Franco Alfano Domingo in the title role. In 1921, "La Leggenda di Sakùntala" appeared, described by some as his most important stage work, and while it was successful enough to have Arturo Toscanini recommend Alfano for the completion of Puccini's posthumous Turandot, the performance materials were thought destroyed in an air raid during the Second World War. Alfano reconstructed it in 1952 as "Sakùntala", after "Abhijñānaśākuntalam" ("The Recognition of Sakuntala"), the Sanskrit play by Kālidāsa. Subsequently, the original version was recovered in 2005, with the two versions available for performance today. The second version of Sakùntala was performed in New York City
Giacomo Puccini week of the premiere of Verdi's last opera, "Falstaff", which was first performed on 9 February 1893. In anticipation of the premiere, "La Stampa" wrote that Puccini was a young man concerning whom "great hopes" had a real basis (""). Because of the failure of "Edgar", however, a failure of "Manon Lescaut" could have jeopardized Puccini's future as a composer. Although Giulio Ricordi, head of Casa Ricordi, was supportive of Puccini while "Manon Lescaut" was still in development, the Casa Ricordi board of directors was considering cutting off Puccini's financial support. In any event, ""Manon Lescaut" was Puccini's first and