Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Ionic vase painting Ionic vase painting Ionic vase painting was regional style of ancient Greek vase painting. Ionia first becomes noticeable as a separate region within East Greek vase painting during the final phase of the orientalising style, when the black-figure incision style spread from Northern Ionia throughout East Greece. In the later phase of the Wild Goat style, Northern Ionian artists imitated Corinthian vases, if rather poorly. Ionia had been producing high quality pottery already since the 7th century BC. Since about 600 BC, the black.figure style was used to decorate all or part of vases. Apart from gradually developing local styles