Velificatio Velificatio Velificatio is a stylistic device used in ancient Roman art to frame a deity by means of a billowing garment. It represents "vigorous movement," an epiphany, or "the vault of heaven," often appearing with celestial, weather, or sea deities. It is characteristic of the iconography of the Aurae, the Breezes personified, and one of the elements which distinguish representations of Luna, the Roman goddess of the Moon, alluding to her astral course. A figure so framed is a velificans (plural velificantes). Not all deities are portrayed as "velificantes", but the device might be used to mark a member of
Dynamics of the celestial spheres individual unmoved mover would be required to insure each individual motion in the heavens. While stipulating that the number of spheres, and thus gods, is subject to revision by astronomers, he estimated the total as 47 or 55, depending on whether one followed the model of Eudoxus or Callippus. In "On the Heavens", Aristotle presented an alternate view of eternal circular motion as moving itself, in the manner of Plato's world-soul, which lent support to three principles of celestial motion: an internal soul, an external unmoved mover, and the celestial material (aether). In his "Planetary Hypotheses", Ptolemy (c.90–168) rejected the