The Wedding at Cana The Wedding at Cana The Wedding Feast at Cana (1563), by the Italian artist Paolo Veronese (1528–88), is a representational painting that depicts the biblical story of the Marriage at Cana, at which Jesus converts water to wine (John 2:1–11). Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format (6.77m × 9.94m) oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo. The art of the High Renaissance (1490–1527) emphasized human figures of ideal proportions, balanced composition, and beauty, whereas Mannerism exaggerated the Renaissance ideals — of figure, light,
Marriage at Cana may also be interpreted as the antitype of Moses' first public miracle of . This would establish a symbolic link between Moses as the first savior of the Jews through their escape from Egypt and Jesus as the spiritual savior of all people. Some commentators have speculated about the identity of the unnamed bridegroom. One tradition, represented by Thomas Aquinas among others, holds that the bridegroom was St John the Evangelist himself. Bishop John Spong suggests in his book "Born of a Woman" that the event was actually the wedding of Jesus himself to Mary Magdalene. In 1854, at a