Destrier between the Percheron and the Andalusian; and the Warlander, a cross between the Andalusian and the Friesian horse. A good destrier was expensive. 7th-century Salic law gives a price of 12 solidi as weregild, or reparational payment, for a war horse, compared to 3 solidi for a sound mare or 1 solidus for a cow. In later centuries destriers became even more expensive: the average value of each of the horses in a company of 22 knights and squires in the county of Flanders in 1297 compares to the price of seven normal coursers. The price of these destriers varied
The Navigator: A Medieval Odyssey earth". Elsewhere, however, he has said that the film is "about faith - about the basic need to maintain belief in something, anything, no matter what". Ward and his production team based the look of the film on extensive research into the Middle Ages, particularly the mining industry, although this was then rendered imaginatively. The colours of the film are based on medieval art and, in particular, medieval and renaissance artists' ideas about heaven and hell. The blues in many of the modern-day sequences are based on the inks in the "Très Riches Heures du Duc de Berry", while the