Sistine Chapel ceiling of God, impassively watching and waiting on the fate of Humankind. Their painting demonstrates, more than any other figures on the ceiling, Michelangelo's mastery of anatomy and foreshortening and his enormous powers of invention. In their reflection of classical antiquity they resonate with Pope Julius' aspirations to lead Italy towards a new 'age of gold'; at the same time, they staked Michelangelo's claim to greatness. However, a number of critics were angered by their presence and nudity, including Pope Adrian VI who wanted the ceiling stripped. Michelangelo was the artistic heir to the great 15th-century sculptors and painters of Florence.
Restoration of the Sistine Chapel frescoes out of the gloom above the lunette of Jesse. Arguimbau says: Richard Serrin, in an essay entitled "Lies and Misdemeanors: Gianluigi Colalucci's Sistine Chapel Revisited" says: Carlo Pietrangeli, former Director General of the Vatican Museums, writes of the restoration: "It is like opening a window in a dark room and seeing it flooded with light." His words resonate with those of Giorgio Vasari who, in the 16th century, said of the Sistine Chapel ceiling: Pietrangeli, in his foreword to "The Sistine Chapel", written after the restoration of the lunettes, but prior to the restoration of the ceiling, commends those who