Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Michael Langdon to his teacher's amazement. He excelled at the less academic school he attended. He disliked school and was pleased to leave. He sang in "The Midsummer Marriage", "Gloriana", "The Olympians", "Billy Budd", "A Midsummer Night's Dream", "Don Carlos", "Arabella", "Der Rosenkavalier", "Don Pasquale" and "The Abduction from the Seraglio", among others. He was principal bass at the Royal Opera House from 1951 and sang in most of the great opera houses of the world, most often in the role of Baron Ochs in "Der Rosenkavalier" during the 1960s and 1970s. His voice has been described as 'basso profundo'. He could