Simba like them, Simba is "born into royalty, is then exiled, and has to return to claim [his] kingdom." Unlike the studio's three previous films "The Little Mermaid" (1989), "Beauty and the Beast" (1991) and "Aladdin" (1992) which are essentially love stories, "The Lion King" revolves around Simba's relationship with his father instead, which Allers identified as "The real heart and emotional underpinning of the whole story". In April 1992, the filmmakers hosted a "brainstorming session" in which much of the film's original story was largely re-written, particularly Simba's personality. Originally, Simba was intended to remain with the pride after Mufasa's
Simba "lazy and troublesome." "The Austin Chronicle"s Robert Faires felt that Simba and the other "Lion King "characters, though "true", were simply unoriginal retreads of preceding animated characters who were "swiped from other Disney cartoons." Hal Hinson of "The Washington Post" gave the character a negative review. Labeling Timon and Pumbaa the only interesting characters in "The Lion King", Hinson questioned Simba's role as the film's hero. Kenneth Turan of the "Los Angeles Times "agreed, "A movie's heroes may have their names above the title, but often as not it's the sidekicks who get the real work done." Turan went on