Waiting for Godot text, that if I had known more I would have put it in the text, and that was true also of the other characters." When Beckett started writing he did not have a visual image of Vladimir and Estragon. They are never referred to as tramps in the text, though are often performed in such costumes on stage. Roger Blin advises: "Beckett heard their voices, but he couldn't describe his characters to me. [He said]: 'The only thing I'm sure of is that they're wearing bowlers.' " "The bowler hat was of course "de rigueur" for male persons in many
Play (play) a woman and two men, Syke and Conk, figures in white boxes. In the final version we are presented instead with, as Michael Robinson describes it in "The Long Sonata of the Dead: A Study of Samuel Beckett", “the three corners of love’s eternal triangle (the emphasis here is on the eternal) … They have no names [now], simply the designations M, W1 and W2 which aim at anonymity but also stand for all men and women who have, like them, been caught up in a three-part love affair,” The play is entitled "Play", in the same way that Beckett’s