Prolation Prolation Prolation is a term used in the theory of the mensural notation of medieval and Renaissance music to describe its rhythmic structure on a small scale, as opposed to "tempus", which described a larger scale. The term "prolation" is derived from the Latin "prolatio", first used by Philippe de Vitry in describing Ars Nova, a musical style that came about in 14th-century France. Prolation, together with tempus, corresponds roughly to the concept of time signature in modern music. Prolation describes whether a semibreve (whole note) is equal in length to two minims (half notes) ("minor prolation" or "imperfect prolation";
Time signature The meter is a simple time signature that represents three quarter notes (crotchets). It is felt as "Compound": In principle, comprises not three groups of two eighth notes (quavers) but two groups of three eighth-note (quaver) subdivisions. It is felt as These examples assume, for simplicity, that continuous eighth notes are the prevailing note values. The rhythm of actual music is typically not as regular. Time signatures indicating "two" beats per bar (whether in simple or compound meter) are called "duple meter", while those with "three" beats to the bar are "triple meter". Terms such as "quadruple" (4), "quintuple" (5),