Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in
Wheat Fields (Van Gogh series) form a contrast with the scorched ears, which are already heavy, and have the warm tones of a bread crust." In October Van Gogh made "Enclosed Wheat Field with Ploughman." "Wheat Fields in a Mountainous Landscape," also titled "Meadow in the Mountains" was painted in Late November - early December 1889. In November, "Wheat Field Behind Saint-Paul" was painted by Van Gogh, now owned by Virginia Museum of Fine Arts. In May 1890, Van Gogh traveled from Saint-Rémy to Paris, where he had a three-day stay with his brother, Theo, Theo's wife Johanna and their new baby Vincent. Van Gogh