Othello (character) where Olivier could see him to settle his nerves. This performance was recorded complete on LP, and filmed by popular demand in 1965 (according to a biography of Olivier, tickets for the stage production were notoriously hard to get). The film version still holds the record for the most Oscar nominations for acting ever given to a Shakespeare film — Olivier, Finlay, Maggie Smith (as Desdemona) and Joyce Redman (as Emilia, Iago's wife) were all nominated for Academy Awards. Actors have alternated the roles of Iago and Othello in productions to stir audience interest since the nineteenth century. Two of
Othello with the RSC since Robeson. In 1997, Patrick Stewart took the role of Othello with the Shakespeare Theatre Company (Washington, D.C.) in a race-bending performance, in a "photo negative" production of a white "Othello" with an otherwise all-black cast. Stewart had wanted to play the title role since the age of 14, so he and director Jude Kelly inverted the play so Othello became a comment on a white man entering a black society. The interpretation of the role is broadening, with theatre companies casting Othello as a woman or inverting the gender of the whole cast to explore gender