Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Viriato Trágico (poem) The poem, like many other epic works of 17th-century Portuguese literature, is written in ottava rima ("oitava rima" in Portuguese). This eight-line stanza of Italian origin is composed of hendecasyllabic lines rhymed "abababcc". The form was introduced into epic poetry by Giovanni Boccaccio in the 14th century. Soon it became very popular in Italy. In the beginning of the 16th century Francisco de Sá de Miranda, returning home from a stay in Italy, imported it into Portuguese poetry. This stanza was chosen by Luís de Camões for his "Lusiads". Many other poets used this form in the 17th century, including