Voice type C). In the lower and upper extremes some contralto voices can sing from D3 (the D below middle C) to B5 (the second B-flat above), one whole step short of the soprano "high C". Contralto tessitura: The contralto voice has the lowest tessitura of the female voices. Contralto subtypes: Contraltos are often broken down into three subcategories: coloratura contralto, lyric contralto, and dramatic contralto. A soprano sfogato is a contralto who has an extended high range reaching the soprano "high C". Countertenor range: The countertenor is the highest male voice. Many countertenor singers perform roles originally written for a castrato
Singing to vocal range, vocal weight, vocal tessitura, vocal timbre, and vocal transition points such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal registration. The science behind voice classification developed within European classical music has been slow in adapting to more modern forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. There are currently several different systems in use within classical music including the German "Fach" system and the choral music system among many others. No system is universally applied or accepted. However,