The Barber of Seville (Paisiello) The Barber of Seville (Paisiello) Il barbiere di Siviglia, ovvero La precauzione inutile ("The Barber of Seville, or The Useless Precaution") is a comic opera by Giovanni Paisiello from a libretto by Giuseppe Petrosellini, even though his name is not identified on the score's title page. The opera was first performed on 26 September 1782 (old Russian calendar, 15 September) at the Imperial Court, Saint Petersburg. It was adapted from the play "Le Barbier de Séville" of Pierre Beaumarchais. The full title for the opera reads: ""Il barbiere di Siviglia, ovvero La Precauzione inutile, dramma giocoso per musica tradotto liberamente
Critical edition (opera) Critical edition (opera) A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: The emergence of critical editions of many works from the 19th-century Italian operatic repertory did not begin until the 1950s and resulted from the revival of interest from that time forward in the "bel canto" era—early 1800s to approximately 1850 and known as the "primo ottocento"—written by Gioachino Rossini,