Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
Richard Robinson, 1st Baron Rokeby souls. Richard Cumberland described him as "splendid, liberal, lofty ... publicly ambitious of great deeds, and privately capable of good ones, ... he made no court to popularity by his manners but he benefited a whole nation by his public works." Archbishop Lord Rokeby died at Clifton in Bristol and was buried in Armagh Cathedral. He was succeeded by Matthew Robinson, 2nd Baron Rokeby, the son of his second cousin Matthew Robinson. The Canterbury Gate at Christ Church, Oxford, completed in 1873, is one monument to Archbishop Lord Rokeby's munificence. The gate is inscribed: Richard Robinson, 1st Baron Rokeby The