Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
Prix Rossini Prix Rossini The Prix Rossini for composition was a prize for young librettist and composers which was granted by the French Académie des Beaux-Arts. The prize was funded by a provision in composer Gioachino Rossini's will which took effect in 1878 after the death of his widow. First and second prize winners received funding for their winning work to be performed in a prestigious ceremony which was managed by the Société des Concerts of the Institut de France, also associated with the Paris Conservatoire. The first award of the prize in 1881 was to librettist Paul Collin and composer Marie,