Being and Time this world and these possibilities is always via a history and a tradition—this is the question of "world historicality," and among its consequences is Heidegger's argument that "Dasein's" potential for authenticity lies in the possibility of choosing a "hero." Thus, more generally, the outcome of the progression of Heidegger's argument is the thought that the being of "Dasein" is time. Nevertheless, Heidegger concludes his work with a set of enigmatic questions foreshadowing the necessity of a destruction (that is, a transformation) of the history of philosophy in relation to temporality—these were the questions to be taken up in the never
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests