Hungarian Fantasy (Liszt) much of the piece's thematic material is derived from this song, there is also a section in A minor marked "in gypsy style" ("alla zingarese"). While the Fantasia is in the same style and tradition as the Hungarian Rhapsodies, it differs structurally from them. The Rhapsodies generally present a clear succession of two traditional scales — lassan, and friska. These dances are evident in the Fantasia, particularly in the long and brilliant friska section. However, Liszt is freer and wider-ranging in his combination and juxataposition of material than he usually is in this type of work. Hungarian Fantasy (Liszt) The
Alexander Mackenzie (composer) 19th- and early 20th-century Britain". During his time teaching in Edinburgh, Mackenzie wrote several works, including a piano trio, a string quartet and a piano quartet, and he maintained a considerable output despite his crowded schedule both then and later. "The Times" reported that his list of compositions numbered 90, of which 20 were distinctly Scottish. His orchestral works include the overture "Cervantes", performed at Schwarzburg-Sondershausen in 1877, three "Scottish Rhapsodies", a violin concerto premiered by Pablo de Sarasate at the Birmingham Festival of 1885, a "Scottish" concerto for piano (1897), a suite, "London Day by Day" (1902), and a