Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Seraglio Istanbul. The term can also refer to other traditional Turkish palaces—every imperial prince had his own—and other grand houses built around courtyards. In modern Italian the word is spelled "serraglio". It may refer to a wall or structure for containment, for example of caged wild animals; or for defence, such as the Serraglio of Villafranca di Verona, a defensive wall built by the Scaligeri. The ghettoes established in many Italian cities following the promulgation by Pope Paul IV in 1555 of the papal bull "Cum nimis absurdum" were initially called "serraglio degli ebrei", "enclosure of the Jews". The Seraglio is