Much Ado About Nothing times, particularly concerning "seeming," "fashion," and outward impressions. "Nothing" is a double entendre; "an O-thing" (or "n othing" or "no thing") was Elizabethan slang for "vagina", evidently derived from the pun of a woman having "nothing" between her legs. Examples of noting as noticing occur in the following instances: (1.1.131–132) and (4.1.154–157). At (3.3.102–104), Borachio indicates that a man's clothing doesn't indicate his character: A triple play on words in which noting signifies noticing, musical notes and nothing occurs at (2.3.47–52): Don Pedro's last line can be understood to mean, "Pay attention to your music and nothing else!" The complex
Much Ado talents I have found is his ability to write music in the style befitting the age his work is set, as MUCH ADO so admirably demonstrates. Paul McGann's singing voice adds style. and panache to his solo numbers (If I Could Write A Sonnet and The Strange Affliction Called Love) as well as a pleasing accompaniment to the redoubtable Claire Moore In Disdain" and Then Kill For Me. Of course, as always Claire Moore gives a breathtaking performance with (among others) I'll Never Marry and How Can This Be, but then that lady can do no wrong in my book.