Valerie Eliot it." Following T. S. Eliot's 1965 death, Valerie Eliot was his most important editor and literary executor, having brought to press "The Waste Land: Facsimile and Manuscripts of the Original Drafts" (1971) and " The Letters of T. S. Eliot: Volume 1, 1898–1922" (1989). She assisted Christopher Ricks with his edition of "The Inventions of the March Hare" (1996), a volume of Eliot's unpublished verse. A long-delayed second volume of T. S. Eliot's letters was also edited by her. One of Valerie Eliot's most lucrative decisions as executor was granting permission for a stage musical to be based on her
T. S. Eliot difficulties; it reveals the hidden form of the work, [and] indicates how each thing falls into place." Eliot's reputation as a poet, as well as his influence in the academy, peaked following the publication of "The Four Quartets". In an essay on Eliot published in 1989, the writer Cynthia Ozick refers to this peak of influence (from the 1940s through the early 1960s) as "the Age of Eliot" when Eliot "seemed pure zenith, a colossus, nothing less than a permanent luminary, fixed in the firmament like the sun and the moon". But during this post-war period, others, like Ronald Bush,