Decasyllabic quatrain famous poets such as Thomas Gray continued to use the form in works such as "Elegy Written in a Country Churchyard". Shakespearean Sonnets, comprising 3 quatrains of iambic pentameter followed by a final couplet, as well as later poems in blank verse have displayed the various uses of the decasyllabic quatrain throughout the history of English Poetry. The decasyllabic quatrain with an alternating rhyme scheme is often referred to as the "heroic quatrain", the "heroic stanza" or the "four-line stave". It came to prominence in the poem "Nosce Teipsum" by Sir John Davies in 1599. Although the use of ten-syllable
Decasyllabic quatrain decasyllabic quatrain contains a stiffness that can not be overcome: You can not vary your stops, as in blank verse or the Spenserian, there is not room enough: and the recurrent divisions necessatated by the stanza lack at once the conciseness and the continuity of the couplet, the variety and amplitude of the rhyme-royal, octave, or Spenserian itself. In his essay on "Annus Mirabilis", A. W. Ward suggests that the decasyllabic quatrain used by Davenant and Dryden, with its insistence on providing each quatrain with the "completeness" given by the final period, causes the verse to strike the reader as