Un Chien Andalou officially welcomed into the ranks of the Surrealists by the movement's leader André Breton, an event recalled by film historian Georges Sadoul: "Breton had convoked the creators to our usual venue [the Café Radio] ... one summer's evening. Dalí had the large eyes, grace, and timidity of a gazelle. To us, Buñuel, big and athletic, his black eyes protruding a little, seemed exactly like he always is in "Un Chien Andalou", meticulously honing the razor that will slice the open eye in two." Among the most enthusiastic viewers of the film were the wealthy couple Viscount Charles and Marie-Laure de
Born Villain (film) takes to be a great B-movie filmmaker. This thing is so big and overwrought and blind to its own ridiculousness that it does what all great exploitation movies do, which is to go past being so bad that it's good to become something so bad that it's "art"." Raymer also liked "Born Villain" better than "Maniac". Other critics were less impressed. In "Consequence of Sound", Chris Coplan found "Born Villain"s visuals too similar to the singer's previous work. MetalSucks' Axl Rosenberg criticized the film's appropriation of pre-existing sources, feeling that "Macbeth" is unrelated to "Un Chien Andalou", a film which