Mozart and Freemasonry and Gazzaniga's "La Circe", operas that have no connection with Freemasonry The following is a list of surviving works that Mozart composed for performance at gatherings of Masons. The story and music of his opera "The Magic Flute" is also considered to have strong Masonic influences. The following is a partial list of family members, patrons, and colleagues who were Masons. Mozart's grandfather Johann Georg, a bookbinder, was raised among the extended Mozart family in Augsburg, in the house of Johann's own grandfather David Mozart. David and his children were distinguished architects and master "operative" (craft) masons of the Augsburg
Mozart and dance it was rich in figures (individual movements and patterns) and was popular among all social classes. Mozart composed contredanses as a sequence of multiple sections. They sometimes quote popular melodies; for instance, K. 609 quotes the aria "Non più andrai" from Mozart's opera "The Marriage of Figaro". Of the three genres, minuets predominate in Mozart's early career, the latter two types later on. The core instrumentation of the dances is a simplified orchestra in which there are no violas, and the bass instruments (cello and double bass) play the same line. A variety of wind instruments is usually included, and