Carillon in Berlin-Tiergarten He demonstrates the instrument's playing technique and plays a carillon piece for his guests. Carillon in Berlin-Tiergarten The Carillon in Berlin-Tiergarten is located in a freestanding 42m-tall tower next to the House of World Cultures ("Haus der Kulturen der Welt"), near the Chancellery in the northeastern part of Berlin's central Tiergarten park. It is a large, manually played concert instrument, comprising 68 bells weighing a total of 48 metric tonnes (almost 106,000 lbs.) connected to a keyboard spanning 5½ fully chromatic octaves; the largest bell weighs 7.8 tonnes (almost 17,200 lbs.). The carillonneur sits in a playing cabin in the
What a Terrible World, What a Beautiful World Boston Globe" described the album as one of the band's "most enjoyable and lively efforts in recent memory", "The New York Times" noted that "What a Terrible World, What a Beautiful World" "strikes a note of pop concision and maturity, building on what worked on ‘The King Is Dead.’ Lyrically, there are fewer thistles and minarets and palanquins—and, musically, less digressive excess—than once made up the Decemberists’ trademark style." Jeremy Larson of Pitchfork Media was a detractor, bemoaning the album as "overlong and under-ambitious", though appreciating that listeners "start to see Meloy himself more than ever". Larson also wrote highly