Bette Davis of the thirties and into the forties", achieving notability for the variety of her characterizations and her ability to assert herself, even when her material was mediocre. Individual performances continued to receive praise; in 1987, Bill Collins analyzed "The Letter" (1940), and described her performance as "a brilliant, subtle achievement", and wrote: "Bette Davis makes Leslie Crosbie one of the most extraordinary females in movies." In a 2000 review for "All About Eve" (1950), Roger Ebert noted: "Davis was a character, an icon with a grand style; so, even her excesses are realistic." In 2006, "Premiere" magazine ranked her portrayal
Bette Davis well-known, particularly "Fasten your seatbelts, it's going to be a bumpy night". She was again nominated for an Academy Award, and critics such as Gene Ringgold described her Margo as her "all-time best performance". Pauline Kael wrote that much of Mankiewicz' vision of "the theater" was "nonsense", but commended Davis, writing "[the film is] saved by one performance that is the real thing: Bette Davis is at her most instinctive and assured. Her actress - vain, scared, a woman who goes too far in her reactions and emotions - makes the whole thing come alive." Davis won a Best Actress