Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Diatonic and chromatic C: full octave ascending and descending A chromatic scale consists of an ascending or descending sequence of pitches, always proceeding by semitones. Such a sequence of pitches is produced, for example, by playing all the black and white keys of a piano in order. The structure of a chromatic scale is therefore uniform throughout—unlike major and minor scales, which have tones and semitones in particular arrangements (and an augmented second, in the harmonic minor). Some instruments, such as the violin, can be played in any scale; others, such as the glockenspiel, are restricted to the scale to which they are