Anthony van Dyck self portrait (Metropolitan Museum of Art) American banker Jules Bache in 1949. Anthony van Dyck self portrait (Metropolitan Museum of Art) The Metropolitan Museum of Art possesses in its collection a self portrait painted by Flemish artist Anthony van Dyck. Done in oil on canvas, the work depicts its creator during his early twenties. The self portrait was likely painted by van Dyck during the winter of 1620-1621, which the artist spent in London. van Dyck chose to render a depiction of himself as a country gentlemen dressed in fine clothes; he likely acquired these clothes due to his father being a wealthy clothier. The painting
Anthony van Dyck portrait tradition—of painters such as William Dobson, Robert Walker and Isaac Fuller—into what certainly became elegant blandness in the hands of many of van Dyck's successors, like Lely or Kneller. The conventional view has always been more favourable: "When Van Dyck came hither he brought Face-Painting to us; ever since which time ... England has excel'd all the World in that great Branch of the Art’ (Jonathan Richardson: "An Essay on the Theory of Painting", 1715, 41). Thomas Gainsborough is reported to have said on his deathbed "We are all going to heaven, and Van Dyck is of the Company."