Fernande Olivier he began to lose interest in Fernande, as she reminded him of more difficult times. Eventually they separated in 1912, leaving Olivier without a way to carry on living in the style to which she had become accustomed. She had no legal right to expect anything from the painter, since she was still technically married to her first husband. To survive, she took various odd jobs, from a cashier at a butcher's to an antiques saleswoman. She also supplemented her income by giving drawing lessons. Twenty years after her relationship with Picasso, she wrote memoirs of their life together. By
The Artist in His Museum The Artist in His Museum The Artist in His Museum is an 1822 self-portrait by the American painter Charles Willson Peale (1741–1827). It depicts the 81-year-old artist posed in Peale's Museum, then occupying the second floor of Independence Hall in Philadelphia, Pennsylvania. The nearly life-size painting is in the collection of the Pennsylvania Academy of the Fine Arts. Toward the end of his career, beginning in 1822, he painted seven self-portraits that together formed the final motif of his art and the final flourishing of his talent. "The Artist in His Museum" is a large-scale oil-on-canvas work painted in about