Motifs in the James Bond film series demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual", as he is ""more" masculine, "more" sexually desirable, "more" heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with "Dr. No"; the suggestiveness of the images used had to be toned down in some countries. Bond girls often have highly suggestive names, including "Goldfinger"'s Pussy Galore, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however Honor Blackman
Goldfinger (film) underneath the table to which Bond was strapped. The opening credit sequence was designed by graphic artist Robert Brownjohn, featuring clips of all James Bond films thus far projected on Margaret Nolan's body. Its design was inspired by seeing light projecting on people's bodies as they got up and left a cinema. Visually, the film uses many golden motifs, reflecting the novel's treatment of Goldfinger's obsession with the metal. All of Goldfinger's female henchwomen in the film except his private jet's co-pilot (black hair) and stewardess (who is Korean) are red-blonde, or blonde, including Pussy Galore and her Flying Circus