International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Generation of the '30s 20th century who instigated the turning point into modernity with surrealism in his poetry. After the Balkan Wars and the disastrous Greco-Turkish War of 1922, literature could no longer boast nationalistic aspirations of the previous generation. Thus, there was a need to establish a new dogma, or Greekness (Greek: Ελληνικότητα), that would aestheticize Hellenocentric opinions, attitudes, and symbols, and foster a new national identity. The Generation of the ‘30s enacted this by publishing various art and literature that were autonomous from other foreign models, and institutionalized modern literature to open up new perspectives and explore new ways to understand Greekness.