Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Piano Sonatas Nos. 19 and 20 (Beethoven) of one of its themes suggests that he perhaps planned to scrap the piano work altogether. But the composer was known to recycle melodies, in some instances several times (for example, the Eroica Variations). This movement is cast in the form of a rondo, with the main rondo theme being, essentially, a minuet; the minuet features a charming melody that, along with its accompanying material, is repeated several times, varying somewhat in appearance, but remaining simple and unsophisticated. Piano Sonatas Nos. 19 and 20 (Beethoven) The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata