Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 1 (Harbison) Symphony No. 1 (Harbison) The Symphony No. 1 is the first symphony by the American composer John Harbison. The work was commissioned by the Boston Symphony Orchestra and was composed in 1981. It was given its world premiere in Boston on March 22, 1984 by the Boston Symphony Orchestra under the conductor Seiji Ozawa. The symphony has a duration of roughly 24 minutes and is composed in four movements: The work is scored for a large orchestra comprising three flutes (doubling piccolo and alto flute), three oboes (doubling English horn), three clarinets (doubling bass clarinet), three bassoons (doubling contrabassoon), four