Who Dares Wins (film) has been disputed by Kubrick's assistant Anthony Frewin, saying that, "Lloyd, as the gunnery [sergeant] in Full Metal Jacket would say, is blowing smoke up our asses. That film is the antithesis of everything Stanley stood for and believed in." Stewart Lee later described the film as "one of the nastiest films ever made, coming off like Richard Littlejohn writing "The Professionals", married SAS man Collins goes undercover with peaceniks to gallantly probe their firebrand leader [...] only to murder her in cold blood later. Fairport Convention appear as some kind of beardo commie new wave band, playing a weird
Full Metal Jacket "Full Metal Jacket" have received little attention from critics and reviewers. Michael Pursell's essay ""Full Metal Jacket": The Unravelling of Patriarchy" (1988) was an early, in-depth consideration of the film's two-part structure and its criticism of masculinity, arguing that the film shows "war and pornography as facets of the same system". Most reviews have focused on military brainwashing themes in the boot camp training section of the film, while seeing the latter half of the film as more confusing and disjointed in content. Rita Kempley of "The Washington Post" wrote, "it's as if they borrowed bits of every war movie