Antonio (The Merchant of Venice) did it for the person who saved his friend he sends to ring with Gratiano to the doctor. Nerissa then manages to secure the ring she gave Gratiano from him as well. Act 5 Antonio accompanies Bassanio home to Belmont to celebrate his good fortune and meet Portia. After some teasing, all discover the ladies deception in regards to the rings and the trial. Antonio plays benefactor again, this time to Jessica when he gives her legal documentation to show that she is to inherit Shylock's property at his death. The play ends with Portia bearing good news that Antonio's
The Merchant of Venice (1969 film) and doubled for Venice; and filming was completed in Rome, where Welles was editing "Don Quixote". The film itself was a shortened version of the play, Welles even eliminated the character of Portia from the film after his mistress Oja Kodar declined the role, due to her then-limited knowledge of English. Francesco Lavagnino, who had written the musical scores of Welles's previous two Shakespeare films, "Othello" (1952) and "Chimes at Midnight" (1966), provided a full musical score for this film. Welles completed the film in the summer of 1969, and gave a preview screening to Oja Kodar and her mother