Triple Goddess (Neopaganism) Greek myth was of the Akan Triple Moon Goddess Ngame, who Graves said was still worshipped in 1960. Graves regarded "true poetry" as inspired by the Triple Goddess, as an example of her continuing influence in English poetry he instances the "Garland of Laurell" by the English poet, John Skelton (c.1460–1529) — "Diana in the leavës green, Luna that so bright doth sheen, Persephone in Hell." — as evoking his Triple Goddess in her three realms of earth, sky and underworld. Skelton was here following the Latin poet Ovid. James Frazer's seminal Golden Bough centres around the cult of the
Dynamics of the celestial spheres of the planet, which transforms its overall motion from circular to oval, to a moving soul in the planet since the motion is "not a natural motion, but more of an animate one". In various writings, Kepler often attributed a kind of intelligence to the inborn motive faculties associated with the stars. In the aftermath of Copernicanism the planets came to be seen as bodies moving freely through a very subtle aethereal medium. Although many scholastics continued to maintain that intelligences were the celestial movers, they now associated the intelligences with the planets themselves, rather than with the celestial spheres.