Bridal Chorus theater and the pagan elements of Wagner's operas. The Roman Catholic Church generally does not use the "Bridal Chorus"; one diocese's guidelines regarding the chorus state that the chorus is a secular piece of music, that it is not a processional to the altar in the opera, and especially that its frequent use in film and television associate it with sentimentality rather than worship. Bridal Chorus The "Bridal Chorus" () from the 1850 opera "Lohengrin" by German composer Richard Wagner – who also wrote the libretto – is a march played for the bride's entrance at many formal weddings throughout
Here Comes the Moon as it is anachronistic". Writing in "Melody Maker", E.J. Thribb said it was an album that "grows in its effect after a few plays" and concluded that with this and other songs, Harrison had "brought both sunshine and moonshine into our lives".<ref name="Thribb/MM"></ref> Greg Kot's assessment for "Rolling Stone" in 2002 read in part: "'Here Comes the Moon' is a dreamy little wonder, the kind of incantation that underscores the [album's] romantic subtlety …" Among reviews of the 2004 reissue, PopMatters' Jason Korenkiewicz recognised "Here Comes the Moon" as one of the standout tracks, describing it as a "dreamy psychedelic