Sistine Chapel no work for a papal chapel but rather for the public baths and taverns." In response Michelangelo worked da Cesena's semblance into the scene as Minos, judge of the underworld. It is said that when he complained to the Pope, the pontiff responded that his jurisdiction did not extend to hell, so the portrait would have to remain. Michelangelo also painted his own portrait, on the flayed skin held by St Bartholomew. The genitalia in the fresco were later covered by the artist Daniele da Volterra, whom history remembers by the derogatory nickname "Il Braghettone" ("the breeches-painter"). The Sistine Chapel's
Sistine Chapel ceiling cleanly defined outlines make each subject easily visible from the floor. Despite the height of the ceiling, the proportions of the "Creation of Adam" are such that when standing beneath it, "it appears as if the viewer could simply raise a finger and meet those of God and Adam". Vasari tells us that the ceiling is "unfinished", that its unveiling occurred before it could be reworked with gold leaf and vivid blue lapis lazuli as was customary with frescoes and in order to better link the ceiling with the walls below it which were highlighted with a great deal of