Portrayals of God in popular media was Irvine Welsh's "The Granton Star Cause", which portrayed God as drunken and abusive. Ironically, the campaign backfired, only serving the advertise the film more widely. The role of God is a difficult one to play, and also a difficult one to cast. The casting of Alanis Morissette as God in "Dogma" was influenced by the singer's own public dialogue with her faith, as expressed in her songs. The casting of African American Morgan Freeman as God in "Bruce Almighty" took the movie stereotype of a "black angel" to a new level. On the subject of playing the role, Ella
The Man Who Played God (1932 film) engagement, allowing her to follow her heart. Montgomery continues to act as a philanthropist, but his attitude is changed and his motives become altruistic. He draws closer to Mildred, who always has loved him, and the two find happiness in their developing relationship. Warners had made a silent version of "The Man Who Played God" in 1922, based on the 1914 play "The Silent Voice" by Jules Eckert Goodman, who adapted it from a story by Gouverneur Morris published in "Cosmopolitan" in 1912. For the 1932 film, a fresh adaptation was worked up by Julien Josephson and Maude T. Howell.