Picasso's Blue Period as his psychological state improved, he moved towards more joyful, vibrant works, and emphasized the use of pinks ("rose" in French) and other warm hues to express the shift in mood and subject matter. The painting "Portrait of Suzanne Bloch" (1904), one of the final works from this period, was stolen from the São Paulo Museum of Art (MASP) on December 20, 2007, but retrieved on January 8, 2008. Picasso's Blue Period The Blue Period () is a term used to define the works produced by Spanish painter Pablo Picasso between 1901 and 1904 when he painted essentially monochromatic paintings
Little Girl in a Blue Armchair encoding female sexuality. Judith Barter observes that in Cassatt's social millieu the only proper expression of a woman's sexuality was her maternity. In a painting such as "Breakfast in Bed" we are aware that we have interrupted an intimate moment, but we have not done so improperly. Chessman describes "Breakfast in Bed" as an allegory of the maternal body. Little Girl in a Blue Armchair Little Girl in a Blue Armchair (French: Petite fille dans un fauteuil bleu) is an 1878 oil painting by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. It is in the collection of the