The Merchant of Venice that, as a convert, Shylock would have been cast out of the Jewish community in Venice, no longer allowed to live in the ghetto. Another interpretation of Shylock and a vision of how "must he be acted" appears at the conclusion of the autobiography of Alexander Granach, a noted Jewish stage and film actor in Weimar Germany (and later in Hollywood and on Broadway). The play has inspired many adaptions and several works of fiction. Edmond Haraucourt, French playwright and poet, was commissioned in the 1880s by the actor and theatrical director Paul Porel to make a French-verse adaptation of
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss