Digitalis and blue halos around lights), convulsions, and deadly disturbances of the heart. For a case description, see the paper by Lacassie. Vincent van Gogh's "Yellow Period" may have been influenced by digitalis therapy which, at the time, was thought to control seizures. As noted above, other oculotoxic effects of digitalis include generalized blurry vision, as well as seeing a "halo" around each point of light. In some instances, people have confused digitalis with the relatively harmless comfrey ("Symphytum") plant, which is often brewed into a tea, with fatal consequences. Other fatal accidents involve children drinking the water in a vase
Where Do We Come From? What Are We? Where Are We Going? Boston, acquired it from the Marie Harriman Gallery on 16 April 1936. Where Do We Come From? What Are We? Where Are We Going? Where Do We Come From? What Are We? Where Are We Going? is a painting by French artist Paul Gauguin. Gauguin inscribed the original French title in the upper left corner: D'où Venons Nous / Que Sommes Nous / Où Allons Nous. The inscription the artist wrote on his canvas has no question mark, no dash, and all words are capitalized. In the upper right corner he signed and dated the painting: "P. Gauguin / 1897".