Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Waiting for Godot taken as evidence that that is at least what he believes. This reading is given further weight early in the first act when Estragon asks Vladimir what it is that he has requested from Godot: Other explicit Christian elements that are mentioned in the play include, but not limited to, repentance, the Gospels, a Saviour, human beings made in God's image, the cross, and Cain and Abel. According to biographer Anthony Cronin, "[Beckett] always possessed a Bible, at the end more than one edition, and Bible concordances were always among the reference books on his shelves." Beckett himself was quite