Seraglio palace, the other (in the sense of enclosure for wild animals) from Late Latin: "", derived from "serare", to close, which comes from "sera", a door-bar. In the context of the "turquerie" fashion, the seraglio became the subject of works of art, the most famous perhaps being Mozart's Singspiel, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"). In Montesquieu's "Persian Letters", one of the main characters, a Persian from the city of Isfahan, is described as an occupant of a seraglio. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman Sultans in
Persian Letters texts and renewed perspectives. Particularly important were the extensively annotated edition by Paul Vernière and the research of Robert Shackleton on Muslim chronology; also studies by Roger Laufer, Pauline Kra and Roger Mercier, which put new focus on the work’s unity and integrated the seraglio into its overall meaning. Others who have followed have looked into the ramifications of epistolary form, the structure and meaning of the seraglio, Usbek’s contradictions. Beginning about 1970 it is religion (Kra) and especially politics (Ehrard, Goulemot, Benrekassa) which predominate in studies on "Lettres persanes", with a progressive return to the role of the seraglio