George Orwell published a biography. More concerned with the literary nature of Orwell's work, he sought explanations for Orwell's character and treated his first-person writings as autobiographical. Shelden introduced new information that sought to build on Crick's work. Shelden speculated that Orwell possessed an obsessive belief in his failure and inadequacy. Peter Davison's publication of the "Complete Works of George Orwell", completed in 2000, made most of the Orwell Archive accessible to the public. Jeffrey Meyers, a prolific American biographer, was first to take advantage of this and published a book in 2001 that investigated the darker side of Orwell and questioned
George Orwell bibliography before he could support himself as an author. These pieces include first-hand journalism (e.g. 1931's "The Spike"), articles (e.g. 1931's "Hop-Picking"), and even a one-act play—"Free Will". (He would also adapt four plays as radio dramas.) His production of fiction was not as prolific—while living in Paris he wrote a few unpublished stories and two novels, but burned the manuscripts (Orwell routinely destroyed his manuscripts and with the exception of a partial copy of "Nineteen Eighty-Four", all are lost. Davison would publish this as "Nineteen Eighty-Four: The Facsimile of the Extant Manuscript" by Houghton Mifflin Harcourt in May 1984, .)