Thomas Chippendale Consequently, recognisably "Chippendale" furniture was produced in Dublin, Philadelphia, Lisbon, Copenhagen and Hamburg. Catherine the Great and Louis XVI both possessed copies of the "Director" in its French edition. The Director shows four main styles: English with deep carving, elaborate French rococo in the style of Louis XV furniture, Chinese style with latticework and lacquer, and Gothic with pointed arches, quatrefoils and fret-worked legs. His favourite wood was mahogany; in seat furniture he always used solid wood rather than veneers. The workshop was continued by his son, Thomas Chippendale, the younger (1749–1822), who worked in the later Neoclassical and Regency
Stiftsgården later. Most of it was acquired for the planned coronation of King Oscar I and Queen Josephine in the 1840s and the coronation of King Haakon VII and Queen Maud in 1906. The many pieces of Biedermeier furniture were made in Trondheim in the 1840s. The Hepplewhite-style furniture in the Chinese Cabinet was acquired in Paris for the coronation in 1906. The King’s Study is furnished with a set of Chippendale-style furniture designed by architect and crafted by cabinet maker A. Kvenild for the same occasion. The furniture of the Queen’s salon was created in the style of Louis XVI