Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Bebop scale as the bebop minor scale) is derived from the Dorian mode and has a chromatic passing tone between the minor 3rd and the perfect 4th. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> It has all the notes in both the Dorian scale and the Mixolydian scale of the same root. It is the 5th mode of the bebop dominant scale. A second form of the bebop Dorian scale features a major seventh bebop note between the dominant seventh and the tonic. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> The second style, featuring the major seventh, is