Oedipus (Dryden play) a Tragedy" was regarded as the climax of Dryden's dramatic work. Charles Gildon, however, who revised many of Gerard Langbaine's articles in the manual on English Drama "An Account of the English Dramatick Poets", harshly criticised "Oedipus, a Tragedy", saying: The most understanding Judges wish they [i.e. Dryden/Lee] had followed Sophocles yet closer, it had then been the best of our Modern Plays, as ‘tis of the Ancients: but as it is, they have destroyed the Character of Oedipus… It remains uncertain which parts of this play were written by Dryden and by Lee. According to "The London Stage", Dryden
Representation of women in Athenian tragedy of him is motivated by a range of male abuses. Medea becomes the aggressor when her husband Jason plans a new more advantageous marriage. There is also a theme running through the plays based on the setting. Performed in open-air theatres, Classical Athenian tragedy was set outside the private sphere of the home. Indeed, Euripides was notorious for "taking the streets, the bedroom, into tragedy" and thereby reducing its remoteness. In "Hippolytus", Phaedra first appears, carried out of the house by her servants, demanding open air, in order to declare her love for her stepson and thus the spiral of