Society for the Reformation of Manners Society would pay others to bring prosecutions, or bring prosecutions on its own account. A prominent supporter of the Society was John Gonson, Justice of the Peace and Chairman of the Quarter Sessions for the City of Westminster for 50 years in the early 18th century. He was noted for his enthusiasm for raiding brothels and for passing harsh sentences, and was depicted twice in William Hogarth's "A Harlot's Progress" series of paintings and engravings. In around 1770, the Society denounced Covent Garden as: The Society sought and gained the patronage of both Church and Crown: John Tillotson, the Archbishop
Master I. A. M. of Zwolle so they are given generic or descriptive titles that vary slightly between sources. The individual impressions also vary in sheet size. Master I.A.M.'s prints were often copied by contemporary engravers, but also by artists in other media. In particular the painter Gian Francesco da Tolmezzo based his fresco in Provesano (c. 1496) upon "The Betrayal of Christ". Francisco Henriques also based paintings upon I.A.M.'s engravings. Lucas van Leiden developed his style from that of Master I.A.M. and Albrecht Dürer. His prints were much sought after by prominent collectors. The English writer Samuel Pepys owned copies of the "Pietà" and "The