Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Moria (nymph) a tree he tore out of the ground. Then a female serpent, the slain monster's mate, appeared and used a magical herb, referred to as "Zeus' flower", to bring the dead serpent back to life. Moria then used the same herb to revive her brother. It has been speculated that the myth of Moria, Tylus and Damasen may be rooted in Lydian mythology. A similar story could be compared to that of Polyidus who used an herb to resurrect Glaucus, the son of Minos. Moria (nymph) In Greek mythology, Moria (Ancient Greek: Μοριαw means "sacred olive-tree" "moria") as a Naiad