The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Who Wrote The Dead Sea Scrolls? Hartmut Stegemann. "Qumran und das Judentum zur Zeit Jesu" 84 (1994): 175-94 as basing "his support of the Essene hypothesis of factors of hierarch, initiation rites, community of goods, ritual baths, a common meal and views on marriage as well as calendar." They then refer to the alternative estimate of Golb, "that the scrolls came from Jerusalem to a fortress in Qumran during the siege of Jerusalem around 70 CE Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls?: The Search For The Secret Of Qumran is a book by Norman Golb which intensifies the debate over