Medea (1969 film) follows the plot of the play by Euripides from this point onward, though it takes some liberties with the chronology of events. Jason has two sons by Medea, but he later decides to opt out of his union with her in favor of a marriage to the Corinthian princess Glauce. Enraged, Medea plots revenge against Jason and his new bride and sends Glauce a robe bewitched with magic herbs. Here Pasolini introduces two versions of the destruction of Glauce and her father. The first follows the traditional legend and is possibly a vision of how Medea would like Glauce to
Greek mythology Nereids (who inhabited the sea), river gods, Satyrs, and others. In addition, there were the dark powers of the underworld, such as the Erinyes (or Furies), said to pursue those guilty of crimes against blood-relatives. In order to honor the Ancient Greek pantheon, poets composed the Homeric Hymns (a group of thirty-three songs). Gregory Nagy regards "the larger Homeric Hymns as simple preludes (compared with "Theogony"), each of which invokes one god". The gods of Greek mythology are described as having essentially corporeal but ideal bodies. According to Walter Burkert, the defining characteristic of Greek anthropomorphism is that "the Greek