Syllabic verse stress accent (as English does). This means that the French metric line is generally determined by the number of syllables. The most common metric lengths are the ten-syllable line ("décasyllabe"), the eight-syllable line ("octosyllabe") and the twelve-syllable line (the so-called "alexandrine"). Special syllable counting rules apply to French poetry. A silent or mute 'e' counts as a syllable before a consonant, but not before a vowel (where "h aspiré" counts as a consonant). When it falls at the end of a line, the mute "e" is hypermetrical (outside the count of syllables). Polish syllabic verse is similar to French. The
Triadic-line poetry (1955) and "The Desert Music" (1954) contained examples of this form. This is an extract from "The Sparrow" by Williams: Practical to the end, Triadic-line poetry Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". Created by William Carlos Williams, it was his "solution to the problem of modern verse" and later was also taken up by poets Charles Tomlinson and Thom Gunn. Williams referred to the prosody of triadic-line poetry as a "variable foot", a metrical device to resolve the conflict between form and freedom in verse. Each of the three