Variations and Fugue on a Theme by Handel located. In other words, what gives unity to the variation set ... is not the theme as such, but rather a network of 'family resemblances', to use Wittgenstein's term, between the different variations." There are various opinions about the organization of the "Handel Variations". Hans Meyer, for example, sees the divisions as nos. 1–8 ('strict'), 9–12 ('free'), 13 ('synthesis'), 14–17 ('strict') and 18–25 ('free'), culminating, of course, in the fugue. William Horne emphasizes paired variations: nos. 3 and 4, 5 and 6, 7 and 8, 11 and 12, 13 and 14, 23 and 24. This helps him to group the
What Lies Below the van, and carefully rigged it to cave-in upon impact but also make it as painless as possible for Uyeda. To achieve this, they modified the ribs that supported the roof by placing them on pins that would snap, and also added a three-millimeter glass plate that would snap between two sheets of black hard nylon-type plastic to further emphasize the distance she jumped. The first airing of "What Lies Below" was watched by an estimated 6.90 million viewers in the United States, with a 2.6/7 rating for those aged 18–49. SFScope writer Sarah Stegall considered these numbers to be