Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Ileana Cotrubaș study at the "Școala Specială de Muzică" school for the musically gifted. Cotrubaș made her stage debut with the Bucharest Opera as Yniold in Debussy's "Pelléas et Mélisande" in 1964. She subsequently expanded her repertory to include roles such as Oscar in "Un ballo in maschera", Gilda in "Rigoletto", and Blondchen in "The Abduction from the Seraglio" and began appearing in productions throughout Europe. In 1965, Cotrubaș won an important competition in 's-Hertogenbosch, Netherlands where she won first prize in opera, lieder, and oratorio. The following year, she won a radio-television competition in Munich. Those awards, together with her great