Portrayals of God in popular media was Irvine Welsh's "The Granton Star Cause", which portrayed God as drunken and abusive. Ironically, the campaign backfired, only serving the advertise the film more widely. The role of God is a difficult one to play, and also a difficult one to cast. The casting of Alanis Morissette as God in "Dogma" was influenced by the singer's own public dialogue with her faith, as expressed in her songs. The casting of African American Morgan Freeman as God in "Bruce Almighty" took the movie stereotype of a "black angel" to a new level. On the subject of playing the role, Ella
The Man Who Played God (1932 film) something that my imagination had failed to conceive ... I am not surprised that Bette Davis is now the most important star on the screen." Musical pieces heard in the film include "Fantaisie-Impromptu" by Frédéric Chopin, "Moonlight Sonata" by Ludwig van Beethoven, and "Onward, Christian Soldiers" by Arthur Sullivan. "The Man Who Played God" was initially intended as a roadshow release for 1932. Warners reportedly changed tactics when the film received positive feedback from the so-called Hays organization; the studio decided it would be a timely example that motion pictures could be wholesome entertainment. Accordingly, after opening in brief special