Un Chien Andalou Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called "La Bête Andalouse", in order to affirm its connection with "Un Chien". Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality." This new film ultimately was released in 1930 under the title "L'Age d'Or" but was quickly withdrawn by the Noailles family after being banned by the
Rita Macedo de seda" (1951), "Las infieles" (1953), "El enmascarado de plata" (1954), "Los bandidos de Río Frío" (1956), "Pies de gato" (1957), "El hombre de papel" (1963) and "La maldición de la llorona" (1963). She was nominated for an Ariel Award as Best Co-Starring Actress for "Ensayo de un crimen" in 1956. and "Nazarin," which was directed by the Spanish director Luis Bunuel in 1958 was well received. In 1972, she won the Best Actress Ariel Award for "Tu, Yo y Nosotros" and completed the film "El castillo de la pureza". Increasingly she performed more on stage and in television. She