Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
Word-sense disambiguation is that similar senses occur in similar contexts, and thus senses can be induced from text by clustering word occurrences using some measure of similarity of context, a task referred to as word sense induction or discrimination. Then, new occurrences of the word can be classified into the closest induced clusters/senses. Performance has been lower than for the other methods described above, but comparisons are difficult since senses induced must be mapped to a known dictionary of word senses. If a mapping to a set of dictionary senses is not desired, cluster-based evaluations (including measures of entropy and purity) can