Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Federico Fellini Memories" (Woody Allen, 1980), "Sogni d'oro" (Nanni Moretti, 1981), "Parad Planet" (Vadim Abdrashitov, 1984), "La Pelicula del rey" (Carlos Sorin, 1986), "Living in Oblivion" (Tom DiCillo, 1995), "8½ Women" (Peter Greenaway, 1999), "Falling Down" (Joel Schumacher, 1993), along with the successful Broadway musical, "Nine" (Maury Yeston and Arthur Kopit, 1982). "Yo-Yo Boing!" (1998), a Spanish novel by Puerto Rican writer Giannina Braschi, features a dream sequence with Fellini that was inspired by "8½". Fellini's work is referenced on the albums "Fellini Days" (2001) by Fish, "Another Side of Bob Dylan" (1964) by "Bob Dylan" with "Motorpsycho Nitemare", "Funplex" (2008) by