Scipione Borghese Villa Borghese, Bernini produced a life-sized figure of David (1623) and three sculptural groups with mythological themes. The culminating work in this series that Bernini created for Borghese, Apollo and Daphne (1623–25), represents an incident popular in Italian poetry of the early seventeenth century, and ultimately derived from the Metamorphoses by the ancient Roman poet Ovid. Bernini depicts Apollo reaching out toward the river nymph Daphne just as she is transformed into a laurel tree by her father in order to prevent her from being burned by the touch of the god of the sun. Understood within its original intellectual
Nullarbor Nymph was created by a passing publicist who happened to be in the Eucla Hotel and had contacts within the media. In 1992 artist Dora Dallwitz started her research on the Nullarbor Nymph Hoax which culminated in a dissertation on the subject and several exhibitions. Nullarbor Nymph sculptures were shown in 1994 at an exhibition held for students graduating from their master's degree in Sculpture, and in 2000 and 2004 at Topfloor Gallery in Adelaide. Her main sculpture - 'After the Nullarbor Nymph,' which was cast into bronze, was exhibited in front of the SA Museum for three months, was selected