Lambada keep on dancing Lambada. Many of the Caribbean music like Soca, Merengue, Salsa, and Zouk were used to dance the Lambada. Finally the dance recovered most of its original way and style, with less acrobatic moves, smoother, intimate and closer contact. Some people like Adílio Porto, Israel Szerman and Luís Florião (Brazilian teachers) regret that nowadays the dance changed its name to Zouk-Lambada in most parts of Brazil. This is mainly because of its musical orphanage. Brazilian Zouk is a group of closely related dance styles based on or evolved from the lambada dance style and is typically danced to
Country dance of Playford, using the surviving traditional English village dances as a guide, as the manuals defined almost none of the figures described. Sharp and his students were, however, almost wholly concerned with English country dances as found in the early dance manuals: Sharp published 160 dances from the Playford manuals and 16 traditional village country dances. Sharp believed that the Playford dances, especially those with irregular forms, represented the original "folk" form of English country dance and that all later changes in the dance's long history were corruptions. This view is no longer held. The first collection of modern English