Chromatic scale common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale (). Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. Thus, the scale is not perfectly symmetric. Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. In Pythagorean tuning (3-limit just intonation) the chromatic scale is tuned as follows, with sharps higher than their enharmonic flats: These are 17-EDO Pythagorean tuning approximations. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps,
Scale (music) pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. Some scales span part of an octave; Several such short scales are typically combined to form a scale spanning a full octave or more, and usually called with a third name of its own. The Middle Eastern music has around a dozen such basic short scales that are combined to form hundreds of full-octave spanning scales. Among these middle eastern scales Hejaz scale has one scale step spanning 14 intervals (of the middle eastern type found 53 in an octave)