Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
Rossini Opera Festival established in 1980 with the aim of making the world more aware of Rossini's neglected operas and presenting all of them in collaboration with the G. Ricordi & Co. music publishing house, which published their critical editions. Of the approximately three dozen operas written, only a handful are regularly presented. On 13 August 1993, the Italian parliament unanimously approved the Special Law N. 319 "Regulations in support of the Rossini Opera Festival", which recognizes the Pesaro Festival's achievements in the reviving of Rossini's operas as entitled to be included among the state-supervised works of restoration of the national artistic heritage.