Contrabass oboe Contrabass oboe The contrabass oboe is a double reed woodwind instrument in the key of C or F, sounding two octaves or an octave and a fourth (respectively) lower than the standard oboe. Current research, in particular that by hautboy specialist Bruce Haynes, suggests that such instruments may have been developed in France as part of an original attempt to maintain the complete family of double reed instruments when the oboe was created from the shawm. There was an instrument referred to as the basse de cromorne or basse de hautbois which was used by Lully, Charpentier, and other French
Oboe In "The Oboe", Geoffrey Burgess and Bruce Haynes write "The differences are most clearly marked in the middle register, which is reedier and more pungent, and the upper register, which is richer in harmonics on the Viennese oboe". Guntram Wolf describes them: "From the concept of the bore, the Viennese oboe is the last representative of the historical oboes, adapted for the louder, larger orchestra, and fitted with an extensive mechanism. Its great advantage is the ease of speaking, even in the lowest register. It can be played very expressively and blends well with other instruments." The Viennese oboe is,