Adoration of the Magi the central scene, usually a Nativity. The "adoration" of the Magi at the crib is the usual subject, but their arrival, called the "Procession of the Magi", is often shown in the distant background of a Nativity scene (usual in Byzantine icons), or as a separate subject, for example in the Magi Chapel frescos by Benozzo Gozzoli in the Palazzo Medici Riccardi, Florence. Other subjects include the Journey of the Magi, where they and perhaps their retinue are the only figures, usually shown following the Star of Bethlehem, and there are relatively uncommon scenes of their meeting with Herod and
Adoration of the Magi (Velázquez) Carl Justi praised "Adoration of the Magi" as being "distinguished by great power of colouring and chiaroscuro." The earliest record of this painting is from about 1764, when it was in the Jesuit Novitiate of San Luis, Seville. It was given by Ferdinand VII to the Museo del Prado in 1819. Adoration of the Magi (Velázquez) The Adoration of the Magi is a 1619 Baroque painting by the Spanish artist Diego Velázquez now held in the Museo del Prado. It shows three kings presenting gifts to the Christ child: Melchoir, who kneels in the foreground; Balthazar, who stands behind him