Picasso's African Period St. Petersburg). Picasso's African Period Picasso's African Period, which was three years long, lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture and particularly traditional African masks. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. In the early 20th century, African artworks were being brought back to Paris museums in consequence of the expansion of the French empire into Sub-Saharan Africa. The press was abuzz with exaggerated stories of cannibalism and exotic tales about the
Portrait of a Man with a Blue Chaperon Panofsky, who saw weakness in the portrait he believed irreconcilable with as skilled and accomplished a painter. Attribution to van Eyck is now broadly accepted since an infra-red photography examination carried out during a 1991 restoration revealed an underdrawing and paint handling very similar to that found in confirmed, signed works by the artist. Portrait of a Man with a Blue Chaperon Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweler or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame)