Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Invisible Adversaries Export and Su Friedrich," referred to "Invisible Adversaries" as a feminist version of "Invasion of the Body Snatchers", noted that the film includes references to famous paintings and to "Un Chien Andalou", and wrote that therefore it "is visually rick, entertaining, striking, but also demanding." A few reviews, however, were negative. For example, London's "Time Out" wrote about the film that it is "[n]ot unlike """ and that it will "probably age as badly" and a reviewer for "The Heights" wrote that "I was expecting a great feminist work here, but got mediocrity. I cannot recommend that you see this