The Rite of Spring (MacMillan) and 2008) Mara Galeazzi (2005), Zenaida Yanowsky (2005), Steven McRae (2011) and Edward Watson (2011). MacMillan had been invited to create a new production of "The Rite of Spring" for the Royal Ballet in 1959, but had declined. The company had little history of presenting Stravinsky ballets, with the exceptions of Ashton's "Le baiser de la fée" (1935) and "Scènes de ballet" (1948), and MacMillan's "Dances concertantes" (1955), "Agon" (1958) and "Le baiser de la fée" (1961). MacMillan took "The Rite" up in 1962, creating a work conspicuously removed from the Royal Ballet's classical tradition. His conception of the piece,
The Firebird was looking for fresh compositional talent. The ballet was the first of Sergei Diaghilev's Ballets Russes productions to have an all-original score composed for it. Alexandre Benois wrote in 1910 that he had two years earlier suggested to Diaghilev the production of a Russian nationalist ballet, an idea all the more attractive given both the newly awakened French passion for Russian dance and also the ruinously expensive costs of staging opera. The inspiration of mixing the mythical Firebird with the unrelated Russian tale of Koschei the Deathless possibly came from a popular child's verse by Yakov Polonsky, "A Winter's Journey"