Opposition to United States involvement in the Vietnam War This concept of intimate involvement reached new heights in May 1968 when the "Composers and Musicians for Peace" concert was staged in New York. As the war continued, and with the new media coverage, the movement snowballed and popular music reflected this. As early as the summer of 1965, music-based protest against the American involvement in Southeast Asia began with works like P. F. Sloan's folk rock song "Eve of Destruction", recorded by Barry McGuire as one of the earliest musical protests against the Vietnam War. A key figure on the rock end of the antiwar spectrum was Jimi Hendrix
Opposition to United States involvement in the Vietnam War (1942–1970). Hendrix had a huge following among the youth culture exploring itself through drugs and experiencing itself through rock music. He was not an official protestor of the war; one of Hendrix's biographers contends that Hendrix, being a former soldier, sympathized with the anticommunist view. He did, however, protest the violence that took place in the Vietnam War. With the song "Machine Gun", dedicated to those fighting in Vietnam, this protest of violence is manifest. David Henderson, author of "'Scuse Me While I Kiss the Sky", describes the song as "scary funk ... his sound over the drone shifts from