Origins and architecture of the Taj Mahal order to all the elements of the Taj Mahal. Hierarchical ordering of architecture is commonly used to emphasise particular elements of a design and to create drama. In the Taj Mahal, the hierarchical use of red sandstone and white marble contributes manifold "symbolic" significance. The Mughals were elaborating on a concept which traced its roots to earlier Hindu practices, set out in the Vishnudharmottara Purana, which recommended white stone for buildings for the Brahmins (priestly caste) and red stone for members of the Kshatriyas (warrior caste). By building structures that employed such colour-coding, the Mughals identified themselves with the two
Origins and architecture of the Taj Mahal "The Baby Taj". Minarets did not become a common feature of Mughal architecture until the 17th century, particularly under the patronage of Shah Jahan. A few precedents exist in the 20 years before the construction of the Taj in the Tomb of Akbar and the Tomb of Jahangir. Their increasing use was influenced by developments elsewhere in the Islamic world, particularly in Ottoman and Timurid architecture and is seen as suggestive of an increasing religious orthodoxy of the Mughal dynasty. Under the reign of Shah Jahan, the symbolic content of Mughal architecture reached a peak. The Taj Mahal complex was