Samuel Beckett Minuit, including the poioumenon "trilogy" of novels: "Molloy" (1951); "Malone meurt" (1951), "Malone Dies" (1958); "L'innommable" (1953), "The Unnamable" (1960). Despite being a native English speaker, Beckett wrote in French because—as he himself claimed—it was easier for him thus to write "without style". Beckett is most famous for his play "En attendant Godot" (1953) ("Waiting for Godot"). Like most of his works after 1947, the play was first written in French with the title "En attendant Godot". Beckett worked on the play between October 1948 and January 1949. His partner, Suzanne Dechevaux-Dumesnil, was integral to its success. Dechevaux-Dumesnil became his
Play (play) (M). To his right is his wife (W1) or long-time partner. The third urn holds his mistress (W2). Their “[f]aces [are] so lost to age and aspect as to seem almost part of the urns.” Beckett had used similar imagery before, Mahood’s jar in "The Unnameable", for example, or the dustbins occupied by Nell and Nagg in "Endgame". At the beginning and end of the play, a spotlight picks out all three faces, and all three characters recite their own lines, in what Beckett terms a "chorus"; the effect is unintelligible. The main part of this play is made up