The Firebird Bakst. For Stravinsky, it was a major breakthrough both with the public and with the critics, Michel-Dimitri Calvocoressi in particular hailing Stravinsky as the legitimate heir to The Mighty Handful. "The Firebird"'s success also secured Stravinsky's position as Diaghilev's star composer, and there were immediate talks of a sequel, leading to the composition of "Petrushka" and "The Rite of Spring". "Mark him well—said Sergei Diaghilev to Tamara Karsavina, who was dancing the title role—he is a man on the eve of celebrity..." Stravinsky used several ideas from works by Rimsky-Korsakov in his score. Koschei's "Infernal Dance" borrows the highly chromatic
The Rite of Spring critical triumph. It has remained in the company's repertoire for more than 50 years; after its revival in May 2011 "The Daily Telegraph"s critic Mark Monahan called it one of the Royal Ballet's greatest achievements. Moscow first saw "The Rite" in 1965, in a version choreographed for the Bolshoi Ballet by Natalia Kasatkina and Vladimir Vasiliev. This production was shown in Leningrad four years later, at the Maly Opera Theatre, and introduced a storyline that provided the Chosen One with a lover who wreaks vengeance on the elders after the sacrifice. Johnson describes the production as "a product of state