Stella Gibbons even visit literary squares, or love in literary triangles". Truss posits further reasons why Gibbons did not become a literary canon. Because she was a woman who wrote amusingly, she was classified as "middlebrow"; furthermore, she was published by Longmans, a non-literary publisher. Her lampooning of the literary establishment in the spoof dedication of "Cold Comfort Farm" to one "Anthony Pookworthy" did not amuse that establishment, who were further offended by the book's mockery of the writing of such canonical figures as Lawrence and Hardy—hence Virginia Woolf's reaction to the "Prix Étranger" award. Her belief in what she called "the
Stella Gibbons the 1957 Heritage edition of "Sense and Sensibility", was a long-time admirer of Austen, and had described her in a "Lady" article as "one of the most exquisite" of woman artists. After the war, Allan Webb resumed his stage career with the role of Count Almaviva in the 1946 Sadler's Wells production of "The Marriage of Figaro". In 1947 he appeared in the original run of the Vivian Ellis musical "Bless the Bride", and made several further stage appearances in the following two years. During this time he had a brief affair with the actress Sydney Malcolm, for which Gibbons