The Postman Always Rings Twice (1946 film) confident you'll enjoy the resulting legal byplay that goes on between Hume Cronyn, as Miss Turner's lawyer, and Leon Ames, as the prosecuting attorney. As a matter of fact, Mr. Cronyn and Mr. Ames take most of the acting honors, and there is a decided letdown in the picture after a courtroom clash in which both of them participate with vast enthusiasm." Writing in 2000, critic Stephen MacMillan Moser appreciated Lana Turner's acting and wrote, "It is perhaps her finest work—from a body of work that includes very few truly stellar performances. She was a star, and not necessarily an
Film noir M. Cain (whose "The Postman Always Rings Twice" appeared five years later), and popularized in pulp magazines such as "Black Mask". The classic film noirs "The Maltese Falcon" (1941) and "The Glass Key" (1942) were based on novels by Hammett; Cain's novels provided the basis for "Double Indemnity" (1944), "Mildred Pierce" (1945), "The Postman Always Rings Twice" (1946), and "Slightly Scarlet" (1956; adapted from "Love's Lovely Counterfeit"). A decade before the classic era, a story by Hammett was the source for the gangster melodrama "City Streets" (1931), directed by Rouben Mamoulian and photographed by Lee Garmes, who worked regularly with