Baptistery of San Giovanni in Fonte, Naples shore with his hand outstretched towards fish. This could be the Draught of Fishes, the Walking on Water scene, or a mixture of the two, but without the complete mosaic, this remains unclear. The Samaritan Woman at the Well scene is attached to the Marriage at Cana scene. While the second figure by the well is destroyed, it may be Jesus based on the Biblical story, an important baptism allegory. In this scene, Jesus offers the Samaritan Woman the water of eternal life. The Marriage at Cana depicts Jesus turning water into wine. Like the Samaritan Woman scene, this miracle
The Wedding at Cana by Pope Pius VII, the Neoclassical sculptor Antonio Canova negotiated the French repatriation of Italian works of art that Napoleon had plundered from the Papal States with the Treaty of Tolentino (1797) — yet, the prejudiced curator of the Musée Napoléon, Vivant Denon, falsely claimed that Veronese's canvas was too fragile to travel from Paris to Venice, and Canova excluded "The Wedding Feast at Cana" (1563) from repatriation to Italy, and, in its stead, sent to Venice the "Feast at the House of Simon" (1653), by Charles Le Brun. In the late 19th century, during the Franco–Prussian War (1870–71), "The