James Bond Theme made a comeback along with a full orchestral version during a hovercraft sequence. On the soundtrack this track is named "Mr. Wint and Mr. Kidd/Bond to Holland." When Roger Moore came to the role, the "James Bond Theme" became a string orchestra driven piece. Likewise, in "Live and Let Die", the James Bond theme was featured in a Funk-inspired version of the tune reflecting the music of Blaxploitation films popular at the time. After that in 1974 John Barry composed the theme and song but sung by Lulu. The brief quote of the theme in the pre-credits music of "The
Double O Seven, James Bond, A Report the preface and the writer–executor correspondence, Snelling stresses his preference for the literary 007, because he felt the film series’ interpretation, especially Roger Moore’s entries, abandoned the "adult" secret agent character Ian Fleming created; ultimately, O. F. Snelling lost interest in all things Bond. Double O Seven, James Bond, A Report Double O Seven, James Bond, A Report (1964), by O. F. (Oswald Frederick) Snelling, is the first book-length, critical analysis of the James Bond novels, and the only such study Ian Fleming approved. It was published in August 1964, the month when Fleming died, a coincidence that earned the