Theatre of the Absurd plots of many Absurdist plays feature characters in interdependent pairs, commonly either two males or a male and a female. Some Beckett scholars call this the "pseudocouple". The two characters may be roughly equal or have a begrudging interdependence (like Vladimir and Estragon in "Waiting for Godot" or the two main characters in "Rosencrantz & Guildenstern Are Dead"); one character may be clearly dominant and may torture the passive character (like Pozzo and Lucky in "Waiting for Godot" or Hamm and Clov in "Endgame"); the relationship of the characters may shift dramatically throughout the play (as in Ionesco's "The Lesson"
Words and Music (play) is a goal to be sought in "Words and Music." It is appropriate to think of Beckett as coming as close to a combined "composer/writer" as any author has or perhaps ever will. Beckett's impossible yet thrilling and inspiring lifelong search (technical and otherwise) resulted in a body of brilliant works that still puzzle and amaze no matter how much analysis is applied to them. Words and Music (play) Samuel Beckett wrote the radio play, Words and Music between November and December 1961. It was recorded and broadcast on the BBC Third Programme on 13 November 1962. Patrick Magee played