Palladian architecture design, as this was now the most fashionable of the era. He selected architect Henry Flitcroft, a protege of Burlington. Flitcroft's designs, while Palladian in nature, would not be recognised by Palladio himself. The central block is small, only three bays, the temple-like portico is merely suggested, and it is closed. Two great flanking wings containing a vast suite of state rooms replace the walls or colonnades which should have connected to the farm buildings; the farm buildings terminating the structure are elevated in height to match the central block, and given Palladian windows, to ensure they are seen as
Palladian architecture the name or the origin, this form of window has probably become one of the most enduring features of Palladio's work seen in the later architectural styles evolved from Palladianism. According to James Lees-Milne, its first appearance in Britain was in the remodelled wings of Burlington House, London, where the immediate source was actually in Inigo Jones's designs for Whitehall Palace rather than drawn from Palladio himself. A variant, in which the motif is enclosed within a relieving blind arch that unifies the motif, is not Palladian, though Burlington seems to have assumed it was so, in using a drawing