Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Salvador Dalí co-creator of Luis Buñuel's surrealist film "Un Chien Andalou", a 17-minute French art film co-written with Luis Buñuel that is widely remembered for its graphic opening scene simulating the slashing of a human eyeball with a razor. In "Un Chien Andalou", surreal imagery and irrational discontinuities in time and space produce a dreamlike quality. The second film he produced with Buñuel was entitled "L'Age d'Or", and it was performed at Studio 28 in Paris in 1930. "L'Age d'Or" was "banned for years after fascist and anti-Semitic groups staged a stink bomb and ink-throwing riot in the Paris theater where it