Harem of Jewish slave traders to supply eunuchs to harems depended on whether they could acquire castrated males. European artists and writers envisioned and presented the Oriental harem in a romanticized, albeit historically inaccurate manner. The dark eunuch was held as the embodiment of the sensual tyranny that held sway in the fantasized Ottoman palace, for he had been "clipped" or "completely sheared" to make of him the "ultimate slave" for the supreme ruler. In the Ottoman court, white eunuchs, who were mostly brought from castration centers in Christian Europe and Circassia, were responsible for much of the palace administration, while
What a piece of work is a man they are essentially "dust". Hamlet is expressing his melancholy to his old friends over the difference between the best that men aspire to be, and how they actually behave; the great divide that depresses him. The speech was fully omitted from Nicholas Ling's 1603 First Quarto, which reads simply: This version has been argued to have been a bad quarto, a tourbook copy, or an initial draft. By the 1604 Second Quarto, the speech is essentially present but punctuated differently: Then, by the 1623 First Folio, it appeared as: J. Dover Wilson, in his notes in the "New Shakespeare" edition,