The Wedding at Cana and domestic maintenance; be provided a barrel of wine; and be fed in the refectory. Aesthetically, the Benedictine contract stipulated that the painter represent “the history of the banquet of Christ’s miracle at Cana, in Galilee, creating the number of [human] figures that can be fully accommodated.” That Veronese use "optimi colori" (optimum colours) — specifically, the colour ultramarine, a deep-blue pigment made from lapis lazuli, a semi-precious, metamorphic rock. Assisted by his brother, Benedetto Caliari, Veronese delivered the completed painting in September 1563, in time for the "Festa della Madonna della Salute", in November. In the 17th century, during
Thomas of Cana followers. Written accounts of Thomas of Cana date to the India's Portuguese period. Different versions give different dates for the events; some place them in 345; others as late as the 9th century. The meaning of the "Cana" epithet is unclear; it may refer to the town of Cana or the land of Canaan in the Bible, or it may be a corruption of a Syriac term for merchant ("Knāyil" in Malayam). However, scholar Richard M. Swiderski states that none of these etymologies are entirely sound. Knanaya priest and scholar Jacob Kollaparambil argues that the "Cana" form is a corruption