Keyboard concertos by Johann Sebastian Bach 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th "Brandenburg Concerto") are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first concertos for keyboard instrument ever written. The earliest extant sources regarding Bach's involvement with the keyboard concerto genre are his Weimar concerto transcriptions, BWV 592–596 and 972–987 (), and his fifth "Brandenburg Concerto", BWV 1050, the early version of which, BWV 1050a, may have originated before Bach
Twelve Concertos, Op. 7 (Vivaldi) RV Anh. 142 (formerly RV 464); and No. 9 in B-flat major for violin, RV Anh. 153 (formerly RV 373). Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: