Jacob Epstein the anatomical curiosities section of Louis Tussaud's waxworks. The works were displayed alongside dancing marionettes, diseased body parts and conjoined ("Siamese") twin babies in jars. Placing Epstein within the context of freakish curiosity perhaps added to Epstein's decision not to create further large-scale direct carvings. Bronze portrait sculpture formed one of Epstein's staple products, and perhaps the best known. These sculptures were often executed with roughly textured surfaces, expressively manipulating small surface planes and facial details. Some fine examples are in the National Portrait Gallery. Another example is the bust of the Arsenal manager Herbert Chapman that sat in the
Barbara Hepworth 1950, works by Hepworth were exhibited in the British Pavilion at the XXV Venice Biennale alongside works by Matthew Smith and John Constable. The 1950 Biennale was the last time that contemporary British artists were exhibited alongside artists from the past. Two early public commissions, "Contrapunctal Forms" and "Turning Forms", were exhibited at the Festival of Britain in 1951. During this period, Hepworth moved away from working only in stone or wood and began to work with bronze and clay. Hepworth often used her garden in St Ives, which she designed with her friend the composer Priaulx Rainier, to view