István Kertész (conductor) "Fidelio" and "La bohème". In March 1960, Kertész was invited to become General Music Director of the Augsburg Opera—a post especially created for him. There he conducted performances of Mozart's "The Magic Flute", "The Abduction from the Seraglio", "Così fan tutte", and "The Marriage of Figaro", earning himself a reputation as one of the finest interpreters of Mozart's work. With exhilarating performances of Verdi's "Rigoletto", "Don Carlos", "Otello" and "Falstaff", and Richard Strauss's "Salome", "Arabella", and "Der Rosenkavalier", Kertész also proved himself a master of the finest of Italian Romantic operas. Invited to the Salzburg Festival, he conducted "The Abduction
Josephine Lucchese "Rigoletto", Lady Harriet Durham in "Martha", Micaëla in "Carmen", Rosina in "The Barber of Seville", Violetta in "La traviata", and the title role in "Lucia di Lammermoor". In 1925 Lucchese performed Violetta to 's Alfredo at the Academy of Music in the very first performance of the Philadelphia La Scala Opera Company. In 1926 she made her debut with the Philadelphia Grand Opera Company (PGOC) as Gilda to Millo Picco's Rigoletto. She later became a resident artist with the PGOC from 1929 until the company's bankruptcy in 1932, performing such roles as Konstanze in "The Abduction from the Seraglio", Leïla