Eiffel Tower (Delaunay series) stylistically between the artist's "Saint-Séverin" series and "Windows" series. Delaunay's Eiffel Tower series is evoked in architectural paintings of other iconic buildings by his contemporary, the New York artist John Marin, in his "Woolworth Building, No. 31" of 1912, and later by the Ontario artist Greg Curnoe's "CN Tower" series of the 1970s and 1980s. The 1913 artist's book "La prose du Transsibérien et de la Petite Jehanne de France", a collaborative work between Sonia Delaunay and the poet Blaise Cendrars, forms an epic narrative of a Trans-Siberian Railway journey that concludes in Paris at a Simultanist Eiffel Tower. They
Eiffel Tower (Delaunay series) had announced a plan to sell 150 copies of the book, which would equal in height the Tower itself. The Russian film director Sergei Eisenstein's appreciation of Delaunay's work informed his Soviet montage theory, as he imagined developing cinematically "a dynamic fusion of a series, moving past the spectator, of those hundred views of the Eiffel Tower" rather than a "summation within a single canvas". Cendrars's 1924 essay on Robert Delaunay describes his feminization of the Tower, and Sonia Delaunay described the Eiffel Tower as her husband's "Eve future" Eiffel Tower (Delaunay series) The Eiffel Tower series of Robert Delaunay