Benjamin Britten first recording of the "Serenade for Tenor, Horn and Strings", which has frequently been reissued, most recently on CD. Britten's first operatic recording was "The Turn of the Screw", made in January 1955 with the original English Opera Group forces. In 1957 he conducted "The Prince of the Pagodas" in an early stereo recording, supervised by Culshaw. Decca's first major commercial success with Britten came the following year, with "Peter Grimes", which has, at 2013, never been out of the catalogues since its first release. From 1958 Britten conducted Decca recordings of many of his operas and vocal and orchestral
Opera Richard Wagner, and in particular the Tristan chord. Composers such as Richard Strauss, Claude Debussy, Giacomo Puccini, Paul Hindemith, Benjamin Britten and Hans Pfitzner pushed Wagnerian harmony further with a more extreme use of chromaticism and greater use of dissonance. Another aspect of modernist opera is the shift away from long, suspended melodies, to short quick mottos, as first illustrated by Giuseppe Verdi in his "Falstaff". Composers such as Strauss, Britten, Shostakovich and Stravinsky adopted and expanded upon this style. Operatic modernism truly began in the operas of two Viennese composers, Arnold Schoenberg and his student Alban Berg, both composers