Petrarchan sonnet Italian sonnet form in the poems of his that were not translation and adaptation work. As a result, he is often credited for integrating the Petrarchan sonnet into English vernacular tradition. The form also gave rise to an "anti-Petrarchan" convention which may have revealed the mistress to be ugly and unworthy. The convention was also mocked, or adopted for alternative persuasive means by many of the Inns of Court writers during the Renaissance. The sonnet is split in two groups: the "octave" (of 8 lines) and the "sestet" (of 6 lines), for a total of 14 lines. The octave (the
Sonnet 42 rhymes at the end of the lines: especially in the second quatrain as a poetic device, similar to sonnet 40. "The poem is essentially a sad one…it's sadness heightened by the feminine endings, six in all [out of seven]". Many critics seem to agree with this reading of the feminine endings, and note that additionally, the author uses two words to imply the emotionality tied up in his sonnet. The word "loss" is repeated throughout this poem, appearing six times. The repetition of this word emphasizes how strongly the speaker feels that he has been deprived of the two most