Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Rhapsodies for Orchestra about the words "rhapsody" and "rhapsodic"—words I would never have chosen to describe my music—the more I realized that boundaries are meant to be pushed, and that an external, even foreign stimulus like 'rhapsodic' could be just the ticket to push mine." Stucky further described the composition in the score program notes, writing: Reviewing the December 2011 Chicago premiere, music critic John von Rhein praised "Rhapsodies for Orchestra", writing, "In a series of interlocking episodes, the solo flute, English horn, horn and trumpet found themselves echoed and mimicked by other instruments and groups. Swirls of orchestral color were infused with