Shield-maiden and female fantasy as well as emblematic of the danger of abandoning gender roles. Brynhildr of the "Vǫlsunga saga", along with her rival in love, Guðrún Gjúkadóttir, provides an example of how a shield-maiden compares to more conventional aristocratic womanhood in the sagas. Brynhildr is chiefly concerned with honor, much like a male warrior. When she ends up married to Gudrun's brother Gunnarr instead of Sigurðr, the man she intended to marry, Brynhildr speaks a verse comparing the courage of the two men: Brynhildr is married to Gunnarr and not Sigurðr because of deceit and trickery, including a potion of
Norse mythology in popular culture George Webbe Dasent brought the mythology of Scandinavia back to the popular notice of many people in Germany and England; in both cases, Norse mythology was recognized as the latest surviving form of Germanic paganism. Germany and England were Christianized far earlier than the Scandinavian countries and much of their own traditions were lost. In Britain, William Morris composed poetry such as "Sigurd the Volsung" on Norse legendary subjects as well as translating Icelandic sagas into English. In Germany, Richard Wagner borrowed characters and themes from Norse mythology to compose the four operas that make up "Der Ring des Nibelungen"