Chromatic scale and new notes between E/F and B/C: The fractions and , and , and , and , and many other pairs are interchangeable, as (syntonic comma) is tempered out. These are 19-EDO just intonation approximations. The ancient Chinese chromatic scale is called "Shí-èr-lǜ". However, "it should not be imagined that this gamut ever functioned as a scale, and it is erroneous to refer to the 'Chinese chromatic scale', as some Western writers have done. The series of twelve notes known as the twelve "lü" were simply a series of fundamental notes from which scales could be constructed." The Indian solfège,
Bebop scale generally used by guitar players for its accessibility when applied to traditional minor scale shapes (that is, it is simply easier for guitarists to play). However, many players and resources adhere to the traditional spelling of the scale. The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing tone between the 5th and 6th notes. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> This scale is often used over major sixth chords and major seventh chords. The bebop melodic minor scale is derived from the ascending form of the melodic minor scale