Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 1 (Raff) Symphony No. 1 (Raff) Symphony No. 1 in D major "An das Vaterland" ("To the Fatherland"), Op. 96, was composed by Joachim Raff between 1859 and 1861. The work was Raff's first numbered symphony, though not the first symphony he had written. He composed a Grand Symphony in E minor, WoO. 18, in 1854, but only two of the work's original five movements survive. Raff entered the completed symphony in a competition organized in Vienna, sponsored by Gesellschaft der Musikfreunde and judged by Ferdinand Hiller, Carl Reinecke, Robert Volkmann and Vinzenz Lachner. It won first prize out of 32 entries.