Romeo and Juliet on screen choreography by Jerome Robbins. Widely admired, and the winner of ten Oscars, the 1961 film of the show – set among New York gangs – does not aim for a realistic portrayal of New York gang culture: in the opening sequence the Jets and the Sharks trade dance-steps instead of blows. The Jets are a gang of white youths, equivalent to Shakespeare's Montagues; the Sharks, equivalent to the Capulets, are Puerto Rican. Unlike Shakespeare who included relationships between his young lovers and the older generation (the parents, and parent-substitutes such as the Nurse and Friar Laurence) "West Side Story" keeps
Romeo and Juliet natural portrayal of Shakespeare that remains popular today. Forbes-Robertson avoided the showiness of Irving and instead portrayed a down-to-earth Romeo, expressing the poetic dialogue as realistic prose and avoiding melodramatic flourish. American actors began to rival their British counterparts. Edwin Booth (brother to John Wilkes Booth) and Mary McVicker (soon to be Edwin's wife) opened as Romeo and Juliet at the sumptuous Booth's Theatre (with its European-style stage machinery, and an air conditioning system unique in New York) on 3 February 1869. Some reports said it was one of the most elaborate productions of "Romeo and Juliet" ever seen in