The Barber of Seville opera at the Teatro Argentina in Rome was a disaster: the audience hissed and jeered throughout, and several on-stage accidents occurred. Furthermore, many of the audience were supporters of one of Rossini's rivals, Giovanni Paisiello, who played on mob mentality to provoke the rest of the audience to dislike the opera. Paisiello had already composed "The Barber of Seville" and took Rossini's new version to be an affront to his version. In particular, Paisiello and his followers were opposed to the use of basso buffo, which is common in comic opera. The second performance, however, was successful. The original French
The Guilty Mother The Guilty Mother The Guilty Mother () subtitled "The Other Tartuffe" is the third play of the "Figaro" trilogy by Pierre Beaumarchais; its predecessors were "The Barber of Seville" and "The Marriage of Figaro". This was the author's last play. It is rarely revived. Like the earlier plays of the trilogy it has been turned into operatic form, but it has not entered the general opera repertoire. The characters of Figaro and his associates were so popular that other dramatists had written sequels to "The Barber of Seville" and "The Marriage of Figaro", most notably M-N Delon, who brought out