The Merchant of Venice (1969 film) or near Malaga, Spain (different takes may have been taken in each of these places), and some of these can be seen in the documentary "Orson Welles: The One Man Band" (1995), along with clips from the first third of "The Merchant of Venice". Welles left all his materials from his incomplete film projects, including this one, to Oja Kodar, and she in turn donated these materials to the Munich Filmmuseum, which created the compilation "Orson Welles's Shylock" in 2001, integrating the first eight minutes of the film, and the Shylock-in-a-trenchcoat footage later shot by Welles. Additional elements are at
The Merchant of Venice (1961 film) a little bit of edge to her tongue. Tanya has all these." The Merchant of Venice (1961 film) The Merchant of Venice is a 1961 Australian TV adaptation of the play by William Shakespeare. The "Sydney Morning Herald" called it "the most important television play of the year. and among Sydney's actresses the role of Portia was the most sought after." It went to the relatively inexperienced Tanya Halesworth who was a presented at the ABC. Director Alan Burke said he saw Portia "as a beautiful debutante, the darling of the deb set of her day. I wanted a beautiful