Daniel van den Dyck the influence of Rubens in its sensuality and that of Anthony van Dyck in the livid tonality and the smooth and thin application of the paint. He is known to have created more altarpieces as well as portraits during his stay in Venice. Marco Boschini mentions in his "Le ricche minere della pittura veneziana" of 1674 a "Portrait of three lawyers" including Giovan Francesco Loredano (still alive) by van den Dyck as being kept at the Doge's Palace in Venice. Van den Dyck is also believed to have painted the frescos on the subject of Psyche in the "Villa Venier
Ernest van Dyck "Der Evangelimann" in London in 1897. Van Dyck made his American debut on 29 November 1898, singing Tannhäuser at the Metropolitan Opera. He stayed in New York City until the 1901-02 season, singing not only Wagner roles but also parts in French operas. Having made his debut at Covent Garden in 1891, in 1907 he undertook a season of German opera there. In 1914 he appeared in the first Parisian performances of "Parsifal". For the Musica journal, n° 13, October 1903 he wrote an article on 'Richard Wagner et l’interprétation'. Van Dyck sang in the first performance of Debussy's "L'enfant