International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
1920s in film were the highest-grossing studios during the period, with 20th century Fox, Universal Pictures, United Artists, and Warner Brothers making up a large part of the remaining market. The 1920s was also the decade of the "Picture Palaces": large urban theaters that could seat 1-2,000 guests at a time, with full orchestral accompaniment and very decorative design (often a mix of Italian, Spanish, and Baroque styles). These picture palaces were often owned by the film studios and used to premier and first-run their major films. Key genres such as the swashbuckler, horror, and modern romantic comedy flourished during the decade. Stars