Jane Fonda (1966), opposite Jason Robards and Dean Jones, and "Barefoot in the Park" (1967), again co-starring Redford. In 1968, she played the title role in the science fiction spoof "Barbarella", which established her status as a sex symbol. In contrast, the tragedy "They Shoot Horses, Don't They?" (1969) won her critical acclaim and marked a significant turning point in her career; "Variety" magazine wrote, "Fonda, as the unremittingly cynical loser, the tough and bruised babe of the Dust Bowl, gives a dramatic performance that gives the film a personal focus and an emotionally gripping power." In addition, renowned film critic Pauline
Henry Fonda John Wayne and James Stewart. Their relationship became extremely strained as Jane Fonda became a left-wing activist. Jane Fonda reported feeling detached from her father, especially during her early acting days. In 1958, she met Lee Strasberg while visiting her father at Malibu. The Fonda and Strasberg families were neighbors, and she had developed a friendship with Strasberg's daughter, Susan. Jane Fonda began studying acting with Strasberg, learning the techniques of "The Method" of which Strasberg was a renowned proponent. This proved to be a pivotal point in her career. As Jane Fonda developed her skill as an actress, she