Tafelmusik significant composers of "Tafelmusik" included Johann Schein, whose "Banchetto musicale" of 1617 acquired considerable fame, and Michael Praetorius, who wrote about the phenomenon of "Tafelmusik" in his "Syntagma musicum" of 1619. Music from Schein's collection is still performed by early music ensembles with some regularity. The "Tafelmusik" or "Musique de Table" by the Baroque composer Georg Philipp Telemann is perhaps his most celebrated collection of music. Composed in 1733, Telemann's "Tafelmusik" has been compared as a collection to the renowned Brandenburg concertos of Johann Sebastian Bach in clearly demonstrating the composer’s supreme skill in handling a diversity of musical genres
Twelve Concertos, Op. 7 (Vivaldi) RV Anh. 142 (formerly RV 464); and No. 9 in B-flat major for violin, RV Anh. 153 (formerly RV 373). Twelve Concertos, Op. 7 (Vivaldi) A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars. Three are now considered spurious (i.e. not in fact by Vivaldi) for stylistic reasons. They are: