Orchestral percussion as trivial or unimportant simply because, to the untrained eye (or ear), they seem easy to play. The truth is, however, that auxiliary percussion often requires the most use of extended techniques and that the parts for these instruments are frequently the most difficult. Other auxiliary percussion instruments include: Crash cymbals have been used in an orchestral setting since the time of Mozart, when he adopted their sound from traditional Turkish bands to be used in his opera "Abduction from the Seraglio". Since then, crash cymbals have become one of the most written for percussion instruments in classical music and
Jean Fenn theatre program which was run by renowned Russian tenor Vladimir Rosing. Fenn also studied privately with Amelita Galli-Curci and her husband Homer Samuels in California. She later received vocal coaching from Sigmund Romberg and Erich Korngold. In 1949, while still a student, Fenn sang in her first opera with the Hollywood Reading Club portraying Blondchen in "The Abduction from the Seraglio" and that same year appeared in productions with the Guild Opera Company of Southern California. She made her debut with the San Francisco Opera on October 10, 1952 as Musetta in Giacomo Puccini's "La Bohème" with Bidu Sayão as