Vestas Feuer by Pamina and Papageno in "The Magic Flute"), which has the same key and time signature and was the subject of a set of variations for cello and piano by Beethoven (WoO 46), written 1801. Lockwood also discerns a precedent set by Mozart involving formal structure: an "Introduzione"; i.e. Beethoven's scene forms a separable initial section of an opera having some degree of integrity of both plot and harmonic plan; Lockwood calls the "Introduzione" a "miniplay". Three of Mozart's operas begin with such an "Introduzione": "Don Giovanni", "Così fan tutte", and "The Magic Flute". Beethoven's "Introduzione" has a harmonic structure
Wolfgang Amadeus Mozart and Prague had allegedly rejected it. Mozart arrived on 28 August 1791 and left in the third week of September. The opera received its first performance on 6 September 1791. Unlike the first two visits, Mozart was not the center of attention on his last visit. Rather, his activities were much overshadowed by the ceremonies of the Imperial court. The grief exhibited for Mozart in Prague after his death on 5 December 1791 far exceeded that witnessed in any other European city. Daniel E. Freeman has pointed out that whereas Mozart (one of history's greatest musicians) was laid to rest in Vienna