Rescue opera rescue opera; Luigi Cherubini's "Lodoïska" (1791) has also been named a founding work of the genre. Other examples from the end of the eighteenth and beginning of the nineteenth century, the period when rescue opera flourished, are Nicolas Dalayrac's "Camille ou Le souterrain" (1791), Jean-François Le Sueur's "La caverne" (1793), and Cherubini's "Les deux journées" (1800). While the rescue opera was primarily a French genre, the two best-known operas in the genre are not French. Ludwig van Beethoven's "Fidelio" is by far the most famous example today, and was also influenced by the German "Singspiel". A work which is similar
Italian opera composers of the next generation: Francesco Cavalli and Antonio Cesti. In Polish–Lithuanian Commonwealth a tradition of operatic production began in Warsaw in 1628, with a performance of "Galatea" (composer uncertain), the first Italian opera produced outside Italy. Shortly after this performance, the court produced Francesca Caccini's opera "La liberazione di Ruggiero dall'isola d’Alcina", which she had written for Prince Władysław Vasa three years earlier when he was in Italy. Another first, this is the earliest surviving opera written by a woman. "Gli amori di Aci e Galatea" by Santi Orlandi was also performed in 1628. When Władysław was king (as