Othello that opposition of Brabantio to Desdemona marrying Othello-a respected and honoured general-cannot make sense except in racial terms, citing the scene where Brabantio accuses Othello of using witchcraft to make his daughter fall in love with him, saying it is "unnatural" for Desdemona to desire Othello's "sooty bosom". Singh argued that since people with dark complexions are common in the Mediterranean area that for a Venetian senator like Brabantio to oppose Desdemona marrying Othello for merely being swarthy makes no sense, and that character of Othello was intended to be black. Michael Neill, editor of "The Oxford Shakespeare", notes that
Othello with the RSC since Robeson. In 1997, Patrick Stewart took the role of Othello with the Shakespeare Theatre Company (Washington, D.C.) in a race-bending performance, in a "photo negative" production of a white "Othello" with an otherwise all-black cast. Stewart had wanted to play the title role since the age of 14, so he and director Jude Kelly inverted the play so Othello became a comment on a white man entering a black society. The interpretation of the role is broadening, with theatre companies casting Othello as a woman or inverting the gender of the whole cast to explore gender