Franco Alfano by Teatro Grattacielo in the fall of 2013. In "Fanfare" 's issue of September/October 1998-99, it was asserted that Alfano's reputation suffers because of several things. Firstly, that he should not be judged as a composer on the basis of the task he was given in completing "Turandot" (La Scala, 25 April 1926). Secondly, that we almost never hear everything he wrote for "Turandot" since the standard ending heavily edits Alfano's work. Thirdly, [...]it is not his conclusion that is performed in productions of "Turandot" but only what the premiere conductor Arturo Toscanini included from it... Puccini had worked for
Giacomo Puccini critics as to the artistic value of his work has always been divided. Grove Music Online described Puccini's strengths as a composer as follows: Puccini succeeded in mastering the orchestra as no other Italian had done before him, creating new forms by manipulating structures inherited from the great Italian tradition, loading them with bold harmonic progressions which had little or nothing to do with what was happening then in Italy, though they were in step with the work of French, Austrian and German colleagues. In his work on Puccini, Julian Budden describes Puccini as a gifted and original composer, noting