The Wedding at Cana affected only the architectural and background areas of the painting, and not the faces of the wedding guests. The Wedding at Cana The Wedding Feast at Cana (1563), by the Italian artist Paolo Veronese (1528–88), is a representational painting that depicts the biblical story of the Marriage at Cana, at which Jesus converts water to wine (John 2:1–11). Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format (6.77m × 9.94m) oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo. The art of the High Renaissance (1490–1527) emphasized human
Marriage at Cana serving it last (). John adds that: "Jesus did this, the first of his signs, in Cana of Galilee, and it revealed his glory; and his disciples believed in him" (). Although none of the Synoptic Gospels mention the marriage at Cana, Christian tradition based on holds that this is the first public miracle of Jesus. It is considered to have symbolic importance as the first of the seven signs in the Gospel of John by which Jesus' divine status is attested, and around which the gospel is structured. Interpreted allegorically, the good news and hope implied by the story