Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Bebop scale generally used by guitar players for its accessibility when applied to traditional minor scale shapes (that is, it is simply easier for guitarists to play). However, many players and resources adhere to the traditional spelling of the scale. The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing tone between the 5th and 6th notes. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> This scale is often used over major sixth chords and major seventh chords. The bebop melodic minor scale is derived from the ascending form of the melodic minor scale