The Phantom of the Opera The Phantom of the Opera The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French writer Gaston Leroux. It was first published as a serialization in "Le Gaulois" from 23 September 1909, to 8 January 1910. It was published in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of "Der Freischütz". It has been successfully adapted into various
The Phantom of the Opera (1986 musical) opening. The New York Times' Frank Rich writes: "It may be possible to have a terrible time at "The Phantom of the Opera," but you'll have to work at it. Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower the audience with fantasy and fun, and which often succeeds, at any price." Howard Kissel from New York Daily News commended the production, calling it "a spectacular entertainment, visually the most impressive of the British musicals", and praised Lloyd Webber's score despite its "synthetic, borrowed