Ode to a Nightingale the words that dominate the poem. There is also an emphasis on words beginning with consonants, especially those that begin with "b", "p" or "v". These three consonants are relied on heavily in the first stanza, and they are used syzygically to add a musical tone within the poem. In terms of poetic meter, Keats relies on spondee throughout his 1819 odes and in just over 8% of his lines within "Ode to a Nightingale", including line 12: and line 25: To Walter Jackson Bate, the use of spondees in lines 31–34 creates a feeling of slow flight, and "in
Lüshi (poetry) Lüshi (poetry) Lüshi () refers to a specific form of Classical Chinese poetry verse form. One of the most important poetry forms of classical Chinese poetry, the "lüshi" refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thus: All "lüshi" forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Although the idea of regulating the tonal pattern of poetry can be traced back to Shen Yue, the "lüshi" form did not reach