Sarah Siddons as the Tragic Muse paintings of Melpoméne, she is represented with a tragic mask and also often holds in her other hand a knife or club. In Greek mythology, she is the daughter of Zeus and Mnemosyne, who had eight other daughters, Melpoméne's sisters and the eight other muses are: Calliope, muse of epic poetry; Clio, muse of history; Euterpe, muse of flute playing; Terpsichore, muse of dancing; Erato, muse of erotic poetry; Thalia muse of comedy; Polyhymnia, muse of hymns; and Urania, muse of astronomy. Reynolds was inspired not only by Sarah Siddons' extreme talent to embody the tragic heroine in Macbeth, but
The Class Struggle in the Ancient Greek World ancient Greek society, and have queried Ste. Croix's characterisation of women as a separate class in the ancient world. Perry Anderson, for instance, argued that reproduction is not a form of production in the Marxist sense, and so Ste. Croix's contention that women counted as a separate class was inaccurate. The Class Struggle in the Ancient Greek World The Class Struggle in the Ancient Greek World from the Archaic Age to the Arab Conquests is a 1981 book by the British classical historian G. E. M. de Ste. Croix, a fellow of New College, Oxford. The book became a classic