Classical guitar in Cuba Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines used to play; as it was documented by Spanish chroniclers such as Bernal Díaz del Castillo. . Through the centuries, the guitar has continued to be one of the most important and cherished instruments in Cuba, both in the practice of popular music as well as in the classical music tradition. Founded by renowned professors such as Clara Romero, Isaac Nicola, Clara (Cuqui) Nicola, Carlos
Classical guitar accessories it is potentially more comfortable for the player; and it absorbs the wear to the finish that would otherwise happen on the top, the binding, and the side. These benefits are of particular importance for ultra-thin-topped instruments, such as Smallman’s, but will subtly improve any guitar, including double-tops. The Rasgueo-Rest armrest additionally helps large and tall players avoid hunching-over the Guitar, since the Guitar's surface area is in effect, "expanded" using the arm-rest, giving the arm-height support needed for good playing posture. A capo for a classical - or a flamenco - guitar differs from that used on a steel