Digambara form, 683 years after the "nirvana" of Mahavira. The two "Āchāryas" wrote "Ṣaṭkhaṅḍāgama" on palm leaves which is considered to be among the oldest known "Digambara" texts. "Āchārya" Bhutabali was the last ascetic who had partial knowledge of the original Jain "Agamas". Later on, some learned "Āchāryas" started to restore, compile and put into written words the teachings of Lord Mahavira, that were the subject matter of "Agamas". "Digambaras" group the texts into four literary categories called "anuyoga" (exposition). The "prathmanuyoga" (first exposition) contains the universal history, the "karananuyoga" (calculation exposition) contains works on cosmology and the "charananuyoga" (behaviour exposition)
Jain meditation or non-Jains. It is important to note that these developments happened mainly among Śvētāmbara sects, while Digambara groups generally did not develop new modernist meditation systems. Digambara sects instead promote the practice of self-study (Svādhyāya) as a form of meditation, influenced by the work of Kundakunda. This practice of self study (reciting scriptures and thinking about the meaning) is included in the practice of equanimity (sāmāyika) which is the spiritual practice emphasized by 20th century Digambara sects. The modern era saw the rise of a new Śvētāmbara sect, the Śvētāmbara Terapanth, founded by Ācārya Bhikṣu, who was said to be