Jain sculpture Padmasana (seated in yoga posture) or standing in the "Kayotsarga" posture. "Parshvanatha" statues are usually depicted with a snake crown on head, Bahubali statues are usually depicted covered with creepers. However, there are a few differences in Digambara and Svetambara depiction of idols. Digambara images are naked without any beautification whereas Svetambara ones are clothed and decorated with temporary ornaments. Giant rock-cut statues of Jain Tirthankaras are carved in the Gopachal Hill, Gwalior, Madhya Pradesh. Charans are footprints exclusive to Jain temples. The charan of Tirthankara Rishabhanatha are present at the Badrinath Temple. Jainism spread here and there all over
Digambara texts such as the "Samayasāra" and the "Pravacanasāra". Other prominent "Acharyas" of this tradition were, Virasena (author of a commentary on the "Dhavala"), Samantabhadra and Siddhasena Divakara. The "Satkhandagama" and "Kasayapahuda" have major significance in the "Digambara" tradition. Relics found from Harrapan excavations such as seals depicting "Kayotsarga" posture, idols in "Padmasana" and a nude bust of red limestone, give insight into the antiquity of the "Digambara" tradition. The presence of gymnosophists (naked philosophers) in Greek records as early as the fourth century BC, supports the claim of the "Digambaras" that they have preserved the ancient "Śramaṇa" practice. Dundas talks