Vogue (magazine) and expanding into the coverage of weddings. According to Condé Naste Russia, after the First World War made deliveries in the Old World impossible, printing began in England. The decision to print in England proved to be successful causing Nast to release the first issue of French "Vogue" in 1920. The magazine's number of subscriptions surged during the Great Depression, and again during World War II. During this time, noted critic and former "Vanity Fair" editor Frank Crowninshield served as its editor, having been moved over from "Vanity Fair" by publisher Condé Nast. In July 1932, American "Vogue" placed its
When Washington Was in Vogue due to its formulaic plotlines, others saw Williams’s analysis of intra-racial social politics as a fascinating window into the period. "Publishers Weekly" heralded it as “an invaluable addition to period scholarship”, while a laudatory review in "The Crisis" said the novel was “a welcome and consistently entertaining glimpse of a pivotal era”. With Christina Moore’s 2013 “Traditional Rebirth: The Epistolary Genre in When Washington Was in Vogue,” published in "African American Review", the novel (as a published whole) received its first scholarly treatment outside of McKible’s own work. When Washington Was in Vogue When Washington Was in Vogue is a