James Bond in film not to produce any other films based on the "Thunderball" story for a period of ten years following the release of the Eon-produced version in 1965. After the interruption of McClory as producer, Albert Broccoli and Harry Saltzman returned to produce once again. The first four Bond films had been popular in Japan, and Eon decided to take advantage of the market by producing "You Only Live Twice". The film included progressive elements of Japanese culture as part of the background. Lewis Gilbert was appointed director and Ken Adam returned as production designer; Adam built a volcano hideaway set for
You Only Live Twice (novel) Muggeridge, writing in "Esquire" magazine disagreed, writing that ""You Only Live Twice" has a decidedly perfunctory air. Bond can only manage to sleep with his Japanese girl with the aid of colour pornography. His drinking sessions seem somehow desperate, and the horrors are too absurd to horrify ... it's all rather a muddle and scarcely in the tradition of Secret Service fiction. Perhaps the earlier novels are better. If so, I shall never know, having no intention of reading them." Maurice Richardson, in "The Observer", thought "You Only Live Twice" "though far from the best Bond, is really almost as