Les mariés de la tour Eiffel Les mariés de la tour Eiffel Les mariés de la tour Eiffel ("The Wedding Party on the Eiffel Tower") is a ballet to a libretto by Jean Cocteau, choreography by Jean Börlin, set by , costumes by Jean Hugo, and music by five members of Les Six: Georges Auric, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre. The score calls for two narrators. The ballet was first performed in Paris in 1921. The ballet had its genesis in a commission to Jean Cocteau and Georges Auric, from Rolf de Maré of the Ballets suédois. Cocteau's original title for his
Eiffel Tower (Delaunay series) had announced a plan to sell 150 copies of the book, which would equal in height the Tower itself. The Russian film director Sergei Eisenstein's appreciation of Delaunay's work informed his Soviet montage theory, as he imagined developing cinematically "a dynamic fusion of a series, moving past the spectator, of those hundred views of the Eiffel Tower" rather than a "summation within a single canvas". Cendrars's 1924 essay on Robert Delaunay describes his feminization of the Tower, and Sonia Delaunay described the Eiffel Tower as her husband's "Eve future" Eiffel Tower (Delaunay series) The Eiffel Tower series of Robert Delaunay