Joseph Bonomi the Younger into debt and was eventually happy to accept a modestly paid commission to accompany Robert Hay on an expedition, via Malta, to Egypt in 1824. This began a lifelong interest in Egyptology. From 1824 to 1826, he was a member of Hay's expedition where he sketched many antiquities. At Abu Simbel in 1825, Bonomi – responding to Hay's demands for great accuracy – devised a drawing frame (a viewfinder-type device equipped with a sight and a string or wire grid) to help them draw the temples' interior decorations. The expedition then moved on to Kalabsha, where Bonomi laboured to produce
Art of ancient Egypt famous row of four colossal statues outside the main temple at Abu Simbel each show Rameses II, a typical scheme, though here exceptionally large. Most larger sculptures survive from Egyptian temples or tombs; massive statues were built to represent gods and pharaohs and their queens, usually for open areas in or outside temples. The very early colossal Great Sphinx of Giza was never repeated, but avenues lined with very large statues including sphinxes and other animals formed part of many temple complexes. The most sacred cult image of a god in a temple, usually held in the naos, was in