Libretto of The Magic Flute slaves dance peaceably off the stage, enchanted by Papageno's magic bells and leaving Pamina and Papageno in freedom. The two celebrate their escape by singing the following. The second act finale begins with a scene framed by didactic poetry. First the Three Boys enter, singing: The action then shifts to drama and dialogue: the Three Boys find Pamina in despair in the belief that Tamino has abandoned her, and she nearly commits suicide. The Three Boys succeed in dissuading her, explaining that Tamino truly loves her and indeed is willing to risk death for her. Pamina, once convinced, ardently sings
Mozart and Salieri (opera) Solodovnikov Theater in Moscow, presented by the Moscow Private Russian Opera, Moscow on 7 December 1898 (O.S. 25 November). The conductor was Iosif Truffi and scenic designer was Mikhail Vrubel. Feodor Chaliapin, who originated the role of Salieri, claimed to have often sung the piece as a monodrama, as the role of Mozart goes no higher than g and was within his range. In Britain the first UK performance was presented on 11 October 1927, again with Chaliapin as Salieri, while the first U.S. one took place in Forest Park, Pennsylvania, in 1933. A recent UK revival took place in