Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
George Palmer (colour theorist) is moved by its own ray." This statement has proved true in regard to the number of different light sensor types, the cones, in the human eye, if not in regard to the claim of three kinds of light. Twenty-five years later a similar statement was made by the eminent physicist Thomas Young. Voigt, in his report on Giros von Gentilly, describes him as having stated that colour blindness arises if one or two of the three kinds of "particles" (light sensors) in the retina are inactive, a statement found to be accurate. In 1786 Palmer provided a hypothesis for