The Rite of Spring (MacMillan) "made a brave musicianly and tasteful attempt" while questioning whether "the stage can really be its home – that remains unproven"; "dance and dancers" described it as "a singular and signal triumph"; Mason's performance was judged "brilliantly done", "one of British ballet's most memorable performances". In "The Times" John Percival commented that ever since Nijinsky's original attempt in 1913 "The Rite" had been waiting for a choreographer who could make it work on stage, and MacMillan's was the most successful version to date: "Mr MacMillan's invention can never have been more musical or assured. Time and time again Stravinsky's music,
The Rite of Spring the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of "Les Marges", who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who wrote: "The idea was excellent, but was not successfully carried out". Calvocoressi failed to observe any direct hostility to the composer—unlike, he said,