Glass harmonica Franklin and a fellow of the Royal Society, extended the experiments of Pockrich, contriving a set of glasses better tuned and easier to play. During the same decade, Christoph Willibald Gluck also attracted attention playing a similar instrument in England. Benjamin Franklin invented a radically new arrangement of the glasses in 1761 after seeing water-filled wine glasses played by Edmund Delaval at Cambridge in England in May 1761. Franklin worked with London glassblower Charles James to build one, and it had its world premiere in early 1762, played by Marianne Davies. Writing to his friend Giambatista Beccaria in Turin, Italy,
Glass harmonica in his 1919 opera "Die Frau ohne Schatten"), when German virtuoso Bruno Hoffmann began revitalizing interest in his individual goblet instrument version that he named the glass harp for his stunning performances. Playing his "glass harp" (with Eisch manufactured custom designed glasses mounted in a case designed with underlying resonance chamber) he transcribed or rearranged much of the literature written for the mechanized instrument, and commissioned contemporary composers to write new pieces for his goblet version. Franklin's glass armonica design was reworked yet again without patent credit by master glassblower and musician, Gerhard B. Finkenbeiner (1930–1999) in 1984. After thirty