The Phantom of the Opera (1925 film) Meanwhile, Mme. Carlotta (Virginia Pearson), the prima donna of the Paris Grand Opera, barges into the managers' office enraged. She has received a letter from "The Phantom," demanding that Christine sing the role of Marguerite the following night, threatening dire consequences if his demands are not met. Christine is in her dressing room at that moment, speaking to a phantom voice (which the audience sees as a shadow on a wall behind the dressing room.) The voice warns her that she will take Carlotta's place on Wednesday and that she is to think only of her career and her master.
Phantom of the Opera (1976 musical) Yershon. It differed from the later version of Ken Hill’s musical, in having a modern musical score by Ian Armit (who also worked with Hill on his production of "The Curse of the Werewolf") in addition to excerpts from the opera "Faust" by Charles Gounod. In 1984, Hill revived his musical version of "The Phantom of the Opera". This time though, he wanted to add the kind of music that would have been heard at the Opéra Garnier in the late 19th century. Consequently, he discarded the modern score by Ian Armit and wrote original English lyrics that told Gaston