Euphrosine paraphrase of Iago's speech: 'Beware of jealousy, it is the green-eyed monster,' in the "Othello" of Shakespeare" and recounted the anecdote that when Grétry heard the piece at the dress rehearsal he exclaimed: "It's enough to break open the roof of the house with the skulls of the audience." David Charlton comments that the duet "established a new standard of psychological realism for the post-Gluckian age." Berlioz regarded "Euphrosine" as Méhul's masterpiece: "It has grace, delicacy, dash, plenty of dramatic movement, and passionate outbursts of terrific violence and veracity. The character of Euphrosine is delightful, that of the physician Alibour
Norman Studios of greed and jealousy, and it had a comedic subplot, which drew on many early racial stereotypes. This initial version of the film received widely mixed reviews. Norman decided to split the film into a drama and a comedy, "Green-Eyed Monster" and "Love Bug," respectively, and the films did significantly better as Norman could market them more accurately. Norman moved to Jacksonville during the height of the film industry and bought the studio in 1920 at the age of 29. It may be that Norman occupied the studios before purchasing them. The success of the film brought attention to the