Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Classical order fertile development of a new architecture based on classical principles. The treatise "De architectura" by Roman theoretician, architect and engineer Vitruvius, is the only architectural writing that survived from Antiquity. Rediscovered in the 15th century, Vitruvius was instantly hailed as the authority on architecture. However, in his text the word "order" is not to be found. To describe the four species of columns (he only mentions: Tuscan, Doric, Ionic and Corinthian) he uses, in fact, various words such as: "genus" (gender), "mos" (habit, fashion, manner), "opera" (work). The term "order", as well as the idea of redefining the "canon" started