Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Viriato Trágico (poem) The poem, like many other epic works of 17th-century Portuguese literature, is written in ottava rima ("oitava rima" in Portuguese). This eight-line stanza of Italian origin is composed of hendecasyllabic lines rhymed "abababcc". The form was introduced into epic poetry by Giovanni Boccaccio in the 14th century. Soon it became very popular in Italy. In the beginning of the 16th century Francisco de Sá de Miranda, returning home from a stay in Italy, imported it into Portuguese poetry. This stanza was chosen by Luís de Camões for his "Lusiads". Many other poets used this form in the 17th century, including