Valerie Eliot it." Following T. S. Eliot's 1965 death, Valerie Eliot was his most important editor and literary executor, having brought to press "The Waste Land: Facsimile and Manuscripts of the Original Drafts" (1971) and " The Letters of T. S. Eliot: Volume 1, 1898–1922" (1989). She assisted Christopher Ricks with his edition of "The Inventions of the March Hare" (1996), a volume of Eliot's unpublished verse. A long-delayed second volume of T. S. Eliot's letters was also edited by her. One of Valerie Eliot's most lucrative decisions as executor was granting permission for a stage musical to be based on her
T. S. Eliot us home all point to the pilgrim's path along the road of sanctification. With the important exception of "Four Quartets", Eliot directed much of his creative energies after "Ash Wednesday" to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in "The Waste Land". In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He