The Captive (painting) traveller from a hostile country. The pose of the model in Wright's first painting is the same as that used by Michelangelo when painting "The Creation of Adam" on the ceiling of the Sistine Chapel. And the first "captive" painting was made by Wright while in Rome in 1774. After its completion he had to import it back into Britain; Llewellyn Jewitt records that he nearly imported it free of tax but a late objection obliged him to pay import tax. The debate focused on whether the sitter was Roman and it was argued that the sitter should have been
Sistine Chapel ceiling God, he was swallowed by a "mighty fish". He spent three days in its belly and was eventually spewed up on dry land where he went about God's business. Jonah was thus seen as presaging Jesus, who having died by crucifixion, spent part of three days in a tomb and was raised on the third day. So, on the ceiling of the Sistine Chapel, Jonah, with the "great fish" beside him and his eyes turned towards God the Creator, represents a "portent" of the Passion and Resurrection of Christ. The Jonah figure placed right over the altar activated the Passion