Sex and the City she is sex columnist on a newspaper, a bus wearing a huge photo of her in a tiny dress trundles past. 'Carrie Bradshaw knows good sex,' says the bus. And there, before any dialogue hits your ears, you have the two woeful female archetypes that "Sex and the City" loves—woman as sex object and woman as child ... In another [episode], Carrie realizes she is homeless because she has spent $40,000 on shoes and does not have a deposit for an apartment. (In this crisis, she cries and borrows the money for the deposit—what child would do anything else?)." Joan
Sex and the City against criticism of "Sex and the City" as anti-feminist, arguing for a more complex view of the characters as situated within different waves of feminism: "Miranda and Carrie were second-wave feminists, who believed in egalitarianism; Charlotte and Samantha were third-wave feminists, focused on exploiting the power of femininity, from opposing angles." A 2018 article in The Guardian entitled "'That show was as white as it gets!': Sex and the City's problematic legacy", pointed to the lack of any non-white series regulars and "racial insensitivities" in the show like Carrie's "ghetto gold" reference or Samantha's wearing an afro wig to cover