Japanese craft used and not just to be displayed and thus, the border between craft and art was not always very clear. Crafts were needed by all strata of society and became increasingly sophisticated in their design and execution. Craft had close ties to folk art, but developed into fine art as well as the concept of "wabi-sabi" aesthetics. Craftsmen and women therefore became artisans with increasing sophistication. However wares were not just produced for domestic consumption, but at some point items such as ceramics made by studio craft were produced for export and became an important pillar of the economy. Family
Ellen and William Craft and her white master, Ellen Craft used her appearance to pass as a white man, dressed in male clothing, during their escape. As prominent fugitives, they were threatened by slave catchers in Boston after passage of the Fugitive Slave Act of 1850, so the Crafts emigrated to England. They lived there for nearly two decades and reared five children. The Crafts lectured publicly about their escape. In 1860 they published a written account, "Running a Thousand Miles for Freedom; Or, The Escape of William and Ellen Craft from Slavery". One of the most compelling of the many slave narratives published