Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
The Saracen (opera) 1899. The Saracen (opera) The Saracen ("Сарацин" in Cyrillic, "Saracin" in transliteration), is an opera by César Cui composed during 1896-1898. The libretto was written by Vladimir Vasilievich Stasov and the composer, based on a play by Alexandre Dumas (père) entitled "Charles VII chez ses grands vassaux". The opera was premiered on 2 November 1899 (Old Style), in Saint Petersburg at the Mariinsky Theatre, with Eduard Nápravník as conductor. It was staged also in 1902 by the Moscow Private Opera at the Solodovnikov Theatre, but never became part of the standard operatic repertoire. "The Saracen" can be understood to some