Gioachino Rossini most famously associated. A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, known as a "Rossini crescendo", which earned him the nickname of "Signor Crescendo". A few of Rossini's operas remained popular throughout his lifetime and continuously since his death; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "Rossini Renaissance". Rossini himself correctly predicted that his "Barber of Seville" would continue to find favor with posterity, telling a friend:"One thing I believe I can assure you: that of my works, the second act
Gioachino Rossini was in many of its incidents an anticipation of those presented to the world a few years later in Sir Walter Scott's "Kenilworth". The opera was the first in which Rossini wrote out the ornaments of the arias instead of leaving them to the fancy of the singers, and also the first in which the "secco" recitative was replaced by a recitative accompanied by a string quartet. Rossini's most famous opera was produced on 20 February 1816, at the Teatro Argentina in Rome. The libretto, a version of Beaumarchais' stage play "Le Barbier de Séville", was newly written by Cesare