Fidelio the opera which, thanks to the music of Beethoven, gives us comfort and courage... Certainly, "Fidelio" is not an opera in the sense we are used to, nor is Beethoven a musician for the theater, or a dramaturgist. He is quite a bit more, a whole musician, and beyond that, a saint and a visionary. That which disturbs us is not a material effect, nor the fact of the 'imprisonment'; any film could create the same effect. No, it is the music, it is Beethoven himself. It is this 'nostalgia of liberty' he feels, or better, makes us feel; this
Fidelio the beautiful weather. Marzelline similarly begs him, and Rocco agrees to distract Pizarro while the prisoners are set free. The prisoners, ecstatic at their temporary freedom, sing joyfully ("O welche Lust"—"O what a joy"), but remembering that they might be caught by the prison's governor Pizarro, are soon quiet. After meeting with Pizarro, Rocco reenters and tells Fidelio that Pizarro will allow the marriage, and Fidelio will also be permitted to join Rocco on his rounds in the dungeon ("Nun sprecht, wie ging's?"—"Speak, how did it go?"). Rocco and Fidelio prepare to go to Florestan's cell, with the knowledge that