David Bowie invited confusion with Davy Jones of The Monkees, Bowie renamed himself after the 19th-century American pioneer James Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", using speeded-up thus high-pitched vocals, failed to chart. Released six weeks later, his album debut, "David Bowie", an amalgam of pop, psychedelia, and music hall, met the same fate. It was his last release for two years. Bowie met dancer Lindsay Kemp in 1967 and enrolled in his dance class at the London Dance Centre. He commented in 1972 that meeting Kemp was when his interest in image
David Bowie strongly influenced by rock and rollers like Little Richard and Elvis Presley, and also the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, "David Bowie" (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk, and pop. Musicologist James Perone observes Bowie's use of octave switches for