Giacomo Puccini remained popular. "Turandot", Puccini's final opera, was left unfinished, and the last two scenes were completed by Franco Alfano based on the composer's sketches. The libretto for "Turandot" was based on a play of the same name by Carlo Gozzi. The music of the opera is heavily inflected with pentatonic motifs, intended to produce an Asiatic flavor to the music. Unlike "La fanciulla", "Turandot" contains a number of memorable stand-alone arias, among them "Nessun dorma". The libretto of "Edgar" was a significant factor in the failure of that opera. Thereafter, especially throughout his middle and late career, Puccini was extremely
Giacomo Puccini only uncontested triumph, acclaimed by critics and public alike." After the London premiere in 1894, George Bernard Shaw pronounced: "Puccini looks to me more like the heir of Verdi than any of his rivals." "Manon Lescaut" was a great success and established Puccini's reputation as the most promising rising composer of his generation, and the most likely "successor" to Verdi as the leading exponent of the Italian operatic tradition. Illica and Giacosa returned as librettists for Puccini for his next three operas, probably his greatest successes: "La bohème", "Tosca" and "Madama Butterfly". Puccini's next work after "Manon Lescaut" was "La