The Phantom of the Opera still used for training firefighters. The mysteries that Leroux uses in his novel about the Phantom are still mysteries. "The Phantom of the Opera"'s origins came from Leroux's curiosity with the Phantom being real. In the prologue he tells the readers about the Phantom and the research that he did to prove the truth of the ghost. His findings connected the corpse from the opera house to the Persian phantom himself. The claims from the prologue of his novel were ones that Leroux held onto even up until his death in 1927. In Paris in the 1880s, the Palais Garnier
The Phantom of the Opera (1986 musical) These pieces are often presented as musical fragments, interrupted by dialogue or action sequences in order to clearly define the musical's "show within a show" format. The musical extracts from the Phantom's opera, "Don Juan Triumphant", heard during the latter stages of the show, are dissonant and modern—"suggesting, perhaps, that the Phantom is ahead of his time artistically". Maria Björnson designed the sets and over 200 costumes of the original productions, including the elaborate gowns in the "Masquerade" sequence. Her set designs, including the chandelier, subterranean gondola, and sweeping staircase, blended Second empire architectural detail, and the 19th century stagecraft