Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Johanna van Gogh-Bonger July 1891. She also stayed in touch with Émile Bernard, who helped her to promote Vincent van Gogh's paintings. The legacy and renown of Vincent van Gogh the long-suffering artist began to spread in the years after his death; first in the Netherlands, and Germany and then throughout Europe. His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. Van Gogh-Bonger published the letters in three volumes in 1914. Johanna initially worked closely with German art dealers and publishers Paul Cassirer and his cousin Bruno to organize exhibitions of Van Gogh's paintings