Giacomo Puccini Because only three "verismo" works by Puccini continue to appear regularly on stage (the aforementioned "Cavalleria rusticana", "Pagliacci", and "Andrea Chénier"), Puccini's contribution has had lasting significance to the genre. Both during his lifetime and in posterity, Puccini's success outstripped other Italian opera composers of his time, and he has been matched in this regard by only a handful of composers in the entire history of opera. Eleven of Puccini's operas are numbered among the 200 most-performed operas (worldwide, by composers of any nationality, as surveyed by Operabase). Three of his works ("La bohème", "Tosca", and "Madama Butterfly") rank among
Messa (Puccini) in 1878 and was initially conceived by Puccini as a self-contained work. Puccini never published the full manuscript of the "Messa", and although well received at the time, it was not performed again until 1952 (first in Chicago and then in Naples). However, he re-used some of its themes in other works, such as the Agnus Dei in his opera "Manon Lescaut" and the Kyrie in "Edgar". At the end of World War II, Fr. Dante Del Fiorentino purchased an old copy of the manuscript of the Messa from the Vandini family in Lucca, imagining it was the original score.