Jane Fonda (1966), opposite Jason Robards and Dean Jones, and "Barefoot in the Park" (1967), again co-starring Redford. In 1968, she played the title role in the science fiction spoof "Barbarella", which established her status as a sex symbol. In contrast, the tragedy "They Shoot Horses, Don't They?" (1969) won her critical acclaim and marked a significant turning point in her career; "Variety" magazine wrote, "Fonda, as the unremittingly cynical loser, the tough and bruised babe of the Dust Bowl, gives a dramatic performance that gives the film a personal focus and an emotionally gripping power." In addition, renowned film critic Pauline
Jane Fonda first National Society of Film Critics Award for Best Actress and her second New York Film Critics Circle Award for Best Actress. Between "Klute" in 1971 and "Fun With Dick and Jane" in 1977, Fonda did not have a major film success. She appeared in "A Doll's House" (1973), "Steelyard Blues" and "The Blue Bird" (1976). In the former, some critics felt Fonda was miscast, but her work as Nora Helmer drew praise, and a review in "The New York Times" opined, "Though the Losey film is ferociously flawed, I recommend it for Jane Fonda's performance. Beforehand, it seemed fair