Emilia (Othello) the ensign's wife is in the final sentence of the tale when, long after Desdemona's murder and once her husband is dead, she reveals what she knows of the past. Though Emilia is mentioned in 1.3 when Othello asks Iago to allow his wife to accompany Desdemona to Cyprus as her attendant, the character first appears on stage in 2.1 when she disembarks in Cyprus with Iago, Desdemona, and Roderigo. She banters briefly with her companions before leaving the stage, presumabably in Desdemona's entourage. Though not specifically mentioned, she probably appears as Desdemona's attendant at the beginning of 2.3, then
Othello Shakespearean plays that was never adapted and changed during the Restoration and the eighteenth century. As Shakespeare regained popularity among nineteenth-century French Romantics, poet, playwright, and novelist Alfred de Vigny created a French translation of "Othello", titled "Le More de Venise", which premiered at the Comédie-Française on 24 October 1829. Famous nineteenth-century Othellos included Ira Aldridge, Edmund Kean, Edwin Forrest, and Tommaso Salvini, and outstanding Iagos were Edwin Booth and Henry Irving. The most notable American production may be Margaret Webster's 1943 staging starring Paul Robeson as Othello and José Ferrer as Iago. This production was the first ever in