Ebony and Ivory "Billboard" Hot 100 charts. At the simplest level, the song is about the ebony (black) and ivory (white) keys on a piano, but also deals with integration and racial harmony on a deeper, human level. The title was inspired by McCartney hearing Spike Milligan say "black notes, white notes, and you need to play the two to make harmony, folks!". The figure of speech is much older. It was popularised by James Aggrey in the 1920s, inspiring the title of the pan-African journal "The Keys", but was in use from at least the 1840s. Written by McCartney alone, the song
Aneka upbeat tracks in the vein of "Japanese Boy" and a selection of slow-paced numbers, sung in her 'true' singing voice. The album however failed to chart. A third single was released in early 1982. This was "Ooh Shooby Doo Doo Lang", which told a light-hearted tale of a singer bemoaning the fact that she has been relegated to backing vocals; the lyrics go on to mention Paul McCartney and Stevie Wonder and both "Japanese Boy" and "Little Lady". The song missed the UK chart; however in Europe it gave her a third hit and was followed there by the release