Claude Nicolas Ledoux embraced the principle of superimposing the classic column motifs on each floor, rising from simplest to the most complex: Tuscan, Doric, Ionic, Corinthian, etc. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, the daughter of a court musician. A friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. Among the still extant works from this period are the bridge
Corinthian order colonettes within the same system. During the 16th century, a sequence of engravings of the orders in architectural treatises helped standardize their details within rigid limits. Sebastiano Serlio; the "Regola delli cinque ordini" of Giacomo Barozzi da Vignola (1507–1573); the "Quattro libri di Architettura" of Andrea Palladio, and Vincenzo Scamozzi's "Idea della Architettura Universale," were followed in the 17th century by French treatises with further refined engraved models, such as Perrault's. Corinthian order The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which