Lambada wave motion is reproduced by the dancers' bodies, and is one of the main elements that distinguish Lambada from other Latin dances. Around 1983, the Carimbó dance started again to be danced in couples, in a 2-beat style, something very close to Merengue, but with more spins. "Aurino Quirino Gonçalves", or simply Pinduca, is a Brazilian musician and singer in the north of Brazil (Amapá and Pará area), where it is strongly believed he is the true father of the lambada music. Pinduca is a musician and composer of mainly Carimbó. He is the singer and composer of the "King
Maxixe (dance) Spanish tango, lundu, polka and habanera, and is danced to a rapid 2/4 time. Pianist Ernesto Nazareth composed many Brazilian tangos; he was known for blending folk influences into his tangos, polkas and waltzes. He resisted using folk terms for his compositions; he preferred "Brazilian Tango" to "maxixe". The maxixe was one of the dances that contributed to samba dance styles (such as samba de gafieira) and lambada. Vernon Castle said of the maxixe in his 1914 book "Modern Dancing", "The steps themselves are not difficult; on the contrary, they are childishly simple; it is the easiest dance of all