Othello before the Duke of Venice, Brabantio's kinsmen Lodovico and Gratiano, and various senators. Othello explains that Desdemona became enamoured of him for the sad and compelling stories he told of his life before Venice, not because of any witchcraft. The senate is satisfied, once Desdemona confirms that she loves Othello, but Brabantio leaves saying that Desdemona will betray Othello: "Look to her, Moor, if thou hast eyes to see:/She has deceived her father, and may thee," (Act I, Sc 3). Iago, still in the room, takes note of Brabantio's remark. By order of the Duke, Othello leaves Venice to command
Othello on Othello. Although characters described as "moors" appear in two other Shakespeare plays ("Titus Andronicus" and "The Merchant of Venice"), such characters were a rarity in contemporary theatre, and it was unknown for them to take centre stage. There is no consensus over Othello's ethnic origin. E. A. J. Honigmann, the editor of the Arden Shakespeare edition, concluded that Othello's race is ambiguous. "Renaissance representations of the Moor were vague, varied, inconsistent, and contradictory. As critics have established, the term 'Moor' referred to dark-skinned people in general, used interchangeably with terms such as 'African', 'Somali', 'Ethiopian', 'Negro', 'Arab', 'Berber', and