Haptic poetry Haptic poetry Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. The history of "poetic objects" may be traced back to the Dada productions of
Haptic memory hand. Babies were able to encode haptically some characteristics or features of objects without visual control with their left hand as well as with their right hand. In the experiment, haptic habitutation was formed through an occurred stimuli and at the end, it has seen that even though stimuli was not present, infants still carry on their stimuli habit. It was also shown that infantile haptic memory is robust in that it is somewhat resistant to delays (especially in males). These findings support earlier results by Catherwood, which stated that 8-month-old infants were able to recognize a familiar shape after