Florentine painting painters are drawn together. The rounded forms and luminous colours of Perugino, the lifelike portraiture of Ghirlandaio, the realism and lighting of Leonardo and the powerful draughtsmanship of Michelangelo became unified in the paintings of Raphael. In his short life he executed a number of large altarpieces, an impressive Classical fresco of the sea nymph, Galatea, outstanding portraits with two popes and a famous writer among them, and, while Michelangelo was painting the Sistine Chapel ceiling, a series of wall frescoes in the Vatican chambers nearby, of which "the School of Athens" is uniquely significant. This fresco depicts a meeting
Illusionistic ceiling painting Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art—art designed to create accurate representations of reality. Di sotto in sù (or "sotto in su"), which means "seen from below" or "from below, upward" in Italian, developed in late Quattrocento Italian Renaissance painting, notably in Andrea Mantegna's Camera degli Sposi in Mantua and in frescoes by Melozzo da Forlì. Italian terminology for this technique reflects the latter artist's influence and is called "prospettiva melozziana", or "Melozzo's perspective". Another notable use is by Antonio da Correggio in the Duomo of Parma, which foreshadows Baroque grandeur. The technique