Pozzo (Waiting for Godot) protects him), and thus extreme forms of those very characters. He, like Estragon, has an awful memory, and since he cannot rely on Lucky for memory (as Estragon can on Vladimir), he is even more in the dark (e.g. he cannot even remember one day before). Vladimir claims that he and Estragon know him, but this is naturally not corroborated by Estragon, and the nature of their former relationship remains unknown. He occasionally comes up with poetic metaphors for the current situation, again, just as Estragon does. Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting
Samuel Beckett described as minimalist. The extreme example of this, among his dramatic works, is the 1969 piece "Breath", which lasts for only 35 seconds and has no characters (though it was likely intended to offer ironic comment on "Oh! Calcutta!", the theatrical revue for which it served as an introductory piece). In his theatre of the late period, Beckett's characters—already few in number in the earlier plays—are whittled down to essential elements. The ironically titled "Play" (1962), for instance, consists of three characters immersed up to their necks in large funeral urns. The television drama "Eh Joe" (1963), which was written