The Barber of Seville opera at the Teatro Argentina in Rome was a disaster: the audience hissed and jeered throughout, and several on-stage accidents occurred. Furthermore, many of the audience were supporters of one of Rossini's rivals, Giovanni Paisiello, who played on mob mentality to provoke the rest of the audience to dislike the opera. Paisiello had already composed "The Barber of Seville" and took Rossini's new version to be an affront to his version. In particular, Paisiello and his followers were opposed to the use of basso buffo, which is common in comic opera. The second performance, however, was successful. The original French
Opera Lyra Ottawa first fully staged opera, "Così fan tutte", performed in the Alumni Theatre at Carleton University. In 1986, the company moved into the National Arts Center's 897 seat Theatre, with a production of "The Barber of Seville". 1987 was Gilchrist's fourth year as Artistic Director and her final opera at the NAC was "The Elixir of Love", conducted by Dwight Bennett. Jeannette Aster became Artistic Director in 1987 when Gilchrist moved to Europe for professional engagements singing Queen of the Night, Zerbinetta and other coloratura roles. The 1990 production of "Madama Butterfly" marked the first time the company performed an opera