The War of the Worlds (radio drama) soon dismissed. The FCC also received letters from the public that advised against taking reprisals. Singer Eddie Cantor urged the commission not to overreact, as "censorship would retard radio immeasurably." The FCC not only chose not to punish Welles or CBS but also barred complaints about "The War of the Worlds" from being brought up during license renewals. "Janet Jackson's 2004 'wardrobe malfunction' remains far more significant in the history of broadcast regulation than Orson Welles' trickery," wrote media historians Jefferson Pooley and Michael Socolow. H. G. Wells and Orson Welles met for the first and only time in late
The War of the Worlds (1953 film) machines have a quality of real terror, their sinister apparitions, prowlings and pulverisings are spectacularly well done, and the scenes of panic and destruction are staged with real flair". Richard L. Coe of "The Washington Post" called it "to put it gently, terrific," and "for my money, the 'King Kong' of its day". "The War of the Worlds" won an Academy Award for Special Effects (it was the sole nominee that year). Everett Douglas was nominated for Film Editing, while the Paramount Studio Sound Department and Loren L. Ryder were nominated for Sound, Recording. "The War of the Worlds" still