Federico Fellini Leopardi. Fellini improvised as he filmed, using as a guide a rough treatment written with Pinelli. Despite its modest critical and commercial success in Italy, and its warm reception by French critics, it failed to interest North American distributors. Fellini won the "Praemium Imperiale", the equivalent of the Nobel Prize in the visual arts, awarded by the Japan Art Association in 1990. In July 1991 and April 1992, Fellini worked in close collaboration with Canadian filmmaker Damian Pettigrew to establish "the longest and most detailed conversations ever recorded on film". Described as the "Maestro's spiritual testament” by his biographer Tullio
Federico Fellini of celebrities on the via Veneto. The scandal provoked by Turkish dancer Haish Nana's improvised striptease at a nightclub captured Fellini's imagination: he decided to end his latest script-in-progress, "Moraldo in the City", with an all-night "orgy" at a seaside villa. Pierluigi Praturlon’s photos of Anita Ekberg wading fully dressed in the Trevi Fountain provided further inspiration for Fellini and his scriptwriters. Changing the title of the screenplay to "La Dolce Vita", Fellini soon clashed with his producer on casting: the director insisted on the relatively unknown Mastroianni while De Laurentiis wanted Paul Newman as a hedge on his investment.