Philip de la Vache ""The Canterbury Tales"". However, the reference to Vache in Chaucer's poem may on good grounds also be a pun on his own name. The phrase Vache, leve! in the first line of the Envoy corresponds to medieval French Vache, reïs!, 'cow, leave!'. The French phase reïs, Vache!, (REISVACHE), when reversed, becomes CHAVSIER, the French form of the poet's name (this is a so-called palindrome). In the First Book of Kings in the Old Testament, the cows on their way to Beth Shemesh are likened to holy men, or monks on their way to the Heavenly Jerusalem. Chaucer may have regarded
Vache Sharafyan its overall song-form structure and writing for piano, violin and cello. "THE BOSTON GLOBE", by Matthew Guerrieri Globe Correspondent / May 27, 2008. By contrast, Vache Sharafyan's "Sinfonia No. 2 un poco concertante," a BMOP commission and world premiere, takes that essence as its starting point. Melodies erupt into dense, slow-shifting harmonic clouds; a repetitive figure builds into crashing waves of multitudinous, Ivesian dissonance. A solo duduk, the Armenian folk oboe (pre-recorded for this concert), spins periodic arabesques, the instrument's microtonal inflections transmuted in the orchestra. Sharafyan creates complex, deliberate, ultimately captivating grandeur - artistic director Gil Rose led a