Beowulf: The Monsters and the Critics writing in "The New Yorker", calls it "a paper that many people regard as not just the finest essay on the poem but one of the finest essays on English literature." She adds that "Tolkien preferred the monsters to the critics." Regina Weinreich, reviewing "The Monsters and the Critics: And Other Essays" in "The New York Times", wrote that the title essay "revolutionized the study of the early English poem "Beowulf," in which a young hero crushes a human-handed monster called Grendel. Against the scorn of critics, Tolkien defends the centrality and seriousness of literary monsters, declaring his own belief
The dragon (Beowulf) the beast, the thanes flee in terror, leaving only Wiglaf to battle at Beowulf's side. When the dragon wounds Beowulf fatally, Wiglaf slays it. This depiction indicates the growing importance and stabilization of the modern concept of the dragon within European mythology. "Beowulf" is the first piece of English literature to present a dragonslayer. Although many motifs common to the "Beowulf" dragon existed in the Scandinavian and Germanic literature, the "Beowulf" poet was the first to combine features and present a distinctive fire-breathing dragon. The "Beowulf" dragon was later copied in literature with similar themes such as J. R. R.