Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Otello (Rossini) after uncovering the deceit of Jago and the innocence of his wife.” As in Verdi's "Otello", Desdemona's aria ""Salce"" ("Willow Song") is a pivotal moment in the final act. Franz Liszt based the Canzone from the Années de Pèlerinage supplement Venezia e Napoli on the offstage gondolier's song "Nessun maggior dolore" from this opera. Notes Sources Otello (Rossini) Otello () is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsa. The work is based on a French adaptation of the story, not Shakespeare's play "Othello" as neither Rossini nor his librettist