Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Prince of Darkness (film) in "Time Out" gave a positive review of the film, calling "Prince of Darkness" "engrossing" and adding "the claustrophobic terror generated by fluid camerawork and striking angles" leads "to a heart-racing climax". The film currently holds a 56% rating on Rotten Tomatoes based on 36 reviews. In 2004, Jim Emerson wrote that "Prince of Darkness" was an undervalued horror film: "What makes me goose-pimply about "Prince of Darkness" is its goofy-but-ingenious central conceit and its truly Surrealistic imagery, some of which could have sprouted out of Buñuel and Dali's "Un Chien Andalou"." Like most of Carpenter's films, "Prince of Darkness"