Ionic order a version of such a perfectly four-sided Ionic capital; Scamozzi's version became so much the standard, that when a Greek Ionic order was eventually reintroduced, in the later 18th century Greek Revival, it conveyed an air of archaic freshness and primitive, perhaps even republican, vitality. The Ionic column is always more slender than the Doric; therefore, it always has a base: Ionic columns are eight and nine column-diameters tall, and even more in the Antebellum colonnades of late American Greek revival plantation houses. Ionic columns are most often fluted. After a little early experimentation, the number of hollow flutes in
Roland Fréart de Chambray moderne", which marked the first complete translation of Vitruvius into French and upheld the superiority of the Ancients over the Moderns, a polemic that was to erupt in the following decades into a virtual culture war. In his preface, Fréart de Chambray argues that the Classical orders (the Doric, the Ionic, and Corinthian) which he assigns to Greek precedents, are perfect models for all architecture; he condemns the "Roman orders" (the Tuscan and the Composite) as corrupt. Citing the use of the Corinthian order in the Temple of Solomon, he declares it to be the ‘flower of Architecture and the