Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
The Man Who Wrote Frankenstein might be accepted by readers with no vested interest in the issue, it would be "vehemently rejected out of hand" by the "literary establishment". Sadownick wrote that Lauritsen confirmed his view that "Frankenstein" is a gay work in the same sense as Walt Whitman's "Leaves of Grass" (1855) and Oscar Wilde's "The Ballad of Reading Gaol" (1897), and offered a commendable psychological analysis, and a sensitive line-by-line reading, of the work. Charles E. Robinson rejected Lauritsen's thesis in "The Original Frankenstein" (2008), arguing that the testimony of authors such as Lord Byron, William Godwin, Claire Clairmont, Charles Clairmont, and Leigh