The Wedding at Cana elevated walkway, a man watches the banquet, and a serving maid awaits for the carver to carve an animal to portions. To the right, a porter arrives with more meat for the feasting diners to eat. The alignment of the Jesus figure under the carver's blade and block, and the butchered animals, prefigure his sacrifice as the "Lamb of God". bottom-right-quarter — a barefoot wine-servant pours the new, red wine into a serving ewer, from a large, ornate oenochoe, which earlier had been filled with water. Behind the wine servant stands the poet Pietro Aretino, intently considering the red wine
Cana Cana might have been. In his Gospel, the author makes no claim to have been at the wedding. Many would regard the story of the wedding at Cana as of theological rather than historical or topographical significance; it is the first of the seven miraculous ""signs"" by which Jesus's divine status is attested, and around which the gospel is structured. The consensus of modern scholarship is that the Fourth Gospel was addressed to a group of Jewish Christians, and very possibly a group living in Judea province; so it is unlikely that the evangelist would have mentioned a place that