Barry Lyndon sights on Thackeray's 1844 "satirical picaresque about the fortune-hunting of an Irish rogue," "Barry Lyndon", the setting of which allowed Kubrick to take advantage of the copious period research he had done for the now-aborted "Napoleon". At the time, Kubrick merely announced that his next film would star Ryan O'Neal (deemed "a seemingly un-Kubricky choice of leading man") and Marisa Berenson, a former "Vogue" and "Time" magazine cover model, and be shot largely in Ireland. So heightened was the secrecy surrounding the film that "Even Berenson, when Kubrick first approached her, was told only that it was to be an
Barry Lyndon fate as he announces events before they unfold on screen, like Brian's death and Bullingdon seeking satisfaction. This theme of fate is also developed in the reoccurring motif of the painting. Just like the events featured in the paintings, Barry is participating in events which always were. Another major theme is between father and son. Barry lost his father at a young age and throughout the film he seeks and attaches himself to father-figures. Examples include his uncle, Grogan, and the Chevalier. When given the chance to be a father, Barry loves his son to the point of spoiling him.