Pepé Le Pew revealing that she is a dog. Pepé then "reveals" himself as another dog and the two embrace. However, he then reveals to the audience that he is still a skunk. In "Wild Over You", Pepé attempts to seduce a wild cat that has escaped a zoo (during what is called "Le grande tour du Zoo" at a 1900 exhibition), and painted herself to look like a skunk to escape her keepers. This cartoon is notable for not only diverging from the Pepé/female-black-cat dynamic, but also rather cheekily showing that Pepé likes to be beaten up, considering the wild cat thrashes
Pepe Martínez his mentor, Ramón Montoya. Pepe initially excelled in accompanying the "cante" and "baile" before developing a solo concert career. As an accompanist he played with such artists as Pepe Marchena, Niña de los Peines, Pepe Pinto, Juanito Valderrama, Niña de la Puebla, Niña de Antequera, Pepe Aznalcollar, Pepe Guillena, Niño de la Huerta amongst others. Pepe was cited by Carlos Montoya, in the New York Guitar Review, as being one of the very finest flamenco guitarists of his generation along with Manolo de Huelva, Sabicas, Mario Escudero and Niño Ricardo. Pepe Martínez made many recordings throughout his career, in Spain,