Theatre of the Absurd plots of many Absurdist plays feature characters in interdependent pairs, commonly either two males or a male and a female. Some Beckett scholars call this the "pseudocouple". The two characters may be roughly equal or have a begrudging interdependence (like Vladimir and Estragon in "Waiting for Godot" or the two main characters in "Rosencrantz & Guildenstern Are Dead"); one character may be clearly dominant and may torture the passive character (like Pozzo and Lucky in "Waiting for Godot" or Hamm and Clov in "Endgame"); the relationship of the characters may shift dramatically throughout the play (as in Ionesco's "The Lesson"
Samuel Beckett of a notorious pimp (who went by the name of Prudent). Joyce arranged a private room for Beckett at the hospital. The publicity surrounding the stabbing attracted the attention of Suzanne Dechevaux-Dumesnil, who previously knew Beckett slightly from his first stay in Paris. This time, however, the two would begin a lifelong companionship. At a preliminary hearing, Beckett asked his attacker for the motive behind the stabbing. Prudent replied: "Je ne sais pas, Monsieur. Je m'excuse" ["I do not know, sir. I'm sorry"]. Beckett eventually dropped the charges against his attacker—partially to avoid further formalities, partly because he found Prudent