L'abandon d'Ariane L'abandon d'Ariane L'abandon d'Ariane Op. 98 ("The Abandonment of Ariane" or, in German, "Die Verlassene Ariadne") is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three "Opéras-Minutes" (Mini-Operas) that Milhaud composed. It came between "L'Enlèvement d'Europe" Op. 94 and "La Délivrance de Thésée" Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes. The first performance of the trilogy - "L'Enlèvement d'Europe", "L'Abandon d'Ariane" and "La Délivrance de Thésée" - was at the Hessisches
Little Symphony No. 5 (Milhaud) Little Symphony No. 5 (Milhaud) The Little (Chamber) Symphony No.5, Op.75, also known as the "Tentet", is a symphony for wind instruments written by French composer Darius Milhaud in 1922. It is his fifth chamber symphony, which are also referred to as the "Petites Symphonies" or "Chamber Symphonies". The work was commissioned by Italian Radio and is dedicated to Marya Freúnd, a soprano singer and Milhaud's friend, who performed the premiere of Schoenberg's Pierrot Lunaire, conducted by Milhaud. The symphony was first performed at Champs-Elysées, Paris in 1923. Chamber Symphony No. 5 is written for an ensemble of ten wind