Paris during the Bourbon Restoration "The Barber of Seville", by Gioachino Rossini, at the Théâtre-Italien in 1818, two years after its premiere in Rome. Rossini made modifications for the French audience, changing it from two to four acts and changing Rosina's part from a contralto to a soprano. This new version premiered at the Odeon Theater on 6 May 1824, with Rossini present, and remains today the version most used in opera houses around the world. At the beginning of the Restoration, the Paris Opera was located in the Salle Montansier on rue Richelieu, where the square Louvois is today. On 13 February 1820, the
Gioachino Rossini of scores, documents and objects from Rossini, assembled in the Edmond Michotte fund. Mauro Giuliani (who died in 1829) wrote six sets of variations for guitar on themes by Rossini, Opp. 119–124 (c. 1820–1828). Each set was called "Rossiniana", and collectively they are called "Rossiniane". This was the first known tribute by one composer to another using a title with the ending -ana. In 1925, Ottorino Respighi orchestrated four pieces from "Péchés de vieillesse" as the suite "Rossiniana" (he had earlier used pieces from the same collection as the basis of his ballet "La Boutique fantasque"). According to the "Oxford