Harmonic scale It was invented by Wendy Carlos and used on three pieces on her album "Beauty in the Beast" (1986): "Just Imaginings", "That's Just It", and "Yusae-Aisae". Versions of the scale have also been used by Ezra Sims and Frans Richter Herf. Though described by Carlos as containing "144 [= 12] distinct pitches to the octave", the twelve scales include 78 (= ) notes per octave. Technically there should then be duplicates and thus 57 (= 78 − 21) pitches (21 = ). For example, a perfect fifth above G (D) is the major tone above C. Harmonic scale The Harmonic
Diatonic and chromatic contrast, the remaining bars are highly chromatic, using all the notes available to convey a sense of growing intensity as the music builds towards its expressive climax.] A further example may be found in this extract from Act III of Richard Wagner’s opera "Die Walkure" . The first four bars harmonize a descending chromatic scale with a rich, intoxicating chord progression. In contrast, the remaining three bars are entirely diatonic, using notes only within the scale of E major. The passage is intended to convey the god Wotan putting his daughter Brunnhilde into a deep sleep. <score vorbis="1"> { \relative