Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Ida Kar to Iran when Kar was eight, and to Alexandria in Egypt when she was thirteen. She studied at the Lycée Français there. When she was twenty she went to Paris to study chemistry and medicine, but soon began to study singing instead. She frequented the "avant-garde" artists and writers of the Parisian Rive Gauche, among them Piet Mondrian and Yves Tanguy, and became interested in socialist politics, in photography and in Surrealism. She was at the first showing in 1929 of "Un Chien Andalou" by Luis Buñuel and Salvador Dalí. Her first work as a photographer was in the studio