History of theatre famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). In addition, his works "Rosmersholm" (1886) and "When We Dead Awaken" (1899) evoke a sense of mysterious forces at work in human destiny, which was to be a major theme of symbolism and the so-called "Theatre of the Absurd". After Ibsen, British theatre experienced revitalization with the work of George Bernard Shaw, Oscar Wilde, John Galsworthy, William Butler Yeats, and Harley Granville Barker. Unlike most of the gloomy and intensely serious work of their contemporaries, Shaw and Wilde wrote primarily in the
The Man Who Wrote Frankenstein Shelley as shown by several letters. "The Man Who Wrote Frankenstein" includes a favorable review of "Shelley's Fiction" (1998) by Phyllis Zimmerman, a book in which Zimmerman argues for Percy Bysshe Shelley's authorship of "Frankenstein", and a short bibliography of books and articles about Percy Bysshe Shelley and "Frankenstein". Lauritsen praises poet Edmund Blunden's "" (1946), calling it the best short biography about Percy Bysshe Shelley. "The Man Who Wrote Frankenstein" was first published in 2007 by Pagan Press. "The Man Who Wrote Frankenstein" was praised by the critic Camille Paglia, who wrote in "Salon" that "Lauritsen assembles an overwhelming