Stella Gibbons flashes of the novels' wit". Such lines as "my thoughts, like purple parrots / Brood / In the sick light" come dangerously close indeed to the overblown rhetoric she satirized in "Cold Comfort Farm": "How like yaks were your drowsy thoughts". The immediate and enduring success of "Cold Comfort Farm" dominated the rest of Gibbons's career. Neville thought that after so singular a success at the start of her career, the rest was something of an anticlimax, despite her considerable industry and undoubted skills. The 1985 edition of "The Oxford Companion to English Literature" defines Gibbons solely in terms of
Stella Gibbons the 1957 Heritage edition of "Sense and Sensibility", was a long-time admirer of Austen, and had described her in a "Lady" article as "one of the most exquisite" of woman artists. After the war, Allan Webb resumed his stage career with the role of Count Almaviva in the 1946 Sadler's Wells production of "The Marriage of Figaro". In 1947 he appeared in the original run of the Vivian Ellis musical "Bless the Bride", and made several further stage appearances in the following two years. During this time he had a brief affair with the actress Sydney Malcolm, for which Gibbons