O zittre nicht, mein lieber Sohn most demanding in operatic repertoire. In the preceding scene, Prince Tamino was shown a portrait of the Queen's daughter Pamina and fell instantly in love with her, singing of his feelings in the aria "Dies Bildnis ist bezaubernd schön". The Queen then makes a dramatic entrance, preceded by the Three Ladies calling to Tamino "Sie kommt! Sie kommt!" ("[Here] she comes!"). The grand entrance music for the Queen is in B-flat, marked "Allegro maestoso", with the following stage direction: Not all modern productions adhere to this prescription. In the aria, the Queen first quiets Tamino's fears and attempts to befriend
Mozart and dance eighteenth-century composers were expected to be adept at producing both 'popular' and 'serious' music, and that there was no categorical difference between the two.". Abert (2007) wrote, "the most striking aspect of these dances is their almost literally inexhaustible fund of invention. Although their form offers only limited scope for experimentation, each dance differs from the others." Lindmayr-Brandl (2006) writes that "[the dances] that are accessible today, brought to life in the concert hall or in recordings, represent a precious treasure, the immediate expression of the joy of life." Mozart included a substantial ballet at the end of his opera