The Tennis Court Oath (David) – pre-Romantic, near-unanimous, almost totally middle-class and with no popular violence – above all was considered the forerunner of the 1789 revolution and also showed that national sovereignty was made up of each individual's personal will. David's painting also portrays the monk Dom Gerle alongside the Protestant pastor Jean-Paul Rabaut Saint-Étienne, symbolising a new era of religious tolerance. The wind blowing through the windows and billowing the curtains also symbolises the wind of Revolution blowing through France. The first engravings showing "The Tennis Court Oath" only appeared in 1790, the year David convinced the Jacobin Club to launch a national
The World Tossed at Tennis is thin. The fashion for yellow bands lasted in Court circles until the mid-1620s. The World Tossed at Tennis The World Tossed at Tennis is a Jacobean era masque composed by Thomas Middleton and William Rowley, first published in 1620. It was likely acted on 4 March 1620 (new style) at Denmark House. Middleton and Rowley conducted one of the most interesting collaborative efforts in English Renaissance drama; together they produced significant works, "The Changeling" and "A Fair Quarrel". Their only masque is one of the stranger and more original literary products of their generation. "A Courtly Masque; the Device