Death of a Salesman (1985 film) reconcile with Willy. The discussion quickly escalates into another argument, at which point Biff forcefully tries to convey to his father that he is not meant for anything great, that he is simply ordinary, insisting that they both are. The feud culminates with Biff hugging Willy and crying as he tries to get him to let go of the unrealistic dreams that he still carries for Biff and wants instead for Willy to accept him for who he really is. He tells his father he loves him. Rather than listen to what Biff actually says, Willy realizes that his son
The Salesman (2016 film) make a film until he decided his protagonists should be stage actors. Part of this decision owed to Farhadi's own background in the theatre, and his desire to re-immerse himself in that atmosphere. He also felt actors had to think of themselves as other people and create empathy, and his male protagonist would be forced to feel empathy for another man. Looking for a play within the film, Farhadi researched the work of Jean-Paul Sartre and Henrik Ibsen before finding Arthur Miller's "Death of a Salesman", which he described as "a gift for me". In Miller's play and his script,