Waiting for Godot Feelings ran high and the opposition, led by Sir Malcolm Sargent, threatened to resign if "Godot" won [The Best New Play category]. An English compromise was worked out by changing the title of the award. "Godot" became The Most Controversial Play of the Year. It is a prize that has never been given since." In the Australian premiere at the Arrow Theatre in Melbourne in 1957, Barry Humphries played Estragon opposite Peter O'Shaughnessy's Vladimir. Although not his favourite amongst his plays, "Waiting for Godot" was the work which brought Beckett fame and financial stability and as such it always held
Samuel Beckett Days" (1961). These plays—which are often considered, rightly or wrongly, to have been instrumental in the so-called "Theatre of the Absurd"—deal in a darkly humorous way with themes similar to those of the roughly contemporary existentialist thinkers. The term "Theatre of the Absurd" was coined by Martin Esslin in a book of the same name; Beckett and "Godot" were centerpieces of the book. Esslin argued these plays were the fulfilment of Albert Camus's concept of "the absurd"; this is one reason Beckett is often falsely labeled as an existentialist (this is based on the assumption that Camus was an existentialist,