Edvard Munch such as the appearance of Munch's "The Scream" in a 2006 M&M's advertising campaign. The U.S. copyright representative for the Munch Museum and the Estate of Edvard Munch is the Artists Rights Society. Munch's art was highly personalized and he did little teaching. His "private" symbolism was far more personal than that of other Symbolist painters such as Gustave Moreau and James Ensor. Munch was still highly influential, particularly with the German Expressionists, who followed his philosophy, "I do not believe in the art which is not the compulsive result of Man's urge to open his heart." Many of his
Edvard Munch "Portrait of Hans Jæger", and impressionistic, as in "Rue Lafayette". His "Inger On the Beach" (1889), which caused another storm of confusion and controversy, hints at the simplified forms, heavy outlines, sharp contrasts, and emotional content of his mature style to come. He began to carefully calculate his compositions to create tension and emotion. While stylistically influenced by the Post-Impressionists, what evolved was a subject matter which was symbolist in content, depicting a state of mind rather than an external reality. In 1889, Munch presented his first one-man show of nearly all his works to date. The recognition it received