James Bond filmography of the Clint Eastwood character, Dirty Harry — was chosen for Moore to use in "Live and Let Die" rather than Bond's usual choice of Walther PPK. Spicer says "Roger Moore re-created Bond as an old-style debonair hero, more polished and sophisticated than Connery's incarnation, using the mocking insouciance he had perfected in his role as Simon Templar ... Moore's humour was a throwaway, and certainly in the later films, verged on self-parody. It was an essential strand in the increasingly tongue-in-cheek direction of the series which became more light-hearted, knowing and playfully intertextual". Chapman noted that Moore was the
Double O Seven, James Bond, A Report the preface and the writer–executor correspondence, Snelling stresses his preference for the literary 007, because he felt the film series’ interpretation, especially Roger Moore’s entries, abandoned the "adult" secret agent character Ian Fleming created; ultimately, O. F. Snelling lost interest in all things Bond. Double O Seven, James Bond, A Report Double O Seven, James Bond, A Report (1964), by O. F. (Oswald Frederick) Snelling, is the first book-length, critical analysis of the James Bond novels, and the only such study Ian Fleming approved. It was published in August 1964, the month when Fleming died, a coincidence that earned the