Un bel dì vedremo Un bel dì vedremo "" ("One fine day we'll see") is a soprano aria from the opera "Madama Butterfly" (1904) by Giacomo Puccini to a libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cio-Cio San/Madama Butterfly (on stage with Suzuki), as she imagines the return of her absent love, Pinkerton. "Un bel dì vedremo" is the opera's most famous aria and one of the most popular pieces in the soprano repertoire. Three years after her marriage to U.S. naval officer named Pinkerton, Cio-Cio San ("Butterfly") awaits the return of her long-absent husband to Japan. Her maid, Suzuki,
Giacomo Puccini 'update' his style to keep pace with new trends, but did not attempt to fully adopt a modern style. One critic, Anthony Davis has stated: "Loyalty toward nineteenth-century Italian-opera traditions and, more generally, toward the musical language of his Tuscan heritage is one of the clearest features of Puccini's music." Davis also identifies, however, a "stylistic pluralism" in Puccini's work, including influences from "the German symphonic tradition, French harmonic and orchestrational traditions, and, to a lesser extent, aspects of Wagnerian chromaticism." In addition, Puccini frequently sought to introduce music or sounds from outside sources into his operas, such as his