Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Frederico Fischer when Brazil joined the war, causing a move to Jaguariaíva where his father drowned in the river. Frederico grew up in Pompeia, São Paulo, taking care of the family while his mother worked in a factory. As he got older he played football as a goalie with the club in Santo Amaro and rode bicycles. When his brother built a boat, he joined and took up sailing joining the . Frederico got his first job in a Pig iron factory at age 15, but studied to be an accountant which became his career. In his mid 20s he drifted into