Inland Empire (film) it "A dazzling and exquisitely original riddle as told by an enigma" and Jim Emerson (editor of RogerEbert.com) gave it 4 stars and praised it: "When people say "Inland Empire" is Lynch's "Sunset Boulevard", Lynch's "Persona" or Lynch's "8½", they're quite right, but it also explicitly invokes connections to Stanley Kubrick's "The Shining", Jean-Luc Godard's "Pierrot le Fou", Buñuel and Dalí's "Un Chien Andalou", Maya Deren's LA-experimental "Meshes of the Afternoon" (a Lynch favorite) and others". However, Carina Chocano of the "Los Angeles Times" wrote that "the film, which begins promisingly, disappears down so many rabbit holes (one of them
Pett and Pott and the telephone - are praised. Viewed in retrospect, the film has been described as 'radical fun', rather like Un Chien Andalou reworked by Gilbert and Sullivan. Pett and Pott Pett and Pott (subtitled A Fairy Story of the Suburbs) is a 1934 short film produced by John Grier under the auspices of the GPO Film Unit and directed by Alberto Cavalcanti. Made to promote wider use of the telephone, "Pett and Pott" is a satirical comedy. based around two contrasting suburban families who live next door to each other. While virtuous Mrs Pett looks after the home and tends