Comic opera and humour, Offenbach's works were intended solely to amuse. Though generally well crafted and full of humorous satire and grand opera parodies, plots and characters in his works were often interchangeable. Given the frenetic pace at which he worked, Offenbach sometimes used the same material in more than one opera. Another Frenchman who took up this form was Charles Lecocq (1832–1918). The singspiel developed in 18th-century Vienna and spread throughout Austria and Germany. As in the French "opéra comique", the "singspiel" was an opera with spoken dialogue, and usually a comic subject, such as Mozart's "Die Entführung aus dem Serail
Moses und Aron Moses und Aron Moses und Aron (English: "Moses and Aaron") is a three-act opera by Arnold Schoenberg with the third act unfinished. The German libretto is by the composer after the Book of Exodus. Hungarian composer Zoltán Kocsis completed the last act, with Schoenberg's heirs' permission, in 2010, but "Moses und Aron" was almost always performed as Schoenberg left it in 1932, with only two of the planned three acts completed. "Moses und Aron" has its roots in Schoenberg's earlier agitprop play, "Der biblische Weg" ("The Biblical Way", 1926–27), a response in dramatic form to the growing anti-Jewish movements in