Paris in the Belle Époque of Richard Wagner, he went on to experiment with impressionism in music, atonal music and chromaticism. His most famous works include "Clair de Lune" for piano (written ca. 1890, published 1905), "La Mer" for orchestra (1905) and the opera "Pelléas et Mélisande" (1903-1905). The most revolutionary composer to work in Paris during the "Belle Époque" was the Russian-born Igor Stravinsky. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: "The Firebird" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). The last of these transformed the
The Rite of Spring the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of "Les Marges", who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who wrote: "The idea was excellent, but was not successfully carried out". Calvocoressi failed to observe any direct hostility to the composer—unlike, he said,