Ariadne (poem) Daedalus, who hints sadly that he has guessed the secret of the Minotaur. Ariadne doesn't want to know. She accepts his plan and bluffs her way into Theseus' cell, where she files his chain and hands over file, spool and dagger. "I half hate this land of weasel priests," she tells Theseus in the course of a passionate exchange. An escape plan is agreed, should Theseus survive. Next day, while the captives toil their way up Mount Juktas (Lucas places the Labyrinth in a cave-complex on Juktas), Ariadne uses Phaedra to pass a message to Euaemon, to delay his departure
Minotaur through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's "Mythology" (1942). Androgeus, son of Minos, had been killed by the