Oedipus Rex of an unbearable self for which one is not responsible. Edith Hall referred to "Oedipus the King" as "this definitive tragedy" and notes that "the magisterial subtlety of Sophocles' characterization thus lend credibility to the breathtaking coincidences," and notes the irony that "Oedipus can only fulfill his exceptional god-ordained destiny because Oedipus is a preeminently capable and intelligent human being." H. D. F. Kitto said about "Oedipus Rex" that "it is true to say that the perfection of its form implies a world order," although Kitto notes that whether or not that world order "is beneficent, Sophocles does not say."
Representation of women in Athenian tragedy of him is motivated by a range of male abuses. Medea becomes the aggressor when her husband Jason plans a new more advantageous marriage. There is also a theme running through the plays based on the setting. Performed in open-air theatres, Classical Athenian tragedy was set outside the private sphere of the home. Indeed, Euripides was notorious for "taking the streets, the bedroom, into tragedy" and thereby reducing its remoteness. In "Hippolytus", Phaedra first appears, carried out of the house by her servants, demanding open air, in order to declare her love for her stepson and thus the spiral of