James Bond filmography of the Clint Eastwood character, Dirty Harry — was chosen for Moore to use in "Live and Let Die" rather than Bond's usual choice of Walther PPK. Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar ... Moore's humour was a throwaway, and certainly in the later films, verged on self-parody. It was an essential strand in the increasingly tongue-in-cheek direction of the series which became more light-hearted, knowing and playfully intertextual". Chapman noted that Moore was the
James Bond filmography this transcends any preconceived notions about the character". Benson also noted that Bond was witty, but contains "an assured toughness that epitomises the machismo male". Roger Moore agreed with Black and Benson, commenting that "Sean "was" Bond. He created Bond. He embodied Bond and because of Sean, Bond became an instantly recognisable character the world over—he was rough, tough, mean and witty ... he was a bloody good 007". However, despite his charm and virility, Connery was characteristically laconic in his delivery. Christopher Bray says of him that "in his single-minded, laconic, mocking, self-sufficient vanity, Connery's Bond was the epitome