International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Decorative Impressionism falls under the description of "Decorative Impressionism" is Robert Reid. Although Reid was not part of the Giverny Colony, he was Paris-trained and at the same time it was active, he was working out his own solution of how to reconcile his academic training with a decorative aspect. His solution was different from the Giverny painters. He used boldly decorative compositions, full of cool tones, that had a distinct organic influence that made them reminiscent of Art Nouveau. Because several members of the Giverny Colony were teachers and mentors to a number of other American painters, their style of painting