Bastien und Bastienne with the exception of the reconciliation scene. The opening theme of Mozart's overture resembles that of the first movement of Beethoven's Symphony no. 3, "Eroica" (in a different key). It is unlikely that Beethoven was familiar with Mozart's youthful opera. In any case, opening a movement with an arpeggio of the tonic chord was an extremely common occurrence in the Classical period. The resemblance is likely coincidental. Although he was very young, Mozart already had excellent vocal writing skills and a knack for parody and whimsy which would reach full flower in his later works. "" is possibly the easiest
McCaull Comic Opera Company truly wonderful organization, the like of which we shall probably never know again." McCaull Comic Opera Company McCaull Comic Opera Company, sometimes called the McCaull Opera Comique Company, was founded by Colonel John A. McCaull in 1880. The company produced operetta, comic opera and musical theatre in New York City and on tour in the eastern and midwestern U.S. and Canada until McCaull's death in 1894. It nurtured such stars, in their early careers, as Lillian Russell and DeWolf Hopper. McCaull (1846–1894) was born in Scotland. He served as a colonel in the Confederate Army and later became a lawyer