Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
David Wickham Guildhall School of Music and Drama and studied with Norman Beedie, Paul Roberts and later with Graham Johnson and Paul Hamburger. He is currently a lecturer at Western Australian Academy of Performing Arts. He was a member of the music staff of the Australian Opera Studio from 2003 to 2006, where he was music director for productions of "Giulio Cesare", "Don Quichotte", "Carmen", "Così fan tutte", "Rodelinda", "Manon", "Bastien und Bastienne" and "Trouble in Tahiti", as well as "Elijah" and four cabarets. At the Western Australian Academy of Performing Arts he has conducted "Candide", "A Midsummer Night's Dream", Malcolm Williamson's