Château d'Écouen museum displays works of some of the most celebrated goldsmiths and silversmiths of the Renaissance. One notable example is the statuette of [[Daphne]] by [[Wenzel Jamnitzer]], a German craftsman from [[Nuremberg]], and the goldsmith to the Holy Roman emperors. It was made between 1569 and 1576. It depicts the Greek mythological story of [[Apollo and Daphne]] from the "Metamorphoses" of [[Ovid]], which was a popular subject in the Renaissance. The nymph Daphne is transformed into a laurel tree by her father, to protect her from the pursuit of [[Apollo]]. The statuette is made of gilded silver, with branches made of
The Wood Nymph to be "really a tone painter and poet" in the mold of the symphonic poems of Liszt. In "The Wood Nymph", Sibelius adheres closely to the narrative structure of Rydberg's poem, so much so that at the 1895 premiere, audience members were provided with copies of the source material, indicating the centrality of Rydberg's plot to the performance. Due to its programmatic qualities, musicologists commonly describe "The Wood Nymph", although in one movement, as consisting of four informal sections or "dramatic "tableaux"", each of which corresponds to one of the poem's four stanzas: Björn, "a tall and handsome lad", is