The King and I incongruity of a Victorian British governess in the midst of an exotic court: "The first-act finale of "The King and I" will feature Miss Lawrence, Mr. Brynner, and a pink satin ball gown." Mielziner's set plan was the simplest of the four Rodgers and Hammerstein musicals he had worked on, with one main set (the throne room), a number of front-stage drops (for the ship and Anna's room, for example) and the entire stage cleared for "The Small House of Uncle Thomas". The show was budgeted at $250,000 (US$ in dollars) making it the most expensive Rodgers and Hammerstein production
Willie Hammerstein one-week engagements in 1912 and 1913, a good fit with the audience through her suggestion of notoriety. Hammerstein often booked acts from Europe, who sometimes made up half the show. He introduced the dancers Gertrude Hoffmann and Constance Stewart-Richardson to the vaudeville stage. A review in the "New York Dramatic Mirror" of 12 August 1905 gives a sense of the shows: Willie Hammerstein became known for his "freak acts". Typically these featured people who had scandalized the public and gained notoriety. Members of love triangles involving murders or suicides were popular, if one of their members was free to appear