Salzburg Festival: history and repertoire, 1922–1926 Mozart for the first season — the three Da Ponte operas and "Die Entführung aus dem Serail" [The Abduction from the Seraglio]. In the founding years the festival did not have the means to produce entire opera productions. So Strauss and Schalk brought the settings, the singers, the orchestra and the chorus from Vienna State Opera to Salzburg. The press critically noted that the opera program of the festival constituted ″the summer residence of Vienna State Opera″. Nevertheless, the performances were superb due to the orchestra, the chorus and the great singers. They came from all over Europa and created
Kurt Rydl "The Abduction from the Seraglio". He debuted in 1976 at the Vienna State Opera as Ferrando ("Il trovatore"). From there he went on to sing Colline ("La Bohème"), Pimen ("Boris Godunov"), Grand Inquisitor ("Don Carlo"), Commendatore ("Don Giovanni"), Osmin ("The Abduction from the Seraglio"), Rocco ("Fidelio"), Daland ("The Flying Dutchman"), Roger ("Jérusalem"), King Henry ("Lohengrin"), Raimondo ("Lucia di Lammermoor"), Geronte ("Manon Lescaut"), Talbot ("Maria Stuarda"), Veit Pogner ("Die Meistersinger von Nürnberg"), Bartolo ("Il Barbiere di Siviglia"), Titurel and Gurnemanz ("Parsifal"), Sparafucile ("Rigoletto"), Fasolt ("Das Rheingold"), Hunding ("Die Walküre"), Fafner ("Siegfried"), Hagen ("Götterdammerung"), Ochs ("Der Rosenkavalier") Morosus ("Die schweigsame Frau"), Landgraf