History of cross-dressing the Pelennor Fields outside the city Minas Tirith. In Tamora Pierce's Song of the Lioness series, the main character, Alanna, disguises herself as a boy for eight years in order to become a knight. William Shakespeare made substantial use of cross-dressing for female characters who took on masculine clothing to carry out actions difficult for women. In "The Merchant of Venice", Portia and her maid dress as men to plead in court on the merchant's behalf, and are quite successful in their ruse; in the same play, Shylock's daughter Jessica dresses as a man to elope with her Christian lover.
The Merchant of Venice "Il Pecorone" by Giovanni Fiorentino, which was published in Milan in 1558. Elements of the trial scene are also found in "The Orator" by Alexandre Sylvane, published in translation in 1596. The story of the three caskets can be found in "Gesta Romanorum", a collection of tales probably compiled at the end of the 13th century. The date of composition for "The Merchant of Venice" is believed to be between 1596 and 1598. The play was mentioned by Francis Meres in 1598, so it must have been familiar on the stage by that date. The title page of the first