Chimera (mythology) repertory of the Greek vase-painters. The Chimera first appears at an early stage in the repertory of the proto-Corinthian pottery-painters, providing some of the earliest identifiable mythological scenes that may be recognized in Greek art. The Corinthian type is fixed, after some early hesitation, in the 670s BC; the variations in the pictorial representations suggests multiple origins to Marilyn Low Schmitt. The fascination with the monstrous devolved by the end of the seventh century into a decorative Chimera-motif in Corinth, while the motif of Bellerophon on Pegasus took on a separate existence alone. A separate Attic tradition, where the goats
King Chimera so, with this new King Chimera, it's a bit more metaphorical than that. I'll just leave it at that." In another interview with Newsarama, Sturges said, "King Chimera is a new character that kind of exemplifies the attitude, although he's an extreme case." Sturges also said that King wants to be "the most effective hero he can be and will do anything to achieve that goal." He also mentioned that King wants "to be trained as well as possible, and to take that training and use it effectively against the bad guys." In an Origins and Omens back-up story, Flash