Bob Kane ... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective. The character debuted in "Detective Comics" #27 (May 1939) and proved a breakout hit. Within a year, Kane hired art assistants Jerry Robinson (initially as an inker) and George Roussos (backgrounds artist and letterer). Though Robinson and Roussos worked out of Kane's art studio in "The New York Times" building, Kane himself did all his drawing at home. Shortly afterward, when DC wanted more Batman stories than Kane's studio could deliver, the company assigned Dick Sprang and other in-house pencilers as "ghost
Bob Kane he had met Kane at a party, and Kane later offered him a job ghost writing the strips "Rusty" and "Clip Carson". He recalled that Kane Finger said he offered such suggestions as giving the character a cowl and scalloped cape instead of wings; adding gloves; leaving the mask's eyeholes blank to connote mystery; and removing the bright red sections of the original costume, suggesting instead a gray-and-black color scheme. Finger additionally said his suggestions were influenced by Lee Falk's "The Phantom", a syndicated newspaper comic strip character with which Kane was familiar as well. Finger, who said he also