Othello and literary adaptations. Roderigo, a wealthy and dissolute gentleman, complains to his friend Iago, an ensign, that Iago has not told him about the secret marriage between Desdemona, the daughter of a senator named Brabantio, and Othello, a Moorish general in the Venetian army. Roderigo is upset because he loves Desdemona and had asked her father for her hand in marriage. Iago hates Othello for promoting a younger man named Cassio above him, whom Iago considers less capable a soldier than himself, and tells Roderigo that he plans to use Othello for his own advantage. Iago convinces Roderigo to wake
Othello negative connotations. Othello was frequently performed as an Arab Moor during the 19th century. He was first played by a black man on the London stage in 1833 by the most important of the nineteenth-century Othellos, the African American Ira Aldridge who had been forced to leave his home country to make his career. Regardless of what Shakespeare intended by calling Othello a "Moor" – whether he meant that Othello was a Muslim or a black man or both – in the 19th century and much of the 20th century, many critics tended to see the tragedy in racial terms,