Musical note commonly), a double sharp sign on a key signature with a single sharp indicates only a double sharp, not a triple sharp. Assuming enharmonicity, many accidentals will create equivalences between pitches that are written differently. For instance, raising the note B to B is equal to the note C. Assuming all such equivalences, the complete chromatic scale adds five additional pitch classes to the original seven lettered notes for a total of 12 (the 13th note completing the octave), each separated by a half-step. Notes that belong to the diatonic scale relevant in the context are sometimes called "diatonic notes";
Harmonic major scale Harmonic major scale In music theory, the harmonic major scale is a musical scale found in some music from the common practice era and now used occasionally, most often in jazz. It was named by Rimsky-Korsakov. In George Russell's "Lydian Chromatic Concept" it is the fifth mode (V) of the Lydian Diminished scale. It can be considered a major scale with the sixth degree lowered, Ionian 13, or the harmonic minor scale with the third degree raised. It may also be generated by reversing and rotating the succession of intervals in the harmonic minor scale. It contains the following chords,