Saad Nadim Witness 30. Evacuation Celebrations, 1956 31. Petroleum in Egypt 32. Museum of Civilization Series • Amada & Ibrim • Kalabsha & Beit Al Wadi • Abu Simbel • Saving Philae Temple 33. Railroad Museum 34. The Art of Our Country Series 35. The Nubians 36. A Story from the Nuba, 1963 37. A trip to the Nuba Series, 1961 • Philae • Kalbsha and Beit Al Wali • From Dandar to El-Subo3 • From Amada to Ibrim • Abu Simbel • Heritage of the Humanity • Life of the Residents, 38. The Artist Ragheb Ayad, 1965 39. Contemporary Egyptian Art,
Egyptian temple from the distorting effect of additional construction. Many temples, known as hypogea, were cut entirely into living rock, as at Abu Simbel, or had rock-cut inner chambers with masonry courtyards and pylons, as at Wadi es-Sebua. They used much the same layout as free-standing temples but used excavated chambers rather than buildings as their inner rooms. In some temples, like the mortuary temples at Deir el-Bahari, the processional path ran up a series of terraces rather than sitting on a single level. The Ptolemaic Temple of Kom Ombo was built with two main sanctuaries, producing two parallel axes that run