Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
The Wood Nymph have failed to prepare "The Wood Nymph" for publication is a question that has perplexed scholars. On the advice of Ferruccio Busoni, Sibelius in 1895 offered "The Wood Nymph" to the Russian music publisher Mitrofan Belyayev but it was not published. Murtomäki has suggested that Sibelius, despite having been fond of "The Wood Nymph", was "unsure about the true value" of his output from the 1890s, an ambivalence that is perhaps best illustrated by the piecemeal publication history of, and multiple revisions to, the four "Lemminkäinen" legends (appearing in the composer's 1911 diary under a list of works to be