Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Exploitation film "Freaks", and Roman Polanski's "Repulsion". Buñuel's "Un Chien Andalou" contains elements of the modern splatter film. It has been suggested that if "Carnival of Souls" had been made in Europe, it would be considered an art film, while if "Eyes Without a Face" had been made in the U.S., it would have been categorized as a low-budget horror film. The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings. Exploitation films have often exploited news events in the short-term public consciousness that a major film studio may avoid because of the