The Fall of Hyperion: A Dream use a Christian understanding, but has an Apollonian basis to his poem, and Moneta forms the image of a sibyl and mimics Book 6 of the "Aeneid". The language and detail style is reminiscent of "Paradise Lost", which, in many letters, Keats has stated was a quality epic, but dealt with morality on a simplistic level. The form and meter of Keats's epic is similar to Milton's. The Fall of Hyperion: A Dream The Fall of Hyperion: A Dream, sometimes subtitled as "A Vision" instead of a dream, is an epic poem written by the English Romantic John Keats. Keats
Landscape with the Fall of Icarus (poem) Landscape with the Fall of Icarus (poem) "Landscape with the Fall of Icarus" is an ecphrastic poem by the 20th-century American poet William Carlos Williams that was written in response to "Landscape with the Fall of Icarus", traditionally attributed to Pieter Bruegel. Williams first published the poem as part of a sequence in "The Hudson Review" in 1960, subsequently using the sequence as the basis for his final book, "Pictures from Brueghel and Other Poems", published in 1962. The poem, as indicated by the title, touches upon the Greek tragedy of Icarus, the story in which Icarus, the son of