Classical compass winds ("ζέφυρος") from the west – were added soon enough. The etymology of the names of the four archaic Greek winds is uncertain. Among tentative propositions is that "Boreas" might come from "boros", an old variant of "oros" (Greek for "mountains", which were to the north geographically). An alternative hypothesis is that it may come from "boros" meaning "voracious". Another is that it comes from the phrase "ἀπὸ τῆς βοῆς" ("from the roar"), a reference to its violent and loud noise. "Notos" probably comes from "notios" ("moist", a reference to the warm rains and storms brought from the south). "Eurus" and
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of