Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Daphnis growth of vegetation in the spring, and its sudden withering away beneath the scorching summer sun. Daphnis was also the name of a member of the group of Prophetic sisters, known as the Thriae. Longus's legend of "Daphnis and Chloe" describes two children who grow up together and gradually develop mutual love, eventually marrying after many adventures. Daphnis In Greek mythology, Daphnis (; , from , "daphne", "Bay Laurel") was a Sicilian shepherd who was said to be the inventor of pastoral poetry. According to tradition, he was the son of Hermes and a nymph, despite which Daphnis himself was