Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Tercet the outer lines of the next stanza rhyme with the central line of the preceding stanza, BCB, as in the "terza rima" or "terzina" form of Dante Alighieri's Divine Comedy. There has been much investigation of the possible sources of the Dantesque "terzina", which Benedetto Croce characterised as "linked, enclosed, disciplined, vehement and yet calm". William Baer observes of the tercets of terza rima, "These interlocking rhymes tend to pull the listener's attention forward in a continuous flow... Given this natural tendency to glide forward, terza rima is especially well-suited to narration and description". The tercet also forms part of