Pastoral elegy condition of death, not just the death of a single individual. John Milton’s "Lycidas," considered the most famous pastoral elegy, mourns the death of the poet’s good friend Edward King. In the 17th century, John Donne, a contemporary of Milton’s, explored the genre further and addressed matters of human love, which to his metaphysically inclined mind often resembled death. In the English language some of the greatest pastoral elegies are "Adonaïs" by Percy Bysshe Shelley, which mourns the death of poet John Keats, and "Thyrsis" by Matthew Arnold, which mourns the poet Arthur Hugh Clough. In 17th century England, Andrew
Monody on the Death of Chatterton death: Some other stanzas are added and recast to emphasise a connection between Coleridge and Chatterton. This blending of identities continues when the poem describes Chatterton in heaven and then the experience of a harsh reality: The only other alteration in the poem is a readdition of four lines discussing "the fair promise of my spring", the return to the elegy format with an emphasis on rhyming couplets similar to those of Alexander Pope and Samuel Johnson, and the re-addition of double-epithets into the poem. The 1834 version, the final version of "Monody", is similar to the 1829 version of