Poetry to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the strophe, antistrophe and epode of the ode form are often separated into one or more stanzas. In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined. In skaldic poetry, the dróttkvætt stanza had eight lines, each having three "lifts" produced with alliteration or assonance. In addition to two or three alliterations, the odd numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at
Alcaic stanza four lines; the first two lines are divided into two parts by a caesura after the fifth syllable. The metrical pattern of an Alcaic stanza would look like this: Horace frequently used the Alcaic stanza in his Odes, as can be seen from this example : An English translation, which suggests the metre, is : A famous example of English Alcaics is Tennyson's "Milton": <poem style="margin-left:2em"> O mighty-mouth'd inventor of harmonies, O skill'd to sing of Time or Eternity, </poem> The Alcaic stanza was adapted to use in English and French during the Renaissance. It was very frequently used in