Being and Time in his posthumously published "" (1973), argued that the concept of reification as employed in "Being and Time" showed the strong influence of György Lukács' "History and Class Consciousness" (1923), though Goldmann's suggestion has been disputed. "Being and Time" influenced Alain Badiou's work "Being and Event" (1988). Roger Scruton writes that "Being and Time" is "the most complex of the many works inspired, directly or indirectly, by Kant's theory of time as 'the form of inner sense'." He considers Heidegger's language "metaphorical" and almost incomprehensible. Scruton suggests that this necessarily follows from the nature of Heidegger's phenomenological method. He finds
Being and Nothingness has been traditional with non-existential philosophers" and thereby remaining a Cartesian rationalist. Susan Sontag, writing in an essay in "The Supplement" to the "Columbia Spectator" that was later published in "Against Interpretation" (1966), praised Sartre's discussions of the body and concrete relations with others, identifying them as part of a French tradition of serious thought about problems of fundamental importance. John B. Vickery wrote that Sartre's work resembles Sir James George Frazer's "The Golden Bough" (1890) in the way its author "merges psychology and the concrete sense of fiction", although he considered it less readable than Frazer's work. The philosopher