Ingrid Vetlesen Opera Academy. While studying, Vetlesen sang Adina and Norina in Donizetti’s L’Elisir d’Amore and Don Pasquale, Gretel in Humperdinck’s Hänsel und Gretel, Gilda in Verdi’s Rigoletto, Juliette in Gounod’s Roméo et Juliette, Frasquita in Bizet’s Carmen, Sophie in Der Rosenkavalier by Strauss, Musetta in Puccini’s La Bohème, Susanna and Ilia in Mozart’s Le Nozze di Figaro and Idomeneo. She had her debut at the Royal Danish Opera in Caroline Mathilde (2006), in a ballet by Flemming Flint, composed by Peter Maxwell Davies, where she had the part of the opera singer. In 2008, she made her operatic debut as Barbarina
Opera in German German opera. Weber completely eliminated spoken dialogue, producing a "through-composed" work where the distinction between recitative and aria is becoming blurred. Its lessons would not be lost on future composers, including Richard Wagner. Weber's most important successor in the field of Romantic opera was Heinrich Marschner, who further explored the Gothic and the supernatural in works such as "Der Vampyr" (1828) and "Hans Heiling" (1833). On the other hand, it was with comic opera that Albert Lortzing scored his biggest successes. The popularity of pieces such as "Zar und Zimmermann" continues in Germany today, though Lortzing's operas are rarely staged