The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
Shakespeare for My Father she lost to Madeline Kahn), and went on to play in Canada, Melbourne, and at the Haymarket in London. The play received significant critical acclaim. "New York Magazine" described "Shakespeare for my Father" as "a one-woman show by Lynn Redgrave in which she reminisces about life with her father, Sir Michael Redgrave, with full scenes from Shakespeare's works", and stated that Redgrave's "sense of humor makes it a pleasure and privilege to watch". Patti Hartigan of "The Boston Globe" described the play as a "triumph", and Lloyd Rose of "The Washington Post" said of Redgrave's performance, "Particularly when she is