Medea (play) Glauce. When Jason appears fully convinced that she regrets her actions, Medea begins to cry in mourning of her exile. She convinces Jason to allow her to give the robes to Glauce in hopes that Glauce might get Creon to lift the exile. Eventually Jason agrees and allows their children to deliver the poisoned robes as the gift-bearers. In the next scene a messenger recounts Glauce and Creon’s deaths. When the children arrived with the robes and coronet, Glauce gleefully put them on and went to find her father. Soon the poisons overtook Glauce and she fell to the floor,
Greek mythology in popular culture Lord Tennyson's "Oenone" is her lament that Paris deserted her for Helen. When poets of the German Romantic tradition, such as Friedrich Schiller, wrote about the Greek gods, their works were frequently "erotically charged", "openly sensual and hedonistic". In his poem "The Waste Land", T. S. Eliot incorporates a range of elements and inspirations from Greek mythology to pop music to Elizabethan history to create a ""tour-de-force" exposition of Western culture, from the elite to the folk to the utterly primitive". The Indian poet Henry Louis Vivian Derozio's work was heavily influenced by Greek mythology. Nina Kosman published a book