Franco Alfano by Teatro Grattacielo in the fall of 2013. In "Fanfare" 's issue of September/October 1998-99, it was asserted that Alfano's reputation suffers because of several things. Firstly, that he should not be judged as a composer on the basis of the task he was given in completing "Turandot" (La Scala, 25 April 1926). Secondly, that we almost never hear everything he wrote for "Turandot" since the standard ending heavily edits Alfano's work. Thirdly, [...]it is not his conclusion that is performed in productions of "Turandot" but only what the premiere conductor Arturo Toscanini included from it... Puccini had worked for
Messa (Puccini) in 1878 and was initially conceived by Puccini as a self-contained work. Puccini never published the full manuscript of the "Messa", and although well received at the time, it was not performed again until 1952 (first in Chicago and then in Naples). However, he re-used some of its themes in other works, such as the Agnus Dei in his opera "Manon Lescaut" and the Kyrie in "Edgar". At the end of World War II, Fr. Dante Del Fiorentino purchased an old copy of the manuscript of the Messa from the Vandini family in Lucca, imagining it was the original score.