Being and Time interpretation. This is the problem of the "hermeneutic circle," and the necessity for the interpretation of the meaning of being to proceed in stages: this is why Heidegger's technique in "Being and Time" is sometimes referred to as hermeneutical phenomenology. As part of his ontological project, Heidegger undertakes a reinterpretation of previous Western philosophy. He wants to explain why and how theoretical knowledge came to seem like the most fundamental relation to being. This explanation takes the form of a destructuring ("Destruktion") of the philosophical tradition, an interpretative strategy that reveals the fundamental experience of being at the base of
For the Time Being in the contemporary world. Auden wrote the poem to be set to music by Benjamin Britten, but it was far too long for this purpose, and Britten set only two fragments, including one ("Shepherd's Carol") that Auden dropped before the work was published. The poem is dedicated to the memory of Auden's mother, Constance Rosalie Bicknell Auden. For the Time Being "For the Time Being: A Christmas Oratorio", is a long poem by W. H. Auden, written 1941-42, and first published in 1944. It was one of two long poems included in Auden's book also titled For the Time Being,