Orchestral percussion as trivial or unimportant simply because, to the untrained eye (or ear), they seem easy to play. The truth is, however, that auxiliary percussion often requires the most use of extended techniques and that the parts for these instruments are frequently the most difficult. Other auxiliary percussion instruments include: Crash cymbals have been used in an orchestral setting since the time of Mozart, when he adopted their sound from traditional Turkish bands to be used in his opera "Abduction from the Seraglio". Since then, crash cymbals have become one of the most written for percussion instruments in classical music and
Ileana Cotrubaș study at the "Școala Specială de Muzică" school for the musically gifted. Cotrubaș made her stage debut with the Bucharest Opera as Yniold in Debussy's "Pelléas et Mélisande" in 1964. She subsequently expanded her repertory to include roles such as Oscar in "Un ballo in maschera", Gilda in "Rigoletto", and Blondchen in "The Abduction from the Seraglio" and began appearing in productions throughout Europe. In 1965, Cotrubaș won an important competition in 's-Hertogenbosch, Netherlands where she won first prize in opera, lieder, and oratorio. The following year, she won a radio-television competition in Munich. Those awards, together with her great