Fidelio an der Wien. Beethoven was to set a new libretto by Schikaneder, entitled "Vestas Feuer"; however, this libretto was not to Beethoven's liking. He spent about a month composing music for it, then abandoned it when the libretto for "Fidelio" came to his attention. The time Beethoven spent on "Vestas Feuer" was not entirely wasted, as two important numbers from "Fidelio", Pizarro's "'Ha! Welch’ ein Augenblick!" and the duet "O namenlose Freude" for Leonora and Florestan, both originated as music for "Vestas Feuer". Beethoven remained as a resident of the Theater an der Wien for some time after he had
Italian opera composers of the next generation: Francesco Cavalli and Antonio Cesti. In Polish–Lithuanian Commonwealth a tradition of operatic production began in Warsaw in 1628, with a performance of "Galatea" (composer uncertain), the first Italian opera produced outside Italy. Shortly after this performance, the court produced Francesca Caccini's opera "La liberazione di Ruggiero dall'isola d’Alcina", which she had written for Prince Władysław Vasa three years earlier when he was in Italy. Another first, this is the earliest surviving opera written by a woman. "Gli amori di Aci e Galatea" by Santi Orlandi was also performed in 1628. When Władysław was king (as