Air instrument Air instrument In the context of musical performance, air instruments are imaginary musical instruments for which people mimic the sound-producing gestures in the air without touching a real instrument. In simple words air instruments are the musical instruments which could be played without touching the real instrument. Air instruments include: There are other air instruments as well. The playing of air instruments has been documented through the 20th century (see: Air guitar). However, no sources have been found that exclude the playing of air instruments in ancient times, during private performances, such as for air flute or air lyre (for
Musical instrument popular music, and the instrument makers responded accordingly. Beginning in about 1400, the rate of development of musical instruments increased in earnest as compositions demanded more dynamic sounds. People also began writing books about creating, playing, and cataloging musical instruments; the first such book was Sebastian Virdung's 1511 treatise "Musica getuscht und ausgezogen" ('Music Germanized and Abstracted'). Virdung's work is noted as being particularly thorough for including descriptions of "irregular" instruments such as hunters' horns and cow bells, though Virdung is critical of the same. Other books followed, including Arnolt Schlick's "Spiegel der Orgelmacher und Organisten" ('Mirror of Organ Makers