Spirit of the Dead Watching her fear. Mathews says it is too simple to attribute Tehura's terror to her belief in spirits and irrational fear of the dark; she says, following Sweetman, that Gauguin's sexual predilections should not be ignored when trying to understand the work. Rather, she suggests the girl's fear was a response to Gauguin's aggressive behavior, consistent with his known battering (so says Mathews) of his wife Mette, the submissive fear in her eyes his erotic reward. Stephen F. Eisenman, professor of Art History at Northwestern University, suggests the painting and its narrative is "a veritable encyclopaedia of colonial racism and misogyny".
Finding of the body of St Mark an irrational play of light and shade. Both paintings suggest the simultaneous existence of different levels of reality through the use of a range of pictorial techniques." Finding of the body of St Mark The Finding of the body of St Mark or Rediscovery of the body of Saint Mark is a painting by Tintoretto. Dated to between 1562 and 1566, it is part of a cycle of paintings of Saint Mark, the patron saint of Venice. It is now held in the Pinacoteca di Brera in Milan. The painting was commissioned by Tommaso Rangone, the “grand guardian” of the