A Raisin in the Sun is African-American, "A Raisin in the Sun" was considered a risky investment, and it took over a year for producer Philip Rose to raise enough money to launch it. There was disagreement with how it should be played, with focus on the mother or focus on the son. When the play hit New York, Poitier played it with the focus on the son and found not only his calling but also an audience enthralled. After touring to positive reviews, the play premiered on Broadway at the Ethel Barrymore Theatre on March 11, 1959. It transferred to the Belasco Theatre on
The Sun in a Net hint of fashionable existentialism in the dialogues, and attempts at cinéma-vérité amplified in the beer-drinking scenes in a tavern by the employment of a background soundtrack with taped unscripted conversations of real villagers. That also motivated Uher's choice of unconversant actors or non-actors. Some of the film's traits inspired students at the FAMU, who soon followed with a series of films known as the Czechoslovak/Czech New Wave. The Sun in a Net The Sun in a Net ("Slnko v sieti", also translated as "Sunshine in a net" or "Catching the sun in a net") is a 1963 film that became