Thomas of Woodstock (play) is alive again at the beginning of "Richard II" until his execution is ordered by Bolingbroke in Act III. There is no instance of a character dying twice in the validated works of Shakespeare. There are, however, inconsistencies in Shakespeare, such as the claim at the end of "Henry IV, Part 2" that Falstaff will be seen again in "Henry V", a promise which is not kept. Furthermore, the character of Falstaff is arguably a different one in the history plays than the character encountered in "The Merry Wives of Windsor", not to mention the apparent setting of that play
Slender Man reinterpreted and recast by different tellers, expanding and evolving with time. Media scholar and folklorist Andrew Peck attributes the success of the Slender Man to its highly collaborative nature. Because the character and its motives are shrouded in mystery, users can easily adapt existing Slender Man tropes and imagery to create new stories. This ability for users to tap into the ideas of others while also supplying their own helped inspire the collaborative culture that arose surrounding the Slender Man. Instead of privileging the choices of certain creators as canonical, this collaborative culture informally locates ownership of the creature across