Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
Art pop work of Warhol and artist Roy Lichtenstein, citing his ability to elevate common or hackneyed material to the level of "high art". In a move that was indicated by the Beatles, the Beach Boys, Phil Spector, and Frank Zappa, the dominant format of pop music transitioned from singles to albums, and many rock bands created works that aspired to make grand artistic statements, where art rock would flourish. Musicologist Ian Inglis writes that the cover art for the Beatles' 1967 album "Sgt. Pepper's Lonely Hearts Club Band" was "perceived as largely responsible for the connections between art and pop to