Madonna: Tears of a Clown followed with Madonna joining the band and sitting down with her guitar, including "X-Static Process", a cover of Elliott Smith's "Between the Bars", "Nobody's Perfect" and "Easy Ride". All the songs had displays showing circus themed videos; following this Madonna started singing the song "Intervention", while displaying an image of her son Rocco; the singer referred to her custody battle with ex-husband Guy Ritchie about Rocco. Other acoustic versions of songs followed, including "I'm So Stupid", "Paradise (Not for Me)", "Joan of Arc" and "Don't Tell Me". Before performing the next song, "Mer Girl", Madonna explained that once she was
Cultural impact of Madonna some "Madonna is the cyber-model of the New Woman. Similar, senior lecturers Stéphanie Genz and Benjamin Brabon in "Postfeminism: Cultural Texts and Theories" (2009) felt that "whether it is as a woman, mother, pop icon or fifty year old, the American singer challenges our preconceptions of who 'Madonna' is and, more broadly, what these identity categories mean within a postmodern context". Madonna as a pop icon and figure on popular culture has generated scrutine analysis, but some journalists and critics like Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural