Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Lüshi (poetry) Lüshi (poetry) Lüshi () refers to a specific form of Classical Chinese poetry verse form. One of the most important poetry forms of classical Chinese poetry, the "lüshi" refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thus: All "lüshi" forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Although the idea of regulating the tonal pattern of poetry can be traced back to Shen Yue, the "lüshi" form did not reach