The Barber of Seville Théâtre des Tuileries in Paris. Other operas based on the first play were composed by Giovanni Paisiello (his "Il barbiere di Siviglia" premiered in 1782), by Nicolas Isouard in 1796, and then by Francesco Morlacchi in 1816. Though the work of Paisiello triumphed for a time, only Rossini's version has stood the test of time and continues to be a mainstay of operatic repertoire. On 11 November 1868, two days before Rossini's death, the composer Costantino Dall'Argine (1842–1877) premiered an opera based on the same libretto as Rossini's work, bearing a dedication to Rossini. The premiere was not a failure,
Who Wrote The Dead Sea Scrolls? Hartmut Stegemann. "Qumran und das Judentum zur Zeit Jesu" 84 (1994): 175-94 as basing "his support of the Essene hypothesis of factors of hierarch, initiation rites, community of goods, ritual baths, a common meal and views on marriage as well as calendar." They then refer to the alternative estimate of Golb, "that the scrolls came from Jerusalem to a fortress in Qumran during the siege of Jerusalem around 70 CE Who Wrote The Dead Sea Scrolls? Who Wrote The Dead Sea Scrolls?: The Search For The Secret Of Qumran is a book by Norman Golb which intensifies the debate over