Rokeby Venus to assess the attack in terms of a murder (Richardson was nicknamed "Slasher Mary"), and used words that conjured wounds inflicted on an actual female body, rather than on a pictorial representation of a female body. "The Times" described a "cruel wound in the neck", as well as incisions to the shoulders and back. Rokeby Venus The Rokeby Venus (; also known as The Toilet of Venus, Venus at her Mirror, Venus and Cupid, or La Venus del espejo) is a painting by Diego Velázquez, the leading artist of the Spanish Golden Age. Completed between 1647 and 1651, and probably
Rokeby Venus it would be in reality. The critic Natasha Wallace has speculated that Venus's indistinct face may be the key to the underlying meaning of the painting, in that "it is not intended as a specific female nude, nor even as a portrayal of Venus, but as an image of self-absorbed beauty." According to Wallace, "There is nothing spiritual about face or picture. The classical setting is an excuse for a very material aesthetic sexuality—not sex, as such, but an appreciation of the beauty that accompanies attraction." Intertwining pink silk ribbons are draped over the mirror and curl over its frame.