Art intervention Serpentine Gallery in London, where he exhibited "Away from the Flock" (a sheep in a tank). An artist poured black ink into it, and was subsequently prosecuted, at Hirst's wish. The artist's defence was that he thought Hirst would benefit from the publicity and one critic (Tony Parsons) said the artist's action proved that what Damien Hirst does is art. The exhibit was restored at a cost of £1000. A notable case of an unauthorised intervention—which did no damage, yet was still liable for prosecution—occurred at 12.58 p.m. on October 25, 1999, when two artists, Yuan Chai and Jian Jun
What Work Is of a superior, and the hellish nature of the task that the narrator is performing and its effect upon him. Much of the collection contains a series of grim and brooding passages. Paul Gray, a contributor of "Time" called Levine's narrators “guerrillas, trapped in an endless battle long after the war is lost.” This may refer to instances where Levine recalls his childhood hometown of Detroit. Yet others, such as Marie Borroff, suggest that Levine's work is joyful despite its painful material. Initial reviews for "What Work Is" praised Levine for his working-class subject matter, which represented a marked change