Fidelio the opera which, thanks to the music of Beethoven, gives us comfort and courage... Certainly, "Fidelio" is not an opera in the sense we are used to, nor is Beethoven a musician for the theater, or a dramaturgist. He is quite a bit more, a whole musician, and beyond that, a saint and a visionary. That which disturbs us is not a material effect, nor the fact of the 'imprisonment'; any film could create the same effect. No, it is the music, it is Beethoven himself. It is this 'nostalgia of liberty' he feels, or better, makes us feel; this
Fidelio orders, Rocco has been giving the imprisoned Florestan diminishing rations until he is nearly starved to death. Jaquino and Marzelline are alone in Rocco's house. Jaquino asks Marzelline when she will agree to marry him, but she says that she will never marry him now that she has fallen in love with Fidelio, unaware that Fidelio is actually Leonore in disguise ("Jetzt, Schätzchen, jetzt sind wir allein"—"Now, darling, now we are alone"). Jaquino leaves, and Marzelline expresses her desire to become Fidelio's wife ("O wär ich schon mit dir vereint"—"If only I were already united with thee"). Rocco enters, looking