Evolution of human colour vision that are found between 450 and 625. Individuals with various forms of colour blindness such as deuteranopia and protanopia are missing human middle wavelength sensitive or long wavelength sensitive opsins. Their minimum wavelength differences are <5 but only at around 500. Protanopes, who are missing long wavelength sensitive cones, are unable to distinguish between colours in the green-yellow-red section of the electromagnetic spectrum. They find yellow, red and orange colours to have much lower brightness when compared to a trichromat. The dimming of these colours can result in confusion in many cases, such as when attempting to identify red traffic
Kino-Eye sum of the facts recorded on film." This simplicity and goal of objectivity is the foundation of Kino-Eye. Kino-Eye Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Russia by Dziga Vertov. It was also the name of the movement and group that was defined by this technique. Kino-Eye was Vertov's means of capturing what he believed to be "inaccessible to the human eye"; that is, Kino-Eye films would not attempt to imitate how the human eye saw things. Rather, by assembling film fragments and editing them together in a form of montage, Kino-Eye hoped to activate a new