The Adventures of Baron Munchausen All three films focus on these struggles and attempts to escape them through imagination: "Time Bandits", through the eyes of a child, "Brazil", through the eyes of a man in his thirties, and "Munchausen", through the eyes of an elderly man. When the production finally came to a successful closure, several of the actors commented on the rushed tightness of the whole project. Said Eric Idle, "Up until "Munchausen", I'd always been very smart about Terry Gilliam films. You don't ever be in them. Go and see them by all means - but to be in them, "fucking madness"!!!" Sarah
Nudity in film nude, is the context of a number of films. In "La Belle Noiseuse" ("The Beautiful Liar", 1991) the painter's model motivates him again after a period of lack of inspiration of the artist. Similarly, in "Titanic" (1997) Kate Winslet poses nude for Leonardo DiCaprio. These films show the close relationship between film and the traditional art nude in art in films such as "The Adventures of Baron Munchausen" (1988), where Uma Thurman poses as Botticelli's "The Birth of Venus", and "Goya in Bordeaux" (1999), where Maribel Verdú poses as Goya's "The Naked Maja". Another scenario for nudity in film involves