Benjamin Britten first recording of the "Serenade for Tenor, Horn and Strings", which has frequently been reissued, most recently on CD. Britten's first operatic recording was "The Turn of the Screw", made in January 1955 with the original English Opera Group forces. In 1957 he conducted "The Prince of the Pagodas" in an early stereo recording, supervised by Culshaw. Decca's first major commercial success with Britten came the following year, with "Peter Grimes", which has, at 2013, never been out of the catalogues since its first release. From 1958 Britten conducted Decca recordings of many of his operas and vocal and orchestral
Benjamin Britten to imitate". Nevertheless, after his death Britten was lauded by the younger generation of English composers to whom, in the words of Oliver Knussen, he became "a phenomenal father-figure". Brett believes that he affected every subsequent British composer to some extent: "He is a key figure in the growth of British musical culture in the second half of the 20th century, and his effect on everything from opera to the revitalization of music education is hard to overestimate." Whittall believes that one reason for Britten's enduring popularity is the "progressive conservatism" of his music. He generally avoided the avant garde,