Oboe of the family (it is usually pitched in E or F above the oboe), and the contrabass oboe (typically pitched in C, two octaves deeper than the standard oboe). Folk versions of the oboe, sometimes equipped with extensive keywork, are found throughout Europe. These include the musette (France) and the piston oboe and bombarde (Brittany), the piffero and ciaramella (Italy), and the xirimia (also spelled chirimia) (Spain). Many of these are played in tandem with local forms of bagpipe, particularly with the Italian zampogna or Breton biniou. Similar oboe-like instruments, most believed to derive from Middle Eastern models, are also
Wiener oboe played very expressively and blends well with other instruments." The Viennese oboe is (with the Viennese horn) perhaps the most distinctive member of the Vienna Philharmonic instrumentarium. The oboe in use in Vienna in the early and mid-19th century was originally a design called the Koch/Sellner oboe. In 1825 Viennese oboist and teacher Joseph Sellner wrote an oboe tutor ("Theoretische-praktische Oboeschule"), which included an illustrated fingering chart. The oboe associated with these materials was produced by Stefan Koch (1772–1828). This instrument was very well regarded in central Europe. In addition to a modernized mechanism with up to 13 keys, the