Csárdás (Liszt) Csárdás (Liszt) The three csárdás that Franz Liszt wrote in 1881-2 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the "verbunkos" in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's
Piano Quartet No. 1 (Brahms) at the instigation of conductor Otto Klemperer and premiered by the Los Angeles Philharmonic Orchestra conducted by Klemperer; this orchestrated version was made into the ballet "Brahms–Schoenberg Quartet" by George Balanchine. The Hungarian-born composer Ernst von Dohnányi transcribed the fourth movement as a bravura showpiece for solo piano. There is a recording of Dohnányi playing the transcription on the Ampico B recording piano. This recording was released on a Newport Classic CD called "The Performing Piano II" (NC 60030) however, the piece is incorrectly attributed as being one of the Hungarian Dances. Piano Quartet No. 1 (Brahms) The Piano Quartet