Syllabic verse stress accent (as English does). This means that the French metric line is generally determined by the number of syllables. The most common metric lengths are the ten-syllable line ("décasyllabe"), the eight-syllable line ("octosyllabe") and the twelve-syllable line (the so-called "alexandrine"). Special syllable counting rules apply to French poetry. A silent or mute 'e' counts as a syllable before a consonant, but not before a vowel (where "h aspiré" counts as a consonant). When it falls at the end of a line, the mute "e" is hypermetrical (outside the count of syllables). Polish syllabic verse is similar to French. The
Alexandrine caesura after the third foot. From Holland the accentual-syllabic alexandrine spread to other continental literatures. Similarly, in early 17th-century Germany, Georg Rudolf Weckherlin advocated for an alexandrine with free rhythms, reflecting French practice; whereas Martin Opitz advocated for a strict accentual-syllabic iambic alexandrine in imitation of contemporary Dutch practice — and German poets followed Opitz. The alexandrine (strictly iambic with a consistent medial caesura) became the dominant long line of the German baroque. Unlike many similar lines, the Polish alexandrine developed not from French verse but from Latin, specifically, the 13-syllable goliardic line: Though looser instances of this (nominally) 13-syllable