Un Chien Andalou reference to the popular children's novel "Platero y yo" by Juan Ramón Jiménez, which Buñuel and Dalí hated. Anthropologist Jean Rouch has reported that after filming was complete, Buñuel and Dalí had run out of money, forcing Buñuel to edit the film personally in his kitchen without the aid of a Moviola or any other technical equipment. The first screening of "Un Chien Andalou" took place at Studio des Ursulines, with an audience of "le tout-Paris". Notable attendees of the première included Pablo Picasso, Le Corbusier, Jean Cocteau, Christian Bérard and George Auric, in addition to the entirety of André
Veritables Preludes flasques (pour un chien) Veritables Preludes flasques (pour un chien) The Véritables Préludes flasques (pour un chien) ("True Flabby Preludes for a Dog") is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5 minutes. Satie biographer Rollo H. Myers, writing in 1948, remarked on the prophetic nature of this seemingly unassuming keyboard suite: "In the heyday of Impressionism...came the "Flabby Preludes" which in their linear austerity heralded the Neoclassic vogue which was to