Squares in Paris Clichy". The French use of the word "place", —— where, in the USA, the UK, Canada, etc., an English-speaker would use the word "square", —— follows the pattern established in other European languages: the Spanish use the cognate, "plaza" (like Madrid's "Plaza Mayor"); the Germans use "platz" (Berlin's "Potsdamer Platz"); the Italians use "piazza" (Rome's "Piazza Navona"); etc. So, in summary, the French have "squares" that might (or, more likely, might not) be called "squares" in English, and they use the word "place" to denote what an anglophone would almost certainly call a "square". To make things a bit more
The Light in the Piazza (musical) wholly fascinating harmonies and instrumentation." Ben Brantley, in "The New York Times", deemed the show "encouragingly ambitious and discouragingly unfulfilled... the production comes into its own only in the sweetly bitter maternal regrets and dreams of Margaret Johnson." He further made special mention of the "gorgeous autumn-leaf-strewn set", the "lush golden lighting" and "the delectable period costumes". The Light in the Piazza (musical) The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves