New York Dada known and controversial across the New York, as well as American in general, art scene. His personality was equally intoxicating as his art; according to Richter, "Duchamp's attitude is that life is a melancholy joke, an indecipherable non-sense, not worth the trouble of investigating. To his superior intelligence the total absurdity of life, the contingent nature of a world denuded of all values, are logical consequences of Descartes' Cogito ergo sum." Most famous amongst the works created by Duchamp in the New York period were his ready-mades, particularly the piece entitled "Fountain". During his time in New York he maintained
Cogito, ergo sum in the former case, and an objective thinker in the latter. He argues, first, that it is impossible to make sense of "there is thinking" without relativizing it to "something." However, this something cannot be Cartesian egos, because it is impossible to differentiate objectively between things just on the basis of the pure content of consciousness. The obvious problem is that, through introspection, or our experience of consciousness, we have no way of moving to conclude the existence of any third-personal fact, to conceive of which would require something above and beyond just the purely subjective contents of the mind.