Federico García Lorca poet". He wrote: "The gypsies are a theme. And nothing more. I could just as well be a poet of sewing needles or hydraulic landscapes. Besides, this gypsyism gives me the appearance of an uncultured, ignorant and primitive poet that you know very well I'm not. I don't want to be typecast". Growing estrangement between García Lorca and his closest friends reached its climax when surrealists Dalí and Luis Buñuel collaborated on their 1929 film "Un Chien Andalou" ("An Andalusian Dog"). García Lorca interpreted it, perhaps erroneously, as a vicious attack upon himself. At this time Dalí also met his
Anti-Catholicism in literature and media the most notable is the Spanish film director Luis Buñuel, a fierce critic of what he saw as the pretension and hypocrisy of the Catholic Church. Many of his most famous films demonstrate this: "Un chien andalou" (1929): A man drags pianos, upon which are piled several priests, among other things. "L'Âge d'Or" (1930): A bishop is thrown out a window, and in the final scene one of the culprits of the 120 days of Sodom by Marquis de Sade is portrayed by an actor dressed in a way that he would be recognized as Jesus. "Ensayo de un crimen"