Paradise Lost human form. Milton believed in a subordinationist doctrine of Christology that regarded the Son as secondary to the Father and as God's "great Vice-regent" (5.609). Milton's God in "Paradise Lost" refers to the Son as "My word, my wisdom, and effectual might" (3.170). The poem is not explicitly anti-trinitarian, but it is consistent with Milton's convictions. The Son is the ultimate hero of the epic and is infinitely powerful—he single-handedly defeats Satan and his followers and drives them into Hell. After their fall, the Son of God tells Adam and Eve about God's judgment: He, the Son, volunteers to journey
Adam and Eve (Cranach) frequented some groups of humanists who were close to Dürer, and from there he was inspired to do a first, smaller version of the theme of Adam and Eve in 1510, currently housed at the National Museum in Warsaw. Adam and Eve (Cranach) Adam and Eve is a double painting by German Renaissance master Lucas Cranach the Elder, dating from 1528, housed in the Uffizi, Florence, Italy. There are other paintings by the same artist with the same title, for instance at the Museum der bildenden Künste in Leipzig and the Art Institute of Chicago. The two biblical ancestors are