Nineteenth-century theatre in 1828. He wrote 25 plays, the most famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). "A Doll's House" and "Ghosts" shocked conservatives: Nora's departure in "A Doll's House" was viewed as an attack on family and home, while the allusions to venereal disease and sexual misconduct in "Ghosts" were considered deeply offensive to standards of public decency. Ibsen refined Scribe's well-made play formula to make it more fitting to the realistic style. He provided a model for writers of the realistic school. In addition, his works "Rosmersholm" (1886) and
Hedda Sterne exhibition was held at the Montclair Art Museum. In 1985, her second retrospective, "Hedda Sterne: Forty Years" was held at the Queens Museum. In November 1992 she met the art dealer Philippe Briet, and began a sustainable friendship which led to several projects until his death in February 1997. In October 1994, Briet introduced writer Michel Butor to Hedda Sterne, which began their collaboration on a book published in September 1995, "La Révolution dans l'Arboretum." In 2006, her third retrospective exhibition, "Uninterrupted Flux: Hedda Sterne; A Retrospective" was held at the Krannert Art Museum. Sterne was a prolific artist who