Samuel Beckett ""La Fin"", or "The End"), not realizing that Beckett had only submitted the first half of the story; Simone de Beauvoir refused to publish the second part. Beckett also began to write his fourth novel, "Mercier et Camier", which was not published until 1970. The novel presaged his most famous work, the play "Waiting for Godot", which was written not long afterwards. More importantly, the novel was Beckett’s first long work that he wrote in French, the language of most of his subsequent works which were strongly supported by Jérôme Lindon director of his parisian publishing house Les Éditions de
Samuel Beckett Days" (1961). These plays—which are often considered, rightly or wrongly, to have been instrumental in the so-called "Theatre of the Absurd"—deal in a darkly humorous way with themes similar to those of the roughly contemporary existentialist thinkers. The term "Theatre of the Absurd" was coined by Martin Esslin in a book of the same name; Beckett and "Godot" were centerpieces of the book. Esslin argued these plays were the fulfilment of Albert Camus's concept of "the absurd"; this is one reason Beckett is often falsely labeled as an existentialist (this is based on the assumption that Camus was an existentialist,