Darrell Fancourt performed in opera productions at the Academy, creating the role of Tackleton, the toy merchant, in Alexander Mackenzie's opera "The Cricket on the Hearth", and playing Colas in Mozart's "Bastien und Bastienne", and Benoit in "La bohème". "The Times" thought him "amusing but not noticeably musical" in the last. Even before completing his studies, Fancourt was building a concert career in London, the British provinces and the European continent. "The Times" said of an Aeolian Hall recital in 1912, "Mr. Fancourt has some noble notes in his voice, except when he forces it occasionally ... Schubert's "Tod und das Mädchen"
The Cobbler and the Financier composer Henri-Joseph Rigel made a two-act comic opera of the fable in 1778. He was followed by Jacques Offenbach who, having set the fable for soloist and small orchestra as part of his "6 fables de la Fontaine" in 1842, later adapted the story to a one-act comic opera in 1856 in which the heroine sings a parody of his own setting. In that light-hearted entertainment, the cobbler turns the tables on his opponent by using the 300 crowns he is given to beat the financier at cards, taking over all his assets and winning the hand of his daughter.