Nineteenth-century theatre in 1828. He wrote 25 plays, the most famous of which are "A Doll's House" (1879), "Ghosts" (1881), "The Wild Duck" (1884), and "Hedda Gabler" (1890). "A Doll's House" and "Ghosts" shocked conservatives: Nora's departure in "A Doll's House" was viewed as an attack on family and home, while the allusions to venereal disease and sexual misconduct in "Ghosts" were considered deeply offensive to standards of public decency. Ibsen refined Scribe's well-made play formula to make it more fitting to the realistic style. He provided a model for writers of the realistic school. In addition, his works "Rosmersholm" (1886) and
Alice de Sousa translated/adapted/produced and played Madalena in 'The Heiress of the Cane Fields'; translated, produced and played Joana in 'The Crime of the Old Village'; translated/adapted/produced and played Matilde in 'Thankfully there is Moonlight!'; produced and played Hedda Gabler in 'Hedda Gabler'; produced two different productions of 'The Merchant of Venice'; wrote and produced the internationally acclaimed, award winning 'Aristides – the Outcast Hero'; in 2010 produced 'The Importance of Being Earnest', and a second production of 'The Cherry Orchard'; in 2011 produced 'A Woman of No Importance', and a second production of her own adaptation of 'The Maias', again playing Maria