Sapphic stanza in Polish poetry is a hymn included in "Gorzkie żale" ("Bitter Lamentations"), a typically Polish Catholic devotion, sung in churches on Sundays during Lent, and familiar to many Poles. Neither Adam Mickiewicz nor Juliusz Słowacki used the classic Sapphic stanza. Słowacki, however, employed its general scheme in his own six-line stanza, discussed below. Cyprian Kamil Norwid, a poet regarded as one of the greatest Polish authors and perhaps the most modern of the poets of the 19th century, used Sapphic stanzas in the poem named "Trzy zwrotki" ("Three strophes"), as well as in many other poems including "Sieroctwo" ("Orphanhood"). Sometimes he implemented the
Sapphic stanza in Polish poetry Sapphic stanza in some poems. Olbrycht Karmanowski, a minor poet, employed it in the poem "O śmierci" ("On Death"). Lenart Gnoiński used Sapphic stanzas in the tenth poem of a sequence named "Łzy smutne" ("Sorrowful Tears"). Daniel Naborowski, a Calvinist poet, employed the Sapphic stanza in "Lament I" from "Laments on Death of Duke Radziwiłł, Castellan of Vilnius". The poem consists of eleven strophes. Jan Andrzej Morsztyn, whose poetry (influenced strongly by Giambattista Marino) is most typical for Baroque, used Sappho's stanza in "Do lutnie" ("To a Lute") from "Lutnia" ("The Lute") and in "Wiejski żywot" ("Life in a Village"