Stella Gibbons detestation of pomposity and pretence. Truss has described Gibbons as "the Jane Austen of the 20th century", a parallel which the novelist Malcolm Bradbury thought apt; Flora Poste in "Cold Comfort Farm", with her "higher common sense", is "a Jane-ite heroine transformed into a clear-eyed modern woman". Bradbury also observed that many of Gibbons's novels end in Austen-like nuptials. Truss highlights the importance that Gibbons places on detachment as a necessary adjunct to effective writing: "Like many a good doctor, she seems to have considered sympathy a peculiar and redundant emotion, and a terrible waste of time." This matter-of-fact quality
Stella Corvalán and the ability to organize in her texts what is politically called 'the feminine', that is, the world of emotions, intuition, sensitivity tied to a knowledge of those emotions." Her work was published and recognized in various countries in Latin America and Europe, followed by renowned intellectuals such as Francis de Miomandre, Pío Baroja, and Giovanni Papini, illustrated by artists such as Agnes Van Den Brandeler in "Sinfonía del viento" (Madrid, 1951), and referenced by writers like Uruguayan Juana de Ibarbourou in the poem "A Stella Corvalán". Stella Corvalán Stella Corvalán Vega (1913–1994) was a Chilean writer and poet. She