Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Rossini Opera Festival established in 1980 with the aim of making the world more aware of Rossini's neglected operas and presenting all of them in collaboration with the G. Ricordi & Co. music publishing house, which published their critical editions. Of the approximately three dozen operas written, only a handful are regularly presented. On 13 August 1993, the Italian parliament unanimously approved the Special Law N. 319 "Regulations in support of the Rossini Opera Festival", which recognizes the Pesaro Festival's achievements in the reviving of Rossini's operas as entitled to be included among the state-supervised works of restoration of the national artistic heritage.