The Barber of Seville The most serious distortion has been the upward transposition of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for Joséphine Fodor-Mainvielle, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the Théâtre-Italien in Paris, where it was published. The singing lesson in act 2 has often been turned into "a show-stopping cabaret." Adelina Patti was known to include Luigi Arditi's
Samuel Barber Heinsheimer, as an executive at G. Schirmer, would have been unlikely to have allowed Barber into the Schirmer offices to watch him "rip apart the music that his company had invested money in publishing". In 1943, Barber and Menotti purchased a house in Mount Kisco, New York. Barber won the Pulitzer Prize twice: in 1958 for his first opera "Vanessa," and in 1963 for his Concerto for Piano and Orchestra. Barber spent many years in isolation after the harsh rejection of his third opera "Antony and Cleopatra". He suffered from depression, and was also beset by alcoholism. The opera was