Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Nymph at the peak of sexual attractiveness, contrasting with "parthenos" () "a virgin (of any age)", and generic "kore" ( < ) "maiden, girl". The term is used by (human) women to address each other, so Iris addressing Helen, or Eurycleia addressing Penelope as "dear "nymph"" ("Il." 3.130, "Od." 4.743). Reduced to , the word remains the regular Modern Greek term for "bride". In Katharevousa, it is still , as in the refrain of the Marian hymn "Agni Parthene" (c. 1880), "hail, unwedded bride". The Doric and Aeolic (Homeric) form is . The "Iliad" (6.420) refers to "mountain nymphs, maidens of