Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Words and Music (play) is a goal to be sought in "Words and Music." It is appropriate to think of Beckett as coming as close to a combined "composer/writer" as any author has or perhaps ever will. Beckett's impossible yet thrilling and inspiring lifelong search (technical and otherwise) resulted in a body of brilliant works that still puzzle and amaze no matter how much analysis is applied to them. Words and Music (play) Samuel Beckett wrote the radio play, Words and Music between November and December 1961. It was recorded and broadcast on the BBC Third Programme on 13 November 1962. Patrick Magee played