Major Locrian scale "Harmonic Materials of Modern Music" devotes several pages to the major Locrian, or more precisely to its transpositional set class, a concept Hanson pioneered. He names this transpositional class the "seven-tone impure major second scale", and notes that the various modes of the major Locrian can all be defined as the whole tone scale with one additional note, and where that note occurs does not affect the transpositional class. He also notes that the scale has the property that every three-note chord possible in the twelve tone chromatic scale already appears in the major Locrian. Examples are given of the
Pentatonic scale term also used by musicologists to describe a scale including only two notes. Anhemitonic pentatonic scales can be constructed in many ways. The major pentatonic scale may be thought of as a gapped or incomplete major scale. However, the pentatonic scale has a unique character and is complete in terms of tonality. One construction takes five consecutive pitches from the circle of fifths; starting on C, these are C, G, D, A, and E. Transposing the pitches to fit into one octave rearranges the pitches into the major pentatonic scale: C, D, E, G, A. \override Score.TimeSignature #'stencil = ##f