Federico García Lorca poet". He wrote: "The gypsies are a theme. And nothing more. I could just as well be a poet of sewing needles or hydraulic landscapes. Besides, this gypsyism gives me the appearance of an uncultured, ignorant and primitive poet that you know very well I'm not. I don't want to be typecast". Growing estrangement between García Lorca and his closest friends reached its climax when surrealists Dalí and Luis Buñuel collaborated on their 1929 film "Un Chien Andalou" ("An Andalusian Dog"). García Lorca interpreted it, perhaps erroneously, as a vicious attack upon himself. At this time Dalí also met his
Veritables Preludes flasques (pour un chien) (Audiophile Classics, 1994); Olof Höjer (Swedish Society Discofil, 1996); Jean-Yves Thibaudet (Decca, 2003); Steffen Schleiermacher (MDG, 2005); Cristina Ariagno (Brilliant Classics, 2006); Alexandre Tharaud (Harmonia Mundi, 2009); Katia and Marielle Labèque (KML, 2009), Jeroen van Veen (Brilliant Classics, 2016). "" Veritables Preludes flasques (pour un chien) The Véritables Préludes flasques (pour un chien) ("True Flabby Preludes for a Dog") is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5