Geltrude Righetti article by Stendhal, she wrote her famous memoir entitled "Cenni di una donna già cantante sopra il Maestro Rossini...", which includes an account of the première of "The Barber of Seville". Geltrude Righetti Geltrude Righetti (1793–1862) was an Italian contralto closely associated with the operas of Gioachino Rossini. (Her name is also sometimes given as Giorgi-Righetti or Righetti-Giorgi, Giorgi being the name of her husband.) Born in Bologna, she also studied and made her debut there in 1814. The following year she created the important role of Rosina in "The Barber of Seville" and in 1817 she was the first
Demetrio e Polibio Demetrio e Polibio Demetrio e Polibio (; "Demetrius and Polybius") is a two-act operatic "dramma serio" by Gioachino Rossini to a libretto by Vincenzina Viganò-Mombelli. The opera was orchestrated for strings only. "Demetrio e Polibio" was Rossini's first attempt at a full-scale opera, "assembled piecemeal" during his student days at the Philharmonic Academy of Bologna in 1806. Because it was commissioned by tenor Domenico Mombelli (whose wife wrote the libretto) and was performed privately by Mombelli and his two daughters, a performance which Rossini did not attend, it was not his first fully staged opera. The opera was not professionally