Samuel Beckett Minuit, including the poioumenon "trilogy" of novels: "Molloy" (1951); "Malone meurt" (1951), "Malone Dies" (1958); "L'innommable" (1953), "The Unnamable" (1960). Despite being a native English speaker, Beckett wrote in French because—as he himself claimed—it was easier for him thus to write "without style". Beckett is most famous for his play "En attendant Godot" (1953) ("Waiting for Godot"). Like most of his works after 1947, the play was first written in French with the title "En attendant Godot". Beckett worked on the play between October 1948 and January 1949. His partner, Suzanne Dechevaux-Dumesnil, was integral to its success. Dechevaux-Dumesnil became his
Samuel Beckett career". Beckett fictionalised the experience in his play "Krapp's Last Tape" (1958). While listening to a tape he made earlier in his life, Krapp hears his younger self say "clear to me at last that the dark I have always struggled to keep under is in reality my most...", at which point Krapp fast-forwards the tape (before the audience can hear the complete revelation). Beckett later explained to Knowlson that the missing words on the tape are "precious ally". In 1946, Jean-Paul Sartre’s magazine "Les Temps modernes" published the first part of Beckett’s short story ""Suite"" (later to be called