Motifs in the James Bond film series demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual", as he is ""more" masculine, "more" sexually desirable, "more" heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with "Dr. No"; the suggestiveness of the images used had to be toned down in some countries. Bond girls often have highly suggestive names, including "Goldfinger"'s Pussy Galore, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however Honor Blackman
Bond girl Rarity", "The Living Daylights", and "The Property of a Lady" feature female characters in prominent roles, but none of these women interact with Bond in a romantic way. There are several different archetypes for Bond girls: those who assist him, femme fatales (who invariably make an attempt on Bond's life), sacrificial lambs (female associates of Bond who wind up dead) and romantic interests. Since it is debatable whether certain girls fulfill certain tropes (i.e. If Bond kisses a girl does that make her a romantic interest? Is Pussy Galore a "femme fatale" due to her being in league with Goldfinger?)