The Last Supper (Leonardo da Vinci) Judas, and that if he could not find a face corresponding with what he had in mind, he would use the features of the prior who complained. "The Last Supper" specifically portrays the reaction given by each apostle when Jesus said one of them would betray him. All twelve apostles have different reactions to the news, with various degrees of anger and shock. The apostles are identified from a manuscript ("The Notebooks of Leonardo da Vinci" p. 232) with their names found in the 19th century. (Before this, only Judas, Peter, John and Jesus were positively identified.) From left to
Leonardo da Vinci, A Memory of His Childhood before being "adopted" by the wife of his father Ser Piero. The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardo's heart, because he, in a sense, had 'two mothers' himself. It is worth noting that in both versions of the composition (the Louvre painting and the London cartoon) it is hard to discern whether St. Anne is a full generation older than Mary. Leonardo da Vinci, A Memory of His Childhood Leonardo da Vinci and A Memory of His Childhood () is a 1910 essay by Sigmund Freud about Leonardo da