Un Chien Andalou officially welcomed into the ranks of the Surrealists by the movement's leader André Breton, an event recalled by film historian Georges Sadoul: "Breton had convoked the creators to our usual venue [the Café Radio] ... one summer's evening. Dalí had the large eyes, grace, and timidity of a gazelle. To us, Buñuel, big and athletic, his black eyes protruding a little, seemed exactly like he always is in "Un Chien Andalou", meticulously honing the razor that will slice the open eye in two." Among the most enthusiastic viewers of the film were the wealthy couple Viscount Charles and Marie-Laure de
Rita Macedo de seda" (1951), "Las infieles" (1953), "El enmascarado de plata" (1954), "Los bandidos de Río Frío" (1956), "Pies de gato" (1957), "El hombre de papel" (1963) and "La maldición de la llorona" (1963). She was nominated for an Ariel Award as Best Co-Starring Actress for "Ensayo de un crimen" in 1956. and "Nazarin," which was directed by the Spanish director Luis Bunuel in 1958 was well received. In 1972, she won the Best Actress Ariel Award for "Tu, Yo y Nosotros" and completed the film "El castillo de la pureza". Increasingly she performed more on stage and in television. She