Franz Mesmer summers he lived on a splendid estate and became a patron of the arts. In 1768, when court intrigue prevented the performance of "La finta semplice" (K. 51), for which the twelve-year-old Wolfgang Amadeus Mozart had composed 500 pages of music, Mesmer is said to have arranged a performance in his garden of Mozart's "Bastien und Bastienne" (K. 50), a one-act opera, though Mozart's biographer Nissen found no proof that this performance actually took place. Mozart later immortalized his former patron by including a comedic reference to Mesmer in his opera "Così fan tutte". In 1774, Mesmer produced an "artificial
The Cobbler and the Financier composer Henri-Joseph Rigel made a two-act comic opera of the fable in 1778. He was followed by Jacques Offenbach who, having set the fable for soloist and small orchestra as part of his "6 fables de la Fontaine" in 1842, later adapted the story to a one-act comic opera in 1856 in which the heroine sings a parody of his own setting. In that light-hearted entertainment, the cobbler turns the tables on his opponent by using the 300 crowns he is given to beat the financier at cards, taking over all his assets and winning the hand of his daughter.