Shirley Valentine (film) to retain the best of Willy Russell's theatrical devices . . . while opening out the action to embrace a big-screen atmosphere. The supporting cast, particularly Bernard Hill as Collins's Neanderthal husband, is equally convincing, with only the hammy Conti (glistening teeth and appalling accent) striking a momentary false note." Among reviewers who found the film banal and hollow, Caryn James of "The New York Times" observed, "By adding all the characters and settings that Shirley only talks about on stage, the film reveals the weakness of Mr. Russell's script as surely as if a magician's clumsy assistant had pointed
Harley Valentine L-Tower residence. For Valentine, being awarded this commission was "nothing if not a career-defining project for an artist not yet out of his 20s." The project consists of a triptych designed in homage to the National Ballet of Canada's four-decade residence at the site; the three sculptures depict abstracted ballet dancers in various dynamic positions In February 2013, Valentine unveiled his controversial sculpture "The North Pole", which plays on themes of aboriginal art and global warming, at the De Luca Fine Arts gallery. For it, Valentine cast in bronze a seven-foot, 100-year-old narwhal tusk. Drawing on a desire to bring