Angelo Soliman Haydn as well the Hungarian poet Ferenc Kazinczy. Lodge records indicate that Soliman and Mozart met on several occasions. It is likely that the character Bassa Selim in Mozart's opera "The Abduction from the Seraglio" was based on Soliman. Eventually becoming the Grand Master of that lodge, Soliman helped change its ritual to include scholarly elements. This new Masonic direction rapidly influenced Freemasonic practice throughout Europe. Soliman is still celebrated in Massonic rites as "Father of Pure Masonic Thought", with his name usually transliterated as "Angelus Solimanus". During his lifetime Soliman was regarded as a model of the assimilation and
Stefanos Lazaridis Nightingale". He attracted attention for his designs for Antony Tudor's "Knight Errant" for the Royal Ballet's touring company in 1968, and was invited to design a new production of "Carmen" for the director John Copley at Sadler's Wells Opera in 1970. Lazaridis's early designs were naturalistic and lavish, and suited Copley's approach to production. They worked together both at English National Opera (ENO) ("The Seraglio", 1971, "Il trovatore", 1972) and Covent Garden ("Le nozze di Figaro", 1971, "Don Giovanni", 1973). In the 1980s, Lazaridis worked a great deal with David Pountney at ENO. His design style moved away from opulent