David Jones (artist-poet) he invented later in life, which he termed "painted inscriptions", and these exert a continuing influence on calligraphers. Although he had been trying to write about his wartime experiences since 1928, it was not until 1937 that Jones published his first literary treatment of the conflict. "In Parenthesis", which was published by Faber and Faber with an introduction (in 1961) by T. S. Eliot, is a mixture of verse and prose-lines but the rich language establishes it as poetry, which is how Jones himself considered it. Jones's literary debut won praise from critics and from fellow-poets such as Eliot and
T. S. Eliot in London can be gauged from an unsigned review in "The Times Literary Supplement" on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to "poetry"." In October 1922, Eliot published "The Waste Land" in "The Criterion". Eliot's dedication to "il miglior fabbro" ("the better craftsman") refers to Ezra Pound's significant hand in editing and reshaping the poem from a longer Eliot manuscript to the shortened version that appears in publication. It was composed during a period