Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Five Orders of Periwigs Athens", the first volume of which appeared in 1762). To the lower right, the engraving gives its publication date as 15 October 1761. Of the engraving, Hogarth himself commented in his book of anecdotes: As a parallel to the five orders of classical architecture identified by Palladio (Doric, Ionic, Corinthian, Composite and Tuscan), the engraving postulates five "orders" of periwig, from the relatively simple "Episcopal" (for the clergy), through the "Old Peerian or Aldermanic" (for lords and council officials) and "Lexonic" (for lawyers) to the more ornate "Composite or Half Natural", and finally the effete "Queerinthian or Queue de Reynard"