Rokeby Park of Venus by Diego Velázquez, now known in English as The Rokeby Venus. The original now hangs in the National Gallery, London and a copy hangs in the saloon at Rokeby Park. Sir Walter Scott was a regular visitor to the house, and used it as the setting to his epic poem "Rokeby" in 1812. The building is also of interest in its own right. Completed in 1735 (and known at the time as Rokeby Hall) by Sir Thomas Robinson, it is considered a fine example of the italianate Palladian style. Robinson owned it until 1769, when he sold it
Rokeby Venus it would be in reality. The critic Natasha Wallace has speculated that Venus's indistinct face may be the key to the underlying meaning of the painting, in that "it is not intended as a specific female nude, nor even as a portrayal of Venus, but as an image of self-absorbed beauty." According to Wallace, "There is nothing spiritual about face or picture. The classical setting is an excuse for a very material aesthetic sexuality—not sex, as such, but an appreciation of the beauty that accompanies attraction." Intertwining pink silk ribbons are draped over the mirror and curl over its frame.