Symphony No. 8 (Mahler) Symphony No. 8 (Mahler) The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. Because it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer did not sanction that name. The work was composed in a single inspired burst, at Maiernigg in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and
The Book of the Thousand Nights and a Night on Burton's "Nights" criticised his eccentric "mixture of obsolete words, mediaeval phrases, modern slang, Americanisms, and foreign words and expressions". Jorge Luis Borges, however, wrote a celebrated essay on “The Translators of "The Thousand and One Nights"” in which – while he chastises Burton for his distortions and "indulgent loitering" — he allows that “the problems that Burton resolved are innumerable” and delights in his careful use of an extravagantly exotic vocabulary in which each word "is indubitably the ""." In summarising his use of language, Borges concluded that “In some way, the almost inexhaustible process of English is adumbrated