Sinéad Cusack Anthony Burgess' translation of Edmond Rostand's "Cyrano de Bergerac" and Beatrice in William Shakespeare's "Much Ado About Nothing," directed by Terry Hands. The production of "Cyrano de Bergerac" was later filmed in 1985. "Much Ado" was first produced at the Royal Shakespeare Theatre in Stratford-upon-Avon in 1982–83, then moved to London's Barbican Theatre for the 1983–1984 season where it was joined by "Cyrano", before both plays transferred to New York's Gershwin Theatre from October 1984 to January 1985, for which Cusack received a Tony Award nomination for her performance as Beatrice, and costar Jacobi won the award for his Benedick.
Much Ado talents I have found is his ability to write music in the style befitting the age his work is set, as MUCH ADO so admirably demonstrates. Paul McGann's singing voice adds style. and panache to his solo numbers (If I Could Write A Sonnet and The Strange Affliction Called Love) as well as a pleasing accompaniment to the redoubtable Claire Moore In Disdain" and Then Kill For Me. Of course, as always Claire Moore gives a breathtaking performance with (among others) I'll Never Marry and How Can This Be, but then that lady can do no wrong in my book.