Alexandrine introduce phrasal accentuation, or rigorously observe the medial caesura, as in French." Common usage within the literatures of European languages is broader still, embracing lines syllabic, accentual-syllabic, and (inevitably) stationed ambivalently between the two; lines of 12, 13, or even 14 syllables; lines with obligatory, predominant, and optional caesurae. Although alexandrines occurred in French verse as early as the 12th century, they were slightly looser rhythmically, and vied with the "décasyllabe" and "octosyllabe" for cultural prominence and use in various genres. "The alexandrine came into its own in the middle of the sixteenth century with the poets of the Pléiade
Medieval Spanish literature length and use of assonance instead of rhyme. These poems were sung to uneducated audiences, nobles and peasants alike. This Castilian narrative poetry known as the Mester de Clerecía became popular in the thirteenth century. It is the verse form of the learned poets, usually clerics (hence the name 'clerecía'). These poets carefully counted the number of syllables in each line and strived to achieve perfect lines. The line form is the Alexandrine line (14 syllables) with consonantal rhyme in stanzas of four lines each. This form is also known as the "cuaderna vía" or the fourfold way, and was