The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
Jessica (The Merchant of Venice) and classical comedies, who are only fit to be dupes of their children …." The first critical notice of Jessica in the 18th century was made by William Warburton, who commented on the line in Act 5, Scene 1: "Fair ladies, you drop manna in the way / Of starvèd people." Warburton's comment was that ""Shakespear" is not more exact in any thing, than in adapting his images with propriety to his speakers; of which he has here given an instance in making the young "Jewess" call good fortune, "Manna"." Unfortunately, as Samuel Johnson explains rather drily—in a note to