Rokeby Venus connoisseurs steal a glance without drawing the said posterior into the company". The "Rokeby Venus" was long held to be one of Velázquez's final works. In 1951, it was found recorded in an inventory of 1 June 1651 from the collection of Gaspar Méndez de Haro, 7th Marquis of Carpio, a close associate of Philip IV of Spain. Haro was the great-nephew of Velázquez's first patron, the Count-Duke of Olivares, and a notorious libertine. According to the art historian Dawson Carr, Haro "loved paintings almost as much as he loved women", and "even his panegyrists lamented his excessive taste for
Matthew Robinson, 2nd Baron Rokeby Diogenes and other ... doctors of the stoic fur; he flies the life of London and leads a life of such privacy and seriousness as looks to the beholder like wisdom', and in 1756 she reported that he now lived upon almost raw meat, never touched bread, considering corn exotic, and for the same reason substituted honey for sugar. Lord Rokeby died in December 1800, peacefully in his bed. His title and estates passed to his nephew Morris Robinson, 3rd Baron Rokeby. His title and estates passed to his nephew Morris Robinson, 3rd Baron Rokeby. Attribution Matthew Robinson, 2nd Baron