Adoration of the Magi (Filippino Lippi) of its inspiration was clearly derived from Botticelli's "Adoration of the Magi", also in the Uffizi: this is evident in the disposition of the characters on the two sides, with the Holy Family portrayed in the centre under. Similarly to Botticelli's work, Filippino also portrayed numerous members of the Medici cadet line, who had adhered to the Savonarolian Republic in the period in which the work was executed. On the left, kneeling and holding with a quadrant, is Pierfrancesco de' Medici, who had died 20 years before. Behind him, standing, are his two sons Giovanni, holding a goblet, and Lorenzo,
Adoration of the Magi whose significance is disputed. The Magi are usually shown as the same age until about this period, but then the idea of depicting the three ages of man is introduced: a particularly beautiful example is seen on the façade of the cathedral of Orvieto. Occasionally from the 12th century, and very often in Northern Europe from the 15th, the Magi are also made to represent the three known parts of the world: Balthasar is very commonly cast as a young African or Moor, and old Caspar is given Oriental features or, more often, dress. Melchior represents Europe and middle age.