Marietta Piccolomini inexperience, critics praised her dramatic ability. Following her season in England, Picolomini sang in Dublin with great success. Piccolomini's appearance in Paris in "Traviata" on December 6, 1856, was the first time the opera had been heard in France. Verdi tried to stop the opera from being performed at Théâtre des Italiens owing to lack of copyright for his operas in France at the time, also supporting the claims of the French holder of the rights on Alexandre Dumas's "La Dame aux camélias" (whence the opera is drawn), but without success. Again, while critics remarked on the limitations of her
La Chapelle-aux-Saints 1 of Neanderthal anatomy based on la Chapelle-aux-Saints material shaped popular perceptions of the Neanderthals for over thirty years. The La Chapelle-aux-Saints specimen is typical of "classic" Western European Neanderthal anatomy. It is estimated to be about 60,000 years old. Boule's reconstruction of La Chapelle-aux-Saints 1, published during 1911–1913, depicted Neanderthals with a thrust-forward skull, a spine without curvature, bent hips and knees and a divergent big toe. This depiction fit in well with contemporary evolutionary scenarios in which Neanderthals were not considered to be direct ancestors of modern humans (the relationship of Neanderthals to modern humans remains a major debate