International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Cosmetics in the 1920s provide the sculpting abilities of modern-day mascara wands. For this, ladies used eyelash curlers such as the then popular Kurlash. De Castelbajac, Kate. "The Face of the Century: 100 Years of Makeup and Style." Rizzoli International Publications (1995), . Cosmetics in the 1920s Cosmetics in the 1920s were characterized by their use to create a specific look: lips painted in the shape of a Cupid's bow, kohl-rimmed eyes, and bright cheeks brushed with bright red blush. The heavily made-up look of the 1920s was a reaction to the demure, feminine Gibson girl of the pre-war period. In the 1920s, an