Giacomo Puccini "La bohème" was "Tosca" (1900), arguably Puccini's first foray into "verismo", the realistic depiction of many facets of real life including violence. Puccini had been considering an opera on this theme since he saw the play "Tosca" by Victorien Sardou in 1889, when he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this "Tosca" the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." The music of "Tosca" employs musical signatures for
The Phantom of the Opera The Phantom of the Opera The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French writer Gaston Leroux. It was first published as a serialization in "Le Gaulois" from 23 September 1909, to 8 January 1910. It was published in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of "Der Freischütz". It has been successfully adapted into various