New Woman "Aurora Leigh" (1856), which explored a woman's plight between conventional marriage and the radical possibility that a woman could become an independent artist. In drama, the late nineteenth century saw such "New Woman" plays as Henrik Ibsen's "A Doll's House" (1879) and "Hedda Gabler" (1890), Henry Arthur Jones's play "The Case of Rebellious Susan" (1894) and George Bernard Shaw's controversial "Mrs. Warren's Profession" (1893) and "Candida" (1898). According to a joke by Max Beerbohm (1872–1956), "The New Woman sprang fully armed from Ibsen's brain" (an allusion to the birth of Athena). Bram Stoker's Dracula makes prominent mention of the New
Hedda Sterne de Kooning, Adolph Gottlieb, Ad Reinhardt, and Hedda Sterne. Although the sculptors Louise Bourgeois and Mary Callery were among the signers of the letter, Hedda Sterne was the only woman in the photograph. This singularity made her name known to many who were unfamiliar with her work; as she remarked near the end of her life, "I am known more for that darn photo than for 80 years of work." In 1963, Sterne was granted a Fulbright Fellowship in painting, and spent more than a year working in Venice. Returning to New York in 1964, Sterne eschewed pressure to create