Irish bouzouki Dónal Lunny, who replaced the octave strings on the two lower G and D courses with unison strings, thus reinforcing their lower frequencies. Soon after, on a visit with Irvine to the workshop of luthier Peter Abnett, Lunny commissioned a bouzouki to the specifications of a classic, 4-course Greek bouzouki but with unison strings and a three-piece, partially staved back. Since then, the instrument has been adapted for Irish traditional and other styles of folk music. The original Greek bouzouki was a three course/six-string instrument ("trichordo"). In the 1950s, a four course/eight-string ("tetrachordo") version was developed. The newer "tetrachordo" bouzouki
How many angels can dance on the head of a pin? How many angels can dance on the head of a pin? The question "How many angels can dance on the head of a pin?" (alternatively ""How many angels can stand on the "point" of a pin?"") is a reductio ad absurdum of medieval scholasticism in general, and its angelology in particular, as represented by figures such as Duns Scotus and Thomas Aquinas. It is first recorded in the 17th century, in the context of Protestant apologetics. The question has also been linked to the fall of Constantinople, with the imagery of scholars debating about minutiae while the Turks besieged the