Sistine Chapel ceiling Church as the agent of God. To be outside the Church was to be beyond "Salvation". In the ceiling of the Sistine Chapel, Michelangelo presented both Catholic and Humanist elements in a way that does not appear visually conflicting. The inclusion of "non-biblical" figures such as the Sibyls or "Ignudi" is consistent with the rationalising of Humanist and Christian thought of the Renaissance. This rationalisation was to become a target of the Counter Reformation. The iconography of the ceiling has had various interpretations in the past, some elements of which have been contradicted by modern scholarship. Others, such as the
Sistine Chapel ceiling to a strongly projecting painted cornice that runs right around the ceiling, separating the pictorial areas of the biblical scenes from the figures of Prophets, Sibyls, and Ancestors, who literally and figuratively support the narratives. Ten broad painted crossribs of travertine cross the ceiling and divide it into alternately wide and narrow pictorial spaces, a grid that gives all the figures their defined place. A great number of small figures are integrated with the painted architecture, their purpose apparently purely decorative. These include two faux marble "putti" below the cornice on each rib, each one a male and female pair;