International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Generation of the '30s to synthesize all of the works which have been produced by the Greeks. Based on anthologies of the period, politics were suppressed, and resultantly there was a focus on the aestheticization of space, the handling of unpleasant memories, and the inclusion and exclusion of foreigners. It was an aesthetic that would combine the unique features of Greek language and culture and bond Greek people through their shared identity. Under the influence of the 19th century School of Munich, art was conservative and romantic. However, the Generation of the 30s sought to introduce more abstract, surrealistic, and magical realism elements into