David Jones (artist-poet) he invented later in life, which he termed "painted inscriptions", and these exert a continuing influence on calligraphers. Although he had been trying to write about his wartime experiences since 1928, it was not until 1937 that Jones published his first literary treatment of the conflict. "In Parenthesis", which was published by Faber and Faber with an introduction (in 1961) by T. S. Eliot, is a mixture of verse and prose-lines but the rich language establishes it as poetry, which is how Jones himself considered it. Jones's literary debut won praise from critics and from fellow-poets such as Eliot and
T. S. Eliot observed that this time also marked the beginning of the decline in Eliot's literary influence: As Eliot's conservative religious and political convictions began to seem less congenial in the postwar world, other readers reacted with suspicion to his assertions of authority, obvious in "Four Quartets" and implicit in the earlier poetry. The result, fueled by intermittent rediscovery of Eliot's occasional anti-Semitic rhetoric, has been a progressive downward revision of his once towering reputation. Bush also notes that Eliot's reputation "slipped" significantly further after his death. He writes, "Sometimes regarded as too academic (William Carlos Williams's view), Eliot was also frequently