Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
Holy Water (The Triffids song) Triffids’ interest in electronica. The track was remixed by Michael Frondelli. Wilson Neate of "Perfect Sound Forever" described the track as "euphoric" and cited it as an example of The Triffid's "unbridled pop sensibility [which] emerges – a development that sounds like an organic progression". "Mess+Noise"s Lauren Zoric felt it was "blissful" and indicative of the album's "devastating ... loveliness". The B-side, "Good Morning, Good Morning", is the band's cover version of The Beatles' track and was The Triffids's contribution to the 1988 tribute album "Sgt. Pepper Knew My Father". On the 12" single, additional tracks are "Red Pony" which