Saint Sebastian Tended by Saint Irene Lieferinxe in about 1497, part of a cycle from an altarpiece in Marseilles (now Philadelphia Museum of Art), but the subject was rare until the 17th century. It was painted by Georges de La Tour at least twice, Trophime Bigot (four times), Jusepe de Ribera twice, Hendrick ter Brugghen (in perhaps his masterpiece) and many others. The subject appears to have been a deliberate attempt by the Church to get away from the traditional depiction of the standing almost-nude Sebastian being shot with arrows. This is already recorded in Vasari (in relation to a painting by Fra Bartolommeo) as sometimes
The Man Who Killed Don Quixote most troubled of productions, though given the director has waited nearly two decades to see his magnum opus on screen, he can stand to hold on for a few more months." BBC stated before the film's release "It is almost unbelievable that "The Man Who Killed Don Quixote" is still being wounded by the slings and arrows of outrageous fortune" while "Vox" stated "It remains to be seen whether the film is any good. But at this point, it almost doesn't matter. It will be a long time before "The Man Who Killed Don Quixote" can be seen just as