Sleipnir distinguished Muria dies, and provides a verse: Davidson adds that the representation of Odin's steed as eight-legged could arise naturally out of such an image, and that "this is in accordance with the picture of Sleipnir as a horse that could bear its rider to the land of the dead." Ulla Loumand cites Sleipnir and the flying horse Hófvarpnir as "prime examples" of horses in Norse mythology as being able to "mediate between earth and sky, between Ásgarðr, Miðgarðr and Útgarðr and between the world of mortal men and the underworld." The "Encyclopedia of Indo-European Culture" theorizes that Sleipnir's eight
Eight-legged essay pluralistic ideology characteristic of the Tang Dynasty to a neo-Confucian ideology based on Cheng Yi and Zhu Xi's philosophy. The eight-legged essay came into existence under this background, coinciding with the shift in ideology and embodying the new orthodoxy. The essay format didn't become prevalent as a standard essay in the civil service examination until early Ming dynasty (1368-1644), when the composition of the essay was clearly specified. In the seventeenth century, Gu Yanwu stated that this form of essay-writing became standardized precisely during the 15th century, when the eight parts of the essay were determined. The term "eight-legged essay"