The Barber of Seville (1904 film) prepared a special film score for "The Barber of Seville", adapted from the most well-known arias from the Rossini opera. Like at least 4% of Méliès's entire output (including such films as "A Trip to the Moon", "The Impossible Voyage", "The Kingdom of the Fairies", and "The Rajah's Dream"), some prints were individually hand-colored and sold at a higher price. The film is currently presumed lost. The Barber of Seville (1904 film) The Barber of Seville (), also released as The Barber of Sevilla, or the Useless Precaution, was a 1904 French silent film directed by Georges Méliès, based on
Gioachino Rossini produced 20 operas. Of these, "Otello" formed the climax to his reform of serious opera ("opera seria"), and offers a suggestive contrast with the treatment of the same subject at a similar point of artistic development by the composer Giuseppe Verdi. In Rossini's time, the tragic ending was so distasteful to the public of Rome that it was necessary to invent a happy conclusion to "Otello". Conditions of stage production in 1817 are illustrated by Rossini's acceptance of the subject of Cinderella for a libretto only on the condition that the supernatural element should be omitted. The opera "La Cenerentola"