Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 18 (Haydn) movement. The three movements are: The opening movement is written in the form of a trio sonata with two melodic lines over an independent bass. Symphony No. 18 (Haydn) The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is uncertain. The Breitkopf catalogue entry assures that it was composed no later than 1766, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been suggested. The symphony is scored for 2 oboes, bassoon, 2 horns, strings and continuo. Although the symphony