Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Dynamics of the celestial spheres individual unmoved mover would be required to insure each individual motion in the heavens. While stipulating that the number of spheres, and thus gods, is subject to revision by astronomers, he estimated the total as 47 or 55, depending on whether one followed the model of Eudoxus or Callippus. In "On the Heavens", Aristotle presented an alternate view of eternal circular motion as moving itself, in the manner of Plato's world-soul, which lent support to three principles of celestial motion: an internal soul, an external unmoved mover, and the celestial material (aether). In his "Planetary Hypotheses", Ptolemy (c.90–168) rejected the