Apollo and Daphne is transformed into a laurel tree. The myth of Apollo and Daphne has been examined as a battle between chastity (Daphne) and sexual desire (Apollo). As Apollo lustfully pursues Daphne, she is saved through her metamorphosis and confinement into the laurel tree which can be seen as an act of eternal chastity. Daphne is forced to sacrifice her body and become the laurel tree as her only form of escape from the pressures of Apollo's constant sexual desires. Apollo crafts himself a wreath out of her laurel branches and turning her symbol of chastity into a cultural symbol for him
Nymph at the peak of sexual attractiveness, contrasting with "parthenos" () "a virgin (of any age)", and generic "kore" ( < ) "maiden, girl". The term is used by (human) women to address each other, so Iris addressing Helen, or Eurycleia addressing Penelope as "dear "nymph"" ("Il." 3.130, "Od." 4.743). Reduced to , the word remains the regular Modern Greek term for "bride". In Katharevousa, it is still , as in the refrain of the Marian hymn "Agni Parthene" (c. 1880), "hail, unwedded bride". The Doric and Aeolic (Homeric) form is . The "Iliad" (6.420) refers to "mountain nymphs, maidens of