Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Kleophrades Painter Kleophrades Painter The Kleophrades Painter is the name given to the anonymous red-figure Athenian vase painter, who was active from approximately 510 – 470 BCE and whose work, considered amongst the finest of the red figure style, is identified by its stylistic traits. The name "Kleophrades painter", given him in 1910 by classicist John Beazley, arises from a potter's inscription "Kleophrades" on a cup now in the Cabinet des Medailles, Paris; after having had this designation for some time, scholars discovered a pelike, now in Berlin, which has the painter's name "Epiktetos" inscribed on it, and the painter was for