Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
Haptic memory opposed to verbal or semantic aspects. Haptic abilities develop in stages in infants: The last two decades have allowed researchers to study the sensory system of infants which gives an insight to the initial stages of thinking, deciding and reasoning in a human brain. Evidence of haptic memory was discovered in infants as young as two months by Myriam Lhote and Arlette Streti, who demonstrated that haptic habituation occurs asymmetrically between the hands of infants, and that differences in haptic memory exist between sexes. For instance, in 2-month-old infants, haptic habituation was found in both the right and the left