Goldfinger (novel) "was presented as a complex character". Continuation author Raymond Benson agrees, and sees "Goldfinger" as a transitional novel, with Bond becoming more human than in previous books and more concerned with what Benson calls "the mortal trappings of life", which manifest itself with the opening chapter of the book as Bond sits in Miami airport and thinks through his fight with and killing of a Mexican thug. Benson also sees that Bond has developed something of a sense of humour in "Goldfinger", verbally abusing Oddjob, to Bond's own amusement. Auric Goldfinger was described by Raymond Benson as "Fleming's most successful
Goldfinger (film) though trying to balance action and comedy. "Goldfinger" has been described as perhaps "the most highly and consistently praised Bond picture of them all" and after "Goldfinger", Bond "became a true phenomenon." The success of the film led to the emergence of many other works in the espionage genre and parodies of James Bond, such as The Beatles film "Help!" in 1965 and a spoof of Ian Fleming's first Bond novel, "Casino Royale", in 1967. Indeed, it has been said that "Goldfinger" was the cause of the boom in espionage films in the 1960s, so much so that in "1966,