The Tennis Court Oath (David) – pre-Romantic, near-unanimous, almost totally middle-class and with no popular violence – above all was considered the forerunner of the 1789 revolution and also showed that national sovereignty was made up of each individual's personal will. David's painting also portrays the monk Dom Gerle alongside the Protestant pastor Jean-Paul Rabaut Saint-Étienne, symbolising a new era of religious tolerance. The wind blowing through the windows and billowing the curtains also symbolises the wind of Revolution blowing through France. The first engravings showing "The Tennis Court Oath" only appeared in 1790, the year David convinced the Jacobin Club to launch a national
Lisle's Tennis Court gay and Gay rich"). The theatre was finally abandoned in December 1732, when the company moved to the new Covent Garden Theatre, built by Rich using the capital generated by "The Beggar's Opera". The old building was used as a barracks, an auction room, a warehouse for china, and was finally demolished in 1848 to make room for an extension to the neighbouring premises of the Royal College of Surgeons. Lisle's Tennis Court Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a