Benjamin Britten first recording of the "Serenade for Tenor, Horn and Strings", which has frequently been reissued, most recently on CD. Britten's first operatic recording was "The Turn of the Screw", made in January 1955 with the original English Opera Group forces. In 1957 he conducted "The Prince of the Pagodas" in an early stereo recording, supervised by Culshaw. Decca's first major commercial success with Britten came the following year, with "Peter Grimes", which has, at 2013, never been out of the catalogues since its first release. From 1958 Britten conducted Decca recordings of many of his operas and vocal and orchestral
Gormenghast (opera) were "convincing both as drama and as compositions." In his review of the 2004 revival, Dieter Lintz described Schmidt's score, especially for the singers, as predominantly tonal and "quite ear-friendly" with elements of Baroque music, Benjamin Britten, and Andrew Lloyd Webber. He also noted how overwhelming sound waves combined with "a rich, driving, yet finely differentiated beat" often washed over the auditorium and concluded that the work was such an unusual combination of elements that it constituted a new and unique musical art form. Gormenghast (opera) Gormenghast is an opera in three acts composed by Irmin Schmidt to an English-language