Metre (poetry) of over some two-and-a-half millennia. Beginning with the earlier recorded forms: the Classic of Poetry tends toward couplets of four-character lines, grouped in rhymed quatrains; and, the Chuci follows this to some extent, but moves toward variations in line length. Han Dynasty poetry tended towards the variable line-length forms of the folk ballads and the Music Bureau yuefu. Jian'an poetry, Six Dynasties poetry, and Tang Dynasty poetry tend towards a poetic metre based on fixed-length lines of five, seven, (or, more rarely six) characters/verbal units tended to predominate, generally in couplet/quatrain-based forms, of various total verse lengths. The Song poetry
Spenserian stanza Spenserian stanza The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem "The Faerie Queene" (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC. This example is the first stanza from Spenser's "Faerie Queene". The formatting, wherein all lines but the first and last are indented, is the same as in contemporary printed editions. <poem> Lo I the man, whose Muse whilome did maske, Fierce warres and faithfull loues shall moralize my song.