Jane Fonda (1966), opposite Jason Robards and Dean Jones, and "Barefoot in the Park" (1967), again co-starring Redford. In 1968, she played the title role in the science fiction spoof "Barbarella", which established her status as a sex symbol. In contrast, the tragedy "They Shoot Horses, Don't They?" (1969) won her critical acclaim and marked a significant turning point in her career; "Variety" magazine wrote, "Fonda, as the unremittingly cynical loser, the tough and bruised babe of the Dust Bowl, gives a dramatic performance that gives the film a personal focus and an emotionally gripping power." In addition, renowned film critic Pauline
Robert Redford about his blond male stereotype image and turned down roles in "Who's Afraid of Virginia Woolf?" and "The Graduate". Redford found the niche he was looking for in George Roy Hill's "Butch Cassidy and the Sundance Kid" (1969), scripted by William Goldman, in which he was paired for the first time with Paul Newman. The film was a huge success and made him a major bankable star, cementing his screen image as an intelligent, reliable, sometimes sardonic good guy. Redford suffered through a few films that did not achieve box office success during this time, including "Downhill Racer" (1969); "Tell