The Wedding at Cana prowess with perspective and architecture (actual and virtual) persuaded the viewer to see "The Wedding Feast at Cana" as a spacial extension of the refectory. In "The Wedding Feast at Cana" (1563), Paolo Veronese depicts the New Testament story of the Marriage at Cana within the historical context of the Renaissance in the 16th century. In the Gospel of John, the story of the first Christian miracle, Mary, her son, Jesus of Nazareth, and some of his Apostles, attend a wedding in Cana, a city in Galilee. In the course of the wedding banquet, the supply of wine was becoming
The Wedding at Cana by Pope Pius VII, the Neoclassical sculptor Antonio Canova negotiated the French repatriation of Italian works of art that Napoleon had plundered from the Papal States with the Treaty of Tolentino (1797) — yet, the prejudiced curator of the Musée Napoléon, Vivant Denon, falsely claimed that Veronese's canvas was too fragile to travel from Paris to Venice, and Canova excluded "The Wedding Feast at Cana" (1563) from repatriation to Italy, and, in its stead, sent to Venice the "Feast at the House of Simon" (1653), by Charles Le Brun. In the late 19th century, during the Franco–Prussian War (1870–71), "The