Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Gioachino Rossini to the Basilica of Santa Croce, Florence, at the request of the Italian government. According to Herbert Weinstock's 1968 biography, the composer's estate was valued at 2.5 million francs upon his death in 1868, the equivalent of about 1.4 million US dollars. According to one contemporary account, at the time of Rossini's death, his estate yielded revenues of 150,000 francs per year. Apart from some individual legacies in favour of his wife and relatives, Rossini willed his entire estate to the Comune of Pesaro. The inheritance was invested to establish a (Conservatory) in the town. In 1940, the was put