Giuseppe Verdi have, uniquely in his oeuvre, heroines who are, in the opera critic Joseph Kerman's words, "women who come to grief because of sexual transgression, actual or perceived". Kerman, like the psychologist Gerald Mendelssohn, sees this choice of subjects as being influenced by Verdi's uneasy passion for Strepponi. Verdi and Strepponi moved into Sant'Agata on 1 May 1851. May also brought an offer for a new opera from La Fenice, which Verdi eventually realised as "La traviata". That was followed by an agreement with the Rome Opera company to present "Il trovatore" for January 1853. Verdi now had sufficient earnings to
La dame blanche the fantastic into opera and is a model for works such as Giacomo Meyerbeer's "Robert le diable" and Charles Gounod's "Faust". The opera's musical style also heavily influenced later operas like "Lucia di Lammermoor", "I puritani" and "La jolie fille de Perth". "La dame blanche" was first performed on 10 December 1825 by the Opéra-Comique at the Théâtre Feydeau in Paris. It was a major success and became a standby of the 19th century operatic repertory in France and Germany. By 1862, the Opéra-Comique had given more than 1,000 performances of "La dame blanche". It was first performed in England