Variations and Fugue on a Theme by Handel located. In other words, what gives unity to the variation set ... is not the theme as such, but rather a network of 'family resemblances', to use Wittgenstein's term, between the different variations." There are various opinions about the organization of the "Handel Variations". Hans Meyer, for example, sees the divisions as nos. 1–8 ('strict'), 9–12 ('free'), 13 ('synthesis'), 14–17 ('strict') and 18–25 ('free'), culminating, of course, in the fugue. William Horne emphasizes paired variations: nos. 3 and 4, 5 and 6, 7 and 8, 11 and 12, 13 and 14, 23 and 24. This helps him to group the
What Lies Ahead Robert Kirkman said that after editing "there were certain things that just got left on the cutting room floor". "What Lies Ahead" is an extended premiere, the result of a decision to combine what were originally designed to be the first two episodes of the season. This led to much of the original first episode, titled "Miles Behind Us," to be discarded, and is also the reason that the premiere contains dual credits for both writer and director. "Miles Behind Us," which was written by then-showrunner Frank Darabont and directed by Gwyneth Horder-Payton (an alumnus from the first season), began