Lambada d'Incamps, visited Porto Seguro in Brazil and discovered locals dancing the tightly syncopated lambada to a melody that turned out to be Bolivian. D'Incamps became involved in the lambada dance craze, largely by promoting a European tour of Kaoma, a band formed with several musicians from the Senegalese group Touré Kunda. To display the dance in Europe, he chose a team of the best dancers at the Boca Da Barra (a dance cabana on the beach in Porto Seguro where lambada dancers refined and developed the style and form of the dance). Most notable among these young dancers chosen for
Maxixe (dance) Spanish tango, lundu, polka and habanera, and is danced to a rapid 2/4 time. Pianist Ernesto Nazareth composed many Brazilian tangos; he was known for blending folk influences into his tangos, polkas and waltzes. He resisted using folk terms for his compositions; he preferred "Brazilian Tango" to "maxixe". The maxixe was one of the dances that contributed to samba dance styles (such as samba de gafieira) and lambada. Vernon Castle said of the maxixe in his 1914 book "Modern Dancing", "The steps themselves are not difficult; on the contrary, they are childishly simple; it is the easiest dance of all