Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Still life paintings by Vincent van Gogh (Netherlands) himself is Émile Zola's novel "La Joie de vivre" (English: "The Joy of Living"), which van Gogh saw as a "Bible for modern life", placing it next to his father's Bible in the painting. The burned out candle could symbolize van Gogh's father's death or it could represent Vincent's disenchantment with traditional faith. "Still-Life with Straw Hat" and another painting of this period, "Still-life with Earthen Pot and Clogs," are regarded by critics and writers for their technical mastery. Both are characterized by smooth, meticulous brushwork and fine shading of colors. Still life paintings by Vincent van Gogh (Netherlands) Still