Libretto of The Magic Flute [i.e. libretti] in which absurdity is regarded as matter of course." With occasional exceptions, critics voice harsh views on the quality of Schikaneder's German versification as well. Such critics generally do not defend it on its own terms (as if it could stand independently as a work of theater), but rather as a vehicle that served as a great inspiration for Mozart for composition, particularly in its assertion of high ideals and the portrayal of selfless love in the characters of Pamina and Tamino. The harsh assessment is not universal; see for instance the quotation with which this article begins.
Wolfgang Amadeus Mozart and Prague as both a composer and a performer. The great success of this visit generated a commission from the impresario Pasquale Bondini for another opera, which like "The Marriage of Figaro" was to have a libretto by Mozart's great collaborator Lorenzo Da Ponte. Mozart came to Prague for the second time to help supervise the first performance of his opera "Don Giovanni". He arrived on 4 October 1787 and stayed until 12 or 13 November. The premiere of the opera was supposed to have taken place on 15 October, but could not be arranged until 29 October 1787. The work was