Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Syllabic verse "flowers" (a w-glide) as 1. Because these lines are longer, irregular, and frequently enjambed ("as the / dead fountains"), it is quite clear that the symmetry of syllables is not meant to be audible. Moore's use of end-rhyme is telling. Only 2 lines in each stanza are rhymed: these are "emphasized" for the reader by indentation, but "hidden" from the listener by radical enjambment ("fawn- / brown" and "coxcomb- / tinted"). Elizabeth Daryush, known for her use of syllabic verse, used the quaternion form for her celebrated syllabic verse poem 'Accentedal'. The modern French language does not have a significant