La Jalousie becomes impossible to distinguish moments that are observed from those that are merely suspected. La Jalousie La Jalousie (Jealousy) is a 1957 novel by Alain Robbe-Grillet. The French title: "la jalousie" is a play on words that can be translated as "jealousy", but also as "the jalousie window". The jealous husband in the novel spies on his wife through the Venetian blind-like slats of the jalousie windows of their home. "La Jalousie" is one of critics' and literary theorists' main examples of Robbe-Grillet's demonstrations of his concept of the nouveau roman, for which he later explicitly advocated in his 1963
Palladian architecture Serlian, or Venetian window features largely in Palladio's work and is almost a trademark of his early career. It consists of a central light with semicircular arch over, carried on an impost consisting of a small entablature, under which, and enclosing two other lights, one on each side, are pilasters. In the library at Venice, Sansovino varied the design by substituting columns for the two inner pilasters. To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato Bramante and later mentioned by Sebastiano Serlio (1475–1554) in his seven-volume architectural book