Rome Raphael, who in Rome became one of the most famous painters of Italy, created frescoes in the Villa Farnesina, the Raphael's Rooms, plus many other famous paintings. Michelangelo started the decoration of the ceiling of the Sistine Chapel and executed the famous statue of the Moses for the tomb of Julius II. Rome lost in part its religious character, becoming increasingly a true Renaissance city, with a great number of popular feasts, horse races, parties, intrigues and licentious episodes. Its economy was rich, with the presence of several Tuscan bankers, including Agostino Chigi, who was a friend of Raphael and
Illusionistic ceiling painting Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art—art designed to create accurate representations of reality. Di sotto in sù (or "sotto in su"), which means "seen from below" or "from below, upward" in Italian, developed in late Quattrocento Italian Renaissance painting, notably in Andrea Mantegna's Camera degli Sposi in Mantua and in frescoes by Melozzo da Forlì. Italian terminology for this technique reflects the latter artist's influence and is called "prospettiva melozziana", or "Melozzo's perspective". Another notable use is by Antonio da Correggio in the Duomo of Parma, which foreshadows Baroque grandeur. The technique