The Seven Deadly Sins (ballet chanté) The Seven Deadly Sins (ballet chanté) The Seven Deadly Sins (, ) is a satirical "ballet chanté" ("sung ballet") in seven scenes (nine movements) composed by Kurt Weill to a German libretto by Bertolt Brecht in 1933 under a commission from Boris Kochno and Edward James. It was translated into English by W. H. Auden and Chester Kallman. It was the last major collaboration between Weill and Brecht. With the Nazi seizure of power following the Reichstag fire of 27 February 1933, Brecht and Weill–especially Weill as a Jew–recognized that Berlin could no longer serve as their artistic home. Brecht
Seven deadly sins Western tradition's spiritual pietas (or Catholic devotions), as follows: These "evil thoughts" can be categorized into three types: In AD 590 Pope Gregory I revised this list to form the more common list. Gregory combined "tristitia" with "acedia", and "vanagloria" with "superbia", and added "envy," in Latin, "invidia". Gregory's list became the standard list of sins. Thomas Aquinas uses and defends Gregory's list in his "Summa Theologica" although he calls them the "capital sins" because they are the head and form of all the others. The Anglican Communion, Lutheran Church, and Methodist Church, among other Christian denominations, continue to retain