Gertrude Lawrence but when he proved to be unenthused by the suggestion, Lawrence sent the book to Richard Rodgers and Oscar Hammerstein II. Rodgers initially demurred because he felt Lawrence's vocal range was limited and she had a tendency to sing flat. But he realised the story had strong potential, and the two men agreed to write what ultimately became "The King and I". It opened on Broadway in March 1951, and ultimately, Lawrence won the Tony Award for Best Actress in a Musical for her performance. Her triumph was short-lived; her health deteriorated rapidly, forcing her to miss numerous performances until
Me and Juliet Hammerstein's turn to give in to his partner; Rodgers had agreed to the project that became the 1947 musical "Allegro", their initial failure, under pressure from Hammerstein, who had long dreamed of doing a serious musical about an ordinary man. According to Stephen Sondheim, a protégé of Hammerstein, "Oscar was able to keep the partnership together by taking Dick's suggestion<nowiki> [for a backstage musical]</nowiki>, which he did not want to take." As the two discussed the backstage idea, Hammerstein became more enthusiastic, suggesting that the show start with the stage entirely bare, as if the audience had come in not