Tug of War (Paul McCartney album) for "Rolling Stone", music critic Stephen Holden hailed "Tug of War" as "the masterpiece everyone has always known Paul McCartney could make", and particularly admired its vivid music and consistent songwriting. Robert Palmer was less enthusiastic in his review for "The New York Times" and found the album "exquisitely crafted though lyrically flawed", as he thought McCartney's lyrics were often "cliched or mawkish", but that the album "at its best, is as finely crafted as his work with the Beatles". In March 1982, McCartney's duet with Stevie Wonder, "Ebony and Ivory", was released to considerable commercial success, reaching number one
Paul McCartney and Wings the seven-month sessions was the Linda composition "Seaside Woman", which was finally issued in 1977, credited to "Suzy and the Red Stripes". Near the end of the "Red Rose Speedway" sessions, in October 1972, Wings recorded the theme song to the James Bond film "Live and Let Die", which reunited McCartney with Beatles producer/arranger George Martin. Issued as a non-album single in mid-1973, "Live and Let Die" became a worldwide hit and has remained a highlight of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney and Wings filmed a TV special, the critically maligned "James Paul