Antonin Artaud "La Nouvelle Revue Française"; they were rejected, but the editor, Jacques Rivière, wrote back seeking to understand him, and a relationship via letters developed. Their compilation into an epistolary work, "Correspondance avec Jacques Rivière", was Artaud's first major publication. Artaud cultivated a great interest in cinema as well, writing the scenario for the first surrealist film, "The Seashell and the Clergyman" (1928), directed by Germaine Dulac. This film influenced Salvador Dalí and Luis Buñuel, two key Spanish surrealists, when they made "Un Chien Andalou" (1929). Artaud's performance as Jean-Paul Marat in Abel Gance's "Napoleon" (1927) used exaggerated movements to convey
Stephen Whittington (1994). Piano solo. "Tangled Hair" (1999). 4 Songs on Japanese poems. Soprano, flute, piano. "Red Dust" (2002). Flute Orchestra. "Un chien andalou" (2003). Score for the film by Luis Buñuel. "Le Tombeau de Satie" (2004). Piano solo. "Custom-Made Valses" (2005). Piano solo. "Interior Voice" (2006). Piano solo. "Made in Korea" (2005–06). Guitar duo. "Nazaretheana" (2006). Flute and Guitar. "Strike!" (2008). Music for the film by Sergei Eisenstein (2008). Chamber ensemble. "Emak-Bakia" (2009). Piano. Score for the film by Man Ray. "...from a thatched hut" (2010). String Quartet. "Furniture Music" (2010). Arrangements of the music of Erik Satie (2010). String Quartet.