Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Pett and Pott and the telephone - are praised. Viewed in retrospect, the film has been described as 'radical fun', rather like Un Chien Andalou reworked by Gilbert and Sullivan. Pett and Pott Pett and Pott (subtitled A Fairy Story of the Suburbs) is a 1934 short film produced by John Grier under the auspices of the GPO Film Unit and directed by Alberto Cavalcanti. Made to promote wider use of the telephone, "Pett and Pott" is a satirical comedy. based around two contrasting suburban families who live next door to each other. While virtuous Mrs Pett looks after the home and tends