Opera in German were usually based on stories from Germanic or Arthurian legend. Finally, Wagner built his own opera house at Bayreuth, exclusively dedicated to performing his own works in the style he wanted. Wagner's innovations cast an immense shadow over subsequent composers, who struggled to absorb his influence while retaining their own individuality. One of the most successful composers of the following generation was Humperdinck, whose "Hänsel und Gretel" (1893) still has an assured place in the standard repertoire. Humperdinck turned back to folk song and the tales of the Brothers Grimm for inspiration. Yet, though "Hänsel" is often viewed as the
Opera in German German opera. Weber completely eliminated spoken dialogue, producing a "through-composed" work where the distinction between recitative and aria is becoming blurred. Its lessons would not be lost on future composers, including Richard Wagner. Weber's most important successor in the field of Romantic opera was Heinrich Marschner, who further explored the Gothic and the supernatural in works such as "Der Vampyr" (1828) and "Hans Heiling" (1833). On the other hand, it was with comic opera that Albert Lortzing scored his biggest successes. The popularity of pieces such as "Zar und Zimmermann" continues in Germany today, though Lortzing's operas are rarely staged