The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Maria Nemeth repertoire. Star soprano at the Vienna State Opera from 1925 until 1946, she also appeared at the Paris Opéra in 1928, as Constanze in the "Abduction from the Seraglio", and at the Royal Opera House in London, as "Turandot", in 1931. Her amazing voice and remarkable technique enabled her to excel in roles as diverse as Constanze and Queen of Night, Amelia and Aida. Considered one of the best Donna Anna, Tosca, and Turandot of her time. She also tackled Wagner roles, such as Brünnhilde, with success. She died in Vienna. Maria Nemeth Maria Nemeth (Hungarian: Németh Mária; March 13,