Sonnet 124 Wright suggests in his book "The Structure of Shakespeare's Sonnets" that in the first four lines of Sonnet 124 the speaker puts forth a hypothetical; if the speakers' love were the product of circumstance, then it would have no strong foundations and would be "Fortune's bastard". Being "unfather'd" the love would then be subject to "Time's love or to Times' hate". The next set of lines then alludes to the personification of Time found in Sonnet 123, in which Time has a scythe (Sonnet 123. 14). In Sonnet 124, the scythe used by Time subjects its victims to either "Times
Sonnet 151 steer his actions. It uses the body as a metaphor for the penis, "rising" and "falling" with an erection when aroused, and so reduces the speaker to nothing more than his phallus; by giving in to his desires he enslaves himself to the "Dark Lady". Sonnet 151, with a "bawdy chronicle of erection and detumescence," contrasts with Sonnet 55's "grandiloquent expression," but their theme is the same: "what changes, what remains." Sonnet 55 "celebrates ... love and poetry that endure[s]" where Sonnet 151 "contemplates the inevitability of change..." Sonnet 151 has been compared to a verse by 17th-century author Joseph