Women in dance while Terpsichore was the Muse of dance. In the 6th century BC, the "choros" became a lasting feature of Greek theatre while women known as the Dyonysiac, frequently depicted on Greek vases, dance in frensy, celebrating Dionysus, the god of wine. In Ancient Rome, female singers and dancers performed in the annual celebrations of Isis which included mystery plays representing the resurrection of Osiris. The Bible contains several accounts of women dancing, in particular the celebrations led by Miriam after the crossing of the Red Sea when women are said to have danced and played hand-drums. After David had returned
Khattak dance amongst Pashtuns. A journalist of Pashtun origin, Amanullah Ghilzai, traced the roots of Khattak to an ancient Greek dance. According to his theory, Khatak, or Athan, is one of the earliest forms of the ancient Greek dance dedicated to Athena. The Greeks brought this dance with them to Bactria. The Greeks had bequeathed the conventional dance for ancient Pashtun-dominated regions when they had colonised this region for several centuries ago. In ancient Greece, Athena had the same definition and reverence attached to it as Pashtuns accord to Athan. Athena seems to have disappeared in Greece during the Christian era while