Minority Report (film) was envisioned in 1999. Underkoffler, who designed most of Anderton's interface after Spielberg told him to make it "like conducting an orchestra", said "it would be hard to identify anything [in the movie] that had no grounding in reality." McDowell teamed up with architect Greg Lynn to work on some of the technical aspects of the production design. Lynn praised his work, saying that "[a] lot of those things Alex cooked up for "Minority Report", like the 3-D screens, have become real." Spielberg described his ideas for the film's technology to Roger Ebert before the movie's release: "Minority Report" was
Themes in Minority Report critic C.A. Wolski commented, "At the outset, Minority Report... promises to mine some deep subject matter, to do with: do we possess free will or are we predestined to our fate?" However, there is also the added question of whether the precogs' visions are correct. As reviewer James Berardinelli asked, "is the Precogs' vision accurate, or has it in some way been tampered with? Perhaps Anderton isn't actually going to kill, but has been set up by a clever and knowledgeable criminal who wants him out of the way." The precog Agatha also states that since Anderton knows his future,