Guðmundr of the sheaf in Norwegian Yule celebrations. According to "Hervarar saga ok Heiðreks", the Norwegians came to see Guðmundr as a god; Höfler argued that in both the wolf-form suggested by "Úlfhéðinn" and the horse-form suggested by "faxi", Guðmundr was a death-demon and his death-horse the prototype of the death-horse Sleipnir portrayed on the Gotland picture stones. Ingemar Nordgren regards the first Guðmundr as "a cult-god" and his son, the Guðmundr of the sagas, as portraying him in theriomorphic form, and suggests that he is either an earlier fertility god who came to be identified with Óðinn and that Glæsisvellir
Eight-legged essay pluralistic ideology characteristic of the Tang Dynasty to a neo-Confucian ideology based on Cheng Yi and Zhu Xi's philosophy. The eight-legged essay came into existence under this background, coinciding with the shift in ideology and embodying the new orthodoxy. The essay format didn't become prevalent as a standard essay in the civil service examination until early Ming dynasty (1368-1644), when the composition of the essay was clearly specified. In the seventeenth century, Gu Yanwu stated that this form of essay-writing became standardized precisely during the 15th century, when the eight parts of the essay were determined. The term "eight-legged essay"