Tafelmusik significant composers of "Tafelmusik" included Johann Schein, whose "Banchetto musicale" of 1617 acquired considerable fame, and Michael Praetorius, who wrote about the phenomenon of "Tafelmusik" in his "Syntagma musicum" of 1619. Music from Schein's collection is still performed by early music ensembles with some regularity. The "Tafelmusik" or "Musique de Table" by the Baroque composer Georg Philipp Telemann is perhaps his most celebrated collection of music. Composed in 1733, Telemann's "Tafelmusik" has been compared as a collection to the renowned Brandenburg concertos of Johann Sebastian Bach in clearly demonstrating the composer’s supreme skill in handling a diversity of musical genres
Piano concertos by Wolfgang Amadeus Mozart orchestra" rather than the more obviously "piano" concertos of the nineteenth century (e.g., that of Grieg etc.). Because Mozart was developing the form of his concertos as he wrote them and not following any preconceived "rules" (apart, presumably, from his own judgement of taste), many of the concertos contravene one or other of the generalisations given above. For example, K. 488 in A major lacks new expositional material, and "merely" repeats the preludial material; further, it effectively merges the first ritornello and the middle section, as does K. 449 in E. Several of the later concertos do not hesitate to