Salvador Dalí was shown". Both of these films, "Un Chien Andalou" and "L'Age d'Or", have had a tremendous impact on the independent surrealist film movement. "If "Un Chien Andalou" stands as the supreme record of Surrealism's adventures into the realm of the unconscious, then "L'Âge d'Or" is perhaps the most trenchant and implacable expression of its revolutionary intent". Dalí worked with other famous filmmakers, such as Alfred Hitchcock. The most well-known of his film projects is probably the dream sequence in Hitchcock's "Spellbound", which delves into themes of psychoanalysis. Hitchcock needed a dreamlike quality to his film, which dealt with the idea
Préludes flasques (pour un chien) to extract the marrow. The idea stayed with Satie long after he had completed his sets of preludes "pour un chien". He would later tell author Jean Cocteau, "I want to write a play for dogs, and I already have my set design: the curtain rises on a bone." The first three of the "Préludes flasques (pour un chien)" were completed in Paris between July 11 and July 23, 1912; the fourth was finished by the end of the month. Satie informed his friend Claude Debussy he was going to name the concluding piece "Sous la futaille" ("Bottom of the