Film noir the most influential of the early noirs. A slew of now-renowned noir "bad girls" followed, such as those played by Rita Hayworth in "Gilda" (1946), Lana Turner in "The Postman Always Rings Twice" (1946), Ava Gardner in "The Killers" (1946), and Jane Greer in "Out of the Past" (1947). The iconic noir counterpart to the femme fatale, the private eye, came to the fore in films such as "The Maltese Falcon" (1941), with Humphrey Bogart as Sam Spade, and "Murder, My Sweet" (1944), with Dick Powell as Philip Marlowe. The prevalence of the private eye as a lead character declined
The Postman (film) to war. The mounted Carriers and Holnists meet across a field. Knowing the casualties will be great if the armies meet in battle, the Postman instead challenges Bethlehem for leadership, with their troops as witnesses. The Postman wins the fight with inspiration from the "Neither snow nor rain" inscription, then offers Bethlehem a chance to build a new, peaceful world. Bethlehem lunges to shoot the Postman but is shot by Colonel Getty, Bethlehem‘s ranking officer. Getty surrenders, and the rest of the Holnists follow. Thirty years later, the Postman's grown daughter speaks at a ceremony unveiling a statue in tribute