Arion in the monument of the dolphin the next morning, attired as he was when he threw himself into the sea. When the tyrant had brought them there, and ordered them to swear by the departed spirit of the dolphin that Arion was dead, Arion came out of the monument. In amazement, wondering by what divinity he had been saved, they were silent. The tyrant ordered them to be crucified at the monument of the dolphin. Apollo, because of Arion's skill with the kithara, placed him and the dolphin among the stars. This dolphin was catasterised as the constellation Delphinus, by
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of