Sistine Chapel ceiling motif. "When Perugino's altar painting was removed and ... "Last Judgement" fresco came to cover the altar wall", after at least twenty five years Michelangelo depicted Christ just below Jonah: not only for his role as precursor of Christ, Christianity and Christocentrism, but also because his powerful torsion of the body, bent backwards from the bust to the eyes and with his forefingers that now point the glorious Jesus to the characters of the ceiling, assumes a function of link between the Old and New Testament. In Vasari's description of the Prophets and Sibyls he is particularly high in his
Descent from Mount Sinai (Sistine Chapel) it: the position of some of them, painted from behind, was usually used for negative characters, such as Judas Iscariot in the "Last Supper". Once seeing that, Moses, in the center, gets angry and breaks the Tables on the ground. On the right background is the punishment of the idolatrous and the receiving of the new Tables. Joshua, in the blue and yellow, appears with Moses. Descent from Mount Sinai (Sistine Chapel) The Descent from Mount Sinai is a fresco by the Italian Renaissance painter Cosimo Rosselli and his assistants, executed in 1481–1482 and located in the Sistine Chapel, Rome.