Csárdás (Liszt) Csárdás (Liszt) The three csárdás that Franz Liszt wrote in 1881-2 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the "verbunkos" in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's
Tirol Concerto for Piano and Orchestra is usually orchestrated for a large ensemble, the work displays the traditional minimalist elements which characterize the composer's music. Glass' choice for string orchestra was probably influenced by Dmitri Shostakovich, whose Piano Concerto No. 1 is also written for strings. Several recordings of the concerto have been made. The concerto is in three movements, the middle being the longest. Tirol Concerto for Piano and Orchestra The Tirol Concerto for Piano and Orchestra (also known as the Piano Concerto No. 1) is a piano concerto by Philip Glass. The composer wrote the work in 2000. On commission by the Festival Klangspuren