Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Portraits by Vincent van Gogh pleased, and a painting of the Zouave against a white wall. This portrait, and The Zouave, was one of the two portraits by van Gogh in 1888 of anonymous subjects, that he sent to his Australian artist friend John Russell. Like "The Zouave", Van Gogh compared his subject to an animal. He called the girl "a dirty mudlark". Paul-Eugène Milliet was a 2nd Lieutenant at the 3rd Zouave Regiment which had quarters at the Caserne Calvin located on Boulevard des Lices in Arles. Vincent van Gogh gave him drawing lessons, and in return Milliet took a roll of paintings by