The Merchant of Venice literature up until the 20th century depicts the Jew as "a monied, cruel, lecherous, avaricious outsider tolerated only because of his golden hoard". Many modern readers and theatregoers have read the play as a plea for tolerance, noting that Shylock is a sympathetic character. They cite as evidence that Shylock's "trial" at the end of the play is a mockery of justice, with Portia acting as a judge when she has no right to do so. The characters who berated Shylock for dishonesty resort to trickery in order to win. In addition, Shakespeare gives Shylock one of his most eloquent
The Merchant of Venice "Il Pecorone" by Giovanni Fiorentino, which was published in Milan in 1558. Elements of the trial scene are also found in "The Orator" by Alexandre Sylvane, published in translation in 1596. The story of the three caskets can be found in "Gesta Romanorum", a collection of tales probably compiled at the end of the 13th century. The date of composition for "The Merchant of Venice" is believed to be between 1596 and 1598. The play was mentioned by Francis Meres in 1598, so it must have been familiar on the stage by that date. The title page of the first