Oedipus (Dryden play) a Tragedy" was regarded as the climax of Dryden's dramatic work. Charles Gildon, however, who revised many of Gerard Langbaine's articles in the manual on English Drama "An Account of the English Dramatick Poets", harshly criticised "Oedipus, a Tragedy", saying: The most understanding Judges wish they [i.e. Dryden/Lee] had followed Sophocles yet closer, it had then been the best of our Modern Plays, as ‘tis of the Ancients: but as it is, they have destroyed the Character of Oedipus… It remains uncertain which parts of this play were written by Dryden and by Lee. According to "The London Stage", Dryden
Representation of women in Athenian tragedy worried "about the ethical damage caused by the representation of 'womanish' emotions in tragedy." Plato unsurprisingly excludes poetry, embodied by the figure of a woman, from his ideal city-state. The Athenians however thought it important to place on "display those feature[s] of human experience that inspire terror, sorrow and rejection, and they accomplished their mission by giving women visibility and a powerful voice." Representation of women in Athenian tragedy The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well.