Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Filmmaking technique of Luis Buñuel almost always in visually striking ways by combining cinematography and set design, and in poetically artful ways through his direction. Often Buñuel would apply the technique of such mise-en-scène to combine multiple single scenes within a film directed by him to represent more encompassing aspects of the film when viewed as a whole. Buñuel's filmmaking technique was influenced by many aspects of his personality which included sharp contrasts of character and self-identity. His first picture, "Un Chien Andalou"—made in the silent era—was called "the most famous short film ever made" by critic Roger Ebert, and his last film, "That Obscure