Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Gioachino Rossini under state control and turned into the Conservatorio Statale di Musica "Gioachino Rossini". The corporate body which managed Rossini's inheritance assumed the name Fondazione G. Rossini. The aims of the institution, which is still active, are to support the conservatory and promote the figure, the memory, and the works of Rossini. The institution has been a major sponsor of the Rossini Opera Festival since its beginning. Rossini's estate funded the Prix Rossini, a prize awarded to young French composers and librettists. The prize began to be awarded in 1878 on the death of his widow and is given by the