International Exhibition of Modern Decorative and Industrial Arts Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The "Style Moderne" presented at the Exposition later became known as "Art Deco", after the name of the Exposition. The idea for an exhibition entirely devoted the decorative arts originally came from the Société des Artistes Décorateurs (The Society of Decorative Artists), a group founded in 1901 which included both established artists, including Eugene Grasset and Hector Guimard, as well as younger artists including Francis Jourdain, Maurice Dufrêne, Paul
International Exhibition of Modern Decorative and Industrial Arts furnishings and paintings but these works, including the pavilions, were spare and modern. The modern architecture of Le Corbusier and Konstantin Melnikov attracted both criticism and admiration for its lack of ornamentation. Criticism focused on the 'nakedness' of these structures, compared to other pavilions at the exhibition, such as the Pavilion of the Collector by the "ébéniste"-decorator Émile-Jacques Ruhlmann. In 1926, shortly after the end of the Paris Decorative Arts exposition, The French Union of Modern Artists, a group which included Francis Jourdain, Pierre Chareau, Le Corbusier, and Robert Mallet-Stevens among others, fiercely attacked the style, which they said was