A Harlot's Progress A Harlot's Progress A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image: having painted a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and rich allegory are reminiscent of John Bunyan's
English coffeehouses in the 17th and 18th centuries of the Enlightenment. Dorinda Outram places English coffeehouses within an intellectual public sphere, focusing on the transfusion of enlightened ideas. She justifies her placement of English coffeehouses within an 'intellectual public sphere' by naming them "commercial operations, open to all who could pay and thus provided ways in which many different social strata could be exposed to the same ideas." She also argues that enlightened ideas were transfused through print culture, a culture that became open to larger number of individuals after the 'reading revolution' at the end of the 18th century. According to Outram, as English coffeehouses offered various