The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
The dragon (Beowulf) northern literature there are only two that are significant ... we have but the dragon of the Völsungs, Fáfnir, and Beowulf's bane." Furthermore, Tolkien believes the "Beowulf" poet emphasizes the monsters Beowulf fights in the poem and claims the dragon is as much of a plot device as anything. Tolkien expands on "Beowulf"'s dragon in his own fiction, which indicates the lasting impact of the "Beowulf" poem. Within the plot structure, however, the dragon functions differently in "Beowulf" than in Tolkien's fiction. The dragon fight ends "Beowulf", while Tolkien uses the dragon motif (and the dragon's love for treasure) to