Haptic technology and expressiveness of the bow (haptic device) held by the artist. This can be done with physical modeling synthesis. Designers and modellers may use high-degree-of-freedom input devices that give touch feedback relating to the "surface" they are sculpting or creating, allowing faster and more natural workflow than traditional methods. Artists working with haptic technology such as vibrotactile effectors are Christa Sommerer, Laurent Mignonneau, and Stahl Stenslie. Digital drawing or handwriting tasks can be enhanced and produce better outputs with a more realistic feedback which is designed to enable artists or writers to feel as if they are drawing or writing
In the Realm of the Senses inside her for several days. Words written with blood can be read on his chest: "Sada Kichi the two of us forever". The film was released under "In the Realm of the Senses" in the U.S. and the U.K., and under "L'Empire des sens" (Empire of the Senses) in France. The French title was taken from Roland Barthes's book about Japan, "L'Empire des signes" ("Empire of Signs", 1970). Strict censorship laws in Japan would not have allowed the film to be made according to Oshima's vision. This obstruction was bypassed by officially listing the production as a French enterprise, and