Chromatic scale common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale (). Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. Thus, the scale is not perfectly symmetric. Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. In Pythagorean tuning (3-limit just intonation) the chromatic scale is tuned as follows, with sharps higher than their enharmonic flats: These are 17-EDO Pythagorean tuning approximations. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps,
Jazz scale For a C7 chord, the C melodic minor scale starting from B (C enharmonically) produces the C altered dominant scale enharmonically. This scale is also called the superlocrian scale, as it is indeed reminiscent of a locrian scale with a flattened 4th, but it is usually regarded as that of major quality. Another name for this scale is the diminished-wholetone scale because the first tetrachord is that of a (half, whole) diminished scale and the second tetrachord is whole-tone. The bebop scale is used most often. Jazz scale A jazz scale is any musical scale used in jazz. Many "jazz