Rokeby Venus connoisseurs steal a glance without drawing the said posterior into the company". The "Rokeby Venus" was long held to be one of Velázquez's final works. In 1951, it was found recorded in an inventory of 1 June 1651 from the collection of Gaspar Méndez de Haro, 7th Marquis of Carpio, a close associate of Philip IV of Spain. Haro was the great-nephew of Velázquez's first patron, the Count-Duke of Olivares, and a notorious libertine. According to the art historian Dawson Carr, Haro "loved paintings almost as much as he loved women", and "even his panegyrists lamented his excessive taste for
Pardo Venus arm drawn up to support the head and the other resting near the crotch, is essentially the same as that in Giorgione's "Dresden Venus", which after his death in 1510 was completed by Titian. The pose apart, the paintings offer a strong contrast, with the noisy and hectic scene in the "Pardo Venus" completely different from the tranquil and deserted landscape in Dresden. Around 1534 Titian had painted the "Venus of Urbino", and a repetition of this from 1545, perhaps a lost recorded "Venus" sent to Charles V, "was the basis" for the "Venus and Musician" series, which exists in