Minnehaha Salgari, "Sulle Frontiere del Far-West" (1908), "La Scotennatrice" (1909), "Le Selve Ardenti" (1910), and "La Vendetta di Minnehaha" (?). Minnehaha Minnehaha is a fictional Native American woman documented in Henry Wadsworth Longfellow's 1855 epic poem "The Song of Hiawatha". She is the lover of the titular protagonist Hiawatha and comes to a tragic end. The name, often said to mean "laughing water", literally translates to "waterfall" or "rapid water" in Dakota. The figure of Minnehaha inspired later art works such as paintings, sculpture and music. "The Death of Minnehaha" is a frequent subject for paintings. Minnehaha Falls and her death
The Song of Hiawatha "Vision of Columbus" (1787) (rewritten and entitled "The Columbiad" in 1807), were considered derivative. Longfellow provided something entirely new, a vision of the continent's pre-European civilisation in a metre adapted from a Finnish, non-Indo-European source. Soon after the poem's publication, composers competed to set it to music. One of the first to tackle the poem was Emile Karst, whose cantata "Hiawatha" (1858) freely adapted and arranged texts of the poem. It was followed by Robert Stoepel's "Hiawatha: An Indian Symphony", a work in 14 movements that combined narration, solo arias, descriptive choruses and programmatic orchestral interludes. The composer consulted with