Guernica (Picasso) in political commitment and faulted it for not offering a vision of a better future. In contrast, Morgado's painting was a great success with Spanish Communists and with the public. The art critic Clement Greenberg was also critical of "Guernica", but for different reasons. In a later essay, Greenberg termed "Guernica" "jerky" and "too compressed for its size", and compared it unfavorably to the "magnificently lyrical" "The Charnel House" (1944–48), a later antiwar painting by Picasso. Among the painting's admirers were the art critic Jean Cassou and the poet José Bergamín, both of whom praised the painting as quintessentially Spanish.
Political Party of Radicals Barend Biesheuvel and CHU, Jur Mellema made a public appearance, stating that the three parties wanted to work together more closely. This cooperation would eventually lead to the formation of the Christian Democratic Appeal (CDA) in 1974. With this appearance the hopes of the Christian Radicals within the KVP that a progressive alliance with the Labour Party would be formed, were shattered. On 27 April 1968 part of the group of Catholic radicals left the KVP and formed the Political Party of Radicals (PRP). Prominent radicals, like Lubbers and Cals, did not join the party. A group of radical KVP