T. S. Eliot working on foreign accounts. On a trip to Paris in August 1920 with the artist Wyndham Lewis, he met the writer James Joyce. Eliot said he found Joyce arrogant—Joyce doubted Eliot's ability as a poet at the time—but the two soon became friends, with Eliot visiting Joyce whenever he was in Paris. Eliot and Wyndham Lewis also maintained a close friendship, leading to Lewis's later making his well-known portrait painting of Eliot in 1938. Charles Whibley recommended T.S. Eliot to Geoffrey Faber. In 1925 Eliot left Lloyds to become a director in the publishing firm Faber and Gwyer, later Faber
T. S. Eliot a work. More generally, New Critics took a cue from Eliot in regard to his "'classical' ideals and his religious thought; his attention to the poetry and drama of the early seventeenth century; his deprecation of the Romantics, especially Shelley; his proposition that good poems constitute 'not a turning loose of emotion but an escape from emotion'; and his insistence that 'poets... at present must be difficult'." Eliot's essays were a major factor in the revival of interest in the metaphysical poets. Eliot particularly praised the metaphysical poets' ability to show experience as both psychological and sensual, while at the