The Magic Flute He promises that Tamino's confusion will be lifted when Tamino approaches the temple in a spirit of friendship. Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno's pipes sounding offstage, and hurries off to find him (aria: ""). Papageno and Pamina enter, searching for Tamino (trio: ""). They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music (chorus: ""). Papageno and Pamina hear the sound of Sarastro's retinue approaching.
Piano concertos by Wolfgang Amadeus Mozart In the works of his mature series, Mozart created a unique conception of the piano concerto that attempted to solve the ongoing problem of how thematic material is dealt with by the orchestra and piano. With the exception of the two exceptionally fine early concertos K. 271 ("Jeunehomme") and K. 414 (the "little A major"), all of his best examples are from later works. Mozart strives to maintain an ideal balance between a symphony with occasional piano solos and a virtuoso piano fantasia with orchestral accompaniment, twin traps that later composers were not always able to avoid. His resulting solutions