Berthold Tours John Stainer. The works he edited included "Iphigenia in Aulis", "Iphigenia in Tauris" and "Orpheus" by Gluck; "L'Étoile du nord" by Meyerbeer; "Il seraglio" and "Zauberflöte" by Mozart; "Guillaume Tell" by Rossini; "Der Fliegender Holländer" and "Lohengrin" by Wagner; "Euryanthe" by Weber; Mendelssohn's "Elijah"; Gounod's "Mors et Vita" and "Redemption", numerous piano albums, and many others. He also arranged scores of Gilbert and Sullivan operettas for piano and voice. He was also a composer and composed a cantata for female voices called "The Home of Titania" (1893); an anthem entitled "A Festival Ode" (1893) for organ and soprano, which was
Josephine Lucchese "Rigoletto", Lady Harriet Durham in "Martha", Micaëla in "Carmen", Rosina in "The Barber of Seville", Violetta in "La traviata", and the title role in "Lucia di Lammermoor". In 1925 Lucchese performed Violetta to 's Alfredo at the Academy of Music in the very first performance of the Philadelphia La Scala Opera Company. In 1926 she made her debut with the Philadelphia Grand Opera Company (PGOC) as Gilda to Millo Picco's Rigoletto. She later became a resident artist with the PGOC from 1929 until the company's bankruptcy in 1932, performing such roles as Konstanze in "The Abduction from the Seraglio", Leïla