The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
The Abduction of Figaro Cavatina and dialogue: "You can beat me" 31. Act II Finale Act Three: A tropical forest 32. Ballet 33. Trio and dialogue: "A magic forest" 34. Duet and dialogue: "I am a swineherd" 35. Finale (Part I) and dialogue 36. Aria and dialogue: "Why, oh why" 37. Finale (Part II) 38. Curtain calls and closing credits 39. Closing remarks by Prof. Schickele </poem> DVD Bonus Selections The Abduction of Figaro The Abduction of Figaro is a comic opera, described as "A Simply Grand Opera by P. D. Q. Bach," which is actually the work of composer Peter Schickele. It is