Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Metre (poetry) Catullus 51 (itself an homage to Sappho 31): The Sapphic stanza was imitated in English by Algernon Charles Swinburne in a poem he simply called "Sapphics": The metrical system of Classical Arabic poetry, like those of classical Greek and Latin, is based on the weight of syllables classified as either "long" or "short". The basic principles of Arabic poetic metre "Arūḍ" or Arud ( ') Science of Poetry ( '), were put forward by Al-Farahidi (786 - 718 CE) who did so after noticing that poems consisted of repeated syllables in each verse. In his first book, "Al-Ard" ( ""),