Opera buffa prima donna soubrette (soprano or mezzo); a light, amorous tenor; a basso cantante or baritone capable of lyrical, mostly ironical expression; and a basso buffo whose vocal skills, largely confined to clear articulation and the ability to "patter", must also extend to the baritone for the purposes of comic duets. The type of comedy could vary, and the range was great: from Rossini's "The Barber of Seville" in 1816 which was purely comedic, to Mozart's "The Marriage of Figaro" in 1786 which added drama and pathos. Another example of Romantic "opera buffa" would be Donizetti's "L'elisir d'amore" of 1832. While
Michigan Opera Theatre Maria Ewing who sang in the 1970 "The Barber of Seville" production; Leona Mitchell, who sang Bess in the company's 1975 production of "Porgy and Bess"; Kathleen Battle, whose 1975 performance as Rosina in "The Barber of Seville" marked her operatic debut; Catherine Malfitano, who created the role of Catherine Sloper in MOT's world premiere staging of "Washington Square" in 1976. Other notable artists include The Metropolitan Opera's Jerome Hines, a bass, who in 1974 sang the title role of "Boris Godunov"; Nicole Cabell who sang Musetta in "La bohème" in 2005, a few months after winning the BBC Cardiff