Meissen and the House of Wettin in 1089. In 1015 Meissen was besieged by the Poles led by future King Mieszko II. In 1241 the city was attacked in the Mongol raid on Meissen. The small Mongol force under Orda Khan defeated the city's defenders and much of the city was destroyed. The Mongols withdrew from Germany after the death of Ögedei Khan, sparing the region from further destruction. The city was at the forefront of the Ostsiedlung, or intensive German settlement of the rural Slavic lands east of the Elbe, and its reception of city rights dates to 1332. The
Meissen porcelain to be the constant production of revived eighteenth-century models. After 1933, the artistic freedom of the artists became restricted by the State of Saxony in accordance with the contemporary indoctrination process in Germany. Some artists (i.e. Ernst Barlach) who had contributed to progressive Meissen during the Weimar period were banned. After World War II and under Communist rule, the manufactory that had always catered to the rich and wealthy had some difficulty to find its way. The danger was that Meissen would become a factory merely producing for the masses. It was not until 1969, when Karl Petermann became the