Giuseppe Verdi have, uniquely in his oeuvre, heroines who are, in the opera critic Joseph Kerman's words, "women who come to grief because of sexual transgression, actual or perceived". Kerman, like the psychologist Gerald Mendelssohn, sees this choice of subjects as being influenced by Verdi's uneasy passion for Strepponi. Verdi and Strepponi moved into Sant'Agata on 1 May 1851. May also brought an offer for a new opera from La Fenice, which Verdi eventually realised as "La traviata". That was followed by an agreement with the Rome Opera company to present "Il trovatore" for January 1853. Verdi now had sufficient earnings to
Gustavo III (Verdi) be Colonial Boston. This setting became the "standard" one until the mid-20th Century. Most productions today locate the action in Sweden. However, a "hypothetical reconstruction" of "Gustavo III" under its original name was performed by the Gothenburg Opera in Sweden during the 2002/03 season. In early 1856 Vincenzo Torelli, secretary to the Teatro San Carlo's management approached Verdi with a contract offer, the proposed opera being "Re Lear", an opera based on Shakespeare's "King Lear". It was known to be a subject dear to the composer, but this libretto, for which Somma and Verdi had worked for some time, raised