Major Locrian scale "Harmonic Materials of Modern Music" devotes several pages to the major Locrian, or more precisely to its transpositional set class, a concept Hanson pioneered. He names this transpositional class the "seven-tone impure major second scale", and notes that the various modes of the major Locrian can all be defined as the whole tone scale with one additional note, and where that note occurs does not affect the transpositional class. He also notes that the scale has the property that every three-note chord possible in the twelve tone chromatic scale already appears in the major Locrian. Examples are given of the
Bebop scale generally used by guitar players for its accessibility when applied to traditional minor scale shapes (that is, it is simply easier for guitarists to play). However, many players and resources adhere to the traditional spelling of the scale. The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing tone between the 5th and 6th notes. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> This scale is often used over major sixth chords and major seventh chords. The bebop melodic minor scale is derived from the ascending form of the melodic minor scale