Triple Portrait of Henrietta Maria in the Memphis Brooks Museum of Art. Triple Portrait of Henrietta Maria The Triple Portrait of Henrietta Maria is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce a triple portrait of himself to send to Italy so that Bernini could produce a bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection, whilst the right-facing profile is
Henrietta Maria of France conversions amongst Henrietta Maria's circle; historian Kevin Sharpe argues that there may have been up to 300,000 Catholics in England by the late 1630s – they were certainly more open in court society. Charles came under increasing criticism for his failure to act to stem the flow of high-profile conversions. Henrietta Maria even gave a requiem mass in her private chapel for Father Richard Blount, S.J. upon his death in 1638. She also continued to act in masque plays throughout the 1630s, which met with criticism from the more Puritan wing of English society. In most of these masques she