Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Final Symphony as well as the top five classical albums on the "Billboard" charts and the Official UK Charts. "Final Symphony" was followed by "Final Symphony II", a concert of music from "Final Fantasy V", "VIII", "IX", and "XIII". It features long arrangements like the "Final Symphony" concerts. The majority of the music was originally composed by Nobuo Uematsu, while the "Final Fantasy XIII" suite was originally composed by Masashi Hamauzu. Valtonen created the arrangements for the "Final Fantasy V" section, Wanamo worked on the "VIII" and "IX" portions, and Hamauzu arranged his own compositions from "XIII" with orchestration by Valtonen. First