Turandot safely be ignored". Some of this criticism is possibly due to the standard Alfano ending (Alfano II), in which Liù's death is followed almost immediately by Calaf's "rough wooing" of Turandot, and the "bombastic" end to the opera. A later attempt at completing the opera was made, with the co-operation of the publishers, Ricordi, in 2002 by Luciano Berio. The Berio version is considered to overcome some of these criticisms, but critics such as Michael Tanner have failed to be wholly convinced by the new ending, noting that the criticism by the Puccini advocate Julian Budden still applies: "Nothing in
Festival Puccini produced the first performances of a Puccini opera on the lake shore, in front of the Maestro's house. In a provisional theatre, the "Carro di Tespi Lirico" with its stage built on piles stuck in the lake, a travelling opera company performed "La bohème" directed by Forzano and conducted by Mascagni. The same company came back in 1931 when Beniamino Gigli and Adelaide Saraceni performed in "La bohème", while Rosetta Pampanini and Angelo Michetti performed "Madama Butterfly". This was the beginning of what was to become a major opera festival. However, in the years before 1949, due to the political