Berthold Tours John Stainer. The works he edited included "Iphigenia in Aulis", "Iphigenia in Tauris" and "Orpheus" by Gluck; "L'Étoile du nord" by Meyerbeer; "Il seraglio" and "Zauberflöte" by Mozart; "Guillaume Tell" by Rossini; "Der Fliegender Holländer" and "Lohengrin" by Wagner; "Euryanthe" by Weber; Mendelssohn's "Elijah"; Gounod's "Mors et Vita" and "Redemption", numerous piano albums, and many others. He also arranged scores of Gilbert and Sullivan operettas for piano and voice. He was also a composer and composed a cantata for female voices called "The Home of Titania" (1893); an anthem entitled "A Festival Ode" (1893) for organ and soprano, which was
Stefanos Lazaridis Nightingale". He attracted attention for his designs for Antony Tudor's "Knight Errant" for the Royal Ballet's touring company in 1968, and was invited to design a new production of "Carmen" for the director John Copley at Sadler's Wells Opera in 1970. Lazaridis's early designs were naturalistic and lavish, and suited Copley's approach to production. They worked together both at English National Opera (ENO) ("The Seraglio", 1971, "Il trovatore", 1972) and Covent Garden ("Le nozze di Figaro", 1971, "Don Giovanni", 1973). In the 1980s, Lazaridis worked a great deal with David Pountney at ENO. His design style moved away from opulent