Classical compass winds in the North slot in place of Aparctias is notable. The figures on the tower are represented figuratively as gods (Anemoi). It is believed the tower was topped with a weather vane. The Greek wind system was adopted by the Romans, partly under their Greek nomenclature, but increasingly also under new Latin names. Roman poet Virgil, in his "Georgics" (c. 29 BCE) refers to several of the winds by their old Greek names (e.g. Zephyrus, Eurus, Boreas), and introduces a few new Latin names – notably, "black Auster", "cold Aquilo" and "frigid Caurus". The Roman writer Seneca, in his "Naturales
Greek mythology Petrarch, Boccaccio and Dante in Italy. In Northern Europe, Greek mythology never took the same hold of the visual arts, but its effect was very obvious on literature. The English imagination was fired by Greek mythology starting with Chaucer and John Milton and continuing through Shakespeare to Robert Bridges in the 20th century. Racine in France and Goethe in Germany revived Greek drama, reworking the ancient myths. Although during the Enlightenment of the 18th century reaction against Greek myth spread throughout Europe, the myths continued to provide an important source of raw material for dramatists, including those who wrote the