Whole note they may occasionally be put under a different line (or ledger line) in more complicated polyphonic passages, or when two instruments or vocalists are written on one staff and one is temporarily silent. The whole note and whole rest may also be used in music of free rhythm, such as Anglican chant, to denote a whole measure, irrespective of the time of that measure. The whole rest can be used this way in almost all or all forms of music. The symbol is first found in music notation from the late thirteenth century . The whole note derives from the
Note value of the 18th century and earlier the amount by which the dot augmented the note varied: it could be more or less than the modern interpretation, to fit into the context. To divide a note value to three equal parts, or some other value than two, tuplets may be used. However, see swung note and notes inégales. Although note heads of various shapes, and notes with and without stems appear in early Gregorian chant manuscripts, many scholars agree that these symbols do not indicate different durations, although the dot is used for augmentation. See neume. In the 13th century, chant