Demimonde whom Captain Rawdon Crawley lusts after in his younger days. Becky Sharp is perceived as a demimondaine before she is presented at court, and then becomes one when she travels through Europe after her husband abandons her. Possibly the most famous portrayal of the demimonde, albeit from before the word was coined, is in Verdi's opera "La traviata" (1853). The opera, in turn, was inspired by Alexandre Dumas the younger's "La Dame aux Camélias;" Marguerite Gautier, the heroine of the book and subsequent play, was based on Marie Duplessis, 1840s Paris courtesan and mistress to a number of prominent men,
La descente d'Orphée aux enfers the myth of Orpheus as told by Ovid in Book 10 of the "Metamorphoses". It is debatable whether the opera as it survives in the manuscript is complete or not. The musicologist H. Wiley Hitchcock believes Charpentier may have planned (and composed) a third, concluding act. The opera is not to be confused with an earlier work by Charpentier, "Orphée descendant aux enfers", which is a cantata for three male voices. Orphée (Orpheus) is celebrating his marriage to Euridice (Eurydice) in a beautiful, pastoral landscape. Euridice and her nymph companions gather flowers, but Euridice steps on a snake, is stung