Dissociation of sensibility Dissociation of sensibility Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay “The Metaphysical Poets”. It refers to the way in which intellectual thought was separated from the experience of feeling in seventeenth century poetry. Eliot used the term to describe the manner by which the nature and substance of English poetry changed “between the time of Donne or Lord Herbert of Cherbury and the time of Tennyson and Browning.” In this essay, Eliot attempts to define the metaphysical poet and in doing so to determine the metaphysical poet’s era as well as
T. S. Eliot a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled "Fragment of a Prologue" (1926) and "Fragment of an Agon" (1927), were published together in 1932 as "Sweeney Agonistes". Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one. A pageant play by Eliot called "The Rock" was performed in 1934 for the benefit of churches in the Diocese of London. Much of it was a collaborative effort; Eliot accepted credit only