Facial composite In the U.S. the FBI maintains that hand-drawing is its preferred method for constructing a facial composite. Many other police agencies, however, use software, since suitable artistic talent is often not available. Until quite recently, the facial composite systems used by international police forces were exclusively based on a construction methodology in which individual facial features (eyes, nose, mouth, eyebrows, etc.) are selected one at a time from a large database and then electronically 'overlaid' to make the composite image. Such systems are often referred to as feature-based since they essentially rely on the selection of individual features in isolation.
Leave to Remain (album) the same venue "Drowned In Sound" suggested the album "is captivating, even if it's not all that it could be" with "Popmatters" review concluding that it's "an album that is extremely hard to get out of one's head indeed". and "The Guardian" chiming 'both beautiful and intense, her best album yet' Leave to Remain (album) Leave to Remain is the sixth studio album by Kathryn Williams released on CAW Records on 1 October 2006. It was her first to feature Kate St John who would produce her next solo album, "The Quickening", in 2010. The track 'Stevie' on the album