Déjàvu Back"’s Jimmy Porter. She disputes the comparison to Falstaff because J.P.'s antagonists are all "sham characters", easily outwitted by the hero, unlike Shakespeare's play in which Falstaff's bluster is exposed for what it is. However, she argues that J.P.'s social criticisms are largely consistent with the anarchic attitudes of the 1956 Jimmy. Déjàvu Déjàvu (1992) is a stage play by John Osborne. It was Osborne's final work for the theatre, the failure of which on the stage made him decide to give up play-writing. The play is a sequel to Osborne's first successful play, "Look Back in Anger" (1956); it
Look Back in Anger best remembered for, though, are Jimmy's tirades. Some of these are directed against generalised British middle-class smugness in the post-atomic world. Many are directed against the female characters, a very distinct echo of Osborne's uneasiness with women, including his mother, Nellie Beatrice, whom he describes in his autobiography "A Better Class of Person" as "hypocritical, self-absorbed, calculating and indifferent". Madeline, the lost love Jimmy pines for, is based on Stella Linden, the older rep-company actress who first encouraged Osborne to write. After the first production in London, Osborne began a relationship with Mary Ure, who played Alison; he divorced his