Barouche etymological technicality; over a few thousand years, words change. The barouche was based on an earlier style of carriage, the "calash" or "calèche": this was a light carriage with small wheels, inside seats for four passengers, a separate driver's seat and a folding top. A folding calash top was a feature of two other types: the chaise, a two-wheeled carriage for one or two persons, a body hung on leather straps or thorough-braces, usually drawn by one horse; and a victoria, a low four-wheeled pleasure carriage for two with a raised seat in front for the driver. A victoria is
The Fall of Phaeton (Rubens) The Fall of Phaeton (Rubens) The Fall of Phaeton is a painting by the Flemish master Peter Paul Rubens, featuring the ancient Greek myth of Phaeton (Phaethon), a recurring theme in visual arts. Rubens chose to depict the myth at the height of its action, with the thunderbolts hurled by Zeus to the right. The thunderbolts provide the light contrast to facilitate the display of horror on the faces of Phaeton, the horses and other figures while preserving the darkness of the event. The butterfly winged female figures represent the hours and seasons, who react in terror as the night