Metre (poetry) words made no difference to the metre. A number of other ancient languages also used quantitative metre, such as Sanskrit and Classical Arabic (but not Biblical Hebrew). Finally, non-stressed languages that have little or no differentiation of syllable length, such as French or Chinese, base their verses on the number of syllables only. The most common form in French is the Alexandrine, with twelve syllables a verse, and in classical Chinese five characters, and thus five syllables. But since each Chinese character is pronounced using one syllable in a certain tone, classical Chinese poetry also had more strictly defined rules,
Aeolic verse consecutive anceps syllables, and which combines double-short and single-short in a single verse, but not in a single metrical group). But there are several important innovations in the "aeolic" practice of Pindar and Bacchylides: The tragic poets of Classical Athens continued the use of Aeolic verse (and dactylo-epitrite, with the addition of other types) for their choral odes, with additional metrical freedoms and innovations. Aeschylus, Sophocles, and Euripides each went his own way in developing Aeolics. Theocritus provides an example of the Hellenistic adaptation of Aeolic poetry in his "Idylls" 28–31, which also imitate the Archaic Aeolic dialect. "Idyll" 29,