Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
Fanny (1961 film) Fanny (1961 film) Fanny is a 1961 American Technicolor drama film directed by Joshua Logan. The screenplay by Julius J. Epstein is based on the book for the 1954 stage musical of the same title by Logan and S.N. Behrman, which in turn had been adapted from Marcel Pagnol's trilogy: "Marius" (1929) and "Fanny" (1932), plays which he adapted to film a year or two later; and "César," the film he wrote and directed for the screen in 1936 (and later adapted for the stage). The film deleted all the songs from the 1954 stage musical, but the music by