Henrik Ibsen conventions. Many modern readers, who might regard anti-Victorian didacticism as dated, simplistic or hackneyed, have found these later works to be of absorbing interest for their hard-edged, objective consideration of interpersonal confrontation. "Hedda Gabler" is probably Ibsen's most performed play, with the title role regarded as one of the most challenging and rewarding for an actress even in the present day. "Hedda Gabler" and "A Doll's House" center on female protagonists whose almost demonic energy proves both attractive and destructive for those around them, and while Hedda has a few similarities with the character of Nora in "A Doll's House",
The Play What I Wrote Branagh. The play proved a prolonged success and earned positive reviews. Michael Billington, reviewing for "The Guardian", wrote: "The real joy of the evening, however, is that the gags come thick and fast, producing a kind of comic delirium. Matt Wolf, reviewing for "Variety", wrote "...it’s the innocence of “The Play What I Wrote” (the grammatical inaccuracy of the title is part of its point) that represents the evening’s best calling card...the evening trades in old-fashioned verbal jokes...and visual ones." It won Foley and McColl a joint Best Actor nomination at the 2002 Laurence Olivier Awards and, although they did