Punch and Judy with an extending neck (the "Courtier"), and a monkey. A live Dog Toby was once a regular featured novelty routine, sitting on the playboard and performing 'with' the puppets. Glyn Edwards has likened the story of Punch and Judy to the story of Cinderella. He points out that there are parts of the Cinderella story which everyone knows, namely the cruel step sisters, the invitation to the ball, the handsome prince, the fairy godmother, Cinderella's dress turning to rags at midnight, the glass slipper left behind, the prince searching for its owner, and the happy ending. None of these elements
Punch and Judy who may have somehow "had it coming." This suggestion better explains the humour of the violence toward the baby. Other characters that had to incur the wrath of Punch varied depending on the punchman, but the most common were the foreigner, the blind man, the publican, the constable, and the devil. Punch is primarily an oral tradition, adapted by a succession of exponents from live performances rather than authentic scripts, and in constant evolution. There exist, however, some early published scripts of varying authenticity. In 1828, the critic John Payne Collier published a Punch and Judy script under the title