The Lion King (musical) the record previously held by "The Phantom of the Opera". "The Lion King" musical has grossed nearly as of 2017. As the sun rises, Rafiki the mandrill calls the animals to Pride Rock. She greets King Mufasa and Queen Sarabi before presenting their cub to the gathered animals ("Circle of Life"). Elsewhere, Mufasa's brother, Scar, laments his lost chance at becoming King. Back at her baobab tree, Rafiki paints an image of the cub and asks the spirits to conjure the new prince's name: Simba. Time passes and Simba grows into a lively young cub ("Grasslands Chant"). Mufasa shows Simba
Nala (The Lion King) that Nala is introduced "as a dominating young girl" who ultimately matures into "a strong woman" by the film's conclusion. "Mouse Morality: The Rhetoric of Disney Animated Film" author Annalee R. Ward wrote that Nala's role in "The Lion King" reflected "a 1990s feminist reversal". In her book "Biblical Allusions", author Lindsay Bacher acknowledged that Nala is often depicted as a stronger and more responsible character than Simba, despite observations that "The Lion King"'s female characters lack agency. Leab identified Nala as Simba's "equal" who is "a more naturally sound leader throughout the film, while Simba tends to be comparatively