Bouzouki Asia Minor and the subsequent exchange of populations between Greece and Turkey when the ethnic Greeks fled to Greece. The early bouzoukia were mostly three-string ("trichordo"), with three courses (six strings in three pairs) and were tuned in different ways, as to the scale one wanted to play. At the end of the 1950s, four-course (tetrachordo) bouzoukia started to gain popularity. The four-course bouzouki was made popular by Manolis Chiotis, who also used a tuning akin to standard guitar tuning, which made it easier for guitarists to play bouzouki, even as it angered purists. However it allowed for greater virtuosity
Irish bouzouki is closer to the D3A3D4 tuning of the Greek trichordo bouzouki than is the guitar-like tuning C3F3A3D4 used on the modern Greek tetrachordo, and is particularly well suited to a modal harmonic approach to accompaniment as used in Irish traditional music. Alec Finn, playing a Greek trichordo bouzouki, uses the traditional D3A3D4 tuning with the octave pair on the low D course changed to unison. Amongst many luthiers and musicians the Irish bouzouki is considered to be part of the mandolin family, but for others this new family of instruments is a separate development. In actuality, the mandolin and lute