The Magic Flute (1975 film) children, who are silent. Evidon suggests that the characters of Frid and Petra in Bergman's 1955 film "Smiles of a Summer Night", and Johan and Alma in his "Hour of the Wolf" (1968) pre-figure his conception of Papageno and Papagena, and Tamino and Pamina respectively in "The Magic Flute". The latter film includes a puppet-theatre sequence of part of Act 1 of the opera. Evidon also sees a parallel between Bergman's treatment of Sarastro and Amfortas in "Parsifal". In producing the opera, Bergman sought to fulfill his early dream (see above) of a production in the Drottningholm Palace Theatre (one
Mozart and Salieri (opera) on his "Requiem", which a stranger in black commissioned from him. Mozart recalls Salieri's collaboration with Pierre Beaumarchais and asks if it could be true that Beaumarchais once poisoned someone, for genius and criminality are surely incompatible. Salieri then surreptitiously pours poison into Mozart's drink. Mozart begins to play at the keyboard, as Salieri begins to cry. Mozart sees this, but Salieri urges Mozart to continue. Mozart begins to feel ill, and leaves. Salieri ends the opera pondering Mozart's belief that a genius could not murder: did not Michelangelo kill for his commissions at the Vatican, or were those idle