Sapphic stanza in Polish poetry is a hymn included in "Gorzkie żale" ("Bitter Lamentations"), a typically Polish Catholic devotion, sung in churches on Sundays during Lent, and familiar to many Poles. Neither Adam Mickiewicz nor Juliusz Słowacki used the classic Sapphic stanza. Słowacki, however, employed its general scheme in his own six-line stanza, discussed below. Cyprian Kamil Norwid, a poet regarded as one of the greatest Polish authors and perhaps the most modern of the poets of the 19th century, used Sapphic stanzas in the poem named "Trzy zwrotki" ("Three strophes"), as well as in many other poems including "Sieroctwo" ("Orphanhood"). Sometimes he implemented the
A Song Flung Up to Heaven Album in 2003. Angelou returned to the same poem she based the title of "Caged Bird" upon for the title of "A Song Flung Up to Heaven," from the third stanza of the Paul Laurence Dunbar poem "Sympathy". Along with Shakespeare, Angelou has credited Dunbar with forming her "writing ambition". The caged bird, a symbol for the chained slave, is an image Angelou uses throughout all her writings. I know why the caged bird sings, ah me,When his wing is bruised and his bosom sore,When he beats his bars and would be free;It is not a carol of joy or