Vivien Leigh the burning of the Atlanta Depot scene was being filmed and stage-managed an encounter, where he introduced Leigh, derisively addressing his younger brother, "Hey, genius, meet your Scarlett O'Hara." The following day, Leigh read a scene for Selznick, who organized a screen test with director George Cukor and wrote to his wife, "She's the Scarlett dark horse and looks damn good. Not for anyone's ear but your own: it's narrowed down to Paulette Goddard, Jean Arthur, Joan Bennett and Vivien Leigh". The director, George Cukor, concurred and praised Leigh's "incredible wildness". She secured the role of Scarlett soon after. Filming
Gone with the Wind (novel) disgust of the Yankee woman who was seeking an Irish maid, a "Bridget". African Americans and Irish Americans are treated "in precisely the same way" in "Gone with the Wind", writes David O'Connell in his 1996 book, "The Irish Roots of Margaret Mitchell's Gone With the Wind". Ethnic slurs on the Irish and Irish stereotypes pervade the novel, O'Connell claims, and Scarlett is not an exception to the terminology. Irish scholar Geraldine Higgins notes that Jonas Wilkerson labels Scarlett: "you highflying, bogtrotting Irish". Higgins says that, as the Irish American O'Haras were slaveholders and African Americans were held in bondage,