The Magic Flute bring in food, the magic flute, and the bells, sent from Sarastro (Trio: ""). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "") She leaves in despair. "Scene 5: The pyramids" The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: ""). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater
Mozart and dance it was rich in figures (individual movements and patterns) and was popular among all social classes. Mozart composed contredanses as a sequence of multiple sections. They sometimes quote popular melodies; for instance, K. 609 quotes the aria "Non più andrai" from Mozart's opera "The Marriage of Figaro". Of the three genres, minuets predominate in Mozart's early career, the latter two types later on. The core instrumentation of the dances is a simplified orchestra in which there are no violas, and the bass instruments (cello and double bass) play the same line. A variety of wind instruments is usually included, and