Sistine Chapel ceiling and the relatively conservative concept of the relationship between Eve and her Creator adheres closely to Jacopo's design. Other panels on the ceiling, most particularly the iconic "Creation of Adam" show "... unprecedented invention". The ceiling of the Sistine Chapel was to have a profound effect upon other artists, even before it was completed. Vasari, in his Life of Raphael, tells us that Bramante, who had the keys to the chapel, let Raphael in to examine the paintings in Michelangelo's absence. On seeing Michelangelo's prophets, Raphael went back to the picture of the Prophet Isaiah that he was painting on
Assumption of the Virgin (Cerasi Chapel) a form which owed much of its perfection to the model of Raphael. This idealization provided the necessary reminder of the supernatural nature of the event, despite the obvious visual conviction of natural form and three-dimensional space." Assumption of the Virgin (Cerasi Chapel) The Assumption of the Virgin () by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600-1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: "The Conversion