Delilah was a Philistine are inconclusive, while the "Jewish Encyclopedia" says that Delilah was a Philistine in all probability. Dolores G. Kamrada write in "Heroines, Heroes and Deity: Three Narratives of the Biblical Heroic Tradition" that Delilah is similar to Jael, a woman mentioned in the fourth and fifth chapters of the Book of Judges who murders Sisera by driving a tent peg into his head, and frequently compared to the title character of the Book of Judith, who beheads Holofernes; all three women defeat powerful warriors. According to Susan Ackerman, Delilah differs from Jael and Judith in that she "sells
Delilah Ruth, and "bad" foreigners like Jezebel and Delilah. Contrariwise, Elizabeth Wurtzel sees Samson's relationship with Delilah as "the archetypal story of cross-cultural love between members of warring nations", akin to "Romeo and Juliet". According to the "Encyclopædia Britannica", Delilah's name has "become synonymous with a voluptuous, treacherous woman". The use of the name "Delilah" to connote deceit or betrayal can be found in works such as H. G. Wells' "The Invisible Man" (1897), the Tom Jones song "Delilah" (1968), Andrew Lloyd Webber's "The Phantom of the Opera" (1986), and Pat Conroy's "Beach Music" (1995). In "One Thousand and One Nights",