The Barber of Seville The Barber of Seville The Barber of Seville, or The Useless Precaution ( ) is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy "Le Barbier de Séville" (1775). The première of Rossini's opera (under the title "Almaviva, o sia L'inutile precauzione") took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's "Barber" has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere
The Barber of Seville (play) cynical. As he says in "The Barber of Seville": "I must force myself to laugh at everything lest I be obliged to weep." Though he is normally calm, collected and intelligent, he can be irrational when angered. The name 'Figaro' was invented by Beaumarchais for this character, and it has been theorized by Frédéric Grendel that it is made from a phonetic transcription of the words "fils Caron" (Caron having been the given surname of the playwright.) The role was created in "The Barber of Seville" by Beaumarchais's friend Préville. However, when "The Marriage of Figaro" went into production almost