The Tennis Court Oath (David) The Tennis Court Oath (David) The Tennis Court Oath (French: "Le Serment du Jeu de paume") is an incomplete painting by Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution. Political reversals and financial difficulties meant that David was never able to finish the canvas, which measures 400 by 660 cm and is now in the Musée national du Château de Versailles. All the deputies are shown looking at Bailly, as a device to show their support of him. The only man to refuse
The World Tossed at Tennis is thin. The fashion for yellow bands lasted in Court circles until the mid-1620s. The World Tossed at Tennis The World Tossed at Tennis is a Jacobean era masque composed by Thomas Middleton and William Rowley, first published in 1620. It was likely acted on 4 March 1620 (new style) at Denmark House. Middleton and Rowley conducted one of the most interesting collaborative efforts in English Renaissance drama; together they produced significant works, "The Changeling" and "A Fair Quarrel". Their only masque is one of the stranger and more original literary products of their generation. "A Courtly Masque; the Device