Pamela; or, Virtue Rewarded an amoral social climber who attempts to seduce "Squire Booby" while feigning innocence to manipulate him into marrying her. In this version, the author works to invalidate Pamela by pointing out the incongruities between characters and the overall plot of the story. This version suggests that she was not really as virtuous as she may have seemed to be. Another important satire was "The Anti-Pamela; or Feign’d Innocence Detected" (1741) by Eliza Haywood. Although not technically a satire, the Marquis de Sade's "Justine" is generally perceived as a critical response to Pamela, due in part to its subtitle, "The Misfortunes
Paris in the 18th century several weeks. In the 18th century was held in the Salon Carré of the Louvre (which gave the Salon its name) and gradually expanded over the years to the Gallery of Apollo. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Until 1791, it was limited to members of the Academy, and as many as five hundred paintings were shown at each Salon. On August 8, 1793, the Academy was suspended by the revolutionary National Convention, which decreed the abolition of all the royal artistic and literary academies. During the Revolution, Jacques Louis David, a friend of