Jessica (The Merchant of Venice) father's casket of Ducats, motivates Shylock's vengefulness towards Antonio; she serves as a mirror highlighting the differences between Shylock's Jewish household and Portia's Christian one; and serves as the means by which Shylock is forcibly converted to Christianity. Her first appearance on stage is in Act 2, Scene 3, in a brief scene with Launcelot Gobbo. Gobbo is leaving Shylock's service to give his allegiance to Bassiano, and Jessica bemoans the loss of his company in a household that is "hell". She speeds him along, to avoid her father seeing their interaction, with a Ducat as a parting gift and
The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother