The Literary Society and John Bailey, and in more recent times, Anthony Powell, Siegfried Sassoon, A. A. Milne, Kingsley Amis, John Gross, Antonia Fraser, Tom Stoppard, Patrick Leigh Fermor, Claire Tomalin, Charles Moore, Miriam Gross, V. S. Naipaul, Sebastian Faulks, Antony Beevor and P. D. James. The Literary Society has not obtruded on public notice, with the brief exception of its meetings and personalities in the middle of the twentieth century which were regularly documented in the Lyttelton/Hart-Davis Letters, in which are frequent vignettes of the members of the 1950s and 60s, including John Betjeman, T. S. Eliot, Malcolm Sargent, Alan Lascelles and
T. S. Eliot religious sensibility." After this, he worked on more "commercial" plays for more general audiences: "The Family Reunion" (1939), "The Cocktail Party" (1949), "The Confidential Clerk", (1953) and "The Elder Statesman" (1958) (the latter three were produced by Henry Sherek and directed by E. Martin Browne). The Broadway production in New York of "The Cocktail Party" received the 1950 Tony Award for Best Play. Eliot wrote "The Cocktail Party" while he was a visiting scholar at the Institute for Advanced Study. Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act