Crucifixion (van Dyck) delta' symbolising the Holy Trinity. Crucifixion (van Dyck) The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced around 1630. It is 2.51 m high. It was originally commissioned as the high altar-piece in the convent of the Récollets in Lille during van Dyck's second Antwerp period, between his return from Italy in 1627 and his departure for London in 1632. It returned to a theme he had already painted around 1617-19 during his first Antwerp period, when he was still a studio-assistant to Rubens - this was "Crucifixion with the Virgin Mary, St John and St
Anthony van Dyck a "Van Dyke" was popular; Gainsborough's "The Blue Boy" is wearing such a "Van Dyke" outfit. In 1774 Derby porcelain advertised a figure, after a portrait by Johann Zoffany, of "the King in a Vandyck dress". A confusing number of different pigments used in painting have been called "Vandyke brown" (mostly in English-language sources). Some predate van Dyck, and it is not clear that he used any of them. Van Dyke brown is an early photographic printing process using the same colour. When van Dyck was knighted in 1632, he anglicized his name to Vandyke. The British Royal Collection, which