Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
The Dust Bowl Symphony Griffiths as giving the singer a "brief moment of being Edith Piaf". All tracks composed by Nanci Griffith except where indicated. The Dust Bowl Symphony The Dust Bowl Symphony is an album released by Nanci Griffith in 1999. It consists of songs Griffith had previously released on other albums, but re-recorded with an orchestral backing. The album was recorded at Abbey Road Studios with the London Symphony Orchestra. Darius Rucker duets with Griffith on "Love at The Five and Dime", and the album also has contributions from Sonny Curtis and Glen Hardin, Beth Nielsen Chapman and Griffith's own band, The