Comic opera and humour, Offenbach's works were intended solely to amuse. Though generally well crafted and full of humorous satire and grand opera parodies, plots and characters in his works were often interchangeable. Given the frenetic pace at which he worked, Offenbach sometimes used the same material in more than one opera. Another Frenchman who took up this form was Charles Lecocq (1832–1918). The singspiel developed in 18th-century Vienna and spread throughout Austria and Germany. As in the French "opéra comique", the "singspiel" was an opera with spoken dialogue, and usually a comic subject, such as Mozart's "Die Entführung aus dem Serail
Comic opera Comic opera Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, "opera buffa", emerged as an alternative to "opera seria". It quickly made its way to France, where it became "opéra bouffon", and eventually, in the following century, French "operetta", with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian