The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
Old English before AD 1000, is nonetheless scant. The pagan and Christian streams mingle in Old English, one of the richest and most significant bodies of literature preserved among the early Germanic peoples. In his supplementary article to the 1935 posthumous edition of Bright's "Anglo-Saxon Reader", Dr. James Hulbert writes: Some of the most important surviving works of Old English literature are "Beowulf", an epic poem; the "Anglo-Saxon Chronicle", a record of early English history; the Franks Casket, an inscribed early whalebone artefact; and Cædmon's Hymn, a Christian religious poem. There are also a number of extant prose works, such as sermons