The Merchant of Venice (1969 film) or near Malaga, Spain (different takes may have been taken in each of these places), and some of these can be seen in the documentary "Orson Welles: The One Man Band" (1995), along with clips from the first third of "The Merchant of Venice". Welles left all his materials from his incomplete film projects, including this one, to Oja Kodar, and she in turn donated these materials to the Munich Filmmuseum, which created the compilation "Orson Welles's Shylock" in 2001, integrating the first eight minutes of the film, and the Shylock-in-a-trenchcoat footage later shot by Welles. Additional elements are at
Jessica (The Merchant of Venice) ultimately stems from medieval archetypal plots and characters. The Christian in love with a Jewess appears frequently in "exemplum" from the 13th to the 15th century. Beatrice D. Brown, in her 1929 article, "Mediaeval Prototypes of Lorenzo and Jessica", finds the most direct match in "… MS. Royal 7 D. 1, a collection of theological pieces probably compiled by a Dominican friar at or near Cambridge in the thirteenth century." It contains a spendthrift Christian lover, the fair Jewess, the rich old father, the lovers robbing the father, and the father's conflicted grief over his daughter's betrayal and the loss