James Bond filmography of the Clint Eastwood character, Dirty Harry — was chosen for Moore to use in "Live and Let Die" rather than Bond's usual choice of Walther PPK. Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar ... Moore's humour was a throwaway, and certainly in the later films, verged on self-parody. It was an essential strand in the increasingly tongue-in-cheek direction of the series which became more light-hearted, knowing and playfully intertextual". Chapman noted that Moore was the
James Bond filmography that Connery "looks weary and bored ... he is overweight, slow-moving, and doesn't seem to be trying to create a credible character". Despite that, Benson considers that Connery "still radiates more screen presence than Roger Moore or George Lazenby". On the other hand, Pauline Kael said "Connery's James Bond is less lecherous than before and less foppish—and he's better this way". In the early 1980s producer Jack Schwartzman moved ahead with a non-Eon Bond film, following the controversy over the 1961 novel "Thunderball" and the subsequent long legal battle; the result was "Never Say Never Again". Connery accepted an offer