Miniskirt coloured tights. Towards the end of the 1960s, an even shorter version, called the microskirt or micro-mini, emerged. Extremely short skirts, some as much as eight inches above the knee, were observed in Britain in the summer of 1962. The young women who wore these short skirts were called "Ya-Ya girls," a term derived from "yeah, yeah" which was a popular catcall at the time. One retailer noted that the fashion for layered net crinoline petticoats raised the hems of short skirts even higher. The designer Mary Quant was quoted as saying that "short short skirts" indicated youthfulness which was
British popular music in the uniquely British take on American folk music in the Skiffle craze of the 1950s, in the beginnings of a folk revival that came to place an emphasis on national traditions and then in early attempts to produce British rock and roll. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in beat music and British blues which would be re-exported to America by bands such as The Beatles and Rolling Stones. This helped to make the dominant forms of popular music something of a shared