Oratorio credited with writing the first English language oratorio, "Esther". Handel's imitators included the Italian Lidarti who was employed by the Amsterdam Jewish community to compose a Hebrew version of "Esther". Britain continued to look to Germany for its composers of oratorio. The Birmingham Festival commissioned various oratorios including Felix Mendelssohn's "Elijah" in 1846, later performed in German as "Elias". German composer Georg Vierling is noted for modernizing the secular oratorio form. John Stainer's "The Crucifixion" (1887) became the stereotypical battlehorse of massed amateur choral societies. Edward Elgar tried to revive the genre around the turn of century with the composition
Norfolk and Norwich Festival of earlier musical fundraisers for the hospital dating back as far as 1772 including the annual performance of an oratorio at Norwich Cathedral. In its early days, the festival was mainly held in St. Andrew's Hall and St Peter Mancroft. These events consisted primarily of oratorios and other large scale choral works performed by the Norwich Festival Chorus, then 300 strong. Noted premieres from this time included "The Last Judgement" by the German Romantic composer and conductor Louis Spohr. The triennial festival continued to develop a reputation throughout the Victorian and Edwardian period, and saw the premieres of significant classical