Paradise Lost human form. Milton believed in a subordinationist doctrine of Christology that regarded the Son as secondary to the Father and as God's "great Vice-regent" (5.609). Milton's God in "Paradise Lost" refers to the Son as "My word, my wisdom, and effectual might" (3.170). The poem is not explicitly anti-trinitarian, but it is consistent with Milton's convictions. The Son is the ultimate hero of the epic and is infinitely powerful—he single-handedly defeats Satan and his followers and drives them into Hell. After their fall, the Son of God tells Adam and Eve about God's judgment: He, the Son, volunteers to journey
The Fall of Man (Titian) The Fall of Man (Titian) The Fall of Man is a painting of the Fall of Man or story of Adam and Eve by the Venetian artist Titian, dating to around 1550 and now in the Prado in Madrid. It is influenced by Raphael's fresco of the same subject in the Stanza della Signatura in the Vatican, which also had a seated Adam and standing Eve, as well as Albrecht Dürer's engraving "" for smaller details. Owned at one point by Philip II of Spain's secretary, Antonio Pérez, and perhaps first commissioned by his father, in 1585 it entered the