Macaulay Culkin for Best Villain for his performance). He also appeared, while a student at the School of American Ballet, in a filmed version of "The Nutcracker" as the title role in 1993, which was staged by Peter Martins from the 1954 George Balanchine New York City Ballet version of the work. He was in the films "Getting Even with Dad" (1994), "The Pagemaster" (1994) and "Richie Rich" (1994), which were all only mildly successful at the box office. In 1994, Macaulay took a break from acting after his 15th film in seven years. Desiring a "normal life", he went to a
City at the End of Time questioned the need for the supernatural entity, the Typhon, which is never developed. He described the "end of time" sequence as "the most powerful science fictional moment in this entire book", saying that he found it "far more scary, far more gripping, than any supernatural intervention". Kincaid said that while he found the book "ambitious" and "intellectually satisfying", "somehow the whole feels less than the sum of its parts". In another review at the SF Site, Greg L. Johnson wrote that while "City at the End of Time" provides plenty of "wonder, awe, and a sense of humanity in the