Much Ado About Nothing in 1591. The character of Benedick too has a counterpart in a commentary upon marriage in "Orlando Furioso", but the witty wooing of Beatrice and Benedick is original and very unusual in style and syncopation. One version of the Claudio/Hero plot is told by Edmund Spenser in "The Faerie Queen" (Book II, Canto iv). The earliest printed text states that "Much Ado About Nothing" was "sundry times publicly acted" prior to 1600 and it is likely that the play made its debut in the autumn or winter of 1598–1599. The earliest recorded performances are two that were given at Court
Much Ado talents I have found is his ability to write music in the style befitting the age his work is set, as MUCH ADO so admirably demonstrates. Paul McGann's singing voice adds style. and panache to his solo numbers (If I Could Write A Sonnet and The Strange Affliction Called Love) as well as a pleasing accompaniment to the redoubtable Claire Moore In Disdain" and Then Kill For Me. Of course, as always Claire Moore gives a breathtaking performance with (among others) I'll Never Marry and How Can This Be, but then that lady can do no wrong in my book.