Pocket Opera North Beach, through nearly two decades of presenting a weekly chamber music series (1960-1978) at the Old Spaghetti Factory, to his present-day fame as the creator of one of San Francisco's most popular operatic institutions. Pippin's first translation came in 1968, in the course of preparing Mozart's one-act opera "Bastien und Bastienne" for performance as part of his chamber music series. The opera, and his singing translation of it, were immediate successes with San Francisco audiences. From that point on, Pippin has dedicated himself to the task of producing literate English versions of both well-loved classics and lesser-known gems of
Comic opera 18th century. In the 19th century, Russian comic opera was further developed by Alexey Verstovsky who composed more 30 opera-vaudevilles and 6 grand operas (most of them with spoken dialogue). Later, Modest Mussorgsky worked on two comic operas, "The Fair at Sorochyntsi" and "Zhenitba" ("The Marriage"), which he left unfinished (they were completed only in the 20th century). Pyotr Tchaikovsky wrote a comic opera, "Cherevichki" (after Nikolai Gogol, 1885, 1887 Moscow). Nikolai Rimsky-Korsakov composed "May Night" 1878–1879 and "The Golden Cockerel" 1906–1907. In the 20th century, the best examples of comic opera by Russian composers were Igor Stravinsky's "Mavra" (1922)