Picasso's Blue Period was done in hot, bright hues. The painting considered the first of his Blue Period, "Casagemas in His Coffin", was completed later in 1901 when Picasso was sinking into a major depression. Picasso, normally an outgoing socializer, withdrew from his friends. Picasso's bout of depression was to last several years. Picasso's career had been promising before 1901 and early in that year he was making "a splash" in Paris. However, as he moved towards subject matter such as society's poor and outcast, and accented this with a cool, anguished mood with blue hues, the critics and the public turned away
Portrait of a Man with a Blue Chaperon Panofsky, who saw weakness in the portrait he believed irreconcilable with as skilled and accomplished a painter. Attribution to van Eyck is now broadly accepted since an infra-red photography examination carried out during a 1991 restoration revealed an underdrawing and paint handling very similar to that found in confirmed, signed works by the artist. Portrait of a Man with a Blue Chaperon Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweler or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame)