Nonlinear narrative a linear storyline, while nonlinear films often contain linear sequences. Orson Welles' "Citizen Kane" (1941)—influenced structurally by "The Power and the Glory" (1933)—and Akira Kurosawa's "Rashomon" (1950) use a non-chronological flashback narrative that is often labeled nonlinear. Experimentation with nonlinear structure in film dates back to the silent film era, including D. W. Griffith's "Intolerance" (1916) and Abel Gance's "Napoléon" (1927). Nonlinear film emerged from the French avant-garde[5] in 1924 with René Clair’s "Entr'acte", Dadaïst film and then in 1929 with Luis Buñuel and Salvador Dalí's "Un Chien Andalou" (English: "An Andalusian Dog"). The surrealist film jumps into fantasy and
Pierre Batcheff Pierre Batcheff Pierre Batcheff (born "Piotr Bachev"; 23 June 1907 in Harbin – 12 April 1932 in Paris) was a French actor of Russian descent. He was a high-profile cast during the 1920s and early 1930s and among his best-known films was "Un Chien Andalou" (1929), directed by Luis Buñuel and Salvador Dalí. From 1930 until his death, he was married to French film editor Denise Batcheff. Born in Harbin, he grew up in Saint Petersburg, until his family emigrated to Geneva, Switzerland. In 1921, Batcheff moved to Paris where he first worked as a theatre actor, but soon entered