The Great Exhibition wide and was constructed from cast iron-frame components and glass made almost exclusively in Birmingham and Smethwick. From the interior, the building's large size was emphasized with trees and statues; this served, not only to add beauty to the spectacle, but also to demonstrate man's triumph over nature. The Crystal Palace was an enormous success, considered an architectural marvel, but also an engineering triumph that showed the importance of the Exhibition itself. The building was later moved and re-erected in 1854 in enlarged form at Sydenham Hill in south London, an area that was renamed Crystal Palace. It was destroyed
The Crystal Palace courts that provided a narrative of the history of fine art. Amongst these were Augustus Pugin's Mediaeval Court from the Great Exhibition, as well as courts illustrating Egyptian, Alhambra, Roman, Renaissance, Pompeian, and Grecian art and many others. During the year of re-opening 18 handbooks were published in the Crystal Palace Library by Bradbury & Evans as guides to the new installations. Many of these were written by the specialists involved in creating and curating the new displays. So the 1854 guide to the Egyptian Court, destroyed in the 1866 fire, was entitled: 'The Egyptian Court in the Crystal Palace.