Chromatic scale and new notes between E/F and B/C: The fractions and , and , and , and , and many other pairs are interchangeable, as (syntonic comma) is tempered out. These are 19-EDO just intonation approximations. The ancient Chinese chromatic scale is called "Shí-èr-lǜ". However, "it should not be imagined that this gamut ever functioned as a scale, and it is erroneous to refer to the 'Chinese chromatic scale', as some Western writers have done. The series of twelve notes known as the twelve "lü" were simply a series of fundamental notes from which scales could be constructed." The Indian solfège,
Transposition (music) Thus the set ("A") consisting of 0–1–2 transposed by 5 semitones is 5–6–7 (T("A")) since , , and . There are two different kinds of transposition, depending on whether one is measuring intervals according to the chromatic scale or some other scale. In chromatic transposition one shifts every pitch in a collection of notes by a fixed number of semitones. For instance, if one transposes the pitches C–E–G upwards by four semitones, one obtains the pitches E–G–B. In scalar transposition one shifts every pitch in a collection by a fixed number of scale steps relative to some scale. For example,