Being and Time raises the problem of "authenticity," that is, the potentiality or otherwise for mortal "Dasein" to exist "fully" enough that it might actually understand being. Heidegger is clear throughout the book that nothing makes certain that "Dasein" is capable of this understanding. Finally, this question of the authenticity of individual "Dasein" cannot be separated from the "historicality" of "Dasein". On the one hand, "Dasein", as mortal, is "stretched along" between birth and death, and thrown into its world, that is, thrown into its "possibilities", possibilities which "Dasein" is charged with the task of assuming. On the other hand, "Dasein's" access to
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests