Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Colosseum podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters. Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology. Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the "velarium", that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made