Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Piano Sonata (Bartók) movement calls for these keys to be used (to play G). Bartók had previously written a piano sonata in 1896, which is little known. Piano Sonata (Bartók) The Piano Sonata BB 88 (Sz. 80) is a piano sonata by Hungarian composer Béla Bartók, composed in June 1926. 1926 is known to musicologists as Bartók's "piano year", when he underwent a creative shift in part from Beethovenian intensity to a more Bachian craftsmanship. The work is in three movements, with the following tempo indications: It is tonal but highly dissonant (and has no key signature), using the piano in a percussive