French alexandrine French alexandrine The French alexandrine () is a syllabic poetic meter of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, by gradually losing the final two syllables, then doubling this line in a syllabic context with phrasal stress rather than length as a marker. The earliest
Medieval Spanish literature length and use of assonance instead of rhyme. These poems were sung to uneducated audiences, nobles and peasants alike. This Castilian narrative poetry known as the Mester de Clerecía became popular in the thirteenth century. It is the verse form of the learned poets, usually clerics (hence the name 'clerecía'). These poets carefully counted the number of syllables in each line and strived to achieve perfect lines. The line form is the Alexandrine line (14 syllables) with consonantal rhyme in stanzas of four lines each. This form is also known as the "cuaderna vía" or the fourfold way, and was