Charlie Chaplin take in "The Kid". For "The Immigrant", a 20 minute-short, Chaplin shot 40,000 feet of film – enough for a feature-length. Describing his working method as "sheer perseverance to the point of madness", Chaplin would be completely consumed by the production of a picture. Robinson writes that even in Chaplin's later years, his work continued "to take precedence over everything and everyone else." The combination of story improvisation and relentless perfectionism – which resulted in days of effort and thousands of feet of film being wasted, all at enormous expense – often proved taxing for Chaplin who, in frustration, would
Charlie Chaplin: Intimate Close-Ups Hale herself vetoed publication of the first version as being too one-sided with regards to Chaplin. Kiernan writes that Hale tried to publish the book in the 1960s, but could not find a publisher. The editor notes that in her memoir, Hale refers to Chaplin as two people: Charlie, the man she fell in love with, and "Mr. Chaplin", the sometimes-cruel film giant and director. The book also includes a listing of Hale's film appearances and a small collection of photographs, including behind-the-scenes images from production of "The Gold Rush" and images of Hale from other film appearances including her