Contra-alto flute repertoire for bass flute and contrabass flute see: Peter van Munster, "Repertoire Catalogue for Piccolo, Alto Flute and Bass Flute", Roma: Riverberi Sonori, 2004. More and more flute ensemble repertoire is incorporating the contra-alto flute. Typically, it is doubled with the contrabass (and/or bass) flutes, however, in recent years, composers and arrangers such as Alexandra Molnar-Suhajda and Judy Nishimura have been pushing the boundaries of lowness by writing independent parts for the instrument. Contra-alto flute The contra alto flute is in the key of G (or sometimes F), pitched one octave below the alto flute - which is a fourth
Flute Indian culture and mythology, and the cross flute believed by several accounts to originate in India as Indian literature from 1500 BCE has made vague references to the cross flute. A flute produces sound when a stream of air directed across a hole in the instrument creates a vibration of air at the hole. The airstream creates a Bernoulli or siphon. This excites the air contained in the usually cylindrical resonant cavity within the flute. The flutist changes the pitch of the sound produced by opening and closing holes in the body of the instrument, thus changing the effective length