Château d'Écouen museum displays works of some of the most celebrated goldsmiths and silversmiths of the Renaissance. One notable example is the statuette of [[Daphne]] by [[Wenzel Jamnitzer]], a German craftsman from [[Nuremberg]], and the goldsmith to the Holy Roman emperors. It was made between 1569 and 1576. It depicts the Greek mythological story of [[Apollo and Daphne]] from the "Metamorphoses" of [[Ovid]], which was a popular subject in the Renaissance. The nymph Daphne is transformed into a laurel tree by her father, to protect her from the pursuit of [[Apollo]]. The statuette is made of gilded silver, with branches made of
The Wood Nymph the "erotic harmonic vocabulary" of "Tristan und Isolde" in the third section and the "motive of the forbidden question" from "Lohengrin" in the funereal march from the finale. In light of Sibelius's "Nietzschean response" to Wagner's operas (initially enamored, Sibelius by July 1894 had repudiated Wagner's ideas as "calculated" and "manufactured"), such observations are of particular interest in that they illustrate the extent to which Sibelius, at the time of "The Wood Nymph", had not yet succeeded in breaking with the German master. A few musicologists have speculated that "The Wood Nymph" is potentially autobiographical. Murtomäki, most notably, has argued