Arthur Bliss thought Bliss's music competent but unremarkable. In 1961, Bliss and Hassall collaborated on a cantata, "The Beatitudes", commissioned for the opening of the new Coventry Cathedral. Reviews were friendly, but the work has rarely been performed since, and has been eclipsed by another choral work written for Coventry at the same time, Britten's "War Requiem". Bliss followed this with two further large-scale choral works, "Mary of Magdala" (1962) and "The Golden Cantata" (1963). Throughout his life, Bliss was vigilant on the state of music in Britain, about which he had written extensively since the 1920s. In 1969 he publicly censured
History of Coventry Spence and contains the tapestry, "Christ in Majesty" by Graham Sutherland, and the bronze statue "St. Michael and the Devil" by Jacob Epstein adorns the exterior wall. As a result of postwar redevelopment, Coventry now shares in the stereotype of 1960s architecture: concrete and brutalist. The development of Coventry's central business district was unnaturally restricted through the construction of a major orbital ringroad in the early-1970s, leading to a hodge-podge of "mixed use" city zones with no clearly defined functions, aside from the cathedral quarter and a dated 1950s shopping precinct. The construction of the Cathedral Lanes shopping complex in