The Literary Society and John Bailey, and in more recent times, Anthony Powell, Siegfried Sassoon, A. A. Milne, Kingsley Amis, John Gross, Antonia Fraser, Tom Stoppard, Patrick Leigh Fermor, Claire Tomalin, Charles Moore, Miriam Gross, V. S. Naipaul, Sebastian Faulks, Antony Beevor and P. D. James. The Literary Society has not obtruded on public notice, with the brief exception of its meetings and personalities in the middle of the twentieth century which were regularly documented in the Lyttelton/Hart-Davis Letters, in which are frequent vignettes of the members of the 1950s and 60s, including John Betjeman, T. S. Eliot, Malcolm Sargent, Alan Lascelles and
T. S. Eliot us home all point to the pilgrim's path along the road of sanctification. With the important exception of "Four Quartets", Eliot directed much of his creative energies after "Ash Wednesday" to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of Elizabethan and Jacobean verse drama; witness his allusions to Webster, Thomas Middleton, William Shakespeare and Thomas Kyd in "The Waste Land". In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He