Chromatic scale common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale (). Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. Thus, the scale is not perfectly symmetric. Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. In Pythagorean tuning (3-limit just intonation) the chromatic scale is tuned as follows, with sharps higher than their enharmonic flats: These are 17-EDO Pythagorean tuning approximations. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps,
833 cents scale 833 cents scale The 833 cents scale is a musical tuning and scale proposed by Heinz Bohlen based on combination tones, an interval of 833.09 cents, and, coincidentally, the Fibonacci sequence. The golden ratio is 1.6180339..., which as a musical interval is 833.09 cents (). In the 833 cents scale this interval is taken as an alternative to the octave as the interval of repetition, however the golden ratio is not regarded as an equivalent interval (notes 833.09 cents apart are not "the same" in the 833 cents scale the way notes 1200 cents apart are in traditional tunings). Other