Sonnet 11 his name. An English sonnet is made up of fourteen lines grouped into three quatrains and an ending couplet, with the rhyme scheme "ABAB CDCD EFEF GG". Sonnet 11 exhibits this structure. The sonnet has four feminine endings (accepting the Quarto's contraction of "grow'st" and "bestow'st"). "Convertest" would have been pronounced as a perfect rhyme with the second line's "departest", a holdover from Medieval English. Carl D. Atkins notes "This is a sonnet of contrasts: feminine lines, regular lines; regular iambs, irregular line 10; no midline pauses, multiple midline pauses; waning, growth, beauty, harshness, life and death, beginning and end."
Sonnet 11 showing his waste in not complying to "print more". Sonnet 11 is composed in the traditional form of what has come to be called the "Shakespearean" sonnet, also known as a "Surreyan" or "English" sonnet. The form, having evolved from the "Petrarchan" sonnet (originated in the thirteenth or fourteenth century by Italian poet Francesco Petrarch), entered the style as Shakespeare would have known it within the works of sixteenth century English poets the Earl of Surrey and Sir Thomas Wyatt. However, as it came to be the most popular sonnet form with which Shakespeare wrote his poetry, it took on