The War of the Worlds (radio drama) relatively few listeners. The one-hour program began with the theme music for the "Mercury Theatre on the Air" and an announcement that the evening's show was an adaption of "The War of the Worlds". This was followed by a prologue read by Orson Welles which was closely based on the opening of H.G. Wells' novel. The next half hour of the broadcast was presented as typical evening of radio programming which was interrupted by a series of news bulletins. The first few bulletins interrupt a program of dance music and describe a series of odd explosions observed on Mars. This
Orson Welles well as Bernard Herrmann. Welles invested his earnings into his failing stage play. "Commentaries" was a political vehicle for him, continuing the themes from his "New York Post" column. Again, Welles lacked a clear focus, until the NAACP brought to his attention the case of Isaac Woodard. Welles brought significant attention to Woodard's cause. The last broadcast of "Orson Welles Commentaries" on October 6, 1946, marked the end of Welles's own radio shows. The film that Welles was obliged to make in exchange for Harry Cohn's help in financing the stage production "Around the World" was "The Lady from Shanghai",