The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
The Hobbit themes explored in "The Hobbit". Maps figure in both saga literature and "The Hobbit". Several of the author's illustrations incorporate Anglo-Saxon runes, an English adaptation of the Germanic runic alphabets. Themes from Old English literature, and specifically from "Beowulf", shape the ancient world Bilbo stepped into. Tolkien, a scholar of "Beowulf", counted the epic among his "most valued sources" for "The Hobbit". Tolkien was one of the first critics to treat "Beowulf" as a literary work with value beyond the merely historical, and his 1936 lecture "" is still required in some Old English courses. Tolkien borrowed several elements from