How Many Clouds Can You See? a strange mixture of everything from free improvisation to calypso, his second date, 1970's "How Many Clouds Can You See?", is a much more focused affair. Surman clearly references one of his roots, John Coltrane, albeit on an instrument that the legendary saxophonist never played. All compositions by John Surman except where noted. How Many Clouds Can You See? How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Harry Beckett, Alan Skidmore, Barre Phillips and Tony Oxley recorded in 1970 and released on the Deram label. Allmusic awards the album 4 and a
Irish traditional music form of improvised "countermelody" is often used in the accompaniments of bouzouki and guitar players. In contrast to many kinds of western folk music, there are no set chord progressions to tunes; many accompanyists use power chords to let the melody define the tonality or use partial chords in combination with ringing drone strings to emphasize the tonal center. Many guitarists use DADGAD tuning because it offers flexibility in using these approaches, as does the GDAD tuning for bouzouki. Like all traditional music, Irish folk music has changed slowly. Most folk songs are less than 200 years old. One measure