Harpo Marx on Harpo. Harpo later played the role in Los Angeles opposite Woollcott, who had inspired the character of Sheridan Whiteside. In 1961 Harpo published his autobiography, "Harpo Speaks". Because he never spoke a word in character, many believed he actually was mute. In fact, radio and TV news recordings of his voice can be found on the Internet, in documentaries, and on bonus materials of Marx Brothers DVDs. A reporter who interviewed him in the early 1930s wrote that "he [Harpo] ... had a deep and distinguished voice, like a professional announcer", and like his brothers, spoke with a New
Romeo and Juliet on screen expensive film since the 1925 silent "Ben-Hur". Like most Shakespearean filmmakers, Cukor and his screenwriter Talbot Jennings cut much of the original script: playing around 45% of it. Many of these cuts are common ones in the theatre, such as the second appearance of the chorus and the comic scene of Peter with the musicians. Others are filmic: designed to replace words with action, or rearranging scenes in order to introduce groups of characters in longer narrative sequences. However, Jennings retains more of Shakespeare's poetry for the young lovers than any of his big-screen successors. Several scenes are interpolated, including