Festival Puccini produced the first performances of a Puccini opera on the lake shore, in front of the Maestro's house. In a provisional theatre, the "Carro di Tespi Lirico" with its stage built on piles stuck in the lake, a travelling opera company performed "La bohème" directed by Forzano and conducted by Mascagni. The same company came back in 1931 when Beniamino Gigli and Adelaide Saraceni performed in "La bohème", while Rosetta Pampanini and Angelo Michetti performed "Madama Butterfly". This was the beginning of what was to become a major opera festival. However, in the years before 1949, due to the political
Giacomo Puccini 'update' his style to keep pace with new trends, but did not attempt to fully adopt a modern style. One critic, Anthony Davis has stated: "Loyalty toward nineteenth-century Italian-opera traditions and, more generally, toward the musical language of his Tuscan heritage is one of the clearest features of Puccini's music." Davis also identifies, however, a "stylistic pluralism" in Puccini's work, including influences from "the German symphonic tradition, French harmonic and orchestrational traditions, and, to a lesser extent, aspects of Wagnerian chromaticism." In addition, Puccini frequently sought to introduce music or sounds from outside sources into his operas, such as his