Stella Gibbons more novels, as well as two poetry collections, a children's book, and a number of short stories. From November 1936 the family home was in Oakshott Avenue, on the Holly Lodge Estate off Highgate West Hill, where Gibbons regularly worked in the mornings from ten until lunchtime. Her novels were generally well received by critics and the public, though none earned the accolades or attention that had been given to "Cold Comfort Farm"; readers of "The Times" were specifically warned not to expect Gibbons's second novel, "Bassett" (1934), to be a repetition of the earlier masterpiece. "Enbury Heath" (1935) is
Aunt Jemima while others see the brand with nostalgia and object to criticism as political correctness. The inspiration for Aunt Jemima was Billy Kersands' American-style minstrelsy/vaudeville song "Old Aunt Jemima", written in 1875. The Aunt Jemima character was prominent in minstrel shows in the late 19th century and was later adopted by commercial interests to represent the Aunt Jemima brand. Aunt Jemima's character is based on the common stereotype of the mammy archetype, a character in minstrel shows in the late 1800s. Her skin is dark and dewy, with a pearly white smile. She wears a scarf over her head and a