Glenda Jackson in his next project. She gained a second Academy Award for Best Actress for Frank's "A Touch of Class" (1973). She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's "Hedda Gabler". A later film version directed by Trevor Nunn was released as "Hedda" (1975), for which Jackson was nominated for an Oscar. In "The New York Times", Vincent Canby praised Jackson's performance: "This version of "Hedda Gabler" is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a
Hedda Vernon Piel. She also worked in other films directed by Piel and collaborated with Max Obal until 1914. Some of her early films are "The Struggle for the Heritage" (1912), "The Brown Beast" (1914), and "The Iron Cross" (1914). In 1914 she founded her own production company, Hedda Vernon Films, in Berlin and produced her own films for the Hedda Vernon series, including the self-directed "The Yellow Grimace" (1914) and "Hedda Vernon's Stage Sketch" (1916). She also acted in several Eiko film productions until the end of World War I, mainly under the direction of her husband Hubert Moest, who founded