The Wedding at Cana Jacopo Bassano, playing the flute, Tintoretto, also playing a "viola da braccio", and Titian, dressed in red, playing the violone; besides them stands the poet Pietro Aretino considering a glass of the new red wine. "The Wedding Feast at Cana" (1563) is a painting of the Early Modern period; the religious and theological narrative of Veronese's interpretation of the water-into-wine miracle is in two parts. I. On the horizontal axis — the lower-half of the painting contains 130 human figures; the upper-half of the painting is dominated by a cloudy sky and Geæco–Roman architecture, which frames and contains the historical
Lamb: The Gospel According to Biff, Christ's Childhood Pal for research. According to the author, the producer-director Peter Douglas (with Vincent Pictures) optioned the film rights to the novel. Biff is resurrected in the 20th Century to complete missing parts of the Bible, under the inefficient supervision of Raziel; wherefore Biff narrates that he and Joshua (by Biff's account, the Hebrew original of the Hellenized "Jesus") travel Eastward to consult the Three Wise Men (a magician, a Buddhist, and a Hindu Yogi) who attended Joshua's birth, so that Joshua may learn how to become the Messiah. Over twenty years, Joshua surpasses the trio by incorporating his beliefs into theirs: