Mary Poppins (character) of the stage musical, the Mary Poppins character is more deliberately mysterious than in the movie version. She is slightly stricter with the children (who are also naughtier than their book and movie counterparts) but only because she wants them to become the best they can be. Mary in the stage version is also more aware of Bert's feelings towards her. Mary Poppins first appeared in the short story "Mary Poppins and the Match Man" in 1926, and in several early bits and pieces of the first novel. P.L. Travers later changed the story of the character's origins, stating that
The Man Who Wrote Frankenstein that while he argues that Mary Shelley was not well educated enough to have written "Frankenstein", his argument fails because "it is not a good, let alone a great novel and hardly merits the attention it has been given." Lauritsen replied that "Frankenstein" "is a radical and disturbing work, containing some of the most beautiful prose in the English language ... a profound and moving masterpiece, fully worthy of its author, Percy Bysshe Shelley." "The Man Who Wrote Frankenstein" received positive reviews from Jim Herrick in "Gay Humanist Quarterly", Hubert Kennedy in "The Guide", and Douglas Sadownick in "The Gay