Sackbut used as a clash until the Renaissance, when it became consonant in compositions, which went hand-in-hand with the widespread use of meantone temperament. During the 17th century, Well temperament began to become more and more popular as the range of keys increased. Temperament affects the colour of a composition, and therefore modern performances, typically employing equal temperament, may not be true representations of the composers' intentions. These old tunings are the result of the natural harmonic series of a brass instrument such as the sackbut. As the bell is smaller than a modern trombone, the harmonic series is closer to
Musical instrument which produce sound by electronic means. Within each category are many subgroups. The system has been criticised and revised over the years, but remains widely used by ethnomusicologists and organologists. Andre Schaeffner, a curator at the Musée de l'Homme, disagreed with the Hornbostel-Sachs system and developed his own system in 1932. Schaeffner believed that the pure physics of a musical instrument, rather than its specific construction or playing method, should always determine its classification. (Hornbostel-Sachs, for example, divide aerophones on the basis of sound production, but membranophones on the basis of the shape of the instrument). His system divided instruments