The Barber of Seville opera at the Teatro Argentina in Rome was a disaster: the audience hissed and jeered throughout, and several on-stage accidents occurred. Furthermore, many of the audience were supporters of one of Rossini's rivals, Giovanni Paisiello, who played on mob mentality to provoke the rest of the audience to dislike the opera. Paisiello had already composed "The Barber of Seville" and took Rossini's new version to be an affront to his version. In particular, Paisiello and his followers were opposed to the use of basso buffo, which is common in comic opera. The second performance, however, was successful. The original French
Nir Kabaretti Real in Madrid ( Cenerentola, Die Walküre ), The Israeli Opera ( Fidelio, Manon Lescaut ), Lausanne Opera ( Nino Rota's Il Cappello di Paglia di Firenze, Die Fledermaus), Avenches Opera Festival Nabucco, The Barber of Seville, Madama Butterfly) and The New National Theatre in Tokyo (The Barber of Seville). He also conducted The Diary of Anne Frank by Fried, a visiting production of the Vienna State Opera, at both the Bregenz Festival and at Expo 2000 in Hannover . In 2005 Kabaretti lead Teatro San Carlo di Napoli on its first tour to Japan conducting Il Trovatore both in