Edvard Munch nature." He later described the personal anguish behind the painting, "for several years I was almost mad… You know my picture, 'The Scream?' I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again." In summing up the painting's effects, author Martha Tedeschi has stated: "Whistler's Mother", Wood's "American Gothic", Leonardo da Vinci's "Mona Lisa" and Edvard Munch's "The Scream" have all achieved something that most paintings—regardless of their art historical importance, beauty, or monetary value—have not: they communicate a specific meaning almost immediately to almost every
Edvard Munch led to a two-year state scholarship to study in Paris under French painter Léon Bonnat. Munch seems to have been an early critic of photography as an art form, and remarked that it "will never compete with the brush and the palette, until such time as photographs can be taken in Heaven or Hell!" Munch's younger sister Laura was the subject of his 1899 interior "Melancholy: Laura". Amanda O'Neill says of the work, "In this heated claustrophobic scene Munch not only portrays Laura's tragedy, but his own dread of the madness he might have inherited." Munch arrived in Paris during