Delilah Christ, but argues that "in yielding to Delilah, Samson did not prefigure Christ. Instead he exemplified the fall of the sinful man". Similarly, Billy Graham sees Samson's eyes being gouged out after he was handed over to the Philistines as his punishment for succumbing to his lust for Delilah; Graham also sees this as an example of the concept that one reaps what one sows. Joyce Meyer writes that Satan worked through Delilah, as he was aware that Samson had "a weakness for women". Meyer sees Delilah's relationship with Samson as an example of how the devil exploits people's weaknesses.
Samson and Delilah (Rubens) seen in Frans Fracken the Younger's painting "Banquet at the House of Burgomaster Rockox", where the painting is hanging above the mantlepiece. Jacob Matham, a Haarlem printmaker, used the Cincinnati oil sketch of "Samson and Delilah" as a modello for an engraving he made in circa 1613. The engraving is a reverse image of "Samson and Delilah". Samson and Delilah (Rubens) Samson and Delilah is a painting by the Flemish Baroque painter Peter Paul Rubens (1577–1640) which is currently on display in the National Gallery. It dates from about 1609 to 1610. Two preliminary copies of the painting also exist