Marilyn Monroe they could not settle their disagreements and she had begun to suspect that he was embezzling money from the company. Monroe returned to Hollywood in July 1958 to act opposite Jack Lemmon and Tony Curtis in Billy Wilder's comedy on gender roles, "Some Like It Hot". Although she considered the role of Sugar Kane another "dumb blonde", she accepted it due to Miller's encouragement and the offer of receiving ten percent of the film's profits in addition to her standard pay. The difficulties during the film's production have since become "legendary". Monroe would demand dozens of re-takes, and could not
Citizen Kane a complicated man who, in the end, leaves viewers with more questions than answers as to his character, such as the newsreel footage where he is attacked for being both a communist and a fascist. The technique of using flashbacks had been used in earlier films—most notably in "The Power and the Glory" (1933)—but no film was as immersed in this technique as "Citizen Kane". The use of the reporter Thompson acts as a surrogate for the audience, questioning Kane's associates and piecing together his life. At that time films typically had an "omniscient perspective", which Marilyn Fabe says give