Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 9 (Haydn) without a trio. The trio here features a solo oboe with wind-band interludes. Symphony No. 9 (Haydn) The Symphony No. 9 in C major, Hoboken I/9, is a symphony by Joseph Haydn. The symphony was composed in 1762, under the auspices of Nikolaus Esterházy, who allowed the symphony to be performed in Eisenstadt. It is scored for 2 flutes, 2 oboes, bassoon, 2 horns, strings and continuo. The flutes are used in place of the oboes in the slow movement and mainly double the first violins an octave higher. The work is in three movements: While it was not unusual