Thomas Chippendale Consequently, recognisably "Chippendale" furniture was produced in Dublin, Philadelphia, Lisbon, Copenhagen and Hamburg. Catherine the Great and Louis XVI both possessed copies of the "Director" in its French edition. The Director shows four main styles: English with deep carving, elaborate French rococo in the style of Louis XV furniture, Chinese style with latticework and lacquer, and Gothic with pointed arches, quatrefoils and fret-worked legs. His favourite wood was mahogany; in seat furniture he always used solid wood rather than veneers. The workshop was continued by his son, Thomas Chippendale, the younger (1749–1822), who worked in the later Neoclassical and Regency
Metamorphic library steps ceilings and floor-to-ceiling bookshelves. The topmost shelves were difficult to reach, so movable library steps or library stairs were created as a form of domestic furniture. During the second half of the 18th century a succession of talented German-born cabinet-makers passed through the French courts. Jean-François Oeben, Jean-Henri Riesener and David Roentgen had successively introduced the courts of Louis XV and Louis XVI to a wide range of finely made and exquisitely finished mechanical furniture. The ingenuity of these cabinet-makers, especially David Roentgen who became master cabinet-maker to Marie Antoinette, led to a fascination for "meubles à surprises" ('surprise furniture').