Ariadne (poem) "and both story and verse have a breath-taking rapidity that is wholly admirable." He regretted, however, that Lucas had not used language in the modernist way, with obliqueness and ambiguity. "The Listener" did not share this regret: "While preserving the great metrical tradition," its reviewer wrote, ""Ariadne" is a continuous refreshment of it, and is free at once of archaic pedantries and modernist affectations." More recently, Simon Tidworth in "The Quest for Theseus" (1970) believed that making the Minotaur Minos in a bull-mask was "a real stroke of originality", but, comparing the two works, preferred Nikos Kazantzakis' drama "Κούρος, ή
Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the