Seraglio palace, the other (in the sense of enclosure for wild animals) from Late Latin: "", derived from "serare", to close, which comes from "sera", a door-bar. In the context of the "turquerie" fashion, the seraglio became the subject of works of art, the most famous perhaps being Mozart's Singspiel, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"). In Montesquieu's "Persian Letters", one of the main characters, a Persian from the city of Isfahan, is described as an occupant of a seraglio. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman Sultans in
Josephine Lucchese "Rigoletto", Lady Harriet Durham in "Martha", Micaëla in "Carmen", Rosina in "The Barber of Seville", Violetta in "La traviata", and the title role in "Lucia di Lammermoor". In 1925 Lucchese performed Violetta to 's Alfredo at the Academy of Music in the very first performance of the Philadelphia La Scala Opera Company. In 1926 she made her debut with the Philadelphia Grand Opera Company (PGOC) as Gilda to Millo Picco's Rigoletto. She later became a resident artist with the PGOC from 1929 until the company's bankruptcy in 1932, performing such roles as Konstanze in "The Abduction from the Seraglio", Leïla