The Bible Code (book) the DNA of the human genetic code to Earth). Drosnin elaborates on this theory in "The Bible Code II", suggesting that the alien who brought the code left the key to the code in a steel obelisk. Drosnin attempted to find this obelisk, which he believes is buried near the Dead Sea. Drosnin's book is based on the technique described in the paper "Equidistant Letter Sequences in the Book of Genesis" by Professor Eliyahu Rips of the Hebrew University in Israel with Doron Witztum and Yoav Rosenberg. "The Bible Code" makes numerous predictions and post-diction, such as the false prediction
Salò, or the 120 Days of Sodom and shit, in Pasolini's desire to burst the limits of cinema, via the anally resonant eye of the film lens." Barber also notes that Pasolini's film reduces the extent of the storytelling sequences present in de Sade's "The 120 Days of Sodom" so that they "possess equal status" with the sadistic acts committed by the libertines. Pasolini scholar Gian Annovi notes in the book "Pier Paolo Pasolini: Performing Authorship" (2007) that "Salò" is stylistically and thematically marked by a "link between Duchamp's Dada aesthetics and the perverse dynamics of desire," which, according to Annovi, became artistic points of interest for