Sistine Chapel ceiling Elijah's role as a prophet was one marked by accusation and warnings to repent, and the purpose of his translation into Heaven was traditionally seen as so that he might stand before God to condemn Israel for its sins. In four of the five most highly finished "medallions" the space is crowded with figures in violent action, similar to Michelangelo's cartoon for the "Battle of Cascina". The application of gold on the shields, in contrast to its absence on the rest of the ceiling, serves to link the ceiling to some extent with the frescoes around the walls. In the
Illusionistic ceiling painting sotto in sù". This was the prototype of illusionistic ceiling painting that was to become an important element of Italian baroque. Correggio at Parma took the illusionistic ceiling a step farther in his frescoes of Christ and the Apostles for the cupola at the San Giovanni Evangelista and in the "Assumption of the Virgin" in the dome of the Cathedral of Parma, which is Correggio's most famous work (1520–24); in these frescos Correggio treats the entire surface as the vast and frameless vault of heaven in which the figures float. In a visual continuity between the architectural interior and its