Opera After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" that came to dominate the world's opera stages with such popular works as Giacomo Puccini's "La bohème", "Tosca", and "Madama Butterfly". Later Italian composers, such as Berio and Nono, have experimented with modernism. The first German opera was "Dafne", composed by Heinrich Schütz in 1627, but the music score has not survived. Italian opera held a great sway over German-speaking countries until the late 18th century. Nevertheless, native forms would develop in spite of this
Spanish opera "Clementina" by Luigi Boccherini, premiering in 1786. For over the next sixty years Italian opera became the predominantly popular form of opera in Spain. In the mid 19th century there was a renewed interest in the zarzuela in Spain, just as in other countries an increasing national awareness gave rise to distinctive styles to combat the pervading influence of Italian opera. It has been estimated that over 10,000 zarzuelas were written in the hundred years after 1850. The Teatro de la Zarzuela in Madrid became the hub of activity, but scores of companies in the capital, the provinces, and Spanish-speaking