Posthumous fame of Vincent van Gogh of Vincent van Gogh's life in 1934 entitled "Lust for Life" that was largely based on the letters to Theo; this book and later the movie of the same name added to further the artist's fame. During his lifetime, Van Gogh contributed works of his own only on a few and minor occasions which mainly passed unnoted by critics and public. For example, in 1887, a display of Japanese woodcuts in the Restaurant "Au Tambourin", 62 Boulevard de Clichy, then run by Augustina Ségatori, for which Van Gogh probably interpreted three famous "ukiyo-e" prints by Keisai Eisen and Hiroshige. Towards
Posthumous fame of Vincent van Gogh and asked Isaacson to stop writing about him. But there was no chance to turn the wheel back: January 1890 - in the first issue refounding the "Mercure de France" - Albert Aurier published his enthusiastic essay 'Les Isolés: Vincent van Gogh', on which Vincent's fame as an artist is based as well as Aurier's as a leading art critic. Another voice was that of Octave Mirbeau whose review article 'Vincent van Gogh' in "L'Echo de Paris" on 1 March 1891. Later that year Van Gogh's friend Émile Bernard contributed short pieces on Van Gogh for "La Plume" and "Les