Picasso's Blue Period from his works. Members of the public were uninterested in displaying the Blue Period works in their homes. Picasso continued his output, but his financial situation suffered: From 1901 to 1903, he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting "La Vie", painted in 1903 and now in the Cleveland Museum of Art. The same mood pervades the well-known etching "The Frugal Repast" (1904) which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in "The
Brygos Painter In spite of his frequent use of writing, "kalos" inscriptions by the Brygos Painter are rare. The Brygos Painter was associated with a broader circle of artists who were influenced by him or may even have worked with him at the studio of the potter Brygos. These include the Foundry Painter, the Briseis Painter, the Dokimasia Painter, the Painter of Louvre G 265 and the Painter of the Paris Gigantomachy. While the Brygos Painter's work spans only a period of approximately twenty years, it has been said to demonstrate what many describe as an exciting, innovative, and spirited beginning with