Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Landscape (play) Landscape (play) Landscape is a one-act play by Harold Pinter that was first broadcast on radio in 1968 and first performed on stage in 1969. The play shows the difficulties of communication between two people in a marriage. This is illustrated through the two characters who appear to be talking to one another though neither seems to hear the other. The dialogue resembles two independent monologues. The play is often studied, read, and performed alongside "Silence", another one-act play published soon after "Landscape". Both plays mark a change in Pinter's style, with echoes of the work of Samuel Beckett. In