Mandalay (poem) metre and rhythm were admired; in "The Art of Verse Making" (1915), Modeste Hannis Jordan could write "Kipling has a wonderful 'ear' for metre, for rhythm. His accents fall just right, his measure is never halting or uncertain. His 'Mandalay' may be quoted as an excellent example of rhythm, as easy and flowing as has ever been done". The poet and critic T. S. Eliot, writing in 1941, called the variety of forms Kipling devised for his ballads "remarkable: each is distinct, and perfectly fitted to the content and the mood which the poem has to convey." The literary critic
T. S. Eliot us home all point to the pilgrim's path along the road of sanctification. With the important exception of "Four Quartets", Eliot directed much of his creative energies after "Ash Wednesday" to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in "The Waste Land". In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He