Sapphic stanza in Polish poetry the lyric "Preludium" ("Prelude") she employed a seven-line stanza, built in much the same way: 11a/11b/11a/11a/5b/11c/5c. Once again she suggested Sappho's stanzaic pattern in the poem "Posłom wielkopolskim" ("To the deputies from the Greater Poland"), which goes 11a/11b/11a/5b/11c/11c; she repeated this scheme in "Improwizacja" ("Improvisation") and in "Ave, Patria". In the poem "Idź, idź w pokoju!" ("Go away in peace") Konopnicka used a six-line strophe 5a/11b/11b/11c/11c/5a. Another form used by Konopnicka suggestive of the Sapphic stanza is a quatrain composed of three hendecasyllabic lines and one trisyllable, used in "Kto krzywdę płodzi" ("Who begets harm"). More complicated is an eight-line
Sapphic stanza in Polish poetry Sapphic stanza in some poems. Olbrycht Karmanowski, a minor poet, employed it in the poem "O śmierci" ("On Death"). Lenart Gnoiński used Sapphic stanzas in the tenth poem of a sequence named "Łzy smutne" ("Sorrowful Tears"). Daniel Naborowski, a Calvinist poet, employed the Sapphic stanza in "Lament I" from "Laments on Death of Duke Radziwiłł, Castellan of Vilnius". The poem consists of eleven strophes. Jan Andrzej Morsztyn, whose poetry (influenced strongly by Giambattista Marino) is most typical for Baroque, used Sappho's stanza in "Do lutnie" ("To a Lute") from "Lutnia" ("The Lute") and in "Wiejski żywot" ("Life in a Village"