Bastien und Bastienne with the exception of the reconciliation scene. The opening theme of Mozart's overture resembles that of the first movement of Beethoven's Symphony no. 3, "Eroica" (in a different key). It is unlikely that Beethoven was familiar with Mozart's youthful opera. In any case, opening a movement with an arpeggio of the tonic chord was an extremely common occurrence in the Classical period. The resemblance is likely coincidental. Although he was very young, Mozart already had excellent vocal writing skills and a knack for parody and whimsy which would reach full flower in his later works. "" is possibly the easiest
Vlatka Oršanić engaged as a soloist there and also began making guest appearances in other opera houses in what was then Yugoslavia. In that time she was celebrated as an extraordinary Lucia and Gilda. From 1985 to 1990 she lived in Vienna, where she pursued further study in solo singing techniques with Olivera Miljaković. The 1990s saw the beginning of Oršanić's international career. She sang at the Salzburg State Theatre where she appeared as Despina in "Così fan tutte", Bastienne in "Bastien und Bastienne", Euridice in "Orfeo ed Euridice" and Tamiri in "Il re pastore". She went on to sing as a