Pepé Le Pew human characters are given minimal dialogue, often nothing more than a repulsed "Le pew!"). Sometimes this formula is varied. In his initial cartoon, "Odor-able Kitty", Pepé (who was revealed to be an American skunk named Henry in this short) unwittingly pursues a "male" cat who has deliberately disguised himself as a skunk (complete with the scent of Limburger cheese) in order to scare off a bunch of characters who have mistreated him. "Scent-imental Over You" has Pepé pursuing a female "dog" who has donned a skunk pelt (mistaking it for a fur coat). In the end, she removes her pelt,
Pepe Martínez his mentor, Ramón Montoya. Pepe initially excelled in accompanying the "cante" and "baile" before developing a solo concert career. As an accompanist he played with such artists as Pepe Marchena, Niña de los Peines, Pepe Pinto, Juanito Valderrama, Niña de la Puebla, Niña de Antequera, Pepe Aznalcollar, Pepe Guillena, Niño de la Huerta amongst others. Pepe was cited by Carlos Montoya, in the New York Guitar Review, as being one of the very finest flamenco guitarists of his generation along with Manolo de Huelva, Sabicas, Mario Escudero and Niño Ricardo. Pepe Martínez made many recordings throughout his career, in Spain,