Federico Fellini now interpreted as psychic manifestations of the unconscious. Bernhard's focus on Jungian depth psychology proved to be the single greatest influence on Fellini's mature style and marked the turning point in his work from neorealism to filmmaking that was "primarily oneiric". As a consequence, Jung's seminal ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious directly influenced such films as "8½" (1963), "Juliet of the Spirits" (1965), "Fellini Satyricon" (1969), "Casanova" (1976), and "City of Women" (1980). Other key influences on his work include Luis Buñuel, Charlie Chaplin, Sergei Eisenstein, Buster Keaton, Laurel and
Fellini (band) album, "O Adeus de Fellini", in 1985, which contained underground hits such as "Rock Europeu" and "Funziona Senza Vapore". It would be followed by 1986's "Fellini Só Vive 2 Vezes", 1987's "3 Lugares Diferentes" (which Cadão Volpato considers to be Fellini's finest album, and was also their last release via Baratos Afins) and 1990's "Amor Louco". However, the band broke up in the same year, with Cadão Volpato alleging that he was tired of so much performances and wanted to give more emphasis on his "intellectual pretensions". Also, Thomas Pappon moved to Germany (and later to England) in the same