Sonnet 32 "poor rude lines" (4) and beseeching the youth to remember him after his death. This emphasis on his failure in poetry is imperative as it frames the rest of the sonnet and the speaker's request for the young man to remember him "for his love" (14). The nature of this love is in disagreement however. While some critics believe that the love the speaker refers to is in actuality a "romantic" love, others are convinced that the "love" (14) referred to is a "platonic love". Regardless of the type of love that is illustrated within the sonnet, romantic or platonic,
Sonnet lines or two in an obvious way. There are many different ways this sonnet can be divided. In post-Pushkin Russian poetry, the form has been utilized by authors as diverse as Mikhail Lermontov, Vyacheslav Ivanov, Jurgis Baltrušaitis and , in genres ranging from one-stanza lyrical piece to voluminous autobiography. Nevertheless, the Onegin stanza, being easily recognisable, is strongly identified as belonging to its creator. John Fuller's 1980 "The Illusionists" and Jon Stallworthy's 1987 "The Nutcracker" used this stanza form, and Vikram Seth's 1986 novel "The Golden Gate" is written wholly in Onegin stanzas. The sonnet was introduced into Polish literature