Guernica (Picasso) in political commitment and faulted it for not offering a vision of a better future. In contrast, Morgado's painting was a great success with Spanish Communists and with the public. The art critic Clement Greenberg was also critical of "Guernica", but for different reasons. In a later essay, Greenberg termed "Guernica" "jerky" and "too compressed for its size", and compared it unfavorably to the "magnificently lyrical" "The Charnel House" (1944–48), a later antiwar painting by Picasso. Among the painting's admirers were the art critic Jean Cassou and the poet José Bergamín, both of whom praised the painting as quintessentially Spanish.
Political party agitation". Meanwhile, the Whigs, along with free trade Tory followers of Robert Peel, and independent Radicals, formed the Liberal Party under Lord Palmerston in 1859, and transformed into a party of the growing urban middle-class, under the long leadership of William Ewart Gladstone. Although the framers of the 1787 United States Constitution did not anticipate that American political discourse would become partisan, political controversies in the early 1790s over the extent of federal government powers saw the emergence of two proto-political parties: the Federalist Party and the Democratic-Republican Party, which were championed by Alexander Hamilton and Thomas Jefferson, respectively. However,