How Many Clouds Can You See? How Many Clouds Can You See? How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Harry Beckett, Alan Skidmore, Barre Phillips and Tony Oxley recorded in 1970 and released on the Deram label. Allmusic awards the album 4 and a half stars and its review by Jason Ankeny states: "John Surman's second album remains his most impressive, anticipating the sound and scope of the European free jazz movement that would blossom in the decade to come". John Kelman in his All About Jazz review states: "While woodwind multi-instrumentalist John Surman's eponymous debut was
How Angels Are Born than "Cidade dos Homens"". The way children are represented in "How Angels Are Born" was commented by "Italian Neorealism and Global Cinema"s writers Laura E. Ruberto and Kristi M. Wilson, who compared it to Italian neorealism films. "Variety"s critic Ken Eisner praised Assum's performances, stating Branquinha was "played memorably" by her, as well as its cinematography, which helps "to offset plot claustrophobia". Eisner commented that "an apocalyptic ending provides a downbeat jolt to this generally smart and unpredictable drama." How Angels Are Born How Angels Are Born () is a 1996 Brazilian crime drama film directed by Murilo Salles. It