The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Marriage at Cana serving it last (). John adds that: "Jesus did this, the first of his signs, in Cana of Galilee, and it revealed his glory; and his disciples believed in him" (). Although none of the Synoptic Gospels mention the marriage at Cana, Christian tradition based on holds that this is the first public miracle of Jesus. It is considered to have symbolic importance as the first of the seven signs in the Gospel of John by which Jesus' divine status is attested, and around which the gospel is structured. Interpreted allegorically, the good news and hope implied by the story