Much Ado About Nothing copy of the Second Folio. The provocative treatment of gender is central to the play and should be considered in its Renaissance context. While this was reflected and emphasized in certain plays of the period, it was also challenged. Amussen notes that the undoing of traditional gender clichés appears to have inflamed anxieties about the erosion of social order. It seems that comic drama could be a means of calming such anxieties. Ironically, we can see through the play's popularity that this only increased people's interest in such behavior. Benedick wittily gives voice to male anxieties about women's "sharp tongues
Much Ado About Nothing (1993 film) of the humor, the performances, and Branagh's lively direction, of which he wrote, "This film cements Branagh's status as a great director of Shakespeare, and perhaps of film in general, as well." Conversely, Peter Travers of "Rolling Stone" wrote the film a negative review, praising some moments as "invigorating fun", but ultimately calling it "overripe." Most of the negative criticisms focused on particular casting choices, notably Keanu Reeves as Don John, and Michael Keaton as Dogberry. For his performance in the film, Reeves was nominated for a Golden Raspberry Award for Worst Supporting Actor, where he lost to Woody Harrelson