Themes in Minority Report future of increasing electronic surveillance, personalized advertising, and it analyzes the role of media in a future state where electronic advancements make its presence nearly boundless, the potential legality of an infallible prosecutor, and Spielberg's repeated theme of the broken family. Spielberg's analysis of the familial aspect was motivated by his own parent's divorce when he was a child. 8 ca The main theme of "Minority Report" is the classic philosophical debate of free will vs. determinism. One of the main questions the film raises is whether the future is set or whether free will can alter the future. As
Who the Hell Is Juliette? the "artiest home movie ever made" and was critical about how the subtitles appeared and disappeared too quickly to be easily read. On the other hand, the "New York Daily News" called the film "a great example of what happens when a film maker follows a subject that intrigues him rather than a pre-set program". The documentary received two Ariel Awards. At the 1998 Sundance Film Festival, it received the Latin American Cinema Award. Who the Hell Is Juliette? Who the Hell is Juliette? () is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is