Beowulf: The Monsters and the Critics give it a powerful effect. He rebuts suggestions that the poem is an epic or exciting narrative, likening it instead to a strong masonry structure built of blocks that fit together. He points out that the poem's theme is a serious one, mortality, and that the poem is in two parts: the first on Beowulf as a young man, defeating Grendel and his mother; the second on Beowulf in old age, going to his death fighting the dragon. The work has been praised by critics including the poet and "Beowulf" translator Seamus Heaney. Michael D. C. Drout called it the
Beowulf was made early on by Guðbrandur Vigfússon (1878). "Grettis saga" is a family saga, and a story about , a great-grandson of an Icelandic settler, cannot be comparably as old as "Beowulf". Axel Olrik (1903) claimed that on the contrary, this saga was a reworking of "Beowulf", and others had followed suit. However, (1910) wrote a thesis in which both "Beowulf" and "Grettis saga" drew from a common folkloric source, and this encouraged even a detractor such W. W. Lawrence to reposition his view, and entertain the possibility that certain elements in the saga (such as the waterfall in place