Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Federico Fellini maiden voyage of the transatlantic ocean liner "SS Rex" (which is shown in "Amarcord"). The sea creature found on the beach at the end of "La Dolce Vita" (1960) has its basis in a giant fish marooned on a Rimini beach during a storm in 1934. Although Fellini adapted key events from his childhood and adolescence in films such as "I Vitelloni" (1953), "8½" (1963), and "Amarcord" (1973), he insisted that such autobiographical memories were inventions: In 1937, Fellini opened Febo, a portrait shop in Rimini, with the painter Demos Bonini. His first humorous article appeared in the "Postcards to