Bianca (Othello) request. Midway through 4.1., and prior to Bianca's entrance, Othello has been secretly observing a bawdy discussion between Iago and Cassio about the latter's sexual exploits with a young woman. Thanks to Iago's impeccable planning (and some bad luck), neither speaker mentions the name of the woman in question; it is in fact Bianca, but Othello tragically assumes it to be his wife, Desdemona. Bianca suddenly enters, and her suspicions of Cassio are even greater than before. She is convinced that the handkerchief belongs to another woman, and throws it contemptuously at Cassio's feet. In Othello's eyes, her apparent jealousy
Othello (character) directors lean away from a North African Moorish interpretation but Shakespeare's textual references are unclear. Iago twice uses the word "Barbary" or "Barbarian" to refer to Othello, seemingly referring to the Barbary coast inhabited by the "tawny" Moors. Roderigo calls Othello "the thicklips", which seems to refer to European conceptions of Sub-Saharan African physiognomy, but Honigmann counters that, as these comments are all intended as insults by the characters, they need not be taken literally. Michael Neill, editor of the Oxford Shakespeare edition, notes that the earliest critical references to Othello's colour, (Thomas Rymer's 1693 critique of the play, and