Charlie Chaplin members to his stock company, Albert Austin and Eric Campbell, and produced a series of elaborate two-reelers: "The Floorwalker", "The Fireman", "The Vagabond", "One A.M.", and "The Count". For "The Pawnshop", he recruited the actor Henry Bergman, who was to work with Chaplin for 30 years. "Behind the Screen" and "The Rink" completed Chaplin's releases for 1916. The Mutual contract stipulated that he release a two-reel film every four weeks, which he had managed to achieve. With the new year, however, Chaplin began to demand more time. He made only four more films for Mutual over the first ten months
Charlie Chaplin a pawn shop." He then had sets constructed and worked with his stock company to improvise gags and "business" using them, almost always working the ideas out on film. As ideas were accepted and discarded, a narrative structure would emerge, frequently requiring Chaplin to reshoot an already-completed scene that might have otherwise contradicted the story. From "A Woman of Paris" onward Chaplin began the filming process with a prepared plot, but Robinson writes that every film up to "Modern Times" "went through many metamorphoses and permutations before the story took its final form." Producing films in this manner meant Chaplin