István Kertész (conductor) "Fidelio" and "La bohème". In March 1960, Kertész was invited to become General Music Director of the Augsburg Opera—a post especially created for him. There he conducted performances of Mozart's "The Magic Flute", "The Abduction from the Seraglio", "Così fan tutte", and "The Marriage of Figaro", earning himself a reputation as one of the finest interpreters of Mozart's work. With exhilarating performances of Verdi's "Rigoletto", "Don Carlos", "Otello" and "Falstaff", and Richard Strauss's "Salome", "Arabella", and "Der Rosenkavalier", Kertész also proved himself a master of the finest of Italian Romantic operas. Invited to the Salzburg Festival, he conducted "The Abduction
Willoughby Weiss di Lammermoor" (with Dorus Gras and Henry Whitworth), conducted by Hector Berlioz, in Louis Antoine Jullien's company: soon afterwards Reeves and Weiss sang together again in the premiere of Balfe's opera "Maid of Honour". In 1854 he set Henry Wadsworth Longfellow's poem ""The Village Blacksmith"" to music, from which he made a considerable fortune. In that year Weiss was in Jarrett's company at Drury Lane, with Reeves, Agnes Büry, Mme Rudersdorff, Louisa Pyne and others, in a season including "Lucia", "Fra Diavolo", "La sonnambula", "Il Seraglio" and "Masaniello". On New Year's Day 1856, with Reeves, Novello and Lewis Thomas, he