Sapphic stanza in Polish poetry after the fourth, not the fifth syllable. His Sapphic stanzas influenced the Czech poet Jaroslav Vrchlický. Also Kazimierz Wroczyński tried to imitate Greek rhythm in his poem "Strofa Safony" ("Sappho's strophe"). His stanza is composed of three lines of SsSsSsSSsSs and one of SssSs. The SsSsSsSSsSs scheme is just a trochaic hexameter (SsSsSsSsSsSs) with the eighth syllable omitted. For comparison to Horace's standard: In the 20th century classic strophes went out of use together with regular verse. Jarosław Iwaszkiewicz used Sapphic stanza in the poem "Marzec w Paryżu" ("March in Paris"). It is composed of four stanzas and three are
Sapphic stanza in Polish poetry życia i zdrowia J. K. Mości" ("Annual song for the day of rescuing life and health of His Majesty, the King"). He also employed it in the poem "Piesek" ("A little dog"). Franciszek Karpiński made use of the analysed form in "Psalm 8. O wielkości Boga" ("Psalm 8. On God's grandeur"). He repeated it in the "Psalmu 64 część. O opatrzności" ("Part of Psalm 64. On Providence") and in the poem "Pieśń do świętych Polaków, patronów Polski" ("Hymn to the holy Poles, patrons of Poland"). Another poet, Franciszek Dionizy Kniaźnin used Sappho's stanza very frequently. Another example of Sapphic stanza