Performative contradiction are performative contradictions in this context. Habermas claims that post-modernism's epistemological relativism suffers from a performative contradiction. Hans-Hermann Hoppe claims in his theory of argumentation ethics that arguing for any political position other than free-market anarchism results in a performative contradiction. Jaakko Hintikka more rigorously fleshed out the notion of performative contradiction in analyzing Descartes' famous "cogito ergo sum" argument, concluding that "cogito ergo sum" relies on performance rather than logical inference. Performative contradiction A performative contradiction () arises when the propositional content of a statement contradicts the presuppositions of asserting it. An example of a performative contradiction is the
Cogito and the History of Madness translation of the text into English as "Madness and Civilization". The abridged 1964 edition removed the pages concerning Descartes on which Derrida had explicitly based his argument in "Cogito and the History of Madness." These pages on Descartes were only made available in English with Jean Khalfa's 2006 translation of Foucault's work on madness. Derrida makes an allusion to the master–slave dialectic in Hegel's "Phenomenology of Spirit" in the opening pages of "Cogito and the History of Madness." Foucault writes at the start of the second chapter of the "History of Madness" of a strange violent event that silenced madness