Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Filmmaking technique of Luis Buñuel for example, combining the sound of gushing water with an image of a stagnant pool, or exaggerating the volume level of chiming bells. Music is an important part of Buñuel's early films, to such an extent that, for his one silent film "Un Chien Andalou", in his sixties, he took the trouble to create a sonorised version. He based this version on the music (Wagner, a South American tango) played at its original screening. "Un Chien Andalou" was his first film—made in the silent era—and was called "the most famous short film ever made" by critic Roger Ebert. One critic