The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
Madeleine Boyd Dvořák, with the director Alessandro Talevi. She has worked primarily in Europe with the American opera director Thaddeus Strassberger and the South African opera director Alessandro Talevi. Notable productions include Set and Costume Design: "La Cenerentola", by Gioachino Rossini for Malmö Opera, Sweden; "Orfeo ed Euridice" by Christoph Willibald Gluck, at Theater Augsburg, November 2007; "La Gazzetta" by Gioachino Rossini, Rossini in Wildbad Festival, July 2007. Her designs for Elizabeth Maconchy's one-act operas "The Sofa" and "The Departure", for Independent Opera at Sadler's Wells, in November 2007, were received with acclaim. The Chandos label released a recording of both operas