Clint Eastwood by critics. Janet Maslin of "The New York Times" wrote that film was "...the best and funniest Clint Eastwood movie in quite a while", and praised Eastwood's directing, intricately juxtaposing the old West and the new West. Later that year, Eastwood starred in "Any Which Way You Can", the sequel to "Every Which Way But Loose". The film received a number of bad reviews from critics, although Maslin described it as "funnier and even better than its predecessor". Released over the Christmas season of 1980, "Any Which Way You Can" was a major box office success and ranked among the
Clint Eastwood in the 1950s speech. Eastwood had an early tendency to speak almost in a sibilant whisper and was advised to project his voice. These traits never fully went away, but actually worked in his favor in his later films, especially as the Man with No Name in which he often hissed his lines through clenched teeth. Although Clint was self-conscious on camera, he demonstrated a strength in displaying anger onscreen, and in one improvised scene during training with Betty Jane Howarth, it left her in tears. At this time, Eastwood was likened to Gary Cooper and he resembled a tall, rangy version of