The Rite of Spring future career in music: "I hope [Stravinsky] appreciated that hundreds—perhaps thousands—of musicians were turned onto "The Rite of Spring" ... through "Fantasia", musicians who might otherwise never have heard the work, or at least not until many years later". In later life Stravinsky claimed distaste for the adaptation, though as Ross remarks, he said nothing critical at the time; according to Ross, the composer Paul Hindemith observed that "Igor appears to love it". Before the first gramophone disc recordings of "The Rite" were issued in 1929, Stravinsky had helped to produce a pianola version of the work for the London
The Rite of Spring of musical language that they could never again be put together as before". The academic and critic Jan Smaczny, echoing Bernstein, calls it one of the 20th century's most influential compositions, providing "endless stimulation for performers and listeners". According to Kelly the 1913 premiere might be considered "the most important single moment in the history of 20th century music", and its repercussions continue to reverberate in the 21st century. Ross has described "The Rite" as a prophetic work, presaging the "second avant-garde" era in classical composition—music of the body rather than of the mind, in which "[m]elodies would follow the