The Hunting of the Snark of prose and its too appealing title. "The Athenaeum" described it as "the most bewildering of modern poetry," wondering "if he has merely been inspired to reduce to idiotcy as many readers and more especially reviewers, as possible." According to "Vanity Fair", Carroll's work had progressively worsened after "Alice's Adventures in Wonderland" (1865), with "The Hunting of the Snark" being the worst of his works and "not worthy [of] the name of nonsense". While "The Spectator" wrote that the poem's final line had the potential to become a proverb, it criticised the poem as "a failure" that might have succeeded
The Wind (poem) include a close and warmly-appreciative description of a "llatai", even when, as is often the case in Dafydd's poems, he is describing nature in one of its harsher aspects. The careering course of the wind is embodied in the headlong pace of the poem. Rachel Bromwich called "The Wind" one of "the outstanding expressions of Dafydd's wonder and awe at the mysteries of the cosmic forces", but pointed out that in the end Dafydd curbs this force to act as a love-messenger to Morfudd. The poet Gwyneth Lewis sees the poem as "a hymn to the havoc that art can