L'abandon d'Ariane L'abandon d'Ariane L'abandon d'Ariane Op. 98 ("The Abandonment of Ariane" or, in German, "Die Verlassene Ariadne") is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three "Opéras-Minutes" (Mini-Operas) that Milhaud composed. It came between "L'Enlèvement d'Europe" Op. 94 and "La Délivrance de Thésée" Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes. The first performance of the trilogy - "L'Enlèvement d'Europe", "L'Abandon d'Ariane" and "La Délivrance de Thésée" - was at the Hessisches
Ship of Theseus be edited gradually but so heavily that none of the original remains, posing the legal question of whether the owners of the original have any claim on the result. In ontological engineering such as the design of practical databases and AI systems, the paradox appears regularly when data objects change over time. There are many more examples of the paradox found in real-life and in fiction. Ship of Theseus In the metaphysics of identity, the ship of Theseus — or Theseus's paradox — is a thought experiment that raises the question of whether a ship—standing for an object in general—that