James Bond filmography of the Clint Eastwood character, Dirty Harry — was chosen for Moore to use in "Live and Let Die" rather than Bond's usual choice of Walther PPK. Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar ... Moore's humour was a throwaway, and certainly in the later films, verged on self-parody. It was an essential strand in the increasingly tongue-in-cheek direction of the series which became more light-hearted, knowing and playfully intertextual". Chapman noted that Moore was the
James Bond Theme Spy Who Loved Me", titled "Bond 77", featured a disco sound, reflecting a style of music which was very popular at the time. "The Spy Who Loved Me" returned briefly to using the surf-rock guitar associated with the theme from the early days. One unusual instance occurred in "Octopussy", when Bond's contact, who is disguised as a snake charmer played a few notes of the tune for Roger Moore's James Bond, presumably as a pre-arranged identification signal; this is an example of the tune being used as diegetic music. In the last Bond film of Roger Moore, "A View to