Maxima (music) notation for examples. The name for this note in European languages is derived from two of the three Latin names, either "maxima" or "larga". (On "larga" as a term, see , 30–31 : "Nomina vero ipsarum sunt haec, scilicet larga, longa, brevis, semibrevis et minima".) In modern theoretical contexts, it is occasionally called an octuple note (; ; ) or an octuple whole note . Maxima (music) A maxima, duplex longa, larga (in British usage: large), octuple note, octuple whole note, or octuple entire musical note was a musical note used commonly in thirteenth and fourteenth century music and occasionally
Concerti grossi, Op. 6 (Handel) seventh concerto is the only one for full orchestra: it has no solo episodes and all the movements are brief. The first movement is a "largo", ten bars long, which like an overture leads into the "allegro" fugue on a single note, that only a composer of Handel's stature would have dared to attempt. The theme of the fugue consists of the same note for three bars (two minims, four crotchets, eight quavers) followed by a bar of quaver figures, which with slight variants are used as thematic material for the entire movement, a work relying primarily on rhythm. The