Opera in German The years following the French Revolution of 1789 had been some of the most turbulent in European history. In "Fidelio", Beethoven wanted to express the ideals of that Revolution: liberty, equality and fraternity. He was also inspired by contemporary French works, particularly the "rescue operas" of Luigi Cherubini. Beethoven was arguably not a natural composer of opera and, although "Fidelio" was premiered in 1805, it was not until 1814 that he produced its final version. Nevertheless, Fidelio is widely regarded as a masterpiece and is one of the key works in the German repertoire. In the early years of the
Fidelio is what moves us to tears. His "Fidelio" has more of the Mass than of the Opera to it; the sentiments it expresses come from the sphere of the sacred, and preach a 'religion of humanity' which we never found so beautiful or necessary as we do today, after all we have lived through. Herein lies the singular power of this unique opera... Independent of any historical consideration ... the flaming message of "Fidelio" touches deeply. We realize that for us Europeans, as for all men, this music will always represent an appeal to our conscience. On 5 November 1955,