Delilah Christ, but argues that "in yielding to Delilah, Samson did not prefigure Christ. Instead he exemplified the fall of the sinful man". Similarly, Billy Graham sees Samson's eyes being gouged out after he was handed over to the Philistines as his punishment for succumbing to his lust for Delilah; Graham also sees this as an example of the concept that one reaps what one sows. Joyce Meyer writes that Satan worked through Delilah, as he was aware that Samson had "a weakness for women". Meyer sees Delilah's relationship with Samson as an example of how the devil exploits people's weaknesses.
Delilah "Samson and Delilah" with a libretto by Ferdinand Lemaire in which the entire story of Samson and Delilah is retold. In the libretto, Delilah is portrayed as a seductive "femme fatale", but the music played during her parts invokes sympathy for her. The 1949 Biblical drama "Samson and Delilah", directed by Cecil B. DeMille and starring Victor Mature and Hedy Lamarr in the titular roles, was widely praised by critics for its cinematography, lead performances, costumes, sets, and innovative special effects. It became the highest-grossing film of 1950 and was nominated for five Academy Awards, winning two. According to Bosley