Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
The Five Senses (pair of paintings) Allegorical paintings representing the five senses as female nudes had become fashionable in the previous century, but Brueghel introduced the illustration of the theme by means of assemblages of works of art, musical instruments, scientific instruments and military equipment, accompanied by flowers, game and fish, which was widely adopted by Flemish artists. The two paintings were commissioned by the City of Antwerp to be presented to the archducal couple, and were executed by "twelve of the best masters of [the] city". They were paid for in October 1618. In 1619 they were in the audience chamber at Tervuren Castle. In