James Bond Theme Spy Who Loved Me", titled "Bond 77", featured a disco sound, reflecting a style of music which was very popular at the time. "The Spy Who Loved Me" returned briefly to using the surf-rock guitar associated with the theme from the early days. One unusual instance occurred in "Octopussy", when Bond's contact, who is disguised as a snake charmer played a few notes of the tune for Roger Moore's James Bond, presumably as a pre-arranged identification signal; this is an example of the tune being used as diegetic music. In the last Bond film of Roger Moore, "A View to
The Spy Who Loved Me (film) "James Bond, The Spy Who Loved Me". The novelisation and the screenplay, although both written by Wood, are somewhat different. In the novelisation, SMERSH is still active and after James Bond. Their role begins during the pre-title. After the mysterious death of Fekkish, SMERSH appears yet again, this time capturing and torturing Bond for the whereabouts of the microfilm that retains plans for a submarine tracking system (Bond escapes after killing two of the interrogators). The appearance of SMERSH conflicts with a number of Bond stories, including the film "The Living Daylights" (1987), in which a character remarks that SMERSH