Opera in Latin America and indigenous peoples and were influenced by zarzuela, a form of Spanish opera . In the 20th century many nationalist operas were composed across Latin America, with particularly thriving opera scenes in Mexico, Argentina and Brazil. Today, there are numerous active opera houses throughout Latin America and composers continue to write new operas. We also have organizations such as the International Brazilian Opera Company (IBOC) and Opera Hispanica who are promoting new Latin American operatic repertoire internationally. In 1711, the opera "Partenope" premiered in Mexico City. Its music was by Manuel de Zumaya, the most important Mexican baroque composer. This
Anti-clericalism in Latin America Anti-clericalism in Latin America Anti-clericalism in Latin America sprang up in opposition to the power and influence of the Catholic Church in colonial and post-colonial Latin America. Of the population of Latin America, now well in excess of 300 million, over 90% acknowledge allegiance to the Catholic Church. Consequently, over a third of the world's Catholics inhabit the ‘Latin’ countries of South, Central and North America. For most of the history of post-colonial Latin America, religious rights have been regularly violated, and even now, tensions and conflict in the area of religion remain. Religious human rights, in the sense of