Lambada keep on dancing Lambada. Many of the Caribbean music like Soca, Merengue, Salsa, and Zouk were used to dance the Lambada. Finally the dance recovered most of its original way and style, with less acrobatic moves, smoother, intimate and closer contact. Some people like Adílio Porto, Israel Szerman and Luís Florião (Brazilian teachers) regret that nowadays the dance changed its name to Zouk-Lambada in most parts of Brazil. This is mainly because of its musical orphanage. Brazilian Zouk is a group of closely related dance styles based on or evolved from the lambada dance style and is typically danced to
Country dance of these can be shown to refer to English country dance. While some early features resemble the morris dance and other early styles, the influence of the courtly dances of Continental Europe, especially those of Renaissance Italy, may also be seen, and it is probable that English country dance was affected by these at an early date. Little is known of these dances before the mid-17th century. John Playford's "The English Dancing Master" (1651) listed over a hundred tunes, each with its own figures. This was enormously popular, reprinted constantly for 80 years and much enlarged. Playford and his successors