String quartet of divertimenti for two solo violins, viola and cello by Viennese composers such as Georg Christoph Wagenseil and Ignaz Holzbauer; and there had long been a tradition of performing orchestral works with one instrument to a part. David Wyn Jones cites the widespread practice of playing works written for string orchestra, such as divertimenti and serenades, with just four players, one to a part, there being no separate (fifth) contrabass part in string scoring before the 19th century. However, these composers showed no interest in exploring the development of the string quartet as a medium. The origins of the string
String Quartet No. 20 (Mozart) King Frederick William II of Prussia (the first edition bore no dedication, however), is often polyphonic in a way uncharacteristic of the earlier part of the classical music era. The menuetto and its trio give good examples of this in brief, with the brief irregular near-canon between first violin and viola in the second half of the main portion of the minuet, and the double imitations (between the violins, and between the viola and cello) going on in the trio. String Quartet No. 20 (Mozart) The String Quartet in D major, K. 499, was written in 1786 in Vienna by