The Magic Flute trials ahead, alarming them by describing it as their "final farewell." (Trio: Sarastro, Pamina, Tamino – "" Note: In order to preserve the continuity of Pamina's suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following Sarastro's aria "".) They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. (Aria: ""). The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will
Wolfgang Amadeus Mozart and Prague Wolfgang Amadeus Mozart and Prague There is no question that the Praguers of the late eighteenth century exhibited a special appreciation for the music of Wolfgang Amadeus Mozart, even though, as recently pointed out by Daniel E. Freeman, confirmations of this fact attributed to Mozart himself in sayings such as "" ("My Praguers understand me") have only come down to posterity second or third hand. Perhaps the most valuable direct testimony that attests to the discernment of the musical public in Prague with regard to Mozart's music comes from Lorenzo Da Ponte, the librettist of Mozart's opera "Don Giovanni", which