Rococo became popular for furniture, along with walnut wood. The Rococo began to make an appearance in England between 1740 and 1750. The furniture of Thomas Chippendale was the closest to the Rococo style, In 1754 he published "Gentleman's and Cabinet-makers' directory", a catalog of designs for rococo, "chinoiserie" and even Gothic furniture, which achieved wide popularity, going through three editions. Unlike French designers, Chippendale did not employ marquetry or inlays in his furniture. The predominant designer of inlaid furniture were Vile and Cob, the cabinet-makers for King George III. Another important figure in British furniture was Thomas Johnson, who in
Paris in the 18th century tight short trouser attached below the knee to silk stockings. The Revolutionaries and poor mocked the rich by calling themselves the "sans-culottes", those without culottes. With the Revolution and the disappearance of the aristocrats, men's clothing became less colorful and more sober, and women's clothing began to imitate the popular view of the clothing of ancient Rome and Greece, in keeping with the revolutionary ideals of the new French Republic. During most of the 18th century, the Parisian economy was based on thousands of small workshops, where skilled artisans produced products. The workshops were clustered in particular neighborhoods; furniture makers