The Barber of Seville The most serious distortion has been the upward transposition of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for Joséphine Fodor-Mainvielle, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the Théâtre-Italien in Paris, where it was published. The singing lesson in act 2 has often been turned into "a show-stopping cabaret." Adelina Patti was known to include Luigi Arditi's
Virginia Opera Gardner, Sujung Kim, Frank Porretta, Grant Youngblood, Fabiana Bravo, Mary Elizabeth Williams, Nmon Ford, Jeniece Goldbourne, Randall Scarlata, and Thomas Rolf Truhitte. Attracting acclaimed directors from the theater and opera world, the company has given audiences the experience of seeing the work of Gian Carlo Menotti, Gordon Davidson, Greg Ganakas, Arvin Brown, Dorothy Danner, Lillian Groag and Sam Helfrich, among others, in new productions designed by the nation's top opera and theatre designers. The first few seasons consisted of standard works such as "La boheme", "La traviata", "Tosca", "Lucia di Lammermoor" and "The Barber of Seville", all presented in the