Tafelmusik significant composers of "Tafelmusik" included Johann Schein, whose "Banchetto musicale" of 1617 acquired considerable fame, and Michael Praetorius, who wrote about the phenomenon of "Tafelmusik" in his "Syntagma musicum" of 1619. Music from Schein's collection is still performed by early music ensembles with some regularity. The "Tafelmusik" or "Musique de Table" by the Baroque composer Georg Philipp Telemann is perhaps his most celebrated collection of music. Composed in 1733, Telemann's "Tafelmusik" has been compared as a collection to the renowned Brandenburg concertos of Johann Sebastian Bach in clearly demonstrating the composer’s supreme skill in handling a diversity of musical genres
Organ concertos, Op. 7 (Handel) Organ concertos, Op. 7 (Handel) The Handel organ concertos Op 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh. They were written for performance during Handel's oratorios, contain almost entirely original material, including some of his most popular and inspired movements. Although a complete version of the first set of organ concertos Op.4 appeared in Handel's lifetime in 1738, many of the concertos of the posthumous Op.7 set have missing movements and sections, where