The Adventures of Baron Munchausen All three films focus on these struggles and attempts to escape them through imagination: "Time Bandits", through the eyes of a child, "Brazil", through the eyes of a man in his thirties, and "Munchausen", through the eyes of an elderly man. When the production finally came to a successful closure, several of the actors commented on the rushed tightness of the whole project. Said Eric Idle, "Up until "Munchausen", I'd always been very smart about Terry Gilliam films. You don't ever be in them. Go and see them by all means - but to be in them, "fucking madness"!!!" Sarah
Baron Munchausen marked popular success. Over the next few years, the publishing house issued further editions in quick succession, adding still more non-Raspe material along the way; even the full-length "Sequel to the Adventures of Baron Munchausen", again not by Raspe and originally published in 1792 by a rival printer, was quickly subsumed into the body of stories. In the process of revision, Raspe's prose style was heavily modified; instead of his conversational language and sportsmanlike turns of phrase, Kearsley's writers opted for a blander and more formal tone imitating Augustan prose. Most ensuing English-language editions, including even the major editions produced