Marguerite and Armand Marguerite and Armand Marguerite and Armand is a ballet danced to an orchestral arrangement of Franz Liszt's B minor piano sonata. It was created in 1963 by the British choreographer Sir Frederick Ashton specifically for Rudolf Nureyev and Margot Fonteyn. The ballet takes its inspiration from the 19th-century novel "La Dame aux Camélias" by Alexandre Dumas, "fils", and other adaptations of the same story such as Giuseppe Verdi's opera "La traviata". Marguerite Gautier, a Parisian courtesan, lies on her deathbed, gravely ill with tuberculosis. In her delirium she recalls her love affair with a young man named Armand, which the
Culture of the Republican era in China metaphors and allusion. The popular words include, "Red Candles" (1923), and "Dead Water" (1929). Drama in this period can be called as 'New theatre', 'New drama', or 'Civilised drama'.The beginning of modern Chinese China was triggered by the inspiration from the western world similarly to Chinese poetry. The initial effort began by the foundation of Spring Willow Society in Japan in 1907. They began by translating the plays such as "La Dame aux Camelias". One element of this Civilised drama was the 'spoken drama' contradicting to the traditional 'singing drama'. This form was adopted by Ti-ien Han. The purpose of