Libretto of The Magic Flute slaves dance peaceably off the stage, enchanted by Papageno's magic bells and leaving Pamina and Papageno in freedom. The two celebrate their escape by singing the following. The second act finale begins with a scene framed by didactic poetry. First the Three Boys enter, singing: The action then shifts to drama and dialogue: the Three Boys find Pamina in despair in the belief that Tamino has abandoned her, and she nearly commits suicide. The Three Boys succeed in dissuading her, explaining that Tamino truly loves her and indeed is willing to risk death for her. Pamina, once convinced, ardently sings
Wolfgang Amadeus Mozart and Prague as both a composer and a performer. The great success of this visit generated a commission from the impresario Pasquale Bondini for another opera, which like "The Marriage of Figaro" was to have a libretto by Mozart's great collaborator Lorenzo Da Ponte. Mozart came to Prague for the second time to help supervise the first performance of his opera "Don Giovanni". He arrived on 4 October 1787 and stayed until 12 or 13 November. The premiere of the opera was supposed to have taken place on 15 October, but could not be arranged until 29 October 1787. The work was