Sonnet 154 presented in Sonnet 153. In the first quatrain, the man wishes that his beauty be passed onto his heir. The second quatrain asks the question of how beauty can be maintained through time and poetry. Finally, the third ends with the woeful realization that the preservation of happiness is problematic in and of itself. The rhyme scheme within Sonnet 153 and 154 is inconsistent in that the words do not necessarily follow the same sounds. Lines 10 and 12 end with the words "perpetual" and "thrall" and lines 13 and 14 end with "prove" and "love." Authors argue that this
Sonnet lines or two in an obvious way. There are many different ways this sonnet can be divided. In post-Pushkin Russian poetry, the form has been utilized by authors as diverse as Mikhail Lermontov, Vyacheslav Ivanov, Jurgis Baltrušaitis and , in genres ranging from one-stanza lyrical piece to voluminous autobiography. Nevertheless, the Onegin stanza, being easily recognisable, is strongly identified as belonging to its creator. John Fuller's 1980 "The Illusionists" and Jon Stallworthy's 1987 "The Nutcracker" used this stanza form, and Vikram Seth's 1986 novel "The Golden Gate" is written wholly in Onegin stanzas. The sonnet was introduced into Polish literature