The Barber of Seville Théâtre des Tuileries in Paris. Other operas based on the first play were composed by Giovanni Paisiello (his "Il barbiere di Siviglia" premiered in 1782), by Nicolas Isouard in 1796, and then by Francesco Morlacchi in 1816. Though the work of Paisiello triumphed for a time, only Rossini's version has stood the test of time and continues to be a mainstay of operatic repertoire. On 11 November 1868, two days before Rossini's death, the composer Costantino Dall'Argine (1842–1877) premiered an opera based on the same libretto as Rossini's work, bearing a dedication to Rossini. The premiere was not a failure,
The Barber of Seville (1904 film) The Barber of Seville (1904 film) The Barber of Seville (), also released as The Barber of Sevilla, or the Useless Precaution, was a 1904 French silent film directed by Georges Méliès, based on the play of the same name by Pierre Beaumarchais. It was released by Méliès's Star Film Company and is numbered 606–625 in its catalogues, where it was advertised as a "comédie burlesque en 7 actes, d'après Beaumarchais". Like several other of Méliès's longer films, two versions were released simultaneously: a complete 22-minute print and an abridged print. As with his 1904 film "Faust and Marguerite", Méliès