The Wedding at Cana and domestic maintenance; be provided a barrel of wine; and be fed in the refectory. Aesthetically, the Benedictine contract stipulated that the painter represent “the history of the banquet of Christ’s miracle at Cana, in Galilee, creating the number of [human] figures that can be fully accommodated.” That Veronese use "optimi colori" (optimum colours) — specifically, the colour ultramarine, a deep-blue pigment made from lapis lazuli, a semi-precious, metamorphic rock. Assisted by his brother, Benedetto Caliari, Veronese delivered the completed painting in September 1563, in time for the "Festa della Madonna della Salute", in November. In the 17th century, during
The Wedding at Cana figures and Late-Renaissance personages invited to celebrate the bride and bridegroom at their wedding feast. Some human figures are rendered in foreshortened perspective, the stylisation of Mannerism; the old architecture mirrors the contemporary architecture of Andrea Palladio; the narrative treatment places the religious subject in a cosmopolitan tableau of historical and contemporary personages, most of whom are fashionably dressed in costumes from the Orient — Asia as known to Renaissance society in the 16th century. Seated behind and above the musicians are the Virgin Mary, Jesus of Nazareth, and some of his Apostles. Above the figure of Jesus, on an