The Salesman (2016 film) make a film until he decided his protagonists should be stage actors. Part of this decision owed to Farhadi's own background in the theatre, and his desire to re-immerse himself in that atmosphere. He also felt actors had to think of themselves as other people and create empathy, and his male protagonist would be forced to feel empathy for another man. Looking for a play within the film, Farhadi researched the work of Jean-Paul Sartre and Henrik Ibsen before finding Arthur Miller's "Death of a Salesman", which he described as "a gift for me". In Miller's play and his script,
The Salesman (2016 film) The website's critical consensus reads, ""The Salesman" takes an ambitiously complex look at thought-provoking themes, and the well-acted results prove another consistently absorbing entry in writer-director Asghar Farhadi's distinguished filmography." On Metacritic, it holds an 85/100 rating, based on 36 reviews from critics, indicating "universal acclaim". After its Cannes screening, Owen Gleiberman wrote in "Variety" that, following Farhadi's "A Separation" and "The Past", "The Salesman" "is another finely cut gem of neorealist suspense." Donald Clarke's review from "The Irish Times" stated that "The latest from Asghar Farhadi sees another family put under stress after a violent attack." Deborah Young in