Major scale will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E major, then the seven pitches in the E major scale (E, F, G, A, B, C and D) are considered diatonic pitches, and the other five pitches (E, F/G, A, B, and C/D) are considered chromatic pitches. In this case, the key signature will have three flats (B, E, and A). The figure below shows all 12 relative major and minor keys, with major keys on the outside and minor keys on the inside arranged around the circle of fifths.
Enharmonic scale The following Pythagorean scale is enharmonic: In the above scale the following pairs of notes are said to be enharmonic: In this example, natural notes are sharpened by multiplying its frequency ratio by 256:243 (called a limma), and a natural note is flattened by multiplying its ratio by 243:256. A pair of enharmonic notes are separated by a Pythagorean comma, which is equal to 531441:524288 (about 23.46 cents). Enharmonic scale In music theory, an enharmonic scale is "an [imaginary] gradual progression by quarter tones" or any "[musical] scale proceeding by quarter tones". The enharmonic scale uses dieses (divisions) nonexistent on