Sir John Oldcastle to Henry Carey's son George, second Lord Hunsdon, and the actors regained their previous patronage. Soon after the premier of Shakespeare's Oldcastle/Falstaff in 1597–98, literary and dramatic works began to appear that defended the reputation of the historical Oldcastle; scholars argue that the muse that inspired these works was Henry Brooke, 11th Baron Cobham. In 1601 a narrative poem, "The Mirror of Martyrs," by one John Weever, was published; it praises Oldcastle has a "valiant captain and most godly martyr." And two years earlier, in 1599, the play "Sir John Oldcastle" was performed by the Admiral's Men, the main theatrical
Portraits of Shakespeare only 15. Another example is the "Flower portrait", named for its owner, Sir Desmond Flower, who donated it to the Shakespeare Museum in 1911. This was once thought to be the earliest painting depicting Shakespeare, and the model for the Droeshout engraving. It was shown in a 2005 National Portrait Gallery investigation to be a 19th-century fake adapted from the engraving. The image of Shakespeare was painted over an authentic 16th-century painting of a Madonna and child. In 1849 a death mask was made public by a German artist, Ludwig Becker, who linked it to a painting which, he claimed,