Oratorio credited with writing the first English language oratorio, "Esther". Handel's imitators included the Italian Lidarti who was employed by the Amsterdam Jewish community to compose a Hebrew version of "Esther". Britain continued to look to Germany for its composers of oratorio. The Birmingham Festival commissioned various oratorios including Felix Mendelssohn's "Elijah" in 1846, later performed in German as "Elias". German composer Georg Vierling is noted for modernizing the secular oratorio form. John Stainer's "The Crucifixion" (1887) became the stereotypical battlehorse of massed amateur choral societies. Edward Elgar tried to revive the genre around the turn of century with the composition
Elijah Hebrews, and James. In , Jesus uses Elijah as an example of rejected prophets. Jesus says, "No prophet is accepted in his own country," and then mentions Elijah, saying that there were many widows in Israel, but Elijah was sent to one in Phoenicia. In , Paul cites Elijah as an example of God's never forsaking his people (the Israelites). ("Women received their dead raised to life again...") refers to both Elijah raising the son of the widow of Zarephath and Elisha raising the son of the woman of Shunem, citing both Elijah and Elisha as Old Testament examples of