Flying machine (The War of the Worlds) far been depicted once on screen in Pendragon Pictures "H.G. Wells' The War of the Worlds", where it makes an appearance after the battle with , which is later recounted from the perspective of the artilleryman. However, it appeared briefly in the live adaptation of "Jeff Wayne's Musical Version of The War of the Worlds", though the album itself does not make any reference to the flying machine. Many more of them appeared in the "New Generation" version of the stage show. Viewed edge on, the roughly boomerang-shaped war machines of George Pal's 1953 film, which bear no resemblance to
The War of the Worlds (radio drama) sound effects chief Ora D. Nichols. Welles discussed his fake newscast idea with producer John Houseman and associate producer Paul Stewart; together, they decided to adapt a work of science fiction. They considered adapting M. P. Shiel's "The Purple Cloud" and Arthur Conan Doyle's "The Lost World" before purchasing the radio rights to "The War of the Worlds". Houseman later wrote that he suspected Welles had never read it. Howard Koch had written the first drafts for the Mercury Theatre broadcasts "Hell on Ice" (October 9), "Seventeen" (October 16), and "Around the World in 80 Days" (October 23). Monday, October