Hundreds of Denmark part of the 1970 administrative reform. Hundreds comprised varying numbers of parishes (Danish: sogn, plural: sogne), and each hundred had its own tingsted (assembly place) where the ting (assembly) was held, serving as court of law in minor affairs (major affairs were decided by the three landsting assemblies, serving as supreme courts in respectively 1) Scania [including Halland, Blekinge and Bornholm], 2) Zealand [including Lolland and Falster] and 3) Jutland and Funen). It has been hypothesised - since an extremely large amount of Denmark's herreder have access to the sea - that the division may have originated in the Viking
Bornholm school of painters Bornholm school of painters The Bornholm school of painters started to take shape towards the beginning of the 20th century on the Danish island of Bornholm when a number of artists developed a distinctive style of classic modernism, inspired by the island's unique landscapes and light. Karl Isakson and Edvard Weie were among the first to paint the island's constantly changing natural beauty, using pure, subdued colour to produce work in new aesthetic directions. They were soon joined by other Danish artists including Niels Lergaard, Kræsten Iversen and Oluf Høst. They lived mainly in the picturesque little ports of Gudhjem