The Postman Always Rings Twice (1946 film) a play, which had 72 performances at the Lyceum Theatre, in New York, from February to April 1936. The cast included Richard Barthelmess as Frank, Mary Philips as Cora, Joseph Greenwald as Nick and Dudley Clements as Sackett, with minor roles played by Joseph Cotten and Charles Halton. Lana Turner was cast as Cora Smith. Turner said this was a favorite role of hers. Cain felt that she was the perfect choice for Cora and was so impressed with her performance that he presented her with a leather-bound copy of the novel inscribed "For my dear Lana, thank you for
Portrayal of women in film noir Hayworth in "Gilda" (1946), Barbara Stanwyck in "Double Indemnity" (1944), and Lara Turner in "The Postman Always Rings Twice" (1946). These examples of deadly women commit crimes inside and outside the narrative of the films. As a consistent narrative trait in film noir, there are flashbacks embedded in the storyline, so as to signal towards the presence of a larger story outside of the feature film, an association with reality. As Karen Hollinger describes in “Film Noir, Voice-Over and the Femme Fatale,” women in film noir are subjected to the psychoanalytic perspective of the male, which forces a consistent attempt