Kommos (theatre) having blinded himself in Sophocles' "Oedipus Rex" (c.429 BCE), and the exchange between Orestes, Electra and the chorus immediately after Clytemnestra's murder in Euripides' "Electra" (c.410 BCE). Kommos (theatre) A kommos (from Greek κομμός, "kommós", literally "striking", especially "beating of the head and breast in mourning") is a lyrical song of lamentation in an Athenian tragedy that the chorus and a dramatic character sing together. A kommos occurs "when the tension of the play rises to a climax of grief or horror or joy". Examples include the final section (lines 908-1077) of Aeschylus' "The Persians" (472 BCE) in which Xerxes
Oedipus Rex larger myth obliquely, which was already known to the audience in Athens at the time. The trilogy containing "Oedipus Rex" took second prize in the City Dionysia at its original performance. Aeschylus's nephew Philocles took first prize at that competition. However, in his "Poetics", Aristotle considered "Oedipus Rex" to be the tragedy which best matched his prescription for how drama should be made. Many modern critics agree with Aristotle on the quality of "Oedipus Rex", even if they don't always agree on the reasons. For example, Richard Claverhouse Jebb claimed that "The "Oedipus Tyrannus" is in one sense the masterpiece