Regieoper to be the most radically shocking to date. The inspiration for Mozart's opera was the overwhelming fascination of Europeans by all things Turkish. Orientalist elements abound in this story of a hero trying to rescue two girls from the clutches of an evil Pasha who has installed them in his harem, Seraglio. Instead of a genteel harem, Bieto has set this Abduction in a modern, garish bordello where men and women engage in extreme acts of sex and brutality. The sets consist mainly of whorehouse accoutrements, the lighting is colored and garish, and the costumes for the most part are
Hélène Lindqvist Theater Ulm. While there, she sang, among others, the parts of Kostanze in The Abduction from the Seraglio, Ninetta in The Love for Three Oranges, Gilda in Rigoletto, (als steppende) Electress Marie in Der Vogelhändler, Fiorilla in Il turco in Italia, Alcina in Alcina, Euridice in Orfeo ed Euridice and also Mary Magdalene in Jesus Christ Superstar. Meanwhile, as a freelance artist, Lindqvist is in demand, both in Germany and abroad, as a concert and art song singer. Her repertoire reaches from the early Baroque, concerning sacred compositions, through the modern period. This encompasses works by Johann Sebastian Bach, Anton