Posthumous fame of Vincent van Gogh of Vincent van Gogh's life in 1934 entitled "Lust for Life" that was largely based on the letters to Theo; this book and later the movie of the same name added to further the artist's fame. During his lifetime, Van Gogh contributed works of his own only on a few and minor occasions which mainly passed unnoted by critics and public. For example, in 1887, a display of Japanese woodcuts in the Restaurant "Au Tambourin", 62 Boulevard de Clichy, then run by Augustina Ségatori, for which Van Gogh probably interpreted three famous "ukiyo-e" prints by Keisai Eisen and Hiroshige. Towards
Vincent van Gogh (Russell painting) in the possession of his widow, Johanna van Gogh-Bonger, and then their son, William Vincent van Gogh. The portrait is now on permanent loan to Amsterdam's Van Gogh Museum. Russell's portrait is unique among those of Van Gogh in that it is the only one by his contemporaries in which he makes direct eye contact with the viewer. Noting Van Gogh's sharp gaze, art critic Laura Cumming said Russell's portrait provides an "intimate and intense" encounter with the artist. In his 1939 autobiography, Hartrick called the portrait "an admirable likeness, more so than any of those by [Van Gogh] or