Heptatonic scale are considered subsets of a twelve-pitch scale roughly analogous to the Western chromatic scale. The first and fifth melakarta tones, corresponding to the first and eighth chromatic tones, are invariable in inflection, and the fourth melakarta tone, corresponding to the sixth or seventh chromatic tone, is allowed one of two inflections only, a natural ("shuddah") position and a raised ("tivra") position. The second and third melakarta tones can be picked from the 4 chromatic tones (second through fifth), and similarly for the sixth and seventh. Thus the number of possible forms is equal to twice the square of the number
Blues scale Blues scale The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. The hexatonic, or six-note, blues scale consists of the minor pentatonic scale plus the 5th degree of the original heptatonic scale. This added note can be spelled as either a 5 or a 4. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> A major feature of the blues scale is the use of blue notes; however, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. At its