History of theatre famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). In addition, his works "Rosmersholm" (1886) and "When We Dead Awaken" (1899) evoke a sense of mysterious forces at work in human destiny, which was to be a major theme of symbolism and the so-called "Theatre of the Absurd". After Ibsen, British theatre experienced revitalization with the work of George Bernard Shaw, Oscar Wilde, John Galsworthy, William Butler Yeats, and Harley Granville Barker. Unlike most of the gloomy and intensely serious work of their contemporaries, Shaw and Wilde wrote primarily in the
Hedda Wrangel Hedda Wrangel Anna Hedvig "Hedda" Wrangel née "Lewenhaupt" (11 December 1792 in Forstena – 24 July 1833, in Ovesholm) was a Swedish composer. Hedda Wrangel was the daughter of colonel count Gustaf Julius Lewenhaupt and Anna Helena Alströmer, and married in 1810 at Karlberg Palace to the courtier Baron Henning Wrangel af Adinal. Her husband was known for his hot temperament, love life and duels. The couple mainly lived at Sperlingsholm manor. She had no children. Esaias Tegnér portrayed her in a poem (1827) in which he wrote: "When she sings, oh, breathing stops, and the tongue of gossip itself