Picasso's Blue Period Blindman's Meal" (1903, the Metropolitan Museum of Art) and in the portrait of "Celestina" (1903). Infrared imagery of Picasso's 1901 painting "The Blue Room" reveals another painting beneath the surface. Other frequent subjects include female nudes and mothers with children. Solitary figures dominate his Blue Period works. Themes of loneliness, poverty and despair pervade the works as well. Possibly his most well known work from this period is "The Old Guitarist." Other major works include "Portrait of Soler" (1903) and "Las dos hermanas" (1904). Picasso's Blue Period was followed by his Rose Period. Picasso's bout with depression gradually ended, and
De Daumier-Smith's Blue Period De Daumier-Smith's Blue Period "De Daumier-Smith's Blue Period" is a short story by J. D. Salinger, first published in the May 1952 edition of "World Review" (London). Declined by "The New Yorker" on November 14, 1951, the piece was judged too short to contain the complex religious concepts that Salinger attempted to present. It is the only work he is known to have produced in 1951 after struggling with it for over five months. The last Salinger story to appear outside the pages of "The New Yorker", it was included in his collection "Nine Stories" (1953). The point of view