International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
American Union of Decorative Artists and Craftsmen information for many of its members and described the mission of the American Union of Decorative Artists and Craftsmen thus: Founded by Paul T. Frankl in 1928. Members included: American Union of Decorative Artists and Craftsmen The American Union of Decorative Artists and Craftsmen (AUDAC) was an American society of designers and decorative artists that was active from 1928 until the early 1930s. The group aimed to bring modern principles of design, such as those promoted in Europe by the Wiener Werkstätte and the Bauhaus, to decorative arts in the United States. The modernist furniture designer Paul T. Frankl immigrated