Agatha Christie: Murder on the Orient Express stay as faithful to Christie's work and time era as possible. A major difference between "And Then There Were None" and "Murder on the Orient Express" that Sheldon pointed out was that in the former, the premise of the novel was that no one solved the murder. This forced Sheldon to desperately try to find a way to integrate clues into the story so that the player could actually discover the murderer, although the game remained quite uninteractive. In "Murder on the Orient Express", the actual novel follows an investigation, so Sheldon could more easily integrate clues to lead to
The Gate of Calais top of the gate, which is absent in the engraving. The crow was a late addition to the painting to disguise an accidental tear, apparently caused by the canvas falling on a nail shortly after it was completed, although no evidence of damage was found when the painting was restored in 1966. The Gate of Calais The Gate of Calais or O, the Roast Beef of Old England is a 1748 painting by William Hogarth, reproduced as a print from an engraving the next year. Hogarth produced the painting directly after his return from France, where he had been arrested