Hungarian Rhapsody No. 6 Hungarian Rhapsody No. 6 Hungarian Rhapsody No. 6 in D-flat major is the sixth work of the 19 Hungarian Rhapsodies composed by Franz Liszt. This work was dedicated to Count Antoine of Appony and uses the form of Lassan and Friska like many other rhapsodies. This piece was later arranged for orchestra. The piece is divided into three main sections: The first part of the rhapsody is an introduction (Tempo Giusto), where the left hand of the player plays a steady bassline made up of the chords in the D-flat major scale. Due to the overlapping of the melody over
The Classical Style (opera) to heaven—disappointed, but understanding. The opera ends with Rosen being visited by the composer Robert Schumann (also descended from heaven), who himself signaled a shift from the Classical era to the Romantic era of classical music. The work is scored for an orchestra consisting of two flutes (doubling piccolos), two oboes, two clarinets, two bassoons, two horns, two trumpets, trombone, timpani, percussion, harpsichord (doubling piano and celesta), and strings. Reviewing the world premiere, Joshua Kosman of the "San Francisco Chronicle" lauded "The Classical Style" as an "exuberantly witty and often touching one-act opera" and wrote, "There has been plenty of