The Literary Society and John Bailey, and in more recent times, Anthony Powell, Siegfried Sassoon, A. A. Milne, Kingsley Amis, John Gross, Antonia Fraser, Tom Stoppard, Patrick Leigh Fermor, Claire Tomalin, Charles Moore, Miriam Gross, V. S. Naipaul, Sebastian Faulks, Antony Beevor and P. D. James. The Literary Society has not obtruded on public notice, with the brief exception of its meetings and personalities in the middle of the twentieth century which were regularly documented in the Lyttelton/Hart-Davis Letters, in which are frequent vignettes of the members of the 1950s and 60s, including John Betjeman, T. S. Eliot, Malcolm Sargent, Alan Lascelles and
T. S. Eliot It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of "The Waste Land" to the "What Krishna meant" section of "Four Quartets" shows how much