Vietnamese poetry 70 haters. The numbers might seem irrelevant to the overall context of a flirty math puzzle, but one may see the proportions as a representation of the romantic dynamics of the couple, or the speaker himself or herself: 3 part love, 7 part despair. Vietnamese poetry Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include "six-eight, "double-seven six-eight", and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a
A Wrong Turning in American Poetry be imitating (instead of the Modernists) included Pablo Neruda, Stéphane Mallarmé, César Vallejo, Juan Ramón Jiménez, Antonio Machado, Lorca, and Rilke. Some of the scholarly and stylistic approaches to poetry that he criticized over the course of his essay included The New Criticism, the Metaphysical Poets, Imagism, and Objectivism, all of which he viewed as superficial, overly outward looking, and materialistic. A Wrong Turning in American Poetry 'A Wrong Turning in American Poetry' is an essay by United States poet Robert Bly which was first published in "Choice" magazine in 1963 and collected in "American Poetry: Wildness and Domesticity." It