Geltrude Righetti article by Stendhal, she wrote her famous memoir entitled "Cenni di una donna già cantante sopra il Maestro Rossini...", which includes an account of the première of "The Barber of Seville". Geltrude Righetti Geltrude Righetti (1793–1862) was an Italian contralto closely associated with the operas of Gioachino Rossini. (Her name is also sometimes given as Giorgi-Righetti or Righetti-Giorgi, Giorgi being the name of her husband.) Born in Bologna, she also studied and made her debut there in 1814. The following year she created the important role of Rosina in "The Barber of Seville" and in 1817 she was the first
Gioachino Rossini of scores, documents and objects from Rossini, assembled in the Edmond Michotte fund. Mauro Giuliani (who died in 1829) wrote six sets of variations for guitar on themes by Rossini, Opp. 119–124 (c. 1820–1828). Each set was called "Rossiniana", and collectively they are called "Rossiniane". This was the first known tribute by one composer to another using a title with the ending -ana. In 1925, Ottorino Respighi orchestrated four pieces from "Péchés de vieillesse" as the suite "Rossiniana" (he had earlier used pieces from the same collection as the basis of his ballet "La Boutique fantasque"). According to the "Oxford