Cellarette that the word "cellarette" came into use during the eighteenth century at the time of cabinetmaker George Hepplewhite. In Hepplewhite's 1794 "The Cabinet-Maker and Upholsterer's Guide" he demonstrates cellarettes as being octagonal and elliptical shaped with internal compartments for bottles of wine and liquor. Renowned eighteenth century Charleston, South Carolina, furniture craftsman Thomas Elfe made several "Mahogany Cases for bottles with brass handles" for £12. In 1803, furniture designer Thomas Sheraton described the piece as: "Cellaret, amongst cabinet makers, denotes a convenience for wine, or wine cistern. In the eighteenth century a cellarette was sometimes referred to as a "Mahogany
Flax and Wool Cabinet Mordaunt Crook in the 2012 reissue of his book "William Burges and the High Victorian Dream" as the simplest of the five pieces that Yatman commissioned from Burges between 1855 and 1859, and that its design is "nothing if not plain-spoken" with "quaintly Arcadian" symbolism. Cook speculates that the colouring on the cabinet might have been decorated with gold. Flax and Wool Cabinet The Flax and Wool Cabinet or the Flax and Wool Wardrobe is a large piece of painted furniture designed by the English architect and designer William Burges. It may have been the first large piece of painted