Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Kleophon Painter of his vases are bigger vases, with only a few smaller ones. Most of his vases are kraters. The Kleophon Painter had a pretty common style which makes his vases difficult to distinguish from other vases that were painted during the same time period. Many vases are classified as “in the manner of Kleophon P” or “compares to Kleophon P”. One painter that he was similar to was The Dinos Painter. The Dinos Painter also had a fairly general style which made him and Kleophon similar and hard to distinguish between. One of the ways to identify works by the