Benjamin Britten based on a theme from Britten's Piano Concerto. Works commemorating Britten include "Cantus in Memoriam Benjamin Britten" an orchestral piece written in 1977 by Arvo Pärt, and Sally Beamish's "Variations on a Theme of Benjamin Britten", based on the second Sea Interlude from "Peter Grimes"; she composed the work to mark Britten's centenary. Alan Bennett depicts Britten in a 2009 play "The Habit of Art", set while Britten is composing "Death in Venice" and centred on a fictional meeting between Britten and Auden. Britten was played in the premiere production by Alex Jennings. Tony Palmer made three documentary films about
Chamber opera Chamber opera Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th century operas of this type include Paul Hindemith's "Cardillac" (1926). Earlier small-scale operas such as Pergolesi's "La serva padrona" (1733) are sometimes known as chamber operas. Other 20th century examples include Gustav Holst's "Savitri" (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. "The Rape of Lucretia" (1946) was his first