Oratorio credited with writing the first English language oratorio, "Esther". Handel's imitators included the Italian Lidarti who was employed by the Amsterdam Jewish community to compose a Hebrew version of "Esther". Britain continued to look to Germany for its composers of oratorio. The Birmingham Festival commissioned various oratorios including Felix Mendelssohn's "Elijah" in 1846, later performed in German as "Elias". German composer Georg Vierling is noted for modernizing the secular oratorio form. John Stainer's "The Crucifixion" (1887) became the stereotypical battlehorse of massed amateur choral societies. Edward Elgar tried to revive the genre around the turn of century with the composition
Christus. Mysterium in a Prelude and Three Oratorios International Draeseke Society, he played them in the town church of Coburg. Christus is composed of four separate sections: Though the work is composed of three oratorios, it bears more resemblance to Wagner's "Ring Cycle" than to traditional oratorio. Draeseke intended for it to fit into the category of Wagner's "Musikdrama," and in fact he used leitmotif throughout the work. Because of its length, a performance of "Christus" spans three evenings. The work was only performed twice in its entirety and, unlike Wagner's "Ring Cycle", Draeseke preferred that his work be performed in a church. Draeseke wrote in program notes