A Prayer for My Daughter its "metremes", or rhymical motifs, rather than common metrical devices. The poem also may be read to consist of straightforward iambic verse that relies on common metrical devices such as elision, acephalous lines, promotion, and metrical inversion. Lines 1, 2, 3, 5, and 8 of each stanza are iambic pentameter; lines 4, 6, and 7 are iambic tetrameter. For instance, using traditional principles of scansion, stanza two may be scanned as shown below, where syllables in all caps represent metrical beats, lower-case syllables represent metrical off-beats, the vertical bar represents the termination of a metrical foot, and apostrophes represent elisions.
Sapphic stanza in Polish poetry scheme freely, as in the poem "Buntowniki" ("Rioters"). The second half of the 19th century in Polish literature was dominated by "pozytywizm" (positivism), which was the local Polish version of West-European realism. The two greatest poets of the time were Adam Asnyk and Maria Konopnicka. Their poetry was much influenced by French Parnassianism. Maria Konopnicka published more than twenty poems written in the form. She also used its scheme for constructing more complicated stanzas. Felicjan Faleński attempted a Polish Sapphic stanza more closely resembling the Greek and Latin models, and in translating Horace’s poetry used a hendecasyllable with the caesura