Augsburger Puppenkiste Sergei Prokofiev, a symphonic fairy-tale for children, as well as Bastien und Bastienne, a comic opera composed by Mozart. In 1985, the theatre staged another one of Mozart's works: The Magic Flute. The opera was adapted for marionettes by Walter Oehmichens son-in-law, Hanns-Joachim Marschall. In the course of the adaption, Marschall slightly changed the opera, cutting out long arias. He also engaged actors with trained singing voices to speak and sing the parts of the characters. Thus, every puppet had a double cast: a manipulator and a speaker. The same strategy was used for the adaption of Mozart’s The Abduction
Comic opera style was widely imitated by their contemporaries (for example, in "Dorothy"), and the creators themselves wrote works in this style with other collaborators in the 1890s. None of these, however, had lasting popularity, leaving the Savoy Operas as practically the sole representatives of the genre surviving today. Only recently, some of these other English light operas have begun to be explored by scholars and to receive performances and recordings. The first opera presented in Russia, in 1731, was a comic opera (or "commedia per musica"), "Calandro", by an Italian composer, Giovanni Alberto Ristori. It was followed by the comic operas