Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony No. 1 (Raff) Symphony No. 1 (Raff) Symphony No. 1 in D major "An das Vaterland" ("To the Fatherland"), Op. 96, was composed by Joachim Raff between 1859 and 1861. The work was Raff's first numbered symphony, though not the first symphony he had written. He composed a Grand Symphony in E minor, WoO. 18, in 1854, but only two of the work's original five movements survive. Raff entered the completed symphony in a competition organized in Vienna, sponsored by Gesellschaft der Musikfreunde and judged by Ferdinand Hiller, Carl Reinecke, Robert Volkmann and Vinzenz Lachner. It won first prize out of 32 entries.