Contra-alto flute repertoire for bass flute and contrabass flute see: Peter van Munster, "Repertoire Catalogue for Piccolo, Alto Flute and Bass Flute", Roma: Riverberi Sonori, 2004. More and more flute ensemble repertoire is incorporating the contra-alto flute. Typically, it is doubled with the contrabass (and/or bass) flutes, however, in recent years, composers and arrangers such as Alexandra Molnar-Suhajda and Judy Nishimura have been pushing the boundaries of lowness by writing independent parts for the instrument. Contra-alto flute The contra alto flute is in the key of G (or sometimes F), pitched one octave below the alto flute - which is a fourth
Western concert flute Blavet, Vivaldi, and Handel. Because of the works of such composers, the flute became popular as a solo instrument. However, there were few professional flutists who had the flute as their main instrument; many had the oboe. In 1707, Jacques Martin Hotteterre wrote the first method book on playing the flute: "Principes de la flûte traversière". The 1730s brought an increase in operatic and chamber music feature of flutes. The end of this era found the publication of "Essay of a Method of Playing the Transverse Flute" by Quantz. The orchestras formed in the last half of the 18th century