Salvador Dalí was shown". Both of these films, "Un Chien Andalou" and "L'Age d'Or", have had a tremendous impact on the independent surrealist film movement. "If "Un Chien Andalou" stands as the supreme record of Surrealism's adventures into the realm of the unconscious, then "L'Âge d'Or" is perhaps the most trenchant and implacable expression of its revolutionary intent". Dalí worked with other famous filmmakers, such as Alfred Hitchcock. The most well-known of his film projects is probably the dream sequence in Hitchcock's "Spellbound", which delves into themes of psychoanalysis. Hitchcock needed a dreamlike quality to his film, which dealt with the idea
Veritables Preludes flasques (pour un chien) dominate Western music during the nineteen-twenties." The "Véritables Préludes flasques (pour un chien)" represents Satie's determination to reconcile his belated education at the Schola Cantorum in Paris under Vincent d'Indy (1905-1912) with his own natural sense of wit and fantasy. It was in fact his second attempt at creating a composition on a canine theme, an idea that had long obsessed him. In July 1912 Satie composed his piano suite "Préludes flasques (pour un chien)", but after it was rejected for publication by the Durand firm he informed his protégé Alexis Roland-Manuel that he was going to rewrite it from