Jan van Kessel the Younger are attributed about 200 small still lifes produced in Southern Europe in the late 16th and early 17th century. Jan van Kessel the Younger's small known authentic oeuvre is different in style and execution and substantially higher in quality than the works, which have now been attributed to Pseudo Jan van Kessel the Younger. His portrait style was described by his contemporary Antonio Palomino as very close to that of his fellow Flemish painter Anthony van Dyck. Van Kessel was a specialist of the genre of group portraits. An example is the "Portrait of a family in a garden" in
Daniel van den Dyck become a painter as his grandfather Nicolas Régnier bequeathed onto him all his prints, drawings and reliefs to study. Daniel van den Dyck was a versatile artist who created mythological and religious scenes, as well as portraits and flower-pieces. He also created prints after his own designs. He often signed his works by his Italian name 'Daniele vanden Dyck'. Very few of his works have survived or been identified with certainty. One of his key works, a hangs in the Church of Madonna dell'Orto in Venice, which was frequented by the Flemish community residing in the Republic. This work shows