Jessica (The Merchant of Venice) father's casket of Ducats, motivates Shylock's vengefulness towards Antonio; she serves as a mirror highlighting the differences between Shylock's Jewish household and Portia's Christian one; and serves as the means by which Shylock is forcibly converted to Christianity. Her first appearance on stage is in Act 2, Scene 3, in a brief scene with Launcelot Gobbo. Gobbo is leaving Shylock's service to give his allegiance to Bassiano, and Jessica bemoans the loss of his company in a household that is "hell". She speeds him along, to avoid her father seeing their interaction, with a Ducat as a parting gift and
Jessica (The Merchant of Venice) and classical comedies, who are only fit to be dupes of their children …." The first critical notice of Jessica in the 18th century was made by William Warburton, who commented on the line in Act 5, Scene 1: "Fair ladies, you drop manna in the way / Of starvèd people." Warburton's comment was that ""Shakespear" is not more exact in any thing, than in adapting his images with propriety to his speakers; of which he has here given an instance in making the young "Jewess" call good fortune, "Manna"." Unfortunately, as Samuel Johnson explains rather drily—in a note to