The dragon (Beowulf) His Lair in "Beowulf"" that the fight between Beowulf and the dragon tends to receive less critical attention than other portions of the poem, commenting that "Grendel and his dam have, as it were, become more beloved of the commentators". Conversely, Kemp Malone writes in "The Kenning in "Beowulf"" that Beowulf's fight with the dragon receives much critical attention, but that commentators fail to note that "the dragon was no fighter. Not that it refused to fight when challenged, but that it did not seek out Beowulf or anyone else. It left Beowulf to do the seeking out". In his
Beowulf they are unvoiced (as in "thing"): "þunor", "suð", "soþfæst". Kennings are also a significant technique in "Beowulf". They are evocative poetic descriptions of everyday things, often created to fill the alliterative requirements of the metre. For example, a poet might call the sea the "swan-road" or the "whale-road"; a king might be called a "ring-giver." There are many kennings in "Beowulf", and the device is typical of much of classic poetry in Old English, which is heavily formulaic. The poem also makes extensive use of elided metaphors. J. R. R. Tolkien argued in "" that the poem is not an