Vivienne Westwood - showed collections in Paris and London with the thematic titles Savages (shown late 1981), Buffalo/Nostalgia Of Mud (shown spring 1982), Punkature (shown late 1982), Witches (shown early 1983) and Worlds End 1984 (later renamed Hypnos, shown late 1983). After the partnership with McLaren was dissolved, Westwood showed one more collection featuring the Worlds End label: "Clint Eastwood" (late 1984-early 1985). She dubbed the period 1981-85 "New Romantic" and 1988–91 as "The Pagan Years" during which "Vivienne's heroes changed from punks and ragamuffins to 'Tatler' girls wearing clothes that parodied the upper class". From 1985-87, Westwood took inspiration from the
Vivienne Haigh-Wood Eliot and Irene Fassett. Vivienne Haigh-Wood Eliot Vivienne Haigh-Wood Eliot (28 May 1888 – 22 January 1947) was the first wife of American poet T. S. Eliot, whom she wed in 1915, while he was studying at Oxford. They were never compatible; he seems to have been seeking a pretext to stay in England, in defiance of his family, by marrying an English bride. Haigh-Wood had always suffered from serious health problems, compounded by insecurity about her social class. It is clear that her disastrous marriage worsened her condition. Eliot would not consider divorce, but formally separated from her in 1933.