T. S. Eliot Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book "Where the Dreams Cross: T S Eliot and French Poetry" (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valéry. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," "On Poetry and Poets", 1948) In
T. S. Eliot religious sensibility." After this, he worked on more "commercial" plays for more general audiences: "The Family Reunion" (1939), "The Cocktail Party" (1949), "The Confidential Clerk", (1953) and "The Elder Statesman" (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of "The Cocktail Party" received the 1950 Tony Award for Best Play. Eliot wrote "The Cocktail Party" while he was a visiting scholar at the Institute for Advanced Study. Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act