La fille aux cheveux de lin divergence from Debussy's style at the time. Completed in January 1910, it was published three months later and premiered in June of that same year. The prelude is one of Debussy's most recorded pieces, both in its original version and in subsequent various arrangements. The title "La fille aux cheveux de lin" was inspired by Leconte de Lisle's poem by the same name, one of his "Chansons écossaises" (Scottish songs) from his 1852 collection "Poèmes antiques" (Ancient Poems). The image of a girl with flaxen-coloured hair has been utilized in fine art as a symbol of innocence and naivety. Musical
Body without organs Body without organs The "body without organs" () is a concept used by French philosopher Gilles Deleuze. It usually refers to the deeper reality underlying some well-formed whole constructed from fully functioning parts. At the same time, it may also describe a relationship to one's literal body. Deleuze began using the term in "The Logic of Sense" (1969), while discussing the experiences of playwright Antonin Artaud. "Body without Organs" (or "BwO") later became a major part of the vocabulary for "Capitalism and Schizophrenia", two volumes ("Anti-Oedipus" [1972] and "A Thousand Plateaus" [1980]) written collaboratively with Félix Guattari. In these works,