Opera in German were usually based on stories from Germanic or Arthurian legend. Finally, Wagner built his own opera house at Bayreuth, exclusively dedicated to performing his own works in the style he wanted. Wagner's innovations cast an immense shadow over subsequent composers, who struggled to absorb his influence while retaining their own individuality. One of the most successful composers of the following generation was Humperdinck, whose "Hänsel und Gretel" (1893) still has an assured place in the standard repertoire. Humperdinck turned back to folk song and the tales of the Brothers Grimm for inspiration. Yet, though "Hänsel" is often viewed as the
Wilhelm Busch unknown artist without regular income. In his early Munich years Busch's attempts to write libretti, which are almost forgotten today, were unsuccessful. Up to 1863 he worked on two or three major works; the third was composed by Georg Kremplsetzer. Busch's "Liebestreu und Grausamkeit", a romantic opera in three acts, "Hansel und Gretel" and "Der Vetter auf Besuch", an opera buffa of sorts, were not particularly successful. There was a dispute between Busch and Kremplsetzer during the staging of "Der Vetter auf Besuch", leading to the removal of Busch's name from the production; the piece was renamed "Singspiel von Georg