Origins and architecture of the Taj Mahal leading classes of Indian social structure and thus defined themselves as rulers in Indian terms. Red sandstone also had significance in the Persian origins of the Mughal empire where red was the exclusive colour of imperial tents. In the Taj Mahal the relative importance of each building in the complex is denoted by the amount of white marble (or sometimes white polished plaster) that is used. The use of naturalist ornament demonstrates a similar hierarchy. Wholly absent from the more lowly jilaukhana and caravanserai areas, it can be found with increasing frequency as the processional route approaches the climactic Mausoleum.
Taj Mahal (musician) of his unique sound." According to "The Rough Guide to Rock", "It has been said that Taj Mahal was one of the first major artists, if not the very first one, to pursue the possibilities of world music. Even the blues he was playing in the early 70s – "Recycling The Blues & Other Related Stuff" (1972), "Mo' Roots" (1974) – showed an aptitude for spicing the mix with flavours that always kept him a yard or so distant from being an out-and-out blues performer." Concerning his voice, author David Evans writes that Mahal has "an extraordinary voice that ranges