Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony of Psalms Symphony of Psalms The Symphony of Psalms is a three-movement choral symphony composed by Igor Stravinsky in 1930 during his neoclassical period. The work was commissioned by Serge Koussevitzky to celebrate the 50th anniversary of the Boston Symphony Orchestra. The symphony derives its name from the use of Psalm texts in the choral parts. According to Stravinsky, the commission for the work came about from "a routine suggestion" from Koussevitzky, who was also Stravinsky's publisher, that he write something "popular" for orchestra without chorus. Stravinsky, however, insisted on the psalm-symphony idea, which he had had in mind for some time.