Poet and Muse diptych of a wax tablet; the inscription has not survived, so there can be no way to identify the writer for whom it was made. In the literature that has accumulated about this diptych, various prominent figures have been offered as candidates: Ausonius, Boethius, and Claudian, and even earlier figures, like Ennius and Seneca, with whom the donor wished to be associated The muse represented is Erato, muse of lyric poetry, with her usual attribute, the cithara, which she rests upon an ornately fluted column. The poet on the facing panel is seated, roused from his contemplation by the inspiring presence
On the Syrian Goddess held it to ransom after the Byzantine Emperor Justinian I had failed to put it in a state of defence. Harun restored it at the end of the 8th century and it became a bone of contention between Byzantines, Arabs and Turks. The crusaders captured it from the Seljuks in the 12th century, but Saladin retook it (1175), and later it became the headquarters of Hulagu and his Mongols, who completed its ruin. On the Syrian Goddess On the Syrian Goddess (; ) is the conventional Latin title of a Greek treatise of the second century AD, which describes religious