Opera in German such as opera seria. Some Baroque composers, such as Reinhard Keiser, did try to challenge Italian dominance, and the theatre principal Abel Seyler became an eager promoter of German opera in the 1770s, but it was only with the appearance of Mozart that a lasting tradition of serious German-language opera was established. Mozart took the simple, popular genre of "Singspiel" and turned it into something far more sophisticated. Beethoven followed his example with the idealistic "Fidelio"; and with "Der Freischütz" of 1821, Weber established a uniquely German form of opera under the influence of Romanticism. Weber's innovations were eclipsed by
The Handmaid's Tale (opera) Danish title was "Tjenerindens fortælling". The Danish Royal Opera who commissioned the work wanted the opera performed in Danish, but performances outside Denmark have all been sung in English. The Handmaid's Tale (opera) The Handmaid's Tale is an opera composed by the Danish composer Poul Ruders in 2000, to a libretto by Paul Bentley based on the novel of the same name written by Canadian author Margaret Atwood. Prologue In AD 2195, the 12th Symposium on the Republic of Gilead is meeting via videoconference. The Republic was formed after Christian fundamentalists assassinated the President and most of the Congress in