Gioachino Rossini common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in "Il Barbiere" there is an aria for the Count (often omitted) "Cessa di più resistere", which Rossini used (with minor changes) in the cantata "Le Nozze di Teti e di Peleo" and in "La Cenerentola" (the cabaletta for Angelina's rondo is almost unchanged). Moreover, four of his best known overtures ("La cambiale di matrimonio", "Tancredi", "La Cenerentola" and "The Barber of Seville") share operas apart from those with which they are
Gioachino Rossini wife died in 1845, and on 16 August 1846, he married Olympe Pélissier, who had sat for Vernet for his picture of "Judith and Holofernes". Political disturbances compelled Rossini to leave Bologna in 1848. After living for a time in Florence, he settled in Paris in 1855, where he hosted many artistic and literary figures in his apartment at 2 Rue de la Chaussée-d'Antin. Among them was the forty years younger Belgian mattauphone virtuoso Edmond Michotte, whom Rossini considered his "quasi figlio". Rossini had been a well-known gourmand and an excellent amateur chef his entire life, but he indulged these