International Exhibition of Modern Decorative and Industrial Arts Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The "Style Moderne" presented at the Exposition later became known as "Art Deco", after the name of the Exposition. The idea for an exhibition entirely devoted the decorative arts originally came from the Société des Artistes Décorateurs (The Society of Decorative Artists), a group founded in 1901 which included both established artists, including Eugene Grasset and Hector Guimard, as well as younger artists including Francis Jourdain, Maurice Dufrêne, Paul
Generation of the '30s often cited as one of the first poets to use iconoclastic themes. His poems talk about nature, are embedded with imagery, and have traces of expressionism and surrealism. At first, his cosmopolitan outlook was rejected; however, it was his perspective that eventually shaped modern Greek poetry and created a path for the Generation of the 30s to follow. In 1929, Yiorgos Theotokas published a major essay entitled "Free Spirit" (Greek: Ελεύθερο Πνέυμα), which became the manifesto of the flourishing Generation of the ‘30s, exemplified a desire to modernize Greek literature. He stated that manifesting modernism in poetry was not enough;