Rokeby Venus as well as classical sculptures known to Velázquez, of which casts were made for Madrid. These were the "Sleeping Ariadne" now in the Pitti Palace, but then in Rome, of which Velázquez ordered a cast for the Royal collection in 1650–51, and the Borghese Hermaphroditus, a sleeping hermaphrodite (picture to the right above), now in the Louvre, of which a cast was sent to Madrid, and which also emphasises the curve from hip to waist. However, the combination of elements in Velázquez's composition was original. The "Rokeby Venus" may have been intended as a pendant to a sixteenth-century Venetian painting
Rokeby Venus "Venus" would be in such a room while in the collections of both Haro and Godoy. The court of Philip IV greatly "appreciated painting in general, and the nude in particular, but ... at the same time, exerted unparalleled pressure on artists to avoid the depiction of the naked human body." The contemporary Spanish attitude toward paintings of nudes was unique in Europe. Although such works were appreciated by some connoisseurs and intellectuals within Spain, they were generally treated with suspicion. Low necklines were commonly worn by women during the period, but according to the art historian Zahira Veliz, "the