Graffiti scratch glass and other hard surfaces, such as permanent marking pens and markers or paint sticks; evidence of membership or affiliation with any gang or tagging crew, paraphernalia to include any reference to "(tagger's name)," and any drawings, writings, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or mention of tagging crew membership; any newspaper clippings relating details of or referring to any graffiti crime. Graffiti Graffiti (both singular and plural; the singular "graffito" is very rare in English except in archeology) is writing or drawings made on a wall or other surface, usually without permission and within
In the Light of What We Know when the true pleasure of a work of fiction is its gravitational pull upon us?” In a 4,000-word review for "The New Yorker", the critic James Wood described Rahman as “a deep and subtle storyteller,” and praised the novel as “astonishingly achieved…Isn’t this kind of thinking—worldly and personal, abstract and concrete, essayistic and dramatic—exactly what the novel is for? How it justifies itself as a form?…"In the Light of What We Know" is what Salman Rushdie once called an ‘everything novel.’ It is wide-armed, hospitable, disputatious, worldly, cerebral. Ideas and provocations abound on every page.” Australian literary critic Louise Adler