The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Westbrook-Rossini, Zürich Live 1986 swinging, and joyful it is breathtaking. ... Live, it's even tougher to grasp because there is no safety net, no alternate takes or editing to round out the rough spots. It's all one can do to take it in and not roll about the floor with your hands over your head, tears streaming in such blessed out delight you will cause your loved ones unnecessary worry. You'll listen for decades and still not comprehend the wonder if it. Yes, it is that good". All compositions by Gioachino Rossini with additional material by Mike Westbrook Westbrook-Rossini, Zürich Live 1986 Westbrook-Rossini, Zürich