Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Classical order while the Corinthian or the Composite order was used for the top story. The Colossal order was invented by architects in the Renaissance. The Colossal order is characterized by columns that extend the height of two or more stories. The Tuscan order has a very plain design, with a plain shaft, and a simple capital, base, and frieze. It is a simplified adaptation of the Doric order by the Greeks. The Tuscan order is characterized by an unfluted shaft and a capital that only consists of an echinus and an abacus. In proportions it is similar to the Doric order,