Daphne At this moment Apollo's attention becomes engaged, and he begins his own pursuit. Daphne, fleeing to escape Apollo's advances, prays to Zeus to help. Zeus turns her into laurel tree. Parthenius' modern editor remarks on the rather awkward transition, linking two narratives. "Why should she wish to escape? Because she is Artemis Daphnaia, the god's sister," observed the Freudian anthropologist Géza Róheim, and Joseph Fontenrose concurs; boldly stating such a one-to-one identity doubtless oversimplifies the picture: "the equation of Artemis and Daphne in the transformation myth itself clearly cannot work". The laurel became sacred to Apollo, and crowned the victors
Nymph at the peak of sexual attractiveness, contrasting with "parthenos" () "a virgin (of any age)", and generic "kore" ( < ) "maiden, girl". The term is used by (human) women to address each other, so Iris addressing Helen, or Eurycleia addressing Penelope as "dear "nymph"" ("Il." 3.130, "Od." 4.743). Reduced to , the word remains the regular Modern Greek term for "bride". In Katharevousa, it is still , as in the refrain of the Marian hymn "Agni Parthene" (c. 1880), "hail, unwedded bride". The Doric and Aeolic (Homeric) form is . The "Iliad" (6.420) refers to "mountain nymphs, maidens of