Lawrence Ferlinghetti "Ferlinghetti: Rebirth of Wonder "Don't call me a Beat. I was never a Beat poet." Ferlinghetti actually penned much of his early poetry in the vein of T. S. Eliot. Ferlinghetti told poet and critic Jack Foley "Everything I wrote sounded just like him." Yet, even in his poems inspired by Eliot such as Ferlinghetti's "Constantly Risking Absurdity," Ferlinghetti is ever the populist as he compares the poet first to a trapeze artist in a circus and then to a "little charleychaplin man." Critics note that Ferlinghetti's poetry often takes on a very visual dimension as befits this poet who
T. S. Eliot religious sensibility." After this, he worked on more "commercial" plays for more general audiences: "The Family Reunion" (1939), "The Cocktail Party" (1949), "The Confidential Clerk", (1953) and "The Elder Statesman" (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of "The Cocktail Party" received the 1950 Tony Award for Best Play. Eliot wrote "The Cocktail Party" while he was a visiting scholar at the Institute for Advanced Study. Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act