Eiffel Tower be used to restrict the publication of tourist photographs of the tower at night, as well as hindering non-profit and semi-commercial publication of images of the illuminated tower. French doctrine and jurisprudence allows pictures incorporating a copyrighted work as long as their presence is incidental or accessory to the subject being represented, a reasoning akin to the "de minimis" rule. Therefore, SETE may be unable to claim copyright on photographs of Paris which happen to include the lit tower. The Eiffel Tower was the world's tallest structure when completed in 1889, a distinction it retained until 1929 when the Chrysler
Eiffel Tower (Delaunay series) had announced a plan to sell 150 copies of the book, which would equal in height the Tower itself. The Russian film director Sergei Eisenstein's appreciation of Delaunay's work informed his Soviet montage theory, as he imagined developing cinematically "a dynamic fusion of a series, moving past the spectator, of those hundred views of the Eiffel Tower" rather than a "summation within a single canvas". Cendrars's 1924 essay on Robert Delaunay describes his feminization of the Tower, and Sonia Delaunay described the Eiffel Tower as her husband's "Eve future" Eiffel Tower (Delaunay series) The Eiffel Tower series of Robert Delaunay