Being and Time in his posthumously published "" (1973), argued that the concept of reification as employed in "Being and Time" showed the strong influence of György Lukács' "History and Class Consciousness" (1923), though Goldmann's suggestion has been disputed. "Being and Time" influenced Alain Badiou's work "Being and Event" (1988). Roger Scruton writes that "Being and Time" is "the most complex of the many works inspired, directly or indirectly, by Kant's theory of time as 'the form of inner sense'." He considers Heidegger's language "metaphorical" and almost incomprehensible. Scruton suggests that this necessarily follows from the nature of Heidegger's phenomenological method. He finds
Mario Costa (philosopher) the category of "flux", which his analysis considers both from a philosophical point of view and in its diverse aesthetic manifestations. Costa extended his reflection from the "cinematographic flux" to the present "technological aesthetic fluxes", made possible by the advent of digital technology and networks. He concluded that technological fluxes may also highlight essential aspects of contemporary ontology, being closely tied to our experience of time and existential attitude. Mario Costa (philosopher) Mario Costa (born 7 December 1936 in Torre del Greco) is an Italian philosopher. He is known for his studies of the consequences of new technology in art