Delilah The Bible does not mention her fate, and, as James D. G. Dunn and John William Rogerson note in "Eerdmans Commentary on the Bible", it never discusses whether Delilah felt guilt for her actions. Josephus and Pseudo-Philo both view Delilah as a Philistine and a prostitute; Josey Bridges Snyder theorizes that this may be due to the fact that Book of Judges portrays Samson as being attracted to both Philistine women () and prostitutes (). Pseudo-Philo also writes that Delilah was Samson's wife. The Talmud says that Delilah used sex to get Samson to reveal his secret, in spite of
Delilah her name is applied to cunning women. Delilah also appears as a character in a number of works of art. John Milton's closet drama "Samson Agonistes", an allegory for the downfall of the Puritans and the restoration of the English monarchy, casts Delilah as an unrepentant, but sympathetic, deceiver and speaks approvingly of the subjugation of women. In 1735, George Frideric Handel wrote the opera "Samson", with a libretto by Newburgh Hamilton, based on "Samson Agonistes". The opera is almost entirely set inside Samson's prison and Delilah appears only briefly in Act II. In 1877, Camille Saint-Saëns composed the opera