Classical Chinese poetry forms developing a complete poetic concept; this is, indeed, especially the case with the five-character line version. Also known as the Five-character-quatrain, this form of regulated verse is characterized by four lines of five characters each. Also known as the Seven-character-quatrain, this is a form of regulated verse with four lines of seven characters each. While embracing all, or most of, the "lushi" rules and regulations the "pailu" allows for a number of linked couplets with no maximum upward limit. A strict emphasis on formal parallelism is typical of the "pailu" form. Poems based on traditional structures, originally meant as lyrics
Decasyllabic quatrain lines of verse in 304 stanzas, each with a period at the end to show a "completeness" in each stanza. While the form had achieved fame with other poets of Dryden's era and was considered "fashionable" by figures of the literary world, Dryden's poem quickly became known as the standard-bearer of the genre. In 1751, Thomas Gray published "Elegy Written in a Country Churchyard", composed in the heroic stanza. Written in iambic pentameter, the poem followed the same metrical and structural patterns seen in "Annus Mirabilis", but the use of the poetic form in an elegy gave it the title