The Seven Deadly Sins and the Four Last Things The Seven Deadly Sins and the Four Last Things The Seven Deadly Sins and the Four Last Things is a painting attributed to Hieronymus Bosch or to a follower of his, completed around 1500 or later. Since 1898 its authenticity has been questioned several times. In 2015 the Bosch Research Conservation Project claimed it to be by a follower, but scholars at the Prado, where the painting hangs, dismissed this argument. The painting is oil on wooden panels and is presented in a series of circular images. Four small circles, detailing the four last things — Death, Judgment, Heaven, and
Seven deadly sins disordered love for individuals, thus possessing at least the redeeming feature of mutuality, unlike the graver sins, which constitute an increasingly agonised focusing upon the solitary self (a process begun with the more serious sin of gluttony). It is generally thought to be the least serious capital sin as it is an abuse of a faculty that humans share with animals, and sins of the flesh are less grievous than spiritual sins (love excessive, not love turning ever further awry toward hatred of man and God). In Dante's "Purgatorio", the penitents walk deliberately through the purifying flames of the uppermost