University College Opera The brainchild of the conductor Anthony Addison, (UCL's then Director of Music), University College Opera gave its first performance in 1951 with an all-student production of Purcell's "Dido and Aeneas", followed by Mozart's "Bastien und Bastienne". Even in its earliest years, the company's annual repertoire concentrated on rarely performed operas including: Nicolai's "The Merry Wives of Windsor" (1952), Bizet's "Don Procopio" (1955) and Lortzing's "Der Wildschütz" (1958). In 1961, the company staged its first UK premiere, Moniuszko's "Halka". During its first 17 years, UCOpera's performances took place in the old gymnasium at University College. With the opening of the college's
Comic opera 18th century. In the 19th century, Russian comic opera was further developed by Alexey Verstovsky who composed more 30 opera-vaudevilles and 6 grand operas (most of them with spoken dialogue). Later, Modest Mussorgsky worked on two comic operas, "The Fair at Sorochyntsi" and "Zhenitba" ("The Marriage"), which he left unfinished (they were completed only in the 20th century). Pyotr Tchaikovsky wrote a comic opera, "Cherevichki" (after Nikolai Gogol, 1885, 1887 Moscow). Nikolai Rimsky-Korsakov composed "May Night" 1878–1879 and "The Golden Cockerel" 1906–1907. In the 20th century, the best examples of comic opera by Russian composers were Igor Stravinsky's "Mavra" (1922)