Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Little Girl in a Blue Armchair encoding female sexuality. Judith Barter observes that in Cassatt's social millieu the only proper expression of a woman's sexuality was her maternity. In a painting such as "Breakfast in Bed" we are aware that we have interrupted an intimate moment, but we have not done so improperly. Chessman describes "Breakfast in Bed" as an allegory of the maternal body. Little Girl in a Blue Armchair Little Girl in a Blue Armchair (French: Petite fille dans un fauteuil bleu) is an 1878 oil painting by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. It is in the collection of the