Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
The Man Who Wrote Frankenstein that while he argues that Mary Shelley was not well educated enough to have written "Frankenstein", his argument fails because "it is not a good, let alone a great novel and hardly merits the attention it has been given." Lauritsen replied that "Frankenstein" "is a radical and disturbing work, containing some of the most beautiful prose in the English language ... a profound and moving masterpiece, fully worthy of its author, Percy Bysshe Shelley." "The Man Who Wrote Frankenstein" received positive reviews from Jim Herrick in "Gay Humanist Quarterly", Hubert Kennedy in "The Guide", and Douglas Sadownick in "The Gay