Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
The Fire (Senses Fail album) review, stating that the album "starts with a small spark that quickly builds itself into an emotional blaze that burns steadily across all 11 tracks, taking the listener on an exceptional musical ride" and that it "shifts gears from good cop to bad cop effortlessly". "Alter the Press!" was more negative, saying "Whilst Senses Fail have proved to be consistent, 'The Fire' just about falls into being labelled as being 'safe,'" with a rating of three out of five. Daily Dischord.com also called that album 'safe' and that "Senses Fail have yet again shown no ambition to break out of