Mandalay (poem) metre and rhythm were admired; in "The Art of Verse Making" (1915), Modeste Hannis Jordan could write "Kipling has a wonderful 'ear' for metre, for rhythm. His accents fall just right, his measure is never halting or uncertain. His 'Mandalay' may be quoted as an excellent example of rhythm, as easy and flowing as has ever been done". The poet and critic T. S. Eliot, writing in 1941, called the variety of forms Kipling devised for his ballads "remarkable: each is distinct, and perfectly fitted to the content and the mood which the poem has to convey." The literary critic
John Cunningham (poet and dramatist) 1766 Extract from an Elegy on a pile of Ruins Search where Ambition raged with rigour steeled Where Slaughter like the rapid lightning ran And say, while memory weeps the blood-stained field Where lies the chief? And where the common man? Newcastle Beer – A lyrical poem with classical illusions, aimed at the moneyed class Holiday Gown John Cunningham (poet and dramatist) John Cunningham (1729–1773) was a Dublin born playwright, poet and actor, who spent much of his life in, and according to Allan, "whose name and fame will for ever be identified with Newcastle." John Cunningham was born in