Federico García Lorca poet". He wrote: "The gypsies are a theme. And nothing more. I could just as well be a poet of sewing needles or hydraulic landscapes. Besides, this gypsyism gives me the appearance of an uncultured, ignorant and primitive poet that you know very well I'm not. I don't want to be typecast". Growing estrangement between García Lorca and his closest friends reached its climax when surrealists Dalí and Luis Buñuel collaborated on their 1929 film "Un Chien Andalou" ("An Andalusian Dog"). García Lorca interpreted it, perhaps erroneously, as a vicious attack upon himself. At this time Dalí also met his
Born Villain (film) takes to be a great B-movie filmmaker. This thing is so big and overwrought and blind to its own ridiculousness that it does what all great exploitation movies do, which is to go past being so bad that it's good to become something so bad that it's "art"." Raymer also liked "Born Villain" better than "Maniac". Other critics were less impressed. In "Consequence of Sound", Chris Coplan found "Born Villain"s visuals too similar to the singer's previous work. MetalSucks' Axl Rosenberg criticized the film's appropriation of pre-existing sources, feeling that "Macbeth" is unrelated to "Un Chien Andalou", a film which