Mora clock on two bells mounted above the clock mechanism or alternatively on a spiral wire gong. The weights were made of cast iron. Mora clock Gustavian Mora clocks are a type of longcase clock which were made in, and derived their name from, the town of Mora in Dalarna province, Sweden. Production began in the late 18th century and continued through most of the 19th finally succumbing to the increased competition from newer styles and cheaper mass production methods. Mora clock faces are often marked with the inscription "A A S Mora"—the initials of Krång Anders Andersson (1727-1799) of Östnor, traditionally
Beni Mora from genuine Arab tunes treated with extraordinary skill, especially in the vivid "finale", in which a number of dance tunes are combined to illustrate a night scene in Biskra." Ralph Vaughan Williams wrote of "Beni Mora", "if it had been played in Paris rather than London it would have given its composer a European reputation, and played in Italy would probably have caused a riot." More recently, the critic Andrew Clements has written of the "proto-minimalist fashion" of the repeated tune in the finale. Beni Mora Beni Mora is a three-movement suite of music in E minor for large orchestra,