Adoration of the Magi (Fra Angelico and Filippo Lippi) complexes of Rome, and possibly some awareness of this similarity led Lippi to represent his nude figures on the ruins as bathers, who might be imagined coming out from a still-functional bathing part of the complex to see what all the noise was about. Adoration of the Magi (Fra Angelico and Filippo Lippi) The Adoration of the Magi is a tondo, or circular painting, of the "Adoration of the Magi" assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National
Adoration of the Magi (Bosch, New York) in the underdrawing. <BR> Adoration of the Magi (Bosch, New York) The Adoration of the Magi is an oil painting on wood panel by Netherlandish artist Hieronymus Bosch, executed around 1475. It is housed in the Metropolitan Museum, New York, US. A prominent feature of this painting is the strong perspective effect and also the copious use of gold leaf which is not very typical for Bosch. The pigments employed are red lake, azurite, lead-tin-yellow and ochres. The precise authorship of this panel is and has been disputed, but in 2016 the Bosch Research and Conservation Project attributed it to