Adoration of the Magi (Fra Angelico and Filippo Lippi) the painting, they were perhaps added by Benozzo Gozzoli around the time he was working on the famous fresco cycle of the Magi Chapel in the Medici Palace in 1459–61. Gozzoli was a former member of Fra Angelico's workshop who by then ran his own studio. The chapel frescos also centre on elaborate processions of the Magi, and include several birds, and feathers, one of which is a goshawk, and another a peacock in a very similar pose to the one in the tondo. The painting has been generally identified with one recorded in an inventory of the contents of
Adoration of the Magi (Bosch, Madrid) other grotesque ones and characterized by a red mantle, a tiara with metallic twigs in the hand, and by a wheal at the left ankle, protected by a glass structure. This has been variously interpreted as either another prefiguration of the Passion, or as a symbol of the heresy looming the followers, or as the Judaic messiah which, after having been struck by leper, has become the Antichrist. Other figures include the shepherds crawling the hut, a traditional element in Italian contemporary Adorations of the Magi; the armies running in the far background and the quasi-anthropomorphic constructions. The pigments employed