The Adventures of Baron Munchausen All three films focus on these struggles and attempts to escape them through imagination: "Time Bandits", through the eyes of a child, "Brazil", through the eyes of a man in his thirties, and "Munchausen", through the eyes of an elderly man. When the production finally came to a successful closure, several of the actors commented on the rushed tightness of the whole project. Said Eric Idle, "Up until "Munchausen", I'd always been very smart about Terry Gilliam films. You don't ever be in them. Go and see them by all means - but to be in them, "fucking madness"!!!" Sarah
Baron Munchausen which he rescues himself from a swamp, as a metaphor for belief in complete metaphysical free will; Nietzsche calls this belief an attempt "to pull oneself up into existence by the hair, out of the swamps of nothingness". In the late 19th century, the Baron appeared as a character in John Kendrick Bangs's comic novels "A House-Boat on the Styx", "Pursuit of the House-Boat", and "The Enchanted Type-Writer". Shortly after, in 1901, Bangs published "Mr. Munchausen", a collection of new Munchausen stories, closely following the style and humor of the original tales. Hugo Gernsback's second novel, "Baron Münchhausen's New Scientific