The Phantom of the Opera (1925 film) of the title character based on the description given in the novel, where the Phantom is described as having a skull-like face with a few wisps of black hair on top of his head. As in the novel, Chaney's Phantom has been deformed since birth, rather than having been disfigured by acid or fire, as in later adaptations of "The Phantom of the Opera". Producer Laemmle commissioned the construction of a set of the Paris Opera House. Because it would have to support thousands of extras, the set became the first to be created with steel girders set in concrete.
The Phantom of the Opera in the graveyard are lined with human bones. Indeed, Drumright notes that "The Phantom of the Opera" checks off every trope necessary to have a Gothic novel according to the "Encyclopedia of Literature's" description which says, “Such novels were expected to be dark and tempestuous and full of ghosts, madness, outrage, superstition, and revenge.” Although the Phantom is really just a disfigured man, he has ghost-like qualities in that no one can ever find him or his lair and he is seen as a monster. People are frightened by him because of his deformities and the acts of violence he