Gladys Knight & the Pips routines that became a signature of the Pips' stage presentation; Atkins later described his working and personal relationship with the group in his autobiography, "Class Act: The Jazz Life of Choreographer Cholly Atkins": "The one thing that I was pleased about was a stipulation in my contract that allowed me to keep working with Gladys Knight & the Pips as personal clients even though I would be an employee of Motown Records. To tell the truth, Gordy wasn't too happy about it at first, but this is something that I would not compromise under any circumstances. By that time, Gladys
Pickup group hire a "pick-up group" in each city or country. There are advantages and disadvantages to each approach. Using a longstanding ensemble will provide a group which has extensive experience performing as a musical ensemble. This can help the group to play with a more unified sound and style. If the backing band or backing ensemble required for a show is small (e.g., 3-4 musicians), it may be worth the cost of paying for the travel, hotel and food for a longstanding group. However, if the backing ensemble is large–for example, a 20-piece big band for a jazz singer or a