Elijah (oratorio) Austrian bass Joseph Staudigl. Mendelssohn had discussed an oratorio based on Elijah in the late 1830s with his friend Karl Klingemann, who had provided him with the libretto for his comic operetta "Die Heimkehr aus der Fremde", which resulted in a partial text that Klingemann was unable to finish. Mendelssohn then turned to , the librettist for his earlier oratorio "St. Paul", who quickly abandoned Klingemann's work and produced his own text that combined the story of Elijah as told in the Book of Kings with psalms. In 1845, the Birmingham Festival commissioned an oratorio from Mendelssohn, who worked with
Christus. Mysterium in a Prelude and Three Oratorios International Draeseke Society, he played them in the town church of Coburg. Christus is composed of four separate sections: Though the work is composed of three oratorios, it bears more resemblance to Wagner's "Ring Cycle" than to traditional oratorio. Draeseke intended for it to fit into the category of Wagner's "Musikdrama," and in fact he used leitmotif throughout the work. Because of its length, a performance of "Christus" spans three evenings. The work was only performed twice in its entirety and, unlike Wagner's "Ring Cycle", Draeseke preferred that his work be performed in a church. Draeseke wrote in program notes