Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Sapphic stanza in Polish poetry or Dante Alighieri's Divine Comedy, was extremely popular and appeared in eighteen editions from 1670 to 1886. It is another example of the Sapphic stanza serving an epic function in Old Polish literature. The Sapphic stanza was also used in Poland during Enlightenment. Poets of the time preferred the Polish alexandrine (7+6) to the hendecasyllable (5+6), but used the latter metre in Italian forms, such as sesta rima and ottava rima, as well as in Sappho's stanza. Sapphic stanzas can be found in Adam Naruszewicz's poetry. He used the form among others in the poem "Pieśń doroczna na dzień ocalenia