Dante Gabriel Rossetti Heaven. Around 1860, Rossetti returned to oil painting, abandoning the dense medieval compositions of the 1850s in favour of powerful close-up images of women in flat pictorial spaces characterised by dense colour. These paintings became a major influence on the development of the European Symbolist movement. In them, Rossetti's depiction of women became almost obsessively stylised. He portrayed his new lover Fanny Cornforth as the epitome of physical eroticism, whilst Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. "As in Rossetti's previous reforms, the new kind of subject appeared in the context
Portrait of a Lady Known as Smeralda Brandini Pourtalès Gorgier for 3,400 francs in 1865. Charles Augustus Howell bought it on behalf of Dante Gabriel Rossetti in 1867 at Christie's; Rossetti boasted that he had it for £20. It was bequeathed to the V&A with the collection of his patron Constantine Alexander Ionides, who had bought it from Rossetti for £315 in the 1880s. Dante Gabriel Rossetti refers to the painting in his comments on his poem "For Spring, by Sandro Botticelli": <poem> "What masque of what old wind-withered New-Year" "Honours this Lady?* Flora, wanton-eyed" "For birth, and with all flowrets prankt and pied" </poem> with his reference: