Pozzo (Waiting for Godot) protects him), and thus extreme forms of those very characters. He, like Estragon, has an awful memory, and since he cannot rely on Lucky for memory (as Estragon can on Vladimir), he is even more in the dark (e.g. he cannot even remember one day before). Vladimir claims that he and Estragon know him, but this is naturally not corroborated by Estragon, and the nature of their former relationship remains unknown. He occasionally comes up with poetic metaphors for the current situation, again, just as Estragon does. Pozzo (Waiting for Godot) Pozzo is a character from Samuel Beckett's play "Waiting
Words and Music (play) Or does this gathering occur again and again outside time? So many Beckett works present characters seemingly caught in endless cycles of repetition (those who wait in "Waiting for Godot"/the appearing-disappearing woman in "Ill Seen Ill Said"/The urn-dwelling trio in "Play" etc.) that this is always a possibility. Additional related aspects of Love that Croak focuses on as sub-themes are "Age," "Face," (With two foreshadowing mentions earlier on in the play-once by Croak and then latter by Words) and the climactic naming of "Lily" which is discussed later regarding its various implications. After this iteration Croak is reduced to groans,