Comic opera and humour, Offenbach's works were intended solely to amuse. Though generally well crafted and full of humorous satire and grand opera parodies, plots and characters in his works were often interchangeable. Given the frenetic pace at which he worked, Offenbach sometimes used the same material in more than one opera. Another Frenchman who took up this form was Charles Lecocq (1832–1918). The singspiel developed in 18th-century Vienna and spread throughout Austria and Germany. As in the French "opéra comique", the "singspiel" was an opera with spoken dialogue, and usually a comic subject, such as Mozart's "Die Entführung aus dem Serail
Claire Gibault "West Side Story". She has also conducted "Pelléas et Mélisande" (Covent Garden, London), "Le Comte Ory" (Glyndebourne Festival), "Cosi fan tutte" (Opera North), Chabrier's "L'étoile" (Edinburgh Festival), "Zaïde" and "Der Schauspieldirektor" (Bastille), "L'Enfant et les Sortilèges" (Châtelet), Boîeldieu's "La Dame Blanche" (Opéra-Comique, Paris), "Mitridate", "La Donna del lago", "Die Zauberflöte", "Le Nozze di Figaro" and "Bastien und Bastienne" (Nice), "La Clemenza di Tito" (Orléans), "La Traviata" (Nancy), "Idomeneo" and "Cosi fan tutte" (Liège), "Maria Stuarda" (Torino), "La Cenerentola" (Rome) and "Les Oiseaux de passage" (Bologna). She was Claudio Abbado's assistant for "Pelléas et Mélisande" at the Royal Opera House, La