Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 2 (Harbison) clarity of texture in the first movement drawn from the full resources of a large orchestra, this symphony is a feast for the ears..." Symphony No. 2 (Harbison) The Symphony No. 2 is an orchestral composition by the American composer John Harbison. The work was commissioned by the San Francisco Symphony for its 75th anniversary. It was composed in 1987. The symphony has a duration of roughly 23 minutes and is composed in four connected movements: The work is scored for a large orchestra comprising three flutes (3rd doubling piccolo), two oboes, English horn, two clarinets, E-flat clarinet, bass clarinet,