Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
Liebe und Eifersucht "everywhere marked by understanding and craftsmanship – and nowhere distinguished by genius." Liebe und Eifersucht Liebe und Eifersucht ("Love and Jealousy") is a "Singspiel", an opera with spoken dialogue, in three acts by the German composer and author E. T. A. Hoffmann, composed in 1807 on his own libretto based on the translation by August Wilhelm Schlegel of a play by Calderón. The opera was first published by Schott in 1999, and premiered at the 2008 Ludwigsburger Schlossfestspiele. The author Ernst Theodor Amadeus Hoffmann was interested in music, wanted originally to become a musician, and added Amadeus to his names