Oedipus (Dryden play) a Tragedy" was regarded as the climax of Dryden's dramatic work. Charles Gildon, however, who revised many of Gerard Langbaine's articles in the manual on English Drama "An Account of the English Dramatick Poets", harshly criticised "Oedipus, a Tragedy", saying: The most understanding Judges wish they [i.e. Dryden/Lee] had followed Sophocles yet closer, it had then been the best of our Modern Plays, as ‘tis of the Ancients: but as it is, they have destroyed the Character of Oedipus… It remains uncertain which parts of this play were written by Dryden and by Lee. According to "The London Stage", Dryden
Oedipus Rex "knows" that Peter will do this, but readers would in no way suggest that Peter was a puppet of fate being "forced" to deny Christ. Free will and predestination are by no means mutually exclusive, and such is the case with Oedipus. The oracle delivered to Oedipus what is often called a "self-fulfilling prophecy", in that the prophecy itself sets in motion events that conclude with its own fulfilment. This, however, is not to say that Oedipus is a victim of fate and has no free will. The oracle inspires a series of specific choices, freely made by Oedipus, which