Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Frederico Fischer athletics club. While working as a director of a ceramics factory in Mauá, his club sponsored a run for distance runners. Frederico joined in. Sitting in a car after the run he realized perspiration, getting the blood circulating, all of problems he wanted to solve became clearer. He got more active. His group was approached by a group from Chile led by Hernán Figueroa, who were trying to start a veteran athlete group. Frederico joined in 1973, by 1975 he was president of the Athletic Association Veterans of São Paulo. Fischer began attending the World Masters Athletics Championships starting in