The Shepherd Paris (van Dyck) The Shepherd Paris (van Dyck) The Shepherd Paris is a c.1628 painting by the Flemish artist Anthony van Dyck, dating to just after the artist's return from Italy and showing the strong influence of Titian. It shows Paris during the Judgement of Paris, holding the golden apple he has been ordered to give to the most beautiful of three goddesses - unusually the artist focuses on Paris and does not show the goddesses themselves. A painting of Paris recorded as owned by the marquis de Voyer d’Argenson in 1754 is probably to be identified with this work. It is now
Daniel van den Dyck analysis. Van den Dyck painted 13 flower pieces for the duke of Mantua's Gabinetto. These works are considered lost. His graphic work is mainly distinguished by its cursive and quick character, which predates developments in the 17th century. This is quite evident in his , which likely dates from his Mantuan period. This work shows the classicist influences of Giulio Romano as well as the Flemish Baroque with its muscular and bearded hero Aeneas who is being submitted by the robust nymphs to a grooming before his elevation to godly status. His print of a on the other hand shows