Restoration of the Sistine Chapel frescoes paintings as if we had been given the chance of being present when they were first shown." Other writers were less flattering. Andrew Wordsworth of "The Independent", London, expressed the major point of concern: This crucial matter was also emphasised by Beck and defined in very clearly expressed terms on the website of the artist, Peter Layne Arguimbau. That part of the restoration in the Sistine Chapel which has caused the most concern is the ceiling, painted by Michelangelo. The emergence of the brightly coloured Ancestors of Christ from the gloom sparked a reaction of fear that the processes being
Ceiling Painting/Yes Painting affirmation has been likened by Ono to the intimidating stature of a cathedral. The relationship between "Ceiling Painting/Yes Painting" and Ono's 1964 work "Cut Piece" was extensively critiqued by James M. Harding in his essay "Between Material and Matrix: Yoko Ono's "Cut Piece" and the Unmaking of Collage" in his 2012 book of essays, "Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde". Ceiling Painting/Yes Painting Ceiling Painting/Yes Painting is a 1966 conceptual artwork by the Japanese artist Yoko Ono. The work is made from paper, glass, a metal frame, a metal chain, a magnifying glass, and a painted