Angelo Soliman Haydn as well the Hungarian poet Ferenc Kazinczy. Lodge records indicate that Soliman and Mozart met on several occasions. It is likely that the character Bassa Selim in Mozart's opera "The Abduction from the Seraglio" was based on Soliman. Eventually becoming the Grand Master of that lodge, Soliman helped change its ritual to include scholarly elements. This new Masonic direction rapidly influenced Freemasonic practice throughout Europe. Soliman is still celebrated in Massonic rites as "Father of Pure Masonic Thought", with his name usually transliterated as "Angelus Solimanus". During his lifetime Soliman was regarded as a model of the assimilation and
Joan Carden sang a concert repertoire including Verdi's "Requiem", appearing with Sydney Philharmonia and other ensembles. Overseas, she sang Gilda ("Rigoletto") at Covent Garden in 1974, Donna Anna ("Don Giovanni") at the 1977 Glyndebourne Festival (in the production by Sir Peter Hall) and with the Metropolitan Opera in 1978. Her American debut, however, was as Amenaide with the Houston Grand Opera opposite Marilyn Horne in Rossini's "Tancredi". She also appeared as Constanza ("The Abduction from the Seraglio") with Scottish Opera in 1978. In 1980, she performed with the National Symphony Orchestra at the Kennedy Center in Washington, D.C. She sang the four