Egyptian nationalism 1924, the Prime Minister Saad Zaghloul formally opened to Tutakhuam's tomb to the Egyptian public in an elaborate ceremony held at night with the sky lit up by floodlights, which reportedly attracted the largest crowd seen in Luxor. The reopening turned into an anti-British demonstration when the British High Commissioner, Field Marshal Allenby, arrived when the crowd demanding immediate British withdrawal from Egypt. The dispute over who owned King Tutankhamun's treasures took place against the backdrop of a movement in the Egyptian intelligentsia known as Pharaonism which extolled ancient Egypt as a national symbol and portrayed Egypt as a Mediterranean
The Boy Who Was a King term. The film presents not only the life of the former Tsar, but also intertwines within the story vignettes of various Bulgarians, who were supporting him, sending him gifts, or merely tattooing his face on their body. The story is told through personal footage and vast amounts of archive material. The film received praise for its editing and use of archives with Variety's Robert Koehler writing that "Pic’s terrific use of archival footage includes an exiled Simeon interviewed in the early ’60s, disputing his playboy rep." and "Editing is aces." The Boy Who Was a King The Boy Who Was