Miss Havisham and a considerable sum to Herbert Pocket's father, as a result of Pip's reference. Eliza Emily Donnithorne (1826–1886) of Camperdown, Sydney, was said to have been jilted by her groom on her wedding day and spent the rest of her life in a darkened house, her rotting wedding cake left as it was on the table, and with her front door kept permanently ajar in case her groom ever returned. She was widely considered at the time to be Dickens' model for Miss Havisham, although this cannot be proven. In the 1965 Penguin edition, Angus Calder notes at Chapter 8
Sondra Sherman begun to express a sense of human character and emotion. For example, the piece Miss Havisham uses Charles Dickens' archetypal character to explore the stereotype of the old maid and society's discomfort with nontraditional women. As Sherman describes, "Miss Havisham, a chagrined, wealthy old woman, was left standing at the alter. The interior of her magnificent house remains as it was decorated to celebrate her wedding day. An atmosphere of bitter disappointment prevails." Sherman has also worked at the Los Angeles County Museum of Art (LACMA), Metropolitan Museum of Art, NY, Philadelphia Museum of Art, Museum of Fine Arts, Boston,