Medea (1969 film) follows the plot of the play by Euripides from this point onward, though it takes some liberties with the chronology of events. Jason has two sons by Medea, but he later decides to opt out of his union with her in favor of a marriage to the Corinthian princess Glauce. Enraged, Medea plots revenge against Jason and his new bride and sends Glauce a robe bewitched with magic herbs. Here Pasolini introduces two versions of the destruction of Glauce and her father. The first follows the traditional legend and is possibly a vision of how Medea would like Glauce to
Greek mythology in popular culture Fairy Book". In C. S. Lewis's retelling of Cupid and Psyche, "Till We Have Faces", the narrator is Psyche's sister. Roberta Gellis's "Shimmering Splendor" is a retelling of Cupid and Psyche. The Italian poet Dante Alighieri used characters from the legend of Troy in his Divine Comedy, placing the Greek heroes in hell to show his contempt for their actions. Poets of the Renaissance began to widely write about Greek mythology, and "elicited as much praise for borrowing or reworking" such material as they did for truly original work. The poet John Milton used figures from classical mythology to "further