Being and Time Time" with "a sense of shock". Sartre's existentialism has been described as "a version and variant of the idiom and propositions" in "Being and Time". Because of Heidegger's revival of the question of being, "Being and Time" also influenced other philosophers of Sartre's generation, and it altered the course of French philosophy. Maurice Merleau-Ponty argued in "Phenomenology of Perception" (1945) that "Being and Time", "springs from an indication given by Husserl and amounts to no more than an explicit account of the 'natürlicher Weltbegriff' or the 'Lebenswelt' which Husserl, towards the end of his life, identified as the central theme
Philosopher in Meditation and titling it "Philosopher in Contemplation" or "Philosopher with an Open Book". Yet the real credit for the attribution to Koninck should go to John C. Van Dyke, who wrote: "In fact, one may be heretical enough to think that someone like Koninck or Dou may have painted them..." The subject matter and details of the Koninck picture seem to have been directly inspired by a Rembrandt etching dated 1642 and representing "St. Jerome in a dark chamber" (Bartsch 105), which is the only other known work by Rembrandt that features a complete helical staircase. The traditional iconography of the