Brandenburg Concerto No. 5 on the autographs in the Berlin State Library, was published by C. F. Peters in 1852. The next year the concerto was performed in the Gewandhaus in Leipzig. The Bach Gesellschaft (BG) published the "Brandenburg Concertos" in 1871, edited by Wilhelm Rust. Max Reger's orchestral arrangement of the concerto was published by Breitkopf & Härtel in 1915. Reger also arranged the concerto for piano duet. Arnold Schering's score edition of the concerto was based on the BG version and was published by Eulenburg in the late 1920s. Around 1925 Eusebius Mandyczewski provided a continuo realisation for the concerto, which was
Twelve Concertos, Op. 7 (Vivaldi) Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: No. 1 in B-flat major for oboe, RV Anh. 143 (formerly RV 465); No. 7 in B-flat major for oboe,