Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
White floral Givenchy dress of Audrey Hepburn White floral Givenchy dress of Audrey Hepburn Audrey Hepburn wore a white floral Givenchy dress to the Academy Awards in 1954. The dress is now regarded as one of the classic dresses of the 20th century. Audrey Hepburn was a close friend of French designer Hubert de Givenchy, referring to the designer as her "best friend" while he called her a "sister". They originally met in 1953 during shooting for the film "Sabrina", when Hepburn went to Paris to acquire an authentic Paris couture dress by Balenciaga for her role. Balenciaga turned her away, advising her to visit his former