Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Sapphic stanza in Polish poetry to Greek and Roman literature as a model. Jan Kochanowski, the most prominent of a family of poets, wrote lyrical poems, often in imitation of Horace. The classic Polish Sapphic stanza was thus 11(5+6) / 11(5+6) / 11(5+6) / 5, typically rhymed "a a b b". Jan Kochanowski used this Sapphic stanza several times in his "Cantos", "Laments", and "Psalms". An excellent example is "Lament XVI". Mikołaj Sęp-Szarzyński, who was the author of "Rymy, abo wiersze polskie" ("The rhymes or Polish poems") and Sebastian Grabowiecki, who was the author of "Setnik rymów duchownych" ("Spiritual Rhymes") also used Sapphic stanzas in