British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
Rhythm and blues producing "maximum rhythm and blues", but by about 1966 they moved from attempting to emulate American R&B to producing songs that reflected the Mod lifestyle. Many of these bands enjoyed national success in the UK, but found it difficult to break into the American market.. But British White blues musicians could not play real R&B, and UK black musician such as Carl Douglas, Hot Chocolate(UK), Delegation, Junior, Central Line played real R&B and had hits. The British R&B bands produced music which was very different in tone from that of African-American artists, often with more emphasis on guitars and sometimes