Sackbut eighteenth century; when it returned, the Italian term "trombone" became dominant. In modern English, an older trombone or its replica is called a sackbut. An older instrument generally differs from modern trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. The bell section was more resonant (since it did not contain the tuning slide and was loosely stayed rather than firmly braced to itself). These traits produce a "covered, blended sound which was a timbre particularly effective for working with voices... zincks and crumhorns", as in an alta capella. The revived instrument had changed in specific ways. In
Experimental musical instrument which is an experimental musical instrument which plays music by way of sea waves and tubes located underneath a set of large marble steps. Concealed under these steps is a system of polyethylene tubes and a resonating cavity that turns the site into a huge musical instrument, played by the wind and the sea. The waves create somewhat random but harmonic sounds. Instigated by composer-researcher Georg Hajdu in 2006, Stephen Fox (clarinet maker) of Toronto, Canada, began building a new class of clarinets, called BP clarinets, able to play the Bohlen–Pierce scale of 146.3 cents per step. To date two