Disjecta (Beckett) his essay on Beckett in "" that the fragment, particular the characters' reactions to Leavett's entrance offer the first glimpses of Beckett's much later masterpieces "Endgame" and "Waiting for Godot". Disjecta (Beckett) Disjecta: Miscellaneous Writings and a Dramatic Fragment is a collection of previously uncollected writings by Samuel Beckett, spanning his entire career. The title is derived from the Latin phrase "disjecta membra," meaning scattered remains or fragments, usually applied to written work. The essays appear in their original language of composition (English, French, or German), as stipulated by Beckett, since the volume is intended for scholars who should be
Frances Beckett Frances Beckett Frances Beckett (1880-1951), Irish artist, was the paternal aunt of Nobel laureate Samuel Beckett. Her father was William Beckett and her brother William, one of four brothers, was Samuel Beckett's father. Beckett studied art at the Dublin Metropolitan School of Art and in Paris at Colarossi's studio, where she went with Estella Solomons and Beatrice and Dorothy Elvery. In 1903 she exhibited with the Young Irish Artists group with the same group of friends. She exhibited at the Royal Hibernian Academy between 1897-1908. A portrait by her of Solomons, which had once belonged to Kathleen Goodfellow, is in