Pozzo (Waiting for Godot) Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting for Godot". His name is Italian for "well" (as in "oil well"). On the surface he is a pompous, sometimes foppish, aristocrat (he claims to live in a manor, own many slaves and a Steinway piano), cruelly using and exploiting those around him (specifically his slave, Lucky and, to a lesser extent, Estragon). He wears similar clothes to Vladimir and Estragon (i.e. a bowler and suit), but they are not in the dire condition theirs are. While by no means a villain in a conventional sense of
Samuel Beckett career". Beckett fictionalised the experience in his play "Krapp's Last Tape" (1958). While listening to a tape he made earlier in his life, Krapp hears his younger self say "clear to me at last that the dark I have always struggled to keep under is in reality my most...", at which point Krapp fast-forwards the tape (before the audience can hear the complete revelation). Beckett later explained to Knowlson that the missing words on the tape are "precious ally". In 1946, Jean-Paul Sartre’s magazine "Les Temps modernes" published the first part of Beckett’s short story ""Suite"" (later to be called