Beowulf: The Monsters and the Critics give it a powerful effect. He rebuts suggestions that the poem is an epic or exciting narrative, likening it instead to a strong masonry structure built of blocks that fit together. He points out that the poem's theme is a serious one, mortality, and that the poem is in two parts: the first on Beowulf as a young man, defeating Grendel and his mother; the second on Beowulf in old age, going to his death fighting the dragon. The work has been praised by critics including the poet and "Beowulf" translator Seamus Heaney. Michael D. C. Drout called it the
Old English literature texts were in print. J.R.R. Tolkien is credited with creating a movement to look at Old English as a subject of literary theory in his seminal lecture "Beowulf: The Monsters and the Critics" (1936). Old English literature has had some influence on modern literature, and notable poets have translated and incorporated Old English poetry. Well-known early translations include Alfred, Lord Tennyson's translation of "The Battle of Brunanburh" William Morris's translation of "Beowulf" and Ezra Pound's translation of "The Seafarer". The influence of the poetry can be seen in modern poets T. S. Eliot, Ezra Pound and W. H. Auden. Tolkien