Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Sapphic stanza in Polish poetry their lyrical pieces. Sebastian Fabian Klonowic (known as Acernus) decided to employ the stanza in a longer epic poem. His "Flis, to Jest Spuszczanie Statków Wisłą i inszymi rzekami" ("The lightening or expediting barges on the Vistula river and other rivers") is because of its stanzaic form an exceptional work, perhaps not only in Polish literature. The whole poem is 471 stanzas long and probably no other work can be compared to it. Tobiasz Wiszniowski, who wrote his own sequence of "Laments", employed Sapphic stanza in "Tren XVII" (Lament XVII"). At the beginning of the Baroque, Kasper Miaskowski employed the