Stella Gibbons detestation of pomposity and pretence. Truss has described Gibbons as "the Jane Austen of the 20th century", a parallel which the novelist Malcolm Bradbury thought apt; Flora Poste in "Cold Comfort Farm", with her "higher common sense", is "a Jane-ite heroine transformed into a clear-eyed modern woman". Bradbury also observed that many of Gibbons's novels end in Austen-like nuptials. Truss highlights the importance that Gibbons places on detachment as a necessary adjunct to effective writing: "Like many a good doctor, she seems to have considered sympathy a peculiar and redundant emotion, and a terrible waste of time." This matter-of-fact quality
Stella Jones (writer) country with the play. The play was one of the first New Zealand plays to reach a wide audience, and was praised by critics. "The New Zealand Herald" newspaper wrote that it was a "compelling and first-class piece of work". Later in her career Jones wrote radio plays, including the acclaimed "Between Seasons" (1965) and "Julia's Day" (1972). She also published two papers in the "Auckland-Waikato Historical Journal" in 1979 and 1980, analysing her father's contributions to the development of newspapers in New Zealand. Stella Jones (writer) Stella Marjorie Jones (née Claridge, 5 April 1904 – 6 June 1991) was