Sea in culture sea nymphs whose parents were Nereus and Doris. The Tritons, sons of Poseidon, who were variously represented with the tails of fish or seahorses, formed Poseidon's retinue along with the Nereids. The mythic sea was further peopled by dangerous sea monsters such as Scylla. Poseidon himself had something of the shifting character of the sea, presiding not only over the sea, but also earthquakes, storms and horses. Neptune occupied a similar position in Roman mythology. Another Greek sea-god, Proteus, specifically embodies the domain of sea change, the adjectival form "protean" meaning mutable, able to assume many forms. Shakespeare makes use
Muhammad: The Messenger of God (film) first look review published by "The Guardian", the critic gave the film 4 out of 5 stars, stating, "Majidi chronicles the first ripples of this revolutionary wave in a handsome, pre-CGI-era epic style. His film is intellectually honest, committed and poetic." Contrary to the positive review, Alissa Simon of "Variety" stated, "Although many of Majidi's earlier films dealt with the spiritual purity that comes with selfless love and deliver a religious rapture of sorts, ""Muhammad: The Messenger of God"" feels stiff and awkward, burdened rather than elevated by its weighty subject matter. And it doesn't help that the characters remain