Poetry to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the strophe, antistrophe and epode of the ode form are often separated into one or more stanzas. In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined. In skaldic poetry, the dróttkvætt stanza had eight lines, each having three "lifts" produced with alliteration or assonance. In addition to two or three alliterations, the odd numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at
Sapphic stanza in Polish poetry or Dante Alighieri's Divine Comedy, was extremely popular and appeared in eighteen editions from 1670 to 1886. It is another example of the Sapphic stanza serving an epic function in Old Polish literature. The Sapphic stanza was also used in Poland during Enlightenment. Poets of the time preferred the Polish alexandrine (7+6) to the hendecasyllable (5+6), but used the latter metre in Italian forms, such as sesta rima and ottava rima, as well as in Sappho's stanza. Sapphic stanzas can be found in Adam Naruszewicz's poetry. He used the form among others in the poem "Pieśń doroczna na dzień ocalenia