Stella Gibbons many years, when in 1965 she contributed an essay to "Light on C.S. Lewis", a review of that writer's work edited by Jocelyn Gibb. In 1966 she wrote an essay for "Punch", "Genesis of a Novel", in which she mused on the detrimental effect of "Cold Comfort Farm" on her long term career. She likened the book to "some unignorable old uncle, to whom you have to be grateful because he makes you a handsome allowance, but is often an embarrassment and a bore". Gibbons made her last overseas trip in 1966, to Grenoble in France where she visited her
Stella Gibbons gentle powers (Pity, Affection, Time, Beauty, Laughter)" also flew in the face of a disillusioned modernism. The literary critic John Carey suggests that the abandonment by intellectuals of "the clerks and the suburbs" as subjects of literary interest provided an opening for writers prepared to exploit this underexplored area. He considers John Betjeman and Stevie Smith as two writers who successfully achieved this. Hammill believes that Gibbons should be named alongside these two, since in her writings she rejects the stereotypical view of suburbia as unexciting, conventional and limited. Instead, says Hammill, "Gibbons's fictional suburbs are socially and architecturally diverse,