Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Christianity in the 19th century and cultural influences of the Enlightenment began to be felt in the Protestant churches, especially in the 19th century, Liberal Christianity, exemplified especially by numerous theologians in Germany in the 19th century, sought to bring the churches alongside of the broad revolution that modernism represented. In doing so, new critical approaches to the Bible were developed, new attitudes became evident about the role of religion in society, and a new openness to questioning the nearly universally accepted definitions of Christian orthodoxy began to become obvious. In reaction to these developments, Christian fundamentalism was a movement to reject the radical influences