Tone (musical instrument) their tone. These may include equalization controls (such as the tone controls on electric guitars, basses, and amplifiers), "gain, drive, or fuzz" controls, reverb, etc. Electronic keyboards and synthesizers typically have multiple patches that can be selected to make the instrument produce a different timbre. Timbre Tone (musical instrument) Tone and sound are terms used by musicians and related professions to refer to the audible characteristics of a player's sound. Tone is the product of all influences on what can be heard by the listener, including the characteristics of the instrument itself, differences in playing technique (e.g. embouchure for woodwind
Musical instrument popular music, and the instrument makers responded accordingly. Beginning in about 1400, the rate of development of musical instruments increased in earnest as compositions demanded more dynamic sounds. People also began writing books about creating, playing, and cataloging musical instruments; the first such book was Sebastian Virdung's 1511 treatise "Musica getuscht und ausgezogen" ('Music Germanized and Abstracted'). Virdung's work is noted as being particularly thorough for including descriptions of "irregular" instruments such as hunters' horns and cow bells, though Virdung is critical of the same. Other books followed, including Arnolt Schlick's "Spiegel der Orgelmacher und Organisten" ('Mirror of Organ Makers