Banqueting House, Whitehall should be the "biggest palace in Christendom", a place befitting his newly created status as the Supreme Head of the Church of England. All evidence of the disgraced Wolsey was eliminated and the building rechristened the "Palace of Whitehall". During Henry's reign, the palace had no designated banqueting house, the King preferring to banquet in a temporary structure purpose-built in the gardens. The Keeper of the Banqueting House was a position enhanced by Queen Mary I by designating it in relation to a building of the same name at Nonsuch Palace, near the south edge of Greater London, which has
Charles I in Three Positions Charles I in Three Positions Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England by Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. Painted in 1635 or 1636, it is currently part of the Royal Collection. The colours of the costumes and pattern of the lace collars are different in each portrait, though the blue riband of the Order of the Garter is present in all three. The painting was sent to Rome