Barouche Women" by Louisa May Alcott. Barouche A barouche is a large, open, four-wheeled carriage, both heavy and luxurious, drawn by two horses. It was fashionable throughout the 19th century. Its body provides seats for four passengers, two back-seat passengers vis-à-vis two behind the coachman's high box-seat. A leather roof can be raised to give back-seat passengers some protection from the weather. "Barouche" is an anglicisation of the German word "barutsche", via the Italian "baroccio" or "biroccio" and ultimately from the ancient Roman Empire's Latin "birotus", "two-wheeled". The name thus became a misnomer, as the later form of the carriage had
The Fall of Phaeton (Rubens) and day cycle becomes disrupted. The great astrological circle that arches the heavens is also disrupted. The assemblage of bodies form a diagonal oval in the center, separating dark and light sides of the canvas. The bodies are arranged so as to assist the viewer’s travel continually around that oval. Rubens painted "The Fall of Phaeton" in Rome and the painting was probably reworked later around 1606/1608. It has been housed in the National Gallery of Art since 5 January 1990. Rubens also painted other Greek mythological subjects, such as "The Fall of Icarus", "Perseus Freeing Andromeda", and "The Judgement