Leonora (opera) Leonora (opera) Leonora, ossia L’amore coniugale ("Leonora or Conjugal Love") is an opera (specifically a "dramma semiserio") in two acts by the Italian composer Ferdinando Paer. The libretto, by Giovanni Schmidt, is based on "Léonore ou L’Amour conjugal" (1794) by Jean-Nicolas Bouilly, which was also the source of Beethoven's "Fidelio". Beethoven himself owned a score of Paer's opera and it is believed to have had some influence on his work. "Leonora" was first performed at the Kleines Kurfürstliches Theater, Dresden on 3 October 1804 with the composer's wife singing the title role. Leonora disguises herself as a man in order
Opera a Chinese language form of Western style opera that is distinct from traditional Chinese opera, has had operas dating back to "The White Haired Girl" in 1945. In Latin America, opera started as a result of European colonisation. The first opera ever written in the Americas was "La púrpura de la rosa", by Tomás de Torrejón y Velasco, although "Partenope", by the Mexican Manuel de Zumaya, was the first opera written from a composer born in Latin America (music now lost). The first Brazilian opera for a libretto in Portuguese was "A Noite de São João", by Elias Álvares Lobo.