Minority Report (film) was envisioned in 1999. Underkoffler, who designed most of Anderton's interface after Spielberg told him to make it "like conducting an orchestra", said "it would be hard to identify anything [in the movie] that had no grounding in reality." McDowell teamed up with architect Greg Lynn to work on some of the technical aspects of the production design. Lynn praised his work, saying that "[a] lot of those things Alex cooked up for "Minority Report", like the 3-D screens, have become real." Spielberg described his ideas for the film's technology to Roger Ebert before the movie's release: "Minority Report" was
Who the Hell Is Juliette? the "artiest home movie ever made" and was critical about how the subtitles appeared and disappeared too quickly to be easily read. On the other hand, the "New York Daily News" called the film "a great example of what happens when a film maker follows a subject that intrigues him rather than a pre-set program". The documentary received two Ariel Awards. At the 1998 Sundance Film Festival, it received the Latin American Cinema Award. Who the Hell Is Juliette? Who the Hell is Juliette? () is a Mexican 1997 documentary film written and directed by Carlos Marcovich. The film is