Film noir the most influential of the early noirs. A slew of now-renowned noir "bad girls" followed, such as those played by Rita Hayworth in "Gilda" (1946), Lana Turner in "The Postman Always Rings Twice" (1946), Ava Gardner in "The Killers" (1946), and Jane Greer in "Out of the Past" (1947). The iconic noir counterpart to the femme fatale, the private eye, came to the fore in films such as "The Maltese Falcon" (1941), with Humphrey Bogart as Sam Spade, and "Murder, My Sweet" (1944), with Dick Powell as Philip Marlowe. The prevalence of the private eye as a lead character declined
The Postman Always Rings Twice (1946 film) in his hotel room, where nobody could get him to stop drinking. Concerned about rumours that he was going to be replaced, Garfield and Turner decided to visit him on their own. Garfield could get nowhere with him, but Turner managed to convince him to go back to Los Angeles for treatment. When he returned a week later, the fog lifted, and they all went back to work. The on-set sexual tension between Garfield and Turner was clear to all involved with the film. Their first day together, he called out to her, "Hey, Lana, how's about a little quickie?"