Samuel Beckett of simplifying his style, a change also evidenced in "Watt". After World War II, Beckett turned definitively to the French language as a vehicle. It was this, together with the "revelation" experienced in his mother's room in Dublin—in which he realized that his art must be subjective and drawn wholly from his own inner world—that would result in the works for which Beckett is best remembered today. During the 15 years following the war, Beckett produced four major full-length stage plays: "En attendant Godot" (written 1948–1949; "Waiting for Godot"), "Fin de partie" (1955–1957; "Endgame"), "Krapp's Last Tape" (1958), and "Happy
Frances Beckett Frances Beckett Frances Beckett (1880-1951), Irish artist, was the paternal aunt of Nobel laureate Samuel Beckett. Her father was William Beckett and her brother William, one of four brothers, was Samuel Beckett's father. Beckett studied art at the Dublin Metropolitan School of Art and in Paris at Colarossi's studio, where she went with Estella Solomons and Beatrice and Dorothy Elvery. In 1903 she exhibited with the Young Irish Artists group with the same group of friends. She exhibited at the Royal Hibernian Academy between 1897-1908. A portrait by her of Solomons, which had once belonged to Kathleen Goodfellow, is in