Contra-alto flute repertoire for bass flute and contrabass flute see: Peter van Munster, "Repertoire Catalogue for Piccolo, Alto Flute and Bass Flute", Roma: Riverberi Sonori, 2004. More and more flute ensemble repertoire is incorporating the contra-alto flute. Typically, it is doubled with the contrabass (and/or bass) flutes, however, in recent years, composers and arrangers such as Alexandra Molnar-Suhajda and Judy Nishimura have been pushing the boundaries of lowness by writing independent parts for the instrument. Contra-alto flute The contra alto flute is in the key of G (or sometimes F), pitched one octave below the alto flute - which is a fourth
Flute early 19th century. As such the instrument is often indicated as baroque flute. Gradually marginalized by the Western concert flute in the 19th century, baroque flutes were again played from the late 20th century as part of the historically informed performance practice. The Western concert flute, a descendant of the medieval German flute, is a transverse treble flute that is closed at the top. An "embouchure hole" is positioned near the top across and into which the flutist blows. The flute has circular tone holes larger than the finger holes of its baroque predecessors. The size and placement of tone