Giacomo Puccini Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria Puccini (; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi". Puccini's early work was rooted in traditional late-19th-century romantic Italian opera. Later, he successfully developed his work in the realistic "verismo" style, of which he became one of the leading exponents. Puccini's most renowned works are "La bohème" (1896), "Tosca" (1900), "Madama Butterfly" (1904), and "Turandot" (1924), all of which are among the important operas played as standards. Puccini was born Giacomo Antonio Domenico Michele Secondo Maria
Giacomo Puccini 'update' his style to keep pace with new trends, but did not attempt to fully adopt a modern style. One critic, Anthony Davis has stated: "Loyalty toward nineteenth-century Italian-opera traditions and, more generally, toward the musical language of his Tuscan heritage is one of the clearest features of Puccini's music." Davis also identifies, however, a "stylistic pluralism" in Puccini's work, including influences from "the German symphonic tradition, French harmonic and orchestrational traditions, and, to a lesser extent, aspects of Wagnerian chromaticism." In addition, Puccini frequently sought to introduce music or sounds from outside sources into his operas, such as his