Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Beckett on Film by Pearse Lehane, was released on 5 February 2003. It followed closely the project's work. The play was originally published in 1952. Of directing the film version, Michael Lindsay-Hogg said, "Beckett creates an amazing blend of comedy, high wit and an almost unbearable poignancy in a funny yet heartbreaking image of man's fate. With the camera, you can pick those moments and emphasise them, making Beckett's rare and extraordinary words all the more intimate [...]. The play is about what it is about. Samuel Beckett would have said it's about two men waiting on the side of the road for