The Magic Flute (1975 film) arrival of the Three Boys by descent in a charmingly decorated 18th-century hot-air balloon represents a faithful reflection by Bergman of Schikaneder's original libretto; Schikaneder's theater abounded in mechanical devices of this kind. Throughout the performance and during the intermission, we get backstage views of the theatre. Tamino plays his flute while, through the wings, we catch sight of Papageno (responding to Tamino's flute) and Pamina. At this stage in the plot, Pamina and Tamino have not yet met. The opposite happens when Pamina and Papageno are on stage and, this time, it is Tamino who is seen sitting on
Mozart and dance appearance, and according to Solomon the income from the dances partly helped Mozart to recover from the financial distress into which he had fallen in the later 1780s. In later years they were frequently reprinted. Today, however, it seems that the dances are little performed or recorded, at least in comparison to other Mozart works such as the mature symphonies or concertos. Nevertheless, they are praised by critics. Alex Ross has written of the dances (2006), "They are exasperating to listen to in large quantity, but they are full of lively, even zany details, and serve as a reminder that