The Rite of Spring the four-part piano score published in 1913. There have been numerous variants of the English translations; those shown are from the 1967 edition of the score. Lawrence Morton, in a study of the origins of "The Rite", records that in 1907–08 Stravinsky set to music two poems from Sergey Gorodetsky's collection "Yar". Another poem in the anthology, which Stravinsky did not set but is likely to have read, is "Yarila" which, Morton observes, contains many of the basic elements from which "The Rite of Spring" developed, including pagan rites, sage elders, and the propitiatory sacrifice of a young maiden: "The
The Rite of Spring that the work's opening bassoon melody was derived from an anthology of Lithuanian folk songs, but maintained that this was his only borrowing from such sources; if other elements sounded like aboriginal folk music, he said, it was due to "some unconscious 'folk' memory". However, Morton has identified several more melodies in Part I as having their origins in the Lithuanian collection. More recently Richard Taruskin has discovered in the score an adapted tune from one of Rimsky-Korsakov's "One Hundred Russian National Songs". Taruskin notes the paradox whereby "The Rite", generally acknowledged as the most revolutionary of the composer's early