Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Famous for being famous argued that the graphic revolution in journalism and other forms of communication had severed fame from greatness, and that this severance hastened the decay of fame into mere notoriety. Over the years, the phrase has been glossed as "a celebrity is someone who is famous for being famous". The British journalist Malcolm Muggeridge may have been the first to use the actual phrase in the introduction to his book "Muggeridge Through The Microphone" (1967) in which he wrote:In the past if someone was famous or notorious, it was for something—as a writer or an actor or a criminal; for some