Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
The Man Who Wrote Frankenstein Hunt, as well as the "nature of the manuscript evidence", showed that the work was "conceived and mainly written by Mary Shelley". The Man Who Wrote Frankenstein The Man Who Wrote Frankenstein is a 2007 book written and published by John Lauritsen, in which the author argues that the poet Percy Bysshe Shelley, not his wife Mary Shelley, is the real author of "Frankenstein" (1818), that the novel "has consistently been underrated and misinterpreted", and that its dominant theme is "male love". Lauritsen maintains that handwriting cannot be used to determine the actual author of "Frankenstein". His work received positive