The War of the Worlds (1953 film) receives high acclaim from critics: At the review aggregator website Rotten Tomatoes, the film has an 85% rating based on 27 critics; the consensus states: "Though it's dated in spots, "The War of the Worlds" retains an unnerving power, updating H. G. Wells' classic sci-fi tale to the Cold War era and featuring some of the best special effects of any 1950s film". "The War of the Worlds" was deemed culturally, historically, or aesthetically significant in 2011 by the United States Library of Congress and was selected for preservation in the National Film Registry. The Registry noted the film's release
The War of the Worlds (radio drama) sound effects chief Ora D. Nichols. Welles discussed his fake newscast idea with producer John Houseman and associate producer Paul Stewart; together, they decided to adapt a work of science fiction. They considered adapting M. P. Shiel's "The Purple Cloud" and Arthur Conan Doyle's "The Lost World" before purchasing the radio rights to "The War of the Worlds". Houseman later wrote that he suspected Welles had never read it. Howard Koch had written the first drafts for the Mercury Theatre broadcasts "Hell on Ice" (October 9), "Seventeen" (October 16), and "Around the World in 80 Days" (October 23). Monday, October