Apollo and Daphne will be present to two Latin places when the happy voice will sing a triumph and they will visit the great ceremonies at the Capitoline Hill.” Apollo also used his powers of eternal youth and immortality to render Daphne evergreen. For this reason, the leaves of the Bay laurel tree do not decay. Between 1622 and 1625, Gian Lorenzo Bernini sculpted a Baroque life-sized marble statue entitled Apollo and Daphne. Apollo clutches Daphne's hip, pursuing her as she flees to escape him. Apollo wears a laurel crown, and Daphne is portrayed halfway through her metamorphosis into the laurel tree with
The Wood Nymph life, they experienced a certain type of female sexual adventurousness that their wives could not easily match." He hypothesizes that "The Wood Nymph" and other contemporaneous compositions were Sibelius's method of dealing with the emotional consequences of this and his guilt towards his wife Aino. With its focus on sexual fantasy, "The Wood Nymph" differs sharply from the Rydberg poem "Snöfrid" which Sibelius set in 1900. In "", Gunnar, the patriotic hero, resists a water nymph's sensuous "embrace" to instead "fight the hopeless fight" for his country and "die nameless". The contrast between Björn and Gunnar, Murtomäki argues, reflects Sibelius's