John Garfield of the last film, based on the life of Al Schmid, a war hero blinded in combat. In preparing for the role, Garfield lived for several weeks with Schmid and his wife in Philadelphia and would blindfold himself for hours at a time. After the war, Garfield starred in a series of successful films such as "The Postman Always Rings Twice" (1946) with Lana Turner, "Humoresque" (1946) with Joan Crawford, and the Oscar-winning Best Picture "Gentleman's Agreement" (1947). In "Gentleman's Agreement", Garfield took a featured, but supporting, part because he believed deeply in the film's exposé of antisemitism in America.
Portrayal of women in film noir Hayworth in "Gilda" (1946), Barbara Stanwyck in "Double Indemnity" (1944), and Lara Turner in "The Postman Always Rings Twice" (1946). These examples of deadly women commit crimes inside and outside the narrative of the films. As a consistent narrative trait in film noir, there are flashbacks embedded in the storyline, so as to signal towards the presence of a larger story outside of the feature film, an association with reality. As Karen Hollinger describes in “Film Noir, Voice-Over and the Femme Fatale,” women in film noir are subjected to the psychoanalytic perspective of the male, which forces a consistent attempt