Saad Nadim Witness 30. Evacuation Celebrations, 1956 31. Petroleum in Egypt 32. Museum of Civilization Series • Amada & Ibrim • Kalabsha & Beit Al Wadi • Abu Simbel • Saving Philae Temple 33. Railroad Museum 34. The Art of Our Country Series 35. The Nubians 36. A Story from the Nuba, 1963 37. A trip to the Nuba Series, 1961 • Philae • Kalbsha and Beit Al Wali • From Dandar to El-Subo3 • From Amada to Ibrim • Abu Simbel • Heritage of the Humanity • Life of the Residents, 38. The Artist Ragheb Ayad, 1965 39. Contemporary Egyptian Art,
Abu Simbel temples the small sanctuary represent scenes of offerings to various gods made either by the pharaoh or the queen. On the back wall, which lies to the west along the axis of the temple, there is a niche in which Hathor, as a divine cow, seems to be coming out of the mountain: the goddess is depicted as the Mistress of the temple dedicated to her and to queen Nefertari, who is intimately linked to the goddess. Each temple had its own priest that represents the king in daily religious ceremonies. In theory, the Pharaoh would have been the only celebrant