Medea (1969 film) follows the plot of the play by Euripides from this point onward, though it takes some liberties with the chronology of events. Jason has two sons by Medea, but he later decides to opt out of his union with her in favor of a marriage to the Corinthian princess Glauce. Enraged, Medea plots revenge against Jason and his new bride and sends Glauce a robe bewitched with magic herbs. Here Pasolini introduces two versions of the destruction of Glauce and her father. The first follows the traditional legend and is possibly a vision of how Medea would like Glauce to
Greek mythology in popular culture Lord Tennyson's "Oenone" is her lament that Paris deserted her for Helen. When poets of the German Romantic tradition, such as Friedrich Schiller, wrote about the Greek gods, their works were frequently "erotically charged", "openly sensual and hedonistic". In his poem "The Waste Land", T. S. Eliot incorporates a range of elements and inspirations from Greek mythology to pop music to Elizabethan history to create a ""tour-de-force" exposition of Western culture, from the elite to the folk to the utterly primitive". The Indian poet Henry Louis Vivian Derozio's work was heavily influenced by Greek mythology. Nina Kosman published a book