Samuel Beckett Dublin in 1962, revising it as "Beginning To End" (1965). The show went through further revisions before Beckett directed it in Paris in 1970; MacGowran won the 1970–1971 Obie for Best Performance By an Actor when he performed the show off-Broadway as "Jack MacGowran in the Works of Samuel Beckett." Beckett wrote the radio play "Embers" and the teleplay "Eh Joe" specifically for MacGowran. The actor also appeared in various productions of "Waiting for Godot" and "Endgame," and did several readings of Beckett's plays and poems on BBC Radio; he also recorded the LP, "MacGowran Speaking Beckett" for Claddagh Records
Words and Music (play) Or does this gathering occur again and again outside time? So many Beckett works present characters seemingly caught in endless cycles of repetition (those who wait in "Waiting for Godot"/the appearing-disappearing woman in "Ill Seen Ill Said"/The urn-dwelling trio in "Play" etc.) that this is always a possibility. Additional related aspects of Love that Croak focuses on as sub-themes are "Age," "Face," (With two foreshadowing mentions earlier on in the play-once by Croak and then latter by Words) and the climactic naming of "Lily" which is discussed later regarding its various implications. After this iteration Croak is reduced to groans,