Brandenburg Concerto No. 5 Another coincidence is that the concerto's middle movement is built on a theme composed by Marchand, as if Bach wanted to show off to his prospective competitor how he could elaborate that theme quite differently from its composer's original treatment. The possibility of a performance of the early version of the fifth "Brandenburg Concerto" in Dresden in 1717 was first tentatively proposed by harpsichordist and musicologist in the early 1990s. Although the hypothesis rests on a complex of circumstantial indications without direct evidence, it has been picked up by Bach scholars. Formally the fifth "Brandenburg Concerto" is a concerto grosso,
Piano concertos by Wolfgang Amadeus Mozart elevated to the most prominent position among the instruments. These works, with their alternation of orchestral "tuttis" and passages for solo display, in turn owe their structure to the tradition of Baroque operatic arias, from which the first movements of Mozart's piano concertos inherited their basic ritornello form. A similar structure can also be seen in the violin concerti of, for example, Vivaldi, who established the form, along with the three-movement concerto structure, and Viotti, wherein the concerto is divided into six sections. The keyboard parts of the concertos were almost invariably based on material presented in the ritornelli, and