Willy Loman and having contacts is the key to success. His older son, Biff, causes "old hopes and boiling resentments" to return by visiting home. Willy is loved by Biff, who nonetheless does not get along with him. Their relationship is the emotional lynchpin of the production. “In fact, Willy's logical mind becomes blind…” Biff attempts to help his father see what has become of him. In the end, Biff decides that he must force his father to see the truth rather than his fanciful images, for his own good, regardless of its toll on his father. This is the emotional climax
The Salesman (2016 film) make a film until he decided his protagonists should be stage actors. Part of this decision owed to Farhadi's own background in the theatre, and his desire to re-immerse himself in that atmosphere. He also felt actors had to think of themselves as other people and create empathy, and his male protagonist would be forced to feel empathy for another man. Looking for a play within the film, Farhadi researched the work of Jean-Paul Sartre and Henrik Ibsen before finding Arthur Miller's "Death of a Salesman", which he described as "a gift for me". In Miller's play and his script,