Literary nonsense from a combination of both sources. Though not the first to write this hybrid kind of nonsense, Edward Lear developed and popularized it in his many limericks (starting with "A Book of Nonsense", 1846) and other famous texts such as "The Owl and the Pussycat", "The Dong with a Luminous Nose," "" and "The Story of the Four Little Children Who Went Around the World". Lewis Carroll continued this trend, making literary nonsense a worldwide phenomenon with "Alice's Adventures in Wonderland" (1865) and "Through the Looking-Glass" (1871). Carroll's poem "Jabberwocky", which appears in the latter book, is often considered quintessential
Ulysses (poem) epic tone, and a clear impassioned wisdom quietly carving its sage words and graceful figures on pale but lasting marble." Tennyson's 1842 volume of poetry impressed Scottish writer Thomas Carlyle. Quoting three lines of "Ulysses" in an 1842 letter to Tennyson— <poem> </poem> —Carlyle remarked, "These lines do not make me weep, but there is in me what would fill whole Lachrymatories as I read." English theologian Richard Holt Hutton summarized the poem as Tennyson's "friendly picture of the insatiable craving for new experience, enterprise, and adventure, when under the control of a luminous reason and a self-controlled will." The