The Wizard of Oz (1902 musical) the Good Witch of the South. Dorothy and her friends arrive at the palace and are welcomed. There are great celebrations, with Glinda promising to send Dorothy home. The whole cast rushes out from the wings and sings the finale. L. Frank Baum decided to collaborate with his friend, composer Paul Tietjens, and "The Wonderful Wizard of Oz" illustrator W. W. Denslow as set and costume designer, to bring the book to the stage. They completed a script, score and designs in 1901, hewing fairly close to the novel. They submitted the package to the manager of the Chicago Grand
The Wonderful Wizard of Oz continued to include these faces on gates. Baum did not offer any conclusive proof that he intended his novel to be a political allegory. Historian Ranjit S. Dighe wrote that for 60 years after the book's publication, "virtually nobody" had such an interpretation until Henry Littlefield, a high-school teacher. In his 1964 "American Quarterly" article, "The Wizard of Oz: Parable on Populism", Littlefield posited that the book contained an allegory of the late 19th-century bimetallism debate regarding monetary policy. Littlefield's thesis achieved some support, but has been strenuously attacked by others. "The Wonderful Wizard of Oz" has become an established