Opera in German outskirts of the city. In 1791, he persuaded Mozart to set one of his libretti, "The Magic Flute". This proved to be no ordinary "Singspiel". Though the traditional farcical elements remained, Mozart added a new seriousness, particularly in the music for Sarastro and his priests. Even more than "Die Entführung", the "Magic Flute" pointed the way forward for future German opera. The greatest German composer of the next generation, Beethoven, seized on "The Magic Flute"'s blend of domestic comedy and high seriousness for his only opera, "Fidelio", the story of a devoted wife who saves her husband from political imprisonment.
The Devils of Loudun (opera) part, are emblematic of her hysteria and falseness. Furthermore, Jeanne's demonical possession is underscored by the use of laughter, groans, and electronic distortion of her voice. The Devils of Loudun (opera) Die Teufel von Loudun ("The Devils of Loudun") is an opera in three acts written in 1968 and 1969 by Polish composer Krzysztof Penderecki, and then revised in 1972 and 1975. It has a German libretto by the composer, based on John Whiting's dramatization of Aldous Huxley's book of the same name. The work was commissioned by the Hamburg State Opera, which consequently gave the premiere on 20 June