Christ Crowned with Thorns (van Dyck) then bought by Philip IV of Spain, who held it in the Escorial before it entered the Prado Museum in 1839. Christ Crowned with Thorns (van Dyck) Christ Crowned with Thorns is a 1619-20 painting by Anthony van Dyck. He produced it aged 20 during his first Antwerp period, when he was the main studio assistant and pupil of Peter Paul Rubens. It shows Rubens' influence in its relatively sombre palette, chiaroscuro and highly realistic portrayal of musculature. He seems to have completed it early during his stay in Italy, since it also shows the influence of Titian and other
Crucifixion (van Dyck) in 1621 as the high altarpiece for the Jesuit church at the abbaye Saint-Winnoq in Bergues, now in the musée du Louvre. The second work's composition is more original, with a less central cross in an oblique position to give depth to the scene. The sky and the Magdalene's hair show the influence of the Venetian masters van Dyck had seen during his time in Italy. It was seized during the French Revolution and in 1795 it was part of the founding collection of the Palais des beaux-arts de Lille, where it still resides. The three colours worn by the