Harem of Jewish slave traders to supply eunuchs to harems depended on whether they could acquire castrated males. European artists and writers envisioned and presented the Oriental harem in a romanticized, albeit historically inaccurate manner. The dark eunuch was held as the embodiment of the sensual tyranny that held sway in the fantasized Ottoman palace, for he had been "clipped" or "completely sheared" to make of him the "ultimate slave" for the supreme ruler. In the Ottoman court, white eunuchs, who were mostly brought from castration centers in Christian Europe and Circassia, were responsible for much of the palace administration, while
What Is a Man Without a Moustache? 62 based on five reviews from critics. In a review for "Variety" magazine, critic Deborah Young called "What Is a Man Without a Moustache?" "an entertaining romantic comedy" and a "good-humored film" while, on the other hand, noting that the film should be better received by local and regional audiences due to its story being "a hard sell abroad". Author and film critic Michael Atkinson, writing for "The Village Voice", expressed his divided opinion that the film "is not remarkable or ingenious" but that it still is "adept enough for a pass on." Critic Nathan Lee of "The New York