Oedipus rex (opera) techniques from past classical styles and from popular styles of the day as well. However, Stravinsky purposely mismatches the text subjects (in Latin) with its corresponding musical accompaniment. Bernstein even goes so far as to link the opening four-note motif sung by the chorus to a specific sung quote in Verdi's "Aida". The idea parallel of "power and pity" reigns in both operas even though the specific subject matters are quite different. Notes Sources Oedipus rex (opera) Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's
Oedipus Rex "knows" that Peter will do this, but readers would in no way suggest that Peter was a puppet of fate being "forced" to deny Christ. Free will and predestination are by no means mutually exclusive, and such is the case with Oedipus. The oracle delivered to Oedipus what is often called a "self-fulfilling prophecy", in that the prophecy itself sets in motion events that conclude with its own fulfilment. This, however, is not to say that Oedipus is a victim of fate and has no free will. The oracle inspires a series of specific choices, freely made by Oedipus, which