Experimental film shorts. Fernand Léger, Dudley Murphy, and Man Ray created the film "Ballet Mécanique" (1924), sometimes described as Dadaist, Cubist, or Futurist. Duchamp created the abstract film "Anémic Cinéma" (1926). Alberto Cavalcanti directed "Rien que les heures" (1926), Walter Ruttmann directed "" (1927), and Dziga Vertov filmed "Man With a Movie Camera" (1929), experimental "city symphonies" of Paris, Berlin, and Kiev, respectively. The most famous experimental film is generally considered to be Luis Buñuel and Salvador Dalí's "Un chien andalou" (1929). Hans Richter's animated shorts, Oskar Fischinger's abstract films, and Len Lye's GPO films would be excellent examples of more abstract
Veritables Preludes flasques (pour un chien) (Audiophile Classics, 1994); Olof Höjer (Swedish Society Discofil, 1996); Jean-Yves Thibaudet (Decca, 2003); Steffen Schleiermacher (MDG, 2005); Cristina Ariagno (Brilliant Classics, 2006); Alexandre Tharaud (Harmonia Mundi, 2009); Katia and Marielle Labèque (KML, 2009), Jeroen van Veen (Brilliant Classics, 2016). "" Veritables Preludes flasques (pour un chien) The Véritables Préludes flasques (pour un chien) ("True Flabby Preludes for a Dog") is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5