Emilia (Othello) Award nomination for her performance. "Othello" has its source in the 1565 tale, "Un Capitano Moro" from "Gli Hecatommithi" by Giovanni Battista Giraldi Cinthio. While no English translation of Cinthio was available in Shakespeare's lifetime, it is probable that Shakespeare knew both the Italian original and Gabriel Chappuy's 1584 French translation. Cinthio's tale may have been based on an actual incident occurring in Venice about 1508. The only named character in Cinthio's story is "Desdemona". Other characters are identified only as the Moor, the squadron leader, the ensign, and the ensign's wife – the original of Shakespeare's Emilia. There's no
Othello in at least six productions. His Othello was called by Harold Hobson of the London Sunday Times "the best Othello of our time," continuing: "...nobler than Tearle, more martial than Gielgud, more poetic than Valk. From his first entry, slender and magnificently tall, framed in a high Byzantine arch, clad in white samite, mystic, wonderful, a figure of Arabian romance and grace, to his last plunging of the knife into his stomach, Mr Marshall rode without faltering the play's enormous rhetoric, and at the end the house rose to him." Marshall also played Othello in a jazz musical version, "Catch