Benjamin Britten not his own in which Britten was a somewhat dazzled accomplice". The American public liked it, but the critics did not, and it fell into neglect until interest revived near the end of the composer's life. Britten's subsequent operas range from large-scale works written for full-strength opera companies, to chamber operas for performance by small touring opera ensembles or in churches and schools. In the large-scale category are "Peter Grimes" (1945), "Billy Budd" (1951), "Gloriana" (1953), "A Midsummer Night's Dream" (1960) and "Death in Venice" (1973). Of the remaining operas, "The Rape of Lucretia" (1946), "Albert Herring" (1947), "The Little
A Midsummer Night's Dream (opera) Thisbe" at the final wedding takes on an added dimension as a parody of nineteenth-century Italian opera. Thisbe's lament, accompanied by obbligato flute, is a parody of a Donizetti "mad scene" ("Il dolce suono"). The opera contains several innovations: it is extremely rare in opera that the lead male role is written for the countertenor voice to sing. The part of Oberon was created by Alfred Deller. Britten wrote specifically for his voice, which, despite its ethereal quality, had a low range compared to more modern countertenors. Oberon's music almost never requires the countertenor to sing both at the top