Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Maria Nemeth repertoire. Star soprano at the Vienna State Opera from 1925 until 1946, she also appeared at the Paris Opéra in 1928, as Constanze in the "Abduction from the Seraglio", and at the Royal Opera House in London, as "Turandot", in 1931. Her amazing voice and remarkable technique enabled her to excel in roles as diverse as Constanze and Queen of Night, Amelia and Aida. Considered one of the best Donna Anna, Tosca, and Turandot of her time. She also tackled Wagner roles, such as Brünnhilde, with success. She died in Vienna. Maria Nemeth Maria Nemeth (Hungarian: Németh Mária; March 13,