Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
War Memorial Opera House landings at each end. The theater space is dominated by a massive aluminum and glass panel chandelier under a blue vault, and the proscenium arch is decorated with gilded figurative sculpture. The theater has 3,146 seats plus standing room for 200 behind the orchestra and balcony sections. This is smaller than the Metropolitan Opera (3,800 seats) and the Chicago Lyric Opera (3,500 seats), but it follows the trend of larger capacity in American opera houses than the main European opera houses of the 19th century (Paris Opera Garnier 2,200, Royal Opera House London 2,268, Vienna State Opera 2,280, and La