Classical compass winds in the North slot in place of Aparctias is notable. The figures on the tower are represented figuratively as gods (Anemoi). It is believed the tower was topped with a weather vane. The Greek wind system was adopted by the Romans, partly under their Greek nomenclature, but increasingly also under new Latin names. Roman poet Virgil, in his "Georgics" (c. 29 BCE) refers to several of the winds by their old Greek names (e.g. Zephyrus, Eurus, Boreas), and introduces a few new Latin names – notably, "black Auster", "cold Aquilo" and "frigid Caurus". The Roman writer Seneca, in his "Naturales
Greek mythology in western art and literature O'Neill in America, and T. S. Eliot in England, and by great novelists such as the Irish James Joyce and the French André Gide. Richard Strauss, Jacques Offenbach and many others have set Greek mythological themes to music. Greek mythology in western art and literature With the rediscovery of classical antiquity in the Renaissance, the poetry of Ovid became a major influence on the imagination of poets and artists, and remained a fundamental influence on the diffusion and perception of Greek mythology through subsequent centuries. From the early years of the Renaissance, artists portrayed subjects from Greek mythology alongside more