Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
Gioachino Rossini wife died in 1845, and on 16 August 1846, he married Olympe Pélissier, who had sat for Vernet for his picture of "Judith and Holofernes". Political disturbances compelled Rossini to leave Bologna in 1848. After living for a time in Florence, he settled in Paris in 1855, where he hosted many artistic and literary figures in his apartment at 2 Rue de la Chaussée-d'Antin. Among them was the forty years younger Belgian mattauphone virtuoso Edmond Michotte, whom Rossini considered his "quasi figlio". Rossini had been a well-known gourmand and an excellent amateur chef his entire life, but he indulged these