The Oxford Shakespeare believed to be partly by Shakespeare. The first two editions of the Norton Shakespeare, published by W.W. Norton, were largely based on the Oxford text, but departed from some of its decisions. The term 'Oxford Shakespeare' also refers to Oxford University Press's editions of individual Shakespeare plays and poems. These individual editions follow the same principles as the "Complete Works", but their editors are permitted to reject choices made for the "Complete Works" if they feel strongly; for example, David Bevington's edition of "Henry IV Part One" uses 'Falstaff' not 'Oldcastle'. The hardback editions feature distinctive purple dustjackets, while the
Shakespeare for My Father not speaking, her face can seem to hold an impossible number of emotions simultaneously, yet such fullness of feeling is mysteriously unreadable. At such moments you glance up to Sir Michael's picture, which dominates the stage, and find the same." "Variety" described Redgrave's performance as "brilliant and extremely moving" and said, "At the end, Lynn gestures to that photograph, sharing her well-deserved applause with the man who could never acknowledge her talent. It’s a simple gesture that contains layers of emotional complexity and as such, an appropriate way to end this brutally honest but forgiveness-filled show." Shakespeare for My Father