Glenda Jackson in his next project. She gained a second Academy Award for Best Actress for Frank's "A Touch of Class" (1973). She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's "Hedda Gabler". A later film version directed by Trevor Nunn was released as "Hedda" (1975), for which Jackson was nominated for an Oscar. In "The New York Times", Vincent Canby praised Jackson's performance: "This version of "Hedda Gabler" is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a
Hedda Gabler protagonists of literature. By that, Krutch means that Hedda is neither logical nor insane in the old sense of being random and unaccountable. Her aims and her motives have a secret personal logic of their own. She gets what she wants, but what she wants is not anything that normal people would acknowledge (at least, not publicly) to be desirable. One of the significant things that such a character implies is the premise that there is a secret, sometimes unconscious, world of aims and methods — one might almost say a secret system of values — that is often much