The Wedding at Cana The Wedding at Cana The Wedding Feast at Cana (1563), by the Italian artist Paolo Veronese (1528–88), is a representational painting that depicts the biblical story of the Marriage at Cana, at which Jesus converts water to wine (John 2:1–11). Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format (6.77m × 9.94m) oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo. The art of the High Renaissance (1490–1527) emphasized human figures of ideal proportions, balanced composition, and beauty, whereas Mannerism exaggerated the Renaissance ideals — of figure, light,
Thomas of Cana followers. Written accounts of Thomas of Cana date to the India's Portuguese period. Different versions give different dates for the events; some place them in 345; others as late as the 9th century. The meaning of the "Cana" epithet is unclear; it may refer to the town of Cana or the land of Canaan in the Bible, or it may be a corruption of a Syriac term for merchant ("Knāyil" in Malayam). However, scholar Richard M. Swiderski states that none of these etymologies are entirely sound. Knanaya priest and scholar Jacob Kollaparambil argues that the "Cana" form is a corruption