The Merchant of Venice that, as a convert, Shylock would have been cast out of the Jewish community in Venice, no longer allowed to live in the ghetto. Another interpretation of Shylock and a vision of how "must he be acted" appears at the conclusion of the autobiography of Alexander Granach, a noted Jewish stage and film actor in Weimar Germany (and later in Hollywood and on Broadway). The play has inspired many adaptions and several works of fiction. Edmond Haraucourt, French playwright and poet, was commissioned in the 1880s by the actor and theatrical director Paul Porel to make a French-verse adaptation of
Jessica (The Merchant of Venice) followed the First Folio, not the Second. Malone's response was simply that "In answer to Mr. Steevens, I have to state that I printed this play in 1784, and that Mr. Reed's edition did not appear till 1785. I may add that I communicated to that gentleman this very correction." The back and forth continued in notes on Jessica's line in Act 5, Scene 1: "I am never merry when I hear sweet music." Steevens opinied that: For this point, Steevens cites the word's use in "Measure for Measure" and a similar usage of "dulcia" by Horace in his "Art