The Merchant of Venice be a "happy ending" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. Regardless of what Shakespeare's authorial intent may have been, the play has been made use of by antisemites throughout the play's history. The Nazis used the usurious Shylock for their propaganda. Shortly after Kristallnacht in 1938, "The Merchant of Venice" was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in Lübeck (1938), Berlin (1940), and elsewhere within the Nazi territory. In a series of articles called "Observer", first published in 1785, British playwright
Jessica (The Merchant of Venice) followed the First Folio, not the Second. Malone's response was simply that "In answer to Mr. Steevens, I have to state that I printed this play in 1784, and that Mr. Reed's edition did not appear till 1785. I may add that I communicated to that gentleman this very correction." The back and forth continued in notes on Jessica's line in Act 5, Scene 1: "I am never merry when I hear sweet music." Steevens opinied that: For this point, Steevens cites the word's use in "Measure for Measure" and a similar usage of "dulcia" by Horace in his "Art