Experimental film shorts. Fernand Léger, Dudley Murphy, and Man Ray created the film "Ballet Mécanique" (1924), sometimes described as Dadaist, Cubist, or Futurist. Duchamp created the abstract film "Anémic Cinéma" (1926). Alberto Cavalcanti directed "Rien que les heures" (1926), Walter Ruttmann directed "" (1927), and Dziga Vertov filmed "Man With a Movie Camera" (1929), experimental "city symphonies" of Paris, Berlin, and Kiev, respectively. The most famous experimental film is generally considered to be Luis Buñuel and Salvador Dalí's "Un chien andalou" (1929). Hans Richter's animated shorts, Oskar Fischinger's abstract films, and Len Lye's GPO films would be excellent examples of more abstract
Prince of Darkness (film) in "Time Out" gave a positive review of the film, calling "Prince of Darkness" "engrossing" and adding "the claustrophobic terror generated by fluid camerawork and striking angles" leads "to a heart-racing climax". The film currently holds a 56% rating on Rotten Tomatoes based on 36 reviews. In 2004, Jim Emerson wrote that "Prince of Darkness" was an undervalued horror film: "What makes me goose-pimply about "Prince of Darkness" is its goofy-but-ingenious central conceit and its truly Surrealistic imagery, some of which could have sprouted out of Buñuel and Dali's "Un Chien Andalou"." Like most of Carpenter's films, "Prince of Darkness"