La traviata and work with the composer. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been "La traviata". However, within a short time, a synopsis was dispatched to Venice under the title of "Amore e morte" ("Love and Death"). However, as Budden reveals, Verdi writes to his friend De Sanctis telling him that "for Venice I'm doing "La Dame aux camélias" which will probably be called "La traviata". A subject for our own age." Although still bogged down at Sant'Agata, Piave was sanguine: "Everything will turn out fine, and we'll have a
Gustavo III (Verdi) be Colonial Boston. This setting became the "standard" one until the mid-20th Century. Most productions today locate the action in Sweden. However, a "hypothetical reconstruction" of "Gustavo III" under its original name was performed by the Gothenburg Opera in Sweden during the 2002/03 season. In early 1856 Vincenzo Torelli, secretary to the Teatro San Carlo's management approached Verdi with a contract offer, the proposed opera being "Re Lear", an opera based on Shakespeare's "King Lear". It was known to be a subject dear to the composer, but this libretto, for which Somma and Verdi had worked for some time, raised