Sistine Chapel ceiling and the relatively conservative concept of the relationship between Eve and her Creator adheres closely to Jacopo's design. Other panels on the ceiling, most particularly the iconic "Creation of Adam" show "... unprecedented invention". The ceiling of the Sistine Chapel was to have a profound effect upon other artists, even before it was completed. Vasari, in his Life of Raphael, tells us that Bramante, who had the keys to the chapel, let Raphael in to examine the paintings in Michelangelo's absence. On seeing Michelangelo's prophets, Raphael went back to the picture of the Prophet Isaiah that he was painting on
Sistine Chapel ceiling God, he was swallowed by a "mighty fish". He spent three days in its belly and was eventually spewed up on dry land where he went about God's business. Jonah was thus seen as presaging Jesus, who having died by crucifixion, spent part of three days in a tomb and was raised on the third day. So, on the ceiling of the Sistine Chapel, Jonah, with the "great fish" beside him and his eyes turned towards God the Creator, represents a "portent" of the Passion and Resurrection of Christ. The Jonah figure placed right over the altar activated the Passion