Geltrude Righetti article by Stendhal, she wrote her famous memoir entitled "Cenni di una donna già cantante sopra il Maestro Rossini...", which includes an account of the première of "The Barber of Seville". Geltrude Righetti Geltrude Righetti (1793–1862) was an Italian contralto closely associated with the operas of Gioachino Rossini. (Her name is also sometimes given as Giorgi-Righetti or Righetti-Giorgi, Giorgi being the name of her husband.) Born in Bologna, she also studied and made her debut there in 1814. The following year she created the important role of Rosina in "The Barber of Seville" and in 1817 she was the first
Gioachino Rossini produced 20 operas. Of these, "Otello" formed the climax to his reform of serious opera ("opera seria"), and offers a suggestive contrast with the treatment of the same subject at a similar point of artistic development by the composer Giuseppe Verdi. In Rossini's time, the tragic ending was so distasteful to the public of Rome that it was necessary to invent a happy conclusion to "Otello". Conditions of stage production in 1817 are illustrated by Rossini's acceptance of the subject of Cinderella for a libretto only on the condition that the supernatural element should be omitted. The opera "La Cenerentola"