Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
19th century Scott; the Irish Oscar Wilde; the Americans Edgar Allan Poe, Ralph Waldo Emerson, and Mark Twain; and the French Victor Hugo, Honoré de Balzac, Jules Verne, Alexandre Dumas and Charles Baudelaire. The Realism and Romanticism of the early 19th century gave way to Impressionism and Post-Impressionism in the later half of the century, with Paris being the dominant art capital of the world. In the United States the Hudson River School was prominent. 19th-century painters included: Sonata form matured during the Classical era to become the primary form of instrumental compositions throughout the 19th century. Much of the music from