Ariel (The Little Mermaid) band. Ariel first appears in "The Little Mermaid" (1989), in which she is shown as being adventurous and curious about the world of humans, a fascination which angers both her father King Triton and his court composer Sebastian, as merfolk are not allowed to make contact with the human world. She and Flounder go in search of human objects, which they take to a seagull named Scuttle for appraisal. Ariel falls in love with a human prince named Prince Eric after saving him from drowning, and visits the sea witch, Ursula, who agrees to turn her into a human in
Ursula (The Little Mermaid) the kingdom in a man’s world, having been kicked out for no specific reason." In her book "Emerson Goes to the Movies: Individualism in Walt Disney Company's Post-1989 Animated Films", author Justyna Fruzińska claimed that "the masculine rule of Triton is presented as positive and opposed to the negative, feminine rule of Ursula". "Understanding Disney: The Manufacture of Fantasy" author Janet Wasko accused the film's treatment of Ursula of "eliminat[ing] many of the female characters and undermin[ing] [the] feminine power" present in Andersen's fairy tale. However, Wasko also argued that Ursula could possibly be considered a mother figure for Ariel;