Vietnamese poetry Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five syllables each line for eight lines." More recently there have been "new poetry" and "free poetry". With the exception of free poetry, a form with no distinct structure, other forms all have a certain structure. The tightest and most
Regulated verse are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanqi and Song Zhiwen greatly contributed to the development of this Classical Chinese verse form. Regulated verse consisting of the three "jintishi" or "new style poetry" forms of "lushi", "jueju", and "pailu" while retaining the basic characteristics that are distinguished from the "gushi" or "old style poetry" by the addition of