The Lion King (musical) the Pride Lands from the top of Pride Rock and explains that everything exists in a delicate balance known as the Circle of Life. Mufasa warns Simba not to stray beyond the boundaries of the Pride Lands, pointing out a shadowy area in the distance. Zazu, a hornbill who acts as Mufasa's advisor, arrives and delivers his daily report on the state of affairs in the King's domain ("The Morning Report", now cut from the Broadway production). Simba goes to see his Uncle Scar. The scheming lion piques the cub's curiosity by mentioning the elephant graveyard, where Simba is forbidden
Nala (The Lion King) that Nala is introduced "as a dominating young girl" who ultimately matures into "a strong woman" by the film's conclusion. "Mouse Morality: The Rhetoric of Disney Animated Film" author Annalee R. Ward wrote that Nala's role in "The Lion King" reflected "a 1990s feminist reversal". In her book "Biblical Allusions", author Lindsay Bacher acknowledged that Nala is often depicted as a stronger and more responsible character than Simba, despite observations that "The Lion King"'s female characters lack agency. Leab identified Nala as Simba's "equal" who is "a more naturally sound leader throughout the film, while Simba tends to be comparatively