The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Conal Coad Fleming, Haruhisa Handa, and Roberto Abbado at Tokyo Global Concert at the New National Theatre Tokyo in Japan. Conal has performed in "Le nozze di Figaro", "Così fan tutte", "Il Seraglio", "Die Zauberflöte", "Don Giovanni", "Don Carlo", "Falstaff", "I vespri siciliani", "Aida", "Rigoletto", "Billy Budd", "Peter Grimes", "The Rape of Lucretia", "A Midsummernight's Dream", "Let's Make an Opera", "Albert Herring", "La damnation de Faust", "Fidelio", "The Barber of Seville", "L'heure espagnole", "Lucia di Lammermoor", "Don Pasquale", "L'elisir d'amore", "L'italiana in Algeri", "Il turco in Italia", "The Queen of Spades", "Il ritorno d'Ulisse in patria", "Norma", "Katya Kabanova", "Roméo et Juliette",