Yellow House Artist Collective exhibition of painting, drawing, sculpture and photography, there was also a puppet theatre, light shows, performance of plays and regular screening of films. These included a range of classic, avant garde and modern works such Luis Bunuel and Salvador Dali's "Un Chien Andalou", Fritz Lang's "Metropolis", Phil Noyce's "Better to Reign in Hell", Leni Riefenstahl's "Olympia" and Peter Weir's "Count Vim's Last Exercise", as well as works by Albie Thoms, Bruce Petty, Mick Glasheen and Arthur and Corinne Cantrill. In 1990 the Art Gallery of New South Wales staged an exhibition which comprised, in part, reconstruction of some of the
Art film make "art films", and film critics did not use the term "art film". However, there were films that had sophisticated aesthetic objectives, such as Carl Theodor Dreyer's "The Passion of Joan of Arc" (1928) and "Vampyr" (1932), surrealist films such as Luis Buñuel's "Un chien andalou" (1929) and "L'Âge d'Or" (1930), or even films dealing with political and current-event relevance such as Sergei Eisenstein's famed and influential masterpiece "Battleship Potemkin". The U.S. film "" (1927) by German Expressionist director F. W. Murnau uses distorted art design and groundbreaking cinematography to create an exaggerated, fairy-tale-like world rich with symbolism and imagery.