Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 5 (Chávez) the Third Symphony, though of course without the powerful effect of a large orchestra . Symphony No. 5 (Chávez) Symphony No. 5, also called "Sinfonía para cuerdas" (Symphony for Strings) is a composition for string orchestra by Carlos Chávez, composed in 1953. The Fifth Symphony was commissioned on 24 September 1952 by the Koussevitsky Music Foundation, and was sketched in July and August 1953. Chávez composed all of it during the month of September, while he was living in Acapulco, completing the fair copy of the score the following month. The score is dedicated to the memory of Serge and