American Beauty (1999 film) as Lester and Angela get closer, finally taking the roses—and thus Carolyn—out of the shot. Lester's epiphany at the end of the film is expressed by rain and the use of red, building to a crescendo that is a deliberate contrast to the release Lester feels. The constant use of red "lulls [the audience] subliminally" into becoming used to it; consequently, it leaves the audience unprepared when Lester is shot and his blood spatters on the wall. Pennington argues that "American Beauty" defines its characters through their sexuality. Lester's attempts to relive his youth are a direct result of his
Burnham and Root elite of Chicago's meat industry. Both of them married into wealthy families which allowed them to establish a basis for their business. "Daniel Hudson Burnham was one of the handsomest men I ever saw," said Paul Starrett who joined Burnham and Root in 1888 (later he designed the Empire State Building). "It was easy to see how he got commissions. His very bearing and looks were half the battle". While Burnham was the pragmatic designer and impressive salesperson, Root became the creative genius of the company. When Burnham and Root were together, one woman said "I used always to think