Romanticism in Spanish literature with works like "A la vejez viruelas" ("To the ancient smallpox"), "Muérete y verás" ("Die and you will see") and "El pelo de la dehesa" ("The hair of the grove"). He satirized Romanticism, though some of its characteristics appear in his comedies, as in "Muérete y verás". During the second half of the nineteenth century, the movement's pre-existing interests in history and legend entered a new stage, and poetry became more sentimental and intimate. This change was due to the influence of German poetry and a renewed popular interest in Spanish poetry. The Postromantic school departed significantly from its other
Black Legend of the Spanish Inquisition power and local coalitions to dispute Royal power were an important part of this cohesion as well. It investigated nobles who wished to put their own local interests over the interests of the crown, and the Pope's desires to intervene and gain control over the Empire, usually with the aid of foreign powers (here is where the religious aspect comes and mixes since said powers usually were Protestant). As an independent body from the Pope, the Spanish Inquisition also had the ability to judge clergy for both corruption and treason without the interference of the Pope, which allowed the king