Classical compass winds local reference to a seaborne breeze. Vitruvius's 24-wind list does not seem to have impressed later Roman writers (Seneca, Pliny, etc.), who all went back to 12- or 8-wind systems. Vitruvius's treatment has a touch of carelessness. He does not bother assigning Latin-to-Greek equivalents, give variants or provide any descriptions of the winds. It seems as if he is merely making a long list of all the wind names he has heard, giving each their own separate position in a single system, regardless of duplication. The shifts of some old Greek winds (Boreas, Eurus, Argestes, Leuconotos) into non-traditional positions (sometimes
Greek mythology in western art and literature for all things Greek, including Greek mythology. In Britain, it was a great period for new translations of Greek tragedies and Homer's works, and these in turn inspired contemporary poets, such as Keats, Byron, and Shelley. The Hellenism of Queen Victoria's poet laureate, Alfred Lord Tennyson, was such that even his portraits of the quintessentially English court of King Arthur are suffused with echoes of the Homeric epics. The visual arts kept pace, stimulated by the purchase of the Parthenon marbles in 1816; many of the "Greek" paintings of Lord Leighton and Lawrence Alma-Tadema were seriously accepted as part of