Lucus Pisaurensis the bronze-age were very naturalistic, "πῖπτον" The Carmen Arvale is a surviving Classical-Age "Anticuus Latius vocare mei" chant of "di semones" with the praepositus calling forth "quod potentia" of their guardian divinities and imploring them to "limen sali, sta." An Allegorical Myth of "Luci" Daphne, a naiad (nymph, a spirit of springs and sacred groves) is pursued by Apollo and when she entreaties, is allegorically turned to a "laures" tree by her river god Ladon. Pisaureum, original name of Pesaro, from Pisaurus; "gr." [ᵉ]Pì, by the side of + "gr." sauria from "sanskrt." s`aura, ☯ (symbol of dynamic union) ₊
The Wood Nymph the verses", has echoed Tawaststjerna in wondering what might have been had Sibelius returned in his maturity to "The Wood Nymph", as with "". Finnish composer Kalevi Aho's response has been similar, calling the ballade "an interesting work" in need of "more polishing". Finnish conductor Osmo Vänskä, however, has championed the ballad. "It's a tremendous piece," Vänskä has said in interview. "He [Sibelius] never managed to revise it, but nothing is wrong with the music. Sibelius never forbade performance of "The Wood Nymph"." Stylistically, scholars have detected in "The Wood Nymph" the influence of Richard Wagner. Murtomäki, for example, discerns