Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony op. 165, No. 7, "Nanga Parvat", op. 175, No. 14, "Ararat", op. 194, and No. 23, "Ani", op. 249, composed in 1958, 1959, 1961, and 1972 respectively; Alfred Reed's 2nd, 3rd, 4th, and 5th symphonies, composed in 1979, 1988, 1992, and 1994 respectively; and Johan de Meij's Symphony No. 1 "The Lord of the Rings", composed in 1988, and his Symphony No. 2 "The Big Apple", composed in 1993. The word "symphony" is also used to refer to the orchestra, the large ensemble that often performs these works. The word "symphony" appears in the name of many orchestras, for example,