The Barber of Seville Théâtre des Tuileries in Paris. Other operas based on the first play were composed by Giovanni Paisiello (his "Il barbiere di Siviglia" premiered in 1782), by Nicolas Isouard in 1796, and then by Francesco Morlacchi in 1816. Though the work of Paisiello triumphed for a time, only Rossini's version has stood the test of time and continues to be a mainstay of operatic repertoire. On 11 November 1868, two days before Rossini's death, the composer Costantino Dall'Argine (1842–1877) premiered an opera based on the same libretto as Rossini's work, bearing a dedication to Rossini. The premiere was not a failure,
The Barber of Seville (play) first name or a surname is not clear), who has fallen in love at first sight with a girl called Rosine. To ensure that she really loves him and not just his money, the Count disguises himself as a poor college student named Lindor, and attempts to woo her. His plans are foiled by Rosine's guardian, Doctor Bartholo, who keeps her locked up in his house and intends to marry her himself. The Count's luck changes, however, after a chance reunion with an ex-servant of his, Figaro, who is currently working as a barber and therefore has access to the