Lake Poets was mostly a prose writer and did not particularly subscribe to the Wordsworthian vision of the Lakes. Southey, like Wordsworth, started out on the republican left, but, by the time the threat from Napoleon had dwindled, he had become the embodiment of a Tory extolling the virtues of nation and patriotism, and using the Lakes as a touchstone, and as "the symbol of the nation's covenant with God." Letitia Elizabeth Landon's sketch, "Grasmere Lake, A Sketch by a Cockney", in Fisher's Drawing Room Scrap Book, 1834, is a spoof on the Lake Poets, whom she admired (especially Wordsworth) but regarded
The White Doe of Rylstone the reviewers were at best lukewarm. The "Eclectic Review" did concede that "where he comes in contact with the ordinary sympathies of human nature, no living poet leaves so strongly the impression of a master genius", but Francis Jeffrey of the "Edinburgh Review", a long-time foe of the Lake Poets, thought it had "the merit of being the very worst poem we ever saw imprinted in a quarto volume". Coleridge, by then in a state of uneasy reconciliation with Wordsworth, quoted a passage from "The White Doe" in his "Biographia Literaria", praising its beauty and imaginative power. John Ruskin, in