Contra-alto flute repertoire for bass flute and contrabass flute see: Peter van Munster, "Repertoire Catalogue for Piccolo, Alto Flute and Bass Flute", Roma: Riverberi Sonori, 2004. More and more flute ensemble repertoire is incorporating the contra-alto flute. Typically, it is doubled with the contrabass (and/or bass) flutes, however, in recent years, composers and arrangers such as Alexandra Molnar-Suhajda and Judy Nishimura have been pushing the boundaries of lowness by writing independent parts for the instrument. Contra-alto flute The contra alto flute is in the key of G (or sometimes F), pitched one octave below the alto flute - which is a fourth
Eunuch flute France, adds Mersennus, and they had the advantage over other kinds of reproducing more nearly the sound of the voice. The Irish writer Samuel Beckett wrote a series of fifty-nine small poems in French called mirlitonnades after the instrument. The eunuch flute's sound highly resembles a kazoo. The eunuch flute, unlike a kazoo, is held horizontally against the mouth while the user vocalizes into the aperture. Eunuch flute The eunuch flute, or onion flute, or mirliton (Fr. "flûte eunuque, flûte à l'oignon" and "mirliton"; Ger. "Zwiebelflöte") is a musical instrument of the woodwind family used during the 16th and 17th