History of cross-dressing the Pelennor Fields outside the city Minas Tirith. In Tamora Pierce's Song of the Lioness series, the main character, Alanna, disguises herself as a boy for eight years in order to become a knight. William Shakespeare made substantial use of cross-dressing for female characters who took on masculine clothing to carry out actions difficult for women. In "The Merchant of Venice", Portia and her maid dress as men to plead in court on the merchant's behalf, and are quite successful in their ruse; in the same play, Shylock's daughter Jessica dresses as a man to elope with her Christian lover.
Jessica (The Merchant of Venice) decide that there is no point trying to convert their father to Christianity so he should be executed instead. All this is justified to the audience simply because Floripas converts to Christianity and Laban is a Saracene: Wilson concludes that since "The Merchant of Venice" was a comedy, and since its audience would be used to the conventions of medieval tales, an Elizabethan audience would not be overly concerned with Jessica's filial piety. "Like Floripas and Ferumbras and dozens of other medieval heathens she turned Christian, and that was obviously, and conventionally, the best possible thing she could do." Literary