Representation of women in Athenian tragedy Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. In a society that valued women’s silence, their predominance in the most public of Athenian art-forms constitutes a paradox. Only one of the surviving 32 plays has no female characters: Sophocles' "Philoctetes". Female tragic choruses also outnumber the male choruses by twenty-one to ten. Macaria, in the "Heracleidae" states that "for a woman, silence and self control are best." The philosopher Xenophon thought
Representation of women in Athenian tragedy worried "about the ethical damage caused by the representation of 'womanish' emotions in tragedy." Plato unsurprisingly excludes poetry, embodied by the figure of a woman, from his ideal city-state. The Athenians however thought it important to place on "display those feature[s] of human experience that inspire terror, sorrow and rejection, and they accomplished their mission by giving women visibility and a powerful voice." Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well.