Thomas of Woodstock (play) is alive again at the beginning of "Richard II" until his execution is ordered by Bolingbroke in Act III. There is no instance of a character dying twice in the validated works of Shakespeare. There are, however, inconsistencies in Shakespeare, such as the claim at the end of "Henry IV, Part 2" that Falstaff will be seen again in "Henry V", a promise which is not kept. Furthermore, the character of Falstaff is arguably a different one in the history plays than the character encountered in "The Merry Wives of Windsor", not to mention the apparent setting of that play
Shakespeare in Original Pronunciation Shakespeare in Original Pronunciation Shakespeare in Original Pronunciation (OP) is a movement dedicated to the examination and subsequent performance of Shakespeare's works in a "phonology" or "sound system" of Early Modern English. In 2004, the London Globe produced three performances of "Romeo and Juliet" in original pronunciation. Spearheaded by linguist David Crystal and play director, Tim Carroll, this was the beginning of contemporary interest in Shakespeare in original pronunciation. In 2005, the Globe went on to produce six performances of "Troilus and Cressida" in original pronunciation. Since then, there have been many further productions of Shakespeare in original pronunciation, including