Carillon strike the inside of the bells, allowing the performer on the bells, or "carillonneur/carillonist" to vary the intensity of the note according to the force applied to the key. Although unusual, real carillons have occasionally been fitted to theatre organs (instead of the metal bars or chimes more often used in simulation), such as the Christie organ installed at the Regal Cinema, Marble Arch, in London. A carillon-like instrument with fewer than 23 bells is called a chime. The carillon is the second heaviest of all extant musical instruments, only ranking behind the largest pipe organs. The heaviest carillon in
What a Terrible World, What a Beautiful World Boston Globe" described the album as one of the band's "most enjoyable and lively efforts in recent memory", "The New York Times" noted that "What a Terrible World, What a Beautiful World" "strikes a note of pop concision and maturity, building on what worked on ‘The King Is Dead.’ Lyrically, there are fewer thistles and minarets and palanquins—and, musically, less digressive excess—than once made up the Decemberists’ trademark style." Jeremy Larson of Pitchfork Media was a detractor, bemoaning the album as "overlong and under-ambitious", though appreciating that listeners "start to see Meloy himself more than ever". Larson also wrote highly