Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Posthumous fame of Vincent van Gogh Ceramics fortune and sister of his friend Eugene Boch. "The Red Vineyard" is said to be the only painting van Gogh sold during his lifetime. In 1903, the first works of Vincent van Gogh entered museum collections in Vienna and Rotterdam, as well as Folkwang Museum, then privately run by Karl-Ernst Osthaus in Hagen (later transferred to Essen). Little attention was paid at this time to the considerable number of Van Gogh masterpieces already held by the Museum of Modern Art New York (established in 1929), along with the Tate Gallery in London and other British and American galleries. In