Licht some cases—portions of scenes. These modules may be segments (e.g., the eleven instrumental solo sections from "Orchester-Finalisten" from "Mittwoch"), or layers (e.g., the electronic "Oktophonie" layer from the second act of "Dienstag" or the "Klavierstück XIII" version of the first scene of "Samstag" ("Luzifers Traum"), with the bass voice omitted), or a combination of the two (e.g., the vocal sextet "Menschen, hört" and the "Bassetsu-Trio", which are two layers of the "Karusel" subscene from "Michaelion", the fourth scene of "Mittwoch"). There are seven operas, each named for a day of the week, whose subject matter reflects attributes associated in traditional
Responsories for Holy Week text are by Tomás Luis de Victoria (two settings for four voices: 1572 and 1585), Carlo Gesualdo (five voices: 1603; six voices: 1611), and Pablo Casals (mixed choir: 1932). Based on . A german version of the text of this responsory is set as "Der Gerechte kömmt um". Poulenc set it as the seventh of his "Sept répons des ténèbres". The three lessons for the third nocturn of Holy Saturday are , and respectively. Sixth of Poulenc's "Sept répons des ténèbres" Responsories for Holy Week Responsories for Holy Week (Latin: Responsoria pro hebdomada sancta) are three sets of nine responsories,