Choral symphony simply an attempt at grandiose effect, though the composer's use of such forces earned the work the subtitle "Symphony of a Thousand" from his press agent (a name still applied to the symphony). Like Stravinsky, Mahler makes extensive and extended use of counterpoint, especially in the first part, "Veni Creator Spiritus". Throughout this section, according to music writer Michael Kennedy, Mahler displays considerable mastery in manipulating multiple independent melodic voices. Musicologist Deryck Cooke adds that Mahler handles his huge forces "with extraordinary clarity". Vaughan Williams also insisted on a balance between words and music in "A Sea Symphony", writing in
Symphony No. 6 (Hanson) Symphony No. 6 (Hanson) The Symphony No. 6 is an orchestral symphony in six movements by the American composer Howard Hanson. The work was commissioned by the New York Philharmonic under the direction of Leonard Bernstein for the orchestra's 125th anniversary. It was composed in 1967 and was given its world premiere on February 29, 1968, by the New York Philharmonic conducted by Hanson. The symphony has a duration of roughly 20 minutes and is composed in six continuous movements: The Symphony No. 6 has been praised by music critics. John von Rhein of the "Chicago Tribune" called it "one