Ancient Greek architecture of marriage; Athena, goddess of wisdom; Poseidon, god of the sea; Demeter, goddess of the harvest; Apollo, god of the sun, law, healing, plague, reason, music and poetry; Artemis, goddess of the moon, the hunt and the wilderness; Aphrodite, goddess of love; Ares, God of war; Hermes, god of commerce and travelers, Hephaestus, god of fire and metalwork, and Dionysus, god of wine and fruit-bearing plants. Worship, like many other activities, was done in community, in the open. However, by 600 BC, the gods were often represented by large statues and it was necessary to provide a building in which
The God Beneath the Sea novel's narrative structure was singled out by reviewers with similarly divided verdicts. For Manning, the novel's opening, "an excellent device ...to allow the book to start dramatically", and subsequent moments of pace and tension, are ruined by chronic over-writing. Nye felt the use of the two falls of Hephaestus as a framing device "makes sense of what comes in-between", but for Nye "it is a savage sort of sense, depending to a large extent on melodrama". "History Today" claimed the choice to retell the myths as a continuous narrative resulted in "a brilliant poetic fantasy"; Hughes said of the novel's