Rokeby Venus painted by many later artists. Manet, in his stark female portrayal "Olympia", paraphrased the "Rokeby Venus" in pose and by suggesting the persona of a real woman rather than an ethereal goddess. "Olympia" shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velázquez's Venus, only through the reflection of the mirror. The 1961 film "The Happy Thieves" features a plan to steal the picture from a Spanish mansion. On 10 March 1914, the suffragette Mary Richardson walked into the National Gallery and attacked Velázquez's canvas with a meat
Sleeping Venus (Giorgione) a sitting figure of Cupid beside Venus's feet, which was over-painted in the 19th century. In the course of painting, the landscape has also been changed at both sides, as has the colouring of the drapery, and the head of Venus was originally seen in profile, making it very similar to Titian's later "Pardo Venus". According to the usual account, the painting was unfinished at the time of Giorgione's death. The landscape and sky were later finished by Titian, who in 1534 painted the similar "Venus of Urbino", and several other reclining female nudes, such as his much repeated "Venus