Destrier between the Percheron and the Andalusian; and the Warlander, a cross between the Andalusian and the Friesian horse. A good destrier was expensive. 7th-century Salic law gives a price of 12 solidi as weregild, or reparational payment, for a war horse, compared to 3 solidi for a sound mare or 1 solidus for a cow. In later centuries destriers became even more expensive: the average value of each of the horses in a company of 22 knights and squires in the county of Flanders in 1297 compares to the price of seven normal coursers. The price of these destriers varied
Vision of a Knight (Raphael) choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes). However, the two feminine figures are not presented as contestants. They may represent the ideal attributes of the knight: the book, sword and flower which they hold suggest the ideals of scholar, soldier and lover which a knight should combine. The most likely source for the allegory depicted is from a passage in the Punica, an epic poem recounting the Second Punic War by the Latin poet Silius Italicus. The panel was moved to England by William Young Ottley in 1800. Raphael used an