Posthumous fame of Vincent van Gogh of Vincent van Gogh's life in 1934 entitled "Lust for Life" that was largely based on the letters to Theo; this book and later the movie of the same name added to further the artist's fame. During his lifetime, Van Gogh contributed works of his own only on a few and minor occasions which mainly passed unnoted by critics and public. For example, in 1887, a display of Japanese woodcuts in the Restaurant "Au Tambourin", 62 Boulevard de Clichy, then run by Augustina Ségatori, for which Van Gogh probably interpreted three famous "ukiyo-e" prints by Keisai Eisen and Hiroshige. Towards
Vincent van Gogh excited André Derain and Maurice de Vlaminck, and contributed to the emergence of Fauvism. Important group exhibitions took place with the Sonderbund artists in Cologne in 1912, the Armory Show, New York in 1913, and Berlin in 1914. Henk Bremmer was instrumental in teaching and talking about Van Gogh, and introduced Helene Kröller-Müller to Van Gogh's art; she became an avid collector of his work. The early figures in German Expressionism such as Emil Nolde acknowledged a debt to Van Gogh's work. Bremmer assisted Jacob Baart de la Faille, whose "catalogue raisonné" "L'Oeuvre de Vincent van Gogh" appeared in 1928.