Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Vladimir (Waiting for Godot) Estragon's boots) and his intellectual nature: because of this, he is usually taller than Estragon, but this is a convention of the theatre and is not written in the play. Despite this sometimes peevish and obsessive nature, Vladimir would seem to have a carnal side. He suffers from a venereal disease that causes him pain in his genitals and a need to urinate when he laughs. This might indicate a sexual past: he refers to a woman he knew who "had the clap"...although it is unclear whether this is the cause of his current condition or not. Vladimir has the