Carmela Soprano and is unwilling to impose any real restrictions on him. She has trouble with her husband's profession, considering him more a Robin Hood-like character and just another "crook" rather than a brutal murderer. Carmela's resentment of her husband's infidelity has often driven her to the brink of breaking her marriage vows during some sexually charged moments with her priest, Father Phil Intintola (in "College"), and painter-decorator Vic Musto. During the fourth season, Carmela has a mutual romantic infatuation with Furio Giunta. Tony had secured Furio from the Camorra clan while on an inaugural trip to Naples, the Soprano family ancestral
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps