Major Locrian scale "Harmonic Materials of Modern Music" devotes several pages to the major Locrian, or more precisely to its transpositional set class, a concept Hanson pioneered. He names this transpositional class the "seven-tone impure major second scale", and notes that the various modes of the major Locrian can all be defined as the whole tone scale with one additional note, and where that note occurs does not affect the transpositional class. He also notes that the scale has the property that every three-note chord possible in the twelve tone chromatic scale already appears in the major Locrian. Examples are given of the
Scale (music) degree is played. Composers transform musical patterns by moving every note in the pattern by a constant number of scale steps: thus, in the C major scale, the pattern C–D–E might be shifted up, or transposed, a single scale step to become D–E–F. This process is called "scalar transposition" or "shifting to a new key" and can often be found in musical sequences and patterns. (It is D-E-F# in Chromatic transposition). Since the steps of a scale can have various sizes, this process introduces subtle melodic and harmonic variation into the music. In Western tonal music, the simplest and most