Funny Girl (film) "funny girl" with her body, voice, gesture, and character, tying together her Jewishness and oddness. The film values women over men and portrays the men as dependent to their women; it reverses the gender roles. "Funny Girl" helped change the way women were viewed and used comedy to deflect Jewish mockery. Streisand was widely praised by critics, with "The New Yorker"s Pauline Kael calling it "A bravura performance ... As Fanny Brice, she has the wittiest comic inflections since the comediennes of the 30s; she makes written dialogue sound like inspired improvisation. ... Streisand's triumphant talent rides right over the
Fanny Brice do a show until it's on the air, kid") but always snapped into it on the air, losing herself completely in the character: "While she was on the air she was Baby Snooks. And... for an hour after the show, she was still Baby Snooks. The Snooks voice disappeared, of course, but the Snooks temperament, thinking, actions were all there." Brice and Stafford brought Baby Snooks and Daddy to television only once, an appearance in June 1950 on CBS-TV's "Popsicle Parade of Stars". This was Fanny Brice's only appearance on television. Brice handled herself well on the live TV broadcast