Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
19th-century philosophy positivism, Marxism and philological analysis of the Bible. In the second half of the 19th century, an even more orthodox return to Kantian thought was espoused by a number of Neo-Kantian philosophers based in two main locations: the Marburg School and the Baden School. This trend of thought survived into the beginning of the next century, influencing 20th century philosophical movements such as Neopositivism and Phenomenology. One of the most famous opponents of idealism in the first half of the German 19th century was Ludwig Feuerbach, who advocated materialism and atheism. In early 19th century Britain, Jeremy Bentham and John