The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
Beowulf: The Monsters and the Critics wrote that the "epoch-making paper" stood out in considering "Beowulf" as literature. Heaney argued that Tolkien "took for granted the poem's integrity and distinction as a work of art", and showed how the poem achieved that status: Heaney called the paper's literary treatment "brilliant". He suggested that it had changed the way that "Beowulf" was valued, and that it had started "a new era of appreciation" of the poem. Tolkien's own translation of "Beowulf", published posthumously in 2014 as "", has been linked to the essay. Shippey has argued that the translation throws light on "what Tolkien really thought in