Guernica (Picasso) in political commitment and faulted it for not offering a vision of a better future. In contrast, Morgado's painting was a great success with Spanish Communists and with the public. The art critic Clement Greenberg was also critical of "Guernica", but for different reasons. In a later essay, Greenberg termed "Guernica" "jerky" and "too compressed for its size", and compared it unfavorably to the "magnificently lyrical" "The Charnel House" (1944–48), a later antiwar painting by Picasso. Among the painting's admirers were the art critic Jean Cassou and the poet José Bergamín, both of whom praised the painting as quintessentially Spanish.
Alsace-Lorraine Regional Party did however retain a degree of independence towards the all-German Centre Party. For example, their Reichtag deputies did not join the Centre Party faction "en bloc". Alsace-Lorraine Regional Party The Alsace-Lorraine Regional Party () was a Catholic political party in the Imperial Province of Alsace-Lorraine, Germany in the early 1900s. The party was founded in March 1903. It was the first Catholic political organization in Alsace-Lorraine. Léon Vonderscheer, a lawyer by profession, was the president of the party, while Hauss was the party secretary. The party was founded in reaction to the advances of the SPD in Alsace-Lorraine. However, following