The Barber of Seville "Il bacio", the Bolero from Verdi's "I vespri siciliani", the Shadow Song from Meyerbeer's "Dinorah", and Henry Bishop's "Home! Sweet Home!". Nellie Melba followed suit, accompanying herself on the piano in the final song. Pauline Viardot began the practice of inserting Alexander Alyabyev's "Nightingale". Maria Callas sang a cut-down version of Rossini's own "Contro un cor." Once after Patti had sung a particularly florid rendition of the opera's legitimate aria, 'Una voce poco fa', Rossini is reported to have asked her: "Very nice, my dear, and who wrote the piece you have just performed?" The piece is a staple of
Michigan Opera Theatre Maria Ewing who sang in the 1970 "The Barber of Seville" production; Leona Mitchell, who sang Bess in the company's 1975 production of "Porgy and Bess"; Kathleen Battle, whose 1975 performance as Rosina in "The Barber of Seville" marked her operatic debut; Catherine Malfitano, who created the role of Catherine Sloper in MOT's world premiere staging of "Washington Square" in 1976. Other notable artists include The Metropolitan Opera's Jerome Hines, a bass, who in 1974 sang the title role of "Boris Godunov"; Nicole Cabell who sang Musetta in "La bohème" in 2005, a few months after winning the BBC Cardiff