Assamese language in East Goalpariya and Kamrupi, otherwise used extensively further east. The change of to and then to ; all these have been attributed to Tibeto-Burman influence by Dr. Chatterjee. Assamese, Odia and Bengali, in contrast to other Indo-Aryan languages, use the velar nasal (the English "ng" in "sing") extensively. In many languages, while the velar nasal is commonly restricted to preceding velar sounds, in Assamese it can occur intervocalically. This is another feature it shares with other languages of Northeast India, though in Assamese the velar nasal never occurs word-initially. Eastern Indic languages like Assamese, Bengali, Sylheti, and Odia do
Assamese poetry in tone and tenor, and so does the Assamese version. Since all the adaptations are being rooted in Sanskrit, making no contrary to this Assamese literature (poetry) was at the devotional tone and tenor. The starting of Assamese Poetry is marked with the adaptation from Sanskrit "puranas" into Assamese by the poet-scholar "Hema Saravswati" in the early 13th century. His first adaptation was "Prahlad-Charita" adapted from "Vamana Purana". Starting with a very few adaptations, Assamese Poetry were of devotional type in the very beginning. Later the adaptations got divided into two types – religious and secular. During the period of