Shakespeare in Love write something "a little more cheerful next time, for Twelfth Night". Viola and Shakespeare say their goodbyes, and he vows to immortalise her, as he imagines the beginning of "Twelfth Night", in character as a castaway disguised as a man after a voyage to a strange land. The original idea for "Shakespeare in Love" was suggested to screenwriter Marc Norman in the late 1980s by his son Zachary. Norman wrote a draft screenplay which he presented to director Edward Zwick, which attracted Julia Roberts, who agreed to play Viola. However, Zwick disliked Norman's screenplay and hired the playwright Tom Stoppard
Ghost character to the text. If the character was intended to appear and say nothing, it is assumed this would be made clear in the playscript. The term is used in regard to Elizabethan and Jacobean plays, including the works of William Shakespeare, all of which may have existed in different revisions leading to publication. The occurrence of a ghost character in a manuscript may be evidence that the published version of a play was taken by the printer directly from an author's foul papers. Modern versions of "Much Ado About Nothing" open act 1, scene 1 with the stage direction "Enter