Philip de la Vache ""The Canterbury Tales"". However, the reference to Vache in Chaucer's poem may on good grounds also be a pun on his own name. The phrase Vache, leve! in the first line of the Envoy corresponds to medieval French Vache, reïs!, 'cow, leave!'. The French phase reïs, Vache!, (REISVACHE), when reversed, becomes CHAVSIER, the French form of the poet's name (this is a so-called palindrome). In the First Book of Kings in the Old Testament, the cows on their way to Beth Shemesh are likened to holy men, or monks on their way to the Heavenly Jerusalem. Chaucer may have regarded
Vache Sharafyan conventional elements co-exist with the oscillating pitches and clusters of Sharafyan's harmonic language to magical effect. "Chicago Tribune" (12,18,02) wrote about The Silk Road Ensemble at Chicago Orchestra Hall: "...But the most wonderful piece on the program was "The Sun, the Wine, and the Wind of Time" (1998) by the Armenian composer Vache Sharafyan. The score derived much of its ineffable sadness from the duduk, an oboe-like instrument whose quivery, throaty sounds were framed by piano (Joel Fan), violin (Colin Jacobsen) and cello (Ma). The seamless evolution of moods and textures—from soft, somber lines made up of pained intervals, to