Orchestral percussion as trivial or unimportant simply because, to the untrained eye (or ear), they seem easy to play. The truth is, however, that auxiliary percussion often requires the most use of extended techniques and that the parts for these instruments are frequently the most difficult. Other auxiliary percussion instruments include: Crash cymbals have been used in an orchestral setting since the time of Mozart, when he adopted their sound from traditional Turkish bands to be used in his opera "Abduction from the Seraglio". Since then, crash cymbals have become one of the most written for percussion instruments in classical music and
Hélène Lindqvist Theater Ulm. While there, she sang, among others, the parts of Kostanze in The Abduction from the Seraglio, Ninetta in The Love for Three Oranges, Gilda in Rigoletto, (als steppende) Electress Marie in Der Vogelhändler, Fiorilla in Il turco in Italia, Alcina in Alcina, Euridice in Orfeo ed Euridice and also Mary Magdalene in Jesus Christ Superstar. Meanwhile, as a freelance artist, Lindqvist is in demand, both in Germany and abroad, as a concert and art song singer. Her repertoire reaches from the early Baroque, concerning sacred compositions, through the modern period. This encompasses works by Johann Sebastian Bach, Anton