Medusa Aeschylus's "Prometheus Bound", which places both trinities of sisters far off "on Kisthene's dreadful plain": Near them their sisters three, the Gorgons, winged With snakes for hair— hatred of mortal man— While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as having monstrous form, sculptors and vase-painters of the fifth century began to envisage her as being beautiful as well as terrifying. In an ode written in 490 BC Pindar already speaks of "fair-cheeked Medusa". In a late version of the Medusa myth, related by the Roman poet Ovid ("Metamorphoses" 4.770), Medusa was originally a ravishingly beautiful
Greek mythology in popular culture Fairy Book". In C. S. Lewis's retelling of Cupid and Psyche, "Till We Have Faces", the narrator is Psyche's sister. Roberta Gellis's "Shimmering Splendor" is a retelling of Cupid and Psyche. The Italian poet Dante Alighieri used characters from the legend of Troy in his Divine Comedy, placing the Greek heroes in hell to show his contempt for their actions. Poets of the Renaissance began to widely write about Greek mythology, and "elicited as much praise for borrowing or reworking" such material as they did for truly original work. The poet John Milton used figures from classical mythology to "further