International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Queen Anne style architecture than of a specific formulaic style in its own right. "Queen Anne", as an alternative both to the French-derived Second Empire and the less "domestic" Beaux-Arts architecture, is broadly applied to architecture, furniture and decorative arts of the period 1880 to 1910; some "Queen Anne" architectural elements, such as the wraparound front porch, continued to be found into the 1920s. The gabled and domestically scaled "Queen Anne" style arrived in New York City with the new housing for the New York House and School of Industry Sidney V. Stratton, architect, 1878). Distinctive features of American Queen Anne style (rooted in