Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
A London Symphony (Bridgewater Hall, Oct. 14, 2010) Seaman — Rochester Philharmonic — Harmonia Mundi HMU 807567 (March 2011) Yates — Royal Scottish National Orchestra — Dutton Epoch CDLX 7322 (Jan. 13, 2015) Manze — RLPO — Onyx 4155 (Philharmonic Hall, Liverpool, March 29-30, 2015) Brabbins — BBC SO — Hyperion CDA 68190 (Henry Wood Hall, Nov. 2016) A London Symphony A London Symphony is the second symphony composed by Ralph Vaughan Williams. The work is sometimes referred to as the Symphony No. 2, though it was not designated as such by the composer. First performed in 1914, the four-movement symphony was lost,