Robert Rees (singer) at Soar Congregational chapel. He took a course of instruction at the Swansea Training College and was successful enough to give up work to devoted his whole time to music. Rees served for three years as precentor of Walter Road Congregational Church in Swansea and he conducted in singing festivals and served as adjudicator. In 1874, at the National Eisteddfod, held in Bangor, Rees performed the song "Hen Wlad Fy Nhadau" and according to the "Baner ac Amserau Cymru" journal "had taken the Eisteddfod by storm". "Hen Wlad Fy Nhadau" was adopted as the Eisteddfod song in 1880 and sung
Celtic music world wars. One of his major works was to bring "Hen Wlad Fy Nhadau" (the Welsh national anthem) back in Brittany and create lyrics in Breton. Eventually this song became ""Bro goz va zadoù"" ("Old land of my fathers") and is the most widely accepted Breton anthem. In the 70s, the Breton Alan Cochevelou (future Alan Stivell) began playing a mixed repertoire from the main Celtic countries on the Celtic harp his father created. Probably the most successful all inclusive Celtic music composition in recent years is Shaun Daveys composition 'The Pilgrim'. This suite depicts the journey of St. Colum