Origins of rock and roll roll was set by disc jockey Alan Freed's use of the term in his groundbreaking "The Rock and Roll Show" on New York's WINS in late 1954, as well as at his "Rock and Roll Jubilee Balls" at St. Nicholas Arena in January 1955, they chose to judge their candidates according to the music Freed spotlighted: R&B combos, black vocal groups, honking saxophonists, blues belters, and several white artists playing in the authentic R&B style (Bill Haley, Elvis Presley). The artists who appeared at Freed's earliest shows included orchestra leader Buddy Johnson, the Clovers, Fats Domino, Big Joe Turner, the
Rock and roll describe the spiritual fervor of black church rituals and as a sexual analogy. Various gospel, blues and swing recordings used the phrase before it became used more frequently – but still intermittently – in the 1940s, on recordings and in reviews of what became known as "rhythm and blues" music aimed at a black audience. In 1934, the song "Rock and Roll" by the Boswell Sisters appeared in the film "Transatlantic Merry-Go-Round". In 1942, "Billboard" magazine columnist Maurie Orodenker started to use the term "rock-and-roll" to describe upbeat recordings such as "Rock Me" by Sister Rosetta Tharpe. By 1943, the