The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
The School of Night (play) his own knife. Skeres and Poley are horrified. Marlowe dies. Shakespeare and Rosalinda visit Marlowe's grave in Deptford. Rosalinda is still convinced that all went as planned and she will meet Marlowe in Venice. Shakespeare says she must prepare herself for the possibility that Marlowe is dead. In "Shakespeare Survey", Jill L. Levinson, says that Whelan creates an "elusive Shakespeare, gifted and influential" and that the play weaves together references to "more than half a dozen scripts from Henry VI to Othello." The Hollywood Reporter complained that the play was far too heavy on exposition, but that "Whelan does capture