Charlie Chaplin take in "The Kid". For "The Immigrant", a 20 minute-short, Chaplin shot 40,000 feet of film – enough for a feature-length. Describing his working method as "sheer perseverance to the point of madness", Chaplin would be completely consumed by the production of a picture. Robinson writes that even in Chaplin's later years, his work continued "to take precedence over everything and everyone else." The combination of story improvisation and relentless perfectionism – which resulted in days of effort and thousands of feet of film being wasted, all at enormous expense – often proved taxing for Chaplin who, in frustration, would
Charlie Chaplin: Intimate Close-Ups screen test for "City Lights". Charlie Chaplin: Intimate Close-Ups Charlie Chaplin: Intimate Close-Ups is a memoir by the American actress Georgia Hale which was written in the 1960s. Ten years after Hale's 1985 death, Heather Kiernan edited the manuscript and it was published in 1995 by The Scarecrow Press with a second edition published in 1999. Georgia Hale was Charles Chaplin's co-star in "The Gold Rush" in 1925, and was one of the many who romanced the actor-director. Like another Chaplin companion/co-star, Edna Purviance, she never married him, and like Purviance she maintained a relationship of varying degrees with Chaplin