Fidelio abandoned "Vestas Feuer" for "Fidelio", and was eventually freed from his obligations to Schikaneder when the latter was fired from his post as theater director in 1804. "Fidelio" itself, which Beethoven began in 1804 immediately after giving up on "Vestas Feuer", was first performed in 1805 and was extensively revised by the composer for subsequent performances in 1806 and 1814. Although Beethoven used the title ' ("Leonore, or The Triumph of Married Love"), the 1805 performances were billed as "Fidelio" at the theatre's insistence, to avoid confusion with the 1798 opera ' by Pierre Gaveaux, and the 1804 opera "Leonora"
Fidelio is what moves us to tears. His "Fidelio" has more of the Mass than of the Opera to it; the sentiments it expresses come from the sphere of the sacred, and preach a 'religion of humanity' which we never found so beautiful or necessary as we do today, after all we have lived through. Herein lies the singular power of this unique opera... Independent of any historical consideration ... the flaming message of "Fidelio" touches deeply. We realize that for us Europeans, as for all men, this music will always represent an appeal to our conscience. On 5 November 1955,