Digambara with the arms held stiffly down, knees straight, and toes directed forward. Female monastics in Digambara tradition are known as "aryikas". Statistically, there are more Digambara nuns, than there are monks. The "Digambara" Jains worship completely nude idols of "tirthankaras" (omniscient beings) and "siddha" (liberated souls). The "tirthankara" is represented either seated in yoga posture or standing in the "Kayotsarga" posture. The "Digambara" sect of Jainism rejects the authority of the texts accepted by the other major sect, the "Svetambaras". According to the "Digambaras", "Āchārya" Dharasena guided two "Āchāryas", Pushpadanta and Bhutabali, to put the teachings of Mahavira in written
Digambara texts such as the "Samayasāra" and the "Pravacanasāra". Other prominent "Acharyas" of this tradition were, Virasena (author of a commentary on the "Dhavala"), Samantabhadra and Siddhasena Divakara. The "Satkhandagama" and "Kasayapahuda" have major significance in the "Digambara" tradition. Relics found from Harrapan excavations such as seals depicting "Kayotsarga" posture, idols in "Padmasana" and a nude bust of red limestone, give insight into the antiquity of the "Digambara" tradition. The presence of gymnosophists (naked philosophers) in Greek records as early as the fourth century BC, supports the claim of the "Digambaras" that they have preserved the ancient "Śramaṇa" practice. Dundas talks