Bette Davis of the thirties and into the forties", achieving notability for the variety of her characterizations and her ability to assert herself, even when her material was mediocre. Individual performances continued to receive praise; in 1987, Bill Collins analyzed "The Letter" (1940), and described her performance as "a brilliant, subtle achievement", and wrote: "Bette Davis makes Leslie Crosbie one of the most extraordinary females in movies." In a 2000 review for "All About Eve" (1950), Roger Ebert noted: "Davis was a character, an icon with a grand style; so, even her excesses are realistic." In 2006, "Premiere" magazine ranked her portrayal
Bette Davis role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: "I let Bette have her head. I trusted her instincts." She insisted that she be portrayed realistically in her death scene, and said: "The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking." The film was a success, and Davis' characterization won praise from critics,