Being and Time interpretation. This is the problem of the "hermeneutic circle," and the necessity for the interpretation of the meaning of being to proceed in stages: this is why Heidegger's technique in "Being and Time" is sometimes referred to as hermeneutical phenomenology. As part of his ontological project, Heidegger undertakes a reinterpretation of previous Western philosophy. He wants to explain why and how theoretical knowledge came to seem like the most fundamental relation to being. This explanation takes the form of a destructuring ("Destruktion") of the philosophical tradition, an interpretative strategy that reveals the fundamental experience of being at the base of
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests