Stella Gibbons unhappy childhood. After an indifferent school career she trained as a journalist, and worked as a reporter and features writer, mainly for the "Evening Standard" and "The Lady". Her first book, published in 1930, was a collection of poems which was well received, and through her life she considered herself primarily a poet rather than a novelist. After "Cold Comfort Farm", a satire on the genre of rural-themed "loam and lovechild" novels popular in the late 1920s, most of Gibbons's novels were based within the middle-class suburban world with which she was familiar. Gibbons became a Fellow of the Royal
Stella Corvalán and the ability to organize in her texts what is politically called 'the feminine', that is, the world of emotions, intuition, sensitivity tied to a knowledge of those emotions." Her work was published and recognized in various countries in Latin America and Europe, followed by renowned intellectuals such as Francis de Miomandre, Pío Baroja, and Giovanni Papini, illustrated by artists such as Agnes Van Den Brandeler in "Sinfonía del viento" (Madrid, 1951), and referenced by writers like Uruguayan Juana de Ibarbourou in the poem "A Stella Corvalán". Stella Corvalán Stella Corvalán Vega (1913–1994) was a Chilean writer and poet. She