Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Blues scale G, B. The latter is the hexatonic scale (top). The heptatonic, or seven-note, conception of the blues scale is as a diatonic scale (a major scale) with lowered third, fifth, and seventh degrees Blues practice is derived from the "conjunction of 'African scales' and the diatonic western scales". \override Score.TimeSignature #'stencil = ##f \relative c' { </score> Steven Smith argues that, "to assign blue notes to a 'blues scale' is a momentous mistake, then, after all, unless we alter the meaning of 'scale'". An essentially nine-note blues scale is defined by Benward and Saker as a chromatic variation of the