The Tennis Court Oath (David) – pre-Romantic, near-unanimous, almost totally middle-class and with no popular violence – above all was considered the forerunner of the 1789 revolution and also showed that national sovereignty was made up of each individual's personal will. David's painting also portrays the monk Dom Gerle alongside the Protestant pastor Jean-Paul Rabaut Saint-Étienne, symbolising a new era of religious tolerance. The wind blowing through the windows and billowing the curtains also symbolises the wind of Revolution blowing through France. The first engravings showing "The Tennis Court Oath" only appeared in 1790, the year David convinced the Jacobin Club to launch a national
Battle of the Tennis Court (facing Imphal) by the 1st Assam Regiment on Jail Hill. The centre ground of the ridge was mainly defended by 4th Battalion, Queen's Own Royal West Kent Regiment. The North West of the Ridge, known as Hospital Spur, was defended by the 3rd Assam Rifles who were facing the road to Dimapur. The North East of the Ridge on a sharp corner in the road was where the Deputy Commissioner (DC) Charles Pawsey's Bungalow and Tennis Court was situated. This was initially guarded by a composite group of soldiers, thought to be British and Gurkha troops from the local Reinforcement