Motifs in the James Bond film series demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual", as he is ""more" masculine, "more" sexually desirable, "more" heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with "Dr. No"; the suggestiveness of the images used had to be toned down in some countries. Bond girls often have highly suggestive names, including "Goldfinger"'s Pussy Galore, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however Honor Blackman
Goldfinger (film) though trying to balance action and comedy. "Goldfinger" has been described as perhaps "the most highly and consistently praised Bond picture of them all" and after "Goldfinger", Bond "became a true phenomenon." The success of the film led to the emergence of many other works in the espionage genre and parodies of James Bond, such as The Beatles film "Help!" in 1965 and a spoof of Ian Fleming's first Bond novel, "Casino Royale", in 1967. Indeed, it has been said that "Goldfinger" was the cause of the boom in espionage films in the 1960s, so much so that in "1966,