Josef Weinheber from 1936. Part of his house there, located on Josef Weinheber-Strasse, has been preserved as a museum in his honour. The English poet W. H. Auden, who spent summers in Kirchstetten from 1958 until 1973, wrote a moving poem about Weinheber called "Josef Weinheber." Auden acknowledges Weinheber's support of Nazism but also records his reply to Nazi propaganda minister Joseph Goebbels' offer to enrich Austrian culture: "in Ruah lossen" (leave us alone). Auden's poem appears in his "Collected Poems." Josef Weinheber "Translated from German Wikipedia" Josef Weinheber (9 March 1892 in Vienna – 8 April 1945 in Kirchstetten, Lower Austria)
W. H. Auden recalled that in the 1940s Auden "was "the" modern poet". Auden's formal influences were so pervasive in American poetry that the ecstatic style of the Beat Generation was partly a reaction against his influence. From the 1940s through the 1960s, many critics lamented that Auden's work had declined from its earlier promise; Randall Jarrell wrote a series of essays making a case against Auden's later work, and Philip Larkin's "What's Become of Wystan?" (1960) had a wide impact. After his death, some of his poems, notably "Funeral Blues", "Musée des Beaux Arts", "Refugee Blues", "The Unknown Citizen", and "September 1,