Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Fellini 712 1968. Boland was inspired by the band's "dolce vita" Roman holiday and named his three movements after their hotel, the location of the studio where they performed and a café popular among musicians and artists. During this suite, it's as if the band coalesces before your ears into one brilliant entity, each individual providing light and shadow to the collective whole. It is the magic Boland works in his pieces, but it's brought alive by the enthusiastic playing of the band members". All compositions by Francy Boland. Fellini 712 Fellini 712 is an album by the Kenny Clarke/Francy Boland Big