The Wedding at Cana in his glass. bottom-left-quarter — the steward of the house (dressed in green) supervises the black servant-boy proffering a glass of the new, red wine to the bridegroom, the host of the wedding feast; at the edge of the nuptial table, a dwarf holds a bright-green parrot, and awaits instructions from the house steward. II. On the vertical axis — the contrasts of light and shadow symbolize the co-existence of mortality and vanitas, the transitory pleasures of earthly life; the protocol of religious symbolism supersedes the social protocol. In the wedding banquet proper, the holy guests and the mortal hosts
Lamb: The Gospel According to Biff, Christ's Childhood Pal for research. According to the author, the producer-director Peter Douglas (with Vincent Pictures) optioned the film rights to the novel. Biff is resurrected in the 20th Century to complete missing parts of the Bible, under the inefficient supervision of Raziel; wherefore Biff narrates that he and Joshua (by Biff's account, the Hebrew original of the Hellenized "Jesus") travel Eastward to consult the Three Wise Men (a magician, a Buddhist, and a Hindu Yogi) who attended Joshua's birth, so that Joshua may learn how to become the Messiah. Over twenty years, Joshua surpasses the trio by incorporating his beliefs into theirs: