British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
British rhythm and blues blues". Blues Incorporated established a regular "Rhythm and Blues Night" at the Ealing Jazz Club and were given a residency at the Marquee Club, from which in 1962 they took the name of the first British blues album, "R&B from the Marquee" (Decca), but Korner and Davies had split over the issue of including horn sections in the Blues Incorporated sound before its release. Korner continued with various line-ups for Blues Incorporated, while Davies went on to form his R&B All Stars. Early British rhythm and blues bands like Blues Incorporated found that folk clubs would not accept amplified blues