Flying machine (The War of the Worlds) far been depicted once on screen in Pendragon Pictures "H.G. Wells' The War of the Worlds", where it makes an appearance after the battle with , which is later recounted from the perspective of the artilleryman. However, it appeared briefly in the live adaptation of "Jeff Wayne's Musical Version of The War of the Worlds", though the album itself does not make any reference to the flying machine. Many more of them appeared in the "New Generation" version of the stage show. Viewed edge on, the roughly boomerang-shaped war machines of George Pal's 1953 film, which bear no resemblance to
The War of the Worlds (1953 film) machines have a quality of real terror, their sinister apparitions, prowlings and pulverisings are spectacularly well done, and the scenes of panic and destruction are staged with real flair". Richard L. Coe of "The Washington Post" called it "to put it gently, terrific," and "for my money, the 'King Kong' of its day". "The War of the Worlds" won an Academy Award for Special Effects (it was the sole nominee that year). Everett Douglas was nominated for Film Editing, while the Paramount Studio Sound Department and Loren L. Ryder were nominated for Sound, Recording. "The War of the Worlds" still