Casablanca (film) right. The Jack Benny Fan Club can feel vindicated." The film was based on Murray Burnett and Joan Alison's then-unproduced play "Everybody Comes to Rick's". The Warner Bros. story analyst who read the play, Stephen Karnot, called it (approvingly) "sophisticated hokum", and story editor Irene Diamond, who had discovered the unproduced play on a trip to New York in 1941, convinced producer Hal Wallis to buy the rights in January 1942 for $20,000, the most anyone in Hollywood had ever paid for an unproduced play. The project was renamed "Casablanca", apparently in imitation of the 1938 hit "Algiers". Although an
Casablanca (film) All the characters react to what the plot dictates to them; the plot does not organically flow from their personae." Umberto Eco wrote that "by any strict critical standards ... "Casablanca" is a very mediocre film." He viewed the changes the characters undergo as inconsistent rather than complex: "It is a comic strip, a hotchpotch, low on psychological credibility, and with little continuity in its dramatic effects." However, he added that due to the presence of multiple archetypes which allow "the power of Narrative in its natural state without Art intervening to discipline it", it is a movie reaching "Homeric