Stella Gibbons more novels, as well as two poetry collections, a children's book, and a number of short stories. From November 1936 the family home was in Oakshott Avenue, on the Holly Lodge Estate off Highgate West Hill, where Gibbons regularly worked in the mornings from ten until lunchtime. Her novels were generally well received by critics and the public, though none earned the accolades or attention that had been given to "Cold Comfort Farm"; readers of "The Times" were specifically warned not to expect Gibbons's second novel, "Bassett" (1934), to be a repetition of the earlier masterpiece. "Enbury Heath" (1935) is
Stella Gibbons gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism. The literary critic John Carey suggests that the abandonment by intellectuals of "the clerks and the suburbs" as subjects of literary interest provided an opening for writers prepared to exploit this underexplored area. He considers John Betjeman and Stevie Smith as two writers who successfully achieved this. Hammill believes that Gibbons should be named alongside these two, since in her writings she rejects the stereotypical view of suburbia as unexciting, conventional and limited. Instead, says Hammill, "Gibbons's fictional suburbs are socially and architecturally diverse,