Oedipus rex (opera) techniques from past classical styles and from popular styles of the day as well. However, Stravinsky purposely mismatches the text subjects (in Latin) with its corresponding musical accompaniment. Bernstein even goes so far as to link the opening four-note motif sung by the chorus to a specific sung quote in Verdi's "Aida". The idea parallel of "power and pity" reigns in both operas even though the specific subject matters are quite different. Notes Sources Oedipus rex (opera) Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's
Oedipus Rex crossroads causes Oedipus to pause and ask for more details. He asks Jocasta what Laius looked like, and Oedipus suddenly becomes worried that Tiresias's accusations were true. Oedipus then sends for the one surviving witness of the attack to be brought to the palace from the fields where he now works as a shepherd. Jocasta, confused, asks Oedipus what the matter is, and he tells her. Many years ago, at a banquet in Corinth, a man drunkenly accused Oedipus of not being his father's son. Oedipus went to Delphi and asked the oracle about his parentage. Instead of answers he