Dante Gabriel Rossetti Heaven. Around 1860, Rossetti returned to oil painting, abandoning the dense medieval compositions of the 1850s in favour of powerful close-up images of women in flat pictorial spaces characterised by dense colour. These paintings became a major influence on the development of the European Symbolist movement. In them, Rossetti's depiction of women became almost obsessively stylised. He portrayed his new lover Fanny Cornforth as the epitome of physical eroticism, whilst Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. "As in Rossetti's previous reforms, the new kind of subject appeared in the context
Fanny Cornforth S309. Those by other artists include: The Rossetti Archive has images of a large proportion of these. The following are locations of some of the recorded likenesses of Fanny Cornforth: Fanny Cornforth Fanny Cornforth (3 January 1835 – 24 February 1909) was an Englishwoman who became the artist's model and mistress of the Pre-Raphaelite painter Dante Gabriel Rossetti. Later, Cornforth performed the duties of housekeeper for Rossetti. William Michael Rossetti, the artist's brother, wrote that "she was a pre-eminently fine woman with regular and sweet features, and a mass of the most lovely blond hair – light-golden, or 'harvest yellow'."