L'abandon d'Ariane L'abandon d'Ariane L'abandon d'Ariane Op. 98 ("The Abandonment of Ariane" or, in German, "Die Verlassene Ariadne") is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three "Opéras-Minutes" (Mini-Operas) that Milhaud composed. It came between "L'Enlèvement d'Europe" Op. 94 and "La Délivrance de Thésée" Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes. The first performance of the trilogy - "L'Enlèvement d'Europe", "L'Abandon d'Ariane" and "La Délivrance de Thésée" - was at the Hessisches
Darius Milhaud son désir". On his return to France, Milhaud composed works influenced by the Brazilian popular music he had heard, including compositions of Brazilian pianist and composer Ernesto Nazareth. "Le bœuf sur le toit" includes melodies by Nazareth and other popular Brazilian composers of the time, and evokes the sounds of Carnaval. Among the melodies is, in fact, a Carnaval tune by the name of "The Bull on the Roof" (in Portuguese, which he translated to French 'Le boeuf sur le toit', known in English as 'The Ox on the Roof'). He also produced "Saudades do Brasil", a suite of twelve