Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Frederico Barbosa the Jabuti Prize. Recently, his poems have been translated and published in anthologies in several countries, as the United States, Australia, Mexico, Spain and Colombia. In 2000, Frederico Barbosa published "Cinco Séculos de Poesia" - Anthology of Classic Brazilian Poetry, (Landy Editora) and "Contracorrente - poems", (Iluminuras). In 2001 Frederico Barbosa published an annotaded edition of the episodes "Inês de Castro and O Velho do Restelo", from The Lusíadas, by Luís de Camões (Landy Editora) and released his fourth book of poetry, "Louco no Oco sem Beiras - Anatomia da Depressão", by Ateliê Editorial. In 2002 Frederico Barbosa published, with