The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Hélène Lindqvist Theater Ulm. While there, she sang, among others, the parts of Kostanze in The Abduction from the Seraglio, Ninetta in The Love for Three Oranges, Gilda in Rigoletto, (als steppende) Electress Marie in Der Vogelhändler, Fiorilla in Il turco in Italia, Alcina in Alcina, Euridice in Orfeo ed Euridice and also Mary Magdalene in Jesus Christ Superstar. Meanwhile, as a freelance artist, Lindqvist is in demand, both in Germany and abroad, as a concert and art song singer. Her repertoire reaches from the early Baroque, concerning sacred compositions, through the modern period. This encompasses works by Johann Sebastian Bach, Anton