Sapphic stanza in Polish poetry for Renaissance poets. Horace's Sapphic stanza comprised three "lesser sapphics" and an "adonic": In Polish there was no quantitative verse, as phonemic quantity itself was extinct. Nor was there accentual-syllabic versification, save some attempts by Jan Kochanowski. But Polish syllabic lines were available. A syllabic hendecasyllable 11(5+6) took the place of the quantitative lesser sapphic; likewise with the adonic. The hendecasyllable (with caesura after the fifth syllable) is very common in Polish poetry, and the pentasyllable is so typical for Polish verse that Karol Wiktor Zawodziński gave it the name of "polonik". Pentasyllables occur in Polish poetry either in a
Alcaic stanza Italian poetry of 19th century, especially by Giosuè Carducci. As in English, the meter is accentual rather than quantatative. <poem style="margin-left:2em; font-style:italic"> Poi che un sereno vapor d’ambrosia da la tua còppa diffuso avvolsemi, </poem> It was an historically important form in Hungarian poetry. In Polish poetry (in contrast to the Sapphic stanza which was extremely popular since 16th century) Alcaics were used very rarely. Even in translation Horace's Alcaic stanzas were usually turned into different forms. An example (perhaps the only) of an Alcaic stanza in Polish original literature is Stanisław Trembecki's "Ode to Adam Naruszewicz": <poem style="margin-left:2em; font-style:italic">