Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Classical music of the United Kingdom in three "Scottish Rhapsodies" for orchestra (1880–81, 1911), and in various concerted works for piano or violin and orchestra composed during the 1880s and 1890s. Similarly, John McEwen's "Pibroch" (1889), "Border Ballads" (1908) and "Solway Symphony" (1911) also incorporated traditional Scottish folk melodies. Under the Anglo-Irish Treaty of 1921, twenty-six of Ireland's thirty-two counties, including the city of Dublin, were formally separated from the United Kingdom. While the two countries continued to share a classical music heritage, they would now develop on different lines. In what was now the United Kingdom of Great Britain and Northern Ireland, the outstanding composers