Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
João Frederico Ludovice the Mafra National Palace (1717–1731) for the Portuguese king João V, among many other monuments, including churches and the tower of the University of Coimbra. He later adopted Portuguese citizenship. He died in 1752. João Frederico Ludovice Johann Friedrich Ludwig (March 19, 1673 in Baden-Wurttemburg - January 18, 1752 in Lisbon), known in Portugal as João Frederico Ludovice, was a German born architect and goldsmith. Ludovice was born in Hohenhart. In 1698 he went to Italy, where he married and converted to Catholicism, changing his name to Ludovici. He worked in the altars of the Church of Saint Ignatius of