Sari wrap in the "fishtail" version which was passed through legs, covered the legs loosely and then flowed into a long, decorative pleats at front of the legs. It further evolved into "Bhairnivasani" skirt, today known as "ghagri" and "lehenga". Uttariya was a shawl-like veil worn over the shoulder or head, it evolved into what is known today known as dupatta and ghoongat. Likewise, "Stanapatta" evolved into "choli" by 1st century A.D. Between 2nd century B.C to 1st century A.D, "Antariya" and "Uttariya" was merged to form a single garment known as sari mentioned in Pali literature, which served the purpose
Sari be hanging freely, tucked in at the waist, used to cover the head, or used to cover the neck, by draping it across the right shoulder as well. Some nivi styles are worn with the "pallu" draped from the back towards the front, coming from the back over the right shoulder with one corner tucked by the left hip, covering the torso/waist. The nivi sari was popularised through the paintings of Raja Ravi Varma. In one of his paintings, the Indian subcontinent was shown as a mother wearing a flowing nivi sari. The ornaments generally accepted by the Hindu culture