Charlie Chan's Greatest Case Charlie Chan's Greatest Case Charlie Chan's Greatest Case (1933) is an American pre-Code murder mystery film starring Warner Oland as the Oriental detective Charlie Chan. It was based on the Earl Derr Biggers novel "The House Without a Key" (1925). Oland made a series of Charlie Chan films; along with three others, this one is considered to be a lost film. "The New York Times" reviewer wrote, "As far as the mystery of these particular murders is concerned it is not difficult for the audience to decide on the identity of the slayer, but the manner in which Chan makes
Stereotypes of East Asians in the United States claim that Charlie Chan has none of the daring, assertive, or romantic traits generally attributed to white fictional detectives of the time, allowing "white America ... [to be] securely indifferent about us as men." Charlie Chan's good qualities are the product of what Frank Chin and Jeffery Chan call "racist love", arguing that Chan is a model minority and "kissass". Instead, Charlie Chan's successes as a detective are in the context of proving himself to his white superiors or white racists who underestimate him early on in the various plots. The Chan character also perpetuates stereotypes as well, oft quoting