International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Generation of the '30s modernization of literature. To maintain its cultural cohesion and continuity, Greekness was embedded in folk tradition. For example, the center of the Generation of the ‘30s’ artistic canon was placed on the Karagiozis players of the shadow theatre. These shadow puppets performed scenes that addressed issues of identity and Greekness. They also performed the songs of “Rebetiko” (Greek: ρεμπέτικο) and the Greek blues which focused on popular and marginal groups. They dealt with “the life of urban subculture whose values and customs were outside the mainstream of Greek societies.” Rebetiko specifically talked about the archetypal experiences of urbanism, which was