How Many More Years Midnight", described by Phillips as "the most different record I ever heard", was probably recorded at a different session. Phillips had not yet set up Sun Records and regularly leased his recordings to the Chess label in Chicago. The record was issued as Chess 1479 on 15 September 1951, with "Moanin' at Midnight" as the A-side and "How Many More Years" as the B-side. "Moanin' at Midnight" entered the R&B chart on 10 November 1951, and was followed four weeks later by "How Many More Years", which became the more popular side and rose to no.4 on the chart. The
All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave White; All the Blacks Are Men, But Some of Us are Brave", as her "point of departure" to "develop a Black feminist criticism". Barbara Y. Welke published her article entitled "When All the Women Were White, and All the Blacks Were Men: Gender, Class, Race, and the Road to Plessy, 1855–1914", in reference to Hull et al., in 1995 in the "Law and History Review." Welke wrote how Crenshaw, referring to Hull "But Some of Us Are Brave", said that the title "sets forth a problematic consequence of the tendency to treat race and gender as mutually exclusive categories of