Apollo and Daphne of conceit towards Cupid, so much that Cupid decides to change this permanently. As Cupid's effects start to take over Apollo, he is filled with lust for Daphne, and it grows stronger throughout the entire chase. Once Daphne is transformed, Apollo's desire becomes grief at the loss of Daphne, yet it continues on and he makes her his. This loss is shown through a heavy use of the nasal consonants, emulating a sound of moaning, with loss in this example. In "Metamorphoses," Ovid uses specific word orders to show Daphne's transformation from a woman to a tree. In the first
The Wood Nymph have failed to prepare "The Wood Nymph" for publication is a question that has perplexed scholars. On the advice of Ferruccio Busoni, Sibelius in 1895 offered "The Wood Nymph" to the Russian music publisher Mitrofan Belyayev but it was not published. Murtomäki has suggested that Sibelius, despite having been fond of "The Wood Nymph", was "unsure about the true value" of his output from the 1890s, an ambivalence that is perhaps best illustrated by the piecemeal publication history of, and multiple revisions to, the four "Lemminkäinen" legends (appearing in the composer's 1911 diary under a list of works to be