Classical guitar in Cuba Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. . Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos
Classical guitar in Cuba Leo Brouwer, that may be considered the most important Cuban composer for the guitar during the 20th and the 21st century, other composers have also written original compositions, didactical music and transcriptions for the instrument. A list of composers may include:Carlos Fariñas, Jesús Ortega, Nilo Rodríguez, Flores Chaviano, Efraín Amador Piñero, Armando Rodriguez Ruidiaz, José Angel Pérez Puentes, Martín Pedreira, Julio Roloff and Yalil Guerra. Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines