From Hell in the alley below. In "The Dance of the Gull Catchers" Moore reports that he had been drawn into and even obsessed with the particulars of the Ripper murders. The Ripperologists—or "Gull Catchers" as he refers to them—are depicted as unhinged men running about with large butterfly nets, chasing details and connections, however tenuous. Initially, Moore observes them from a distance, but eventually—while researching and writing "From Hell"—he joins them. Moore compares the multitude of increasingly outlandish Ripper theories to a Koch snowflake, where a finite, fixed location, event and era (London, in late 1888) can have an infinite number
Love Is a Dog from Hell sounds more at home in this environment than making all that pseudo-metal noise." He also compared Estep to other "poets with musical sides", such as John S. Hall and Laurie Anderson, while noting the newly introduced ambient and techno elements in her music. Love Is a Dog from Hell Love is a Dog From Hell is the second and final studio album by American spoken word artist Maggie Estep. It was released on July 1, 1997 via Mouth Almighty and Mercury Records. The album represents a musical departure from Estep's previous album, "No More Mr. Nice Girl". It features spoken