Jazz standard (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and "Freedom Jazz Dance" by Eddie Harris (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on the Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album "Getz/Gilberto". Among the genre's
Blame It on the Bossa Nova på Jorden". In Québec, the song was recorded in French by Margot Lefebvre as "C'est la faute au bossa nova", written by Pierre Nolès. Blame It on the Bossa Nova "Blame It on the Bossa Nova" is a song written by Cynthia Weil (lyrics) and Barry Mann which was a 1963 hit single for Eydie Gormé, reaching number 7 on the Hot 100 in "Billboard" in March 1963. The song also peaked at number 23 in the UK, whereas "Yes, My Darling Daughter" became the biggest hit for Eydie there, reaching number 10. Produced by Al Kasha who had been