Classical Chinese poetry forms developing a complete poetic concept; this is, indeed, especially the case with the five-character line version. Also known as the Five-character-quatrain, this form of regulated verse is characterized by four lines of five characters each. Also known as the Seven-character-quatrain, this is a form of regulated verse with four lines of seven characters each. While embracing all, or most of, the "lushi" rules and regulations the "pailu" allows for a number of linked couplets with no maximum upward limit. A strict emphasis on formal parallelism is typical of the "pailu" form. Poems based on traditional structures, originally meant as lyrics
Syllabic verse "flowers" (a w-glide) as 1. Because these lines are longer, irregular, and frequently enjambed ("as the / dead fountains"), it is quite clear that the symmetry of syllables is not meant to be audible. Moore's use of end-rhyme is telling. Only 2 lines in each stanza are rhymed: these are "emphasized" for the reader by indentation, but "hidden" from the listener by radical enjambment ("fawn- / brown" and "coxcomb- / tinted"). Elizabeth Daryush, known for her use of syllabic verse, used the quaternion form for her celebrated syllabic verse poem 'Accentedal'. The modern French language does not have a significant