Edvard Munch such as the appearance of Munch's "The Scream" in a 2006 M&M's advertising campaign. The U.S. copyright representative for the Munch Museum and the Estate of Edvard Munch is the Artists Rights Society. Munch's art was highly personalized and he did little teaching. His "private" symbolism was far more personal than that of other Symbolist painters such as Gustave Moreau and James Ensor. Munch was still highly influential, particularly with the German Expressionists, who followed his philosophy, "I do not believe in the art which is not the compulsive result of Man's urge to open his heart." Many of his
Love and Pain (painting) in it "a man locked in a vampire's tortured embrace – her molten-red hair running along his soft bare skin," Munch himself always claimed it showed nothing more than "just a woman kissing a man on the neck". The painting was first called "Vampire" by Munch's friend, the critic Stanisław Przybyszewski. Przybyszewski saw the painting on exhibition and described it as "a man who has become submissive, and on his neck a biting vampire's face." A version of the painting was stolen from the Munch Museum on 23 February 1988. It was recovered later the same year, when the thief