Jan van Kessel the Younger are attributed about 200 small still lifes produced in Southern Europe in the late 16th and early 17th century. Jan van Kessel the Younger's small known authentic oeuvre is different in style and execution and substantially higher in quality than the works, which have now been attributed to Pseudo Jan van Kessel the Younger. His portrait style was described by his contemporary Antonio Palomino as very close to that of his fellow Flemish painter Anthony van Dyck. Van Kessel was a specialist of the genre of group portraits. An example is the "Portrait of a family in a garden" in
Pieter van Aelst (17th century) Pieter van Aelst (17th century) Peter van Aelst, Peeter van Aelst or Pieter van Aelst was a Flemish genre painter and draughtsman active in Antwerp from 1644 to 1654. There are no records about the life and training of this artist active in Antwerp in the mid-17th century. He is currently known for only one work attributed to him. It represents the "Ommegang in Antwerp". As it was probably painted between 1644 and 1654, this composition was possibly the inspiration for the various interpretations of the subject, which Flemish artists such as Erasmus de Bie and Alexander van Bredael painted