W. H. Auden home on Lordswood Road, Birmingham; in the chapel of Christ Church, Oxford; on the site of his apartment at 1 Montague Terrace, Brooklyn Heights; at his apartment in 77 St. Marks Place, New York (damaged and now removed) and at the site of his death at Walfischgasse 5 in Vienna; in his house in Kirchstetten, his study is open to the public upon request. The following list includes only the books of poems and essays that Auden prepared during his lifetime; for a more complete list, including other works and posthumous editions, see W. H. Auden bibliography. In the list
W. H. Auden MacNeice. The four were mocked by the poet Roy Campbell as if they were a single undifferentiated poet named "Macspaunday." Auden's propagandistic poetic plays, including "The Dog Beneath the Skin" and "The Ascent of F6", and his political poems such as "Spain" gave him the reputation as a political poet writing in a progressive and accessible voice, in contrast to Eliot; but this political stance provoked opposing opinions, such as that of Austin Clarke who called Auden's work "liberal, democratic, and humane", and John Drummond, who wrote that Auden misused a "characteristic and popularizing trick, the generalized image", to present