Relationship between avant-garde art and American pop culture brush strokes and in techniques partially dictated by chance, such as dripping or spilling the paint directly onto the canvas. Examples of this include Jackson Pollock dripping commercial paints on raw canvas to build up complex and tangled skeins of paint into exciting and suggestive linear patterns and Willem de Kooning used extremely vigorous and expressive brush strokes to build up richly colored and textured images. The second category of Abstract Expressionism is represented by a variety of styles ranging from Color field, to Lyrical abstraction; delicate imagery and fluid shapes and fields of color included in works by Clyfford
Brushstrokes well as spatterings of paint are presented. Lichtenstein selected this source because he "...liked the summary rendering of the hand holding the brush and the way in which the cartoonist indicated paint". The three strokes in the upper right are the dominant imagery, while the partial view of the hand in the lower left limited by the edges of the canvas shows paint dripping from the brush. This is an example of Lichtenstein humorously presenting a subject that might be crowded out in a newspaper via a parody that relies on the difference between art and the rest of the