Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
James Moore (furniture designer) gesso furniture by Moore can be linked to surviving bills receipted by James Moore and John Belchier, 1722-26. The succeeding royal cabinet-maker, Benjamin Goodison, trained in Moore's workshop. James Moore (furniture designer) ïJames Moore (c. 1670 - October 1726) was an 18th-century cabinet maker in London who worked for George I. He was in partnership with John Gumley from 1714. As royal cabinet-maker he supplied walnut and mahogany furniture for the royal household, the royal yacht, and the king's servants and mistresses, as well as the rich gilt gesso furniture for which he is best known but which constituted a