Stella Gibbons unhappy childhood. After an indifferent school career she trained as a journalist, and worked as a reporter and features writer, mainly for the "Evening Standard" and "The Lady". Her first book, published in 1930, was a collection of poems which was well received, and through her life she considered herself primarily a poet rather than a novelist. After "Cold Comfort Farm", a satire on the genre of rural-themed "loam and lovechild" novels popular in the late 1920s, most of Gibbons's novels were based within the middle-class suburban world with which she was familiar. Gibbons became a Fellow of the Royal
Stella Gibbons gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism. The literary critic John Carey suggests that the abandonment by intellectuals of "the clerks and the suburbs" as subjects of literary interest provided an opening for writers prepared to exploit this underexplored area. He considers John Betjeman and Stevie Smith as two writers who successfully achieved this. Hammill believes that Gibbons should be named alongside these two, since in her writings she rejects the stereotypical view of suburbia as unexciting, conventional and limited. Instead, says Hammill, "Gibbons's fictional suburbs are socially and architecturally diverse,