Sgt. Pepper's Lonely Hearts Club Band "Being for the Benefit of Mr. Kite!" and "A Day in the Life". Producer George Martin and engineer Geoff Emerick helped realise the group's ideas by approaching the studio as an instrument, applying orchestral overdubs, sound effects and other methods of tape manipulation. Recording was completed on 21 April 1967. The cover, depicting the Beatles posing in front of a tableau of celebrities and historical figures, was designed by the British pop artists Peter Blake and Jann Haworth. "Sgt. Pepper" is regarded by musicologists as an early concept album that advanced the use of extended form in popular music while
Holy Water (The Triffids song) Triffids’ interest in electronica. The track was remixed by Michael Frondelli. Wilson Neate of "Perfect Sound Forever" described the track as "euphoric" and cited it as an example of The Triffid's "unbridled pop sensibility [which] emerges – a development that sounds like an organic progression". "Mess+Noise"s Lauren Zoric felt it was "blissful" and indicative of the album's "devastating ... loveliness". The B-side, "Good Morning, Good Morning", is the band's cover version of The Beatles' track and was The Triffids's contribution to the 1988 tribute album "Sgt. Pepper Knew My Father". On the 12" single, additional tracks are "Red Pony" which