Academy Award Performance: And the Envelope, Please 34 seconds of the song "Thanks for the Memory" then fades into the next song ("The Continental," the oldest movie theme on this album). "Thanks for the Memory" is also the last track on the album and continues where it left off but fades immediately after the next verse. There were two singles to come from this album: "We May Never Love Like This Again" (from "The Towering Inferno", which was a minor hit for McGovern one year before) and "The Continental" (from the 1934 film "The Gay Divorcee", which was the very first song to ever win an Oscar).
Fred Astaire but as for this 'team' idea, it's 'out!' I've just managed to live down one partnership and I don't want to be bothered with any more." However, he was persuaded by the obvious public appeal of the Astaire-Rogers pairing. The partnership, and the choreography of Astaire and Hermes Pan, helped make dancing an important element of the Hollywood film musical. Astaire and Rogers made nine films together at RKO, including "The Gay Divorcee" (1934), "Roberta" (1935, in which Astaire also demonstrates his oft-overlooked piano skills with a spirited solo on "I Won't Dance"), "Top Hat" (1935), "Follow the Fleet" (1936),