Program music 1970s in particular experimented with program music, among which was Rush's "Jacob's Ladder" (1980), which shows clear influences of Smetana's "Má vlast" ("My Homeland") (1874-1879). In addition, Rush's songs "Xanadu", "Red Barchetta", and "YYZ" also show their experimentalism with program music, as do parts of "2112", particularly the discovery scene. Composers and some theorists argue that there is indeed no such thing as true "absolute ("ars gratia artis") music" and that music always at least conveys or evokes emotions. While non-professional listeners often claim that music has meaning (to them), "new" musicologists, such as Susan McClary (1999), argue that so-called
ARTIS International "Challenges Researching Terrorism from the Field" Using academic publications as a bedrock of the ARTIS research, fellows also frequently publish findings to more general audiences in major publications. Notable publications which have been driven through ARTIS International research include Terrorism: The Lessons of Barcelona, Paris: The War ISIS Wants, What Makes a Terrorist, How Spain Misunderstood the Catalan Independence Movement, Mindless Terrorists? The Truth about ISIS is Much Worse, ISIS After the Caliphate, ISIS: The Durability of Chaos, Why We Talk to Terrorists, and Give Palestine's Unity Government a Chance. ARTIS fellows have long looked at the behavioral dimensions of