Modern classical guitar (1887–1959) Modern classical guitar The modern classical guitar (also known as the Spanish guitar), the immediate forerunner of today's guitars, was developed in the 19th century by Antonio de Torres Jurado, Ignacio Fleta, Hermann Hauser Sr., Robert Bouchet The fingerstyle is used fervently on the modern classical guitar. The thumb traditionally plucks the bass or root note whereas the fingers ring the melody and its accompanying parts. Francisco Tárrega, Emilio Pujol, Andrés Segovia In the 20th century, many non-guitarist composers wrote for the instrument, which previously only players of the instrument had done. Francisco Tárrega (1852–1909), Roberto Gerhard (1896–1970), Heitor
Classical guitar body of a classical guitar is a resonating chamber that projects the vibrations of the body through a "sound hole", allowing the acoustic guitar to be heard without amplification. The sound hole is normally a single round hole in the top of the guitar (under the strings), though some have different placement, shapes, or numbers of holes. How much air an instrument can move determines its maximum volume. The top, back and sides of a classical guitar body are very thin, so a flexible piece of wood called "kerfing" (because it is often scored, or "kerfed" so it bends with