Larry Adler London. He became a star in the United Kingdom and the Empire, where, it has been written, harmonica sales increased 20-fold and 300,000 people joined fan clubs.". Adler was one of the first harmonica players to perform major works written for the instrument, often written for him: these include Jean Berger's "Concerto for Harmonica and Orchestra "Caribbean"" (1941), Cyril Scott's "Serenade" (harmonica and piano, 1936), Vaughan Williams' "Romance in D-flat" for harmonica, piano and string orchestra; premiered New York, 1952, Milhaud's "Suite Anglais" (Paris, May 28, 1947), Arthur Benjamin's Harmonica Concerto (1953), and Malcolm Arnold's Harmonica Concerto, Op. 46 (1954,
Musical instrument and Organ Players') the following year, a treatise on organ building and organ playing. Of the instructional books and references published in the Renaissance era, one is noted for its detailed description and depiction of all wind and stringed instruments, including their relative sizes. This book, the "Syntagma musicum" by Michael Praetorius, is now considered an authoritative reference of sixteenth-century musical instruments. In the sixteenth century, musical instrument builders gave most instruments – such as the violin – the "classical shapes" they retain today. An emphasis on aesthetic beauty also developed; listeners were as pleased with the physical appearance of