Destrier between the Percheron and the Andalusian; and the Warlander, a cross between the Andalusian and the Friesian horse. A good destrier was expensive. 7th-century Salic law gives a price of 12 solidi as weregild, or reparational payment, for a war horse, compared to 3 solidi for a sound mare or 1 solidus for a cow. In later centuries destriers became even more expensive: the average value of each of the horses in a company of 22 knights and squires in the county of Flanders in 1297 compares to the price of seven normal coursers. The price of these destriers varied
Young Knight in a Landscape "I prefer to die rather than to incur dishonour" ("malo mori quam foedari"). The symbolism of these and the other animals and plants have been much discussed by art historians. For centuries the identity of the knight has been a subject of discussion among the most renowned art historians, including Bernard Berenson and Lionello Venturi. The portrait is now considered most likely to show Francesco Maria I della Rovere, the Duke of Urbino and nephew of Pope Julius II, during whose reign it was painted. Nevertheless, a more recent interpretation identifies the knight as the Venetian patrician Marco Gabriel, who