Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Blue-green shan shui Blue-green shan shui The blue-green shan shui (), is a Chinese painting style of "Shan shui". It tends to refer to an "ancient style" rather than modern ones. The main colours of the paintings are blues and greens, and in the early period it was painted using mineral dyes. It's said this style was first formulated by Li Sixun (), a general, politician and famous painter in Tang Dynasty. Similar styles appeared before the Tang Dynasty, especially in the period of the Six Dynasties. Many historic records show that Li father and sons – Li Sixun (father) and Li Zhaodao