A Raisin in the Sun the Sun" was the first play written by a black woman to be produced on Broadway, as well as the first with a black director, Mr. Richards. Hansberry noted that her play introduced details of black life to the overwhelmingly white Broadway audiences, while director Richards observed that it was the first play to which large numbers of black people were drawn. Frank Rich, writing in "The New York Times" in 1983, stated that "A Raisin in the Sun" "changed American theater forever." In 2016, Claire Brennan wrote in "The Guardian" that "The power and craft of the writing make
The Sun in a Net their school. Uher followed "The Sun in a Net" by two more films with the same author-screenwriter Alfonz Bednár and cameraman − Stanislav Szomolányi, later professor of cinematography at the University of Performing Arts, Bratislava: "The Organ" ("Organ," 1964), and "Three Daughters" ("Tri dcéry," 1967). The original music score in "The Sun in a Net" is by the composer Ilja Zeljenka, who also worked with Uher on "We from Study Group 9-A," and went on to work with him on six more films. Uher's and Szomolányi's "She Grazed Horses on Concrete" ("Pásla kone na betóne," 1982) has remained one of