Timothy Dalton fantasy plots and humour. A fan of the literary character, often seen re-reading and referring to the novels on set, Dalton determined to approach the role and play truer to the original character described by Fleming. His 007, therefore, came across as a reluctant agent who did not always enjoy the assignments he was given, something seen on screen before, albeit obliquely, only in George Lazenby's "On Her Majesty's Secret Service". In "The Living Daylights," for example, Bond tells a critical colleague, Saunders, "Stuff my orders! ... Tell M what you want. If he fires me, I'll thank him for
James Bond in film February 1962; five days later filming began at Pinewood Studios in England with sets designed by Ken Adam, who had previously worked with Broccoli on the 1960 film "The Trials of Oscar Wilde". Maurice Binder created the title sequence and introduced the gun barrel motif that appears in all the Eon Bond films. Monty Norman wrote the accompanying soundtrack, which included the "James Bond Theme", heard in the gun barrel sequence and in a calypso medley over the title credits; the theme was described by another Bond film composer, David Arnold, as "bebop-swing vibe coupled with that vicious, dark, distorted