Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
The Five Senses (pair of paintings) The Five Senses (pair of paintings) The Five Senses are a pair of oil paintings made by Jan Brueghel the Elder and others in 1617–18, at the same time as he was working with Peter Paul Rubens on a series of five paintings on the same topic. The originals were lost in a fire in 1731; faithful copies dated to c. 1620 were preserved and are in the Prado Museum in Madrid. Brueghel, like Rubens, was at this time working in Antwerp at the court of Albert VII, Archduke of Austria, and his wife Isabella, governors of the Spanish Netherlands.