James Bond Theme Spy Who Loved Me", titled "Bond 77", featured a disco sound, reflecting a style of music which was very popular at the time. "The Spy Who Loved Me" returned briefly to using the surf-rock guitar associated with the theme from the early days. One unusual instance occurred in "Octopussy", when Bond's contact, who is disguised as a snake charmer played a few notes of the tune for Roger Moore's James Bond, presumably as a pre-arranged identification signal; this is an example of the tune being used as diegetic music. In the last Bond film of Roger Moore, "A View to
The Spy Who Loved Me (novel) "as silly as it is unpleasant". What aggrieved him most, however, was that "the worst thing about it is that it really is so unremittingly, so grindingly boring." The critic for "Time" lamented the fact that "unaccountably lacking in "The Spy Who Loved Me" are the High-Stake Gambling Scene, the Meal-Ordering Scene, the Torture Scene, the battleship-grey Bentley, and Blades Club." The critic also bemoaned the fact that "among the shocks and disappointments 1962 still has in store ... is the discovery that the cruel, handsome, scarred face of James Bond does not turn up until more than halfway through