Jessica (The Merchant of Venice) intends to collect on the "pound of flesh". Jessica informs them that she has heard her father speaking with his fellows, saying he "would rather have Antonio's flesh / Than twenty times the value of the sum / That he did owe him." Portia dispatches Bassanio to Venice to assist his friend, pausing only long enough for them to be married. Then announces that she and Nerissa, her maid, will stay in a nearby convent while their husbands are away. In her absence she asks Lorenzo and Jessica to manage her estate. In Act 3, Scene 5, Jessica and Gobbo
Jessica (The Merchant of Venice) actions amount to abandoning her father and betraying him to his enemies. By the last half of the 20th century this "sentimentally sympathetic reading" was starting to be rejected, but without a corresponding reassessment of Jessica. She was still viewed as inhabiting primarily negative values, in contrast with the positive values associated with Portia, Bassanio, and Antonio. Writing in 1977, Raymond B. Waddington thinks that: Slights contradicts this view, pointing out that it conflicts with "a natural audience response" and argues that "we must question judgments that deny the most obvious emotional force of Shakespearean plots and characters." Shakespeare's plays