Classical guitar making John Schneider The basis of most "modern" classical guitar designs was developed by Spanish luthier Antonio Torres Jurado in the mid-19th century. Earlier guitars were often smaller bodied (though there are exceptions: Scherzer, Guadagnini, etc.). Torres created a Spanish design, with light materials supported by fan bracing. Torres' fan bracing was influential for modern classical guitars: it consists of wooden strips glued inside the body to provide support and particular deep resonance that is saturated in fundamental. (However, a type of fan bracing was already used before, in some guitars by the Spanish builder Joseph Páges, and after him Louis
Classical guitar accessories it is potentially more comfortable for the player; and it absorbs the wear to the finish that would otherwise happen on the top, the binding, and the side. These benefits are of particular importance for ultra-thin-topped instruments, such as Smallman’s, but will subtly improve any guitar, including double-tops. The Rasgueo-Rest armrest additionally helps large and tall players avoid hunching-over the Guitar, since the Guitar's surface area is in effect, "expanded" using the arm-rest, giving the arm-height support needed for good playing posture. A capo for a classical - or a flamenco - guitar differs from that used on a steel