Kommos (theatre) having blinded himself in Sophocles' "Oedipus Rex" (c.429 BCE), and the exchange between Orestes, Electra and the chorus immediately after Clytemnestra's murder in Euripides' "Electra" (c.410 BCE). Kommos (theatre) A kommos (from Greek κομμός, "kommós", literally "striking", especially "beating of the head and breast in mourning") is a lyrical song of lamentation in an Athenian tragedy that the chorus and a dramatic character sing together. A kommos occurs "when the tension of the play rises to a climax of grief or horror or joy". Examples include the final section (lines 908-1077) of Aeschylus' "The Persians" (472 BCE) in which Xerxes
Tragedy imagination which was ‘so encompassing, so receptive to the plurality of diverse orders of experience.’ When compared to the drama of Greek antiquity and French classicism Shakespeare’s forms are ‘richer but hybrid'. Aristotle wrote in his work "Poetics" that tragedy is characterised by seriousness and involves a great person who experiences a reversal of fortune ("Peripeteia"). Aristotle's definition can include a change of fortune from bad to good as in the "Eumenides", but he says that the change from good to bad as in "Oedipus Rex" is preferable because this induces pity and fear within the spectators. Tragedy results in