Claude Joseph Rouget de Lisle has immortalized him, "La Marseillaise", was composed at Strasbourg, where Rouget de Lisle was garrisoned in April 1792. France had just declared war on Austria, and the mayor of Strasbourg, baron Philippe-Frédéric de Dietrich, held a dinner for the officers of the garrison, at which he lamented that France had no national anthem. Rouget de Lisle returned to his quarters and wrote the words in a fit of patriotic excitement. The piece was at first called "Chant de guerre pour l'armée du Rhin" ("War Song for the Army of the Rhine") and only received its name of "Marseillaise" from its
Through-composed beginning to end, as in the operas of Monteverdi and Wagner, as opposed to having a collection of songs interrupted by recitative pieces or spoken dialogue, as occurs in Mozart's Italian- and German-language operas, respectively. Examples of the modern trend towards through-composed works in musical theater include the works of Andrew Lloyd Webber and Claude-Michel Schönberg. In musical theater, works with no spoken dialogue, such as "Les Misérables" are usually referred to by the term "through-sung". Through-composed In music theory about musical form, through-composed music is relatively continuous, non-sectional, or non-repetitive music. A song is said to be through-composed if