Music of the Trecento system of division of the breve into 2, 3, 4, 6,8, 9, or 12 semibreves (later minims) with dots (singular "punctus divisionis") indicating breaks at the end of a breve (however, Marchetto never used a term 'punctus divisionis'). Although more Trecento music is written in the international system of notation descended from Franco of Cologne and Philippe de Vitry than in the Marchettian system (and there exist a few, mostly instrumental, works not of Italian origin that use this system), nonetheless, Marchetto's contribution to rhythmic notation is so connected with the Italian Trecento that it is often referred to as
Double whole note a silence for the same duration (; ). Double whole rests are drawn as filled-in rectangles occupying the whole vertical space between the second and third lines from the top of the musical staff. They are often used in long silent passages which are not divided into separate bars to indicate a rest of two bars . This and longer rests are collectively known as multiple rests . Alla breve, the time signature , takes its name from the note value breve. In the mensural notation of the Renaissance, it was an alternative term for "proportio dupla", which meant that