Sarah Siddons as the Tragic Muse paintings of Melpoméne, she is represented with a tragic mask and also often holds in her other hand a knife or club. In Greek mythology, she is the daughter of Zeus and Mnemosyne, who had eight other daughters, Melpoméne's sisters and the eight other muses are: Calliope, muse of epic poetry; Clio, muse of history; Euterpe, muse of flute playing; Terpsichore, muse of dancing; Erato, muse of erotic poetry; Thalia muse of comedy; Polyhymnia, muse of hymns; and Urania, muse of astronomy. Reynolds was inspired not only by Sarah Siddons' extreme talent to embody the tragic heroine in Macbeth, but
The White Goddess "The White Goddess" deals with goddess worship as the prototypical religion, analysing it largely from literary evidence, in myth and poetry. Graves admitted he was not a medieval historian, but a poet, and thus based his work on the premise that the language of poetic myth anciently current in the Mediterranean and Northern Europe was a magical language bound up with popular religious ceremonies in honour of the Moon-goddess, or Muse, some of them dating from the Old Stone Age, and that this remains the language of true poetry... Graves concluded, in the second and expanded edition, that the male-dominant