Glass Houses (album) the back cover shows Joel looking through the hole that the rock made in the glass. This alludes to the adage that "people in glass houses shouldn't throw stones". In 2004, the pop-culture journalist and rock critic Chuck Klosterman praised the album in an essay on Joel titled "Every Dog Must Have His Every Day, Every Drunk Must Have His Drink" from his book "Sex, Drugs, and Cocoa Puffs" (the title of the essay refers to a line from the "Glass Houses" song "Don't Ask Me Why"). In particular, Klosterman praised some of the more obscure tracks from the album
What Do You Say to a Naked Lady? What Do You Say to a Naked Lady? What Do You Say to a Naked Lady? is a 1970 American hidden-camera style reality film, directed by "Candid Camera" creator Allen Funt. In the film, Funt secretly records people's reactions to unexpected encounters with nudity or sexuality in unusual situations. This was the first of two "Candid Camera"–style theatrical films to be produced and directed by Funt, the other being "Money Talks" (1972). While the film does contain some titillating material and both male and female full frontal nudity, a large amount of the film involves Funt talking to people about