The Barber of Seville "Il bacio", the Bolero from Verdi's "I vespri siciliani", the Shadow Song from Meyerbeer's "Dinorah", and Henry Bishop's "Home! Sweet Home!". Nellie Melba followed suit, accompanying herself on the piano in the final song. Pauline Viardot began the practice of inserting Alexander Alyabyev's "Nightingale". Maria Callas sang a cut-down version of Rossini's own "Contro un cor." Once after Patti had sung a particularly florid rendition of the opera's legitimate aria, 'Una voce poco fa', Rossini is reported to have asked her: "Very nice, my dear, and who wrote the piece you have just performed?" The piece is a staple of
Who Wrote The Dead Sea Scrolls? Hartmut Stegemann. "Qumran und das Judentum zur Zeit Jesu" 84 (1994): 175-94 as basing "his support of the Essene hypothesis of factors of hierarch, initiation rites, community of goods, ritual baths, a common meal and views on marriage as well as calendar." They then refer to the alternative estimate of Golb, "that the scrolls came from Jerusalem to a fortress in Qumran during the siege of Jerusalem around 70 CE Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls?: The Search For The Secret Of Qumran is a book by Norman Golb which intensifies the debate over