Mandalay (poem) metre and rhythm were admired; in "The Art of Verse Making" (1915), Modeste Hannis Jordan could write "Kipling has a wonderful 'ear' for metre, for rhythm. His accents fall just right, his measure is never halting or uncertain. His 'Mandalay' may be quoted as an excellent example of rhythm, as easy and flowing as has ever been done". The poet and critic T. S. Eliot, writing in 1941, called the variety of forms Kipling devised for his ballads "remarkable: each is distinct, and perfectly fitted to the content and the mood which the poem has to convey." The literary critic
T. S. Eliot religious sensibility." After this, he worked on more "commercial" plays for more general audiences: "The Family Reunion" (1939), "The Cocktail Party" (1949), "The Confidential Clerk", (1953) and "The Elder Statesman" (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of "The Cocktail Party" received the 1950 Tony Award for Best Play. Eliot wrote "The Cocktail Party" while he was a visiting scholar at the Institute for Advanced Study. Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act