The Wedding at Cana prowess with perspective and architecture (actual and virtual) persuaded the viewer to see "The Wedding Feast at Cana" as a spacial extension of the refectory. In "The Wedding Feast at Cana" (1563), Paolo Veronese depicts the New Testament story of the Marriage at Cana within the historical context of the Renaissance in the 16th century. In the Gospel of John, the story of the first Christian miracle, Mary, her son, Jesus of Nazareth, and some of his Apostles, attend a wedding in Cana, a city in Galilee. In the course of the wedding banquet, the supply of wine was becoming
The Wedding at Cana soldiers horizontally cut the canvas of "The Wedding Feast at Cana", and rolled it like a carpet, to be re-assembled and re-stitched in France. In 1798, along with other plundered works of art, the 235-year-old painting was stored in the first floor of the Louvre Museum; five years later, in 1803, that store of looted art had become the "Musée Napoléon" — the personal art collection of the future Emperor of the French. In the early 19th century, after the Napoleonic Wars (1803–15), the repatriation and restitution of looted works of art was integral to the post–Napoleonic conciliation treaties. Appointed