Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Fellini (band) year, leaving Fellini to form alongside his wife Karla the duo The Gilbertos. In 1992, Cadão Volpato formed a very short-lived "spiritual successor" to Fellini named Funziona Senza Vapore (after Fellini's eponymous song, present in their debut album). It comprised original Fellini members Jair Marcos and Ricardo Salvagni, plus Stela Campos replacing Thomas Pappon. They recorded also in 1992 a homonymous obscure album, that was only released in 2002. After a 12-year hiatus, Fellini returned in 2002, releasing a new studio album, "Amanhã É Tarde". In 2003 they played at the alongside Beth Gibbons and Los Hermanos, subsequently doing some