Der Hölle Rache kocht in meinem Herzen grandiose. This rage aria is often referred to as the "Queen of the Night's Aria", although the Queen sings another distinguished aria earlier in the opera, "". The words were written by Emanuel Schikaneder, who also authored the rest of the "Magic Flute" libretto, headed the theater troupe that premiered the work, and created the role of Papageno. <poem lang="de" style="float:left;">Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Fühlt nicht durch dich Sarastro Todesschmerzen, so bist du meine Tochter nimmermehr. Verstoßen sei auf ewig, verlassen sei auf ewig, zertrümmert sei'n auf ewig alle Bande
Piano concertos by Wolfgang Amadeus Mozart In the works of his mature series, Mozart created a unique conception of the piano concerto that attempted to solve the ongoing problem of how thematic material is dealt with by the orchestra and piano. With the exception of the two exceptionally fine early concertos K. 271 ("Jeunehomme") and K. 414 (the "little A major"), all of his best examples are from later works. Mozart strives to maintain an ideal balance between a symphony with occasional piano solos and a virtuoso piano fantasia with orchestral accompaniment, twin traps that later composers were not always able to avoid. His resulting solutions