Carillon batons are almost never played with the fingers as one does a piano, though this is sometimes used as a special carillon playing technique. The keys activate levers and wires that connect directly to the bells' clappers; thus, as with a piano, the carillonneur can vary the intensity of the note according to the force applied to the key. In addition to the manual keys, the heavier bells are also played with a pedal keyboard. These notes can either be played with the hands or the feet. The world's first international carillon school, the Royal Carillon School "Jef Denyn", is
What a Terrible World, What a Beautiful World Boston Globe" described the album as one of the band's "most enjoyable and lively efforts in recent memory", "The New York Times" noted that "What a Terrible World, What a Beautiful World" "strikes a note of pop concision and maturity, building on what worked on ‘The King Is Dead.’ Lyrically, there are fewer thistles and minarets and palanquins—and, musically, less digressive excess—than once made up the Decemberists’ trademark style." Jeremy Larson of Pitchfork Media was a detractor, bemoaning the album as "overlong and under-ambitious", though appreciating that listeners "start to see Meloy himself more than ever". Larson also wrote highly