Ebony and Ivory "Billboard" Hot 100 charts. At the simplest level, the song is about the ebony (black) and ivory (white) keys on a piano, but also deals with integration and racial harmony on a deeper, human level. The title was inspired by McCartney hearing Spike Milligan say "black notes, white notes, and you need to play the two to make harmony, folks!". The figure of speech is much older. It was popularised by James Aggrey in the 1920s, inspiring the title of the pan-African journal "The Keys", but was in use from at least the 1840s. Written by McCartney alone, the song
Until You Come Back to Me (That's What I'm Gonna Do) but declares their determination to contact and win their partner back. Miki Howard recorded the song for her 1989 self-titled album. Her version was an R&B hit in 1990 when it peaked at no. 3 on Billboard's Hot Black Singles chart. Until You Come Back to Me (That's What I'm Gonna Do) "Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an