The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Gioachino Rossini Magpie" ("La gazza ladra") features one of his most celebrated overtures. Rossini moved to Paris in 1824 where he began to set French librettos to music. His last opera was the epic "William Tell" ("Guillaume Tell"), featuring its iconic overture which helped to usher in grand opera in France. A tendency for inspired, song-like melodies is evident throughout his scores, which earned him the nickname "the Italian Mozart." He was a rapid and prolific composer, quoted as joking, "Give me the laundress' bill and I will even set that to music." He also earned the nickname "Signor Crescendo" for his