Requiem: Avenging Angel within the game manual with a Biblical quote. For example, one of Malachi's attacking powers turns an enemy into a statue of salt. This power is explained via the following quote: "But Lot's wife looked back from behind him and she became a pillar of salt. - Genesis 19:26." Certain locations have followed this theme too, with humanity's starship named Leviathan after a sea monster from the Old Testament. The game's concept and premise were heavily inspired by John Milton's poem "Paradise Lost". In contrast to the interconnected world seen in the final game, early in development the plan was
Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed, occasionally formerly known as The Imprudence of Candaules, is a oil painting on canvas by English artist William Etty, first exhibited at the Royal Academy in 1830. It shows a scene from the "Histories" by Herodotus, in which Candaules, king of Lydia, invites his bodyguard Gyges to hide in the couple's bedroom and watch his wife Nyssia undress, to prove