The Barber of Seville (1948 film) 500 times by the time of the film, which features several popular singers from the company. The film director is Jean Loubignac, director of photography René Colas, sets by Louis Le Barbenchon, and producer Claude Dolbert, for Codo-Cinéma. The chorus and orchestra of the Opéra-Comique are conducted by André Cluytens. The Barber of Seville (1948 film) The Barber of Seville (French: Le Barbier de Séville) is a French film directed by Jean Loubignac released in 1948. It is a screen version of the 1816 opera by Rossini based on the play by Beaumarchais (in the translation by Castil-Blaze). Filmed at
Critical edition (opera) Critical edition (opera) A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: The emergence of critical editions of many works from the 19th-century Italian operatic repertory did not begin until the 1950s and resulted from the revival of interest from that time forward in the "bel canto" era—early 1800s to approximately 1850 and known as the "primo ottocento"—written by Gioachino Rossini,