Much Ado About Nothing what they want, or to lead someone to realize their mistake. However, not all are meant well, such as when Don John convinces Claudio that Don Pedro wants Hero for himself, or when Borachio meets 'Hero' (who is actually Margaret, pretending to be Hero) in Hero's bedroom window. These modes of deceit play into a complementary theme of emotional manipulation and the ease with which the characters' sentiments are redirected and their propensities exploited as a means to an end. The characters' feelings for each other are played as vehicles to reach an ultimate goal of engagement rather than seen
Much Ado talents I have found is his ability to write music in the style befitting the age his work is set, as MUCH ADO so admirably demonstrates. Paul McGann's singing voice adds style. and panache to his solo numbers (If I Could Write A Sonnet and The Strange Affliction Called Love) as well as a pleasing accompaniment to the redoubtable Claire Moore In Disdain" and Then Kill For Me. Of course, as always Claire Moore gives a breathtaking performance with (among others) I'll Never Marry and How Can This Be, but then that lady can do no wrong in my book.