Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
La gazza ladra Bellini's "I Puritani" starts with exactly the same words) are two examples of Rossini's brilliant vocal writing. Notes Sources La gazza ladra La gazza ladra (, The Thieving Magpie) is a "melodramma" or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on "La pie voleuse" by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. The composer Giaochino Rossini wrote quickly, and "La gazza ladra" was no exception. According to legend, before the first performance of the opera, the producer assured the composition of the overture by locking Rossini in a room, from the window of