Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
Stiftsgården later. Most of it was acquired for the planned coronation of King Oscar I and Queen Josephine in the 1840s and the coronation of King Haakon VII and Queen Maud in 1906. The many pieces of Biedermeier furniture were made in Trondheim in the 1840s. The Hepplewhite-style furniture in the Chinese Cabinet was acquired in Paris for the coronation in 1906. The King’s Study is furnished with a set of Chippendale-style furniture designed by architect and crafted by cabinet maker A. Kvenild for the same occasion. The furniture of the Queen’s salon was created in the style of Louis XVI