Penny Lilac of the Penny Lilac was adapted from that used for revenue stamps in Britain from the early 1860s. In that respect it represented a break with 40 years of tradition in postage stamp design. Its predecessors (the Penny Black, the Penny Red and the Penny Venetian Red) all had rectangular designs. The use of the colour lilac for low value definitives was extended in 1884 when other low-value stamps were issued in lilac, with green then being used for higher-value stamps. The Penny Lilac was a surface-printed stamp and was issued in two forms: Penny Lilac stamps are often found
Penny reading Penny reading The penny reading was a form of popular public entertainment that arose in the United Kingdom in the middle of the 19th century, consisting of readings and other performances, for which the admission charged was one penny. Under the heading of "rational recreation", the penny reading proved to be accessible and was taken up by working class audiences. It built on the tradition of the penny gaff and "singing saloon". Writing in the mid-1860s, Thomas Wright as itinerant social observer found penny readings "exceedingly popular all over the country". Australian historian Joy Damousi documented the criticism by Thomas