The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Bible translations into Tibetan the Harmony, than they were when they heard texts written in the High Register of Classical Tibetan. Like Jäschke, Francke put his main efforts into Bible translation into literary Tibetan. However, he also emphasised the need to translate at least some portions of the Bible into the spoken languages of the region. In 1907, he printed a revised version of Jäschke’s "Harmony". He also prepared a Ladakhi "Life of Christ", and in 1908, he published a Ladakhi version of Mark's Gospel. Yoseb Gergan produced a revised version of the Ladakhi St Mark, and this was published at Lahore in 1919.