Federico García Lorca poet". He wrote: "The gypsies are a theme. And nothing more. I could just as well be a poet of sewing needles or hydraulic landscapes. Besides, this gypsyism gives me the appearance of an uncultured, ignorant and primitive poet that you know very well I'm not. I don't want to be typecast". Growing estrangement between García Lorca and his closest friends reached its climax when surrealists Dalí and Luis Buñuel collaborated on their 1929 film "Un Chien Andalou" ("An Andalusian Dog"). García Lorca interpreted it, perhaps erroneously, as a vicious attack upon himself. At this time Dalí also met his
Vivadixiesubmarinetransmissionplot the tune's middle section when he called home to check his messages. The lyrics for "Spirit Ditch" include the line "horse-laughter is dragging pianos to the ocean", which was inspired by a scene from the Luis Buñuel film "Un chien andalou". Although he once explained the album's idiosyncratic sound by admitting "I didn't know what I was doing", Linkous purposely used found sounds throughout the recording of the album – these included sounds that he found on records, sounds that he recorded and, in one instance ("Ballad of a Cold Lost Marble"), the sound that a defective amplifier was making