Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
The Beatles (album) Spotify and iTunes. On release, "The Beatles" gained highly favourable reviews from the majority of music critics. Others bemoaned its length or found that the music lacked the adventurous quality that had distinguished "Sgt. Pepper". According to the author Ian Inglis: "Whether positive or negative, all assessments of "The Beatles" drew attention to its fragmentary style. However, while some complained about the lack of a coherent style, others recognized this as the album's "raison d'être"." In "The Observer", Tony Palmer wrote that "if there is still any doubt that Lennon and McCartney are the greatest songwriters since Schubert", the album