The Ghost Ship (Stingray) to the World Aquanaut Security Patrol (WASP) in Marineville with orders to investigate. Captain Troy Tempest (voiced by Don Mason), Phones (voiced by Robert Easton) and Marina set off in "Stingray" accompanied by Commander Shore (voiced by Ray Barrett). "Stingray" arrives at the "Arcadia"s last known position and encounters the galleon, which does not respond to Troy's hails. Shore and Phones board the ship and find its upper decks deserted. However, they fail to notice a platform built into the floor of one of the cabins and are lowered into a watertight section in the vessel's depths. There, they are
The Tempest "The Tempest" has more music than any other Shakespeare play, and has proved more popular as a subject for composers than most of Shakespeare's plays. Scholar Julie Sanders ascribes this to the "perceived 'musicality' or lyricism" of the play. Two settings of songs from "The Tempest" which may have been used in performances during Shakespeare's lifetime have survived. These are "Full Fathom Five" and "Where The Bee Sucks There Suck I" in the 1659 publication "Cheerful Ayres or Ballads", in which they are attributed to Robert Johnson, who regularly composed for the King's Men. It has been common throughout the