Haydn and Mozart symphony and a chorus, both probably from [the oratorio] "Il ritorno di Tobia"") and Mozart ("a new concert aria, probably 'Misero! o sogno!' [K. 431], and, on the first night, a piano concerto") At the time of this meeting, Haydn was the most celebrated composer in Europe. Mozart's own reputation was definitely on the rise. His opera "The Abduction from the Seraglio" had been premiered with great success in Vienna, and was being produced in several other cities. Haydn would have been about 52 at the time, Mozart about 28. Jens Peter Larsen suggests that "quartet playing was central to
Mozart, l'opéra rock je passe"). The scene moves to Antonio Salieri, walking with Rosenberg, the Steward to Emperor Joseph II, and Gottlieb Stephanie, a librettist who has recently finished his piece "The Abduction from the Seraglio". Rosenberg tells Salieri of the newcomer, Wolfgang, and his aspirations of composing a German opera, which Rosenberg then proceeds to mock for its lack of eloquence. Upon the appearance of the Emperor, Rosenberg attempts to discourage him from choosing Wolfgang as the composer for his commission on the basis of his desire to use German instead of the more traditional Italian. Rosenberg explains that Wolfgang insists on