Jana Jonášová with Bendlová and then at the Academy of Performing Arts in Prague with Teodor Šrubař. She made her professional opera debut in 1965 at the Liberec Theatre as Konstanze in Wolfgang Amadeus Mozart's "The Abduction from the Seraglio". That same year she became involved with the Chamber Opera Prague. She remained committed to the Liberec Theatre through 1970 and then joined the National Theatre in Prague where she initially sang minor roles and worked in the opera chorus. In 1973 Jonášová was promoted to principal sopranos at the National Theatre and she quickly became one of the house's most important
Libretto of The Magic Flute in the libretto. The opening eight bars of orchestral introduction to the duet "Pa pa pa", at the moment when Papagena is revealed to Papageno as his future wife, includes the stage direction that Papageno and Papagena "both engage during the ritornello in comic play." The experiences and background of the composer, who liked to have considerable input into the libretto (see "The Abduction from the Seraglio" for testimony), are also relevant. Nedbal writes, "Moral maxims appear frequently in eighteenth-century German drama and contemporary German theorists of theater often discuss them in their treatises. The main function of maxims is