Un Chien Andalou reference to the popular children's novel "Platero y yo" by Juan Ramón Jiménez, which Buñuel and Dalí hated. Anthropologist Jean Rouch has reported that after filming was complete, Buñuel and Dalí had run out of money, forcing Buñuel to edit the film personally in his kitchen without the aid of a Moviola or any other technical equipment. The first screening of "Un Chien Andalou" took place at Studio des Ursulines, with an audience of "le tout-Paris". Notable attendees of the première included Pablo Picasso, Le Corbusier, Jean Cocteau, Christian Bérard and George Auric, in addition to the entirety of André
Persona (1966 film) of a second and intended to be "subliminal". The sheep is from Luis Buñuel's 1929 "Un Chien Andalou", and the personification of Death was used in Bergman's 1949 film "Prison". Michaels linked the spider in the prologue with the "spider-god" in Bergman's 1961 "Through a Glass Darkly". Törnqvist said that the spider is visible under a microscope, indicating its use for study. When the boy reaches out to his mother, it is to shifting photographs of Ullmann and Andersson. In addition to the prologue, the story is interrupted by a midpoint celluloid break. Scenes creating a "strange" or "eerie" effect