A Harlot's Progress A Harlot's Progress A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image: having painted a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and rich allegory are reminiscent of John Bunyan's
Royal Persian Paintings: The Qajar Epoch 1785-1925 Royal Persian Paintings: The Qajar Epoch 1785-1925 Royal Persian Paintings: The Qajar Epoch 1785-1925 was the first major exhibition of Persian art in Qajar era which took place from October 1998 to June 1999 at Brooklyn Museum in New York. The curator of the exhibition was Layla S. Diba, Hagop Kevorkian Curator of Islamic Art at the Brooklyn Museum, a scholar of Persian art in the 18th and 19th century, assisted by Maryam Ekhtiar, Research Associate at Brooklyn Museum. The exhibition later took place at UCLA/Hammer Museum in Los Angeles from Feb 24 - May 9, 1999, and SOAS in