Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
James while John had had had had had had had had had had had a better effect on the teacher and their effects on a person's perceptions. For the syntactic structure to be clear to a reader, this sentence requires, at a minimum, that the two phrases be separated by using a semicolon, period, en-dash or em-dash. Still, Jasper Fforde's novel "The Well of Lost Plots" employs a variation of the phrase to illustrate the confusion that may arise even from well-punctuated writing: James while John had had had had had had had had had had had a better effect on the teacher "James while John had had had had had had had had had had had a better effect