Annie Hall to make a sequel, and in a 1992 interview stated that "Sequelism has become an annoying thing. I don't think Francis Coppola should have done "Godfather III" because "Godfather II" was quite great. When they make a sequel, it's just a thirst for more money, so I don't like that idea so much". Diane Keaton has stated that Annie Hall was her favorite role and that the film meant everything to her. When asked if being most associated with the role concerned her as an actress, she replied, "I'm not haunted by Annie Hall. I'm happy to be Annie Hall.
The Man Who Played God (1932 film) engagement, allowing her to follow her heart. Montgomery continues to act as a philanthropist, but his attitude is changed and his motives become altruistic. He draws closer to Mildred, who always has loved him, and the two find happiness in their developing relationship. Warners had made a silent version of "The Man Who Played God" in 1922, based on the 1914 play "The Silent Voice" by Jules Eckert Goodman, who adapted it from a story by Gouverneur Morris published in "Cosmopolitan" in 1912. For the 1932 film, a fresh adaptation was worked up by Julien Josephson and Maude T. Howell.