Godfrey Mwakikagile on to state that Mwakikagile embraced Tanzania's independence, and the independence of the African continent as a whole, with fierce pride. 'I was too young to play a role in the independence movement, but old enough to know what Mau Mau in neighbouring Kenya was all about, and who our leaders were: from Kwame Nkrumah in Ghana to Julius Nyerere in Tanganyika; from Nnamdi Azikiwe in Nigeria to Jomo Kenyatta in Kenya and Patrice Lumumba in Belgian Congo' ("Africa and the West", 2000). His experience also inspired his thinking regarding Africa and its relationship to the Western world, which led
Music of Nigeria of modern nation states. Nigeria has experienced more difficulty than most African countries in forging a popular cultural identity from the diverse peoples of the countryside. From its beginnings in the streets of Lagos, popular music in Nigeria has long been an integral part of the field of African pop, bringing in influences and instruments from many ethnic groups, most prominently including the Yoruba. The earliest styles of Nigerian popular music were palm-wine music and highlife, which spread in the 1920s among Nigeria and nearby countries of Liberia, Sierra Leone and Ghana. In Nigeria, palm-wine became the primary basis for