Un Chien Andalou directed exclusively to the artistic sensibility and to the reason of the spectator." Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie, leading Buñuel to exclaim in exasperation, "What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?" Through their accomplishment with "Un Chien Andalou", Dalí and Buñuel became the first filmmakers to be
Happy Days (play) this way but we never discover how she came to be trapped so. A number of suggestions have been put forth to explain where the idea for the original imagery originated. James Knowlson has suggested images from Luis Buñuel’s 1928 film, "Un chien andalou" or a photograph by Angus McBean of Frances Day. Beckett required the set to have "a maximum of simplicity and symmetry" with a "very pompier trompe-l'oeil backcloth to represent unbroken plain and sky receding to meet in far distance". "What should characterise [the] whole scene, sky and earth", he wrote, "is a pathetic unsuccessful realism, the