The Seven Deadly Sins of Modern Times The Seven Deadly Sins of Modern Times The Seven Deadly Sins of Modern Times (1993) is an acrylic painting on a wooden table by the contemporary Australian artist Susan Dorothea White. Inspired by the composition and design of "The Seven Deadly Sins and the Four Last Things" by Hieronymus Bosch, White has instead depicted the inverse virtues taken to extremes – for example, gluttony is supplanted by "dieting", and "sucking up" stands in for envy. In the depiction of each of these deadly sins is an animal or plant which has been introduced to Australia to ill effect, as the
Seven deadly sins disordered love for individuals, thus possessing at least the redeeming feature of mutuality, unlike the graver sins, which constitute an increasingly agonised focusing upon the solitary self (a process begun with the more serious sin of gluttony). It is generally thought to be the least serious capital sin as it is an abuse of a faculty that humans share with animals, and sins of the flesh are less grievous than spiritual sins (love excessive, not love turning ever further awry toward hatred of man and God). In Dante's "Purgatorio", the penitents walk deliberately through the purifying flames of the uppermost