Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Posthumous fame of Vincent van Gogh in the Amsterdam 'Panorama' Building, the next in 1905 in the Stedelijk Museum Amsterdam, followed in 1914 by a display concentrating on Van Gogh's drawings. Van Gogh's friends, his colleagues and promoters were at the same time his first collectors. Anna Boch, Paul Gauguin, Émile Bernard, Toulouse-Lautrec, Émile Schuffenecker, Edgar Degas as well as Albert Aurier, Octave Mirbeau, Julien Leclercq and Van Eeden - each of them held works by Van Gogh. During the 1890 "Les XX" expo in Brussels van Gogh sold his first painting, "The Red Vineyard". It was purchased by Anna Boch, impressionist painter, heiress of a