Being and Time mentioned in "Being and Time", has been identified by some with Heidegger's central notion of "Sorge" ("cura", care or concern). However, for Heidegger, "theoretical" knowledge represents only one kind of intentional behaviour, and he asserts that it is grounded in more fundamental modes of behaviour and forms of practical engagement with the surrounding world. Whereas a theoretical understanding of things grasps them according to "presence," for example, this may conceal that our first experience of a being may be in terms of its being "ready-to-hand." Thus, for instance, when someone reaches for a tool such as a hammer, their understanding
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests