Classical guitar making classical guitar today is the Spanish guitar: usually fan-braced and strong in fundamental. While fan-braced Spanish (Torres, post-Torres style) instruments coexisted with traditional central European ladder-braced (19th-century style) guitars at the beginning of the 20th century, the central European guitars eventually fell away. Some attribute this to the popularity of Segovia, considering him "the catalyst for change toward the Spanish design and the so-called 'modern' school in the 1920s and beyond". The styles of music performed on ladder-braced guitars, were becoming more and more unfashionable; and e.g. in Germany musicians were in part turning towards folk-style music (Schrammel-music and the
Classical guitar There is a historical parallel between musical styles (baroque, classical, romantic, flamenco, jazz) and the style of "sound aesthetic" of the musical instruments used, for example: Robert de Visée played a baroque guitar with a very different sound aesthetic from the guitars used by Mauro Giuliani and Luigi Legnani – they used 19th century guitars. These guitars in turn sound different from the Torres models used by Segovia that are suited for interpretations of romantic-modern works such as Moreno Torroba. When considering the guitar from a historical perspective, the musical instrument used is as important as the musical language and