Comic opera had a real story that people liked; it had dramatic variety; and, musically, it had strong melodies and even strong supporting orchestral parts, including a strong "stand-alone" overture (i.e., you could even enjoy the overture as an independent orchestral piece). Verdi was also enthusiastic because the music was by a southern Italian and the text by a northerner, which appealed to Verdi's pan-Italian vision. The genre was developed further in the 19th century by Gioachino Rossini in his masterpieces such as "The Barber of Seville" (1816) and "La Cenerentola" (1817). French composers eagerly seized upon the Italian model and made
Conservatorio Statale di Musica "Gioachino Rossini" Oliveri in Pesaro. Amongst its past Directors are the composers Carlo Pedrotti, Pietro Mascagni, Riccardo Zandonai and Franco Alfano. Mascagni's opera "Zanetto" had its world premiere at the conservatory in 1896. In his will, Rossini left virtually his entire estate to Pesaro, his native city, for the establishment of a free music school there with the provision that the legacy would only come to the city upon the death of his widow, Olympe Pélissier. In 1869, the year following Rossini's death, the city set up the association which would eventually become the "Liceo musicale Rossini". Olympe Pélissier died in 1878.