Luis Buñuel of stones with which to pelt anticipated hecklers. After the premiere, Buñuel and Dalí were granted formal admittance to the tight-knit community of Surrealists, led by poet André Breton. Late in 1929, on the strength of "Un Chien Andalou", Buñuel and Dalí were commissioned to make another short film by Marie-Laurie and Charles de Noailles, owners of a private cinema on the Place des États-Unis and financial supporters of productions by Jacques Manuel, Man Ray and Pierre Chenal. At first, the intent was that the new film be around the same length as "Un Chien", only this time with sound.
Veritables Preludes flasques (pour un chien) (Audiophile Classics, 1994); Olof Höjer (Swedish Society Discofil, 1996); Jean-Yves Thibaudet (Decca, 2003); Steffen Schleiermacher (MDG, 2005); Cristina Ariagno (Brilliant Classics, 2006); Alexandre Tharaud (Harmonia Mundi, 2009); Katia and Marielle Labèque (KML, 2009), Jeroen van Veen (Brilliant Classics, 2016). "" Veritables Preludes flasques (pour un chien) The Véritables Préludes flasques (pour un chien) ("True Flabby Preludes for a Dog") is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5