British rhythm and blues British rhythm and blues British rhythm and blues (or R&B) was a musical movement that developed in the United Kingdom between the late 1950s and the early 1960s, and reached a peak in the mid-1960s. It overlapped with, but was distinct from, the broader British beat and more purist British blues scenes, attempting to emulate the music of African American blues and rock and roll pioneers, such as Muddy Waters and Howlin' Wolf, Chuck Berry and Bo Diddley. It often placed greater emphasis on guitars and was often played with greater energy. The origins of the movement were in the
Rhythm and blues in the metropolis at the mouth of the Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans. Robert Palmer recalls: In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm: Bartholomew referred to the Cuban son by the misnomer "rumba", a common practice