David Jones (artist-poet) he invented later in life, which he termed "painted inscriptions", and these exert a continuing influence on calligraphers. Although he had been trying to write about his wartime experiences since 1928, it was not until 1937 that Jones published his first literary treatment of the conflict. "In Parenthesis", which was published by Faber and Faber with an introduction (in 1961) by T. S. Eliot, is a mixture of verse and prose-lines but the rich language establishes it as poetry, which is how Jones himself considered it. Jones's literary debut won praise from critics and from fellow-poets such as Eliot and
T. S. Eliot a work. More generally, New Critics took a cue from Eliot in regard to his "'classical' ideals and his religious thought; his attention to the poetry and drama of the early seventeenth century; his deprecation of the Romantics, especially Shelley; his proposition that good poems constitute 'not a turning loose of emotion but an escape from emotion'; and his insistence that 'poets... at present must be difficult'." Eliot's essays were a major factor in the revival of interest in the metaphysical poets. Eliot particularly praised the metaphysical poets' ability to show experience as both psychological and sensual, while at the