Beowulf: The Monsters and the Critics writing in "The New Yorker", calls it "a paper that many people regard as not just the finest essay on the poem but one of the finest essays on English literature." She adds that "Tolkien preferred the monsters to the critics." Regina Weinreich, reviewing "The Monsters and the Critics: And Other Essays" in "The New York Times", wrote that the title essay "revolutionized the study of the early English poem "Beowulf," in which a young hero crushes a human-handed monster called Grendel. Against the scorn of critics, Tolkien defends the centrality and seriousness of literary monsters, declaring his own belief
The Hobbit themes explored in "The Hobbit". Maps figure in both saga literature and "The Hobbit". Several of the author's illustrations incorporate Anglo-Saxon runes, an English adaptation of the Germanic runic alphabets. Themes from Old English literature, and specifically from "Beowulf", shape the ancient world Bilbo stepped into. Tolkien, a scholar of "Beowulf", counted the epic among his "most valued sources" for "The Hobbit". Tolkien was one of the first critics to treat "Beowulf" as a literary work with value beyond the merely historical, and his 1936 lecture "" is still required in some Old English courses. Tolkien borrowed several elements from