Chromatic scale common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale (). Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. Thus, the scale is not perfectly symmetric. Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. In Pythagorean tuning (3-limit just intonation) the chromatic scale is tuned as follows, with sharps higher than their enharmonic flats: These are 17-EDO Pythagorean tuning approximations. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps,
Bebop scale Harris. Ben-Hur further elaborates on the concept of placing additional chromatic passing tones between other notes in the scales. The bebop harmonic minor scale (or bebop natural minor scale, as listed in Mark Levine's "The Drop 2 Book") is derived from the harmonic minor scale and has a chromatic passing tone (an additional 7) between the 6th and the 7th notes. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> It contains all of the notes of both the harmonic minor scale and the natural minor scale (Aeolian mode) of the same root. It can be used on all three