The Tennis Court Oath (David) – pre-Romantic, near-unanimous, almost totally middle-class and with no popular violence – above all was considered the forerunner of the 1789 revolution and also showed that national sovereignty was made up of each individual's personal will. David's painting also portrays the monk Dom Gerle alongside the Protestant pastor Jean-Paul Rabaut Saint-Étienne, symbolising a new era of religious tolerance. The wind blowing through the windows and billowing the curtains also symbolises the wind of Revolution blowing through France. The first engravings showing "The Tennis Court Oath" only appeared in 1790, the year David convinced the Jacobin Club to launch a national
Battle of the Tennis Court firing his 75mm main armament into Japanese bunkers at no more than 20 yards range. This tank was supported by two platoons of the Dorsets commanded by Sergeants Given and Cook. This Allied breakthrough that ended the Battle of the Tennis Court is depicted in a 1982 painting by Terence Cuneo which is displayed in the Kohima Museum in Imphal Barracks, York. The fighting within the 6th Brigade's area was documented by Major Boshell, who commanded 'B' Company of the 1st Royal Berkshires, in the 6th Infantry Brigade, British 2nd Division: Around May 15 the Japanese 31st Division began to