Apollo and Daphne of conceit towards Cupid, so much that Cupid decides to change this permanently. As Cupid's effects start to take over Apollo, he is filled with lust for Daphne, and it grows stronger throughout the entire chase. Once Daphne is transformed, Apollo's desire becomes grief at the loss of Daphne, yet it continues on and he makes her his. This loss is shown through a heavy use of the nasal consonants, emulating a sound of moaning, with loss in this example. In "Metamorphoses," Ovid uses specific word orders to show Daphne's transformation from a woman to a tree. In the first
Nymph at the peak of sexual attractiveness, contrasting with "parthenos" () "a virgin (of any age)", and generic "kore" ( < ) "maiden, girl". The term is used by (human) women to address each other, so Iris addressing Helen, or Eurycleia addressing Penelope as "dear "nymph"" ("Il." 3.130, "Od." 4.743). Reduced to , the word remains the regular Modern Greek term for "bride". In Katharevousa, it is still , as in the refrain of the Marian hymn "Agni Parthene" (c. 1880), "hail, unwedded bride". The Doric and Aeolic (Homeric) form is . The "Iliad" (6.420) refers to "mountain nymphs, maidens of