Benjamin Britten first recording of the "Serenade for Tenor, Horn and Strings", which has frequently been reissued, most recently on CD. Britten's first operatic recording was "The Turn of the Screw", made in January 1955 with the original English Opera Group forces. In 1957 he conducted "The Prince of the Pagodas" in an early stereo recording, supervised by Culshaw. Decca's first major commercial success with Britten came the following year, with "Peter Grimes", which has, at 2013, never been out of the catalogues since its first release. From 1958 Britten conducted Decca recordings of many of his operas and vocal and orchestral
A Midsummer Night's Dream (opera) Thisbe" at the final wedding takes on an added dimension as a parody of nineteenth-century Italian opera. Thisbe's lament, accompanied by obbligato flute, is a parody of a Donizetti "mad scene" ("Il dolce suono"). The opera contains several innovations: it is extremely rare in opera that the lead male role is written for the countertenor voice to sing. The part of Oberon was created by Alfred Deller. Britten wrote specifically for his voice, which, despite its ethereal quality, had a low range compared to more modern countertenors. Oberon's music almost never requires the countertenor to sing both at the top