The Sopranos homosexual after running into a friend at a New York gay night club. The rumor spreads quickly, and once word gets to Meadow that everyone else knows, she tells Tony and Carmela about the incident between Finn and Vito with the security guard. Finn then has to sit in front of Tony's entire crew and tell them what happened with the guard, solidifying their thoughts on Vito's sexuality. Tony is urged to deal with the problem by Phil Leotardo, now acting boss of New York with Johnny Sack in prison. Once Vito is outed, he runs away from the city
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps