Into the Labyrinth (Dead Can Dance album) adds some conceptual cohesion to the album. This theme is reflected in several song titles: "Ariadne" (the legendary Ariadne giving her clew to Theseus); "Towards the Within" (of the Labyrinth, the Minotaur being at the centre); "The Spider's Stratagem" (waiting at the centre of her web like the Minotaur waiting at the centre of the Labyrinth—but also a Bertolucci film adapting a Borges short story from "Labyrinths"): and "Emmeleia" (the Greek dance of tragedy) Tracks written by Dead Can Dance (Lisa Gerrard and Brendan Perry), except track 3 (words and music by Dr Robert Dwyer Joyce, traditional, arranged by Dead
The Minotaur (opera) recounts the circumstances surrounding the birth of her half-brother, the Minotaur: her mother's union with a white bull from the sea, which was either sent by Poseidon, or was the sea god himself in disguise. "Scene 5: The Labyrinth" The Innocents reach the heart of the labyrinth. The Minotaur is taunted by the chorus for his monstrous form and inability to speak. His first victim, a young woman, appears and the Minotaur gores and rapes her. Keres feed upon the body and sing of destruction. "Scene 6: The Minotaur Dreams" The Minotaur acquires the power of speech in his dreams.