Fernande Olivier he began to lose interest in Fernande, as she reminded him of more difficult times. Eventually they separated in 1912, leaving Olivier without a way to carry on living in the style to which she had become accustomed. She had no legal right to expect anything from the painter, since she was still technically married to her first husband. To survive, she took various odd jobs, from a cashier at a butcher's to an antiques saleswoman. She also supplemented her income by giving drawing lessons. Twenty years after her relationship with Picasso, she wrote memoirs of their life together. By
Charles Duncan (artist) Charles Duncan (artist) Charles W. Duncan (1887–1970) was an American avant-garde painter in the circle of artists that gathered around the photographer and art promoter Alfred Stieglitz. He is now known primarily as the subject of one of Charles Demuth’s famous poster portraits. Born in New York City to Mary Dolan and William Henry Duncan, Charles Duncan was described in the July 1914 issue of Camera Work as being “a sign painter and painter.” His Social Security application in 1936 states that he was then employed by the General Outdoor Advertising Company in the Bronx, New York. However, letters that