Libretto of The Magic Flute slaves dance peaceably off the stage, enchanted by Papageno's magic bells and leaving Pamina and Papageno in freedom. The two celebrate their escape by singing the following. The second act finale begins with a scene framed by didactic poetry. First the Three Boys enter, singing: The action then shifts to drama and dialogue: the Three Boys find Pamina in despair in the belief that Tamino has abandoned her, and she nearly commits suicide. The Three Boys succeed in dissuading her, explaining that Tamino truly loves her and indeed is willing to risk death for her. Pamina, once convinced, ardently sings
Mozart and scatology is ordered by Köchel catalog number. Voices and conjectured dates are from Zaslaw and Cowdery (1990:101–105); and links marked "score" lead to the online edition of the "Neue Mozart-Ausgabe". The following articles have advanced the theory that Mozart had Tourette syndrome: The following articles direct criticism at the hypothesis: Mozart and scatology Wolfgang Amadeus Mozart displayed scatological humour in his letters and a few recreational compositions. This material has long been a puzzle for Mozart scholarship. One view held by scholars deals with the scatology by seeking an understanding of the role of it in Mozart's family, his society and