Music of the Trecento system of division of the breve into 2, 3, 4, 6,8, 9, or 12 semibreves (later minims) with dots (singular "punctus divisionis") indicating breaks at the end of a breve (however, Marchetto never used a term 'punctus divisionis'). Although more Trecento music is written in the international system of notation descended from Franco of Cologne and Philippe de Vitry than in the Marchettian system (and there exist a few, mostly instrumental, works not of Italian origin that use this system), nonetheless, Marchetto's contribution to rhythmic notation is so connected with the Italian Trecento that it is often referred to as
Note value Any flags always go to the right of the stem. A note value may be augmented by adding a dot after it. This dot adds the next briefer note value, making it one and a half times its original duration. A number of dots ("n") lengthen the note value by its value, so two dots add two lower note values, making a total of one and three quarters times its original duration. The rare three dots make it one and seven eighths the duration, and so on. The double dot was first used in 1752 by J.J. Quantz; in music