The Shepherd Paris (van Dyck) The Shepherd Paris (van Dyck) The Shepherd Paris is a c.1628 painting by the Flemish artist Anthony van Dyck, dating to just after the artist's return from Italy and showing the strong influence of Titian. It shows Paris during the Judgement of Paris, holding the golden apple he has been ordered to give to the most beautiful of three goddesses - unusually the artist focuses on Paris and does not show the goddesses themselves. A painting of Paris recorded as owned by the marquis de Voyer d’Argenson in 1754 is probably to be identified with this work. It is now
Pieter van Aelst (17th century) at a later date. Pieter van Aelst (17th century) Peter van Aelst, Peeter van Aelst or Pieter van Aelst was a Flemish genre painter and draughtsman active in Antwerp from 1644 to 1654. There are no records about the life and training of this artist active in Antwerp in the mid-17th century. He is currently known for only one work attributed to him. It represents the "Ommegang in Antwerp". As it was probably painted between 1644 and 1654, this composition was possibly the inspiration for the various interpretations of the subject, which Flemish artists such as Erasmus de Bie and