Pepé Le Pew nationality, and purported bachelor status throughout, and the object of his pursuit was nearly always female. A possible second cameo appearance is at the end of "Fair and Worm-er" (Chuck Jones, 1946). This skunk doesn't speak, but looks identical (or is a close relation) and shares the same mode of travel and a slight variation of Pepé's hopping music. His function here is to chase a string of characters who had all been chasing each other (à la "There Was an Old Lady Who Swallowed a Fly"). A skunk often identified as Pepé appears in the Art Davis-directed cartoon "Odor
Pepe Martínez his mentor, Ramón Montoya. Pepe initially excelled in accompanying the "cante" and "baile" before developing a solo concert career. As an accompanist he played with such artists as Pepe Marchena, Niña de los Peines, Pepe Pinto, Juanito Valderrama, Niña de la Puebla, Niña de Antequera, Pepe Aznalcollar, Pepe Guillena, Niño de la Huerta amongst others. Pepe was cited by Carlos Montoya, in the New York Guitar Review, as being one of the very finest flamenco guitarists of his generation along with Manolo de Huelva, Sabicas, Mario Escudero and Niño Ricardo. Pepe Martínez made many recordings throughout his career, in Spain,