Giuseppe Verdi have, uniquely in his oeuvre, heroines who are, in the opera critic Joseph Kerman's words, "women who come to grief because of sexual transgression, actual or perceived". Kerman, like the psychologist Gerald Mendelssohn, sees this choice of subjects as being influenced by Verdi's uneasy passion for Strepponi. Verdi and Strepponi moved into Sant'Agata on 1 May 1851. May also brought an offer for a new opera from La Fenice, which Verdi eventually realised as "La traviata". That was followed by an agreement with the Rome Opera company to present "Il trovatore" for January 1853. Verdi now had sufficient earnings to
La traviata spring, but after "Rigoletto"s success in Venice, an additional commission was offered by Brenna, the secretary of La Fenice. After Verdi's return from Paris a contract was signed in May 1852, with performances scheduled for March 1853, although no subject was chosen at that time. Verdi sees "The Lady of the Camellias" play Verdi and Giuseppina Strepponi had visited Paris from late 1851 and into March 1852. In February the couple attended a performance of Alexander Dumas "fils"s "The Lady of the Camellias". As a result of this, Verdi biographer Mary Jane Phillips-Matz reports, the composer immediately began to compose