Stella Gibbons "she applied her versatility as a writer to every subject under the sun bar cookery, which was the province of a certain Mrs Peel." At the same time she began work on the novel that would become "Cold Comfort Farm"; her colleague and friend Elizabeth Coxhead recorded that Gibbons "neglected her duties disgracefully" to work on this project. In her time with "The Lady", Gibbons established a reputation as a caustic book reviewer, and was particularly critical of the then fashionable "loam and lovechild" rural novels. Novelists such as Mary Webb and Sheila Kaye-Smith had achieved considerable popularity through their
Stella Gibbons a relatively faithful account of her childhood and early adult life with, according to Oliver, "only the thinnest veil of fictional gauze cover[ing] raw experience". "Miss Linsey and Pa" (1936) was thought by Nicola Beauman, in her analysis of women writers from 1914 to 1939, to parody Radclyffe Hall's 1928 lesbian novel "The Well of Loneliness". Gibbons's final prewar novels were "Nightingale Wood" (1935)—"Cinderella brought right up to date"—and "My American" (1939), which Oliver considers her most escapist novel, "a variant of Hans Christian Andersen's "The Snow Queen"." Gibbons always considered herself a serious poet rather than a comic writer.