The Shepherd Paris (van Dyck) The Shepherd Paris (van Dyck) The Shepherd Paris is a c.1628 painting by the Flemish artist Anthony van Dyck, dating to just after the artist's return from Italy and showing the strong influence of Titian. It shows Paris during the Judgement of Paris, holding the golden apple he has been ordered to give to the most beautiful of three goddesses - unusually the artist focuses on Paris and does not show the goddesses themselves. A painting of Paris recorded as owned by the marquis de Voyer d’Argenson in 1754 is probably to be identified with this work. It is now
Entry of Christ into Jerusalem (van Dyck) lay branches in his path. It is a very youthful, vigorous work, full of bright colors and slashing brushstrokes. The restlessness and muscularity of the figures are very Baroque. The naturalism and large size of figures gives them tremendous immediacy, lending drama to the narrative. Painted when van Dyck was only about 18, "Entry of Christ into Jerusalem" demonstrates his early mastery of the medium. He was already Peter Paul Rubens' principal assistant. While already working on developing his own, more robust style, van Dyck was heavily influenced by Rubens, as can be seen in the vibrant colors, dynamic composition,