The Postman Always Rings Twice (1946 film) confident you'll enjoy the resulting legal byplay that goes on between Hume Cronyn, as Miss Turner's lawyer, and Leon Ames, as the prosecuting attorney. As a matter of fact, Mr. Cronyn and Mr. Ames take most of the acting honors, and there is a decided letdown in the picture after a courtroom clash in which both of them participate with vast enthusiasm." Writing in 2000, critic Stephen MacMillan Moser appreciated Lana Turner's acting and wrote, "It is perhaps her finest work—from a body of work that includes very few truly stellar performances. She was a star, and not necessarily an
Lana Turner as an actress has divided critics: Upon Turner's death, John Updike wrote in "The New Yorker" that she "was a faded period piece, an old-fashioned glamour queen whose fifty-four films, over four decades didn't amount, retrospectively to much ... As a performer, she was purely a studio-made product." Defenders of Turner's acting ability, such as Jessica Hope Jordan and James Robert Parish, cite her performance in "The Postman Always Rings Twice" as an argument for the value of her work. Her role in the film has also resulted in her being frequently associated with film noir and the femme fatale