Eiffel Tower (Delaunay series) Eiffel Tower (Delaunay series) The Eiffel Tower series of Robert Delaunay (1885 – 1941) is a cycle of paintings and drawings of the Eiffel Tower. Its main sequence was created between 1909 and 1912, with additional works added up to 1928. The series is considered the most prominent art depicting the iconic Paris tower as well as the most prominent work of Delaunay. The series was painted in an emerging Orphist style, an art movement co-founded by Robert and Sonia Delaunay and František Kupka that added bright colors and increased abstraction to Cubism. The "Eiffel Tower" series sits chronologically and
Eiffel Tower (Delaunay series) had announced a plan to sell 150 copies of the book, which would equal in height the Tower itself. The Russian film director Sergei Eisenstein's appreciation of Delaunay's work informed his Soviet montage theory, as he imagined developing cinematically "a dynamic fusion of a series, moving past the spectator, of those hundred views of the Eiffel Tower" rather than a "summation within a single canvas". Cendrars's 1924 essay on Robert Delaunay describes his feminization of the Tower, and Sonia Delaunay described the Eiffel Tower as her husband's "Eve future" Eiffel Tower (Delaunay series) The Eiffel Tower series of Robert Delaunay