The Rite of Spring Rite of Spring", with the subtitle "Pictures of Pagan Russia". Stravinsky's sketchbooks show that after returning to his home at Ustilug in Ukraine in September 1911, he worked on two movements, the "Augurs of Spring" and the "Spring Rounds". In October he left Ustilug for Clarens in Switzerland, where in a tiny and sparsely-furnished room—an closet, with only a muted upright piano, a table and two chairs—he worked throughout the 1911–12 winter on the score. By March 1912, according to the sketchbook chronology, Stravinsky had completed Part I and had drafted much of Part II. He also prepared a two-hand
Picasso and the Ballets Russes again until 1946, when he did the curtain design for Roland Petit's "Le Rendez-vous" at the Ballets des Champs-Élysées. Olivier Berggruen, ed. "Picasso: Between Cubism and Classicism, 1915–1925" (Skira, 2018). Picasso and the Ballets Russes Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's "Parade" (1917, choreography: Léonide Massine), "Le Tricorne" ("The Three-Cornered Hat") (1919, choreography: Massine), "Pulcinella" (1920, choreographer: Massine), and "Cuadro Flamenco" (1921, choreography: Spanish folk dancers). Picasso also drew a sketch with pen on paper of "La Boutique fantasque" ("La course"),