Stephen Sondheim lyrics for a musical version of "The Exception and the Rule"; according to Robbins, Bernstein would not work without Sondheim. When Sondheim agreed, Guare asked: "Why haven't you all worked together since "West Side Story"?" Sondheim answered, "You'll see". Guare said that working with Sondheim was like being with an old college roommate, and he depended on him to "decode and decipher their crazy way of working"; Bernstein worked only after midnight, and Robbins only in the early morning. Bernstein's score, which was supposed to be light, was influenced by his need to make a musical statement. Stuart Ostrow, who
Stephen Sondheim Later, Sondheim wrote and apologized to Guettel for being "not very encouraging" when he was actually trying to be "constructive". Sondheim also mentored a fledgling Jonathan Larson, attending Larson's workshop for his "Superbia" (a musical version of "Nineteen Eighty-Four"). In Larson's musical "Tick, Tick... Boom!", the phone message is played in which Sondheim apologizes for leaving early, says he wants to meet him and is impressed with his work. After Larson's death, Sondheim called him one of the few composers "attempting to blend contemporary pop music with theater music, which doesn't work very well; he was on his way to