Othello that opposition of Brabantio to Desdemona marrying Othello-a respected and honoured general-cannot make sense except in racial terms, citing the scene where Brabantio accuses Othello of using witchcraft to make his daughter fall in love with him, saying it is "unnatural" for Desdemona to desire Othello's "sooty bosom". Singh argued that since people with dark complexions are common in the Mediterranean area that for a Venetian senator like Brabantio to oppose Desdemona marrying Othello for merely being swarthy makes no sense, and that character of Othello was intended to be black. Michael Neill, editor of "The Oxford Shakespeare", notes that
Othello Shakespearean plays that was never adapted and changed during the Restoration and the eighteenth century. As Shakespeare regained popularity among nineteenth-century French Romantics, poet, playwright, and novelist Alfred de Vigny created a French translation of "Othello", titled "Le More de Venise", which premiered at the Comédie-Française on 24 October 1829. Famous nineteenth-century Othellos included Ira Aldridge, Edmund Kean, Edwin Forrest, and Tommaso Salvini, and outstanding Iagos were Edwin Booth and Henry Irving. The most notable American production may be Margaret Webster's 1943 staging starring Paul Robeson as Othello and José Ferrer as Iago. This production was the first ever in