Juan Gris the painters of the Puteaux Group in the Salon de "la Section d'Or" in 1912. His preference for clarity and order influenced the Purist style of Amédée Ozenfant and Charles Edouard Jeanneret (Le Corbusier), and made Gris an important exemplar of the post-war "return to order" movement. In 1915 he was painted by his friend, Amedeo Modigliani. In November 1917 he made one of his few sculptures, the polychrome plaster "Harlequin". Gris's works from late 1916 through 1917 exhibit a greater simplification of geometric structure, a blurring of the distinction between objects and setting, between subject matter and background. The
Film gris the following ways: Andersen identifies the following as "films gris": Film gris Film gris (French for "grey film"), a term coined by Thom Andersen, is a type of film noir which categorizes a unique series of films that were released between 1947 and 1951. They came in the context of the first wave of the communist investigations of the House Un-American Activities Committee. Films gris offer a leftist criticism of society in general, and of capitalism in particular. They typically examine such themes as the psychological damages of class, the false promises of middle class happiness, and the pitfalls of