Keyboard concertos by Johann Sebastian Bach the harpsichord concertos BWV 1052, 1053 and 1059. Based on harpsichord concertos and earlier cantata movements orchestral organ concertos were reconstructed and/or transcribed and arranged. The parts from the Concerto for four harpsichords BWV 1065 (Bach's arrangement of the Concerto for Four Violins, RV 580, by Antonio Vivaldi), have been dated to around 1730. Whereas the concertos with a single harpsichord soloist were composed partly to showcase Bach's own prowess at the keyboard, the others were written for different purposes, one of them being as —music for domestic performance within the Bach household at the Thomaschule in Leipzig. Johann Nikolaus
Twelve Concertos, Op. 7 (Vivaldi) Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: No. 1 in B-flat major for oboe, RV Anh. 143 (formerly RV 465); No. 7 in B-flat major for oboe,