Stella Gibbons even visit literary squares, or love in literary triangles". Truss posits further reasons why Gibbons did not become a literary canon. Because she was a woman who wrote amusingly, she was classified as "middlebrow"; furthermore, she was published by Longmans, a non-literary publisher. Her lampooning of the literary establishment in the spoof dedication of "Cold Comfort Farm" to one "Anthony Pookworthy" did not amuse that establishment, who were further offended by the book's mockery of the writing of such canonical figures as Lawrence and Hardy—hence Virginia Woolf's reaction to the "Prix Étranger" award. Her belief in what she called "the
Stella Gibbons Second World War was perhaps the wrong time to satirise ... the ridiculous and dangerous rituals that surround the male aggressive instinct". "The Bachelor" won critical praise for its revealing account of life in war-torn Britain—as did several of Gibbons's postwar novels. Gibbons's first postwar novel was "Westwood" (1946). The book incorporates a comic depiction of the novelist Charles Morgan, whose novel "The Fountain" Gibbons had reviewed before the war and found "offensive as well as wearisome". In "Westwood", Morgan appears in the guise of the novelist "Gerald Challis", a pompous, humourless bore. Oliver considers this characterisation to be one