History of theatre famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). In addition, his works "Rosmersholm" (1886) and "When We Dead Awaken" (1899) evoke a sense of mysterious forces at work in human destiny, which was to be a major theme of symbolism and the so-called "Theatre of the Absurd". After Ibsen, British theatre experienced revitalization with the work of George Bernard Shaw, Oscar Wilde, John Galsworthy, William Butler Yeats, and Harley Granville Barker. Unlike most of the gloomy and intensely serious work of their contemporaries, Shaw and Wilde wrote primarily in the
Hedda (film) performance, "This version of “Hedda Gabler” is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a character like Hedda. Her command of her voice and her body," and concluded, "the physical production is handsome, and Mr. Nunn is most successful in preserving the claustrophobic nature of the play without creating a static film. "Hedda" is an imaginative, intelligent film version of a play that I wasn't breathlessly waiting to see at this moment." Judith Crist of Saturday Review wrote, "... a startlingly fresh and perceptive version written