Shield-maiden forgetfulness given to Sigurðr so he forgets his previous relationship with her. Brynhildr is upset not only for the loss of Sigurðr but also for the dishonesty involved. Similar to her male counterparts, the shield-maiden prefers to do things straightforwardly, without the deception considered stereotypically feminine in much of medieval literature. She enacts her vengeance directly, resulting in the deaths of herself, Sigurðr, and Sigurð's son by Guðrún. By killing the child, she demonstrates an understanding of feud and filial responsibility; if he lived, the boy would grow up to take vengeance on Brynhildr's family. Guðrún has a similar concern
Norse mythology in popular culture George Webbe Dasent brought the mythology of Scandinavia back to the popular notice of many people in Germany and England; in both cases, Norse mythology was recognized as the latest surviving form of Germanic paganism. Germany and England were Christianized far earlier than the Scandinavian countries and much of their own traditions were lost. In Britain, William Morris composed poetry such as "Sigurd the Volsung" on Norse legendary subjects as well as translating Icelandic sagas into English. In Germany, Richard Wagner borrowed characters and themes from Norse mythology to compose the four operas that make up "Der Ring des Nibelungen"