Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
In the Realm of the Senses In the Realm of the Senses In the Realm of the Senses (, Japanese: , "Ai no korīda", "Corrida of Love") is a 1976 French-Japanese art film written and directed by Nagisa Oshima. It is a fictionalised and sexually explicit treatment of an incident from 1930s Japan, that of Sada Abe. It generated great controversy during its release; while intended for mainstream wide release, it contains scenes of unsimulated sexual activity between the actors (Tatsuya Fuji and Eiko Matsuda, among others). In 1936 Tokyo, Sada Abe (Eiko Matsuda) is a former prostitute who now works as a maid in a