Licht some cases—portions of scenes. These modules may be segments (e.g., the eleven instrumental solo sections from "Orchester-Finalisten" from "Mittwoch"), or layers (e.g., the electronic "Oktophonie" layer from the second act of "Dienstag" or the "Klavierstück XIII" version of the first scene of "Samstag" ("Luzifers Traum"), with the bass voice omitted), or a combination of the two (e.g., the vocal sextet "Menschen, hört" and the "Bassetsu-Trio", which are two layers of the "Karusel" subscene from "Michaelion", the fourth scene of "Mittwoch"). There are seven operas, each named for a day of the week, whose subject matter reflects attributes associated in traditional
The Week (1933) term Cliveden set to describe what he alleged to be an upper-class pro-German group that exercised influence behind the scenes. "The Week" ceased publication shortly after the war began. Watt alleges that the information printed in "The Week" included rumours, some of which suited Moscow's interests. Watt used as an example the claim "The Week" made in February–March 1939 that German troops were concentrating in Klagenfurt for an invasion of Yugoslavia, which Watt says had no basis in reality. The Week (1933) The Week was a radical British newspaper from 1933 until 1941. Marxist journalist Claud Cockburn launched the first