La Jalousie becomes impossible to distinguish moments that are observed from those that are merely suspected. La Jalousie La Jalousie (Jealousy) is a 1957 novel by Alain Robbe-Grillet. The French title: "la jalousie" is a play on words that can be translated as "jealousy", but also as "the jalousie window". The jealous husband in the novel spies on his wife through the Venetian blind-like slats of the jalousie windows of their home. "La Jalousie" is one of critics' and literary theorists' main examples of Robbe-Grillet's demonstrations of his concept of the nouveau roman, for which he later explicitly advocated in his 1963
Palladian architecture effect of re-situating the assessment of modern architecture within history and acknowledged the Palladian architecture as an active influence. In the later 20th century, when Rowe's influence had spread worldwide, this approach had become a key element in the process of architectural and urban design. If "the presence of the past" was evident in the work of many architects in the late 20th century, from James Stirling to Aldo Rossi, Robert Venturi, Oswald Matthias Ungers, Peter Eisenman, Michael Graves and others, this was largely due to the influence of Rowe. Colin Rowe's unorthodox and non-chronological view of history then made