Chimera of Arezzo Chimera of Arezzo The Chimera of Arezzo is regarded as the best example of ancient Etruscan artwork. British art historian, David Ekserdjian, described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting." Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a Chimera and the Greek hero Bellerophon. This
Chimera (mythology) parts taken from various animals, or to describe anything composed of very disparate parts, or perceived as wildly imaginative, implausible, or dazzling. The sight of a Chimera was an omen for disaster. Homer's brief description in the "Iliad" is the earliest surviving literary reference: "a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire." Elsewhere in the "Iliad", Homer attributes the rearing of Chimera to Amisodorus. Hesiod's "Theogony" follows the Homeric description: he makes the Chimera the issue of Echidna: "She was