Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Federico Fellini Dolce Vita" had severe consequences. In competition at Cannes alongside Antonioni's "L’Avventura", the film won the Palme d'Or awarded by presiding juror Georges Simenon. The Belgian writer was promptly “hissed at” by the disapproving festival crowd. A major discovery for Fellini after his Italian neorealism period (1950–1959) was the work of Carl Jung. After meeting Jungian psychoanalyst Dr. Ernst Bernhard in early 1960, he read Jung's autobiography, "Memories, Dreams, Reflections" (1963) and experimented with LSD. Bernhard also recommended that Fellini consult the "I Ching" and keep a record of his dreams. What Fellini formerly accepted as "his extrasensory perceptions" were