Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
Mozart and dance appearance, and according to Solomon the income from the dances partly helped Mozart to recover from the financial distress into which he had fallen in the later 1780s. In later years they were frequently reprinted. Today, however, it seems that the dances are little performed or recorded, at least in comparison to other Mozart works such as the mature symphonies or concertos. Nevertheless, they are praised by critics. Alex Ross has written of the dances (2006), "They are exasperating to listen to in large quantity, but they are full of lively, even zany details, and serve as a reminder that