Being and Time hermeneutics), it must rely upon repetitive yet progressive acts of interpretation. "The methodological sense of phenomenological description is "interpretation"." Thus the question Heidegger asks in the introduction to "Being and Time" is: what is the being that will give access to the question of the meaning of Being? Heidegger's answer is that it can only be that being for whom the question of Being is important, the being for whom Being matters. As this answer already indicates, the being for whom Being is a question is not a "what", but a "who". Heidegger calls this being "Dasein" (an ordinary German
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests