Franz Xaver Gerl low vocal range; Branscombe (1991) observes that the very low notes that Mozart included in the part of Sarastro have been "the despair of many a bass singer since." By 1787 he had joined the theatrical company of Emanuel Schikaneder, for which he sang the demanding role of Osmin in Mozart's opera "The Abduction from the Seraglio" and other roles. In 1789 the troupe settled at the Theater auf der Wieden in Vienna. Gerl participated in a system of joint composition used by Schikaneder's troupe, in which "Singspiele" were produced rapidly by having several composers collaborate. As such, Gerl may
Opera nozze di Figaro"), "Don Giovanni", and "Così fan tutte", as well as "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), and "The Magic Flute" ("Die Zauberflöte"), landmarks in the German tradition. The first third of the 19th century saw the high point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini all creating works that are still performed. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a golden age of opera, led and dominated by Giuseppe Verdi in Italy and Richard