Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Metre (poetry) Catullus 51 (itself an homage to Sappho 31): The Sapphic stanza was imitated in English by Algernon Charles Swinburne in a poem he simply called "Sapphics": The metrical system of Classical Arabic poetry, like those of classical Greek and Latin, is based on the weight of syllables classified as either "long" or "short". The basic principles of Arabic poetic metre "Arūḍ" or Arud ( ') Science of Poetry ( '), were put forward by Al-Farahidi (786 - 718 CE) who did so after noticing that poems consisted of repeated syllables in each verse. In his first book, "Al-Ard" ( ""),