Contrabass oboe Baroque composers. This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz's "Treatise on Instrumentation", that its tone "...had not the slightest similarity with the low tones of the bassoon." Despite this distinction, the contrabass oboe never became popular or widely used, and few remain today. Contrabass oboe The contrabass oboe is a double reed woodwind instrument in the key of C or F, sounding two octaves or an octave and a fourth (respectively) lower than the standard oboe. Current research,
Double reed common material for double reeds, it is possible to make reeds from other materials. Reeds made out of synthetic materials may be used; these reeds often last longer and are less sensitive to temperature and humidity flucutations. Most reeds produced from synthetic materials have a tone quality that is dissimilar to that of a cane reed and are not favored by musicians. However, some recent manufacturers produce synthetic reeds that are used in a professional setting. Oboe double reeds are about in width. Bassoon double reeds are wider than oboe double reeds with a width anywhere from They are also