Sonnet exclusively in [the] line count)". Paul Muldoon often experiments with 14 lines and sonnet rhymes, though without regular sonnet meter. The advent of the New Formalism movement in the United States has also contributed to contemporary interest in the sonnet. This includes the invention of the "word sonnet", which are fourteen line poems, with one word per line. Frequently allusive and imagistic, they can also be irreverent and playful. The Canadian poet Seymour Mayne published a few collections of word sonnets, and is one of the chief innovators of the form. Contemporary word sonnets combine a variation of styles often
Sonnet lines or two in an obvious way. There are many different ways this sonnet can be divided. In post-Pushkin Russian poetry, the form has been utilized by authors as diverse as Mikhail Lermontov, Vyacheslav Ivanov, Jurgis Baltrušaitis and , in genres ranging from one-stanza lyrical piece to voluminous autobiography. Nevertheless, the Onegin stanza, being easily recognisable, is strongly identified as belonging to its creator. John Fuller's 1980 "The Illusionists" and Jon Stallworthy's 1987 "The Nutcracker" used this stanza form, and Vikram Seth's 1986 novel "The Golden Gate" is written wholly in Onegin stanzas. The sonnet was introduced into Polish literature