Variations and Fugue on a Theme by Handel located. In other words, what gives unity to the variation set ... is not the theme as such, but rather a network of 'family resemblances', to use Wittgenstein's term, between the different variations." There are various opinions about the organization of the "Handel Variations". Hans Meyer, for example, sees the divisions as nos. 1–8 ('strict'), 9–12 ('free'), 13 ('synthesis'), 14–17 ('strict') and 18–25 ('free'), culminating, of course, in the fugue. William Horne emphasizes paired variations: nos. 3 and 4, 5 and 6, 7 and 8, 11 and 12, 13 and 14, 23 and 24. This helps him to group the
Standard 8 mm film Standard 8 mm film Standard 8 mm film, also known as Regular 8 mm film, Double 8 mm film, Double Regular 8 mm film, or simply as Standard-8 or Regular-8, is a film format originally developed by the Eastman Kodak company and released onto the market in 1932. The format, initially known as "Cine Kodak Eight", was developed by Kodak to provide a cheaper and more portable alternative to the 16 mm film format introduced a decade earlier. Standard 8 mm film stock consists of 16 mm film reperforated to have twice the usual number of perforations along its edges,