Phaeton body almost any vehicle with two axles and a row or rows of seats across the body could be called a phaeton. Convertibles and pillarless hardtops were marketed as "phaetons" after actual phaetons were phased out. The term "phaeton" had historically described a light, open four-wheeled carriage. When automobiles arrived it was applied to a light two-seater with minimal coachwork. The term was interchangeable with "spyder", derived from a light form of phaeton carriage known as a "spider". Originally meant to denote a faster and lighter vehicle than a touring car, the two terms eventually became interchangeable. A detachable folding or
The Fall of Phaeton (Rubens) of Paris". The Fall of Phaeton (Rubens) The Fall of Phaeton is a painting by the Flemish master Peter Paul Rubens, featuring the ancient Greek myth of Phaeton (Phaethon), a recurring theme in visual arts. Rubens chose to depict the myth at the height of its action, with the thunderbolts hurled by Zeus to the right. The thunderbolts provide the light contrast to facilitate the display of horror on the faces of Phaeton, the horses and other figures while preserving the darkness of the event. The butterfly winged female figures represent the hours and seasons, who react in terror as