Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16, S.244/16, in A minor, is the sixteenth Hungarian Rhapsody composed by Franz Liszt for solo piano. Being one of the later Hungarian Rhapsodies, it was composed and published in 1882. The rhapsody, subtitled "Budapest Munkácsy-Festlichkeiten", has a duration of approximately five minutes and is dedicated to Mihály Munkácsy. It was arraged for piano four-hands by the composer himself, marked as S.622, published in the same year. The piece begins with an outset of the main theme, hovering around A Minor, but with a distinct ambiguity of tonality. This section ends with a
Hungarian Dances (Brahms) 4 and 7), Paul Juon (No. 4), Martin Schmeling (1864–1943) (Nos. 5 to 7), Hans Gál (Nos. 8 and 9), (Nos. 5, 6 and 11 to 16) and (Nos. 4, 8 and 9). More recently, Iván Fischer has orchestrated the complete set. Brahms's "Hungarian Dances" were influential in the development of ragtime. See, for example, the role of German-American piano teacher Julius Weiss in ragtime composer Scott Joplin's early life and career. The earliest known recording of any movement of Hungarian Dances was a condensed piano-based rendition of Hungarian Dances No. 1, from 1890, played by Brahms himself, and was