Festival Puccini produced the first performances of a Puccini opera on the lake shore, in front of the Maestro's house. In a provisional theatre, the "Carro di Tespi Lirico" with its stage built on piles stuck in the lake, a travelling opera company performed "La bohème" directed by Forzano and conducted by Mascagni. The same company came back in 1931 when Beniamino Gigli and Adelaide Saraceni performed in "La bohème", while Rosetta Pampanini and Angelo Michetti performed "Madama Butterfly". This was the beginning of what was to become a major opera festival. However, in the years before 1949, due to the political
Giacomo Puccini "Edgar" preceded "Cavalleria rusticana". Some view Puccini as essentially a "verismo" composer, while others, although acknowledging that he took part in the movement to some degree, do not view him as a "pure" "verismo" composer. In addition, critics differ as to the degree to which particular operas by Puccini are, or are not, properly described as "verismo" operas. Two of Puccini's operas, "Tosca" and "Il tabarro," are universally considered to be "verismo" operas. Puccini scholar Mosco Carner places only two of Puccini's operas other than "Tosca" and "Il tabarro" within the "verismo" school: "Madama Butterfly", and "La fanciulla del West."