Adoration of the Magi (Fra Angelico and Filippo Lippi) complexes of Rome, and possibly some awareness of this similarity led Lippi to represent his nude figures on the ruins as bathers, who might be imagined coming out from a still-functional bathing part of the complex to see what all the noise was about. Adoration of the Magi (Fra Angelico and Filippo Lippi) The Adoration of the Magi is a tondo, or circular painting, of the "Adoration of the Magi" assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National
Adoration of the Magi (Mantegna) Tuscany, where the "Adoration" was misattributed to Botticelli. The three works were exhibited together from 1827, with a gilded new neo-Renaissance intaglio frame which compensated for the differing sizes of the central work and the side panels. Most modern critics note the differences between the three works, including their form, format, setting and quality, especially between the "Circumcision" and the other two works. Roberto Longhi doubted that the three works were conceived as a single unified triptych and theorised that instead they all came from different locations in the same chapel, as did "Death of the Virgin" and "Christ Bearing