Gioachino Rossini common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in "Il Barbiere" there is an aria for the Count (often omitted) "Cessa di più resistere", which Rossini used (with minor changes) in the cantata "Le Nozze di Teti e di Peleo" and in "La Cenerentola" (the cabaletta for Angelina's rondo is almost unchanged). Moreover, four of his best known overtures ("La cambiale di matrimonio", "Tancredi", "La Cenerentola" and "The Barber of Seville") share operas apart from those with which they are
Gioachino Rossini Magpie" ("La gazza ladra") features one of his most celebrated overtures. Rossini moved to Paris in 1824 where he began to set French librettos to music. His last opera was the epic "William Tell" ("Guillaume Tell"), featuring its iconic overture which helped to usher in grand opera in France. A tendency for inspired, song-like melodies is evident throughout his scores, which earned him the nickname "the Italian Mozart." He was a rapid and prolific composer, quoted as joking, "Give me the laundress' bill and I will even set that to music." He also earned the nickname "Signor Crescendo" for his