Peter O'Shaughnessy developed considerably. In September 1957, he staged the first Australian production of Samuel Beckett's "Waiting for Godot" at the Arrow Theatre in Melbourne with himself as Vladimir and Humphries as Estragon. It proved a hit with both audiences and critics. The critic of the Melbourne "Sun" wrote "so engrossing and well-done is this extraordinary adventure by Samuel Beckett regimented by Peter O'Shaughnessy's tender care that for me the evening passed by on wings". Later in the same year, O'Shaughnessy planned a production of George Bernard Shaw's "Pygmalion" for December, in tandem with a children's play to be performed at matinees.
Samuel Beckett career". Beckett fictionalised the experience in his play "Krapp's Last Tape" (1958). While listening to a tape he made earlier in his life, Krapp hears his younger self say "clear to me at last that the dark I have always struggled to keep under is in reality my most...", at which point Krapp fast-forwards the tape (before the audience can hear the complete revelation). Beckett later explained to Knowlson that the missing words on the tape are "precious ally". In 1946, Jean-Paul Sartre’s magazine "Les Temps modernes" published the first part of Beckett’s short story ""Suite"" (later to be called