Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Rhapsodies for Orchestra idea and others take it up." Gantz added that it "worked out better in theory than in practice, though I liked the section in which the viola crooned over the orchestra’s 12-note ostinato." Likewise, Lawrence A. Johnson of the "Chicago Classical Review" called it "not one of Stucky’s more essential pieces" and noted that "Stucky’s debt to Witold Lutosławski [was] at times glaringly evident." Music critic Carla Rees similarly opined: Rhapsodies for Orchestra Rhapsodies for Orchestra is a single-movement orchestral composition by the American composer Steven Stucky. The work was jointly commissioned by the New York Philharmonic and the BBC