Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony in D minor (Bruckner) Symphony in D minor (Bruckner) The Symphony in D minor, WAB 100, was composed by Anton Bruckner in 1869 between Symphony No. 1 (1866) and Symphony No. 2 (1872). In 1895 Bruckner declared that this symphony """ (does not count) and he did not assign a number to it. The work was published and premiered in 1924. Bruckner composed this symphony from 24 January to 12 September 1869. It was initially designated Symphony No. 2, while the C minor symphony of 1872 was called Symphony No. 3. According to the conductor Georg Tintner, "How an off-hand remark, when directed at