Benjamin Britten first recording of the "Serenade for Tenor, Horn and Strings", which has frequently been reissued, most recently on CD. Britten's first operatic recording was "The Turn of the Screw", made in January 1955 with the original English Opera Group forces. In 1957 he conducted "The Prince of the Pagodas" in an early stereo recording, supervised by Culshaw. Decca's first major commercial success with Britten came the following year, with "Peter Grimes", which has, at 2013, never been out of the catalogues since its first release. From 1958 Britten conducted Decca recordings of many of his operas and vocal and orchestral
Benjamin Britten (a 'second founder') of opera. The same can already be said today, as far as the modern British – perhaps not only British – field goes, of Britten". In addition to his own original operas, Britten, together with Imogen Holst, extensively revised Purcell's "Dido and Aeneas" (1951) and "The Fairy-Queen" (1967). These "realisations" brought Purcell, who was then neglected, to a wider public, but have themselves been neglected since the dominance of the trend to authentic performance practice. His 1948 revision of "The Beggar's Opera" amounts to a wholesale recomposition, retaining the original melodies but giving them new, highly sophisticated