Lambada wave motion is reproduced by the dancers' bodies, and is one of the main elements that distinguish Lambada from other Latin dances. Around 1983, the Carimbó dance started again to be danced in couples, in a 2-beat style, something very close to Merengue, but with more spins. "Aurino Quirino Gonçalves", or simply Pinduca, is a Brazilian musician and singer in the north of Brazil (Amapá and Pará area), where it is strongly believed he is the true father of the lambada music. Pinduca is a musician and composer of mainly Carimbó. He is the singer and composer of the "King
Lambada to side movements and many spins and hip movement, which became the basis of the lambada. After a while, a local radio station from Belém (Pará's capital city) started to call this new type of music "the strong-beated rhythm" and "the rhythms of "lambada"". The term "lambada" had a strong appeal and began to be associated with the new emerging face of an old dancing style. The word "lambada" means "strong slap" or "hit" in Portuguese. However, as a dance form, "lambada" is of obscure etymology. In Portuguese it may refer to the wave-like motion of a whip. This flowing