The Rite of Spring future career in music: "I hope [Stravinsky] appreciated that hundreds—perhaps thousands—of musicians were turned onto "The Rite of Spring" ... through "Fantasia", musicians who might otherwise never have heard the work, or at least not until many years later". In later life Stravinsky claimed distaste for the adaptation, though as Ross remarks, he said nothing critical at the time; according to Ross, the composer Paul Hindemith observed that "Igor appears to love it". Before the first gramophone disc recordings of "The Rite" were issued in 1929, Stravinsky had helped to produce a pianola version of the work for the London
The Rite of Spring the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of "Les Marges", who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who wrote: "The idea was excellent, but was not successfully carried out". Calvocoressi failed to observe any direct hostility to the composer—unlike, he said,