Konstantin Khabensky time. In 1990 Khabensky entered the Leningrad State Institute of Theatre, Music and Cinema (course of Veniamin Filshtinsky), where his classmates were Mikhail Porechenkov, Andrei Zibrov and Mikhail Trukhin. For the final exam Konstantin performed as Estragon in the play "Waiting for Godot" by Samuel Beckett, his graduation was in 1995. Khabensky's cinematic debut was in the 1994 comedy film "To whom will God send" where he appeared in a minor role of a pedestrian. In 1995, after graduating from the Russian State Institute of Performing Arts, Konstantin worked at the Perekriostok Experimental Theater where he served for one year.
Words and Music (play) Or does this gathering occur again and again outside time? So many Beckett works present characters seemingly caught in endless cycles of repetition (those who wait in "Waiting for Godot"/the appearing-disappearing woman in "Ill Seen Ill Said"/The urn-dwelling trio in "Play" etc.) that this is always a possibility. Additional related aspects of Love that Croak focuses on as sub-themes are "Age," "Face," (With two foreshadowing mentions earlier on in the play-once by Croak and then latter by Words) and the climactic naming of "Lily" which is discussed later regarding its various implications. After this iteration Croak is reduced to groans,