Hungarian Rhapsody No. 6 Hungarian Rhapsody No. 6 Hungarian Rhapsody No. 6 in D-flat major is the sixth work of the 19 Hungarian Rhapsodies composed by Franz Liszt. This work was dedicated to Count Antoine of Appony and uses the form of Lassan and Friska like many other rhapsodies. This piece was later arranged for orchestra. The piece is divided into three main sections: The first part of the rhapsody is an introduction (Tempo Giusto), where the left hand of the player plays a steady bassline made up of the chords in the D-flat major scale. Due to the overlapping of the melody over
Composer tributes (classical music) copies the compositional style of an earlier composer, such as: Dedication of a work to another composer or performer: Musical cryptograms, where the composer’s name is encoded in musical letters. The most famous example of this is the BACH motif, which has been used by over 400 composers in tribute to Johann Sebastian Bach (Bach himself used it more than once in his own works). Other examples include: Composer tributes (classical music) Musical tributes or homages from one composer to another can take many forms. Following are examples of the major types of tributes occurring in classical music. A particular