The Minotaur (opera) Asleep, he reflects on his imprisonment in the labyrinth and violent existence. An image of Ariadne appears and tells the story of his birth. She is interrupted by a mysterious and disturbing figure; unknown to the Minotaur, it is Theseus. "Scene 7: The Labyrinth" The chorus urges the Minotaur to wake. They taunt him as he brutally massacres the Innocents. When they have all been killed or mortally injured, the Keres descend again to feast upon the bodies. "Scene 8: A Proposition" Ariadne tries to dissuade Theseus from confronting the Minotaur. He remains determined, revealing that – like the Minotaur
The Global Minotaur took on the role of a 'Global Minotaur'. America was now a deficit nation with a significant trade and budget deficit, which it was able to maintain due to the flow of capital from the world's surplus nations into Wall Street. To explain why capital was invested in America in this way, Varoufakis outlines four 'charismas' of the Minotaur that compelled the world's economy to accept America's new role in the global economy. First the status of the dollar as the world's reserve currency, and as the currency in which energy was denominated. Second, rising global energy costs due to