Symphony instruments, 19th century symphonies were gradually augmented with more string players and more wind parts, so that the orchestra grew substantially in sheer numbers, as concert halls likewise grew. At the beginning of the 20th century, Gustav Mahler wrote long, large-scale symphonies. His Eighth Symphony, for example, was composed in 1906 and is nicknamed the "Symphony of a Thousand" because of the large number of voices required to perform the work. Additionally, his Third Symphony is one of the longest regularly performed symphonies at around 100 minutes in length for most performances. The 20th century also saw further diversification in
Symphony No. 79 (Haydn) Symphony No. 79 (Haydn) The Symphony No. 79 in F major, Hoboken 1/79, is a symphony by Joseph Haydn. It was composed in 1784. The 79th Symphony is characterized by a strong and joyful opening theme as well as varied rhythms throughout all four movements, especially in the minuet. The wind section alternated throughout the symphony either doubling the string section, enriching the tempo and solos void of virtuosity. Of note are long rests which were uncommon in early classical symphonies. Symphony No. 79 was composed as part of a trio of symphonies that also included symphonies 80 and 81.