Lambada keep on dancing Lambada. Many of the Caribbean music like Soca, Merengue, Salsa, and Zouk were used to dance the Lambada. Finally the dance recovered most of its original way and style, with less acrobatic moves, smoother, intimate and closer contact. Some people like Adílio Porto, Israel Szerman and Luís Florião (Brazilian teachers) regret that nowadays the dance changed its name to Zouk-Lambada in most parts of Brazil. This is mainly because of its musical orphanage. Brazilian Zouk is a group of closely related dance styles based on or evolved from the lambada dance style and is typically danced to
Scottish country dance was only recently changed to read "Scottish country dances"). The SCDS began to collect and publish the remaining dances as well as reconstruct (or reinterpret) from old sources dances that were no longer being danced. In the process, the dances and technique, which might differ considerably depending on where in Scotland a dance was collected, were strictly standardized, which, from the point of view of preservation, was an unhelpful thing to do but which paved the way for universal "compatibility" among dancers from (eventually) all over the world. The efforts of the SCDS became quite popular, and its influence on