Into the Labyrinth (Dead Can Dance album) adds some conceptual cohesion to the album. This theme is reflected in several song titles: "Ariadne" (the legendary Ariadne giving her clew to Theseus); "Towards the Within" (of the Labyrinth, the Minotaur being at the centre); "The Spider's Stratagem" (waiting at the centre of her web like the Minotaur waiting at the centre of the Labyrinth—but also a Bertolucci film adapting a Borges short story from "Labyrinths"): and "Emmeleia" (the Greek dance of tragedy) Tracks written by Dead Can Dance (Lisa Gerrard and Brendan Perry), except track 3 (words and music by Dr Robert Dwyer Joyce, traditional, arranged by Dead
Minotaur the main political and cultural potency in the Aegean Sea. As the fledgling Athens (and probably other continental Greek cities) was under tribute to Crete, it can be assumed that such tribute included young men and women for sacrifice. This ceremony was performed by a priest disguised with a bull head or mask, thus explaining the imagery of the Minotaur. Once continental Greece was free from Crete's dominance, the myth of the Minotaur worked to distance the forming religious consciousness of the Hellene "poleis" from Minoan beliefs. The Minotaur ("infamia di Creti", Italian for "infamy of Crete"), appears briefly in