Polish opera "Fra Diavolo", Weber's "Der Freischütz" and many other operas by Donizetti, Meyerbeer and Rossini. In 1833 Antionio Corazzi, an Italian from Livorno, built a new theatre for the National Opera in Warsaw. The house was opened with a performance of Rossini's "The Barber of Seville". Stanisław Moniuszko is regarded as the true creator of Polish national opera. His role in the Polish tradition is similar to that of Glinka in the Russian, Smetana in the Czech and Ferenc Erkel in the Hungarian. In 1837 Moniuszko returned to Poland after receiving his musical education abroad. Ten years later he wrote the
Gioachino Rossini the rest of the score in 1841. The success of the work bears comparison with his achievements in opera, but his comparative silence during the period from 1832 to his death in 1868 makes his biography appear almost like the narrative of two lives—the life of swift triumph and the long life of seclusion, of which biographers give us pictures in stories of the composer's cynical wit, his speculations in fish mongering, his mask of humility and indifference. In 1839 Rossini was appointed director of the Liceo Musicale di Bologna where among his pupils was contralto Marietta Alboni. His first