Mensural notation recoverable from the modern text. While 19th and early 20th century editions of Renaissance music often preserved the large note values of the originals, including breves and longs, most modern editions will use scaled-down note values in order to match modern reading habits regarding tempo and beat structure. For 16th century music, a frequent scheme is diminution by a factor of 2 (i.e., rendering semibreves as modern minims), in a modern "alla breve" bar. Older music might be diminished by a factor of 4 (rendering semibreves as crotchets) or sometimes 8 (rendering breves as crotchets). For 13th-century pieces, diminution by
Note value Any flags always go to the right of the stem. A note value may be augmented by adding a dot after it. This dot adds the next briefer note value, making it one and a half times its original duration. A number of dots ("n") lengthen the note value by its value, so two dots add two lower note values, making a total of one and three quarters times its original duration. The rare three dots make it one and seven eighths the duration, and so on. The double dot was first used in 1752 by J.J. Quantz; in music