Othello (paintings) human figures encountered in intimate situations heightened by the contrast of light and dark, and various sexual metaphors. The second part contains about thirty canvases dealing with themes of intrigue, suspicion, and killing making direct references to the characters Iago, Othello, and Desdemona in Shakespeare’s tragedy. They reveal images of aggressiveness, intensity, and violence with webs of turbulent rhythm, whirling forms, and allegorical concepts as a means of conjuring imagery with layers of meanings and symbols that may visually reinterpret the intensity of events leading to Othello killing of Desdemona. Othello (paintings) Othello is a series of paintings executed in
Othello in at least six productions. His Othello was called by Harold Hobson of the London Sunday Times "the best Othello of our time," continuing: "...nobler than Tearle, more martial than Gielgud, more poetic than Valk. From his first entry, slender and magnificently tall, framed in a high Byzantine arch, clad in white samite, mystic, wonderful, a figure of Arabian romance and grace, to his last plunging of the knife into his stomach, Mr Marshall rode without faltering the play's enormous rhetoric, and at the end the house rose to him." Marshall also played Othello in a jazz musical version, "Catch