Vietnamese poetry Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five syllables each line for eight lines." More recently there have been "new poetry" and "free poetry". With the exception of free poetry, a form with no distinct structure, other forms all have a certain structure. The tightest and most
Anisometric verse of Immortality", and Afanasy Fet's "Flights Beyond Fancy or Fantasy". The term "anisometry" is used often by Professor Emily Klenin in her published analysis of Fet's works: "The Poetics of Afanasy Fet". For example, the following verse would be anisometric: Anisometric verse Anisometric verse, known also as heterometric stanza, is a type of poetry where the stanza is made up of lines having unequal metrical length. The number of syllables within the individual lines do not correspond, nor do the number of feet. In poetry, a foot is a group of syllables where one of the syllables is accented or