Nigel Olsson Quaye, and Roger Hodgson. Olsson also had a brief stint with the English hard rock band Uriah Heep, playing drums on one song on their 1970 debut LP, "Very 'eavy... Very 'umble". Subsequently, he played drums on one track on Elton John's debut album, "Empty Sky", and then became a member of The Spencer Davis Group with bassist Dee Murray. The pair joined John on the road as his touring band in April 1970, and played with John during his debut tour in the United States at the Troubadour Club on 25 August 1970. Only permitted at first to play
Heavy metal subculture headbanger, hesher, mosher and heavy, with the term thrasher being used only for fans of thrash metal music, which began to differentiate itself from other varieties of metal in the late 80's. These vary with time and regional divisions, but "headbanger" and "metalhead" are universally accepted to refer to fans or the subculture itself. Heavy metal fans have created a "subculture of alienation" with its own standards for achieving authenticity within the group. Deena Weinstein’s book "Heavy Metal: The Music And Its Culture" argues that heavy metal “…has persisted far longer than most genres of rock music” due to the