Harmonic scale It was invented by Wendy Carlos and used on three pieces on her album "Beauty in the Beast" (1986): "Just Imaginings", "That's Just It", and "Yusae-Aisae". Versions of the scale have also been used by Ezra Sims and Frans Richter Herf. Though described by Carlos as containing "144 [= 12] distinct pitches to the octave", the twelve scales include 78 (= ) notes per octave. Technically there should then be duplicates and thus 57 (= 78 − 21) pitches (21 = ). For example, a perfect fifth above G (D) is the major tone above C. Harmonic scale The Harmonic
Bebop scale by modern practitioners of the bebop genre). The bebop dominant scale is derived from the Mixolydian mode and has a chromatic passing tone between the 7th and the root. \override Score.TimeSignature #'stencil = ##f \relative c' { </score> It has all the notes in both the major scale and the Mixolydian scale of the same root. This scale is often used over dominant seventh chords and all extended dominant chords, and the II-V chord progressions. According to Michael Miller, "[w]hen someone says they're playing 'the bebop scale,' this is the one they're talking about." The bebop Dorian scale (also known