Fidelio the scene in which the rescue finally takes place. The finale celebrates Leonore's bravery with alternating contributions of soloists and chorus. The work has a long and complicated history of composition: it went through three versions during Beethoven's career, and some of the music was first written as part of an earlier, never-completed opera. The distant origin of "Fidelio" dates from 1803, when the librettist and impresario Emanuel Schikaneder worked out a contract with Beethoven to write an opera. The contract included free housing for Beethoven in the apartment complex that was part of Schikaneder's large suburban theater, the Theater
The Diary of a Madman (opera) Searle had recently written incidental music for a radio production of Gogol's story, starring Paul Scofield, and decided to choose the story for his opera, providing completely new music. The libretto was written by the composer, based on the translation of Gogol's story by D. S. Mirsky. The opera is scored for an orchestra of single strings, woodwind and brass, with two percussionists. An electronic tape is also specified to produce particular sound effects. The voices of two dogs are directed to be sung by the same performer, using a loudspeaker. The opera was written in London and Amalfi between