Bette Davis of the thirties and into the forties", achieving notability for the variety of her characterizations and her ability to assert herself, even when her material was mediocre. Individual performances continued to receive praise; in 1987, Bill Collins analyzed "The Letter" (1940), and described her performance as "a brilliant, subtle achievement", and wrote: "Bette Davis makes Leslie Crosbie one of the most extraordinary females in movies." In a 2000 review for "All About Eve" (1950), Roger Ebert noted: "Davis was a character, an icon with a grand style; so, even her excesses are realistic." In 2006, "Premiere" magazine ranked her portrayal
Bette Davis derided; Pauline Kael described "Now, Voyager" (1942) as a "shlock classic", and by the mid-1940s, her sometimes mannered and histrionic performances had become the subject of caricature. Edwin Schallert, for the "Los Angeles Times", praised Davis' performance in "Mr. Skeffington" (1944), while observing, "The mimics will have more fun than a box of monkeys imitating Miss Davis"; and Dorothy Manners, at the "Los Angeles Examiner", said of her performance in the poorly received "Beyond the Forest" (1949): "No night club caricaturist has ever turned in such a cruel imitation of the Davis mannerisms as Bette turns on herself in this