Shed Sheds", which argues that a "place of retreat" is a "male necessity" which provides men with solace, especially during their retirement. In contrast, in the novel "Cold Comfort Farm" by Stella Gibbons, Aunt Ada Doom saw "something nasty in the woodshed" and retreated to her bed for half a century. To woodshed, or 'shed, in jazz jargon, is "to shut oneself up, away from the world, and practice long and hard, as in 'going to the woodshed'." The word is recorded in English since 1481, as "shadde", possibly a variant of shade. The word shade comes from the Old English
Stella Gibbons gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism. The literary critic John Carey suggests that the abandonment by intellectuals of "the clerks and the suburbs" as subjects of literary interest provided an opening for writers prepared to exploit this underexplored area. He considers John Betjeman and Stevie Smith as two writers who successfully achieved this. Hammill believes that Gibbons should be named alongside these two, since in her writings she rejects the stereotypical view of suburbia as unexciting, conventional and limited. Instead, says Hammill, "Gibbons's fictional suburbs are socially and architecturally diverse,