Tenor or, a few notes below the C3, even down to A♭2. Some dramatic tenors have a rich and dark tonal colour to their voice (such as the mature Enrico Caruso) while others (like Francesco Tamagno) possess a bright, steely timbre. Dramatic tenor roles in operas: The heldentenor (English: "heroic tenor") has a rich, dark, powerful and dramatic voice. As its name implies, the heldentenor vocal "fach" features in the German romantic operatic repertoire. The heldentenor is the German equivalent of the tenore drammatico, however with a more baritonal quality: the typical Wagnerian protagonist. The keystone of the heldentenor's repertoire is
Enrico Caruso His successful debut at Covent Garden occurred on 14 May 1902, as the Duke of Mantua in Verdi's "Rigoletto". Covent Garden's highest-paid diva, the Australian soprano Nellie Melba, partnered him as Gilda. They would sing together often during the early 1900s. In her memoirs, Melba praised Caruso's voice but considered him to be a less sophisticated musician and interpretive artist than Jean de Reszke—the Met's biggest tenor drawcard prior to Caruso. In 1903, Caruso made his debut with the Metropolitan Opera in New York City. The gap between his London and New York engagements had been filled by a series