The Merchant of Venice (opera) In his will he left his skull to the Royal Shakespeare Company for use in productions of "Hamlet". Tchaikowsky met the theatre director John O'Brien in 1968 and they agreed to attempt an opera on "The Merchant". O'Brien has noted "At first it seemed odd that [Tchaikowsky], as a Jew, would want to take Shylock on, particularly at a time when there was a feeling that Shakespeare was anti-Semitic, which is a nonsensical thing anyway." Most of the opera was written by 1978, and following discussions with the music critic Hans Keller, Tchaikowsky decided to submit it for consideration to
The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother