Sapphic stanza in Polish poetry Sapphic ones. Only the last one is made up of four hendecasyllabic lines. All strophes rhyme ABAB. The Sapphic stanza is still used in translations form Sappho's or Horace's poems. The scheme of Sapphic stanza is so recognizable, that it can be preserved even in free verse. Lucylla Pszczołowska points out that Czesław Miłosz sometimes composed four-line stanzas with last line of five syllables and other lines of different length. The Sapphic stanza's scheme was so attractive to Polish poets that they started to modify it, and many stanzas based on it can be found in Polish literature. Already in
Decasyllabic quatrain decasyllabic quatrain contains a stiffness that can not be overcome: You can not vary your stops, as in blank verse or the Spenserian, there is not room enough: and the recurrent divisions necessatated by the stanza lack at once the conciseness and the continuity of the couplet, the variety and amplitude of the rhyme-royal, octave, or Spenserian itself. In his essay on "Annus Mirabilis", A. W. Ward suggests that the decasyllabic quatrain used by Davenant and Dryden, with its insistence on providing each quatrain with the "completeness" given by the final period, causes the verse to strike the reader as