Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Lost works by Vincent van Gogh they had uncovered a connection between den Houter and Vincent's mother. The Van Gogh Museum said they were sceptical about the authenticity of the painting. Lost works by Vincent van Gogh The events that befell the early paintings and drawings by Vincent van Gogh in the period prior to the posthumous recognition of Vincent van Gogh (1853 – 1890) as an innovative artist show how the appreciation of his legacy changed his reputation in a relatively short time. A part of the work that remained with his family when he left the Netherlands must be considered lost, and the remaining