Adoration of the Magi (Filippino Lippi) of its inspiration was clearly derived from Botticelli's "Adoration of the Magi", also in the Uffizi: this is evident in the disposition of the characters on the two sides, with the Holy Family portrayed in the centre under. Similarly to Botticelli's work, Filippino also portrayed numerous members of the Medici cadet line, who had adhered to the Savonarolian Republic in the period in which the work was executed. On the left, kneeling and holding with a quadrant, is Pierfrancesco de' Medici, who had died 20 years before. Behind him, standing, are his two sons Giovanni, holding a goblet, and Lorenzo,
Adoration of the Magi (Mantegna) Tuscany, where the "Adoration" was misattributed to Botticelli. The three works were exhibited together from 1827, with a gilded new neo-Renaissance intaglio frame which compensated for the differing sizes of the central work and the side panels. Most modern critics note the differences between the three works, including their form, format, setting and quality, especially between the "Circumcision" and the other two works. Roberto Longhi doubted that the three works were conceived as a single unified triptych and theorised that instead they all came from different locations in the same chapel, as did "Death of the Virgin" and "Christ Bearing