Hungarian Rhapsody No. 2 expression. These elements would eventually play a significant role in Liszt's compositions. Although this prolific composer's works are highly varied in style, a relatively large part of his output is nationalistic in character, the "Hungarian Rhapsodies" being an ideal example. Composed in 1847 and dedicated to Count László Teleki, "Hungarian Rhapsody No. 2" was first published as a piano solo in 1851 by Senff and Ricordi. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler, and published by Schuberth. In addition to the orchestral version,
Concerto for solo piano and considered the first example of a concerto fitted to solo keyboard. Schumann's Piano Sonata No. 3 in F minor (1835), Op. 14, was labelled by Tobias Haslinger as a "Concerto without orchestra". The French composer Charles-Valentin Alkan wrote in 1857 his set of Op. 39 études, of which nos. 8–10 were labelled as a concerto for solo piano. It includes markings such as "Tutti", "Solo" and "Piano", as well as instrumental directions such as "quasi-trombe" and "quasi-celli". The Spanish composer Joaquín Turina wrote in 1935 his "Concerto Without Orchestra" (Spanish: Concierto sin orquesta), Op. 88. The Russian composer and