Watership Down French word for rabbit. "Watership Down" has been described as an allegory, with the labours of Hazel, Fiver, Bigwig, and Silver "mirror[ing] the timeless struggles between tyranny and freedom, reason and blind emotion, and the individual and the corporate state." Adams draws on classical heroic and quest themes from Homer and Virgil, creating a story with epic motifs. The book explores the themes of exile, survival, heroism, leadership, political responsibility, and the "making of a hero and a community". Joan Bridgman's analysis of Adams's works in "The Contemporary Review" identifies the community and hero motifs: "[T]he hero's journey into a
The Carnival of the Animals on the crowing of a rooster's Cock a Doodle Doo. Two pianos: the animals depicted here are quite obviously running, an image induced by the constant, feverishly fast up-and-down motion of both pianos playing scales in octaves. These are dziggetai, donkeys that come from Tibet and are known for their great speed. Strings and piano: a satirical movement which opens with a piano playing a pulsing triplet figure in the higher register. The strings play a slow rendition of the famous "Galop infernal" (commonly called the Can-can) from Offenbach's operetta "Orphée aux enfers" (Orpheus in the Underworld). Double bass and