La fille aux cheveux de lin divergence from Debussy's style at the time. Completed in January 1910, it was published three months later and premiered in June of that same year. The prelude is one of Debussy's most recorded pieces, both in its original version and in subsequent various arrangements. The title "La fille aux cheveux de lin" was inspired by Leconte de Lisle's poem by the same name, one of his "Chansons écossaises" (Scottish songs) from his 1852 collection "Poèmes antiques" (Ancient Poems). The image of a girl with flaxen-coloured hair has been utilized in fine art as a symbol of innocence and naivety. Musical
Theology of the Body part of longstanding Church tradition — a tradition that was created in the context of scriptural teachings. The ability of the human body to express "truth" through the sexual union of married couples is acclaimed. The moral wrongness of using artificial means to manipulate such a significant aspect of the created body is explained. Dominion over outside forces, and also self-mastery through discipline, are integral human drives. However, the language expressed by bodies, in this context the language expressed during sexual intercourse, is so damaged by the use of artificial contraception that the conjugal act ""ceases to be an act