The Magic Flute bring in food, the magic flute, and the bells, sent from Sarastro (Trio: ""). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "") She leaves in despair. "Scene 5: The pyramids" The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: ""). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater
Wolfgang Amadeus Mozart and Prague pointed out how precarious opera production was in the city throughout the eighteenth century. Indeed, productions of Italian opera in Prague ceased again already in 1789, not to re-appear again until 1791, due to the departure of the impresario Domenico Guardasoni and the death of the impresario Pasquale Bondini. Another possible reason why Mozart didn't stay is given by Volkmar Braunbehrens, citing Schenk: the death in Vienna in November 1787 of Gluck, whose post in the Imperial musical establishment Mozart sought (and ultimately got, though at a much lower salary); Mozart needed to return home to lobby for the position.