Syllabic verse stress accent (as English does). This means that the French metric line is generally determined by the number of syllables. The most common metric lengths are the ten-syllable line ("décasyllabe"), the eight-syllable line ("octosyllabe") and the twelve-syllable line (the so-called "alexandrine"). Special syllable counting rules apply to French poetry. A silent or mute 'e' counts as a syllable before a consonant, but not before a vowel (where "h aspiré" counts as a consonant). When it falls at the end of a line, the mute "e" is hypermetrical (outside the count of syllables). Polish syllabic verse is similar to French. The
Free verse poets such as Gustave Kahn and Jules Laforgue in his "Derniers vers" of 1890. Taupin, the US-based French poet and critic, concluded that free verse and "vers libre" are not synonymous, since "the French language tends to give equal weight to each spoken syllable, whereas English syllables vary in quantity according to whether stressed or unstressed." The sort of cadencing that we now recognize in free verse can be traced back at least as far as the Biblical Hebrew psalmist poetry of the Bible. By referring to the , it is possible to argue that free verse in English first