Chigi Chapel Adam", "Creation of Eve", "Creation of the Animals", "The Original Sin" and "Expulsion from Paradise". The paintings show the strong influence of the sculptural style of Michelangelo's famous Genesis-cycle on the ceiling of the Sistine Chapel. The scenes are not in strictly chronological order. The first five are the same as the parallel Genesis paintings in the Sistine Chapel but the sixth fresco adds a new subject, the creation of the fishes, birds and wild animals. The sixth scene of the Sistine ceiling is separated into two individual paintings on the drum of the Chigi Chapel. Salviati's cycle ends here,
Ceiling Painting/Yes Painting affirmation has been likened by Ono to the intimidating stature of a cathedral. The relationship between "Ceiling Painting/Yes Painting" and Ono's 1964 work "Cut Piece" was extensively critiqued by James M. Harding in his essay "Between Material and Matrix: Yoko Ono's "Cut Piece" and the Unmaking of Collage" in his 2012 book of essays, "Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde". Ceiling Painting/Yes Painting Ceiling Painting/Yes Painting is a 1966 conceptual artwork by the Japanese artist Yoko Ono. The work is made from paper, glass, a metal frame, a metal chain, a magnifying glass, and a painted