Women in dance while Terpsichore was the Muse of dance. In the 6th century BC, the "choros" became a lasting feature of Greek theatre while women known as the Dyonysiac, frequently depicted on Greek vases, dance in frensy, celebrating Dionysus, the god of wine. In Ancient Rome, female singers and dancers performed in the annual celebrations of Isis which included mystery plays representing the resurrection of Osiris. The Bible contains several accounts of women dancing, in particular the celebrations led by Miriam after the crossing of the Red Sea when women are said to have danced and played hand-drums. After David had returned
The Class Struggle in the Ancient Greek World ancient Greek society, and have queried Ste. Croix's characterisation of women as a separate class in the ancient world. Perry Anderson, for instance, argued that reproduction is not a form of production in the Marxist sense, and so Ste. Croix's contention that women counted as a separate class was inaccurate. The Class Struggle in the Ancient Greek World The Class Struggle in the Ancient Greek World from the Archaic Age to the Arab Conquests is a 1981 book by the British classical historian G. E. M. de Ste. Croix, a fellow of New College, Oxford. The book became a classic