Classical Chinese poetry forms developing a complete poetic concept; this is, indeed, especially the case with the five-character line version. Also known as the Five-character-quatrain, this form of regulated verse is characterized by four lines of five characters each. Also known as the Seven-character-quatrain, this is a form of regulated verse with four lines of seven characters each. While embracing all, or most of, the "lushi" rules and regulations the "pailu" allows for a number of linked couplets with no maximum upward limit. A strict emphasis on formal parallelism is typical of the "pailu" form. Poems based on traditional structures, originally meant as lyrics
Sapphic stanza in Polish poetry from the book "Kanikuła, albo psia gwiazda" ("Canicula or dog star"). Zbigniew Morsztyn shaped his Sapphic stanzas so as to make a long chain of linked strophes, exhibiting many enjambments from one to the next stanza. He is the author of the poem "Sławna wiktoryja nad Turkami" ("The Famous Victory over the Turks"), which is an example of the use of the Sapphic stanza in an epic function. Large parts of Klemens Bolesławiusz's "Przeraźliwe echo trąby ostatecznej" ("The Horrifying Echo of Doomsday Trumpet") are composed in Sapphic stanzas. This work, which can be compared to "The Revelation of St. John"