Themes in Minority Report to the gathering of the images, or their ability to be interpreted, but their ability to be correct even in perfect circumstances, then the system of infallible guilt can not exist. Spielberg conceived of the idea of a future world permeated with intrusive capitalism and government surveillance after everyone at the "think tank summit" told him that "the right of privacy is a diminishing commodity" which will soon be thrown "right out the window." According to film critic J. Hoberman, "Minority Report" "visualizes (as well as demonstrates) a future where the unconscious has been thoroughly colonized." When the movie first
Who the Hell Is Juliette? the "artiest home movie ever made" and was critical about how the subtitles appeared and disappeared too quickly to be easily read. On the other hand, the "New York Daily News" called the film "a great example of what happens when a film maker follows a subject that intrigues him rather than a pre-set program". The documentary received two Ariel Awards. At the 1998 Sundance Film Festival, it received the Latin American Cinema Award. Who the Hell Is Juliette? Who the Hell is Juliette? () is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is