The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
Gioachino Rossini Often whimsical, these pieces display Rossini's natural ease of composition and gift for melody, showing obvious influences of Beethoven and Chopin, with many flashes of the composer's long buried desire for serious, academic composition. They also underpin the fact that Rossini himself was an outstanding pianist whose playing attracted high praise from people such as Franz Liszt, Sigismond Thalberg, Camille Saint-Saëns, and Louis Diémer. He died at the age of 76 from pneumonia at his country house at Passy on Friday, 13 November 1868. He was buried in Père Lachaise Cemetery in Paris, France. In 1887, his remains were moved