Sapphic stanza in Polish poetry Sapphic ones. Only the last one is made up of four hendecasyllabic lines. All strophes rhyme ABAB. The Sapphic stanza is still used in translations form Sappho's or Horace's poems. The scheme of Sapphic stanza is so recognizable, that it can be preserved even in free verse. Lucylla Pszczołowska points out that Czesław Miłosz sometimes composed four-line stanzas with last line of five syllables and other lines of different length. The Sapphic stanza's scheme was so attractive to Polish poets that they started to modify it, and many stanzas based on it can be found in Polish literature. Already in
Sapphic stanza in Polish poetry scheme freely, as in the poem "Buntowniki" ("Rioters"). The second half of the 19th century in Polish literature was dominated by "pozytywizm" (positivism), which was the local Polish version of West-European realism. The two greatest poets of the time were Adam Asnyk and Maria Konopnicka. Their poetry was much influenced by French Parnassianism. Maria Konopnicka published more than twenty poems written in the form. She also used its scheme for constructing more complicated stanzas. Felicjan Faleński attempted a Polish Sapphic stanza more closely resembling the Greek and Latin models, and in translating Horace’s poetry used a hendecasyllable with the caesura