Adoration of the Magi (Fra Angelico and Filippo Lippi) the painting, they were perhaps added by Benozzo Gozzoli around the time he was working on the famous fresco cycle of the Magi Chapel in the Medici Palace in 1459–61. Gozzoli was a former member of Fra Angelico's workshop who by then ran his own studio. The chapel frescos also centre on elaborate processions of the Magi, and include several birds, and feathers, one of which is a goshawk, and another a peacock in a very similar pose to the one in the tondo. The painting has been generally identified with one recorded in an inventory of the contents of
Adoration of the Magi (Stefano da Verona) donkey, holding the Child on her knees. The three Magi have different stances: the eldest has removed is crown and is kneeling; he is donating an elaborated golden object to the Child, who stretches his hands to accept it and bless him. The mature Magus is portrayed while putting down his crown and a gilt casket in the left hand; the youngest is observing the scene from behind. The two characters with halos, in the first row behind the Child, are St. Joseph and St. Anne. The servants of the Magi include numerous races, from the Mongols to the Moors.