Lambada d'Incamps, visited Porto Seguro in Brazil and discovered locals dancing the tightly syncopated lambada to a melody that turned out to be Bolivian. D'Incamps became involved in the lambada dance craze, largely by promoting a European tour of Kaoma, a band formed with several musicians from the Senegalese group Touré Kunda. To display the dance in Europe, he chose a team of the best dancers at the Boca Da Barra (a dance cabana on the beach in Porto Seguro where lambada dancers refined and developed the style and form of the dance). Most notable among these young dancers chosen for
Country dance which are primarily concert dances, and ballroom dances in which dancers dance with their partners independently of others. Bright, rhythmic and simple, country dances had appeal as a refreshing finale to an evening of stately dances such as the minuet. Historically, the term contra dance is just another name for a country dance. Howe, in 1858, wrote, "The term "Country Dance" is the one invariably used in all books on dancing that have been published in England during the last three centuries, while all works issued in France within the same period employ the term Contra Dance, or in French