Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
The Mistress of the Inn giocoso". In 1800 the German composer Simon Mayr and Italian librettist Gaetano Rossi adapted it as a two-act "dramma giocoso". The American composer Henry Kimball Hadley adapted it as a one-act comic opera called "Bianca", which was first performed in 1918. Bohuslav Martinů also produced an operatic version, his three-act "Mirandolina", which was first performed in 1959. The play was also adapted into several films, notably Paolo Cavara's "La locandiera" and Tinto Brass' "Miranda". The Mistress of the Inn The Mistress of the Inn ( ), also translated as "The Innkeeper Woman" or "Mirandolina" (after the play's main character), is