Doric order proportions. It is suggested that these proportions give the Doric columns a masculine appearance, whereas the more slender Ionic columns appear to represent a more feminine look. This sense of masculinity and femininity was often used to determine which type of column would be used for a particular structure. The most influential, and perhaps the earliest, use of the Doric in Renaissance architecture was in the circular "Tempietto" by Donato Bramante (1502 or later), in the courtyard of San Pietro in Montorio, Rome. Before Greek Revival architecture grew, initially in England, in the 18th century, the Greek or elaborated Roman
Architrave the vertical side casings where the elements join (creating a butt joint, as opposed to a miter joint). In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words "arche" and "trabs" combined together to mean "main beam". The architrave is different in the different orders. In the Tuscan, it only consists of a plain face, crowned with a fillet, and is half a module in height. In the Doric and composite, it has two faces, or fasciae; and three in the Ionic and Corinthian,