Theatre of the Absurd plots of many Absurdist plays feature characters in interdependent pairs, commonly either two males or a male and a female. Some Beckett scholars call this the "pseudocouple". The two characters may be roughly equal or have a begrudging interdependence (like Vladimir and Estragon in "Waiting for Godot" or the two main characters in "Rosencrantz & Guildenstern Are Dead"); one character may be clearly dominant and may torture the passive character (like Pozzo and Lucky in "Waiting for Godot" or Hamm and Clov in "Endgame"); the relationship of the characters may shift dramatically throughout the play (as in Ionesco's "The Lesson"
Samuel Beckett that he had not intended to fool his audience. When Beckett resigned from Trinity at the end of 1931, his brief academic career was at an end. He commemorated it with the poem "Gnome", which was inspired by his reading of Johann Wolfgang Goethe's "Wilhelm Meister's Apprenticeship" and eventually published in "The Dublin Magazine" in 1934: Beckett travelled in Europe. He spent some time in London, where in 1931 he published "Proust", his critical study of French author Marcel Proust. Two years later, following his father's death, he began two years' treatment with Tavistock Clinic psychoanalyst Dr. Wilfred Bion. Aspects