The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
Old English literature Paul Muldoon's "Caedmona's Hymn" in his "Moy Sand and Gravel" (2002) and U. A. Fanthorpe's "Caedmon's Song" in her "Queuing for the Sun" (2003). These translations differ greatly from one another, just as Seamus Heaney's "Beowulf" (1999) deviates from earlier, similar projects. Heaney uses Irish diction across "Beowulf" to bring what he calls a "special body and force" to the poem, foregrounding his own Ulster heritage, "in order to render (the poem) ever more 'willable forward/again and again and again.'" Old English literature Old English literature or Anglo-Saxon literature, encompasses literature written in Old English, in Anglo-Saxon England from the