Palace of Versailles "Glory Holding the Medallion of Louis XV", by Antoine Vassé; and "Royal Magnanimity" by Jacques Bousseau. The Royal Opera of Versailles was originally commissioned by Louis XIV in 1682 and was to be built at the end of the North Wing with a design by Mansart and Vigarani. However, due to the expense of the King's continental wars, the project was put aside. The idea was revived by Louis XV with a new design by Ange-Jacques Gabriel in 1748, but this also was temporarily put aside. The project was revived and rushed ahead for the planned celebration of the marriage
Palace of Versailles for the King's relaxation in the hot summers. It was surrounded by flowerbeds and decorated entirely with blue and white porcelain, in imitation of the Chinese style. The King increasingly spent his days in Versailles, and the government, court, and courtiers, numbering six to seven thousand persons, crowded into the buildings. The King ordered a further enlargement, which he entrusted to the young architect Jules Hardouin-Mansart. Hadouin-Mansart added two large new wings on either side of the original Cour Royale (Royal Courtyard). He also replaced Le Vau's large terrace, facing the garden on the west, with what became the most