Audrey Hepburn muse, and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'". In addition to "Sabrina", Givenchy designed her costumes for "Love in the Afternoon" (1957), "Breakfast at Tiffany's" (1961), "Funny Face" (1957), "Charade" (1963), "Paris When It Sizzles" (1964), and "How to Steal a Million" (1966), as well as clothed her off screen. According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently'
Audrey Hepburn and then performing as a chorus girl in West End musical theatre productions. Following minor appearances in several films, Hepburn starred in the 1951 Broadway play "Gigi", after being spotted by French novelist Colette, on whose work the play was based. She shot to stardom after playing the lead role in "Roman Holiday" (1953), for which she was the first actress to win an Academy Award, a Golden Globe Award, and a BAFTA Award for a single performance. That same year, Hepburn won a Tony Award for Best Lead Actress in a Play for her performance in "Ondine". She went