Paris under Louis-Philippe literature by Henri Murger in a series of stories called "Scènes de la vie de Bohème" (Scenes of Bohemian Life) published in Paris between 1845 and 1849, which in 1896 was made into the opera "La Bohème" by Puccini. The term spread from Paris to the rest of Europe, and came to be used for anyone who lived an artistic and unconventional life. Prostitution was common in Paris. Beginning in 1816, prostitutes were required to register with the police. Between 1816 and 1842, their numbers grew from 22,000 to 43,000. They were mostly young women from the French provinces who
Giacomo Puccini 'update' his style to keep pace with new trends, but did not attempt to fully adopt a modern style. One critic, Anthony Davis has stated: "Loyalty toward nineteenth-century Italian-opera traditions and, more generally, toward the musical language of his Tuscan heritage is one of the clearest features of Puccini's music." Davis also identifies, however, a "stylistic pluralism" in Puccini's work, including influences from "the German symphonic tradition, French harmonic and orchestrational traditions, and, to a lesser extent, aspects of Wagnerian chromaticism." In addition, Puccini frequently sought to introduce music or sounds from outside sources into his operas, such as his