Onegin stanza Onegin stanza does not divide into smaller stanzas of four lines or two in an obvious way. There are many different ways the sonnet can be divided: for example, the first four lines can form a quatrain, or instead join with the "cc" to form a set. The form's flexibility allows the author more scope to change how the semantic sections are divided from sonnet to sonnet, while keeping the sense of unity provided by following a fixed rhyme scheme. Also, being written in iambic tetrameter imparts a stronger sense of motion than other sonnets, which use the more common
Sapphic stanza in Polish poetry Sapphic stanza in some poems. Olbrycht Karmanowski, a minor poet, employed it in the poem "O śmierci" ("On Death"). Lenart Gnoiński used Sapphic stanzas in the tenth poem of a sequence named "Łzy smutne" ("Sorrowful Tears"). Daniel Naborowski, a Calvinist poet, employed the Sapphic stanza in "Lament I" from "Laments on Death of Duke Radziwiłł, Castellan of Vilnius". The poem consists of eleven strophes. Jan Andrzej Morsztyn, whose poetry (influenced strongly by Giambattista Marino) is most typical for Baroque, used Sappho's stanza in "Do lutnie" ("To a Lute") from "Lutnia" ("The Lute") and in "Wiejski żywot" ("Life in a Village"