Un bel dì vedremo the arrival of Pinkerton's ship, but it proves to be her last; Butterfly learns that Pinkerton has married another woman, and at the end of the opera the distraught Butterfly takes her own life. "Un bel dì vedremo" is especially significant as it appeals to audiences with its emotive melody but also encapsulates the tragedy at the heart of the opera, foretelling Cio-Cio San's inevitable demise. The aria was first performed by the well-known soprano Rosina Storchio at the premiere of "Madama Butterfly" on 17 February 1904 at the Teatro alla Scala in Milan. In the revised version of the
Giacomo Puccini 'update' his style to keep pace with new trends, but did not attempt to fully adopt a modern style. One critic, Anthony Davis has stated: "Loyalty toward nineteenth-century Italian-opera traditions and, more generally, toward the musical language of his Tuscan heritage is one of the clearest features of Puccini's music." Davis also identifies, however, a "stylistic pluralism" in Puccini's work, including influences from "the German symphonic tradition, French harmonic and orchestrational traditions, and, to a lesser extent, aspects of Wagnerian chromaticism." In addition, Puccini frequently sought to introduce music or sounds from outside sources into his operas, such as his