Goldfinger (novel) "was presented as a complex character". Continuation author Raymond Benson agrees, and sees "Goldfinger" as a transitional novel, with Bond becoming more human than in previous books and more concerned with what Benson calls "the mortal trappings of life", which manifest itself with the opening chapter of the book as Bond sits in Miami airport and thinks through his fight with and killing of a Mexican thug. Benson also sees that Bond has developed something of a sense of humour in "Goldfinger", verbally abusing Oddjob, to Bond's own amusement. Auric Goldfinger was described by Raymond Benson as "Fleming's most successful
The Best of Bond...James Bond were included in the remastered soundtrack for "Goldfinger" in 2003 and appeared on the British LP in the 1960s. The "Thunderball Suite", was likewise not released on the "Thunderball" soundtrack until it was split up and used on the remastered release in 2003, along with extra unreleased music. Two rare additions were also made to the second disc. The first is the original version of "Goldfinger" sung by Anthony Newley who also wrote the song in collaboration with the film's composer, John Barry. Newley's jazz version was, however, replaced by Shirley Bassey's version in 1964 for the film and for