Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
De Daumier-Smith's Blue Period Blue Period" marks a shift in Salinger's fiction towards subjects that contrast religious or mystical experiences with the spiritual emptiness of American society. John Smith is described as an extremely lonely and alienated young man whose narcissism (he admits to painting seventeen self-portraits) and pretentiousness serve to insulate himself from his own suffering. The protagonist ultimately transcends his self-absorption and misanthropy through epiphanies that reveal to him the presence of God. In his new job as instructor, Smith finds the artwork of two of his students, Bambi Kramer and R. Howard Ridgefield (each described with great humor by Salinger) demoralizing