New Woman "Aurora Leigh" (1856), which explored a woman's plight between conventional marriage and the radical possibility that a woman could become an independent artist. In drama, the late nineteenth century saw such "New Woman" plays as Henrik Ibsen's "A Doll's House" (1879) and "Hedda Gabler" (1890), Henry Arthur Jones's play "The Case of Rebellious Susan" (1894) and George Bernard Shaw's controversial "Mrs. Warren's Profession" (1893) and "Candida" (1898). According to a joke by Max Beerbohm (1872–1956), "The New Woman sprang fully armed from Ibsen's brain" (an allusion to the birth of Athena). Bram Stoker's Dracula makes prominent mention of the New
Hedda Sterne in words. Grace Glueck wrote: Hedda Sterne views her widely varied works more as "in flux" than as definitive statements. She has maintained a stubborn independence from styles and trends, including Surrealism and Abstract Expressionism ... Although she never developed a signature style, Ms. Sterne's explorations have produced a small universe of evocative images. Sterne has been often overlooked in art historical narratives of the post-war American art scene. At the time of her death, possibly the last surviving artist of the first generation of the New York School, Hedda Sterne viewed her widely varied works more as "in flux"