The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
The dragon (Beowulf) trigger a chain of events in "The Hobbit". The "Beowulf" dragon is the earliest example in literature of the typical European dragon and first incidence of a fire-breathing dragon. The "Beowulf" dragon is described with Old English terms such as "draca" (dragon), and "wyrm" (reptile, or serpent), and as a creature with a venomous bite. Also, the "Beowulf" poet created a dragon with specific traits: a nocturnal, treasure-hoarding, inquisitive, vengeful, fire-breathing creature. The fire is likely symbolic of the hellfire of the devil, reminiscent of the monster in the Book of Job. In the Septuagint Bible, Job's monster is characterized