Digambara form, 683 years after the "nirvana" of Mahavira. The two "Āchāryas" wrote "Ṣaṭkhaṅḍāgama" on palm leaves which is considered to be among the oldest known "Digambara" texts. "Āchārya" Bhutabali was the last ascetic who had partial knowledge of the original Jain "Agamas". Later on, some learned "Āchāryas" started to restore, compile and put into written words the teachings of Lord Mahavira, that were the subject matter of "Agamas". "Digambaras" group the texts into four literary categories called "anuyoga" (exposition). The "prathmanuyoga" (first exposition) contains the universal history, the "karananuyoga" (calculation exposition) contains works on cosmology and the "charananuyoga" (behaviour exposition)
Digambara texts such as the "Samayasāra" and the "Pravacanasāra". Other prominent "Acharyas" of this tradition were, Virasena (author of a commentary on the "Dhavala"), Samantabhadra and Siddhasena Divakara. The "Satkhandagama" and "Kasayapahuda" have major significance in the "Digambara" tradition. Relics found from Harrapan excavations such as seals depicting "Kayotsarga" posture, idols in "Padmasana" and a nude bust of red limestone, give insight into the antiquity of the "Digambara" tradition. The presence of gymnosophists (naked philosophers) in Greek records as early as the fourth century BC, supports the claim of the "Digambaras" that they have preserved the ancient "Śramaṇa" practice. Dundas talks