Sistine Chapel ceiling motif. "When Perugino's altar painting was removed and ... "Last Judgement" fresco came to cover the altar wall", after at least twenty five years Michelangelo depicted Christ just below Jonah: not only for his role as precursor of Christ, Christianity and Christocentrism, but also because his powerful torsion of the body, bent backwards from the bust to the eyes and with his forefingers that now point the glorious Jesus to the characters of the ceiling, assumes a function of link between the Old and New Testament. In Vasari's description of the Prophets and Sibyls he is particularly high in his
Sistine Chapel ceiling God, he was swallowed by a "mighty fish". He spent three days in its belly and was eventually spewed up on dry land where he went about God's business. Jonah was thus seen as presaging Jesus, who having died by crucifixion, spent part of three days in a tomb and was raised on the third day. So, on the ceiling of the Sistine Chapel, Jonah, with the "great fish" beside him and his eyes turned towards God the Creator, represents a "portent" of the Passion and Resurrection of Christ. The Jonah figure placed right over the altar activated the Passion