Barry Humphries Humphries was living near Bondi and while out walking one day he had a chance meeting with an elderly man who had a high, scratchy voice and a pedantic manner of speech; this encounter inspired the creation of another of Humphries' most enduring characters, Sandy Stone. In September 1957, Humphries appeared as Estragon in "Waiting for Godot", in Australia's first production of the Samuel Beckett play at the Arrow Theatre in Melbourne directed by Peter O'Shaughnessy who played Vladimir. In 1958, Humphries and O'Shaughnessy collaborated on and appeared in the "Rock'n'Reel Revue" at the New Theatre in Melbourne where Humphries
Samuel Beckett in 1966. Billie Whitelaw worked with Beckett for 25 years on such plays as "Not I", "Eh Joe", "Krapp's Last Tape", and "Footfalls" and "Rockaby." She first met Beckett in 1963. In her autobiography "Billie Whitelaw...: Who He?," she describes their first meeting in 1963 was "trust at first sight". Beckett went on to write many of his experimental theatre works for her. She came to be regarded as his muse, the "supreme interpreter of his work", perhaps most famous for her role as the mouth in "Not I". She said of the play "Rockaby": "I put the tape in