Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Ode to a Nightingale probably the first of the middle set of four odes that Keats wrote following "Ode to Psyche", according to Brown. There is further evidence of this in the structure of the poems because Keats combines two different types of lyrical poetry in an experimental way: the odal hymn and the lyric of questioning voice that responds to the odal hymn. This combination of structures is similar to that in "Ode on a Grecian Urn". In both poems the dual form creates a sort of dramatic element within the poem. The stanza forms of the poem is a combination of elements