Francesco Tamagno heard on the stages of London and New York during the late-Victorian Era. Tamagno, however, refused to perform Wagnerian works, even in Italian translation; he believed that the tessitura of the music written for Wagner's tenor heroes lay too low to suit his vocal range. Tamagno lived long enough to witness the rise to fame of the young Enrico Caruso (1873–1921). He admired Caruso's ability, predicting as far back as 1898 that Caruso would go on to become the number-one Italian tenor of the 20th century. As M. J. Phillips-Matz observes in her 2002 Puccini biography, Tamagno and Caruso actually
Enrico Caruso was preserved in a glass sarcophagus at Del Pianto Cemetery in Naples for mourners to view. In 1929, Dorothy Caruso had his remains sealed permanently in an ornate stone tomb. Caruso's 25-year career, stretching from 1895 to 1920, included 863 appearances at the New York Metropolitan Opera before he died at the age of 48. Thanks in part to his tremendously popular phonograph records, Caruso was one of the most famous personalities of his day and his fame has endured to the present. He was one of the first examples of a global media celebrity. Beyond records, Caruso's name became