The Barber of Seville (1944 film) "Swing Symphonies" for a year prior, Culhane would continue to direct entries in the series until 1946. A parody of Gioacchino Rossini's opera of the same name, "The Barber of Seville" is noted for its uses of speed, timing, and music synchronization. During the shaving of the second client, several shots are presented in rapid succession, some lasting only one-fourth of a second. Woody's demeanor and attitude are designed to match the music, during the famous "Figaro" portion of the tune, Woody splits into three, then four, then five instances of himself, in less than two seconds of screen time.
The Barber of Seville (play) cynical. As he says in "The Barber of Seville": "I must force myself to laugh at everything lest I be obliged to weep." Though he is normally calm, collected and intelligent, he can be irrational when angered. The name 'Figaro' was invented by Beaumarchais for this character, and it has been theorized by Frédéric Grendel that it is made from a phonetic transcription of the words "fils Caron" (Caron having been the given surname of the playwright.) The role was created in "The Barber of Seville" by Beaumarchais's friend Préville. However, when "The Marriage of Figaro" went into production almost