Rokeby Venus Venus looking into a mirror, and as both had had close ties to the Spanish court, their examples would have been familiar to Velázquez. However, "this girl with her small waist and jutting hip, does not resemble the fuller more rounded Italian nudes inspired by ancient sculpture". One innovation of the "Rokeby Venus", when compared to other large single nude paintings, lies in the fact that Velázquez depicts a back view of its subject who is turned away from the viewer. There were precedents for this in prints by Giulio Campagnola, Agostino Veneziano, Hans Sebald Beham and Theodor de Bry,
Richard Robinson, 1st Baron Rokeby souls. Richard Cumberland described him as "splendid, liberal, lofty ... publicly ambitious of great deeds, and privately capable of good ones, ... he made no court to popularity by his manners but he benefited a whole nation by his public works." Archbishop Lord Rokeby died at Clifton in Bristol and was buried in Armagh Cathedral. He was succeeded by Matthew Robinson, 2nd Baron Rokeby, the son of his second cousin Matthew Robinson. The Canterbury Gate at Christ Church, Oxford, completed in 1873, is one monument to Archbishop Lord Rokeby's munificence. The gate is inscribed: Richard Robinson, 1st Baron Rokeby The