Fidelio some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring contemporary political movements in Europe, such topics are typical of Beethoven's "middle period". Notable moments in the opera include the "Prisoners' Chorus" ("O welche Lust"—"O what a joy"), an ode to freedom sung by a chorus of political prisoners, Florestan's vision of Leonore come as an angel to rescue him, and
Opera in Azerbaijan a yearly basis (except 1901 and 1913), featuring prominent singers of the time such as Natalia Ermolenko-Yuzhina and Antonina Nezhdanova. The Opera Theater in Baku was built in 1911. The first opera by an Azerbaijani composer premiered three years earlier, in 1908. "Leyli and Majnun" (1908) by Uzeyir Hajibeyov was the first creation in the opera genre not only in Azerbaijan, but also in the whole Muslim world. It was followed by the operas "Sheikh Sanan" (1909), "Rustam and Zohrab" (1910), "Shah Abbas and Khurshid Banu" (1912), "Asli and Karam" (1912) and "Harun and Leyla" (1915) which were written, but