Oedipus (Dryden play) a Tragedy" was regarded as the climax of Dryden's dramatic work. Charles Gildon, however, who revised many of Gerard Langbaine's articles in the manual on English Drama "An Account of the English Dramatick Poets", harshly criticised "Oedipus, a Tragedy", saying: The most understanding Judges wish they [i.e. Dryden/Lee] had followed Sophocles yet closer, it had then been the best of our Modern Plays, as ‘tis of the Ancients: but as it is, they have destroyed the Character of Oedipus… It remains uncertain which parts of this play were written by Dryden and by Lee. According to "The London Stage", Dryden
Oedipus rex (opera) dead but turned to stone." "Oedipus rex" is sometimes performed in the concert hall as an oratorio, similarly to its original performance in the Théâtre Sarah Bernhardt in Paris on 30 May 1927, and at its American premiere the following year, given by the Boston Symphony Orchestra and the Harvard Glee Club. It has also been presented on stage as an opera, the first such performance being at the Vienna State Opera on 23 February 1928. It was subsequently presented three times by the Santa Fe Opera in 1960, 1961, and 1962 with the composer in attendance. In January 1962