Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis form, but Turner's attraction to light and colour allows colour to take the place of form. The main colours used by Turner were red, yellow, and blue, which is discussed more in depth in relation to other works that influenced that of Turner. His work also illustrates his relationship to the Romantic Movement and position as the precursor of the impressionist movement. As expressed in the title of the painting, J.M.W. Turner found interest in Johann Wolfgang Von Goethe's book, "Theory of Colours" also known as Zur Farbenlehre, published in 1810. Turner absorbed Goethe’s theory of light and darkness and
Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis depicted their relationship in a number of his paintings, including "Light and Colour (Goethe's Theory) – the Morning after the Deluge – Moses Writing the Book of Genesis". According to this theory,the creation of colour is dependent on the distribution of dark and light reflecting through a transparent object. Turner uses main concepts from Goethe’s theory, which is a rejection of Newton's Seven Color Theory, and expresses the belief that every colour was an individualised combination of light and darkness. Newton's reasoning in his theory of light and colour was, in the words of Michael Duck, too "simplistic" for Goethe.