Un Chien Andalou reference to the popular children's novel "Platero y yo" by Juan Ramón Jiménez, which Buñuel and Dalí hated. Anthropologist Jean Rouch has reported that after filming was complete, Buñuel and Dalí had run out of money, forcing Buñuel to edit the film personally in his kitchen without the aid of a Moviola or any other technical equipment. The first screening of "Un Chien Andalou" took place at Studio des Ursulines, with an audience of "le tout-Paris". Notable attendees of the première included Pablo Picasso, Le Corbusier, Jean Cocteau, Christian Bérard and George Auric, in addition to the entirety of André
Film editing such as Lev Kuleshov (already mentioned) further explored and theorized about editing and its ideological nature. Sergei Eisenstein developed a system of editing that was unconcerned with the rules of the continuity system of classical Hollywood that he called Intellectual montage. Alternatives to traditional editing were also explored by early surrealist and Dada filmmakers such as Luis Buñuel (director of the 1929 "Un Chien Andalou") and René Clair (director of 1924's "Entr'acte" which starred famous Dada artists Marcel Duchamp and Man Ray). The French New Wave filmmakers such as Jean-Luc Godard and François Truffaut and their American counterparts such as