The Barber of Seville (Paisiello) dal francese, da rappresentarsi nel Teatro Imperiale del corte, l'anno 1782"" (Trans: "The Barber of Seville, or The Useless Precaution, comical drama with music freely translated from the French, presented at the Imperial Court Theater, the year 1782") The story essentially follows the original Beaumarchais play, and in some places directly translates songs and dialogue. The plots of the Paisiello and the Rossini versions very closely resemble each other, with subtle differences. Petrosellini's libretto puts a greater emphasis on the love story and less on the comic qualities. Several musical adaptations of "Il barbiere di Siviglia" predated the version by
Virginia Opera Gardner, Sujung Kim, Frank Porretta, Grant Youngblood, Fabiana Bravo, Mary Elizabeth Williams, Nmon Ford, Jeniece Goldbourne, Randall Scarlata, and Thomas Rolf Truhitte. Attracting acclaimed directors from the theater and opera world, the company has given audiences the experience of seeing the work of Gian Carlo Menotti, Gordon Davidson, Greg Ganakas, Arvin Brown, Dorothy Danner, Lillian Groag and Sam Helfrich, among others, in new productions designed by the nation's top opera and theatre designers. The first few seasons consisted of standard works such as "La boheme", "La traviata", "Tosca", "Lucia di Lammermoor" and "The Barber of Seville", all presented in the