Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
Funny Girl (musical) from prison, and he and Fanny decide to separate. She is heartbroken, but resolves to pick up her life again ("Don't Rain on My Parade, Reprise"). Ray Stark had commissioned an authorized biography of Brice, based on taped recollections she had dictated, but was unhappy with the result. It eventually cost him $50,000 to stop publication of "The Fabulous Fanny", as it had been titled by the author. Stark then turned to Ben Hecht to write the screenplay for a biopic, but neither Hecht nor the ten writers who succeeded him were able to produce a version that satisfied Stark.