Sistine Chapel ceiling motif. "When Perugino's altar painting was removed and ... "Last Judgement" fresco came to cover the altar wall", after at least twenty five years Michelangelo depicted Christ just below Jonah: not only for his role as precursor of Christ, Christianity and Christocentrism, but also because his powerful torsion of the body, bent backwards from the bust to the eyes and with his forefingers that now point the glorious Jesus to the characters of the ceiling, assumes a function of link between the Old and New Testament. In Vasari's description of the Prophets and Sibyls he is particularly high in his
Restoration of the Sistine Chapel frescoes to the Last Judgment. The restoration was unveiled by Pope John Paul II on 8 April 1994. The final stage was the restoration of the wall frescoes, approved in 1994 and unveiled on 11 December 1999. The aims of the conservators were as follows: In 1979 Colalucci undertook a series of experiments to discover the right approach for the restoration of the frescoes of the Sistine Chapel. The investigation began by testing small areas of the wall fresco, "Conflict over the Body of Moses" by Matteo de Lecce, which had similar physical and chemical attributes to the painting techniques employed