Apollo and Daphne the forest. Due to her identity as an “aemula Phoebes” (female rival or emulator of Artemis), she had dedicated herself to perpetual virginity. Her father, the river god Peneus, demanded that she get married and give him grandchildren. She, however, begged her father to let her remain unmarried; he eventually complied. Apollo continually followed her, begging her to stay, but the nymph continued to reject him. They were evenly matched in the race until Eros intervened, helping Apollo catch up to Daphne. Seeing that Apollo was bound to reach her, she called upon her father, "Help me, Peneus! Open the
Nullarbor Nymph was created by a passing publicist who happened to be in the Eucla Hotel and had contacts within the media. In 1992 artist Dora Dallwitz started her research on the Nullarbor Nymph Hoax which culminated in a dissertation on the subject and several exhibitions. Nullarbor Nymph sculptures were shown in 1994 at an exhibition held for students graduating from their master's degree in Sculpture, and in 2000 and 2004 at Topfloor Gallery in Adelaide. Her main sculpture - 'After the Nullarbor Nymph,' which was cast into bronze, was exhibited in front of the SA Museum for three months, was selected