Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Exploitation film "Freaks", and Roman Polanski's "Repulsion". Buñuel's "Un Chien Andalou" contains elements of the modern splatter film. It has been suggested that if "Carnival of Souls" had been made in Europe, it would be considered an art film, while if "Eyes Without a Face" had been made in the U.S., it would have been categorized as a low-budget horror film. The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings. Exploitation films have often exploited news events in the short-term public consciousness that a major film studio may avoid because of the