String Quartet No. 15 (Schubert) Allen's 1989 comedy-drama "Crimes and Misdemeanors", parts of the Allegro molto moderato (including the dotted rhythm of the opening) are used as a dramatic measure during several scenes that form central parts of the 'crimes' plot. In "Gramophone", Stephen Johnson referred to the work as Schubert's greatest string quartet, and speculated that it is heard less frequently than the composer's previous two quartets not because of lower quality but because it is less accessible. Schubert's String Quartet No. 15 in G major (D. 887) has been recorded by many quartets, including: String Quartet No. 15 (Schubert) The String Quartet No.
String quartet characterization and drama in the individual-pitted-against-the-mass vein, the writer of string quartets must perforce concentrate on the bare bones of musical logic. Thus, in many ways the string quartet is pre-eminently the dialectical form of instrumental music, the one most naturally suited to the activity of logical disputation and philosophical enquiry. Quartet composition flourished in the Classical era, with Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert following Haydn in each writing a number of quartets. A slight slackening in the pace of quartet composition occurred in the later 19th century, in part due to a movement away from