Thomas Chippendale Consequently, recognisably "Chippendale" furniture was produced in Dublin, Philadelphia, Lisbon, Copenhagen and Hamburg. Catherine the Great and Louis XVI both possessed copies of the "Director" in its French edition. The Director shows four main styles: English with deep carving, elaborate French rococo in the style of Louis XV furniture, Chinese style with latticework and lacquer, and Gothic with pointed arches, quatrefoils and fret-worked legs. His favourite wood was mahogany; in seat furniture he always used solid wood rather than veneers. The workshop was continued by his son, Thomas Chippendale, the younger (1749–1822), who worked in the later Neoclassical and Regency
Paris in the 18th century tight short trouser attached below the knee to silk stockings. The Revolutionaries and poor mocked the rich by calling themselves the "sans-culottes", those without culottes. With the Revolution and the disappearance of the aristocrats, men's clothing became less colorful and more sober, and women's clothing began to imitate the popular view of the clothing of ancient Rome and Greece, in keeping with the revolutionary ideals of the new French Republic. During most of the 18th century, the Parisian economy was based on thousands of small workshops, where skilled artisans produced products. The workshops were clustered in particular neighborhoods; furniture makers