Bouzouki heavy mother-of-pearl ornamentation often seen on modern bouzoukia is typical of bouzoukia of the period. It has tuners for eight strings, but has only six strings, the neck being too narrow for eight. The luthiers of the time often used sets of four tuners on trichordo instruments, as these were more easily available, being also used on mandolins. This type of bouzouki has 8 metal strings, which are arranged in 4 pairs, known as courses, typically tuned CC–FF–AA–DD (i.e., one whole step below the four high strings of a guitar). In the two higher-pitched (treble) courses, the two strings of
How many angels can dance on the head of a pin? dancing on a needle's point occurs in an expository work by the English divine, William Sclater (1575-1626). In "An exposition with notes vpon the first Epistle to the Thessalonians" (1619), Sclater claimed that scholastic philosophers occupied themselves with such pointless questions as whether angels "did occupie a place; and so, whether many might be in one place at one time; and how many might sit on a Needles point; and six hundred such like needlesse points." Harrison proposes that the reason an English writer first introduced the "needle’s point" into a critique of medieval angelology is that it makes for