The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Gioachino Rossini Rossi of Voltaire's tragedy "Tancrède". Traces of Ferdinando Paer and Giovanni Paisiello were undeniably present in fragments of the music. But any critical feeling on the part of the public was drowned by appreciation of such melodies as ""Di tanti palpiti... Mi rivedrai, ti rivedrò"", which became so popular that the Italians would sing it in crowds at the law courts until called upon by the judge to desist. By the age of 21, Rossini had established himself as the idol of the Italian opera public. He continued to write operas for Venice and Milan during the next few years,