Harmonic scale It was invented by Wendy Carlos and used on three pieces on her album "Beauty in the Beast" (1986): "Just Imaginings", "That's Just It", and "Yusae-Aisae". Versions of the scale have also been used by Ezra Sims and Frans Richter Herf. Though described by Carlos as containing "144 [= 12] distinct pitches to the octave", the twelve scales include 78 (= ) notes per octave. Technically there should then be duplicates and thus 57 (= 78 − 21) pitches (21 = ). For example, a perfect fifth above G (D) is the major tone above C. Harmonic scale The Harmonic
Bebop scale as the bebop minor scale) is derived from the Dorian mode and has a chromatic passing tone between the minor 3rd and the perfect 4th. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> It has all the notes in both the Dorian scale and the Mixolydian scale of the same root. It is the 5th mode of the bebop dominant scale. A second form of the bebop Dorian scale features a major seventh bebop note between the dominant seventh and the tonic. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> The second style, featuring the major seventh, is