Beowulf: The Monsters and the Critics give it a powerful effect. He rebuts suggestions that the poem is an epic or exciting narrative, likening it instead to a strong masonry structure built of blocks that fit together. He points out that the poem's theme is a serious one, mortality, and that the poem is in two parts: the first on Beowulf as a young man, defeating Grendel and his mother; the second on Beowulf in old age, going to his death fighting the dragon. The work has been praised by critics including the poet and "Beowulf" translator Seamus Heaney. Michael D. C. Drout called it the
Beowulf: The Monsters and the Critics The Northern gods, like men, are doomed to die. The Southern (Roman and Greek) pagan gods were immortal, so to Tolkien (a Christian), the Southern religion "must go forward to philosophy or relapse into anarchy": death and the monsters are peripheral. But the Northern myths, and "Beowulf", put the monsters, mortality and death in the centre. Tolkien is therefore very interested in the contact of Northern and Christian thought in the poem, where the scriptural Cain is linked to "eotenas" (giants) and "ylfe" (elves), not through confusion but "an indication of the precise point at which an imagination, pondering old