Henrik Ibsen conventions. Many modern readers, who might regard anti-Victorian didacticism as dated, simplistic or hackneyed, have found these later works to be of absorbing interest for their hard-edged, objective consideration of interpersonal confrontation. "Hedda Gabler" is probably Ibsen's most performed play, with the title role regarded as one of the most challenging and rewarding for an actress even in the present day. "Hedda Gabler" and "A Doll's House" center on female protagonists whose almost demonic energy proves both attractive and destructive for those around them, and while Hedda has a few similarities with the character of Nora in "A Doll's House",
Hedda Sterne in words. Grace Glueck wrote: Hedda Sterne views her widely varied works more as "in flux" than as definitive statements. She has maintained a stubborn independence from styles and trends, including Surrealism and Abstract Expressionism ... Although she never developed a signature style, Ms. Sterne's explorations have produced a small universe of evocative images. Sterne has been often overlooked in art historical narratives of the post-war American art scene. At the time of her death, possibly the last surviving artist of the first generation of the New York School, Hedda Sterne viewed her widely varied works more as "in flux"