The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Cana Cana might have been. In his Gospel, the author makes no claim to have been at the wedding. Many would regard the story of the wedding at Cana as of theological rather than historical or topographical significance; it is the first of the seven miraculous ""signs"" by which Jesus's divine status is attested, and around which the gospel is structured. The consensus of modern scholarship is that the Fourth Gospel was addressed to a group of Jewish Christians, and very possibly a group living in Judea province; so it is unlikely that the evangelist would have mentioned a place that