Italian opera in bringing the art form back to life again. Romantic opera, which placed emphasis on the imagination and the emotions began to appear in the early 19th century, and because of its arias and music, gave more dimension to the extreme emotions which typified the theater of that era. In addition, it is said that fine music often excused glaring faults in character drawing and plot lines. Gioachino Rossini (1792–1868) initiated the Romantic period. His first success was an "opera buffa" (comic opera), "La Cambiale di Matrimonio" (1810). His reputation still survives today through his "Barber of Seville" (1816), and
The Barber of Seville (play) Guilty Mother". Though the play was poorly received at first, Beaumarchais worked some fast editing of the script, turning it into a roaring success after three days. The play's title might be a pun on Tirso de Molina's earlier play "El Burlador de Sevilla" ("The Trickster of Seville"). Mozart wrote a set of 12 variations, K.354, on one of Baudron's songs, "". The story follows a traditional Commedia dell'arte structure, with many characters seemingly based on famous stock characters. The plot involves a Spanish count, called simply The Count although "Almaviva" appears as an additional name (whether it is a