Marx Brothers "The Cocoanuts" (1925–1926) and "Animal Crackers" (1928–1929). Playwright George S. Kaufman worked on the last two and helped sharpen the brothers' characterizations. Out of their distinctive costumes, the brothers looked alike, even down to their receding hairlines. Zeppo could pass for a younger Groucho, and played the role of his son in "Horse Feathers". A scene in "Duck Soup" finds Groucho, Harpo, and Chico all appearing in the famous greasepaint eyebrows, mustache, and round glasses while wearing nightcaps. The three are indistinguishable, enabling them to carry off the "mirror scene" perfectly. The stage names of the brothers (except Zeppo) were
The empire on which the sun never sets ring, the phrase is sometimes used critically with the implication of American imperialism, as in the title of Joseph Gerson's book, "The Sun Never Sets: Confronting the Network of Foreign U.S. Military Bases". The empire on which the sun never sets The phrase "the empire on which the sun never sets" has been used with variations to describe certain global empires that were so extensive that there was always at least one part of their territory that was in daylight. It was originally coined for the Spanish Empire, mainly in the 16th and 17th centuries. In more recent times, it