Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Onegin stanza Onegin stanza Onegin stanza (sometimes "Pushkin sonnet") refers to the verse form popularized (or invented) by the Russian poet Alexander Pushkin through his novel in verse "Eugene Onegin". The work was mostly written in verses of iambic tetrameter with the rhyme scheme , where the lowercase letters represent feminine endings (i.e., with an additional unstressed syllable) and the uppercase representing masculine ending (i.e. stressed on the final syllable). For example, here is the first stanza of "Onegin" as rendered into English by Charles Hepburn Johnston: <poem> </poem> Unlike other traditional forms, such as the Petrarchan sonnet or Shakespearean sonnet, the