Stella Gibbons flashes of the novels' wit". Such lines as "my thoughts, like purple parrots / Brood / In the sick light" come dangerously close indeed to the overblown rhetoric she satirized in "Cold Comfort Farm": "How like yaks were your drowsy thoughts". The immediate and enduring success of "Cold Comfort Farm" dominated the rest of Gibbons's career. Neville thought that after so singular a success at the start of her career, the rest was something of an anticlimax, despite her considerable industry and undoubted skills. The 1985 edition of "The Oxford Companion to English Literature" defines Gibbons solely in terms of
Stella Gibbons Second World War was perhaps the wrong time to satirise ... the ridiculous and dangerous rituals that surround the male aggressive instinct". "The Bachelor" won critical praise for its revealing account of life in war-torn Britain—as did several of Gibbons's postwar novels. Gibbons's first postwar novel was "Westwood" (1946). The book incorporates a comic depiction of the novelist Charles Morgan, whose novel "The Fountain" Gibbons had reviewed before the war and found "offensive as well as wearisome". In "Westwood", Morgan appears in the guise of the novelist "Gerald Challis", a pompous, humourless bore. Oliver considers this characterisation to be one