How Many More Years formed his own band in West Memphis, Arkansas, in 1948, billing himself as "The Howlin' Wolf". He began broadcasting on radio station KWEM in West Memphis, and was heard by Sam Phillips who signed him for Memphis Recording Service. He recorded "How Many More Years" at the MRS studio at 706 Union Avenue, Memphis, Tennessee, in or about July 1951, singing and playing harmonica with a band comprising (probably) Ike Turner (piano), Willie Johnson (guitar), and Willie Steele (drums). The repetitious bass-string boogie line resembles the one played in the traditional blues standard "Forty-Four". The record's original A-side, "Moanin' at
How Angels Are Born than "Cidade dos Homens"". The way children are represented in "How Angels Are Born" was commented by "Italian Neorealism and Global Cinema"s writers Laura E. Ruberto and Kristi M. Wilson, who compared it to Italian neorealism films. "Variety"s critic Ken Eisner praised Assum's performances, stating Branquinha was "played memorably" by her, as well as its cinematography, which helps "to offset plot claustrophobia". Eisner commented that "an apocalyptic ending provides a downbeat jolt to this generally smart and unpredictable drama." How Angels Are Born How Angels Are Born () is a 1996 Brazilian crime drama film directed by Murilo Salles. It