Mandalay (poem) metre and rhythm were admired; in "The Art of Verse Making" (1915), Modeste Hannis Jordan could write "Kipling has a wonderful 'ear' for metre, for rhythm. His accents fall just right, his measure is never halting or uncertain. His 'Mandalay' may be quoted as an excellent example of rhythm, as easy and flowing as has ever been done". The poet and critic T. S. Eliot, writing in 1941, called the variety of forms Kipling devised for his ballads "remarkable: each is distinct, and perfectly fitted to the content and the mood which the poem has to convey." The literary critic
T. S. Eliot a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled "Fragment of a Prologue" (1926) and "Fragment of an Agon" (1927), were published together in 1932 as "Sweeney Agonistes". Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one. A pageant play by Eliot called "The Rock" was performed in 1934 for the benefit of churches in the Diocese of London. Much of it was a collaborative effort; Eliot accepted credit only