Libretto of The Magic Flute slaves dance peaceably off the stage, enchanted by Papageno's magic bells and leaving Pamina and Papageno in freedom. The two celebrate their escape by singing the following. The second act finale begins with a scene framed by didactic poetry. First the Three Boys enter, singing: The action then shifts to drama and dialogue: the Three Boys find Pamina in despair in the belief that Tamino has abandoned her, and she nearly commits suicide. The Three Boys succeed in dissuading her, explaining that Tamino truly loves her and indeed is willing to risk death for her. Pamina, once convinced, ardently sings
Beethoven and Mozart paid homage to Mozart by making a quotation from "Don Giovanni" (the opening notes of Leporello's aria ‘Notte e giorno faticar’) the basis of the 22nd of the Diabelli Variations. Beethoven and Mozart Wolfgang Amadeus Mozart had a powerful influence on the work of Ludwig van Beethoven. They are said to have met in Vienna in 1787, and Beethoven is said to have had a few lessons from Mozart. However, this is uncertain, as there is only one account of a meeting, and it is not contemporary. Beethoven knew much of Mozart's work. Some of his themes recall Mozart's, and