The Adventures of Baron Munchausen got fired, and all these deals were oral deals. ... Columbia's new CEO, Dawn Steel, said 'Whatever David Puttnam "[has]" said before doesn't interest me'". Regarding the new regime's apparent animosity towards all of Puttnam's projects and "Munchausen", Gilliam added in the same documentary, "I was trying very hard to convince Dawn Steel that this was not a David Puttnam movie, it was a Terry Gilliam movie." Similarly Kent Houston, head of Peerless Camera doing the film's special effects said in "Madness and Misadventures" that they were promised a bonus if they would finish the effects in time, but when
Baron Munchausen the main audience for the stories. The book, especially in its adaptations for children, remained widely popular throughout the century. It was translated into nearly all languages spoken in Europe; Robert Southey referred to it as "a book which everybody knows, because all boys read it". Notable later translations include Gautier's French rendering and Korney Chukovsky's popular Russian adaptation. By the 1850s, "Munchausen" had come into slang use as a verb meaning "to tell extravagantly untruthful pseudo-autobiographical stories". Robert Chambers, in an 1863 almanac, cited the iconic 1792 illustration of the Baron by asking rhetorically: Though Raspe's book is no