Motifs in the James Bond film series demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual", as he is ""more" masculine, "more" sexually desirable, "more" heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with "Dr. No"; the suggestiveness of the images used had to be toned down in some countries. Bond girls often have highly suggestive names, including "Goldfinger"'s Pussy Galore, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however Honor Blackman
Motifs in the James Bond film series the opening sequence for the 1964 film "Goldfinger" shows clips from Bond films projected onto the gold-painted silhouette of actress Margaret Nolan: the titles have been described by Bond scholars Smith and Lavington as "Gorgeous, iconic, seminal." The concept for the titles came from designer Robert Brownjohn, who worked on "From Russia with Love" and "Goldfinger", before he fell out with producer Harry Saltzman and left the series. In creating the titles, Brownjohn was inspired by seeing light projecting on people's bodies as they got up and left a cinema; he was also influenced by constructivist artist László Moholy-Nagy projecting