Rescue opera rescue opera; Luigi Cherubini's "Lodoïska" (1791) has also been named a founding work of the genre. Other examples from the end of the eighteenth and beginning of the nineteenth century, the period when rescue opera flourished, are Nicolas Dalayrac's "Camille ou Le souterrain" (1791), Jean-François Le Sueur's "La caverne" (1793), and Cherubini's "Les deux journées" (1800). While the rescue opera was primarily a French genre, the two best-known operas in the genre are not French. Ludwig van Beethoven's "Fidelio" is by far the most famous example today, and was also influenced by the German "Singspiel". A work which is similar
Opera a Chinese language form of Western style opera that is distinct from traditional Chinese opera, has had operas dating back to "The White Haired Girl" in 1945. In Latin America, opera started as a result of European colonisation. The first opera ever written in the Americas was "La púrpura de la rosa", by Tomás de Torrejón y Velasco, although "Partenope", by the Mexican Manuel de Zumaya, was the first opera written from a composer born in Latin America (music now lost). The first Brazilian opera for a libretto in Portuguese was "A Noite de São João", by Elias Álvares Lobo.