Chromatic scale and new notes between E/F and B/C: The fractions and , and , and , and , and many other pairs are interchangeable, as (syntonic comma) is tempered out. These are 19-EDO just intonation approximations. The ancient Chinese chromatic scale is called "Shí-èr-lǜ". However, "it should not be imagined that this gamut ever functioned as a scale, and it is erroneous to refer to the 'Chinese chromatic scale', as some Western writers have done. The series of twelve notes known as the twelve "lü" were simply a series of fundamental notes from which scales could be constructed." The Indian solfège,
In scale and containing notes between them, as in the "miyako-bushi" scale used in "koto" and "shamisen" music and whose pitches are equivalent to the "in" scale: In Indian classical music, Gunkali (Hindustani) and Karnataka Shuddha Saveri (Carnatic) are nearly identical to the pentatonic "in" scale, highlighting the shared past of their origins. Some rare examples of ancient genres of Andean music (e.g. k'antu) use a scale similar to the "in" scale combined with melody leading with a parallel fifths and fourths. For example listen to "Machulas Kantu" by Bolivia Manta folk group ("Wiñayataqui", 1981). In scale The in" scale (also known