The Midsummer Marriage the work in 1968 conducted by Colin Davis with the Ritual Dances choreographed by Gillian Lynne and in 1970, where the production formed the basis of the first commercial recording. Tippett extracted the "Four Ritual Dances" from the opera as a separate concert work. The story of "The Midsummer Marriage" was consciously modeled after Mozart's "The Magic Flute". Both trace the path to marriage of one "royal" and one "common" couple: Jenifer and Mark correspond to Pamina and Tamino, the earthy Jack and Bella to Papageno and Papagena. King Fisher stands in for the Queen of the Night, the Ancients
Wolfgang Amadeus Mozart and Prague had allegedly rejected it. Mozart arrived on 28 August 1791 and left in the third week of September. The opera received its first performance on 6 September 1791. Unlike the first two visits, Mozart was not the center of attention on his last visit. Rather, his activities were much overshadowed by the ceremonies of the Imperial court. The grief exhibited for Mozart in Prague after his death on 5 December 1791 far exceeded that witnessed in any other European city. Daniel E. Freeman has pointed out that whereas Mozart (one of history's greatest musicians) was laid to rest in Vienna