Opera in Latin America and indigenous peoples and were influenced by zarzuela, a form of Spanish opera . In the 20th century many nationalist operas were composed across Latin America, with particularly thriving opera scenes in Mexico, Argentina and Brazil. Today, there are numerous active opera houses throughout Latin America and composers continue to write new operas. We also have organizations such as the International Brazilian Opera Company (IBOC) and Opera Hispanica who are promoting new Latin American operatic repertoire internationally. In 1711, the opera "Partenope" premiered in Mexico City. Its music was by Manuel de Zumaya, the most important Mexican baroque composer. This
The Japanese in Latin America "have traditionally treated race and ethnicity as a simple matter of black and white" while for the latter, "The Japanese in Latin America" has "its careful exploration of why diasporic experiences are not limited to the United States". "The Japanese in Latin America" has chronological narration, with sections devoted to certain time periods: the early 20th Century, World War II to 1949, and 1950 onwards. The book also uses geographical narration, or dividing the narrations by country. Stephanie C. Moore of the University of California, San Diego, another reviewer, stated that the book "is more a historical survey than a