The Phantom of the Opera still used for training firefighters. The mysteries that Leroux uses in his novel about the Phantom are still mysteries. "The Phantom of the Opera"'s origins came from Leroux's curiosity with the Phantom being real. In the prologue he tells the readers about the Phantom and the research that he did to prove the truth of the ghost. His findings connected the corpse from the opera house to the Persian phantom himself. The claims from the prologue of his novel were ones that Leroux held onto even up until his death in 1927. In Paris in the 1880s, the Palais Garnier
Erik (The Phantom of the Opera) In the 2004 film adaptation of the musical, Erik's makeup was made to look much less gruesome than previous adaptations of the story. Instead of a skull-like face, his disfigurement resembles that of a mildly malformed face, which he covers with the mask. Film critic Roger Ebert noted that Butler was more "conventionally handsome" than his predecessors "in a GQ kind of way". Onscreen, Erik has often been cast as a tragic hero but also a tragic villain, depending on the film's point of view. "See main list: The Phantom of the Opera" Erik (The Phantom of the Opera) Erik