British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
British rhythm and blues followed suit, with the Mike Cotton Jazz Band becoming the Mike Cotton Sound, Warwick's Tony and the Talons becoming the Original Roadrunners and Burton on Trent's Atlantix becoming Rhythm and Blues Incorporated. From 1962 demand for blues recordings in Britain and Europe led to new outlets for American recordings, Chicago recordings that were now available included Vee Jay Records through EMI's Stateside label and Chess Records through Pye International's R&B series. These records were enthusiastically sought and collected by a new generation of enthusiasts. The increasing appetite for rhythm and blues was reflected in the growing numbers of Afro-American artists