French alexandrine can be dated exactly: 1886; in this year, editor Gustave Kahn published several seminal ' poems in his review ', including poems by Arthur Rimbaud (written over a decade previously) and Jules Laforgue, with more following in the next years. ' shed all metrical and prosodic constraints, such as verse length, rhyme, and caesura; Laforgue said, "I forget to rhyme, I forget about the number of syllables, I forget about stanzaic structure." French alexandrine The French alexandrine () is a syllabic poetic meter of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines)
Free verse poets such as Gustave Kahn and Jules Laforgue in his "Derniers vers" of 1890. Taupin, the US-based French poet and critic, concluded that free verse and "vers libre" are not synonymous, since "the French language tends to give equal weight to each spoken syllable, whereas English syllables vary in quantity according to whether stressed or unstressed." The sort of cadencing that we now recognize in free verse can be traced back at least as far as the Biblical Hebrew psalmist poetry of the Bible. By referring to the , it is possible to argue that free verse in English first