The Barber of Seville (1944 film) "Swing Symphonies" for a year prior, Culhane would continue to direct entries in the series until 1946. A parody of Gioacchino Rossini's opera of the same name, "The Barber of Seville" is noted for its uses of speed, timing, and music synchronization. During the shaving of the second client, several shots are presented in rapid succession, some lasting only one-fourth of a second. Woody's demeanor and attitude are designed to match the music, during the famous "Figaro" portion of the tune, Woody splits into three, then four, then five instances of himself, in less than two seconds of screen time.
The Barber of Seville (1944 film) In prior shorts, Woody had had a more grotesque appearance, including buck teeth, a receding chin, and thick stubby legs. Heinemann removed these features, and restructured Woody's body to conform to the modern animation standards in use for characters such as those appearing in Disney and Warner Bros cartoons. In tandem with the use of the new Woody design, "The Barber of Seville" was the first Woody Woodpecker cartoon to use the standardized opening title card, animated by Hawkins, featuring Woody popping out of a log, asking "Guess Who?!", and delivering his trademark laugh. The audio for this opening sequence