Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
La Esmeralda (opera) La Esmeralda (opera) La Esmeralda is a grand opera in four acts composed by Louise Bertin. The libretto was written by Victor Hugo, who had adapted it from his novel "Notre-Dame de Paris" ("The Hunchback of Notre Dame"). The opera premiered at the Théâtre de l'Académie Royale de Musique in Paris on 14 November 1836 with Cornélie Falcon in the title role. Despite the lavish production, the premiere was a failure, and "La Esmeralda" proved to be the last opera composed by Bertin, although she lived for another 40 years. Partially paralyzed from birth, and basically chair-bound, Louise Bertin had