Adoration of the Magi (Filippino Lippi) of its inspiration was clearly derived from Botticelli's "Adoration of the Magi", also in the Uffizi: this is evident in the disposition of the characters on the two sides, with the Holy Family portrayed in the centre under. Similarly to Botticelli's work, Filippino also portrayed numerous members of the Medici cadet line, who had adhered to the Savonarolian Republic in the period in which the work was executed. On the left, kneeling and holding with a quadrant, is Pierfrancesco de' Medici, who had died 20 years before. Behind him, standing, are his two sons Giovanni, holding a goblet, and Lorenzo,
Adoration of the Magi (Stefano da Verona) The rich harnesses and the fanciful hats of the members of the procession resemble similar elements work by Pisanello, who was a friend of Stefano da Verona, and is thus inspired by the dresses of the Byzantine court at the Council of Basel in 1431. The peacock on the hut's top is an early Christian symbol of resurrection and immortality, as, since Roman times, his flesh was deemed not to be prone to rotting. The violet symbolizes Christ's humility, the red carnation the Passion. The painter's signature, in golden letters, is located at the bottom center. Adoration of the Magi