The Barber of Seville The most serious distortion has been the upward transposition of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for Joséphine Fodor-Mainvielle, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the Théâtre-Italien in Paris, where it was published. The singing lesson in act 2 has often been turned into "a show-stopping cabaret." Adelina Patti was known to include Luigi Arditi's
The Barber of Seville (play) of his works, and was briefly imprisoned. Eventually he gave up writing, and set himself up as a barber surgeon. After "pensively proceeding through the two Castilles, la Mancha, Extremadura, the Sierra Morena, and Andalusia" he set up shop in Seville, where he became reacquainted with Count Almaviva, and after assisting him with some romantic troubles, was hired as the Count's personal valet. He evidently retains this position for the remainder of his life. It is after he returns to work for the Count that he marries Suzanne, though at what point he met her is unclear. Given that Suzanne's