The Rite of Spring that the Diaghilev–Stravinsky collaboration would continue, in the first instance with "Petrushka" (1911) and then "The Rite of Spring". In a note to the conductor Serge Koussevitzky in February 1914, Stravinsky described "The Rite of Spring" as "a musical-choreographic work, [representing] pagan Russia ... unified by a single idea: the mystery and great surge of the creative power of Spring". In his analysis of "The Rite", Pieter van den Toorn writes that the work lacks a specific plot or narrative, and should be considered as a succession of choreographed episodes. The French titles are given in the form given in
The Forbidden Rite Sterling and choreographer Rex Reid" praising it's "beautifully stylised sets and cameras working with machine-like precision." The Forbidden Rite The Forbidden Rite is a 1962 Australian TV play. It is a filmed ballet - the first ballet written in Australia exclusively for TV. On a Mediterranean island, a tourist party inspects the ruins of a shrine built to the goddess of love. "The Forbidden Rite" was composed by Robert Hughes, a music writer and arranger for the Victorian Symphony Orchestra. It is the first work commissioned for the Alfred Hill Memorial Award. The ballet was choreographed by Rex Reid. The