Nineteenth-century theatre in 1828. He wrote 25 plays, the most famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). "A Doll's House" and "Ghosts" shocked conservatives: Nora's departure in "A Doll's House" was viewed as an attack on family and home, while the allusions to venereal disease and sexual misconduct in "Ghosts" were considered deeply offensive to standards of public decency. Ibsen refined Scribe's well-made play formula to make it more fitting to the realistic style. He provided a model for writers of the realistic school. In addition, his works "Rosmersholm" (1886) and
The Play What I Wrote Squeeze for the Scarlet Pimple", the "play within a play" (with a cameo by a mystery guest star) which formed the play's second half. It is named after the "play wot I wrote", the inept play supposedly written by Wise and featuring a celebrity guest which formed the finale to each Morecambe and Wise show. In "The Play What I Wrote", "Sean" writes a similarly inept play and is humoured by "Hamish" in the first half by having it performed. As in the Morecambe and Wise antecedent, the celebrity would play him or herself set up to appear, rather foolishly,