Kommos (theatre) having blinded himself in Sophocles' "Oedipus Rex" (c.429 BCE), and the exchange between Orestes, Electra and the chorus immediately after Clytemnestra's murder in Euripides' "Electra" (c.410 BCE). Kommos (theatre) A kommos (from Greek κομμός, "kommós", literally "striking", especially "beating of the head and breast in mourning") is a lyrical song of lamentation in an Athenian tragedy that the chorus and a dramatic character sing together. A kommos occurs "when the tension of the play rises to a climax of grief or horror or joy". Examples include the final section (lines 908-1077) of Aeschylus' "The Persians" (472 BCE) in which Xerxes
Oedipus rex (opera) of his father, husband of his mother. Shattered, Oedipus leaves. The messenger reports the death of Jocasta: she has hanged herself in her chambers. Oedipus breaks into her room and puts out his eyes with her pin. He departs Thebes forever as the chorus at first vents their anger, and then mourns the loss of the king they loved. Many insights to this opera are found in Leonard Bernstein's analysis of it in his sixth and last Norton lecture from 1973. Bernstein stated that "Oedipus Rex" is the most "awesome product" of Stravinsky's neoclassical period. Much of the music borrows