Crucifixion (van Dyck) delta' symbolising the Holy Trinity. Crucifixion (van Dyck) The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced around 1630. It is 2.51 m high. It was originally commissioned as the high altar-piece in the convent of the Récollets in Lille during van Dyck's second Antwerp period, between his return from Italy in 1627 and his departure for London in 1632. It returned to a theme he had already painted around 1617-19 during his first Antwerp period, when he was still a studio-assistant to Rubens - this was "Crucifixion with the Virgin Mary, St John and St
Pieter van Aelst (17th century) at a later date. Pieter van Aelst (17th century) Peter van Aelst, Peeter van Aelst or Pieter van Aelst was a Flemish genre painter and draughtsman active in Antwerp from 1644 to 1654. There are no records about the life and training of this artist active in Antwerp in the mid-17th century. He is currently known for only one work attributed to him. It represents the "Ommegang in Antwerp". As it was probably painted between 1644 and 1654, this composition was possibly the inspiration for the various interpretations of the subject, which Flemish artists such as Erasmus de Bie and