Brandenburg Concerto No. 5 on the autographs in the Berlin State Library, was published by C. F. Peters in 1852. The next year the concerto was performed in the Gewandhaus in Leipzig. The Bach Gesellschaft (BG) published the "Brandenburg Concertos" in 1871, edited by Wilhelm Rust. Max Reger's orchestral arrangement of the concerto was published by Breitkopf & Härtel in 1915. Reger also arranged the concerto for piano duet. Arnold Schering's score edition of the concerto was based on the BG version and was published by Eulenburg in the late 1920s. Around 1925 Eusebius Mandyczewski provided a continuo realisation for the concerto, which was
Strathclyde Concertos of the "Strathclyde Concertos", Davies increased the number of soloists. The Ninth (1994) is scored for six woodwind soloists, while the Tenth (1996) is a concerto for orchestra whose finale is a sort of recapitulation of ideas heard in the earlier concertos. The first two concertos were recorded by Unicorn-Kanchana, with the composer conducting. The remainder were recorded by Collins Classics. This concerto is based on two pre-existent works: Haydn's overture "L'isola disabitata" and a two-part setting of the opening line of Ecclesiastes, "Vanitas vanitatum et omnia vanitas" by the early seventeenth-century composer Jan Albert Ban. Strathclyde Concertos The Strathclyde