Sir John Oldcastle to Henry Carey's son George, second Lord Hunsdon, and the actors regained their previous patronage. Soon after the premier of Shakespeare's Oldcastle/Falstaff in 1597–98, literary and dramatic works began to appear that defended the reputation of the historical Oldcastle; scholars argue that the muse that inspired these works was Henry Brooke, 11th Baron Cobham. In 1601 a narrative poem, "The Mirror of Martyrs," by one John Weever, was published; it praises Oldcastle has a "valiant captain and most godly martyr." And two years earlier, in 1599, the play "Sir John Oldcastle" was performed by the Admiral's Men, the main theatrical
Religious views of William Shakespeare Shakespeare's portrayal; the story of Oldcastle was a popular one and telling the tale from the "Papist" perspective (while acknowledging that perhaps this was a perspective with which Shakespeare already had some affinity) was an effective and familiar way to bring it to his audience. A direct explanation, however, comes from the facts of the story in the contemporary accounts of the period; Prince Henry had left his dear friend Oldcastle to his fate after he had failed to persuade the stubborn old knight to recant when he was imprisoned for lollardry. Archdeacon Richard Davies, a 17th-century Anglican cleric, wrote