Singspiel rather than by established companies within metropolitan centers. Mozart wrote several Singspiele: "Bastien und Bastienne" (1768), "Zaide" (1780), "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and finally "Die Zauberflöte" (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as "Liebe und Eifersucht" in 1807. In 1927, Kurt Weill created a new word, "Songspiel", to describe his work "Mahagonny-Songspiel". Notes Sources Singspiel A Singspiel (; plural: Singspiele; literally "sing-play") is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and
Croesus (opera) Croesus (opera) Der hochmütige, gestürzte und wieder erhabene Croesus ("The Proud, Overthrown and Again Exalted Croesus") is a three-act opera (described as a "Singe-Spiel") composed by Reinhard Keiser. The German language libretto by Lucas von Bostel was based on Nicolò Minato's 1678 dramma per musica "Creso", the music for which was composed by the Emperor Leopold I. Keiser's "Croesus" received its first performance at the Theater am Gänsemarkt, Hamburg, in 1711 (exact date unknown). Later, the composer extensively revised the opera for a new version, which premièred at the same theatre on 6 December 1730. In the process, he discarded