Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Colour centre ventral occipital area plays an important role in colour vision. The search for the human equivalent of V4 led to the discovery of other areas that were stimulated by colour. The most significant was an area anterior in the ventral occipital lobe, subsequently named V4α. Further fMRI experiments found that V4α had a different function than V4, but worked cooperatively with it. V4α is involved in a number of processes, and is active during tasks requiring colour ordering, imagery, knowledge about colour, colour illusions, and object colour. The V4 and V4α areas are separate entities, but because of their close