The Rite of Spring piano version, subsequently lost, which he may have used to demonstrate the work to Diaghilev and the Ballet Russes conductor Pierre Monteux in April 1912. He also made a four-hand piano arrangement which became the first published version of "The Rite"; he and the composer Claude Debussy played the first half of this together, in June 1912. Following Diaghilev's decision to delay the premiere until 1913, Stravinsky put " The Rite" aside during the summer of 1912. He enjoyed the Paris season, and accompanied Diaghilev to the Bayreuth Festival to attend a performance of "Parsifal". Stravinsky resumed work on "The
The Rite of Spring a series of flute trills that usher in the "Spring Rounds", in which a slow and laborious theme gradually rises to a dissonant fortissimo, a "ghastly caricature" of the episode's main tune. Brass and percussion predominate as the "Ritual of the Rival Tribes" begins. A tune emerges on tenor and bass tubas, leading after much repetition to the entry of the Sage's procession. The music then comes to a virtual halt, "bleached free of colour" (Hill), as the Sage blesses the earth. The "Dance of the Earth" then begins, bringing Part I to a close in a series of phrases