Peter O'Shaughnessy developed considerably. In September 1957, he staged the first Australian production of Samuel Beckett's "Waiting for Godot" at the Arrow Theatre in Melbourne with himself as Vladimir and Humphries as Estragon. It proved a hit with both audiences and critics. The critic of the Melbourne "Sun" wrote "so engrossing and well-done is this extraordinary adventure by Samuel Beckett regimented by Peter O'Shaughnessy's tender care that for me the evening passed by on wings". Later in the same year, O'Shaughnessy planned a production of George Bernard Shaw's "Pygmalion" for December, in tandem with a children's play to be performed at matinees.
Lucky (Waiting for Godot) his actions are determined absolutely. Beckett asserted, however, that he is lucky because he has "no expectations". Another interpretation is (somewhat facetiously) that he is lucky because he has only two lines. In the French version of the play, he is known by the same name as he is in the English version, rather than the French word for "lucky", "Chanceux". Lucky is often compared to Vladimir (just as Pozzo is compared to Estragon) as being the intellectual, left-brained part of his character duo (i.e. he represents one part of a larger, whole character, whose other half is represented by