Arista Records and were not singing. This revelation caused a firestorm in the music industry, as recording artists, particularly pop acts that heavily relied on electronic processing and over-dubbing (what they referred to as "studio magic"), were now under scrutiny and subsequently forced to cut back on lip-synching to show that they were authentic. Milli Vanilli's Grammy Award was subsequently revoked. Clive Davis promptly released the duo from its contract and deleted the album and its masters from their catalogue—making "Girl You Know It's True" the largest-selling album to be deleted. A court ruling in the U.S. allowed anyone who had bought
Take Me Home (One Direction album) rotations of lead vocals. Jon Caramanica, writing in "The New York Times", considered the album "far more mechanical" than their debut album, although noted that it is sonically and lyrically similar. San Lansky, an editor for Idolator, described it as "’80s-inflected and intermittently rock-dappled," and as more indebted to the "sanitized punk crunch of McFly" than to teen pop. Alexis Petridis, a music journalist, interpreted its signature sound as a "peppy, synth-bolstered take on early-80s new-wave pop, heavy on clipped rhythms and chugging guitars," which, he said, is at least an improvement on the substitute R&B "that was once the