Henrik Ibsen conventions. Many modern readers, who might regard anti-Victorian didacticism as dated, simplistic or hackneyed, have found these later works to be of absorbing interest for their hard-edged, objective consideration of interpersonal confrontation. "Hedda Gabler" is probably Ibsen's most performed play, with the title role regarded as one of the most challenging and rewarding for an actress even in the present day. "Hedda Gabler" and "A Doll's House" center on female protagonists whose almost demonic energy proves both attractive and destructive for those around them, and while Hedda has a few similarities with the character of Nora in "A Doll's House",
Hedda Vernon Piel. She also worked in other films directed by Piel and collaborated with Max Obal until 1914. Some of her early films are "The Struggle for the Heritage" (1912), "The Brown Beast" (1914), and "The Iron Cross" (1914). In 1914 she founded her own production company, Hedda Vernon Films, in Berlin and produced her own films for the Hedda Vernon series, including the self-directed "The Yellow Grimace" (1914) and "Hedda Vernon's Stage Sketch" (1916). She also acted in several Eiko film productions until the end of World War I, mainly under the direction of her husband Hubert Moest, who founded