Doric order proportions. It is suggested that these proportions give the Doric columns a masculine appearance, whereas the more slender Ionic columns appear to represent a more feminine look. This sense of masculinity and femininity was often used to determine which type of column would be used for a particular structure. The most influential, and perhaps the earliest, use of the Doric in Renaissance architecture was in the circular "Tempietto" by Donato Bramante (1502 or later), in the courtyard of San Pietro in Montorio, Rome. Before Greek Revival architecture grew, initially in England, in the 18th century, the Greek or elaborated Roman
Corinthian order banding that forms the base of the capital, recalling the base of the legendary basket. Most buildings (and most clients) are satisfied with just two orders. When orders are superposed one above another, as they are at the Flavian Amphitheater—the Colosseum—the natural progression is from sturdiest and plainest (Doric) at the bottom, to slenderest and richest (Corinthian) at the top. The Colosseum's topmost tier has an unusual order that came to be known as the Composite order during the 16th century. The mid-16th-century Italians, especially Sebastiano Serlio and Jacopo Barozzi da Vignola, who established a canonic version of the orders,