The Sopranos gangster, but more so that Tony's mother, Livia, was vengeful and possibly psychopathicare revealed. His complicated relationship with his wife Carmela is also explored, as well as her feelings regarding her husband's "cosa nostra" ties. Meadow and Anthony Jr.—Tony's children—gain increasing knowledge of their father's mob dealings. Later, federal indictments are brought as a result of someone in his organization talking to the FBI. Tony's uncle Corrado "Junior" Soprano orders the murder of Brendan Filone and the mock execution of Chris Moltisanti, associates of Tony, as reprisal for repeated hijackings of trucks under Corrado's protection. Tony defuses the situation by
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps