The Barber of Seville (1904 film) prepared a special film score for "The Barber of Seville", adapted from the most well-known arias from the Rossini opera. Like at least 4% of Méliès's entire output (including such films as "A Trip to the Moon", "The Impossible Voyage", "The Kingdom of the Fairies", and "The Rajah's Dream"), some prints were individually hand-colored and sold at a higher price. The film is currently presumed lost. The Barber of Seville (1904 film) The Barber of Seville (), also released as The Barber of Sevilla, or the Useless Precaution, was a 1904 French silent film directed by Georges Méliès, based on
Opera nozze di Figaro"), "Don Giovanni", and "Così fan tutte", as well as "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), and "The Magic Flute" ("Die Zauberflöte"), landmarks in the German tradition. The first third of the 19th century saw the high point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini all creating works that are still performed. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a golden age of opera, led and dominated by Giuseppe Verdi in Italy and Richard