Luis Buñuel of stones with which to pelt anticipated hecklers. After the premiere, Buñuel and Dalí were granted formal admittance to the tight-knit community of Surrealists, led by poet André Breton. Late in 1929, on the strength of "Un Chien Andalou", Buñuel and Dalí were commissioned to make another short film by Marie-Laurie and Charles de Noailles, owners of a private cinema on the Place des États-Unis and financial supporters of productions by Jacques Manuel, Man Ray and Pierre Chenal. At first, the intent was that the new film be around the same length as "Un Chien", only this time with sound.
Salvador Dalí co-creator of Luis Buñuel's surrealist film "Un Chien Andalou", a 17-minute French art film co-written with Luis Buñuel that is widely remembered for its graphic opening scene simulating the slashing of a human eyeball with a razor. In "Un Chien Andalou", surreal imagery and irrational discontinuities in time and space produce a dreamlike quality. The second film he produced with Buñuel was entitled "L'Age d'Or", and it was performed at Studio 28 in Paris in 1930. "L'Age d'Or" was "banned for years after fascist and anti-Semitic groups staged a stink bomb and ink-throwing riot in the Paris theater where it