Curse of Ham the ark and "was smitten in his skin"; according to another, Noah cursed him because he castrated his father. Although the Talmud refers only to Ham, the version brought in a midrash goes on further to say "Ham, that Cush came from him" in reference to the blackness, that the curse did not apply to all of Ham but only to his eldest son Cush, Cush being a sub-Saharan African. Thus, two distinct traditions existed, one explaining dark skin as the result of a curse on Ham, the other explaining slavery by the separate curse on Canaan. The concepts were
The Ham Funeral The Ham Funeral The Ham Funeral is a play by Australian writer Patrick White. It was written in 1948 and is loosely based on a painting by William Dobell, "The Dead Landlord". The play is set in a filthy rooming house in the depressing context of post-war London, and has as its protagonist a young poet whose attempted seduction by the aptly named Mrs Lusty, his landlady, drives the tragicomic drama. The 'ham funeral' of the title is the feast to mourn the sudden death of Mrs Lusty's husband, held in Act 2. "The Ham Funeral" was submitted for and