The Minotaur (opera) of the labyrinth should he survive his encounter with the Minotaur. She believes she can persuade Theseus to take her back with him to Athens. Both see the Minotaur as scapegoat and deliverance. The last scene of "The Minotaur" echoes the death scene of Mussorgsky's "Boris Godunov". "Scene 1: Arrival" Ariadne watches as a Greek ship arrives on the island of Crete, carrying the Innocents who will be sacrificed to the Minotaur: a monstrous creature, half-man, half-bull. Ariadne greets the Innocents and notices Theseus in the crowd. He has come to Crete to defeat the Minotaur. "Scene 2: The Choice"
The Global Minotaur took on the role of a 'Global Minotaur'. America was now a deficit nation with a significant trade and budget deficit, which it was able to maintain due to the flow of capital from the world's surplus nations into Wall Street. To explain why capital was invested in America in this way, Varoufakis outlines four 'charismas' of the Minotaur that compelled the world's economy to accept America's new role in the global economy. First the status of the dollar as the world's reserve currency, and as the currency in which energy was denominated. Second, rising global energy costs due to