Hedda Gabler more important than the rational one. Ibsen was interested in the then-embryonic science of mental illness and had a poor understanding by present-day standards. His "Ghosts" is another example of this. Examples of the troubled 19th-century female might include oppressed, but "normal", wilful characters; women in abusive or loveless relationships; and those with some type of organic brain disease. Ibsen is content to leave such explanations unsettled. Bernard Paris interprets Gabler's actions as stemming from her "need for freedom [which is] as compensatory as her craving for power... her desire to shape a man's destiny." The play was performed in
Hedda (film) performance, "This version of “Hedda Gabler” is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a character like Hedda. Her command of her voice and her body," and concluded, "the physical production is handsome, and Mr. Nunn is most successful in preserving the claustrophobic nature of the play without creating a static film. "Hedda" is an imaginative, intelligent film version of a play that I wasn't breathlessly waiting to see at this moment." Judith Crist of Saturday Review wrote, "... a startlingly fresh and perceptive version written