Giacomo Puccini Because only three "verismo" works by Puccini continue to appear regularly on stage (the aforementioned "Cavalleria rusticana", "Pagliacci", and "Andrea Chénier"), Puccini's contribution has had lasting significance to the genre. Both during his lifetime and in posterity, Puccini's success outstripped other Italian opera composers of his time, and he has been matched in this regard by only a handful of composers in the entire history of opera. Eleven of Puccini's operas are numbered among the 200 most-performed operas (worldwide, by composers of any nationality, as surveyed by Operabase). Three of his works ("La bohème", "Tosca", and "Madama Butterfly") rank among
Giacomo Puccini 'update' his style to keep pace with new trends, but did not attempt to fully adopt a modern style. One critic, Anthony Davis has stated: "Loyalty toward nineteenth-century Italian-opera traditions and, more generally, toward the musical language of his Tuscan heritage is one of the clearest features of Puccini's music." Davis also identifies, however, a "stylistic pluralism" in Puccini's work, including influences from "the German symphonic tradition, French harmonic and orchestrational traditions, and, to a lesser extent, aspects of Wagnerian chromaticism." In addition, Puccini frequently sought to introduce music or sounds from outside sources into his operas, such as his