Seraglio palace, the other (in the sense of enclosure for wild animals) from Late Latin: "", derived from "serare", to close, which comes from "sera", a door-bar. In the context of the "turquerie" fashion, the seraglio became the subject of works of art, the most famous perhaps being Mozart's Singspiel, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"). In Montesquieu's "Persian Letters", one of the main characters, a Persian from the city of Isfahan, is described as an occupant of a seraglio. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman Sultans in
Christiane Eda-Pierre Chicago, and New York. She made her Metropolitan Opera debut in 1980 as Konstanze, and went on to sing other roles there: Antonia in "Les contes d'Hoffmann" and Gilda in "Rigoletto". She became a teacher at the Paris Conservatory in 1977, while continuing her career in opera and in concert. The possessor of a beautiful, rich and agile voice, which enabled her to succeed in a wide variety of roles, Eda-Pierre can be heard on several recordings, her three most famous being on the Philips label, as Konstanze in "Abduction from the Seraglio" and Teresa in "Benvenuto Cellini", both under