Franco Alfano by Teatro Grattacielo in the fall of 2013. In "Fanfare" 's issue of September/October 1998-99, it was asserted that Alfano's reputation suffers because of several things. Firstly, that he should not be judged as a composer on the basis of the task he was given in completing "Turandot" (La Scala, 25 April 1926). Secondly, that we almost never hear everything he wrote for "Turandot" since the standard ending heavily edits Alfano's work. Thirdly, [...]it is not his conclusion that is performed in productions of "Turandot" but only what the premiere conductor Arturo Toscanini included from it... Puccini had worked for
Verismo (music) earlier Italian opera. Instead, the operas were "through-composed," with few breaks in a seamlessly integrated sung text. While "verismo" operas may contain arias that can be sung as stand-alone pieces, they are generally written to arise naturally from their dramatic surroundings, and their structure is variable, being based on text that usually does not follow a regular strophic format. The most famous composers who created works in the "verismo" style were Giacomo Puccini, Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano and Francesco Cilea. There were, however, many other "veristi": Franco Alfano, Alfredo Catalani, Gustave Charpentier ("Louise"), Eugen d'Albert ("Tiefland"), Ignatz Waghalter