Antonin Artaud "La Nouvelle Revue Française"; they were rejected, but the editor, Jacques Rivière, wrote back seeking to understand him, and a relationship via letters developed. Their compilation into an epistolary work, "Correspondance avec Jacques Rivière", was Artaud's first major publication. Artaud cultivated a great interest in cinema as well, writing the scenario for the first surrealist film, "The Seashell and the Clergyman" (1928), directed by Germaine Dulac. This film influenced Salvador Dalí and Luis Buñuel, two key Spanish surrealists, when they made "Un Chien Andalou" (1929). Artaud's performance as Jean-Paul Marat in Abel Gance's "Napoleon" (1927) used exaggerated movements to convey
Ida Kar to Iran when Kar was eight, and to Alexandria in Egypt when she was thirteen. She studied at the Lycée Français there. When she was twenty she went to Paris to study chemistry and medicine, but soon began to study singing instead. She frequented the "avant-garde" artists and writers of the Parisian Rive Gauche, among them Piet Mondrian and Yves Tanguy, and became interested in socialist politics, in photography and in Surrealism. She was at the first showing in 1929 of "Un Chien Andalou" by Luis Buñuel and Salvador Dalí. Her first work as a photographer was in the studio