Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
On being asked for a War Poem Kendall sees the reversion of the subject back to Yeats's generic topics as "self-unwriting". The mention of the word "silent" in the title published in Wharton's collection, appears contrary to the construction of poetry or the poetic voice. In the poem "Politics", Yeats begins the poem where "On being asked for a War Poem" finishes with the opening lines: Although "Politics" describes a different political situation facing the world in the 1930s, Yeats again chooses not to focus on politics but the "girl standing there." <poem> I think it better that in times like these A poet's mouth be silent,