The Living Daylights Mail" wrote of Dalton's Bond that "you get the feeling that on his off nights, he might curl up with the "Reader's Digest" and catch an episode of "Moonlighting"".Of the two films he made, Dalton admitted that this is his preferred. Roger Moore, discussing the Bond series in 2012, called "The Living Daylights" a "bloody good movie". The Living Daylights The Living Daylights is a 1987 British spy film, the fifteenth entry in the "James Bond" film series produced by Eon Productions, and the first to star Timothy Dalton as the fictional MI6 agent James Bond. Directed by John Glen,
Motifs in the James Bond film series title sequence for "Spectre". A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. Writing for "Rolling Stone", Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. "On Her Majesty's Secret Service" has an entirely instrumental credit sequence, though the film features an alternate theme, "We Have All the Time in the World", sung by Louis Armstrong.