The Phantom of the Opera newspaper articles and interviews relating to the Paris Opera House, and the character Erik (the phantom) who fills the roles of the "mad genius", disfigured monster, and one of three in a love triangle all at once. Fitzpatrick argues that all of these elements make the book good for light reading. Myers agrees that the novel makes for a good "airplane read", but says that it fails in terms of being a good mystery novel. She claims that one of the book's downfalls is that one of the important characters - the mysterious Persian - is introduced too late in
Phantom of the Opera (1976 musical) developing a grand scale version of his Phantom in the West End, and offered to produce it. In fact, Hill and Lloyd Webber had worked together earlier on a revival of "Joseph and the Amazing Technicolor Dreamcoat" at the Winchester Theatre. Lloyd Webber and his producer, Cameron Mackintosh, had been highly enthusiastic when they broached Hill about his Phantom of the Opera. But in the end, Lloyd Webber chose to pursue the musical without Hill. "Phantom of the Opera" then emerged on the other side of the Atlantic in 1987 for its American premiere in St. Louis at the Repertory