Bubbles (painting) prospect of his work and his grandson being the subject of commercial exploitation. However, when he was shown the proofs of the proposed advertisements he grew to appreciate the idea, which portrayed the soap as if the child had used it to make the bubbles. Following the success of this advertisement Millais was attacked in print by the novelist Marie Corelli who accused him in her novel "The Sorrows of Satan" of prostituting his talent to sell soap. Millais wrote to her pointing out that he had sold the copyright of the painting and so was unable to stop the
Isabella (Millais painting) flattening the figures ranged along it. Following Pre-Raphaelite theory, Millais almost eliminates chiaroscuro and exaggerates the intensity of juxtaposed colours and tones - as evidenced in the flat black tunic set against the sharply modelled white cloth of the servant at the right, whose lower body virtually disappears as his yellow stockings semi-merge with the background. Millais also carefully characterises each figure with equal precision. Another distinctive Pre-Raphaelite feature is the inclusion of images and patterns within the image as a whole. Each of the plates has a distorted picture glazed into its surface. The base of the bench on