Being and Time this world and these possibilities is always via a history and a tradition—this is the question of "world historicality," and among its consequences is Heidegger's argument that "Dasein's" potential for authenticity lies in the possibility of choosing a "hero." Thus, more generally, the outcome of the progression of Heidegger's argument is the thought that the being of "Dasein" is time. Nevertheless, Heidegger concludes his work with a set of enigmatic questions foreshadowing the necessity of a destruction (that is, a transformation) of the history of philosophy in relation to temporality—these were the questions to be taken up in the never
Philosopher in Meditation and titling it "Philosopher in Contemplation" or "Philosopher with an Open Book". Yet the real credit for the attribution to Koninck should go to John C. Van Dyke, who wrote: "In fact, one may be heretical enough to think that someone like Koninck or Dou may have painted them..." The subject matter and details of the Koninck picture seem to have been directly inspired by a Rembrandt etching dated 1642 and representing "St. Jerome in a dark chamber" (Bartsch 105), which is the only other known work by Rembrandt that features a complete helical staircase. The traditional iconography of the