Classical guitar in Cuba Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. . Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos
Classical guitar type of repertoire is usually performed by guitarists who have particularly chosen to focus on the avant-garde in their performances. Within the contemporary music scene itself, there are also works which are generally regarded as extreme. These include works such as Brian Ferneyhough's "Kurze Schatten II", Sven-David Sandström's "away from" and Rolf Riehm's "Toccata Orpheus", etc. which are notorious for their extreme difficulty. There are also a variety of databases documenting modern guitar works such as Sheer Pluck and others. The evolution of the classical guitar and its repertoire spans more than four centuries. It has a history that was