Prometheus the Fire-Bringer Prometheus the Fire-Bringer Prometheus the Fire-Bringer (Ancient Greek: Προμηθεὺς Πυρφόρος, "Promētheús Pyrphóros") was probably the final play in the "Prometheia" trilogy traditionally ascribed to the 5th century BC Greek tragedian Aeschylus. As conventionally reconstructed, this trilogy reimagines the myths of Prometheus found in Hesiod's "Theogony" and "Works and Days". In the first play, "Prometheus Bound", the Titan is chained to a rock and tortured for giving fire to humankind, as well as teaching them other arts of civilization. In the sequel, "Prometheus Unbound", the Greek hero Heracles kills the eagle that Zeus sent to consume Prometheus' regenerating liver every day,
Chained to the Rhythm us for being 'happily numb' and 'tone deaf,' and tries to gently puncture the bubble that we create when we drown out the world's issues." Sal Cinquemani from "Slant Magazine" praised "Chained to the Rhythm", writing, "a track with a hook that implores listeners to 'Come on, turn it up/Keep it on repeat' had better deliver the goods, and this one most definitely does." Josh Duboff from "Vanity Fair" considered the song "a departure from straight-forward firework metaphors and nostalgic teenage romance anthems." He noted, "the idea of the song is that we are chained to the 'rhythm,' perhaps not