Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Jacob Frederico Torlade century, and had issue, nine children. Ana João Torlade was the maternal aunt, nominately, of Jacob Frederico Torlade Pereira de Azambuja. Jacob Frederico Torlade Jacob Frederico Torlade (in German Jacob Friedrich Torlade) (his surname went on to use the spelling Torlades), originally from Hamburg (and naturalized Portuguese on July 23, 1781), was a son of Heinrich Torlade, businessman, and wife Elisabeth ..., both born and living in Hamburg. He was a businessman and a banker, connected to sea trading, Consul of the Hanseatic League Cities in Setúbal, founder and main manager of the "Casa Comercial Torlades", Lord, by purchase, of