String Quartet No. 3 (Husa) them, No. 2, performed quite extensively by the Fine Arts Quartet – I did not preoccupy myself as much with new sonorities as in the new Quartet no. 3. Also, the form of the movements in the former two was rather traditional. The new composition explores some solo predominance, spotlighting the several instruments in rather free forms: the viola in the first movement; violoncello in the second; the two violins in the third." He added, "After Bartok, Berg, and Webern, it is not easy to imagine new ways of playing on string instruments. I feel that I have been able
String quartet characterization and drama in the individual-pitted-against-the-mass vein, the writer of string quartets must perforce concentrate on the bare bones of musical logic. Thus, in many ways the string quartet is pre-eminently the dialectical form of instrumental music, the one most naturally suited to the activity of logical disputation and philosophical enquiry. Quartet composition flourished in the Classical era, with Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert following Haydn in each writing a number of quartets. A slight slackening in the pace of quartet composition occurred in the later 19th century, in part due to a movement away from