Voice classification in non-classical music the muscular, aerodynamic, and acoustical conditions in the larynx and in the vocal tract. The subglottal pressure, the driving force in phonation, needs to be adapted in accordance with the laryngeal conditions.” In other words, the very act of singing consistently within one technique or another literally causes the voice to physically develop in different ways, and thus change the timbre of that particular voice. Another example would be a coloratura soprano in opera. This is not only the highest female voice in opera, but also distinguished by its ability to do vocal acrobatic leaps, fast vocal runs and trills,
Vocal range human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics. Other factors are vocal weight, vocal tessitura, vocal timbre, vocal transition points, physical characteristics, speech level, scientific testing, and vocal registration. All of these factors combined are used to categorize a singer's voice into a particular kind of singing voice or voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. There are several systems