The Wedding at Cana in his glass. bottom-left-quarter — the steward of the house (dressed in green) supervises the black servant-boy proffering a glass of the new, red wine to the bridegroom, the host of the wedding feast; at the edge of the nuptial table, a dwarf holds a bright-green parrot, and awaits instructions from the house steward. II. On the vertical axis — the contrasts of light and shadow symbolize the co-existence of mortality and vanitas, the transitory pleasures of earthly life; the protocol of religious symbolism supersedes the social protocol. In the wedding banquet proper, the holy guests and the mortal hosts
The Mouse Turned into a Maid set of 100 etchings of La Fontaine's work executed between 1927 and 1930. The Indian fable's western equivalent is the story of "Venus (or Aphrodite) and the Cat", which goes back to Classical times and is given the moral that nature is stronger than nurture. It figures as number 50 in the Perry Index and its many versions feature a cat turned into a woman by the goddess, who then tests her on the wedding night by introducing a mouse into the bedchamber. In the Greek version by Babrius, however, it is a weasel (γαλῆ) that falls in love with