Parnasso in festa his own love life, when, enamoured of the nymph Daphne, he pursued her with lustful intent, but she prayed to the gods to be spared and was transformed into a laurel tree. As if embarrassed by this story, Apollo invites all to join him in drinking in praise of Bacchus. Mars, god of war, leads everyone in a drinking song, and Clio joins in the spirit of things so much that she begins to feel inebriated, much to the amusement of Orpheus' mother, Calliope, muse of epic poetry, and the chorus. The muses sing in turn in praise of Orpheus'
The Feast of the Gods enjoying themselves in a gorgeous landscape" and "presented figures from classical mythology as laymen engaged in lay pursuits of love and war, embodied in the new realistic naturalism which had only just been developed... Secular life came into high art by the back door as the representation of the stories of the classical gods, in whom no one believed, but who, since they were not real gods, could be placed in embarrassing situations. The pictures in the "Camerino" were perhaps the crucial stage in this revolution". The paintings stayed in the room for which they were painted until 1598 when