Opera in Latin America and indigenous peoples and were influenced by zarzuela, a form of Spanish opera . In the 20th century many nationalist operas were composed across Latin America, with particularly thriving opera scenes in Mexico, Argentina and Brazil. Today, there are numerous active opera houses throughout Latin America and composers continue to write new operas. We also have organizations such as the International Brazilian Opera Company (IBOC) and Opera Hispanica who are promoting new Latin American operatic repertoire internationally. In 1711, the opera "Partenope" premiered in Mexico City. Its music was by Manuel de Zumaya, the most important Mexican baroque composer. This
Anti-clericalism in Latin America Latin America. This anti-clericalism was based on the idea that the clergy (especially the prelates who ran the administrative offices of the Church) were hindering social progress in areas such as public education and economic development. The Catholic Church was one of the largest land owning groups in most of Latin America's countries. As a result, the Church tended to be rather conservative politically. Beginning in the 1820s, a succession of liberal regimes came to power in Latin America. Some members of these liberal regimes sought to imitate the Spain of the 1830s (and revolutionary France of a half-century earlier)