Errand into the Maze Errand into the Maze Errand into the Maze is a Martha Graham ballet based on a poem by Ben Belitt set to music by Gian Carlo Menotti. The surrealistic set was designed by Isamu Noguchi, the costumes by Graham herself. The dance uses the Greek myth of Ariadne and the Minotaur to explore the theme of conquering one’s inner demons, more specifically the fear of sexual intimacy. The piece premiered at the Ziegfeld Theatre on February 28, 1947, with Graham as the protagonist, a sort of female Theseus, and Mark Ryder as the Minotaur-like character. The original program notes describe
The Global Minotaur took on the role of a 'Global Minotaur'. America was now a deficit nation with a significant trade and budget deficit, which it was able to maintain due to the flow of capital from the world's surplus nations into Wall Street. To explain why capital was invested in America in this way, Varoufakis outlines four 'charismas' of the Minotaur that compelled the world's economy to accept America's new role in the global economy. First the status of the dollar as the world's reserve currency, and as the currency in which energy was denominated. Second, rising global energy costs due to