Theatre of the Absurd plots of many Absurdist plays feature characters in interdependent pairs, commonly either two males or a male and a female. Some Beckett scholars call this the "pseudocouple". The two characters may be roughly equal or have a begrudging interdependence (like Vladimir and Estragon in "Waiting for Godot" or the two main characters in "Rosencrantz & Guildenstern Are Dead"); one character may be clearly dominant and may torture the passive character (like Pozzo and Lucky in "Waiting for Godot" or Hamm and Clov in "Endgame"); the relationship of the characters may shift dramatically throughout the play (as in Ionesco's "The Lesson"
Waiting for Godot taken as evidence that that is at least what he believes. This reading is given further weight early in the first act when Estragon asks Vladimir what it is that he has requested from Godot: Other explicit Christian elements that are mentioned in the play include, but not limited to, repentance, the Gospels, a Saviour, human beings made in God's image, the cross, and Cain and Abel. According to biographer Anthony Cronin, "[Beckett] always possessed a Bible, at the end more than one edition, and Bible concordances were always among the reference books on his shelves." Beckett himself was quite