Kommos (theatre) having blinded himself in Sophocles' "Oedipus Rex" (c.429 BCE), and the exchange between Orestes, Electra and the chorus immediately after Clytemnestra's murder in Euripides' "Electra" (c.410 BCE). Kommos (theatre) A kommos (from Greek κομμός, "kommós", literally "striking", especially "beating of the head and breast in mourning") is a lyrical song of lamentation in an Athenian tragedy that the chorus and a dramatic character sing together. A kommos occurs "when the tension of the play rises to a climax of grief or horror or joy". Examples include the final section (lines 908-1077) of Aeschylus' "The Persians" (472 BCE) in which Xerxes
Oedipus at Colonus of guilt; the fact that Oedipus is "rationally innocent" – that he sinned unknowingly – decreases his guilt, allowing his earthly sufferings to serve as sufficient expiation for his sins. Darice Birge has argued that "Oedipus at Colonus" can be interpreted as a heroic narrative of Oedipus rather than a tragic one. It can be viewed as a transitional piece from the Oedipus of "Oedipus Rex" whose acts were abominable to the Oedipus we see at the end of "Oedipus at Colonus", who is so powerful that he is sought after by two separate major cities. The major image used