Classical guitar in Cuba Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. . Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos
Classical guitar and one is able to distinguish various: Both instrument and repertoire can be viewed from a combination of various perspectives: Historical (chronological period of time) Geographical Cultural While "classical guitar" is today mainly associated with the modern classical guitar design, there is an increasing interest in early guitars; and understanding the link between historical repertoire and the particular period guitar that was originally used to perform this repertoire. The musicologist and author Graham Wade writes: Nowadays it is customary to play this repertoire on reproductions of instruments authentically modelled on concepts of musicological research with appropriate adjustments to techniques and