French alexandrine can be dated exactly: 1886; in this year, editor Gustave Kahn published several seminal ' poems in his review ', including poems by Arthur Rimbaud (written over a decade previously) and Jules Laforgue, with more following in the next years. ' shed all metrical and prosodic constraints, such as verse length, rhyme, and caesura; Laforgue said, "I forget to rhyme, I forget about the number of syllables, I forget about stanzaic structure." French alexandrine The French alexandrine () is a syllabic poetic meter of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines)
Aeolic verse consecutive anceps syllables, and which combines double-short and single-short in a single verse, but not in a single metrical group). But there are several important innovations in the "aeolic" practice of Pindar and Bacchylides: The tragic poets of Classical Athens continued the use of Aeolic verse (and dactylo-epitrite, with the addition of other types) for their choral odes, with additional metrical freedoms and innovations. Aeschylus, Sophocles, and Euripides each went his own way in developing Aeolics. Theocritus provides an example of the Hellenistic adaptation of Aeolic poetry in his "Idylls" 28–31, which also imitate the Archaic Aeolic dialect. "Idyll" 29,