Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Africa (goddess) Ostenberg, if Houghtalin is right, then the personification of Africa in the Roman imagination may have arrived through Pompey. Africa (goddess) Goddess Africa, also known as Dea Africa, was the personification of Africa by the Romans in the early centuries of the common era. She was one of the fertility and abundance deities to some. Her iconography typically included an elephant-mask head dress, curly hair, broad nose, a cornucopia, and a lion. She is portrayed on some coins, carved stones, and mosaics in Roman Africa. A mozaic of her is found in the El Djem museum of Tunisia. A sanctuary