The Master Builder "When We Dead Awaken", and "Hedda Gabler". Early reactions to the play by Ibsen's critics were mixed, possibly due its heightened ambiguities. Hilda, for example, seems to alternate roles between an inspiring force, urging Solness to temper his rampant ambition and so find real happiness, and a temptress, pushing Solness to commitments he cannot possibly fulfill. English critic William Archer (the play's original translator) suggests that the play is not as completely symbolic as some have maintained, interpreting it instead as "a history of a sickly conscience, worked out in terms of pure psychology". He notes that, in this regard,
The Play What I Wrote Branagh. The play proved a prolonged success and earned positive reviews. Michael Billington, reviewing for "The Guardian", wrote: "The real joy of the evening, however, is that the gags come thick and fast, producing a kind of comic delirium. Matt Wolf, reviewing for "Variety", wrote "...it’s the innocence of “The Play What I Wrote” (the grammatical inaccuracy of the title is part of its point) that represents the evening’s best calling card...the evening trades in old-fashioned verbal jokes...and visual ones." It won Foley and McColl a joint Best Actor nomination at the 2002 Laurence Olivier Awards and, although they did