Gorgon (composition) a ceremonial work, used the Rochester Philharmonic Orchestra's commission to see its realization. "Gorgon" was inspired by the legend of the three Gorgons from Greek mythology: Stheno, Euryale, and Medusa. Rouse described the creatures in the score program notes, writing: He added, "Since the time of the ancient Greeks, the gorgon has become a symbol for any terror too immense — and too horrible — to be faced. It has thus become an image of sublimated brutality and savagery, perhaps a metaphor for our own private and subconscious monsters." He concluded, "In addition to certain intentional similarities common to musical
Ino (Greek mythology) at Magnesia (Burkert 1992:44). Ino (Greek mythology) In Greek mythology Ino (; Ancient Greek: Ἰνώ, ) was a mortal queen of Boeotia, who after her death and transfiguration was worshiped as a goddess under her epithet Leucothea, the "white goddess." Alcman called her "Queen of the Sea" (), which, if not hyperbole, would make her a doublet of Amphitrite. Ino was the second wife of the Minyan king Athamas, mother of Learches and Melicertes and stepmother of Phrixus and Helle. She was the second daughter of Cadmus and Harmonia and one of the three sisters of Semele, the mortal woman