The Shepherd Paris (van Dyck) The Shepherd Paris (van Dyck) The Shepherd Paris is a c.1628 painting by the Flemish artist Anthony van Dyck, dating to just after the artist's return from Italy and showing the strong influence of Titian. It shows Paris during the Judgement of Paris, holding the golden apple he has been ordered to give to the most beautiful of three goddesses - unusually the artist focuses on Paris and does not show the goddesses themselves. A painting of Paris recorded as owned by the marquis de Voyer d’Argenson in 1754 is probably to be identified with this work. It is now
Ernest van Dyck prodigue" in Paris on 27 July 1884. With Camille de Roddaz, Van Dyck provided the libretto for Massenet's ballet set in Courtrai ('Légende mimée et dansée en un acte') "Le Carillon", for the Vienna Opera in February 1892. He appeared regularly at the Theatre de la Monnaie in Brussels in 1894, where his repertoire included Wagner (Lohengrin, Tannhäuser, Tristan) and Massenet (Werther, Des Grieux). Van Dyck made a few acoustic records in the early 1900s (for Pathé, Fonotipia and Homophone) which show a voice prematurely past its prime after a dozen years of hard, declamatory use in heavy Wagnerian parts.