Classical guitar making which gives these instruments (lutes, early romantic guitars) a type of "inner" vulnerability, lacking in the modern guitars. (In fact there are people who claim that a performer's interpretational style is psychologically related to the instrument's aesthetic; and that this can even be observed in contemporary recordings, e.g., Bach's lute works as performed on lute(with convincing expressive phrasing), versus the markedly different interpretations of these works on the modern classical guitar. Alternately, the Spanish repertoire such as Moreno Torroba, would be completely unfitting, for a lute or early-guitar sound aesthetic.) Even amongst parlor guitar players, there are some that consider
Classical guitar type of repertoire is usually performed by guitarists who have particularly chosen to focus on the avant-garde in their performances. Within the contemporary music scene itself, there are also works which are generally regarded as extreme. These include works such as Brian Ferneyhough's "Kurze Schatten II", Sven-David Sandström's "away from" and Rolf Riehm's "Toccata Orpheus", etc. which are notorious for their extreme difficulty. There are also a variety of databases documenting modern guitar works such as Sheer Pluck and others. The evolution of the classical guitar and its repertoire spans more than four centuries. It has a history that was