Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
Sgt. Pepper's Lonely Hearts Club Band In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry, honouring the work as "culturally, historically, or aesthetically significant". In 2003, "Rolling Stone" placed "Sgt. Pepper" at number one in the magazine's list of the "500 Greatest Albums of All Time", describing it as "the pinnacle of the Beatles' eight years as recording artists". The editors also said it was "the most important rock and roll album ever made", a point to which June Skinner Sawyers adds, in her 2006 collection of essays "Read the Beatles": "["Sgt. Pepper"]