The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Kurt Rydl "The Abduction from the Seraglio". He debuted in 1976 at the Vienna State Opera as Ferrando ("Il trovatore"). From there he went on to sing Colline ("La Bohème"), Pimen ("Boris Godunov"), Grand Inquisitor ("Don Carlo"), Commendatore ("Don Giovanni"), Osmin ("The Abduction from the Seraglio"), Rocco ("Fidelio"), Daland ("The Flying Dutchman"), Roger ("Jérusalem"), King Henry ("Lohengrin"), Raimondo ("Lucia di Lammermoor"), Geronte ("Manon Lescaut"), Talbot ("Maria Stuarda"), Veit Pogner ("Die Meistersinger von Nürnberg"), Bartolo ("Il Barbiere di Siviglia"), Titurel and Gurnemanz ("Parsifal"), Sparafucile ("Rigoletto"), Fasolt ("Das Rheingold"), Hunding ("Die Walküre"), Fafner ("Siegfried"), Hagen ("Götterdammerung"), Ochs ("Der Rosenkavalier") Morosus ("Die schweigsame Frau"), Landgraf