Hungarian folk music due to the Hungarian composer Franz Liszt, who in 1846 began composing 19 Hungarian Rhapsodies for piano, five of which were later orchestrated, thus being the first pieces of music by a major composer to incorporate sources from so-called “peasant music”. These works, which broke free from classical tradition, were often viewed by the elite as brash and unrefined, yet they deeply influenced others, like Johannes Brahms, and later Zoltán Kodály and Béla Bartók, even having an influence on American jazz. During the 20th century, Hungarian composers were influenced by the traditional music of their nation which may be considered
Classical music of the United Kingdom in 1830, which attempted to train British musicians to the same standards as those of the continent. Its first principal was the oratorio composer Dr William Crotch (1745–1847), and the first tutor of piano was Cipriani Potter (1792–1871). Potter was the first London performer of Mozart and Beethoven concerti. He wrote nine symphonies and four piano concerti and as principal from 1832-59 was highly influential in the development of British music and the profession of musician. The significance of classical music in Ireland, and to a degree its place in conflicting British and Irish identities, was signalled by the foundation