Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Scale (music) notes. A more mathematically flexible schema for binary representation, espoused by theorist Ian Ring in his study of musical scales, has bits representing ascending tones, with the smaller bits representing lower pitches and higher bits representing higher pitches. This causes the bits to appear reversed compared with Duncan's system. Under this schema, a major scale is 101010110101 = (2741), a single root tone is 1, and a chromatic scale is still 111111111111 (4095). All the tone possibilities that begin with a root tone, and are thus scale-like, are odd-numbered. Scales may also be shown as semitones from the tonic. For