The Chronicles of Narnia: Prince Caspian will read an emotion into it." Andrew Adamson described the film as being darker, as it takes place "another 1300 years later, [and] Narnia has been oppressed by Telmarines for a large period of that time, so it's a dirtier, grittier, darker place than the last world was". He added, "This one is more of a boy's movie. It's a harsher world. The villains are human, and that lends a more realistic attitude." Creatures were designed by veteran horror and monster concept artist Jordu Schell and supervised by Howard Berger, who said that "Prince Caspian" would be more medieval than
The Chronicles of Narnia Chronicles". It was a work that was " a great balm to the soul". Plato was an undeniable influence on Lewis’s writing of "The Chronicles". Most clearly, Digory explicitly invokes Plato's name at the end of "The Last Battle", to explain how the old version of Narnia is but a shadow of the newly revealed “true” Narnia. Plato’s influence is also apparent in "The Silver Chair" when the Queen of the Underland attempts to convince the protagonists that the surface world is not real. She echoes the logic of Plato’s Cave by comparing the sun to a nearby lamp, arguing