Paris under Louis-Philippe literature by Henri Murger in a series of stories called "Scènes de la vie de Bohème" (Scenes of Bohemian Life) published in Paris between 1845 and 1849, which in 1896 was made into the opera "La Bohème" by Puccini. The term spread from Paris to the rest of Europe, and came to be used for anyone who lived an artistic and unconventional life. Prostitution was common in Paris. Beginning in 1816, prostitutes were required to register with the police. Between 1816 and 1842, their numbers grew from 22,000 to 43,000. They were mostly young women from the French provinces who
Madame Chrysanthème (opera) Garden and Edmond Clément in the principal roles. The opera was also seen at the Théâtre Royal de la Monnaie, Brussels, on 9 November 1906, in Montreal in 1912, and by the Chicago Opera Association in Chicago and New York (Lexington Theatre) in 1920 with Tamaki Miura, Charles Fontaine and Hector Dufranne. Although both operas can be traced back to the same original literary source, Puccini's "Madama Butterfly" and "Madame Chrysanthème" contrast strongly especially with the mainly internal world of the Puccini setting. The alternation of acts in public and private spaces in Messager's work provides other aspects on the