The Wizard of Oz on television The Kaye segment did not include a television set as part of its design. Some humor as sometimes incorporated into these segments. Red Skelton was seen as two characters: Before the film began, he was seen in a studio set of an early 20th-century bookstore, in costume as a Victorian-era storyteller who introduced L. Frank Baum's original 1900 novel "The Wonderful Wizard of Oz" to a young girl played by Skelton's real daughter, and at film's end, he appeared in a studio recreation of a modern living room as himself. Danny Kaye reassured viewers not to panic when the film
The Wonderful Wizard of Oz continued to include these faces on gates. Baum did not offer any conclusive proof that he intended his novel to be a political allegory. Historian Ranjit S. Dighe wrote that for 60 years after the book's publication, "virtually nobody" had such an interpretation until Henry Littlefield, a high-school teacher. In his 1964 "American Quarterly" article, "The Wizard of Oz: Parable on Populism", Littlefield posited that the book contained an allegory of the late 19th-century bimetallism debate regarding monetary policy. Littlefield's thesis achieved some support, but has been strenuously attacked by others. "The Wonderful Wizard of Oz" has become an established