The Picture of Dorian Gray biography, "Oscar Wilde" (1989), the literary critic Richard Ellmann said that: Wilde does not name the book, but at his trial he conceded that it was, or almost [was], Huysmans's "À rebours" ... to a correspondent, he wrote that he had played a 'fantastic variation' upon "À rebours", and someday must write it down. The references in "Dorian Gray" to specific chapters are deliberately inaccurate. Some commentators have suggested that "The Picture of Dorian Gray" was influenced by the British Prime Minister Benjamin Disraeli's (anonymously published) first novel "Vivian Grey" (1826) as, "a kind of homage from one outsider to
The Picture of Dorian Gray (1945 film) his sins in physical form. The portrait, by contrast, once more shows Dorian Gray as a young, innocent man. Two paintings of the character Dorian Gray were used in the film. The painting entitled "Picture of Dorian Gray" used at the end of the film was painted on commission during the making of the film in 1943-1944 by Ivan Le Lorraine Albright, an American artist who was well known as a painter of the macabre. Created specifically for use in the film, it is now part of the art collection of the Art Institute of Chicago. Albright had to paint