Yvonne Kenny when she replaced, with only four days' notice, the soprano scheduled to sing in an Opera Rara concert performance of Donizetti's "Rosmonda d'Inghilterra" at the Queen Elizabeth Hall. It was a triumph and the virtually unknown Kenny became an overnight star. She made her debut at the Royal Opera House the following year, in the premiere of Hans Werner Henze's "We Come to the River", later singing in Handel operas such as: "Semele", "Alcina", "Giulio Cesare", and such Mozart operas as: "Idomeneo", "Mitridate, re di Ponto", "La clemenza di Tito", "The Abduction from the Seraglio", "The Magic Flute". She also
Adina (opera) Adina (opera) Adina is an operatic farsa in one act by Gioachino Rossini with a libretto by Marchese Gherardo Bevilacqua-Aldobrandini. The opera develops the popular theme of the "abduction from the seraglio". "Adina" was commissioned in 1818 by Diego Ignazio de Pina Manique, police superintendent of Lisbon and inspector of Portuguese theatres. The plot is very similar to that of Francesco Basili's 1819 opera, "Il califfo e la schiava", for which the libretto was written by Felice Romani, and some passages occur in both librettos - a mystery which has not yet been unravelled. The opera was intended as a