Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Way of the Celestial Masters not found among the religious texts in the Lingbao caves. The ceremonies of the Celestial Masters, Sanhuang, Lingbao, and Shangqing were categorized and grouped by Lu Xiujing. In the Eastern Han the Celesial Masters spread to the northwest. Celestial Masters believed in communication with spirits. Religious canon was divided into 七部 7 sections during the Southern dynasties by the Celestial Masters. Non specific designations were used for the divinities of the most sublime station by the Celestial Masters. 道門定制 Daomen dingzhi was a religious texts composed in the Song dynasty. Buddhism, Celestial Masters and fangshi all contributed to the religious