The Picture of Dorian Gray edition of the novel; nonetheless, by June 1891, Wilde was defending "The Picture of Dorian Gray" against accusations that it was a bad book. In the essay "The Artist as Critic", Oscar Wilde said that: In the 19th century, the critical reception of the novel "The Picture of Dorian Gray" (1890) was poor. The book critic of "The Irish Times" said, "The Picture of Dorian Gray" was "first published to some scandal." Such book reviews achieved for the novel a "certain notoriety for being 'mawkish and nauseous', 'unclean', 'effeminate' and 'contaminating'." Such moralistic scandal arose from the novel's homoeroticism, which
The Picture of Dorian Gray corrupted soul (antithesis of the beautiful soul) is imbalanced and disordered, and, in itself, is undesirable, regardless of any advantage derived from acting unjustly. The picture of Dorian Gray is the means by which other people, such as his friend Basil Hallward, may see Dorian's distorted soul. Dorian attends a performance of "Tannhäuser", by Richard Wagner, and the narrative identifies him with the protagonist of the opera. Disruptive beauty is the thematic resemblance between the opera and "The Picture of Dorian Gray". Based upon a medieval historical figure, Tannhäuser is a singer whose art is so beautiful that Venus becomes