Personal life of Clint Eastwood payment reported to be between $25 and $30 million. Locke never divorced her legal husband, sculptor Gordon Anderson, who was gay and resided with his partner in a West Hollywood home purchased by Eastwood. Eastwood and Locke went on to star in "The Gauntlet", "Every Which Way But Loose", "Bronco Billy", "Any Which Way You Can" and "Sudden Impact". According to former longtime associate Fritz Manes, as quoted by author McGilligan, Eastwood was devoted to her between 1976 and 1980 at the least, but discreetly kept up several "maintenance relationships" (such as with Tunis) during that period. McGilligan claims Eastwood
Clint Eastwood in the 1960s the role, inflating his earnings up to $250,000, another Ferrari and 10% of the profits in the United States, when eventually released there. Eastwood was again encountering publicist disputes, between Ruth Marsh, who urged him to accept the third film of the trilogy, and the William Morris Agency and Irving Leonard, who were unhappy with Marsh's influence on Clint. Eastwood banished Marsh from having any further influence in his career. He was forced to sack her as his business manager, via a letter sent by Frank Wells. For some time after, Eastwood's publicity was handled by Jerry Pam of Gutman