James Bond Theme a Kill" the melody of the theme was played on strings. Timothy Dalton's first film "The Living Daylights", which was the last Bond film scored by Barry, used a symphonic version with the melody played on strings. This version of the Bond theme is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra - at the time, a relatively new innovation. In "Licence to Kill", the Bond theme was arranged by Michael Kamen using rock drums to symbolize a harder and more violent Bond. This gunbarrel is the first one since "Dr. No" not starting with
James Bond filmography the darker character Ian Fleming wrote about". James Chapman also considered Dalton to be closer to Fleming's Bond than the previous actors, writing that Dalton was "clearly less comfortable ... with the witty asides and one-liners ... so he becomes something closer to the Bond of the books, who rarely develops a sense of humour". When reviewing "Licence to Kill", Iain Johnstone of "The Sunday Times" disagreed, declaring that "any vestiges of the gentleman spy ... by Ian Fleming" have now gone; he went on to say that "this character is remarkably close both in deed and action to the