Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Butterflies (Van Gogh series) in 1888 Van Gogh mentions hoping to make a better version of butterflies or the field of poppies while in Arles. London's National Gallery painting "Long Grass with Butterflies," also called "Meadow in the Garden of Saint-Paul Hospital," is a view of an abandoned garden with tall unkempt grass and weeds on the asylum grounds. The work was made towards the end of his stay in Saint-Rémy. In 1888 Van Gogh also worked on a "study of dusty thistles, with an innumerable swarm of white and yellow butterflies," but the painting was lost. Butterflies (Van Gogh series) Butterflies is a