Adoration of the Magi (Fra Angelico and Filippo Lippi) wall until his death. These "desci" were typically decorated with allegorical or mythological scenes, while the large tondo was mostly used for religious subjects. But the shape was not found in paintings for churches, and may have carried a deliberate suggestion of a commission for a palace. Apart from the tondo being discussed, another with a loosely similar composition showing the "Adoration of the Magi", by Domenico Veneziano (now Gemäldegalerie, Berlin) is probably a Medici commission of c. 1439–1442; it may also be another painting recorded in the 1492 inventory (though that Magi tondo is there attributed to Pesellino). Among
Adoration of the Magi (Mantegna) Tuscany, where the "Adoration" was misattributed to Botticelli. The three works were exhibited together from 1827, with a gilded new neo-Renaissance intaglio frame which compensated for the differing sizes of the central work and the side panels. Most modern critics note the differences between the three works, including their form, format, setting and quality, especially between the "Circumcision" and the other two works. Roberto Longhi doubted that the three works were conceived as a single unified triptych and theorised that instead they all came from different locations in the same chapel, as did "Death of the Virgin" and "Christ Bearing