Chromatic scale and new notes between E/F and B/C: The fractions and , and , and , and , and many other pairs are interchangeable, as (syntonic comma) is tempered out. These are 19-EDO just intonation approximations. The ancient Chinese chromatic scale is called "Shí-èr-lǜ". However, "it should not be imagined that this gamut ever functioned as a scale, and it is erroneous to refer to the 'Chinese chromatic scale', as some Western writers have done. The series of twelve notes known as the twelve "lü" were simply a series of fundamental notes from which scales could be constructed." The Indian solfège,
Yo scale A - B. This is illustrated below. The Ryūkyū scale appears to be derived from the yo scale with pitches raised. More recent theory emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the "min'yō" scale used in folk music, and whose pitches are equivalent to the second mode of the "yo" scale: Yo scale The "yo" scale, which does not contain minor notes, according to a traditional theory is a pentatonic scale used in much Japanese music including