Othello that opposition of Brabantio to Desdemona marrying Othello-a respected and honoured general-cannot make sense except in racial terms, citing the scene where Brabantio accuses Othello of using witchcraft to make his daughter fall in love with him, saying it is "unnatural" for Desdemona to desire Othello's "sooty bosom". Singh argued that since people with dark complexions are common in the Mediterranean area that for a Venetian senator like Brabantio to oppose Desdemona marrying Othello for merely being swarthy makes no sense, and that character of Othello was intended to be black. Michael Neill, editor of "The Oxford Shakespeare", notes that
Othello on Othello. Although characters described as "moors" appear in two other Shakespeare plays ("Titus Andronicus" and "The Merchant of Venice"), such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage. There is no consensus over Othello's ethnic origin. E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's race is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and