Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Vladimir Estragon Vladimir Estragon Vladimir Estragon were an avant-rock group founded in West Germany in 1988 by German composer and reed player Alfred Harth with FM Einheit, Ulrike Haage, and Phil Minton (UK). In 1980 Harth produced the LP "Es herrscht Uhu im Land" on JAPO/ECM with the idea of integrating punk rock, free jazz and classical music and followed this design throughout the 80s in the groups Cassiber, Duck and Cover, Gestalt et Jive and "Vladimir Estragon"."Vladimir Estragon" were using electronic arrangements whose preset-derived poetry was poisoned by oblique complexities and sudden animations entering the picture when less expected. Vladimir Estragon