Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Il templario Il templario Il templario is an Italian-language opera by the German composer Otto Nicolai from a libretto written by Girolamo Maria Marini based on Walter Scott's "Ivanhoe". It has been noted that Nicolai's work for the opera stage, which followed the successful "Die lustigen Weiber von Windsor" ("The Merry Wives of Windsor)" (his only German opera), included three others, all of which were in Italian (two being "Gilippede ed Odoardo" and "Il proscritto") and all "are all firmly cast in the "bel canto" style, with gracefully flowing melodies in the manner of Bellini". Marini was a part-time poet when not