Metre (poetry) of over some two-and-a-half millennia. Beginning with the earlier recorded forms: the Classic of Poetry tends toward couplets of four-character lines, grouped in rhymed quatrains; and, the Chuci follows this to some extent, but moves toward variations in line length. Han Dynasty poetry tended towards the variable line-length forms of the folk ballads and the Music Bureau yuefu. Jian'an poetry, Six Dynasties poetry, and Tang Dynasty poetry tend towards a poetic metre based on fixed-length lines of five, seven, (or, more rarely six) characters/verbal units tended to predominate, generally in couplet/quatrain-based forms, of various total verse lengths. The Song poetry
Alcaic stanza Italian poetry of 19th century, especially by Giosuè Carducci. As in English, the meter is accentual rather than quantatative. <poem style="margin-left:2em; font-style:italic"> Poi che un sereno vapor d’ambrosia da la tua còppa diffuso avvolsemi, </poem> It was an historically important form in Hungarian poetry. In Polish poetry (in contrast to the Sapphic stanza which was extremely popular since 16th century) Alcaics were used very rarely. Even in translation Horace's Alcaic stanzas were usually turned into different forms. An example (perhaps the only) of an Alcaic stanza in Polish original literature is Stanisław Trembecki's "Ode to Adam Naruszewicz": <poem style="margin-left:2em; font-style:italic">