Stella Gibbons unhappy childhood. After an indifferent school career she trained as a journalist, and worked as a reporter and features writer, mainly for the "Evening Standard" and "The Lady". Her first book, published in 1930, was a collection of poems which was well received, and through her life she considered herself primarily a poet rather than a novelist. After "Cold Comfort Farm", a satire on the genre of rural-themed "loam and lovechild" novels popular in the late 1920s, most of Gibbons's novels were based within the middle-class suburban world with which she was familiar. Gibbons became a Fellow of the Royal
Stella Gibbons a relatively faithful account of her childhood and early adult life with, according to Oliver, "only the thinnest veil of fictional gauze cover[ing] raw experience". "Miss Linsey and Pa" (1936) was thought by Nicola Beauman, in her analysis of women writers from 1914 to 1939, to parody Radclyffe Hall's 1928 lesbian novel "The Well of Loneliness". Gibbons's final prewar novels were "Nightingale Wood" (1935)—"Cinderella brought right up to date"—and "My American" (1939), which Oliver considers her most escapist novel, "a variant of Hans Christian Andersen's "The Snow Queen"." Gibbons always considered herself a serious poet rather than a comic writer.