Giacomo Puccini "La bohème" was "Tosca" (1900), arguably Puccini's first foray into "verismo", the realistic depiction of many facets of real life including violence. Puccini had been considering an opera on this theme since he saw the play "Tosca" by Victorien Sardou in 1889, when he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this "Tosca" the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." The music of "Tosca" employs musical signatures for
Giacomo Puccini Alberto Franchetti (1860–1942). Only three composers, and three works, by Italian contemporaries of Puccini appear on the Operabase list of most-performed works: "Cavalleria rusticana" by Mascagni, "Pagliacci" by Ruggero Leoncavallo, and "Andrea Chénier" by Umberto Giordano. Kobbé contrasted Puccini's ability to achieve "sustained" success with the failure of Mascagni and Leoncavallo to produce more than merely "one sensationally successful short opera." By the time of Puccini's death in 1924, he had earned $4 million from his works. Although the popular success of Puccini's work is undeniable, and his mastery of the craft of composition has been consistently recognized, opinion among