Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Elisabetta Manfredini-Guarmani back in Bologna to sing the title role in a revival of Paisiello's "Nina, ossia La pazza per amore" at the Teatro Marsigli. Manfredini-Guarmani first worked with Gioachino Rossini in May 1811, when she sang in Haydn's oratorio "The Seasons". The special performance of the oratorio (sung in Italian as "Le quattro stagioni") was in celebration of the birth of the Napoleon II two months earlier and was conducted from the harpsichord by Rossini. When Rossini wrote his opera "Ciro in Babilonia", he composed the role of Almira specifically for Manfredini-Guarmani's voice. Following its premiere at the Teatro Comunale on