The Hunting of the Snark of prose and its too appealing title. "The Athenaeum" described it as "the most bewildering of modern poetry," wondering "if he has merely been inspired to reduce to idiotcy as many readers and more especially reviewers, as possible." According to "Vanity Fair", Carroll's work had progressively worsened after "Alice's Adventures in Wonderland" (1865), with "The Hunting of the Snark" being the worst of his works and "not worthy [of] the name of nonsense". While "The Spectator" wrote that the poem's final line had the potential to become a proverb, it criticised the poem as "a failure" that might have succeeded
The Poem of the End The Poem of the End The Poem of the End (, 'poema kontsa') is the name of two poems by Russian poets of the early 20th century. Poem of the End (usually given in English without an article) is the best known poem by Russian poet Vasilisk Gnedov. One of the most radically experimental poets of Russian Futurism, Gnedov's Poem of the End consisted of its title alone on a blank page. Gnedov would perform the poem on stage using a silent gesture. The collection from which it came, Death to Art (1913), contained fifteen very short poems that gradually