From Hell in the alley below. In "The Dance of the Gull Catchers" Moore reports that he had been drawn into and even obsessed with the particulars of the Ripper murders. The Ripperologists—or "Gull Catchers" as he refers to them—are depicted as unhinged men running about with large butterfly nets, chasing details and connections, however tenuous. Initially, Moore observes them from a distance, but eventually—while researching and writing "From Hell"—he joins them. Moore compares the multitude of increasingly outlandish Ripper theories to a Koch snowflake, where a finite, fixed location, event and era (London, in late 1888) can have an infinite number
Frankenstein and the Monster from Hell critics. Of the film, "The Hammer Story: The Authorised History of Hammer Films" wrote: "Terence Fisher's haunting, melancholy swansong would be an epitaph for Hammer horror itself." Time Out wrote, "Fisher's last film is a disappointment." The film itself performed poorly at the box office.But despite this, the film currently holds an average three star rating (6.3/10) on IMDb and has fared better with modern critics. It was released in certain markets with another Hammer film, "Captain Kronos – Vampire Hunter". Frankenstein and the Monster from Hell Frankenstein and the Monster From Hell is a 1974 British horror film, directed