British Studies Seminar, University of Texas at Austin with live oaks and the scattered ashes of one of the founding members of the seminar. On arrival at the seminar, the participants help themselves to a glass of Tio Pepe or Dry Sack sherry, though teetotalers prefer cranberry juice. Sherry has come to symbolize the attitude. The seminar meets to examine in a civilized way whatever happens to be on the agenda, Scottish or Indian, Canadian or Jamaican, English or Australian. The discussion is civil, but sometimes grows a bit heated. What makes the debate engrossing is the clash of different perspectives—including those of lawyers, physicians, retired ambassadors, and
Pepe Martínez his mentor, Ramón Montoya. Pepe initially excelled in accompanying the "cante" and "baile" before developing a solo concert career. As an accompanist he played with such artists as Pepe Marchena, Niña de los Peines, Pepe Pinto, Juanito Valderrama, Niña de la Puebla, Niña de Antequera, Pepe Aznalcollar, Pepe Guillena, Niño de la Huerta amongst others. Pepe was cited by Carlos Montoya, in the New York Guitar Review, as being one of the very finest flamenco guitarists of his generation along with Manolo de Huelva, Sabicas, Mario Escudero and Niño Ricardo. Pepe Martínez made many recordings throughout his career, in Spain,