Peggy Ashcroft Holt in "Edward, My Son", in the West End and then on Broadway, and the downtrodden Catherine Sloper in "The Heiress" in 1949. Ashcroft began the 1950s with a return to Shakespeare, at the Shakespeare Memorial Theatre, Stratford-upon-Avon, playing Beatrice to Gielgud's Benedick in "Much Ado About Nothing" and Cordelia to his King Lear. In 1951 she returned to the Old Vic, playing Viola in "Twelfth Night", the title role in "Electra" and Mistress Page in "The Merry Wives of Windsor". In the second of these, according to Billington, "she scaled the austere peaks of Greek tragedy". Through the rest
Much Ado About Nothing (2012 film) frame a little bit, the more it speaks towards what’s going on". The film was shot hand-held, digitally with multiple cameras, often with a RED Epic, and used a Lensbaby Composer with Double Glass lens on a Canon 7D to differentiate certain scenes. Whedon composed the score for the film and recruited Deborah Lurie to produce. He arranged music to "Sigh No More" and "Heavily", two songs that William Shakespeare had written into the play. These tracks were performed by Maurissa Tancharoen and Jed Whedon. Whedon described the experience of making his debut in scoring a film as "terrifying", going