Ursula (The Little Mermaid) the studio's strongest and most powerful villains in several years. Film critic Roger Ebert dubbed Ursula Disney's "most satisfying villainess since" "Snow White and the Seven Dwarfs"' Evil Queen, who debuted in 1937. Critics agree that Ursula played an important role in the overall success of "The Little Mermaid". Samantha Rullo of "Bustle" reviewed Ursula as a "way more interesting" character than Ariel herself, while praising her for "rocking the best hair and makeup of any Disney villain." Also writing for "Bustle", Caitlyn Callegari appreciated Ursula for "tell[ing] it like it is." Jay Boyar of the "Orlando Sentinel" hailed Ursula
Ursula (The Little Mermaid) "The Gospel according to Disney: Faith, Trust, and Pixie Dust" author Mark I. Pinsky, Ursula became "the most grotesque characterization Disney ... have created for a female villain" at that time. Having animated previous Disney villains, Keane was originally approached to be the supervising animator of Ursula, but declined in favor of animating Ariel because he longed to do something different. Thus, Keane was replaced by Ruben A. Aquino. The character was originally drawn with a full set of eight tentacles similar to a real-life octopus, which were eventually reduced to a more manageable six because the original amount would