Verbal language in dreams "dream work" proper. The dream-like features which one experiences in dreams, such as condensations, displacements (symbolism), and reversals, are the manifestations of the primary-process input to the dream generation process. Yet the dreams of Freud's own and those of his patients, which he provides in "The Interpretation of Dreams" and elsewhere, typically abound in verbal dialogue, which is always syntactically well-formed, often complex (containing subordinate clauses) and usually, though not always, semantically well-formed and appropriate to the context of the dream. As an example, Heynick cites, among others, the "dream of Irma's injection, which Freud himself considered to be of
Together in Electric Dreams in 1981, which helped the single become number one in the United Kingdom and United States. For the film "Electric Dreams", Barron wanted to emulate the huge success of the film "Flashdance" a year earlier. "Flashdance" had used the electronic music of Giorgio Moroder, so Barron enlisted Moroder as director of music, who wrote most of the score. Barron wanted the end credits to roll to "an emotional" song in the same way as "Flashdance" had done. Moroder wrote "Together in Electric Dreams" as a male solo vocal, and Barron suggested his former associate Philip Oakey for the part. After