Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
Haptic memory a five-minute delay. Studies by Millar on congenitally blind and blindfolded children have revealed the importance of movement and body-centered cues in haptic memory. While these cues are important in all individuals, blind children tend to rely on them heavily. Furthermore, it is proven that our haptic cues and memory affects our visual experience and the two experiences are linked for us to comprehend our surroundings. Implicit memory can be referred to as the unconscious recollection of previously presented information. This type of memory influences one's actions and behaviors without the individual having any awareness of its availability for explicit