The Barber of Seville The most serious distortion has been the upward transposition of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for Joséphine Fodor-Mainvielle, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the Théâtre-Italien in Paris, where it was published. The singing lesson in act 2 has often been turned into "a show-stopping cabaret." Adelina Patti was known to include Luigi Arditi's
Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls?: The Search For The Secret Of Qumran is a book by Norman Golb which intensifies the debate over the origins of the Dead Sea Scrolls, furthering the opinion that the scrolls were not the work of the Essenes, as other scholars claim, but written in Jerusalem and moved to Qumran in anticipation of the Roman siege in 70 AD. Writing in "Church History", Gregory T. Armstrong stated: "This book is 'must reading' for every historian regardless of her or his period of specialization. It demonstrates how a particular