Vincent Pastore Kleinfeld insults. He is listed in the credits as "Vinny Pastore" playing "Copa Wiseguy." Pastore got a bigger role in the comedy/crime film "" (1995) as Tony Scarboni, one of the three gangsters and Lazarro's (played by Alan Arkin) clients. In the 1996 HBO television movie "Gotti", Pastore played the character of Angelo Ruggiero, alongside future "Sopranos" cast members Tony Sirico and Dominic Chianese. In 1999, Pastore got his biggest role to date in "The Sopranos", where he played the character Salvatore "Big Pussy" Bonpensiero. His character was murdered in the finale of season 2, but Pastore would make a
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps