Gorgon (composition) a ceremonial work, used the Rochester Philharmonic Orchestra's commission to see its realization. "Gorgon" was inspired by the legend of the three Gorgons from Greek mythology: Stheno, Euryale, and Medusa. Rouse described the creatures in the score program notes, writing: He added, "Since the time of the ancient Greeks, the gorgon has become a symbol for any terror too immense — and too horrible — to be faced. It has thus become an image of sublimated brutality and savagery, perhaps a metaphor for our own private and subconscious monsters." He concluded, "In addition to certain intentional similarities common to musical
Greek mythology in popular culture Lord Tennyson's "Oenone" is her lament that Paris deserted her for Helen. When poets of the German Romantic tradition, such as Friedrich Schiller, wrote about the Greek gods, their works were frequently "erotically charged", "openly sensual and hedonistic". In his poem "The Waste Land", T. S. Eliot incorporates a range of elements and inspirations from Greek mythology to pop music to Elizabethan history to create a ""tour-de-force" exposition of Western culture, from the elite to the folk to the utterly primitive". The Indian poet Henry Louis Vivian Derozio's work was heavily influenced by Greek mythology. Nina Kosman published a book