Bette Davis of the thirties and into the forties", achieving notability for the variety of her characterizations and her ability to assert herself, even when her material was mediocre. Individual performances continued to receive praise; in 1987, Bill Collins analyzed "The Letter" (1940), and described her performance as "a brilliant, subtle achievement", and wrote: "Bette Davis makes Leslie Crosbie one of the most extraordinary females in movies." In a 2000 review for "All About Eve" (1950), Roger Ebert noted: "Davis was a character, an icon with a grand style; so, even her excesses are realistic." In 2006, "Premiere" magazine ranked her portrayal
Bette Davis Eyes pedal steel guitar and horns. However, it was not until 1981, when Kim Carnes recorded her version of the song in a radically different synthesizer-based arrangement, that "Bette Davis Eyes" became a commercial success. The Carnes version spent nine non-consecutive weeks on top of the US "Billboard" Hot 100 (interrupted for one week by the "Stars on 45 Medley") and was "Billboard"s biggest hit of the year for 1981. The single also reached No. 5 on Billboard's Top Tracks charts and No. 26 on the Dance charts. The song won the Grammy Awards for Song of the Year and Record