Disjecta (Beckett) his essay on Beckett in "" that the fragment, particular the characters' reactions to Leavett's entrance offer the first glimpses of Beckett's much later masterpieces "Endgame" and "Waiting for Godot". Disjecta (Beckett) Disjecta: Miscellaneous Writings and a Dramatic Fragment is a collection of previously uncollected writings by Samuel Beckett, spanning his entire career. The title is derived from the Latin phrase "disjecta membra," meaning scattered remains or fragments, usually applied to written work. The essays appear in their original language of composition (English, French, or German), as stipulated by Beckett, since the volume is intended for scholars who should be
Samuel Beckett Days" (1961). These plays—which are often considered, rightly or wrongly, to have been instrumental in the so-called "Theatre of the Absurd"—deal in a darkly humorous way with themes similar to those of the roughly contemporary existentialist thinkers. The term "Theatre of the Absurd" was coined by Martin Esslin in a book of the same name; Beckett and "Godot" were centerpieces of the book. Esslin argued these plays were the fulfilment of Albert Camus's concept of "the absurd"; this is one reason Beckett is often falsely labeled as an existentialist (this is based on the assumption that Camus was an existentialist,