Beowulf: The Monsters and the Critics writing in "The New Yorker", calls it "a paper that many people regard as not just the finest essay on the poem but one of the finest essays on English literature." She adds that "Tolkien preferred the monsters to the critics." Regina Weinreich, reviewing "The Monsters and the Critics: And Other Essays" in "The New York Times", wrote that the title essay "revolutionized the study of the early English poem "Beowulf," in which a young hero crushes a human-handed monster called Grendel. Against the scorn of critics, Tolkien defends the centrality and seriousness of literary monsters, declaring his own belief
Old English literature "Beowulf", the sea is called the "whale road") and litotes, a dramatic understatement employed by the author for ironic effect. Alternative theories have been proposed, such as the theory of John C. Pope (1942), which uses musical notation to track the verse patterns. J. R. R. Tolkien describes and illustrates many of the features of Old English poetry in his 1940 essay "On Translating "Beowulf"". Even though all extant Old English poetry is written and literate, it is assumed that Old English poetry was an oral craft that was performed by a "scop" and accompanied by a harp. Most Old