Guernica (Picasso) in political commitment and faulted it for not offering a vision of a better future. In contrast, Morgado's painting was a great success with Spanish Communists and with the public. The art critic Clement Greenberg was also critical of "Guernica", but for different reasons. In a later essay, Greenberg termed "Guernica" "jerky" and "too compressed for its size", and compared it unfavorably to the "magnificently lyrical" "The Charnel House" (1944–48), a later antiwar painting by Picasso. Among the painting's admirers were the art critic Jean Cassou and the poet José Bergamín, both of whom praised the painting as quintessentially Spanish.
Political party subordinate to elected political leaders. Depending on the demographic spread of the party membership, party members form local or regional party committees in order to help candidates run for local or regional offices in government. These local party branches reflect the officer positions at the national level. It is also customary for political party members to form wings for current or prospective party members, most of which fall into the following two categories: These are useful for party outreach, training and employment. Many young aspiring politicians seek these roles and jobs as stepping stones to their political careers in legislative