Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Maddalena Fellini dialectal play, "Stal mami" by Liliano Faenza, which got her unexpected attention and critical praises. In 1990 she made her film debut in the Marco Tullio Giordana's segment of the anthology film "Especially on Sunday", getting critical acclaim for her role of a lonely mother spying on the intimate moments of her son and his wife. Fellini was also an occasional writer, being the author of a humorous autobiography ("Storie di una casalinga straripata", 1992) and of a cooking book filled with autobiographical anecdotes ("A tavola con Federico Fellini", 2003). In 1995, she created an association with the aim to