Mozart and Freemasonry and Gazzaniga's "La Circe", operas that have no connection with Freemasonry The following is a list of surviving works that Mozart composed for performance at gatherings of Masons. The story and music of his opera "The Magic Flute" is also considered to have strong Masonic influences. The following is a partial list of family members, patrons, and colleagues who were Masons. Mozart's grandfather Johann Georg, a bookbinder, was raised among the extended Mozart family in Augsburg, in the house of Johann's own grandfather David Mozart. David and his children were distinguished architects and master "operative" (craft) masons of the Augsburg
Haydn and Mozart symphony and a chorus, both probably from [the oratorio] "Il ritorno di Tobia"") and Mozart ("a new concert aria, probably 'Misero! o sogno!' [K. 431], and, on the first night, a piano concerto") At the time of this meeting, Haydn was the most celebrated composer in Europe. Mozart's own reputation was definitely on the rise. His opera "The Abduction from the Seraglio" had been premiered with great success in Vienna, and was being produced in several other cities. Haydn would have been about 52 at the time, Mozart about 28. Jens Peter Larsen suggests that "quartet playing was central to