Flitch of bacon custom claimed, he writes "... it is a little paradise, and the more like an antique one, as, by all I have said, the married couples seem to be driven out of it." Walpole concludes, "If you love a prospect, or bacon, you will certainly come hither." An anonymous humorous piece appeared in Joseph Addison's "Spectator" in 1714 purporting to explain the rarity of the flitch being awarded in terms of the poor quality of the applicants. The writer claims that the source is the "Register of Whichenovre-hall" but the truth is that the piece is almost certainly entirely fictitious. The
What is a Masterpiece? confluence of memories and emotions forming a single idea", that it has "a power of recreating traditional forms so that they become expressive of an artist's own epoch and yet keep a relationship to the past". The highest masterpieces are said to be "illustrations of great themes." Clark also implicitly excluded the erotic from considerations of what constituted a masterpiece, based on his perspective that a necessary condition is the balance between sense and form (works that are too sensual are, therefore, unbalanced and not to be categorised at masterpiece level). What is a Masterpiece? What is a Masterpiece? is