Red-billed quelea bird "Moineau a bec rouge du Senegal" in French and "Passer senegalensis erythrorynchos" in Latin, both meaning "red-billed Senegalese sparrow". Also in 1766, George Edwards illustrated the species in colour, based on a live male specimen owned by a Mrs Clayton in Surrey. He called it the "Brazilian sparrow", despite being unsure whether it came from Brazil or Angola. In 1850, Ludwig Reichenbach thought the species was not a true bunting, but rather a weaver, and created the genus name "Quelea", as well as the new combination "Q. quelea". The white-faced morph was described as a separate species, "Q. russii".
Creature animation earlier, in 1989, the pioneering digital animation studio Industrial Light & Magic created a water creature for the James Cameron film "The Abyss". Again, not knowing how a water creature might move, considerable effort was required by the animators to imagine how such a creature might perform and behave. Creature animation Creature animation is a specialised part of the animation process which involves bringing realistic animals and creatures to life. It is often distinguished from character animation, which involves breathing life into animated characters and creating the illusion of thought, feeling and emotion. Creature animators create highly realistic motion in