Beowulf: The Monsters and the Critics give it a powerful effect. He rebuts suggestions that the poem is an epic or exciting narrative, likening it instead to a strong masonry structure built of blocks that fit together. He points out that the poem's theme is a serious one, mortality, and that the poem is in two parts: the first on Beowulf as a young man, defeating Grendel and his mother; the second on Beowulf in old age, going to his death fighting the dragon. The work has been praised by critics including the poet and "Beowulf" translator Seamus Heaney. Michael D. C. Drout called it the
Old English before AD 1000, is nonetheless scant. The pagan and Christian streams mingle in Old English, one of the richest and most significant bodies of literature preserved among the early Germanic peoples. In his supplementary article to the 1935 posthumous edition of Bright's "Anglo-Saxon Reader", Dr. James Hulbert writes: Some of the most important surviving works of Old English literature are "Beowulf", an epic poem; the "Anglo-Saxon Chronicle", a record of early English history; the Franks Casket, an inscribed early whalebone artefact; and Cædmon's Hymn, a Christian religious poem. There are also a number of extant prose works, such as sermons