Saggar did the same on a smaller scale, constructing the round or banjo-shaped bottom. Again the mow was used to beat the air out of the clay and flatten the sheet. The saggar maker was an experienced craftsman who paid his assistants out of his piece-work earnings: he took the bottom and the sides onto a wheel and using his thumbs joined the sides to the bottom. The "green" saggars were dried and then placed on the top of bungs during the next firing of the kiln. The unfired ceramic ware was placed in saggars and then biscuit fired, before being
Japanese craft or regional specialties. In order for an object to be officially recognized as traditional Japanese craft, it must meet all five of these requirements: Each craft demands a set of specialized skills. Japanese craft works serve a functional or utilitarian purpose, though they may be handled and exhibited similar to visual art objects. Japanese craft dates back since humans settled on its islands. Handicrafting has its roots in the rural crafts – the material-goods necessities – of ancient times. Handicrafters used natural, indigenous materials, which continues to be emphasised today for the most part. Traditionally, objects were created to be