Claude Joseph Rouget de Lisle adoption by the Provençal volunteers whom Barbaroux introduced into Paris and who were prominent in the storming of the Tuileries Palace on 10 August 1792. After the war, Rouget de Lisle wrote a few other songs of the same kind as the "Marseillaise" and in 1825 he published "Chants français" ("French Songs") in which he set to music fifty songs by various authors. His "Essais en vers et en prose" ("Essays in Verse and Prose", 1797) contains the "Marseillaise"; a prose tale "Adelaide et Monville" of the sentimental kind; and some occasional poems. He returned to public life after the
Through-composed beginning to end, as in the operas of Monteverdi and Wagner, as opposed to having a collection of songs interrupted by recitative pieces or spoken dialogue, as occurs in Mozart's Italian- and German-language operas, respectively. Examples of the modern trend towards through-composed works in musical theater include the works of Andrew Lloyd Webber and Claude-Michel Schönberg. In musical theater, works with no spoken dialogue, such as "Les Misérables" are usually referred to by the term "through-sung". Through-composed In music theory about musical form, through-composed music is relatively continuous, non-sectional, or non-repetitive music. A song is said to be through-composed if