Giacomo Puccini remained popular. "Turandot", Puccini's final opera, was left unfinished, and the last two scenes were completed by Franco Alfano based on the composer's sketches. The libretto for "Turandot" was based on a play of the same name by Carlo Gozzi. The music of the opera is heavily inflected with pentatonic motifs, intended to produce an Asiatic flavor to the music. Unlike "La fanciulla", "Turandot" contains a number of memorable stand-alone arias, among them "Nessun dorma". The libretto of "Edgar" was a significant factor in the failure of that opera. Thereafter, especially throughout his middle and late career, Puccini was extremely
Giacomo Puccini Alberto Franchetti (1860–1942). Only three composers, and three works, by Italian contemporaries of Puccini appear on the Operabase list of most-performed works: "Cavalleria rusticana" by Mascagni, "Pagliacci" by Ruggero Leoncavallo, and "Andrea Chénier" by Umberto Giordano. Kobbé contrasted Puccini's ability to achieve "sustained" success with the failure of Mascagni and Leoncavallo to produce more than merely "one sensationally successful short opera." By the time of Puccini's death in 1924, he had earned $4 million from his works. Although the popular success of Puccini's work is undeniable, and his mastery of the craft of composition has been consistently recognized, opinion among