The Shepherd Paris (van Dyck) The Shepherd Paris (van Dyck) The Shepherd Paris is a c.1628 painting by the Flemish artist Anthony van Dyck, dating to just after the artist's return from Italy and showing the strong influence of Titian. It shows Paris during the Judgement of Paris, holding the golden apple he has been ordered to give to the most beautiful of three goddesses - unusually the artist focuses on Paris and does not show the goddesses themselves. A painting of Paris recorded as owned by the marquis de Voyer d’Argenson in 1754 is probably to be identified with this work. It is now
Pseudo-Jan van Kessel the Younger and execution and substantially higher in quality than the works, which have now been attributed to Pseudo Jan van Kessel the Younger. For the sake of convenience, the Netherlands Institute for Art History (RKD) catalogued paintings by Pseudo-Jan van Kessel II previously (until 2017) as 'studio of Jan van Kessel the Elder'. The artist is believed to have been working in southern Europe, likely Italy, during the late 16th and early 17th century. The themes and style of the works suggest that the artist was Flemish or of Flemish descent or was trained in the Flemish style. The artist should