The Winter's Tale play contains one of the most famous Shakespearean stage directions: "Exit, pursued by a bear", presaging the offstage death of Antigonus. It is not known whether Shakespeare used a real bear from the London bear-pits, or an actor in bear costume. The Royal Shakespeare Company, in one production of this play, used a large sheet of silk which moved and created shapes, to symbolise both the bear and the gale in which Antigonus is travelling. One comic moment in the play deals with a servant not realising that poetry featuring references to dildos is vulgar, presumably from not knowing what
Exit the King plays, the stage is filled with more and more objects or characters; in "Rhinoceros", for example, there are gradually more and more rhinoceroses. In this play, however, the kingdom and all the characters slowly disappear. Likewise, the language is generally more straight forward and comprehensible, eschewing Ionesco’s tendency toward abundant clichés and nonsense. Ionesco told Claude Bonnefoy in a 1966 interview that "Exit the King" did not "originate in a dream" as many of his plays did, but was "much more consciously composed. People immediately said: 'Oh! He’s given up the avant-garde, he’s turning classical!' It wasn’t a question of