Frankenstein Meets the Wolf Man the Talbot family crypt to open the grave of Larry Talbot (Lon Chaney, Jr.), seeking valuables buried with him, on the night of a full moon. During the robbery, the thieves remove the wolfsbane buried with Talbot, and he is awakened from death by the full moon shining on his uncovered body. Talbot reflexively grasps the arm of the grave robber with a fur-covered hand, as the other thief flees. Talbot is found by police in Cardiff later in the night, with a vicious head wound (administered by his father at the end of "The Wolf Man"), and taken to
The Man Who Knew Too Much (1956 film) considered an American remake of "The Man Who Knew Too Much" in 1941, but only brought back the idea in 1956 to make a film that would fulfill a contractual demand from Paramount Pictures. The studio agreed it was a picture that could be well-adapted to the new decade. The Royal Albert Hall sequence drew some inspiration from H.M. Bateman's comic "The One-Note Man", which followed the daily life of a musician who plays only one note in a symphony, similar to the cymbal player in the film. Screenwriter John Michael Hayes was hired on the condition that he would