The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Sexuality of Jesus is coming to meet his bride, although there is nothing specific to identify the bride. Church Fathers such as Cyprian applied the image to the Church. Early Latter Day Saint Apostle Orson Hyde taught that Jesus was a polygamist who was married to Mary Magdalene, Martha, and Mary of Bethany, and fathered children with them. He also taught that the marriage at Cana was Jesus' own wedding. This idea is not official LDS doctrine, although it has certainly entered into Mormon folklore. The "Children of God" Christian group actively promotes the view that a sexual relationship with Jesus would be