Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Samuel Beckett around the world. Significant collections include those at the Harry Ransom Center, Washington University, the University of Reading, Trinity College, Dublin, and Houghton Library. Given the scattered nature of these collections, an effort has been made to create a digital repository through the University of Antwerp. Theatre Radio Television Cinema Novels Short prose Non-fiction Samuel Beckett Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish avant-garde novelist, playwright, theatre director, poet, and literary translator who lived in Paris for most of his adult life. He wrote in both English and French. Beckett's work offers a