The Postman Always Rings Twice (1946 film) a play, which had 72 performances at the Lyceum Theatre, in New York, from February to April 1936. The cast included Richard Barthelmess as Frank, Mary Philips as Cora, Joseph Greenwald as Nick and Dudley Clements as Sackett, with minor roles played by Joseph Cotten and Charles Halton. Lana Turner was cast as Cora Smith. Turner said this was a favorite role of hers. Cain felt that she was the perfect choice for Cora and was so impressed with her performance that he presented her with a leather-bound copy of the novel inscribed "For my dear Lana, thank you for
Lana Turner as an actress has divided critics: Upon Turner's death, John Updike wrote in "The New Yorker" that she "was a faded period piece, an old-fashioned glamour queen whose fifty-four films, over four decades didn't amount, retrospectively to much ... As a performer, she was purely a studio-made product." Defenders of Turner's acting ability, such as Jessica Hope Jordan and James Robert Parish, cite her performance in "The Postman Always Rings Twice" as an argument for the value of her work. Her role in the film has also resulted in her being frequently associated with film noir and the femme fatale