Recorder (musical instrument) a performance by its billed inventor, Anton Heberle ( 1806–16). Tarasov has contested Heberle's status as the inventor of the instrument, and has argued that the csakan grew out of a Hungarian war hammer of the same name, which was converted into a recorder, perhaps for playing military music. Around 1800, it was highly fashionable for make walking sticks with additional functions (e.g., umbrellas, swords, flutes, oboes, clarinets, horns) although the csakan was the most popular of these, and the only one that became a musical instrument in its own right. The earliest instruments were shaped like a walking stick
Musical instrument and handicraft cannot determine which instruments are more "primitive". Ordering instruments by geography is also not totally reliable, as it cannot always be determined when and how cultures contacted one another and shared knowledge. Sachs proposed that a geographical chronology until approximately 1400 is preferable, however, due to its limited subjectivity. Beyond 1400, one can follow the overall development of musical instruments by time period. The science of marking the order of musical instrument development relies on archaeological artifacts, artistic depictions, and literary references. Since data in one research path can be inconclusive, all three paths provide a better historical