Konstantin Khabensky time. In 1990 Khabensky entered the Leningrad State Institute of Theatre, Music and Cinema (course of Veniamin Filshtinsky), where his classmates were Mikhail Porechenkov, Andrei Zibrov and Mikhail Trukhin. For the final exam Konstantin performed as Estragon in the play "Waiting for Godot" by Samuel Beckett, his graduation was in 1995. Khabensky's cinematic debut was in the 1994 comedy film "To whom will God send" where he appeared in a minor role of a pedestrian. In 1995, after graduating from the Russian State Institute of Performing Arts, Konstantin worked at the Perekriostok Experimental Theater where he served for one year.
Samuel Beckett Days" (1961). These plays—which are often considered, rightly or wrongly, to have been instrumental in the so-called "Theatre of the Absurd"—deal in a darkly humorous way with themes similar to those of the roughly contemporary existentialist thinkers. The term "Theatre of the Absurd" was coined by Martin Esslin in a book of the same name; Beckett and "Godot" were centerpieces of the book. Esslin argued these plays were the fulfilment of Albert Camus's concept of "the absurd"; this is one reason Beckett is often falsely labeled as an existentialist (this is based on the assumption that Camus was an existentialist,