Un Chien Andalou directed exclusively to the artistic sensibility and to the reason of the spectator." Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie, leading Buñuel to exclaim in exasperation, "What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?" Through their accomplishment with "Un Chien Andalou", Dalí and Buñuel became the first filmmakers to be
Filmmaking technique of Luis Buñuel almost always in visually striking ways by combining cinematography and set design, and in poetically artful ways through his direction. Often Buñuel would apply the technique of such mise-en-scène to combine multiple single scenes within a film directed by him to represent more encompassing aspects of the film when viewed as a whole. Buñuel's filmmaking technique was influenced by many aspects of his personality which included sharp contrasts of character and self-identity. His first picture, "Un Chien Andalou"—made in the silent era—was called "the most famous short film ever made" by critic Roger Ebert, and his last film, "That Obscure