Daphne At this moment Apollo's attention becomes engaged, and he begins his own pursuit. Daphne, fleeing to escape Apollo's advances, prays to Zeus to help. Zeus turns her into laurel tree. Parthenius' modern editor remarks on the rather awkward transition, linking two narratives. "Why should she wish to escape? Because she is Artemis Daphnaia, the god's sister," observed the Freudian anthropologist Géza Róheim, and Joseph Fontenrose concurs; boldly stating such a one-to-one identity doubtless oversimplifies the picture: "the equation of Artemis and Daphne in the transformation myth itself clearly cannot work". The laurel became sacred to Apollo, and crowned the victors
Nullarbor Nymph was created by a passing publicist who happened to be in the Eucla Hotel and had contacts within the media. In 1992 artist Dora Dallwitz started her research on the Nullarbor Nymph Hoax which culminated in a dissertation on the subject and several exhibitions. Nullarbor Nymph sculptures were shown in 1994 at an exhibition held for students graduating from their master's degree in Sculpture, and in 2000 and 2004 at Topfloor Gallery in Adelaide. Her main sculpture - 'After the Nullarbor Nymph,' which was cast into bronze, was exhibited in front of the SA Museum for three months, was selected