Styles and themes of Jane Austen In "Sense and Sensibility", Austen experiments extensively for the first time with this technique. For example, As Austen scholar Norman Page explains, "the first sentence is straight narrative, in the 'voice' of the [narrator]; the third sentence is normal indirect speech; but the second and fourth are what is usually described as free indirect speech." In these two sentences, Austen represents the inner thoughts of the character and creates the illusion that the reader is entering the character's mind. She often uses indirect speech for background characters. However, Page writes that "for Jane Austen ... the supreme virtue of free
Reception history of Jane Austen used realism as a way of attacking patriarchy from the outside as opposed to subverting it from within by irony as Gilbert and Gubar claimed. The interest generated in Austen by these critics led to the discovery and study of other woman writers of the time. Moreover, with the publication of Julia Prewitt Brown's "Jane Austen's Novels: Social Change and Literary Form" (1979), Margaret Kirkham's "Jane Austen: Feminism and Fiction" (1983), and Claudia L. Johnson's "Jane Austen: Women, Politics and the Novel" (1988), scholars were no longer able to easily argue that Austen was "apolitical, or even unqualifiedly 'conservative'". Kirkham,