The Wedding at Cana affected only the architectural and background areas of the painting, and not the faces of the wedding guests. The Wedding at Cana The Wedding Feast at Cana (1563), by the Italian artist Paolo Veronese (1528–88), is a representational painting that depicts the biblical story of the Marriage at Cana, at which Jesus converts water to wine (John 2:1–11). Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format (6.77m × 9.94m) oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo. The art of the High Renaissance (1490–1527) emphasized human
Marriage at Cana time when polygamy was an element of mainstream Mormon practice, the Mormon elder Orson Hyde made a similar suggestion, arguing that Jesus was a polygamist and that the event at Cana was his wedding to Mary Magdalene, Martha and Mary of Bethany. The exact location of Cana has been subject to debate among scholars. Modern scholars maintain that since the Gospel of John was addressed to Jewish Christians of the time, it isn’t likely that the evangelist would mention a place that did not exist. Locations which are candidates for historical Cana are: According to the Catholic Encyclopedia of 1914,