Peter O'Shaughnessy developed considerably. In September 1957, he staged the first Australian production of Samuel Beckett's "Waiting for Godot" at the Arrow Theatre in Melbourne with himself as Vladimir and Humphries as Estragon. It proved a hit with both audiences and critics. The critic of the Melbourne "Sun" wrote "so engrossing and well-done is this extraordinary adventure by Samuel Beckett regimented by Peter O'Shaughnessy's tender care that for me the evening passed by on wings". Later in the same year, O'Shaughnessy planned a production of George Bernard Shaw's "Pygmalion" for December, in tandem with a children's play to be performed at matinees.
Estragon ultimate insult in calling Vladimir a "Critic!"). He also shows an artistic side, and even claims to have once been a poet. His brief, but evocative, monologue about the "maps of the Holy Land" is very poetic in nature. He can even quote Shelley (with a slight alteration): Excerpt from Shelley's poem: "Art thou pale for weariness/Of climbing heaven and gazing on the earth..." Estragon's play on it: "Pale for weariness...Of climbing heaven and gazing on the likes of us." Estragon is given perhaps the most minimal description in the play. He is only described as wearing "rags", walking with