Sistine Chapel ceiling reread the Old Testament while he was painting the ceiling, drawing his inspiration from the words of the scripture, rather than from the established traditions of sacral art. A total of 343 figures were painted on the ceiling. To reach the chapel's ceiling, Michelangelo designed his own scaffold, a flat wooden platform on brackets built out from holes in the wall near the top of the windows, rather than being built up from the floor. Mancinelli speculates that this was in order to cut the cost of timber. According to Michelangelo's pupil and biographer Ascanio Condivi, the brackets and frame
Restoration of the Sistine Chapel frescoes had the courage to commence the restoration process, and thanks not only those who visited the restoration while it was in progress and gave the benefit of their knowledge and experience, but also those who were critical of the enterprise. Pietrangeli made acknowledgement that these people spurred the team on to punctilious documentation so that a full report of criteria and methods should be available to those who are interested, both in the present and the future. Restoration of the Sistine Chapel frescoes The conservation-restoration of the frescoes of the Sistine Chapel was one of the most significant conservation-restorations of