Stella Gibbons detestation of pomposity and pretence. Truss has described Gibbons as "the Jane Austen of the 20th century", a parallel which the novelist Malcolm Bradbury thought apt; Flora Poste in "Cold Comfort Farm", with her "higher common sense", is "a Jane-ite heroine transformed into a clear-eyed modern woman". Bradbury also observed that many of Gibbons's novels end in Austen-like nuptials. Truss highlights the importance that Gibbons places on detachment as a necessary adjunct to effective writing: "Like many a good doctor, she seems to have considered sympathy a peculiar and redundant emotion, and a terrible waste of time." This matter-of-fact quality
Stella Gibbons Second World War was perhaps the wrong time to satirise ... the ridiculous and dangerous rituals that surround the male aggressive instinct". "The Bachelor" won critical praise for its revealing account of life in war-torn Britain—as did several of Gibbons's postwar novels. Gibbons's first postwar novel was "Westwood" (1946). The book incorporates a comic depiction of the novelist Charles Morgan, whose novel "The Fountain" Gibbons had reviewed before the war and found "offensive as well as wearisome". In "Westwood", Morgan appears in the guise of the novelist "Gerald Challis", a pompous, humourless bore. Oliver considers this characterisation to be one