Csárdás (Liszt) Csárdás (Liszt) The three csárdás that Franz Liszt wrote in 1881-2 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the "verbunkos" in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's
Aporias: Requia for Piano and Orchestra quotes, but soon the composition heads into otherworldly passages, with an exploratory treatment," for, with "a range of bass drums, Eastern percussion hints, and interjections of orchestral warm-up moments," the "composition slips by in the shadows, remaining obscured even while enunciating.". "All compositions by John Zorn." Aporias: Requia for Piano and Orchestra Aporias: Requia for Piano and Orchestra is an album of contemporary classical music by American composer and saxophonist/multi-instrumentalist John Zorn performed by Stephen Drury, the Hungarian Radio Children's Choir and the American Composers Orchestra. The Allmusic review by Joslyn Layne awarded the album 3½ stars stating "the first