Minnehaha Salgari, "Sulle Frontiere del Far-West" (1908), "La Scotennatrice" (1909), "Le Selve Ardenti" (1910), and "La Vendetta di Minnehaha" (?). Minnehaha Minnehaha is a fictional Native American woman documented in Henry Wadsworth Longfellow's 1855 epic poem "The Song of Hiawatha". She is the lover of the titular protagonist Hiawatha and comes to a tragic end. The name, often said to mean "laughing water", literally translates to "waterfall" or "rapid water" in Dakota. The figure of Minnehaha inspired later art works such as paintings, sculpture and music. "The Death of Minnehaha" is a frequent subject for paintings. Minnehaha Falls and her death
The Song of Hiawatha the Indians dance". African-American melodies also appeared in the symphony, thanks to his student Harry Burleigh, who used to sing him songs from the plantations which Dvořák noted down. The fact that Burleigh’s grandmother was part Indian has been suggested to explain why Dvořák came to equate or confuse Indian with African American music in his pronouncements to the press. Among later orchestral treatments of the Hiawatha theme by American composers there was Louis Coerne's 4-part symphonic suite, each section of which was prefaced by a quotation from the poem. This had a Munich premiere in 1893 and a Boston