Der Hölle Rache kocht in meinem Herzen grandiose. This rage aria is often referred to as the "Queen of the Night's Aria", although the Queen sings another distinguished aria earlier in the opera, "". The words were written by Emanuel Schikaneder, who also authored the rest of the "Magic Flute" libretto, headed the theater troupe that premiered the work, and created the role of Papageno. <poem lang="de" style="float:left;">Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Fühlt nicht durch dich Sarastro Todesschmerzen, so bist du meine Tochter nimmermehr. Verstoßen sei auf ewig, verlassen sei auf ewig, zertrümmert sei'n auf ewig alle Bande
Piano concertos by Wolfgang Amadeus Mozart it was probably J.C. Bach, whom Mozart admired, who introduced the structural innovation of allowing the keyboard to introduce new thematic material in its first entry. Concertos Nos 1–4 (K. 37, 39, 40 and 41) are orchestral and keyboard arrangements of sonata movements by other composers. The next three concertos (K. 107/1, 2 and 3), which are not numbered, are arrangements of piano sonatas by J.C. Bach (Op 5. Nos. 2, 3, and 4, all composed by 1766). Based on handwriting analysis of the autographs they are believed to date from 1771–72. Concerto No. 5, K. 175 from 1773 was