A Harlot's Progress A Harlot's Progress A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image: having painted a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and rich allegory are reminiscent of John Bunyan's
Paris in the 18th century several weeks. In the 18th century was held in the Salon Carré of the Louvre (which gave the Salon its name) and gradually expanded over the years to the Gallery of Apollo. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Until 1791, it was limited to members of the Academy, and as many as five hundred paintings were shown at each Salon. On August 8, 1793, the Academy was suspended by the revolutionary National Convention, which decreed the abolition of all the royal artistic and literary academies. During the Revolution, Jacques Louis David, a friend of