Scipione Borghese Villa Borghese, Bernini produced a life-sized figure of David (1623) and three sculptural groups with mythological themes. The culminating work in this series that Bernini created for Borghese, Apollo and Daphne (1623–25), represents an incident popular in Italian poetry of the early seventeenth century, and ultimately derived from the Metamorphoses by the ancient Roman poet Ovid. Bernini depicts Apollo reaching out toward the river nymph Daphne just as she is transformed into a laurel tree by her father in order to prevent her from being burned by the touch of the god of the sun. Understood within its original intellectual
Nymph at the peak of sexual attractiveness, contrasting with "parthenos" () "a virgin (of any age)", and generic "kore" ( < ) "maiden, girl". The term is used by (human) women to address each other, so Iris addressing Helen, or Eurycleia addressing Penelope as "dear "nymph"" ("Il." 3.130, "Od." 4.743). Reduced to , the word remains the regular Modern Greek term for "bride". In Katharevousa, it is still , as in the refrain of the Marian hymn "Agni Parthene" (c. 1880), "hail, unwedded bride". The Doric and Aeolic (Homeric) form is . The "Iliad" (6.420) refers to "mountain nymphs, maidens of