Hungarian Rhapsody No. 19 transcribed." On the transcription itself, Horowitz mentions some "doubling and expanding" in the lassan section, while changing the form of the friska section, noting that Liszt "repeats the same thing," describing it as "a little bit naïve." Another aspect of Horowitz's transcription was the ending, which he made "more brilliant ... but not brilliancy for its own sake". Horowitz also told Frost: Hungarian Rhapsody No. 19 Hungarian Rhapsody No. 19 (S.244/19) in D minor is the last of a set of 19 Hungarian Rhapsodies by the Hungarian composer Franz Liszt. It was written in 1885. "Hungarian Rhapsody No. 19" is
Hungarian Dances (Brahms) Hungarian Dances include Nos. 1 and 5, the latter which was based on the csárdás "" (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong. A footnote on the Ludwig-Masters edition of a modern orchestration of Hungarian Dance No.1 states: "The material for this dance is believed to have come from the "Divine Csárdás" (ca. 1850) of Hungarian composer and conductor Miska Borzó." Brahms wrote orchestral arrangements for Nos. 1, 3 and 10. Other composers have orchestrated the other dances. These composers include Antonín Dvořák (Nos. 17 to 21), Andreas Hallén (Nos. 2,