Minority Report (film) composed and conducted by John Williams and orchestrated by John Neufeld, with vocals by Deborah Dietrich. Williams normally enters Spielberg productions at an early stage, well before the movie starts shooting. For "Minority Report" however, his entry was delayed due to his work on "", and he joined the film when it was nearly completed, leaving him scant production time. The soundtrack takes inspiration from Bernard Herrmann's work. Williams decided not to focus on the science fiction elements, and made a score suitable for film noir. He included traditional noir elements such as a female singer in the Anne Lively
Technologies in Minority Report ideas for the film's technology to Roger Ebert before the film's release: News sources have noted the future technologies depicted in the film were prescient. "The Guardian" published a piece titled "Why Minority Report was spot on" in June 2010, and the following month "Fast Company" examined seven crime fighting technologies in the film similar to ones then currently appearing. It summarized that "the police state imagined in the Tom Cruise flick feels a bit more real every day." Other major media outlets such as the "Wall Street Journal" have published articles dedicated to this phenomenon, and National Public Radio