Cellarette that the word "cellarette" came into use during the eighteenth century at the time of cabinetmaker George Hepplewhite. In Hepplewhite's 1794 "The Cabinet-Maker and Upholsterer's Guide" he demonstrates cellarettes as being octagonal and elliptical shaped with internal compartments for bottles of wine and liquor. Renowned eighteenth century Charleston, South Carolina, furniture craftsman Thomas Elfe made several "Mahogany Cases for bottles with brass handles" for £12. In 1803, furniture designer Thomas Sheraton described the piece as: "Cellaret, amongst cabinet makers, denotes a convenience for wine, or wine cistern. In the eighteenth century a cellarette was sometimes referred to as a "Mahogany
Metamorphic library steps ceilings and floor-to-ceiling bookshelves. The topmost shelves were difficult to reach, so movable library steps or library stairs were created as a form of domestic furniture. During the second half of the 18th century a succession of talented German-born cabinet-makers passed through the French courts. Jean-François Oeben, Jean-Henri Riesener and David Roentgen had successively introduced the courts of Louis XV and Louis XVI to a wide range of finely made and exquisitely finished mechanical furniture. The ingenuity of these cabinet-makers, especially David Roentgen who became master cabinet-maker to Marie Antoinette, led to a fascination for "meubles à surprises" ('surprise furniture').