Jana Jonášová with Bendlová and then at the Academy of Performing Arts in Prague with Teodor Šrubař. She made her professional opera debut in 1965 at the Liberec Theatre as Konstanze in Wolfgang Amadeus Mozart's "The Abduction from the Seraglio". That same year she became involved with the Chamber Opera Prague. She remained committed to the Liberec Theatre through 1970 and then joined the National Theatre in Prague where she initially sang minor roles and worked in the opera chorus. In 1973 Jonášová was promoted to principal sopranos at the National Theatre and she quickly became one of the house's most important
Christiane Eda-Pierre Chicago, and New York. She made her Metropolitan Opera debut in 1980 as Konstanze, and went on to sing other roles there: Antonia in "Les contes d'Hoffmann" and Gilda in "Rigoletto". She became a teacher at the Paris Conservatory in 1977, while continuing her career in opera and in concert. The possessor of a beautiful, rich and agile voice, which enabled her to succeed in a wide variety of roles, Eda-Pierre can be heard on several recordings, her three most famous being on the Philips label, as Konstanze in "Abduction from the Seraglio" and Teresa in "Benvenuto Cellini", both under