Ragmala Singh Ashok. Rāgmālā Nirṇai. Amritsar, n.d. 3. Surindar Siṅgh Kohli. A Critical Study of Adi Granth. Delhi, 1961 4. Max Arthur Macauliffe. The Sikh Religion: Its Gurus, Sacred Writings and Authors. Oxford, 1909 5. Professor Sahib Singh. About the Compilation of Sri Guru Granth Sahib (Tr. Daljit Singh). Amritsar, 1996 6. Madan Singh. Raag Maala - A Re-appraisal in the Context of Sri Guru Granth Sahib Ji. Amritsar, 2003. 7. Taran Singh. Ragmala. The Encyclopaedia of Sikhism, Vol. III. Ed. Harbans Singh. Punjabi University, Patiala, 1997. P 426. 8. Kavi Santokh Singh. Sri Gur Partap Suraj Granth. https://web.archive.org/web/20080905180746/http://www.ik13.com/Rasses/SGPS%20Raas%203.pdf Ragmala Ragmala
Ragas in the Guru Granth Sahib Ragas in the Guru Granth Sahib A raga is a complex structure of musical melody used in Indian classical music. It is a set of rules of how to build a melody which can ignite a certain mood in the reciter and listeners. The Sikh holy scripture, Guru Granth Sahib, is composed in and divided by 60 ragas. Each raga is a chapter or section in the Guru Granth Sahib starting with Asaa raag, and all the hymns produced in Asaa raag are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in