Doric order proportions. It is suggested that these proportions give the Doric columns a masculine appearance, whereas the more slender Ionic columns appear to represent a more feminine look. This sense of masculinity and femininity was often used to determine which type of column would be used for a particular structure. The most influential, and perhaps the earliest, use of the Doric in Renaissance architecture was in the circular "Tempietto" by Donato Bramante (1502 or later), in the courtyard of San Pietro in Montorio, Rome. Before Greek Revival architecture grew, initially in England, in the 18th century, the Greek or elaborated Roman
Five Orders of Periwigs Athens", the first volume of which appeared in 1762). To the lower right, the engraving gives its publication date as 15 October 1761. Of the engraving, Hogarth himself commented in his book of anecdotes: As a parallel to the five orders of classical architecture identified by Palladio (Doric, Ionic, Corinthian, Composite and Tuscan), the engraving postulates five "orders" of periwig, from the relatively simple "Episcopal" (for the clergy), through the "Old Peerian or Aldermanic" (for lords and council officials) and "Lexonic" (for lawyers) to the more ornate "Composite or Half Natural", and finally the effete "Queerinthian or Queue de Reynard"