Nineteenth-century theatre in 1828. He wrote 25 plays, the most famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). "A Doll's House" and "Ghosts" shocked conservatives: Nora's departure in "A Doll's House" was viewed as an attack on family and home, while the allusions to venereal disease and sexual misconduct in "Ghosts" were considered deeply offensive to standards of public decency. Ibsen refined Scribe's well-made play formula to make it more fitting to the realistic style. He provided a model for writers of the realistic school. In addition, his works "Rosmersholm" (1886) and
Hedda Vernon Piel. She also worked in other films directed by Piel and collaborated with Max Obal until 1914. Some of her early films are "The Struggle for the Heritage" (1912), "The Brown Beast" (1914), and "The Iron Cross" (1914). In 1914 she founded her own production company, Hedda Vernon Films, in Berlin and produced her own films for the Hedda Vernon series, including the self-directed "The Yellow Grimace" (1914) and "Hedda Vernon's Stage Sketch" (1916). She also acted in several Eiko film productions until the end of World War I, mainly under the direction of her husband Hubert Moest, who founded