Musical note commonly), a double sharp sign on a key signature with a single sharp indicates only a double sharp, not a triple sharp. Assuming enharmonicity, many accidentals will create equivalences between pitches that are written differently. For instance, raising the note B to B is equal to the note C. Assuming all such equivalences, the complete chromatic scale adds five additional pitch classes to the original seven lettered notes for a total of 12 (the 13th note completing the octave), each separated by a half-step. Notes that belong to the diatonic scale relevant in the context are sometimes called "diatonic notes";
Yo scale A - B. This is illustrated below. The Ryūkyū scale appears to be derived from the yo scale with pitches raised. More recent theory emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the "min'yō" scale used in folk music, and whose pitches are equivalent to the second mode of the "yo" scale: Yo scale The "yo" scale, which does not contain minor notes, according to a traditional theory is a pentatonic scale used in much Japanese music including