Samuel Beckett Beckett never sold, donated or gave away. He refused to allow the play to be translated into film but did allow it to be played on television. Beckett translated all of his works into English himself, with the exception of "Molloy", for which he collaborated with Patrick Bowles. The success of "Waiting for Godot" opened up a career in theatre for its author. Beckett went on to write successful full-length plays, including "Fin de partie" ("Endgame") (1957), "Krapp's Last Tape" (1958, written in English), "Happy Days" (1961, also written in English), and "Play" (1963). In 1961, Beckett received the International
Samuel Beckett agent and sent the manuscript to multiple producers until they met Roger Blin, the soon-to-be director of the play Blin's knowledge of French theatre and vision alongside Beckett knowing what he wanted the play to represent contributed greatly to its success. In a much-quoted article, the critic Vivian Mercier wrote that Beckett "has achieved a theoretical impossibility—a play in which nothing happens, that yet keeps audiences glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice." The play was published in 1952