Sarah Siddons of feminine propriety. Commissioned and completed in 1784, Sir Joshua Reynolds' portrait, "Sarah Siddons as The Tragic Muse", is characterized by Reynolds' inspiration, contextualisation of the Muse, and distinctive brush work and paint palette. This portrait, as Heather McPherson writes, became the known depiction of tragedy, infused with contemporary ideas about acting and representation of the passions in Siddons' melancholy expression and deportment. Mary Hamilton's correspondence with her fiancé illuminated its seamless transition from "the artist's studio to the theatrical stage", practical venues that interlocked in the eighteenth century and formed a large part in creating the very idea of
Jermyn Street Duchess of Richmond, the Countess of Northumberland and the artist John Keyse Sherwin (in whose rooms in 1782 the actress Sarah Siddons sat for him for her portrait as "Euphrasia"). The Gun Tavern was one of the great resorts for foreigners of revolutionary tastes during the end of the 18th century, whilst Grenier's Hotel was patronised by French refugees. At the Brunswick Hotel, Louis Napoleon took up his residence under the assumed name of Count D'Arenberg on his escape from captivity in the fortress of Ham. Twentieth-century residents included the 1930s 'big band' singer Al Bowlly (killed in his flat