Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
Haptic memory stimuli. According to a study done by Bruce V. DiMattia, Keith A. Posley and Joaquin M. Fuster, it was found that monkeys were quite capable of concurrent Visual-to-Haptic as well as Haptic-to-Visual crossmodal matching of objects by size, shape and texture. It was also discovered that they were more adept at performing cross modal matching in the Visual-to-Haptic direction. Memory is important in infancy as it forms the basis for more complex procedures such as learning and reasoning. Studies of haptic memory in infants is particularly useful because it allows researchers to study the more perceptual representation of information as