Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Vincent van Gogh (Russell painting) Vincent van Gogh" (1887) and Paul Gauguin's "The Painter of Sunflowers" (1888). Van Gogh seems to have been particularly attached to Russell's portrait, which the Australian gifted to him as a mark of their friendship. The painting passed from Van Gogh to his brother Theo, then to their family, and is now in the permanent collection of the Van Gogh Museum in Amsterdam. Russell was born into a wealthy engineering family in 1858 in Sydney, New South Wales. The family business, P.N. Russell & Co, was responsible for much of the city's 19th-century ironwork. Although Russell had a strong interest