Poetry to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the strophe, antistrophe and epode of the ode form are often separated into one or more stanzas. In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined. In skaldic poetry, the dróttkvætt stanza had eight lines, each having three "lifts" produced with alliteration or assonance. In addition to two or three alliterations, the odd numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at
Sapphic stanza in Polish poetry longer lines (iambic tetrameters) and two shorter (iambic dimeters): <poem style="margin-left:2em"> But Mousie, thou art no thy-lane, In proving foresight may be vain: The best laid schemes o’ Mice an’ Men Gang aft agley, An’ lea’e us nought but grief an’ pain, For promis’d joy! </poem> Maria Konopnicka used Słowacki's stanza in her well-known poem with the Latin title "Contra spem spero", and in the poems "Do ziemi" ("To the soil") and in "Zima do poety" ("Winter to the poet"). In another poem, "Jej pamięci" ("To her memory"), she employed a very similar strophe, also 11/11/11/5/11/5, but rhymed AABBCC. In