Sea in culture sea nymphs whose parents were Nereus and Doris. The Tritons, sons of Poseidon, who were variously represented with the tails of fish or seahorses, formed Poseidon's retinue along with the Nereids. The mythic sea was further peopled by dangerous sea monsters such as Scylla. Poseidon himself had something of the shifting character of the sea, presiding not only over the sea, but also earthquakes, storms and horses. Neptune occupied a similar position in Roman mythology. Another Greek sea-god, Proteus, specifically embodies the domain of sea change, the adjectival form "protean" meaning mutable, able to assume many forms. Shakespeare makes use
Muhammad: The Messenger of God (soundtrack) of playback singer Shabbir Kumar, across five countries including India, Iran, Germany, France and Egypt with 200 musicians . The score of "Muhammad: The Messenger of God" combines emotional music performed by a symphony orchestra, blended with instruments and vocal soloists. This brings touches of geographic and historical specificity to the project. The opening track “Prologue – The Infinite Light” is an array of vocals, whispers, and chant which gradually emerges into a brass-led crescendo. The tracks “Signs of the Last Prophet,” “The Birth,” “Through the Sands,” and “And He Was Named Muhammad (SAL),” is choral in arrangement. Tracks “Halima’s