Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
The Wood Nymph of the Breitkopf & Härtel JSW critical edition in 2006 and was thus not included on prior recordings. The 1888 version for voice and piano has been recorded by Anne Sophie von Otter. Erik Tawaststjerna also recorded the piano solo version together with the rest of Sibelius's piano transcriptions. The 1996 Vänskä recording also included the first recording of the melodrama, narrated by Lasse Pöysti. The Wood Nymph The Wood Nymph (Swedish title: ; subtitled '), Op. 15, is a programmatic tone poem for orchestra composed in 1894 and 1895 by the Finnish composer Jean Sibelius. The ballade, which premiered