Franco Alfano nine months on the following concluding duet and at his death had left behind a whole ream of sketches... Alfano had to reconstruct...according to his best assessment...and with his imagination and magnifying glass" since Puccini's material "had not really been legible." "Alfano's reputation has also suffered [IC:along with Mascagni], understandably, because of his willingness to associate himself closely with Mussolini's Fascist government." Alex Ross, in "The New Yorker", notes that a new ending of "Turandot" composed by Luciano Berio premiered in 2002 is preferred by some critics for making a more satisfactory resolution of Turandot's change of heart, and of
Giacomo Puccini Because only three "verismo" works by Puccini continue to appear regularly on stage (the aforementioned "Cavalleria rusticana", "Pagliacci", and "Andrea Chénier"), Puccini's contribution has had lasting significance to the genre. Both during his lifetime and in posterity, Puccini's success outstripped other Italian opera composers of his time, and he has been matched in this regard by only a handful of composers in the entire history of opera. Eleven of Puccini's operas are numbered among the 200 most-performed operas (worldwide, by composers of any nationality, as surveyed by Operabase). Three of his works ("La bohème", "Tosca", and "Madama Butterfly") rank among