The Barber of Seville opera at the Teatro Argentina in Rome was a disaster: the audience hissed and jeered throughout, and several on-stage accidents occurred. Furthermore, many of the audience were supporters of one of Rossini's rivals, Giovanni Paisiello, who played on mob mentality to provoke the rest of the audience to dislike the opera. Paisiello had already composed "The Barber of Seville" and took Rossini's new version to be an affront to his version. In particular, Paisiello and his followers were opposed to the use of basso buffo, which is common in comic opera. The second performance, however, was successful. The original French
China National Opera Butterfly, Verdi's Requiem as well as Chinese-language opera. In 2008 CNOH toured America with 10 performances of the original creation Farewell My Concubine (modern opera). In the same year CNOH performed Puccini’s Turandot in Cairo Opera House. The repertoire of the company has now expanded to "Madame Butterfly, Eugene Onegin (opera), Carmen (opera), La Traviata, Gianni Schicchi, Turandot, Aida, La Boheme, Rigoletto, The Marriage of Figaro, Otello Cavalleria Rusticana, The Barber of Seville Les Contes d'Hoffmann, Le Roi d'Ys, as well as Chinese-language western-style operas, such as Liu Hulan (opera), Song of the Grasslands, Ayiguli, The Hundredth Bride, Marco Polo