Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16 Hungarian Rhapsody No. 16, S.244/16, in A minor, is the sixteenth Hungarian Rhapsody composed by Franz Liszt for solo piano. Being one of the later Hungarian Rhapsodies, it was composed and published in 1882. The rhapsody, subtitled "Budapest Munkácsy-Festlichkeiten", has a duration of approximately five minutes and is dedicated to Mihály Munkácsy. It was arraged for piano four-hands by the composer himself, marked as S.622, published in the same year. The piece begins with an outset of the main theme, hovering around A Minor, but with a distinct ambiguity of tonality. This section ends with a
Concerto for solo piano and considered the first example of a concerto fitted to solo keyboard. Schumann's Piano Sonata No. 3 in F minor (1835), Op. 14, was labelled by Tobias Haslinger as a "Concerto without orchestra". The French composer Charles-Valentin Alkan wrote in 1857 his set of Op. 39 études, of which nos. 8–10 were labelled as a concerto for solo piano. It includes markings such as "Tutti", "Solo" and "Piano", as well as instrumental directions such as "quasi-trombe" and "quasi-celli". The Spanish composer Joaquín Turina wrote in 1935 his "Concerto Without Orchestra" (Spanish: Concierto sin orquesta), Op. 88. The Russian composer and