Stella Gibbons "Cold Comfort Farm"; it mentions none of her other works—while providing her "bêtes noires" Morgan and Mary Webb with full entries. To Gibbons, "Cold Comfort Farm" became "That Book" or "You-Know-What", its title never mentioned. Despite her growing irritation and expressed distaste for it, the book continued to be lauded by successive generations of critics, Boston described it as "one of those rare books of comic genius that imprints itself on the brain and can never afterwards be eradicated". A more negative view of the book has been expressed by the literary critic Mary Beard, who considers it "a rather
Stella Corvalán and the ability to organize in her texts what is politically called 'the feminine', that is, the world of emotions, intuition, sensitivity tied to a knowledge of those emotions." Her work was published and recognized in various countries in Latin America and Europe, followed by renowned intellectuals such as Francis de Miomandre, Pío Baroja, and Giovanni Papini, illustrated by artists such as Agnes Van Den Brandeler in "Sinfonía del viento" (Madrid, 1951), and referenced by writers like Uruguayan Juana de Ibarbourou in the poem "A Stella Corvalán". Stella Corvalán Stella Corvalán Vega (1913–1994) was a Chilean writer and poet. She