The Minotaur (opera) of the labyrinth should he survive his encounter with the Minotaur. She believes she can persuade Theseus to take her back with him to Athens. Both see the Minotaur as scapegoat and deliverance. The last scene of "The Minotaur" echoes the death scene of Mussorgsky's "Boris Godunov". "Scene 1: Arrival" Ariadne watches as a Greek ship arrives on the island of Crete, carrying the Innocents who will be sacrificed to the Minotaur: a monstrous creature, half-man, half-bull. Ariadne greets the Innocents and notices Theseus in the crowd. He has come to Crete to defeat the Minotaur. "Scene 2: The Choice"
Minotaur the main political and cultural potency in the Aegean Sea. As the fledgling Athens (and probably other continental Greek cities) was under tribute to Crete, it can be assumed that such tribute included young men and women for sacrifice. This ceremony was performed by a priest disguised with a bull head or mask, thus explaining the imagery of the Minotaur. Once continental Greece was free from Crete's dominance, the myth of the Minotaur worked to distance the forming religious consciousness of the Hellene "poleis" from Minoan beliefs. The Minotaur ("infamia di Creti", Italian for "infamy of Crete"), appears briefly in