Emilia (Othello) the ensign's wife is in the final sentence of the tale when, long after Desdemona's murder and once her husband is dead, she reveals what she knows of the past. Though Emilia is mentioned in 1.3 when Othello asks Iago to allow his wife to accompany Desdemona to Cyprus as her attendant, the character first appears on stage in 2.1 when she disembarks in Cyprus with Iago, Desdemona, and Roderigo. She banters briefly with her companions before leaving the stage, presumabably in Desdemona's entourage. Though not specifically mentioned, she probably appears as Desdemona's attendant at the beginning of 2.3, then
Othello on Othello. Although characters described as "moors" appear in two other Shakespeare plays ("Titus Andronicus" and "The Merchant of Venice"), such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage. There is no consensus over Othello's ethnic origin. E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's race is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and