Voice type C). In the lower and upper extremes some contralto voices can sing from D3 (the D below middle C) to B5 (the second B-flat above), one whole step short of the soprano "high C". Contralto tessitura: The contralto voice has the lowest tessitura of the female voices. Contralto subtypes: Contraltos are often broken down into three subcategories: coloratura contralto, lyric contralto, and dramatic contralto. A soprano sfogato is a contralto who has an extended high range reaching the soprano "high C". Countertenor range: The countertenor is the highest male voice. Many countertenor singers perform roles originally written for a castrato
Singing on the student's ability to coordinate various functions are: Singing is a skill that requires highly developed muscle reflexes. Singing does not require much muscle strength but it does require a high degree of muscle coordination. Individuals can develop their voices further through the careful and systematic practice of both songs and vocal exercises. Vocal exercises have several purposes, including warming up the voice; extending the vocal range; "lining up" the voice horizontally and vertically; and acquiring vocal techniques such as legato, staccato, control of dynamics, rapid figurations, learning to sing wide intervals comfortably, singing trills, singing melismas and correcting