Polish opera "Fra Diavolo", Weber's "Der Freischütz" and many other operas by Donizetti, Meyerbeer and Rossini. In 1833 Antionio Corazzi, an Italian from Livorno, built a new theatre for the National Opera in Warsaw. The house was opened with a performance of Rossini's "The Barber of Seville". Stanisław Moniuszko is regarded as the true creator of Polish national opera. His role in the Polish tradition is similar to that of Glinka in the Russian, Smetana in the Czech and Ferenc Erkel in the Hungarian. In 1837 Moniuszko returned to Poland after receiving his musical education abroad. Ten years later he wrote the
The Marriage of Figaro fly] To the desire of [the one] who adores you" (K. 577) in July 1789, and to replace "" he wrote "" – "A joyous emotion", (K. 579), probably in mid-1790. The voice types which appear in this table are those listed in the critical edition published in the "Neue Mozart-Ausgabe". In modern performance practice, Cherubino and Marcellina are usually assigned to mezzo-sopranos, and Figaro to a bass-baritone. "The Marriage of Figaro" continues the plot of "The Barber of Seville" several years later, and recounts a single "day of madness" () in the palace of Count Almaviva near Seville, Spain.