Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Unit Colour Patch was assigned a colour and the Brigade HQ colour patches were the Divisional shape in the Brigade colour. Each Battalion in each Brigade was then assigned a colour, and the patch was split horizontally with the Battalion colour across the top of the field and the Brigade across the bottom of the field. Light Horse, Artillery, Engineer and Medical units were also allocated colour patches. Light Horse patches were divided diagonally. In total over 300 individual patches were authorized during the war. Military Order 206/21 in 1921 authorised the use of Unit Colour Patches for the Citizen Military Forces (CMF),