Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Rhapsodies for Orchestra about the words "rhapsody" and "rhapsodic"—words I would never have chosen to describe my music—the more I realized that boundaries are meant to be pushed, and that an external, even foreign stimulus like 'rhapsodic' could be just the ticket to push mine." Stucky further described the composition in the score program notes, writing: Reviewing the December 2011 Chicago premiere, music critic John von Rhein praised "Rhapsodies for Orchestra", writing, "In a series of interlocking episodes, the solo flute, English horn, horn and trumpet found themselves echoed and mimicked by other instruments and groups. Swirls of orchestral color were infused with