Oratorio credited with writing the first English language oratorio, "Esther". Handel's imitators included the Italian Lidarti who was employed by the Amsterdam Jewish community to compose a Hebrew version of "Esther". Britain continued to look to Germany for its composers of oratorio. The Birmingham Festival commissioned various oratorios including Felix Mendelssohn's "Elijah" in 1846, later performed in German as "Elias". German composer Georg Vierling is noted for modernizing the secular oratorio form. John Stainer's "The Crucifixion" (1887) became the stereotypical battlehorse of massed amateur choral societies. Edward Elgar tried to revive the genre around the turn of century with the composition
Christus. Mysterium in a Prelude and Three Oratorios following the "Christus" premiere, "The composer never intended his work to be performed on the stage. It would be contrary to his intentions...A representation in the church would always be preferable to that in the concertroom." Unlike traditional oratorio, the work contains no narrator, no Evangelist, and no recitative. Instead, a chorus of 150-200 members serves to advance the plot. Christus. Mysterium in a Prelude and Three Oratorios Christus: Ein Mysterium in einem Vorspiele und drei Oratorien is a musical composition by Felix Draeseke consisting of a prelude and three oratorios completed in September 1899. It was Felix Draeseke's most