Teresa of Ávila possibly due to her mystical visions. The Spanish nuns who established Carmel in France brought this devotion with them, and it became widespread in France. Indeed, one of Teresa's most famous disciples, Saint Thérèse of Lisieux, a French Carmelite, herself named for Teresa, took as her religious name Sister Thérèse of the Child Jesus and the Holy Face. In the 1620s, Spain debated who should be the country's patron saint; the choices were either the current patron, Saint James Matamoros, or a pairing of him and the newly canonised Saint Teresa of Ávila. Teresa's promoters said Spain faced newer challenges,
The Martyrdom of Saint Philip work by Ribera. It is less caravagesque than his previous works, showing the influence of Guido Guido Reni and Domenichino. "The Martyrdom of Saint Philip " was likely commissioned by the II Duke of Medina de las Torres as a gift to King Philip IV of Spain; Philip the Apostle was his patron saint. For a long time, the painting was part of the royal collection. It survived the fire in de Royal Alcázar in 1734 was subsequently installed in the Buen Retiro Palace and the Royal Palace of Madrid. Sometime after 1818 the painting was moved to the Prado.