Comic opera and humour, Offenbach's works were intended solely to amuse. Though generally well crafted and full of humorous satire and grand opera parodies, plots and characters in his works were often interchangeable. Given the frenetic pace at which he worked, Offenbach sometimes used the same material in more than one opera. Another Frenchman who took up this form was Charles Lecocq (1832–1918). The singspiel developed in 18th-century Vienna and spread throughout Austria and Germany. As in the French "opéra comique", the "singspiel" was an opera with spoken dialogue, and usually a comic subject, such as Mozart's "Die Entführung aus dem Serail
Ramón Iriarte doors opened to him in the opera world. As Claudio in Montero's "Virginia," and roles in "L'amico Fritz", "Carmen", "Aida", "Pagliacci", "Madama Butterfly", and "Bastien und Bastienne" had become part of Iriarte's wide music repertoire full of success. One of the main places where Iriarte got to show his talent in a national way was in the Teatro Municipal de Caracas. In 1967 was the first time he performed internationally in New York City where he gained fame and reputation. His baritone's life kept blooming as the years passed. For over twenty–five years he dedicated his life to opera and