Sonnet 30 The lines "from woe to woe tell over" suggest a kind of metaphor in which Shakespeare's woes and failings are like an account book that he reads through over and over. The word "heavily" before these lines also suggests that Shakespeare's reads this "account book" in a painful manner. Finally, the fact that words “fore-bemoaned moan” that come close on the heels of the words "grievances foregone" before it also suggest that Shakespeare is continuously reviewing his past sorrows . The couplet of the sonnet consists of lines 13 and 14, and they seem to be used to clinch the
Sonnet lines or two in an obvious way. There are many different ways this sonnet can be divided. In post-Pushkin Russian poetry, the form has been utilized by authors as diverse as Mikhail Lermontov, Vyacheslav Ivanov, Jurgis Baltrušaitis and , in genres ranging from one-stanza lyrical piece to voluminous autobiography. Nevertheless, the Onegin stanza, being easily recognisable, is strongly identified as belonging to its creator. John Fuller's 1980 "The Illusionists" and Jon Stallworthy's 1987 "The Nutcracker" used this stanza form, and Vikram Seth's 1986 novel "The Golden Gate" is written wholly in Onegin stanzas. The sonnet was introduced into Polish literature