Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Rita Macedo de seda" (1951), "Las infieles" (1953), "El enmascarado de plata" (1954), "Los bandidos de Río Frío" (1956), "Pies de gato" (1957), "El hombre de papel" (1963) and "La maldición de la llorona" (1963). She was nominated for an Ariel Award as Best Co-Starring Actress for "Ensayo de un crimen" in 1956. and "Nazarin," which was directed by the Spanish director Luis Bunuel in 1958 was well received. In 1972, she won the Best Actress Ariel Award for "Tu, Yo y Nosotros" and completed the film "El castillo de la pureza". Increasingly she performed more on stage and in television. She