Sonnet 11 his name. An English sonnet is made up of fourteen lines grouped into three quatrains and an ending couplet, with the rhyme scheme "ABAB CDCD EFEF GG". Sonnet 11 exhibits this structure. The sonnet has four feminine endings (accepting the Quarto's contraction of "grow'st" and "bestow'st"). "Convertest" would have been pronounced as a perfect rhyme with the second line's "departest", a holdover from Medieval English. Carl D. Atkins notes "This is a sonnet of contrasts: feminine lines, regular lines; regular iambs, irregular line 10; no midline pauses, multiple midline pauses; waning, growth, beauty, harshness, life and death, beginning and end."
Sonnet lines or two in an obvious way. There are many different ways this sonnet can be divided. In post-Pushkin Russian poetry, the form has been utilized by authors as diverse as Mikhail Lermontov, Vyacheslav Ivanov, Jurgis Baltrušaitis and , in genres ranging from one-stanza lyrical piece to voluminous autobiography. Nevertheless, the Onegin stanza, being easily recognisable, is strongly identified as belonging to its creator. John Fuller's 1980 "The Illusionists" and Jon Stallworthy's 1987 "The Nutcracker" used this stanza form, and Vikram Seth's 1986 novel "The Golden Gate" is written wholly in Onegin stanzas. The sonnet was introduced into Polish literature