The Magic Flute chain her and leave him alone with her. Papageno, sent ahead by Tamino to help find Pamina, enters (Trio: ""). Monostatos and Papageno are each terrified by the other's strange appearance and both flee. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love (duet: ""). "Finale. Scene 3: A grove in front of a temple" The three child-spirits lead
Mozart and Salieri (opera) rumors? Audio Recordings ("Mainly studio recordings") Source: www.operadis-opera-discography.org.uk "Motsart i Salyeri (Russian)" Mozart and Salieri (opera) Mozart and Salieri (, "Motsart i Salyeri") is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, written in 1897 to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name. The story follows the apocryphal legend that Antonio Salieri poisoned Wolfgang Amadeus Mozart out of jealousy over the latter's music. Rimsky-Korsakov incorporated quotations from Mozart's "Requiem" and "Don Giovanni" into the score. Richard Taruskin has placed this opera in the historical context of the development of the