The Rite of Spring (MacMillan) and 2008) Mara Galeazzi (2005), Zenaida Yanowsky (2005), Steven McRae (2011) and Edward Watson (2011). MacMillan had been invited to create a new production of "The Rite of Spring" for the Royal Ballet in 1959, but had declined. The company had little history of presenting Stravinsky ballets, with the exceptions of Ashton's "Le baiser de la fée" (1935) and "Scènes de ballet" (1948), and MacMillan's "Dances concertantes" (1955), "Agon" (1958) and "Le baiser de la fée" (1961). MacMillan took "The Rite" up in 1962, creating a work conspicuously removed from the Royal Ballet's classical tradition. His conception of the piece,
The Rite of Spring the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of "Les Marges", who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who wrote: "The idea was excellent, but was not successfully carried out". Calvocoressi failed to observe any direct hostility to the composer—unlike, he said,