Wizard of Oz experiment the name stuck." (Cited by permission.) There is also a passing reference to planned use of the "Wizard of Oz experiments" in a 1982 proceedings paper by Ford and Smith. One fact, presented in Kelley's dissertation, about the etymology of the term in this context: Dr. Kelley did originally have a definition for the “OZ” acronym (aside from the obvious parallels with the 1900 book The Wonderful Wizard of Oz by L Frank Baum). “Offline Zero” was a reference to the fact that an experimenter (the “Wizard”) was interpreting the users’ inputs in real time during the simulation phase. Similar
The Wonderful Wizard of Oz (musical) musical of "The Wonderful Wizard of Oz" that was truer to Baum's original intentions, and as such, was able to incorporate various influences from the many adaptations of the story produced throughout the 20th century, including the original 1903 musical, the famous 1939 MGM film, the musical "The Wiz" and several others. In writing the libretto for the new musical, Cascone made Baum a character in the play as a narrator, also doubling as the Wizard. Composer and lyricist James Patrick Doyle was a long time Oz admirer who restored some of the music from Baum's "The Maid of Arran",