Oath of the Horatii pupil Jean-Germaine Drouais who had himself recently won the Prix de Rome. Ultimately, David's picture manifests a progressive outlook, deeply influenced by Enlightenment ideas, that eventually contributed to the overthrow of the monarchy. As the French Revolution approached, paintings increasingly referred to the loyalty to the state rather than the family or the church. Painted five years before the Revolution, the "Oath of the Horatii" reflects the political tensions of the period. In 1789, David painted "The Lictors Bring to Brutus the Bodies of His Sons", a picture that was also a royal commission. Shortly afterward, the king went up
Gibbon's Tennis Court in 1809. The London School of Economics, which covers most of Clare Market nowadays, retains some squash and real tennis courts in its older buildings. Tudor-style real tennis courts were long, high-ceiling buildings, with galleries for spectators; their dimensions — about 75 by 30 feet — are similar to the earlier theatres, and much larger than a modern tennis court. The tennis courts were not used exclusively for tennis. In 1653, seven years before it saw lawful use as a theatre, an underground production of Killigrew's "Claricilla" was planned for Gibbon's court. The production was broken up before it debuted,