Yashovijaya reputation for being influenced only by the logical cogency of the doctrines and viewpoints (anekantavada) ultimately shaped Yashovijayas irenic but sometimes critical attitude towards other sects and traditions. Yashovijaya had not only studied all the great Svetambara authors from the oldest to the latest, he was also well read in important Digambara works. He wrote several important Navyanyaya works on Digambara Nyaya texts such as the Aptamimamsa of Acarya Samantabhadra. The Jain tradition is remarkably ecumenical when it comes to Nyaya and Acaryas of both the Digambara and the Shvetambara traditions have composed texts in the genre of Nyaya and
Digambara texts such as the "Samayasāra" and the "Pravacanasāra". Other prominent "Acharyas" of this tradition were, Virasena (author of a commentary on the "Dhavala"), Samantabhadra and Siddhasena Divakara. The "Satkhandagama" and "Kasayapahuda" have major significance in the "Digambara" tradition. Relics found from Harrapan excavations such as seals depicting "Kayotsarga" posture, idols in "Padmasana" and a nude bust of red limestone, give insight into the antiquity of the "Digambara" tradition. The presence of gymnosophists (naked philosophers) in Greek records as early as the fourth century BC, supports the claim of the "Digambaras" that they have preserved the ancient "Śramaṇa" practice. Dundas talks