Rescue opera tradition that would influence German Romantic opera and French grand opera. The most famous rescue opera is Ludwig van Beethoven's "Fidelio". "Rescue opera" was not a contemporary term. Dyneley Hussey used the term in English in 1927 as a translation of Karl M. Klob's 1913 reference to "Fidelio" as "das sogenannte Rettungs- oder Befreiungsstück" in "Die Oper von Gluck bis Wagner". David Charlton believes that rescue opera is not an authentic genre, and that the concept was coined to make what he believes is a nonexistent connection between Beethoven's work and French opera. Patrick J. Smith, on the other hand,
The Devils of Loudun (opera) part, are emblematic of her hysteria and falseness. Furthermore, Jeanne's demonical possession is underscored by the use of laughter, groans, and electronic distortion of her voice. The Devils of Loudun (opera) Die Teufel von Loudun ("The Devils of Loudun") is an opera in three acts written in 1968 and 1969 by Polish composer Krzysztof Penderecki, and then revised in 1972 and 1975. It has a German libretto by the composer, based on John Whiting's dramatization of Aldous Huxley's book of the same name. The work was commissioned by the Hamburg State Opera, which consequently gave the premiere on 20 June