Lawrence Ferlinghetti "Ferlinghetti: Rebirth of Wonder "Don't call me a Beat. I was never a Beat poet." Ferlinghetti actually penned much of his early poetry in the vein of T. S. Eliot. Ferlinghetti told poet and critic Jack Foley "Everything I wrote sounded just like him." Yet, even in his poems inspired by Eliot such as Ferlinghetti's "Constantly Risking Absurdity," Ferlinghetti is ever the populist as he compares the poet first to a trapeze artist in a circus and then to a "little charleychaplin man." Critics note that Ferlinghetti's poetry often takes on a very visual dimension as befits this poet who
T. S. Eliot of personal difficulty for Eliot—his marriage was failing, and both he and Vivienne were suffering from nervous disorders. The poem is often read as a representation of the disillusionment of the post-war generation. Before the poem's publication as a book in December 1922, Eliot distanced himself from its vision of despair. On 15 November 1922, he wrote to Richard Aldington, saying, "As for "The Waste Land", that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style." The poem is known for its obscure nature—its slippage between