Much Ado About Nothing in a poem published in 1640, Leonard Digges wrote, "...let but Beatrice / And Benedick be seen, lo in a trice / The Cockpit galleries, boxes, all are full." After the theatres re-opened during the Restoration, Sir William Davenant staged "The Law Against Lovers" (1662), which inserted Beatrice and Benedick into an adaptation of "Measure for Measure". Another adaptation, "The Universal Passion", combined "Much Ado" with a play by Molière (1737). Shakespeare's text had been revived by John Rich at Lincoln's Inn Fields (1721). David Garrick first played Benedick in 1748 and continued to play him until 1776. The great
Much Ado About Nothing (2012 film) just sort of dark". Whedon's idea to adapt the play for the screen originated from having "Shakespeare readings" at his house with several of his friends, years prior. Whedon and his director of photography Jay Hunter took advantage of natural lighting in order to make it feel "very found", noting, "Our lighting package rose in the east and set in the west". Using mirrors, glass and windows to shoot through, he explains, "[It’s] something I’d like to do all the time, but particularly in a movie that’s all about lies, and manipulation and misunderstandings. The more you can warp the