Prometheus the Fire-Bringer Prometheus the Fire-Bringer Prometheus the Fire-Bringer (Ancient Greek: Προμηθεὺς Πυρφόρος, "Promētheús Pyrphóros") was probably the final play in the "Prometheia" trilogy traditionally ascribed to the 5th century BC Greek tragedian Aeschylus. As conventionally reconstructed, this trilogy reimagines the myths of Prometheus found in Hesiod's "Theogony" and "Works and Days". In the first play, "Prometheus Bound", the Titan is chained to a rock and tortured for giving fire to humankind, as well as teaching them other arts of civilization. In the sequel, "Prometheus Unbound", the Greek hero Heracles kills the eagle that Zeus sent to consume Prometheus' regenerating liver every day,
Chained to the Rhythm she placed herself in a giant hamster wheel. "Teen Vogue" contributor Sophie Hirsh surmised it contained "a metaphor for breaking free from the hamster wheel–esque grind". Lexy Perez of "The Hollywood Reporter" observed that Perry "appeared to make another political statement" with the performance. Perry herself joked afterwards that it had "a giant orange hamster on the wheel of life". In February 2017, Vant delivered a punk version at BBC Radio 1's Live Lounge. Recording Management Personnel Credits and personnel adapted from "Witness" album liner notes. Chained to the Rhythm "Chained to the Rhythm" is a song by American singer