Samuel Beckett Minuit, including the poioumenon "trilogy" of novels: "Molloy" (1951); "Malone meurt" (1951), "Malone Dies" (1958); "L'innommable" (1953), "The Unnamable" (1960). Despite being a native English speaker, Beckett wrote in French because—as he himself claimed—it was easier for him thus to write "without style". Beckett is most famous for his play "En attendant Godot" (1953) ("Waiting for Godot"). Like most of his works after 1947, the play was first written in French with the title "En attendant Godot". Beckett worked on the play between October 1948 and January 1949. His partner, Suzanne Dechevaux-Dumesnil, was integral to its success. Dechevaux-Dumesnil became his
Words and Music (play) Or does this gathering occur again and again outside time? So many Beckett works present characters seemingly caught in endless cycles of repetition (those who wait in "Waiting for Godot"/the appearing-disappearing woman in "Ill Seen Ill Said"/The urn-dwelling trio in "Play" etc.) that this is always a possibility. Additional related aspects of Love that Croak focuses on as sub-themes are "Age," "Face," (With two foreshadowing mentions earlier on in the play-once by Croak and then latter by Words) and the climactic naming of "Lily" which is discussed later regarding its various implications. After this iteration Croak is reduced to groans,