Political interpretations of The Wonderful Wizard of Oz Political interpretations of The Wonderful Wizard of Oz Political interpretations of "The Wonderful Wizard of Oz" include treatments of the modern fairy tale (written by L. Frank Baum and first published in 1900) as an allegory or metaphor for the political, economic, and social events of America in the 1890s. Scholars have examined four quite different versions of Oz: the novel of 1900, the Broadway play of 1901, the Hollywood film of 1939, and the numerous follow-up Oz novels written after 1900 by Baum and others. The political interpretations focus on the first three, and emphasize the close relationship between
His Majesty, the Scarecrow of Oz loosely based on Baum's book "The Wonderful Wizard of Oz", but in the screenplay Baum introduced many new characters and a large new story that later became the basis for the 1915 book "The Scarecrow of Oz". Similar to "The Wonderful Wizard of Oz", the Scarecrow's origin is revealed, although his life is now attributed to "the Spirit of the Corn", who appears as a conventional Hollywood depiction of a Native American. The Tin Woodman is found rusted stiff and oiled, but he is already Emperor of the Winkies. Dorothy is a slave to Mombi (Wells) who looks like W.W.