Jain sculpture Padmasana (seated in yoga posture) or standing in the "Kayotsarga" posture. "Parshvanatha" statues are usually depicted with a snake crown on head, Bahubali statues are usually depicted covered with creepers. However, there are a few differences in Digambara and Svetambara depiction of idols. Digambara images are naked without any beautification whereas Svetambara ones are clothed and decorated with temporary ornaments. Giant rock-cut statues of Jain Tirthankaras are carved in the Gopachal Hill, Gwalior, Madhya Pradesh. Charans are footprints exclusive to Jain temples. The charan of Tirthankara Rishabhanatha are present at the Badrinath Temple. Jainism spread here and there all over
Digambara includes texts about proper behaviour for monks and "Sravakas". Most eminent "Digamabara" authors include Kundakunda, Samantabhadra, Pujyapada, Jinasena, Akalanka, Vidyanandi, Somadeva and Asadhara. The "Digambara" tradition can be divided into two main orders viz. "Mula Sangha" (original community) and modern community. "Mula Sangha" can be further divided into orthodox and heterodox traditions. Orthodox traditions included "Nandi", "Sena", "Simha" and "Deva" "sangha". Heterodox traditions included "Dravida", "Yapaniya", "Kashtha" and "Mathura" sangha. Other traditions of "Mula sangha" include "Deshiya Gana" and "Balatkara Gana" traditions. Modern "Digambara" community is divided into various sub-sects viz. "Terapanthi", "Bispanthi", "Taranpanthi" (or "Samayiapanthi"), "Gumanapanthi" and "Totapanthi". Digambara