The Sopranos ends, the woman reveals herself as an FBI agent and tells Adriana the only way to stay out of prison is to become an informant. Adriana agrees and starts sharing information with the FBI. Carmela, whose relationship with Tony is tense due to financial worries and Tony's infidelities, develops a mutual infatuation with Furio Giunta. Furio, incapable of breaking his own moral codes and that of the Neapolitan mafia, clandestinely returns home to Italy. After Tony's former mistress calls their home, Carmela throws Tony out. Tony is approached by Johnny Sack with a proposal to murder Carmine, which Tony turns
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps