Lawrence Ferlinghetti "Ferlinghetti: Rebirth of Wonder "Don't call me a Beat. I was never a Beat poet." Ferlinghetti actually penned much of his early poetry in the vein of T. S. Eliot. Ferlinghetti told poet and critic Jack Foley "Everything I wrote sounded just like him." Yet, even in his poems inspired by Eliot such as Ferlinghetti's "Constantly Risking Absurdity," Ferlinghetti is ever the populist as he compares the poet first to a trapeze artist in a circus and then to a "little charleychaplin man." Critics note that Ferlinghetti's poetry often takes on a very visual dimension as befits this poet who
T. S. Eliot a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled "Fragment of a Prologue" (1926) and "Fragment of an Agon" (1927), were published together in 1932 as "Sweeney Agonistes". Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one. A pageant play by Eliot called "The Rock" was performed in 1934 for the benefit of churches in the Diocese of London. Much of it was a collaborative effort; Eliot accepted credit only