Vietnamese poetry Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five syllables each line for eight lines." More recently there have been "new poetry" and "free poetry". With the exception of free poetry, a form with no distinct structure, other forms all have a certain structure. The tightest and most
Sapphic stanza in Polish poetry their lyrical pieces. Sebastian Fabian Klonowic (known as Acernus) decided to employ the stanza in a longer epic poem. His "Flis, to Jest Spuszczanie Statków Wisłą i inszymi rzekami" ("The lightening or expediting barges on the Vistula river and other rivers") is because of its stanzaic form an exceptional work, perhaps not only in Polish literature. The whole poem is 471 stanzas long and probably no other work can be compared to it. Tobiasz Wiszniowski, who wrote his own sequence of "Laments", employed Sapphic stanza in "Tren XVII" (Lament XVII"). At the beginning of the Baroque, Kasper Miaskowski employed the