Solo (Boyd novel) paper I saw its potential. Not only did it fit the theme of the novel perfectly, it's also a great punchy word, instantly and internationally comprehensible, graphically alluring and, as an extra bonus, it's strangely Bondian in the sense that we might be subliminally aware of the '00' of '007' lurking just behind those juxtaposed O's of SOLO". For background Boyd read all the Bond stories in chronological order; and had researched Fleming and the literary Bond's background. Boyd was a child when his father introduced him to Fleming's works. As a result, Boyd found himself also becoming fascinated with
The James Bond Dossier Big Screen" (2001), by the historian Jeremy Black. Written at the Bond-mania's zenith in the 1960s, "The James Bond Dossier" is the first, thorough, albeit tongue-in-cheek, literary analysis of Ian Fleming's strengths and weaknesses as a thriller-writer. As a mainstream novelist, Amis respected the Bond novels, especially their commercial success, believing them 'to be just as complex and to have just as much in them as more ambitious kinds of fiction'. That was a controversial approach in the 1960s, because from early on, since the mid-1950s, the James Bond novels were criticised by some detractors for their violence, male chauvinism,