Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Alcaic stanza four lines; the first two lines are divided into two parts by a caesura after the fifth syllable. The metrical pattern of an Alcaic stanza would look like this: Horace frequently used the Alcaic stanza in his Odes, as can be seen from this example : An English translation, which suggests the metre, is : A famous example of English Alcaics is Tennyson's "Milton": <poem style="margin-left:2em"> O mighty-mouth'd inventor of harmonies, O skill'd to sing of Time or Eternity, </poem> The Alcaic stanza was adapted to use in English and French during the Renaissance. It was very frequently used in