Cattleya Orchid and Three Hummingbirds Cattleya Orchid and Three Hummingbirds Cattleya Orchid and Three Hummingbirds (1871) is an oil on mahogany panel picture by Martin Johnson Heade acquired by the National Gallery of Art in 1982. Inspired perhaps by the works of Charles Darwin and Frederic Edwin Church, Heade planned to produce a deluxe book in the 1860s depicting Brazilian hummingbirds in tropical settings, and, to that end, created a series of 40 small pictures called "The Gems of Brazil". The project was abandoned, but Heade retained his interest in hummingbirds and continued to paint them in combination with orchids and jungle backgrounds through the
Flower constancy flowers and could essentially waste foraging time probing other flowers that could possibly contain less nectar. In social foragers, flower constancy could benefit the colony in that foragers avoid competition with other foragers by specializing on a specific flower type or species. In this case, individual insects, for example bees, become flower constant to avoid competition and thus increase foraging efficiency. Flower constancy Flower constancy or pollinator constancy is defined as the tendency of individual pollinators to exclusively visit certain flower species or morphs within a species, bypassing other available flower species that could potentially be more rewarding (i.e. contain