Anna Morandi Manzolini Poggi in Bologna. One is a self-portrait, in which she depicts herself at work dissecting a human brain; the other is of her husband, engaged in similar activity. Her wax models were highly prized while she was alive and long after her death. Some of her anatomical models were so skillfully molded that they were extremely difficult to distinguish from the actual body parts from which they were copied. Furthermore, her acute skill at dissection resulted in her discovery of several previously unknown anatomical parts, including the termination of the oblique muscle of the eye. She held the distinction of
18th-century American piracy of British literature more about how much circulation and exposure these pieces received. This feeling of inspiration eventually backfired when the American authors were intimidated by the intense connection and dependence on British authors and did not produce many. Eventually, the resentment for the lack of Americanism led to a change in Harper's to include more national, not international, authors. This change never really paid off and the magazine did not see the same amount of success and profit that it received from the British pirated material. 18th-century American piracy of British literature 18th-century American piracy of British literature refers to the practice