Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
Comic opera 18th century. In the 19th century, Russian comic opera was further developed by Alexey Verstovsky who composed more 30 opera-vaudevilles and 6 grand operas (most of them with spoken dialogue). Later, Modest Mussorgsky worked on two comic operas, "The Fair at Sorochyntsi" and "Zhenitba" ("The Marriage"), which he left unfinished (they were completed only in the 20th century). Pyotr Tchaikovsky wrote a comic opera, "Cherevichki" (after Nikolai Gogol, 1885, 1887 Moscow). Nikolai Rimsky-Korsakov composed "May Night" 1878–1879 and "The Golden Cockerel" 1906–1907. In the 20th century, the best examples of comic opera by Russian composers were Igor Stravinsky's "Mavra" (1922)