Scourge same period we meet with the private use of the "discipline" by such saintly persons as King Louis IX of France and Elisabeth of Hungary. Semi-literal usages such as "the scourge of God" for Attila the Hun (i.e. "God's whip with which to punish the nations") led to metaphoric uses to mean a severe affliction, e.g. "the scourge of drug abuse". The scourge is described as one of the tools used in Wicca, primarily in the Gardnerian Tradition. The purpose of using the scourge is not to cause pain or to torture, but for purification purposes, particularly for Initiates. The
The Man Who Played God (1932 film) and goes, a famously unsuccessful version. The Man Who Played God (1932 film) The Man Who Played God is a 1932 American Pre-Code drama film directed by John G. Adolfi and produced by Darryl F. Zanuck. George Arliss stars as a concert pianist embittered by the loss of his hearing who eventually finds redemption in helping others; it also features a then little-known Bette Davis as the much younger woman in love with the protagonist. Warner Bros. promoted the film as an example that studios could produce motion pictures of social and moral value without the oversight of non-industry agents.