From Hell in the alley below. In "The Dance of the Gull Catchers" Moore reports that he had been drawn into and even obsessed with the particulars of the Ripper murders. The Ripperologists—or "Gull Catchers" as he refers to them—are depicted as unhinged men running about with large butterfly nets, chasing details and connections, however tenuous. Initially, Moore observes them from a distance, but eventually—while researching and writing "From Hell"—he joins them. Moore compares the multitude of increasingly outlandish Ripper theories to a Koch snowflake, where a finite, fixed location, event and era (London, in late 1888) can have an infinite number
Who the Hell Is Juliette? the "artiest home movie ever made" and was critical about how the subtitles appeared and disappeared too quickly to be easily read. On the other hand, the "New York Daily News" called the film "a great example of what happens when a film maker follows a subject that intrigues him rather than a pre-set program". The documentary received two Ariel Awards. At the 1998 Sundance Film Festival, it received the Latin American Cinema Award. Who the Hell Is Juliette? Who the Hell is Juliette? () is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is