Jessica (The Merchant of Venice) critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and her apparently selfish motivations and aimless behaviour. In her 1980 survey, "In Defense of Jessica: The Runaway Daughter in "The Merchant of Venice"", Camille Slights calls out Arthur Quiller-Couch's opinion in the 1926 "The Cambridge Dover Wilson Shakespeare" as an extreme but representative example: Slights sees this as a consequence of sympathetic readings of Shylock, where the play is seen primarily as exposing Christian hypocrisy, and his actions merely natural responses to ostracism and prejudice. In such a reading Jessica's
Jessica (The Merchant of Venice) decide that there is no point trying to convert their father to Christianity so he should be executed instead. All this is justified to the audience simply because Floripas converts to Christianity and Laban is a Saracene: Wilson concludes that since "The Merchant of Venice" was a comedy, and since its audience would be used to the conventions of medieval tales, an Elizabethan audience would not be overly concerned with Jessica's filial piety. "Like Floripas and Ferumbras and dozens of other medieval heathens she turned Christian, and that was obviously, and conventionally, the best possible thing she could do." Literary