The Hunting of the Snark with more work from the author. "The Saturday Review" wrote that the poem offered "endless speculation" as to the true identity of the snark, although the unnamed reviewer felt that the familiar nature of Carroll's nonsense weakened its effect for the reader. Conversely, "The Graphic" praised the poem as a welcome departure from the "Alice" books, and called it "a glorious piece of nonsense," that could appeal to all "Alice" fans. "The Hunting of the Snark" has in common some elements with Carroll's other works. It shares its author's love of puns on the word 'fit' with "Alice's Adventures in
The Poem of the End The Poem of the End The Poem of the End (, 'poema kontsa') is the name of two poems by Russian poets of the early 20th century. Poem of the End (usually given in English without an article) is the best known poem by Russian poet Vasilisk Gnedov. One of the most radically experimental poets of Russian Futurism, Gnedov's Poem of the End consisted of its title alone on a blank page. Gnedov would perform the poem on stage using a silent gesture. The collection from which it came, Death to Art (1913), contained fifteen very short poems that gradually