Oedipus Rex unconditional (Laius "will" have a son who will kill him). Both Aeschylus and Euripides write plays in which the oracle is conditional; Sophocles ... chooses to make Laius's oracle unconditional and thus removes culpability for his sins from Oedipus, for he could not have done other than what he did, no matter what action he took. This interpretation is supported by Jocasta's repetition of the oracle at lines 854–55: "Loxias declared that the king should be killed by/ his own son." In the Greek, Jocasta uses the verb "chrênai": "to be fated, necessary." This iteration of the oracle seems to
Theatre puppetry and "ta'ziya" theatre. Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning "action", which is derived from the verb δράω, "dráō", "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy "Hamlet" (1601) by Shakespeare and the classical Athenian tragedy "Oedipus Rex" (c. 429 BCE)