Apollo and Daphne of conceit towards Cupid, so much that Cupid decides to change this permanently. As Cupid's effects start to take over Apollo, he is filled with lust for Daphne, and it grows stronger throughout the entire chase. Once Daphne is transformed, Apollo's desire becomes grief at the loss of Daphne, yet it continues on and he makes her his. This loss is shown through a heavy use of the nasal consonants, emulating a sound of moaning, with loss in this example. In "Metamorphoses," Ovid uses specific word orders to show Daphne's transformation from a woman to a tree. In the first
Thalia (nymph) Thalia (nymph) In Greek mythology, Thalia or Thaleia ( ; "Tháleia" or Θάλια "Thália", "the Joyous, the Flourishing", from θάλλειν / thállein, "to flourish, to be green") is a nymph, the child of Hephaestus. She is also given as an anthropomorphic secondary deity of plant life and shoots, possibly as the culmination of the transmission of knowledge on volcanic ash's use as a fertiliser, characteristic of ancient viticulture in volcanic soils such as those of the island of Santorini. The tradition surrounding her is confused, but she is probably confused with the Muse, Grace or Nereid of the same name.