Harem of European women forcibly taken into Oriental harems—evident for example in the Mozart opera "Die Entführung aus dem Serail" ("The Abduction from the Seraglio") concerning the attempt of the hero Belmonte to rescue his beloved Konstanze from the "seraglio"/harem of the Pasha Selim; or in Voltaire's "Candide", in chapter 12 of which the old woman relates her experiences of being sold into harems across the Ottoman Empire. Much of Verdi's opera "Il corsaro" takes place in the harem of the Pasha Seid—where Gulnara, the Pasha's favorite, chafes at life in the harem, and longs for freedom and true love. Eventually
Robert Radford to another source) Hagen in "Götterdämmerung". He was then engaged with the Grand Opera Syndicate at the Royal Opera House, Covent Garden, and he was successively engaged by Thomas Beecham in his productions at various venues, including Covent Garden, Drury Lane and His Majesty's Theatre. In Beecham's production of Wagner's "Ring cycle" he again played Fasolt, opposite the Fafnir of the younger Norman Allin, who succeeded him as Britain's foremost bass. Among his best-known roles were Mephistopheles (Gounod's "Faust"), Osmin ("Il Seraglio"), Sarastro ("The Magic Flute"), the Father (Charpentier's "Louise"), "Ivan the Terrible" and "Boris Godunov" (title role), which he