Rock Drill (Jacob Epstein) with its straining to one purpose, is a vivid illustration of the greatest function of life.' In 1940, however, recalling the horrors of the 1914–18 war in the context of the Second World War, Epstein reinterpreted the sculpture much more negatively: Study for Rock Drill (c. 1913) is a × charcoal drawing by Epstein which is part of The Garman Ryan Collection at The New Art Gallery Walsall. Whilst the exact date of the sketch is unknown, because it is a preparatory study for Epstein's full sculpture "Rock Drill", it has been dated to 1913. Epstein dismantled the original sculpture:
Barbara Hepworth 1950, works by Hepworth were exhibited in the British Pavilion at the XXV Venice Biennale alongside works by Matthew Smith and John Constable. The 1950 Biennale was the last time that contemporary British artists were exhibited alongside artists from the past. Two early public commissions, "Contrapunctal Forms" and "Turning Forms", were exhibited at the Festival of Britain in 1951. During this period, Hepworth moved away from working only in stone or wood and began to work with bronze and clay. Hepworth often used her garden in St Ives, which she designed with her friend the composer Priaulx Rainier, to view