The Adventures of Baron Munchausen they approached the person again when they were done, he was met with the reply, "I'm not gonna pay you, because I don't want to seem to be doing anything that could benefit Terry Gilliam." "Munchausen" is the third entry in Gilliam's ""Trilogy of Imagination"", preceded by "Time Bandits" (1981) and "Brazil" (1985). All are about the "craziness of our awkwardly ordered society and the desire to escape it through whatever means possible." Gilliam explains that, "The one theme that runs through all three of these pictures is a consistently serious battle between fantasy and what people perceive as reality."
Nudity in film nude, is the context of a number of films. In "La Belle Noiseuse" ("The Beautiful Liar", 1991) the painter's model motivates him again after a period of lack of inspiration of the artist. Similarly, in "Titanic" (1997) Kate Winslet poses nude for Leonardo DiCaprio. These films show the close relationship between film and the traditional art nude in art in films such as "The Adventures of Baron Munchausen" (1988), where Uma Thurman poses as Botticelli's "The Birth of Venus", and "Goya in Bordeaux" (1999), where Maribel Verdú poses as Goya's "The Naked Maja". Another scenario for nudity in film involves