Le Canard enchaîné Free Man") which was forced to close by government censorship and reacted upon its reopening by changing its name to "L'homme enchaîné" ("The Chained-up Man"); "Le Canard enchaîné" means "The chained-up duck", but "canard" (duck) is also French slang for "newspaper"; it was also a reference to French journals published by soldiers during World War I. The weekly was founded in 1915 by and his wife , along with H. P. Gassier. It changed its title briefly after World War I to "Le Canard Déchaîné" ("The duck unbound", or "out of control"), to celebrate the end of military censorship of
Creature animation earlier, in 1989, the pioneering digital animation studio Industrial Light & Magic created a water creature for the James Cameron film "The Abyss". Again, not knowing how a water creature might move, considerable effort was required by the animators to imagine how such a creature might perform and behave. Creature animation Creature animation is a specialised part of the animation process which involves bringing realistic animals and creatures to life. It is often distinguished from character animation, which involves breathing life into animated characters and creating the illusion of thought, feeling and emotion. Creature animators create highly realistic motion in