The Spy Who Loved Me (film) big budget was not wasted. Interestingly, while the sets and gimmicks were the most spectacular to date, Bond and the other characters are toned down (there's a minimum of slapstick humour) so that they are more realistic than in other Roger Moore films. Moore gives his best performance in the series ... [Bond and Anya Amasova] are an appealing couple, equal in every way. Film is a real treat – a well acted, smartly cast, sexy, visually impressive, lavishly produced, powerfully directed mix of a spy romance and a war-mission film." Janet Maslin of "The New York Times" considered the
The Spy Who Loved Me (novel) "as silly as it is unpleasant". What aggrieved him most, however, was that "the worst thing about it is that it really is so unremittingly, so grindingly boring." The critic for "Time" lamented the fact that "unaccountably lacking in "The Spy Who Loved Me" are the High-Stake Gambling Scene, the Meal-Ordering Scene, the Torture Scene, the battleship-grey Bentley, and Blades Club." The critic also bemoaned the fact that "among the shocks and disappointments 1962 still has in store ... is the discovery that the cruel, handsome, scarred face of James Bond does not turn up until more than halfway through