Poet and Muse diptych of a wax tablet; the inscription has not survived, so there can be no way to identify the writer for whom it was made. In the literature that has accumulated about this diptych, various prominent figures have been offered as candidates: Ausonius, Boethius, and Claudian, and even earlier figures, like Ennius and Seneca, with whom the donor wished to be associated The muse represented is Erato, muse of lyric poetry, with her usual attribute, the cithara, which she rests upon an ornately fluted column. The poet on the facing panel is seated, roused from his contemplation by the inspiring presence
Greek love Floyer Sydenham, who nevertheless was at pains to suppress its homoeroticism: Sydenham regularly translated the word "eromenos" as "mistress", and "boy" often becomes "maiden" or "woman". At the same time, the classical curriculum in English schools passed over works of history and philosophy in favor of Latin and Greek poetry that often dealt with erotic themes. In describing homoerotic aspects of Byron's life and work, Louis Crompton uses the umbrella term "Greek love" to cover literary and cultural models of homosexuality from classical antiquity as a whole, both Greek and Roman, as received by intellectuals, artists, and moralists of the