The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Christine Weidinger among others. In 1988 she performed the role of Eupaforice in Carl Heinrich Graun's "Montezuma" at the Spoleto Festival USA. After a 16-year absence, she returned to the Metropolitan Opera in 1992 to sing the title role in Rossini's "Semiramide". Some of the many other roles Weidinger has sung on stage are Arminda in "La finta giardiniera", the Countess in "Le comte Ory", Gilda in "Rigoletto", Konstanze in "The Abduction from the Seraglio", Leonora in "Il trovatore", the title role in Rossini's "Armida", Armida in Handel's "Rinaldo" (with Marilyn Horne) and Amenaide in "Tancredi". She also performed the demanding Donizetti