The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Jesus in the Talmud one! Is this what you are occupied in?" (Gazing at women was considered sinful.) After several returns for forgiveness he mistook Perachiah's signal to wait a moment as a signal of final rejection, and so he turned to idolatry. Some passages that have been identified by scholars as mentioning Jesus, as the messiah of Christianity, in this context include: The full passage is: The story ends by invoking a Mishnaic era teaching that Yeshu practised black magic, deceived and led Israel astray. This quote is seen by some as an explanation in general for the designation "Yeshu". According to Dr.