Symphony No. 2 (Mahler) Symphony No. 2 (Mahler) Symphony No. 2 by Gustav Mahler, known as the Resurrection Symphony, was written between 1888 and 1894, and first performed in 1895. This symphony was one of Mahler's most popular and successful works during his lifetime. It was his first major work that established his lifelong view of the beauty of afterlife and resurrection. In this large work, the composer further developed the creativity of "sound of the distance" and creating a "world of its own", aspects already seen in his First Symphony. The work has a duration of eighty to ninety minutes and is conventionally
Symphony 20th century, more symphonies have been written for concert band than in past centuries. Although examples exist from as early as 1932, the first such symphony of importance since Hector Berlioz wrote the "Grande symphonie funèbre et triomphale" in 1840 is Nikolai Miaskovsky’s Symphony No. 19, Op. 46, composed in 1939 (Battisti 2002, 42). Some further examples are Paul Hindemith's Symphony in B-flat for Band, composed in 1951; Morton Gould's Symphony No. 4 "West Point", composed in 1952; Vincent Persichetti's Symphony No. 6, Op. 69, composed in 1956; Vittorio Giannini's Symphony No.3, composed in 1959; Alan Hovhaness's Symphonies No. 4,