Opera in German such as opera seria. Some Baroque composers, such as Reinhard Keiser, did try to challenge Italian dominance, and the theatre principal Abel Seyler became an eager promoter of German opera in the 1770s, but it was only with the appearance of Mozart that a lasting tradition of serious German-language opera was established. Mozart took the simple, popular genre of "Singspiel" and turned it into something far more sophisticated. Beethoven followed his example with the idealistic "Fidelio"; and with "Der Freischütz" of 1821, Weber established a uniquely German form of opera under the influence of Romanticism. Weber's innovations were eclipsed by
Noé (opera) any theatre to put it on. Eventually it was premiered in Karlsruhe in 1885, ten years after Bizet's own death. It is sometimes known by the title suggested by Bizet, "Le déluge" ("The Flood"). Noé (opera) Noé ("Noah") was the last opera of the composer Fromental Halévy. The opera's libretto is by Jules-Henri Vernoy de Saint-Georges, who had written the book for the composer's first opera to reach performance, "L'artisan" (1827). "Noé" is based on the biblical story of Noah. Halévy worked on the opera during his last years (1858–1862), but left it unfinished after the Paris Opéra, which had