Medusa Aeschylus's "Prometheus Bound", which places both trinities of sisters far off "on Kisthene's dreadful plain": Near them their sisters three, the Gorgons, winged With snakes for hair— hatred of mortal man— While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as having monstrous form, sculptors and vase-painters of the fifth century began to envisage her as being beautiful as well as terrifying. In an ode written in 490 BC Pindar already speaks of "fair-cheeked Medusa". In a late version of the Medusa myth, related by the Roman poet Ovid ("Metamorphoses" 4.770), Medusa was originally a ravishingly beautiful
Greek mythology to prove, as in the case of the Greek Moirai and the Norns of Norse mythology. It appears that the Mycenaean religion was the mother of the Greek religion and its pantheon already included many divinities that can be found in classical Greece. However, Greek mythology is generally seen as having heavy influence of Pre-Greek and Near Eastern cultures, and as such contains few important elements for the reconstruction of the Proto-Indo-European religion. Consequently, Greek mythology received minimal scholarly attention in the context of Indo-European comparative mythology until the mid 2000s. Archaeology and mythography have revealed influence from Asia Minor