Thriller (Michael Jackson album) gifted vocalist". "Rolling Stone" critic Stephen Holden likened his vocals to the "breathless, dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly." With the release of "Thriller", Jackson could sing low—down to a basso low C—but he preferred to sing higher because pop tenors have more range to create style. "Rolling Stone" critic Christopher Connelly wrote that Jackson was now singing in a "fully adult voice" that was "tinged by sadness". "P.Y.T. (Pretty Young Thing)", credited to James Ingram and Quincy Jones and "The
Thriller (Michael Jackson album) the opinion that he was a "musical phenomenon" and that "in the world of pop music, there is Michael Jackson and there is everybody else". Jackson changed the way the industry functioned: both as an artistic persona and as a financial, profitable entity. His attorney John Branca observed that Jackson achieved the highest royalty rate in the music industry to that point: approximately $2 (US$ in dollars) for each album sold. As a result, Jackson earned record-breaking profits from compact disc sales and from the sale of copies of the documentary, "The Making of Michael Jackson's Thriller", produced by Jackson