Adoration of the Magi the central scene, usually a Nativity. The "adoration" of the Magi at the crib is the usual subject, but their arrival, called the "Procession of the Magi", is often shown in the distant background of a Nativity scene (usual in Byzantine icons), or as a separate subject, for example in the Magi Chapel frescos by Benozzo Gozzoli in the Palazzo Medici Riccardi, Florence. Other subjects include the Journey of the Magi, where they and perhaps their retinue are the only figures, usually shown following the Star of Bethlehem, and there are relatively uncommon scenes of their meeting with Herod and
Adoration of the Magi (Dürer) Adoration of the Magi (Dürer) The Adoration of the Magi is a 1504 oil-on-wood painting by Albrecht Dürer. It was commissioned by Frederick the Wise for the altar of the Schlosskirche in Wittenberg, and is considered one of Dürer's best and most important works from the period between his first and second trips to Italy (1494-5 and 1505). The second king is a selfportrait of Dürer .¨This painting was very influential for other Renaissance painters like Pieter Coecke van Aelst. In 1603 Christian II of Saxony presented the painting as a gift to the Holy Roman Emperor Rudolf II. It