Ian Wallace (singer) Again in Scotland, he appeared at Ledlanet Nights in his one-man shows and other performances including Colas in Mozart's early singspiel "Bastien und Bastienne"; Schlendrian in Bach's "Coffee Cantata"; and Mr Somers in "Gentleman's Island" by Joseph Horovitz. Also in the 1960s, he sang the main Donizetti buffo roles, "Don Pasquale" (Welsh National Opera, 1967) and Dulcamara in "L'elisir d'amore" (Glyndebourne Touring Opera, 1968). A late addition to his repertoire was Polyphemus in Handel's "Acis and Galatea" in 1977. Though not a fluent sight-reader of unfamiliar music, Wallace took on out-of-the way operatic roles including Konchak in "Prince Igor", Wagner
The New Opera Theatre with I Cantori di New York, "Dido and Æneas", with Thaïs St Julien as Dido and Susannah Waters as Belinda, with Bart Folse conducting. The production was first seen at New York City's Symphony Space, then in New Orleans. In 1989, The NOT presented the New Orleans premiere of "Pelléas et Mélisande" (with Tracey Mitchell as Mélisande), which was followed by "Bastien und Bastienne", and the world-premiere of Dr LaBruyère's "Everyman", after the mediaeval Morality Play. The New Opera Theatre's final presentation was of a Benefit Concert, in the fall of 1989, featuring Natalia Rom. Folse and Morgan went on