Parshvanatha parts of India, such as Uttar Pradesh and Tamil Nadu, and these are dated to between 5th and 10th-century CE. Archeological sites and medieval era Parshvantha iconography found in temples and Jain cave arts include scenes and Yaksha. The Digambara and Svetambara traditions show differences in their historic icons. For example, Svetambara artworks show Parshvanatha with both serpent hood and a Ganesha-like Yaksha, while Digambara artworks show him with serpent hood and Dhranendra, but no Ganesha-like deity. According to Umakant Premanand Shah, such a display of Hindu gods such as Ganesha as Yaksha, and Indra as serving Parshvanatha were a
Digambara includes texts about proper behaviour for monks and "Sravakas". Most eminent "Digamabara" authors include Kundakunda, Samantabhadra, Pujyapada, Jinasena, Akalanka, Vidyanandi, Somadeva and Asadhara. The "Digambara" tradition can be divided into two main orders viz. "Mula Sangha" (original community) and modern community. "Mula Sangha" can be further divided into orthodox and heterodox traditions. Orthodox traditions included "Nandi", "Sena", "Simha" and "Deva" "sangha". Heterodox traditions included "Dravida", "Yapaniya", "Kashtha" and "Mathura" sangha. Other traditions of "Mula sangha" include "Deshiya Gana" and "Balatkara Gana" traditions. Modern "Digambara" community is divided into various sub-sects viz. "Terapanthi", "Bispanthi", "Taranpanthi" (or "Samayiapanthi"), "Gumanapanthi" and "Totapanthi". Digambara