Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Exploitation film "Freaks", and Roman Polanski's "Repulsion". Buñuel's "Un Chien Andalou" contains elements of the modern splatter film. It has been suggested that if "Carnival of Souls" had been made in Europe, it would be considered an art film, while if "Eyes Without a Face" had been made in the U.S., it would have been categorized as a low-budget horror film. The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings. Exploitation films have often exploited news events in the short-term public consciousness that a major film studio may avoid because of the