Czech alexandrine Czech alexandrine Czech alexandrine (in Czech "český alexandrín") is a verse form found in Czech poetry of the 20th century. It is a metre based on French alexandrine. The most important features of the pattern are number of syllables (twelve or thirteen) and a caesura after the sixth syllable. It is an unusual metre, exhibiting characteristics of both syllabic and syllabotonic (accentual-syllabic) metre. Thus it occupies a transitional position between syllabic and accentual patterns of European versification. It stands out from the background of modern Czech versification, which is modeled chiefly after German practice. The Czech alexandrine is also metrically
Alexandrine caesura after the third foot. From Holland the accentual-syllabic alexandrine spread to other continental literatures. Similarly, in early 17th-century Germany, Georg Rudolf Weckherlin advocated for an alexandrine with free rhythms, reflecting French practice; whereas Martin Opitz advocated for a strict accentual-syllabic iambic alexandrine in imitation of contemporary Dutch practice — and German poets followed Opitz. The alexandrine (strictly iambic with a consistent medial caesura) became the dominant long line of the German baroque. Unlike many similar lines, the Polish alexandrine developed not from French verse but from Latin, specifically, the 13-syllable goliardic line: Though looser instances of this (nominally) 13-syllable