New York Dada known and controversial across the New York, as well as American in general, art scene. His personality was equally intoxicating as his art; according to Richter, "Duchamp's attitude is that life is a melancholy joke, an indecipherable non-sense, not worth the trouble of investigating. To his superior intelligence the total absurdity of life, the contingent nature of a world denuded of all values, are logical consequences of Descartes' Cogito ergo sum." Most famous amongst the works created by Duchamp in the New York period were his ready-mades, particularly the piece entitled "Fountain". During his time in New York he maintained
Cogito and the History of Madness translation of the text into English as "Madness and Civilization". The abridged 1964 edition removed the pages concerning Descartes on which Derrida had explicitly based his argument in "Cogito and the History of Madness." These pages on Descartes were only made available in English with Jean Khalfa's 2006 translation of Foucault's work on madness. Derrida makes an allusion to the master–slave dialectic in Hegel's "Phenomenology of Spirit" in the opening pages of "Cogito and the History of Madness." Foucault writes at the start of the second chapter of the "History of Madness" of a strange violent event that silenced madness