Jessica (The Merchant of Venice) usually extend and deepen existing dramatic conventions, and Jessica must be seen in a context of classical and Elizabethan conventions for such characters. Slights highlights comedies where children rebel against a miserly father, or romances where daughters defy a repressive father for love. These conventions would be familiar for both Shakespeare and an Elizabethan theatre audience, and, indeed, modern audiences tend to accept Jessica's actions as natural within the context of the plot. Her escape from Shylock's repressive household to Belmont a quest for freedom, and from misfortune to happiness. This view is supported by John Russell-Brown, the editor of
Jessica (The Merchant of Venice) followed the First Folio, not the Second. Malone's response was simply that "In answer to Mr. Steevens, I have to state that I printed this play in 1784, and that Mr. Reed's edition did not appear till 1785. I may add that I communicated to that gentleman this very correction." The back and forth continued in notes on Jessica's line in Act 5, Scene 1: "I am never merry when I hear sweet music." Steevens opinied that: For this point, Steevens cites the word's use in "Measure for Measure" and a similar usage of "dulcia" by Horace in his "Art