Piano Concerto (Massenet) B major, is a slow, deliberate promenade featuring the piano prominently throughout. There are sweeping orchestral flourishes in the middle of this movement. Eventually the music comes to a restful reprise of the theme, and the movement ends quietly in a fading murmur. The third movement, in C minor, is subtitled "Airs Slovaques", alluding to the ersatz Slovak-like dance tune Massenet uses throughout. The brief 2/4 section towards the end evokes the virtuosic passages of Liszt's Hungarian Rhapsodies, before returning to the main theme, perpetually accelerating into tumbling passages in the piano and flamboyant outbursts in the orchestra. Massenet adds
Hungarian folksongs for voice and piano (Bartók) Bartók; nos. 11–20: Zoltán Kodály not listed) Hungarian Folksongs (2nd series), for voice and piano (nos. 1–10) (1906–1907) Two Hungarian Folksongs, for voice and piano (1907) Eight Hungarian Folksongs, for voice and piano (nos. 1–5: 1907; nos. 6–8: 1917) Twenty Hungarian Folksongs, Vols. I–IV, for voice and piano (1929) Hungarian folksongs for voice and piano (Bartók) Magyar népdalok énekhangra és zongorára (English: "Hungarian folk songs for voice and piano") is a collection of Hungarian folk song arrangements by Béla Bartók. Bartók's "Hungarian Folksongs" are now much better known outside Hungary in arrangements for violin and piano, or—without voice—for piano alone.