A Raisin in the Sun is African-American, "A Raisin in the Sun" was considered a risky investment, and it took over a year for producer Philip Rose to raise enough money to launch it. There was disagreement with how it should be played, with focus on the mother or focus on the son. When the play hit New York, Poitier played it with the focus on the son and found not only his calling but also an audience enthralled. After touring to positive reviews, the play premiered on Broadway at the Ethel Barrymore Theatre on March 11, 1959. It transferred to the Belasco Theatre on
The Sun in a Net the realism and novelty of its urban setting, and the hints at some social and political taboos were not lost on the audience, and cannot have been lost on the censors. "The Sun in a Net" pushed the envelope and showed artists, and the audience at large, what the authorities could now be pressed to permit. Besides Štefan Uher’s effort to get past the strict requirements of Socialist Realism, the director was inspired by some of the trends current in (Western) European cinema and culture in the 1950s. Among them were traces of Italian neorealism, the film's low-key style, a