One Night of Love in his usual place in the prompter's box. The complete proscenium and part of the wings and seating plan of the Metropolitan Opera House were duplicated for this production and occupied the whole of Columbia's largest sound stage. Moore's recording and performance of the "Un bel di" aria from "Madame Butterfly" did not go smoothly, as she had trouble hitting the high notes. According to a later biography, she flew into a rage and blamed the orchestra, however, when studio boss Harry Cohn asked Columbia music director, Morris Stoloff, what the problem was, Stoloff replied, "There's nothing wrong with the
Giacomo Puccini the innovation hidden in the popularity of works such as "Che gelida manina". He describes the aria in musical terms (the signature embedded in the harmony for example), and points out that its structure was rather unheard of at the time, having three distinct musical paragraphs that nonetheless form a complete and coherent whole. This gumption in musical experimentation was the essence of Puccini's style, as evidenced in his diverse settings and use of the motif to express ideas beyond those in the story and text. Puccini has, however, consistently been the target of condescension by some music critics who