Annie Hall to the camera, or launch into inspired monologues like Annie's free-association as she describes her family to Alvy. This speech by Diane Keaton is as close to perfect as such a speech can likely be ... all done in one take of brilliant brinksmanship." He cites a study that calculated the average shot length of "Annie Hall" to be 14.5 seconds, while other films made in 1977 had an average shot length of 4–7 seconds. Peter Cowie suggests that "Allen breaks up his extended shots with more orthodox cutting back and forth in conversation pieces, so that the forward momentum
The Man Who Played God (1932 film) engagement, allowing her to follow her heart. Montgomery continues to act as a philanthropist, but his attitude is changed and his motives become altruistic. He draws closer to Mildred, who always has loved him, and the two find happiness in their developing relationship. Warners had made a silent version of "The Man Who Played God" in 1922, based on the 1914 play "The Silent Voice" by Jules Eckert Goodman, who adapted it from a story by Gouverneur Morris published in "Cosmopolitan" in 1912. For the 1932 film, a fresh adaptation was worked up by Julien Josephson and Maude T. Howell.