Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Frances Beckett the Model Niland collection in Sligo. Another work, a portrait of Israel Leventon is at the Irish Jewish Museum. Beckett, who was called Cissie, married an antique dealer called William 'the Boss' Sinclair. They lived in Howth and had several children one of whom, Ruth Margaret (1911-33), known as Peggy, was one of two women who are both identified as having been Samuel Beckett's 'first love', the other being poet and medical doctor Ethna McCarthy. In the early 1920s the Sinclairs went to live in Germany, where they were often visited by Samuel Beckett. Cissie is said to have fostered