The Magic Flute bring in food, the magic flute, and the bells, sent from Sarastro (Trio: ""). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "") She leaves in despair. "Scene 5: The pyramids" The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: ""). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater
Mozart and dance eighteenth-century composers were expected to be adept at producing both 'popular' and 'serious' music, and that there was no categorical difference between the two.". Abert (2007) wrote, "the most striking aspect of these dances is their almost literally inexhaustible fund of invention. Although their form offers only limited scope for experimentation, each dance differs from the others." Lindmayr-Brandl (2006) writes that "[the dances] that are accessible today, brought to life in the concert hall or in recordings, represent a precious treasure, the immediate expression of the joy of life." Mozart included a substantial ballet at the end of his opera