Othello tale in composing "Othello", he departed from it in some details. Brabantio, Roderigo, and several minor characters are not found in Cinthio, for example, and Shakespeare's Emilia takes part in the handkerchief mischief while her counterpart in Cinthio does not. Unlike in "Othello", in Cinthio, the "Ensign" (the play's Iago) lusts after Desdemona and is spurred to revenge when she rejects him. Shakespeare's opening scenes are unique to his tragedy, as is the tender scene between Emilia and Desdemona as the lady prepares for bed. Shakespeare's most striking departure from Cinthio is the manner of his heroine's death. In Shakespeare,
Othello (1990 film) regarded as one of the finest screen Shakespeares ever", so expectations for this adaptation were "sky-high". Michael Brooke, writing for BFI Screenonline, thinks the expectations were "… generally met by a production that holds a very distinguished place amongst filmed Othellos, and is arguably its most successful television translation." He particularly calls out "the beautifully achieved chemistry between the four leads" as among its strongest features. In the "Cambridge Companion to Shakespeare on Film", Carol Chillington Rutter finds a feminist perspective in the film: Othello (1990 film) Othello is a 1990 film produced by the Royal Shakespeare Company, starring Ian