Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Préludes flasques (pour un chien) wrote a second set of pieces on the same theme, the "Veritables Preludes flasques (pour un chien)" (1912), which proved a breakthrough in Satie's career and creative development. The original "Préludes flasques" were presumed lost for decades and would not see print until 1967. Satie was never a pet-owner, but his fondness for dogs is well known. Stray mongrels he occasionally fed and sheltered were the only visitors he allowed inside his one-room Arcueil apartment during the 27 years he lived there. And among the random jottings in his composition notebooks can be found Blaise Pascal's famous quote, "The more