The Merchant of Venice literature up until the 20th century depicts the Jew as "a monied, cruel, lecherous, avaricious outsider tolerated only because of his golden hoard". Many modern readers and theatregoers have read the play as a plea for tolerance, noting that Shylock is a sympathetic character. They cite as evidence that Shylock's "trial" at the end of the play is a mockery of justice, with Portia acting as a judge when she has no right to do so. The characters who berated Shylock for dishonesty resort to trickery in order to win. In addition, Shakespeare gives Shylock one of his most eloquent
The Merchant of Venice edition in 1600 states that it had been performed "divers times" by that date. Salerino's reference to his ship the "Andrew" (I,i,27) is thought to be an allusion to the Spanish ship "St. Andrew," captured by the English at Cádiz in 1596. A date of 1596–97 is considered consistent with the play's style. The play was entered in the Register of the Stationers Company, the method at that time of obtaining copyright for a new play, by James Roberts on 22 July 1598 under the title "The Merchant of Venice", otherwise called "The Jew of Venice". On 28 October 1600