How to Have Sex in an Epidemic to those with a lower risk of contagion. It was a model that attempted to challenge traditional anti-promiscuity and anti-gay viewpoints in previous safe sex education and AIDS prevention—as Callen and Berkowitz argued, it's what you do, not how often you do it or who you do it with. In other words, they had searched for, and come up with, what they termed the possibility of "life-affirming sex." The categories below contain summaries of the chapters of "How to Have Sex in an Epidemic" and the arguments presented therein: The authors introduce the two presiding theories of AIDS transmission and
Oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in "" (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the "" movement of his Mass in B minor—for the instrument. Georg Philipp Telemann also frequently employed the oboe d'amore. Its popularity waning in the late eighteenth century, the fell into disuse for about 100 years until composers such as Richard Strauss ("Symphonia Domestica", where the instrument represents the child), Claude Debussy ("Gigues", where the oboe d'amore has a long solo passage), Maurice Ravel, Frederick Delius, and others began using it once