Critic to the relevant"; poet and critic T.S. Eliot wrote "a critic must have a very highly developed sense of fact". In 1971, Harold C. Schonberg, chief music critic of "The New York Times" from 1960 to 1980, said that he wrote for himself, <nowiki>"</nowiki>not necessarily for readers, not for musicians. ...It's not a critic's job to be right or wrong; it's his job to express an opinion in readable English.<nowiki>"</nowiki> Schonberg was the first music critic to receive the Pulitzer Prize for criticism. Daniel Mendelsohn described the equation of criticism for critics as knowledge + taste = meaningful judgement. Restaurant
T. S. Eliot for the authorship of one scene and the choruses. George Bell, the Bishop of Chichester, had been instrumental in connecting Eliot with producer E. Martin Browne for the production of "The Rock", and later commissioned Eliot to write another play for the Canterbury Festival in 1935. This one, "Murder in the Cathedral", concerning the death of the martyr, Thomas Becket, was more under Eliot's control. Eliot biographer Peter Ackroyd comments that "for [Eliot], "Murder in the Cathedral" and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his