Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Analatos Painter Analatos Painter The Analatos Painter was an Attic vase painter of the Early Proto-Attic style. The name of the Analatos Painter is derived from the central Attic area of Analatos (today Nea Smyrni), where several of his works have been excavated. His name vase is a "hydria". His period of activity is estimated to be similar to that of the Mesogeia Painter, between c. 700 and 675 BC. It is possible that the Analatos Painter was also a potter. The Analatos Painter belongs to the transition from Late Geometric to Early Proto-Attic vase painting. He is thought to have been