Fidelio abandoned "Vestas Feuer" for "Fidelio", and was eventually freed from his obligations to Schikaneder when the latter was fired from his post as theater director in 1804. "Fidelio" itself, which Beethoven began in 1804 immediately after giving up on "Vestas Feuer", was first performed in 1805 and was extensively revised by the composer for subsequent performances in 1806 and 1814. Although Beethoven used the title ' ("Leonore, or The Triumph of Married Love"), the 1805 performances were billed as "Fidelio" at the theatre's insistence, to avoid confusion with the 1798 opera ' by Pierre Gaveaux, and the 1804 opera "Leonora"
Fidelio and Fidelio come to dig his grave. As they dig, Rocco urges Fidelio to hurry ("Wie kalt ist es in diesem unterirdischen Gewölbe!"—"How cold it is in this underground chamber" and "Nur hurtig fort, nur frisch gegraben"—"Come get to work and dig", the "Gravedigging Duet"). Florestan awakes and Fidelio recognizes him. When Florestan learns that the prison he is in belongs to Pizarro, he asks that a message be sent to his wife, Leonore, but Rocco says that it is impossible. Florestan begs for a drop to drink, and Rocco tells Fidelio to give him one. Florestan does not recognize