Delilah to cut Samson's hair, thereby enabling her to turn him over to the Philistines. Delilah has been the subject of both rabbinic and Christian commentary; rabbinic literature identifies her with Micah's mother in the biblical narrative of Micah's Idol, while some Christians have compared her to Judas Iscariot, the man who betrayed Jesus. Scholars have noted similarities between Delilah and other women in the Bible, such as Jael and Judith, and have discussed the question of whether the story of Samson's relationship with Delilah displays a negative attitude towards foreigners. Notable depictions of Delilah include John Milton's closet drama "Samson
Delilah Ruth, and "bad" foreigners like Jezebel and Delilah. Contrariwise, Elizabeth Wurtzel sees Samson's relationship with Delilah as "the archetypal story of cross-cultural love between members of warring nations", akin to "Romeo and Juliet". According to the "Encyclopædia Britannica", Delilah's name has "become synonymous with a voluptuous, treacherous woman". The use of the name "Delilah" to connote deceit or betrayal can be found in works such as H. G. Wells' "The Invisible Man" (1897), the Tom Jones song "Delilah" (1968), Andrew Lloyd Webber's "The Phantom of the Opera" (1986), and Pat Conroy's "Beach Music" (1995). In "One Thousand and One Nights",