Bouzouki manner of a Neapolitan mandolins so as to increase the strength of the body to withstand thicker steel strings. The type of the instrument used in Rembetika music was a three-stringed instrument, but in the 1950s a four-string variety by Manolis Chiotis was introduced. From a construction point of view, the bouzouki can have differences not only in the number of strings but also in other features, e.g. neck length, width, height, depth of the bowl or main body, the width of the staves (the wooden gores or slices of the bowl) etc. These differences are determined by the manufacturer,
Bouzouki the mainstay of most Rebetiko music. It has fixed frets and 6 strings in three pairs. In the lower-pitched (bass) course, the pair consists of a thick wound string and a thin string, tuned an octave apart. The conventional modern tuning of the "trichordo" bouzouki is DD–AA–DD. This tuning was called the "European tuning" by Markos Vamvakaris, who mentioned (but failed to describe) several other tunings, or "douzenia", in his autobiography. The illustrated bouzouki was made by Karolos Tsakirian of Athens, and is a replica of a "trichordo" bouzouki made by his grandfather for Markos Vamvakaris. The absence of the