Jana Jonášová with Bendlová and then at the Academy of Performing Arts in Prague with Teodor Šrubař. She made her professional opera debut in 1965 at the Liberec Theatre as Konstanze in Wolfgang Amadeus Mozart's "The Abduction from the Seraglio". That same year she became involved with the Chamber Opera Prague. She remained committed to the Liberec Theatre through 1970 and then joined the National Theatre in Prague where she initially sang minor roles and worked in the opera chorus. In 1973 Jonášová was promoted to principal sopranos at the National Theatre and she quickly became one of the house's most important
Persian Letters texts and renewed perspectives. Particularly important were the extensively annotated edition by Paul Vernière and the research of Robert Shackleton on Muslim chronology; also studies by Roger Laufer, Pauline Kra and Roger Mercier, which put new focus on the work’s unity and integrated the seraglio into its overall meaning. Others who have followed have looked into the ramifications of epistolary form, the structure and meaning of the seraglio, Usbek’s contradictions. Beginning about 1970 it is religion (Kra) and especially politics (Ehrard, Goulemot, Benrekassa) which predominate in studies on "Lettres persanes", with a progressive return to the role of the seraglio