Mozart and Freemasonry and Gazzaniga's "La Circe", operas that have no connection with Freemasonry The following is a list of surviving works that Mozart composed for performance at gatherings of Masons. The story and music of his opera "The Magic Flute" is also considered to have strong Masonic influences. The following is a partial list of family members, patrons, and colleagues who were Masons. Mozart's grandfather Johann Georg, a bookbinder, was raised among the extended Mozart family in Augsburg, in the house of Johann's own grandfather David Mozart. David and his children were distinguished architects and master "operative" (craft) masons of the Augsburg
Mozart and Salieri (opera) on his "Requiem", which a stranger in black commissioned from him. Mozart recalls Salieri's collaboration with Pierre Beaumarchais and asks if it could be true that Beaumarchais once poisoned someone, for genius and criminality are surely incompatible. Salieri then surreptitiously pours poison into Mozart's drink. Mozart begins to play at the keyboard, as Salieri begins to cry. Mozart sees this, but Salieri urges Mozart to continue. Mozart begins to feel ill, and leaves. Salieri ends the opera pondering Mozart's belief that a genius could not murder: did not Michelangelo kill for his commissions at the Vatican, or were those idle