Contrabass oboe Baroque composers. This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz's "Treatise on Instrumentation", that its tone "...had not the slightest similarity with the low tones of the bassoon." Despite this distinction, the contrabass oboe never became popular or widely used, and few remain today. Contrabass oboe The contrabass oboe is a double reed woodwind instrument in the key of C or F, sounding two octaves or an octave and a fourth (respectively) lower than the standard oboe. Current research,
Wiener oboe also make oboes out of the traditional European material boxwood. Wiener oboe The Akademiemodel Wiener Oboe, commonly referred to as the Wiener Oboe or Viennese oboe, is a type of modern oboe first developed in the 1880s by Josef Hajek. The design of the Wiener Oboe retains the essential bore and tonal characteristics of the historical oboe. The Wiener Oboe is named after its origins in Vienna (German: "Wien") and, besides the more common Conservatoire oboe, is the only other type of modern oboe in use today. The Wiener Oboe is a hybrid of German and Austrian designs. It has