Benjamin Britten not his own in which Britten was a somewhat dazzled accomplice". The American public liked it, but the critics did not, and it fell into neglect until interest revived near the end of the composer's life. Britten's subsequent operas range from large-scale works written for full-strength opera companies, to chamber operas for performance by small touring opera ensembles or in churches and schools. In the large-scale category are "Peter Grimes" (1945), "Billy Budd" (1951), "Gloriana" (1953), "A Midsummer Night's Dream" (1960) and "Death in Venice" (1973). Of the remaining operas, "The Rape of Lucretia" (1946), "Albert Herring" (1947), "The Little
Benjamin Britten it had coloured everything he had written since. Colin Matthews comments that the next two works Britten composed after his return, the song-cycle "The Holy Sonnets of John Donne" and the Second String Quartet, contrast strongly with earlier, lighter-hearted works such as "Les Illuminations". Britten recovered his "joie de vivre" for "The Young Person's Guide to the Orchestra" (1945), written for an educational film, "Instruments of the Orchestra", directed by Muir Mathieson and featuring the London Symphony Orchestra conducted by Malcolm Sargent. It became, and remained, his most often played and popular work. Britten's next opera, "The Rape of Lucretia",