Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Blue Horses Blue Horses Blue Horses or Die grossen blauen Pferde ("The Large Blue Horses") is a 1911 painting by German painter and printmaker Franz Marc (1880–1916) In 1910, Marc was a founding member of Der Blaue Reiter (The Blue Rider), and was the center of a circle of German and Russian expatriate artists with August Macke, Wassily Kandinsky and several others whose works were seminal to the development of German Expressionism. This work, which represents three vividly coloured blue horses looking down in front of a landscape of rolling red hills, is characterized by its bright primary colors and a portrayal