Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Otello (Rossini) Otello (Rossini) Otello () is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsa. The work is based on a French adaptation of the story, not Shakespeare's play "Othello" as neither Rossini nor his librettist knew the English drama. The opera deviates heavily from Shakespeare's version not only in that it takes place in Venice and not on Cyprus, but also in that the whole dramatic conflict develops in a different manner. The role of Iago is reduced to some degree, and it is much less diabolical than in the original