Adoration of the Magi (Botticelli, 1475) described by Vasari as "the finest of all that are now extant for its life and vigour"), his sons Piero (the second Magus kneeling in the centre with the red mantle) and Giovanni (the third Magus), and his grandsons Giuliano and Lorenzo. The three Medici portrayed as Magi were all dead at the time the picture was painted, and Florence was effectively ruled by Lorenzo. Whether Botticelli's intimate relations with the Medici brothers allowed the wealthy Gaspare to introduce the portraits of their kinsmen in his altar-piece, or Gaspare was glad for this opportunity to pay a graceful compliment to
Adoration of the Magi (Lorenzo Monaco) landscape of Giottoesque inspiration. The garments of the standing Magi and the one next to him have writing in Arabic. In the cusps are a "Blessing Redemeer" and, in the middle, two prophets. In the 15th century between the cusps were added two further prophets and an "Annunciation", partly executed by Cosimo Rosselli. Adoration of the Magi (Lorenzo Monaco) The Adoration of the Magi is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the Uffizi Gallery in Florence. The painting is known by a rather complete documentation. It was executed by Lorenzo