The Wedding at Cana affected only the architectural and background areas of the painting, and not the faces of the wedding guests. The Wedding at Cana The Wedding Feast at Cana (1563), by the Italian artist Paolo Veronese (1528–88), is a representational painting that depicts the biblical story of the Marriage at Cana, at which Jesus converts water to wine (John 2:1–11). Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format (6.77m × 9.94m) oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo. The art of the High Renaissance (1490–1527) emphasized human
Cana did not exist. There is a minority view that the gospel was written for a gentile audience, and those who take this view assert that the description in the passage about the marriage at Cana of "six stone water jars there for the Jewish rites of purification" is specifically for a gentile audience, who would not know the topography of the Holy Land. On this hypothesis the name "Cana" might have some purely symbolic significance. There are at least five locations which have been under consideration as the New Testament Cana: The village of Qana, about from Tyre, Lebanon, is