Stella Gibbons many years, when in 1965 she contributed an essay to "Light on C.S. Lewis", a review of that writer's work edited by Jocelyn Gibb. In 1966 she wrote an essay for "Punch", "Genesis of a Novel", in which she mused on the detrimental effect of "Cold Comfort Farm" on her long term career. She likened the book to "some unignorable old uncle, to whom you have to be grateful because he makes you a handsome allowance, but is often an embarrassment and a bore". Gibbons made her last overseas trip in 1966, to Grenoble in France where she visited her
Orlando Gibbons only the eldest son, Christopher Gibbons, became a musician. One of the most versatile English composers of his time, Gibbons wrote a large number of keyboard works, around thirty fantasias for viols, a number of madrigals (the best-known being "The Silver Swan"), and many popular verse anthems, all to English texts. Perhaps his best-known verse anthem is "This Is the Record of John", which sets an Advent text for solo countertenor or tenor, alternating with full chorus. The soloist is required to demonstrate considerable technical facility, and the work expresses the text's rhetorical force without being demonstrative or bombastic. He