Jessica (The Merchant of Venice) critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and her apparently selfish motivations and aimless behaviour. In her 1980 survey, "In Defense of Jessica: The Runaway Daughter in "The Merchant of Venice"", Camille Slights calls out Arthur Quiller-Couch's opinion in the 1926 "The Cambridge Dover Wilson Shakespeare" as an extreme but representative example: Slights sees this as a consequence of sympathetic readings of Shylock, where the play is seen primarily as exposing Christian hypocrisy, and his actions merely natural responses to ostracism and prejudice. In such a reading Jessica's
Jessica (The Merchant of Venice) followed the First Folio, not the Second. Malone's response was simply that "In answer to Mr. Steevens, I have to state that I printed this play in 1784, and that Mr. Reed's edition did not appear till 1785. I may add that I communicated to that gentleman this very correction." The back and forth continued in notes on Jessica's line in Act 5, Scene 1: "I am never merry when I hear sweet music." Steevens opinied that: For this point, Steevens cites the word's use in "Measure for Measure" and a similar usage of "dulcia" by Horace in his "Art