Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony, K. 135+61h (Mozart) Symphony, K. 135+61h (Mozart) The Symphony in D major, K. 135+61h, was probably composed by Wolfgang Amadeus Mozart in 1772. All the movements are from the overture to the opera "Lucio Silla", K. 135, except for the minuet, K. 61h No. 3, which was composed separately. The symphony is scored for two oboes, two horns, two trumpets, timpani and strings. \relative c' { </score> The symphony was discovered by Ernst Hintermaier in 1991. The parts he discovered were copied by Matthias Kracher, who was in close connection to Michael Haydn, but probably did not have a direct contact with the