New York Dada known and controversial across the New York, as well as American in general, art scene. His personality was equally intoxicating as his art; according to Richter, "Duchamp's attitude is that life is a melancholy joke, an indecipherable non-sense, not worth the trouble of investigating. To his superior intelligence the total absurdity of life, the contingent nature of a world denuded of all values, are logical consequences of Descartes' Cogito ergo sum." Most famous amongst the works created by Duchamp in the New York period were his ready-mades, particularly the piece entitled "Fountain". During his time in New York he maintained
Cogito and the History of Madness at the end of the renaissance and the beginning of the classical age. He then discusses the treatment of madness by Descartes in the "Meditations on First Philosophy". Foucault argues that Descartes refuses to recognise a commonality between himself and people who are mad and uses this dissociation as an excuse not to take madness seriously as a grounds for doubt. For Foucault this exclusion of madness by Descartes leads to a cogito that is more or less arbitrarily self-assured of its own rationality. Derrida argues that Descartes might appear to dismiss madness at the point of the meditation to