Nicola Horlick as an exemplar of "having it all", although Horlick acknowledges her reliance on paid help. According to Horlick, "It's ridiculous that I am known as 'superwoman' ... Look at someone who has no help at home and holds down a job. Or look at me with my nanny and my secretary. Who would you call 'superwoman'?" This nickname came from Shirley Conran's book "Superwoman", and apparently pre-dates Horlick's media fame. She married Timothy Piers Horlick, whom she had met while at Oxford, in June 1984, when she was 23. He was also a City investment banker. They separated in December
The Passenger (1975 film) "The New York Times." Roger Ebert wrote that it was a perceptive look at identity, alienation and the human desire to escape oneself. It was placed 110th in the 2012 "Sight & Sound" critics' poll. The Passenger (1975 film) The Passenger () is a 1975 drama art film directed by Michelangelo Antonioni. Written by Mark Peploe, Peter Wollen and Antonioni, the film is about an Anglo-American journalist, David Locke (Jack Nicholson) who assumes the identity of a dead businessman while working on a documentary in Chad, unaware that he is impersonating an arms dealer with connections to the rebels in