Edvard Munch government. Munch was 76 years old. With nearly an entire collection of his art in the second floor of his house, Munch lived in fear of a Nazi confiscation. Seventy-one of the paintings previously taken by the Nazis had been returned to Norway through purchase by collectors (the other eleven were never recovered), including "The Scream" and "The Sick Child", and they too were hidden from the Nazis. Munch died in his house at Ekely near Oslo on 23 January 1944, about a month after his 80th birthday. His Nazi-orchestrated funeral suggested to Norwegians that he was a Nazi sympathizer,
Edvard Munch "Separation", "Jealousy", and "Ashes"). Munch often uses shadows and rings of color around his figures to emphasize an aura of fear, menace, anxiety, or sexual intensity. These paintings have been interpreted as reflections of the artist's sexual anxieties, though it could also be argued that they represent his turbulent relationship with love itself and his general pessimism regarding human existence. Many of these sketches and paintings were done in several versions, such as "Madonna", "Hands" and "Puberty", and also transcribed as wood-block prints and lithographs. Munch hated to part with his paintings because he thought of his work as a