Medea (1969 film) follows the plot of the play by Euripides from this point onward, though it takes some liberties with the chronology of events. Jason has two sons by Medea, but he later decides to opt out of his union with her in favor of a marriage to the Corinthian princess Glauce. Enraged, Medea plots revenge against Jason and his new bride and sends Glauce a robe bewitched with magic herbs. Here Pasolini introduces two versions of the destruction of Glauce and her father. The first follows the traditional legend and is possibly a vision of how Medea would like Glauce to
Greek mythology to prove, as in the case of the Greek Moirai and the Norns of Norse mythology. It appears that the Mycenaean religion was the mother of the Greek religion and its pantheon already included many divinities that can be found in classical Greece. However, Greek mythology is generally seen as having heavy influence of Pre-Greek and Near Eastern cultures, and as such contains few important elements for the reconstruction of the Proto-Indo-European religion. Consequently, Greek mythology received minimal scholarly attention in the context of Indo-European comparative mythology until the mid 2000s. Archaeology and mythography have revealed influence from Asia Minor