Luis Buñuel of stones with which to pelt anticipated hecklers. After the premiere, Buñuel and Dalí were granted formal admittance to the tight-knit community of Surrealists, led by poet André Breton. Late in 1929, on the strength of "Un Chien Andalou", Buñuel and Dalí were commissioned to make another short film by Marie-Laurie and Charles de Noailles, owners of a private cinema on the Place des États-Unis and financial supporters of productions by Jacques Manuel, Man Ray and Pierre Chenal. At first, the intent was that the new film be around the same length as "Un Chien", only this time with sound.
La Révolution surréaliste into Sexuality," an account of a debate that took place in January 1928. In the frank discussion, more than a dozen Surrealists openly expressed their opinions on sexual matters, including a variety of perversions. Issue 12 (December 1929): Contains Breton's "Second Surrealist Manifesto". The declaration marks the end of the group's most cohesive and focused years, and signals the start of disagreements within the group. Breton celebrated his faithful supporters, and denounced those who had defected and betrayed his doctrine. Also contains the full script of "Un Chien Andalou" with Luis Buñuel's preface. Some of the dissidents voiced their views