Goldfinger (novel) "was presented as a complex character". Continuation author Raymond Benson agrees, and sees "Goldfinger" as a transitional novel, with Bond becoming more human than in previous books and more concerned with what Benson calls "the mortal trappings of life", which manifest itself with the opening chapter of the book as Bond sits in Miami airport and thinks through his fight with and killing of a Mexican thug. Benson also sees that Bond has developed something of a sense of humour in "Goldfinger", verbally abusing Oddjob, to Bond's own amusement. Auric Goldfinger was described by Raymond Benson as "Fleming's most successful
Motifs in the James Bond film series No", with Bond leaving a corpse in a car outside Government House and asking the Duty Sergeant to make sure he didn't get away, whilst in "Goldfinger", Bond electrocutes a man in a bath, before commenting, "Shocking, positively shocking". During Sean Connery's Bond films, the humour was delivered by Connery to soften a violent situation, such as the electrification, or his shooting a villain with a spear gun and saying "I think he got the point". The humour changed towards innuendo and self-mockery during the Roger Moore films, with his jokes delivered with what media historian James Chapman considered to