Benjamin Britten coast close to Britten's homeland, awakened in him such longings for England that he knew he must return. He also knew that he must write an opera based on Crabbe's poem about the fisherman Peter Grimes. Before Britten left the US, Koussevitzky, always generous in encouraging new talent, offered him a $1,000 commission to write the opera. Britten and Pears returned to England in April 1942. During the long transatlantic sea crossing Britten completed the choral works "A Ceremony of Carols" and "Hymn to St Cecilia". The latter was his last large-scale collaboration with Auden. Britten had grown away from
A Midsummer Night's Dream (opera) from Wagner's heldentenors, and as close as it is possible to get to Handel's castrati of the 18th century.: "There is an air of baroque fantasy in the music." Britten's treatment of Puck also suggests parody. In opera, the hero's assistant is traditionally sung by baritones, yet here we have an adolescent youth who speaks, rather than sings. Britten thought the character of Puck "absolutely amoral and yet innocent." Describing the speaking, tumbling Puck of the opera, Britten wrote "I got the idea of doing Puck like this in Stockholm, where I saw some Swedish child acrobats with extraordinary agility