Sonnet 11 his name. An English sonnet is made up of fourteen lines grouped into three quatrains and an ending couplet, with the rhyme scheme "ABAB CDCD EFEF GG". Sonnet 11 exhibits this structure. The sonnet has four feminine endings (accepting the Quarto's contraction of "grow'st" and "bestow'st"). "Convertest" would have been pronounced as a perfect rhyme with the second line's "departest", a holdover from Medieval English. Carl D. Atkins notes "This is a sonnet of contrasts: feminine lines, regular lines; regular iambs, irregular line 10; no midline pauses, multiple midline pauses; waning, growth, beauty, harshness, life and death, beginning and end."
Sonnet 32 character. Sonnet 32 is highly dependent upon the relationship between the subject and speaker of the sonnet. The speaker of the sonnet reflects upon "his own mortality" in comparing himself to the young man whom he loves, whether romantically or in friendship it is unclear. The speaker refers to himself as the "deceased lover" which is significant as it highlights the age difference between the two men, a perpetual theme throughout Sonnet 32 as well as the rest of the handsome youth sonnets. After accepting, his eventual death, the speaker takes on a "self-deprecating" tone referring to his poetry as