W. H. Auden to spend his summers with Auden in Austria. In 1972, Auden moved his winter home from New York to Oxford, where his old college, Christ Church, offered him a cottage, while he continued to spend summers in Austria. He died in Vienna in 1973, a few hours after giving a reading of his poems at the Austrian Society for Literature; his death occurred at the Altenburgerhof Hotel where he was staying overnight before his intended return to Oxford the next day. He was buried in Kirchstetten. Auden published about four hundred poems, including seven long poems (two of them book-length).
W. H. Auden recalled that in the 1940s Auden "was "the" modern poet". Auden's formal influences were so pervasive in American poetry that the ecstatic style of the Beat Generation was partly a reaction against his influence. From the 1940s through the 1960s, many critics lamented that Auden's work had declined from its earlier promise; Randall Jarrell wrote a series of essays making a case against Auden's later work, and Philip Larkin's "What's Become of Wystan?" (1960) had a wide impact. After his death, some of his poems, notably "Funeral Blues", "Musée des Beaux Arts", "Refugee Blues", "The Unknown Citizen", and "September 1,