Society for the Reformation of Manners Society would pay others to bring prosecutions, or bring prosecutions on its own account. A prominent supporter of the Society was John Gonson, Justice of the Peace and Chairman of the Quarter Sessions for the City of Westminster for 50 years in the early 18th century. He was noted for his enthusiasm for raiding brothels and for passing harsh sentences, and was depicted twice in William Hogarth's "A Harlot's Progress" series of paintings and engravings. In around 1770, the Society denounced Covent Garden as: The Society sought and gained the patronage of both Church and Crown: John Tillotson, the Archbishop
Beast and the Harlot as well as a more hard rock sound as opposed to their previous work, with heavy and fast riffs and a relatively normal song structure (with the exception of the guitar solo, which comes after the first chorus rather than the second, atypical of a three verse song). The song's rapid main riff was voted as the 14th greatest riff ever by the guitar magazine "Total Guitar" in March 2007. "Total Guitar" wrote: "The main riff to "Beast and the Harlot" is a great piece of dropped-D riffing with Zacky and Synyster cleverly placing the second part of the riff