The Great Caruso Crowther says, "All of the silliest, sappiest clichés of musical biography have been written by Sonya Levien and William Ludwig into the script. And Richard Thorpe has directed in a comparably mawkish, bathetic style." Nearly 40 years after its release, Caruso's son, Enrico, Jr., reminisced that, "Vocally and musically "The Great Caruso" ...has helped many young people discover opera, and even become singers themselves."He added that, "I can think of no other tenor, before or since Mario Lanza, who could have risen with comparable success to the challenge of playing Caruso in a screen biography." The film has also been
The Great Caruso box office in 1951. "Newsweek" wrote that, "Lanza brings to the role not only a fine, natural and remarkably powerful voice, but a physique and personal mannerisms reminiscent of the immortal Caruso." According to Bosley Crowther, the film is "perhaps the most elaborate 'pops' concert ever played upon the screen"; Blyth's voice is "reedy", but "Lanza has an excellent young tenor voice and ... uses it in his many numbers with impressive dramatic power. Likewise, Miss Kirsten and Miss Thebom are ladies who can rock the welkin, too, and their contributions to the concert maintain it at a musical high."