The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Michigan Opera Theatre Maria Ewing who sang in the 1970 "The Barber of Seville" production; Leona Mitchell, who sang Bess in the company's 1975 production of "Porgy and Bess"; Kathleen Battle, whose 1975 performance as Rosina in "The Barber of Seville" marked her operatic debut; Catherine Malfitano, who created the role of Catherine Sloper in MOT's world premiere staging of "Washington Square" in 1976. Other notable artists include The Metropolitan Opera's Jerome Hines, a bass, who in 1974 sang the title role of "Boris Godunov"; Nicole Cabell who sang Musetta in "La bohème" in 2005, a few months after winning the BBC Cardiff