The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
Beowulf was made early on by Guðbrandur Vigfússon (1878). "Grettis saga" is a family saga, and a story about , a great-grandson of an Icelandic settler, cannot be comparably as old as "Beowulf". Axel Olrik (1903) claimed that on the contrary, this saga was a reworking of "Beowulf", and others had followed suit. However, (1910) wrote a thesis in which both "Beowulf" and "Grettis saga" drew from a common folkloric source, and this encouraged even a detractor such W. W. Lawrence to reposition his view, and entertain the possibility that certain elements in the saga (such as the waterfall in place