The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
June Bronhill Merry Widow", "Orpheus in the Underworld", "Die Fledermaus" and "Rigoletto" at the Sydney Opera House in 1975. In 1976, she decided to move back to Australia permanently. In Australia she appeared in operas such as "Il Seraglio" ("Die Entführung aus dem Serail") and a Victoria State Opera production of Donnizetti's "Maria Stuarda" in July 1976, directed by Robin Lovejoy with a cast including Nance Grant conducted by Richard Divall. She played operetta roles such as Josephine ("H.M.S. Pinafore"), Phyllis ("Iolanthe") and Ruth ("The Pirates of Penzance"). She also had roles in "The Maid of the Mountains", "Call Me Madam", "A