Storming of the Bastille of gunpowder to the Bastille for safer storage. At this point, the Bastille was nearly empty, housing only seven prisoners: four forgers, two "lunatics" and one "deviant" aristocrat, the Comte de Solages (the Marquis de Sade had been transferred out ten days earlier). The high cost of maintaining a garrisoned medieval fortress, for what was seen as having a limited purpose, had led to a decision being made shortly before the disturbances began to replace it with an open public space. Amid the tensions of July 1789, the building remained as a symbol of royal tyranny. The regular garrison consisted
Paris in the 18th century replaced by a new model called a "réverbère" which, mounted on a lamp post, gave off a much brighter light. By 1789, there were 5,694 new lanterns in service. A few years later the most popular revolutionary song, "Ça ira!" urged Parisians to hang aristocrats from the new lanterns. The predominant architectural style in Paris from the mid-17th century until the regime of Louis Philippe was neo-classicism, based on the model of Greco-Roman architecture; the most classical example was the new church of "La Madeleine", whose construction began in 1764. It was so widely used that it invited criticism: just