Phaedra (Alexandre Cabanel) the result of Cabanel's time spent painting in Italy, influencing his decorative works commissions. Cabanel received the Prix de Rome award for his accomplishments in history painting in 1845. He spent the next five years in Rome, absorbing the dramatic Renaissance and Baroque works that permeate the city. Upon his return to Paris, Cabanel was commissioned to help decorate the Salon des Cariatides in the Hôtel de Ville. The final work was destroyed, but his cartoons show influences of Michelangelo's heroic and thoughtful figures of the Sistine Chapel ceiling, Raphael's introspective philosophers and mathematicians of the "School of Athens", and
Ceiling Painting/Yes Painting affirmation has been likened by Ono to the intimidating stature of a cathedral. The relationship between "Ceiling Painting/Yes Painting" and Ono's 1964 work "Cut Piece" was extensively critiqued by James M. Harding in his essay "Between Material and Matrix: Yoko Ono's "Cut Piece" and the Unmaking of Collage" in his 2012 book of essays, "Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde". Ceiling Painting/Yes Painting Ceiling Painting/Yes Painting is a 1966 conceptual artwork by the Japanese artist Yoko Ono. The work is made from paper, glass, a metal frame, a metal chain, a magnifying glass, and a painted