The Seven Deadly Sins of Modern Times The Seven Deadly Sins of Modern Times The Seven Deadly Sins of Modern Times (1993) is an acrylic painting on a wooden table by the contemporary Australian artist Susan Dorothea White. Inspired by the composition and design of "The Seven Deadly Sins and the Four Last Things" by Hieronymus Bosch, White has instead depicted the inverse virtues taken to extremes – for example, gluttony is supplanted by "dieting", and "sucking up" stands in for envy. In the depiction of each of these deadly sins is an animal or plant which has been introduced to Australia to ill effect, as the
Seven deadly sins sins such as restlessness and instability. Dante refined this definition further, describing acedia as the "failure to love God with all one's heart, all one's mind and all one's soul"; to him it was the "middle sin", the only one characterised by an absence or insufficiency of love. Some scholars have said that the ultimate form of acedia was despair which leads to suicide. Acedia is currently defined in the Catechism of the Catholic Church as spiritual sloth, which would be believing spiritual tasks to be too difficult. In the fourth century, Christian monks believed acedia was not primarily caused