La traviata and work with the composer. One subject was chosen, Piave set to work, and then Verdi threw in another idea, which may have been "La traviata". However, within a short time, a synopsis was dispatched to Venice under the title of "Amore e morte" ("Love and Death"). However, as Budden reveals, Verdi writes to his friend De Sanctis telling him that "for Venice I'm doing "La Dame aux camélias" which will probably be called "La traviata". A subject for our own age." Although still bogged down at Sant'Agata, Piave was sanguine: "Everything will turn out fine, and we'll have a
La Dame aux Camélias became one of the most coveted amongst actresses and included performances by Sarah Bernhardt, Eleonora Duse, Margaret Anglin, Gabrielle Réjane, Tallulah Bankhead, Lillian Gish, Dolores del Río, Eva Le Gallienne, Isabelle Adjani, Cacilda Becker, and Helena Modrzejewska. Bernhardt quickly became associated with the role after starring in Camellias in Paris, London, and several Broadway revivals, plus the 1911 film. Dancer/Impresario Ida Rubinstein successfully recreated Bernhardt's interpretation of the role onstage in the mid-1920s, coached by the great actress herself before she died. Of all Dumas, "fils"'s theatrical works, "La Dame aux Camélias" is the most popular around the world. In