Vietnamese poetry 70 haters. The numbers might seem irrelevant to the overall context of a flirty math puzzle, but one may see the proportions as a representation of the romantic dynamics of the couple, or the speaker himself or herself: 3 part love, 7 part despair. Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a
Māori poetry "Archaic words are common, including many which have lost any specific meaning and acquired a religious mystique. Abbreviated, sometimes cryptic utterances and the use of certain grammatical constructions not found in prose are also common" (Biggs 1966:447–448). Māori poetry Traditional Māori poetry was always sung or chanted, musical rhythms rather than linguistic devices served to distinguish it from prose. There is a large store of traditional chants and songs. Rhyme or assonance were not devices used by the Māori; only when a given text is sung or chanted will the metre become apparent. The lines are indicated by features of