Regieoper to be the most radically shocking to date. The inspiration for Mozart's opera was the overwhelming fascination of Europeans by all things Turkish. Orientalist elements abound in this story of a hero trying to rescue two girls from the clutches of an evil Pasha who has installed them in his harem, Seraglio. Instead of a genteel harem, Bieto has set this Abduction in a modern, garish bordello where men and women engage in extreme acts of sex and brutality. The sets consist mainly of whorehouse accoutrements, the lighting is colored and garish, and the costumes for the most part are
Persian Letters texts and renewed perspectives. Particularly important were the extensively annotated edition by Paul Vernière and the research of Robert Shackleton on Muslim chronology; also studies by Roger Laufer, Pauline Kra and Roger Mercier, which put new focus on the work’s unity and integrated the seraglio into its overall meaning. Others who have followed have looked into the ramifications of epistolary form, the structure and meaning of the seraglio, Usbek’s contradictions. Beginning about 1970 it is religion (Kra) and especially politics (Ehrard, Goulemot, Benrekassa) which predominate in studies on "Lettres persanes", with a progressive return to the role of the seraglio