The Wedding at Cana prowess with perspective and architecture (actual and virtual) persuaded the viewer to see "The Wedding Feast at Cana" as a spacial extension of the refectory. In "The Wedding Feast at Cana" (1563), Paolo Veronese depicts the New Testament story of the Marriage at Cana within the historical context of the Renaissance in the 16th century. In the Gospel of John, the story of the first Christian miracle, Mary, her son, Jesus of Nazareth, and some of his Apostles, attend a wedding in Cana, a city in Galilee. In the course of the wedding banquet, the supply of wine was becoming
The Wedding at Cana refectory of the Monastery of San Giorgio Maggiore, Venice. The full-sized (6.77m x 9.94m) digital facsimile is composed of 1,591 graphic files, and was made by Factum Arte, Madrid, on commission from the Giorgio Cini Foundation, Venice, and the Musée du Louvre, Paris. In 1989, the Louvre Museum began a painting restoration of "The Wedding Feast at Cana" (1563), which provoked an art-world controversy like that caused by the eleven-year Restoration of the Sistine Chapel frescoes (1989–99). Organised as the Association to Protect the Integrity of Artistic Heritage (APIAH), artists protested against the restoration of the 426-year-old painting, and publicly