Fantasy film 1967 adaptation of the Broadway musical "Camelot" removed most of the fantasy elements from T. H. White's classic "The Once and Future King", on which the musical had been based. The 1960s also saw a new adaption of Haggard's "She" in 1965 starring Ursula Andress as the immortal "She who must be obeyed" and was followed by a sequel in 1968 "The Vengeance of She" based loosely on the novel both produced by Hammer Film Productions, 1968 also saw the release of "Chitty Chitty Bang Bang" based on a story by Ian Fleming with a script from Roald Dahl. Fantasy
Chitty Chitty Bang Bang partly redeem it, but most of the film's sporadic success is due to Director Ken Hughes's fantasy scenes, which make up in imagination what they lack in technical facility." "The New York Times" critic Renata Adler wrote, "in spite of the dreadful title, "Chitty Chitty Bang Bang" ... is a fast, dense, friendly children's musical, with something of the joys of singing together on a team bus on the way to a game"; Adler called the screenplay "remarkably good" and the film's "preoccupation with sweets and machinery seems ideal for children"; she ends her review on the same note as