Corinthian order with a continuous design or left plain, as at the U.S. Capitol extension ("illustration, right"). At the Capitol the proportions of architrave to frieze are exactly 1:1. Above that, the profiles of the cornice moldings are like those of the Ionic order. If the cornice is very deep, it may be supported by brackets or modillions, which are ornamental brackets used in a series under a cornice. The Corinthian column is almost always fluted, and the flutes of a Corinthian column may be enriched. They may be filleted, with rods nestled within the hollow flutes, or stop-fluted, with the rods
Corinthian order tale in his illustration of the Corinthian order for his translation of Vitruvius, published in Paris, 1684 ("illustration, left"). Perrault demonstrates in his engraving how the proportions of the carved capital could be adjusted according to demands of the design, without offending. The texture and outline of Perrault's leaves is dry and tight compared to their 19th-century naturalism at the U.S. Capitol ("below, left"). A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital ("illustration, right") to see the Ionic volutes ("helices"), at the corners,