Apollo and Daphne the forest. Due to her identity as an “aemula Phoebes” (female rival or emulator of Artemis), she had dedicated herself to perpetual virginity. Her father, the river god Peneus, demanded that she get married and give him grandchildren. She, however, begged her father to let her remain unmarried; he eventually complied. Apollo continually followed her, begging her to stay, but the nymph continued to reject him. They were evenly matched in the race until Eros intervened, helping Apollo catch up to Daphne. Seeing that Apollo was bound to reach her, she called upon her father, "Help me, Peneus! Open the
The Wood Nymph to be "really a tone painter and poet" in the mold of the symphonic poems of Liszt. In "The Wood Nymph", Sibelius adheres closely to the narrative structure of Rydberg's poem, so much so that at the 1895 premiere, audience members were provided with copies of the source material, indicating the centrality of Rydberg's plot to the performance. Due to its programmatic qualities, musicologists commonly describe "The Wood Nymph", although in one movement, as consisting of four informal sections or "dramatic "tableaux"", each of which corresponds to one of the poem's four stanzas: Björn, "a tall and handsome lad", is