Vivien Leigh friendship developed after he congratulated her on her performance. Olivier and Leigh began an affair while acting as lovers in "Fire Over England" (1937), but Olivier was still married to actress Jill Esmond. During this period, Leigh read the Margaret Mitchell novel "Gone with the Wind" and instructed her American agent to recommend her to David O. Selznick, who was planning a film version. She remarked to a journalist, "I've cast myself as Scarlett O'Hara", and "The Observer" film critic C. A. Lejeune recalled a conversation of the same period in which Leigh "stunned us all" with the assertion that
Gone with the Wind (film) the South during the era of segregation, in which white Southerners are portrayed as defending traditional values and the issue of slavery is largely ignored. The film has been described as a "regression" that promotes the myth of the black rapist and the honourable and defensive role of the Ku Klux Klan during Reconstruction, and as a "social propaganda" film offering a "white supremacist" view of the past. From 1972 to 1996, the Atlanta Historical Society held a number of "Gone with the Wind" exhibits, among them a 1994 exhibit titled, "Disputed Territories: "Gone with the Wind" and Southern Myths".