James Bond Theme Spy Who Loved Me", titled "Bond 77", featured a disco sound, reflecting a style of music which was very popular at the time. "The Spy Who Loved Me" returned briefly to using the surf-rock guitar associated with the theme from the early days. One unusual instance occurred in "Octopussy", when Bond's contact, who is disguised as a snake charmer played a few notes of the tune for Roger Moore's James Bond, presumably as a pre-arranged identification signal; this is an example of the tune being used as diegetic music. In the last Bond film of Roger Moore, "A View to
The Spy Who Loved Me (soundtrack) work in the United Kingdom due to tax reasons. The soundtrack, in comparison to other Bond films of the time, is more disco-oriented and included a new disco rendition of the "James Bond Theme", titled "Bond 77" which Hamlisch admitted was somewhat influenced by You Should Be Dancing by The Bee Gees An element of the Barry style remains in the suspenseful film sequence in which Bond and Amasova try to track down Jaws at an antiquated site in Egypt. The accompanying Hamlisch music echoes Barry's "Stalking," from the pre-credit fantasy sequence of "From Russia with Love", featuring Bond (Sean