Superwoman (sociology) Superwoman (sociology) In sociology, a superwoman (also sometimes called supermom) is a Western woman who works hard to manage multiple roles of a worker, a homemaker, a volunteer, a student, or other such time-intensive occupations. The notion of "superwoman" differs from that of "career woman" in that the latter one commonly includes sacrifice of the family life in favor of career, while a superwoman strives to excel in both. The term was also used in a somewhat similar context in the Stevie Wonder song "Superwoman", released 1972. It was the title of a 1975 book by Shirley Conran; she also
The Passenger (1975 film) "The New York Times." Roger Ebert wrote that it was a perceptive look at identity, alienation and the human desire to escape oneself. It was placed 110th in the 2012 "Sight & Sound" critics' poll. The Passenger (1975 film) The Passenger () is a 1975 drama art film directed by Michelangelo Antonioni. Written by Mark Peploe, Peter Wollen and Antonioni, the film is about an Anglo-American journalist, David Locke (Jack Nicholson) who assumes the identity of a dead businessman while working on a documentary in Chad, unaware that he is impersonating an arms dealer with connections to the rebels in