Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Mozart, l'opéra rock je passe"). The scene moves to Antonio Salieri, walking with Rosenberg, the Steward to Emperor Joseph II, and Gottlieb Stephanie, a librettist who has recently finished his piece "The Abduction from the Seraglio". Rosenberg tells Salieri of the newcomer, Wolfgang, and his aspirations of composing a German opera, which Rosenberg then proceeds to mock for its lack of eloquence. Upon the appearance of the Emperor, Rosenberg attempts to discourage him from choosing Wolfgang as the composer for his commission on the basis of his desire to use German instead of the more traditional Italian. Rosenberg explains that Wolfgang insists on