Just a Little Lovin' all recorded complete as sung and played with no overdubs. The cover of "Just a Little Lovin'<nowiki>'</nowiki>" would show Lynne posed similarly to the image of Springfield on the cover of "Dusty in Memphis" (Lynne acknowledged the resemblance saying it was serendipitous), and the album featured four remakes from the Springfield album while passing over its highest-profile cut: the 1969 Top Ten hit "Son of a Preacher Man" () "I would never ever ever attempt to cut 'Son of a Preacher Man.' [Dusty Springfield] owns that." Lynne did remake the "Dusty in Memphis" number "I Don't Want to Hear It
Dusty Springfield with You"); Italian recordings include "Tanto so che poi mi passa" ("Every Day I Have to Cry") issued as a single. Her entries at the Sanremo festival were "Tu che ne sai" and "Di fronte all'amore" ("I Will Always Want You"). Dusty Springfield is a cultural icon of the Swinging Sixties where she "was an instantly recognisable celebrity". In public and on stage Springfield developed a joyful image supported by her peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up that included her much-copied "panda eye" mascara. Springfield borrowed elements of her look from blonde glamour queens such as Brigitte