Annie Hall and several awards, Allen himself was disappointed with it, and said in an interview, "When "Annie Hall" started out, that film was not supposed to be what I wound up with. The film was supposed to be what happens in a guy's mind ... Nobody understood anything that went on. The relationship between myself and Diane Keaton was all anyone cared about. That was not what I cared about ... In the end, I had to reduce the film to just me and Diane Keaton, and that relationship, so I was quite disappointed in that movie". Allen has repeatedly declined
The Man Who Played God (1932 film) engagement, allowing her to follow her heart. Montgomery continues to act as a philanthropist, but his attitude is changed and his motives become altruistic. He draws closer to Mildred, who always has loved him, and the two find happiness in their developing relationship. Warners had made a silent version of "The Man Who Played God" in 1922, based on the 1914 play "The Silent Voice" by Jules Eckert Goodman, who adapted it from a story by Gouverneur Morris published in "Cosmopolitan" in 1912. For the 1932 film, a fresh adaptation was worked up by Julien Josephson and Maude T. Howell.