Daniel van den Dyck the influence of Rubens in its sensuality and that of Anthony van Dyck in the livid tonality and the smooth and thin application of the paint. He is known to have created more altarpieces as well as portraits during his stay in Venice. Marco Boschini mentions in his "Le ricche minere della pittura veneziana" of 1674 a "Portrait of three lawyers" including Giovan Francesco Loredano (still alive) by van den Dyck as being kept at the Doge's Palace in Venice. Van den Dyck is also believed to have painted the frescos on the subject of Psyche in the "Villa Venier
Ernest van Dyck prodigue" in Paris on 27 July 1884. With Camille de Roddaz, Van Dyck provided the libretto for Massenet's ballet set in Courtrai ('Légende mimée et dansée en un acte') "Le Carillon", for the Vienna Opera in February 1892. He appeared regularly at the Theatre de la Monnaie in Brussels in 1894, where his repertoire included Wagner (Lohengrin, Tannhäuser, Tristan) and Massenet (Werther, Des Grieux). Van Dyck made a few acoustic records in the early 1900s (for Pathé, Fonotipia and Homophone) which show a voice prematurely past its prime after a dozen years of hard, declamatory use in heavy Wagnerian parts.