How Many More Years Midnight", described by Phillips as "the most different record I ever heard", was probably recorded at a different session. Phillips had not yet set up Sun Records and regularly leased his recordings to the Chess label in Chicago. The record was issued as Chess 1479 on 15 September 1951, with "Moanin' at Midnight" as the A-side and "How Many More Years" as the B-side. "Moanin' at Midnight" entered the R&B chart on 10 November 1951, and was followed four weeks later by "How Many More Years", which became the more popular side and rose to no.4 on the chart. The
How Angels Are Born than "Cidade dos Homens"". The way children are represented in "How Angels Are Born" was commented by "Italian Neorealism and Global Cinema"s writers Laura E. Ruberto and Kristi M. Wilson, who compared it to Italian neorealism films. "Variety"s critic Ken Eisner praised Assum's performances, stating Branquinha was "played memorably" by her, as well as its cinematography, which helps "to offset plot claustrophobia". Eisner commented that "an apocalyptic ending provides a downbeat jolt to this generally smart and unpredictable drama." How Angels Are Born How Angels Are Born () is a 1996 Brazilian crime drama film directed by Murilo Salles. It