Glenda Jackson in his next project. She gained a second Academy Award for Best Actress for Frank's "A Touch of Class" (1973). She continued to work in the theatre, and returned to the RSC to play the lead role in Ibsen's "Hedda Gabler". A later film version directed by Trevor Nunn was released as "Hedda" (1975), for which Jackson was nominated for an Oscar. In "The New York Times", Vincent Canby praised Jackson's performance: "This version of "Hedda Gabler" is all Miss Jackson's Hedda and, I must say, great fun to watch ... Miss Jackson's technical virtuosity is particularly suited to a
Hedda Sterne in words. Grace Glueck wrote: Hedda Sterne views her widely varied works more as "in flux" than as definitive statements. She has maintained a stubborn independence from styles and trends, including Surrealism and Abstract Expressionism ... Although she never developed a signature style, Ms. Sterne's explorations have produced a small universe of evocative images. Sterne has been often overlooked in art historical narratives of the post-war American art scene. At the time of her death, possibly the last surviving artist of the first generation of the New York School, Hedda Sterne viewed her widely varied works more as "in flux"