Classical compass winds in the North slot in place of Aparctias is notable. The figures on the tower are represented figuratively as gods (Anemoi). It is believed the tower was topped with a weather vane. The Greek wind system was adopted by the Romans, partly under their Greek nomenclature, but increasingly also under new Latin names. Roman poet Virgil, in his "Georgics" (c. 29 BCE) refers to several of the winds by their old Greek names (e.g. Zephyrus, Eurus, Boreas), and introduces a few new Latin names – notably, "black Auster", "cold Aquilo" and "frigid Caurus". The Roman writer Seneca, in his "Naturales
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of