Adoration of the Magi (Fra Angelico and Filippo Lippi) complexes of Rome, and possibly some awareness of this similarity led Lippi to represent his nude figures on the ruins as bathers, who might be imagined coming out from a still-functional bathing part of the complex to see what all the noise was about. Adoration of the Magi (Fra Angelico and Filippo Lippi) The Adoration of the Magi is a tondo, or circular painting, of the "Adoration of the Magi" assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National
Adoration of the Magi (Andrea della Robbia) Adoration of the Magi (Andrea della Robbia) This depiction of the Adoration of the Magi is an altarpiece by Florentine sculptor Andrea della Robbia (1435–1525). Andrea inherited the family workshop from his famous uncle, Luca della Robbia, who had developed the technique of applying tin glazes, similar to those used by potters, to terracotta (fired clay) to produce sculptures that were colourful, durable and relatively cheap. Larger sculptures, such as this example which dates to about 1500–1510, were made in sections in order to fit into the kiln for firing. The scene is set in a landscape, showing the Three