La traviata and work with the composer. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been "La traviata". However, within a short time, a synopsis was dispatched to Venice under the title of "Amore e morte" ("Love and Death"). However, as Budden reveals, Verdi writes to his friend De Sanctis telling him that "for Venice I'm doing "La Dame aux camélias" which will probably be called "La traviata". A subject for our own age." Although still bogged down at Sant'Agata, Piave was sanguine: "Everything will turn out fine, and we'll have a
La dame blanche the fantastic into opera and is a model for works such as Giacomo Meyerbeer's "Robert le diable" and Charles Gounod's "Faust". The opera's musical style also heavily influenced later operas like "Lucia di Lammermoor", "I puritani" and "La jolie fille de Perth". "La dame blanche" was first performed on 10 December 1825 by the Opéra-Comique at the Théâtre Feydeau in Paris. It was a major success and became a standby of the 19th century operatic repertory in France and Germany. By 1862, the Opéra-Comique had given more than 1,000 performances of "La dame blanche". It was first performed in England