István Kertész (conductor) "Fidelio" and "La bohème". In March 1960, Kertész was invited to become General Music Director of the Augsburg Opera—a post especially created for him. There he conducted performances of Mozart's "The Magic Flute", "The Abduction from the Seraglio", "Così fan tutte", and "The Marriage of Figaro", earning himself a reputation as one of the finest interpreters of Mozart's work. With exhilarating performances of Verdi's "Rigoletto", "Don Carlos", "Otello" and "Falstaff", and Richard Strauss's "Salome", "Arabella", and "Der Rosenkavalier", Kertész also proved himself a master of the finest of Italian Romantic operas. Invited to the Salzburg Festival, he conducted "The Abduction
Christiane Eda-Pierre Chicago, and New York. She made her Metropolitan Opera debut in 1980 as Konstanze, and went on to sing other roles there: Antonia in "Les contes d'Hoffmann" and Gilda in "Rigoletto". She became a teacher at the Paris Conservatory in 1977, while continuing her career in opera and in concert. The possessor of a beautiful, rich and agile voice, which enabled her to succeed in a wide variety of roles, Eda-Pierre can be heard on several recordings, her three most famous being on the Philips label, as Konstanze in "Abduction from the Seraglio" and Teresa in "Benvenuto Cellini", both under