Contra-alto flute repertoire for bass flute and contrabass flute see: Peter van Munster, "Repertoire Catalogue for Piccolo, Alto Flute and Bass Flute", Roma: Riverberi Sonori, 2004. More and more flute ensemble repertoire is incorporating the contra-alto flute. Typically, it is doubled with the contrabass (and/or bass) flutes, however, in recent years, composers and arrangers such as Alexandra Molnar-Suhajda and Judy Nishimura have been pushing the boundaries of lowness by writing independent parts for the instrument. Contra-alto flute The contra alto flute is in the key of G (or sometimes F), pitched one octave below the alto flute - which is a fourth
Overtone flute notes from a natural scale. Overtone flute tubes typically have relatively long resonating chamber compared to its diameter or cross sectional area, which encourages the instrument to resonate in the higher harmonics. This also makes it either difficult to play or very quiet when attempting to play the instrument in the first harmonic. Overtone flute An overtone flute is a type of a flute that is designed to play in the upper harmonics, typically well above the two or three harmonics that are the practical limit for most woodwind instruments. An overtone flute has either no tone holes, or relatively