Classical guitar making which gives these instruments (lutes, early romantic guitars) a type of "inner" vulnerability, lacking in the modern guitars. (In fact there are people who claim that a performer's interpretational style is psychologically related to the instrument's aesthetic; and that this can even be observed in contemporary recordings, e.g., Bach's lute works as performed on lute(with convincing expressive phrasing), versus the markedly different interpretations of these works on the modern classical guitar. Alternately, the Spanish repertoire such as Moreno Torroba, would be completely unfitting, for a lute or early-guitar sound aesthetic.) Even amongst parlor guitar players, there are some that consider
Brahms guitar Brahms guitar Commonly referred to as the cello-guitar, the Brahms guitar was invented in 1994 by classical guitarist Paul Galbraith in collaboration with the luthier David Rubio. It was originally conceived in order to perform Johannes Brahms' Theme and Variations Opus 21a. David Rubio's protégé, luthier Martin Woodhouse, has innovated the design and continues to build Brahms guitars. The instrument is an eight-string guitar, adding both a high and a low string to the conventional six string guitar. The tuning adds a low A (a fifth below the standard low E, and a high A (a fourth above the standard