The Merchant of Venice (opera) In his will he left his skull to the Royal Shakespeare Company for use in productions of "Hamlet". Tchaikowsky met the theatre director John O'Brien in 1968 and they agreed to attempt an opera on "The Merchant". O'Brien has noted "At first it seemed odd that [Tchaikowsky], as a Jew, would want to take Shylock on, particularly at a time when there was a feeling that Shakespeare was anti-Semitic, which is a nonsensical thing anyway." Most of the opera was written by 1978, and following discussions with the music critic Hans Keller, Tchaikowsky decided to submit it for consideration to
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss