Arthur Bliss thought Bliss's music competent but unremarkable. In 1961, Bliss and Hassall collaborated on a cantata, "The Beatitudes", commissioned for the opening of the new Coventry Cathedral. Reviews were friendly, but the work has rarely been performed since, and has been eclipsed by another choral work written for Coventry at the same time, Britten's "War Requiem". Bliss followed this with two further large-scale choral works, "Mary of Magdala" (1962) and "The Golden Cantata" (1963). Throughout his life, Bliss was vigilant on the state of music in Britain, about which he had written extensively since the 1920s. In 1969 he publicly censured
Knife Edge Two Piece 1962–65 Knife Edge Two Piece 1962–65 Knife Edge Two Piece 1962–65 is an abstract bronze sculpture by Henry Moore. It is one of Moore's earliest sculptures in two pieces, a mode that he started to adopt in 1959. Its form was inspired by the shape of a bone fragment. Moore created the sculpture from an edition of 10 working models in 1962; these working models are now in public collections. Moore created four full-size casts between 1962-1965, with one retained by him. The three casts are on public display on College Green in Westminster, London, Queen Elizabeth Park in Vancouver, and