The Wedding at Cana depleted; at Mary's request, Jesus commanded the house servants to fill stone jugs with water, which he then transformed into wine (John 2:1–11). "The Wedding Feast at Cana" represents the water-into-wine miracle of Jesus in the grand style of the sumptuous feasts of food and music that were characteristic of 16th-century Venetian society; the sacred in and among the profane world where “banquet dishes not only signify wealth, power, and sophistication, but transfer those properties directly into the individual diner. An exquisite dish makes the diner exquisite.” The banquet scene is framed with Greek and Roman architecture from Classical Antiquity
The Wedding at Cana in their rich stuffs. As a narrative painting in the Mannerist style, "The Wedding Feast at Cana" combines stylistic and pictorial elements from the Venetian school's philosophy of "colorito" (priority of colour) of Titian (1488–1576) to the compositional "disegno" (drawing) of the High Renaissance (1490–1527) used in the works of Leonardo (1452–1519), Raphael (1483–1520), and Michelangelo (1475–1564). As such, Veronese's depiction of the crowded banquet-scene that is "The Wedding Feast at Cana" is meant to be viewed upwards, from below — because the painting's bottom-edge was 2.50 metres from the refectory floor, behind and above the head-table seat of the