Michele Soavi Wyman. He directed his first feature film with 1987's "Stage Fright" for producer Joe D'Amato. He worked as assistant director to Terry Gilliam on "The Adventures of Baron Munchausen" in 1988, and followed this with his second feature film as director, 1989's "La Chiesa" ("The Church"). His third feature, "The Sect" (a.k.a. "The Devil's Daughter"), followed in 1990. Soavi has been credited as almost single-handedly continuing the traditions of Italian horror in the 1990s, directing the acclaimed zombie love story "Dellamorte Dellamore" (a.k.a. "Cemetery Man"). The film was based on Tiziano Sclavi's novel of the same name, and the author
Nudity in film nude, is the context of a number of films. In "La Belle Noiseuse" ("The Beautiful Liar", 1991) the painter's model motivates him again after a period of lack of inspiration of the artist. Similarly, in "Titanic" (1997) Kate Winslet poses nude for Leonardo DiCaprio. These films show the close relationship between film and the traditional art nude in art in films such as "The Adventures of Baron Munchausen" (1988), where Uma Thurman poses as Botticelli's "The Birth of Venus", and "Goya in Bordeaux" (1999), where Maribel Verdú poses as Goya's "The Naked Maja". Another scenario for nudity in film involves