Prometheus the Fire-Bringer Prometheus the Fire-Bringer Prometheus the Fire-Bringer (Ancient Greek: Προμηθεὺς Πυρφόρος, "Promētheús Pyrphóros") was probably the final play in the "Prometheia" trilogy traditionally ascribed to the 5th century BC Greek tragedian Aeschylus. As conventionally reconstructed, this trilogy reimagines the myths of Prometheus found in Hesiod's "Theogony" and "Works and Days". In the first play, "Prometheus Bound", the Titan is chained to a rock and tortured for giving fire to humankind, as well as teaching them other arts of civilization. In the sequel, "Prometheus Unbound", the Greek hero Heracles kills the eagle that Zeus sent to consume Prometheus' regenerating liver every day,
Andromeda Chained to the Rocks painted women as he saw them; naturally imperfect and flawed. Rembrandt's subsequent nude mythological paintings from this period "Diana Bathing" and "Danaë" show his evolving portrayal of the nude. Andromeda Chained to the Rocks Andromeda Chained to the Rocks (1630) is a 34 x 25 oil on panel painting by the Dutch Golden Age painter Rembrandt. It is now in the Mauritshuis, The Hague, Netherlands. Andromeda represents Rembrandt's first full length mythological female nude history painting and is taken from a story in Ovid's "Metamorphoses". In Metamorphoses, Andromeda (mythology) is the daughter of an Ethiopian king and queen, Cepheus and