Anderson Bruford Wakeman Howe (album) band in a commercially very successful but musically and lyrically different direction. Anderson regrouped with Steve Howe, Rick Wakeman and Bill Bruford. Bruford, who had at various times been a member of King Crimson, recruited his Crimson band mate Tony Levin as their bassist. The group was unable to use the name Yes for legal reasons. However, the group did have Arista assign the catalog number of 90126 to the original releases of the CD and cassette. This was a subtle way of stamping this as the next Yes album after "90125" (1983). Pre-production recording took place at La Frette
The Fragile (Nine Inch Nails album) and writes that "The Fragile" uses funk bass lines, North African minor-key modalities, and the treatment of tonality by Symbolist composers like Debussy. The album also features several distorted guitar parts which Powers suggests that fans can enjoy. Rob Sheffield observes a "prog-rock vibe" akin to Pink Floyd's 1979 album "The Wall" and feels that "The Fragile" is similarly "a double album that vents ... alienation and misery into paranoid studio hallucinations, each track crammed with overdubs until there's no breathing room". Described by Reznor as a sequel to "The Downward Spiral"—an album with a plot detailing the destruction of