The dragon (Beowulf) in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery". Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his "chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of "The Atlantic" writes that "There is no transcendence in "Beowulf", and no redemption [...] kill the dragon—but the dragon will get you anyway". Joan Acocella states in "The New Yorker" that "unlike Grendel and his mother, [the dragon] is less a
The dragon (Beowulf) monster than a symbol." In "From Homer to Harry Potter: A Handbook on Myth and Fantasy", Matthew Dickerson and David O'Hara argue that the "Beowulf" poet added the figure of the dragon to "the pot...that is ladeled out of by most modern fantasy writers"; they argued that both numerous works with villainous dragons, as well as literature with benign dragons like the "My Father's Dragon" books and the "Pern" series by Anne McCaffrey, were influenced by "Beowulf"s dragon. Dickerson and O'Hara further elaborated that through its dragon, "Beowulf" turned the "notion of having a monstrous evil (and not mere human