The Minotaur (opera) – he may be the son of Poseidon. Ariadne tries to seduce Theseus and persuade him to take her to Greece when he returns. He is unmoved. "Scene 9: The Minotaur Dreams" Asleep again, the Minotaur voices his despair at his compromised existence. An image of Ariadne appears and he wonders whether she might help him to escape the labyrinth. Ariadne meanwhile asks the Minotaur "are you my key to the world outside?" Theseus appears again as a shadowy figure. "Scene 10: The Oracle at Psychro" Ariadne asks the Snake Priestess how she might help Theseus escape the labyrinth. In
Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the