Pepé Le Pew nationality, and purported bachelor status throughout, and the object of his pursuit was nearly always female. A possible second cameo appearance is at the end of "Fair and Worm-er" (Chuck Jones, 1946). This skunk doesn't speak, but looks identical (or is a close relation) and shares the same mode of travel and a slight variation of Pepé's hopping music. His function here is to chase a string of characters who had all been chasing each other (à la "There Was an Old Lady Who Swallowed a Fly"). A skunk often identified as Pepé appears in the Art Davis-directed cartoon "Odor
Pew lacked government support through mandatory tithing. This, by nature, enforced a sort of social status in church seating within a parish. Architecturally, pew rents led to a divergence between American and European church furnishing persisting to this day. Pews became far more common in American churches because they were a source of income. Pew rental emerged as a source of controversy in the 1840s and 1850s, especially in the Church of England. The legal status of pew rents was, in many cases, very questionable. Further, it exacerbated a problem with a lack of accommodation in churches, that had been noted