Stella Gibbons Bowen and Rosamond Lehmann. This outcome irritated Virginia Woolf, herself a former "Prix Étranger" winner, who wrote to Bowen: "I was enraged to see they gave the £40 (the cash value of the prize) to Gibbons; still, now you and Rosamond can join in blaming her". Cooke observes that of all the "Prix Étranger" winners from the inter-war years, only "Cold Comfort Farm" and Woolf's "To the Lighthouse" are remembered today, and that only the former has bequeathed a phrase that has passed into common usage: "something nasty in the woodshed". During the remainder of the 1930s Gibbons produced five
Stella Gibbons gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism. The literary critic John Carey suggests that the abandonment by intellectuals of "the clerks and the suburbs" as subjects of literary interest provided an opening for writers prepared to exploit this underexplored area. He considers John Betjeman and Stevie Smith as two writers who successfully achieved this. Hammill believes that Gibbons should be named alongside these two, since in her writings she rejects the stereotypical view of suburbia as unexciting, conventional and limited. Instead, says Hammill, "Gibbons's fictional suburbs are socially and architecturally diverse,