The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
Gioachino Rossini was in many of its incidents an anticipation of those presented to the world a few years later in Sir Walter Scott's "Kenilworth". The opera was the first in which Rossini wrote out the ornaments of the arias instead of leaving them to the fancy of the singers, and also the first in which the "secco" recitative was replaced by a recitative accompanied by a string quartet. Rossini's most famous opera was produced on 20 February 1816, at the Teatro Argentina in Rome. The libretto, a version of Beaumarchais' stage play "Le Barbier de Séville", was newly written by Cesare