Red-billed quelea bird "Moineau a bec rouge du Senegal" in French and "Passer senegalensis erythrorynchos" in Latin, both meaning "red-billed Senegalese sparrow". Also in 1766, George Edwards illustrated the species in colour, based on a live male specimen owned by a Mrs Clayton in Surrey. He called it the "Brazilian sparrow", despite being unsure whether it came from Brazil or Angola. In 1850, Ludwig Reichenbach thought the species was not a true bunting, but rather a weaver, and created the genus name "Quelea", as well as the new combination "Q. quelea". The white-faced morph was described as a separate species, "Q. russii".
Creature Comforts things to come in British television advertising. Many commentators believe that there was a fundamental shift in television advertising from the unbridled consumerism and egoism of the 1980s to what is sometimes termed a more "caring" approach in the 1990s. The "Creature Comforts" advertisements are cited as an early example of this phenomenon. The format of the "Creature Comforts" advertisements was so successful that it was replicated in other campaigns in the following decades. In later years, however, members of the public became increasingly conscious of the potential uses of their "vox pop" interviews. This made it difficult to recapture