Full Metal Jacket Schneider alleged that Kubrick took the cinematic idea of a recruit being broken down in boot camp and driven to suicide from the epic film series "The Human Condition" (1959–1961). Kubrick's daughter Vivian Kubrick, under the alias "Abigail Mead", wrote the film's score. According to an interview, which appeared in the January 1988 issue of "Keyboard", the film was scored mostly with a Fairlight CMI synthesizer (the then-current Series III edition) and a Synclavier. For the period music, Kubrick went through "Billboard" list of Top 100 Hits for each year from 1962 to 1968 and tried many songs, but "sometimes
Full Metal Jacket "Full Metal Jacket" have received little attention from critics and reviewers. Michael Pursell's essay ""Full Metal Jacket": The Unravelling of Patriarchy" (1988) was an early, in-depth consideration of the film's two-part structure and its criticism of masculinity, arguing that the film shows "war and pornography as facets of the same system". Most reviews have focused on military brainwashing themes in the boot camp training section of the film, while seeing the latter half of the film as more confusing and disjointed in content. Rita Kempley of "The Washington Post" wrote, "it's as if they borrowed bits of every war movie