Oedipus (Dryden play) and Jocasta who die in the end: Of all the persons of the drama, scarce one survives the fifth act. Oedipus dashes out his brains, Jocasta stabs herself, their children are strangled, Creon kills Eurydice, Adrastus kills Creon and the insurgents kill Adrastus; when we add to this, that the conspirators are hanged, the reader will perceive, that the play, which began with pestilence, concludes with a massacre. The following quotation, taken from the epilogue, summarises Dryden's approach: <poem> Their [i.e. Dryden/ Lee] treat is what your palates relish most, Charm! song! and show! a murder and a ghost!</poem> Extensive
Phallic stage psychologic dynamics of the parent and child relationship. The phallic stage is the third of five Freudian psychosexual development stages: (i) the oral, (ii) the anal, (iii) the phallic, (iv) the latent, and (v) the genital. In the Phallic stage of psychosexual development, a boy's decisive experience is the Oedipus complex describing his son–father competition for sexual possession of mother. This psychological complex indirectly derives its name from the Greek mythologic character Oedipus, who unwittingly killed his father and sexually possessed his mother. Initially, Freud applied the Oedipus complex to the development of boys and girls alike; he then developed