Metre (poetry) of over some two-and-a-half millennia. Beginning with the earlier recorded forms: the Classic of Poetry tends toward couplets of four-character lines, grouped in rhymed quatrains; and, the Chuci follows this to some extent, but moves toward variations in line length. Han Dynasty poetry tended towards the variable line-length forms of the folk ballads and the Music Bureau yuefu. Jian'an poetry, Six Dynasties poetry, and Tang Dynasty poetry tend towards a poetic metre based on fixed-length lines of five, seven, (or, more rarely six) characters/verbal units tended to predominate, generally in couplet/quatrain-based forms, of various total verse lengths. The Song poetry
Syllabic verse "flowers" (a w-glide) as 1. Because these lines are longer, irregular, and frequently enjambed ("as the / dead fountains"), it is quite clear that the symmetry of syllables is not meant to be audible. Moore's use of end-rhyme is telling. Only 2 lines in each stanza are rhymed: these are "emphasized" for the reader by indentation, but "hidden" from the listener by radical enjambment ("fawn- / brown" and "coxcomb- / tinted"). Elizabeth Daryush, known for her use of syllabic verse, used the quaternion form for her celebrated syllabic verse poem 'Accentedal'. The modern French language does not have a significant