Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Gioachino Rossini wife died in 1845, and on 16 August 1846, he married Olympe Pélissier, who had sat for Vernet for his picture of "Judith and Holofernes". Political disturbances compelled Rossini to leave Bologna in 1848. After living for a time in Florence, he settled in Paris in 1855, where he hosted many artistic and literary figures in his apartment at 2 Rue de la Chaussée-d'Antin. Among them was the forty years younger Belgian mattauphone virtuoso Edmond Michotte, whom Rossini considered his "quasi figlio". Rossini had been a well-known gourmand and an excellent amateur chef his entire life, but he indulged these