Beowulf: The Monsters and the Critics most important article ever written about the poem. Scholars of Anglo-Saxon agree that the work was influential, transforming the study of "Beowulf". J. R. R. Tolkien's essay ""Beowulf": The Monsters and the Critics", initially delivered as a lecture in 1936, is regarded as a formative work in modern "Beowulf" studies. In it, Tolkien speaks against critics who play down the monsters in the poem, namely Grendel, Grendel's mother, and the dragon, in favour of using "Beowulf" solely as a source for Anglo-Saxon history. Tolkien argues that rather than being merely extraneous, these elements are key to the narrative and should
Old English literature "Beowulf", the sea is called the "whale road") and litotes, a dramatic understatement employed by the author for ironic effect. Alternative theories have been proposed, such as the theory of John C. Pope (1942), which uses musical notation to track the verse patterns. J. R. R. Tolkien describes and illustrates many of the features of Old English poetry in his 1940 essay "On Translating "Beowulf"". Even though all extant Old English poetry is written and literate, it is assumed that Old English poetry was an oral craft that was performed by a "scop" and accompanied by a harp. Most Old