Arthur Bliss thought Bliss's music competent but unremarkable. In 1961, Bliss and Hassall collaborated on a cantata, "The Beatitudes", commissioned for the opening of the new Coventry Cathedral. Reviews were friendly, but the work has rarely been performed since, and has been eclipsed by another choral work written for Coventry at the same time, Britten's "War Requiem". Bliss followed this with two further large-scale choral works, "Mary of Magdala" (1962) and "The Golden Cantata" (1963). Throughout his life, Bliss was vigilant on the state of music in Britain, about which he had written extensively since the 1920s. In 1969 he publicly censured
Knife Edge Two Piece 1962–65 corrosion and oxidation from the sculpture, and take the surface back to the bare metal. Following the removal of graffiti the sculpture was repatinated to return it to its original colour. It was finally waxed with a weatherproof surface to protect it from future damage. The conservation work was undertaken by Rupert Harris Conservation, working in consultation with the Henry Moore Foundation. The cost of the conservation was £16,190, with £11,000 contributed by the Henry Moore Foundation. Knife Edge Two Piece 1962–65 Knife Edge Two Piece 1962–65 is an abstract bronze sculpture by Henry Moore. It is one of Moore's