Pepé Le Pew but sounds similar to Porky Pig. In the shorts, a kind of pseudo-French or Franglais is spoken and written primarily by adding "le" to English words (example: "le skunk de pew"), or by more creative mangling of French expressions with English ones, such as ""Sacré Maroon!"", ""My sweet peanut of brittle"", ""Come to me, my little melon-baby collie!"" or ""Ah, my little darling, it is love at first sight, is it not, no?"", and ""It is love at sight first!"" The writer responsible for these malapropisms was Michael Maltese. Some dialogue from the Oscar-winning 1949 short "For Scent-imental Reasons": Blanc's
Pepe Martínez his mentor, Ramón Montoya. Pepe initially excelled in accompanying the "cante" and "baile" before developing a solo concert career. As an accompanist he played with such artists as Pepe Marchena, Niña de los Peines, Pepe Pinto, Juanito Valderrama, Niña de la Puebla, Niña de Antequera, Pepe Aznalcollar, Pepe Guillena, Niño de la Huerta amongst others. Pepe was cited by Carlos Montoya, in the New York Guitar Review, as being one of the very finest flamenco guitarists of his generation along with Manolo de Huelva, Sabicas, Mario Escudero and Niño Ricardo. Pepe Martínez made many recordings throughout his career, in Spain,