L'estro armonico National Library of Wales in Aberystwyth. The 1797 Encyclopædia Britannica records that the fifth concerto was also played on an Irish variant of Benjamin Franklin's celebrated invention, the glass harmonica. Under the entry for "Harmonica" or "Armonica", a 35-glass harmonica is described, about which its inventor, the Dublin physician Edward Cullen, writes: There were numerous arrangements for keyboard instruments in the eighteenth century, as described in the next section. One surviving eighteenth century transcription of Op.3, No.3 has been interpreted as an arrangement for glockenspiel. Themes from movements in the concertos were borrowed by other composers for vocal works: the
Claude glass objects and a flatter glass for distant and small objects." The Claude glass is named for Claude Lorrain, a 17th-century landscape painter, whose name in the late 18th century became synonymous with the picturesque aesthetic, although there is no indication he used or knew of it or anything similar. The Claude glass was supposed to help artists produce works of art similar to those of Lorrain. William Gilpin, the inventor of the picturesque ideal, advocated the use of a Claude glass saying, "they give the object of nature a soft, mellow tinge like the colouring of that Master". Gilpin mounted