The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
Beowulf: The Monsters and the Critics thinker, religiously enlightened, who let his mind play over a lost heroic world of the imagination", in other words that the "Beowulf" poet was a man much like Tolkien. Niles cited George Clark's observation that Tolkien left "Beowulf" scholars with the "myth of the poet as brooding intellectual, poised between a dying pagan world and a nascent Christian one." Niles noted that Tolkien's view of the melancholic vision of the "Beowulf" poet, and of the heroic fatalism of the poem's leading characters, was not wholly new, but that his view of the poet himself as a hero was. Joan Acocella,