Andrew Pears complexions. After much trial and error he found a way of removing the impurities and refining the base soap before adding the delicate perfume of garden flowers. His product was a high-quality soap, and had the additional benefit of being transparent. Soap refined in this way is transparent and makes longer-lasting bubbles. The transparency was the unique product plus that established the image of Pears soap. His method of mellowing and ageing each long-lasting Pears Bar, for over two months, is still used today where natural oils and pure glycerine are combined with the delicate fragrance of rosemary, cedar and
Isabella (Millais painting) violently kicks a frightened dog while cracking a nut. Millais and his colleague William Holman Hunt had both produced drawings illustrating episodes from the poem, but only Millais worked his up into a full painting (Hunt's 1868 "Isabella and the Pot of Basil" used a completely different composition). Both drawings used distorted perspective and angular poses characteristic of medieval art, by which the Pre-Raphaelites were influenced. Millais also draws on the precedent of William Hogarth's satirical depictions of an arranged marriage "Marriage à-la-mode". The painting is structured with deliberately distorted perspective, elongating the right hand side of the table and