The Rite of Spring (MacMillan) "made a brave musicianly and tasteful attempt" while questioning whether "the stage can really be its home – that remains unproven"; "dance and dancers" described it as "a singular and signal triumph"; Mason's performance was judged "brilliantly done", "one of British ballet's most memorable performances". In "The Times" John Percival commented that ever since Nijinsky's original attempt in 1913 "The Rite" had been waiting for a choreographer who could make it work on stage, and MacMillan's was the most successful version to date: "Mr MacMillan's invention can never have been more musical or assured. Time and time again Stravinsky's music,
The Firebird was looking for fresh compositional talent. The ballet was the first of Sergei Diaghilev's Ballets Russes productions to have an all-original score composed for it. Alexandre Benois wrote in 1910 that he had two years earlier suggested to Diaghilev the production of a Russian nationalist ballet, an idea all the more attractive given both the newly awakened French passion for Russian dance and also the ruinously expensive costs of staging opera. The inspiration of mixing the mythical Firebird with the unrelated Russian tale of Koschei the Deathless possibly came from a popular child's verse by Yakov Polonsky, "A Winter's Journey"