The Wedding at Cana in his glass. bottom-left-quarter — the steward of the house (dressed in green) supervises the black servant-boy proffering a glass of the new, red wine to the bridegroom, the host of the wedding feast; at the edge of the nuptial table, a dwarf holds a bright-green parrot, and awaits instructions from the house steward. II. On the vertical axis — the contrasts of light and shadow symbolize the co-existence of mortality and vanitas, the transitory pleasures of earthly life; the protocol of religious symbolism supersedes the social protocol. In the wedding banquet proper, the holy guests and the mortal hosts
The Wedding at Cana of the initial version of the painting. In June 1992, three years into the restoration of the painting, "The Wedding Feast at Cana" twice suffered accidental damages. In the first accident, the canvas was spattered with rainwater that leaked into the museum through an air vent. In the second accident, occurred two days later, the Louvre curators were raising the 1.5-ton-painting to a higher position upon the display-wall when a support-frame failed and collapsed. In falling to the museum floor, the metal framework that held and transported the painting punctured and tore the canvas; fortuitously, the five punctures and tears