Lawrence Ferlinghetti "Ferlinghetti: Rebirth of Wonder "Don't call me a Beat. I was never a Beat poet." Ferlinghetti actually penned much of his early poetry in the vein of T. S. Eliot. Ferlinghetti told poet and critic Jack Foley "Everything I wrote sounded just like him." Yet, even in his poems inspired by Eliot such as Ferlinghetti's "Constantly Risking Absurdity," Ferlinghetti is ever the populist as he compares the poet first to a trapeze artist in a circus and then to a "little charleychaplin man." Critics note that Ferlinghetti's poetry often takes on a very visual dimension as befits this poet who
T. S. Eliot in London can be gauged from an unsigned review in "The Times Literary Supplement" on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to "poetry"." In October 1922, Eliot published "The Waste Land" in "The Criterion". Eliot's dedication to "il miglior fabbro" ("the better craftsman") refers to Ezra Pound's significant hand in editing and reshaping the poem from a longer Eliot manuscript to the shortened version that appears in publication. It was composed during a period