Marie Antoinette who had been hesitant, accepted his wife's decision to flee with the help of foreign powers and counter-revolutionary forces. Fersen and Breteuil, who represented her in the courts of Europe, were put in charge of the escape plan, while Marie Antoinette continued her negotiations with some of the moderate leaders of the French Revolution. There had been several plots designed to help the royal family escape, which the queen had rejected because she would not leave without the king, or which had ceased to be viable because of the king's indecision. Once Louis XVI finally did commit to a plan,
Marie Antoinette (2006 film) most delicate of looks on adolescence". Frodon, editor of "Les Cahiers du cinéma", praised Coppola for her "'genius' at portraying adolescent alienation." Among negative critical reviews, Jean-Luc Douin of "Le Monde" described "Marie Antoinette" as "kitsch and roc(k)oco" which "deliberately displays its anachronisms", and additionally as a "sensory film" that was "dreamt by a Miss California" and "orchestrated around the Du Barry or Madame de Polignac playground gossip". Alex Masson of "Score" thought the film had a script "which is often forgotten to the corruption of becoming a special issue of "Vogue" devoted to scenes of Versailles". French critics were