Space Shuttle Solid Rocket Booster design or replacing them altogether with liquid "flyback" boosters using either Atlas V or Delta IV EELV technologies. The 5-segment SRB, which would have required little change to the current shuttle infrastructure, would have allowed the space shuttle to carry an additional of payload in an International Space Station-inclination orbit, eliminate the dangerous "Return-to-Launch Site" (RTLS) and "Trans-Oceanic Abort" (TAL) modes, and, by using a so-called "dog-leg maneuver", fly south-to-north polar orbiting flights from Kennedy Space Center. After the destruction of "Columbia", NASA shelved the five-segment SRB for the Shuttle Program, and the three surviving Orbiters, "Discovery", "Atlantis", and "Endeavour"
Space art the Kennedy Space Center on January 18, 1986. Another work, later brought to Earth-orbit sometime in the mid-80s, was a radiant study of the golden sunlight on a Soviet space station by Russian artist Andrei Sokolov, carried aboard the Soviet Mir space station starting with modules in February 1986. In 1984 Joseph McShane and in 1989 Lowry Burgess had their conceptual artworks flown aboard the Space Shuttle utilizing NASA's 'Get Away Special' program. The first sculpture specifically designed for a human habitat in orbit was Arthur Woods' "Cosmic Dancer" which was sent to the Mir station in 1993. In 1995,