Sistine Chapel ceiling and the relatively conservative concept of the relationship between Eve and her Creator adheres closely to Jacopo's design. Other panels on the ceiling, most particularly the iconic "Creation of Adam" show "... unprecedented invention". The ceiling of the Sistine Chapel was to have a profound effect upon other artists, even before it was completed. Vasari, in his Life of Raphael, tells us that Bramante, who had the keys to the chapel, let Raphael in to examine the paintings in Michelangelo's absence. On seeing Michelangelo's prophets, Raphael went back to the picture of the Prophet Isaiah that he was painting on
Sanctuary of Atotonilco Barajas over a period of thirty years with almost no free space left among the numerous images. The style of the painting imitates Flemish painting which was known through Belgian prints that the Spanish brought over from Europe. This mural work has led the complex to be called the “Sistine Chapel of America ” or the “Sistine Chapel of Mexico.” Along the main nave of the church, especially along the ceiling, the story of Jesus’s ministry and death according to the Gospels are told. At the entrance area, there are images related to the Last Judgment. In the highest part