Murder on the Orient Express The story's first true publication was the US serialisation in six instalments in the "Saturday Evening Post" from 30 September to 4 November 1933 (Volume 206, Numbers 14 to 19). The title was "Murder in the Calais Coach", and it was illustrated by William C. Hoople. The UK serialisation appeared after book publication, appearing in three instalments in the "Grand Magazine", in March, April, and May 1934 (Issues 349 to 351). This version was abridged from the book version (losing some 25% of the text), was without chapter divisions, and named the Russian princess as Dragiloff instead of Dragomiroff. Advertisements
The Gate of Calais top of the gate, which is absent in the engraving. The crow was a late addition to the painting to disguise an accidental tear, apparently caused by the canvas falling on a nail shortly after it was completed, although no evidence of damage was found when the painting was restored in 1966. The Gate of Calais The Gate of Calais or O, the Roast Beef of Old England is a 1748 painting by William Hogarth, reproduced as a print from an engraving the next year. Hogarth produced the painting directly after his return from France, where he had been arrested