The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Gioachino Rossini matrimonio" ("The Marriage Contract"), was produced at Venice when he was a youth of 18 years. Two years before this he had already received the prize at the Conservatorio of Bologna for his cantata "Il pianto d'Armonia sulla morte d'Orfeo". Between 1810 and 1813 at Bologna, Rome, Venice and Milan, Rossini produced operas of varying success, most notably "La pietra del paragone" and "Il signor Bruschino", with its brilliant and unique overture. In 1813, "Tancredi" and "L'italiana in Algeri" were even bigger successes, and catapulted the 20-year-old composer to international fame. The libretto for "Tancredi" was an arrangement by Gaetano