Franco Alfano Domingo in the title role. In 1921, "La Leggenda di Sakùntala" appeared, described by some as his most important stage work, and while it was successful enough to have Arturo Toscanini recommend Alfano for the completion of Puccini's posthumous Turandot, the performance materials were thought destroyed in an air raid during the Second World War. Alfano reconstructed it in 1952 as "Sakùntala", after "Abhijñānaśākuntalam" ("The Recognition of Sakuntala"), the Sanskrit play by Kālidāsa. Subsequently, the original version was recovered in 2005, with the two versions available for performance today. The second version of Sakùntala was performed in New York City
Manon Lescaut (Puccini) compositions for strings: the quartet "Crisantemi" (January 1890), three "Menuets" (probably 1884) and a "Scherzo" (1883?). The love theme comes from the aria "Mentia l'avviso" (1883). Puccini's publisher, Ricordi, had been against any project based on Prévost's story because Jules Massenet had already made it into a successful opera, "Manon", in 1884. While Puccini and Ricordi may not have known it, the French composer Daniel Auber had also already written an opera on the same subject with the title "Manon Lescaut", in 1856. Despite all the warnings, Puccini proceeded. "Manon is a heroine I believe in and therefore she cannot