Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Rhapsodies for Orchestra quirky rhythmic vitality. Van Zweden and the CSO brought the 10-minute piece to life most enjoyably." Katie Womack of the "Dallas Observer" similarly praised the piece at its Dallas premiere, commenting, "The dynamics of this piece range from intimate to bombastic and the juxtaposition of those extremes created some stunning sounds in the Meyerson. At only ten minutes, Stucky's "Rhapsodies" left me wanting more." Anthony Tommasini of "The New York Times" also lauded the work, remarking: Jeffrey Gantz of "The Boston Globe" was more critical, describing the piece as "a series of ecstatic outbursts in which one instrument essays an