Funhouse (The Sopranos) has moved to Nevada, and that his son won't go to Georgetown University after Davey gambled away his college money. Later, Tony and Carmela throw Meadow a party at their house, and the episode ends with a montage of Tony's two "families" celebrating together. Carmela sees Tony standing by himself in a corner of the living room, slowly lighting a cigar and blowing out the smoke, with a faraway look on his face. "Entertainment Weekly" placed "Funhouse" #5 on their list of the 10 greatest "The Sopranos" episodes; "TIME" placed it at #9. Funhouse (The Sopranos) "Funhouse" is the 26th
The Sopranos Sopranos" is credited for creating a new era in the mafia genre deviating from the traditional dramatized image of the gangster in favor of a simpler, more accurate reflection of ordinary day-to-day mob life in a suburb. The series sheds light on Italian family dynamics through the depiction of Tony's tumultuous relationship with his mother. Edie Falco's character Carmela Soprano is praised in Kristyn Gorton's essay "Why I Love Carmela Soprano" for challenging Italian-American gender roles. "New Yorker" editor David Remnick described "The Sopranos" as mirroring the "mindless commerce and consumption" of modern America. "The Sopranos" has been called "perhaps