Disjecta (Beckett) his essay on Beckett in "" that the fragment, particular the characters' reactions to Leavett's entrance offer the first glimpses of Beckett's much later masterpieces "Endgame" and "Waiting for Godot". Disjecta (Beckett) Disjecta: Miscellaneous Writings and a Dramatic Fragment is a collection of previously uncollected writings by Samuel Beckett, spanning his entire career. The title is derived from the Latin phrase "disjecta membra," meaning scattered remains or fragments, usually applied to written work. The essays appear in their original language of composition (English, French, or German), as stipulated by Beckett, since the volume is intended for scholars who should be
Samuel Beckett in 1966. Billie Whitelaw worked with Beckett for 25 years on such plays as "Not I", "Eh Joe", "Krapp's Last Tape", and "Footfalls" and "Rockaby." She first met Beckett in 1963. In her autobiography "Billie Whitelaw...: Who He?," she describes their first meeting in 1963 was "trust at first sight". Beckett went on to write many of his experimental theatre works for her. She came to be regarded as his muse, the "supreme interpreter of his work", perhaps most famous for her role as the mouth in "Not I". She said of the play "Rockaby": "I put the tape in