Vivien Leigh the burning of the Atlanta Depot scene was being filmed and stage-managed an encounter, where he introduced Leigh, derisively addressing his younger brother, "Hey, genius, meet your Scarlett O'Hara." The following day, Leigh read a scene for Selznick, who organized a screen test with director George Cukor and wrote to his wife, "She's the Scarlett dark horse and looks damn good. Not for anyone's ear but your own: it's narrowed down to Paulette Goddard, Jean Arthur, Joan Bennett and Vivien Leigh". The director, George Cukor, concurred and praised Leigh's "incredible wildness". She secured the role of Scarlett soon after. Filming
Gone with the Wind (film) One of the questions explored by the exhibit was "How True to Life Were the Slaves in GWTW?" This section showed slave experiences were diverse and concluded that the "happy darky" was a myth, as was the belief that all slaves experienced violence and brutality. W. Bryan Rommel Ruiz has argued that despite factual inaccuracies in its depiction of the Reconstruction period, "Gone with the Wind" nevertheless reflects contemporary interpretations that were common in the early 20th century. One such viewpoint is reflected in a brief scene in which Mammy fends off a leering freedman: a government official can be