Jean-Paul Riopelle to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas (positioned vertically). Riopelle's voluminous impasto became just as important as color. His
Canvas fingerprinting Canvas fingerprinting Canvas fingerprinting is one of a number of browser fingerprinting techniques for tracking online users that allow websites to identify and track visitors using the HTML5 canvas element instead of browser cookies or other similar means. The technique received wide media coverage in 2014 after researchers from Princeton University and KU Leuven University described it in their paper "The Web never forgets". Canvas fingerprinting works by exploiting the HTML5 canvas element. As described by Acar et. al. in : Variations in which graphics processing unit (GPU) is installed or the graphics driver cause the variations in the fingerprint.