Eighth note which are graphical dingbats). Eighth notes in , , , and are beamed three eighth notes at a time. A single eighth note is always stemmed with a flag, while two or more are usually beamed in groups . Eighth note An eighth note (American) or a quaver (British) is a musical note played for half the value of a quarter note (crotchet) and twice that of the sixteenth note (semiquaver), which amounts to one quarter the duration of a half note (minim), one eighth the duration of whole note (semibreve), one sixteenth the duration of a double whole note
Two hundred fifty-sixth note (1800), to notate rapid scales. Another example is in Mozart's Variations on "Je suis Lindor" (1778), where four of them are used in the slow ("molto adagio") twelfth variation. A further example occurs ("Grave.Adagio non troppo") in Jan Ladislav Dussek's (1760–1812) Fifth Piano Sonata, Op. 10 No. 2. They also occur ("Largo") in Vivaldi's (1678–1741) Concerto, RV 444, and in bar 15 of François Couperin's "Second Prelude" from "L'art de toucher le clavecin" (1716). The next note value shorter than the two hundred fifty-sixth note is the five hundred twelfth note with seven flags or beams; it is half as