British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
Rhythm and blues to attend a sold out performance with 8,000 seats. Roads were clogged for seven hours. Film makers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, the Treniers, the Platters, the Flamingos, all made it onto the big screen. Two Elvis Presley records made the R&B top five in 1957: "Jailhouse Rock"/"Treat Me Nice" at number one, and "All Shook Up" at number five, an unprecedented acceptance of a non-African American artist into a music category known for being created by blacks.