T. S. Eliot In his 1934 pageant play "The Rock", Eliot distances himself from Fascist movements of the Thirties by caricaturing Oswald Mosley's Blackshirts, who 'firmly refuse/ To descend to palaver with anthropoid Jews'. The 'new evangels' of totalitarianism are presented as antithetic to the spirit of Christianity. Craig Raine, in his books "In Defence of T. S. Eliot" (2001) and "T. S. Eliot" (2006), sought to defend Eliot from the charge of anti-Semitism. Reviewing the 2006 book, Paul Dean stated that he was not convinced by Raine's argument. Nevertheless, he concluded, "Ultimately, as both Raine and, to do him justice, Julius insist,
T. S. Eliot for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of "The Rock", and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, "Murder in the Cathedral", concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], "Murder in the Cathedral" and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his