Harem of Jewish slave traders to supply eunuchs to harems depended on whether they could acquire castrated males. European artists and writers envisioned and presented the Oriental harem in a romanticized, albeit historically inaccurate manner. The dark eunuch was held as the embodiment of the sensual tyranny that held sway in the fantasized Ottoman palace, for he had been "clipped" or "completely sheared" to make of him the "ultimate slave" for the supreme ruler. In the Ottoman court, white eunuchs, who were mostly brought from castration centers in Christian Europe and Circassia, were responsible for much of the palace administration, while
Man Is Not a Bird has succumbed to the charms of the truck driver. Jan asks her afterward if she has another lover. When she is evasive, he asks how old his rival is; she answers 20 or 22, but claims it does not matter to their relationship. This does not appease his anger, and she flees. Man Is Not a Bird Čovek nije tica (English title: Man Is Not a Bird) is a European art film made in 1965. It was the first film from director Dušan Makavejev. In a 1974 review, Vincent Canby described it "by far the most original, intelligent, witty and