Shakespeare in Love write something "a little more cheerful next time, for Twelfth Night". Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginning of "Twelfth Night", in character as a castaway disguised as a man after a voyage to a strange land. The original idea for "Shakespeare in Love" was suggested to screenwriter Marc Norman in the late 1980s by his son Zachary. Norman wrote a draft screenplay which he presented to director Edward Zwick, which attracted Julia Roberts, who agreed to play Viola. However, Zwick disliked Norman's screenplay and hired the playwright Tom Stoppard
Shakespeare in Original Pronunciation Shakespeare in Original Pronunciation Shakespeare in Original Pronunciation (OP) is a movement dedicated to the examination and subsequent performance of Shakespeare's works in a "phonology" or "sound system" of Early Modern English. In 2004, the London Globe produced three performances of "Romeo and Juliet" in original pronunciation. Spearheaded by linguist David Crystal and play director, Tim Carroll, this was the beginning of contemporary interest in Shakespeare in original pronunciation. In 2005, the Globe went on to produce six performances of "Troilus and Cressida" in original pronunciation. Since then, there have been many further productions of Shakespeare in original pronunciation, including