How to Have Sex in an Epidemic to those with a lower risk of contagion. It was a model that attempted to challenge traditional anti-promiscuity and anti-gay viewpoints in previous safe sex education and AIDS prevention—as Callen and Berkowitz argued, it's what you do, not how often you do it or who you do it with. In other words, they had searched for, and come up with, what they termed the possibility of "life-affirming sex." The categories below contain summaries of the chapters of "How to Have Sex in an Epidemic" and the arguments presented therein: The authors introduce the two presiding theories of AIDS transmission and
Oboe as a solo instrument in modern jazz performances and recordings. Composer and double bassist Charles Mingus gave the oboe a brief but prominent role (played by Dick Hafer) in his composition "I.X. Love" on the 1963 album "Mingus Mingus Mingus Mingus Mingus". Marshall Allen occasionally played an oboe with Sun Ra. With the birth of jazz fusion in the late 1960s, and its continuous development through the following decade, the oboe became somewhat more prominent, replacing on some occasions the saxophone as the focal point. The oboe was used with great success by the Welsh multi-instrumentalist Karl Jenkins in his