Full Metal Jacket to have his head shaved once a week. At one point during filming, Ermey had a car accident, broke all of his ribs on one side, and was out for four-and-half months. Cowboy's death scene shows a building in the background that resembles the famous alien monolith in Kubrick's "" (1968). Kubrick described the resemblance as an "extraordinary accident". During filming, Hasford contemplated taking legal action over the writing credits. Originally, the filmmakers intended for Hasford to receive an "additional dialogue" credit, but he fought for and eventually received full credit. The writer took two friends and visited the set
Full Metal Jacket "Full Metal Jacket" have received little attention from critics and reviewers. Michael Pursell's essay ""Full Metal Jacket": The Unravelling of Patriarchy" (1988) was an early, in-depth consideration of the film's two-part structure and its criticism of masculinity, arguing that the film shows "war and pornography as facets of the same system". Most reviews have focused on military brainwashing themes in the boot camp training section of the film, while seeing the latter half of the film as more confusing and disjointed in content. Rita Kempley of "The Washington Post" wrote, "it's as if they borrowed bits of every war movie