The Phantom of the Opera detective mystery entitled "The Mystery of the Yellow Room" in 1907, and four years later he published "Le Fantôme de l’Opéra". The novel was first published within newspapers before finally being published as a novel in 1911. The setting of "The Phantom of the Opera" came from an actual Paris opera house that Leroux had heard the rumors about from the time the opera house was finished. The details about the Palais Garnier, and rumors surrounding it, are closely linked in Leroux's writing. The underground water tank that he wrote about is accurate to this opera house, and it is
The Phantom of the Opera (1986 musical) These pieces are often presented as musical fragments, interrupted by dialogue or action sequences in order to clearly define the musical's "show within a show" format. The musical extracts from the Phantom's opera, "Don Juan Triumphant", heard during the latter stages of the show, are dissonant and modern—"suggesting, perhaps, that the Phantom is ahead of his time artistically". Maria Björnson designed the sets and over 200 costumes of the original productions, including the elaborate gowns in the "Masquerade" sequence. Her set designs, including the chandelier, subterranean gondola, and sweeping staircase, blended Second empire architectural detail, and the 19th century stagecraft