Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Diatonic scale Pythagorean tuning: Six of the "fifth" intervals (C–G, D–A, E–B, F–C', G–D', A–E') are all = 1.5, but B–F' is the discordant tritone, here ≈ 1.423828125. Extending the series of fifths to eleven fifths would result into the Pythagorean Chromatic scale. It would add pitches for the five "piano black key" notes, for instance A–E–B–F–C–G–D–A–E–B–F–C–G. A and G are commonly thought of as being the same note, but as worked out in this way, G is higher pitch than A by about 1.01364 (, the Pythagorean comma, about 24% of a semitone, = ). Depending on whether one chooses A