Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Maison Van Gogh of a house in Cuesmes occupied by a miner named Decrucq and his family. From there he wrote to his brother Theo that he was considering what purpose he could give to his life; inspired by the lives of the miners, he started to produce drawings. From 1880, he started painting in earnest. Maison Van Gogh Maison Van Gogh (or Van Gogh House) is a museum in the village of Cuesmes, near Mons in Belgium. Vincent Van Gogh lived here from 1879 to 1880. Cuesmes is in the Borinage, at that time a coal-mining area; Vincent van Gogh came here