Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
Venus Consoling Love it was Madame de Pompadour who allegedly posed for the painting. Artists liked to work for her not only for the prestige of working for the aristocracy, but also because she paid her bills regularly. It has even been suggested that Boucher's young wife was the young woman posing for the figure of Venus, but it is more a soft and appealing essence of feminine beauty, that appears in front of us in the figure of the Venus painted by the French artist Boucher. Citations Bibliography Venus Consoling Love Venus Consoling Love is a painting by François Boucher, from 1751.