Classical Chinese poetry forms rules, of this poetry form. It is most associated with the eight-line style, although the same rules basically apply to the curtailed form ("jueju") and the expanded form ("pailu"). A form of regulated verse with eight lines of five characters each. A form of regulated verse with eight lines of seven characters each. The curtailed form is sometimes referred to as a "quatrain" due to its requirement to consist of four lines. Basically, the "jueju" is a shortened version of the eight-line version, resulting in a verse form which can more challenging in terms of conveying a complete poem or
Alcaic stanza Italian poetry of 19th century, especially by Giosuè Carducci. As in English, the meter is accentual rather than quantatative. <poem style="margin-left:2em; font-style:italic"> Poi che un sereno vapor d’ambrosia da la tua còppa diffuso avvolsemi, </poem> It was an historically important form in Hungarian poetry. In Polish poetry (in contrast to the Sapphic stanza which was extremely popular since 16th century) Alcaics were used very rarely. Even in translation Horace's Alcaic stanzas were usually turned into different forms. An example (perhaps the only) of an Alcaic stanza in Polish original literature is Stanisław Trembecki's "Ode to Adam Naruszewicz": <poem style="margin-left:2em; font-style:italic">