Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
Word-sense induction Word-sense induction In computational linguistics, word-sense induction (WSI) or discrimination is an open problem of natural language processing, which concerns the automatic identification of the senses of a word (i.e. meanings). Given that the output of word-sense induction is a set of senses for the target word (sense inventory), this task is strictly related to that of word-sense disambiguation (WSD), which relies on a predefined sense inventory and aims to solve the ambiguity of words in context. The output of a word-sense induction algorithm is a clustering of contexts in which the target word occurs or a clustering of words