Film noir the most influential of the early noirs. A slew of now-renowned noir "bad girls" followed, such as those played by Rita Hayworth in "Gilda" (1946), Lana Turner in "The Postman Always Rings Twice" (1946), Ava Gardner in "The Killers" (1946), and Jane Greer in "Out of the Past" (1947). The iconic noir counterpart to the femme fatale, the private eye, came to the fore in films such as "The Maltese Falcon" (1941), with Humphrey Bogart as Sam Spade, and "Murder, My Sweet" (1944), with Dick Powell as Philip Marlowe. The prevalence of the private eye as a lead character declined
The Postman Always Rings Twice (novel) staff. Cora, believing her confession made, returns to prison. Though Cora would be sure to learn of the trickery, a few valuable hours are gained. The lawyer uses the time to manipulate those financially interested in the trial to have their private detective recant his testimony, which was the final remaining weapon in the prosecution's arsenal. The state is forced to grant Cora a plea agreement under which she is given a suspended sentence and no jail time. Frank and Cora patch things up and plan a happy future and a family. Then Cora is killed in a car crash