Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony No. 2 (Harbison) clarity of texture in the first movement drawn from the full resources of a large orchestra, this symphony is a feast for the ears..." Symphony No. 2 (Harbison) The Symphony No. 2 is an orchestral composition by the American composer John Harbison. The work was commissioned by the San Francisco Symphony for its 75th anniversary. It was composed in 1987. The symphony has a duration of roughly 23 minutes and is composed in four connected movements: The work is scored for a large orchestra comprising three flutes (3rd doubling piccolo), two oboes, English horn, two clarinets, E-flat clarinet, bass clarinet,