Orange (colour) paint straight from the tube. Paul Cézanne did not use orange pigment, but created his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him it was the colour of festivity and amusement. The post-impressionists went even further with orange. Paul Gauguin used oranges as backgrounds, for clothing and skin colour, to fill his pictures with light and exoticism. But no other painter used orange so often and dramatically as Vincent van Gogh. who had
Colour cast used to reduce the blueish tint caused by daylight. Blue filters reduce the orange colour caused by incandescent light. A variety of coloured filters in varying degrees of intensity are available. Kodak's amber filters, for example, vary from palest yellow ("81C") to deepest amber ("85B"). A photographer chooses which filter to use based on the quality of the ambient light. Colour temperature meters can read the temperature of the existing lighting conditions and guide the selection of the filter. Clouded sky, for example, requires a paler amber than clear blue sky. If a filter is unavailable, flash is an alternative