Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Doric Greek (shortened to "-s-" in Attic). Initial "w" (ϝ) is preserved in earlier Doric (lost in Attic). Literary texts in Doric and inscriptions from the Hellenistic age have no digamma. For information on the peculiarities of Doric accentuation, see Ancient Greek accent#Dialect variation Numeral "tetores" ~ Attic "tettares", Ionic "tesseres" "four". Ordinal "prātos" ~ Attic–Ionic "prōtos" "first". Demonstrative pronoun "tēnos" "this" ~ Attic–Ionic "(e)keinos" "t" for "h" (from Proto-Indo-European "s") in article and demonstrative pronoun. Third person plural, athematic or root aorist "-n" ~ Attic "-san". First person plural active "-mes" ~ Attic–Ionic "-men". Future "-se-ō" ~ Attic "-s-ō". Modal particle