Franco Alfano nine months on the following concluding duet and at his death had left behind a whole ream of sketches... Alfano had to reconstruct...according to his best assessment...and with his imagination and magnifying glass" since Puccini's material "had not really been legible." "Alfano's reputation has also suffered [IC:along with Mascagni], understandably, because of his willingness to associate himself closely with Mussolini's Fascist government." Alex Ross, in "The New Yorker", notes that a new ending of "Turandot" composed by Luciano Berio premiered in 2002 is preferred by some critics for making a more satisfactory resolution of Turandot's change of heart, and of
Giacomo Puccini critics as to the artistic value of his work has always been divided. Grove Music Online described Puccini's strengths as a composer as follows: Puccini succeeded in mastering the orchestra as no other Italian had done before him, creating new forms by manipulating structures inherited from the great Italian tradition, loading them with bold harmonic progressions which had little or nothing to do with what was happening then in Italy, though they were in step with the work of French, Austrian and German colleagues. In his work on Puccini, Julian Budden describes Puccini as a gifted and original composer, noting