Chromatic scale and new notes between E/F and B/C: The fractions and , and , and , and , and many other pairs are interchangeable, as (syntonic comma) is tempered out. These are 19-EDO just intonation approximations. The ancient Chinese chromatic scale is called "Shí-èr-lǜ". However, "it should not be imagined that this gamut ever functioned as a scale, and it is erroneous to refer to the 'Chinese chromatic scale', as some Western writers have done. The series of twelve notes known as the twelve "lü" were simply a series of fundamental notes from which scales could be constructed." The Indian solfège,
Istrian scale Istrian scale "Istrian scale" refers both to a "unique" musical scale and to the Istrian and Kvarnerian folk music genres which use the scale. It is named for the Istrian peninsula. Genres include "kanat" and "tarankanje"; techniques include nasal tone, variation and improvisation, and resolution to the unison or octave; and instruments include "sopele" shawms, bagpipes, flutes, and "tambura" lutes. It was first named by Ivan Matetić Ronjgov early in the twentieth century, assisting his study and notation of Croatian music. Non-equal-tempered, the scale could approximately be notated as: E-F-G-A-B-C [hexatonic] (see: enharmonic), the first six notes of an octatonic