Ceiling by the damage from smoke from candles or a fireplace. Many historic buildings have celebrated ceilings. Perhaps the most famous is the Sistine Chapel ceiling by Michelangelo. Ceiling height may have psychological impacts. The most common ceiling that contributes to fire-resistance ratings in commercial and residential construction is the dropped ceiling. In the case of a dropped ceiling, the rating is achieved by the entire system, which is both the structure above, from which the ceilings is suspended, which could be a concrete floor or a timber floor, as well as the suspension mechanism and, finally the lowest membrane or
Ceiling Painting/Yes Painting affirmation has been likened by Ono to the intimidating stature of a cathedral. The relationship between "Ceiling Painting/Yes Painting" and Ono's 1964 work "Cut Piece" was extensively critiqued by James M. Harding in his essay "Between Material and Matrix: Yoko Ono's "Cut Piece" and the Unmaking of Collage" in his 2012 book of essays, "Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde". Ceiling Painting/Yes Painting Ceiling Painting/Yes Painting is a 1966 conceptual artwork by the Japanese artist Yoko Ono. The work is made from paper, glass, a metal frame, a metal chain, a magnifying glass, and a painted