Sapphic stanza Sapphic stanza The Sapphic stanza, named after Sappho, is an Aeolic verse form spanning four lines (originally three: in the poetry of Sappho and Alcaeus, there is no line-end before the final Adonean). The form is two hendecasyllabic verses, and a third verse beginning the same way and continuing with five additional syllables (given as the stanza's fourth verse in ancient and modern editions, and known as the Adonic or adonean line). Using "-" for a long syllable, "u" for a short and "x" for an "anceps" (or free syllable), and displaying the Adonic as a fourth line: While Sappho
Sapphic stanza in Polish poetry Sapphic stanza in some poems. Olbrycht Karmanowski, a minor poet, employed it in the poem "O śmierci" ("On Death"). Lenart Gnoiński used Sapphic stanzas in the tenth poem of a sequence named "Łzy smutne" ("Sorrowful Tears"). Daniel Naborowski, a Calvinist poet, employed the Sapphic stanza in "Lament I" from "Laments on Death of Duke Radziwiłł, Castellan of Vilnius". The poem consists of eleven strophes. Jan Andrzej Morsztyn, whose poetry (influenced strongly by Giambattista Marino) is most typical for Baroque, used Sappho's stanza in "Do lutnie" ("To a Lute") from "Lutnia" ("The Lute") and in "Wiejski żywot" ("Life in a Village"