History of Cumbria opera", 1798) and others decried the felling of trees. A 'new Picturesque' sensibility emerged. 'Attempts were made to 'blend in' the villas being built with the natural landscape. The "Lake Poet School" (or 'Bards of the Lake', or the 'Lake School') was initially a derogatory term ("the School of whining and hypochondriacal poets that haunt the Lakes", according to Francis Jeffrey) that was also a misnomer, as it was neither particularly born out of the Lake District, nor was it a cohesive school of poetry. The principal members of the 'group' were William Wordsworth, Samuel Taylor Coleridge and Robert Southey.
Lake Poets to the local dalesfolk and "he got to know the dalesmen "as people, as persons", better than ever Wordsworth did." He reversed the practice of the Picturesque - instead of using the imagination to transform (and distort) the real, external world, he used the external world of the Lakes to feed his dreams and imagination. The beauty of the Lake District has also inspired many other writers over the years, beyond the core Lake Poets. These include their contemporaries Bryan Procter, Felicia Hemans, and Walter Scott, as well as the labouring-class and slightly later John Close, who catered particularly to