Turandot Puccini's publisher Tito Ricordi II decided on Alfano because his opera "La leggenda di Sakùntala" resembled "Turandot" in its setting and heavy orchestration. Alfano provided a first version of the ending with a few passages of his own, and even a few sentences added to the libretto which was not considered complete even by Puccini himself. After the severe criticisms by Ricordi and the conductor Arturo Toscanini, he was forced to write a second, strictly censored version that followed Puccini's sketches more closely, to the point where he did not set some of Adami's text to music because Puccini had
Festival Puccini produced the first performances of a Puccini opera on the lake shore, in front of the Maestro's house. In a provisional theatre, the "Carro di Tespi Lirico" with its stage built on piles stuck in the lake, a travelling opera company performed "La bohème" directed by Forzano and conducted by Mascagni. The same company came back in 1931 when Beniamino Gigli and Adelaide Saraceni performed in "La bohème", while Rosetta Pampanini and Angelo Michetti performed "Madama Butterfly". This was the beginning of what was to become a major opera festival. However, in the years before 1949, due to the political