Hedda Gabler Munich at the Königliches Residenz-Theater on 31 January 1891, with Clara Heese as Hedda, though Ibsen was said to be displeased with the declamatory style of her performance. Ibsen’s work had an international following, so that translations and productions in various countries appeared very soon after the publication in Copenhagen and the premiere in Munich. In February 1891 there were two productions: Berlin and Copenhagen. The first British performance was at the Vaudeville Theatre, London, on 20 April 1891, starring Elizabeth Robins, who directed it with Marion Lea, who played Thea. Robins also played Hedda in the first US production,
Hedda Gabler a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body. Joseph Wood Krutch makes a connection between "Hedda Gabler" and Freud, whose first work on psychoanalysis was published almost a decade later. In Krutch's analysis, Gabler is one of the first fully developed neurotic female