The Barber of Seville The most serious distortion has been the upward transposition of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for Joséphine Fodor-Mainvielle, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the Théâtre-Italien in Paris, where it was published. The singing lesson in act 2 has often been turned into "a show-stopping cabaret." Adelina Patti was known to include Luigi Arditi's
The Man Who Wrote Frankenstein Shelley as shown by several letters. "The Man Who Wrote Frankenstein" includes a favorable review of "Shelley's Fiction" (1998) by Phyllis Zimmerman, a book in which Zimmerman argues for Percy Bysshe Shelley's authorship of "Frankenstein", and a short bibliography of books and articles about Percy Bysshe Shelley and "Frankenstein". Lauritsen praises poet Edmund Blunden's "" (1946), calling it the best short biography about Percy Bysshe Shelley. "The Man Who Wrote Frankenstein" was first published in 2007 by Pagan Press. "The Man Who Wrote Frankenstein" was praised by the critic Camille Paglia, who wrote in "Salon" that "Lauritsen assembles an overwhelming