Damien Hirst Away" in 1994 at the Serpentine Gallery in London, where he exhibited "Away from the Flock" (a sheep in a tank of formaldehyde). On 9 May, Mark Bridger, a 35-year-old artist from Oxford, walked into the gallery and poured black ink into the tank, and retitled the work "Black Sheep". He was subsequently prosecuted, at Hirst's wish, and was given two years' probation. The sculpture was restored at a cost of £1,000. When a photograph of "Away from the Flock" was reproduced in the 1997 book by Hirst "I want to spend the rest of my life everywhere, with everyone,
What Work Is sometimes been criticized for leaning too hard on his blue-collar "bona fides". The critic Adam Kirsch, writing in "The Times Book Review" in 1999, noted, accurately enough, that “in his autobiographical essays he goes out of his way to tell us that he is essentially a peasant.” David Baker, writing about "What Work Is" (1991) in the "Kenyon Review", said Levine has “one of our most resonant voices of social conviction and witness, and he speaks with a powerful clarity…What Work Is may be one of the most important books of poetry of our time. Poem after poem confronts the