Beowulf: The Monsters and the Critics writing in "The New Yorker", calls it "a paper that many people regard as not just the finest essay on the poem but one of the finest essays on English literature." She adds that "Tolkien preferred the monsters to the critics." Regina Weinreich, reviewing "The Monsters and the Critics: And Other Essays" in "The New York Times", wrote that the title essay "revolutionized the study of the early English poem "Beowulf," in which a young hero crushes a human-handed monster called Grendel. Against the scorn of critics, Tolkien defends the centrality and seriousness of literary monsters, declaring his own belief
Beowulf: The Monsters and the Critics thinker, religiously enlightened, who let his mind play over a lost heroic world of the imagination", in other words that the "Beowulf" poet was a man much like Tolkien. Niles cited George Clark's observation that Tolkien left "Beowulf" scholars with the "myth of the poet as brooding intellectual, poised between a dying pagan world and a nascent Christian one." Niles noted that Tolkien's view of the melancholic vision of the "Beowulf" poet, and of the heroic fatalism of the poem's leading characters, was not wholly new, but that his view of the poet himself as a hero was. Joan Acocella,