Benjamin Britten Lord Harewood called it "the first genuinely successful British opera, Gilbert and Sullivan apart, since Purcell." Dismayed by the in-fighting among the company, Cross, Britten and Pears severed their ties with Sadler's Wells in December 1945, going on to found what was to become the English Opera Group. A month after the opening of "Peter Grimes", Britten and Yehudi Menuhin went to Germany to give recitals to concentration camp survivors. What they saw, at Belsen most of all, so shocked Britten that he refused to talk about it until towards the end of his life, when he told Pears that
Opera In "Falstaff", Verdi sets the preeminent standard for the form and style that would dominate opera throughout the twentieth century. Rather than long, suspended melodies, "Falstaff" contains many little motifs and mottos, that, rather than being expanded upon, are introduced and subsequently dropped, only to be brought up again later. These motifs never are expanded upon, and just as the audience expects a character to launch into a long melody, a new character speaks, introducing a new phrase. This fashion of opera directed opera from Verdi, onward, exercising tremendous influence on his successors Giacomo Puccini, Richard Strauss, and Benjamin Britten.