The Firebird the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965. The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their
The Rite of Spring its premiere, the ballet has been the subject of at least 150 productions, many of which have become classics and have been performed worldwide. Among the more radical interpretations is Glen Tetley's 1974 version, in which the Chosen One is a young male. More recently there have been solo dance versions devised by Molissa Fenley and Javier de Frutos, a punk rock interpretation from Michael Clark, and "Rites" (2008), by The Australian Ballet in conjunction with Bangarra Dance Theatre, which represents Aboriginal perceptions of the elements of earth, air, fire and water. On 18 February 1914 "The Rite" received its