Gertrude Lawrence but when he proved to be unenthused by the suggestion, Lawrence sent the book to Richard Rodgers and Oscar Hammerstein II. Rodgers initially demurred because he felt Lawrence's vocal range was limited and she had a tendency to sing flat. But he realised the story had strong potential, and the two men agreed to write what ultimately became "The King and I". It opened on Broadway in March 1951, and ultimately, Lawrence won the Tony Award for Best Actress in a Musical for her performance. Her triumph was short-lived; her health deteriorated rapidly, forcing her to miss numerous performances until
The King and I entire score to Lawrence, including Lawrence's own songs. Lawrence listened calmly, but when she met Rodgers and Hammerstein the following day, she treated Rodgers coldly, apparently seeing the composer's actions as flaunting her vocal deficiencies. Hammerstein and Rodgers' doubts about whether Lawrence could handle the part were assuaged by the sheer force of her acting. James Poling, a writer for "Collier's" who was allowed to attend the rehearsals, wrote of Lawrence preparing "Shall I Tell You What I Think of You?": At his first meeting with Sharaff, Brynner, who had only a fringe of hair, asked what he was to