Meshes of the Afternoon Hammid's desire to create an avant garde personal film that dealt with devastating psychological problems, like the French surrealist films of the 1920s such as Salvador Dalí and Luis Buñuel's "Un Chien Andalou" (1929) and "L'Age d'Or" (1930). Deren and Hammid wrote, directed and performed in the film. Although Deren is usually credited as its principal artistic creator, filmmaker Stan Brakhage, who knew the couple, has claimed in his book "Film at Wit's End" that "Meshes" was in fact largely Hammid's creation, and that their marriage began to suffer when Deren received more credit. The original print had no score.
Stephen Whittington (1994). Piano solo. "Tangled Hair" (1999). 4 Songs on Japanese poems. Soprano, flute, piano. "Red Dust" (2002). Flute Orchestra. "Un chien andalou" (2003). Score for the film by Luis Buñuel. "Le Tombeau de Satie" (2004). Piano solo. "Custom-Made Valses" (2005). Piano solo. "Interior Voice" (2006). Piano solo. "Made in Korea" (2005–06). Guitar duo. "Nazaretheana" (2006). Flute and Guitar. "Strike!" (2008). Music for the film by Sergei Eisenstein (2008). Chamber ensemble. "Emak-Bakia" (2009). Piano. Score for the film by Man Ray. "...from a thatched hut" (2010). String Quartet. "Furniture Music" (2010). Arrangements of the music of Erik Satie (2010). String Quartet.