Nicolaus Copernicus is known that Copernicus knew Polish on a par with German and Latin. Historian Michael Burleigh describes the nationality debate as a "totally insignificant battle" between German and Polish scholars during the interwar period. Polish astronomer Konrad Rudnicki calls the discussion a "fierce scholarly quarrel in ... times of nationalism" and describes Copernicus as an inhabitant of a German-speaking territory that belonged to Poland, himself being of mixed Polish-German extraction. Czesław Miłosz describes the debate as an "absurd" projection of a modern understanding of nationality onto Renaissance people, who identified with their home territories rather than with a nation. Similarly,
Mover of the Earth, Stopper of the Sun heliocentric cosmology which displaced the Earth from the center of the universe. Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in B, 2 Bassoons, 4 Horns in F, 2 Trumpets in B, 2 Trombones, Bass Trombone. Tuba, Timpani, Strings Duration: ca. 5' Mover of the Earth, Stopper of the Sun Mover of the Earth, Stopper of the Sun is a concert overture for large orchestra that was commissioned by Orchestre national d'Île-de-France (ONDIF) from composer Svitlana Azarova. The composition is dedicated to Renaissance astronomer Nicolaus Copernicus. The name of this composition was taken from the Nicolaus Copernicus Monument, Toruń which bears