A Harlot's Progress A Harlot's Progress A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image: having painted a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and rich allegory are reminiscent of John Bunyan's
18th-century French literature de Sade (the Marquis de Sade) (1797); "Le Sopha- conte moral" ) ("The Sopha - a moral tale") by Claude Prosper Jolyot de Crébillon (1745), and "les Bijoux indiscrets" ("The indiscreet jewels") (1748) and "La Religieuse" ("The Nun") by Diderot (1760). The novel of feelings appeared in the second half of the 18th century, with the publication of "Julie ou la Nouvelle Héloïse" ("Julie, or the New Heloise"), in a novel in the form of letters, written by Jean-Jacques Rousseau (1761). It was modelled after the English novel "Pamela" by Samuel Richardson, which was the best-selling novel of the century,