Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Nash the Slash songwriting credit, but Nash is clearly heard singing a song, beginning with the lyrics "Hear the children of the night" (though this was a completely different song from his later work, "Children of the Night"), and playing electric violin. The song also featured a complex organ solo not in Nash's usual style (nor that of Cameron Hawkins, his band mate in FM). Nash's first solo performance and live presentation of music to film occurred when he played his soundtrack to Luis Buñuel's silent film "Un chien andalou" (1929) at the Roxy Theatre in Toronto on March 17, 1975. He also