Sonnet 154 presented in Sonnet 153. In the first quatrain, the man wishes that his beauty be passed onto his heir. The second quatrain asks the question of how beauty can be maintained through time and poetry. Finally, the third ends with the woeful realization that the preservation of happiness is problematic in and of itself. The rhyme scheme within Sonnet 153 and 154 is inconsistent in that the words do not necessarily follow the same sounds. Lines 10 and 12 end with the words "perpetual" and "thrall" and lines 13 and 14 end with "prove" and "love." Authors argue that this
Sonnet considered to be mutually exclusive to separate genres, as demonstrated in works such as "An Ode to Mary". The Greek poet Yannis Livadas in 1993 invented the so-called "fusion sonnet", which first appeared in a poetry collection entitled "The Hanging Verses Of Babylon"/"Οι Κρεμαστοί Στίχοι Της Βαβυλώνας" (Melani Books, Athens 2007), . Paulus Melissus (1539–1602) was the first to use the sonnet and the "terza rima" in German lyric. In his lifetime he was recognized as an author fully versed in Latin love poetry. The "Sonnets to Orpheus" are a cycle of 55 sonnets written in 1922 by the Bohemian-Austrian