Saint Sebastian year 682. It shows a grown, bearded man in court dress but contains no trace of an arrow. The archers and arrows begin to appear by 1000, and ever since have been far more commonly shown than the actual moment of his death by clubbing, so that there is a popular misperception that this is how he died. As protector of potential plague victims (a connection popularized by the "Golden Legend") and soldiers, Sebastian occupied an important place in the popular medieval mind. He was among the most frequently depicted of all saints by Late Gothic and Renaissance artists, in
The Saint (Simon Templar) wrote an adventure novel featuring a South American hero not far removed from The Saint himself. Templar also on occasion would break the fourth wall in an almost metafictional sense, making references to being part of a story and mentioning in one early story how he cannot be killed so early on; the 1960s television series would also have Templar address viewers. Charteris in his narrative also frequently breaks the fourth wall by making references to the "chronicler" of The Saint's adventures and directly addressing the reader. In the story "The Sizzling Saboteur" in "The Saint on Guard" Charteris inserts