La traviata and work with the composer. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been "La traviata". However, within a short time, a synopsis was dispatched to Venice under the title of "Amore e morte" ("Love and Death"). However, as Budden reveals, Verdi writes to his friend De Sanctis telling him that "for Venice I'm doing "La Dame aux camélias" which will probably be called "La traviata". A subject for our own age." Although still bogged down at Sant'Agata, Piave was sanguine: "Everything will turn out fine, and we'll have a
La traviata spring, but after "Rigoletto"s success in Venice, an additional commission was offered by Brenna, the secretary of La Fenice. After Verdi's return from Paris a contract was signed in May 1852, with performances scheduled for March 1853, although no subject was chosen at that time. Verdi sees "The Lady of the Camellias" play Verdi and Giuseppina Strepponi had visited Paris from late 1851 and into March 1852. In February the couple attended a performance of Alexander Dumas "fils"s "The Lady of the Camellias". As a result of this, Verdi biographer Mary Jane Phillips-Matz reports, the composer immediately began to compose