Rescue opera tradition that would influence German Romantic opera and French grand opera. The most famous rescue opera is Ludwig van Beethoven's "Fidelio". "Rescue opera" was not a contemporary term. Dyneley Hussey used the term in English in 1927 as a translation of Karl M. Klob's 1913 reference to "Fidelio" as "das sogenannte Rettungs- oder Befreiungsstück" in "Die Oper von Gluck bis Wagner". David Charlton believes that rescue opera is not an authentic genre, and that the concept was coined to make what he believes is a nonexistent connection between Beethoven's work and French opera. Patrick J. Smith, on the other hand,
The Diary of a Madman (opera) Searle had recently written incidental music for a radio production of Gogol's story, starring Paul Scofield, and decided to choose the story for his opera, providing completely new music. The libretto was written by the composer, based on the translation of Gogol's story by D. S. Mirsky. The opera is scored for an orchestra of single strings, woodwind and brass, with two percussionists. An electronic tape is also specified to produce particular sound effects. The voices of two dogs are directed to be sung by the same performer, using a loudspeaker. The opera was written in London and Amalfi between