L'abandon d'Ariane L'abandon d'Ariane L'abandon d'Ariane Op. 98 ("The Abandonment of Ariane" or, in German, "Die Verlassene Ariadne") is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three "Opéras-Minutes" (Mini-Operas) that Milhaud composed. It came between "L'Enlèvement d'Europe" Op. 94 and "La Délivrance de Thésée" Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes. The first performance of the trilogy - "L'Enlèvement d'Europe", "L'Abandon d'Ariane" and "La Délivrance de Thésée" - was at the Hessisches
Theseus when the religious ceremony began to when the ship returned from Delos, which took several weeks. To preserve the ship, any wood that wore out or rotted was replaced; it was, thus, unclear to philosophers how much of the original ship actually remained, giving rise to the philosophical question whether it should be considered "the same" ship or not. Such philosophical questions about the nature of identity are sometimes referred to as the Ship of Theseus Paradox. Regardless of these issues, Athenians preserved the ship. Their belief was that Theseus had been an actual, historic figure and the ship gave