Elijah (oratorio) Austrian bass Joseph Staudigl. Mendelssohn had discussed an oratorio based on Elijah in the late 1830s with his friend Karl Klingemann, who had provided him with the libretto for his comic operetta "Die Heimkehr aus der Fremde", which resulted in a partial text that Klingemann was unable to finish. Mendelssohn then turned to , the librettist for his earlier oratorio "St. Paul", who quickly abandoned Klingemann's work and produced his own text that combined the story of Elijah as told in the Book of Kings with psalms. In 1845, the Birmingham Festival commissioned an oratorio from Mendelssohn, who worked with
Elijah Hebrews, and James. In , Jesus uses Elijah as an example of rejected prophets. Jesus says, "No prophet is accepted in his own country," and then mentions Elijah, saying that there were many widows in Israel, but Elijah was sent to one in Phoenicia. In , Paul cites Elijah as an example of God's never forsaking his people (the Israelites). ("Women received their dead raised to life again...") refers to both Elijah raising the son of the widow of Zarephath and Elisha raising the son of the woman of Shunem, citing both Elijah and Elisha as Old Testament examples of