Gioachino Rossini so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title "The Barber of Seville" passed as an inalienable heritage. Later in 1822, a 30-year-old Rossini succeeded in meeting Ludwig van Beethoven, who was then aged 51, deaf, cantankerous and in failing health. Communicating in writing, Beethoven noted: "Ah, Rossini. So you're the composer of "The Barber of Seville". I congratulate you. It will be played as long as Italian opera exists. Never try to write anything else but opera buffa; any other style would do violence to your nature." Between 1815 and 1823 Rossini
Critical edition (opera) Critical edition (opera) A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: The emergence of critical editions of many works from the 19th-century Italian operatic repertory did not begin until the 1950s and resulted from the revival of interest from that time forward in the "bel canto" era—early 1800s to approximately 1850 and known as the "primo ottocento"—written by Gioachino Rossini,