Adoration of the Magi (Fra Angelico and Filippo Lippi) the painting, they were perhaps added by Benozzo Gozzoli around the time he was working on the famous fresco cycle of the Magi Chapel in the Medici Palace in 1459–61. Gozzoli was a former member of Fra Angelico's workshop who by then ran his own studio. The chapel frescos also centre on elaborate processions of the Magi, and include several birds, and feathers, one of which is a goshawk, and another a peacock in a very similar pose to the one in the tondo. The painting has been generally identified with one recorded in an inventory of the contents of
Adoration of the Magi and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography has considerably expanded the bare account of the Biblical Magi given in the second chapter of the Gospel of Matthew (–) and used it to press the point that Jesus was recognized, from his earliest infancy, as king of the earth. The scene was often used to represent the Nativity, one of the most indispensable episodes in cycles of the "Life of the Virgin" as well as the "Life of Christ". In the church calendar,