Ingrid Vetlesen Opera Academy. While studying, Vetlesen sang Adina and Norina in Donizetti’s L’Elisir d’Amore and Don Pasquale, Gretel in Humperdinck’s Hänsel und Gretel, Gilda in Verdi’s Rigoletto, Juliette in Gounod’s Roméo et Juliette, Frasquita in Bizet’s Carmen, Sophie in Der Rosenkavalier by Strauss, Musetta in Puccini’s La Bohème, Susanna and Ilia in Mozart’s Le Nozze di Figaro and Idomeneo. She had her debut at the Royal Danish Opera in Caroline Mathilde (2006), in a ballet by Flemming Flint, composed by Peter Maxwell Davies, where she had the part of the opera singer. In 2008, she made her operatic debut as Barbarina
Fantasy and Fugue on the Theme B-A-C-H Fantasy and Fugue on the Theme B-A-C-H Fantasie und Fuge über das Thema B-A-C-H (also in the first version known as "Präludium und Fuge über das Motiv B-A-C-H", title in English: "Fantasy and Fugue on the Theme B-A-C-H") (S.260i/ii [1st/2nd version], S.529i/ii [piano arrangement of 1st/2nd version]) is an organ fantasy on the BACH motif composed by Franz Liszt in 1855, later revised in 1870. Both versions were transcribed for solo piano by the composer. The piece was dedicated to Alexander Winterberger (who also played it on the premiere, 13 May 1856) and published by Breitkopf & Härtel in 1856.