The Minotaur (opera) Asleep, he reflects on his imprisonment in the labyrinth and violent existence. An image of Ariadne appears and tells the story of his birth. She is interrupted by a mysterious and disturbing figure; unknown to the Minotaur, it is Theseus. "Scene 7: The Labyrinth" The chorus urges the Minotaur to wake. They taunt him as he brutally massacres the Innocents. When they have all been killed or mortally injured, the Keres descend again to feast upon the bodies. "Scene 8: A Proposition" Ariadne tries to dissuade Theseus from confronting the Minotaur. He remains determined, revealing that – like the Minotaur
Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the