Crucifixion (van Dyck) Crucifixion (van Dyck) The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced around 1630. It is 2.51 m high. It was originally commissioned as the high altar-piece in the convent of the Récollets in Lille during van Dyck's second Antwerp period, between his return from Italy in 1627 and his departure for London in 1632. It returned to a theme he had already painted around 1617-19 during his first Antwerp period, when he was still a studio-assistant to Rubens - this was "Crucifixion with the Virgin Mary, St John and St Mary Magdalene", sold to Rubens
Pseudo-Jan van Kessel the Younger Pseudo-Jan van Kessel the Younger Pseudo-Jan van Kessel the Younger or Pseudo-Jan van Kessel the (II) is the notname given to an artist or workshop to whom or which are attributed about 200 small still lifes likely dating to the late 16th and early 17th century. The artist's works rely on combinations of a limited number of motifs in rather simple to quite elaborate compositions. The motifs in the paintings are rendered in a rather naive and decorative manner. While the Flemish influence in the works hints at a Flemish artist or an artist who trained with a Flemish artist,