Much Ado About Nothing copy of the Second Folio. The provocative treatment of gender is central to the play and should be considered in its Renaissance context. While this was reflected and emphasized in certain plays of the period, it was also challenged. Amussen notes that the undoing of traditional gender clichés appears to have inflamed anxieties about the erosion of social order. It seems that comic drama could be a means of calming such anxieties. Ironically, we can see through the play's popularity that this only increased people's interest in such behavior. Benedick wittily gives voice to male anxieties about women's "sharp tongues
Much Ado About Nothing (2012 film) the film has achieved an average score of 78/100 based on 37 reviews, signifying "generally favorable reviews". John DeFore of "The Hollywood Reporter" gave a positive review of the film, remarking, "...more than most adaptations, this is a film true to Shakespeare's practice of employing all means at hand to keep the crowd entertained". Tom Clift of Moviedex complimented the director's use of subtle visual humor, while Lou Lumenick of the "New York Post" commented that "this is the funniest Shakespeare film I can recall seeing". "The Guardian" scored the film four out of five stars, calling it "...the first