The King and I incongruity of a Victorian British governess in the midst of an exotic court: "The first-act finale of "The King and I" will feature Miss Lawrence, Mr. Brynner, and a pink satin ball gown." Mielziner's set plan was the simplest of the four Rodgers and Hammerstein musicals he had worked on, with one main set (the throne room), a number of front-stage drops (for the ship and Anna's room, for example) and the entire stage cleared for "The Small House of Uncle Thomas". The show was budgeted at $250,000 (US$ in dollars) making it the most expensive Rodgers and Hammerstein production
Gertrude Lawrence Tribune" to call her "the greatest feminine performer in the American theatre," and Brooks Atkinson described her as "a goddess" in his review in the "New York Times". She remained with the show throughout its Broadway run and its subsequent national tour over the next three years. Decades later, Ira Gershwin told American songwriting historian Sheila Davis about a contribution Lawrence made to honing the lyrics of the song "My Ship" in "Lady in the Dark". "During a "Lady in the Dark" rehearsal," Davis wrote, "Gertrude Lawrence suddenly stopped singing midline and called out to Gershwin, who was monitoring from