Prometheus the Fire-Bringer Prometheus the Fire-Bringer Prometheus the Fire-Bringer (Ancient Greek: Προμηθεὺς Πυρφόρος, "Promētheús Pyrphóros") was probably the final play in the "Prometheia" trilogy traditionally ascribed to the 5th century BC Greek tragedian Aeschylus. As conventionally reconstructed, this trilogy reimagines the myths of Prometheus found in Hesiod's "Theogony" and "Works and Days". In the first play, "Prometheus Bound", the Titan is chained to a rock and tortured for giving fire to humankind, as well as teaching them other arts of civilization. In the sequel, "Prometheus Unbound", the Greek hero Heracles kills the eagle that Zeus sent to consume Prometheus' regenerating liver every day,
Zeus summit of Mount Lykaion, before which stood two columns bearing gilded eagles and 'facing the sun-rise'. Further Cook sees only the tale of Zeus' sacred precinct at Mount Lykaion allowing no shadows referring to Zeus as 'god of light' (Lykaios). Although etymology indicates that Zeus was originally a sky god, many Greek cities honored a local Zeus who lived underground. Athenians and Sicilians honored Zeus Meilichios ("kindly" or "honeyed") while other cities had Zeus Chthonios ("earthy"), Zeus Katachthonios ("under-the-earth") and Zeus Plousios ("wealth-bringing"). These deities might be represented as snakes or in human form in visual art, or, for emphasis