Chimera of Arezzo studying Ancient Greek and Roman coins, such as a silver "stater" featuring an image of the Chimera, thus accurately identifying it. Eventually, it was officially identified as being a part of a larger piece illustrating a fight between the Chimera and the Greek hero Bellerophon. The sculpture was found among other small pieces that served as votive offerings to the God Tinia. This sculpture may also have served as an Etruscan religious dedication. After discovery, it began its residence in Florence where it remained until its transportation in 1718 to the Uffizi Palace. Since 1870, the Chimaera of Arezzo has
Chimera (mythology) and Bast in lower Egypt. As divine mother, and more especially as protector, for Lower Egypt, Bast became strongly associated with Wadjet, the patron goddess of Lower Egypt. In Etruscan civilization, the Chimera appears in the Orientalizing period that precedes Etruscan Archaic art; that is to say, very early indeed. The Chimera appears in Etruscan wall-paintings of the fourth century BC. In Medieval art, although the Chimera of antiquity was forgotten, chimerical figures appear as embodiments of the deceptive, even satanic forces of raw nature. Provided with a human face and a scaly tail, as in Dante's vision of Geryon