Stella Gibbons "Cold Comfort Farm"; it mentions none of her other works—while providing her "bêtes noires" Morgan and Mary Webb with full entries. To Gibbons, "Cold Comfort Farm" became "That Book" or "You-Know-What", its title never mentioned. Despite her growing irritation and expressed distaste for it, the book continued to be lauded by successive generations of critics, Boston described it as "one of those rare books of comic genius that imprints itself on the brain and can never afterwards be eradicated". A more negative view of the book has been expressed by the literary critic Mary Beard, who considers it "a rather
Stella Gibbons familiar London milieu by setting the story largely in the wilder regions of Canada. This was the last of her books handled by Longmans; thereafter her work was published by Hodder and Stoughton. A journey to Austria and Venice in 1953 provided material for her novel "The Shadow of a Sorcerer" (1955). From 1954, having accepted an invitation from Malcolm Muggeridge, the editor of "Punch", Gibbons provided frequent contributions to the magazine for the following 15 years. Among these was a science fiction story, "Jane in Space", written in the style of Jane Austen. Gibbons, who wrote the introduction to