Elijah (oratorio) never went out of fashion in England. Mendelssohn prepared a scholarly edition of some of Handel's oratorios for publication in London. "Elijah" is modelled on the oratorios of these two Baroque masters; however, in its lyricism and use of orchestral and choral colour the style clearly reflects Mendelssohn's own genius as an early Romantic composer. The work is scored for four vocal soloists (bass-baritone, tenor, alto, soprano), full symphony orchestra including trombones, ophicleide, organ, and a large chorus singing usually in four, but occasionally eight parts. The title role is for bass-baritone and was sung at the premiere by the
Elijah Hebrews, and James. In , Jesus uses Elijah as an example of rejected prophets. Jesus says, "No prophet is accepted in his own country," and then mentions Elijah, saying that there were many widows in Israel, but Elijah was sent to one in Phoenicia. In , Paul cites Elijah as an example of God's never forsaking his people (the Israelites). ("Women received their dead raised to life again...") refers to both Elijah raising the son of the widow of Zarephath and Elisha raising the son of the woman of Shunem, citing both Elijah and Elisha as Old Testament examples of