Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony of the New World Symphony of the New World The Symphony of the New World was a symphony orchestra based in New York City. It was the first racially integrated orchestra in the United States. The Symphony gave its debut concert on 6 May 1965 at Carnegie Hall, conducted by Benjamin Steinberg, who said of the orchestra, "We have a lot of talent in this city, and we have to create the opportunities to present it to the public". The symphony's musicians were graduates of such respected music schools as Juilliard, Eastman School of Music, the Manhattan School of Music, and the New England