Rokeby Venus Venus looking into a mirror, and as both had had close ties to the Spanish court, their examples would have been familiar to Velázquez. However, "this girl with her small waist and jutting hip, does not resemble the fuller more rounded Italian nudes inspired by ancient sculpture". One innovation of the "Rokeby Venus", when compared to other large single nude paintings, lies in the fact that Velázquez depicts a back view of its subject who is turned away from the viewer. There were precedents for this in prints by Giulio Campagnola, Agostino Veneziano, Hans Sebald Beham and Theodor de Bry,
Pardo Venus arm drawn up to support the head and the other resting near the crotch, is essentially the same as that in Giorgione's "Dresden Venus", which after his death in 1510 was completed by Titian. The pose apart, the paintings offer a strong contrast, with the noisy and hectic scene in the "Pardo Venus" completely different from the tranquil and deserted landscape in Dresden. Around 1534 Titian had painted the "Venus of Urbino", and a repetition of this from 1545, perhaps a lost recorded "Venus" sent to Charles V, "was the basis" for the "Venus and Musician" series, which exists in