The Wedding at Cana depleted; at Mary's request, Jesus commanded the house servants to fill stone jugs with water, which he then transformed into wine (John 2:1–11). "The Wedding Feast at Cana" represents the water-into-wine miracle of Jesus in the grand style of the sumptuous feasts of food and music that were characteristic of 16th-century Venetian society; the sacred in and among the profane world where “banquet dishes not only signify wealth, power, and sophistication, but transfer those properties directly into the individual diner. An exquisite dish makes the diner exquisite.” The banquet scene is framed with Greek and Roman architecture from Classical Antiquity
The Wedding at Cana Feast at Cana" the most expansive picture in the paintings collection of the Musée du Louvre. At Venice, on 6 June 1562, the Black Monks of the Order of Saint Benedict (OSB) commissioned the painter Paolo Veronese to realise a monumental painting (6.77m×9.94m) to decorate the far wall of the monastery's new refectory, designed by the architect Andrea Palladio, at the Basilica of San Giorgio Maggiore, on the eponymous island. In their business contract for the commission of "The Wedding Feast at Cana", the Benedictine monks stipulated that Veronese be paid 324 ducats; be paid the costs of his personal