Experimental film shorts. Fernand Léger, Dudley Murphy, and Man Ray created the film "Ballet Mécanique" (1924), sometimes described as Dadaist, Cubist, or Futurist. Duchamp created the abstract film "Anémic Cinéma" (1926). Alberto Cavalcanti directed "Rien que les heures" (1926), Walter Ruttmann directed "" (1927), and Dziga Vertov filmed "Man With a Movie Camera" (1929), experimental "city symphonies" of Paris, Berlin, and Kiev, respectively. The most famous experimental film is generally considered to be Luis Buñuel and Salvador Dalí's "Un chien andalou" (1929). Hans Richter's animated shorts, Oskar Fischinger's abstract films, and Len Lye's GPO films would be excellent examples of more abstract
Cherry Poppin' Daddies the 1943 race riots – both featured pervasive surrealist imagery inspired by the films of Luis Buñuel, specifically his 1929 short "Un Chien Andalou". "We wanted to be darker, weirder and stranger", Perry stated in a 2012 interview, "and unfortunately, with other [swing] bands it was 'Back then everyone dressed nice and was nice'. That's not true. You don't know anything about that era at all". Most of the Daddies' studio albums are written to varying extents as concept albums, featuring either recurring lyrical themes or an abstract narrative. According to Perry, this lyrical interconnectedness is intended as means of