Bouzouki in the soundhole. There are also numerous photographs between 1953 and 1959 showing bands in which both vocalists and bouzouki players are using microphones for amplification. By 1960 special bouzouki pickups (such as the German "Ideal") were being produced and permanently mounted in the instruments. Similar pickups are widely used by several Greek artists today and come in active and passive versions. The Greek baglamas () or baglamadaki () is very different from the Turkish bağlama. The treble baglamas is pitched an octave higher (nominally D–A–D), with unison pairs on the four highest strings and an octave pair on the
Guqin strings This is good for those who lack the physical strength to pull and add tension to the strings when wrapping the ends to the goose feet. However, the tuning device looks rather unsightly and thus many qin players prefer the traditional manner of tuning; many also feel that the strings should be firmly wrapped to the goose feet in order that the sound may be "grounded" into the qin. Further, one cannot wrap silk strings around such tuning pins as they tend to break more easily at the wrapping end. Although the future of metal-nylon string manufacture is secure, the