British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
Rhythm and blues British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain during the Cold War, or merchant seamen visiting ports such as London, Liverpool, Newcastle upon Tyne and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in a "rawer" or "grittier" sound than the more popular "beat groups". Initially developing out of the trad jazz, skiffle and folk club scenes, early artists tended to focus on major blues