The Picture of Dorian Gray "psychological collapse more prolonged and more convincing." The introduction of the James Vane character to the story develops the socio-economic background of the Sibyl Vane character, thus emphasising Dorian's selfishness and foreshadowing James's accurate perception of the essentially immoral character of Dorian Gray; thus, he correctly deduced Dorian’s dishonourable intent towards Sibyl. The sub-plot about James Vane's dislike of Dorian gives the novel a Victorian tinge of class struggle. With such textual changes, Oscar Wilde meant to diminish the moralistic controversy about the novel "The Picture of Dorian Gray". Consequent to the harsh criticism of the magazine edition of the
The Picture of Dorian Gray (1945 film) his sins in physical form. The portrait, by contrast, once more shows Dorian Gray as a young, innocent man. Two paintings of the character Dorian Gray were used in the film. The painting entitled "Picture of Dorian Gray" used at the end of the film was painted on commission during the making of the film in 1943-1944 by Ivan Le Lorraine Albright, an American artist who was well known as a painter of the macabre. Created specifically for use in the film, it is now part of the art collection of the Art Institute of Chicago. Albright had to paint