Seraglio palace, the other (in the sense of enclosure for wild animals) from Late Latin: "", derived from "serare", to close, which comes from "sera", a door-bar. In the context of the "turquerie" fashion, the seraglio became the subject of works of art, the most famous perhaps being Mozart's Singspiel, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"). In Montesquieu's "Persian Letters", one of the main characters, a Persian from the city of Isfahan, is described as an occupant of a seraglio. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman Sultans in
Maria Stader "The Abduction from the Seraglio", two versions (1954 and 1960) of 'Exsultate, jubilate' and the Great Mass, as well as Verdi's Messa da Requiem. She won, the Geneva International Music Competition in 1939, but although she "seemed poised for major stardom... her career was delayed by the outbreak of World War II," according to "Opera News". Later in her career, Stader acquired a reputation as an outstanding Bach interpreter, especially with Karl Richter and Ferenc Fricsay. She recorded the "Requiem" by Antonín Dvořák with Karel Ančerl, and Beethoven's opera "Fidelio" (as Marzelline) with Hans Knappertsbusch. Stader was highly praised for