Bastien und Bastienne with the exception of the reconciliation scene. The opening theme of Mozart's overture resembles that of the first movement of Beethoven's Symphony no. 3, "Eroica" (in a different key). It is unlikely that Beethoven was familiar with Mozart's youthful opera. In any case, opening a movement with an arpeggio of the tonic chord was an extremely common occurrence in the Classical period. The resemblance is likely coincidental. Although he was very young, Mozart already had excellent vocal writing skills and a knack for parody and whimsy which would reach full flower in his later works. "" is possibly the easiest
David Wickham Guildhall School of Music and Drama and studied with Norman Beedie, Paul Roberts and later with Graham Johnson and Paul Hamburger. He is currently a lecturer at Western Australian Academy of Performing Arts. He was a member of the music staff of the Australian Opera Studio from 2003 to 2006, where he was music director for productions of "Giulio Cesare", "Don Quichotte", "Carmen", "Così fan tutte", "Rodelinda", "Manon", "Bastien und Bastienne" and "Trouble in Tahiti", as well as "Elijah" and four cabarets. At the Western Australian Academy of Performing Arts he has conducted "Candide", "A Midsummer Night's Dream", Malcolm Williamson's