Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
Mateo Falcone (opera) Mateo Falcone (opera) Mateo Falcone ("Матео Фальконе" in Cyrillic; "Mateo Fal'kone" in transliteration) is a one-act opera composed by César Cui during 1906–1907. (Actually, Cui designated the genre of this work as "dramatic scene.") The libretto was adapted by the composer from Prosper Mérimée's like-named story from 1829 and Vasily Zhukovsky's verse rendering thereof. It was premiered on 14 December 1907 (Old Style), at the Bolshoi Theatre in Moscow (the work was given along with the composer's early one-act comic opera, "The Mandarin's Son"). The premiere production of "Mateo" was a failure; the work never became part of the standard