Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
Mozart and dance it was rich in figures (individual movements and patterns) and was popular among all social classes. Mozart composed contredanses as a sequence of multiple sections. They sometimes quote popular melodies; for instance, K. 609 quotes the aria "Non più andrai" from Mozart's opera "The Marriage of Figaro". Of the three genres, minuets predominate in Mozart's early career, the latter two types later on. The core instrumentation of the dances is a simplified orchestra in which there are no violas, and the bass instruments (cello and double bass) play the same line. A variety of wind instruments is usually included, and