Megapode the surface of the mound, lying on their backs and scratching at the sand and vegetable matter. Similar to other superprecocial birds, they hatch fully feathered and active, already able to fly and live independently from their parents. In megapodes superprecociality apparently evolved secondarily from brooding and at least loose parental care as more typical in Galliformes, but their reproductive model has been compared to various extinct maniraptors, implying that supreprecociality was common if not ancestral in early birds. Eggs previously assigned to "Genyornis" have been reassigned to giant megapode species. Some dietary and chronological data previously assigned to dromornithids
Creature animation earlier, in 1989, the pioneering digital animation studio Industrial Light & Magic created a water creature for the James Cameron film "The Abyss". Again, not knowing how a water creature might move, considerable effort was required by the animators to imagine how such a creature might perform and behave. Creature animation Creature animation is a specialised part of the animation process which involves bringing realistic animals and creatures to life. It is often distinguished from character animation, which involves breathing life into animated characters and creating the illusion of thought, feeling and emotion. Creature animators create highly realistic motion in