The Phantom of the Opera (1925 film) was working in the French film industry. Laemmle mentioned to Leroux that he admired the Paris Opera House. Leroux gave Laemmle a copy of his 1910 novel "The Phantom of the Opera". Laemmle read the book in one night and bought the film rights as a vehicle for actor Lon Chaney, Sr.. Production started in late 1924 at Universal Studios. French artist, Ben Caray, whom had worked at the Paris Opera House, was brought in to design the backstage and cellars which Universal could not replicate; and although his English limited, Caray was able to speak clearly with his charcoal
The Phantom of the Opera (Andrew Lloyd Webber song) Peter Jöback and Erkan Aki. What makes this particular song unique within the musical is its unusual hard rock style, since most of the songs in the musical have a more operatic style. Early in the musical's production, Andrew Lloyd Webber met Jim Steinman, who described "The Phantom of the Opera" as a rock song invading an opera house. This is what inspired the hard rock style of the song, which influenced all of the rock-based instruments in the song including drums and electric guitar. "The Phantom of the Opera" song was also specially arranged by the show's original orchestrator,