The Phantom of the Opera newspaper articles and interviews relating to the Paris Opera House, and the character Erik (the phantom) who fills the roles of the "mad genius", disfigured monster, and one of three in a love triangle all at once. Fitzpatrick argues that all of these elements make the book good for light reading. Myers agrees that the novel makes for a good "airplane read", but says that it fails in terms of being a good mystery novel. She claims that one of the book's downfalls is that one of the important characters - the mysterious Persian - is introduced too late in
The Phantom of the Opera (1986 musical) financially successful entertainment event until "The Lion King" surpassed it in 2014. By 2011, it had been seen by over 130 million people in 145 cities across 27 countries, and continues to play in London and New York. In 1984, Lloyd Webber contacted Cameron Mackintosh, the co-producer of "Cats" and "Song and Dance", to propose a new musical. He was aiming for a romantic piece, and suggested Gaston Leroux's book "The Phantom of the Opera" as a basis. They screened both the 1925 Lon Chaney and the 1943 Claude Rains motion picture versions, but neither saw any effective way to