Symphony instruments, 19th century symphonies were gradually augmented with more string players and more wind parts, so that the orchestra grew substantially in sheer numbers, as concert halls likewise grew. At the beginning of the 20th century, Gustav Mahler wrote long, large-scale symphonies. His Eighth Symphony, for example, was composed in 1906 and is nicknamed the "Symphony of a Thousand" because of the large number of voices required to perform the work. Additionally, his Third Symphony is one of the longest regularly performed symphonies at around 100 minutes in length for most performances. The 20th century also saw further diversification in
Nagauta Symphony Nagauta Symphony The Nagauta Symphony is a symphony in one movement composed in 1934 by Japanese composer Kosaku Yamada. Kosaku Yamada was the first major Japanese composer to study the European tradition, and the first to write in the symphonic and operatic forms. He was responsible for introducing Japanese audiences to much of the European orchestral tradition through his conducting. In his compositions, Yamada had been working to combine European traditions with Japanese classical music since at least 1921, when he composed "Inno Meiji" which combined Japanese and western instruments. Composed in 1934, the "Nagauta Symphony" represented the culmination of