Larry Adler London. He became a star in the United Kingdom and the Empire, where, it has been written, harmonica sales increased 20-fold and 300,000 people joined fan clubs.". Adler was one of the first harmonica players to perform major works written for the instrument, often written for him: these include Jean Berger's "Concerto for Harmonica and Orchestra "Caribbean"" (1941), Cyril Scott's "Serenade" (harmonica and piano, 1936), Vaughan Williams' "Romance in D-flat" for harmonica, piano and string orchestra; premiered New York, 1952, Milhaud's "Suite Anglais" (Paris, May 28, 1947), Arthur Benjamin's Harmonica Concerto (1953), and Malcolm Arnold's Harmonica Concerto, Op. 46 (1954,
Musical instrument of using musical instruments for producing a melody. Until this time in the evolutions of musical instruments, melody was common only in singing. Similar to the process of reduplication in language, instrument players first developed repetition and then arrangement. An early form of melody was produced by pounding two stamping tubes of slightly different sizes—one tube would produce a "clear" sound and the other would answer with a "darker" sound. Such instrument pairs also included bullroarers, slit drums, shell trumpets, and skin drums. Cultures who used these instrument pairs associated genders with them; the "father" was the bigger or more