Académie Royale de Danse other documents, however, it is clear the number is correctly stated. The identity of the omitted thirteenth member has long been a point of disagreement among dance historians. Gaston Vuillier forwarded Beauchamp as the missing member, while Régine Astier (Kunzel) unabashedly claimed it was Henri Prévost. Both were wrong. The original document signed by King Louis XIV was preserved in the French National Archives, and upon its close inspection in 1997 by scholar Maureen Needham, the thirteenth name was revealed to be “Molière.” Not to be confused with Jean-Baptiste Poquelin Molière (1622-73), the famous playwright of King Louis’ reign responsible
Jean-Baptiste Defernex and his style seems to have been regarded as unfashionable during his day. The expressions of his portrait busts have been compared to those of Jean-Baptiste Greuze, and have been described as "...honest, unidealized, quite free from gallant flattery..." by the art historian Michael Levey. Jean-Baptiste Defernex Jean-Baptist Defernex (c. 1729–c. 1783) was a French sculptor, best known for his portrait busts, most often of women. Little is known of Defernex's early training, but he started as a modeler at the Sèvres factory. He was sculptor to the Duc d'Orléans and worked on gilded lead statue groups of children at