A Harlot's Progress in London" #330. A Harlot's Progress A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image: having painted a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and rich allegory are reminiscent
Master I. A. M. of Zwolle so they are given generic or descriptive titles that vary slightly between sources. The individual impressions also vary in sheet size. Master I.A.M.'s prints were often copied by contemporary engravers, but also by artists in other media. In particular the painter Gian Francesco da Tolmezzo based his fresco in Provesano (c. 1496) upon "The Betrayal of Christ". Francisco Henriques also based paintings upon I.A.M.'s engravings. Lucas van Leiden developed his style from that of Master I.A.M. and Albrecht Dürer. His prints were much sought after by prominent collectors. The English writer Samuel Pepys owned copies of the "Pietà" and "The