Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Nullarbor Nymph was created by a passing publicist who happened to be in the Eucla Hotel and had contacts within the media. In 1992 artist Dora Dallwitz started her research on the Nullarbor Nymph Hoax which culminated in a dissertation on the subject and several exhibitions. Nullarbor Nymph sculptures were shown in 1994 at an exhibition held for students graduating from their master's degree in Sculpture, and in 2000 and 2004 at Topfloor Gallery in Adelaide. Her main sculpture - 'After the Nullarbor Nymph,' which was cast into bronze, was exhibited in front of the SA Museum for three months, was selected