Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony No. 6 (Piston) Symphony No. 6 (Piston) The Symphony No. 6 by Walter Piston was completed in 1955. Piston composed the symphony to mark the 75th Anniversary of the Boston Symphony Orchestra. He dedicated the score to the memory of Serge Koussevitzky and his wife Natalie. The symphony was first performed by the Boston Symphony Orchestra under Charles Munch, on November 25, 1955. The work, like the earlier Symphony No. 3 and Symphony No. 4 is in four movements: A typical performance will last around 25 minutes. The symphony opens with a smooth sonata-allegro movement in A minor that gives the effect of