Poet and Muse diptych of a wax tablet; the inscription has not survived, so there can be no way to identify the writer for whom it was made. In the literature that has accumulated about this diptych, various prominent figures have been offered as candidates: Ausonius, Boethius, and Claudian, and even earlier figures, like Ennius and Seneca, with whom the donor wished to be associated The muse represented is Erato, muse of lyric poetry, with her usual attribute, the cithara, which she rests upon an ornately fluted column. The poet on the facing panel is seated, roused from his contemplation by the inspiring presence
The White Goddess of the moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies. Graves argues that "true" or "pure" poetry is inextricably linked with the ancient cult-ritual of his proposed White Goddess and of her son. Many of the book's themes are also explored in a fictional form, through his depiction of a future society dominated by Great Goddess religion in the 1949 novel "Seven Days in New Crete". Graves first wrote the book under the title of "The Roebuck in the Thicket" in a three-week period during January 1944, only a month after finishing