The Midsummer Marriage the work in 1968 conducted by Colin Davis with the Ritual Dances choreographed by Gillian Lynne and in 1970, where the production formed the basis of the first commercial recording. Tippett extracted the "Four Ritual Dances" from the opera as a separate concert work. The story of "The Midsummer Marriage" was consciously modeled after Mozart's "The Magic Flute". Both trace the path to marriage of one "royal" and one "common" couple: Jenifer and Mark correspond to Pamina and Tamino, the earthy Jack and Bella to Papageno and Papagena. King Fisher stands in for the Queen of the Night, the Ancients
Mozart and scatology is ordered by Köchel catalog number. Voices and conjectured dates are from Zaslaw and Cowdery (1990:101–105); and links marked "score" lead to the online edition of the "Neue Mozart-Ausgabe". The following articles have advanced the theory that Mozart had Tourette syndrome: The following articles direct criticism at the hypothesis: Mozart and scatology Wolfgang Amadeus Mozart displayed scatological humour in his letters and a few recreational compositions. This material has long been a puzzle for Mozart scholarship. One view held by scholars deals with the scatology by seeking an understanding of the role of it in Mozart's family, his society and