Beowulf: The Monsters and the Critics writing in "The New Yorker", calls it "a paper that many people regard as not just the finest essay on the poem but one of the finest essays on English literature." She adds that "Tolkien preferred the monsters to the critics." Regina Weinreich, reviewing "The Monsters and the Critics: And Other Essays" in "The New York Times", wrote that the title essay "revolutionized the study of the early English poem "Beowulf," in which a young hero crushes a human-handed monster called Grendel. Against the scorn of critics, Tolkien defends the centrality and seriousness of literary monsters, declaring his own belief
Old English literature Paul Muldoon's "Caedmona's Hymn" in his "Moy Sand and Gravel" (2002) and U. A. Fanthorpe's "Caedmon's Song" in her "Queuing for the Sun" (2003). These translations differ greatly from one another, just as Seamus Heaney's "Beowulf" (1999) deviates from earlier, similar projects. Heaney uses Irish diction across "Beowulf" to bring what he calls a "special body and force" to the poem, foregrounding his own Ulster heritage, "in order to render (the poem) ever more 'willable forward/again and again and again.'" Old English literature Old English literature or Anglo-Saxon literature, encompasses literature written in Old English, in Anglo-Saxon England from the