Stella Gibbons even visit literary squares, or love in literary triangles". Truss posits further reasons why Gibbons did not become a literary canon. Because she was a woman who wrote amusingly, she was classified as "middlebrow"; furthermore, she was published by Longmans, a non-literary publisher. Her lampooning of the literary establishment in the spoof dedication of "Cold Comfort Farm" to one "Anthony Pookworthy" did not amuse that establishment, who were further offended by the book's mockery of the writing of such canonical figures as Lawrence and Hardy—hence Virginia Woolf's reaction to the "Prix Étranger" award. Her belief in what she called "the
Stella Gibbons in her prose might, according to Gibbons's "Guardian" obituarist Richard Boston, be a reaction against the turbulent and sometimes violent emotions that she witnessed within her own family who, she said, "were all madly highly-sexed, like the Starkadders". It is, observed Neville, an irony that the overheated melodrama that Gibbons most disliked was at the heart of her one great success; Gibbons's writings on everyday life brought her restrained approval, but no noticeable literary recognition. Nevertheless, her straightforward, style, unadorned except in parody, is admired by Rachel Cooke, who praises her as "a sworn enemy of the flatulent, the pompous