Opera in Latin America and indigenous peoples and were influenced by zarzuela, a form of Spanish opera . In the 20th century many nationalist operas were composed across Latin America, with particularly thriving opera scenes in Mexico, Argentina and Brazil. Today, there are numerous active opera houses throughout Latin America and composers continue to write new operas. We also have organizations such as the International Brazilian Opera Company (IBOC) and Opera Hispanica who are promoting new Latin American operatic repertoire internationally. In 1711, the opera "Partenope" premiered in Mexico City. Its music was by Manuel de Zumaya, the most important Mexican baroque composer. This
Opera in Latin America love of Venus and Adonis, which provoked Mars's jealousy and his desire for vengeance. Opera performances were performed also in the country of Mexico. It is within that nation that the first indigenous opera composers of Latin America emerged, with Manuel de Zumaya (c. 1678–1755) being considered the first and most important early opera composer. Outsider of Perú and Mexico, opera was slower to gain a foothold, and it wasn't until the early to mid-19th century that other nations in Latin America began producing their own opera composers. Many of these 19th-century operas focus on the historical conflict between Europeans