Mandalay (poem) metre and rhythm were admired; in "The Art of Verse Making" (1915), Modeste Hannis Jordan could write "Kipling has a wonderful 'ear' for metre, for rhythm. His accents fall just right, his measure is never halting or uncertain. His 'Mandalay' may be quoted as an excellent example of rhythm, as easy and flowing as has ever been done". The poet and critic T. S. Eliot, writing in 1941, called the variety of forms Kipling devised for his ballads "remarkable: each is distinct, and perfectly fitted to the content and the mood which the poem has to convey." The literary critic
T. S. Eliot difficulties; it reveals the hidden form of the work, [and] indicates how each thing falls into place." Eliot's reputation as a poet, as well as his influence in the academy, peaked following the publication of "The Four Quartets". In an essay on Eliot published in 1989, the writer Cynthia Ozick refers to this peak of influence (from the 1940s through the early 1960s) as "the Age of Eliot" when Eliot "seemed pure zenith, a colossus, nothing less than a permanent luminary, fixed in the firmament like the sun and the moon". But during this post-war period, others, like Ronald Bush,