The Barber of Seville (1904 film) prepared a special film score for "The Barber of Seville", adapted from the most well-known arias from the Rossini opera. Like at least 4% of Méliès's entire output (including such films as "A Trip to the Moon", "The Impossible Voyage", "The Kingdom of the Fairies", and "The Rajah's Dream"), some prints were individually hand-colored and sold at a higher price. The film is currently presumed lost. The Barber of Seville (1904 film) The Barber of Seville (), also released as The Barber of Sevilla, or the Useless Precaution, was a 1904 French silent film directed by Georges Méliès, based on
Critical edition (opera) Critical edition (opera) A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: The emergence of critical editions of many works from the 19th-century Italian operatic repertory did not begin until the 1950s and resulted from the revival of interest from that time forward in the "bel canto" era—early 1800s to approximately 1850 and known as the "primo ottocento"—written by Gioachino Rossini,