Baptistery of San Giovanni in Fonte, Naples shore with his hand outstretched towards fish. This could be the Draught of Fishes, the Walking on Water scene, or a mixture of the two, but without the complete mosaic, this remains unclear. The Samaritan Woman at the Well scene is attached to the Marriage at Cana scene. While the second figure by the well is destroyed, it may be Jesus based on the Biblical story, an important baptism allegory. In this scene, Jesus offers the Samaritan Woman the water of eternal life. The Marriage at Cana depicts Jesus turning water into wine. Like the Samaritan Woman scene, this miracle
The Wedding at Cana and colour — with asymmetric and unnaturally elegant arrangements achieved by flattening the pictorial space and distorting the human figure as an ideal preconception of the subject, rather than as a realistic representation. The visual tension among the elements of the picture and the thematic instability among the human figures in "The Wedding Feast at Cana" derive from Veronese's application of technical artifice, the inclusion of sophisticated cultural codes and symbolism (social, religious, theologic), which present a biblical story relevant to the Renaissance viewer and to the contemporary viewer. The pictorial area (67.29 m) of the canvas makes "The Wedding