Federico García Lorca poet". He wrote: "The gypsies are a theme. And nothing more. I could just as well be a poet of sewing needles or hydraulic landscapes. Besides, this gypsyism gives me the appearance of an uncultured, ignorant and primitive poet that you know very well I'm not. I don't want to be typecast". Growing estrangement between García Lorca and his closest friends reached its climax when surrealists Dalí and Luis Buñuel collaborated on their 1929 film "Un Chien Andalou" ("An Andalusian Dog"). García Lorca interpreted it, perhaps erroneously, as a vicious attack upon himself. At this time Dalí also met his
Nash the Slash songwriting credit, but Nash is clearly heard singing a song, beginning with the lyrics "Hear the children of the night" (though this was a completely different song from his later work, "Children of the Night"), and playing electric violin. The song also featured a complex organ solo not in Nash's usual style (nor that of Cameron Hawkins, his band mate in FM). Nash's first solo performance and live presentation of music to film occurred when he played his soundtrack to Luis Buñuel's silent film "Un chien andalou" (1929) at the Roxy Theatre in Toronto on March 17, 1975. He also