Luis Buñuel Mother" series, is their grandson. After this apprenticeship, Buñuel shot and directed a 16-minute short, "Un Chien Andalou", with Salvador Dalí. The film, financed by Buñuel's mother, consists of a series of startling images of a Freudian nature, starting with a woman's eyeball being sliced open with a razor blade. "Un Chien Andalou" was enthusiastically received by the burgeoning French surrealist movement of the time and continues to be shown regularly in film societies to this day. The script was written in six days at Dalí's home in Cadaqués. In a letter to a friend written in February 1929, Buñuel
The Cremaster Cycle This is summarized by one critic as "Barney's cinematic art inspires both awe and revulsion, often simultaneously." Indeed, the "Village Voice" featured two reviews, with art critic Jerry Saltz praising the cycle, and film critic J. Hoberman panning it. Lavish praise includes: ""The Cremaster Cycle" by Matthew Barney is the first truly great piece of cinema to be made in a fine art context since Dali and Bunuel filmed "Un Chien Andalou" in 1929. It is one of the most imaginative and brilliant achievements in the history of avant-garde cinema." In 1999, when three of its entries (the fourth, first,