Italian Baroque art Milan. The city hosted numerous formidable artists, architects and painters of that period, such as Caravaggio. Gian Lorenzo Bernini (1598–1680) was the leading sculptor of his day and the favorite artist of several popes and their relatives, who gave him important commissions. His ‘Apollo and Daphne’ in the Villa Borghese in Rome illustrates how he could precisely capture in white marble the dramatic moment when Daphne, fleeing the pursuing sun god, realizes she is metamorphosing into a laurel tree. This ability to make expressive dramatic narratives in sculpture can also be seen in his Ecstasy of Saint Teresa (1645–52), created
Daphne Hampson Daphne Hampson Margaret Daphne Hampson (born 1944) is a British theologian. Educated at Oxford and at Harvard, she held a personal Chair in 'Post-Christian Thought' at the University of St Andrews. Hampson's distinctive theological position has both gained her notoriety and been widely influential. Holding that Christianity is neither true nor moral (in not being gender inclusive), she believes the overcoming of patriarchal religion to be fundamental to human emancipation. As a theologian Hampson has always held to a 'realist' position, in which the understanding of 'that which is God' is based in human religious experience. Hampson's background was in