Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Donald Shanks (bass-baritone) "Norma" with Dame Joan Sutherland, "La bohème" with Luciano Pavarotti, and Banquo in "Macbeth" with Sherrill Milnes. Other roles he became associated with were Zaccharia in "Nabucco", Rocco in "Fidelio", Osmin in "The Abduction from the Seraglio", Boris in "Boris Godunov", Timur in "Turandot", Ramphis in "Aida", Pistol in "Falstaff", Kekal in "The Bartered Bride", Baron Ochs in "Der Rosenkavalier", Nourabad in "The Pearl Fishers", the Commendatore in "Don Giovanni", and a major role in Leoš Janáček's "The Cunning Little Vixen". He created the role of The Maestro in Alan John's 1995 opera "The Eighth Wonder" at the Sydney Opera