Oath of the Horatii pupil Jean-Germaine Drouais who had himself recently won the Prix de Rome. Ultimately, David's picture manifests a progressive outlook, deeply influenced by Enlightenment ideas, that eventually contributed to the overthrow of the monarchy. As the French Revolution approached, paintings increasingly referred to the loyalty to the state rather than the family or the church. Painted five years before the Revolution, the "Oath of the Horatii" reflects the political tensions of the period. In 1789, David painted "The Lictors Bring to Brutus the Bodies of His Sons", a picture that was also a royal commission. Shortly afterward, the king went up
Gibbon's Tennis Court France: converting tennis courts into theatres. Killigrew's remodelled Gibbon's Tennis Court opened first, on 8 November 1660, just two months after being given permission by the Crown. The design was similar to the earlier Elizabethan-era "private" theatres, such as the theatre in Blackfriars: a stage devoid of scenery facing a bench-filled pit on the auditorium floor and surrounded by one or two levels of U-shaped galleries. Not long after the opening, on 20 November, avid theatre-goer Samuel Pepys attended his first performance at Vere Street: …Mr. Shepley and I to the new Play-house near Lincoln’s-Inn-Fields (which was formerly Gibbon’s tennis-court),