Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Ida (nymph) of Athena Alea at Tegea. Ida was one of eight nymphs on either side of the central figures of Rhea and the nymph Oenoe holding the infant Zeus. On one side were Glauce, Neda, Theisoa and Anthracia, and on the other Ida, Hagno, Alcinoe and Phrixa. Ida (nymph) In Greek mythology, Ida or Ide (Ancient Greek: Ἴδη) was one of the nurses of the infant Zeus on Crete. According to Apollodorus, Rhea gave the infant Zeus to the nymphs Adrasteia and Ida, daughters of Melisseus, leader of the Kuretes of Crete, to nurse, and they fed Zeus on the milk