Othello (paintings) human figures encountered in intimate situations heightened by the contrast of light and dark, and various sexual metaphors. The second part contains about thirty canvases dealing with themes of intrigue, suspicion, and killing making direct references to the characters Iago, Othello, and Desdemona in Shakespeare’s tragedy. They reveal images of aggressiveness, intensity, and violence with webs of turbulent rhythm, whirling forms, and allegorical concepts as a means of conjuring imagery with layers of meanings and symbols that may visually reinterpret the intensity of events leading to Othello killing of Desdemona. Othello (paintings) Othello is a series of paintings executed in
Othello (1990 film) regarded as one of the finest screen Shakespeares ever", so expectations for this adaptation were "sky-high". Michael Brooke, writing for BFI Screenonline, thinks the expectations were "… generally met by a production that holds a very distinguished place amongst filmed Othellos, and is arguably its most successful television translation." He particularly calls out "the beautifully achieved chemistry between the four leads" as among its strongest features. In the "Cambridge Companion to Shakespeare on Film", Carol Chillington Rutter finds a feminist perspective in the film: Othello (1990 film) Othello is a 1990 film produced by the Royal Shakespeare Company, starring Ian