Snow White and the Seven Dwarfs (1937 film) the plausibility of the characters and, sensing that more time was needed for the development of the Queen, advised in an outline circulated on November 6 that attention be paid exclusively to "scenes in which only Snow White, the Dwarfs, and their bird and animal friends appear". The names and personalities of the dwarfs, however, were still "open to change". A meeting of November 16 resulted in another outline entitled 'Dwarfs Discover Snowwhite', which introduced the character of Dopey, who would ultimately prove to be the most successful and popular of the dwarf characterisations. For the rest of 1934 Disney
Snow White and the Seven Dwarfs (1937 film) (1936) — to which Disney made direct reference in a story meeting pertaining to the scene in which Snow White lies in her glass coffin — to the more obscure, including European silent cinema. "Snow White and the Seven Dwarfs", as well as the two Disney films to follow it, were also influenced by such German expressionist films as "Nosferatu" (1922) and "The Cabinet of Dr. Caligari" (1919), both of which were recommended by Disney to his staff. This influence is particularly evident in the scenes of Snow White fleeing through the forest and the Queen's transformation into the Witch.