Chromatic scale common conception of the chromatic scale before the 13th century was the Pythagorean chromatic scale (). Due to a different tuning technique, the twelve semitones in this scale have two slightly different sizes. Thus, the scale is not perfectly symmetric. Many other tuning systems, developed in the ensuing centuries, share a similar asymmetry. In Pythagorean tuning (3-limit just intonation) the chromatic scale is tuned as follows, with sharps higher than their enharmonic flats: These are 17-EDO Pythagorean tuning approximations. In 5-limit just intonation the chromatic scale, Ptolemy's intense chromatic scale, is as follows, with flats higher than their enharmonic sharps,
Ditonic scale Shawnee. The ditonic scale type is recognised in Indian music, and termed the "Dvisvara" ("two tone"), but ditonic scales are not recognised as raga scales. The ditonic is among the scale types employed in traditional Nigerian music. In a study carried out in 1969, Mervyn McLean noted that among the Maori tribes he surveyed, ditonic scales comprised 17% of the scales used. Ditonic scale A ditonic scale is a musical scale or mode with two notes per octave. This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note