Simba like them, Simba is "born into royalty, is then exiled, and has to return to claim [his] kingdom." Unlike the studio's three previous films "The Little Mermaid" (1989), "Beauty and the Beast" (1991) and "Aladdin" (1992) which are essentially love stories, "The Lion King" revolves around Simba's relationship with his father instead, which Allers identified as "The real heart and emotional underpinning of the whole story". In April 1992, the filmmakers hosted a "brainstorming session" in which much of the film's original story was largely re-written, particularly Simba's personality. Originally, Simba was intended to remain with the pride after Mufasa's
Nala (The Lion King) that Nala is introduced "as a dominating young girl" who ultimately matures into "a strong woman" by the film's conclusion. "Mouse Morality: The Rhetoric of Disney Animated Film" author Annalee R. Ward wrote that Nala's role in "The Lion King" reflected "a 1990s feminist reversal". In her book "Biblical Allusions", author Lindsay Bacher acknowledged that Nala is often depicted as a stronger and more responsible character than Simba, despite observations that "The Lion King"'s female characters lack agency. Leab identified Nala as Simba's "equal" who is "a more naturally sound leader throughout the film, while Simba tends to be comparatively