Goldfinger (novel) "was presented as a complex character". Continuation author Raymond Benson agrees, and sees "Goldfinger" as a transitional novel, with Bond becoming more human than in previous books and more concerned with what Benson calls "the mortal trappings of life", which manifest itself with the opening chapter of the book as Bond sits in Miami airport and thinks through his fight with and killing of a Mexican thug. Benson also sees that Bond has developed something of a sense of humour in "Goldfinger", verbally abusing Oddjob, to Bond's own amusement. Auric Goldfinger was described by Raymond Benson as "Fleming's most successful
Goldfinger (soundtrack) the instrumental score versions of songs, while the main musicians (on Goldfinger: Vic Flick) were given the main film theme song to solely record, to be featured at the beginning of the film. Co-producer Harry Saltzman is said to have hated the song as too old fashioned for 1960s youth culture and only agreed to use it when persuaded by Albert Broccoli Originally, Newley recorded a version of the theme song, but it was later re-recorded with Bassey's voice for the film and soundtrack album. In 1992, Newley's version was released for the 30th Anniversary of James Bond on film,