L'Oiseau bleu (Metzinger) in St. Petersburg in 1890. Russian composer Igor Stravinsky, working for Sergei Diaghilev and the Ballets Russes, achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: "The Firebird (L'Oiseau de feu)" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). The rhythmic structure of these compositions were largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. Stravinsky's admiration for Tchaikovsky is well documented. Stravinsky's music has often been compared with Cubism. His path often crossed with the Cubists, notably Picasso
The Rite of Spring that the work's opening bassoon melody was derived from an anthology of Lithuanian folk songs, but maintained that this was his only borrowing from such sources; if other elements sounded like aboriginal folk music, he said, it was due to "some unconscious 'folk' memory". However, Morton has identified several more melodies in Part I as having their origins in the Lithuanian collection. More recently Richard Taruskin has discovered in the score an adapted tune from one of Rimsky-Korsakov's "One Hundred Russian National Songs". Taruskin notes the paradox whereby "The Rite", generally acknowledged as the most revolutionary of the composer's early