Gioachino Rossini common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in "Il Barbiere" there is an aria for the Count (often omitted) "Cessa di più resistere", which Rossini used (with minor changes) in the cantata "Le Nozze di Teti e di Peleo" and in "La Cenerentola" (the cabaletta for Angelina's rondo is almost unchanged). Moreover, four of his best known overtures ("La cambiale di matrimonio", "Tancredi", "La Cenerentola" and "The Barber of Seville") share operas apart from those with which they are
Gioachino Rossini matrimonio" ("The Marriage Contract"), was produced at Venice when he was a youth of 18 years. Two years before this he had already received the prize at the Conservatorio of Bologna for his cantata "Il pianto d'Armonia sulla morte d'Orfeo". Between 1810 and 1813 at Bologna, Rome, Venice and Milan, Rossini produced operas of varying success, most notably "La pietra del paragone" and "Il signor Bruschino", with its brilliant and unique overture. In 1813, "Tancredi" and "L'italiana in Algeri" were even bigger successes, and catapulted the 20-year-old composer to international fame. The libretto for "Tancredi" was an arrangement by Gaetano