The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
The dragon (Beowulf) the beast, the thanes flee in terror, leaving only Wiglaf to battle at Beowulf's side. When the dragon wounds Beowulf fatally, Wiglaf slays it. This depiction indicates the growing importance and stabilization of the modern concept of the dragon within European mythology. "Beowulf" is the first piece of English literature to present a dragonslayer. Although many motifs common to the "Beowulf" dragon existed in the Scandinavian and Germanic literature, the "Beowulf" poet was the first to combine features and present a distinctive fire-breathing dragon. The "Beowulf" dragon was later copied in literature with similar themes such as J. R. R.