Anthony van Dyck self portrait (Metropolitan Museum of Art) American banker Jules Bache in 1949. Anthony van Dyck self portrait (Metropolitan Museum of Art) The Metropolitan Museum of Art possesses in its collection a self portrait painted by Flemish artist Anthony van Dyck. Done in oil on canvas, the work depicts its creator during his early twenties. The self portrait was likely painted by van Dyck during the winter of 1620-1621, which the artist spent in London. van Dyck chose to render a depiction of himself as a country gentlemen dressed in fine clothes; he likely acquired these clothes due to his father being a wealthy clothier. The painting
Gonzales Coques such as Rubens. However, the most important influence on his work was van Dyck. Some of Coques’ works can in fact be regarded as the transposition of van Dyck compositions to smaller scale cabinet pieces. It can be said that he provided to well-off bourgeoisie what van Dyck was providing to his aristocratic patron. In that role he replaced from the 1640s the other leading 17th century portrait painter to the bourgeoisie in Antwerp, Cornelis de Vos, who concentrated from that time onwards more on his history paintings. He is credited with introducing a new kind of portrait genre in