Chimera of Arezzo made its home at the National Archaeological Museum in Florence. As the sculpture made its way through the Florence museums, it increasingly attracted the attention of both artists and historians. Typical iconography of the Chimera myth depicts the warrior Bellerophon as he confronts the Chimera, or rides atop or alongside it. This iconography began to appear upon Greek vessels in 600 BCE. The Chimera of Arezzo presents a very detailed and complex composition that most likely was meant for display and viewing in the round. The Chimera is clearly expressing pain throughout its body. Its form is contorted, its face
Greek hero cult began to be told to individuate the persons who were now believed to be buried in these old and imposing sites", observes Robin Lane Fox. Greek hero-cults were distinct from the clan-based ancestor worship from which they developed, in that as the "polis" evolved, they became a civic rather than familial affair, and in many cases none of the worshipers traced their descent back to the hero any longer: no shrine to a hero can be traced unbroken from Mycenaean times. Whereas the ancestor was purely local, Lewis Farnell observed, the hero might be tended in more than one locality,