The Spy Who Loved Me (film) big budget was not wasted. Interestingly, while the sets and gimmicks were the most spectacular to date, Bond and the other characters are toned down (there's a minimum of slapstick humour) so that they are more realistic than in other Roger Moore films. Moore gives his best performance in the series ... [Bond and Anya Amasova] are an appealing couple, equal in every way. Film is a real treat – a well acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Janet Maslin of "The New York Times" considered the
The Spy Who Loved Me (film) Institute as the 67th greatest song as part of their 100 Years Series. The soundtrack to the film was composed by Marvin Hamlisch, who filled in for veteran John Barry, who was unavailable to work in the United Kingdom because of tax reasons. The soundtrack, in comparison to other "Bond" films of the time, is more disco-oriented and included a new disco rendition of "The James Bond Theme" titled "Bond 77"; several pieces of classical music were also included in the score. For instance, while feeding a duplicitous secretary to a shark, Stromberg plays Bach's "Air on the G String",