Apollo and Daphne her arms already transforming into its branches as she flees and calls to her father to save her from Apollo. Artists such as Antonio del Pollaiolo and his brother Piero often manipulated scenes from Greek mythology into the setting of their time periods. In Pollaiolo's painting "Apollo and Daphne", both are shown dressed in Renaissance garments, with Daphne in the midst of transforming into the laurel tree. It hangs in the National Gallery in London. It has been argued that "The Kiss" by Gustav Klimt is a painting symbolic of the kissing of Daphne by Apollo at the moment she
Greek sea gods gods in the "Iliad", while in the seventh century BC the Spartan poet Alcman made the sea-nymph Thetis a demiurge-figure. Orpheus's song in Book I of the "Argonautica" hymns the sea-nymph Eurynome as first queen of the gods, as wife of the ocean-born giant Ophion. The pre-Socratic cosmogony of Thales, who made water the first element, may be seen as a natural outgrowth of this poetic thinking. The primacy of aquatic gods is reminiscent of, and may even have been influenced by, ancient Near Eastern mythology - where Tiamat (salt water) and Apsu (fresh water) are the first gods of