Waiting for Godot been blighted by a greedy ruling élite keeping the working classes passive and ignorant by whatever means." Vladimir and Estragon are often played with Irish accents, as in the Beckett on Film project. This, some feel, is an inevitable consequence of Beckett's rhythms and phraseology, but it is not stipulated in the text. At any rate, they are not of English stock: at one point early in the play, Estragon mocks the English pronunciation of "calm" and has fun with "the story of the Englishman in the brothel". "Bernard Dukore develops a triadic theory in "Didi, Gogo and the absent
Frances Beckett Frances Beckett Frances Beckett (1880-1951), Irish artist, was the paternal aunt of Nobel laureate Samuel Beckett. Her father was William Beckett and her brother William, one of four brothers, was Samuel Beckett's father. Beckett studied art at the Dublin Metropolitan School of Art and in Paris at Colarossi's studio, where she went with Estella Solomons and Beatrice and Dorothy Elvery. In 1903 she exhibited with the Young Irish Artists group with the same group of friends. She exhibited at the Royal Hibernian Academy between 1897-1908. A portrait by her of Solomons, which had once belonged to Kathleen Goodfellow, is in