Political interpretations of The Wonderful Wizard of Oz Political interpretations of The Wonderful Wizard of Oz Political interpretations of "The Wonderful Wizard of Oz" include treatments of the modern fairy tale (written by L. Frank Baum and first published in 1900) as an allegory or metaphor for the political, economic, and social events of America in the 1890s. Scholars have examined four quite different versions of Oz: the novel of 1900, the Broadway play of 1901, the Hollywood film of 1939, and the numerous follow-up Oz novels written after 1900 by Baum and others. The political interpretations focus on the first three, and emphasize the close relationship between
The Wonderful Wizard of Oz (musical) the 1902 "Wizard", "The Woggle-Bug", "The Tik-Tok Man of Oz", "Prince Silverwings", and "The Patchwork Girl of Oz", which had not been heard in recent decades. The production premiered in 2000 at the Toronto Civic Light Opera Company, directed by Cascone with choreography by Lesley Ansell. Two original cast albums were released. One by Hungry Tiger Music in 2000, and one by The Civic Light Opera Company in 2002, featuring the revised score. The Toronto Civic Light Opera revived the show in 2002 and again in 2010. Joe Cascone and David Haines, of the original and revival casts (as, respectively,