Experimental film shorts. Fernand Léger, Dudley Murphy, and Man Ray created the film "Ballet Mécanique" (1924), sometimes described as Dadaist, Cubist, or Futurist. Duchamp created the abstract film "Anémic Cinéma" (1926). Alberto Cavalcanti directed "Rien que les heures" (1926), Walter Ruttmann directed "" (1927), and Dziga Vertov filmed "Man With a Movie Camera" (1929), experimental "city symphonies" of Paris, Berlin, and Kiev, respectively. The most famous experimental film is generally considered to be Luis Buñuel and Salvador Dalí's "Un chien andalou" (1929). Hans Richter's animated shorts, Oskar Fischinger's abstract films, and Len Lye's GPO films would be excellent examples of more abstract
Eraserhead "one of the most unalloyed surrealists ever to work in the movies". Rose described the film as being intensely personal, finding that unlike previous surrealist films, such as Luis Buñuel's 1929 work "Un Chien Andalou" or 1930's "L'Age d'Or", Lynch's imagery "isn't reaching out to us from his films; we're sinking into them". In a 1993 review for the "Chicago Tribune", Michael Wilmington described "Eraserhead" as unique, feeling that the film's "intensity" and "nightmare clarity" were a result of Lynch's attention to detail in its creation due to his involvement in so many roles during its production. In the 1995