Stereotypes of East Asians in the United States forms of racial discrimination or social issues in American society at large, and that their community is thriving, having "gained" socioeconomic success through their own merit. Fu Manchu and Charlie Chan are two important and well-known fictional East Asian characters in America's cultural history. Created by Sax Rohmer and Earl Derr Biggers in the early part of the 20th century, Fu Manchu is the embodiment of America's imagination of a threatening mysterious East Asian people while Charlie Chan is an apologetic submissive Chinese-Hawaiian detective who represents America's archetypal "good" East Asian. Both characters found widespread popularity in numerous novels and
Charlie Chan at Monte Carlo Pictures, and it continued on even after Toler's death in 1947 with Roland Winters in the role through six films into 1949. Charlie Chan at Monte Carlo Charlie Chan at Monte Carlo is a 1937 American movie directed by Eugene Forde. The main character is Charlie Chan, a Chinese-Hawaiian detective. This was the sixteenth and final Charlie Chan film with Warner Oland portraying Chan. The film features Keye Luke as Charlie's son Lee and character actor Harold Huber as a French police inspector. Warner Oland contracted bronchial pneumonia during his visit to Sweden and died there on August 6, 1938,