Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
Pardo Venus arm drawn up to support the head and the other resting near the crotch, is essentially the same as that in Giorgione's "Dresden Venus", which after his death in 1510 was completed by Titian. The pose apart, the paintings offer a strong contrast, with the noisy and hectic scene in the "Pardo Venus" completely different from the tranquil and deserted landscape in Dresden. Around 1534 Titian had painted the "Venus of Urbino", and a repetition of this from 1545, perhaps a lost recorded "Venus" sent to Charles V, "was the basis" for the "Venus and Musician" series, which exists in