Oedipus Rex unconditional (Laius "will" have a son who will kill him). Both Aeschylus and Euripides write plays in which the oracle is conditional; Sophocles ... chooses to make Laius's oracle unconditional and thus removes culpability for his sins from Oedipus, for he could not have done other than what he did, no matter what action he took. This interpretation is supported by Jocasta's repetition of the oracle at lines 854–55: "Loxias declared that the king should be killed by/ his own son." In the Greek, Jocasta uses the verb "chrênai": "to be fated, necessary." This iteration of the oracle seems to
Representation of women in Athenian tragedy of him is motivated by a range of male abuses. Medea becomes the aggressor when her husband Jason plans a new more advantageous marriage. There is also a theme running through the plays based on the setting. Performed in open-air theatres, Classical Athenian tragedy was set outside the private sphere of the home. Indeed, Euripides was notorious for "taking the streets, the bedroom, into tragedy" and thereby reducing its remoteness. In "Hippolytus", Phaedra first appears, carried out of the house by her servants, demanding open air, in order to declare her love for her stepson and thus the spiral of