Saint Sebastian Tended by Saint Irene Sebastian as a mature if not elderly man. But almost invariably artists continued to show the saint as a young man, rather sensuously depicted, and with as little clothing as in the earlier paintings. Irene, the widow of a mature martyr in her legend, also tends to be painted as young and beautiful. The subject, especially in the depictions where Sebastian has been got clear of his post or tree, has clear similarities to two other scenes from secular Italian epic romances: Angelica and Medoro from "Orlando Furioso" by Ludovico Ariosto (1516) and Erminia and Tancredi from "Gerusalemme liberata" by
The Saint (Simon Templar) wrote an adventure novel featuring a South American hero not far removed from The Saint himself. Templar also on occasion would break the fourth wall in an almost metafictional sense, making references to being part of a story and mentioning in one early story how he cannot be killed so early on; the 1960s television series would also have Templar address viewers. Charteris in his narrative also frequently breaks the fourth wall by making references to the "chronicler" of The Saint's adventures and directly addressing the reader. In the story "The Sizzling Saboteur" in "The Saint on Guard" Charteris inserts