Crucifixion (van Dyck) delta' symbolising the Holy Trinity. Crucifixion (van Dyck) The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced around 1630. It is 2.51 m high. It was originally commissioned as the high altar-piece in the convent of the Récollets in Lille during van Dyck's second Antwerp period, between his return from Italy in 1627 and his departure for London in 1632. It returned to a theme he had already painted around 1617-19 during his first Antwerp period, when he was still a studio-assistant to Rubens - this was "Crucifixion with the Virgin Mary, St John and St
Anthony van Dyck his nine-month visit, during which he was knighted. Charles's court portraitist, Daniel Mytens, was a somewhat pedestrian Dutchman. Charles was very short, less than tall, and presented challenges to a portrait artist. Van Dyck had remained in touch with the English court and had helped King Charles's agents in their search for pictures. He had also sent back some of his own works, including a portrait (1623) of himself with Endymion Porter, one of Charles's agents, a mythological work, "Rinaldo and Armida" (1629, now in the Baltimore Museum of Art), and a religious picture for the Queen. He had also