Classical Chinese poetry forms rules, of this poetry form. It is most associated with the eight-line style, although the same rules basically apply to the curtailed form ("jueju") and the expanded form ("pailu"). A form of regulated verse with eight lines of five characters each. A form of regulated verse with eight lines of seven characters each. The curtailed form is sometimes referred to as a "quatrain" due to its requirement to consist of four lines. Basically, the "jueju" is a shortened version of the eight-line version, resulting in a verse form which can more challenging in terms of conveying a complete poem or
Decasyllabic quatrain decasyllabic quatrain contains a stiffness that can not be overcome: You can not vary your stops, as in blank verse or the Spenserian, there is not room enough: and the recurrent divisions necessatated by the stanza lack at once the conciseness and the continuity of the couplet, the variety and amplitude of the rhyme-royal, octave, or Spenserian itself. In his essay on "Annus Mirabilis", A. W. Ward suggests that the decasyllabic quatrain used by Davenant and Dryden, with its insistence on providing each quatrain with the "completeness" given by the final period, causes the verse to strike the reader as