Harem of European women forcibly taken into Oriental harems—evident for example in the Mozart opera "Die Entführung aus dem Serail" ("The Abduction from the Seraglio") concerning the attempt of the hero Belmonte to rescue his beloved Konstanze from the "seraglio"/harem of the Pasha Selim; or in Voltaire's "Candide", in chapter 12 of which the old woman relates her experiences of being sold into harems across the Ottoman Empire. Much of Verdi's opera "Il corsaro" takes place in the harem of the Pasha Seid—where Gulnara, the Pasha's favorite, chafes at life in the harem, and longs for freedom and true love. Eventually
Maria Nemeth repertoire. Star soprano at the Vienna State Opera from 1925 until 1946, she also appeared at the Paris Opéra in 1928, as Constanze in the "Abduction from the Seraglio", and at the Royal Opera House in London, as "Turandot", in 1931. Her amazing voice and remarkable technique enabled her to excel in roles as diverse as Constanze and Queen of Night, Amelia and Aida. Considered one of the best Donna Anna, Tosca, and Turandot of her time. She also tackled Wagner roles, such as Brünnhilde, with success. She died in Vienna. Maria Nemeth Maria Nemeth (Hungarian: Németh Mária; March 13,