Welsh rarebit considered to be a supper or tavern dish, based on the fine cheddar-type cheeses and the wheat bread [...] . Surprisingly, it seems there was not only a Welsh Rabbit, but also an English Rabbit, an Irish and a Scotch Rabbit, but nary a rarebit." Michael Quinion writes: "Welsh rabbit is basically cheese on toast (the word is not 'rarebit' by the way, that's the result of false etymology; 'rabbit' is here being used in the same way as 'turtle' in 'mock-turtle soup', which has never been near a turtle, or 'duck' in 'Bombay duck', which was actually a dried
Dream of the Rarebit Fiend strip. Despite the strip's bleak view, McCay's work was so popular that William Randolph Hearst hired him in 1911 with a star's salary. Hearst editor Arthur Brisbane deemed McCay's work "serious, not funny", and had the cartoonist give up his comic strips (including "Rarebit Fiend" and "Nemo") to work full-time illustrating editorials. Scholars such as Claude Moliterni, Ulrich Merkl, Alfredo Castelli, and others have hunted down what they believe to have influenced McCay's work on "Dream of the Rarebit Fiend". Among the possible influences are Edward Lear's popular "The Book of Nonsense" (1870), Gelett Burgess' "The Burgess Nonsense Book" (1901),