The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Robert Lloyd (bass) period 1988-2008. He has sung leading roles at Glyndebourne and with other British opera companies, and has appeared in major opera houses throughout the world. He sings roles in British, German, Italian, French and Russian works (Claggart and Superintendent Budd in Benjamin Britten's "Billy Budd" and "Albert Herring", the Priest and Angel of Agony in Edward Elgar's "The Dream of Gerontius"; Sarastro in "The Magic Flute", Osmin in "The Abduction from the Seraglio", Rocco in "Fidelio", Seneca in "The Coronation of Poppea", Gurnemanz in "Parsifal", Fasolt in "Das Rheingold"; Don Basilio in "The Barber of Seville", Fiesco in "Simon Boccanegra",