The Magic Flute (1975 film) children, who are silent. Evidon suggests that the characters of Frid and Petra in Bergman's 1955 film "Smiles of a Summer Night", and Johan and Alma in his "Hour of the Wolf" (1968) pre-figure his conception of Papageno and Papagena, and Tamino and Pamina respectively in "The Magic Flute". The latter film includes a puppet-theatre sequence of part of Act 1 of the opera. Evidon also sees a parallel between Bergman's treatment of Sarastro and Amfortas in "Parsifal". In producing the opera, Bergman sought to fulfill his early dream (see above) of a production in the Drottningholm Palace Theatre (one
Mozart and dance it was rich in figures (individual movements and patterns) and was popular among all social classes. Mozart composed contredanses as a sequence of multiple sections. They sometimes quote popular melodies; for instance, K. 609 quotes the aria "Non più andrai" from Mozart's opera "The Marriage of Figaro". Of the three genres, minuets predominate in Mozart's early career, the latter two types later on. The core instrumentation of the dances is a simplified orchestra in which there are no violas, and the bass instruments (cello and double bass) play the same line. A variety of wind instruments is usually included, and