Edvard Munch nature." He later described the personal anguish behind the painting, "for several years I was almost mad… You know my picture, 'The Scream?' I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again." In summing up the painting's effects, author Martha Tedeschi has stated: "Whistler's Mother", Wood's "American Gothic", Leonardo da Vinci's "Mona Lisa" and Edvard Munch's "The Scream" have all achieved something that most paintings—regardless of their art historical importance, beauty, or monetary value—have not: they communicate a specific meaning almost immediately to almost every
Edvard Munch (film) 1976 Cannes Film Festival, but wasn't entered into the main competition. Like Watkins' other films, "Edvard Munch" uses a docudrama approach; scenes from Munch's life are re-enacted by a large cast (mostly Norwegian non-professional actors), but there is also a voiceover narration by Watkins, and there are moments when the characters speak directly to camera, as if being interviewed about their own lives or their opinions of Munch. Some of the dialogue was improvised by the cast, especially in the interview segments. To convey the hostile response Munch's work often received during his lifetime, Watkins recruited Norwegians who genuinely disliked