Bob Kane ... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective. The character debuted in "Detective Comics" #27 (May 1939) and proved a breakout hit. Within a year, Kane hired art assistants Jerry Robinson (initially as an inker) and George Roussos (backgrounds artist and letterer). Though Robinson and Roussos worked out of Kane's art studio in "The New York Times" building, Kane himself did all his drawing at home. Shortly afterward, when DC wanted more Batman stories than Kane's studio could deliver, the company assigned Dick Sprang and other in-house pencilers as "ghost
Modern Age of Comic Books in comic books. This also led to an avalanche of other comic book adaptations which included previously lesser known Vertigo titles, notably "Constantine" (based on the comic book "Hellblazer") and "V for Vendetta". In the mid-1970s, Marvel antiheroes such as the X-Men’s Wolverine, the Punisher, and writer/artist Frank Miller’s darker version of Daredevil challenged the previous model of the superhero as a cheerful humanitarian. Miller also created Elektra, who straddled the conventional boundary between love interest and villain. Two artistically influential DC Comics limited series contributed to the trend: "," also by Frank Miller and "Watchmen" by Alan Moore and