Stella Gibbons detestation of pomposity and pretence. Truss has described Gibbons as "the Jane Austen of the 20th century", a parallel which the novelist Malcolm Bradbury thought apt; Flora Poste in "Cold Comfort Farm", with her "higher common sense", is "a Jane-ite heroine transformed into a clear-eyed modern woman". Bradbury also observed that many of Gibbons's novels end in Austen-like nuptials. Truss highlights the importance that Gibbons places on detachment as a necessary adjunct to effective writing: "Like many a good doctor, she seems to have considered sympathy a peculiar and redundant emotion, and a terrible waste of time." This matter-of-fact quality
Stella Gibbons familiar London milieu by setting the story largely in the wilder regions of Canada. This was the last of her books handled by Longmans; thereafter her work was published by Hodder and Stoughton. A journey to Austria and Venice in 1953 provided material for her novel "The Shadow of a Sorcerer" (1955). From 1954, having accepted an invitation from Malcolm Muggeridge, the editor of "Punch", Gibbons provided frequent contributions to the magazine for the following 15 years. Among these was a science fiction story, "Jane in Space", written in the style of Jane Austen. Gibbons, who wrote the introduction to