Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Portraits by Vincent van Gogh commission). Dr. Gachet was also an artist of the Impressionist era. He was an amateur painter and engraver. Vincent van Gogh went to the doctor for medical care. Van Gogh saw himself in the doctor; like himself, he saw in Dr. Gachet “the heart-broken expression of our time.” Similar to many of van Gogh's portraits, the painting is a study not of the physical features of the man, but of the inner qualities of the doctor's personality. The portrait of Dr. Gachet notes all the tiniest details of his appearance and depicts them in the way that van Gogh sees