Eleanor Phelps George Arliss who had starred as Shylock in Ames's Broadway production of Shakespeare's "The Merchant of Venice" during the Broadway season just ended. In any event, Ames offered Phelps the role of Jessica in the post-Broadway national tour of "Merchant of Venice." At the end of the University Players 1928 summer season, Phelps left Cape Cod to join Arliss and company and never returned to Falmouth. She loved "more than anything being in a play by Mister Shakespeare." Phelps appeared in motion pictures in the early 1930s with roles in "The Run Around" (1932), "The Count of Monte Cristo" (1934),
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss