Being and Time in his posthumously published "" (1973), argued that the concept of reification as employed in "Being and Time" showed the strong influence of György Lukács' "History and Class Consciousness" (1923), though Goldmann's suggestion has been disputed. "Being and Time" influenced Alain Badiou's work "Being and Event" (1988). Roger Scruton writes that "Being and Time" is "the most complex of the many works inspired, directly or indirectly, by Kant's theory of time as 'the form of inner sense'." He considers Heidegger's language "metaphorical" and almost incomprehensible. Scruton suggests that this necessarily follows from the nature of Heidegger's phenomenological method. He finds
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests