Funny Girl (film) depicted. In this role the Jewish woman was presented as smart, comedic, beautiful and talented. During the time this film was made, Jewish women had the stereotype of being dependent upon men. Yet Streisand tends to defy this stereotype. Jews are often over represented statistically in the field of humor, yet this could be what gives Jews the edge on making people laugh. Streisand takes the battle between the sexes, the double standard, and sexuality in a funny and shrewd way by stretching the boundaries beyond respectability and behaving in unladylike ways. Streisand's character in the film literally portrays a
The Girl Who Knew Too Much (1963 film) well, I can't even remember their names." The film has received slightly above average scores at Rotten Tomatoes, with five reviews posted, which note the stylish look to the film, but negatively point out its story. "Sight & Sound" stated that "Although certainly pioneering, "The Girl Who Knew Too Much" is a low-key, modest film. It would be Bava's subsequent production, the violent, striking Blood and Black Lace, that would announce the genre's arrival in bold primary colours." The Girl Who Knew Too Much (1963 film) The Girl Who Knew Too Much () is a 1963 Italian giallo film. Directed