Much Ado About Nothing nineteenth-century stage team Henry Irving and Ellen Terry counted Benedick and Beatrice as their greatest triumph and Charles Kemble also had a great success as Benedick. John Gielgud made Benedick one of his signature roles between 1931 and 1959, playing the part opposite the Beatrice of Diana Wynyard, Peggy Ashcroft, and Margaret Leighton. The longest running Broadway production is A. J. Antoon's 1972 staging starring Sam Waterston, Kathleen Widdoes, and Barnard Hughes, and Derek Jacobi won a Tony Award for playing Benedick in 1984. Jacobi had also played Benedick in the Royal Shakespeare Company's highly praised 1982 production. Director Terry
Much Ado About Nothing (2012 film) just sort of dark". Whedon's idea to adapt the play for the screen originated from having "Shakespeare readings" at his house with several of his friends, years prior. Whedon and his director of photography Jay Hunter took advantage of natural lighting in order to make it feel "very found", noting, "Our lighting package rose in the east and set in the west". Using mirrors, glass and windows to shoot through, he explains, "[It’s] something I’d like to do all the time, but particularly in a movie that’s all about lies, and manipulation and misunderstandings. The more you can warp the