Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
Sleeping Venus (Giorgione) engravings of Giovanni Battista Palumba. Although prints had contained many more nude female figures, the two famous paintings of Botticelli, the "Birth of Venus" and the "Primavera", are the closest precedents in painting. The contemplative attitude toward nature and beauty of the figure is typical of Giorgione. The composition of this painting was highly influential, despite very public display of such images often being restricted for some centuries. The influence of this painting or paintings it influenced can be traced in a number of later reclining nudes such as the "Pardo Venus" and "Venus of Urbino" of Titian, the "Rokeby