Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony No. 6 (Sessions) Symphony No. 6 (Sessions) The Symphony No. 6 of Roger Sessions, a symphony written using the twelve-tone technique, was composed in 1966. It was commissioned by the state of New Jersey and the New Jersey Symphony Orchestra. The score carries the dedication: "In celebration of the three hundredth anniversary of the state of New Jersey". Sessions began composing the symphony in the summer of 1965 while traveling in South America, and completed it at Tanglewood in 1966. It is the first of a trilogy of symphonies, composed in rapid succession, which Sessions associated with the Vietnam war. The premiere was