Sapphic stanza in Polish poetry Sapphic ones. Only the last one is made up of four hendecasyllabic lines. All strophes rhyme ABAB. The Sapphic stanza is still used in translations form Sappho's or Horace's poems. The scheme of Sapphic stanza is so recognizable, that it can be preserved even in free verse. Lucylla Pszczołowska points out that Czesław Miłosz sometimes composed four-line stanzas with last line of five syllables and other lines of different length. The Sapphic stanza's scheme was so attractive to Polish poets that they started to modify it, and many stanzas based on it can be found in Polish literature. Already in
Regulated verse are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanqi and Song Zhiwen greatly contributed to the development of this Classical Chinese verse form. Regulated verse consisting of the three "jintishi" or "new style poetry" forms of "lushi", "jueju", and "pailu" while retaining the basic characteristics that are distinguished from the "gushi" or "old style poetry" by the addition of