The Rite of Spring that the Diaghilev–Stravinsky collaboration would continue, in the first instance with "Petrushka" (1911) and then "The Rite of Spring". In a note to the conductor Serge Koussevitzky in February 1914, Stravinsky described "The Rite of Spring" as "a musical-choreographic work, [representing] pagan Russia ... unified by a single idea: the mystery and great surge of the creative power of Spring". In his analysis of "The Rite", Pieter van den Toorn writes that the work lacks a specific plot or narrative, and should be considered as a succession of choreographed episodes. The French titles are given in the form given in
Rite of Spring (film) also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era". Rite of Spring (film) Rite of Spring (Portuguese: Acto da Primavera) is a 1963 Portuguese film directed by Manoel de Oliveira, his second feature. The poet and director António Reis was the film's assistant director, and his influence can be felt deeply throughout it. (The film was included in the film program "The School of Reis" in 2012.) The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about