Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Buff (colour) The Bibby Line and the Fyffes Line are two of several firms to use the same "buff with a black top" scheme as White Star, but with a similar lack of certainty as to the exact shade used and how this differed from the famous White Star scheme. Buff (colour) Buff is the pale orange-brown colour of the undyed leather of several animals. As an RYB quaternary colour, it is the colour produced by an equal mix of the tertiary colours citron and russet. The first recorded use of the word "buff" to describe a colour was in "The London