The Barber of Seville Théâtre des Tuileries in Paris. Other operas based on the first play were composed by Giovanni Paisiello (his "Il barbiere di Siviglia" premiered in 1782), by Nicolas Isouard in 1796, and then by Francesco Morlacchi in 1816. Though the work of Paisiello triumphed for a time, only Rossini's version has stood the test of time and continues to be a mainstay of operatic repertoire. On 11 November 1868, two days before Rossini's death, the composer Costantino Dall'Argine (1842–1877) premiered an opera based on the same libretto as Rossini's work, bearing a dedication to Rossini. The premiere was not a failure,
Nir Kabaretti Real in Madrid ( Cenerentola, Die Walküre ), The Israeli Opera ( Fidelio, Manon Lescaut ), Lausanne Opera ( Nino Rota's Il Cappello di Paglia di Firenze, Die Fledermaus), Avenches Opera Festival Nabucco, The Barber of Seville, Madama Butterfly) and The New National Theatre in Tokyo (The Barber of Seville). He also conducted The Diary of Anne Frank by Fried, a visiting production of the Vienna State Opera, at both the Bregenz Festival and at Expo 2000 in Hannover . In 2005 Kabaretti lead Teatro San Carlo di Napoli on its first tour to Japan conducting Il Trovatore both in