Sistine Chapel no work for a papal chapel but rather for the public baths and taverns." In response Michelangelo worked da Cesena's semblance into the scene as Minos, judge of the underworld. It is said that when he complained to the Pope, the pontiff responded that his jurisdiction did not extend to hell, so the portrait would have to remain. Michelangelo also painted his own portrait, on the flayed skin held by St Bartholomew. The genitalia in the fresco were later covered by the artist Daniele da Volterra, whom history remembers by the derogatory nickname "Il Braghettone" ("the breeches-painter"). The Sistine Chapel's
Illusionistic ceiling painting From 1691 to 1694 Andrea Pozzo painted the "Entrance of Saint Ignatius into Paradise" on the nave vault of Sant'Ignazio, Rome, with theatricality and emotion. Illusionistic ceiling painting Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe l'oeil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion an open sky, such as with