String quartet of divertimenti for two solo violins, viola and cello by Viennese composers such as Georg Christoph Wagenseil and Ignaz Holzbauer; and there had long been a tradition of performing orchestral works with one instrument to a part. David Wyn Jones cites the widespread practice of playing works written for string orchestra, such as divertimenti and serenades, with just four players, one to a part, there being no separate (fifth) contrabass part in string scoring before the 19th century. However, these composers showed no interest in exploring the development of the string quartet as a medium. The origins of the string
String quartet is often in Rondo form or Sonata rondo form, in the tonic key. Some quartets play together for many years in ensembles which may be named after the first violinist (e.g. the Takács Quartet), a composer (e.g. the Borodin Quartet) or a location (e.g. the Budapest Quartet). Well-known string quartets can be found in the list of string quartet ensembles. The early history of the string quartet is in many ways the history of Haydn's journey with the genre. Not that he composed the first quartet of all: before Haydn alighted on the genre there had been several spasmodic examples