Metre (poetry) words made no difference to the metre. A number of other ancient languages also used quantitative metre, such as Sanskrit and Classical Arabic (but not Biblical Hebrew). Finally, non-stressed languages that have little or no differentiation of syllable length, such as French or Chinese, base their verses on the number of syllables only. The most common form in French is the Alexandrine, with twelve syllables a verse, and in classical Chinese five characters, and thus five syllables. But since each Chinese character is pronounced using one syllable in a certain tone, classical Chinese poetry also had more strictly defined rules,
A Lecture on Modern Poetry poetry was akin to religion. It is nothing of the sort." Hulme discusses how forms rise and fall, and proceeds to the topic of French "vers libre," referring to Gustave Kahn's explanation of the technique: "It consisted in a denial of a regular number of syllables as the basis of versification. The length of the line is long and short, oscillating with the images used by the poet; it follows the contours of his thought and is free rather than regular." Hulme concludes with a call to arms: "a shell is a very suitable covering for the egg at a