Daniel van den Dyck the influence of Rubens in its sensuality and that of Anthony van Dyck in the livid tonality and the smooth and thin application of the paint. He is known to have created more altarpieces as well as portraits during his stay in Venice. Marco Boschini mentions in his "Le ricche minere della pittura veneziana" of 1674 a "Portrait of three lawyers" including Giovan Francesco Loredano (still alive) by van den Dyck as being kept at the Doge's Palace in Venice. Van den Dyck is also believed to have painted the frescos on the subject of Psyche in the "Villa Venier
Saint Martin and the Beggar (van Dyck) commission, possibly en route through the town from Antwerp to Italy. A later, larger variant of the painting exists in the Royal Collection. This dates from around 1620 and was probably left behind in Rubens' studio after van Dyck's departure that year - several copies exist, indicating it was still in Antwerp and available for other artists to copy. It was in Spain by the 1740s, where it was bought by Mr Bagnols and bought by Frederick, Prince of Wales before September 1747. Saint Martin and the Beggar (van Dyck) Saint Martin and the Beggar is a c.1618 painting of