Cultural depictions of Medusa and Gorgons Cultural depictions of Medusa and Gorgons The mythological monster Medusa, her sisters, and the other Gorgons, have been featured in art and culture from the days of ancient Greece to present day. Medusa has been variously portrayed as a monster, a protective symbol, a rallying symbol for liberty, and a sympathetic victim of rape and/or a curse. She is perhaps best recognized by her hair of living snakes and ability to turn living creatures to stone. Medusa is an ancient icon that remains one of the most popular and enduring figures of Greek mythology. She continues to be recreated in
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of