Hungarian folk music due to the Hungarian composer Franz Liszt, who in 1846 began composing 19 Hungarian Rhapsodies for piano, five of which were later orchestrated, thus being the first pieces of music by a major composer to incorporate sources from so-called “peasant music”. These works, which broke free from classical tradition, were often viewed by the elite as brash and unrefined, yet they deeply influenced others, like Johannes Brahms, and later Zoltán Kodály and Béla Bartók, even having an influence on American jazz. During the 20th century, Hungarian composers were influenced by the traditional music of their nation which may be considered
The Classical Style (opera) to heaven—disappointed, but understanding. The opera ends with Rosen being visited by the composer Robert Schumann (also descended from heaven), who himself signaled a shift from the Classical era to the Romantic era of classical music. The work is scored for an orchestra consisting of two flutes (doubling piccolos), two oboes, two clarinets, two bassoons, two horns, two trumpets, trombone, timpani, percussion, harpsichord (doubling piano and celesta), and strings. Reviewing the world premiere, Joshua Kosman of the "San Francisco Chronicle" lauded "The Classical Style" as an "exuberantly witty and often touching one-act opera" and wrote, "There has been plenty of