Un Chien Andalou directed exclusively to the artistic sensibility and to the reason of the spectator." Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie, leading Buñuel to exclaim in exasperation, "What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?" Through their accomplishment with "Un Chien Andalou", Dalí and Buñuel became the first filmmakers to be
Filmmaking technique of Luis Buñuel for example, combining the sound of gushing water with an image of a stagnant pool, or exaggerating the volume level of chiming bells. Music is an important part of Buñuel's early films, to such an extent that, for his one silent film "Un Chien Andalou", in his sixties, he took the trouble to create a sonorised version. He based this version on the music (Wagner, a South American tango) played at its original screening. "Un Chien Andalou" was his first film—made in the silent era—and was called "the most famous short film ever made" by critic Roger Ebert. One critic