Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
O for a Thousand Tongues to Sing O for a Thousand Tongues to Sing "O for a Thousand Tongues to Sing" is a Christian hymn written by Charles Wesley. Charles Wesley wrote over 6,000 hymns, many of which were subsequently reprinted, frequently with alterations, in hymnals, particularly those of Methodist churches. Charles Wesley was suffering a bout of pleurisy in May, 1738, while he and his brother were studying under the Moravian scholar Peter Boehler in London. At the time, Wesley was plagued by extreme doubts about his faith. Taken to bed with the sickness, on May 21 Wesley was attended by a group of Christians who