Ragmala Singh Ashok. Rāgmālā Nirṇai. Amritsar, n.d. 3. Surindar Siṅgh Kohli. A Critical Study of Adi Granth. Delhi, 1961 4. Max Arthur Macauliffe. The Sikh Religion: Its Gurus, Sacred Writings and Authors. Oxford, 1909 5. Professor Sahib Singh. About the Compilation of Sri Guru Granth Sahib (Tr. Daljit Singh). Amritsar, 1996 6. Madan Singh. Raag Maala - A Re-appraisal in the Context of Sri Guru Granth Sahib Ji. Amritsar, 2003. 7. Taran Singh. Ragmala. The Encyclopaedia of Sikhism, Vol. III. Ed. Harbans Singh. Punjabi University, Patiala, 1997. P 426. 8. Kavi Santokh Singh. Sri Gur Partap Suraj Granth. https://web.archive.org/web/20080905180746/http://www.ik13.com/Rasses/SGPS%20Raas%203.pdf Ragmala Ragmala
Asa (raga) set position. Its variants as given in the Guru Granth Sahib are Kafi and Asavari, both of which have many features in common with Asa. Asa (raga) Raga Asa is peculiar raga of Gurmat Sangeet Tradition. It is not being used in Indian music. There is a raga 'Majh Khamaj' in Hindustani Sangeet, but it does not resemble Asa of Gurmat Sangeet. Gurmat Sangeet is a musicology of Sikh Sacred Music, used in the Sikh holy scripture the Guru Granth Sahib. The ragas used by Sikh Gurus for Gurbani are known as Gurmat Sangeet. It is popular in the Sikh