Robert Redford Bronson for Pollack's "This Property Is Condemned" (1966)—again as her lover, though this time in a film which achieved even greater success. The same year saw his first teaming (on equal footing) with Jane Fonda, in Arthur Penn's "The Chase". This film marked the only time Redford would star with Marlon Brando. Fonda and Redford were paired again in the popular big-screen version of "Barefoot in the Park" (1967) and were again co-stars much later in Pollack's "The Electric Horseman" (1979), followed 38 years later with a Netflix feature, "Our Souls at Night". After this initial success, Redford became concerned
Robert and Raymond Hakim with "À double tour" (1959) and "Les Bonnes Femmes" (1960), but worked with older directors (Luis Buñuel "Belle de jour" 1968) sometimes relatively new to international audiences (Michelangelo Antonioni "L'Eclisse" 1962). They also worked with Roger Vadim on a remake of "La Ronde" (1964), which starred Vadim's then wife, Jane Fonda. The Hakim's have a mixed reputation; American director Joseph Losey had an especially fraught relationship with them while making "Eva" (1962). In post-production, Losey and his team found the film had been recut during the weekend without their consultation; Losey and Robert Hakim almost came to blows. Michel Legrand