Portrait of a Man with a Medal of Cosimo the Elder of the Medici family (including, possibly, Cosimo de' Medici himself) or, as he personally felt more likely, Antonio Botticelli, Botticelli's brother. This, he asserts, is based on the strength of the likeness of the youth to Botticelli himself, as portrayed in his "Adoration of the Magi". Antonio Botticelli had also recast and gilded medals, working in the court of the Medicis. However, he would have been about 40 at the time of the portrait. Frederick Hartt suggested it might be Lorenzo di Pierfrancesco de' Medici ("Il Poplano", 1463–1503), whose two certain portraits, both profiles on medals, vary considerably, though one
Adoration of the Magi (Stefano da Verona) The rich harnesses and the fanciful hats of the members of the procession resemble similar elements work by Pisanello, who was a friend of Stefano da Verona, and is thus inspired by the dresses of the Byzantine court at the Council of Basel in 1431. The peacock on the hut's top is an early Christian symbol of resurrection and immortality, as, since Roman times, his flesh was deemed not to be prone to rotting. The violet symbolizes Christ's humility, the red carnation the Passion. The painter's signature, in golden letters, is located at the bottom center. Adoration of the Magi