Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
Katharine Hepburn diction". He wrote "The Night of the Iguana" (1961) with Hepburn in mind, but the actress, although flattered, felt the play was wrong for her and declined the part, which went to Bette Davis. Hepburn returned to Stratford in the summer of 1960 to play Viola in "Twelfth Night", and Cleopatra in "Antony and Cleopatra". The "New York Post" wrote of her Cleopatra, "Hepburn offers a highly versatile performance ... once or twice going in for her famous mannerisms and always being fascinating to watch." Hepburn herself was proud of the role. Her repertoire was further improved when she appeared