Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Death of Vincent van Gogh coinciding with the wedding of his brother Theo to Johanna Bonger. However, at the last moment his resolution failed him and he confided to Frédéric Salles, who served as an unofficial chaplain to the hospital's Protestant patients, that he wanted to be confined to an asylum. At Salles' suggestion van Gogh chose an asylum in nearby Saint-Rémy. Theo originally resisted this choice, even suggesting that Vincent rejoin Paul Gauguin in Pont Aven, but was eventually won over, agreeing to pay the asylum fees (requesting the cheapest third-class accommodation). Vincent entered the asylum in early May 1889. His mental condition remained