Rococo became popular for furniture, along with walnut wood. The Rococo began to make an appearance in England between 1740 and 1750. The furniture of Thomas Chippendale was the closest to the Rococo style, In 1754 he published "Gentleman's and Cabinet-makers' directory", a catalog of designs for rococo, "chinoiserie" and even Gothic furniture, which achieved wide popularity, going through three editions. Unlike French designers, Chippendale did not employ marquetry or inlays in his furniture. The predominant designer of inlaid furniture were Vile and Cob, the cabinet-makers for King George III. Another important figure in British furniture was Thomas Johnson, who in
Chair-maker furniture. In the country manufactories it is otherwise; yet even these pay some regard to keeping their workmen constantly at the chair, or to cabinet work. The two branches seem evidently to require different talents in workmen, in order to become proficients." In Paris, a chair-maker was a "menuisier", or joiner: guild regulations forbade "menuisiers" to engage in cabinet making. Some "menuisiers" produced the planed and carved wood paneling for rooms ("boiseries"), while others, "menuisiers en sièges", produced the frames for seat furniture, which would be upholstered by other craftsmen, such as "huissiers". Chair-maker Since the mid-17th century a chair-maker,