Yashovijaya reputation for being influenced only by the logical cogency of the doctrines and viewpoints (anekantavada) ultimately shaped Yashovijayas irenic but sometimes critical attitude towards other sects and traditions. Yashovijaya had not only studied all the great Svetambara authors from the oldest to the latest, he was also well read in important Digambara works. He wrote several important Navyanyaya works on Digambara Nyaya texts such as the Aptamimamsa of Acarya Samantabhadra. The Jain tradition is remarkably ecumenical when it comes to Nyaya and Acaryas of both the Digambara and the Shvetambara traditions have composed texts in the genre of Nyaya and
Digambara includes texts about proper behaviour for monks and "Sravakas". Most eminent "Digamabara" authors include Kundakunda, Samantabhadra, Pujyapada, Jinasena, Akalanka, Vidyanandi, Somadeva and Asadhara. The "Digambara" tradition can be divided into two main orders viz. "Mula Sangha" (original community) and modern community. "Mula Sangha" can be further divided into orthodox and heterodox traditions. Orthodox traditions included "Nandi", "Sena", "Simha" and "Deva" "sangha". Heterodox traditions included "Dravida", "Yapaniya", "Kashtha" and "Mathura" sangha. Other traditions of "Mula sangha" include "Deshiya Gana" and "Balatkara Gana" traditions. Modern "Digambara" community is divided into various sub-sects viz. "Terapanthi", "Bispanthi", "Taranpanthi" (or "Samayiapanthi"), "Gumanapanthi" and "Totapanthi". Digambara