Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Willoughby Weiss di Lammermoor" (with Dorus Gras and Henry Whitworth), conducted by Hector Berlioz, in Louis Antoine Jullien's company: soon afterwards Reeves and Weiss sang together again in the premiere of Balfe's opera "Maid of Honour". In 1854 he set Henry Wadsworth Longfellow's poem ""The Village Blacksmith"" to music, from which he made a considerable fortune. In that year Weiss was in Jarrett's company at Drury Lane, with Reeves, Agnes Büry, Mme Rudersdorff, Louisa Pyne and others, in a season including "Lucia", "Fra Diavolo", "La sonnambula", "Il Seraglio" and "Masaniello". On New Year's Day 1856, with Reeves, Novello and Lewis Thomas, he