International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Women's oversized fashion in the United States since the 1920s economic situation of the United States, including the civil rights, unemployment levels, war and terrorism, were reflected in the manner in which individuals dressed. With the women’s movement of the 1970s, radical feminists could be stereotyped for their anti-high fashion sentiments; these women required low maintenance and made a statement. With regards to high fashion, established fashion houses produced more ready-to-wear collections and casual attire. With nostalgia a big theme of this period, secondhand clothes were key. Similar to the 1950s, 1920s clothing also influenced this decade, along with fashions of the '30s, '40s and '50s. Television and movies such