The Barber of Seville "Il bacio", the Bolero from Verdi's "I vespri siciliani", the Shadow Song from Meyerbeer's "Dinorah", and Henry Bishop's "Home! Sweet Home!". Nellie Melba followed suit, accompanying herself on the piano in the final song. Pauline Viardot began the practice of inserting Alexander Alyabyev's "Nightingale". Maria Callas sang a cut-down version of Rossini's own "Contro un cor." Once after Patti had sung a particularly florid rendition of the opera's legitimate aria, 'Una voce poco fa', Rossini is reported to have asked her: "Very nice, my dear, and who wrote the piece you have just performed?" The piece is a staple of
Opera Lyra Ottawa first fully staged opera, "Così fan tutte", performed in the Alumni Theatre at Carleton University. In 1986, the company moved into the National Arts Center's 897 seat Theatre, with a production of "The Barber of Seville". 1987 was Gilchrist's fourth year as Artistic Director and her final opera at the NAC was "The Elixir of Love", conducted by Dwight Bennett. Jeannette Aster became Artistic Director in 1987 when Gilchrist moved to Europe for professional engagements singing Queen of the Night, Zerbinetta and other coloratura roles. The 1990 production of "Madama Butterfly" marked the first time the company performed an opera