Ariadne (poem) lover as brave and fair and true!" Pasiphaë smiles darkly, having already divined the attraction between Theseus and Ariadne. In her chamber that night Ariadne thinks about Theseus – and about the sort of husband her father is likely to choose for her. Her brilliant little sister Phaedra, who witnessed events in court and who is also smitten by Theseus, urges her to seek help from Daedalus, who built the Labyrinth. Daedalus, a Greek exile, has long loved Ariadne in silence, this fair-haired daughter of Minos by a Thracian captive-woman of royal blood. In the small hours Ariadne calls on
Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the