Sonnet 30 The lines "from woe to woe tell over" suggest a kind of metaphor in which Shakespeare's woes and failings are like an account book that he reads through over and over. The word "heavily" before these lines also suggests that Shakespeare's reads this "account book" in a painful manner. Finally, the fact that words “fore-bemoaned moan” that come close on the heels of the words "grievances foregone" before it also suggest that Shakespeare is continuously reviewing his past sorrows . The couplet of the sonnet consists of lines 13 and 14, and they seem to be used to clinch the
Sonnet 57 type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The sixth line exemplifies a regular iambic pentameter: The first line exemplifies an initial reversal and (optionally) a mid-line reversal: Rhian Williams asserts, "In literary value Shakespeare's sonnets are notably unequal. Many reach levels of lyric melody and meditative energy that are hardly to be matched elsewhere in poetry". His 57th sonnet is such a one and epitomises Shakespeare's signature sonnet structure as it conveys the influences of the 14th-century poet, Petrarch, and showcases again Shakespeare's talent. In fact, Danijela Kambasković-Sawers generalises, "The sonnet sequence genre constructs