Oedipus (Dryden play) a Tragedy" was regarded as the climax of Dryden's dramatic work. Charles Gildon, however, who revised many of Gerard Langbaine's articles in the manual on English Drama "An Account of the English Dramatick Poets", harshly criticised "Oedipus, a Tragedy", saying: The most understanding Judges wish they [i.e. Dryden/Lee] had followed Sophocles yet closer, it had then been the best of our Modern Plays, as ‘tis of the Ancients: but as it is, they have destroyed the Character of Oedipus… It remains uncertain which parts of this play were written by Dryden and by Lee. According to "The London Stage", Dryden
Theatre puppetry and "ta'ziya" theatre. Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning "action", which is derived from the verb δράω, "dráō", "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy "Hamlet" (1601) by Shakespeare and the classical Athenian tragedy "Oedipus Rex" (c. 429 BCE)