Hungarian folk music due to the Hungarian composer Franz Liszt, who in 1846 began composing 19 Hungarian Rhapsodies for piano, five of which were later orchestrated, thus being the first pieces of music by a major composer to incorporate sources from so-called “peasant music”. These works, which broke free from classical tradition, were often viewed by the elite as brash and unrefined, yet they deeply influenced others, like Johannes Brahms, and later Zoltán Kodály and Béla Bartók, even having an influence on American jazz. During the 20th century, Hungarian composers were influenced by the traditional music of their nation which may be considered
Sonatine for Flute and Piano rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before. A frenzied accelerando played by both instruments concludes the piece. Sonatine for Flute and Piano The Sonatine for Flute and Piano is an early work by the 20th-century French composer Henri Dutilleux, composed and published in 1943. It lasts about 9 minutes and consists of three movements, played without break. The "Sonatine for Flute and Piano" is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between 1942 and 1951. They were commissioned by then-director