Larry Adler London. He became a star in the United Kingdom and the Empire, where, it has been written, harmonica sales increased 20-fold and 300,000 people joined fan clubs.". Adler was one of the first harmonica players to perform major works written for the instrument, often written for him: these include Jean Berger's "Concerto for Harmonica and Orchestra "Caribbean"" (1941), Cyril Scott's "Serenade" (harmonica and piano, 1936), Vaughan Williams' "Romance in D-flat" for harmonica, piano and string orchestra; premiered New York, 1952, Milhaud's "Suite Anglais" (Paris, May 28, 1947), Arthur Benjamin's Harmonica Concerto (1953), and Malcolm Arnold's Harmonica Concerto, Op. 46 (1954,
Musical instrument which produce sound by electronic means. Within each category are many subgroups. The system has been criticised and revised over the years, but remains widely used by ethnomusicologists and organologists. Andre Schaeffner, a curator at the Musée de l'Homme, disagreed with the Hornbostel-Sachs system and developed his own system in 1932. Schaeffner believed that the pure physics of a musical instrument, rather than its specific construction or playing method, should always determine its classification. (Hornbostel-Sachs, for example, divide aerophones on the basis of sound production, but membranophones on the basis of the shape of the instrument). His system divided instruments