John 2 on the "third day". The second/third century theologian Origen suggested this was the third day from the last-named day in and the Jamieson-Fausset-Brown Bible Commentary argues that it would take Jesus three days to travel from Bethabara in Perea to Cana in Galilee whereas the 19th century theologian Heinrich Ewald suggested the third day would be reckoned from Jesus' arrival in Cana. The second chapter of John begins at a wedding celebration in Cana attended by the mother of Jesus (she is not named in John's Gospel), Jesus himself and his disciples. The hosts run out of wine and Jesus'
The Wedding at Cana refectory of the Monastery of San Giorgio Maggiore, Venice. The full-sized (6.77m x 9.94m) digital facsimile is composed of 1,591 graphic files, and was made by Factum Arte, Madrid, on commission from the Giorgio Cini Foundation, Venice, and the Musée du Louvre, Paris. In 1989, the Louvre Museum began a painting restoration of "The Wedding Feast at Cana" (1563), which provoked an art-world controversy like that caused by the eleven-year Restoration of the Sistine Chapel frescoes (1989–99). Organised as the Association to Protect the Integrity of Artistic Heritage (APIAH), artists protested against the restoration of the 426-year-old painting, and publicly