International Exhibition of Modern Decorative and Industrial Arts of the most modernist, was the tower of the Tourism Pavilion by Robert Mallet-Stevens. The tower's sleek lines and lack of ornament were an announcement of the international style that would replace Art Deco. In 1929 Mallet-Stevens led the creation of The French Union of Modern Artists which rebelled against the luxurious decorative styles shown at the Exposition, and, along with Le Corbusier, demanded architecture without ornament, built with inexpensive and mass-produced materials. Just inside the main entrance of the Exposition on the Place de la Concorde was the main promenade of the Exposition, with the pavilions of the major
Stick style of blank wall, radiating spindle details at the gable peaks. Highly stylized and decorative versions of the Stick style are often referred to as Eastlake. Stick-Eastlake is a style term that uses details from the Eastlake Movement, started by Charles Eastlake, of decorative arts on Stick-style buildings. It is sometimes referred to as Victorian Stick, a variation of Stick and Eastlake styles. Stick-Eastlake enjoyed modest popularity in the late 19th century, but there are relatively few surviving examples of the style when compared to other more popular styles of Victorian architecture. Stick style The Stick style was a late-19th-century American