Medusa Aeschylus's "Prometheus Bound", which places both trinities of sisters far off "on Kisthene's dreadful plain": Near them their sisters three, the Gorgons, winged With snakes for hair— hatred of mortal man— While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as having monstrous form, sculptors and vase-painters of the fifth century began to envisage her as being beautiful as well as terrifying. In an ode written in 490 BC Pindar already speaks of "fair-cheeked Medusa". In a late version of the Medusa myth, related by the Roman poet Ovid ("Metamorphoses" 4.770), Medusa was originally a ravishingly beautiful
Greek mythology in popular culture Rita Boumi-Pappa; rarely use mythological references, which Christopher Robinson attributes to the "problem of gender roles, both inside and outside the myths." Martin Winter says that the idea that many commentaries about the widespread use of Greek myths throughout Western culture does not take into account the vast difference between what a modern viewer takes from the story and what it would have meant to an ancient Greek. Greek mythology in popular culture Elements of Greek mythology have appeared many times in culture and pop culture. The Greek myths had originally been adopted into the culture of ancient Rome, and