Pamela; or, Virtue Rewarded an amoral social climber who attempts to seduce "Squire Booby" while feigning innocence to manipulate him into marrying her. In this version, the author works to invalidate Pamela by pointing out the incongruities between characters and the overall plot of the story. This version suggests that she was not really as virtuous as she may have seemed to be. Another important satire was "The Anti-Pamela; or Feign’d Innocence Detected" (1741) by Eliza Haywood. Although not technically a satire, the Marquis de Sade's "Justine" is generally perceived as a critical response to Pamela, due in part to its subtitle, "The Misfortunes
Evolution of timpani in the 18th and 19th centuries of pedal timpani. For example, in the final waltz in Act 3 of his opera, "Der Rosenkavalier", Strauss wrote for the timpani the way he wrote for the bass, with a long, walking melodic line. He accomplished this by requiring the timpanist to make many quick and challenging changes in the drums pitch that imitated the walking bassline that occurs throughout the entire waltz. Evolution of timpani in the 18th and 19th centuries The modern timpani evolved in the 18th and 19th centuries from the simple 12th-century membranophone of the Naker to a complex instrument, consisting of a suspended kettle