The Wedding at Cana elevated walkway, a man watches the banquet, and a serving maid awaits for the carver to carve an animal to portions. To the right, a porter arrives with more meat for the feasting diners to eat. The alignment of the Jesus figure under the carver's blade and block, and the butchered animals, prefigure his sacrifice as the "Lamb of God". bottom-right-quarter — a barefoot wine-servant pours the new, red wine into a serving ewer, from a large, ornate oenochoe, which earlier had been filled with water. Behind the wine servant stands the poet Pietro Aretino, intently considering the red wine
The Wedding at Cana and from the Renaissance, Veronese’s contemporary era. The Græco–Roman architecture features Doric order and Corinthian order columns surrounding a courtyard that is enclosed with a low balustrade; in the distance, beyond the courtyard, there is an arcaded tower, by the architect Andrea Palladio. In the foreground, musicians play stringed instruments of the Late–Renaissance, such as the lute, the violone, and the viola da gamba. Among the wedding guests are historical personages, such as the monarchs Eleanor of Austria, Francis I of France, and Mary I of England, Suleiman the Magnificent, tenth sultan of the Ottoman Empire, and the Holy Roman