Cuneiform to left-to-right in horizontal rows (rotating all of the pictographs 90° counter-clockwise in the process) and a new wedge-tipped stylus was introduced which was pushed into the clay, producing wedge-shaped ("cuneiform") signs; these two developments made writing quicker and easier. By adjusting the relative position of the tablet to the stylus, the writer could use a single tool to make a variety of impressions. Cuneiform tablets could be fired in kilns to bake them hard, and so provide a permanent record, or they could be left moist and recycled, if permanence was not needed. Many of the clay tablets found
Ri (cuneiform) sumerogram "SÀR" (an equivalent sumerogram to mean LUGAL) to be combined with "RI" to make "sarru" for king. ('The King', as an appellation is sometimes created by adding [[ma (cuneiform)]], suffix to the end of a name (Lugal-ma.) [[Category:Akkadian language]] [[Category:Cuneiform signs, Amarna letters]] Ri (cuneiform) [[File:B142ellst.png|437px|left|thumb|Cuneiform sign for ri, re, dal, tal, ṭal, and as [[sumerogram]] RI, (sign uses from the "[[Epic of Gilgamesh]]").]] [[File:Amarna letter mp3h8878.jpg|thumb|right|315px|[[Amarna letter EA 365]]-("Reverse"), [[Biridiya]] to Pharaoh, ""Furnishing [[Corvée]] Workers"", with usage of cuneiform re in the spelling of "erēsu", "to cultivate" ([[te (cuneiform)|te]]-[[ir (cuneiform)|er]]-ri-šu-[[na (cuneiform)|na]]), 3rd character, 6th line from top (line