Valerie Eliot it." Following T. S. Eliot's 1965 death, Valerie Eliot was his most important editor and literary executor, having brought to press "The Waste Land: Facsimile and Manuscripts of the Original Drafts" (1971) and " The Letters of T. S. Eliot: Volume 1, 1898–1922" (1989). She assisted Christopher Ricks with his edition of "The Inventions of the March Hare" (1996), a volume of Eliot's unpublished verse. A long-delayed second volume of T. S. Eliot's letters was also edited by her. One of Valerie Eliot's most lucrative decisions as executor was granting permission for a stage musical to be based on her
T. S. Eliot of choice. I settle upon a particular emotional situation, out of which characters and a plot will emerge. And then lines of poetry may come into being: not from the original impulse but from a secondary stimulation of the unconscious mind." Eliot also made significant contributions to the field of literary criticism, strongly influencing the school of New Criticism. He was somewhat self-deprecating and minimising of his work and once said his criticism was merely a "by-product" of his "private poetry-workshop" But the critic William Empson once said, "I do not know for certain how much of my own mind