Culture" argues that heavy metal “…has persisted far longer than most genres of rock music” due to the