Giacomo Puccini "La bohème" was "Tosca" (1900), arguably Puccini's first foray into "verismo", the realistic depiction of many facets of real life including violence. Puccini had been considering an opera on this theme since he saw the play "Tosca" by Victorien Sardou in 1889, when he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this "Tosca" the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." The music of "Tosca" employs musical signatures for
Giacomo Puccini Vienna's Carltheater; however, the outbreak of World War I prevented the premiere from being given there. Moreover, the firm of Ricordi had declined the score of the opera – Giulio Ricordi's son Tito was then in charge and he described the opera as "bad Lehár". It was taken up by their rival, Lorenzo Sonzogno, who arranged the first performance in neutral Monaco. The composer continued to work at revising this, the least known of his mature operas, until his death. "La rondine" was initially conceived as an operetta, but Puccini eliminated spoken dialogue, rendering the work closer in form to