Rodgers and Hammerstein to the musical-play form – with such masterworks as "Carousel", "The King and I" and "South Pacific". The examples they set in creating vital plays, often rich with social thought, provided the necessary encouragement for other gifted writers to create musical plays of their own." In 1950, the team of Rodgers and Hammerstein received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York." They were also honored in 1999 with a United States Postal Service stamp commemorating their partnership. The Richard Rodgers Theatre in New York City is
Concept musical by Rodgers and Hammerstein. Defying "virtually all musical theatre conventions" of the time, its Greek chorus frequently interrupts the narrative, and the show focuses on a larger theme of personal struggle in the face of success. Minimalistic in its staging, patterns of light were used to represent both spaces and emotions. However, many critics disagree as to "Allegro"'s status as a concept musical, stating that the linear nature of the plot continues regardless of the choral interludes. The show was a critical failure, which many theatre historians blame on the inexperience of director-choreographer Agnes de Mille. Disheartened, Rodgers and Hammerstein