The Spy Who Loved Me (film) big budget was not wasted. Interestingly, while the sets and gimmicks were the most spectacular to date, Bond and the other characters are toned down (there's a minimum of slapstick humour) so that they are more realistic than in other Roger Moore films. Moore gives his best performance in the series ... [Bond and Anya Amasova] are an appealing couple, equal in every way. Film is a real treat – a well acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Janet Maslin of "The New York Times" considered the
The Spy Who Loved Me (soundtrack) work in the United Kingdom due to tax reasons. The soundtrack, in comparison to other Bond films of the time, is more disco-oriented and included a new disco rendition of the "James Bond Theme", titled "Bond 77" which Hamlisch admitted was somewhat influenced by You Should Be Dancing by The Bee Gees An element of the Barry style remains in the suspenseful film sequence in which Bond and Amasova try to track down Jaws at an antiquated site in Egypt. The accompanying Hamlisch music echoes Barry's "Stalking," from the pre-credit fantasy sequence of "From Russia with Love", featuring Bond (Sean