Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
La pietra del paragone La pietra del paragone La pietra del paragone (The Touchstone) is an opera, or melodramma giocoso, in two acts by Gioachino Rossini, to an original Italian libretto by Luigi Romanelli. "La pietra del paragone" was first performed at La Scala, Milan, on 26 September 1812. It was the composer's first commission from a major opera house and was an instant success, being performed 53 times during its first season. Napoleon's Viceroy in Milan, Eugène de Beauharnais, was so impressed by the opera that he wrote to the Minister of the Interior, "You will kindly arrange for Maestro Joachin Rossini to