Art intervention Serpentine Gallery in London, where he exhibited "Away from the Flock" (a sheep in a tank). An artist poured black ink into it, and was subsequently prosecuted, at Hirst's wish. The artist's defence was that he thought Hirst would benefit from the publicity and one critic (Tony Parsons) said the artist's action proved that what Damien Hirst does is art. The exhibit was restored at a cost of £1000. A notable case of an unauthorised intervention—which did no damage, yet was still liable for prosecution—occurred at 12.58 p.m. on October 25, 1999, when two artists, Yuan Chai and Jian Jun
What Work Is Fame" and "Growth" are direct accounts of two of Levine's jobs as a young man. "Fear and Fame" is based on a job Levine had cleaning out and refilling acid vats in his mid twenties. "Growth" is about the job Levine held at a soap factory at the age of fourteen. Many of Levine's poems are based on his experience growing up in Detroit. The titular poem, "What Work Is", is based on Levine's experience of waiting in a Detroit employment line. "The Right Cross" is related to a boxing teacher who taught Levine to defend himself while growing up