Darrell Fancourt performed in opera productions at the Academy, creating the role of Tackleton, the toy merchant, in Alexander Mackenzie's opera "The Cricket on the Hearth", and playing Colas in Mozart's "Bastien und Bastienne", and Benoit in "La bohème". "The Times" thought him "amusing but not noticeably musical" in the last. Even before completing his studies, Fancourt was building a concert career in London, the British provinces and the European continent. "The Times" said of an Aeolian Hall recital in 1912, "Mr. Fancourt has some noble notes in his voice, except when he forces it occasionally ... Schubert's "Tod und das Mädchen"
Act One (Beggars Opera album) Act One (Beggars Opera album) Act One is the debut album of the Scottish progressive band Beggars Opera. Variously classified as symphonic rock, progressive rock or proto-progressive rock, Beggars Opera's debut album has been compared to (and sometimes described as "derivative of") works by The Nice and Deep Purple MK I. It was published by Vertigo (which had at the time introduced its legendary "swirl" label) in 1970 and features cover art by the renowned surrealist photographer and artist Marcus Keef (the same that created the covers for Black Sabbath's first three albums). In the same year the band also