Choral symphony of the work]." Mahler expanded the Beethovenian model for programmatic as well as symphonic reasons in his Second Symphony, the "Resurrection", the vocal fourth movement, "Urlicht", bridging the childlike faith of the third movement with the ideological tension Mahler seeks to resolve in the finale. He then abandoned this pattern for his Third Symphony, as two movements for voices and orchestra follow three purely instrumental ones before the finale returns to instruments alone. Like Mahler, Havergal Brian expanded the Beethovenian model, but on a much larger scale and with far larger orchestral and choral forces, in his Symphony No. 1
Symphony of the New World overwhelmed with it. I just wish it could have lasted. The inspiration that this could be done [remains] in all of us." A commemorative exhibit on the 50th anniversary of the founding of the Symphony of the New World was held at the New York Public Library in 2014. The orchestra's papers reside at the Schomburg Center for Research in Black Culture. Symphony of the New World The Symphony of the New World was a symphony orchestra based in New York City. It was the first racially integrated orchestra in the United States. The Symphony gave its debut concert on