The Tennis Court Oath (David) – pre-Romantic, near-unanimous, almost totally middle-class and with no popular violence – above all was considered the forerunner of the 1789 revolution and also showed that national sovereignty was made up of each individual's personal will. David's painting also portrays the monk Dom Gerle alongside the Protestant pastor Jean-Paul Rabaut Saint-Étienne, symbolising a new era of religious tolerance. The wind blowing through the windows and billowing the curtains also symbolises the wind of Revolution blowing through France. The first engravings showing "The Tennis Court Oath" only appeared in 1790, the year David convinced the Jacobin Club to launch a national
Battle of the Tennis Court Depot. The Japanese launched a series of attacks into the north-east region of the defences on April 8, including two attacks on the DC's Bungalow area. The Japanese suffered massive losses, but poured in reinforcements to prepare for another attack. Some Allied soldiers manned a Bren gun to cover the withdrawal from the DC's Bungalow to the other side of the asphalt tennis court 12m higher up the hill. They held on to the last round but were then overrun, bayoneted and shot. At this stage the Battle of the Tennis Court could be said to have begun with the