O zittre nicht, mein lieber Sohn most demanding in operatic repertoire. In the preceding scene, Prince Tamino was shown a portrait of the Queen's daughter Pamina and fell instantly in love with her, singing of his feelings in the aria "Dies Bildnis ist bezaubernd schön". The Queen then makes a dramatic entrance, preceded by the Three Ladies calling to Tamino "Sie kommt! Sie kommt!" ("[Here] she comes!"). The grand entrance music for the Queen is in B-flat, marked "Allegro maestoso", with the following stage direction: Not all modern productions adhere to this prescription. In the aria, the Queen first quiets Tamino's fears and attempts to befriend
Mozart and dance appearance, and according to Solomon the income from the dances partly helped Mozart to recover from the financial distress into which he had fallen in the later 1780s. In later years they were frequently reprinted. Today, however, it seems that the dances are little performed or recorded, at least in comparison to other Mozart works such as the mature symphonies or concertos. Nevertheless, they are praised by critics. Alex Ross has written of the dances (2006), "They are exasperating to listen to in large quantity, but they are full of lively, even zany details, and serve as a reminder that