Three Men in a Boat a typical boating holiday of the time in a Thames camping skiff. This was just after commercial boat traffic on the Upper Thames had died out, replaced by the 1880s craze for boating as a leisure activity. Following the overwhelming success of "Three Men in a Boat", Jerome later published a sequel, about a cycling tour in Germany, titled "Three Men on the Bummel" (also known as "Three Men on Wheels", 1900). The story begins by introducing George, Harris, Jerome (always referred to as "J."), and Jerome's dog, named Montmorency. The men are spending an evening in J.'s room, smoking
The Story of the Man Who Turned into a Dog born a dog. The Man has an outburst and runs away, fully assuming the role of a dog. By the end of the play, Actor 1 can only bark and is no longer able to shift between man and dog. Other prominent themes in Dragún's work and the "Historias para ser contadas" series include: "the criticism of censorship, repression and internal exile." Osvaldo Dragún was known for bringing the Epic theatre of Brecht to Latin America, and combining modern Argentine theatre technique with classical themes. Much of his work features "narrative foregrounding," which "forces the audience to observe the narrative