Shirley Valentine (film) to retain the best of Willy Russell's theatrical devices . . . while opening out the action to embrace a big-screen atmosphere. The supporting cast, particularly Bernard Hill as Collins's Neanderthal husband, is equally convincing, with only the hammy Conti (glistening teeth and appalling accent) striking a momentary false note." Among reviewers who found the film banal and hollow, Caryn James of "The New York Times" observed, "By adding all the characters and settings that Shirley only talks about on stage, the film reveals the weakness of Mr. Russell's script as surely as if a magician's clumsy assistant had pointed
Rita Montaner nearly four years: the longest-running contract of her career. Mongo Santamaría commented: "This launched the era of the Cuban cabaret super-productions". Montaner continued to do theater work whenever her radio show was off the air. In 1955 she triumphed as Madame Flora in the opera "La Medium" by Menotti, and in 1956 in the comedy "Mi querido Charles". Beginning in 1954, she co-starred in the comedy television program "Rita y Willy" with Guillermo Alvarez Guedes. In the late 1940s and early 1950s, she acted in numerous Mexican movies of the Rumberas film genre. These are the films Rita appeared in