Watership Down Burgess, Joseph Traynor, and Richard Simons. The tone of the production was inspired by the tension of war: in an interview with "The Guardian", Still commented, "The closest humans come to feeling like rabbits is under war conditions ... We've tried to capture that anxiety." A reviewer at "The Times" called the play "an exciting, often brutal tale of survival" and said that "even when it’s a muddle, it’s a glorious one." In 2011, "Watership Down" was adapted for the Lifeline Theatre in Chicago by John Hildreth. This production was directed by Katie McLean Hainsworth and the cast included Scott
Watership Down realm of terrors to bring back some boon to save himself and his people" is a powerful element in Adams's tale. This theme derives from the author's exposure to the works of mythologist Joseph Campbell, especially his study of comparative mythology, "The Hero with a Thousand Faces" (1949), and in particular, Campbell's "monomyth" theory, also based on Carl Jung's view of the unconscious mind, that "all the stories in the world are really one story." The concept of the hero has invited comparisons between "Watership Down's" characters and those in Homer's "Odyssey" and Virgil's "Aeneid". Hazel's courage, Bigwig's strength, Blackberry's