Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Saint-Paul Asylum, Saint-Rémy (Van Gogh series) seen in some of Van Gogh's paintings. Following the incident with Paul Gauguin in Arles in December 1888 in which van Gogh cut off part of his left ear he was hospitalized in Arles twice over a few months. Although some, such as Johanna van Gogh, Paul Signac and posthumous speculation by doctors Doiteau & Leroy have said that van Gogh just removed part of his ear lobe and maybe a little more, art historian Rita Wildegans maintains that without exception, all of the witnesses from Arles said that he removed the entire left ear. In January 1889, he returned