Pastoral elegy condition of death, not just the death of a single individual. John Milton’s "Lycidas," considered the most famous pastoral elegy, mourns the death of the poet’s good friend Edward King. In the 17th century, John Donne, a contemporary of Milton’s, explored the genre further and addressed matters of human love, which to his metaphysically inclined mind often resembled death. In the English language some of the greatest pastoral elegies are "Adonaïs" by Percy Bysshe Shelley, which mourns the death of poet John Keats, and "Thyrsis" by Matthew Arnold, which mourns the poet Arthur Hugh Clough. In 17th century England, Andrew
Monody on the Death of Chatterton many poets that he admired along with having a lot of experience with his own debt and poverty. The second edition shows a stronger influence of Gray and the elegy form. Gray's "The Bard" influences the poem's discussion of Chatterton as a poet, the "Elegy" influences the poem's discussion of Chatterton's solitude, and "The Progress of Poesy" influences the discussion of Chatterton's youth. Like Gray's poetry, the poem relies heavily upon personification and Coleridge borrows phrases from Gray. Even Coleridge's Chatterton and Gray's Bard share a similar character that is only separated by the actual biographical events of Chatterton's life