Poet and Muse diptych of a wax tablet; the inscription has not survived, so there can be no way to identify the writer for whom it was made. In the literature that has accumulated about this diptych, various prominent figures have been offered as candidates: Ausonius, Boethius, and Claudian, and even earlier figures, like Ennius and Seneca, with whom the donor wished to be associated The muse represented is Erato, muse of lyric poetry, with her usual attribute, the cithara, which she rests upon an ornately fluted column. The poet on the facing panel is seated, roused from his contemplation by the inspiring presence
Charge of the Goddess opening paragraph names a collection of goddesses, some derived from Greek or Roman mythology, others from Celtic or Arthurian legends, affirming a belief that these various figures represent a single Great Mother: This theme echoes the ancient Roman belief that the Goddess Isis was known by ten thousand names and also that the Goddess still worshipped today by Wiccans and other neopagans is known under many guises but is in fact one universal divinity. The second paragraph is largely derived and paraphrased from the words that Aradia, the messianic daughter of Diana, speaks to her followers in Charles Godfrey Leland's