History of theatre famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). In addition, his works "Rosmersholm" (1886) and "When We Dead Awaken" (1899) evoke a sense of mysterious forces at work in human destiny, which was to be a major theme of symbolism and the so-called "Theatre of the Absurd". After Ibsen, British theatre experienced revitalization with the work of George Bernard Shaw, Oscar Wilde, John Galsworthy, William Butler Yeats, and Harley Granville Barker. Unlike most of the gloomy and intensely serious work of their contemporaries, Shaw and Wilde wrote primarily in the
The Play What I Wrote Branagh. The play proved a prolonged success and earned positive reviews. Michael Billington, reviewing for "The Guardian", wrote: "The real joy of the evening, however, is that the gags come thick and fast, producing a kind of comic delirium. Matt Wolf, reviewing for "Variety", wrote "...it’s the innocence of “The Play What I Wrote” (the grammatical inaccuracy of the title is part of its point) that represents the evening’s best calling card...the evening trades in old-fashioned verbal jokes...and visual ones." It won Foley and McColl a joint Best Actor nomination at the 2002 Laurence Olivier Awards and, although they did