The Wedding at Cana and domestic maintenance; be provided a barrel of wine; and be fed in the refectory. Aesthetically, the Benedictine contract stipulated that the painter represent “the history of the banquet of Christ’s miracle at Cana, in Galilee, creating the number of [human] figures that can be fully accommodated.” That Veronese use "optimi colori" (optimum colours) — specifically, the colour ultramarine, a deep-blue pigment made from lapis lazuli, a semi-precious, metamorphic rock. Assisted by his brother, Benedetto Caliari, Veronese delivered the completed painting in September 1563, in time for the "Festa della Madonna della Salute", in November. In the 17th century, during
Cana did not exist. There is a minority view that the gospel was written for a gentile audience, and those who take this view assert that the description in the passage about the marriage at Cana of "six stone water jars there for the Jewish rites of purification" is specifically for a gentile audience, who would not know the topography of the Holy Land. On this hypothesis the name "Cana" might have some purely symbolic significance. There are at least five locations which have been under consideration as the New Testament Cana: The village of Qana, about from Tyre, Lebanon, is