The dragon (Beowulf) His Lair in "Beowulf"" that the fight between Beowulf and the dragon tends to receive less critical attention than other portions of the poem, commenting that "Grendel and his dam have, as it were, become more beloved of the commentators". Conversely, Kemp Malone writes in "The Kenning in "Beowulf"" that Beowulf's fight with the dragon receives much critical attention, but that commentators fail to note that "the dragon was no fighter. Not that it refused to fight when challenged, but that it did not seek out Beowulf or anyone else. It left Beowulf to do the seeking out". In his
Beowulf: The Monsters and the Critics young Beowulf and the old Hrothgar. The poem's metre, too, is founded on a balance of two halves to each line, "more like masonry than music". Tolkien argues that the poem is not meant to be an exciting narrative, nor a romantic story, but a word-picture, "a method and structure that ... approaches rather to sculpture or painting. It is a composition not a tune." Far from being weakly structured, it "is curiously strong". It Tolkien takes a moment to dismiss another criticism, that monsters should not have been made to appear in both halves. He replies he can see