Hen Wlad Fy Nhadau festival of 1858. Thomas Llewelyn of Aberdare won a competition for an unpublished collection of Welsh airs with a collection that included "Glan Rhondda". The adjudicator of the competition, "Owain Alaw" (John Owen, 1821–83) asked for permission to include "Glan Rhondda" in his publication, "Gems of Welsh melody" (1860–64). This volume gave "Glan Rhondda" its more famous title, "Hen wlad fy nhadau", and was sold in large quantities and ensured the popularity of the anthem across the whole of Wales. At the Bangor Eisteddfod of 1874 "Hen Wlad fy Nhadau" gained further popularity when it was sung by Robert Rees
Celtic music world wars. One of his major works was to bring "Hen Wlad Fy Nhadau" (the Welsh national anthem) back in Brittany and create lyrics in Breton. Eventually this song became ""Bro goz va zadoù"" ("Old land of my fathers") and is the most widely accepted Breton anthem. In the 70s, the Breton Alan Cochevelou (future Alan Stivell) began playing a mixed repertoire from the main Celtic countries on the Celtic harp his father created. Probably the most successful all inclusive Celtic music composition in recent years is Shaun Daveys composition 'The Pilgrim'. This suite depicts the journey of St. Colum