The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Cana did not exist. There is a minority view that the gospel was written for a gentile audience, and those who take this view assert that the description in the passage about the marriage at Cana of "six stone water jars there for the Jewish rites of purification" is specifically for a gentile audience, who would not know the topography of the Holy Land. On this hypothesis the name "Cana" might have some purely symbolic significance. There are at least five locations which have been under consideration as the New Testament Cana: The village of Qana, about from Tyre, Lebanon, is