The Oxford Shakespeare believed to be partly by Shakespeare. The first two editions of the Norton Shakespeare, published by W.W. Norton, were largely based on the Oxford text, but departed from some of its decisions. The term 'Oxford Shakespeare' also refers to Oxford University Press's editions of individual Shakespeare plays and poems. These individual editions follow the same principles as the "Complete Works", but their editors are permitted to reject choices made for the "Complete Works" if they feel strongly; for example, David Bevington's edition of "Henry IV Part One" uses 'Falstaff' not 'Oldcastle'. The hardback editions feature distinctive purple dustjackets, while the
To Be Everywhere Is to Be Nowhere Sand" was heavily inspired by Nirvana. "To Be Everywhere Is to Be Nowhere" was noted for sounding heavier than Thrice's previous few albums. Riley Breckenridge said he appreciated when more aggressive sounds were incorporated in an emotionally impactful and dynamic way, drawing inspiration from bands who he felt like achieved this, including: Cave In, Torche, Cult of Luna and O'Brother. Thrice also made an effort in the studio to make a "seamless record from track to track," which they achieved by having "an outro will bleed into an intro for another song or there's a segue." Where as previous Thrice