Lawrence Ferlinghetti "Ferlinghetti: Rebirth of Wonder "Don't call me a Beat. I was never a Beat poet." Ferlinghetti actually penned much of his early poetry in the vein of T. S. Eliot. Ferlinghetti told poet and critic Jack Foley "Everything I wrote sounded just like him." Yet, even in his poems inspired by Eliot such as Ferlinghetti's "Constantly Risking Absurdity," Ferlinghetti is ever the populist as he compares the poet first to a trapeze artist in a circus and then to a "little charleychaplin man." Critics note that Ferlinghetti's poetry often takes on a very visual dimension as befits this poet who
T. S. Eliot It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of "The Waste Land" to the "What Krishna meant" section of "Four Quartets" shows how much