Fidelio an der Wien. Beethoven was to set a new libretto by Schikaneder, entitled "Vestas Feuer"; however, this libretto was not to Beethoven's liking. He spent about a month composing music for it, then abandoned it when the libretto for "Fidelio" came to his attention. The time Beethoven spent on "Vestas Feuer" was not entirely wasted, as two important numbers from "Fidelio", Pizarro's "'Ha! Welch’ ein Augenblick!" and the duet "O namenlose Freude" for Leonora and Florestan, both originated as music for "Vestas Feuer". Beethoven remained as a resident of the Theater an der Wien for some time after he had
Rescue opera to "Fidelio" is Rossini's "Torvaldo e Dorliska" of 1815. Bedřich Smetana's "Dalibor" (1868), which contains no spoken dialogue and which bears marks of Wagnerian influence, has nonetheless been called a rescue opera, in part because of its political themes. Rescue opera was primarily a product of the French Revolution. The social changes of the period meant that opera must now appeal to the masses, and post-aristocratic, patriotic, idealistic themes—such as resistance to oppression, secularism, the political power of individuals and of people working together, and fundamental changes to the status quo—were popular. The Terror influenced stories of fear and imprisonment;