Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Westbrook-Rossini Westbrook-Rossini Westbrook-Rossini is an album by Mike Westbrook, featuring interpretations of works by Gioachino Rossini which was recorded in Switzerland in 1986 and first released on the hat ART label the following year. The Allmusic review by Thom Jurek stated "This is a huge work, with spiraling Italian tarantellas played by Westbrook on the tuba, gorgeous arias sung by Kate, outlandish improvisational episodes where Lindsay Cooper gets to shine on her sopranino saxophone and Peter Whyman on his alto, and wildly contrapuntal flowing swing from Andy Grappy's tuba and Westbrook's piano ... There is nothing extra -- no bombast or