Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Veritables Preludes flasques (pour un chien) (Audiophile Classics, 1994); Olof Höjer (Swedish Society Discofil, 1996); Jean-Yves Thibaudet (Decca, 2003); Steffen Schleiermacher (MDG, 2005); Cristina Ariagno (Brilliant Classics, 2006); Alexandre Tharaud (Harmonia Mundi, 2009); Katia and Marielle Labèque (KML, 2009), Jeroen van Veen (Brilliant Classics, 2016). "" Veritables Preludes flasques (pour un chien) The Véritables Préludes flasques (pour un chien) ("True Flabby Preludes for a Dog") is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5