T. S. Eliot most forcefully in a study by Anthony Julius: "T. S. Eliot, Anti-Semitism, and Literary Form" (1996). In "Gerontion", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of my building] / Spawned in some estaminet of Antwerp." Another well-known example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar". In this poem, Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Interpreting the line as an indirect comparison of Jews to rats, Julius writes, "The anti-Semitism
T. S. Eliot in London can be gauged from an unsigned review in "The Times Literary Supplement" on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to "poetry"." In October 1922, Eliot published "The Waste Land" in "The Criterion". Eliot's dedication to "il miglior fabbro" ("the better craftsman") refers to Ezra Pound's significant hand in editing and reshaping the poem from a longer Eliot manuscript to the shortened version that appears in publication. It was composed during a period