Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Colour co-site sampling Colour co-site sampling Colour co-site sampling is a system of photographic colour sensing, wherein 4, 16 or 36 images are collected from the sensor and merged to form a single image. Each subsequent image physically moves the sensor by exactly one pixel, in order to collect R, G and B data for each pixel, known as microscanning. This is a viable alternative to the typical Bayer filter array of pixels which returns a lower quality images with interpolated pixel colours. Several images are captured and combined to a sharp resulting image. After the acquisition of each image a piezo mechanism