Medusa Aeschylus's "Prometheus Bound", which places both trinities of sisters far off "on Kisthene's dreadful plain": Near them their sisters three, the Gorgons, winged With snakes for hair— hatred of mortal man— While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as having monstrous form, sculptors and vase-painters of the fifth century began to envisage her as being beautiful as well as terrifying. In an ode written in 490 BC Pindar already speaks of "fair-cheeked Medusa". In a late version of the Medusa myth, related by the Roman poet Ovid ("Metamorphoses" 4.770), Medusa was originally a ravishingly beautiful
Greek mythology and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from to onward. In fact, literary and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict; however, in many cases,