Bossa Nova U.S.A. Bossa Nova U.S.A. Since 1955, Brubeck had composed and performed pieces originating from influences outside of the European musical tradition, in which this album, released during the bossa nova craze in the United States of the late 1950s and early 1960s, can be best categorized. It is intended to be "impressionistic" of "the cool wave from Brazil." Recorded through most of 1962, and released early in 1963, the album was designed to be effective on the pop charts. All tracks were recorded in New York City. Five tracks were recorded on the third of January, 1962 in a session dedicated
1960s in jazz as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd. Bossa nova was made popular by Elizete Cardoso's recording of "Chega de Saudade" on the "Canção do Amor Demais" LP, composed