The English Roses her character where kids would stop and go, 'Wow! What would that be like?'" Binah's character was also influenced by Lourdes since Madonna felt she was often ostracized for being her daughter at school. Finally, "The English Roses" became a moral story with messages from Kabbalah, deduced from tales that Madonna had heard from her teacher. She also included messages about the perils of envy, ostracization, and assumption of other's lives. For "The English Roses", Madonna worked with illustrator Jeffrey Fulvimari, whose work on the book was described by Ginny Dougary of "The Sunday Times Magazine" as ""Madeleine" meets David
For the Roses "Creem", he said the music lacked the liveliness of "Blue"s "All I Want" and the lyrics' insularity diminished her voice, but he ultimately regarded the album as a "remarkable work" and the year's aesthetically boldest record. "Mitchell has integrated the strange shifts of her voice into an almost 'classical' sounding music", Christgau wrote, calling it "hypnotic when you give it a chance to work". For the Roses For the Roses is the fifth studio album by Canadian singer-songwriter Joni Mitchell, released in November 1972, between her two biggest commercial and critical successes – "Blue" and "Court and Spark". Despite this,