Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Health of Vincent van Gogh kind of stupor. Van Gogh reported his impotence to Theo, his brother, in the summer after he arrived in Arles, and a month later when he wrote to Bernard it seemed to still be very much on his mind. Van Gogh mentioned suicide several times in his letters towards the end of his life, nevertheless Naifeh and Smith note that van Gogh was fundamentally opposed to suicide. Many analytics, such as American psychiatrist Dietrich Blumer, agree that one of the things Vincent van Gogh suffered from was bipolar disorder. This mental illness builds up on itself and will grow stronger