Entablature being called petrification. The structure of the entablature varies with the three classical orders: Doric, Ionic, and Corinthian. In each, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column in the order. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Variants of entablature that do not fit these models are usually derived from them. Pure classical Doric entablature is simple. The architrave, the lowest band, is split, from bottom to top, into the guttae, the regulae, and the taenia. The frieze is dominated by
Tuscan order largely motivated by nationalism. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of "Regole generali di architettura sopra le cinque maniere de gli edifici" (1537). Though Fra Giocondo had attempted a first illustration of a Tuscan capital in his printed edition of Vitruvius (1511), he showed the capital with an egg and dart enrichment that belonged to the Ionic. The "most rustic" Tuscan order of Serlio was later carefully delineated by Andrea Palladio. In its simplicity, The Tuscan order is seen as similar to the Doric order, and yet in