Rokeby Venus Venus looking into a mirror, and as both had had close ties to the Spanish court, their examples would have been familiar to Velázquez. However, "this girl with her small waist and jutting hip, does not resemble the fuller more rounded Italian nudes inspired by ancient sculpture". One innovation of the "Rokeby Venus", when compared to other large single nude paintings, lies in the fact that Velázquez depicts a back view of its subject who is turned away from the viewer. There were precedents for this in prints by Giulio Campagnola, Agostino Veneziano, Hans Sebald Beham and Theodor de Bry,
Rokeby Venus in the Museo del Prado, and other works. The figures of both Venus and Cupid were significantly altered during the painting process, the result of the artist's corrections to the contours as initially painted. Pentimenti can be seen in Venus's upraised arm, in the position of her left shoulder, and on her head. Infra-red reveals that she was originally shown more upright with her head turned to the left. An area on the left of the painting, extending from Venus's left foot to the left leg and foot of Cupid, is apparently unfinished, but this feature is seen in many