Automatic double tracking delay (or, in the phaser, a variable phase network). Other notable uses of ADT doubling echo are apparent on select material by Elton John. Some examples of this can be heard on Nigel Olsson's drums, especially the tom toms, on songs such as Don't Let The Sun Go Down On Me from the Caribou album, as well as Better Off Dead and Someone Saved My Life Tonight on Captain Fantastic And The Brown Dirt Cowboy. ADT became the standard recording studio technique for simulating double tracking throughout the late 1960s and 1970s until the arrival of digital technology in the
Captain Fantastic and the Brown Dirt Cowboy the results. The album's producer was quoted in Elizabeth Rosenthal's "His Song", an exhaustive detailed accounting of nearly all John's recorded work, as saying he thought "Captain Fantastic" was the best the band and Elton had ever played, lauded their vocal work, and soundly praised Elton and Bernie's songwriting. "There's not one song on it that's less than incredible," Dudgeon said. The 2006 album "The Captain & the Kid" is the sequel, and continues the autobiography where "Captain Fantastic" leaves off. The intricate cover art was designed by pop artist Alan Aldridge, drawing fantastic imagery from the Renaissance painting "The