Rescue opera tradition that would influence German Romantic opera and French grand opera. The most famous rescue opera is Ludwig van Beethoven's "Fidelio". "Rescue opera" was not a contemporary term. Dyneley Hussey used the term in English in 1927 as a translation of Karl M. Klob's 1913 reference to "Fidelio" as "das sogenannte Rettungs- oder Befreiungsstück" in "Die Oper von Gluck bis Wagner". David Charlton believes that rescue opera is not an authentic genre, and that the concept was coined to make what he believes is a nonexistent connection between Beethoven's work and French opera. Patrick J. Smith, on the other hand,
Opera a Chinese language form of Western style opera that is distinct from traditional Chinese opera, has had operas dating back to "The White Haired Girl" in 1945. In Latin America, opera started as a result of European colonisation. The first opera ever written in the Americas was "La púrpura de la rosa", by Tomás de Torrejón y Velasco, although "Partenope", by the Mexican Manuel de Zumaya, was the first opera written from a composer born in Latin America (music now lost). The first Brazilian opera for a libretto in Portuguese was "A Noite de São João", by Elias Álvares Lobo.