Fabien Barthez or stepovers. He was also very quick off his line, and often acted as a sweeper-keeper, thus contributing to the evolution of the role. While he received plaudits for his goalkeeping ability in the media, throughout his career Barthez also frequently came under criticism from pundits for his stubbornness, and his aggressive, unorthodox, and eccentric style of play, as well as for taking unnecessary risks, and was also deemed to be inconsistent, unreliable, and prone to errors and lapses in concentration. Through his career, Barthez was known for his active romantic life, and dated Canadian model Linda Evangelista. She became
French-Canadian music 1759. Already diverging from the music of France, Canadian and Acadian music were becoming distinct from each other, reinforced by the different experience of the regions under British rule, with Acadians experiencing a mass expulsion and partial return. The French (Quebecois) tradition continued to spread westward, however, in the form of the camp songs and rowing songs of the voyageurs, professional canoemen in the employ of the fur trading companies. In the west this tradition intermingled with others to give birth to Metis music. There was no scholarly study of French Canadian song until Ernest Gagnon's 1865 collection of 100