Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Madeleine Boyd Dvořák, with the director Alessandro Talevi. She has worked primarily in Europe with the American opera director Thaddeus Strassberger and the South African opera director Alessandro Talevi. Notable productions include Set and Costume Design: "La Cenerentola", by Gioachino Rossini for Malmö Opera, Sweden; "Orfeo ed Euridice" by Christoph Willibald Gluck, at Theater Augsburg, November 2007; "La Gazzetta" by Gioachino Rossini, Rossini in Wildbad Festival, July 2007. Her designs for Elizabeth Maconchy's one-act operas "The Sofa" and "The Departure", for Independent Opera at Sadler's Wells, in November 2007, were received with acclaim. The Chandos label released a recording of both operas