The Barber of Seville 1823, and became the first opera ever to be performed in Italian in New York, when Manuel Garcia (who played Almaviva) and his Italian troupe opened their first season there with "Il barbiere" on 29 November 1825 at the Park Theatre. The cast of eight had three other members of his family, including the 17-year-old Maria-Felicia, later known as Maria Malibran. The role of Rosina was originally written for a contralto. According to music critic Richard Osborne, writing in "The New Grove Dictionary of Opera", "it is important to record the degree to which singers have sometimes distorted Rossini’s intentions.
Opera buffa opera seria deals with gods and ancient heroes and only occasionally contained comic scenes, "opera buffa" involves the predominant use of comic scenes, characters, and plot lines in a contemporary setting. The traditional model for opera seria had three acts, dealt with serious subjects in mythical settings, as stated above, and used high voices (both sopranos and castrati) for principal characters, often even for monarchs. In contrast, the model that generally held for "opera buffa" was having two acts (as, for example, "The Barber of Seville"), presenting comic scenes and situations as earlier stated and using the lower male voices