Fidelio the scene in which the rescue finally takes place. The finale celebrates Leonore's bravery with alternating contributions of soloists and chorus. The work has a long and complicated history of composition: it went through three versions during Beethoven's career, and some of the music was first written as part of an earlier, never-completed opera. The distant origin of "Fidelio" dates from 1803, when the librettist and impresario Emanuel Schikaneder worked out a contract with Beethoven to write an opera. The contract included free housing for Beethoven in the apartment complex that was part of Schikaneder's large suburban theater, the Theater
The Diary of a Madman (opera) The Diary of a Madman (opera) The Diary of a Madman is a one-act chamber opera by the composer Humphrey Searle. It is based on the short story of the same name by Nikolai Gogol. The opera was premiered in 1958 in Berlin. The libretto is by the composer. The work, which is the first of Searle's operas, was commissioned by Hermann Scherchen, then the director of the Berlin Festival. Scherchen gave Searle complete choice of subject, stipulating only that the orchestra be of no more than 15 players, and that there should be no more than four singing roles.