A Raisin in the Sun the Sun" was the first play written by a black woman to be produced on Broadway, as well as the first with a black director, Mr. Richards. Hansberry noted that her play introduced details of black life to the overwhelmingly white Broadway audiences, while director Richards observed that it was the first play to which large numbers of black people were drawn. Frank Rich, writing in "The New York Times" in 1983, stated that "A Raisin in the Sun" "changed American theater forever." In 2016, Claire Brennan wrote in "The Guardian" that "The power and craft of the writing make
The Play What I Wrote Squeeze for the Scarlet Pimple", the "play within a play" (with a cameo by a mystery guest star) which formed the play's second half. It is named after the "play wot I wrote", the inept play supposedly written by Wise and featuring a celebrity guest which formed the finale to each Morecambe and Wise show. In "The Play What I Wrote", "Sean" writes a similarly inept play and is humoured by "Hamish" in the first half by having it performed. As in the Morecambe and Wise antecedent, the celebrity would play him or herself set up to appear, rather foolishly,