Lawrence Brownlee in Rossini's "The Barber of Seville" with Virginia Opera. Brownlee made his Metropolitan Opera debut in a new production of "Il Barbiere di Siviglia" in 2007. The role has since become one of his most recognizable and famous. He has subsequently appeared in "Il Barbiere" in Vienna, Milan, Berlin, Madrid, Dresden, Munich, Baden-Baden, Hamburg, Tokyo, New York, Washington, San Diego, Seattle, and Boston. Brownlee's career highlights include performances of "The Barber of Seville" at the Vienna State Opera, the Boston Lyric Opera and Madrid's Teatro Real. He has appeared in Rossini's "L'italiana in Algeri" and "La Cenerentola" at Milan's La
The Marriage of Figaro fly] To the desire of [the one] who adores you" (K. 577) in July 1789, and to replace "" he wrote "" – "A joyous emotion", (K. 579), probably in mid-1790. The voice types which appear in this table are those listed in the critical edition published in the "Neue Mozart-Ausgabe". In modern performance practice, Cherubino and Marcellina are usually assigned to mezzo-sopranos, and Figaro to a bass-baritone. "The Marriage of Figaro" continues the plot of "The Barber of Seville" several years later, and recounts a single "day of madness" () in the palace of Count Almaviva near Seville, Spain.