Bastien und Bastienne which Bastienne merely shrugs off. Finally, the two decide that they have gone far enough and agree to reconcile. Colas joins them as they all sing a final trio in praise of the magician. Notes Sources Bastien und Bastienne ' was one of Mozart's earliest operas, written in 1768 when he was only twelve years old. It was allegedly commissioned by Viennese physician and 'magnetist' Dr. Franz Mesmer (who himself would later be parodied in "Così fan tutte") as a satire of the 'pastoral' genre then prevalent, and specifically as a parody of the opera "Le devin du village" by
Comic opera 18th century. In the 19th century, Russian comic opera was further developed by Alexey Verstovsky who composed more 30 opera-vaudevilles and 6 grand operas (most of them with spoken dialogue). Later, Modest Mussorgsky worked on two comic operas, "The Fair at Sorochyntsi" and "Zhenitba" ("The Marriage"), which he left unfinished (they were completed only in the 20th century). Pyotr Tchaikovsky wrote a comic opera, "Cherevichki" (after Nikolai Gogol, 1885, 1887 Moscow). Nikolai Rimsky-Korsakov composed "May Night" 1878–1879 and "The Golden Cockerel" 1906–1907. In the 20th century, the best examples of comic opera by Russian composers were Igor Stravinsky's "Mavra" (1922)