Sistine Chapel ceiling the dynamic motion, the luminous colouration, the haunting expressions of the figures in the lunettes, the abundance of putti. Gabriele Bartz and Eberhard König have said of the "Ignudi", "There is no image that has had a more lasting effect on following generations than this. Henceforth similar figures disported themselves in innumerable decorative works, be they painted, formed in stucco or even sculpted." Within Michelangelo's own work, the chapel ceiling led to the later and more Mannerist painting of the Last Judgement in which the crowded compositions gave full rein to his inventiveness in painting contorted and foreshortened figures expressing
Sanctuary of Atotonilco Barajas over a period of thirty years with almost no free space left among the numerous images. The style of the painting imitates Flemish painting which was known through Belgian prints that the Spanish brought over from Europe. This mural work has led the complex to be called the “Sistine Chapel of America ” or the “Sistine Chapel of Mexico.” Along the main nave of the church, especially along the ceiling, the story of Jesus’s ministry and death according to the Gospels are told. At the entrance area, there are images related to the Last Judgment. In the highest part