Arthur Bliss thought Bliss's music competent but unremarkable. In 1961, Bliss and Hassall collaborated on a cantata, "The Beatitudes", commissioned for the opening of the new Coventry Cathedral. Reviews were friendly, but the work has rarely been performed since, and has been eclipsed by another choral work written for Coventry at the same time, Britten's "War Requiem". Bliss followed this with two further large-scale choral works, "Mary of Magdala" (1962) and "The Golden Cantata" (1963). Throughout his life, Bliss was vigilant on the state of music in Britain, about which he had written extensively since the 1920s. In 1969 he publicly censured
Coventry Basil Spence's much-celebrated new St Michael's Cathedral (incorporating one of the world's largest tapestries) was consecrated. Its prefabricated steel spire (flèche) was lowered into place by helicopter. Major expansion to Coventry had taken place previously, in the 1920s and 1930s, to provide housing for the large influx of workers who came to work in the city's booming factories. The areas which were expanded or created in this development included Radford, Coundon, Canley, Cheylesmore and Stoke Heath. Coventry's motor industry boomed during the 1950s and 1960s and Coventry enjoyed a 'golden age'. During this period the disposable income of Coventrians was