History of cross-dressing the Pelennor Fields outside the city Minas Tirith. In Tamora Pierce's Song of the Lioness series, the main character, Alanna, disguises herself as a boy for eight years in order to become a knight. William Shakespeare made substantial use of cross-dressing for female characters who took on masculine clothing to carry out actions difficult for women. In "The Merchant of Venice", Portia and her maid dress as men to plead in court on the merchant's behalf, and are quite successful in their ruse; in the same play, Shylock's daughter Jessica dresses as a man to elope with her Christian lover.
Jessica (The Merchant of Venice) Warburton's note—in his 1765 edition: "The commentator should have remarked, that this speech is not, even in his own edition, the speech of the "Jewess"." The lines in question are usually assigned Lorenzo. The next was by Edmond Malone in his 1790 edition. The editor of the "Second Folio" (1632) had emended the line "If a Christian do not / play the knave and get thee, I am much deceived", substituting "did" for "do". This changed the meaning, as an acerbic Malone points out: Malone's position turned out to be somewhat controversial. In his revised edition in 1821, multiple notes