Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Gioachino Rossini life. During his Paris years, Rossini created the comic operas "Il viaggio a Reims" and "Le comte Ory" and the grand opera "Guillaume Tell" ("William Tell"). The production of the latter in 1829 brought his career as a writer of opera to a close. Fabio Luisi said that Rossini planned for "Guillaume Tell" to be his last opera even as he composed it. He was thirty-eight years old and had already composed thirty-eight operas. "Guillaume Tell" was a political epic adapted from Schiller's play "Wilhelm Tell" (1804) about the 13th-century Swiss patriot who rallied his country against the Austrians. The