Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony of the New World Symphony of the New World The Symphony of the New World was a symphony orchestra based in New York City. It was the first racially integrated orchestra in the United States. The Symphony gave its debut concert on 6 May 1965 at Carnegie Hall, conducted by Benjamin Steinberg, who said of the orchestra, "We have a lot of talent in this city, and we have to create the opportunities to present it to the public". The symphony's musicians were graduates of such respected music schools as Juilliard, Eastman School of Music, the Manhattan School of Music, and the New England