Art intervention Serpentine Gallery in London, where he exhibited "Away from the Flock" (a sheep in a tank). An artist poured black ink into it, and was subsequently prosecuted, at Hirst's wish. The artist's defence was that he thought Hirst would benefit from the publicity and one critic (Tony Parsons) said the artist's action proved that what Damien Hirst does is art. The exhibit was restored at a cost of £1000. A notable case of an unauthorised intervention—which did no damage, yet was still liable for prosecution—occurred at 12.58 p.m. on October 25, 1999, when two artists, Yuan Chai and Jian Jun
Damien Hirst "Treasures from the Wreck of the Unbelievable" at the Venice Biennale. The work, said critics, was not given appropriate context for viewers. Commenting on his collection, Hirst has said "As a human being, as you go through life, you just do collect. It was that sort of entropic collecting that I found myself interested in, just amassing stuff while you’re alive." Although Hirst participated physically in the making of early works, he has always needed assistants—for instance, Carl Freedman helped with the first vitrines—and the current volume of work produced necessitates a "factory" setup. this has led to questions about