Daphne immediately commenced her transformation into a laurel tree ("Laurus nobilis"): Even this did not quench Apollo's ardour, and as he embraced the tree, he felt her heart still beating. He then declared: Upon hearing his words, Daphne bends her branches, approving his decision. A version of the attempt on Daphne's sworn virginity that has been less familiar since the Renaissance was narrated by the Hellenistic poet Parthenius, in his "Erotica Pathemata", "The Sorrows of Love". Parthenius' tale, based on the Hellenistic historian Phylarchus, was known to Pausanias, who recounted it in his "Description of Greece" (2nd century AD). In this,
The Wood Nymph the verses", has echoed Tawaststjerna in wondering what might have been had Sibelius returned in his maturity to "The Wood Nymph", as with "". Finnish composer Kalevi Aho's response has been similar, calling the ballade "an interesting work" in need of "more polishing". Finnish conductor Osmo Vänskä, however, has championed the ballad. "It's a tremendous piece," Vänskä has said in interview. "He [Sibelius] never managed to revise it, but nothing is wrong with the music. Sibelius never forbade performance of "The Wood Nymph"." Stylistically, scholars have detected in "The Wood Nymph" the influence of Richard Wagner. Murtomäki, for example, discerns