A Rake's Progress, 3: The Tavern Scene A Rake's Progress, 3: The Tavern Scene Tavern Scene or "The Orgy" is a work by William Hogarth from 1735, the third picture from the series "A Rake's Progress". "A Rake's Progress" totals eight oil paintings from 1732-33. They were published as engravings from 1734. The series depicts the fictional Tom Rakewell's decline and fall. He was the free spending son and heir of a rich merchant. In the story, he comes to London, wasting his money on luxurious life, buying the services of prostitutes and gambling. He ends up in Fleet Prison, and finally at the Bethlem Hospital, or
Deism in England and France in the 18th century Deism equals atheism. This misunderstanding of Deism is not a contemporary issue but it goes back to the seventeenth century as J. M. Robertson explains: "Before deism came into English vogue, the names for unbelief were simply 'infidelity' and 'atheism'- e.g. Baxter's Unreasonableness of Infidelity (1655) ... Bishop Stillingfleet's Origines Sacrae deals chiefly with deistic views, but calls unbelievers in general 'atheists'... ". So, the term 'atheism' was used as a basis for rational critique before the term 'Deism' being used. But by the first half of the 18th century, when English Deism had explicitly become an intellectual movement, the