Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Jean Painlevé actually consider himself a surrealist. He did, however, share the surrealists' interest in psycho-sexual stimulation and the ultimate weirdness of procreation. Painlevé first came to the cinema as an actor, alongside Michel Simon, and also as assistant director in the René Sti unfinished film "L'inconnue des six jours" "(The Unknown Woman of Six Days)", 1926. (Later, he would appear as "chief ant handler" in Luis Buñuel's "Un Chien Andalou", 1928). Soon, he was shooting his own films, starting with "L'œuf d'épinoche : de la fécondation à l'éclosion", 1927. Painlevé sometimes scored the music and background sounds for his films, such