Mayan languages system developed by the Academia de Lenguas Mayas de Guatemala (ALMG). Orthographies for the languages of Mexico are currently being developed by the Instituto Nacional de Lenguas Indígenas (INALI). The pre-Columbian Maya civilization developed and used an intricate and fully functional writing system, which is the only Mesoamerican script that can be said to be almost fully deciphered. Earlier-established civilizations to the west and north of the Maya homelands that also had scripts recorded in surviving inscriptions include the Zapotec, Olmec, and the Zoque-speaking peoples of the southern Veracruz and western Chiapas area—but their scripts are as yet largely undeciphered.
The Olmec-Maya and Now The Olmec-Maya and Now "The Olmec-Maya and Now" (1981–1985) is a series of large, oil-on-canvas paintings by Aubrey Williams. The series grew out of Williams' enduring interest in pre-Columbian cultures of the indigenous peoples of the Americas (he himself claimed Carib ancestry). It explores parallels between Olmec and Maya civilizations and contemporary global culture, focusing in particular on the threat of rapid demise and self-destruction. Williams' interest in the pre-Columbian cultures of the Americas first developed while he was living and working among the Warao people in the north-west region of Guyana (now Region One) in the 1940s. Although he