Collage In music, with the advances on recording technology, avant-garde artists started experimenting with cutting and pasting since the middle of the twentieth century. In the 1960s, George Martin created collages of recordings while producing the records of The Beatles. In 1967 pop artist Peter Blake made the collage for the cover of the Beatles seminal album "Sgt. Pepper's Lonely Hearts Club Band". In the 1970s and 1980s, the likes of Christian Marclay and the group Negativland reappropriated old audio in new ways. By the 1990s and 2000s, with the popularity of the sampler, it became apparent that "musical collages" had
Sgt. Pepper's Lonely Hearts Club Band record, unique, clever, and stunning". In "The Times", William Mann described "Sgt. Pepper" as a "pop music master-class" and wrote admiringly of its use of "vivid" bass lines that partly recalled the Alberti tradition in classical music. He also commented that, so considerable were the album's musical advances, "the only track that would have been conceivable in pop songs five years ago" was "With a Little Help from My Friends". Having been among the first British critics to fully appreciate "Revolver", Peter Clayton of "Gramophone" magazine said that the new album was "like nearly everything the Beatles do, bizarre, wonderful,