Decasyllabic quatrain "prosy". While Ward respects Dryden's willingness to use a new form despite his mastery of the heroic couplet, he believes that "Annus Mirabilis" exemplifies the weaknesses of the form and hinders Dryden's ability to use poetry to fully express his philosophical conceits. Saintsbury, agreeing with this assessment, suggested that Dryden's choice to revert to the heroic couplet for his three poems on the restoration. Decasyllabic quatrain Decasyllabic quatrain is a term used for a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the
Sapphic stanza in Polish poetry scheme freely, as in the poem "Buntowniki" ("Rioters"). The second half of the 19th century in Polish literature was dominated by "pozytywizm" (positivism), which was the local Polish version of West-European realism. The two greatest poets of the time were Adam Asnyk and Maria Konopnicka. Their poetry was much influenced by French Parnassianism. Maria Konopnicka published more than twenty poems written in the form. She also used its scheme for constructing more complicated stanzas. Felicjan Faleński attempted a Polish Sapphic stanza more closely resembling the Greek and Latin models, and in translating Horace’s poetry used a hendecasyllable with the caesura