Beowulf: The Monsters and the Critics most important article ever written about the poem. Scholars of Anglo-Saxon agree that the work was influential, transforming the study of "Beowulf". J. R. R. Tolkien's essay ""Beowulf": The Monsters and the Critics", initially delivered as a lecture in 1936, is regarded as a formative work in modern "Beowulf" studies. In it, Tolkien speaks against critics who play down the monsters in the poem, namely Grendel, Grendel's mother, and the dragon, in favour of using "Beowulf" solely as a source for Anglo-Saxon history. Tolkien argues that rather than being merely extraneous, these elements are key to the narrative and should
Old English literature Paul Muldoon's "Caedmona's Hymn" in his "Moy Sand and Gravel" (2002) and U. A. Fanthorpe's "Caedmon's Song" in her "Queuing for the Sun" (2003). These translations differ greatly from one another, just as Seamus Heaney's "Beowulf" (1999) deviates from earlier, similar projects. Heaney uses Irish diction across "Beowulf" to bring what he calls a "special body and force" to the poem, foregrounding his own Ulster heritage, "in order to render (the poem) ever more 'willable forward/again and again and again.'" Old English literature Old English literature or Anglo-Saxon literature, encompasses literature written in Old English, in Anglo-Saxon England from the