Sistine Chapel ceiling Elijah's role as a prophet was one marked by accusation and warnings to repent, and the purpose of his translation into Heaven was traditionally seen as so that he might stand before God to condemn Israel for its sins. In four of the five most highly finished "medallions" the space is crowded with figures in violent action, similar to Michelangelo's cartoon for the "Battle of Cascina". The application of gold on the shields, in contrast to its absence on the rest of the ceiling, serves to link the ceiling to some extent with the frescoes around the walls. In the
Ceiling Painting/Yes Painting affirmation has been likened by Ono to the intimidating stature of a cathedral. The relationship between "Ceiling Painting/Yes Painting" and Ono's 1964 work "Cut Piece" was extensively critiqued by James M. Harding in his essay "Between Material and Matrix: Yoko Ono's "Cut Piece" and the Unmaking of Collage" in his 2012 book of essays, "Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde". Ceiling Painting/Yes Painting Ceiling Painting/Yes Painting is a 1966 conceptual artwork by the Japanese artist Yoko Ono. The work is made from paper, glass, a metal frame, a metal chain, a magnifying glass, and a painted