String quartet of divertimenti for two solo violins, viola and cello by Viennese composers such as Georg Christoph Wagenseil and Ignaz Holzbauer; and there had long been a tradition of performing orchestral works with one instrument to a part. David Wyn Jones cites the widespread practice of playing works written for string orchestra, such as divertimenti and serenades, with just four players, one to a part, there being no separate (fifth) contrabass part in string scoring before the 19th century. However, these composers showed no interest in exploring the development of the string quartet as a medium. The origins of the string
String Quartet No. 14 (Villa-Lobos) String Quartet No. 14 (Villa-Lobos) String Quartet No. 14 is the one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1953. A performance lasts approximately seventeen minutes. Villa-Lobos composed his Fourteenth Quartet in Rio de Janeiro in 1953 on a commission from the University of Michigan for the Stanley Quartet (Gilbert Ross and Emil Raab, violins; Robert Courte, viola; Oliver Edel, cello), to whom the score is dedicated. The Stanley Quartet gave the first performance in Ann Arbor as part of the sixty-ninth concert of the University of Michigan