Regieoper to be the most radically shocking to date. The inspiration for Mozart's opera was the overwhelming fascination of Europeans by all things Turkish. Orientalist elements abound in this story of a hero trying to rescue two girls from the clutches of an evil Pasha who has installed them in his harem, Seraglio. Instead of a genteel harem, Bieto has set this Abduction in a modern, garish bordello where men and women engage in extreme acts of sex and brutality. The sets consist mainly of whorehouse accoutrements, the lighting is colored and garish, and the costumes for the most part are
Christiane Eda-Pierre Chicago, and New York. She made her Metropolitan Opera debut in 1980 as Konstanze, and went on to sing other roles there: Antonia in "Les contes d'Hoffmann" and Gilda in "Rigoletto". She became a teacher at the Paris Conservatory in 1977, while continuing her career in opera and in concert. The possessor of a beautiful, rich and agile voice, which enabled her to succeed in a wide variety of roles, Eda-Pierre can be heard on several recordings, her three most famous being on the Philips label, as Konstanze in "Abduction from the Seraglio" and Teresa in "Benvenuto Cellini", both under