Fidelio of overwhelming the (rather light) initial scenes of the opera. Beethoven accordingly experimented with cutting it back somewhat, for a planned 1808 performance in Prague; this is believed to be the version now called "Leonore No. 1". Finally, for the 1814 revival Beethoven began anew, and with fresh musical material wrote what we now know as the "Fidelio" overture. As this somewhat lighter overture seems to work best of the four as a start to the opera, Beethoven's final intentions are generally respected in contemporary productions. While some believe that Gustav Mahler introduced the practice of performing "Leonore No. 3"
Fidelio is what moves us to tears. His "Fidelio" has more of the Mass than of the Opera to it; the sentiments it expresses come from the sphere of the sacred, and preach a 'religion of humanity' which we never found so beautiful or necessary as we do today, after all we have lived through. Herein lies the singular power of this unique opera... Independent of any historical consideration ... the flaming message of "Fidelio" touches deeply. We realize that for us Europeans, as for all men, this music will always represent an appeal to our conscience. On 5 November 1955,