Portrait of a Man with a Medal of Cosimo the Elder of the Medici family (including, possibly, Cosimo de' Medici himself) or, as he personally felt more likely, Antonio Botticelli, Botticelli's brother. This, he asserts, is based on the strength of the likeness of the youth to Botticelli himself, as portrayed in his "Adoration of the Magi". Antonio Botticelli had also recast and gilded medals, working in the court of the Medicis. However, he would have been about 40 at the time of the portrait. Frederick Hartt suggested it might be Lorenzo di Pierfrancesco de' Medici ("Il Poplano", 1463–1503), whose two certain portraits, both profiles on medals, vary considerably, though one
Adoration of the Magi the "Dream of the Magi". The usefulness of the subject to the Church and the technical challenges involved in representing it have made the Adoration of the Magi a favorite subject of Christian art: chiefly painting, but also sculpture and even music (as in Gian-Carlo Menotti's opera "Amahl and the Night Visitors"). The subject matter is also found in stained glass. The first figural stained glass window made in the United States is the "Adoration of the Magi" window located at Christ Church, Pelham, New York and designed in 1843 by the founder and first rector's son, William Jay Bolton.