W. H. Auden home on Lordswood Road, Birmingham; in the chapel of Christ Church, Oxford; on the site of his apartment at 1 Montague Terrace, Brooklyn Heights; at his apartment in 77 St. Marks Place, New York (damaged and now removed) and at the site of his death at Walfischgasse 5 in Vienna; in his house in Kirchstetten, his study is open to the public upon request. The following list includes only the books of poems and essays that Auden prepared during his lifetime; for a more complete list, including other works and posthumous editions, see W. H. Auden bibliography. In the list
W. H. Auden group of critics and poets has maintained that unlike other modern poets, Auden's reputation did not decline after his death, and the influence of his later writing was especially strong on younger American poets including John Ashbery, James Merrill, Anthony Hecht, and Maxine Kumin. Typical later evaluations describe him as "arguably the [20th] century's greatest poet" (Peter Parker and Frank Kermode), who "now clearly seems the greatest poet in English since Tennyson" (Philip Hensher). Public recognition of Auden's work sharply increased after his "Funeral Blues" ("Stop all the clocks") was read aloud in the film "Four Weddings and a Funeral"