The Merchant of Venice (opera) In his will he left his skull to the Royal Shakespeare Company for use in productions of "Hamlet". Tchaikowsky met the theatre director John O'Brien in 1968 and they agreed to attempt an opera on "The Merchant". O'Brien has noted "At first it seemed odd that [Tchaikowsky], as a Jew, would want to take Shylock on, particularly at a time when there was a feeling that Shakespeare was anti-Semitic, which is a nonsensical thing anyway." Most of the opera was written by 1978, and following discussions with the music critic Hans Keller, Tchaikowsky decided to submit it for consideration to
Jessica (The Merchant of Venice) Christians (who do). Lorenzo joins them and Jessica recounts their conversation, leading to further banter between Lorenzo and Gobbo, until Gobbo leaves to prepare for dinner. In response to questioning by Lorenzo, Jessica praises Portia as great and peerless. Act 5, Scene 1—the final scene of the play, and following on from the courtroom scene in Act 4—opens with Jessica and Lorenzo strolling in the gardens of Belmont. They exchange romantic metaphors, invoking in turn characters from classical literature: "Troilus and Criseyde", Pyramus and Thisbē, Aeneas and Dido, Jason and Medea, and finally themselves in the same mode, until they