Mušmaḫḫū Mušmaḫḫū Mušmaḫḫū, inscribed in Sumerian as MUŠ.MAḪ, Akkadian as "muš-ma-ḫu", meaning "Exalted/distinguished Serpent", was an ancient Mesopotamian mythological hybrid of serpent, lion and bird, sometimes identified with the seven-headed serpent slain by Ninurta in the mythology of the Sumerian period. He is one of the three horned snakes, with his companions, Bašmu and Ušumgallu, with whom he may have shared a common mythological origin. In "Angim" or "Ninurta's return to Nippur", the storm god describes one of his weapons as "the seven-mouthed muš-mah serpent" (line 138), reminiscent of the Greek myth of Heracles and the seven headed Lernaean Hydra he
Greek mythology libretti for many of Handel's and Mozart's operas. By the end of the 18th century, Romanticism initiated a surge of enthusiasm for all things Greek, including Greek mythology. In Britain, new translations of Greek tragedies and Homer inspired contemporary poets (such as Alfred Lord Tennyson, Keats, Byron and Shelley) and painters (such as Lord Leighton and Lawrence Alma-Tadema). Christoph Gluck, Richard Strauss, Jacques Offenbach and many others set Greek mythological themes to music. American authors of the 19th century, such as Thomas Bulfinch and Nathaniel Hawthorne, held that the study of the classical myths was essential to the understanding of