The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
Westbrook-Rossini, Zürich Live 1986 swinging, and joyful it is breathtaking. ... Live, it's even tougher to grasp because there is no safety net, no alternate takes or editing to round out the rough spots. It's all one can do to take it in and not roll about the floor with your hands over your head, tears streaming in such blessed out delight you will cause your loved ones unnecessary worry. You'll listen for decades and still not comprehend the wonder if it. Yes, it is that good". All compositions by Gioachino Rossini with additional material by Mike Westbrook Westbrook-Rossini, Zürich Live 1986 Westbrook-Rossini, Zürich