The Wedding at Cana in his glass. bottom-left-quarter — the steward of the house (dressed in green) supervises the black servant-boy proffering a glass of the new, red wine to the bridegroom, the host of the wedding feast; at the edge of the nuptial table, a dwarf holds a bright-green parrot, and awaits instructions from the house steward. II. On the vertical axis — the contrasts of light and shadow symbolize the co-existence of mortality and vanitas, the transitory pleasures of earthly life; the protocol of religious symbolism supersedes the social protocol. In the wedding banquet proper, the holy guests and the mortal hosts
Cana did not exist. There is a minority view that the gospel was written for a gentile audience, and those who take this view assert that the description in the passage about the marriage at Cana of "six stone water jars there for the Jewish rites of purification" is specifically for a gentile audience, who would not know the topography of the Holy Land. On this hypothesis the name "Cana" might have some purely symbolic significance. There are at least five locations which have been under consideration as the New Testament Cana: The village of Qana, about from Tyre, Lebanon, is