Major Locrian scale "Harmonic Materials of Modern Music" devotes several pages to the major Locrian, or more precisely to its transpositional set class, a concept Hanson pioneered. He names this transpositional class the "seven-tone impure major second scale", and notes that the various modes of the major Locrian can all be defined as the whole tone scale with one additional note, and where that note occurs does not affect the transpositional class. He also notes that the scale has the property that every three-note chord possible in the twelve tone chromatic scale already appears in the major Locrian. Examples are given of the
Istrian scale Istrian scale "Istrian scale" refers both to a "unique" musical scale and to the Istrian and Kvarnerian folk music genres which use the scale. It is named for the Istrian peninsula. Genres include "kanat" and "tarankanje"; techniques include nasal tone, variation and improvisation, and resolution to the unison or octave; and instruments include "sopele" shawms, bagpipes, flutes, and "tambura" lutes. It was first named by Ivan Matetić Ronjgov early in the twentieth century, assisting his study and notation of Croatian music. Non-equal-tempered, the scale could approximately be notated as: E-F-G-A-B-C [hexatonic] (see: enharmonic), the first six notes of an octatonic