Classical guitar for repertoire of all periods is sometimes critically viewed: Torres and post-Torres style modern guitars (with their fan-bracing and design) have a thick and strong tone, very suitable for modern-era repertoire. However, they are considered to emphasize the fundamental too heavily (at the expense of overtone partials) for earlier repertoire (Classical/Romantic: Carulli, Sor, Giuliani, Mertz, ...; Baroque: de Visee, ...; etc.). "Andrés Segovia presented the Spanish guitar as a versatile model for all playing styles" to the extent, that still today, "many guitarists have tunnel-vision of the world of the guitar, coming from the modern Segovia tradition". While fan-braced modern
Classical guitar in Cuba Leo Brouwer, that may be considered the most important Cuban composer for the guitar during the 20th and the 21st century, other composers have also written original compositions, didactical music and transcriptions for the instrument. A list of composers may include:Carlos Fariñas, Jesús Ortega, Nilo Rodríguez, Flores Chaviano, Efraín Amador Piñero, Armando Rodriguez Ruidiaz, José Angel Pérez Puentes, Martín Pedreira, Julio Roloff and Yalil Guerra. Classical guitar in Cuba The guitar (in the form of its direct ancestor, the “vihuela”) was the first instrument that was heard in Cuba after the conch horns, flutes and drums that the original aborigines