Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
Deism in England and France in the 18th century Deism equals atheism. This misunderstanding of Deism is not a contemporary issue but it goes back to the seventeenth century as J. M. Robertson explains: "Before deism came into English vogue, the names for unbelief were simply 'infidelity' and 'atheism'- e.g. Baxter's Unreasonableness of Infidelity (1655) ... Bishop Stillingfleet's Origines Sacrae deals chiefly with deistic views, but calls unbelievers in general 'atheists'... ". So, the term 'atheism' was used as a basis for rational critique before the term 'Deism' being used. But by the first half of the 18th century, when English Deism had explicitly become an intellectual movement, the