Lewis Carroll gives "1872" as the date of publication.) Its somewhat darker mood possibly reflects changes in Dodgson's life. His father's death in 1868 plunged him into a depression that lasted some years. In 1876, Dodgson produced his next great work, "The Hunting of the Snark", a fantastical "nonsense" poem exploring the adventures of a bizarre crew of nine tradesmen and one beaver, who set off to find the snark. It received largely mixed reviews from Carroll's contemporary reviewers, but was enormously popular with the public, having been reprinted seventeen times between 1876 and 1908, and has seen various adaptations into musicals,
The Wind (poem) include a close and warmly-appreciative description of a "llatai", even when, as is often the case in Dafydd's poems, he is describing nature in one of its harsher aspects. The careering course of the wind is embodied in the headlong pace of the poem. Rachel Bromwich called "The Wind" one of "the outstanding expressions of Dafydd's wonder and awe at the mysteries of the cosmic forces", but pointed out that in the end Dafydd curbs this force to act as a love-messenger to Morfudd. The poet Gwyneth Lewis sees the poem as "a hymn to the havoc that art can