What a Pushkin, what a son of a bitch! What a Pushkin, what a son of a bitch! "What a Pushkin, what a son of a bitch!" (; sometimes separated by exclamation mark instead of comma) is a catchphrase and winged word from Alexander Pushkin's correspondence with one of his friends, poet Pyotr Vyazemsky. The phrase commonly expresses a joy after finishing one's work and appears particularly in several Russian literary works. In a letter dated circa November 7 or beginning of October, 1825 Pushkin, celebrating his finished drama "Boris Godunov" wrote to Vyazemsky: That was preceded by what Pushkin wrote to Vyazemsky on July 13 of the same
What a Terrible World, What a Beautiful World Boston Globe" described the album as one of the band's "most enjoyable and lively efforts in recent memory", "The New York Times" noted that "What a Terrible World, What a Beautiful World" "strikes a note of pop concision and maturity, building on what worked on ‘The King Is Dead.’ Lyrically, there are fewer thistles and minarets and palanquins—and, musically, less digressive excess—than once made up the Decemberists’ trademark style." Jeremy Larson of Pitchfork Media was a detractor, bemoaning the album as "overlong and under-ambitious", though appreciating that listeners "start to see Meloy himself more than ever". Larson also wrote highly