Sackbut used as a clash until the Renaissance, when it became consonant in compositions, which went hand-in-hand with the widespread use of meantone temperament. During the 17th century, Well temperament began to become more and more popular as the range of keys increased. Temperament affects the colour of a composition, and therefore modern performances, typically employing equal temperament, may not be true representations of the composers' intentions. These old tunings are the result of the natural harmonic series of a brass instrument such as the sackbut. As the bell is smaller than a modern trombone, the harmonic series is closer to
The Sackbut The Sackbut The Sackbut was a British music journal published from 1920 to 1934 by the Curwen Press. It published general articles on mainly contemporary, both British and foreign, music as well as reports on performances and records. It was founded by the composer critics Cecil Gray and Philip Heseltine (aka Peter Warlock). The singer and composer Ursula Greville was an editor from July 1921 to 1934. The journal's editions ran from May 1920 (Vol. 1, no. 1) to February 1934 (Vol. 14, no. 7) and was published roughly speaking as a monthly, with exceptions in the first two years