Edvard Munch paintings, including "The Scream", have universal appeal in addition to their highly personal meaning. Munch's works are now represented in numerous major museums and galleries in Norway and abroad. His cabin, "the Happy House", was given to the municipality of Åsgårdstrand in 1944; it serves as a small Munch Museum. The inventory has been maintained exactly as he left it. One version of "The Scream" was stolen from the National Gallery in 1994. In 2004, another version of "The Scream", along with one of "Madonna", was stolen from the Munch Museum in a daring daylight robbery. All were eventually recovered,
Edvard Munch (film) 1976 Cannes Film Festival, but wasn't entered into the main competition. Like Watkins' other films, "Edvard Munch" uses a docudrama approach; scenes from Munch's life are re-enacted by a large cast (mostly Norwegian non-professional actors), but there is also a voiceover narration by Watkins, and there are moments when the characters speak directly to camera, as if being interviewed about their own lives or their opinions of Munch. Some of the dialogue was improvised by the cast, especially in the interview segments. To convey the hostile response Munch's work often received during his lifetime, Watkins recruited Norwegians who genuinely disliked