Comic opera and humour, Offenbach's works were intended solely to amuse. Though generally well crafted and full of humorous satire and grand opera parodies, plots and characters in his works were often interchangeable. Given the frenetic pace at which he worked, Offenbach sometimes used the same material in more than one opera. Another Frenchman who took up this form was Charles Lecocq (1832–1918). The singspiel developed in 18th-century Vienna and spread throughout Austria and Germany. As in the French "opéra comique", the "singspiel" was an opera with spoken dialogue, and usually a comic subject, such as Mozart's "Die Entführung aus dem Serail
Comic opera of other Italians, like Galuppi and Cimarosa, and also the Belgian/French composer Grétry. The first Russian comic opera was "Anyuta" (1772). The text was written by Mikhail Popov, with music by an unknown composer, consisting of a selection of popular songs specified in the libretto. Another successful comic opera, "Melnik – koldun, obmanshchik i svat" ("The Miller who was a Wizard, a Cheat and a Match-maker"', text by Alexander Ablesimov, Moscow, 1779), on a subject resembling Rousseau's "Devin", is attributed to Mikhail Sokolovsky. Ivan Kerzelli, Vasily Pashkevich and Yevstigney Fomin also wrote a series of successful comic operas in the