Benjamin Britten based on a theme from Britten's Piano Concerto. Works commemorating Britten include "Cantus in Memoriam Benjamin Britten" an orchestral piece written in 1977 by Arvo Pärt, and Sally Beamish's "Variations on a Theme of Benjamin Britten", based on the second Sea Interlude from "Peter Grimes"; she composed the work to mark Britten's centenary. Alan Bennett depicts Britten in a 2009 play "The Habit of Art", set while Britten is composing "Death in Venice" and centred on a fictional meeting between Britten and Auden. Britten was played in the premiere production by Alex Jennings. Tony Palmer made three documentary films about
Gormenghast (opera) were "convincing both as drama and as compositions." In his review of the 2004 revival, Dieter Lintz described Schmidt's score, especially for the singers, as predominantly tonal and "quite ear-friendly" with elements of Baroque music, Benjamin Britten, and Andrew Lloyd Webber. He also noted how overwhelming sound waves combined with "a rich, driving, yet finely differentiated beat" often washed over the auditorium and concluded that the work was such an unusual combination of elements that it constituted a new and unique musical art form. Gormenghast (opera) Gormenghast is an opera in three acts composed by Irmin Schmidt to an English-language