Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
La Révolution surréaliste into Sexuality," an account of a debate that took place in January 1928. In the frank discussion, more than a dozen Surrealists openly expressed their opinions on sexual matters, including a variety of perversions. Issue 12 (December 1929): Contains Breton's "Second Surrealist Manifesto". The declaration marks the end of the group's most cohesive and focused years, and signals the start of disagreements within the group. Breton celebrated his faithful supporters, and denounced those who had defected and betrayed his doctrine. Also contains the full script of "Un Chien Andalou" with Luis Buñuel's preface. Some of the dissidents voiced their views