Double-Gauss lens objective lens by adding a meniscus lens to its single convex and concave lens design. Alvan Clark and Bausch & Lomb further refined the design in 1888 by taking two of these lenses and placing them back to back making a "double Gauss" with indifferent photographic results. Current double Gauss lenses can be traced back to an 1895 improved design, when Paul Rudolph of Carl Zeiss Jena thickened the interior negative menisci and converted to them to cemented doublets of two elements of equal refraction but differing dispersion in the "Zeiss Planar" of 1896 to correct for chromatic aberration. It
Parallel projection central or perspective projection, in which the rays pass through a fixed point called the "center" or "viewpoint", as this point is moved towards infinity. Put differently, a parallel projection corresponds to a perspective projection with an infinite focal length (the distance between the lens and the focal point in photography) or "zoom". In parallel projections, lines that are parallel in three-dimensional space remain parallel in the two-dimensional projected image. A perspective projection of an object is often considered more realistic than a parallel projection, since it more closely resembles human vision and photography. However, parallel projections are popular in