Oedipus rex (opera) techniques from past classical styles and from popular styles of the day as well. However, Stravinsky purposely mismatches the text subjects (in Latin) with its corresponding musical accompaniment. Bernstein even goes so far as to link the opening four-note motif sung by the chorus to a specific sung quote in Verdi's "Aida". The idea parallel of "power and pity" reigns in both operas even though the specific subject matters are quite different. Notes Sources Oedipus rex (opera) Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's
Oedipus rex (opera) dead but turned to stone." "Oedipus rex" is sometimes performed in the concert hall as an oratorio, similarly to its original performance in the Théâtre Sarah Bernhardt in Paris on 30 May 1927, and at its American premiere the following year, given by the Boston Symphony Orchestra and the Harvard Glee Club. It has also been presented on stage as an opera, the first such performance being at the Vienna State Opera on 23 February 1928. It was subsequently presented three times by the Santa Fe Opera in 1960, 1961, and 1962 with the composer in attendance. In January 1962