The Wedding at Cana in his glass. bottom-left-quarter — the steward of the house (dressed in green) supervises the black servant-boy proffering a glass of the new, red wine to the bridegroom, the host of the wedding feast; at the edge of the nuptial table, a dwarf holds a bright-green parrot, and awaits instructions from the house steward. II. On the vertical axis — the contrasts of light and shadow symbolize the co-existence of mortality and vanitas, the transitory pleasures of earthly life; the protocol of religious symbolism supersedes the social protocol. In the wedding banquet proper, the holy guests and the mortal hosts
The Mouse Turned into a Maid man and his cat", while in the Latin explanatory text it reads "De Cata in Fœminam mutate" (The cat changed into a woman). Jean de la Fontaine wrote a separate version of this fable, also under the title "The cat changed into a woman" ("La chatte metamorphosée en femme", II.18), in which he gave the theme of change an extended, thoughtful treatment: Though La Fontaine avoided mention of Venus as the intermediary for the change in his fable, she is there in Christopher Pitt's "The Fable of the Young Man and his Cat", which is turned into a satirical picture