Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
The Girl Who Came Back and cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut, in Reel 2, of two scenes of young woman turning combination of safe where light plays on her hands. The Girl Who Came Back The Girl Who Came Back is a 1918 American silent drama film directed by Robert G. Vignola and written by Beulah Marie Dix based upon the play by C. M. S. McLellan. The film stars Ethel Clayton, Elliott Dexter, Theodore Roberts, James Neill, Charles West, and Marcia Manon. The film was released on September 8, 1918, by