Petrarchan sonnet Italian sonnet form in the poems of his that were not translation and adaptation work. As a result, he is often credited for integrating the Petrarchan sonnet into English vernacular tradition. The form also gave rise to an "anti-Petrarchan" convention which may have revealed the mistress to be ugly and unworthy. The convention was also mocked, or adopted for alternative persuasive means by many of the Inns of Court writers during the Renaissance. The sonnet is split in two groups: the "octave" (of 8 lines) and the "sestet" (of 6 lines), for a total of 14 lines. The octave (the
Sonnet 11 showing his waste in not complying to "print more". Sonnet 11 is composed in the traditional form of what has come to be called the "Shakespearean" sonnet, also known as a "Surreyan" or "English" sonnet. The form, having evolved from the "Petrarchan" sonnet (originated in the thirteenth or fourteenth century by Italian poet Francesco Petrarch), entered the style as Shakespeare would have known it within the works of sixteenth century English poets the Earl of Surrey and Sir Thomas Wyatt. However, as it came to be the most popular sonnet form with which Shakespeare wrote his poetry, it took on