Aristophanes of Byzantium needed to complete each fragment of text when reading aloud (not to comply with rules of grammar, which were not applied to punctuation marks until thousands of years later). For a short passage (a "komma"), a "stigmḕ mésē" dot was placed mid-level (·). This is the origin of the modern comma punctuation mark, and its name. For a longer passage (a "kolon"), a "hypostigmḗ" dot was placed level with the bottom of the text (.), similar to a modern colon or semicolon, and for very long pauses ("periodos"), a "stigmḕ teleía" point near the top of the line of text
Punctuation to be more prominent) by using not differing height but rather a differing number of marks—aligned horizontally (or sometimes triangularly)—to signify a pause's value: one mark for a minor pause, two for a medium one, and three for a major. Most common were the "punctus", a comma-shaped mark, and a 7-shaped mark ("comma positura"), often used in combination. The same marks could be used in the margin to mark off quotations. In the late 8th century a different system emerged in France under the Carolingian dynasty. Originally indicating how the voice should be modulated when chanting the liturgy, the "positurae"