The Fisherman and his Flute which the illustrator to the latter author makes a trumpet. In La Fontaine’s French version the instrument is referred to as a ‘musette’ which, since his fable is titled “The Fishes and the Shepherd who Played the Flute” ("Les poissons et le berger qui joue de la flûte", X.10), must refer to the old piccolo oboe. Nevertheless, it was translated as bagpipe by Anne Finch, Countess of Winchilsea, in her rendering of his poem. La Fontaine had made of the story an artificial pastoral in which Tircis tried to charm the fishes to the hook of the shepherdess Annette but
Jazz flute call for it. The timbre and the limited dynamic range of the instrument and its associations with classical music caused it to be perceived as unsuitable to big band ensembles and unable to swing convincingly. Before the use of amplification became common practice in the 1930s, jazz flute players were restricted to the upper range of the instrument to be audible. Among the earliest jazz flute recordings is "Shootin' the Pistol," performed by the Cuban clarinettist and bandleader Alberto Socarras with the Clarence Williams band in 1927. The first jazzman to make extensive use of the flute was Wayman Carver,