Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Thalia (nymph) Thalia (nymph) In Greek mythology, Thalia or Thaleia ( ; "Tháleia" or Θάλια "Thália", "the Joyous, the Flourishing", from θάλλειν / thállein, "to flourish, to be green") is a nymph, the child of Hephaestus. She is also given as an anthropomorphic secondary deity of plant life and shoots, possibly as the culmination of the transmission of knowledge on volcanic ash's use as a fertiliser, characteristic of ancient viticulture in volcanic soils such as those of the island of Santorini. The tradition surrounding her is confused, but she is probably confused with the Muse, Grace or Nereid of the same name.