Cultural views on the navel 1960s, community standards had changed. Marilyn Monroe was allowed to expose her navel in "Something's Got to Give" (1962) and later commented, "I guess the censors are willing to recognize that everybody has a navel." Ursula Andress, appearing as Honey Rider in the 1962 James Bond film, "Dr. No", wore her iconic white bikini, which exposed her midriff and navel. However, when Annette Funicello was cast in her first beach movie "Beach Party" (1963), Walt Disney, who held her contract, insisted that she only wear modest bathing suits and keep her navel covered, to preserve her wholesome persona, though she
The Girl Who Was Plugged In to conform to a constructed ideal of femininity in order to avoid being seen as a failure or to some extent incomplete. To Hollinger, "The Girl Who Was Plugged In" is about ways women experience pressure from society to fulfill the set standards of femininity as seen in P. Burke's desperate desire to disembody by fully leaving her real body, and re-embody permanently as Delphi. In a society where the only way to happiness is by conforming completely to a constructed ideal, P. Burke has little choice but to live through the perfect girl body Delphi. Heather J. Hicks reinforces