Augsburger Puppenkiste Sergei Prokofiev, a symphonic fairy-tale for children, as well as Bastien und Bastienne, a comic opera composed by Mozart. In 1985, the theatre staged another one of Mozart's works: The Magic Flute. The opera was adapted for marionettes by Walter Oehmichens son-in-law, Hanns-Joachim Marschall. In the course of the adaption, Marschall slightly changed the opera, cutting out long arias. He also engaged actors with trained singing voices to speak and sing the parts of the characters. Thus, every puppet had a double cast: a manipulator and a speaker. The same strategy was used for the adaption of Mozart’s The Abduction
Comic opera of other Italians, like Galuppi and Cimarosa, and also the Belgian/French composer Grétry. The first Russian comic opera was "Anyuta" (1772). The text was written by Mikhail Popov, with music by an unknown composer, consisting of a selection of popular songs specified in the libretto. Another successful comic opera, "Melnik – koldun, obmanshchik i svat" ("The Miller who was a Wizard, a Cheat and a Match-maker"', text by Alexander Ablesimov, Moscow, 1779), on a subject resembling Rousseau's "Devin", is attributed to Mikhail Sokolovsky. Ivan Kerzelli, Vasily Pashkevich and Yevstigney Fomin also wrote a series of successful comic operas in the