Samuel Beckett ""La Fin"", or "The End"), not realizing that Beckett had only submitted the first half of the story; Simone de Beauvoir refused to publish the second part. Beckett also began to write his fourth novel, "Mercier et Camier", which was not published until 1970. The novel presaged his most famous work, the play "Waiting for Godot", which was written not long afterwards. More importantly, the novel was Beckett’s first long work that he wrote in French, the language of most of his subsequent works which were strongly supported by Jérôme Lindon director of his parisian publishing house Les Éditions de
Samuel Beckett have attempted translations, but no complete version of the sequence has been published in English. Beckett's prose pieces during the late period were not so prolific as his theatre, as suggested by the title of the 1976 collection of short prose texts "Fizzles" (which the American artist Jasper Johns illustrated). Beckett experienced something of a renaissance with the novella "Company" (1980), which continued with "Ill Seen Ill Said" (1982) and "Worstward Ho" (1984), later collected in "Nohow On". In these three "'closed space' stories," Beckett continued his preoccupation with memory and its effect on the confined and observed self, as