Der Stein der Weisen Tamino and Sarastro). "Der Stein der Weisen" may have provided a model for that work, as the two have a similar structure and source. The work was initially popular, but was largely absent from the standard repertoire for the two centuries after 1814, American musicologist David Buch announced the discovery of a Viennese score with attributions to all five composers. This was taken by some to indicate that "Der Stein der Weisen" was a previously unknown Mozart work, although in fact only a duet ("Nun liebes Weibchen", known as the "cat duet") and two sections of the act 2 finale
Wolfgang Amadeus Mozart and Prague Wolfgang Amadeus Mozart and Prague There is no question that the Praguers of the late eighteenth century exhibited a special appreciation for the music of Wolfgang Amadeus Mozart, even though, as recently pointed out by Daniel E. Freeman, confirmations of this fact attributed to Mozart himself in sayings such as "" ("My Praguers understand me") have only come down to posterity second or third hand. Perhaps the most valuable direct testimony that attests to the discernment of the musical public in Prague with regard to Mozart's music comes from Lorenzo Da Ponte, the librettist of Mozart's opera "Don Giovanni", which