Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Sapphic stanza in Polish poetry their lyrical pieces. Sebastian Fabian Klonowic (known as Acernus) decided to employ the stanza in a longer epic poem. His "Flis, to Jest Spuszczanie Statków Wisłą i inszymi rzekami" ("The lightening or expediting barges on the Vistula river and other rivers") is because of its stanzaic form an exceptional work, perhaps not only in Polish literature. The whole poem is 471 stanzas long and probably no other work can be compared to it. Tobiasz Wiszniowski, who wrote his own sequence of "Laments", employed Sapphic stanza in "Tren XVII" (Lament XVII"). At the beginning of the Baroque, Kasper Miaskowski employed the