Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Veritables Preludes flasques (pour un chien) Veritables Preludes flasques (pour un chien) The Véritables Préludes flasques (pour un chien) ("True Flabby Preludes for a Dog") is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5 minutes. Satie biographer Rollo H. Myers, writing in 1948, remarked on the prophetic nature of this seemingly unassuming keyboard suite: "In the heyday of Impressionism...came the "Flabby Preludes" which in their linear austerity heralded the Neoclassic vogue which was to