T. S. Eliot In his 1934 pageant play "The Rock", Eliot distances himself from Fascist movements of the Thirties by caricaturing Oswald Mosley's Blackshirts, who 'firmly refuse/ To descend to palaver with anthropoid Jews'. The 'new evangels' of totalitarianism are presented as antithetic to the spirit of Christianity. Craig Raine, in his books "In Defence of T. S. Eliot" (2001) and "T. S. Eliot" (2006), sought to defend Eliot from the charge of anti-Semitism. Reviewing the 2006 book, Paul Dean stated that he was not convinced by Raine's argument. Nevertheless, he concluded, "Ultimately, as both Raine and, to do him justice, Julius insist,
T. S. Eliot in London can be gauged from an unsigned review in "The Times Literary Supplement" on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to "poetry"." In October 1922, Eliot published "The Waste Land" in "The Criterion". Eliot's dedication to "il miglior fabbro" ("the better craftsman") refers to Ezra Pound's significant hand in editing and reshaping the poem from a longer Eliot manuscript to the shortened version that appears in publication. It was composed during a period