The Picture of Dorian Gray August 1889, Stoddart dined with Oscar Wilde, Sir Arthur Conan Doyle and T. P. Gill at the Langham Hotel, and commissioned novellas from each writer. Conan Doyle promptly submitted "The Sign of the Four" (1890) to Stoddart, but Wilde was more dilatory; Conan Doyle's second Sherlock Holmes novel was published in the February 1890 edition of "Lippincott's Monthly Magazine", yet Stoddart did not receive Wilde's manuscript for "The Picture of Dorian Gray" until 7 April 1890, nine months after having commissioned the novel from him. The literary merits of "The Picture of Dorian Gray" impressed Stoddart, but, as an editor,
The Picture of Dorian Gray (1945 film) his sins in physical form. The portrait, by contrast, once more shows Dorian Gray as a young, innocent man. Two paintings of the character Dorian Gray were used in the film. The painting entitled "Picture of Dorian Gray" used at the end of the film was painted on commission during the making of the film in 1943-1944 by Ivan Le Lorraine Albright, an American artist who was well known as a painter of the macabre. Created specifically for use in the film, it is now part of the art collection of the Art Institute of Chicago. Albright had to paint