Automatic double tracking delay (or, in the phaser, a variable phase network). Other notable uses of ADT doubling echo are apparent on select material by Elton John. Some examples of this can be heard on Nigel Olsson's drums, especially the tom toms, on songs such as Don't Let The Sun Go Down On Me from the Caribou album, as well as Better Off Dead and Someone Saved My Life Tonight on Captain Fantastic And The Brown Dirt Cowboy. ADT became the standard recording studio technique for simulating double tracking throughout the late 1960s and 1970s until the arrival of digital technology in the
Nigel Olsson original American tours and confesses that he still gets nervous before going on stage. In 1971, Olsson produced and released his debut solo album "Nigel Olsson's Drum Orchestra and Chorus" on Uni Records; featuring Murray and Hookfoot guitarist Caleb Quaye, who had played on John's early albums. Olsson also teamed up with the Liverpool trio, The Big Three, for their reunion album "Resurrection" (1973). In May 1975, Olsson and Murray were dismissed from John's band following the release of "Captain Fantastic and the Brown Dirt Cowboy," which, upon release, entered the charts at #1. Olsson's second solo album, "Nigel Olsson",