Turandot safely be ignored". Some of this criticism is possibly due to the standard Alfano ending (Alfano II), in which Liù's death is followed almost immediately by Calaf's "rough wooing" of Turandot, and the "bombastic" end to the opera. A later attempt at completing the opera was made, with the co-operation of the publishers, Ricordi, in 2002 by Luciano Berio. The Berio version is considered to overcome some of these criticisms, but critics such as Michael Tanner have failed to be wholly convinced by the new ending, noting that the criticism by the Puccini advocate Julian Budden still applies: "Nothing in
Giacomo Puccini only uncontested triumph, acclaimed by critics and public alike." After the London premiere in 1894, George Bernard Shaw pronounced: "Puccini looks to me more like the heir of Verdi than any of his rivals." "Manon Lescaut" was a great success and established Puccini's reputation as the most promising rising composer of his generation, and the most likely "successor" to Verdi as the leading exponent of the Italian operatic tradition. Illica and Giacosa returned as librettists for Puccini for his next three operas, probably his greatest successes: "La bohème", "Tosca" and "Madama Butterfly". Puccini's next work after "Manon Lescaut" was "La