Gorgon (composition) a ceremonial work, used the Rochester Philharmonic Orchestra's commission to see its realization. "Gorgon" was inspired by the legend of the three Gorgons from Greek mythology: Stheno, Euryale, and Medusa. Rouse described the creatures in the score program notes, writing: He added, "Since the time of the ancient Greeks, the gorgon has become a symbol for any terror too immense — and too horrible — to be faced. It has thus become an image of sublimated brutality and savagery, perhaps a metaphor for our own private and subconscious monsters." He concluded, "In addition to certain intentional similarities common to musical
Greek mythology existing literary evidence. Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using Animism, assigned a spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the