Jewish mythology commanded Lot to gather his family and leave. As they made their escape, one angel commanded Lot to "look not behind thee" (singular "thee"). However, as Sodom and Gomorrah were destroyed with brimstone and fire from the Lord, Lot's wife looked back at the city, and she became a pillar of salt. In Abrahamic religions, Sodom and Gomorrah have become synonymous with impenitent sin, and their fall with a proverbial manifestation of divine retribution. The Genesis flood narrative has similarities to ancient flood stories told worldwide. One of the closest parallels is the Mesopotamian myth of a world flood, recorded
Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed, occasionally formerly known as The Imprudence of Candaules, is a oil painting on canvas by English artist William Etty, first exhibited at the Royal Academy in 1830. It shows a scene from the "Histories" by Herodotus, in which Candaules, king of Lydia, invites his bodyguard Gyges to hide in the couple's bedroom and watch his wife Nyssia undress, to prove