T. S. Eliot most forcefully in a study by Anthony Julius: "T. S. Eliot, Anti-Semitism, and Literary Form" (1996). In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of my building] / Spawned in some estaminet of Antwerp." Another well-known example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar". In this poem, Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Interpreting the line as an indirect comparison of Jews to rats, Julius writes, "The anti-Semitism
T. S. Eliot for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of "The Rock", and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, "Murder in the Cathedral", concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], "Murder in the Cathedral" and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his