Franco Alfano Domingo in the title role. In 1921, "La Leggenda di Sakùntala" appeared, described by some as his most important stage work, and while it was successful enough to have Arturo Toscanini recommend Alfano for the completion of Puccini's posthumous Turandot, the performance materials were thought destroyed in an air raid during the Second World War. Alfano reconstructed it in 1952 as "Sakùntala", after "Abhijñānaśākuntalam" ("The Recognition of Sakuntala"), the Sanskrit play by Kālidāsa. Subsequently, the original version was recovered in 2005, with the two versions available for performance today. The second version of Sakùntala was performed in New York City
Giacomo Puccini critics as to the artistic value of his work has always been divided. Grove Music Online described Puccini's strengths as a composer as follows: Puccini succeeded in mastering the orchestra as no other Italian had done before him, creating new forms by manipulating structures inherited from the great Italian tradition, loading them with bold harmonic progressions which had little or nothing to do with what was happening then in Italy, though they were in step with the work of French, Austrian and German colleagues. In his work on Puccini, Julian Budden describes Puccini as a gifted and original composer, noting