Origins and architecture of the Taj Mahal order to all the elements of the Taj Mahal. Hierarchical ordering of architecture is commonly used to emphasise particular elements of a design and to create drama. In the Taj Mahal, the hierarchical use of red sandstone and white marble contributes manifold "symbolic" significance. The Mughals were elaborating on a concept which traced its roots to earlier Hindu practices, set out in the Vishnudharmottara Purana, which recommended white stone for buildings for the Brahmins (priestly caste) and red stone for members of the Kshatriyas (warrior caste). By building structures that employed such colour-coding, the Mughals identified themselves with the two
Taj Mahal stated there was no evidence to suggest the monument ever housed a temple. A theory that the Taj Mahal was designed by an Italian, Geronimo Vereneo, held sway for a brief period after it was first promoted by Henry George Keene in 1879 who went by a translation of a Spanish work "Itinerario", ("The Travels of Fray Sebastian Manrique, 1629-1643"). Another theory that a Frenchman, Austin of Bordeaux designed the Taj was promoted by William Henry Sleeman based on the work of Jean-Baptiste Tavernier. These idea were revived by Father Hosten and discussed again by E.B. Havell and served as