Barbara Hepworth the Castle Inn; nineteen artists were founding members, including Peter Lanyon and Bernard Leach. Hepworth was also a skilled draughtsman. After her daughter Sarah was hospitalised in 1944, she struck up a close friendship with the surgeon Norman Capener. At Capener's invitation, she was invited to view surgical procedures and, between 1947–1949, she produced nearly eighty drawings of operating rooms in chalk, ink, and pencil. Hepworth was fascinated by the similarities between surgeons and artists, stating: "There is, it seems to me, a close affinity between the work and approach of both physicians and surgeons, and painters and sculptors." In
Barbara Hepworth 1950, works by Hepworth were exhibited in the British Pavilion at the XXV Venice Biennale alongside works by Matthew Smith and John Constable. The 1950 Biennale was the last time that contemporary British artists were exhibited alongside artists from the past. Two early public commissions, "Contrapunctal Forms" and "Turning Forms", were exhibited at the Festival of Britain in 1951. During this period, Hepworth moved away from working only in stone or wood and began to work with bronze and clay. Hepworth often used her garden in St Ives, which she designed with her friend the composer Priaulx Rainier, to view