Shed Sheds", which argues that a "place of retreat" is a "male necessity" which provides men with solace, especially during their retirement. In contrast, in the novel "Cold Comfort Farm" by Stella Gibbons, Aunt Ada Doom saw "something nasty in the woodshed" and retreated to her bed for half a century. To woodshed, or 'shed, in jazz jargon, is "to shut oneself up, away from the world, and practice long and hard, as in 'going to the woodshed'." The word is recorded in English since 1481, as "shadde", possibly a variant of shade. The word shade comes from the Old English
Stella Gibbons a relatively faithful account of her childhood and early adult life with, according to Oliver, "only the thinnest veil of fictional gauze cover[ing] raw experience". "Miss Linsey and Pa" (1936) was thought by Nicola Beauman, in her analysis of women writers from 1914 to 1939, to parody Radclyffe Hall's 1928 lesbian novel "The Well of Loneliness". Gibbons's final prewar novels were "Nightingale Wood" (1935)—"Cinderella brought right up to date"—and "My American" (1939), which Oliver considers her most escapist novel, "a variant of Hans Christian Andersen's "The Snow Queen"." Gibbons always considered herself a serious poet rather than a comic writer.