International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Adam style John Linnell, Thomas Chippendale, and Ince and Mayhew. So many able designers were working in this style in London from circa 1770 that the style is currently more usually termed "Early Neoclassical". It was typical of "Adam style" to combine decorative neo-Gothic details into the classical framework. So-called "Egyptian" and "Etruscan" design motifs were minor features. The "Adam style" is identified with: The "Adam style" was superseded from around 1795 onwards by the simpler Regency style in Britain; and the French Empire style in France and Russia, which was a more imperial and self-consciously archeological style, connected with the First