Susanna Phelps Gage Susanna Phelps Gage Susanna Phelps Gage (1857–1915) was an American embryologist and comparative anatomist. She initially worked on the anatomy of small animals and humans, later shifting into neurology to study the embryological development of the brain and the anatomy of the human nervous system. She also developed a new and widely adopted method for making anatomical teaching models out of paper rather than wax. Although Susanna Phelps Gage was a respected embryologist and camparative anatomist, her work was often ignored. Like most other women scientists of the late 19th and early 20th centuries who were married to scientists, Gage's
Écorché known as the “artist-anatomist” for the creation of a new science and the creative depiction to anatomy. Leonardo’s anatomical studies contributed to artistic exploration of the movement of the muscles, joints and bones. His goal was to analyze and understand the instruments behind the postures and gestures in the human body. The study of anatomical figures became popular among the medical academies across Europe around the 17th and 18th century, especially when there was a lack of bodies available for dissections. Medical students relied on these figures because they provided a good representation of what the anatomical model looks like.