Meshes of the Afternoon Hammid's desire to create an avant garde personal film that dealt with devastating psychological problems, like the French surrealist films of the 1920s such as Salvador Dalí and Luis Buñuel's "Un Chien Andalou" (1929) and "L'Age d'Or" (1930). Deren and Hammid wrote, directed and performed in the film. Although Deren is usually credited as its principal artistic creator, filmmaker Stan Brakhage, who knew the couple, has claimed in his book "Film at Wit's End" that "Meshes" was in fact largely Hammid's creation, and that their marriage began to suffer when Deren received more credit. The original print had no score.
Rita Macedo de seda" (1951), "Las infieles" (1953), "El enmascarado de plata" (1954), "Los bandidos de Río Frío" (1956), "Pies de gato" (1957), "El hombre de papel" (1963) and "La maldición de la llorona" (1963). She was nominated for an Ariel Award as Best Co-Starring Actress for "Ensayo de un crimen" in 1956. and "Nazarin," which was directed by the Spanish director Luis Bunuel in 1958 was well received. In 1972, she won the Best Actress Ariel Award for "Tu, Yo y Nosotros" and completed the film "El castillo de la pureza". Increasingly she performed more on stage and in television. She