The Foundations of Psychoanalysis in "The Assault on Truth" (1984), that Freud abandoned his seduction theory out of cowardice, Masson's position that "actual seductions" are the etiological factors in the development of hysteria is unfounded and credulous. He attributes to Freud a view he calls the "Tally Argument", arguing that Freud used it to justify the claim that durable therapeutic success guarantees not only that the pertinent analytic interpretations appear true or credible to the analysand but also that they are veridical, or at least close to the truth. He criticizes the theory of dreams Freud propounded in "The Interpretation of Dreams" (1899), referring
Together in Electric Dreams in 1981, which helped the single become number one in the United Kingdom and United States. For the film "Electric Dreams", Barron wanted to emulate the huge success of the film "Flashdance" a year earlier. "Flashdance" had used the electronic music of Giorgio Moroder, so Barron enlisted Moroder as director of music, who wrote most of the score. Barron wanted the end credits to roll to "an emotional" song in the same way as "Flashdance" had done. Moroder wrote "Together in Electric Dreams" as a male solo vocal, and Barron suggested his former associate Philip Oakey for the part. After