Charlie Chaplin members to his stock company, Albert Austin and Eric Campbell, and produced a series of elaborate two-reelers: "The Floorwalker", "The Fireman", "The Vagabond", "One A.M.", and "The Count". For "The Pawnshop", he recruited the actor Henry Bergman, who was to work with Chaplin for 30 years. "Behind the Screen" and "The Rink" completed Chaplin's releases for 1916. The Mutual contract stipulated that he release a two-reel film every four weeks, which he had managed to achieve. With the new year, however, Chaplin began to demand more time. He made only four more films for Mutual over the first ten months
Charlie Chaplin lash out at his actors and crew. Chaplin exercised complete control over his pictures, to the extent that he would act out the other roles for his cast, expecting them to imitate him exactly. He personally edited all of his films, trawling through the large amounts of footage to create the exact picture he wanted. As a result of his complete independence, he was identified by the film historian Andrew Sarris as one of the first auteur filmmakers. Chaplin did receive help, notably from his long-time cinematographer Roland Totheroh, brother Sydney Chaplin, and various assistant directors such as Harry Crocker