Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Way of the Celestial Masters position of Kou Qianzhi. There was no ban on the Celestial Masters despite the nofullfilment of Cui Hao and Kou Qianzhi's agenda in their anti Buddhist campaign. 太上老君 Taishang Laojun was the Celestial Masters' main deiity. In the Southern dynasties 正一經 Zhengyi Jing was part of the religious canon of the Celestial Masters. In the Tang and Sui DAoists reconciled the Zhengyi jing with the religious texts of the Lingbao. Celestial Masters and the nobility of northern China subdued the nobility of southern China during the Eastern Jin and Western Jin in Jiangnan in particular. The Celestial Master canon was