Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Bebop scale (jazz minor scale) and has a chromatic passing tone between the 5th and 6th notes. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> It has all the notes of both the ascending form of the melodic minor scale and the harmonic minor scale of the same root. This scale is often used over minor sixth chords. These scales are listed in David N. Baker's books on bebop. They are also included, with the exception of the Dorian bebop scale, in Roni Ben-Hur's book "Talk Jazz: A Comprehensive Collection of Bebop Studies," which is derived from the work of Barry