Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
Fanny Brice but later admitted that the character of Baby Snooks just didn’t work properly when seen. She returned with Stafford and the Snooks character to the safety of radio for her next appearance, on Tallulah Bankhead's big-budget, large-scale radio variety show "The Big Show" in November 1950, sharing the bill with Groucho Marx and Jane Powell. In one routine, Snooks asks Bankhead for advice on becoming an actress, despite Daddy's insistence that Snooks has no acting talent. Fanny Brice resided in a house built in 1938 on North Faring Road in Holmby Hills, Los Angeles, designed by architect John Elgin Woolf