Apollo and Daphne of conceit towards Cupid, so much that Cupid decides to change this permanently. As Cupid's effects start to take over Apollo, he is filled with lust for Daphne, and it grows stronger throughout the entire chase. Once Daphne is transformed, Apollo's desire becomes grief at the loss of Daphne, yet it continues on and he makes her his. This loss is shown through a heavy use of the nasal consonants, emulating a sound of moaning, with loss in this example. In "Metamorphoses," Ovid uses specific word orders to show Daphne's transformation from a woman to a tree. In the first
Nullarbor Nymph was created by a passing publicist who happened to be in the Eucla Hotel and had contacts within the media. In 1992 artist Dora Dallwitz started her research on the Nullarbor Nymph Hoax which culminated in a dissertation on the subject and several exhibitions. Nullarbor Nymph sculptures were shown in 1994 at an exhibition held for students graduating from their master's degree in Sculpture, and in 2000 and 2004 at Topfloor Gallery in Adelaide. Her main sculpture - 'After the Nullarbor Nymph,' which was cast into bronze, was exhibited in front of the SA Museum for three months, was selected