Stella Gibbons Bowen and Rosamond Lehmann. This outcome irritated Virginia Woolf, herself a former "Prix Étranger" winner, who wrote to Bowen: "I was enraged to see they gave the £40 (the cash value of the prize) to Gibbons; still, now you and Rosamond can join in blaming her". Cooke observes that of all the "Prix Étranger" winners from the inter-war years, only "Cold Comfort Farm" and Woolf's "To the Lighthouse" are remembered today, and that only the former has bequeathed a phrase that has passed into common usage: "something nasty in the woodshed". During the remainder of the 1930s Gibbons produced five
Stella Gibbons a relatively faithful account of her childhood and early adult life with, according to Oliver, "only the thinnest veil of fictional gauze cover[ing] raw experience". "Miss Linsey and Pa" (1936) was thought by Nicola Beauman, in her analysis of women writers from 1914 to 1939, to parody Radclyffe Hall's 1928 lesbian novel "The Well of Loneliness". Gibbons's final prewar novels were "Nightingale Wood" (1935)—"Cinderella brought right up to date"—and "My American" (1939), which Oliver considers her most escapist novel, "a variant of Hans Christian Andersen's "The Snow Queen"." Gibbons always considered herself a serious poet rather than a comic writer.