Classical Chinese poetry forms developing a complete poetic concept; this is, indeed, especially the case with the five-character line version. Also known as the Five-character-quatrain, this form of regulated verse is characterized by four lines of five characters each. Also known as the Seven-character-quatrain, this is a form of regulated verse with four lines of seven characters each. While embracing all, or most of, the "lushi" rules and regulations the "pailu" allows for a number of linked couplets with no maximum upward limit. A strict emphasis on formal parallelism is typical of the "pailu" form. Poems based on traditional structures, originally meant as lyrics
Sapphic stanza in Polish poetry the lyric "Preludium" ("Prelude") she employed a seven-line stanza, built in much the same way: 11a/11b/11a/11a/5b/11c/5c. Once again she suggested Sappho's stanzaic pattern in the poem "Posłom wielkopolskim" ("To the deputies from the Greater Poland"), which goes 11a/11b/11a/5b/11c/11c; she repeated this scheme in "Improwizacja" ("Improvisation") and in "Ave, Patria". In the poem "Idź, idź w pokoju!" ("Go away in peace") Konopnicka used a six-line strophe 5a/11b/11b/11c/11c/5a. Another form used by Konopnicka suggestive of the Sapphic stanza is a quatrain composed of three hendecasyllabic lines and one trisyllable, used in "Kto krzywdę płodzi" ("Who begets harm"). More complicated is an eight-line