Ariadne also died there. In a kylix by the painter Aison (c. 425 – c. 410 BCE) Theseus drags the Minotaur from a temple-like labyrinth, but the goddess who attends him, in this Attic representation, is Athena. An ancient cult of Aphrodite-Ariadne was observed at Amathus, Cyprus, according to the obscure Hellenistic mythographer Paeon of Amathus; Paeon's works are lost, but his narrative is among the sources cited by Plutarch in his "vita" of Theseus (20.3-.5). According to the myth that was current at Amathus, the second most important Cypriote cult centre of Aphrodite, Theseus's ship was swept off course and
Ariadne (poem) in the former, The poem's emphasis on 'true love', on shared values of courage and loyalty, may be seen as its primary theme. The realistic, psychological interpretation of the Minotaur story reflects Lucas's interest in the discoveries of modern psychology. The contrast between light-loving Athens and benighted Minoan Crete, hag-ridden with religion, reflects another authorial preference. (The epigraph, from Bacchylides, is "δίζησθαι δὲ φιλαγλάους Ἀθάνας", 'Set out for Athens, land that loves the light'.) Extracts from the poem were read on the BBC Home Service in 1934. "Ariadne" was reprinted by the Cambridge University Press in May 2014. "Ariadne" was,