The Magic Flute the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. He invokes the gods Isis and Osiris, asking them to protect Tamino and Pamina (Aria and chorus: ""). "Scene 2: The courtyard of the Temple of Ordeal" Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence (Duet: ""). The three ladies appear and try to frighten Tamino and Papageno into
Wolfgang Amadeus Mozart and Prague Wolfgang Amadeus Mozart and Prague There is no question that the Praguers of the late eighteenth century exhibited a special appreciation for the music of Wolfgang Amadeus Mozart, even though, as recently pointed out by Daniel E. Freeman, confirmations of this fact attributed to Mozart himself in sayings such as "" ("My Praguers understand me") have only come down to posterity second or third hand. Perhaps the most valuable direct testimony that attests to the discernment of the musical public in Prague with regard to Mozart's music comes from Lorenzo Da Ponte, the librettist of Mozart's opera "Don Giovanni", which