The King and I incongruity of a Victorian British governess in the midst of an exotic court: "The first-act finale of "The King and I" will feature Miss Lawrence, Mr. Brynner, and a pink satin ball gown." Mielziner's set plan was the simplest of the four Rodgers and Hammerstein musicals he had worked on, with one main set (the throne room), a number of front-stage drops (for the ship and Anna's room, for example) and the entire stage cleared for "The Small House of Uncle Thomas". The show was budgeted at $250,000 (US$ in dollars) making it the most expensive Rodgers and Hammerstein production
Concept musical by Rodgers and Hammerstein. Defying "virtually all musical theatre conventions" of the time, its Greek chorus frequently interrupts the narrative, and the show focuses on a larger theme of personal struggle in the face of success. Minimalistic in its staging, patterns of light were used to represent both spaces and emotions. However, many critics disagree as to "Allegro"'s status as a concept musical, stating that the linear nature of the plot continues regardless of the choral interludes. The show was a critical failure, which many theatre historians blame on the inexperience of director-choreographer Agnes de Mille. Disheartened, Rodgers and Hammerstein