Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Gioachino Rossini Rossi of Voltaire's tragedy "Tancrède". Traces of Ferdinando Paer and Giovanni Paisiello were undeniably present in fragments of the music. But any critical feeling on the part of the public was drowned by appreciation of such melodies as ""Di tanti palpiti... Mi rivedrai, ti rivedrò"", which became so popular that the Italians would sing it in crowds at the law courts until called upon by the judge to desist. By the age of 21, Rossini had established himself as the idol of the Italian opera public. He continued to write operas for Venice and Milan during the next few years,