Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Portraits by Vincent van Gogh shown hanging to the left of the portrait of Paul-Eugène Milliet. Arranged this way, both portraits may have formed part of the "Décoration for the Yellow House". When Eugène Boch died in 1941, he bequeathed "The Poet" (that is Van Gogh's title for his portrait of Eugène Boch, which Boch received from Johanna van Gogh-Bonger as a present in July 1891) to the Louvre. "Portrait of the Artist's Mother" is a painting Vincent van Gogh made in 1888 of his mother, Anna Carbentus van Gogh, from a black-and-white photograph. In September 1888, Van Gogh, answering to a letter of his