The Barber of Seville "Il bacio", the Bolero from Verdi's "I vespri siciliani", the Shadow Song from Meyerbeer's "Dinorah", and Henry Bishop's "Home! Sweet Home!". Nellie Melba followed suit, accompanying herself on the piano in the final song. Pauline Viardot began the practice of inserting Alexander Alyabyev's "Nightingale". Maria Callas sang a cut-down version of Rossini's own "Contro un cor." Once after Patti had sung a particularly florid rendition of the opera's legitimate aria, 'Una voce poco fa', Rossini is reported to have asked her: "Very nice, my dear, and who wrote the piece you have just performed?" The piece is a staple of
Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls?: The Search For The Secret Of Qumran is a book by Norman Golb which intensifies the debate over the origins of the Dead Sea Scrolls, furthering the opinion that the scrolls were not the work of the Essenes, as other scholars claim, but written in Jerusalem and moved to Qumran in anticipation of the Roman siege in 70 AD. Writing in "Church History", Gregory T. Armstrong stated: "This book is 'must reading' for every historian regardless of her or his period of specialization. It demonstrates how a particular