Nicolaus Copernicus is known that Copernicus knew Polish on a par with German and Latin. Historian Michael Burleigh describes the nationality debate as a "totally insignificant battle" between German and Polish scholars during the interwar period. Polish astronomer Konrad Rudnicki calls the discussion a "fierce scholarly quarrel in ... times of nationalism" and describes Copernicus as an inhabitant of a German-speaking territory that belonged to Poland, himself being of mixed Polish-German extraction. Czesław Miłosz describes the debate as an "absurd" projection of a modern understanding of nationality onto Renaissance people, who identified with their home territories rather than with a nation. Similarly,
Astronomer Copernicus, or Conversations with God around a central element, and dramatic contrasts with dark colours in the periphery. Copernicus's epiphany or ecstasy is captured through the skillful use of lighting. The models for Copernicus are known to have been Doctor Henryk Levittoux and Matejko's nephew, Antoni Serafiński. Matejko's most famous paintings are usually large group scenes; individual scenes like this are more of an exception for him. Astronomer Copernicus, or Conversations with God Astronomer Copernicus, or Conversations with God () is an oil painting by the Polish artist Jan Matejko, finished in 1873, depicting Nicolaus Copernicus observing the heavens from a balcony by a tower