Rodgers and Hammerstein to the musical-play form – with such masterworks as "Carousel", "The King and I" and "South Pacific". The examples they set in creating vital plays, often rich with social thought, provided the necessary encouragement for other gifted writers to create musical plays of their own." In 1950, the team of Rodgers and Hammerstein received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York." They were also honored in 1999 with a United States Postal Service stamp commemorating their partnership. The Richard Rodgers Theatre in New York City is
Rodgers and Hammerstein Although there are exceptions to this generalization, it simplifies the audition process, and gives audiences an idea of what to expect vocally from a Rodgers and Hammerstein musical. However, this formula had been used in Viennese operetta, such as "The Merry Widow". William A. Everett and Paul R. Laird wrote that "Oklahoma!", "like "Show Boat", became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to "Oklahoma!"" In "The Complete Book of Light Opera", Mark Lubbock adds, "After "Oklahoma!", Rodgers and Hammerstein were the most important contributors