Women in dance while Terpsichore was the Muse of dance. In the 6th century BC, the "choros" became a lasting feature of Greek theatre while women known as the Dyonysiac, frequently depicted on Greek vases, dance in frensy, celebrating Dionysus, the god of wine. In Ancient Rome, female singers and dancers performed in the annual celebrations of Isis which included mystery plays representing the resurrection of Osiris. The Bible contains several accounts of women dancing, in particular the celebrations led by Miriam after the crossing of the Red Sea when women are said to have danced and played hand-drums. After David had returned
Ancient Greek phonology to the ones that occurred later in Koine. This section primarily describes sound changes that occurred between the Mycenaean and Ancient Greek periods and during the Ancient Greek period. For sound changes occurring in Proto-Greek and in Koine Greek, see and Koine Greek phonology. In Proto-Greek, the PIE sibilant became by debuccalization in many cases. Clusters of and a sonorant (liquid or nasal) at the beginning of a word became a voiceless resonant in some forms of Archaic Greek. Voiceless remained in Attic at the beginning of words, and became the regular allophone of in this position; voiceless merged with