Lambada d'Incamps, visited Porto Seguro in Brazil and discovered locals dancing the tightly syncopated lambada to a melody that turned out to be Bolivian. D'Incamps became involved in the lambada dance craze, largely by promoting a European tour of Kaoma, a band formed with several musicians from the Senegalese group Touré Kunda. To display the dance in Europe, he chose a team of the best dancers at the Boca Da Barra (a dance cabana on the beach in Porto Seguro where lambada dancers refined and developed the style and form of the dance). Most notable among these young dancers chosen for
Country dance separate Scottish country dance. English Ceilidh is a special case, being a convergence of English, Irish and Scottish forms. In addition certain English country dances survived independently in the popular repertoire. One such is the Virginia Reel, which is almost exactly the same as the 'Sir Roger de Coverley'. The "contradanza", the Spanish and Spanish-American version of the French "contradanse", became an internationally popular style of music and dance in the 18th century. The "contradanza" was popular in Spain and spread throughout Spanish America during the 18th century, where it took on folkloric forms that still exist in Mexico, Venezuela,