A Vindication of the Rights of Men of the French Revolution and the debates that it provoked in Britain. In a lively and sometimes vicious pamphlet war, now referred to as the "Revolution Controversy", which lasted from 1789 until the end of 1795, British political commentators argued over the validity of monarchy. One scholar has called this debate "perhaps the last real discussion of the fundamentals of politics in [Britain]". The power of popular agitation in revolutionary France, demonstrated in events such as the Tennis Court Oath and the storming of the Bastille in 1789, reinvigorated the British reform movement, which had been largely moribund for a
The Tennis Court Oath (David) Standards" and his 1814 "Leonidas at Thermopylae" were directly inspired by "The Tennis Court Oath". The work was also reprised and adapted by several artists from the late 18th century onwards. These included Auguste Couder in 1848 and Luc-Olivier Merson in 1883. In 1820, David ceded the engraving rights on Jean Pierre Marie Jazet's engraving of "The Tennis Court Oath" to Daniel Isoard de Martouret. The canvas itself was finally acquired in 1836 by the royal museums for the Louvre, where it was exhibited from 1880 onwards. The Tennis Court Oath (David) The Tennis Court Oath (French: "Le Serment du