British rhythm and blues scene in Manchester, were influenced by American forms of music that included rockabilly, girl groups and the early Motown sound, helping them to produce commercial orientated form of music that began to dominate the British charts from 1963. However, bands from the developing London club scene were mainly concerned to emulate black rhythm and blues performers, including the work of Chess Records' blues artists like Muddy Waters and Howlin' Wolf, but also wider rhythm and blues singer and rock and roll pioneers like Chuck Berry and Bo Diddley resulting in a "rawer" or "grittier" sound. British rhythm and blues differed
British rhythm and blues metal. Some, like Mayall, continued to play a "pure" form of the blues, but largely outside of mainstream notice. The structure of clubs, venues and festivals that had grown up in the late 1950s and early 1960s in Britain virtually disappeared in the 1970s. By 1970 British rhythm and blues had virtually ceased to exist as an active genre. Rhythm and blues bands began to find it very difficult to achieve serious album sales, even in the UK. Vinegar Joe, formed in 1971 around the vocals of Elkie Brooks and Robert Palmer and the instrumental talents of Pete Gage and