Doric order proportions. It is suggested that these proportions give the Doric columns a masculine appearance, whereas the more slender Ionic columns appear to represent a more feminine look. This sense of masculinity and femininity was often used to determine which type of column would be used for a particular structure. The most influential, and perhaps the earliest, use of the Doric in Renaissance architecture was in the circular "Tempietto" by Donato Bramante (1502 or later), in the courtyard of San Pietro in Montorio, Rome. Before Greek Revival architecture grew, initially in England, in the 18th century, the Greek or elaborated Roman
Ionic Greek city of Miletus. This alphabet eventually became the standard Greek alphabet, its use becoming uniform during the Koine era. It was also the alphabet used in the Christian Gospels and the book of Acts. Proto-Greek "ā" > Ionic "ē"; in Doric, Aeolic, "ā" remains; in Attic, "ā" after "e, i, r", but "ē" elsewhere. Proto-Greek "e, o" > Ionic "ei, ou": compensatory lengthening after loss of "w" in the sequences "enw-, erw-, onw-, orw-". In Attic, "e, o" is not lengthened. Ionic sometimes removes initial aspiration (Proto-Greek hV- > Ionic V-). Ionic contracts less often than Attic. Proto-Greek "*kʷ" before