Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Way of the Celestial Masters in the view of the Heavenly Masters. The Shangqing syncretized the Heavenly Masters with fangshi. Buddhism, Fangshi, and Heavenly Masters were synchronized in Lingbao. The 180 precepts of the Celestial Masters were rules on morality. Stocking up riches was banned by Daoism. A 173 AD Sichuan stele provides physical proof for the Celestial Masters existence at its oldest. China's southeastern area may have seen the spraed of Celestial Masters in the Six Dynasties. At the start of their existence a large amount of religious text canon was already written by the Celestial Masters. Celestial Masters used an 精室 "essential chamber"