The Master Builder "When We Dead Awaken", and "Hedda Gabler". Early reactions to the play by Ibsen's critics were mixed, possibly due its heightened ambiguities. Hilda, for example, seems to alternate roles between an inspiring force, urging Solness to temper his rampant ambition and so find real happiness, and a temptress, pushing Solness to commitments he cannot possibly fulfill. English critic William Archer (the play's original translator) suggests that the play is not as completely symbolic as some have maintained, interpreting it instead as "a history of a sickly conscience, worked out in terms of pure psychology". He notes that, in this regard,
Hedda Sterne de Kooning, Adolph Gottlieb, Ad Reinhardt, and Hedda Sterne. Although the sculptors Louise Bourgeois and Mary Callery were among the signers of the letter, Hedda Sterne was the only woman in the photograph. This singularity made her name known to many who were unfamiliar with her work; as she remarked near the end of her life, "I am known more for that darn photo than for 80 years of work." In 1963, Sterne was granted a Fulbright Fellowship in painting, and spent more than a year working in Venice. Returning to New York in 1964, Sterne eschewed pressure to create