European mouflon Harzgerode in 1906, followed by further releases in the Taunus and the Solling. In all cases, the mouflon favoured level or low-lying plains with forest cover and not, as expected, rocky, mountainous areas. Gradually they were mixed with varieties of domestic sheep, especially crossbreeding with the racka. After the European mouflon population declined during the First World War, in the German Reich alone about 2,500 were counted in 1938. After a further decline during the Second World War, the number of European mouflon worldwide in 1954 was only about 4,500. After that, numbers recovered due to careful management and grew
What is a Masterpiece? confluence of memories and emotions forming a single idea", that it has "a power of recreating traditional forms so that they become expressive of an artist's own epoch and yet keep a relationship to the past". The highest masterpieces are said to be "illustrations of great themes." Clark also implicitly excluded the erotic from considerations of what constituted a masterpiece, based on his perspective that a necessary condition is the balance between sense and form (works that are too sensual are, therefore, unbalanced and not to be categorised at masterpiece level). What is a Masterpiece? What is a Masterpiece? is