Representation of women in Athenian tragedy Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. In a society that valued women’s silence, their predominance in the most public of Athenian art-forms constitutes a paradox. Only one of the surviving 32 plays has no female characters: Sophocles' "Philoctetes". Female tragic choruses also outnumber the male choruses by twenty-one to ten. Macaria, in the "Heracleidae" states that "for a woman, silence and self control are best." The philosopher Xenophon thought
Oedipus rex (opera) dead but turned to stone." "Oedipus rex" is sometimes performed in the concert hall as an oratorio, similarly to its original performance in the Théâtre Sarah Bernhardt in Paris on 30 May 1927, and at its American premiere the following year, given by the Boston Symphony Orchestra and the Harvard Glee Club. It has also been presented on stage as an opera, the first such performance being at the Vienna State Opera on 23 February 1928. It was subsequently presented three times by the Santa Fe Opera in 1960, 1961, and 1962 with the composer in attendance. In January 1962