Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
La pietra del paragone La pietra del paragone La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, in two acts by Gioachino Rossini, to an original Italian libretto by Luigi Romanelli. "La pietra del paragone" was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season. Napoleon's Viceroy in Milan, Eugène de Beauharnais, was so impressed by the opera that he wrote to the Minister of the Interior, "You will kindly arrange for Maestro Joachin Rossini to