La traviata and work with the composer. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been "La traviata". However, within a short time, a synopsis was dispatched to Venice under the title of "Amore e morte" ("Love and Death"). However, as Budden reveals, Verdi writes to his friend De Sanctis telling him that "for Venice I'm doing "La Dame aux camélias" which will probably be called "La traviata". A subject for our own age." Although still bogged down at Sant'Agata, Piave was sanguine: "Everything will turn out fine, and we'll have a
La Chapelle-aux-Saints 1 of Neanderthal anatomy based on la Chapelle-aux-Saints material shaped popular perceptions of the Neanderthals for over thirty years. The La Chapelle-aux-Saints specimen is typical of "classic" Western European Neanderthal anatomy. It is estimated to be about 60,000 years old. Boule's reconstruction of La Chapelle-aux-Saints 1, published during 1911–1913, depicted Neanderthals with a thrust-forward skull, a spine without curvature, bent hips and knees and a divergent big toe. This depiction fit in well with contemporary evolutionary scenarios in which Neanderthals were not considered to be direct ancestors of modern humans (the relationship of Neanderthals to modern humans remains a major debate