Hungarian Fantasy (Liszt) much of the piece's thematic material is derived from this song, there is also a section in A minor marked "in gypsy style" ("alla zingarese"). While the Fantasia is in the same style and tradition as the Hungarian Rhapsodies, it differs structurally from them. The Rhapsodies generally present a clear succession of two traditional scales — lassan, and friska. These dances are evident in the Fantasia, particularly in the long and brilliant friska section. However, Liszt is freer and wider-ranging in his combination and juxataposition of material than he usually is in this type of work. Hungarian Fantasy (Liszt) The
Piano ballad Op. 122 (1852–53) which were written for piano and voice. Claude Debussy, a later composer, also wrote for piano and voice with his "Trois Ballades de François Villon" (, 1910). Works for piano and orchestra also bearing the title "ballad" have been written. These include Fauré's "Ballade", op. 19, which was written in 1881, and Charles Koechlin's "Ballade" for piano and orchestra, op. 50, written between 1911–1919. This work also exists as a solo work for piano. Piano ballad In 19th century romantic music, a piano ballad is a piece for solo piano written in a balletic narrative style, often