Peggy Ashcroft Holt in "Edward, My Son", in the West End and then on Broadway, and the downtrodden Catherine Sloper in "The Heiress" in 1949. Ashcroft began the 1950s with a return to Shakespeare, at the Shakespeare Memorial Theatre, Stratford-upon-Avon, playing Beatrice to Gielgud's Benedick in "Much Ado About Nothing" and Cordelia to his King Lear. In 1951 she returned to the Old Vic, playing Viola in "Twelfth Night", the title role in "Electra" and Mistress Page in "The Merry Wives of Windsor". In the second of these, according to Billington, "she scaled the austere peaks of Greek tragedy". Through the rest
Much Ado About Nothing (2012 film) just sort of dark". Whedon's idea to adapt the play for the screen originated from having "Shakespeare readings" at his house with several of his friends, years prior. Whedon and his director of photography Jay Hunter took advantage of natural lighting in order to make it feel "very found", noting, "Our lighting package rose in the east and set in the west". Using mirrors, glass and windows to shoot through, he explains, "[It’s] something I’d like to do all the time, but particularly in a movie that’s all about lies, and manipulation and misunderstandings. The more you can warp the