Representation of women in Athenian tragedy Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. In a society that valued women’s silence, their predominance in the most public of Athenian art-forms constitutes a paradox. Only one of the surviving 32 plays has no female characters: Sophocles' "Philoctetes". Female tragic choruses also outnumber the male choruses by twenty-one to ten. Macaria, in the "Heracleidae" states that "for a woman, silence and self control are best." The philosopher Xenophon thought
Oedipus Rex larger myth obliquely, which was already known to the audience in Athens at the time. The trilogy containing "Oedipus Rex" took second prize in the City Dionysia at its original performance. Aeschylus's nephew Philocles took first prize at that competition. However, in his "Poetics", Aristotle considered "Oedipus Rex" to be the tragedy which best matched his prescription for how drama should be made. Many modern critics agree with Aristotle on the quality of "Oedipus Rex", even if they don't always agree on the reasons. For example, Richard Claverhouse Jebb claimed that "The "Oedipus Tyrannus" is in one sense the masterpiece