Mozart and Freemasonry and Gazzaniga's "La Circe", operas that have no connection with Freemasonry The following is a list of surviving works that Mozart composed for performance at gatherings of Masons. The story and music of his opera "The Magic Flute" is also considered to have strong Masonic influences. The following is a partial list of family members, patrons, and colleagues who were Masons. Mozart's grandfather Johann Georg, a bookbinder, was raised among the extended Mozart family in Augsburg, in the house of Johann's own grandfather David Mozart. David and his children were distinguished architects and master "operative" (craft) masons of the Augsburg
Mozart and dance eighteenth-century composers were expected to be adept at producing both 'popular' and 'serious' music, and that there was no categorical difference between the two.". Abert (2007) wrote, "the most striking aspect of these dances is their almost literally inexhaustible fund of invention. Although their form offers only limited scope for experimentation, each dance differs from the others." Lindmayr-Brandl (2006) writes that "[the dances] that are accessible today, brought to life in the concert hall or in recordings, represent a precious treasure, the immediate expression of the joy of life." Mozart included a substantial ballet at the end of his opera