Bianca (Othello) request. Midway through 4.1., and prior to Bianca's entrance, Othello has been secretly observing a bawdy discussion between Iago and Cassio about the latter's sexual exploits with a young woman. Thanks to Iago's impeccable planning (and some bad luck), neither speaker mentions the name of the woman in question; it is in fact Bianca, but Othello tragically assumes it to be his wife, Desdemona. Bianca suddenly enters, and her suspicions of Cassio are even greater than before. She is convinced that the handkerchief belongs to another woman, and throws it contemptuously at Cassio's feet. In Othello's eyes, her apparent jealousy
Othello Shakespearean plays that was never adapted and changed during the Restoration and the eighteenth century. As Shakespeare regained popularity among nineteenth-century French Romantics, poet, playwright, and novelist Alfred de Vigny created a French translation of "Othello", titled "Le More de Venise", which premiered at the Comédie-Française on 24 October 1829. Famous nineteenth-century Othellos included Ira Aldridge, Edmund Kean, Edwin Forrest, and Tommaso Salvini, and outstanding Iagos were Edwin Booth and Henry Irving. The most notable American production may be Margaret Webster's 1943 staging starring Paul Robeson as Othello and José Ferrer as Iago. This production was the first ever in