Hungarian Rhapsodies six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello. No. 14 was also the basis of Liszt's "Hungarian Fantasia" for piano and orchestra, S.123. The set is as follows: The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886. Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (, ,
Rhapsodies for Orchestra quirky rhythmic vitality. Van Zweden and the CSO brought the 10-minute piece to life most enjoyably." Katie Womack of the "Dallas Observer" similarly praised the piece at its Dallas premiere, commenting, "The dynamics of this piece range from intimate to bombastic and the juxtaposition of those extremes created some stunning sounds in the Meyerson. At only ten minutes, Stucky's "Rhapsodies" left me wanting more." Anthony Tommasini of "The New York Times" also lauded the work, remarking: Jeffrey Gantz of "The Boston Globe" was more critical, describing the piece as "a series of ecstatic outbursts in which one instrument essays an