French alexandrine can be dated exactly: 1886; in this year, editor Gustave Kahn published several seminal ' poems in his review ', including poems by Arthur Rimbaud (written over a decade previously) and Jules Laforgue, with more following in the next years. ' shed all metrical and prosodic constraints, such as verse length, rhyme, and caesura; Laforgue said, "I forget to rhyme, I forget about the number of syllables, I forget about stanzaic structure." French alexandrine The French alexandrine () is a syllabic poetic meter of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines)
Metre (poetry) but is hypermetrical (outside the count of syllables, like a feminine ending in English verse), in that case, the rhyme is also called "feminine", whereas it is called "masculine" in the other cases. The most frequently encountered metre in Classical French poetry is the alexandrine, composed of two hemistiches of six syllables each. Two famous alexandrines are (the daughter of Minos and Pasiphae), and Classical French poetry also had a complex set of rules for rhymes that goes beyond how words merely sound. These are usually taken into account when describing the metre of a poem. In Spanish poetry the