Romeo and Juliet on screen choreography by Jerome Robbins. Widely admired, and the winner of ten Oscars, the 1961 film of the show – set among New York gangs – does not aim for a realistic portrayal of New York gang culture: in the opening sequence the Jets and the Sharks trade dance-steps instead of blows. The Jets are a gang of white youths, equivalent to Shakespeare's Montagues; the Sharks, equivalent to the Capulets, are Puerto Rican. Unlike Shakespeare who included relationships between his young lovers and the older generation (the parents, and parent-substitutes such as the Nurse and Friar Laurence) "West Side Story" keeps
Romeo and Juliet on screen of the protagonists, and ending with their tragic deaths. The conceit of dramatising Shakespeare writing Romeo and Juliet has been used several times. The oddball 1944 B-movie "Time Flies" features the comedy duo Susie and Bill Barton, who, time travelling, encounter a Shakespeare struggling for words for his balcony scene, which Susie (Evelyn Dall) supplies from memory, while Bill interrupts with quips. John Madden's 1998 "Shakespeare in Love" depicts Shakespeare's process in composing "Romeo and Juliet" against the backdrop of his own doomed love affair. Writers Marc Norman and Tom Stoppard exploited another commonplace of Shakespeare-related films, which scholar Tony