Vietnamese poetry Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five syllables each line for eight lines." More recently there have been "new poetry" and "free poetry". With the exception of free poetry, a form with no distinct structure, other forms all have a certain structure. The tightest and most
Decasyllabic quatrain lines of verse in 304 stanzas, each with a period at the end to show a "completeness" in each stanza. While the form had achieved fame with other poets of Dryden's era and was considered "fashionable" by figures of the literary world, Dryden's poem quickly became known as the standard-bearer of the genre. In 1751, Thomas Gray published "Elegy Written in a Country Churchyard", composed in the heroic stanza. Written in iambic pentameter, the poem followed the same metrical and structural patterns seen in "Annus Mirabilis", but the use of the poetic form in an elegy gave it the title