Relationship between avant-garde art and American pop culture brush strokes and in techniques partially dictated by chance, such as dripping or spilling the paint directly onto the canvas. Examples of this include Jackson Pollock dripping commercial paints on raw canvas to build up complex and tangled skeins of paint into exciting and suggestive linear patterns and Willem de Kooning used extremely vigorous and expressive brush strokes to build up richly colored and textured images. The second category of Abstract Expressionism is represented by a variety of styles ranging from Color field, to Lyrical abstraction; delicate imagery and fluid shapes and fields of color included in works by Clyfford
Bob Wade (artist) Continuing this technique, Wade transferred vintage and Texas themed photos to photo-emulsion canvases on a large scale and applied color. These works include photos such as Mexican revolutionaries, a cowboy band, Texas boys and their guns, Yaquis, and his most well known, the 10' wide canvas, ‘Cowgirls on Harleys’. Wade’s teaching career ended in 1977 when he turned his full attention to making his art. In 1979 Wade began a series of canvases that would expand this technique. Wade decided to enlarge a 1922 postcard of cowgirls onto a photo emulsion canvas and hand-tint it in vivid colors. This accentuated