Cupid and Psyche (van Dyck) Cupid and Psyche (van Dyck) Cupid and Psyche is a 1638–40 painting by Anthony van Dyck. It is now in the Royal Collection and shown in Kensington Palace. Psyche may be modelled on van Dyck's mistress Margaret Lemon. One of the last in his oeuvre, it shows a marked influence of Titian and dates from his time as a court artist to Charles I of England. It is his sole surviving mythological painting from that period and possibly comes from a series of paintings on the Cupid and Psyche theme ordered for the Queen's House at Greenwich - other artists
Ernest van Dyck "Der Evangelimann" in London in 1897. Van Dyck made his American debut on 29 November 1898, singing Tannhäuser at the Metropolitan Opera. He stayed in New York City until the 1901-02 season, singing not only Wagner roles but also parts in French operas. Having made his debut at Covent Garden in 1891, in 1907 he undertook a season of German opera there. In 1914 he appeared in the first Parisian performances of "Parsifal". For the Musica journal, n° 13, October 1903 he wrote an article on 'Richard Wagner et l’interprétation'. Van Dyck sang in the first performance of Debussy's "L'enfant