Rokeby Venus may have commissioned himself, "The Nude Maja" and "The Clothed Maja". These bear obvious compositional similarities with Velázquez's "Venus", although unlike Velázquez, Goya clearly painted his nude in a calculated attempt to provoke shame and disgust in the relatively unenlightened climate of 18th-century Spain. "Venus" was brought to England in 1813, where it was purchased by John Morritt for £500 (£ in 2019), and on the advice of his friend Sir Thomas Lawrence. Morritt hung it in his house at Rokeby Park, Yorkshire—thus the painting's popular name. In 1906, the painting was acquired for the National Gallery by the newly
Rokeby Venus it would be in reality. The critic Natasha Wallace has speculated that Venus's indistinct face may be the key to the underlying meaning of the painting, in that "it is not intended as a specific female nude, nor even as a portrayal of Venus, but as an image of self-absorbed beauty." According to Wallace, "There is nothing spiritual about face or picture. The classical setting is an excuse for a very material aesthetic sexuality—not sex, as such, but an appreciation of the beauty that accompanies attraction." Intertwining pink silk ribbons are draped over the mirror and curl over its frame.