Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Destiny (1921 film) acting as machines. He argues that characters like Death "take on the quality of symbols, become archetypes of sub-human forces who embody the concept of Destiny, or the threat to the German nation in the years immediately after the first World War." The ghost-like appearance of Death is a recurring feature in Lang's films, reportedly stemming from dreams he had as a child. Similar figures appear in "Metropolis" (1927) and "While the City Sleeps" (1956). Luis Buñuel, director of "Un Chien Andalou", was highly inspired by this film. He states: "When I saw "Destiny", I suddenly knew that I wanted