Vietnamese poetry Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five syllables each line for eight lines." More recently there have been "new poetry" and "free poetry". With the exception of free poetry, a form with no distinct structure, other forms all have a certain structure. The tightest and most
Sapphic stanza in Polish poetry the lyric "Preludium" ("Prelude") she employed a seven-line stanza, built in much the same way: 11a/11b/11a/11a/5b/11c/5c. Once again she suggested Sappho's stanzaic pattern in the poem "Posłom wielkopolskim" ("To the deputies from the Greater Poland"), which goes 11a/11b/11a/5b/11c/11c; she repeated this scheme in "Improwizacja" ("Improvisation") and in "Ave, Patria". In the poem "Idź, idź w pokoju!" ("Go away in peace") Konopnicka used a six-line strophe 5a/11b/11b/11c/11c/5a. Another form used by Konopnicka suggestive of the Sapphic stanza is a quatrain composed of three hendecasyllabic lines and one trisyllable, used in "Kto krzywdę płodzi" ("Who begets harm"). More complicated is an eight-line