The Betrayal of Christ (van Dyck, Bristol) is currently in storage. The Betrayal of Christ (van Dyck, Bristol) The Betrayal of Christ is a c.1618-20 painting by Anthony van Dyck. He also produced two other versions of the same subject at around the same time, now in Madrid and Minneapolis. It was acquired by Paul Methuen. He bequeathed it to his cousin and godson Paul Methuen in 1757, who displayed it at Corsham Court. It remained in the family until 1984, when it was accepted by the UK government in lieu of inheritance tax and allocated to Bristol Museum and Art Gallery, which continues to hang it
Gonzales Coques such as Rubens. However, the most important influence on his work was van Dyck. Some of Coques’ works can in fact be regarded as the transposition of van Dyck compositions to smaller scale cabinet pieces. It can be said that he provided to well-off bourgeoisie what van Dyck was providing to his aristocratic patron. In that role he replaced from the 1640s the other leading 17th century portrait painter to the bourgeoisie in Antwerp, Cornelis de Vos, who concentrated from that time onwards more on his history paintings. He is credited with introducing a new kind of portrait genre in