Experimental film shorts. Fernand Léger, Dudley Murphy, and Man Ray created the film "Ballet Mécanique" (1924), sometimes described as Dadaist, Cubist, or Futurist. Duchamp created the abstract film "Anémic Cinéma" (1926). Alberto Cavalcanti directed "Rien que les heures" (1926), Walter Ruttmann directed "" (1927), and Dziga Vertov filmed "Man With a Movie Camera" (1929), experimental "city symphonies" of Paris, Berlin, and Kiev, respectively. The most famous experimental film is generally considered to be Luis Buñuel and Salvador Dalí's "Un chien andalou" (1929). Hans Richter's animated shorts, Oskar Fischinger's abstract films, and Len Lye's GPO films would be excellent examples of more abstract
Anti-Catholicism in literature and media the most notable is the Spanish film director Luis Buñuel, a fierce critic of what he saw as the pretension and hypocrisy of the Catholic Church. Many of his most famous films demonstrate this: "Un chien andalou" (1929): A man drags pianos, upon which are piled several priests, among other things. "L'Âge d'Or" (1930): A bishop is thrown out a window, and in the final scene one of the culprits of the 120 days of Sodom by Marquis de Sade is portrayed by an actor dressed in a way that he would be recognized as Jesus. "Ensayo de un crimen"