The Magic Flute trials ahead, alarming them by describing it as their "final farewell." (Trio: Sarastro, Pamina, Tamino – "" Note: In order to preserve the continuity of Pamina's suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following Sarastro's aria "".) They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. (Aria: ""). The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will
Mozart and dance it was rich in figures (individual movements and patterns) and was popular among all social classes. Mozart composed contredanses as a sequence of multiple sections. They sometimes quote popular melodies; for instance, K. 609 quotes the aria "Non più andrai" from Mozart's opera "The Marriage of Figaro". Of the three genres, minuets predominate in Mozart's early career, the latter two types later on. The core instrumentation of the dances is a simplified orchestra in which there are no violas, and the bass instruments (cello and double bass) play the same line. A variety of wind instruments is usually included, and