The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
The Barber of Seville (1944 film) dusted off and sent out the door on his way, but the angry client returns to give the woodpecker his karma. The man picks Woody up and slings him through a glass window and back inside the shop, where the woodpecker lands and is bopped by shaving mugs falling from a broken shelf. As a last touch, the barber's pole falls on Woody, whose head is seen caught inside the pole. "The Barber of Seville" was the first cartoon to feature a more streamlined character design for Woody Woodpecker, courtesy of veteran animator Emery Hawkins and art director Art Heinemann.