The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Davis Cunningham Prince Anatole in "War and Peace", Pelléas in "Pelléas et Mélisande", and Belmonte in "The Abduction from the Seraglio". In 1960 he portrayed Mario Cavaradossi in "Tosca" for an ABC television production. On Dec 27, 1954 he portrayed Michele in the world premiere of Gian Carlo Menotti's "The Saint of Bleecker Street" on Broadway. In 1954, Cunningham joined the roster of principal tenors at the New York City Opera, where he first appeared in the title role of "The Tales of Hoffmann" in 1954. His other roles with the company included Rodolfo in "La bohème" (1954), Prince Ramiro in "La