Robert Redford Bronson for Pollack's "This Property Is Condemned" (1966)—again as her lover, though this time in a film which achieved even greater success. The same year saw his first teaming (on equal footing) with Jane Fonda, in Arthur Penn's "The Chase". This film marked the only time Redford would star with Marlon Brando. Fonda and Redford were paired again in the popular big-screen version of "Barefoot in the Park" (1967) and were again co-stars much later in Pollack's "The Electric Horseman" (1979), followed 38 years later with a Netflix feature, "Our Souls at Night". After this initial success, Redford became concerned
Jane Fonda and Lindsay Lohan. "Georgia Rule" was panned by critics, but A.O. Scott of "The New York Times" felt the film belonged to Fonda and co-star Lohan, before writing, "Ms. Fonda’s straight back and piercing eyes, the righteous jaw line she inherited from her father and a reputation for humorlessness all serve her well here, but it is her warmth and comic timing that make Georgia more than a provincial scold." In 2009, Fonda returned to Broadway for the first time since 1963, playing Katherine Brandt in Moisés Kaufman's "33 Variations". In a mixed review, Ben Brantley of the "New York