Opera in Latin America and indigenous peoples and were influenced by zarzuela, a form of Spanish opera . In the 20th century many nationalist operas were composed across Latin America, with particularly thriving opera scenes in Mexico, Argentina and Brazil. Today, there are numerous active opera houses throughout Latin America and composers continue to write new operas. We also have organizations such as the International Brazilian Opera Company (IBOC) and Opera Hispanica who are promoting new Latin American operatic repertoire internationally. In 1711, the opera "Partenope" premiered in Mexico City. Its music was by Manuel de Zumaya, the most important Mexican baroque composer. This
Altars in Latin America of the Maya, who after being persecuted went underground and in similar fashion, rose up later for the entire world to see. Altars in Latin America The history of altars in Latin America is complex and is often deemed paradoxical; as its original purpose was for the worshipping of gods and human sacrifice. The altar transitioned from being a symbol of non-Christian worship to a worldwide symbol of Christianity. The history of the altar begins not in Latin America, but in ancient Rome. The home altar held a prominent place in family homes and was adorned with personal household gods