Corinthian order perhaps reduced in size and importance, scrolling out above the two ranks of stylized acanthus leaves and stalks ("cauliculi" or "caulicoles"), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or they may be extravagantly drilled and undercut, naturalistic and spiky. In Late Antique and Byzantine practice, the leaves may be blown sideways, as if by the wind of Faith. Unlike the Doric and Ionic column capitals, a Corinthian capital has no neck beneath it, just a ring-like astragal molding or a
Ionic vase painting Ionic vase painting Ionic vase painting was regional style of ancient Greek vase painting. Ionia first becomes noticeable as a separate region within East Greek vase painting during the final phase of the orientalising style, when the black-figure incision style spread from Northern Ionia throughout East Greece. In the later phase of the Wild Goat style, Northern Ionian artists imitated Corinthian vases, if rather poorly. Ionia had been producing high quality pottery already since the 7th century BC. Since about 600 BC, the black.figure style was used to decorate all or part of vases. Apart from gradually developing local styles