Minority Report (film) Anderton uses a punch card machine to interpret the precogs' visions; in the movie, he uses a virtual reality interface. The main theme of "Minority Report" is the classic philosophical debate of free will versus determinism. Other themes explored by the film include involuntary commitment, the nature of political and legal systems in a high technology-advanced society, the rights of privacy in a media-dominated world, and the nature of self-perception. The film also continues to follow Spielberg's tradition of depicting broken families, which he has said is motivated by his parents' divorce when he was a child. The score was
Who the Hell Is Juliette? the "artiest home movie ever made" and was critical about how the subtitles appeared and disappeared too quickly to be easily read. On the other hand, the "New York Daily News" called the film "a great example of what happens when a film maker follows a subject that intrigues him rather than a pre-set program". The documentary received two Ariel Awards. At the 1998 Sundance Film Festival, it received the Latin American Cinema Award. Who the Hell Is Juliette? Who the Hell is Juliette? () is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is