Lust for Life (film) scheme, noting the design team "consciously made the flow of color and the interplay of compositions and hues the most forceful devices for conveying a motion picture comprehension of van Gogh." "Variety" said, "This is a slow-moving picture whose only action is in the dialog itself. Basically a faithful portrait of Van Gogh, "Lust for Life" is nonetheless unexciting. It misses out in conveying the color and entertainment of the original Irving Stone novel." "Harrison's Reports" wrote that the film had been given "an excellent production" and that "Kirk Douglas does outstanding work as Van Gogh, and Anthony Quinn is
Posthumous fame of Vincent van Gogh Hommes d’aujourd’hui." Julius Meier-Graefe wrote influentially of Van Gogh, his publications including: "Entwicklungsgeschichte der modernen Kunst" (Stuttgart, 1904 and later Munich 1927), "Über Vincent van Gogh", Sozialistische Monatshefte (February 1906), "Vincent van Gogh" (Munich 1912), and "Van Gogh der Zeichner" (Berlin, 1928, published by Otto Wacker). In the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. Fry, in a 1924 essay, "Vincent van Gogh," reported that after Van Gogh's death, he "disappeared" and "scarcely any picture dealer in Bond Street gave him another thought" until the 1910 show titled "Post Impressionist Exhibition" in