Saggar did the same on a smaller scale, constructing the round or banjo-shaped bottom. Again the mow was used to beat the air out of the clay and flatten the sheet. The saggar maker was an experienced craftsman who paid his assistants out of his piece-work earnings: he took the bottom and the sides onto a wheel and using his thumbs joined the sides to the bottom. The "green" saggars were dried and then placed on the top of bungs during the next firing of the kiln. The unfired ceramic ware was placed in saggars and then biscuit fired, before being
Parchment craft perforating; designs are usually created by taping the parchment over a pattern and perforating directly over it. Various needle tools are used in the perforating technique. Perforating is also used to create edging and borders or to denote guidelines for cutting. Cutting is used in combination with perforating. Cutting is used with the 2 needle tool to remove shapes from the design; it is used with the 4 needle tool to create crosses and strips within a lace pattern. Coloring is a technique that gained popularity in Parchment Craft in the 20th century; before this, Parchment Craft was originally only