Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony No. 72 (Haydn) Symphony No. 72 (Haydn) The Symphony No. 72 in D major (Hoboken 1/72) is a symphony by Joseph Haydn. The symphony was probably composed between 1763 and 1765. The date of this composition is earlier than its number suggests. This work is not well chronologically placed in the Hoboken numbering system: it was composed fifteen to twenty years before the neighboring works. It is scored for flute, two oboes, bassoon, four horns and strings. It is one of the few classical-era symphonies to include four horns rather than two. This work is closely related to the Hornsignal Symphony because of