Entablature being called petrification. The structure of the entablature varies with the three classical orders: Doric, Ionic, and Corinthian. In each, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column in the order. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Variants of entablature that do not fit these models are usually derived from them. Pure classical Doric entablature is simple. The architrave, the lowest band, is split, from bottom to top, into the guttae, the regulae, and the taenia. The frieze is dominated by
Renaissance architecture registers of pilasters The Greek and Roman orders of columns are used:- Tuscan, Doric, Ionic, Corinthian and Composite. The orders can either be structural, supporting an arcade or architrave, or purely decorative, set against a wall in the form of pilasters. During the Renaissance, architects aimed to use columns, pilasters, and entablatures as an integrated system. One of the first buildings to use pilasters as an integrated system was in the Old Sacristy (1421–1440) by Brunelleschi. Arches are semi-circular or (in the Mannerist style) segmental. Arches are often used in arcades, supported on piers or columns with capitals. There may