The Phantom of the Opera (1925 film) Meanwhile, Mme. Carlotta (Virginia Pearson), the prima donna of the Paris Grand Opera, barges into the managers' office enraged. She has received a letter from "The Phantom," demanding that Christine sing the role of Marguerite the following night, threatening dire consequences if his demands are not met. Christine is in her dressing room at that moment, speaking to a phantom voice (which the audience sees as a shadow on a wall behind the dressing room.) The voice warns her that she will take Carlotta's place on Wednesday and that she is to think only of her career and her master.
The Phantom of the Opera through a detective pulling his information from various forms of research. The mystery being uncovered is the Phantom who lurks through the opera house, seemingly appearing in places out of nowhere as if by magic. But, it seems that the mystery novel persona was a facade for the real genre being more of a gothic romance. In his article, Fitzpatrick compares the Phantom to other monsters featured in Gothic horror novels such as Frankenstein's monster, Dr. Jekyll, Dorian Gray, and Count Dracula. The Phantom has a torture chamber where he kidnaps and kills people, and the walls of the chapel