The Midsummer Marriage the work in 1968 conducted by Colin Davis with the Ritual Dances choreographed by Gillian Lynne and in 1970, where the production formed the basis of the first commercial recording. Tippett extracted the "Four Ritual Dances" from the opera as a separate concert work. The story of "The Midsummer Marriage" was consciously modeled after Mozart's "The Magic Flute". Both trace the path to marriage of one "royal" and one "common" couple: Jenifer and Mark correspond to Pamina and Tamino, the earthy Jack and Bella to Papageno and Papagena. King Fisher stands in for the Queen of the Night, the Ancients
Symphony, K. 208+102 (Mozart) Symphony, K. 208+102 (Mozart) The Symphony in C major "No. 52", K. 208+102, was composed by Wolfgang Amadeus Mozart in 1775. The first two movements are from the opera "Il re pastore", K. 208, and the last movement, K. 102/213c, was composed separately. The movements are played one after another without a break. \relative c" { </score> The symphony is scored for two flutes, two oboes, two horns, two trumpets and strings. The flutes are silent for the third movement. The symphony consists of the following movements: The first movement is the overture of the opera "Il re pastore", while