Apollo and Daphne of conceit towards Cupid, so much that Cupid decides to change this permanently. As Cupid's effects start to take over Apollo, he is filled with lust for Daphne, and it grows stronger throughout the entire chase. Once Daphne is transformed, Apollo's desire becomes grief at the loss of Daphne, yet it continues on and he makes her his. This loss is shown through a heavy use of the nasal consonants, emulating a sound of moaning, with loss in this example. In "Metamorphoses," Ovid uses specific word orders to show Daphne's transformation from a woman to a tree. In the first
Laurel and Hardy narrower than Hardy's, and with a flattened brim. The characters' normal attire called for wing collar shirts, with Hardy wearing a neck tie which he would twiddle and Laurel a bow tie. Hardy's sports jacket was a tad small and done up with one straining button, whereas Laurel's double-breasted jacket was loose fitting. A popular routine the team performed was a "tit-for-tat" fight with an adversary. This could be with their wives—often played by Mae Busch, Anita Garvin, or Daphne Pollard—or with a neighbor, often played by Charlie Hall or James Finlayson. Laurel and Hardy would accidentally damage someone's property,