Waiting for Godot his surveillant presence. He is by turns dismissed, satirised, or ignored, but he, and his tortured son, are never definitively discarded." "Waiting for Godot" has been described as a "metaphor for the long walk into Roussillon, when Beckett and Suzanne slept in haystacks [...] during the day and walked by night [... or] of the relationship of Beckett to Joyce." Becket told Ruby Cohn that Caspar David Friedrich's painting "Two Men Contemplating the Moon", which he saw on his journey to Germany in 1936, was a source for the play. Though the sexuality of Vladimir and Estragon is not always
Play (play) (M). To his right is his wife (W1) or long-time partner. The third urn holds his mistress (W2). Their “[f]aces [are] so lost to age and aspect as to seem almost part of the urns.” Beckett had used similar imagery before, Mahood’s jar in "The Unnameable", for example, or the dustbins occupied by Nell and Nagg in "Endgame". At the beginning and end of the play, a spotlight picks out all three faces, and all three characters recite their own lines, in what Beckett terms a "chorus"; the effect is unintelligible. The main part of this play is made up