Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Federico Fellini Screened at the 13th Venice International Film Festival, it was razzed by critics in "the atmosphere of a soccer match”. One reviewer declared that Fellini had “not the slightest aptitude for cinema direction". In 1953, "I Vitelloni" found favour with the critics and public. Winning the Silver Lion Award in Venice, it secured Fellini his first international distributor. Fellini directed "La Strada" based on a script completed in 1952 with Pinelli and Flaiano. During the last three weeks of shooting, Fellini experienced the first signs of severe clinical depression. Aided by his wife, he undertook a brief period of therapy