Inland Empire (film) it "A dazzling and exquisitely original riddle as told by an enigma" and Jim Emerson (editor of RogerEbert.com) gave it 4 stars and praised it: "When people say "Inland Empire" is Lynch's "Sunset Boulevard", Lynch's "Persona" or Lynch's "8½", they're quite right, but it also explicitly invokes connections to Stanley Kubrick's "The Shining", Jean-Luc Godard's "Pierrot le Fou", Buñuel and Dalí's "Un Chien Andalou", Maya Deren's LA-experimental "Meshes of the Afternoon" (a Lynch favorite) and others". However, Carina Chocano of the "Los Angeles Times" wrote that "the film, which begins promisingly, disappears down so many rabbit holes (one of them
The Seashell and the Clergyman The Seashell and the Clergyman The Seashell and the Clergyman () is an experimental French film directed by Germaine Dulac, from an original scenario by Antonin Artaud. It premiered in Paris on 9 February 1928. The film follows the erotic hallucinations of a priest lusting after the wife of a general. Although accounts differ, it seems that Artaud disapproved of Dulac's treatment of his scenario. The film was overshadowed by "Un chien andalou" ("An Andalusian Dog", 1929), written and directed by Luis Buñuel and Salvador Dalí. "Un chien andalou" is considered the first surrealist film, but its foundations in "The