Emilia (Othello) Award nomination for her performance. "Othello" has its source in the 1565 tale, "Un Capitano Moro" from "Gli Hecatommithi" by Giovanni Battista Giraldi Cinthio. While no English translation of Cinthio was available in Shakespeare's lifetime, it is probable that Shakespeare knew both the Italian original and Gabriel Chappuy's 1584 French translation. Cinthio's tale may have been based on an actual incident occurring in Venice about 1508. The only named character in Cinthio's story is "Desdemona". Other characters are identified only as the Moor, the squadron leader, the ensign, and the ensign's wife – the original of Shakespeare's Emilia. There's no
Othello negative connotations. Othello was frequently performed as an Arab Moor during the 19th century. He was first played by a black man on the London stage in 1833 by the most important of the nineteenth-century Othellos, the African American Ira Aldridge who had been forced to leave his home country to make his career. Regardless of what Shakespeare intended by calling Othello a "Moor" – whether he meant that Othello was a Muslim or a black man or both – in the 19th century and much of the 20th century, many critics tended to see the tragedy in racial terms,