Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
Greatest Hits Volume 1 (Beatles album) Greatest Hits Volume 1 (Beatles album) Greatest Hits Volume 1 is a greatest hits compilation album by The Beatles which was exclusive to Australia and New Zealand. The album was compiled by EMI Australia to fill in the gap between "Rubber Soul" and "Revolver" (much like "A Collection of Beatles Oldies" would in 1966 in between "Revolver" and "Sgt. Pepper's Lonely Hearts Club Band"). The compilation and it's follow-up were both originally conceived in early 1966, when EMI Australia requested stereo tapes from their UK branch for tracks not already in the Australian vaults. This meant the album contains the