Tea processing full oxidation and producing "Gongfu" black tea (工夫紅茶). When there was insufficient sun and temperatures were low, the withered leaves would be processed indoors in warmed rooms and allowed to fully oxidize, then smoked dry over pine fires thus producing lapsang souchong. According to oral traditions of the region, the discovery of lapsang souchong processing was due to military troops passing through a Wuyi's tea factory during the last years of the Ming Dynasty, causing delays to tea leaf processing thus resulting in a completely oxidized leaf that the producer salvaged by drying over a fire built from pine branches.
Fear of a Black Planet what Chuck D. saw as the consequences of white, European cultural domination in the United States and throughout much of the world". Sputnikmusic's Nick Butler observed "two recurring themes – inter-racial relationships ... and the racism inherent in the American media". In his book "Somebody Scream!: Rap Music's Rise to Prominence in the Aftershock of Black Power", Marcus Reeves said that "Fear of a Black Planet" "was as much a musical assault on America's racism as it was a call to blacks to effectively react to it". According to Greg Kot, the album was "hardly a black power manifesto for