Édouard Viénot L. D. R..." and "Portrait de Monsieur A. L..." (both at the Paris Salon 1870). Viénot also painted Marie Duplessis (reproduced in the Royal Opera's programme for Verdi's "La Traviata" at the Royal Albert Hall in May 1998). Marie Duplessis was the real-life actress and courtesane on whom Dumas modelled the heroine in "La Dame aux Camélias", on which "La Traviata" is based. Viénot's portrait of the Emperor Pedro II of Brazil is in the Imperial Museum in Brazil (housed in what was formerly his summer palace). Also in Brazil is his "Retrato de Menina" [a portrait of a young
La descente d'Orphée aux enfers the myth of Orpheus as told by Ovid in Book 10 of the "Metamorphoses". It is debatable whether the opera as it survives in the manuscript is complete or not. The musicologist H. Wiley Hitchcock believes Charpentier may have planned (and composed) a third, concluding act. The opera is not to be confused with an earlier work by Charpentier, "Orphée descendant aux enfers", which is a cantata for three male voices. Orphée (Orpheus) is celebrating his marriage to Euridice (Eurydice) in a beautiful, pastoral landscape. Euridice and her nymph companions gather flowers, but Euridice steps on a snake, is stung