The Barber of Seville (1904 film) prepared a special film score for "The Barber of Seville", adapted from the most well-known arias from the Rossini opera. Like at least 4% of Méliès's entire output (including such films as "A Trip to the Moon", "The Impossible Voyage", "The Kingdom of the Fairies", and "The Rajah's Dream"), some prints were individually hand-colored and sold at a higher price. The film is currently presumed lost. The Barber of Seville (1904 film) The Barber of Seville (), also released as The Barber of Sevilla, or the Useless Precaution, was a 1904 French silent film directed by Georges Méliès, based on
Gioachino Rossini of scores, documents and objects from Rossini, assembled in the Edmond Michotte fund. Mauro Giuliani (who died in 1829) wrote six sets of variations for guitar on themes by Rossini, Opp. 119–124 (c. 1820–1828). Each set was called "Rossiniana", and collectively they are called "Rossiniane". This was the first known tribute by one composer to another using a title with the ending -ana. In 1925, Ottorino Respighi orchestrated four pieces from "Péchés de vieillesse" as the suite "Rossiniana" (he had earlier used pieces from the same collection as the basis of his ballet "La Boutique fantasque"). According to the "Oxford