Florentine painting painters are drawn together. The rounded forms and luminous colours of Perugino, the lifelike portraiture of Ghirlandaio, the realism and lighting of Leonardo and the powerful draughtsmanship of Michelangelo became unified in the paintings of Raphael. In his short life he executed a number of large altarpieces, an impressive Classical fresco of the sea nymph, Galatea, outstanding portraits with two popes and a famous writer among them, and, while Michelangelo was painting the Sistine Chapel ceiling, a series of wall frescoes in the Vatican chambers nearby, of which "the School of Athens" is uniquely significant. This fresco depicts a meeting
Sistine Chapel Choir Thus the ""magister capellae"" came immediately after the cardinals, followed, in the order given, by the ""sacrista"", ""cantores"", ""capellani"" and ""clerici"". With the building by Sixtus IV (1471–84) of the church for the celebration of all papal functions since known as the Sistine Chapel, the original ""schola cantorum"" and subsequent ""capella pontificia"" or ""capella papale"" became the ""capella sistina"", or Sistine Choir. Up to this time the number of singers had varied considerably, there being sometimes as few as nine men and six boys. By a Bull dated November, 1483, Sixtus IV fixed the number at twenty-four, six for each