T. S. Eliot Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book "Where the Dreams Cross: T S Eliot and French Poetry" (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valéry. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," "On Poetry and Poets", 1948) In
T. S. Eliot us home all point to the pilgrim's path along the road of sanctification. With the important exception of "Four Quartets", Eliot directed much of his creative energies after "Ash Wednesday" to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in "The Waste Land". In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He