Funny Girl (film) What infuriated me was the way they did things—never telling me, never talking to me, just cutting. I think they were afraid that if they were nice to me, Barbra would have been upset." In her book "Talking Back: Images of Jewish Women in American Popular Culture", Joyce Antler writes that Streisand has created several rich images of a Jewish woman within film, "Funny Girl" being one of them. In "Funny Girl", Antler writes, Streisand is able to portray a character that is obviously Jewish, and in this role she creates a space for the intelligent Jewish woman to be
The Girl Who Knew Too Much (1963 film) well, I can't even remember their names." The film has received slightly above average scores at Rotten Tomatoes, with five reviews posted, which note the stylish look to the film, but negatively point out its story. "Sight & Sound" stated that "Although certainly pioneering, "The Girl Who Knew Too Much" is a low-key, modest film. It would be Bava's subsequent production, the violent, striking Blood and Black Lace, that would announce the genre's arrival in bold primary colours." The Girl Who Knew Too Much (1963 film) The Girl Who Knew Too Much () is a 1963 Italian giallo film. Directed