Jane Fonda (1966), opposite Jason Robards and Dean Jones, and "Barefoot in the Park" (1967), again co-starring Redford. In 1968, she played the title role in the science fiction spoof "Barbarella", which established her status as a sex symbol. In contrast, the tragedy "They Shoot Horses, Don't They?" (1969) won her critical acclaim and marked a significant turning point in her career; "Variety" magazine wrote, "Fonda, as the unremittingly cynical loser, the tough and bruised babe of the Dust Bowl, gives a dramatic performance that gives the film a personal focus and an emotionally gripping power." In addition, renowned film critic Pauline
Barefoot in the Park (film) lamentation that Paul will not go running barefoot in Washington Square Park with her because of his sober and cautious demeanor. The phrase becomes emblematic of the differences between the two of them, and is made manifest in the film's climactic scene. The film's screenplay was written by Simon. Gene Saks directed Robert Redford, reprising his Broadway role of Paul, and Jane Fonda, who replaced the play's Elizabeth Ashley. Mildred Natwick reprises her stage role as the bride's mother, Charles Boyer is featured as the eccentric upstairs neighbor, and Herb Edelman reprises his stage role as a telephone installer. The