Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Fellini: I'm a Born Liar TV program for a fast buck, especially just after Fellini died." "Los Angeles Times" reviewer Kenneth Turan reported that what "is beyond doubt is Pettigrew's devotion to Fellini, whom he first met in 1983 and pursued for a decade to get the extended interviews [...] Then Pettigrew sat on the material for years before he found collaborators willing to finance his vision of how it should be used". From the beginning, however, Pettigrew made his plans known to Fellini and secured the maestro's agreement to cooperate. This proved to be a necessary final step in his education about a paradoxical