Samuel Beckett Beckett never sold, donated or gave away. He refused to allow the play to be translated into film but did allow it to be played on television. Beckett translated all of his works into English himself, with the exception of "Molloy", for which he collaborated with Patrick Bowles. The success of "Waiting for Godot" opened up a career in theatre for its author. Beckett went on to write successful full-length plays, including "Fin de partie" ("Endgame") (1957), "Krapp's Last Tape" (1958, written in English), "Happy Days" (1961, also written in English), and "Play" (1963). In 1961, Beckett received the International
Waiting for Godot taken as evidence that that is at least what he believes. This reading is given further weight early in the first act when Estragon asks Vladimir what it is that he has requested from Godot: Other explicit Christian elements that are mentioned in the play include, but not limited to, repentance, the Gospels, a Saviour, human beings made in God's image, the cross, and Cain and Abel. According to biographer Anthony Cronin, "[Beckett] always possessed a Bible, at the end more than one edition, and Bible concordances were always among the reference books on his shelves." Beckett himself was quite