Yvonne Kenny when she replaced, with only four days' notice, the soprano scheduled to sing in an Opera Rara concert performance of Donizetti's "Rosmonda d'Inghilterra" at the Queen Elizabeth Hall. It was a triumph and the virtually unknown Kenny became an overnight star. She made her debut at the Royal Opera House the following year, in the premiere of Hans Werner Henze's "We Come to the River", later singing in Handel operas such as: "Semele", "Alcina", "Giulio Cesare", and such Mozart operas as: "Idomeneo", "Mitridate, re di Ponto", "La clemenza di Tito", "The Abduction from the Seraglio", "The Magic Flute". She also
Stefanos Lazaridis Nightingale". He attracted attention for his designs for Antony Tudor's "Knight Errant" for the Royal Ballet's touring company in 1968, and was invited to design a new production of "Carmen" for the director John Copley at Sadler's Wells Opera in 1970. Lazaridis's early designs were naturalistic and lavish, and suited Copley's approach to production. They worked together both at English National Opera (ENO) ("The Seraglio", 1971, "Il trovatore", 1972) and Covent Garden ("Le nozze di Figaro", 1971, "Don Giovanni", 1973). In the 1980s, Lazaridis worked a great deal with David Pountney at ENO. His design style moved away from opulent