Max Kalbeck was a close friend and partisan of Johannes Brahms. Kalbeck's principal achievement was his eight-volume biography of that composer, published from 1904 to 1914, which has never been translated into English. Kalbeck also edited several volumes of Brahms's correspondence and in 1918, the letters of the poets Gottfried Keller and Paul Heyse, as well as publishing two collections of his own music reviews. Kalbeck wrote new libretti for Mozart's "Bastien und Bastienne" and "La finta giardiniera"; and he revised those of "Don Giovanni" and "The Marriage of Figaro" for Gustav Mahler's productions at the Vienna Hofoper. In addition, he supplied
The Mandarin's Son The Mandarin's Son The Mandarin's Son ("Сын мандарина" in Cyrillic; "Syn mandarina" in transliteration) is comic opera in one act by César Cui, composed in 1859. The libretto, which includes spoken dialogue, was written by Viktor Krylov. No small influence for this work came from the French composer Daniel Auber, particularly his "Le cheval de bronze", which had a similar setting, and was being performed in Saint Petersburg at the time. Cui dedicated this opera to his bride, Mal'vina Bamberg. (They had married the previous year.) The orchestration is credited to Mily Balakirev. The first performance of "The Mandarin's Son"