The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
Elisabetta Manfredini-Guarmani back in Bologna to sing the title role in a revival of Paisiello's "Nina, ossia La pazza per amore" at the Teatro Marsigli. Manfredini-Guarmani first worked with Gioachino Rossini in May 1811, when she sang in Haydn's oratorio "The Seasons". The special performance of the oratorio (sung in Italian as "Le quattro stagioni") was in celebration of the birth of the Napoleon II two months earlier and was conducted from the harpsichord by Rossini. When Rossini wrote his opera "Ciro in Babilonia", he composed the role of Almira specifically for Manfredini-Guarmani's voice. Following its premiere at the Teatro Comunale on