Bianca (Othello) request. Midway through 4.1., and prior to Bianca's entrance, Othello has been secretly observing a bawdy discussion between Iago and Cassio about the latter's sexual exploits with a young woman. Thanks to Iago's impeccable planning (and some bad luck), neither speaker mentions the name of the woman in question; it is in fact Bianca, but Othello tragically assumes it to be his wife, Desdemona. Bianca suddenly enters, and her suspicions of Cassio are even greater than before. She is convinced that the handkerchief belongs to another woman, and throws it contemptuously at Cassio's feet. In Othello's eyes, her apparent jealousy
Othello (character) has become commonplace to cast a black actor in the character of Othello, although the casting of the role now can come with a political subtext. Patrick Stewart took the role in the Shakespeare Theatre Company's 1997 staging of the play and Thomas Thieme, also white, played Othello in a 2007 Munich Kammerspiele staging at the Royal Shakespeare Theatre; both played without blackface, their performances critically acclaimed. The most notable American production may be Margaret Webster's 1943 staging starring Paul Robeson as Othello and José Ferrer as Iago. This production was the first ever in America to feature a black