Psychoanalytic dream interpretation and Waldhorn (1967) have downgraded Freud's classical view of dreams from extremely important to being on a level playing field with other psychological phenomena. Developments in REM research (Ellman and Antrobus, 1991) have also played a part in diminishing dreams importance in both clinical and theoretical psychoanalysis. For psychoanalysts dreams can present a challenge as their interpretation often can overwhelm other aspects of a patients problem and take up much of the time spent on the patient, and in many cases interpretations served the interpreter and not the patient. Dream discussion has taken a back seat to the discussion of
Together in Electric Dreams in 1981, which helped the single become number one in the United Kingdom and United States. For the film "Electric Dreams", Barron wanted to emulate the huge success of the film "Flashdance" a year earlier. "Flashdance" had used the electronic music of Giorgio Moroder, so Barron enlisted Moroder as director of music, who wrote most of the score. Barron wanted the end credits to roll to "an emotional" song in the same way as "Flashdance" had done. Moroder wrote "Together in Electric Dreams" as a male solo vocal, and Barron suggested his former associate Philip Oakey for the part. After