Othello the handkerchief as proof, Emilia realizes what her husband Iago has done, and she exposes him, whereupon he kills her. Othello, belatedly realising Desdemona's innocence, stabs Iago but not fatally, saying that Iago is a devil, and he would rather have him live the rest of his life in pain. Iago refuses to explain his motives, vowing to remain silent from that moment on. Lodovico apprehends both Iago and Othello for the murders of Roderigo, Emilia, and Desdemona, but Othello commits suicide. Lodovico appoints Cassio as Othello's successor and exhorts him to punish Iago justly. He then denounces Iago for
Othello Shakespearean plays that was never adapted and changed during the Restoration and the eighteenth century. As Shakespeare regained popularity among nineteenth-century French Romantics, poet, playwright, and novelist Alfred de Vigny created a French translation of "Othello", titled "Le More de Venise", which premiered at the Comédie-Française on 24 October 1829. Famous nineteenth-century Othellos included Ira Aldridge, Edmund Kean, Edwin Forrest, and Tommaso Salvini, and outstanding Iagos were Edwin Booth and Henry Irving. The most notable American production may be Margaret Webster's 1943 staging starring Paul Robeson as Othello and José Ferrer as Iago. This production was the first ever in