Much Ado About Nothing copy of the Second Folio. The provocative treatment of gender is central to the play and should be considered in its Renaissance context. While this was reflected and emphasized in certain plays of the period, it was also challenged. Amussen notes that the undoing of traditional gender clichés appears to have inflamed anxieties about the erosion of social order. It seems that comic drama could be a means of calming such anxieties. Ironically, we can see through the play's popularity that this only increased people's interest in such behavior. Benedick wittily gives voice to male anxieties about women's "sharp tongues
Much Ado About Nothing (2012 film) frame a little bit, the more it speaks towards what’s going on". The film was shot hand-held, digitally with multiple cameras, often with a RED Epic, and used a Lensbaby Composer with Double Glass lens on a Canon 7D to differentiate certain scenes. Whedon composed the score for the film and recruited Deborah Lurie to produce. He arranged music to "Sigh No More" and "Heavily", two songs that William Shakespeare had written into the play. These tracks were performed by Maurissa Tancharoen and Jed Whedon. Whedon described the experience of making his debut in scoring a film as "terrifying", going