Crucifixion (van Dyck) delta' symbolising the Holy Trinity. Crucifixion (van Dyck) The Crucifixion is an oil on canvas painting by Anthony van Dyck, produced around 1630. It is 2.51 m high. It was originally commissioned as the high altar-piece in the convent of the Récollets in Lille during van Dyck's second Antwerp period, between his return from Italy in 1627 and his departure for London in 1632. It returned to a theme he had already painted around 1617-19 during his first Antwerp period, when he was still a studio-assistant to Rubens - this was "Crucifixion with the Virgin Mary, St John and St
Daniel van den Dyck become a painter as his grandfather Nicolas Régnier bequeathed onto him all his prints, drawings and reliefs to study. Daniel van den Dyck was a versatile artist who created mythological and religious scenes, as well as portraits and flower-pieces. He also created prints after his own designs. He often signed his works by his Italian name 'Daniele vanden Dyck'. Very few of his works have survived or been identified with certainty. One of his key works, a hangs in the Church of Madonna dell'Orto in Venice, which was frequented by the Flemish community residing in the Republic. This work shows