Stella Gibbons "Cold Comfort Farm"; it mentions none of her other works—while providing her "bêtes noires" Morgan and Mary Webb with full entries. To Gibbons, "Cold Comfort Farm" became "That Book" or "You-Know-What", its title never mentioned. Despite her growing irritation and expressed distaste for it, the book continued to be lauded by successive generations of critics, Boston described it as "one of those rare books of comic genius that imprints itself on the brain and can never afterwards be eradicated". A more negative view of the book has been expressed by the literary critic Mary Beard, who considers it "a rather
Stella Gibbons gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism. The literary critic John Carey suggests that the abandonment by intellectuals of "the clerks and the suburbs" as subjects of literary interest provided an opening for writers prepared to exploit this underexplored area. He considers John Betjeman and Stevie Smith as two writers who successfully achieved this. Hammill believes that Gibbons should be named alongside these two, since in her writings she rejects the stereotypical view of suburbia as unexciting, conventional and limited. Instead, says Hammill, "Gibbons's fictional suburbs are socially and architecturally diverse,