Un Chien Andalou officially welcomed into the ranks of the Surrealists by the movement's leader André Breton, an event recalled by film historian Georges Sadoul: "Breton had convoked the creators to our usual venue [the Café Radio] ... one summer's evening. Dalí had the large eyes, grace, and timidity of a gazelle. To us, Buñuel, big and athletic, his black eyes protruding a little, seemed exactly like he always is in "Un Chien Andalou", meticulously honing the razor that will slice the open eye in two." Among the most enthusiastic viewers of the film were the wealthy couple Viscount Charles and Marie-Laure de
Invisible Adversaries Export and Su Friedrich," referred to "Invisible Adversaries" as a feminist version of "Invasion of the Body Snatchers", noted that the film includes references to famous paintings and to "Un Chien Andalou", and wrote that therefore it "is visually rick, entertaining, striking, but also demanding." A few reviews, however, were negative. For example, London's "Time Out" wrote about the film that it is "[n]ot unlike """ and that it will "probably age as badly" and a reviewer for "The Heights" wrote that "I was expecting a great feminist work here, but got mediocrity. I cannot recommend that you see this