The Merchant of Venice (1969 film) or near Malaga, Spain (different takes may have been taken in each of these places), and some of these can be seen in the documentary "Orson Welles: The One Man Band" (1995), along with clips from the first third of "The Merchant of Venice". Welles left all his materials from his incomplete film projects, including this one, to Oja Kodar, and she in turn donated these materials to the Munich Filmmuseum, which created the compilation "Orson Welles's Shylock" in 2001, integrating the first eight minutes of the film, and the Shylock-in-a-trenchcoat footage later shot by Welles. Additional elements are at
Jessica (The Merchant of Venice) actions amount to abandoning her father and betraying him to his enemies. By the last half of the 20th century this "sentimentally sympathetic reading" was starting to be rejected, but without a corresponding reassessment of Jessica. She was still viewed as inhabiting primarily negative values, in contrast with the positive values associated with Portia, Bassanio, and Antonio. Writing in 1977, Raymond B. Waddington thinks that: Slights contradicts this view, pointing out that it conflicts with "a natural audience response" and argues that "we must question judgments that deny the most obvious emotional force of Shakespearean plots and characters." Shakespeare's plays