Rodgers and Hammerstein to the musical-play form – with such masterworks as "Carousel", "The King and I" and "South Pacific". The examples they set in creating vital plays, often rich with social thought, provided the necessary encouragement for other gifted writers to create musical plays of their own." In 1950, the team of Rodgers and Hammerstein received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York." They were also honored in 1999 with a United States Postal Service stamp commemorating their partnership. The Richard Rodgers Theatre in New York City is
The King and I entire score to Lawrence, including Lawrence's own songs. Lawrence listened calmly, but when she met Rodgers and Hammerstein the following day, she treated Rodgers coldly, apparently seeing the composer's actions as flaunting her vocal deficiencies. Hammerstein and Rodgers' doubts about whether Lawrence could handle the part were assuaged by the sheer force of her acting. James Poling, a writer for "Collier's" who was allowed to attend the rehearsals, wrote of Lawrence preparing "Shall I Tell You What I Think of You?": At his first meeting with Sharaff, Brynner, who had only a fringe of hair, asked what he was to