The Knightly Tale of Gologras and Gawain this earlier and more famous Arthurian poem recounting an adventure of Sir Gawain, it has a tail of four short lines at the end of every stanza. In the case of "The Knightly Tale of Gologras and Gawain", however – unlike its more famous cousin – the last four lines of every stanza form a "separate quatrain... linked by final rhyme to the ninth line", a style of alliteration and rhyme that is identical to that found in the Middle English poem "The Awntyrs off Arthure" Perhaps this challenging rhyme scheme, coupled with the poem's use of a large number
Sapphic stanza in Polish poetry scheme freely, as in the poem "Buntowniki" ("Rioters"). The second half of the 19th century in Polish literature was dominated by "pozytywizm" (positivism), which was the local Polish version of West-European realism. The two greatest poets of the time were Adam Asnyk and Maria Konopnicka. Their poetry was much influenced by French Parnassianism. Maria Konopnicka published more than twenty poems written in the form. She also used its scheme for constructing more complicated stanzas. Felicjan Faleński attempted a Polish Sapphic stanza more closely resembling the Greek and Latin models, and in translating Horace’s poetry used a hendecasyllable with the caesura