The Great Caruso Crowther says, "All of the silliest, sappiest clichés of musical biography have been written by Sonya Levien and William Ludwig into the script. And Richard Thorpe has directed in a comparably mawkish, bathetic style." Nearly 40 years after its release, Caruso's son, Enrico, Jr., reminisced that, "Vocally and musically "The Great Caruso" ...has helped many young people discover opera, and even become singers themselves."He added that, "I can think of no other tenor, before or since Mario Lanza, who could have risen with comparable success to the challenge of playing Caruso in a screen biography." The film has also been
Enrico Caruso His successful debut at Covent Garden occurred on 14 May 1902, as the Duke of Mantua in Verdi's "Rigoletto". Covent Garden's highest-paid diva, the Australian soprano Nellie Melba, partnered him as Gilda. They would sing together often during the early 1900s. In her memoirs, Melba praised Caruso's voice but considered him to be a less sophisticated musician and interpretive artist than Jean de Reszke—the Met's biggest tenor drawcard prior to Caruso. In 1903, Caruso made his debut with the Metropolitan Opera in New York City. The gap between his London and New York engagements had been filled by a series