Othello that opposition of Brabantio to Desdemona marrying Othello-a respected and honoured general-cannot make sense except in racial terms, citing the scene where Brabantio accuses Othello of using witchcraft to make his daughter fall in love with him, saying it is "unnatural" for Desdemona to desire Othello's "sooty bosom". Singh argued that since people with dark complexions are common in the Mediterranean area that for a Venetian senator like Brabantio to oppose Desdemona marrying Othello for merely being swarthy makes no sense, and that character of Othello was intended to be black. Michael Neill, editor of "The Oxford Shakespeare", notes that
Othello negative connotations. Othello was frequently performed as an Arab Moor during the 19th century. He was first played by a black man on the London stage in 1833 by the most important of the nineteenth-century Othellos, the African American Ira Aldridge who had been forced to leave his home country to make his career. Regardless of what Shakespeare intended by calling Othello a "Moor" – whether he meant that Othello was a Muslim or a black man or both – in the 19th century and much of the 20th century, many critics tended to see the tragedy in racial terms,