Late works of Franz Liszt to Saint-Saëns. The three czárdás that Liszt wrote—titled "Czárdás", "Czárdás obstinée" and "Czárdás macabre"—are less freely treated than the Hungarian Rhapsodies and remain more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of Bartók's work. Because of these attributes, the czárdás are considered by Liszt scholars among the more interesting of the composer's late output. The same, some critics argue, cannot be said as uniformly about his Hungarian Rhapsodies 16-19, composed after he had neglected the genre 30 years. Of these four late rhapsodies, only the
Tirol Concerto for Piano and Orchestra Tirol Concerto for Piano and Orchestra The Tirol Concerto for Piano and Orchestra (also known as the Piano Concerto No. 1) is a piano concerto by Philip Glass. The composer wrote the work in 2000. On commission by the Festival Klangspuren in Stuttgart, it was written for the Stuttgart Chamber Orchestra. It is one of eight concerti in Glass' series "The Concerto Project", an amalgamation of works in four volumes.The concerto is said to be based on actual Austrian music. The piece is scored for solo piano, accompanied by string orchestra. Surprisingly small scale for Glass, whose other symphonic work