Csárdás (Liszt) Csárdás (Liszt) The three csárdás that Franz Liszt wrote in 1881-2 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the "verbunkos" in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's
Clarinet-cello-piano trio ensembles, such as Tashi, as well as by ad hoc groups. The original repertoire for clarinet, cello and piano (by name of composer with date & publisher where known) includes: In addition to this original repertoire, one can pick some pieces for clarinet-viola-piano trio or clarinet-violin-piano trio and replace the viola (violin) by the cello, or replace the violin by the clarinet in a classical Piano trio; cases where the composer has foreseen this possibility are listed above. Other substitutions are possible: The available repertoire has been expanded by transcribers (other than the composers, whose own transcriptions are listed under