Samuel Beckett Minuit, including the poioumenon "trilogy" of novels: "Molloy" (1951); "Malone meurt" (1951), "Malone Dies" (1958); "L'innommable" (1953), "The Unnamable" (1960). Despite being a native English speaker, Beckett wrote in French because—as he himself claimed—it was easier for him thus to write "without style". Beckett is most famous for his play "En attendant Godot" (1953) ("Waiting for Godot"). Like most of his works after 1947, the play was first written in French with the title "En attendant Godot". Beckett worked on the play between October 1948 and January 1949. His partner, Suzanne Dechevaux-Dumesnil, was integral to its success. Dechevaux-Dumesnil became his
Samuel Beckett though he in fact broke off from the existentialist movement and founded his own philosophy). Though many of the themes are similar, Beckett had little affinity for existentialism as a whole. Broadly speaking, the plays deal with the subject of despair and the will to survive in spite of that despair, in the face of an uncomprehending and incomprehensible world. The words of Nell—one of the two characters in "Endgame" who are trapped in ashbins, from which they occasionally peek their heads to speak—can best summarize the themes of the plays of Beckett's middle period: "Nothing is funnier than unhappiness,