Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Nagauta Symphony this work. For this work, Yamada composed music for the western orchestra which is used to counterpoint a classical "nagauta", the music which accompanies the "kabuki". The symphony is subtitled "Tsurukame" after the name of the "nagauta" which is used. Composed in 1857, the text celebrates the Emperor of Japan and the imperial court. The symphony is in one movement with a duration of approximately 17 minutes. The "Nagauta Symphony" uses a western orchestra and voices, as well as an ensemble of traditional Japanese musical instruments. The Japanese ensemble consists of several shamisen and percussion. Nagauta Symphony The Nagauta Symphony