British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
British rhythm and blues London clubs, but had less commercial success than many of their contemporaries. The Pretty Things had UK hits with "Don't Bring Me Down" (1964) and the self penned "Honey I Need" (1965), which both reached the top twenty, but they failed to break into the American market and would be chiefly remembered for their later psychedelic work. Pink Floyd began as a rhythm and blues outfit, the Tea Set, adopting a new name based on those of blues musicians Floyd Council and Pink Anderson and playing London blues clubs from 1966. By the time they began to record they had