Bouzouki in the soundhole. There are also numerous photographs between 1953 and 1959 showing bands in which both vocalists and bouzouki players are using microphones for amplification. By 1960 special bouzouki pickups (such as the German "Ideal") were being produced and permanently mounted in the instruments. Similar pickups are widely used by several Greek artists today and come in active and passive versions. The Greek baglamas () or baglamadaki () is very different from the Turkish bağlama. The treble baglamas is pitched an octave higher (nominally D–A–D), with unison pairs on the four highest strings and an octave pair on the
How Many Licks? song as an example of how Sisqó pushed the envelope of sexuality in popular culture. Brittany Vincent of "Billboard" noted it as an example of how the rapper was unafraid of exploring sex in her music. An editor for Apple Music included the song on its "Lil' Kim Essentials" playlist, writing that Lil Kim' "more than held her own as an agile and self-possessed MC who pushed hip-hop toward its unalloyed id". However, African-American studies professor Mark Anthony Neal criticized the single for perpetuating the sexual objectification of women. Comparing "How Many Licks?" with American singer Tweet's 2002 song "Oops