Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
Audrey Hepburn bad temper. Ferrer was rumoured to be too controlling, and had been referred to by others as being her "Svengali" – an accusation that Hepburn laughed off. William Holden was quoted as saying, "I think Audrey allows Mel to think he influences her." After a 14-year marriage, the couple divorced in 1968. Hepburn met her second husband, Italian psychiatrist Andrea Dotti, on a Mediterranean cruise with friends in June 1968. She believed she would have more children and possibly stop working. They married on 18 January 1969; their son, Luca Dotti, was born on 8 February 1970. While pregnant with