Hungarian Rhapsodies time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale. Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1-6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively. In 1874, Liszt also arranged the same
Piano Sonata (Dutilleux) piece with echoes of Bartók and Prokofiev" as well as a "sonata that Debussy might have written... sensuous and classical". Piano Sonata (Dutilleux) Henri Dutilleux wrote his only piano sonata in 1947–1948. It was dedicated to and premièred by his wife Geneviève Joy on 30 April 1948. It has since become one of the most acclaimed post-World War II works in the genre and has been championed by major pianists such as John Ogdon, Robert Levin, John Chen and Claire-Marie Le Guay. Although Dutilleux had been active as a composer for ten years when he wrote his piano sonata, he