Benjamin Britten not his own in which Britten was a somewhat dazzled accomplice". The American public liked it, but the critics did not, and it fell into neglect until interest revived near the end of the composer's life. Britten's subsequent operas range from large-scale works written for full-strength opera companies, to chamber operas for performance by small touring opera ensembles or in churches and schools. In the large-scale category are "Peter Grimes" (1945), "Billy Budd" (1951), "Gloriana" (1953), "A Midsummer Night's Dream" (1960) and "Death in Venice" (1973). Of the remaining operas, "The Rape of Lucretia" (1946), "Albert Herring" (1947), "The Little
The Prodigal Son (Britten) and Viola Tunnard directed the first recording of the work, for the Decca label (original listing, Decca SET 438) with the premiere's cast and players. The full cast of singers is: Notes Sources The Prodigal Son (Britten) The Prodigal Son is an opera by Benjamin Britten with a libretto by William Plomer. Based on the Biblical story of the Prodigal Son, this was Britten's third "parable for church performance", after "Curlew River" and "The Burning Fiery Furnace". Britten dedicated the score to Dmitri Shostakovich. The first performance took place on 10 June 1968 in St Bartholomew's Church, Orford, Suffolk. The