Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Saint-Paul Asylum, Saint-Rémy (Van Gogh series) Alpilles range, can be seen from the streets of Saint-Remy. Van Gogh generally saw the Alpilles from his room or the grounds of Saint-Paul hospital. In Van Gogh's "Le Mont Gaussier with the Mas de Saint-Paul" the Alpilles are painted in yellow, green and purple. Left of Mont Gaussier is the "Montagne des Deux Trous". In van Gogh's painting of this hill its dark holes are visible about the "undulating olive trees." Van Gogh, known for his landscapes, seemed to find painting portraits his greatest ambition. To his sister he wrote, "I should like to paint portraits which appear after