Orchestral percussion as trivial or unimportant simply because, to the untrained eye (or ear), they seem easy to play. The truth is, however, that auxiliary percussion often requires the most use of extended techniques and that the parts for these instruments are frequently the most difficult. Other auxiliary percussion instruments include: Crash cymbals have been used in an orchestral setting since the time of Mozart, when he adopted their sound from traditional Turkish bands to be used in his opera "Abduction from the Seraglio". Since then, crash cymbals have become one of the most written for percussion instruments in classical music and
Christine Weidinger among others. In 1988 she performed the role of Eupaforice in Carl Heinrich Graun's "Montezuma" at the Spoleto Festival USA. After a 16-year absence, she returned to the Metropolitan Opera in 1992 to sing the title role in Rossini's "Semiramide". Some of the many other roles Weidinger has sung on stage are Arminda in "La finta giardiniera", the Countess in "Le comte Ory", Gilda in "Rigoletto", Konstanze in "The Abduction from the Seraglio", Leonora in "Il trovatore", the title role in Rossini's "Armida", Armida in Handel's "Rinaldo" (with Marilyn Horne) and Amenaide in "Tancredi". She also performed the demanding Donizetti