The Magic Flute chain her and leave him alone with her. Papageno, sent ahead by Tamino to help find Pamina, enters (Trio: ""). Monostatos and Papageno are each terrified by the other's strange appearance and both flee. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love (duet: ""). "Finale. Scene 3: A grove in front of a temple" The three child-spirits lead
Agrippina (opera) hypocritical; Claudius is pompous, complacent, and something of a buffoon, while Poppaea, the first of Handel's sex kittens, is also a liar and a flirt. The freedmen Pallas and Narcissus are self-serving and salacious. All, however, have some redeeming features, and all have arias that express genuine emotion. The situations in which they find themselves are sometimes comic, but never farcical—like Mozart in the Da Ponte operas, Handel avoids laughing at his characters. In "Agrippina" the "da capo" aria is the musical form used to illustrate character in the context of the opera. The first four arias of the work