The Midsummer Marriage the work in 1968 conducted by Colin Davis with the Ritual Dances choreographed by Gillian Lynne and in 1970, where the production formed the basis of the first commercial recording. Tippett extracted the "Four Ritual Dances" from the opera as a separate concert work. The story of "The Midsummer Marriage" was consciously modeled after Mozart's "The Magic Flute". Both trace the path to marriage of one "royal" and one "common" couple: Jenifer and Mark correspond to Pamina and Tamino, the earthy Jack and Bella to Papageno and Papagena. King Fisher stands in for the Queen of the Night, the Ancients
Symphony, K. 196+121 (Mozart) Symphony, K. 196+121 (Mozart) The Symphony in D major "No. 51", K. 196+121, was composed by Wolfgang Amadeus Mozart in 1774–1775. The first two movements are from the overture to the opera "La finta giardiniera", K. 196, and the last movement, K. 121/207a, was composed separately in 1775. (The dating of the last movement was questioned by Alan Tyson as the paper used was purchased by Mozart in Milan in late 1772 and used until early 1773, but Mozart apparently took some of this paper back to Salzburg and used it in 1776.) \relative c' { </score> The symphony is