Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
Jonathan Gostelowe Jonathan Gostelowe Jonathan Gostelowe (1744 or 1745, Philadelphia, Pennsylvania - 1795, Philadelphia, Pennsylvania) was an 18th-century American cabinetmaker, best remembered for his Philadelphia Chippendale-style furniture. He was the eldest of the four children of George Gostelow (1701-1758), a Swedish-American farmer, and his English-born wife Lydia, who lived in the Passyunk section of what is now South Philadelphia. There is no documentation of where the son learned his trade, although, based on stylistic similarities, it is conjectured that he apprenticed under cabinetmaker George Claypoole, Sr. For much of his career, Gostelowe operated a shop on Church Alley between Second and Third