Classical guitar making which gives these instruments (lutes, early romantic guitars) a type of "inner" vulnerability, lacking in the modern guitars. (In fact there are people who claim that a performer's interpretational style is psychologically related to the instrument's aesthetic; and that this can even be observed in contemporary recordings, e.g., Bach's lute works as performed on lute(with convincing expressive phrasing), versus the markedly different interpretations of these works on the modern classical guitar. Alternately, the Spanish repertoire such as Moreno Torroba, would be completely unfitting, for a lute or early-guitar sound aesthetic.) Even amongst parlor guitar players, there are some that consider
Classical guitar technique thumb, allowing the left hand to shift without sticking to the guitar. By keeping the thumb behind the second finger and playing off the front of the third finger, the classical guitarist sets the left hand shape. Playing with the left hand more or less parallel to the neck requires a certain amount of stretching between the fingers. There is a tendency, especially when one first begins guitar, to collapse the first and second fingers together to press on the string. For example, in playing the F on the first string, first fret (often the second note ever fingered after