Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
A Thousand Miles song received critical acclaim from music critics. "Billboard" magazine opined, "it's the song's classical-tied piano hook that endures with urgency throughout the song that lends it spectacular charm, along with the artist's vulnerable vocal style... A truly auspicious opening." Most other critics gave "Be Not Nobody" mixed reviews, but generally praised the song. AllMusic wrote: "as it moves from its solo orchestral-backed choruses, the result isn't overwhelming, it's sweet, multi-layered, and appealing". Sean Richardson of the "Boston Phoenix" made favourable comparisons between "A Thousand Miles" and Michelle Branch's debut single "Everywhere", saying, "it's a good-natured reverie, with none of the