Fernande Olivier he began to lose interest in Fernande, as she reminded him of more difficult times. Eventually they separated in 1912, leaving Olivier without a way to carry on living in the style to which she had become accustomed. She had no legal right to expect anything from the painter, since she was still technically married to her first husband. To survive, she took various odd jobs, from a cashier at a butcher's to an antiques saleswoman. She also supplemented her income by giving drawing lessons. Twenty years after her relationship with Picasso, she wrote memoirs of their life together. By
William Roberts (painter) 1922. Roberts exhibited with Wyndham Lewis's Group X, and Osbert Sitwell was an early patron. Alongside his dramatic Cubist work, Roberts was a talented portrait painter. He honed his skills with portraits of Sarah – she would be his model and muse for the next 60 years. In 1923, while Roberts was preparing for a one-man show at the Chenil Gallery, Chelsea, the artist Colin Gill put Roberts in touch with T. E. Lawrence, who commissioned a series of portraits for his book "Seven Pillars of Wisdom". Finally shaking off his association with Wyndham Lewis, Roberts had evolved a unique