Barry Manilow and subsequently as a producer on both her debut and sophomore record albums "The Divine Miss M" (1972) and "Bette Midler" (1973). as well as act as her musical director on the eventual tour mounted for the former. In 1973, Manilow was nominated for the Album Of The Year Grammy Award for his production role on 'The Divine Miss M'. Manilow worked with Midler from 1971 to 1975. After the Featherbed singles failed to impact on the music charts, in July 1973, Bell Records released the album, "Barry Manilow", which offered an eclectic mix of piano-driven pop and guitar-driven rock
Debut (Björk album) publication slamming an adventurous dance-pop album for "cheap electronic gimmickry," and "Debut" is a big part of that change." Celebrating the album's twenty-year anniversary, Emily Mackay of "NME" wrote the album "put the lie to the post-grunge assumption that heartfelt, passionate solo artistry came in the form of acoustic guitar and heartbreak, creating a new breed of singer-songwriter." Dubbing it an "influential masterpiece", she found influences of the album in the work of musicians such as M.I.A., Grimes, These New Puritans and Tune-Yards, writing: "It's in fascinatingly individual artists like those that you'll find [Björk's] influence — not, as many