Experimental film shorts. Fernand Léger, Dudley Murphy, and Man Ray created the film "Ballet Mécanique" (1924), sometimes described as Dadaist, Cubist, or Futurist. Duchamp created the abstract film "Anémic Cinéma" (1926). Alberto Cavalcanti directed "Rien que les heures" (1926), Walter Ruttmann directed "" (1927), and Dziga Vertov filmed "Man With a Movie Camera" (1929), experimental "city symphonies" of Paris, Berlin, and Kiev, respectively. The most famous experimental film is generally considered to be Luis Buñuel and Salvador Dalí's "Un chien andalou" (1929). Hans Richter's animated shorts, Oskar Fischinger's abstract films, and Len Lye's GPO films would be excellent examples of more abstract
Un Chien Andalou he admires the art supplies and books on the table near the wall and forces the first young man to hold two of the books as he stares at the wall. The first young man eventually shoots the second young man when the books abruptly turn into pistols. The second young man, now in a meadow, dies while swiping at the back of a nude female figure which suddenly disappears into thin air. A group of men come and carry his corpse away. The young woman returns to the apartment and sees a death's-head moth. The first young man sneers