Ulgham Saxon and two Norman stone windows are built into the current church walls. In the north aisle is an extraordinary stone relief originally thought to be a Norman knight on horseback apparently protecting a lady from two birds shown above her shoulder, is in fact of much earlier Viking or even pagan Anglian origin; the figure depicted on the left is clearly Odin, shown here in classic representation as cloaked and hooded with his two raven companions Huginn (Thought) and Muninn (Memory) on either shoulder. The creature depicted on the right is Odin's eight-legged horse (Sleipnir). The weathered nature of
Eight-legged essay the form's adoption was blamed for the decline of classical poetry and prose during the Ming Dynasty. The critic Wu Qiao wrote that "people exhausted themselves on the eight-legged essay, and poetry was only composed with their spare energy." Writing at the same time, the political theorist and philosopher Huang Zongxi echoed these sentiments. Also, the essay did not allow for any personal opinion and was completely impartial. As a result, it led to the gradual narrowing of people's innovative thinking and consequently their minds, thus achieving a constraining effect on Chinese people and the nation. The eight-legged essay has