Jessica (The Merchant of Venice) and happiness. For the Jessica–Shylock relationship, John Drakakis, the editor of The Arden Shakespeare's third series edition, highlights the verbal connection between "The Merchant of Venice" and "The Jew of Malta" with Barabas's words when Abigail rescues his gold and Shylock's at Jessica's theft of his Ducats. Another version of the play's plot can be found in Anthony Munday's "Zelauto: The Fountain of Fame Erected in an Orchard of Amorous Adventures" (1580). In this version it is Munday's Jessica analogue, Brisana, who pleads the case first in the courtroom scene, followed by Cornelia, the Portia analogue. But the Jessica–Lorenzo plot
Jessica (The Merchant of Venice) Christians (who do). Lorenzo joins them and Jessica recounts their conversation, leading to further banter between Lorenzo and Gobbo, until Gobbo leaves to prepare for dinner. In response to questioning by Lorenzo, Jessica praises Portia as great and peerless. Act 5, Scene 1—the final scene of the play, and following on from the courtroom scene in Act 4—opens with Jessica and Lorenzo strolling in the gardens of Belmont. They exchange romantic metaphors, invoking in turn characters from classical literature: "Troilus and Criseyde", Pyramus and Thisbē, Aeneas and Dido, Jason and Medea, and finally themselves in the same mode, until they