Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
Haydn and Mozart symphony and a chorus, both probably from [the oratorio] "Il ritorno di Tobia"") and Mozart ("a new concert aria, probably 'Misero! o sogno!' [K. 431], and, on the first night, a piano concerto") At the time of this meeting, Haydn was the most celebrated composer in Europe. Mozart's own reputation was definitely on the rise. His opera "The Abduction from the Seraglio" had been premiered with great success in Vienna, and was being produced in several other cities. Haydn would have been about 52 at the time, Mozart about 28. Jens Peter Larsen suggests that "quartet playing was central to