Willy Loman and having contacts is the key to success. His older son, Biff, causes "old hopes and boiling resentments" to return by visiting home. Willy is loved by Biff, who nonetheless does not get along with him. Their relationship is the emotional lynchpin of the production. “In fact, Willy's logical mind becomes blind…” Biff attempts to help his father see what has become of him. In the end, Biff decides that he must force his father to see the truth rather than his fanciful images, for his own good, regardless of its toll on his father. This is the emotional climax
Days Gone Bye (The Walking Dead) about the idea of doing a zombie show until I handed them a zombie script where zombies were actually doing zombie shit," he stated. Darabont credited Hurd with finally getting the series on AMC. "Gale was tremendously instrumental in jump-starting it at a point where it felt like it was languishing, "he asserted. "I'd gotten turned down enough times, which is no reflection on the material, but no matter what you're trying to sell in Hollywood, you're Willy Loman and it's Death of a Salesman. You're out there trying to sell shit that nobody wants. Even if it's good shit."