The Merchant of Venice that, as a convert, Shylock would have been cast out of the Jewish community in Venice, no longer allowed to live in the ghetto. Another interpretation of Shylock and a vision of how "must he be acted" appears at the conclusion of the autobiography of Alexander Granach, a noted Jewish stage and film actor in Weimar Germany (and later in Hollywood and on Broadway). The play has inspired many adaptions and several works of fiction. Edmond Haraucourt, French playwright and poet, was commissioned in the 1880s by the actor and theatrical director Paul Porel to make a French-verse adaptation of
The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother