China National Opera Butterfly, Verdi's Requiem as well as Chinese-language opera. In 2008 CNOH toured America with 10 performances of the original creation Farewell My Concubine (modern opera). In the same year CNOH performed Puccini’s Turandot in Cairo Opera House. The repertoire of the company has now expanded to "Madame Butterfly, Eugene Onegin (opera), Carmen (opera), La Traviata, Gianni Schicchi, Turandot, Aida, La Boheme, Rigoletto, The Marriage of Figaro, Otello Cavalleria Rusticana, The Barber of Seville Les Contes d'Hoffmann, Le Roi d'Ys, as well as Chinese-language western-style operas, such as Liu Hulan (opera), Song of the Grasslands, Ayiguli, The Hundredth Bride, Marco Polo
Opera in Latin America work, such as in his operas "Il Guarany" and "Lo schiavo". The nineteenth-century opera "Guatimotzin" by Mexican composer Aniceto Ortega was the first conscious attempt to incorporate pre-Hispanic elements into the formal characteristics of opera. Other important 19th-century Mexican operas are "Agorante, rey de la Nubia" by Miguel Meneses (premiered during the commemorative festivities for the birthday of Emperor Maximilian I of Mexico), "Pirro de Aragón" by Leonardo Canales, and "Keofar" by Felipe Villanueva. The operatic works of Melesio Morales are the most important in Mexico in the 19th century. His operas "Romeo y Julieta", "Ildegonda", "Gino Corsini", and "Cleopatra"