Brandenburg Concerto No. 5 edited by Karl Geiringer for a publication of the score by Wiener Philharmonischer Verlag. Universal Edition later published Mandyczewski's version in a new revision by . Heinrich Besseler was Bärenreiter's editor for the "Brandenburg Concertos" in the New Bach Edition (Neue Bach-Ausgabe, NBA). In 1959 Bärenreiter published August Wenzinger's performance edition of the fifth "Brandenburg Concerto", based on the 1956 New Bach Edition Urtext, and with a continuo realisation by . Previously, Bärenreiter had also published performance material of the concerto with a continuo realisation by Günter Raphael. Bärenreiter published Alfred Dürr's edition of the early BWV 1050a version of
Twelve Concertos, Op. 7 (Vivaldi) Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: No. 1 in B-flat major for oboe, RV Anh. 143 (formerly RV 465); No. 7 in B-flat major for oboe,