Reception history of Jane Austen Critic" felt that Austen's exclusive dependence on realism was evidence of a deficient imagination. The reviewer for the "Edinburgh Review" disagreed, praising Austen for her "exhaustless invention" and the combination of the familiar and the surprising in her plots. Overall, Austen scholars have pointed out that these early reviewers did not know what to make of her novels—for example, they misunderstood her use of irony. Reviewers reduced "Sense and Sensibility" and "Pride and Prejudice" to didactic tales of virtue prevailing over vice. In the "Quarterly Review" in 1821, the English writer and theologian Richard Whately published the most serious and
Jane Austen referred to Austen several times with approval and on one occasion ranked her with Shakespeare, Cervantes, and Henry Fielding as among "the fine painters of life". The publication of James Edward Austen-Leigh's "A Memoir of Jane Austen" in 1869 introduced Austen to a wider public as "dear aunt Jane", the respectable maiden aunt. Publication of the "Memoir" spurred the reissue of Austen's novels – the first popular editions were released in 1883 and fancy illustrated editions and collectors' sets quickly followed. Author and critic Leslie Stephen described the popular mania that started to develop for Austen in the 1880s as