The Barber of Seville The most serious distortion has been the upward transposition of the role of Rosina, turning her from a lustrous alto into a pert soprano." However, it has also been noted that Rossini, who frequently altered his music for specific singers, wrote a new aria for the second act for Joséphine Fodor-Mainvielle, a soprano who had sung Rosina in the 1818 London premiere, and sang the new aria c. 1820 at the Théâtre-Italien in Paris, where it was published. The singing lesson in act 2 has often been turned into "a show-stopping cabaret." Adelina Patti was known to include Luigi Arditi's
Jim Barber (ventriloquist) Jim Barber (ventriloquist) Jim Barber is an American ventriloquist, comedian and singer who performs Internationally. Barber is best known for his unusual performance in which "Seville," his dummy, actually appears to be holding Barber, contrary to the more orthodox way used by his peers. One of Barber's more popular routines involves "Diva," a female dummy which appears to be operated by Seville (with Barber on the other side), with all three engaged in an operatic song from "The Barber of Seville" — part of the pun from which the name of Barber's act, "Jim Barber and Seville," is taken. Barber