Lucus Pisaurensis the bronze-age were very naturalistic, "πῖπτον" The Carmen Arvale is a surviving Classical-Age "Anticuus Latius vocare mei" chant of "di semones" with the praepositus calling forth "quod potentia" of their guardian divinities and imploring them to "limen sali, sta." An Allegorical Myth of "Luci" Daphne, a naiad (nymph, a spirit of springs and sacred groves) is pursued by Apollo and when she entreaties, is allegorically turned to a "laures" tree by her river god Ladon. Pisaureum, original name of Pesaro, from Pisaurus; "gr." [ᵉ]Pì, by the side of + "gr." sauria from "sanskrt." s`aura, ☯ (symbol of dynamic union) ₊
The Wood Nymph to be "really a tone painter and poet" in the mold of the symphonic poems of Liszt. In "The Wood Nymph", Sibelius adheres closely to the narrative structure of Rydberg's poem, so much so that at the 1895 premiere, audience members were provided with copies of the source material, indicating the centrality of Rydberg's plot to the performance. Due to its programmatic qualities, musicologists commonly describe "The Wood Nymph", although in one movement, as consisting of four informal sections or "dramatic "tableaux"", each of which corresponds to one of the poem's four stanzas: Björn, "a tall and handsome lad", is