The Midsummer Marriage the work in 1968 conducted by Colin Davis with the Ritual Dances choreographed by Gillian Lynne and in 1970, where the production formed the basis of the first commercial recording. Tippett extracted the "Four Ritual Dances" from the opera as a separate concert work. The story of "The Midsummer Marriage" was consciously modeled after Mozart's "The Magic Flute". Both trace the path to marriage of one "royal" and one "common" couple: Jenifer and Mark correspond to Pamina and Tamino, the earthy Jack and Bella to Papageno and Papagena. King Fisher stands in for the Queen of the Night, the Ancients
Symphony No. 10 (Mozart) double barline at measure 118. The autograph score of the work, which does not contain any additional remarks by Mozart, bears the remark "Ouverture zur Oper Mitridate" ("Ouverture to the opera Mitridate") by the hand of Johann Anton André, which is struck out except for the word "Ouverture". Obviously André was under the impression that this piece was originally planned as an overture to "Mitridate, re di Ponto" (which has an ouverture of its own, different from this symphony). Symphony No. 10 (Mozart) The Symphony No. 10 in G major, K. 74, was written by Wolfgang Amadeus Mozart probably during