Haptic poetry be properly documented. Contemporary haptic poets of note include Ian Hamilton Finlay (Scotland), and Ay-O. Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended
Analogy of the sun region in which truth and real being brightly shine, it understands and knows it and appears to have reason; but when it has nothing to rest on but that which is mingled with darkness—that which becomes and perishes, it opines, it grows dim-sighted, changing opinions up and down, and is like something without reason. ('The Republic, VI: 508d; trans. W. H. D. Rouse) The allusion to "...that which becomes and perishes..." relates to all of that which is perceived by the bodily senses. The bodily senses make it clear that all visible things are subject to change, which Socrates categorizes