Elijah (oratorio) Austrian bass Joseph Staudigl. Mendelssohn had discussed an oratorio based on Elijah in the late 1830s with his friend Karl Klingemann, who had provided him with the libretto for his comic operetta "Die Heimkehr aus der Fremde", which resulted in a partial text that Klingemann was unable to finish. Mendelssohn then turned to , the librettist for his earlier oratorio "St. Paul", who quickly abandoned Klingemann's work and produced his own text that combined the story of Elijah as told in the Book of Kings with psalms. In 1845, the Birmingham Festival commissioned an oratorio from Mendelssohn, who worked with
Paul Keenan (composer) Television. A select group of academics, composers and performers believe Keenan's music to be a unique and significant contribution to music of the late 20th Century. His pioneering approach to electro-acoustic composition and research into sound phenomenon earned him the description as "the man who split music's atom". Paul Keenan (composer) Paul Keenan (1 August 1956 – 26 June 2001) was a British 20th Century contemporary classical composer. His body of composition spans 27 years, though consistently explores his fascination with both Anglo-Saxon texts (from "The Exeter Book") and the natural world. Keenan was born in Birmingham where he attended