The Phantom of the Opera (1986 musical) place long ago), "a chandelier in pieces", alluding to a connection with "the Phantom of the Opera". As the porters remove the drop cloth covering the fixture, it flickers to life and ascends to the ceiling as the auditorium's former grandeur is restored ("Overture"). It is now 1881 and the cast of a new production, "Hannibal", are rehearsing onstage when they learn that new owners, Firmin and André, are taking over the Paris Opéra House ("Hannibal Rehearsal"). Carlotta, the Opéra's resident soprano prima donna, begins to perform an aria for the new managers when a backdrop inexplicably falls from the
Erik (The Phantom of the Opera) In the 2004 film adaptation of the musical, Erik's makeup was made to look much less gruesome than previous adaptations of the story. Instead of a skull-like face, his disfigurement resembles that of a mildly malformed face, which he covers with the mask. Film critic Roger Ebert noted that Butler was more "conventionally handsome" than his predecessors "in a GQ kind of way". Onscreen, Erik has often been cast as a tragic hero but also a tragic villain, depending on the film's point of view. "See main list: The Phantom of the Opera" Erik (The Phantom of the Opera) Erik