Andrew Pears complexions. After much trial and error he found a way of removing the impurities and refining the base soap before adding the delicate perfume of garden flowers. His product was a high-quality soap, and had the additional benefit of being transparent. Soap refined in this way is transparent and makes longer-lasting bubbles. The transparency was the unique product plus that established the image of Pears soap. His method of mellowing and ageing each long-lasting Pears Bar, for over two months, is still used today where natural oils and pure glycerine are combined with the delicate fragrance of rosemary, cedar and
Isabella (Millais painting) flattening the figures ranged along it. Following Pre-Raphaelite theory, Millais almost eliminates chiaroscuro and exaggerates the intensity of juxtaposed colours and tones - as evidenced in the flat black tunic set against the sharply modelled white cloth of the servant at the right, whose lower body virtually disappears as his yellow stockings semi-merge with the background. Millais also carefully characterises each figure with equal precision. Another distinctive Pre-Raphaelite feature is the inclusion of images and patterns within the image as a whole. Each of the plates has a distorted picture glazed into its surface. The base of the bench on