Film noir the most influential of the early noirs. A slew of now-renowned noir "bad girls" followed, such as those played by Rita Hayworth in "Gilda" (1946), Lana Turner in "The Postman Always Rings Twice" (1946), Ava Gardner in "The Killers" (1946), and Jane Greer in "Out of the Past" (1947). The iconic noir counterpart to the femme fatale, the private eye, came to the fore in films such as "The Maltese Falcon" (1941), with Humphrey Bogart as Sam Spade, and "Murder, My Sweet" (1944), with Dick Powell as Philip Marlowe. The prevalence of the private eye as a lead character declined
Anjelica Huston early 1970s, Huston, with Pat Cleveland, Pat Ast, Karen Bjornson, Alva Chinn, and others, became one of fashion designer Halston's favored troupe of models, nicknamed the Halstonettes. Huston studied acting in the early 1980s after deciding to focus more on films. Her first notable role was in Bob Rafelson's remake of "The Postman Always Rings Twice" (1981). Later, her father cast her as Maerose, daughter of a Mafia don whose love is scorned by a hit man (Jack Nicholson) in the film adaptation of Richard Condon's Mafia-satire novel "Prizzi's Honor" (1985). Huston won the Best Supporting Actress Oscar for her