Max Kalbeck was a close friend and partisan of Johannes Brahms. Kalbeck's principal achievement was his eight-volume biography of that composer, published from 1904 to 1914, which has never been translated into English. Kalbeck also edited several volumes of Brahms's correspondence and in 1918, the letters of the poets Gottfried Keller and Paul Heyse, as well as publishing two collections of his own music reviews. Kalbeck wrote new libretti for Mozart's "Bastien und Bastienne" and "La finta giardiniera"; and he revised those of "Don Giovanni" and "The Marriage of Figaro" for Gustav Mahler's productions at the Vienna Hofoper. In addition, he supplied
Mateo Falcone (opera) Mateo Falcone (opera) Mateo Falcone ("Матео Фальконе" in Cyrillic; "Mateo Fal'kone" in transliteration) is a one-act opera composed by César Cui during 1906–1907. (Actually, Cui designated the genre of this work as "dramatic scene.") The libretto was adapted by the composer from Prosper Mérimée's like-named story from 1829 and Vasily Zhukovsky's verse rendering thereof. It was premiered on 14 December 1907 (Old Style), at the Bolshoi Theatre in Moscow (the work was given along with the composer's early one-act comic opera, "The Mandarin's Son"). The premiere production of "Mateo" was a failure; the work never became part of the standard