Eleanor Phelps George Arliss who had starred as Shylock in Ames's Broadway production of Shakespeare's "The Merchant of Venice" during the Broadway season just ended. In any event, Ames offered Phelps the role of Jessica in the post-Broadway national tour of "Merchant of Venice." At the end of the University Players 1928 summer season, Phelps left Cape Cod to join Arliss and company and never returned to Falmouth. She loved "more than anything being in a play by Mister Shakespeare." Phelps appeared in motion pictures in the early 1930s with roles in "The Run Around" (1932), "The Count of Monte Cristo" (1934),
Jessica (The Merchant of Venice) actions amount to abandoning her father and betraying him to his enemies. By the last half of the 20th century this "sentimentally sympathetic reading" was starting to be rejected, but without a corresponding reassessment of Jessica. She was still viewed as inhabiting primarily negative values, in contrast with the positive values associated with Portia, Bassanio, and Antonio. Writing in 1977, Raymond B. Waddington thinks that: Slights contradicts this view, pointing out that it conflicts with "a natural audience response" and argues that "we must question judgments that deny the most obvious emotional force of Shakespearean plots and characters." Shakespeare's plays