The Minotaur (opera) of the labyrinth should he survive his encounter with the Minotaur. She believes she can persuade Theseus to take her back with him to Athens. Both see the Minotaur as scapegoat and deliverance. The last scene of "The Minotaur" echoes the death scene of Mussorgsky's "Boris Godunov". "Scene 1: Arrival" Ariadne watches as a Greek ship arrives on the island of Crete, carrying the Innocents who will be sacrificed to the Minotaur: a monstrous creature, half-man, half-bull. Ariadne greets the Innocents and notices Theseus in the crowd. He has come to Crete to defeat the Minotaur. "Scene 2: The Choice"
Sacrificial victims of Minotaur Sacrificial victims of Minotaur In Greek mythology, the people of Athens were at one point compelled by King Minos of Crete to choose 14 young noble citizens (seven young men and seven maidens) to be offered as sacrificial victims to the half-human, half-taurine monster Minotaur to be killed in retribution for the death of Minos' son Androgeos. The victims were drawn by lots, were required to go unarmed, and would end up either being consumed by the Minotaur or getting lost and perishing in the Labyrinth, the maze-like structure where the Minotaur was kept. The offerings were to take place