James Bond Theme a Kill" the melody of the theme was played on strings. Timothy Dalton's first film "The Living Daylights", which was the last Bond film scored by Barry, used a symphonic version with the melody played on strings. This version of the Bond theme is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra - at the time, a relatively new innovation. In "Licence to Kill", the Bond theme was arranged by Michael Kamen using rock drums to symbolize a harder and more violent Bond. This gunbarrel is the first one since "Dr. No" not starting with
Motifs in the James Bond film series for the film: "you put in three girls ... Girl number one is pro-Bond. She stays around roughly through the first reel of the picture. Then she is bumped off by the enemy, preferably in Bond's arms." The next girl is anti-Bond and normally captures him, but Bond will save himself by using his charm and sexual potency: she is normally killed midway through the film. Girl number three will survive and end the film in Bond's embrace. Academic Kimberly A. Neuendorf notes that James Bond promotes stereotypical, sex-typed male attitudes, especially when interacting with women and in doing so