British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
British rhythm and blues of the blues in the US, being overshadowed by the rhythm and blues and electric blues that had emerged in the later 1950s. Blues harpist Cyril Davies ran the London Skiffle Club at the Roundhouse public house in London’s Soho, which served as a focal point for British skiffle acts. Like guitarist Alexis Korner, he had worked for Chris Barber, playing in the R&B segment Barber introduced to his show and as part of the supporting band for visiting US artists. They began to play together as a duo and in 1957, deciding their central interest was blues, they closed