Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Fellini: I'm a Born Liar I'm a Born Liar" is best watched in conjunction with the films themselves". Although he was "happy to have seen it", Roger Ebert declared the film "lacked specifics" and that as "a biography of Fellini the film is almost worthless but as an insight into his style, the film is priceless". In his review in "The New York Times", A. O. Scott explained that Fellini's style was precisely what the film was all about: "The interviews with Fellini and some of his collaborators, the snippets of movies both famous and obscure, the glimpses behind the scenes and the master's own