The Adventures of Baron Munchausen got fired, and all these deals were oral deals. ... Columbia's new CEO, Dawn Steel, said 'Whatever David Puttnam "[has]" said before doesn't interest me'". Regarding the new regime's apparent animosity towards all of Puttnam's projects and "Munchausen", Gilliam added in the same documentary, "I was trying very hard to convince Dawn Steel that this was not a David Puttnam movie, it was a Terry Gilliam movie." Similarly Kent Houston, head of Peerless Camera doing the film's special effects said in "Madness and Misadventures" that they were promised a bonus if they would finish the effects in time, but when
Baron Munchausen its imagery was echoed in Cruikshank's depictions of the character. Doré, illustrating a Théophile Gautier "fils" translation in 1862, retained the sharply beaked nose and twirled moustache from the 1792 portrait, but gave the Baron a healthier and more affable appearance; the Doré Baron became the definitive visual representation for the character. The relationship between the real and fictional Barons is complex. On the one hand, the fictional Baron Munchausen can be easily distinguished from the historical figure Hieronymus von Münchhausen; the character is so separate from his namesake that at least one critic, the writer W. L. George, concluded