Franco Alfano nine months on the following concluding duet and at his death had left behind a whole ream of sketches... Alfano had to reconstruct...according to his best assessment...and with his imagination and magnifying glass" since Puccini's material "had not really been legible." "Alfano's reputation has also suffered [IC:along with Mascagni], understandably, because of his willingness to associate himself closely with Mussolini's Fascist government." Alex Ross, in "The New Yorker", notes that a new ending of "Turandot" composed by Luciano Berio premiered in 2002 is preferred by some critics for making a more satisfactory resolution of Turandot's change of heart, and of
Giacomo Puccini would write his own libretto so that "no fool of a librettist" could spoil it. Ricordi persuaded him to accept Ruggero Leoncavallo as his librettist, but Puccini soon asked Ricordi to remove him from the project. Four other librettists were then involved with the opera, as Puccini constantly changed his mind about the structure of the piece. It was almost by accident that the final two, Luigi Illica and Giuseppe Giacosa, came together to complete the opera. "Manon Lescaut" premiered at the Teatro Regio in Turin on 2 February 1893. By coincidence, Puccini's first enduringly popular opera appeared within a