Kommos (theatre) having blinded himself in Sophocles' "Oedipus Rex" (c.429 BCE), and the exchange between Orestes, Electra and the chorus immediately after Clytemnestra's murder in Euripides' "Electra" (c.410 BCE). Kommos (theatre) A kommos (from Greek κομμός, "kommós", literally "striking", especially "beating of the head and breast in mourning") is a lyrical song of lamentation in an Athenian tragedy that the chorus and a dramatic character sing together. A kommos occurs "when the tension of the play rises to a climax of grief or horror or joy". Examples include the final section (lines 908-1077) of Aeschylus' "The Persians" (472 BCE) in which Xerxes
Representation of women in Athenian tragedy worried "about the ethical damage caused by the representation of 'womanish' emotions in tragedy." Plato unsurprisingly excludes poetry, embodied by the figure of a woman, from his ideal city-state. The Athenians however thought it important to place on "display those feature[s] of human experience that inspire terror, sorrow and rejection, and they accomplished their mission by giving women visibility and a powerful voice." Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well.