History of West Ham United F.C. record attendance far in excess of the organisers' expectations or stadium capacity, and the presence of "Billie," a horse, ridden by PC G.A. Scorey (sometimes given as "Storey") that was required to clear the pitch in order for play to start. As a result, the final is commonly referred to as ""The White Horse Final"". The team lost 2–0 on the day in what became the marquee event for football. Sometime during the late twenties the club acquired one of its other longstanding monikers. At the time a Pears soap commercial featuring the curly haired child in the Millais "Bubbles"
Isabella (Millais painting) violently kicks a frightened dog while cracking a nut. Millais and his colleague William Holman Hunt had both produced drawings illustrating episodes from the poem, but only Millais worked his up into a full painting (Hunt's 1868 "Isabella and the Pot of Basil" used a completely different composition). Both drawings used distorted perspective and angular poses characteristic of medieval art, by which the Pre-Raphaelites were influenced. Millais also draws on the precedent of William Hogarth's satirical depictions of an arranged marriage "Marriage à-la-mode". The painting is structured with deliberately distorted perspective, elongating the right hand side of the table and