Jesus Was Way Cool Jesus Was Way Cool "Jesus Was Way Cool" is a song by avant-garde band King Missile. It appears on the band's 1990 album "Mystical Shit." In "Jesus Was Way Cool," frontman John S. Hall, over a simple piano figure, delivers a deadpan monologue in which he declares Jesus "way cool" for such skills as healing, walking on water, and turning water into wine. Hall states that Jesus did "anything he wanted to do," and could have surpassed the achievements of Jimi Hendrix, Wayne Gretzky, and Mikhail Baryshnikov in their respective fields. Hall then postulates that the crucifixion of Jesus was
The Wedding at Cana refectory of the Monastery of San Giorgio Maggiore, Venice. The full-sized (6.77m x 9.94m) digital facsimile is composed of 1,591 graphic files, and was made by Factum Arte, Madrid, on commission from the Giorgio Cini Foundation, Venice, and the Musée du Louvre, Paris. In 1989, the Louvre Museum began a painting restoration of "The Wedding Feast at Cana" (1563), which provoked an art-world controversy like that caused by the eleven-year Restoration of the Sistine Chapel frescoes (1989–99). Organised as the Association to Protect the Integrity of Artistic Heritage (APIAH), artists protested against the restoration of the 426-year-old painting, and publicly