Funhouse (The Sopranos) box. While driving to meet Paulie at the docks, Tony has a final fever dream in which Meadow announces over dinner she is planning to attend Columbia University and Tony tells his family he has bought a new boat. After setting out for a ride on a yacht, Tony confronts Pussy about when he "flipped". Pussy initially denies the accusation, but quickly confesses under pressure. He claims to have supplied them with disinformation, but Tony does not believe him. To break the mood, Pussy shares tequila and brags about the girl he used to have sex with at the clinic
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps