Thomas Chippendale Consequently, recognisably "Chippendale" furniture was produced in Dublin, Philadelphia, Lisbon, Copenhagen and Hamburg. Catherine the Great and Louis XVI both possessed copies of the "Director" in its French edition. The Director shows four main styles: English with deep carving, elaborate French rococo in the style of Louis XV furniture, Chinese style with latticework and lacquer, and Gothic with pointed arches, quatrefoils and fret-worked legs. His favourite wood was mahogany; in seat furniture he always used solid wood rather than veneers. The workshop was continued by his son, Thomas Chippendale, the younger (1749–1822), who worked in the later Neoclassical and Regency
Cabinet of curiosities YouTube as modern-day wunderkammern, although in danger of being refined into capitalist institutions "just as professionalized curators refined Wunderkammers into the modern museum in the 18th century." Historic cabinets Modern "cabinets" Cabinet of curiosities Cabinets of curiosities (also known in German loanwords as Kunstkabinett, Kunstkammer or Wunderkammer; also Cabinets of Wonder, and wonder-rooms) were notable collections of objects. The term "cabinet" originally described a room rather than a piece of furniture. Modern terminology would categorize the objects included as belonging to natural history (sometimes faked), geology, ethnography, archaeology, religious or historical relics, works of art (including cabinet paintings), and antiquities.