La traviata Felice Varesi and the tenor Lodovico Graziani. The next day, Verdi wrote to his friend Emanuele Muzio in what has now become perhaps his most famous letter: ""La traviata" last night a failure. Was the fault mine or the singers'? Time will tell." Coincidentally, as Philips-Matz points out, an Italian translation of the play "La Dame aux camélias" was being presented just a short distance from La Fenice. While there were demands for productions from impresarios in various Italian cities, Verdi was loath to allow them unless he could be sure of the strength of the singers, and in spite
La dame blanche the fantastic into opera and is a model for works such as Giacomo Meyerbeer's "Robert le diable" and Charles Gounod's "Faust". The opera's musical style also heavily influenced later operas like "Lucia di Lammermoor", "I puritani" and "La jolie fille de Perth". "La dame blanche" was first performed on 10 December 1825 by the Opéra-Comique at the Théâtre Feydeau in Paris. It was a major success and became a standby of the 19th century operatic repertory in France and Germany. By 1862, the Opéra-Comique had given more than 1,000 performances of "La dame blanche". It was first performed in England