New Woman "Aurora Leigh" (1856), which explored a woman's plight between conventional marriage and the radical possibility that a woman could become an independent artist. In drama, the late nineteenth century saw such "New Woman" plays as Henrik Ibsen's "A Doll's House" (1879) and "Hedda Gabler" (1890), Henry Arthur Jones's play "The Case of Rebellious Susan" (1894) and George Bernard Shaw's controversial "Mrs. Warren's Profession" (1893) and "Candida" (1898). According to a joke by Max Beerbohm (1872–1956), "The New Woman sprang fully armed from Ibsen's brain" (an allusion to the birth of Athena). Bram Stoker's Dracula makes prominent mention of the New
Milt Gabler keeping most of these recordings available. However, through the late 1950s and 1960s, Gabler continued to guide the direction of Decca, writing songs and producing hit singles including Brenda Lee’s “I’m Sorry” and albums including "Jesus Christ Superstar". Gabler also continued to produce all of the Comets' recordings for Decca until they left the label in 1959. Milt Gabler also produced all studio-albums in Hamburg for Bert Kaempfert and his Orchestra from 1960 to the latter's death in June 1980. He wrote many lyrics for Kaempfert songs, like "L-O-V-E", a very big hit for Nat King Cole, "Danke schoen", etc.