Bob Kane ... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective. The character debuted in "Detective Comics" #27 (May 1939) and proved a breakout hit. Within a year, Kane hired art assistants Jerry Robinson (initially as an inker) and George Roussos (backgrounds artist and letterer). Though Robinson and Roussos worked out of Kane's art studio in "The New York Times" building, Kane himself did all his drawing at home. Shortly afterward, when DC wanted more Batman stories than Kane's studio could deliver, the company assigned Dick Sprang and other in-house pencilers as "ghost
American comic book to receive his own title, and "Showcase" itself was only a bimonthly title, though one that was to introduce a large number of enduring characters. By 1959, the slowly building superhero revival had become clear to DC's competitors. Archie jumped on board that year, and Charlton joined the bandwagon in 1960. In 1961, writer/editor Stan Lee and artist/co-plotter Jack Kirby created the Fantastic Four for Marvel Comics. With an innovation that changed the comic-book industry, "The Fantastic Four" #1 initiated a naturalistic style of superheroes with human failings, fears, and inner demons - heroes who squabbled and worried about the