Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
Comic opera of other Italians, like Galuppi and Cimarosa, and also the Belgian/French composer Grétry. The first Russian comic opera was "Anyuta" (1772). The text was written by Mikhail Popov, with music by an unknown composer, consisting of a selection of popular songs specified in the libretto. Another successful comic opera, "Melnik – koldun, obmanshchik i svat" ("The Miller who was a Wizard, a Cheat and a Match-maker"', text by Alexander Ablesimov, Moscow, 1779), on a subject resembling Rousseau's "Devin", is attributed to Mikhail Sokolovsky. Ivan Kerzelli, Vasily Pashkevich and Yevstigney Fomin also wrote a series of successful comic operas in the