The Picture of Dorian Gray edition of the novel; nonetheless, by June 1891, Wilde was defending "The Picture of Dorian Gray" against accusations that it was a bad book. In the essay "The Artist as Critic", Oscar Wilde said that: In the 19th century, the critical reception of the novel "The Picture of Dorian Gray" (1890) was poor. The book critic of "The Irish Times" said, "The Picture of Dorian Gray" was "first published to some scandal." Such book reviews achieved for the novel a "certain notoriety for being 'mawkish and nauseous', 'unclean', 'effeminate' and 'contaminating'." Such moralistic scandal arose from the novel's homoeroticism, which
The Picture of Dorian Gray theme in "The Picture of Dorian Gray" (1891) is aestheticism and its conceptual relation to living a double life. Throughout the story, the narrative presents aestheticism as an absurd abstraction, which disillusions more than it dignifies the concept of Beauty. Despite Dorian being a hedonist, when Basil accuses him of making a "by-word" of the name of Lord Henry's sister, Dorian curtly replies, "Take care, Basil. You go too far ..."; thus, in Victorian society, public image and social standing do matter to Dorian. Yet, Wilde highlights the protagonist's hedonism: Dorian enjoyed "keenly the terrible pleasure of a double life",