Stella Gibbons "Cold Comfort Farm"; it mentions none of her other works—while providing her "bêtes noires" Morgan and Mary Webb with full entries. To Gibbons, "Cold Comfort Farm" became "That Book" or "You-Know-What", its title never mentioned. Despite her growing irritation and expressed distaste for it, the book continued to be lauded by successive generations of critics, Boston described it as "one of those rare books of comic genius that imprints itself on the brain and can never afterwards be eradicated". A more negative view of the book has been expressed by the literary critic Mary Beard, who considers it "a rather
Stella Gibbons Second World War was perhaps the wrong time to satirise ... the ridiculous and dangerous rituals that surround the male aggressive instinct". "The Bachelor" won critical praise for its revealing account of life in war-torn Britain—as did several of Gibbons's postwar novels. Gibbons's first postwar novel was "Westwood" (1946). The book incorporates a comic depiction of the novelist Charles Morgan, whose novel "The Fountain" Gibbons had reviewed before the war and found "offensive as well as wearisome". In "Westwood", Morgan appears in the guise of the novelist "Gerald Challis", a pompous, humourless bore. Oliver considers this characterisation to be one