Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Decasyllabic quatrain lines of verse in 304 stanzas, each with a period at the end to show a "completeness" in each stanza. While the form had achieved fame with other poets of Dryden's era and was considered "fashionable" by figures of the literary world, Dryden's poem quickly became known as the standard-bearer of the genre. In 1751, Thomas Gray published "Elegy Written in a Country Churchyard", composed in the heroic stanza. Written in iambic pentameter, the poem followed the same metrical and structural patterns seen in "Annus Mirabilis", but the use of the poetic form in an elegy gave it the title