The Turn of the Screw (opera) not to betray him. Hysterical, Miles confesses that he took the letter. The Governess demands to know who put Miles up to it. Miles blurts out Quint's name. At the mention of his name, Quint's ghost vanishes and Miles falls dead on the floor. A weeping Governess cradles the dead child in her arms, singing aloud of her grief and wondering if she did the right thing after all. For the children's music, Britten drew words and melody from a number of traditional British nursery rhymes, including "Tom, Tom, the Piper's Son" and "Lavender's Blue". Of particular note is Miles'
The Turn of the Screw a man and a woman, day and night, staring through the windows, bending over the beds, and making her feel her children were in danger. In a 2012 commentary in "The New Yorker", Brad Leithauser has given his own perspective on the different interpretations of James' novella: All such attempts to 'solve' the book, however admiringly tendered, unwittingly work toward its diminution[; its] profoundest pleasure lies in the beautifully fussed over way in which James refuses to come down on either side... the book becomes a modest monument to the bold pursuit of ambiguity. According to Leithauser, the reader is