Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
Funny Girl (musical) Finally, Isobel Lennart submitted "My Man", which pleased both Stark and Columbia Pictures executives, who offered Stark $400,000 plus a percentage of the gross for the property. After reading the screenplay, Mary Martin contacted Stark and proposed it be adapted for a stage musical. Stark discussed the possibility with producer David Merrick, who suggested Jule Styne and Stephen Sondheim compose the score. Sondheim told Styne, "I don't want to do the life of Fanny Brice with Mary Martin. She's not Jewish. You need someone ethnic for the part." Shortly after, Martin lost interest in the project and backed out. Merrick