The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
Rite of Spring (film) also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era". Rite of Spring (film) Rite of Spring (Portuguese: Acto da Primavera) is a 1963 Portuguese film directed by Manoel de Oliveira, his second feature. The poet and director António Reis was the film's assistant director, and his influence can be felt deeply throughout it. (The film was included in the film program "The School of Reis" in 2012.) The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about