The War of the Worlds (radio drama) soon dismissed. The FCC also received letters from the public that advised against taking reprisals. Singer Eddie Cantor urged the commission not to overreact, as "censorship would retard radio immeasurably." The FCC not only chose not to punish Welles or CBS but also barred complaints about "The War of the Worlds" from being brought up during license renewals. "Janet Jackson's 2004 'wardrobe malfunction' remains far more significant in the history of broadcast regulation than Orson Welles' trickery," wrote media historians Jefferson Pooley and Michael Socolow. H. G. Wells and Orson Welles met for the first and only time in late
The War of the Worlds and toured throughout the UK. Both versions of this stage production utilized narration, lavish projected computer graphics, and a large Martian fighting machine on stage. In the 1980s a joint American-Canadian venture produced the television series "War of the Worlds" that ran for two seasons and was a direct sequel to George Pal's 1953 feature film. Its premise was that the Martians had not died off but were instead stored in suspension by the US government and that most people had just forgotten the previous invasion; the accidental awakening of the Martians results in another war. A "Hey Arnold!" Halloween