Hottentot (racial term) in an ethnic sense. From the eighteenth century onwards, the term "hottentot" was also a term of abuse without a specific ethnic sense, comparable to "barbarian" or "cannibal". In its ethnic sense, it had developed connotations of savagery and primitivism soon already in the seventeenth century: colonial depictions of the Hottentots (Khoikhoi) in the seventeenth to eighteenth century were characterized by savagery, often suggestive of cannibalism or the consumption of raw flesh, physiological features such as steatopygia and elongated labia perceived as primitive or "simian"; and a perception of the click sounds in the Khoikhoi languages as "bestial". Thus it
Dynamism of a Human Body: Boxer in any type of motion or fixed presence, but rather in such a way that it would "decompose according to the tendencies of its forces". Despite the abstractness of the painting, the viewer can make out movement by view of the contours and bundles of muscles. In general, the series of Boccioni's dynamisms attempt to document progressive movement through its various elements. The work was part of a forty-six drawing series. These drawings were displayed in the spring of 1914 at Florence. Dynamism of a Human Body: Boxer Dynamism of a Human Body: Boxer is a dynamism drawing created by