Program music 1970s in particular experimented with program music, among which was Rush's "Jacob's Ladder" (1980), which shows clear influences of Smetana's "Má vlast" ("My Homeland") (1874-1879). In addition, Rush's songs "Xanadu", "Red Barchetta", and "YYZ" also show their experimentalism with program music, as do parts of "2112", particularly the discovery scene. Composers and some theorists argue that there is indeed no such thing as true "absolute ("ars gratia artis") music" and that music always at least conveys or evokes emotions. While non-professional listeners often claim that music has meaning (to them), "new" musicologists, such as Susan McClary (1999), argue that so-called
Latin influence in English text in Latin, the prevalent Medieval lingua franca of Europe. However, when monks occasionally wrote in the vernacular, Latin words were translated by finding suitable Old English equivalents. Often, a Germanic word was adopted and given a new shade of meaning in the process. Such was the case with Old English "gōdspell" ("gospel") for Latin "evangelium". Previously, the Old English word simply meant "good news," but its meaning was extended in Old English to fit a religious context. The same occurred for the Old Germanic pagan word "blētsian", which meant "to sacrifice, consecrate by shedding blood". It was adapted by