Giuseppe Verdi have, uniquely in his oeuvre, heroines who are, in the opera critic Joseph Kerman's words, "women who come to grief because of sexual transgression, actual or perceived". Kerman, like the psychologist Gerald Mendelssohn, sees this choice of subjects as being influenced by Verdi's uneasy passion for Strepponi. Verdi and Strepponi moved into Sant'Agata on 1 May 1851. May also brought an offer for a new opera from La Fenice, which Verdi eventually realised as "La traviata". That was followed by an agreement with the Rome Opera company to present "Il trovatore" for January 1853. Verdi now had sufficient earnings to
Giuseppe Verdi Senate, but did not participate in its activities. In the months following the staging of "Ballo", Verdi was approached by several opera companies seeking a new work or making offers to stage one of his existing ones, but refused them all. But when, in December 1860, an approach was made from Saint Petersburg's Imperial Theatre, the offer of 60,000 francs plus all expenses was doubtless a strong incentive. Verdi came up with the idea of adapting the 1835 Spanish play "Don Alvaro o la fuerza del sino" by Angel Saavedra, which became "La forza del destino", with Piave writing the