Sir John Oldcastle ("Epistle to Sir Harry Bourchier", c. 1625) and Thomas Fuller ("Worthies of England," 1662). It is also indicated in details in the early texts of Shakespeare's plays. In the quarto text of "Henry IV, Part 2" (1600), one of Falstaff's speech prefixes in Act I, Scene ii is mistakenly left uncorrected, "Old." instead of "Falst." In III,ii,25-6 of the same play, Falstaff is said to have been a "page to Thomas Mowbray, Duke of Norfolk" — which was true of the historical Oldcastle. In "Henry IV, Part 1", I,ii,42, Prince Hal calls Falstaff "my old lad of the castle." Iambic
Portraits of Shakespeare only 15. Another example is the "Flower portrait", named for its owner, Sir Desmond Flower, who donated it to the Shakespeare Museum in 1911. This was once thought to be the earliest painting depicting Shakespeare, and the model for the Droeshout engraving. It was shown in a 2005 National Portrait Gallery investigation to be a 19th-century fake adapted from the engraving. The image of Shakespeare was painted over an authentic 16th-century painting of a Madonna and child. In 1849 a death mask was made public by a German artist, Ludwig Becker, who linked it to a painting which, he claimed,