The Barber of Seville (play) resigns himself. As a consolation he is given Rosine's dowry money to keep. Giovanni Paisiello's opera based on the play was first performed in 1782, but it is Gioachino Rossini's opera, "The Barber of Seville", premiered in 1816, that has better stood the test of time. Other lesser-known adaptions include those by Nicolas Isouard in 1796, Alexander Reinagle and Samuel Arnold in 1794, and Francesco Morlacchi in 1816. Figaro is inspired by the Commedia dell'arte character of Brighella, and like his predecessor he is a clever liar; moral and yet unscrupulous; good humored, helpful and brave, though somewhat embittered and
The Waterseller of Seville of reality demonstrate his understanding of human perception. The Waterseller of Seville The Waterseller of Seville is the title of three paintings by Spanish artist Diego Velázquez, dating from 1618–1622. The original version is considered to be among the finest works of the painter's Seville period and is displayed in the Waterloo Gallery of Apsley House. The painting exists in three versions. The version in the Apsley House, London, United Kingdom, was originally housed in the Royal Spanish Collection but stolen by Joseph Bonaparte at the time of the Napoleonic wars. The Duke of Wellington later won it back –