Christian Boesch at the Metropolitan Opera, as Papageno. He returned for the same opera in 1981 (now with Lucia Popp and Gail Robinson alternating as Pamina, and Zdzisława Donat as the Queen of Night), and the same season sang Monsieur Presto in the Met premiere of "Les mamelles de Tirésias" (directed by John Dexter). In 1983, he appeared again at that theatre for their Centennial Gala and "Don Giovanni" (as Masetto), opposite James Morris, Edda Moser, Carol Neblett, Paul Plishka, Roberta Alexander and John Macurdy. His final appearances at the Met were in the title part of "Wozzeck", in 1985. In 1989,
Mozart and dance eighteenth-century composers were expected to be adept at producing both 'popular' and 'serious' music, and that there was no categorical difference between the two.". Abert (2007) wrote, "the most striking aspect of these dances is their almost literally inexhaustible fund of invention. Although their form offers only limited scope for experimentation, each dance differs from the others." Lindmayr-Brandl (2006) writes that "[the dances] that are accessible today, brought to life in the concert hall or in recordings, represent a precious treasure, the immediate expression of the joy of life." Mozart included a substantial ballet at the end of his opera