The Picture of Dorian Gray and expanded the personal background of the characters. After the initial publication of the magazine edition of "The Picture of Dorian Gray" (1890), Wilde expanded the text from 13 to 20 chapters and obscured the homoerotic themes of the story. In the novel version of "The Picture of Dorian Gray" (1891), chapters 3, 5, and 15 to 18, inclusive, are new; and chapter 13 of the magazine edition was divided, and became chapters 19 and 20 of the novel edition. In 1895, at his trials, Oscar Wilde said he revised the text of "The Picture of Dorian Gray" because of
The Picture of Dorian Gray (1945 film) his sins in physical form. The portrait, by contrast, once more shows Dorian Gray as a young, innocent man. Two paintings of the character Dorian Gray were used in the film. The painting entitled "Picture of Dorian Gray" used at the end of the film was painted on commission during the making of the film in 1943-1944 by Ivan Le Lorraine Albright, an American artist who was well known as a painter of the macabre. Created specifically for use in the film, it is now part of the art collection of the Art Institute of Chicago. Albright had to paint