Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Four Pieces for Piano, Op. 119 (Brahms) he may have included some earlier compositions, and it is quite possible, although there is no definite proof, that some works—such as the E major rhapsody—may have been conceived before 1892. Two earlier collections of smaller lyric piano pieces, Eight Pieces for Piano Op. 76, and Two Rhapsodies, Op. 79, date from 1871-79 (published 1879 and 1880 respectively). The poetic mood of the first intermezzo from Op. 119 belies its vague title. In a letter from May 1893 to Clara Schumann, Brahms wrote: "I am tempted to copy out a small piano piece for you, because I would like to