The Wedding at Cana The Wedding at Cana The Wedding Feast at Cana (1563), by the Italian artist Paolo Veronese (1528–88), is a representational painting that depicts the biblical story of the Marriage at Cana, at which Jesus converts water to wine (John 2:1–11). Executed in the Mannerist style (1520–1600) of the late Renaissance, the large-format (6.77m × 9.94m) oil painting comprehends the stylistic ideal of compositional harmony, as practised by the artists Leonardo, Raphael, and Michelangelo. The art of the High Renaissance (1490–1527) emphasized human figures of ideal proportions, balanced composition, and beauty, whereas Mannerism exaggerated the Renaissance ideals — of figure, light,
Bible translations into Tibetan the Harmony, than they were when they heard texts written in the High Register of Classical Tibetan. Like Jäschke, Francke put his main efforts into Bible translation into literary Tibetan. However, he also emphasised the need to translate at least some portions of the Bible into the spoken languages of the region. In 1907, he printed a revised version of Jäschke’s "Harmony". He also prepared a Ladakhi "Life of Christ", and in 1908, he published a Ladakhi version of Mark's Gospel. Yoseb Gergan produced a revised version of the Ladakhi St Mark, and this was published at Lahore in 1919.