Sir John Oldcastle rivals of Shakespeare's company. Curiously, this effort to redeem the Oldcastle name was at best only partially successful; allusions to the Falstaff character under the name of Oldcastle continued to appear in succeeding years — in Nathan Field's play "Amends for Ladies" (1618) and in the anonymous pamphlets "The Meeting of Gallants at an Ordinary" (1604) and "The Wandering Jew" (c. 1628), among other works. "Sir John Oldcastle" treats its subject matter in ways acceptable to the values and biases of its audience, and the interests of Elzabethan officialdom (inevitably; if it did anything else it would never have escaped
Shakespeare for My Father not speaking, her face can seem to hold an impossible number of emotions simultaneously, yet such fullness of feeling is mysteriously unreadable. At such moments you glance up to Sir Michael's picture, which dominates the stage, and find the same." "Variety" described Redgrave's performance as "brilliant and extremely moving" and said, "At the end, Lynn gestures to that photograph, sharing her well-deserved applause with the man who could never acknowledge her talent. It’s a simple gesture that contains layers of emotional complexity and as such, an appropriate way to end this brutally honest but forgiveness-filled show." Shakespeare for My Father