Chimera of Arezzo made its home at the National Archaeological Museum in Florence. As the sculpture made its way through the Florence museums, it increasingly attracted the attention of both artists and historians. Typical iconography of the Chimera myth depicts the warrior Bellerophon as he confronts the Chimera, or rides atop or alongside it. This iconography began to appear upon Greek vessels in 600 BCE. The Chimera of Arezzo presents a very detailed and complex composition that most likely was meant for display and viewing in the round. The Chimera is clearly expressing pain throughout its body. Its form is contorted, its face
Chimera (mythology) parts taken from various animals, or to describe anything composed of very disparate parts, or perceived as wildly imaginative, implausible, or dazzling. The sight of a Chimera was an omen for disaster. Homer's brief description in the "Iliad" is the earliest surviving literary reference: "a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire." Elsewhere in the "Iliad", Homer attributes the rearing of Chimera to Amisodorus. Hesiod's "Theogony" follows the Homeric description: he makes the Chimera the issue of Echidna: "She was