Guðmundr of the sheaf in Norwegian Yule celebrations. According to "Hervarar saga ok Heiðreks", the Norwegians came to see Guðmundr as a god; Höfler argued that in both the wolf-form suggested by "Úlfhéðinn" and the horse-form suggested by "faxi", Guðmundr was a death-demon and his death-horse the prototype of the death-horse Sleipnir portrayed on the Gotland picture stones. Ingemar Nordgren regards the first Guðmundr as "a cult-god" and his son, the Guðmundr of the sagas, as portraying him in theriomorphic form, and suggests that he is either an earlier fertility god who came to be identified with Óðinn and that Glæsisvellir
Eight-legged essay the form's adoption was blamed for the decline of classical poetry and prose during the Ming Dynasty. The critic Wu Qiao wrote that "people exhausted themselves on the eight-legged essay, and poetry was only composed with their spare energy." Writing at the same time, the political theorist and philosopher Huang Zongxi echoed these sentiments. Also, the essay did not allow for any personal opinion and was completely impartial. As a result, it led to the gradual narrowing of people's innovative thinking and consequently their minds, thus achieving a constraining effect on Chinese people and the nation. The eight-legged essay has