Captain America: The First Avenger (soundtrack) like that, filled with basic pleasures, and Silvestri’s work here succeeds on that mark with aplomb." A review in Allmusic commented, "Appropriately stoic and expansive, the main theme for "Captain America: The First Avenger" feels both familiar and iconic, arriving early in the soundtrack (as all good superhero themes must) on a foundation of rolling military snares, sepia-toned brass, and long strings that evoke an endless sea of amber waves of grain. It’s enjoyable and effective, but not groundbreaking, which pretty much sums up the score as a whole. Bombastic, melodramatic, and steeped in late-'70s/early-'80s big-budget adventure cinema, the Captain
Captain America: The Winter Soldier going to seem dirty and underhanded and shifty, and people won't be telling the truth." "Three Days of the Condor" in particular was used as the main source of the script structure, following the idea that the protagonist is being chased by a threat they, along with the audience, only discover halfway through the film. The writers felt this approach was similar to how Stan Lee reinvented Captain America in the 1960s and 1970s, with "the Captain dealing with all sorts of the same things that the country [was] dealing with–Vietnam, Watergate and all that stuff–so he gets to have