Jessica (The Merchant of Venice) usually extend and deepen existing dramatic conventions, and Jessica must be seen in a context of classical and Elizabethan conventions for such characters. Slights highlights comedies where children rebel against a miserly father, or romances where daughters defy a repressive father for love. These conventions would be familiar for both Shakespeare and an Elizabethan theatre audience, and, indeed, modern audiences tend to accept Jessica's actions as natural within the context of the plot. Her escape from Shylock's repressive household to Belmont a quest for freedom, and from misfortune to happiness. This view is supported by John Russell-Brown, the editor of
The Merchant of Venice edition in 1600 states that it had been performed "divers times" by that date. Salerino's reference to his ship the "Andrew" (I,i,27) is thought to be an allusion to the Spanish ship "St. Andrew," captured by the English at Cádiz in 1596. A date of 1596–97 is considered consistent with the play's style. The play was entered in the Register of the Stationers Company, the method at that time of obtaining copyright for a new play, by James Roberts on 22 July 1598 under the title "The Merchant of Venice", otherwise called "The Jew of Venice". On 28 October 1600