Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
The Birth of Venus (Cabanel) liberal teaching". Alexandre Cabanel. "Birth of Venus". http://library.artstor.org/library/secure/ViewImages?id=%2FThWdC8hIywtPygxFTx5TnQkVn0reA%3D%3D. Alexandre Cabanel, French, 1823-1889. "The Birth of Venus". http://library.artstor.org/library/secure/ViewImages?id=%2FDFMaiMuOztdLS04ejp4QXsvXQ%3D%3D. Cabanal, Alexandre, French, 1824-1889. "The Birth of Venus". http://library.artstor.org/library/secure/ViewImages?id=8DlKaFsnKjQ6. The Birth of Venus (Cabanel) The Birth of Venus (French: "Naissance de Venus") is a painting by the French artist Alexandre Cabanel. It was painted in 1863, and is now in the Musée d'Orsay in Paris. A second and smaller version (85 x 135.9 cm) from ca. 1864 is in Dahesh Museum of Art. A third (106 x 182.6 cm) version dates from 1875; it is in the Metropolitan Museum of Art in New