Shakespeare in Love write something "a little more cheerful next time, for Twelfth Night". Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginning of "Twelfth Night", in character as a castaway disguised as a man after a voyage to a strange land. The original idea for "Shakespeare in Love" was suggested to screenwriter Marc Norman in the late 1980s by his son Zachary. Norman wrote a draft screenplay which he presented to director Edward Zwick, which attracted Julia Roberts, who agreed to play Viola. However, Zwick disliked Norman's screenplay and hired the playwright Tom Stoppard
Shakespeare in performance the stage in order to appeal to the educated middle class. Charles Kean was particularly interested in historical context and spent many hours researching historical dress and setting for his productions. This faux-Shakespearean style was fixed until the 20th century. As of the twenty-first century, there are very few productions of Shakespeare, both on stage and on film, which are still performed in "authentic" period dress, while as late as 1990, virtually every true film version of a Shakespeare play was performed in correct period costume. The first film in English to break this pattern was 1995's "Richard III" which