One Night of Love in his usual place in the prompter's box. The complete proscenium and part of the wings and seating plan of the Metropolitan Opera House were duplicated for this production and occupied the whole of Columbia's largest sound stage. Moore's recording and performance of the "Un bel di" aria from "Madame Butterfly" did not go smoothly, as she had trouble hitting the high notes. According to a later biography, she flew into a rage and blamed the orchestra, however, when studio boss Harry Cohn asked Columbia music director, Morris Stoloff, what the problem was, Stoloff replied, "There's nothing wrong with the
Aria di sorbetto listen to it as they would any other portion of the opera. Aria di sorbetto The Aria di sorbetto, or "sherbet aria", was a convention of Italian opera in the early nineteenth century. Nineteenth-century audiences would rarely listen to an opera straight through, preferring instead to talk among themselves, eat, and drink for much of the performance. The "aria di sorbetto" would come fairly late in the second act of the opera, and it would afford vendors the chance to hawk their wares one last time before the evening ended. As most of the vendors sold Sorbetto (a Sorbet) and