Opera in German such as opera seria. Some Baroque composers, such as Reinhard Keiser, did try to challenge Italian dominance, and the theatre principal Abel Seyler became an eager promoter of German opera in the 1770s, but it was only with the appearance of Mozart that a lasting tradition of serious German-language opera was established. Mozart took the simple, popular genre of "Singspiel" and turned it into something far more sophisticated. Beethoven followed his example with the idealistic "Fidelio"; and with "Der Freischütz" of 1821, Weber established a uniquely German form of opera under the influence of Romanticism. Weber's innovations were eclipsed by
The Saracen (opera) 1899. The Saracen (opera) The Saracen ("Сарацин" in Cyrillic, "Saracin" in transliteration), is an opera by César Cui composed during 1896-1898. The libretto was written by Vladimir Vasilievich Stasov and the composer, based on a play by Alexandre Dumas (père) entitled "Charles VII chez ses grands vassaux". The opera was premiered on 2 November 1899 (Old Style), in Saint Petersburg at the Mariinsky Theatre, with Eduard Nápravník as conductor. It was staged also in 1902 by the Moscow Private Opera at the Solodovnikov Theatre, but never became part of the standard operatic repertoire. "The Saracen" can be understood to some