Keyboard concertos by Johann Sebastian Bach the harpsichord concertos BWV 1052, 1053 and 1059. Based on harpsichord concertos and earlier cantata movements orchestral organ concertos were reconstructed and/or transcribed and arranged. The parts from the Concerto for four harpsichords BWV 1065 (Bach's arrangement of the Concerto for Four Violins, RV 580, by Antonio Vivaldi), have been dated to around 1730. Whereas the concertos with a single harpsichord soloist were composed partly to showcase Bach's own prowess at the keyboard, the others were written for different purposes, one of them being as —music for domestic performance within the Bach household at the Thomaschule in Leipzig. Johann Nikolaus
Brandenburg Concertos of a trio sonata for two violas and continuo, although the cello has a decorated version of the continuo bass line. In the last movement, the spirit of the gigue underlies everything, as it did in the finale of the fifth concerto. Because King Frederick William I of Prussia was not a significant patron of the arts, Christian Ludwig seems to have lacked the musicians in his Berlin ensemble to perform the concertos. The full score was left unused in the Margrave's library until his death in 1734, when it was sold for 24 groschen (as of 2014, about US$24)