The Wedding at Cana in his glass. bottom-left-quarter — the steward of the house (dressed in green) supervises the black servant-boy proffering a glass of the new, red wine to the bridegroom, the host of the wedding feast; at the edge of the nuptial table, a dwarf holds a bright-green parrot, and awaits instructions from the house steward. II. On the vertical axis — the contrasts of light and shadow symbolize the co-existence of mortality and vanitas, the transitory pleasures of earthly life; the protocol of religious symbolism supersedes the social protocol. In the wedding banquet proper, the holy guests and the mortal hosts
Jesus (1999 film) earlier films, Jesus expresses emotions weeping at Joseph’s funeral, throwing stones in Lake Galilee upon meeting Simon Peter and James son of Zebedee, dancing at the wedding at Cana, and starting a water-splashing fight with his disciples. While the film mainly presented familiar Christian Episodes, it provides extra-biblical scenes such as flashbacks of his first trip to Jerusalem with John as well as scenes of war and destruction waged in the name of Jesus during the medieval and modern times. Likewise, the film's Satan comes in two different forms: a visual exemplification of a modern man and a woman in