Sapphic stanza in Polish poetry is a hymn included in "Gorzkie żale" ("Bitter Lamentations"), a typically Polish Catholic devotion, sung in churches on Sundays during Lent, and familiar to many Poles. Neither Adam Mickiewicz nor Juliusz Słowacki used the classic Sapphic stanza. Słowacki, however, employed its general scheme in his own six-line stanza, discussed below. Cyprian Kamil Norwid, a poet regarded as one of the greatest Polish authors and perhaps the most modern of the poets of the 19th century, used Sapphic stanzas in the poem named "Trzy zwrotki" ("Three strophes"), as well as in many other poems including "Sieroctwo" ("Orphanhood"). Sometimes he implemented the
Sapphic stanza in Polish poetry from the book "Kanikuła, albo psia gwiazda" ("Canicula or dog star"). Zbigniew Morsztyn shaped his Sapphic stanzas so as to make a long chain of linked strophes, exhibiting many enjambments from one to the next stanza. He is the author of the poem "Sławna wiktoryja nad Turkami" ("The Famous Victory over the Turks"), which is an example of the use of the Sapphic stanza in an epic function. Large parts of Klemens Bolesławiusz's "Przeraźliwe echo trąby ostatecznej" ("The Horrifying Echo of Doomsday Trumpet") are composed in Sapphic stanzas. This work, which can be compared to "The Revelation of St. John"