Palladian architecture design, as this was now the most fashionable of the era. He selected architect Henry Flitcroft, a protege of Burlington. Flitcroft's designs, while Palladian in nature, would not be recognised by Palladio himself. The central block is small, only three bays, the temple-like portico is merely suggested, and it is closed. Two great flanking wings containing a vast suite of state rooms replace the walls or colonnades which should have connected to the farm buildings; the farm buildings terminating the structure are elevated in height to match the central block, and given Palladian windows, to ensure they are seen as
Palladian architecture the design, banished the farm animals, and elevated the wings to almost the same importance as the house itself. These wings were often adorned with porticos and pediments, often resembling, as at the much later Kedleston Hall, small country houses in their own right. It was the development of the flanking wings that was to cause English Palladianism to evolve from being a pastiche of Palladio's original work. Architectural styles evolve and change to suit the requirements of each individual client. When in 1746 the Duke of Bedford decided to rebuild Woburn Abbey, he chose the Palladian style for the