Valentina Cortese and Lee J. Cobb, "The House on Telegraph Hill" (1951) directed by Robert Wise and co-starring Richard Basehart and William Lundigan, and Joseph L. Mankiewicz's "The Barefoot Contessa" (1954), with Humphrey Bogart, Ava Gardner, Edmond O'Brien. In Europe she starred in Michelangelo Antonioni's "Le Amiche" (1955), Gérard Brach's "The Boat on the Grass" (1971), Terry Gilliam's British film "The Adventures of Baron Munchausen" (1988), and in Franco Zeffirelli projects such as the film "Brother Sun, Sister Moon" (1972), the miniseries "Jesus of Nazareth" (1977) and the film "Sparrow" (1993). Her final American film role was in "When Time Ran Out"
Nudity in film nude, is the context of a number of films. In "La Belle Noiseuse" ("The Beautiful Liar", 1991) the painter's model motivates him again after a period of lack of inspiration of the artist. Similarly, in "Titanic" (1997) Kate Winslet poses nude for Leonardo DiCaprio. These films show the close relationship between film and the traditional art nude in art in films such as "The Adventures of Baron Munchausen" (1988), where Uma Thurman poses as Botticelli's "The Birth of Venus", and "Goya in Bordeaux" (1999), where Maribel Verdú poses as Goya's "The Naked Maja". Another scenario for nudity in film involves