Adoration of the Magi (Botticelli, 1475) described by Vasari as "the finest of all that are now extant for its life and vigour"), his sons Piero (the second Magus kneeling in the centre with the red mantle) and Giovanni (the third Magus), and his grandsons Giuliano and Lorenzo. The three Medici portrayed as Magi were all dead at the time the picture was painted, and Florence was effectively ruled by Lorenzo. Whether Botticelli's intimate relations with the Medici brothers allowed the wealthy Gaspare to introduce the portraits of their kinsmen in his altar-piece, or Gaspare was glad for this opportunity to pay a graceful compliment to
Adoration of the Magi (Filippino Lippi) from whom a page is removing a crown. The general style is that of Filippino's late career, characterized by a greater care to details and by a nervous rhythm in the forms, influenced by the knowledge of foreign painting schools (as also in the landscape of the background). Adoration of the Magi (Filippino Lippi) The Adoration of the Magi is a painting by the Italian Renaissance painter Filippino Lippi. It is signed and dated at 1496. It is housed in the Uffizi of Florence. The panel was painted for the Convent of the San Donato agli Scopeti, in substitution of