Honey Bunny the Nips" (1944), a shapely robotic female rabbit used as a bait for Bugs by Gossamer's creator in the cartoon "Hair-Raising Hare" (1946), Daisy Lou (who bears a strong resemblance to Honey Bunny's eventual character design from the 1970s-1990s) in the above-mentioned cartoon "Hare Splitter" (1948), Witch Hazel (who is transformed into an attractive female rabbit) in the cartoon "Bewitched Bunny" (1954), and Millicent (an overweight rabbit) in the cartoon "Rabbit Romeo" (1957). Mama Bear, in "Bugs Bunny and the Three Bears" (1944); Penelope Pussycat, in "Carrotblanca" (1995); and Elmer Fudd, in "Bugs' Bonnets" (1956) and "Rabbit of Seville" (1950),
Bugs Bunny had been in "Hare-um Scare-um" and as cool and collected as in "Prest-O Change-O". Immediately following on "A Wild Hare", Bob Clampett's "Patient Porky" (1940) features a cameo appearance by Bugs, announcing to the audience that 750 rabbits have been born. The gag uses Bugs' "Wild Hare" visual design, but his goofier pre-"Wild Hare" voice characterization. The second full-fledged role for the mature Bugs, Chuck Jones' "Elmer's Pet Rabbit" (1941), is the first to use Bugs' name on-screen: it appears in a title card, "featuring Bugs Bunny," at the start of the film (which was edited in following the success