Saggar did the same on a smaller scale, constructing the round or banjo-shaped bottom. Again the mow was used to beat the air out of the clay and flatten the sheet. The saggar maker was an experienced craftsman who paid his assistants out of his piece-work earnings: he took the bottom and the sides onto a wheel and using his thumbs joined the sides to the bottom. The "green" saggars were dried and then placed on the top of bungs during the next firing of the kiln. The unfired ceramic ware was placed in saggars and then biscuit fired, before being
Ellen and William Craft and her white master, Ellen Craft used her appearance to pass as a white man, dressed in male clothing, during their escape. As prominent fugitives, they were threatened by slave catchers in Boston after passage of the Fugitive Slave Act of 1850, so the Crafts emigrated to England. They lived there for nearly two decades and reared five children. The Crafts lectured publicly about their escape. In 1860 they published a written account, "Running a Thousand Miles for Freedom; Or, The Escape of William and Ellen Craft from Slavery". One of the most compelling of the many slave narratives published