Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
Swietenia mahagoni said to have been interested in samples of mahogany brought by Sir Walter Raleigh on his return from Trinidad in 1595. Mahogany was little used in English furniture making until the 18th century, as domestic oak and walnut were the predominant woods used. The first use of "S. mahagoni" in the United Kingdom for cabinet work was in 1724. Mahogany became the essential material that led to the golden age of British furniture-making in the 18th century, which Percy Macquoid, a connoisseur of English furniture, calls the "Age of Mahogany". Furniture makers have used the wood more or less continuously