Jazz standard (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and "Freedom Jazz Dance" by Eddie Harris (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on the Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album "Getz/Gilberto". Among the genre's
Bossa Nova U.S.A. the title track was released as a single (Columbia 42651) the last week of 1962, with "This Can't Be Love" as the B-side. This met with moderate success, peaking at #69 on the "Billboard" Hot 100. The album followed soon in early 1963. On release, "Billboard" called the album "first-class Brubeck." While noting the number of bossa tracks, it particularly singled out a re-working of "The Trolley Song" as a standout track. "The Age" expected the record to be popular with the general public, but noted "purists will wince." The album found more success with the public than the single,