Gioachino Rossini common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in "Il Barbiere" there is an aria for the Count (often omitted) "Cessa di più resistere", which Rossini used (with minor changes) in the cantata "Le Nozze di Teti e di Peleo" and in "La Cenerentola" (the cabaletta for Angelina's rondo is almost unchanged). Moreover, four of his best known overtures ("La cambiale di matrimonio", "Tancredi", "La Cenerentola" and "The Barber of Seville") share operas apart from those with which they are
The Taming of the Shrew of love in this exchange: Gremio and Tranio literally bid for Bianca. As Baptista says, "'Tis deeds must win the prize, and he of both/That can assure my daughter greatest dower/Shall have my Bianca's love" (2.1.344–346). The first opera based on the play was Ferdinando Bertoni's opera buffa "Il duca di Atene" (1780), with libretto by Carlo Francesco Badini. Frederic Reynolds' "Catherine and Petruchio" (1828) is an adaptation of Garrick, with an overture taken from Gioachino Rossini, songs derived from numerous Shakespeare plays and sonnets, and music by John Braham and Thomas Simpson Cooke. Starring Fanny Ayton and James William