Penny Lilac of the Penny Lilac was adapted from that used for revenue stamps in Britain from the early 1860s. In that respect it represented a break with 40 years of tradition in postage stamp design. Its predecessors (the Penny Black, the Penny Red and the Penny Venetian Red) all had rectangular designs. The use of the colour lilac for low value definitives was extended in 1884 when other low-value stamps were issued in lilac, with green then being used for higher-value stamps. The Penny Lilac was a surface-printed stamp and was issued in two forms: Penny Lilac stamps are often found
Penny dreadful young.” While the term "penny dreadful" was originally used in reference to a specific type of literature circulating in mid-Victorian Britain, it came to encompass a variety of publications that featured cheap sensational fiction, such as story papers and booklet "libraries". The penny dreadfuls were printed on cheap wood pulp paper and were aimed at young working class men. More than a million boys’ periodicals were sold a week, but the popularity of penny dreadfuls was challenged in the 1890s by the rise of competing literature, especially the half-penny periodicals published by Alfred Harmsworth. Crime broadsides were commonly sold at