Marx Brothers "The Cocoanuts" (1925–1926) and "Animal Crackers" (1928–1929). Playwright George S. Kaufman worked on the last two and helped sharpen the brothers' characterizations. Out of their distinctive costumes, the brothers looked alike, even down to their receding hairlines. Zeppo could pass for a younger Groucho, and played the role of his son in "Horse Feathers". A scene in "Duck Soup" finds Groucho, Harpo, and Chico all appearing in the famous greasepaint eyebrows, mustache, and round glasses while wearing nightcaps. The three are indistinguishable, enabling them to carry off the "mirror scene" perfectly. The stage names of the brothers (except Zeppo) were
Romeo and Juliet on screen expensive film since the 1925 silent "Ben-Hur". Like most Shakespearean filmmakers, Cukor and his screenwriter Talbot Jennings cut much of the original script: playing around 45% of it. Many of these cuts are common ones in the theatre, such as the second appearance of the chorus and the comic scene of Peter with the musicians. Others are filmic: designed to replace words with action, or rearranging scenes in order to introduce groups of characters in longer narrative sequences. However, Jennings retains more of Shakespeare's poetry for the young lovers than any of his big-screen successors. Several scenes are interpolated, including