Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
De Daumier-Smith's Blue Period girl corresponds to Sister Irma and her simple occupation is equated with the nun's genuine dedication to God. Salinger describes the moment of the narrator's epiphany: Slawenski regards this as the key passage in the story, revealing “the presence of God”, and the emergence of Zen Buddhist topics in Salinger's writing. De Daumier-Smith's Blue Period "De Daumier-Smith's Blue Period" is a short story by J. D. Salinger, first published in the May 1952 edition of "World Review" (London). Declined by "The New Yorker" on November 14, 1951, the piece was judged too short to contain the complex religious concepts that