La Jalousie becomes impossible to distinguish moments that are observed from those that are merely suspected. La Jalousie La Jalousie (Jealousy) is a 1957 novel by Alain Robbe-Grillet. The French title: "la jalousie" is a play on words that can be translated as "jealousy", but also as "the jalousie window". The jealous husband in the novel spies on his wife through the Venetian blind-like slats of the jalousie windows of their home. "La Jalousie" is one of critics' and literary theorists' main examples of Robbe-Grillet's demonstrations of his concept of the nouveau roman, for which he later explicitly advocated in his 1963
Palladian architecture Palladian architecture Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio (1508–1580). That which is recognised as Palladian architecture today is an evolution of Palladio's original concepts. Palladio's work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladio's interpretation of this classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century. Palladianism became popular briefly in Britain during the mid-17th