Auric Goldfinger is initially led to believe Goldfinger is going to steal the gold, the real plot is revealed to be to render the gold contained in the Depository radioactive and useless, crippling the gold standard-based economy and thereby dramatically driving up the price of the gold Goldfinger already owns. A scene in the film even uses a confrontation between Goldfinger and Bond to point out logistical flaws in the plan as set out in the original novel. In the film, Goldfinger is a successful businessman, owning many properties throughout the world including "Auric Enterprises, AG" in Switzerland, and a stud-farm in
Motifs in the James Bond film series the opening sequence for the 1964 film "Goldfinger" shows clips from Bond films projected onto the gold-painted silhouette of actress Margaret Nolan: the titles have been described by Bond scholars Smith and Lavington as "Gorgeous, iconic, seminal." The concept for the titles came from designer Robert Brownjohn, who worked on "From Russia with Love" and "Goldfinger", before he fell out with producer Harry Saltzman and left the series. In creating the titles, Brownjohn was inspired by seeing light projecting on people's bodies as they got up and left a cinema; he was also influenced by constructivist artist László Moholy-Nagy projecting