Shield-maiden as a shield-maiden in the text. Saxo Grammaticus reported that shield-maidens fought on the side of the Danes at the Battle of Brávellir in the year 750: Examples of shield-maidens mentioned by name in the Norse sagas include Brynhildr in the "Vǫlsunga saga", Hervor in "Hervarar saga ok Heiðreks", the Brynhildr of the "Bósa saga ok Herrauðs", the Swedish princess Thornbjǫrg in "Hrólfs saga Gautrekssonar" and Princess Hed, Visna and Veborg in "Gesta Danorum". Two shield-maidens appear in certain translations of the "Hervarar saga". The first of these Hervors was known to have taken up typically masculine roles early in
Norse mythology in popular culture George Webbe Dasent brought the mythology of Scandinavia back to the popular notice of many people in Germany and England; in both cases, Norse mythology was recognized as the latest surviving form of Germanic paganism. Germany and England were Christianized far earlier than the Scandinavian countries and much of their own traditions were lost. In Britain, William Morris composed poetry such as "Sigurd the Volsung" on Norse legendary subjects as well as translating Icelandic sagas into English. In Germany, Richard Wagner borrowed characters and themes from Norse mythology to compose the four operas that make up "Der Ring des Nibelungen"