Benjamin Britten coast close to Britten's homeland, awakened in him such longings for England that he knew he must return. He also knew that he must write an opera based on Crabbe's poem about the fisherman Peter Grimes. Before Britten left the US, Koussevitzky, always generous in encouraging new talent, offered him a $1,000 commission to write the opera. Britten and Pears returned to England in April 1942. During the long transatlantic sea crossing Britten completed the choral works "A Ceremony of Carols" and "Hymn to St Cecilia". The latter was his last large-scale collaboration with Auden. Britten had grown away from
A Midsummer Night's Dream (opera) every problem posed by Shakespeare has been solved, but Mr. Britten has accomplished so much that one may safely predict a wide vogue for his latest and happiest opera. A dissenting voice was Britten's estranged collaborator W. H. Auden. In a letter to Stephen Spender after seeing the 1961 London production, Auden dismissed it as "Dreadful! Pure Kensington". The opera has entered the general operatic repertory, and has become one of the most frequently performed operas written since the second world war. "Dream" was performed at the Royal Opera House, Covent Garden, in 1961, produced by John Gielgud and conducted