Chimera of Arezzo studying Ancient Greek and Roman coins, such as a silver "stater" featuring an image of the Chimera, thus accurately identifying it. Eventually, it was officially identified as being a part of a larger piece illustrating a fight between the Chimera and the Greek hero Bellerophon. The sculpture was found among other small pieces that served as votive offerings to the God Tinia. This sculpture may also have served as an Etruscan religious dedication. After discovery, it began its residence in Florence where it remained until its transportation in 1718 to the Uffizi Palace. Since 1870, the Chimaera of Arezzo has
Greek hero cult began to be told to individuate the persons who were now believed to be buried in these old and imposing sites", observes Robin Lane Fox. Greek hero-cults were distinct from the clan-based ancestor worship from which they developed, in that as the "polis" evolved, they became a civic rather than familial affair, and in many cases none of the worshipers traced their descent back to the hero any longer: no shrine to a hero can be traced unbroken from Mycenaean times. Whereas the ancestor was purely local, Lewis Farnell observed, the hero might be tended in more than one locality,