Classical guitar making which gives these instruments (lutes, early romantic guitars) a type of "inner" vulnerability, lacking in the modern guitars. (In fact there are people who claim that a performer's interpretational style is psychologically related to the instrument's aesthetic; and that this can even be observed in contemporary recordings, e.g., Bach's lute works as performed on lute(with convincing expressive phrasing), versus the markedly different interpretations of these works on the modern classical guitar. Alternately, the Spanish repertoire such as Moreno Torroba, would be completely unfitting, for a lute or early-guitar sound aesthetic.) Even amongst parlor guitar players, there are some that consider
Classical guitar in Cuba Leo Brouwer, that may be considered the most important Cuban composer for the guitar during the 20th and the 21st century, other composers have also written original compositions, didactical music and transcriptions for the instrument. A list of composers may include:Carlos Fariñas, Jesús Ortega, Nilo Rodríguez, Flores Chaviano, Efraín Amador Piñero, Armando Rodriguez Ruidiaz, José Angel Pérez Puentes, Martín Pedreira, Julio Roloff and Yalil Guerra. Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines