Othello (paintings) human figures encountered in intimate situations heightened by the contrast of light and dark, and various sexual metaphors. The second part contains about thirty canvases dealing with themes of intrigue, suspicion, and killing making direct references to the characters Iago, Othello, and Desdemona in Shakespeare’s tragedy. They reveal images of aggressiveness, intensity, and violence with webs of turbulent rhythm, whirling forms, and allegorical concepts as a means of conjuring imagery with layers of meanings and symbols that may visually reinterpret the intensity of events leading to Othello killing of Desdemona. Othello (paintings) Othello is a series of paintings executed in
Othello is the model for Shakespeare's Othello, but some researchers believe the poet also took inspiration from the several Moorish delegations from Morocco to Elizabethan England "circa" 1600. Another possible source was the "Description of Africa" by Leo Africanus. The book was an enormous success in Europe, and was translated into many other languages, remaining a definitive reference work for decades (and to some degree, centuries) afterwards. An English translation by John Pory appeared in 1600 under the title "A Geographical Historie of Africa, Written in Arabicke and Italian by Iohn Leo a More..." in which form Shakespeare may have seen