A Death-Scene quotation marks, this could show that Augusta is directly addressing her husband, Edward, as she calls to him with this name. The poem uses frequent references to water: "Arden's lake" in stanza 3, "eternal sea" in stanza 4 and "Eden isles" in stanza 6. This water is most probably Emily referring to the water surrounding Gondal. There are other parts of nature that are touched upon in this poem, primarily in stanza 10, these could showing how Augusta is turning to nature to help her cope with the oncoming and unavoidable grief. The poem describes Augusta's sorrow over her dying
Sapphic stanza in Polish poetry scheme freely, as in the poem "Buntowniki" ("Rioters"). The second half of the 19th century in Polish literature was dominated by "pozytywizm" (positivism), which was the local Polish version of West-European realism. The two greatest poets of the time were Adam Asnyk and Maria Konopnicka. Their poetry was much influenced by French Parnassianism. Maria Konopnicka published more than twenty poems written in the form. She also used its scheme for constructing more complicated stanzas. Felicjan Faleński attempted a Polish Sapphic stanza more closely resembling the Greek and Latin models, and in translating Horace’s poetry used a hendecasyllable with the caesura