The Cambridge Shakespeare been considered profane, where needed to preserve metre or meaning. In 2009, Cambridge University Press reissued all nine volumes as part of their "Cambridge Library Collection" which aims to preserve access to "books of enduring scholarly value". The reissued editions are: "The New Shakespeare" was published between 1921 and 1969. The series was edited by Arthur Quiller-Couch and J. Dover Wilson. The earlier volumes of the series contain critical introductions by Quiller-Couch (signed "Q") and written in a "belles lettres" style that, according to R. A. Foakes in "The Oxford Handbook to Shakespeare" (2003), have been "largely forgotten". The textual
Pen name their pen name. In this case, typically the pen name would be included at the end of the prose or poetry. Composers of Indian classical music used pen names in compositions to assert authorship, including Sadarang, Gunarang (Fayyaz Ahmed Khan), Ada Rang (court musician of Muhammad Shah), Sabrang (Bade Ghulam Ali Khan), and Ramrang (Ramashreya Jha). Other compositions are apocryphally ascribed to composers with their pen names. Japanese poets who write haiku often use a "haigō" (俳号). The haiku poet Matsuo Bashō had used two other haigō before he became fond of a banana plant ("bashō") that had been given