Annie Hall A later "Guardian" critic, Peter Bradshaw, named it the best comedy film of all time, commenting that "this wonderfully funny, unbearably sad film is a miracle of comic writing and inspired film-making". John Marriott of the "Radio Times" believed that "Annie Hall" was the film where Allen "found his own singular voice, a voice that echoes across events with a mixture of exuberance and introspection", referring to the "comic delight" derived from the "spirited playing of Diane Keaton as the kooky innocent from the Midwest, and Woody himself as the fumbling New York neurotic". "Empire" magazine rated the movie five
The Man Who Played God (1932 film) engagement, allowing her to follow her heart. Montgomery continues to act as a philanthropist, but his attitude is changed and his motives become altruistic. He draws closer to Mildred, who always has loved him, and the two find happiness in their developing relationship. Warners had made a silent version of "The Man Who Played God" in 1922, based on the 1914 play "The Silent Voice" by Jules Eckert Goodman, who adapted it from a story by Gouverneur Morris published in "Cosmopolitan" in 1912. For the 1932 film, a fresh adaptation was worked up by Julien Josephson and Maude T. Howell.