Othello (character) of "The Three Apples", one of the stories narrated in the "One Thousand and One Nights" ("Arabian Nights"). Desdemona is the only named character in Cinthio's tale, his other characters being identified as the Moor, the squadron leader, the ensign, and the ensign's wife. While Shakespeare closely followed Cinthio's tale in composing "Othello", he departed from it in some details, particularly in the tale's depiction of Desdemona's death. In Cinthio, the Moor commissions his ensign to bludgeon Desdemona to death with a sand-filled stocking. In gruesome detail, Cinthio follows each blow, and, when the lady is dead, the Moor and
Othello negative connotations. Othello was frequently performed as an Arab Moor during the 19th century. He was first played by a black man on the London stage in 1833 by the most important of the nineteenth-century Othellos, the African American Ira Aldridge who had been forced to leave his home country to make his career. Regardless of what Shakespeare intended by calling Othello a "Moor" – whether he meant that Othello was a Muslim or a black man or both – in the 19th century and much of the 20th century, many critics tended to see the tragedy in racial terms,