Oedipus Rex unconditional (Laius "will" have a son who will kill him). Both Aeschylus and Euripides write plays in which the oracle is conditional; Sophocles ... chooses to make Laius's oracle unconditional and thus removes culpability for his sins from Oedipus, for he could not have done other than what he did, no matter what action he took. This interpretation is supported by Jocasta's repetition of the oracle at lines 854–55: "Loxias declared that the king should be killed by/ his own son." In the Greek, Jocasta uses the verb "chrênai": "to be fated, necessary." This iteration of the oracle seems to
Oedipus rex (opera) of his father, husband of his mother. Shattered, Oedipus leaves. The messenger reports the death of Jocasta: she has hanged herself in her chambers. Oedipus breaks into her room and puts out his eyes with her pin. He departs Thebes forever as the chorus at first vents their anger, and then mourns the loss of the king they loved. Many insights to this opera are found in Leonard Bernstein's analysis of it in his sixth and last Norton lecture from 1973. Bernstein stated that "Oedipus Rex" is the most "awesome product" of Stravinsky's neoclassical period. Much of the music borrows