Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Saint-Paul Asylum, Saint-Rémy (Van Gogh series) the end of van Gogh's stay at Saint-Paul's hospital, Theo wrote to his sister and mother, "I am so pleased that Vincent's work is being more appreciated. If he were fit I believe that there would be nothing for me to desire, but it appears that this is not to be." The sale of "Red Vineyard" was the only sale of van Gogh's paintings made during his lifetime. Saint-Paul Asylum, Saint-Rémy (Van Gogh series) Saint-Paul Asylum, Saint-Rémy is a collection of paintings that Vincent van Gogh made when he was a self-admitted patient at the Saint-Paul asylum in Saint-Rémy-de-Provence, since