Richard Coeur-de-lion (opera) performances by that company by 1910. Another 302 were given at the Théâtre Lyrique between 1856 and 1868. A translated semi-opera version of Sedaine's work "Richard Cœur de lion" was written by John Burgoyne with music by Thomas Linley the elder for the Drury Lane Theatre where it was very successful in 1788. "Richard Cœur-de-lion" played an important role in the development of "opéra comique" in its treatment of a serious, historical subject. It was also one of the first rescue operas. Significantly, one of the chief characters in the most famous rescue opera of all, Beethoven's "Fidelio", is called
Italian opera composers of the next generation: Francesco Cavalli and Antonio Cesti. In Polish–Lithuanian Commonwealth a tradition of operatic production began in Warsaw in 1628, with a performance of "Galatea" (composer uncertain), the first Italian opera produced outside Italy. Shortly after this performance, the court produced Francesca Caccini's opera "La liberazione di Ruggiero dall'isola d’Alcina", which she had written for Prince Władysław Vasa three years earlier when he was in Italy. Another first, this is the earliest surviving opera written by a woman. "Gli amori di Aci e Galatea" by Santi Orlandi was also performed in 1628. When Władysław was king (as