Romantic literature in English what they deserve. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's "A Memoir of Jane Austen" introduced her to a wider public, and by the 1940s she had become accepted as a major writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Austen's works include "Sense and Sensibility" (1811), "Pride and Prejudice" (1813), "Mansfield Park" (1814), "Emma" (1815), "Northanger Abbey" (1817) and "Persuasion" (1817). Byron, Keats and Shelley all wrote for
Northanger Abbey (2007 film) the dastardly deeds at Northanger Abbey," but the audience knew it was about as scary as "a ninja turtle." Ritchie likened the ITV Austen adaptations to a "Posh Country "Home and Away"." Mary McNamara of the "Los Angeles Times" wrote ""Northanger Abbey" the novel was as fun as it gets for Austen, and the television film quite lives up to the same standard." Ginia Bellafante, a critic for "The New York Times", proclaimed the drama gave the audience "innocent faces and heaving breasts, hyperbolizing the sex that always lurks beneath the surface of Austen's astringent presence." She went on to