Sonnet 154 presented in Sonnet 153. In the first quatrain, the man wishes that his beauty be passed onto his heir. The second quatrain asks the question of how beauty can be maintained through time and poetry. Finally, the third ends with the woeful realization that the preservation of happiness is problematic in and of itself. The rhyme scheme within Sonnet 153 and 154 is inconsistent in that the words do not necessarily follow the same sounds. Lines 10 and 12 end with the words "perpetual" and "thrall" and lines 13 and 14 end with "prove" and "love." Authors argue that this
Caudate sonnet is one of many in which Hopkins experimented with variations on sonnet form. However, unlike the curtal sonnet, a Hopkins invention which is a 10½-line form with precisely the same proportions as a Petrarchan sonnet, his caudate sonnet is a full sonnet unmodified but with an extra six lines. Hopkins heightens the effect of the extension with an enjambment from the 14th line to the 15th. Hopkins explored the possibility of such a coda in a series of letters exchanged with Robert Bridges, from whom he learned of the centrality of Milton's example in the form. Though the intent of