Sari wrap in the "fishtail" version which was passed through legs, covered the legs loosely and then flowed into a long, decorative pleats at front of the legs. It further evolved into "Bhairnivasani" skirt, today known as "ghagri" and "lehenga". Uttariya was a shawl-like veil worn over the shoulder or head, it evolved into what is known today known as dupatta and ghoongat. Likewise, "Stanapatta" evolved into "choli" by 1st century A.D. Between 2nd century B.C to 1st century A.D, "Antariya" and "Uttariya" was merged to form a single garment known as sari mentioned in Pali literature, which served the purpose
Sari of life and creativity, hence the midriff is to be left bare by the sari. Early Sanskrit literature has a wide vocabulary of terms for the veiling used by women, such as "Avagunthana" (oguntheti/oguṇthikā), meaning cloak-veil, "Uttariya" meaning shoulder-veil, "Mukha-pata" meaning face-veil and "Sirovas-tra" meaning head-veil. In the "Pratimānātaka", a play by Bhāsa describes in context of "Avagunthana" veil that ""ladies may be seen without any blame (for the parties concerned) in a religious session, in marriage festivities, during a calamity and in a forest"". The same sentiment is more generically expressed in later Sanskrit literature. Śūdraka, the author of