Tuscan order A plain astragal or taenia ringed the column beneath its plain cap. Palladio agreed in essence with Serlio: "The Tuscan, being rough, is rarely used above ground except in one-storey buildings like villa barns or in huge structures like Amphitheatres and the like which, having many orders, can take this one in place of the Doric, under the Ionic." Unlike the other authors Palladio found Roman precedents, of which he named the arena of Verona and the Pula Arena, both of which, James Ackerman points out, are arcuated buildings that did not present columns and entablatures. A striking feature is
Corinthian order colonettes within the same system. During the 16th century, a sequence of engravings of the orders in architectural treatises helped standardize their details within rigid limits. Sebastiano Serlio; the "Regola delli cinque ordini" of Giacomo Barozzi da Vignola (1507–1573); the "Quattro libri di Architettura" of Andrea Palladio, and Vincenzo Scamozzi's "Idea della Architettura Universale," were followed in the 17th century by French treatises with further refined engraved models, such as Perrault's. Corinthian order The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which