Adoration of the Magi (Fra Angelico and Filippo Lippi) other similarities it also has a peacock perched on the stable roof, and falconry imagery, with hawks attacking cranes both in the air and on the ground. The figure in black and white, behind the Magi and holding a falcon, may be a portrait of Piero de' Medici. There were several other important images of the Magi made for the Medici, apart from these and those in the palace chapel. The 1492 inventory lists four paintings, three probably from the period of Cosimo. Later, Botticelli was to paint several Medici portraits in his 1475 painting in the Uffizi, commissioned by
Adoration of the Magi (Mantegna) Tuscany, where the "Adoration" was misattributed to Botticelli. The three works were exhibited together from 1827, with a gilded new neo-Renaissance intaglio frame which compensated for the differing sizes of the central work and the side panels. Most modern critics note the differences between the three works, including their form, format, setting and quality, especially between the "Circumcision" and the other two works. Roberto Longhi doubted that the three works were conceived as a single unified triptych and theorised that instead they all came from different locations in the same chapel, as did "Death of the Virgin" and "Christ Bearing