The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
Gioachino Rossini two passions fully once he retired from composing, and today there are a number of dishes with the suffix ""alla Rossini"" to their names that were created either by or specifically for him. Probably the most famous of these is "tournedos Rossini", still served by many restaurants today. In the meantime, after years of various physical and mental illnesses, he had slowly returned to music, composing obscure little works intended for private performance. These included his "Péchés de vieillesse" ("Sins of Old Age"), which are grouped into 14 volumes, mostly for solo piano, occasionally for voice and various chamber ensembles.