Classical Chinese poetry forms developing a complete poetic concept; this is, indeed, especially the case with the five-character line version. Also known as the Five-character-quatrain, this form of regulated verse is characterized by four lines of five characters each. Also known as the Seven-character-quatrain, this is a form of regulated verse with four lines of seven characters each. While embracing all, or most of, the "lushi" rules and regulations the "pailu" allows for a number of linked couplets with no maximum upward limit. A strict emphasis on formal parallelism is typical of the "pailu" form. Poems based on traditional structures, originally meant as lyrics
Of Modern Poetry is ongoing. These non-sentences also stress that the mind must act, not passively wait for inspiration or intuition. And the mind must seek to find "what will suffice." What that says of modern poetry will be addressed metaphorically in the poem, the organizing metaphor being that of a new stage on which the modern poet will perform. The lines of the poem, non-traditional "free verse," do not rhyme and are not metrical. They range from ten syllables to fourteen. One striking thing about the sounds of the poem is that three of the lines have weak endings; that is, the