Representation of women in Athenian tragedy Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. In a society that valued women’s silence, their predominance in the most public of Athenian art-forms constitutes a paradox. Only one of the surviving 32 plays has no female characters: Sophocles' "Philoctetes". Female tragic choruses also outnumber the male choruses by twenty-one to ten. Macaria, in the "Heracleidae" states that "for a woman, silence and self control are best." The philosopher Xenophon thought
Representation of women in Athenian tragedy of him is motivated by a range of male abuses. Medea becomes the aggressor when her husband Jason plans a new more advantageous marriage. There is also a theme running through the plays based on the setting. Performed in open-air theatres, Classical Athenian tragedy was set outside the private sphere of the home. Indeed, Euripides was notorious for "taking the streets, the bedroom, into tragedy" and thereby reducing its remoteness. In "Hippolytus", Phaedra first appears, carried out of the house by her servants, demanding open air, in order to declare her love for her stepson and thus the spiral of