The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
The Mouse Turned into a Maid a man and begs Aphrodite to change her into a human, but then goes chasing after a mouse in the middle of the marriage feast. In ancient times it was speculated that the Greek proverb ‘a saffron (wedding) robe does not suit a weasel’ was connected with the fable and has much the same meaning that one’s underlying nature does not change with circumstances. When the fable was related by Hieronymus Osius in a New Latin poem, nearly half of it was taken up by a consideration of basic unchangeability, the sense being echoed by internal rhyme and assonance: "Difficult