Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Préludes flasques (pour un chien) Cristina Ariagno (Brilliant Classics, 2006). Préludes flasques (pour un chien) The Préludes flasques (pour un chien) – "Flabby Preludes (For a Dog)" – is a set of four piano pieces composed in July 1912 by Erik Satie. In performance it lasts about 5 minutes. The work demonstrates Satie's attempts to reconcile the linear contrapuntal style he had acquired through his recent studies at the Schola Cantorum in Paris with his natural sense of wit and fantasy. It was to have been the first of his series of "humoristic" piano suites (1912-1915), but the composer withdrew the score after it was