Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
Rokeby (poem) picturesque tour of Britain's stately homes. Lockhart, writing after Scott's death, admired the scenery of "Rokeby", and found many thrilling episodes and lines scattered through the poem; he attributed its disappointing sales to the inevitable comparisons drawn by the public with "Childe Harold"’s greater raciness and romantic glamour. In the 20th century John Buchan thought the plot too intricate for a poem. Comparing "Rokeby" with Scott's earlier works he found the landscape not as beguiling, but the character-drawing more subtle, and the songs superior to all of his former lyrics. Andrew Lang also admired the songs, but considered the poem