Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
Good News of 1938 final host in 1940. Frank Morgan appeared regularly in a comedy role, as did Fanny Brice and Hanley Stafford in their roles of Baby Snooks and her father. An MGM chorus directed by Max Terrs provided music along with soloists, including Betty Jaynes, Connee Boswell, and Judy Garland. Brice initially appeared on the show's fourth episode on November 25, 1937. Herbert G. Goldman wrote in his book, "Fanny Brice: The Original Funny Girl", "Baby Snooks put "Good News" on the hit list and started Fanny on the radio career she would continue for the rest of her short life." After