Jane Fonda (1966), opposite Jason Robards and Dean Jones, and "Barefoot in the Park" (1967), again co-starring Redford. In 1968, she played the title role in the science fiction spoof "Barbarella", which established her status as a sex symbol. In contrast, the tragedy "They Shoot Horses, Don't They?" (1969) won her critical acclaim and marked a significant turning point in her career; "Variety" magazine wrote, "Fonda, as the unremittingly cynical loser, the tough and bruised babe of the Dust Bowl, gives a dramatic performance that gives the film a personal focus and an emotionally gripping power." In addition, renowned film critic Pauline
Jane Fonda is that because of my actions against the war my career had been destroyed ... But the truth is that my career, far from being destroyed after the war, flourished with a vigor it had not previously enjoyed." She reduced acting because of her political activism providing a new focus in her life. Her return to acting in a series of 'issue-driven' films reflected this new focus. In 1972, Fonda starred as a reporter alongside Yves Montand in "Tout Va Bien", directed by Jean-Luc Godard and Jean-Pierre Gorin. The two directors then made "Letter to Jane", in which the two