Major Locrian scale "Harmonic Materials of Modern Music" devotes several pages to the major Locrian, or more precisely to its transpositional set class, a concept Hanson pioneered. He names this transpositional class the "seven-tone impure major second scale", and notes that the various modes of the major Locrian can all be defined as the whole tone scale with one additional note, and where that note occurs does not affect the transpositional class. He also notes that the scale has the property that every three-note chord possible in the twelve tone chromatic scale already appears in the major Locrian. Examples are given of the
Scale (music) the 20th century, additional types of scales were explored: A large variety of other scales exists, some of the more common being: Scales such as the pentatonic scale may be considered "gapped" relative to the diatonic scale. An "auxiliary scale" is a scale other than the primary or original scale. See: modulation (music) and Auxiliary diminished scale. In many musical circumstances, a specific note of the scale is chosen as the tonic—the central and most stable note of the scale. In Western tonal music, simple songs or pieces typically start and end on the tonic note. Relative to a choice