Harem of Jewish slave traders to supply eunuchs to harems depended on whether they could acquire castrated males. European artists and writers envisioned and presented the Oriental harem in a romanticized, albeit historically inaccurate manner. The dark eunuch was held as the embodiment of the sensual tyranny that held sway in the fantasized Ottoman palace, for he had been "clipped" or "completely sheared" to make of him the "ultimate slave" for the supreme ruler. In the Ottoman court, white eunuchs, who were mostly brought from castration centers in Christian Europe and Circassia, were responsible for much of the palace administration, while
A Man Called Dagger were cut. A Man Called Dagger A Man Called Dagger (1968) is a low-budget spy film that was the first collaboration between director Richard Rush, cinematographer László Kovács and stuntman Gary Warner Kent (who also did the film's special effects). It was filmed in 1966 by Lew Horwitz's Global Screen Associates (GSA) under the title Why Spy? The film was originally intended to have been released by Mike Ripps' Cinema Distributors of America (CDA) in September 1966. When GSA and CDA's partnership collapsed, the film was picked up by MGM and released a year later. Secret agents Dick Dagger and