Modus (medieval music) "tempus" (corresponding to the modern concept of a measure or bar and referring to the division of "breves" into two or three "semibreves") and "prolatio" (the division of "semibreves" into two or three "minims"). The "modus longarum" was applied primarily to pieces based on a cantus firmus tenor part in long note values. An even longer temporal unit was the "modus maximarum", but it is of little practical importance outside of the 13th century . Modus (medieval music) In medieval music theory, the Latin term modus (meaning "a measure", "standard of measurement", "quantity", "size", "length", or, rendered in English, mode)
Two hundred fifty-sixth note long as the two hundred fifty-sixth note. After this would come the one thousand twenty-fourth note (eight flags or beams), the two thousand forty-eighth note (nine flags or beams), the four thousand ninety-sixth note (ten flags or beams), and so on indefinitely, with each note half the length of its predecessor. The shortest note value to have ever been used in a published work is the 1024th note (notated incorrectly as a 2048th) in Anthony Philip Heinrich's "Toccata Grande Cromatica" from "The Sylviad", Set 2, written around 1825; 256th notes occur frequently in this piece, and some 512th notes also