Antonio Salieri Upon his return at imperial behest to Vienna in 1780, Salieri wrote one German singspiel, "Der Rauchfangkehrer" ("The Chimney Sweep"), which premiered in 1781. Salieri's "Chimney Sweep" and Mozart's work for the same company in 1782, "Die Entführung aus dem Serail" ("The Abduction from the Seraglio"), were the only two major successes to emerge from the German singspiel experiment, and only Mozart's opera survived on the stage beyond the close of the 18th century. In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour; the new season opened with a
Robert Radford to another source) Hagen in "Götterdämmerung". He was then engaged with the Grand Opera Syndicate at the Royal Opera House, Covent Garden, and he was successively engaged by Thomas Beecham in his productions at various venues, including Covent Garden, Drury Lane and His Majesty's Theatre. In Beecham's production of Wagner's "Ring cycle" he again played Fasolt, opposite the Fafnir of the younger Norman Allin, who succeeded him as Britain's foremost bass. Among his best-known roles were Mephistopheles (Gounod's "Faust"), Osmin ("Il Seraglio"), Sarastro ("The Magic Flute"), the Father (Charpentier's "Louise"), "Ivan the Terrible" and "Boris Godunov" (title role), which he