Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
Audrey Hepburn "somehow Miss Hepburn is able to translate [its intangibles] into the language of the theatre without artfulness or precociousness. She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage". Her performance won her the 1954 Tony Award for Best Performance by a Leading Actress in a Play the same year she won the Academy Award for "Roman Holiday", making her one of three actresses to receive the Academy and Tony Awards for Best Actress in the same year (the other two are Shirley Booth and Ellen Burstyn). During the