La Jalousie La Jalousie La Jalousie (Jealousy) is a 1957 novel by Alain Robbe-Grillet. The French title: "la jalousie" is a play on words that can be translated as "jealousy", but also as "the jalousie window". The jealous husband in the novel spies on his wife through the Venetian blind-like slats of the jalousie windows of their home. "La Jalousie" is one of critics' and literary theorists' main examples of Robbe-Grillet's demonstrations of his concept of the nouveau roman, for which he later explicitly advocated in his 1963 "Pour un nouveau roman" ("For a New Novel"). Robbe-Grillet argued that the novel was
Palladian architecture the name or the origin, this form of window has probably become one of the most enduring features of Palladio's work seen in the later architectural styles evolved from Palladianism. According to James Lees-Milne, its first appearance in Britain was in the remodelled wings of Burlington House, London, where the immediate source was actually in Inigo Jones's designs for Whitehall Palace rather than drawn from Palladio himself. A variant, in which the motif is enclosed within a relieving blind arch that unifies the motif, is not Palladian, though Burlington seems to have assumed it was so, in using a drawing