Bob Kane ... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective. The character debuted in "Detective Comics" #27 (May 1939) and proved a breakout hit. Within a year, Kane hired art assistants Jerry Robinson (initially as an inker) and George Roussos (backgrounds artist and letterer). Though Robinson and Roussos worked out of Kane's art studio in "The New York Times" building, Kane himself did all his drawing at home. Shortly afterward, when DC wanted more Batman stories than Kane's studio could deliver, the company assigned Dick Sprang and other in-house pencilers as "ghost
The Prisoner in other media series fascinated comic book artist Jack Kirby, who created a four-issue homage in 1969 in "Fantastic Four" #84-87, in which the superhero team finds itself in Doctor Doom's Latveria, a city like the Village in many respects. In the "Bullpen Bulletins" page in Marvel Comics cover-dated July 1976, Marvel announced a comic book based on "The Prisoner", to be written by Steve Englehart and drawn by a then-unchosen artist and scheduled to be "starting this summer". The artist assigned to the project would be Gil Kane. When Jack Kirby returned to Marvel in the mid-70s after a run at DC