The Turn of the Screw adaptations and reworkings in a variety of media, and these reworkings and adaptations have, themselves, been analysed in the academic literature on Henry James and neo-Victorian culture. It was adapted to an opera by Benjamin Britten, which premiered in 1954, and the opera has been filmed on numerous occasions. The novella was adapted as a ballet score (1980) by Luigi Zaninelli, and separately as a ballet (1999) by Will Tucket for the Royal Ballet. Harold Pinter directed "The Innocents" (1950), a Broadway play which was an adaptation of "The Turn of the Screw", and a subsequent eponymous stage play, adapted
The Turn of the Screw (2009 film) highly sexual sequences. Further, Welch added a theological element not present in James's story; Ann's father is a preacher, although Ann herself is unsure of her faith. The psychiatrist, by contrast, is an atheist. When he asks Ann about her faith, she replies that she believes in the Devil. The changes to the story were mostly superficial, and the adaptation generally mirrors the novella's tone. The television critic Matthew Baylis observed that the film creates unease and horror through distortions of reality, and that "The Turn of the Screw" is not a "screaming-banshees-and-horrible-corpses style of ghost story". The film utilises