Mandalay (poem) metre and rhythm were admired; in "The Art of Verse Making" (1915), Modeste Hannis Jordan could write "Kipling has a wonderful 'ear' for metre, for rhythm. His accents fall just right, his measure is never halting or uncertain. His 'Mandalay' may be quoted as an excellent example of rhythm, as easy and flowing as has ever been done". The poet and critic T. S. Eliot, writing in 1941, called the variety of forms Kipling devised for his ballads "remarkable: each is distinct, and perfectly fitted to the content and the mood which the poem has to convey." The literary critic
T. S. Eliot And the writers of "Time" magazine were similarly baffled by a challenging poem like "The Waste Land". John Crowe Ransom wrote negative criticisms of Eliot's work but also had positive things to say. For instance, though Ransom negatively criticised "The Waste Land" for its "extreme disconnection", Ransom was not completely condemnatory of Eliot's work and admitted that Eliot was a talented poet. Addressing some of the common criticisms directed against "The Waste Land" at the time, Gilbert Seldes stated, "It seems at first sight remarkably disconnected and confused... [however] a closer view of the poem does more than illuminate the