Mensural notation recoverable from the modern text. While 19th and early 20th century editions of Renaissance music often preserved the large note values of the originals, including breves and longs, most modern editions will use scaled-down note values in order to match modern reading habits regarding tempo and beat structure. For 16th century music, a frequent scheme is diminution by a factor of 2 (i.e., rendering semibreves as modern minims), in a modern "alla breve" bar. Older music might be diminished by a factor of 4 (rendering semibreves as crotchets) or sometimes 8 (rendering breves as crotchets). For 13th-century pieces, diminution by
What Time Is Love? for sampling", and suggested "We might put out a couple of 12-inch records under the name The K.L.F., these will be rap free just pure dance music, so don't expect to see them reviewed in the music papers." The first incarnation of "What Time Is Love?" followed. "What Time Is Love?" became one of The KLF's central tracks, dubbed their "three-note warhorse of a signature tune" by Bill Drummond, in reference to the three-note bassline which, together with a high-pitched refrain on two notes (B bending to F#) characterises the song. The bassline is very similar to the one used