Sistine Chapel ceiling of God, impassively watching and waiting on the fate of Humankind. Their painting demonstrates, more than any other figures on the ceiling, Michelangelo's mastery of anatomy and foreshortening and his enormous powers of invention. In their reflection of classical antiquity they resonate with Pope Julius' aspirations to lead Italy towards a new 'age of gold'; at the same time, they staked Michelangelo's claim to greatness. However, a number of critics were angered by their presence and nudity, including Pope Adrian VI who wanted the ceiling stripped. Michelangelo was the artistic heir to the great 15th-century sculptors and painters of Florence.
Restoration of the Sistine Chapel frescoes the summer and winter months so that changes to the atmospheric environment occur gradually. The air near the ceiling is kept at a temperate level, while the air in the lower section of the building is cooler and circulates more rapidly, with the effect that dirt particles fall towards the floor rather than being streamed upwards. Bacteria and chemical pollutants are filtered out. Environmental specifications: When the restoration of the Sistine Chapel was announced, it sparked a barrage of queries and objections from art historians around the world. One of the most vocal of these critics was James Beck, of