Édouard Viénot L. D. R..." and "Portrait de Monsieur A. L..." (both at the Paris Salon 1870). Viénot also painted Marie Duplessis (reproduced in the Royal Opera's programme for Verdi's "La Traviata" at the Royal Albert Hall in May 1998). Marie Duplessis was the real-life actress and courtesane on whom Dumas modelled the heroine in "La Dame aux Camélias", on which "La Traviata" is based. Viénot's portrait of the Emperor Pedro II of Brazil is in the Imperial Museum in Brazil (housed in what was formerly his summer palace). Also in Brazil is his "Retrato de Menina" [a portrait of a young
Culture of the Republican era in China metaphors and allusion. The popular words include, "Red Candles" (1923), and "Dead Water" (1929). Drama in this period can be called as 'New theatre', 'New drama', or 'Civilised drama'.The beginning of modern Chinese China was triggered by the inspiration from the western world similarly to Chinese poetry. The initial effort began by the foundation of Spring Willow Society in Japan in 1907. They began by translating the plays such as "La Dame aux Camelias". One element of this Civilised drama was the 'spoken drama' contradicting to the traditional 'singing drama'. This form was adopted by Ti-ien Han. The purpose of