Pyramid of Cestius an essential sight for many who undertook the Grand Tour in the 18th and 19th centuries. It was much admired by architects, becoming the primary model for pyramids built in the West during this period. Percy Bysshe Shelley described it as "one keen pyramid with wedge sublime" in "Adonaïs", his 1821 elegy for John Keats. In turn the English novelist and poet Thomas Hardy saw the pyramid during a visit to the nearby Protestant Cemetery in 1887 and was inspired to write a poem, "Rome: At the Pyramid of Cestius near the Graves of Shelley and Keats", in which he
Elegy Written in a Country Churchyard 1751, to pre-empt a magazine publisher from printing an unlicensed copy of the poem. The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard. The two versions of the poem, "Stanzas" and "Elegy", approach death differently; the first contains a stoic response to death, but the final version contains an