Paul McCartney and Wings the seven-month sessions was the Linda composition "Seaside Woman", which was finally issued in 1977, credited to "Suzy and the Red Stripes". Near the end of the "Red Rose Speedway" sessions, in October 1972, Wings recorded the theme song to the James Bond film "Live and Let Die", which reunited McCartney with Beatles producer/arranger George Martin. Issued as a non-album single in mid-1973, "Live and Let Die" became a worldwide hit and has remained a highlight of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney and Wings filmed a TV special, the critically maligned "James Paul
The White Stripes and special about the band". In a 2014 interview, Jack said that Meg's lack of enthusiasm for the project contributed to the band's breakup. White told "Rolling Stone" that "she viewed me that way of 'Oh, big deal, you did it, so what?' Almost every single moment of The White Stripes was like that. We'd be working in the studio and something amazing would happen: I'm like, 'Damn, we just broke into a new world right there!' And Meg's sitting in silence." The musical and stylistic elements of The White Stripes were grounded and rooted in blues, garage rock, and