Chromatic scale common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale (). Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. Thus, the scale is not perfectly symmetric. Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. In Pythagorean tuning (3-limit just intonation) the chromatic scale is tuned as follows, with sharps higher than their enharmonic flats: These are 17-EDO Pythagorean tuning approximations. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps,
Harry Partch's 43-tone scale Harry Partch's 43-tone scale The 43-tone scale is a just intonation scale with 43 pitches in each octave, invented and used by Harry Partch. The first of Partch's "four concepts" is "The scale of musical intervals begins with absolute consonance (1 to 1) and gradually progresses into an infinitude of dissonance, the consonance of the intervals decreasing as the odd numbers of their ratios increase." Almost all of Partch's music is written in the 43-tone scale, and although most of his instruments can play only subsets of the full scale, he used it as an all-encompassing framework. Partch chose the