Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
Cabriole leg in about the year 1750 with the advent of Chippendale furniture design; while Chippendale chairs adopted the cabriole leg, the leg design became more delicate than those of the Queen Anne Style. American designs arose by the mid-18th century, imitating the English Queen Anne Style and borrowing elements from all three sub-periods of its development in England: Queen Anne period (1702–1714), George I period (1714–1727) and George II period (1727–1760). To demonstrate the central role of the cabriole leg in this period of American furniture, this period "has frequently been called the cabriole period, and this is no misnomer, since