Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Préludes flasques (pour un chien) to extract the marrow. The idea stayed with Satie long after he had completed his sets of preludes "pour un chien". He would later tell author Jean Cocteau, "I want to write a play for dogs, and I already have my set design: the curtain rises on a bone." The first three of the "Préludes flasques (pour un chien)" were completed in Paris between July 11 and July 23, 1912; the fourth was finished by the end of the month. Satie informed his friend Claude Debussy he was going to name the concluding piece "Sous la futaille" ("Bottom of the