Romantic literature in English what they deserve. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's "A Memoir of Jane Austen" introduced her to a wider public, and by the 1940s she had become accepted as a major writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Austen's works include "Sense and Sensibility" (1811), "Pride and Prejudice" (1813), "Mansfield Park" (1814), "Emma" (1815), "Northanger Abbey" (1817) and "Persuasion" (1817). Byron, Keats and Shelley all wrote for
Reception history of Jane Austen around him". Modern Austen scholar William Galperin has noted that "unlike some of Austen's lay readers, who recognized her divergence from realistic practice as it had been prescribed and defined at the time, Walter Scott may well have been the first to install Austen as the realist par excellence". Scott wrote in his private journal in 1826, in what later became a widely quoted comparison: "Northanger Abbey" and "Persuasion", published together posthumously in December 1817, were reviewed in the "British Critic" in March 1818 and in the "Edinburgh Review and Literary Miscellany" in May 1818. The reviewer for the "British