Rokeby Venus connoisseurs steal a glance without drawing the said posterior into the company". The "Rokeby Venus" was long held to be one of Velázquez's final works. In 1951, it was found recorded in an inventory of 1 June 1651 from the collection of Gaspar Méndez de Haro, 7th Marquis of Carpio, a close associate of Philip IV of Spain. Haro was the great-nephew of Velázquez's first patron, the Count-Duke of Olivares, and a notorious libertine. According to the art historian Dawson Carr, Haro "loved paintings almost as much as he loved women", and "even his panegyrists lamented his excessive taste for
Thomas de Rokeby (died 1356) the son of Thomas de Rokeby, who died in 1318 (some sources name his father as Alexander). His nephew, also named Thomas, was closely associated with him in his later years and the elder Thomas was often called "l'oncle" to distinguish him from his nephew. It was almost certainly the nephew, not the uncle, who was the grandfather of the second Sir Thomas de Rokeby, who died after 1423. Rokeby first came to public attention in 1327 when, after his return from having been a prisoner in Scotland, he received the thanks of the new King Edward III, for being