Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
The Diary of a Madman (opera) The Diary of a Madman (opera) The Diary of a Madman is a one-act chamber opera by the composer Humphrey Searle. It is based on the short story of the same name by Nikolai Gogol. The opera was premiered in 1958 in Berlin. The libretto is by the composer. The work, which is the first of Searle's operas, was commissioned by Hermann Scherchen, then the director of the Berlin Festival. Scherchen gave Searle complete choice of subject, stipulating only that the orchestra be of no more than 15 players, and that there should be no more than four singing roles.