Stella Gibbons more novels, as well as two poetry collections, a children's book, and a number of short stories. From November 1936 the family home was in Oakshott Avenue, on the Holly Lodge Estate off Highgate West Hill, where Gibbons regularly worked in the mornings from ten until lunchtime. Her novels were generally well received by critics and the public, though none earned the accolades or attention that had been given to "Cold Comfort Farm"; readers of "The Times" were specifically warned not to expect Gibbons's second novel, "Bassett" (1934), to be a repetition of the earlier masterpiece. "Enbury Heath" (1935) is
Stella Corvalán and the ability to organize in her texts what is politically called 'the feminine', that is, the world of emotions, intuition, sensitivity tied to a knowledge of those emotions." Her work was published and recognized in various countries in Latin America and Europe, followed by renowned intellectuals such as Francis de Miomandre, Pío Baroja, and Giovanni Papini, illustrated by artists such as Agnes Van Den Brandeler in "Sinfonía del viento" (Madrid, 1951), and referenced by writers like Uruguayan Juana de Ibarbourou in the poem "A Stella Corvalán". Stella Corvalán Stella Corvalán Vega (1913–1994) was a Chilean writer and poet. She