Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Christianity in the 19th century Calvinist and Arminian are more frequently used, referring to the conclusion of the Synod of Dort. The 19th century saw the rise of Biblical criticism, new knowledge of religious diversity in other continents, and above all the growth of science. This led many Christians to emphasize the brotherhood, to seeing miracles as myths, and to emphasize a moral approach with religion as lifestyle rather than revealed truth. Liberal Christianity—sometimes called liberal theology—reshaped Protestantism. Liberal Christianity is an umbrella term covering diverse, philosophically informed movements and moods within 19th and 20th century Christianity. Despite its name, liberal Christianity has always been