Sapphic stanza in Polish poetry for Renaissance poets. Horace's Sapphic stanza comprised three "lesser sapphics" and an "adonic": In Polish there was no quantitative verse, as phonemic quantity itself was extinct. Nor was there accentual-syllabic versification, save some attempts by Jan Kochanowski. But Polish syllabic lines were available. A syllabic hendecasyllable 11(5+6) took the place of the quantitative lesser sapphic; likewise with the adonic. The hendecasyllable (with caesura after the fifth syllable) is very common in Polish poetry, and the pentasyllable is so typical for Polish verse that Karol Wiktor Zawodziński gave it the name of "polonik". Pentasyllables occur in Polish poetry either in a
Sapphic stanza in Polish poetry Sapphic ones. Only the last one is made up of four hendecasyllabic lines. All strophes rhyme ABAB. The Sapphic stanza is still used in translations form Sappho's or Horace's poems. The scheme of Sapphic stanza is so recognizable, that it can be preserved even in free verse. Lucylla Pszczołowska points out that Czesław Miłosz sometimes composed four-line stanzas with last line of five syllables and other lines of different length. The Sapphic stanza's scheme was so attractive to Polish poets that they started to modify it, and many stanzas based on it can be found in Polish literature. Already in