The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Thomas of Cana followers. Written accounts of Thomas of Cana date to the India's Portuguese period. Different versions give different dates for the events; some place them in 345; others as late as the 9th century. The meaning of the "Cana" epithet is unclear; it may refer to the town of Cana or the land of Canaan in the Bible, or it may be a corruption of a Syriac term for merchant ("Knāyil" in Malayam). However, scholar Richard M. Swiderski states that none of these etymologies are entirely sound. Knanaya priest and scholar Jacob Kollaparambil argues that the "Cana" form is a corruption