Sir John Oldcastle rivals of Shakespeare's company. Curiously, this effort to redeem the Oldcastle name was at best only partially successful; allusions to the Falstaff character under the name of Oldcastle continued to appear in succeeding years — in Nathan Field's play "Amends for Ladies" (1618) and in the anonymous pamphlets "The Meeting of Gallants at an Ordinary" (1604) and "The Wandering Jew" (c. 1628), among other works. "Sir John Oldcastle" treats its subject matter in ways acceptable to the values and biases of its audience, and the interests of Elzabethan officialdom (inevitably; if it did anything else it would never have escaped
Portraits of Shakespeare only 15. Another example is the "Flower portrait", named for its owner, Sir Desmond Flower, who donated it to the Shakespeare Museum in 1911. This was once thought to be the earliest painting depicting Shakespeare, and the model for the Droeshout engraving. It was shown in a 2005 National Portrait Gallery investigation to be a 19th-century fake adapted from the engraving. The image of Shakespeare was painted over an authentic 16th-century painting of a Madonna and child. In 1849 a death mask was made public by a German artist, Ludwig Becker, who linked it to a painting which, he claimed,