Baptistery of San Giovanni in Fonte, Naples shore with his hand outstretched towards fish. This could be the Draught of Fishes, the Walking on Water scene, or a mixture of the two, but without the complete mosaic, this remains unclear. The Samaritan Woman at the Well scene is attached to the Marriage at Cana scene. While the second figure by the well is destroyed, it may be Jesus based on the Biblical story, an important baptism allegory. In this scene, Jesus offers the Samaritan Woman the water of eternal life. The Marriage at Cana depicts Jesus turning water into wine. Like the Samaritan Woman scene, this miracle
The Wedding at Cana Feast at Cana" the most expansive picture in the paintings collection of the Musée du Louvre. At Venice, on 6 June 1562, the Black Monks of the Order of Saint Benedict (OSB) commissioned the painter Paolo Veronese to realise a monumental painting (6.77m×9.94m) to decorate the far wall of the monastery's new refectory, designed by the architect Andrea Palladio, at the Basilica of San Giorgio Maggiore, on the eponymous island. In their business contract for the commission of "The Wedding Feast at Cana", the Benedictine monks stipulated that Veronese be paid 324 ducats; be paid the costs of his personal