Commode painted oak, walnut or fruitwoods, with carved decoration, typical of French provincial furniture. In the English-speaking world, "commode" passed into cabinet-makers' parlance in London by the mid-eighteenth century to describe chests of drawers with gracefully curved fronts, and sometimes with shaped sides as well, perceived as being in the "French" taste. Thomas Chippendale employed the term "French Commode Tables" to describe designs in "The Cabinet-Maker and Upholsterer's Director" (1753), and Ince and Mayhew illustrated a "Commode Chest of drawers", plate xliii, in their "Universal System of Household Furniture", 1759–62. John Gloag notes that "Commode" expanded to describe any piece of
European hand fans in the 18th century century. During this time the Worshipful Company of Fan Makers tried to grow the English fan trade, but their success was small in comparison to the French industry. There were two main types of fans seen in Europe during the 18th century: the rigid (or fixed) fan and the folding fan. As its name implies, the rigid fan is stiff. Possible fan shapes are a leaf, a rectangle, or an oval. The fan is attached to a base where it is held. The folding fan was the most popular in Europe during the 18th century, a time known as the