Maxima (music) notation for examples. The name for this note in European languages is derived from two of the three Latin names, either "maxima" or "larga". (On "larga" as a term, see , 30–31 : "Nomina vero ipsarum sunt haec, scilicet larga, longa, brevis, semibrevis et minima".) In modern theoretical contexts, it is occasionally called an octuple note (; ; ) or an octuple whole note . Maxima (music) A maxima, duplex longa, larga (in British usage: large), octuple note, octuple whole note, or octuple entire musical note was a musical note used commonly in thirteenth and fourteenth century music and occasionally
Symphony No. 5 (Vaughan Williams) minims in a fast 3/4 time, then minims for four bars, which create hemiolas and then crotchets. This gives the illusion that the music is accelerating, and so the pulse does not settle. When the melodic line begins, the music is divided into five bar phrases. A sense of stability is established when the theme is repeated by the viola and double bass in stable two bar phrases. However the violins enter with phrasing that does not conform to either pattern, thus adding more confusion. Using this rhythmic phrasing, the dorian line played on the violins and the aeolian woodwind