Polish opera "Fra Diavolo", Weber's "Der Freischütz" and many other operas by Donizetti, Meyerbeer and Rossini. In 1833 Antionio Corazzi, an Italian from Livorno, built a new theatre for the National Opera in Warsaw. The house was opened with a performance of Rossini's "The Barber of Seville". Stanisław Moniuszko is regarded as the true creator of Polish national opera. His role in the Polish tradition is similar to that of Glinka in the Russian, Smetana in the Czech and Ferenc Erkel in the Hungarian. In 1837 Moniuszko returned to Poland after receiving his musical education abroad. Ten years later he wrote the
The Barber of Seville (play) why he has followed her to Seville, by way of singing his answer to the tune of the song. Figaro tells the Count that Rosine is the ward of Dr. Bartholo, and adds that as he is the doctor's barber and apothecary, he frequents the house. He proposes a plan to smuggle the Count into the house by disguising him as a drunken soldier in need of lodging. The two are interrupted when they overhear Dr. Bartholo making plans to secretly marry Rosine during the night, before he leaves to see his friend Bazile, who is to make the arrangements.