Hottentot (racial term) in an ethnic sense. From the eighteenth century onwards, the term "hottentot" was also a term of abuse without a specific ethnic sense, comparable to "barbarian" or "cannibal". In its ethnic sense, it had developed connotations of savagery and primitivism soon already in the seventeenth century: colonial depictions of the Hottentots (Khoikhoi) in the seventeenth to eighteenth century were characterized by savagery, often suggestive of cannibalism or the consumption of raw flesh, physiological features such as steatopygia and elongated labia perceived as primitive or "simian"; and a perception of the click sounds in the Khoikhoi languages as "bestial". Thus it
Apron stage and was raised about off the ground. On this stage, there was a trap door for use by performers to enter from the "cellarage" area beneath the stage. An apron stage can also be another name for a thrust stage. Apron stage The apron is any part of the stage that extends past the proscenium arch and into the audience or seating area. The Elizabethan stage, which was a raised platform with the audience on three sides, is the outstanding example. Most stages edges are curved slightly outward providing a very small apron. Some have a large playing space protruding