Poet and Muse diptych of a wax tablet; the inscription has not survived, so there can be no way to identify the writer for whom it was made. In the literature that has accumulated about this diptych, various prominent figures have been offered as candidates: Ausonius, Boethius, and Claudian, and even earlier figures, like Ennius and Seneca, with whom the donor wished to be associated The muse represented is Erato, muse of lyric poetry, with her usual attribute, the cithara, which she rests upon an ornately fluted column. The poet on the facing panel is seated, roused from his contemplation by the inspiring presence
The White Goddess "The White Goddess" deals with goddess worship as the prototypical religion, analysing it largely from literary evidence, in myth and poetry. Graves admitted he was not a medieval historian, but a poet, and thus based his work on the premise that the language of poetic myth anciently current in the Mediterranean and Northern Europe was a magical language bound up with popular religious ceremonies in honour of the Moon-goddess, or Muse, some of them dating from the Old Stone Age, and that this remains the language of true poetry... Graves concluded, in the second and expanded edition, that the male-dominant