Graffiti scratch glass and other hard surfaces, such as permanent marking pens and markers or paint sticks; evidence of membership or affiliation with any gang or tagging crew, paraphernalia to include any reference to "(tagger's name)," and any drawings, writings, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or mention of tagging crew membership; any newspaper clippings relating details of or referring to any graffiti crime. Graffiti Graffiti (both singular and plural; the singular "graffito" is very rare in English except in archeology) is writing or drawings made on a wall or other surface, usually without permission and within
Graffiti in the United States mid-eighties, the form would move from the street to the art world. Jean-Michel Basquiat would abandon his SAMO tag for art galleries, and street art's connections to hip-hop would loosen. Occasional hip hop paeans to graffiti could still be heard throughout the nineties, however, in tracks like the Artifacts' "Wrong Side of Da Tracks", Qwel's Brick Walls and Aesop Rock's "No Jumper Cables". Early modernist graffiti can be dated back to boxcars in the early 1920s yet the graffiti movement seen in today's contemporary world really originated through the minds of political activists and gang members of the 1960s. The