Classical compass winds in the North slot in place of Aparctias is notable. The figures on the tower are represented figuratively as gods (Anemoi). It is believed the tower was topped with a weather vane. The Greek wind system was adopted by the Romans, partly under their Greek nomenclature, but increasingly also under new Latin names. Roman poet Virgil, in his "Georgics" (c. 29 BCE) refers to several of the winds by their old Greek names (e.g. Zephyrus, Eurus, Boreas), and introduces a few new Latin names – notably, "black Auster", "cold Aquilo" and "frigid Caurus". The Roman writer Seneca, in his "Naturales
Greek mythology existing literary evidence. Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using Animism, assigned a spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the