Mirror as one which would allow a praying man to use them for his personal piety: the mirror surrounded by scenes of the Passion to reflect on it and on oneself, a rosary as a device in this process, the veiled and cushioned bench to use as a prie-dieu, and the abandoned shoes that point in the direction in which the praying man kneeled. The metaphorical meaning of depicted mirrors is complex and many-layered, e.g. as an attribute of Mary, the “speculum sine macula”, or as attributes of scholarly and theological wisdom and knowledge as they appear in book illuminations of
Robert Chichester (died 1627) including his eldest son and heir, Sir John Chichester, 1st Baronet (died 1667), of Raleigh, and Robert Chichester, second son. Chichester died in 1627 aged 48. His elaborate monument survives in Pilton Church, showing his kneeling effigy dressed in armour, behind which kneel two young male children, and in front of which, separated by a prie dieu, kneel effigies of his two wives, behind whom kneels an adult daughter, Anne Chichester (Countess of Elgin). The monument is described by Pevsner as having an "odd feature" of a central column in front of the prie dieu which comes further forward than