Portrayals of God in popular media was Irvine Welsh's "The Granton Star Cause", which portrayed God as drunken and abusive. Ironically, the campaign backfired, only serving the advertise the film more widely. The role of God is a difficult one to play, and also a difficult one to cast. The casting of Alanis Morissette as God in "Dogma" was influenced by the singer's own public dialogue with her faith, as expressed in her songs. The casting of African American Morgan Freeman as God in "Bruce Almighty" took the movie stereotype of a "black angel" to a new level. On the subject of playing the role, Ella
The Man Who Played God (1932 film) and goes, a famously unsuccessful version. The Man Who Played God (1932 film) The Man Who Played God is a 1932 American Pre-Code drama film directed by John G. Adolfi and produced by Darryl F. Zanuck. George Arliss stars as a concert pianist embittered by the loss of his hearing who eventually finds redemption in helping others; it also features a then little-known Bette Davis as the much younger woman in love with the protagonist. Warner Bros. promoted the film as an example that studios could produce motion pictures of social and moral value without the oversight of non-industry agents.