Representation of women in Athenian tragedy Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. In a society that valued women’s silence, their predominance in the most public of Athenian art-forms constitutes a paradox. Only one of the surviving 32 plays has no female characters: Sophocles' "Philoctetes". Female tragic choruses also outnumber the male choruses by twenty-one to ten. Macaria, in the "Heracleidae" states that "for a woman, silence and self control are best." The philosopher Xenophon thought
Oedipus rex (opera) bandits at the crossing of three roads. This frightens Oedipus further: he recalls killing an old man at a crossroads before coming to Thebes. A messenger arrives: King Polybus of Corinth, whom Oedipus believes to be his father, has died. However, it is now revealed that Polybus was only the foster-father of Oedipus, who had been, in fact, a foundling. An ancient shepherd arrives: it was he who had found the child Oedipus in the mountains. Jocasta, realizing the truth, flees. At last, the messenger and shepherd state the truth openly: Oedipus is the child of Laius and Jocasta, killer