How the Snake Lost Its Legs the leopard/elephant/camel got its spots/trunk/hump". Held's ability to captivate the reader's imagination compares to the mischievousness of Kipling's pourquoi stories," but the reader, "is also encouraged to extrapolate from general principles by the constant reminder that animals use a conserved set of developmental genes to construct their bodies." Martin finds evo-devo fascinating, "inherently colorful and well placed to fulfill the dual goal of etiological myths: explaining origins and causes while also stirring imagination and awe. Overall, the latest opus by Lewis Held Jr. fits that niche nicely, and shines by its ability to span essential concepts and empirical work with
The Bells (poem) form: first movement, slow movement, scherzo, and finale, thus honoring the poem's four sections. (The work is sometimes performed in English, using not Poe's original, but a translation of Balmont's adaptation by Fanny S. Copeland.) The Scottish composer Hugh S. Roberton (1874–1947) published "Hear the Tolling of the Bells" (1909), "The Sledge Bells" (1909), and "Hear the Sledges with the Bells" (1919) based on Poe's poem. Josef Holbrooke composed his "The Bells, Prelude, Op. 50" on Poe's poem, and American folksinger Phil Ochs composed a tune to the poem recorded on his album "All the News That's Fit to Sing".