The Barber of Seville (1944 film) "Swing Symphonies" for a year prior, Culhane would continue to direct entries in the series until 1946. A parody of Gioacchino Rossini's opera of the same name, "The Barber of Seville" is noted for its uses of speed, timing, and music synchronization. During the shaving of the second client, several shots are presented in rapid succession, some lasting only one-fourth of a second. Woody's demeanor and attitude are designed to match the music, during the famous "Figaro" portion of the tune, Woody splits into three, then four, then five instances of himself, in less than two seconds of screen time.
The Barber of Seville (1944 film) dusted off and sent out the door on his way, but the angry client returns to give the woodpecker his karma. The man picks Woody up and slings him through a glass window and back inside the shop, where the woodpecker lands and is bopped by shaving mugs falling from a broken shelf. As a last touch, the barber's pole falls on Woody, whose head is seen caught inside the pole. "The Barber of Seville" was the first cartoon to feature a more streamlined character design for Woody Woodpecker, courtesy of veteran animator Emery Hawkins and art director Art Heinemann.