Antonin Artaud "La Nouvelle Revue Française"; they were rejected, but the editor, Jacques Rivière, wrote back seeking to understand him, and a relationship via letters developed. Their compilation into an epistolary work, "Correspondance avec Jacques Rivière", was Artaud's first major publication. Artaud cultivated a great interest in cinema as well, writing the scenario for the first surrealist film, "The Seashell and the Clergyman" (1928), directed by Germaine Dulac. This film influenced Salvador Dalí and Luis Buñuel, two key Spanish surrealists, when they made "Un Chien Andalou" (1929). Artaud's performance as Jean-Paul Marat in Abel Gance's "Napoleon" (1927) used exaggerated movements to convey
Vivadixiesubmarinetransmissionplot the tune's middle section when he called home to check his messages. The lyrics for "Spirit Ditch" include the line "horse-laughter is dragging pianos to the ocean", which was inspired by a scene from the Luis Buñuel film "Un chien andalou". Although he once explained the album's idiosyncratic sound by admitting "I didn't know what I was doing", Linkous purposely used found sounds throughout the recording of the album – these included sounds that he found on records, sounds that he recorded and, in one instance ("Ballad of a Cold Lost Marble"), the sound that a defective amplifier was making