The Master Builder "When We Dead Awaken", and "Hedda Gabler". Early reactions to the play by Ibsen's critics were mixed, possibly due its heightened ambiguities. Hilda, for example, seems to alternate roles between an inspiring force, urging Solness to temper his rampant ambition and so find real happiness, and a temptress, pushing Solness to commitments he cannot possibly fulfill. English critic William Archer (the play's original translator) suggests that the play is not as completely symbolic as some have maintained, interpreting it instead as "a history of a sickly conscience, worked out in terms of pure psychology". He notes that, in this regard,
Hedda Vernon Piel. She also worked in other films directed by Piel and collaborated with Max Obal until 1914. Some of her early films are "The Struggle for the Heritage" (1912), "The Brown Beast" (1914), and "The Iron Cross" (1914). In 1914 she founded her own production company, Hedda Vernon Films, in Berlin and produced her own films for the Hedda Vernon series, including the self-directed "The Yellow Grimace" (1914) and "Hedda Vernon's Stage Sketch" (1916). She also acted in several Eiko film productions until the end of World War I, mainly under the direction of her husband Hubert Moest, who founded