Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony of the New World only thoroughly trained, top-flight performers. In creating job opportunities for the many talented nonwhite instrumentalists who hitherto have not been widely accepted in this nation's symphony orchestras, the Symphony of the New World aims to serve as an example of the principle of racial-equality-in-action to musical groups throughout the country. In the belief that so many of our symphony orchestras are not of today's world, it has called itself the Symphony of the New World. The Symphony has been granted tax exempt status by the Department of Internal Revenue so that tax deductible contributions can be made to support what