Anthony van Dyck Collection in New York had an exhibition "Van Dyck: The Anatomy of Portraiture", the first major survey of the artist's work in the United States in over two decades. Anthony van Dyck Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony was precocious as a youth and painted from an early age. In his late teens he was already enjoying
Crucifixion (van Dyck) in 1621 as the high altarpiece for the Jesuit church at the abbaye Saint-Winnoq in Bergues, now in the musée du Louvre. The second work's composition is more original, with a less central cross in an oblique position to give depth to the scene. The sky and the Magdalene's hair show the influence of the Venetian masters van Dyck had seen during his time in Italy. It was seized during the French Revolution and in 1795 it was part of the founding collection of the Palais des beaux-arts de Lille, where it still resides. The three colours worn by the