Antonin Artaud "La Nouvelle Revue Française"; they were rejected, but the editor, Jacques Rivière, wrote back seeking to understand him, and a relationship via letters developed. Their compilation into an epistolary work, "Correspondance avec Jacques Rivière", was Artaud's first major publication. Artaud cultivated a great interest in cinema as well, writing the scenario for the first surrealist film, "The Seashell and the Clergyman" (1928), directed by Germaine Dulac. This film influenced Salvador Dalí and Luis Buñuel, two key Spanish surrealists, when they made "Un Chien Andalou" (1929). Artaud's performance as Jean-Paul Marat in Abel Gance's "Napoleon" (1927) used exaggerated movements to convey
Rita Macedo de seda" (1951), "Las infieles" (1953), "El enmascarado de plata" (1954), "Los bandidos de Río Frío" (1956), "Pies de gato" (1957), "El hombre de papel" (1963) and "La maldición de la llorona" (1963). She was nominated for an Ariel Award as Best Co-Starring Actress for "Ensayo de un crimen" in 1956. and "Nazarin," which was directed by the Spanish director Luis Bunuel in 1958 was well received. In 1972, she won the Best Actress Ariel Award for "Tu, Yo y Nosotros" and completed the film "El castillo de la pureza". Increasingly she performed more on stage and in television. She