Sackbut as ballet "Don Juan" (1761). Some chamber music in this period includes trombone in an obligato role with voice, and also as a concerto instrument with string orchestra. Composers include the likes of Leopold Mozart, Georg Christoph Wagenseil, Johann Albrechtsberger, Michael Haydn and Johann Ernst Eberlin. For works for trombone post-1800, please see trombone. Many groups specializing in period music make frequent and prominent use of the sackbut. External links: Plenty of recordings of the authentic sackbut are now available from the groups such as Concerto Palatino, HMSC, Gabrieli Consort and the Toulouse Sacqueboutiers. For a closer examination of the
The Sackbut and last few years. Noted contributors included Harry Farjeon, William G. Whittaker, Aylmer Maude, Rutland Boughton, Upton Sinclair and Owen Rutter. The Sackbut The Sackbut was a British music journal published from 1920 to 1934 by the Curwen Press. It published general articles on mainly contemporary, both British and foreign, music as well as reports on performances and records. It was founded by the composer critics Cecil Gray and Philip Heseltine (aka Peter Warlock). The singer and composer Ursula Greville was an editor from July 1921 to 1934. The journal's editions ran from May 1920 (Vol. 1, no. 1) to