Benjamin Britten not his own in which Britten was a somewhat dazzled accomplice". The American public liked it, but the critics did not, and it fell into neglect until interest revived near the end of the composer's life. Britten's subsequent operas range from large-scale works written for full-strength opera companies, to chamber operas for performance by small touring opera ensembles or in churches and schools. In the large-scale category are "Peter Grimes" (1945), "Billy Budd" (1951), "Gloriana" (1953), "A Midsummer Night's Dream" (1960) and "Death in Venice" (1973). Of the remaining operas, "The Rape of Lucretia" (1946), "Albert Herring" (1947), "The Little
Nelson (opera) (enabling the composer and Lambe, who was an accomplished pianist, to play duets), and the fleet slowed down between Cape St. Vincent and Cape Trafalgar to enable the composer to drink in the scene of Nelson's final moments. The opera had a partial performance, to piano accompaniment, at the Wigmore Hall in London in 1953, when the part of Nelson was sung by Peter Pears. Critics received this well, but the reviews of the full version a year later, staged at Sadler's Wells Theatre with the encouragement of Benjamin Britten, were mixed. This may have been because Britten's own "The