Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
Audrey Hepburn Mob". In 1953 she was cast in her first major supporting role in Thorold Dickinson's "The Secret People" (1952), as a prodigious ballerina, performing all of her own dancing sequences. Hepburn was then offered a small role in a film being shot in both English and French, "Monte Carlo Baby" (French: "Nous Irons à Monte Carlo", 1952), which was filmed in Monte Carlo. Coincidentally, French novelist Colette was at the Hôtel de Paris in Monte Carlo during the filming, and decided to cast Hepburn in the title role in the Broadway play "Gigi". Hepburn went into rehearsals having never spoken