Throne called the "sedia gestatoria". Originally, the "sedia" was used as part of the elaborate procession surrounding papal ceremonies that was believed to be the most direct heir of pharaonic splendor, and included a pair of flabella (fans made from ostrich feathers) to either side. Pope John Paul I at first abandoned the use of these implements, but later in his brief reign began to use the "sedia" so that he could be seen more easily by the crowds. However, he did not restore the use of the flabella. The use of the "sedia" was abandoned by Pope John Paul II
Flabellum museum of the University of Pennsylvania. The spread is formed of great ostrich plumes tipped with peacock feathers; on the palm (base of the fan) are the arms of the Holy See, worked in heavy gold on a crimson field, the tiara being studded with rubies and emeralds. The new pair of flabella is on display in the Vatican museum. Lisbon Patriarchal Cathedral also holds two Flabella and one Sedia Gestatoria in its museum. It is thought the right of the Cardinal patriarchs to use such honour was granted after the efforts of king John V of Portugal that obtained