The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Elisabeth Carron Liu for her debuts with the Philadelphia Lyric Opera Company in 1959 and the Houston Grand Opera in 1960. In 1962 she made her debut at the San Francisco Opera as Constanze in "The Abduction from the Seraglio". Over the next several seasons she sang Cio-Cio San for her debut with several opera companies, including the Detroit Opera, the Cincinnati Opera, and the Caracas Opera. Carron also sang leading roles at the Edinburgh Festival in Scotland, the Washington National Opera, and in Tokyo. She lived in New York City with her husband, Marte Previti, a chemical engineer, with whom she