Being and Nothingness was "a pretentious metaphysical thesis" and "principally an exercise in misusing the verb 'to be'." The philosopher William Barrett, writing in "Irrational Man" (1958), described "Being and Nothingness" as "a great, uneven, brilliant and verbose tome". He noted Sartre's debts to Heidegger, but nevertheless credited him with originality. He criticized Sartre for neglecting Heidegger's "notion of the truth of Being", his understanding of what it means for a subject or object to be. In his view, Sartre failed to "deal with the problem of truth in a radical and existential way", instead viewing truth in "the ordinary intellectualistic sense that
Philosopher in Meditation and titling it "Philosopher in Contemplation" or "Philosopher with an Open Book". Yet the real credit for the attribution to Koninck should go to John C. Van Dyke, who wrote: "In fact, one may be heretical enough to think that someone like Koninck or Dou may have painted them..." The subject matter and details of the Koninck picture seem to have been directly inspired by a Rembrandt etching dated 1642 and representing "St. Jerome in a dark chamber" (Bartsch 105), which is the only other known work by Rembrandt that features a complete helical staircase. The traditional iconography of the