Political interpretations of The Wonderful Wizard of Oz Political interpretations of The Wonderful Wizard of Oz Political interpretations of "The Wonderful Wizard of Oz" include treatments of the modern fairy tale (written by L. Frank Baum and first published in 1900) as an allegory or metaphor for the political, economic, and social events of America in the 1890s. Scholars have examined four quite different versions of Oz: the novel of 1900, the Broadway play of 1901, the Hollywood film of 1939, and the numerous follow-up Oz novels written after 1900 by Baum and others. The political interpretations focus on the first three, and emphasize the close relationship between
The Wonderful Wizard of Oz and the other characters. The distinctive look led to imitators at the time, most notably Eva Katherine Gibson's "Zauberlinda, the Wise Witch", which mimicked both the typography and the illustration design of "Oz". The typeface was the newly designed Monotype Old Style. Denslow's illustrations were so well known that merchants of many products obtained permission to use them to promote their wares. The forms of the Scarecrow, the Tin Woodman, the Cowardly Lion, the Wizard, and Dorothy were made into rubber and metal sculptures. Costume jewelry, mechanical toys, and soap were also designed using their figures. A new edition of