The Rite of Spring of the evening Stravinsky had asserted that "Monteux, almost alone among conductors, never cheapened "Rite" or looked for his own glory in it, and he continued to play it all his life with the greatest fidelity". Commentators have often described "The Rite"s music in vivid terms; Paul Rosenfeld, in 1920, wrote of it "pound[ing] with the rhythm of engines, whirls and spirals like screws and fly-wheels, grinds and shrieks like laboring metal". In a more recent analysis, "The New York Times" critic Donal Henahan refers to "great crunching, snarling chords from the brass and thundering thumps from the timpani". The
The Firebird scale Rimsky-Korsakov created for the character Chernobog in his opera "Mlada". The Khorovod, meanwhile, uses the same folk tune Rimsky-Korsakov presented in his Sinfonietta, Op. 31. The "Firebird" has been restaged by many choreographers, including George Balanchine and Jerome Robbins (co-choreographers), Graeme Murphy, Alexei Ratmansky, and Yuri Possokhov. The ballet was revived in 1934 by Colonel Wassily de Basil's company, the Ballets Russes de Monte-Carlo, in a production staged in London, using the original decor and costumes from Diaghilev's company. The company subsequently performed the ballet in Australia, during the 1936–37 tour. The work was staged by George Balanchine for