Keyboard concertos by Johann Sebastian Bach soloists, were all adapted into harpsichord concertos by the composer, BWV 1058, 1054 and 1062 respectively. It is often assumed that Bach's extant violin concertos were written in his Köthen period (1717–1723): it can however not be proven from documentary evidence that any of them existed prior to around 1730. In September 1725 Bach performed organ music, accompanied by other instruments, in Dresden. The works he performed there have not been identified. More than a year later he composed several cantatas with an organ obligato part. Several movements of such cantatas were derived from earlier lost concertos, and resurfaced in
Piano concertos by Wolfgang Amadeus Mozart elevated to the most prominent position among the instruments. These works, with their alternation of orchestral "tuttis" and passages for solo display, in turn owe their structure to the tradition of Baroque operatic arias, from which the first movements of Mozart's piano concertos inherited their basic ritornello form. A similar structure can also be seen in the violin concerti of, for example, Vivaldi, who established the form, along with the three-movement concerto structure, and Viotti, wherein the concerto is divided into six sections. The keyboard parts of the concertos were almost invariably based on material presented in the ritornelli, and