James Bond in film not to produce any other films based on the "Thunderball" story for a period of ten years following the release of the Eon-produced version in 1965. After the interruption of McClory as producer, Albert Broccoli and Harry Saltzman returned to produce once again. The first four Bond films had been popular in Japan, and Eon decided to take advantage of the market by producing "You Only Live Twice". The film included progressive elements of Japanese culture as part of the background. Lewis Gilbert was appointed director and Ken Adam returned as production designer; Adam built a volcano hideaway set for
You Only Live Twice (film) early Bond flick." However, most reviews pointed out various flaws in the film. James Berardinelli said that the first half was good, but "during the second half, as the plot escalates beyond the bounds of preposterousness, that the film starts to fragment", criticising Blofeld's appearance and stating "rockets that swallow up spacecraft are a bit too extravagant." Roger Ebert criticised the focus on gadgets, declaring that the James Bond formula "fails to work its magic". John Brosnan in his book "James Bond in the Cinema" compared the film to an episode of "Thunderbirds" with a reliance on gadgetry but admitted