Program music 1970s in particular experimented with program music, among which was Rush's "Jacob's Ladder" (1980), which shows clear influences of Smetana's "Má vlast" ("My Homeland") (1874-1879). In addition, Rush's songs "Xanadu", "Red Barchetta", and "YYZ" also show their experimentalism with program music, as do parts of "2112", particularly the discovery scene. Composers and some theorists argue that there is indeed no such thing as true "absolute ("ars gratia artis") music" and that music always at least conveys or evokes emotions. While non-professional listeners often claim that music has meaning (to them), "new" musicologists, such as Susan McClary (1999), argue that so-called
Latin influence in English tribes, who would later give rise to the English language (the Angles, Saxon and Jutes) traded and fought with the Latin speaking Roman Empire. Many words (some originally from Greek) for common objects therefore entered the vocabulary of these Germanic people via Latin even before the tribes reached Britain (what is known as the Continental or Zero Period): "anchor", "butter", "camp", "cheese", "chest", "cook", "copper", "devil", "dish", "fork", "gem", "inch", "kitchen", "mile", "mill", "mint" (coin), "noon", "pillow", "pound" (unit of weight), "punt" (boat), "sack", "street", "wall", "wine". Cognates of virtually all of these English words exist in the other Germanic