Abstract expressionism in 1929 in relation to works by Wassily Kandinsky. Technically, an important predecessor is surrealism, with its emphasis on spontaneous, automatic, or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst, and David Alfaro Siqueiros. The newer research tends to put the exile-surrealist Wolfgang Paalen in the position of the artist and theoretician who fostered the theory of the viewer-dependent possibility space through his paintings and his magazine "DYN". Paalen considered ideas of quantum mechanics, as well as idiosyncratic interpretations of
Ian Davenport in the British Art Show. In 1991, he was nominated for the annual Turner Prize. Many of Davenport's works are made by pouring paint onto a tilted surface and letting gravity spread the paint over the surface. He has usually worked on medium-density fibreboard rather than canvas, and most often employs household gloss paint, meaning the viewer can see their own reflection in the work. He has made a number of diptychs and triptychs as well as single works. For the "Days Like These" exhibition at Tate Britain in 2003, Davenport made a thirteen-metre-high mural by dripping lines of differently