Great and Small Temples of Abu Simbel and Small temples are carved to represent pylons – the monumental trapezoidal gates representative of the Egyptian for horizon characteristic of all Egyptian temples. The multiple halls and rooms required for storing temple offerings are also present, carved deep into the sandstone mound. Four colossi depicting Ramesses II as a god flank the entrance to the temple. Ramesses II is depicted as seated, wearing the royal kilt, wearing the nemes headdress and either the crown of Lower Egypt (the Northern two) or the combined crown of Lower and Upper Egypt (the Southern two). Graffiti on the legs of the colossi
Great and Small Temples of Abu Simbel from soldiers on campaigns that span from the Greco-Roman period to the British suppression of uprisings in Sudan present an interesting picture of the people who passed that way. Next to Ramesses II’s legs are eleven other, much smaller figures of family members, including his wife, Nefertari; his mother, Queen Tuya; and some of his children. Since scale in Egyptian art was meant to show relative importance, it is clear that Ramesses II is the main focus of the temple. In Egyptian temples, gods were typically depicted as exiting from their shrines. Above the entrance to the Great Temple at