Flute known as fipple flutes. The fipple gives the instrument a distinct timbre which is different from non-fipple flutes and makes the instrument easier to play, but takes a degree of control away from the musician. Another division is between side-blown (or transverse) flutes, such as the Western concert flute, piccolo, fife, dizi and bansuri; and end-blown flutes, such as the ney, xiao, kaval, danso, shakuhachi, Anasazi flute and quena. The player of a side-blown flute uses a hole on the side of the tube to produce a tone, instead of blowing on an end of the tube. End-blown flutes should
Jazz flute call for it. The timbre and the limited dynamic range of the instrument and its associations with classical music caused it to be perceived as unsuitable to big band ensembles and unable to swing convincingly. Before the use of amplification became common practice in the 1930s, jazz flute players were restricted to the upper range of the instrument to be audible. Among the earliest jazz flute recordings is "Shootin' the Pistol," performed by the Cuban clarinettist and bandleader Alberto Socarras with the Clarence Williams band in 1927. The first jazzman to make extensive use of the flute was Wayman Carver,