Benjamin Britten not his own in which Britten was a somewhat dazzled accomplice". The American public liked it, but the critics did not, and it fell into neglect until interest revived near the end of the composer's life. Britten's subsequent operas range from large-scale works written for full-strength opera companies, to chamber operas for performance by small touring opera ensembles or in churches and schools. In the large-scale category are "Peter Grimes" (1945), "Billy Budd" (1951), "Gloriana" (1953), "A Midsummer Night's Dream" (1960) and "Death in Venice" (1973). Of the remaining operas, "The Rape of Lucretia" (1946), "Albert Herring" (1947), "The Little
Canticles (Britten) Canticles (Britten) The five Canticles constitute a series of five musical works by composer Benjamin Britten. The pieces were written at various points in his career, with three of them written as memorials. Instrumentation differs on each piece, and several are based on non-sacred texts. A review in "Opera Today" notes, "Britten didn't draw upon the Scriptures for the texts of his canticles, which resemble cantatas more than church hymns in scale and structure, but an intense religious spirit pervades them all." Critic Peter Evans notes the works contain a "mood of spiritual elevation intense enough to demand realization in