Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Invisible Adversaries Export and Su Friedrich," referred to "Invisible Adversaries" as a feminist version of "Invasion of the Body Snatchers", noted that the film includes references to famous paintings and to "Un Chien Andalou", and wrote that therefore it "is visually rick, entertaining, striking, but also demanding." A few reviews, however, were negative. For example, London's "Time Out" wrote about the film that it is "[n]ot unlike """ and that it will "probably age as badly" and a reviewer for "The Heights" wrote that "I was expecting a great feminist work here, but got mediocrity. I cannot recommend that you see this