Picasso's Blue Period as his psychological state improved, he moved towards more joyful, vibrant works, and emphasized the use of pinks ("rose" in French) and other warm hues to express the shift in mood and subject matter. The painting "Portrait of Suzanne Bloch" (1904), one of the final works from this period, was stolen from the São Paulo Museum of Art (MASP) on December 20, 2007, but retrieved on January 8, 2008. Picasso's Blue Period The Blue Period () is a term used to define the works produced by Spanish painter Pablo Picasso between 1901 and 1904 when he painted essentially monochromatic paintings
Kleophrades Painter a time designated "Epiktetos II", distinguishing him from a contemporary painter of the same name. However, in 1981 Sir John Boardman demonstrated that the signature on the vase was a modern forgery, and the Kleophrades Painter returned to anonymity. The Kleophrades painter is thought to be the son of the potter Amasis, and the pupil of Euthymides, as his earliest work greatly resembles that of his master. He himself had pupils, which include the Berlin Painter and also the Boot Painter. Overall the Kleophrades painter is recognized as one of the greatest pot painters in the late Archaic period in