The Postman Always Rings Twice (1981 film) the "charged chemistry" between Nicholson and Lange, and stated that Nicholson admitted that he was smitten with his co-star, remarking that she was a "big consensus movie sex bomb". The film was nominated by the American Film Institute in 2002 for the AFI's 100 Years...100 Passions list. The star of the 1946 version, Lana Turner, expressed her disapproval of the remake. She especially disliked how the studio "turned it into such pornographic trash", and admitted that although she did not watch the remake, she had seen advertisements and blurbs on television that made her sick. The Postman Always Rings Twice
Portrayal of women in film noir Hayworth in "Gilda" (1946), Barbara Stanwyck in "Double Indemnity" (1944), and Lara Turner in "The Postman Always Rings Twice" (1946). These examples of deadly women commit crimes inside and outside the narrative of the films. As a consistent narrative trait in film noir, there are flashbacks embedded in the storyline, so as to signal towards the presence of a larger story outside of the feature film, an association with reality. As Karen Hollinger describes in “Film Noir, Voice-Over and the Femme Fatale,” women in film noir are subjected to the psychoanalytic perspective of the male, which forces a consistent attempt