Pumpernickel the same basic story, Napoleon declared that the bread was no good for him, but was only good () for his horse: "". However, the name "Nickel" is not confirmed for any of Napoleon's many horses. Additional folk etymology grew from a "witty interpretation", proposed by seventeenth-century satirist Johann Balthasar Schupp, that the bread was only "good for "Nicol"", a nickname for a weak or puny horse. Pumpernickel has been long associated with the Westphalia region of Germany, first referred to in print in 1450. Although it is not known whether this and other early references refer to precisely the
What Is Art? Aylmer Maude, translator of many of Tolstoy's writings, calls it "probably the most masterly of all Tolstoy's works", citing the difficulty of the subject matter and its clarity. For a comprehensive review of the reception at the time of publication, see Maude 1901"b". Bayley, John (1986 [1966]). ""What is Art?" - excerpt from Tolstoy and the Novel" in Bloom, Harold (ed.). Leo Tolstoy. New York: Chelsea House. p. 141-152. Jahn, Gary R. (1975). "The aesthetic theory of Leo Tolstoy's "What is Art?"". "Journal of Aesthetics and Art Criticism" 34 (1): 59-65. Maude, Aylmer (1901a). “"What is Art?" - An Introduction”,