Being and Time Time" with "a sense of shock". Sartre's existentialism has been described as "a version and variant of the idiom and propositions" in "Being and Time". Because of Heidegger's revival of the question of being, "Being and Time" also influenced other philosophers of Sartre's generation, and it altered the course of French philosophy. Maurice Merleau-Ponty argued in "Phenomenology of Perception" (1945) that "Being and Time", "springs from an indication given by Husserl and amounts to no more than an explicit account of the 'natürlicher Weltbegriff' or the 'Lebenswelt' which Husserl, towards the end of his life, identified as the central theme
Being and Nothingness sexual act". The critic Camille Paglia, writing in "Sexual Personae" (1990), equated Sartre's term for slime, "le visqueux", with "Dionysus' swamp, the fleshy muck of the generative matrix." The philosopher Thomas Baldwin, writing in "The Oxford Companion to Philosophy" (1995), described "Being and Nothingness" as a work of pessimism. He wrote that Sartre's argument that Freud's theory of repression is internally flawed is based on a misunderstanding of Freud, and that Sartre's attempts to adapt Freud's ideas are of greater interest. The director Richard Eyre recalled that "Being and Nothingness" was popular among British students in the 1960s, but suggests