Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Samuel Beckett-class offshore patrol vessel of the older Irish Naval Service "Róisín"-class PV80 vessels - with helideck and hangar incorporated. The "Samuel Beckett"-class ships are designed to carry remotely operated submersibles and a decompression chamber for divers. This is intended to add enhanced capabilities to undertake search and rescue, search and recovery, undersea exploration, and increased sea area surveillance. The expanded deck area would also allow the Naval Service to potentially deploy unmanned aerial vehicles for the first time. Features also include Dynamic Positioning systems and "Power Take In Systems" to enable fuel savings, as the main engines can be shut-down and power sourced from