Daphne to award prizes in the form of laurel wreaths to victorious generals, athletes, poets and musicians, worn as a chaplet on the head. The Poet Laureate is a well-known modern example of such a prize-winner, dating from the early Renaissance in Italy. According to Pausanias the reason for this was "simply and solely because the prevailing tradition has it that Apollo fell in love with the daughter of Ladon (Daphne)". Most artistic depictions of the myth focus on the moment of Daphne's transformation. The earliest source of the myth of Daphne and Apollo is Phylarchus, quoted by Parthenius. Later, the
The Wood Nymph to be "really a tone painter and poet" in the mold of the symphonic poems of Liszt. In "The Wood Nymph", Sibelius adheres closely to the narrative structure of Rydberg's poem, so much so that at the 1895 premiere, audience members were provided with copies of the source material, indicating the centrality of Rydberg's plot to the performance. Due to its programmatic qualities, musicologists commonly describe "The Wood Nymph", although in one movement, as consisting of four informal sections or "dramatic "tableaux"", each of which corresponds to one of the poem's four stanzas: Björn, "a tall and handsome lad", is