Gioachino Rossini common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in "Il Barbiere" there is an aria for the Count (often omitted) "Cessa di più resistere", which Rossini used (with minor changes) in the cantata "Le Nozze di Teti e di Peleo" and in "La Cenerentola" (the cabaletta for Angelina's rondo is almost unchanged). Moreover, four of his best known overtures ("La cambiale di matrimonio", "Tancredi", "La Cenerentola" and "The Barber of Seville") share operas apart from those with which they are
Elisabetta Manfredini-Guarmani back in Bologna to sing the title role in a revival of Paisiello's "Nina, ossia La pazza per amore" at the Teatro Marsigli. Manfredini-Guarmani first worked with Gioachino Rossini in May 1811, when she sang in Haydn's oratorio "The Seasons". The special performance of the oratorio (sung in Italian as "Le quattro stagioni") was in celebration of the birth of the Napoleon II two months earlier and was conducted from the harpsichord by Rossini. When Rossini wrote his opera "Ciro in Babilonia", he composed the role of Almira specifically for Manfredini-Guarmani's voice. Following its premiere at the Teatro Comunale on