James Bond Theme a Kill" the melody of the theme was played on strings. Timothy Dalton's first film "The Living Daylights", which was the last Bond film scored by Barry, used a symphonic version with the melody played on strings. This version of the Bond theme is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra - at the time, a relatively new innovation. In "Licence to Kill", the Bond theme was arranged by Michael Kamen using rock drums to symbolize a harder and more violent Bond. This gunbarrel is the first one since "Dr. No" not starting with
Timothy Dalton Glen, commented ""Tim is a very convincing James Bond. When he has a gun in his hand, you believe he really could kill someone. I don't think that was ever the case with Roger Moore." Some modern critics have compared Dalton favourably to Daniel Craig.The Guardian wrote that "they want Bond to be closer to the original Ian Fleming character. They want him to be grittier, darker and less jokey. What they really want, it seems, is to have Dalton back." Eoghan Lyng, writing for "The James Bond Dossier", says "despite chronological placement, it was Dalton, not Brosnan, who proved