Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
Revolver (Beatles album) as the Beatles'. While also highlighting the importance of the production, David Howard writes that "Revolver" was a "genre-transforming album", on which Martin and the Beatles had "obliterated recording studio conventions". Combined with the similarly "visionary" work of American producer Phil Spector, Howard continues, through "Revolver", the recording studio had become "its own instrument; record production had been elevated into art." Whereas "Sgt. Pepper" had long been identified as the Beatles' greatest album, since the 2000s "Revolver" has often surpassed it in lists of the group's best work. Sheffield cites the album's 1987 CD release, with the full complement of