Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
White floral Givenchy dress of Audrey Hepburn pupil, Givenchy, who had expected to meet a different actress named Hepburn, but was won over by Audrey. This led to a lasting professional association, which would see Hepburn wearing Givenchy for seven of her most outstanding movies, as well as regularly wearing his clothes off-screen. The belted white floral dress she wore for the 26th annual Academy Awards was the first time audiences saw Hepburn in one of Givenchy's creations. The white dress had a floral pattern and tight white belt which showed off Hepburn's very slim waistline. It featured a bateau or boat neckline, considered unusual for an