The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Seraglio Istanbul. The term can also refer to other traditional Turkish palaces—every imperial prince had his own—and other grand houses built around courtyards. In modern Italian the word is spelled "serraglio". It may refer to a wall or structure for containment, for example of caged wild animals; or for defence, such as the Serraglio of Villafranca di Verona, a defensive wall built by the Scaligeri. The ghettoes established in many Italian cities following the promulgation by Pope Paul IV in 1555 of the papal bull "Cum nimis absurdum" were initially called "serraglio degli ebrei", "enclosure of the Jews". The Seraglio is