Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
Otello (Rossini) Otello (Rossini) Otello () is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsa. The work is based on a French adaptation of the story, not Shakespeare's play "Othello" as neither Rossini nor his librettist knew the English drama. The opera deviates heavily from Shakespeare's version not only in that it takes place in Venice and not on Cyprus, but also in that the whole dramatic conflict develops in a different manner. The role of Iago is reduced to some degree, and it is much less diabolical than in the original