Turandot safely be ignored". Some of this criticism is possibly due to the standard Alfano ending (Alfano II), in which Liù's death is followed almost immediately by Calaf's "rough wooing" of Turandot, and the "bombastic" end to the opera. A later attempt at completing the opera was made, with the co-operation of the publishers, Ricordi, in 2002 by Luciano Berio. The Berio version is considered to overcome some of these criticisms, but critics such as Michael Tanner have failed to be wholly convinced by the new ending, noting that the criticism by the Puccini advocate Julian Budden still applies: "Nothing in
Verismo (music) earlier Italian opera. Instead, the operas were "through-composed," with few breaks in a seamlessly integrated sung text. While "verismo" operas may contain arias that can be sung as stand-alone pieces, they are generally written to arise naturally from their dramatic surroundings, and their structure is variable, being based on text that usually does not follow a regular strophic format. The most famous composers who created works in the "verismo" style were Giacomo Puccini, Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano and Francesco Cilea. There were, however, many other "veristi": Franco Alfano, Alfredo Catalani, Gustave Charpentier ("Louise"), Eugen d'Albert ("Tiefland"), Ignatz Waghalter