The Tennis Court Oath (David) – pre-Romantic, near-unanimous, almost totally middle-class and with no popular violence – above all was considered the forerunner of the 1789 revolution and also showed that national sovereignty was made up of each individual's personal will. David's painting also portrays the monk Dom Gerle alongside the Protestant pastor Jean-Paul Rabaut Saint-Étienne, symbolising a new era of religious tolerance. The wind blowing through the windows and billowing the curtains also symbolises the wind of Revolution blowing through France. The first engravings showing "The Tennis Court Oath" only appeared in 1790, the year David convinced the Jacobin Club to launch a national
The Tennis Court Oath (David) Standards" and his 1814 "Leonidas at Thermopylae" were directly inspired by "The Tennis Court Oath". The work was also reprised and adapted by several artists from the late 18th century onwards. These included Auguste Couder in 1848 and Luc-Olivier Merson in 1883. In 1820, David ceded the engraving rights on Jean Pierre Marie Jazet's engraving of "The Tennis Court Oath" to Daniel Isoard de Martouret. The canvas itself was finally acquired in 1836 by the royal museums for the Louvre, where it was exhibited from 1880 onwards. The Tennis Court Oath (David) The Tennis Court Oath (French: "Le Serment du