Classical guitar for repertoire of all periods is sometimes critically viewed: Torres and post-Torres style modern guitars (with their fan-bracing and design) have a thick and strong tone, very suitable for modern-era repertoire. However, they are considered to emphasize the fundamental too heavily (at the expense of overtone partials) for earlier repertoire (Classical/Romantic: Carulli, Sor, Giuliani, Mertz, ...; Baroque: de Visee, ...; etc.). "Andrés Segovia presented the Spanish guitar as a versatile model for all playing styles" to the extent, that still today, "many guitarists have tunnel-vision of the world of the guitar, coming from the modern Segovia tradition". While fan-braced modern
Classical guitar string guitar, on the other hand, usually has fourteen frets clear of the body (see Dreadnought) and is commonly played off the hip. The phrase "classical guitar" may refer to either of two concepts other than the instrument itself: The term "modern classical guitar" is sometimes used to distinguish the classical guitar from older forms of guitar, which are in their broadest sense also called "classical", or more specifically, "early guitars". Examples of early guitars include the six-string early romantic guitar (c. 1790–1880), and the earlier baroque guitars with five courses. The materials and the methods of classical guitar construction