Sea in culture sea nymphs whose parents were Nereus and Doris. The Tritons, sons of Poseidon, who were variously represented with the tails of fish or seahorses, formed Poseidon's retinue along with the Nereids. The mythic sea was further peopled by dangerous sea monsters such as Scylla. Poseidon himself had something of the shifting character of the sea, presiding not only over the sea, but also earthquakes, storms and horses. Neptune occupied a similar position in Roman mythology. Another Greek sea-god, Proteus, specifically embodies the domain of sea change, the adjectival form "protean" meaning mutable, able to assume many forms. Shakespeare makes use
The God Beneath the Sea God Beneath the Sea" and its sequel "The Golden Shadow" as "probably the most striking evidence of Keeping's forceful presence". The U.S. publisher Random House replaced Keeping's work with illustrations by Zevi Blum. They were not well received by critics; one described them as "MGM-style drawings, which substituted for drama a soft coyness and prurience." The God Beneath the Sea The God Beneath the Sea is a children's novel based on Greek mythology, written by Leon Garfield and Edward Blishen, illustrated by Charles Keeping, and published by Longman in 1970. It was awarded the annual Carnegie Medal (Garfield & Blishen)