Baptistery of San Giovanni in Fonte, Naples shore with his hand outstretched towards fish. This could be the Draught of Fishes, the Walking on Water scene, or a mixture of the two, but without the complete mosaic, this remains unclear. The Samaritan Woman at the Well scene is attached to the Marriage at Cana scene. While the second figure by the well is destroyed, it may be Jesus based on the Biblical story, an important baptism allegory. In this scene, Jesus offers the Samaritan Woman the water of eternal life. The Marriage at Cana depicts Jesus turning water into wine. Like the Samaritan Woman scene, this miracle
The Wedding at Cana refectory of the Monastery of San Giorgio Maggiore, Venice. The full-sized (6.77m x 9.94m) digital facsimile is composed of 1,591 graphic files, and was made by Factum Arte, Madrid, on commission from the Giorgio Cini Foundation, Venice, and the Musée du Louvre, Paris. In 1989, the Louvre Museum began a painting restoration of "The Wedding Feast at Cana" (1563), which provoked an art-world controversy like that caused by the eleven-year Restoration of the Sistine Chapel frescoes (1989–99). Organised as the Association to Protect the Integrity of Artistic Heritage (APIAH), artists protested against the restoration of the 426-year-old painting, and publicly