Tenor or, a few notes below the C3, even down to A♭2. Some dramatic tenors have a rich and dark tonal colour to their voice (such as the mature Enrico Caruso) while others (like Francesco Tamagno) possess a bright, steely timbre. Dramatic tenor roles in operas: The heldentenor (English: "heroic tenor") has a rich, dark, powerful and dramatic voice. As its name implies, the heldentenor vocal "fach" features in the German romantic operatic repertoire. The heldentenor is the German equivalent of the tenore drammatico, however with a more baritonal quality: the typical Wagnerian protagonist. The keystone of the heldentenor's repertoire is
The Great Caruso box office in 1951. "Newsweek" wrote that, "Lanza brings to the role not only a fine, natural and remarkably powerful voice, but a physique and personal mannerisms reminiscent of the immortal Caruso." According to Bosley Crowther, the film is "perhaps the most elaborate 'pops' concert ever played upon the screen"; Blyth's voice is "reedy", but "Lanza has an excellent young tenor voice and ... uses it in his many numbers with impressive dramatic power. Likewise, Miss Kirsten and Miss Thebom are ladies who can rock the welkin, too, and their contributions to the concert maintain it at a musical high."