Rescue opera tradition that would influence German Romantic opera and French grand opera. The most famous rescue opera is Ludwig van Beethoven's "Fidelio". "Rescue opera" was not a contemporary term. Dyneley Hussey used the term in English in 1927 as a translation of Karl M. Klob's 1913 reference to "Fidelio" as "das sogenannte Rettungs- oder Befreiungsstück" in "Die Oper von Gluck bis Wagner". David Charlton believes that rescue opera is not an authentic genre, and that the concept was coined to make what he believes is a nonexistent connection between Beethoven's work and French opera. Patrick J. Smith, on the other hand,
The Saracen (opera) 1899. The Saracen (opera) The Saracen ("Сарацин" in Cyrillic, "Saracin" in transliteration), is an opera by César Cui composed during 1896-1898. The libretto was written by Vladimir Vasilievich Stasov and the composer, based on a play by Alexandre Dumas (père) entitled "Charles VII chez ses grands vassaux". The opera was premiered on 2 November 1899 (Old Style), in Saint Petersburg at the Mariinsky Theatre, with Eduard Nápravník as conductor. It was staged also in 1902 by the Moscow Private Opera at the Solodovnikov Theatre, but never became part of the standard operatic repertoire. "The Saracen" can be understood to some