Hiawatha (sculpture) Hiawatha (sculpture) Hiawath is a 19th century sculpture executed in marble by American sculptor Augustus Saint-Gaudens. The work, which depicts the Iroquois leader Hiawatha, is in the collection of the Metropolitan Museum of Art. Augustus Saint-Gaudens sculpted his interpretation of the famed Iroquois leader between 1872 and 1874. He was inspired to create the work by "The Song of Hiawatha", an 1855 epic poem by poet Henry Wadsworth Longfellow. Longfellow's poem was well received by American audiences, and the epic work resulted in a rekindling of interest in Hiawatha and the waxing days of the Iroquois Confederacy. The poem is
The Bridge (long poem) Brooklyn Bridge, and which was actually the first part of the overall poem finished despite its reservation for the end. Upon its publication, "The Bridge" received mostly negative reviews. Yvor Winters, a contemporary and friend of Crane's who had praised Crane's previous book, "White Buildings", wrote one such review, in which he associated Crane's book with Modernist works by James Joyce and William Carlos Williams. Due to his disparaging views toward Modernism as a whole, Winters viewed such an association negatively. In Winter's own words, "The Bridge" "has no narrative framework and so lacks the formal unity of an epic."