Modus (medieval music) "tempus" (corresponding to the modern concept of a measure or bar and referring to the division of "breves" into two or three "semibreves") and "prolatio" (the division of "semibreves" into two or three "minims"). The "modus longarum" was applied primarily to pieces based on a cantus firmus tenor part in long note values. An even longer temporal unit was the "modus maximarum", but it is of little practical importance outside of the 13th century . Modus (medieval music) In medieval music theory, the Latin term modus (meaning "a measure", "standard of measurement", "quantity", "size", "length", or, rendered in English, mode)
Symphony No. 5 (Vaughan Williams) minims in a fast 3/4 time, then minims for four bars, which create hemiolas and then crotchets. This gives the illusion that the music is accelerating, and so the pulse does not settle. When the melodic line begins, the music is divided into five bar phrases. A sense of stability is established when the theme is repeated by the viola and double bass in stable two bar phrases. However the violins enter with phrasing that does not conform to either pattern, thus adding more confusion. Using this rhythmic phrasing, the dorian line played on the violins and the aeolian woodwind