The Rite of Spring that the Diaghilev–Stravinsky collaboration would continue, in the first instance with "Petrushka" (1911) and then "The Rite of Spring". In a note to the conductor Serge Koussevitzky in February 1914, Stravinsky described "The Rite of Spring" as "a musical-choreographic work, [representing] pagan Russia ... unified by a single idea: the mystery and great surge of the creative power of Spring". In his analysis of "The Rite", Pieter van den Toorn writes that the work lacks a specific plot or narrative, and should be considered as a succession of choreographed episodes. The French titles are given in the form given in
The Rite of Spring the public would receive the work, and suggested that they might react badly if they thought they were being mocked. On the evening of 29 May, Gustav Linor reported, "Never ... has the hall been so full, or so resplendent; the stairways and the corridors were crowded with spectators eager to see and to hear". The evening began with "Les Sylphides", in which Nijinsky and Karsavina danced the main roles. "The Rite" followed. Some eyewitnesses and commentators said that the disturbances in the audience began during the Introduction, and grew in a crescendo when the curtain rose on the stamping