Beowulf: The Monsters and the Critics writing in "The New Yorker", calls it "a paper that many people regard as not just the finest essay on the poem but one of the finest essays on English literature." She adds that "Tolkien preferred the monsters to the critics." Regina Weinreich, reviewing "The Monsters and the Critics: And Other Essays" in "The New York Times", wrote that the title essay "revolutionized the study of the early English poem "Beowulf," in which a young hero crushes a human-handed monster called Grendel. Against the scorn of critics, Tolkien defends the centrality and seriousness of literary monsters, declaring his own belief
Old English metre the stressed syllables is known. Extrapolating can find a word that may fit into the missing fragment. A knowledge of paleography and the scribe’s penmanship is also useful; words that would be too long or too short to make something fit can be ruled out. Old English metre Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is "Beowulf", but the vast majority of Old English poetry belongs to the same tradition. The most salient feature