Lambada wave motion is reproduced by the dancers' bodies, and is one of the main elements that distinguish Lambada from other Latin dances. Around 1983, the Carimbó dance started again to be danced in couples, in a 2-beat style, something very close to Merengue, but with more spins. "Aurino Quirino Gonçalves", or simply Pinduca, is a Brazilian musician and singer in the north of Brazil (Amapá and Pará area), where it is strongly believed he is the true father of the lambada music. Pinduca is a musician and composer of mainly Carimbó. He is the singer and composer of the "King
Country dance of these can be shown to refer to English country dance. While some early features resemble the morris dance and other early styles, the influence of the courtly dances of Continental Europe, especially those of Renaissance Italy, may also be seen, and it is probable that English country dance was affected by these at an early date. Little is known of these dances before the mid-17th century. John Playford's "The English Dancing Master" (1651) listed over a hundred tunes, each with its own figures. This was enormously popular, reprinted constantly for 80 years and much enlarged. Playford and his successors