Rescue opera rescue opera; Luigi Cherubini's "Lodoïska" (1791) has also been named a founding work of the genre. Other examples from the end of the eighteenth and beginning of the nineteenth century, the period when rescue opera flourished, are Nicolas Dalayrac's "Camille ou Le souterrain" (1791), Jean-François Le Sueur's "La caverne" (1793), and Cherubini's "Les deux journées" (1800). While the rescue opera was primarily a French genre, the two best-known operas in the genre are not French. Ludwig van Beethoven's "Fidelio" is by far the most famous example today, and was also influenced by the German "Singspiel". A work which is similar
The Diary of a Madman (opera) The Diary of a Madman (opera) The Diary of a Madman is a one-act chamber opera by the composer Humphrey Searle. It is based on the short story of the same name by Nikolai Gogol. The opera was premiered in 1958 in Berlin. The libretto is by the composer. The work, which is the first of Searle's operas, was commissioned by Hermann Scherchen, then the director of the Berlin Festival. Scherchen gave Searle complete choice of subject, stipulating only that the orchestra be of no more than 15 players, and that there should be no more than four singing roles.