Central City Opera House which tells the story of wealthy mine-owner Horace Tabor and his second wife Baby Doe Tabor. It was first performed in 1956. In 2001, it was the first opera company in the United States to produce "Gloriana" of Elizabeth I by Benjamin Britten. Gioachino Rossini's "The Barber of Seville" was performed by the Central City Opera in 2015. Samuel Ramey and Beverly Sills have performed at the opera house. It was noted by Daniel Rule, who managed the Central City Opera company, that 29 of the performers of the Metropolitan Opera in New York had performed at Central City. The
Critical edition (opera) Critical edition (opera) A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: The emergence of critical editions of many works from the 19th-century Italian operatic repertory did not begin until the 1950s and resulted from the revival of interest from that time forward in the "bel canto" era—early 1800s to approximately 1850 and known as the "primo ottocento"—written by Gioachino Rossini,