Ulgham Saxon and two Norman stone windows are built into the current church walls. In the north aisle is an extraordinary stone relief originally thought to be a Norman knight on horseback apparently protecting a lady from two birds shown above her shoulder, is in fact of much earlier Viking or even pagan Anglian origin; the figure depicted on the left is clearly Odin, shown here in classic representation as cloaked and hooded with his two raven companions Huginn (Thought) and Muninn (Memory) on either shoulder. The creature depicted on the right is Odin's eight-legged horse (Sleipnir). The weathered nature of
Eight-legged essay pluralistic ideology characteristic of the Tang Dynasty to a neo-Confucian ideology based on Cheng Yi and Zhu Xi's philosophy. The eight-legged essay came into existence under this background, coinciding with the shift in ideology and embodying the new orthodoxy. The essay format didn't become prevalent as a standard essay in the civil service examination until early Ming dynasty (1368-1644), when the composition of the essay was clearly specified. In the seventeenth century, Gu Yanwu stated that this form of essay-writing became standardized precisely during the 15th century, when the eight parts of the essay were determined. The term "eight-legged essay"