Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Prix Rossini Prix Rossini The Prix Rossini for composition was a prize for young librettist and composers which was granted by the French Académie des Beaux-Arts. The prize was funded by a provision in composer Gioachino Rossini's will which took effect in 1878 after the death of his widow. First and second prize winners received funding for their winning work to be performed in a prestigious ceremony which was managed by the Société des Concerts of the Institut de France, also associated with the Paris Conservatoire. The first award of the prize in 1881 was to librettist Paul Collin and composer Marie,