Elisabeth Söderström most human character in the drama." Born in Stockholm, Söderström received her first musical schooling from Adelaide von Skilondz and later studied at the Royal Academy of Music in Stockholm. She made her debut in 1947 at the Drottningholm Palace Theatre singing in one of Mozart's lesser-known works "Bastien et Bastienne". From 1949 to 1980 she called the Royal Swedish Opera her home but she frequently appeared at some of the largest opera houses in the world. She was also a regular visitor to the recording studio. Between 1959 and 1964 Söderström was contracted by the Metropolitan Opera in New
The Cobbler and the Financier composer Henri-Joseph Rigel made a two-act comic opera of the fable in 1778. He was followed by Jacques Offenbach who, having set the fable for soloist and small orchestra as part of his "6 fables de la Fontaine" in 1842, later adapted the story to a one-act comic opera in 1856 in which the heroine sings a parody of his own setting. In that light-hearted entertainment, the cobbler turns the tables on his opponent by using the 300 crowns he is given to beat the financier at cards, taking over all his assets and winning the hand of his daughter.