La traviata and work with the composer. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been "La traviata". However, within a short time, a synopsis was dispatched to Venice under the title of "Amore e morte" ("Love and Death"). However, as Budden reveals, Verdi writes to his friend De Sanctis telling him that "for Venice I'm doing "La Dame aux camélias" which will probably be called "La traviata". A subject for our own age." Although still bogged down at Sant'Agata, Piave was sanguine: "Everything will turn out fine, and we'll have a
Giuseppe Verdi Senate, but did not participate in its activities. In the months following the staging of "Ballo", Verdi was approached by several opera companies seeking a new work or making offers to stage one of his existing ones, but refused them all. But when, in December 1860, an approach was made from Saint Petersburg's Imperial Theatre, the offer of 60,000 francs plus all expenses was doubtless a strong incentive. Verdi came up with the idea of adapting the 1835 Spanish play "Don Alvaro o la fuerza del sino" by Angel Saavedra, which became "La forza del destino", with Piave writing the