A Harlot's Progress of six prints to subscribers for a Guinea. Pirate copies of the engravings were soon in circulation, and Hogarth procured a 1735 Act of Parliament (8 Geo. II. cap. 13) to prohibit the practice. Soon after, Hogarth published his second series of satirical and moralistic images, "A Rake's Progress", followed ten years later by "Marriage à-la-mode". The original paintings were destroyed in a fire at Fonthill House in 1755, the country house of William Beckford (1709–1770), a politician and father of William Thomas Beckford (1 October 1760 – 2 May 1844) builder of Fonthill Abbey in Wiltshire. The original plates
William Hogarth His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts; an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant English artist of his generation. William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher