A Raisin in the Sun the Sun" was the first play written by a black woman to be produced on Broadway, as well as the first with a black director, Mr. Richards. Hansberry noted that her play introduced details of black life to the overwhelmingly white Broadway audiences, while director Richards observed that it was the first play to which large numbers of black people were drawn. Frank Rich, writing in "The New York Times" in 1983, stated that "A Raisin in the Sun" "changed American theater forever." In 2016, Claire Brennan wrote in "The Guardian" that "The power and craft of the writing make
The Sun in a Net hint of fashionable existentialism in the dialogues, and attempts at cinéma-vérité amplified in the beer-drinking scenes in a tavern by the employment of a background soundtrack with taped unscripted conversations of real villagers. That also motivated Uher's choice of unconversant actors or non-actors. Some of the film's traits inspired students at the FAMU, who soon followed with a series of films known as the Czechoslovak/Czech New Wave. The Sun in a Net The Sun in a Net ("Slnko v sieti", also translated as "Sunshine in a net" or "Catching the sun in a net") is a 1963 film that became