Der Hölle Rache kocht in meinem Herzen grandiose. This rage aria is often referred to as the "Queen of the Night's Aria", although the Queen sings another distinguished aria earlier in the opera, "". The words were written by Emanuel Schikaneder, who also authored the rest of the "Magic Flute" libretto, headed the theater troupe that premiered the work, and created the role of Papageno. <poem lang="de" style="float:left;">Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Fühlt nicht durch dich Sarastro Todesschmerzen, so bist du meine Tochter nimmermehr. Verstoßen sei auf ewig, verlassen sei auf ewig, zertrümmert sei'n auf ewig alle Bande
Mozart and dance it was rich in figures (individual movements and patterns) and was popular among all social classes. Mozart composed contredanses as a sequence of multiple sections. They sometimes quote popular melodies; for instance, K. 609 quotes the aria "Non più andrai" from Mozart's opera "The Marriage of Figaro". Of the three genres, minuets predominate in Mozart's early career, the latter two types later on. The core instrumentation of the dances is a simplified orchestra in which there are no violas, and the bass instruments (cello and double bass) play the same line. A variety of wind instruments is usually included, and