The Maori Merchant of Venice in which the Jew (Shylock) has a long memory of oppression, but revenge is not so sweet." Valerie Wayne, in "The Contemporary Pacific", underlined the apparent parallel drawn by the film between the oppression suffered by Shylock because of his Judaism and the sometimes violent subjugation of Māori by the colonial authorities in nineteenth century New Zealand. Reviewing "The Maori Merchant of Venice" for "Te Kete Ipurangi", Lana Simmons-Donaldson described it as "an educational, even motivational tool" for Māori language learners, and provided glowing praise: The film won the audience award for best feature at the Hawaii International Film Festival
Jessica (The Merchant of Venice) decide that there is no point trying to convert their father to Christianity so he should be executed instead. All this is justified to the audience simply because Floripas converts to Christianity and Laban is a Saracene: Wilson concludes that since "The Merchant of Venice" was a comedy, and since its audience would be used to the conventions of medieval tales, an Elizabethan audience would not be overly concerned with Jessica's filial piety. "Like Floripas and Ferumbras and dozens of other medieval heathens she turned Christian, and that was obviously, and conventionally, the best possible thing she could do." Literary