Piano concertos by Wolfgang Amadeus Mozart later concertos, allowed him to create a variety of moods at will, from the comic operatic nature of the end of K. 453, through to the dream-like state of the famous "Elvira Madigan" Andante from K. 467, through to the majestic expansiveness of his Piano Concerto No. 25, K. 503. In particular, these major works of Mozart could hardly fail to be influenced by his own first love, i. e., opera, and the Mozart of "Figaro", "Don Giovanni" and "Die Zauberflöte" is found throughout them. Mozart clearly valued the concertos, some of which he guarded carefully. For example, No. 23
Symphony No. 10 (Mozart) double barline at measure 118. The autograph score of the work, which does not contain any additional remarks by Mozart, bears the remark "Ouverture zur Oper Mitridate" ("Ouverture to the opera Mitridate") by the hand of Johann Anton André, which is struck out except for the word "Ouverture". Obviously André was under the impression that this piece was originally planned as an overture to "Mitridate, re di Ponto" (which has an ouverture of its own, different from this symphony). Symphony No. 10 (Mozart) The Symphony No. 10 in G major, K. 74, was written by Wolfgang Amadeus Mozart probably during