Bossa nova the singing voice. Prior to bossa nova, Brazilian singers employed brassy, almost operatic styles. Now, the characteristic nasal vocal production of bossa nova is a peculiar trait of the caboclo folk tradition of northeastern Brazil. The lyrical themes found in bossa nova include women, love, longing, homesickness, nature. Bossa Nova was often apolitical. The musical lyrics of the late 1950s depicted the easy life of the middle to upper-class Brazilians, though the majority of the population was in the working class. However, in conjunction with political developments of the early 1960s (especially the 1964 military coup d'état), the popularity of
Blame It on the Bossa Nova Gormé as "Cúlpale a la bossa nova", the track sold 250,000 units in Spain and Latin America and 100,000 units in Italy. Gormé consequently recorded several Top 40-oriented releases but "Blame It on the Bossa Nova" would be her last solo Top 40 hit, although partnered with Lawrence as Steve & Eydie she reached 28 and 35 with respectively "I Want To Stay Here" and "I Can't Stop Talking About You" in 1964. Gormé reached 43 with Mann-Weil's "I Want You to Meet My Baby" in September 1964; that track's B-side : "Can't Get Over (the Bossa Nova)", written by