Arthur Bliss thought Bliss's music competent but unremarkable. In 1961, Bliss and Hassall collaborated on a cantata, "The Beatitudes", commissioned for the opening of the new Coventry Cathedral. Reviews were friendly, but the work has rarely been performed since, and has been eclipsed by another choral work written for Coventry at the same time, Britten's "War Requiem". Bliss followed this with two further large-scale choral works, "Mary of Magdala" (1962) and "The Golden Cantata" (1963). Throughout his life, Bliss was vigilant on the state of music in Britain, about which he had written extensively since the 1920s. In 1969 he publicly censured
History of Coventry onwards bicycle manufacture. In the 18th and 19th centuries, Coventry became one of the three main UK centres of watch and clock manufacture and ranked alongside Prescot, near Liverpool and Clerkenwell in London. However, the origins of clock and watch making in the city can probably be traced to the latter half of the 17th century. Samuel Watson, who was sheriff of Coventry in 1682, became famous for making an ingenious astronomical clock; John Carte, a watchmaker from Coventry had set up his own business in London by 1695, and the mayor of Coventry in 1727 was a watchmaker named