How Many Clouds Can You See? a strange mixture of everything from free improvisation to calypso, his second date, 1970's "How Many Clouds Can You See?", is a much more focused affair. Surman clearly references one of his roots, John Coltrane, albeit on an instrument that the legendary saxophonist never played. All compositions by John Surman except where noted. How Many Clouds Can You See? How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Harry Beckett, Alan Skidmore, Barre Phillips and Tony Oxley recorded in 1970 and released on the Deram label. Allmusic awards the album 4 and a
How Angels Are Born than "Cidade dos Homens"". The way children are represented in "How Angels Are Born" was commented by "Italian Neorealism and Global Cinema"s writers Laura E. Ruberto and Kristi M. Wilson, who compared it to Italian neorealism films. "Variety"s critic Ken Eisner praised Assum's performances, stating Branquinha was "played memorably" by her, as well as its cinematography, which helps "to offset plot claustrophobia". Eisner commented that "an apocalyptic ending provides a downbeat jolt to this generally smart and unpredictable drama." How Angels Are Born How Angels Are Born () is a 1996 Brazilian crime drama film directed by Murilo Salles. It