String Quartet No. 3 (Husa) them, No. 2, performed quite extensively by the Fine Arts Quartet – I did not preoccupy myself as much with new sonorities as in the new Quartet no. 3. Also, the form of the movements in the former two was rather traditional. The new composition explores some solo predominance, spotlighting the several instruments in rather free forms: the viola in the first movement; violoncello in the second; the two violins in the third." He added, "After Bartok, Berg, and Webern, it is not easy to imagine new ways of playing on string instruments. I feel that I have been able
String Quartet (Franck) influential musicians including Jacques Offenbach. Although Franck abandoned his string quartet, he resumed in 1888, and, as d'Indy recalled, he learned the scores of string quartets by Beethoven and Schubert on his piano for intensive study. Many elements of Franck's string quartet are considered to stem from Beethoven's later works, but traces of Beethoven are not superficially visible. The String Quartet was Franck’s first public success during his life. Franck, known as a late-flowering composer, had attracted little attention from audiences. Even the Symphony D minor and the "Prélude, Aria et Final", whose reputation is well established today, were disastrously