Medea (play) Glauce. When Jason appears fully convinced that she regrets her actions, Medea begins to cry in mourning of her exile. She convinces Jason to allow her to give the robes to Glauce in hopes that Glauce might get Creon to lift the exile. Eventually Jason agrees and allows their children to deliver the poisoned robes as the gift-bearers. In the next scene a messenger recounts Glauce and Creon’s deaths. When the children arrived with the robes and coronet, Glauce gleefully put them on and went to find her father. Soon the poisons overtook Glauce and she fell to the floor,
Greek mythology and the Near East. Adonis seems to be the Greek counterpart—more clearly in cult than in myth—of a Near Eastern "dying god". Cybele is rooted in Anatolian culture while much of Aphrodite's iconography may spring from Semitic goddesses. There are also possible parallels between the earliest divine generations (Chaos and its children) and Tiamat in the "Enuma Elish". According to Meyer Reinhold, "near Eastern theogonic concepts, involving divine succession through violence and generational conflicts for power, found their way ... into Greek mythology". In addition to Indo-European and Near Eastern origins, some scholars have speculated on the debts of Greek