Janis Joplin the Doors. Although Joplin died before all the tracks were fully completed, there was enough usable material to compile an LP. The posthumous "Pearl" (1971) became the biggest-selling album of her career and featured her biggest hit single, a cover of Kris Kristofferson and Fred Foster's "Me and Bobby McGee" (Kristofferson had previously been Joplin's lover in the spring of 1970). The opening track, "Move Over", was written by Joplin, reflecting the way that she felt men treated women in relationships. Also included was the social commentary of "Mercedes Benz", presented in an "a cappella" arrangement; the track on the
Janis Joplin Gleason of the "San Francisco Chronicle", were negative. Gleason wrote that the new band was a "drag" and Joplin should "scrap" her new band and "go right back to being a member of Big Brother ... (if they'll have her)." Other reviewers, such as reporter Carl Bernstein of the "Washington Post", generally ignored the band's flaws and devoted entire articles to celebrating the singer's magic. Bernstein's review said that Joplin "has finally assembled a group of first-rate musicians with whom she is totally at ease and whose abilities complement the incredible range of her voice." When Joplin and her back-up