Opera buffa prima donna soubrette (soprano or mezzo); a light, amorous tenor; a basso cantante or baritone capable of lyrical, mostly ironical expression; and a basso buffo whose vocal skills, largely confined to clear articulation and the ability to "patter", must also extend to the baritone for the purposes of comic duets. The type of comedy could vary, and the range was great: from Rossini's "The Barber of Seville" in 1816 which was purely comedic, to Mozart's "The Marriage of Figaro" in 1786 which added drama and pathos. Another example of Romantic "opera buffa" would be Donizetti's "L'elisir d'amore" of 1832. While
The Guilty Mother The Guilty Mother The Guilty Mother () subtitled "The Other Tartuffe" is the third play of the "Figaro" trilogy by Pierre Beaumarchais; its predecessors were "The Barber of Seville" and "The Marriage of Figaro". This was the author's last play. It is rarely revived. Like the earlier plays of the trilogy it has been turned into operatic form, but it has not entered the general opera repertoire. The characters of Figaro and his associates were so popular that other dramatists had written sequels to "The Barber of Seville" and "The Marriage of Figaro", most notably M-N Delon, who brought out