Variations and Fugue on a Theme by Handel located. In other words, what gives unity to the variation set ... is not the theme as such, but rather a network of 'family resemblances', to use Wittgenstein's term, between the different variations." There are various opinions about the organization of the "Handel Variations". Hans Meyer, for example, sees the divisions as nos. 1–8 ('strict'), 9–12 ('free'), 13 ('synthesis'), 14–17 ('strict') and 18–25 ('free'), culminating, of course, in the fugue. William Horne emphasizes paired variations: nos. 3 and 4, 5 and 6, 7 and 8, 11 and 12, 13 and 14, 23 and 24. This helps him to group the
What Lies Beneath 35 reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. The "New York Times" wrote that, "at the start, [Zemeckis] zaps us with quick, glib scares, just to show he still knows how, but his heart isn't in this kind of material anymore. His reflexes are a little slow." The "Los Angeles Times" called it "spooky with a polished kind of creepiness added in... "What Lies Beneath" nevertheless feels more planned than passionate, scary at points but unconvincing overall." The "Chicago Sun-Times" wrote: "Lacking a smarter screenplay, it milks the