Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
The Man Who Wrote Frankenstein Shelley as shown by several letters. "The Man Who Wrote Frankenstein" includes a favorable review of "Shelley's Fiction" (1998) by Phyllis Zimmerman, a book in which Zimmerman argues for Percy Bysshe Shelley's authorship of "Frankenstein", and a short bibliography of books and articles about Percy Bysshe Shelley and "Frankenstein". Lauritsen praises poet Edmund Blunden's "" (1946), calling it the best short biography about Percy Bysshe Shelley. "The Man Who Wrote Frankenstein" was first published in 2007 by Pagan Press. "The Man Who Wrote Frankenstein" was praised by the critic Camille Paglia, who wrote in "Salon" that "Lauritsen assembles an overwhelming