Polish opera "Fra Diavolo", Weber's "Der Freischütz" and many other operas by Donizetti, Meyerbeer and Rossini. In 1833 Antionio Corazzi, an Italian from Livorno, built a new theatre for the National Opera in Warsaw. The house was opened with a performance of Rossini's "The Barber of Seville". Stanisław Moniuszko is regarded as the true creator of Polish national opera. His role in the Polish tradition is similar to that of Glinka in the Russian, Smetana in the Czech and Ferenc Erkel in the Hungarian. In 1837 Moniuszko returned to Poland after receiving his musical education abroad. Ten years later he wrote the
The Barber of Seville (play) Guilty Mother". Though the play was poorly received at first, Beaumarchais worked some fast editing of the script, turning it into a roaring success after three days. The play's title might be a pun on Tirso de Molina's earlier play "El Burlador de Sevilla" ("The Trickster of Seville"). Mozart wrote a set of 12 variations, K.354, on one of Baudron's songs, "". The story follows a traditional Commedia dell'arte structure, with many characters seemingly based on famous stock characters. The plot involves a Spanish count, called simply The Count although "Almaviva" appears as an additional name (whether it is a