Lost in Translation (poem) the key clue here. The four lines come from that "lost" German translation by Rilke of Valéry's "Palme". (Merrill's own English translation of "Palme" is the source of the translated quatrain above. See Merrill's "Paul Valéry: "Palme"" in "Late Settings", 1985.) The original in French: from Paul Valéry, Charmes (1922) Palme classical dizain 7th Stanza The solution to the puzzle of the poem is hidden in plain sight all along. "Nothing's lost", Merrill suggests, when it comes to translating experience or memory, at least according to the way Merrill understands our human experience. The poem's coda salutes the power of
Spenserian stanza the Spenserian stanza, among others "Stvoření světa" ("The Creation of the World"): In the long poem "The Forest Sanctuary", Felicia Hemans employs a similar nine-line stanza, rhyming ABABCCBDD, with the first eight lines in iambic pentameter and the ninth an alexandrine. Spenserian stanza The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem "The Faerie Queene" (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC. This example is the first stanza from Spenser's