James Bond filmography of the Clint Eastwood character, Dirty Harry — was chosen for Moore to use in "Live and Let Die" rather than Bond's usual choice of Walther PPK. Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar ... Moore's humour was a throwaway, and certainly in the later films, verged on self-parody. It was an essential strand in the increasingly tongue-in-cheek direction of the series which became more light-hearted, knowing and playfully intertextual". Chapman noted that Moore was the
James Bond Theme end credits is David Arnold's "Casino Royale" track "The Name's Bond…James Bond". Despite this, the film's score was composed by Thomas Newman, who also incorporated the "James Bond Theme" throughout the entire film. In "Spectre", the theme appears at the beginning of the film as part of the opening gunbarrel sequence, indicating a return to the franchise's classic roots of 1962–2002. Over 70 cover versions of the "James Bond Theme" have been recorded by artists such as: American electronica musician Moby produced a remixed version of the theme entitled "James Bond Theme (Moby's Re-Version)" for the Bond film "Tomorrow Never