Bastien und Bastienne which Bastienne merely shrugs off. Finally, the two decide that they have gone far enough and agree to reconcile. Colas joins them as they all sing a final trio in praise of the magician. Notes Sources Bastien und Bastienne ' was one of Mozart's earliest operas, written in 1768 when he was only twelve years old. It was allegedly commissioned by Viennese physician and 'magnetist' Dr. Franz Mesmer (who himself would later be parodied in "Così fan tutte") as a satire of the 'pastoral' genre then prevalent, and specifically as a parody of the opera "Le devin du village" by
Croesus (opera) Croesus (opera) Der hochmütige, gestürzte und wieder erhabene Croesus ("The Proud, Overthrown and Again Exalted Croesus") is a three-act opera (described as a "Singe-Spiel") composed by Reinhard Keiser. The German language libretto by Lucas von Bostel was based on Nicolò Minato's 1678 dramma per musica "Creso", the music for which was composed by the Emperor Leopold I. Keiser's "Croesus" received its first performance at the Theater am Gänsemarkt, Hamburg, in 1711 (exact date unknown). Later, the composer extensively revised the opera for a new version, which premièred at the same theatre on 6 December 1730. In the process, he discarded