The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
The Merchant of Venice edition in 1600 states that it had been performed "divers times" by that date. Salerino's reference to his ship the "Andrew" (I,i,27) is thought to be an allusion to the Spanish ship "St. Andrew," captured by the English at Cádiz in 1596. A date of 1596–97 is considered consistent with the play's style. The play was entered in the Register of the Stationers Company, the method at that time of obtaining copyright for a new play, by James Roberts on 22 July 1598 under the title "The Merchant of Venice", otherwise called "The Jew of Venice". On 28 October 1600