The Picture of Dorian Gray August 1889, Stoddart dined with Oscar Wilde, Sir Arthur Conan Doyle and T. P. Gill at the Langham Hotel, and commissioned novellas from each writer. Conan Doyle promptly submitted "The Sign of the Four" (1890) to Stoddart, but Wilde was more dilatory; Conan Doyle's second Sherlock Holmes novel was published in the February 1890 edition of "Lippincott's Monthly Magazine", yet Stoddart did not receive Wilde's manuscript for "The Picture of Dorian Gray" until 7 April 1890, nine months after having commissioned the novel from him. The literary merits of "The Picture of Dorian Gray" impressed Stoddart, but, as an editor,
The Picture of Dorian Gray theme in "The Picture of Dorian Gray" (1891) is aestheticism and its conceptual relation to living a double life. Throughout the story, the narrative presents aestheticism as an absurd abstraction, which disillusions more than it dignifies the concept of Beauty. Despite Dorian being a hedonist, when Basil accuses him of making a "by-word" of the name of Lord Henry's sister, Dorian curtly replies, "Take care, Basil. You go too far ..."; thus, in Victorian society, public image and social standing do matter to Dorian. Yet, Wilde highlights the protagonist's hedonism: Dorian enjoyed "keenly the terrible pleasure of a double life",