Armchair detective an arm-chair, my brother would be the greatest criminal agent that ever lived." "The first example of armchair detecting can be found in the work of Edgar Allan Poe. In "The Mystery of Marie Rogêt" (1842), C. Auguste Dupin, working wholly from newspaper accounts, arrives at the correct explanation for a young woman's mysterious disappearance." Baroness Orczy's Old Man in the Corner sits in a restaurant and talks to an acquaintance about cases, almost always finishing by revealing that he has solved the crime. A more literal use of this term can be found in Rex Stout's Nero Wolfe novels
Jacques Dupin which represented Joan Miró, a close friend. The gallery also represented Marc Chagall, Alberto Giacometti, Francis Bacon and Wassily Kandinsky. Giacometti and Bacon both painted his portrait. Dupin wrote Miró's biography, numerous monographs on the artist's work, and was empowered by Miró's family to be the sole authenticating authority of the artist's work; a role that made him much sought after by collectors. In 1987, Dupin was the curator of a retrospective of Miró's work at the Solomon R. Guggenheim Museum, the first such retrospective in New York since 1959. Jacques Dupin Jacques Dupin (4 March 1927, Privas, Ardèche –