Miniskirt not considered practical with miniskirts and were replaced with coloured tights. The popular acceptance of miniskirts peaked in the "Swinging London" of the 1960s, and has continued to be commonplace, particularly among younger women and teenage girls. Before that time, short skirts were only seen in sport and dance clothing, such as skirts worn by female tennis players, figure skaters, cheerleaders, and dancers. Several designers have been credited with the invention of the 1960s miniskirt, most significantly the London-based designer Mary Quant and the Parisian André Courrèges. While very short skirts have existed for a long time, they were generally
Miniskirt were modeled on those worn by female cheerleaders at sporting and other events. In 1985, the British designer Vivienne Westwood offered her first "mini-crini," an abbreviated version of the Victorian crinoline. Its mini-length, bouffant silhouette inspired the puffball skirts widely presented by more established designers such as Christian Lacroix. In 1989, Westwood's mini-crini was described as having combined two conflicting ideals – the crinoline, representing a "mythology of restriction and encumbrance in woman's dress", and the "equally dubious mythology of liberation" associated with the miniskirt. From the 1980s, many women began to incorporate the miniskirt into their business attire, a