Daniel van den Dyck the influence of Rubens in its sensuality and that of Anthony van Dyck in the livid tonality and the smooth and thin application of the paint. He is known to have created more altarpieces as well as portraits during his stay in Venice. Marco Boschini mentions in his "Le ricche minere della pittura veneziana" of 1674 a "Portrait of three lawyers" including Giovan Francesco Loredano (still alive) by van den Dyck as being kept at the Doge's Palace in Venice. Van den Dyck is also believed to have painted the frescos on the subject of Psyche in the "Villa Venier
Crucifixion (van Dyck) in 1621 as the high altarpiece for the Jesuit church at the abbaye Saint-Winnoq in Bergues, now in the musée du Louvre. The second work's composition is more original, with a less central cross in an oblique position to give depth to the scene. The sky and the Magdalene's hair show the influence of the Venetian masters van Dyck had seen during his time in Italy. It was seized during the French Revolution and in 1795 it was part of the founding collection of the Palais des beaux-arts de Lille, where it still resides. The three colours worn by the