Kaisha (The Sopranos) to hire to find Adriana and instead calls the roofing subcontractor. The Baccalieris, DeAngelis, and Moltisantis join the Sopranos at their home for Christmas Eve. A.J. arrives with Blanca and Hector and introduces them to his family. Hugh remarks on Blanca's necklace, which A.J. bought for her. In another room, Carmela and Tony discuss Blanca. Carmela does not approve of her age or race, but Tony seems more accepting. When Tony suggests to A.J. that he could have helped with the necklace because he "[has] a guy," A.J. assertively dismisses him by saying, "I have a job." Meadow calls her
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps