Doric order proportions. It is suggested that these proportions give the Doric columns a masculine appearance, whereas the more slender Ionic columns appear to represent a more feminine look. This sense of masculinity and femininity was often used to determine which type of column would be used for a particular structure. The most influential, and perhaps the earliest, use of the Doric in Renaissance architecture was in the circular "Tempietto" by Donato Bramante (1502 or later), in the courtyard of San Pietro in Montorio, Rome. Before Greek Revival architecture grew, initially in England, in the 18th century, the Greek or elaborated Roman
Tatton Hall design, also with seven bays, and it has a pedimented porch with two columns. The east front has five bays with Corinthian pilasters on a slightly projecting plinth and an entablature above. The family wing has seven bays. The south front has a Tuscan colonnade on the lower storey and an Ionic colonnade, verandah and balustrade above. Not all of the rooms are open to the public. The major rooms which are open are described below. The Entrance Hall is in three bays. It is decorated in neoclassical style with a marble floor, red porphyry Ionic columns and a geometric