Entablature being called petrification. The structure of the entablature varies with the three classical orders: Doric, Ionic, and Corinthian. In each, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column in the order. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Variants of entablature that do not fit these models are usually derived from them. Pure classical Doric entablature is simple. The architrave, the lowest band, is split, from bottom to top, into the guttae, the regulae, and the taenia. The frieze is dominated by
Ionic vase painting Ionic vase painting Ionic vase painting was regional style of ancient Greek vase painting. Ionia first becomes noticeable as a separate region within East Greek vase painting during the final phase of the orientalising style, when the black-figure incision style spread from Northern Ionia throughout East Greece. In the later phase of the Wild Goat style, Northern Ionian artists imitated Corinthian vases, if rather poorly. Ionia had been producing high quality pottery already since the 7th century BC. Since about 600 BC, the black.figure style was used to decorate all or part of vases. Apart from gradually developing local styles