Fidelio abandoned "Vestas Feuer" for "Fidelio", and was eventually freed from his obligations to Schikaneder when the latter was fired from his post as theater director in 1804. "Fidelio" itself, which Beethoven began in 1804 immediately after giving up on "Vestas Feuer", was first performed in 1805 and was extensively revised by the composer for subsequent performances in 1806 and 1814. Although Beethoven used the title ' ("Leonore, or The Triumph of Married Love"), the 1805 performances were billed as "Fidelio" at the theatre's insistence, to avoid confusion with the 1798 opera ' by Pierre Gaveaux, and the 1804 opera "Leonora"
The Royal Opera but none would take the permanent post. It was not until 1954 that Webster found a replacement for Rankl in Rafael Kubelík. Kubelík announced immediately that he was in favour of continuing the policy of singing in the vernacular: "Everything that the composer has written should be understood by the audience; and that is not possible if the opera is sung in a language with which they are not familiar". This provoked a public onslaught by Beecham, who continued to maintain that it was impossible to produce more than a handful of English-speaking opera stars, and that importing singers from