Rokeby Venus with blond hair, Velázquez's Venus is a brunette. The female figure can be identified as Venus because of the presence of her son, Cupid. Venus gazes into a mirror held by Cupid, who is without his usual bow and arrows. When the work was first inventoried, it was described as "a nude woman", probably owing to its controversial nature. Venus looks outward at the viewer of the painting through her reflected image in the mirror. However, the image is blurred and reveals only a vague reflection of her facial characteristics; the reflected image of the head is much larger than
Rokeby Venus controversial in France also. In northern Europe it was seen as acceptable to portray artfully draped nudes. Examples include Rubens's "Minerva Victrix", of 1622–25, which shows Marie de' Medici with an uncovered breast, and Anthony van Dyck's 1620 painting, "The Duke and Duchess of Buckingham as Venus and Adonis". In 17th-century Spanish art, even in the depiction of sibyls, nymphs, and goddesses, the female form was always chastely covered. No painting from the 1630s or 1640s, whether in the genre, portrait, or history format, shows a Spanish female with her breasts exposed; even uncovered arms were only rarely shown. In