Decasyllabic quatrain famous poets such as Thomas Gray continued to use the form in works such as "Elegy Written in a Country Churchyard". Shakespearean Sonnets, comprising 3 quatrains of iambic pentameter followed by a final couplet, as well as later poems in blank verse have displayed the various uses of the decasyllabic quatrain throughout the history of English Poetry. The decasyllabic quatrain with an alternating rhyme scheme is often referred to as the "heroic quatrain", the "heroic stanza" or the "four-line stave". It came to prominence in the poem "Nosce Teipsum" by Sir John Davies in 1599. Although the use of ten-syllable
Annus Mirabilis (poem) quatrain. Rather than write in the heroic couplets found in his earlier works, Dryden used the decasyllabic quatrain exemplified in Sir John Davies' poem "Nosce Teipsum" in 1599. The style was revived by William Davenant in his poem "Gondibert", which was published in 1651 and influenced Dryden's composition of "Annus Mirabilis". This particular style dictates that each quatrain should contain a full stop, which A. W. Ward believes causes the verse to become "prosy". Annus Mirabilis (poem) Annus Mirabilis is a poem written by John Dryden published in 1667. It commemorated 1665–1666, the "year of miracles" of London. Despite the