Reception history of Jane Austen Critic" felt that Austen's exclusive dependence on realism was evidence of a deficient imagination. The reviewer for the "Edinburgh Review" disagreed, praising Austen for her "exhaustless invention" and the combination of the familiar and the surprising in her plots. Overall, Austen scholars have pointed out that these early reviewers did not know what to make of her novels—for example, they misunderstood her use of irony. Reviewers reduced "Sense and Sensibility" and "Pride and Prejudice" to didactic tales of virtue prevailing over vice. In the "Quarterly Review" in 1821, the English writer and theologian Richard Whately published the most serious and
Jane Austen conservative upholding the values of Regency society. Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and