Jan van Kessel the Younger are attributed about 200 small still lifes produced in Southern Europe in the late 16th and early 17th century. Jan van Kessel the Younger's small known authentic oeuvre is different in style and execution and substantially higher in quality than the works, which have now been attributed to Pseudo Jan van Kessel the Younger. His portrait style was described by his contemporary Antonio Palomino as very close to that of his fellow Flemish painter Anthony van Dyck. Van Kessel was a specialist of the genre of group portraits. An example is the "Portrait of a family in a garden" in
Saint Martin and the Beggar (van Dyck) commission, possibly en route through the town from Antwerp to Italy. A later, larger variant of the painting exists in the Royal Collection. This dates from around 1620 and was probably left behind in Rubens' studio after van Dyck's departure that year - several copies exist, indicating it was still in Antwerp and available for other artists to copy. It was in Spain by the 1740s, where it was bought by Mr Bagnols and bought by Frederick, Prince of Wales before September 1747. Saint Martin and the Beggar (van Dyck) Saint Martin and the Beggar is a c.1618 painting of