Larry Adler London. He became a star in the United Kingdom and the Empire, where, it has been written, harmonica sales increased 20-fold and 300,000 people joined fan clubs.". Adler was one of the first harmonica players to perform major works written for the instrument, often written for him: these include Jean Berger's "Concerto for Harmonica and Orchestra "Caribbean"" (1941), Cyril Scott's "Serenade" (harmonica and piano, 1936), Vaughan Williams' "Romance in D-flat" for harmonica, piano and string orchestra; premiered New York, 1952, Milhaud's "Suite Anglais" (Paris, May 28, 1947), Arthur Benjamin's Harmonica Concerto (1953), and Malcolm Arnold's Harmonica Concerto, Op. 46 (1954,
Musical instrument popular music, and the instrument makers responded accordingly. Beginning in about 1400, the rate of development of musical instruments increased in earnest as compositions demanded more dynamic sounds. People also began writing books about creating, playing, and cataloging musical instruments; the first such book was Sebastian Virdung's 1511 treatise "Musica getuscht und ausgezogen" ('Music Germanized and Abstracted'). Virdung's work is noted as being particularly thorough for including descriptions of "irregular" instruments such as hunters' horns and cow bells, though Virdung is critical of the same. Other books followed, including Arnolt Schlick's "Spiegel der Orgelmacher und Organisten" ('Mirror of Organ Makers