Heptatonic scale are considered subsets of a twelve-pitch scale roughly analogous to the Western chromatic scale. The first and fifth melakarta tones, corresponding to the first and eighth chromatic tones, are invariable in inflection, and the fourth melakarta tone, corresponding to the sixth or seventh chromatic tone, is allowed one of two inflections only, a natural ("shuddah") position and a raised ("tivra") position. The second and third melakarta tones can be picked from the 4 chromatic tones (second through fifth), and similarly for the sixth and seventh. Thus the number of possible forms is equal to twice the square of the number
Transposition (music) Thus the set ("A") consisting of 0–1–2 transposed by 5 semitones is 5–6–7 (T("A")) since , , and . There are two different kinds of transposition, depending on whether one is measuring intervals according to the chromatic scale or some other scale. In chromatic transposition one shifts every pitch in a collection of notes by a fixed number of semitones. For instance, if one transposes the pitches C–E–G upwards by four semitones, one obtains the pitches E–G–B. In scalar transposition one shifts every pitch in a collection by a fixed number of scale steps relative to some scale. For example,