Venus effect the ground. Bertamini et al. (2010) conducted additional studies and confirmed that the Venus effect also occurs with photographs, and in real life when the person and the mirror are seen in a room. Venus effect The Venus effect is a phenomenon in the psychology of perception, named after various paintings of Venus gazing into a mirror, such as Diego Velázquez's "Rokeby Venus", Titian's "Venus with a Mirror", and Veronese's "Venus with a Mirror". Viewers of such paintings assume that Venus is admiring her own reflection in the mirror; however, since the viewer sees her eyes in the mirror, Venus
Rokeby Venus controversial in France also. In northern Europe it was seen as acceptable to portray artfully draped nudes. Examples include Rubens's "Minerva Victrix", of 1622–25, which shows Marie de' Medici with an uncovered breast, and Anthony van Dyck's 1620 painting, "The Duke and Duchess of Buckingham as Venus and Adonis". In 17th-century Spanish art, even in the depiction of sibyls, nymphs, and goddesses, the female form was always chastely covered. No painting from the 1630s or 1640s, whether in the genre, portrait, or history format, shows a Spanish female with her breasts exposed; even uncovered arms were only rarely shown. In