Rokeby Venus connoisseurs steal a glance without drawing the said posterior into the company". The "Rokeby Venus" was long held to be one of Velázquez's final works. In 1951, it was found recorded in an inventory of 1 June 1651 from the collection of Gaspar Méndez de Haro, 7th Marquis of Carpio, a close associate of Philip IV of Spain. Haro was the great-nephew of Velázquez's first patron, the Count-Duke of Olivares, and a notorious libertine. According to the art historian Dawson Carr, Haro "loved paintings almost as much as he loved women", and "even his panegyrists lamented his excessive taste for
Sleeping Venus (Giorgione) engravings of Giovanni Battista Palumba. Although prints had contained many more nude female figures, the two famous paintings of Botticelli, the "Birth of Venus" and the "Primavera", are the closest precedents in painting. The contemplative attitude toward nature and beauty of the figure is typical of Giorgione. The composition of this painting was highly influential, despite very public display of such images often being restricted for some centuries. The influence of this painting or paintings it influenced can be traced in a number of later reclining nudes such as the "Pardo Venus" and "Venus of Urbino" of Titian, the "Rokeby