Tradition and the Individual Talent Tradition and the Individual Talent "Tradition and the Individual Talent" (1919) is an essay written by poet and literary critic T. S. Eliot. The essay was first published in "The Egoist" (1919) and later in Eliot's first book of criticism, "The Sacred Wood" (1920). The essay is also available in Eliot's "Selected Prose" and "Selected Essays"." While Eliot is most often known for his poetry, he also contributed to the field of literary criticism. In this dual role, he acted as poet-critic, comparable to Sir Philip Sidney and Samuel Taylor Coleridge. "Tradition and the Individual Talent" is one of the
T. S. Eliot for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of "The Rock", and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, "Murder in the Cathedral", concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], "Murder in the Cathedral" and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his