The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
Jessica (The Merchant of Venice) and classical comedies, who are only fit to be dupes of their children …." The first critical notice of Jessica in the 18th century was made by William Warburton, who commented on the line in Act 5, Scene 1: "Fair ladies, you drop manna in the way / Of starvèd people." Warburton's comment was that ""Shakespear" is not more exact in any thing, than in adapting his images with propriety to his speakers; of which he has here given an instance in making the young "Jewess" call good fortune, "Manna"." Unfortunately, as Samuel Johnson explains rather drily—in a note to