A Rake's Progress, 3: The Tavern Scene and from 1810 in Soane's town house in Lincoln's Inn Fields. The Brothel painting scene and the other seven paintings in the series are available in the picture gallery in the city residence, now converted to Sir John Soane's Museum. Hogarth's picture suite has been used as the basis for the English opera "The Rake's Progress", with libretto by W.H. Auden and Chester Kallman and with music by Igor Stravinsky. Stravinsky had noted William Hogarth's pictures at an exhibition in Chicago in 1947, and got the idea to write an opera on the theme. A Rake's Progress, 3: The Tavern
Deism in England and France in the 18th century Deism equals atheism. This misunderstanding of Deism is not a contemporary issue but it goes back to the seventeenth century as J. M. Robertson explains: "Before deism came into English vogue, the names for unbelief were simply 'infidelity' and 'atheism'- e.g. Baxter's Unreasonableness of Infidelity (1655) ... Bishop Stillingfleet's Origines Sacrae deals chiefly with deistic views, but calls unbelievers in general 'atheists'... ". So, the term 'atheism' was used as a basis for rational critique before the term 'Deism' being used. But by the first half of the 18th century, when English Deism had explicitly become an intellectual movement, the