Classical guitar in Cuba Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. . Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos
Classical guitar string guitar, on the other hand, usually has fourteen frets clear of the body (see Dreadnought) and is commonly played off the hip. The phrase "classical guitar" may refer to either of two concepts other than the instrument itself: The term "modern classical guitar" is sometimes used to distinguish the classical guitar from older forms of guitar, which are in their broadest sense also called "classical", or more specifically, "early guitars". Examples of early guitars include the six-string early romantic guitar (c. 1790–1880), and the earlier baroque guitars with five courses. The materials and the methods of classical guitar construction