Erik (The Phantom of the Opera) took roughly four hours per performance to put the prosthetics on in the original London productions. On Broadway, it was cut to roughly three, and over the years has been reduced to 45 minutes. More than one Phantom has described make-up disasters onstage. Michael Crawford recounts a story where he pulled away from the kiss at the end only to see that "[his] lower lip was now hanging off Sarah [Brightman]'s face!". To cover the flub, he pulled her back for another kiss and "took back the lips" and kept that side of his head turned away from the audience.
Return of the Phantom events related to the Phantom seem to have taken place, but before the credits begin the Phantom's shadow is seen behind him. "QuestBusters" called "Return of the Phantom" "a high quality game with few bugs" and praised the game for having used professional actors, a designer with real-world experience in Broadway theatre, and an original "Bach inspired" score. The magazine wrote that "Micro Prose uses their own unique adaptation of the classical animation overlaying process, producing a very life-like final animation video. Numerous digitized sound effects round off the experience." "Computer Gaming World" in October 1993 called the game's plot