Mozart and Freemasonry and Gazzaniga's "La Circe", operas that have no connection with Freemasonry The following is a list of surviving works that Mozart composed for performance at gatherings of Masons. The story and music of his opera "The Magic Flute" is also considered to have strong Masonic influences. The following is a partial list of family members, patrons, and colleagues who were Masons. Mozart's grandfather Johann Georg, a bookbinder, was raised among the extended Mozart family in Augsburg, in the house of Johann's own grandfather David Mozart. David and his children were distinguished architects and master "operative" (craft) masons of the Augsburg
Mozart and Salieri (opera) Mozart and Salieri (opera) Mozart and Salieri (, "Motsart i Salyeri") is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, written in 1897 to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name. The story follows the apocryphal legend that Antonio Salieri poisoned Wolfgang Amadeus Mozart out of jealousy over the latter's music. Rimsky-Korsakov incorporated quotations from Mozart's "Requiem" and "Don Giovanni" into the score. Richard Taruskin has placed this opera in the historical context of the development of the realistic tradition in Russian opera. The first performance took place at the