Rokeby Venus connoisseurs steal a glance without drawing the said posterior into the company". The "Rokeby Venus" was long held to be one of Velázquez's final works. In 1951, it was found recorded in an inventory of 1 June 1651 from the collection of Gaspar Méndez de Haro, 7th Marquis of Carpio, a close associate of Philip IV of Spain. Haro was the great-nephew of Velázquez's first patron, the Count-Duke of Olivares, and a notorious libertine. According to the art historian Dawson Carr, Haro "loved paintings almost as much as he loved women", and "even his panegyrists lamented his excessive taste for
Rokeby (poem) picturesque tour of Britain's stately homes. Lockhart, writing after Scott's death, admired the scenery of "Rokeby", and found many thrilling episodes and lines scattered through the poem; he attributed its disappointing sales to the inevitable comparisons drawn by the public with "Childe Harold"’s greater raciness and romantic glamour. In the 20th century John Buchan thought the plot too intricate for a poem. Comparing "Rokeby" with Scott's earlier works he found the landscape not as beguiling, but the character-drawing more subtle, and the songs superior to all of his former lyrics. Andrew Lang also admired the songs, but considered the poem