Pozzo (Waiting for Godot) protects him), and thus extreme forms of those very characters. He, like Estragon, has an awful memory, and since he cannot rely on Lucky for memory (as Estragon can on Vladimir), he is even more in the dark (e.g. he cannot even remember one day before). Vladimir claims that he and Estragon know him, but this is naturally not corroborated by Estragon, and the nature of their former relationship remains unknown. He occasionally comes up with poetic metaphors for the current situation, again, just as Estragon does. Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting
Samuel Beckett have attempted translations, but no complete version of the sequence has been published in English. Beckett's prose pieces during the late period were not so prolific as his theatre, as suggested by the title of the 1976 collection of short prose texts "Fizzles" (which the American artist Jasper Johns illustrated). Beckett experienced something of a renaissance with the novella "Company" (1980), which continued with "Ill Seen Ill Said" (1982) and "Worstward Ho" (1984), later collected in "Nohow On". In these three "'closed space' stories," Beckett continued his preoccupation with memory and its effect on the confined and observed self, as