The Wonderful Wizard of Oz (musical) The Wonderful Wizard of Oz (musical) The Wonderful Wizard of Oz is a musical play based on the novel of the same title by L. Frank Baum that premiered at the Toronto Civic Light Opera Company in 2000. The lyrics are by James Patrick Doyle and Joe Cascone, the music is by Doyle and the book is by Cascone who also directed. This company describes the show as the most requested in their repertory and revived it in 2002 and again in 2010. Joe Cascone, artistic director of the Toronto Civic Light Opera Company, had long wanted to stage a
The Wonderful Wizard of Oz continued to include these faces on gates. Baum did not offer any conclusive proof that he intended his novel to be a political allegory. Historian Ranjit S. Dighe wrote that for 60 years after the book's publication, "virtually nobody" had such an interpretation until Henry Littlefield, a high-school teacher. In his 1964 "American Quarterly" article, "The Wizard of Oz: Parable on Populism", Littlefield posited that the book contained an allegory of the late 19th-century bimetallism debate regarding monetary policy. Littlefield's thesis achieved some support, but has been strenuously attacked by others. "The Wonderful Wizard of Oz" has become an established