Bastien und Bastienne to perform of Mozart's juvenile works. Bastienne, a shepherdess, fears that her "dearest friend", Bastien, has forsaken her for another pretty face, and decides to go into the pasture to be comforted by her flock of lambs. Before she can leave, however, she runs into Colas, the village soothsayer. Bastienne requests the help of his magical powers to help win back her Bastien. Colas (being a soothsayer) knows all about the problem, and comforts her with the knowledge that Bastien has not abandoned her, rather, he's merely been distracted lately by 'the lady of the manor'. His advice is to
Comic opera often styled rock operas. Comic opera Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, "opera buffa", emerged as an alternative to "opera seria". It quickly made its way to France, where it became "opéra bouffon", and eventually, in the following century, French "operetta", with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic