Jane Austen During her time at Chawton, Jane Austen published four generally well-received novels. Through her brother Henry, the publisher Thomas Egerton agreed to publish "Sense and Sensibility", which, like all of Jane Austen's novels except "Pride and Prejudice", was published "on commission", that is, at the author's financial risk. When publishing on commission, publishers would advance the costs of publication, repay themselves as books were sold and then charge a 10% commission for each book sold, paying the rest to the author. If a novel did not recover its costs through sales, the author was responsible for them. The alternative to
Reception history of Jane Austen used realism as a way of attacking patriarchy from the outside as opposed to subverting it from within by irony as Gilbert and Gubar claimed. The interest generated in Austen by these critics led to the discovery and study of other woman writers of the time. Moreover, with the publication of Julia Prewitt Brown's "Jane Austen's Novels: Social Change and Literary Form" (1979), Margaret Kirkham's "Jane Austen: Feminism and Fiction" (1983), and Claudia L. Johnson's "Jane Austen: Women, Politics and the Novel" (1988), scholars were no longer able to easily argue that Austen was "apolitical, or even unqualifiedly 'conservative'". Kirkham,