The Tennis Court Oath (David) to take the oath, Martin-Dauch, is shown in the lower right hand corner and provides a counterpoint to the general enthusiasm. David also drew all the faces in detail so that every figure was recognisable. Above are large windows with smiling figures of the public. In the 18th century, an oath had a sacred value and guaranteed a person would be faithful to their word, as in David's own "The Oath of the Horatii". During the French Revolution, collective oaths like the tennis court oath were considered as a factor in national unity and national unanimity. The tennis court oath
The World Tossed at Tennis is thin. The fashion for yellow bands lasted in Court circles until the mid-1620s. The World Tossed at Tennis The World Tossed at Tennis is a Jacobean era masque composed by Thomas Middleton and William Rowley, first published in 1620. It was likely acted on 4 March 1620 (new style) at Denmark House. Middleton and Rowley conducted one of the most interesting collaborative efforts in English Renaissance drama; together they produced significant works, "The Changeling" and "A Fair Quarrel". Their only masque is one of the stranger and more original literary products of their generation. "A Courtly Masque; the Device