Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Fondation Vincent van Gogh Arles for the Creation of the Fondation Van Gogh (subsequently known simply as the Fondation Van Gogh). In 1985 Yolande Clergue proposed initiating a collection of works executed by contemporary artists in tribute to Van Gogh, including Francis Bacon. Bacon responded enthusiastically by producing a painting specifically for the foundation. More than ninety artists chose to contribute to this homage to Vincent van Gogh. In 2008 Yolande Clergue’s original ambition to create a Fondation Van Gogh was given new momentum by Luc Hoffmann who established a permanent framework for activities designed to preserve the memory of Van Gogh in Arles and