Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony No. 18 (Haydn) movement. The three movements are: The opening movement is written in the form of a trio sonata with two melodic lines over an independent bass. Symphony No. 18 (Haydn) The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is uncertain. The Breitkopf catalogue entry assures that it was composed no later than 1766, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been suggested. The symphony is scored for 2 oboes, bassoon, 2 horns, strings and continuo. Although the symphony