The Complete Opera Book and Mozart's "Il Seraglio", occupying pp. 851–901. After 1929 it was enlarged to include Verdi's "Simone Boccanegra", Boito's "Nerone", Alban Berg's "Wozzeck", Puccini's "Turandot", Rossini's "La Cenerentola", Mozart's "Così fan tutte", Jaromir Weinberger's "Schwanda the Bagpiper" and Vaughan Williams's "Hugh the Drover" (pp. 901–930). The English 1935 imprint included Bonavia's notes on Rossini's "L'Italiana in Algeri", Rimsky-Korsakov's "Snegourochka" and two operas of Ildebrando Pizzetti: parts of the former supplement had by now been incorporated into the main text, and the overall page-count before index was now 945 pages. While no amount of enlargement could possibly have made the work literally
Frank Porretta next fourteen years, performing such roles as Alfred in "Die Fledermaus", Alfredo in "La traviata", Apollo in "L'Orfeo", Belmonte in "The Abduction from the Seraglio", the Duke of Mantua in "Rigoletto", Edgar Linton in "Wuthering Heights", Frederic in "The Pirates of Penzance", Lucentio in Vittorio Giannini's "The Taming of the Shrew", Jolidon in "The Merry Widow", Luigi in "Il tabarro", Nanki-Poo in "The Mikado", Pinkerton in "Madama Butterfly", Ralph Rackstraw in "H.M.S. Pinafore", Rinuccio in "Gianni Schicchi", Sam Kaplan in "Street Scene", the Sleepwalker in "Louise", Steve in "The Cradle Will Rock", and Vladimir in "Prince Igor" among others. He