Sonnet 124 Wright suggests in his book "The Structure of Shakespeare's Sonnets" that in the first four lines of Sonnet 124 the speaker puts forth a hypothetical; if the speakers' love were the product of circumstance, then it would have no strong foundations and would be "Fortune's bastard". Being "unfather'd" the love would then be subject to "Time's love or to Times' hate". The next set of lines then alludes to the personification of Time found in Sonnet 123, in which Time has a scythe (Sonnet 123. 14). In Sonnet 124, the scythe used by Time subjects its victims to either "Times
Sonnet 130 believe that in this couplet, Shakespeare is responding to Petrarchan imagery because other sonneteers actively misrepresent, or "belie" their mistress' beauty. Sonnet 130 William Shakespeare's Sonnet 130 mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress. Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. Influences originating with the poetry of ancient Greece and Rome had established a tradition of this, which continued in Europe's customs of courtly love and in courtly poetry, and the work of poets such