Emilia (Othello) the ensign's wife is in the final sentence of the tale when, long after Desdemona's murder and once her husband is dead, she reveals what she knows of the past. Though Emilia is mentioned in 1.3 when Othello asks Iago to allow his wife to accompany Desdemona to Cyprus as her attendant, the character first appears on stage in 2.1 when she disembarks in Cyprus with Iago, Desdemona, and Roderigo. She banters briefly with her companions before leaving the stage, presumabably in Desdemona's entourage. Though not specifically mentioned, she probably appears as Desdemona's attendant at the beginning of 2.3, then
Othello in at least six productions. His Othello was called by Harold Hobson of the London Sunday Times "the best Othello of our time," continuing: "...nobler than Tearle, more martial than Gielgud, more poetic than Valk. From his first entry, slender and magnificently tall, framed in a high Byzantine arch, clad in white samite, mystic, wonderful, a figure of Arabian romance and grace, to his last plunging of the knife into his stomach, Mr Marshall rode without faltering the play's enormous rhetoric, and at the end the house rose to him." Marshall also played Othello in a jazz musical version, "Catch