Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Way of the Celestial Masters for ceremonies. Specific attire was worn by Daoists. Celestial Master collectives had secretaries assigned to them on the basis of their population. Clerics of the Celestial Masters were referred to as 黃赤祭酒 "libationers of the yellow and red" in the era of the Six dynasties. There were stationery clerics and roving clerics. Distinctions between different social groups in civilization were recognized and utilized accordingly by the Celestial Masters. The Celestial Masters did not find monastic lifestyle attractive and rather passed down their teachings to their biological heirs. Children and widows were part of the Celestial Master groups. Tablets were clutched