The Exorcist (film) shot that obscured his face, as Friedkin felt that Vandis's face would be connected with his previous role in the Woody Allen film "Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)". Vandis had previously played Milos Stavros, an Armenian shepherd who was in love with a sheep. Warners had approached Arthur Penn, Stanley Kubrick, and Mike Nichols, to direct, all of whom turned the project down. Originally Mark Rydell was hired to direct, but William Peter Blatty insisted on Friedkin instead, because he wanted his film to have the same energy as Friedkin's previous film,
Gene Wilder budget. After "Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)", Wilder began working on a script he called "Young Frankenstein". After he wrote a two-page scenario, he called Mel Brooks, who told him that it seemed like a "cute" idea, but showed little interest. A few months later, Wilder received a call from his agent, Mike Medavoy, who asked if he had anything where he could include Peter Boyle and Marty Feldman, his two new clients. Having just seen Feldman on television, Wilder was inspired to write a scene that takes place at Transylvania Station,