Modern classical guitar (1887–1959) Modern classical guitar The modern classical guitar (also known as the Spanish guitar), the immediate forerunner of today's guitars, was developed in the 19th century by Antonio de Torres Jurado, Ignacio Fleta, Hermann Hauser Sr., Robert Bouchet The fingerstyle is used fervently on the modern classical guitar. The thumb traditionally plucks the bass or root note whereas the fingers ring the melody and its accompanying parts. Francisco Tárrega, Emilio Pujol, Andrés Segovia In the 20th century, many non-guitarist composers wrote for the instrument, which previously only players of the instrument had done. Francisco Tárrega (1852–1909), Roberto Gerhard (1896–1970), Heitor
Classical guitar style of the particular period. As an example: It is impossible to play a historically informed de Visee or Corbetta (baroque guitarist-composers) on a modern classical guitar. The reason is that the baroque guitar used courses, which are two strings close together (in unison), that are plucked together. This gives baroque guitars an unmistakable sound characteristic and tonal texture that is an integral part of an interpretation. Additionally the sound aesthetic of the baroque guitar (with its strong overtone presence) is very different from modern classical type guitars, as is shown below. Today's use of Torres and post-Torres type guitars