The Literary Society and John Bailey, and in more recent times, Anthony Powell, Siegfried Sassoon, A. A. Milne, Kingsley Amis, John Gross, Antonia Fraser, Tom Stoppard, Patrick Leigh Fermor, Claire Tomalin, Charles Moore, Miriam Gross, V. S. Naipaul, Sebastian Faulks, Antony Beevor and P. D. James. The Literary Society has not obtruded on public notice, with the brief exception of its meetings and personalities in the middle of the twentieth century which were regularly documented in the Lyttelton/Hart-Davis Letters, in which are frequent vignettes of the members of the 1950s and 60s, including John Betjeman, T. S. Eliot, Malcolm Sargent, Alan Lascelles and
T. S. Eliot same time infusing this portrayal with—in Eliot's view—wit and uniqueness. Eliot's essay "The Metaphysical Poets", along with giving new significance and attention to metaphysical poetry, introduced his now well-known definition of "unified sensibility", which is considered by some to mean the same thing as the term "metaphysical". His 1922 poem "The Waste Land" also can be better understood in light of his work as a critic. He had argued that a poet must write "programmatic criticism", that is, a poet should write to advance his own interests rather than to advance "historical scholarship". Viewed from Eliot's critical lens, "The Waste