Nineteenth-century theatre in 1828. He wrote 25 plays, the most famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). "A Doll's House" and "Ghosts" shocked conservatives: Nora's departure in "A Doll's House" was viewed as an attack on family and home, while the allusions to venereal disease and sexual misconduct in "Ghosts" were considered deeply offensive to standards of public decency. Ibsen refined Scribe's well-made play formula to make it more fitting to the realistic style. He provided a model for writers of the realistic school. In addition, his works "Rosmersholm" (1886) and
Hedda (film) performance, "This version of “Hedda Gabler” is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a character like Hedda. Her command of her voice and her body," and concluded, "the physical production is handsome, and Mr. Nunn is most successful in preserving the claustrophobic nature of the play without creating a static film. "Hedda" is an imaginative, intelligent film version of a play that I wasn't breathlessly waiting to see at this moment." Judith Crist of Saturday Review wrote, "... a startlingly fresh and perceptive version written