Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Roland Fréart de Chambray moderne", which marked the first complete translation of Vitruvius into French and upheld the superiority of the Ancients over the Moderns, a polemic that was to erupt in the following decades into a virtual culture war. In his preface, Fréart de Chambray argues that the Classical orders (the Doric, the Ionic, and Corinthian) which he assigns to Greek precedents, are perfect models for all architecture; he condemns the "Roman orders" (the Tuscan and the Composite) as corrupt. Citing the use of the Corinthian order in the Temple of Solomon, he declares it to be the ‘flower of Architecture and the