Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
The Mandarin's Son The Mandarin's Son The Mandarin's Son ("Сын мандарина" in Cyrillic; "Syn mandarina" in transliteration) is comic opera in one act by César Cui, composed in 1859. The libretto, which includes spoken dialogue, was written by Viktor Krylov. No small influence for this work came from the French composer Daniel Auber, particularly his "Le cheval de bronze", which had a similar setting, and was being performed in Saint Petersburg at the time. Cui dedicated this opera to his bride, Mal'vina Bamberg. (They had married the previous year.) The orchestration is credited to Mily Balakirev. The first performance of "The Mandarin's Son"