Bass clarinet Nos. 4, 7, 8, and 11, and Leoš Janáček's Sinfonietta. All of these works exploit the instrument's dark, powerful lower range. Prokofiev wrote parts for the instrument in his Symphonies Nos. 2–7 and in his ballet "Romeo and Juliet". Sergei Rachmaninoff used the instrument to great effect in his Symphonies Nos. 2 and 3 and in his symphonic poem, "Isle of The Dead". Igor Stravinsky also wrote complex parts for the instrument throughout his career, most prominently in his ballets "The Firebird" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). The bass clarinet has a solo at the opening
The Rite of Spring of musical language that they could never again be put together as before". The academic and critic Jan Smaczny, echoing Bernstein, calls it one of the 20th century's most influential compositions, providing "endless stimulation for performers and listeners". According to Kelly the 1913 premiere might be considered "the most important single moment in the history of 20th century music", and its repercussions continue to reverberate in the 21st century. Ross has described "The Rite" as a prophetic work, presaging the "second avant-garde" era in classical composition—music of the body rather than of the mind, in which "[m]elodies would follow the