The Minotaur (opera) labyrinth and they engage in brutal fighting, cheered on by the chorus. Theseus hesitates momentarily when the Minotaur acquires the power of human speech, but then delivers the fatal blow. Theseus begins his journey out of the labyrinth. Once he has escaped, he intends to set sail for Athens with Ariadne. "Scene 13: Death of the Minotaur" As the Minotaur lies dying, he laments his empty existence, neither fully man or fully beast. He pulls out the bloodied sword from his side and declares that he is the son of Poseidon. The chorus leave the labyrinth as the Minotaur dies.
Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the