Styles and themes of Jane Austen In "Sense and Sensibility", Austen experiments extensively for the first time with this technique. For example, As Austen scholar Norman Page explains, "the first sentence is straight narrative, in the 'voice' of the [narrator]; the third sentence is normal indirect speech; but the second and fourth are what is usually described as free indirect speech." In these two sentences, Austen represents the inner thoughts of the character and creates the illusion that the reader is entering the character's mind. She often uses indirect speech for background characters. However, Page writes that "for Jane Austen ... the supreme virtue of free
Reception history of Jane Austen of Austen's works. Almost simultaneously, influential critic Q. D. Leavis argued in "Critical Theory of Jane Austen's Writing", published in "Scrutiny" in the early 1940s, that Austen was a professional, not an amateur, writer. Harding's and Leavis's articles were followed by another revisionist treatment by Marvin Mudrick in "Jane Austen: Irony as Defense and Discovery" (1952). Mudrick portrayed Austen as isolated, defensive, and critical of her society, and described in detail the relationship he saw between Austen's attitude toward contemporary literature and her use of irony as a technique to contrast the realities of her society with what she felt