Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Lace machine a certain degree from mechanisation. Part lace is made in pieces or motifs, which are joined together on a ground, net or mesh, or with plaits, bars or legs. With mechanisation, the complex motifs could be mounted on machine made net. New net based laces emerged, such as Carrickmacross and Tambour lace. By 1870, virtually every type of hand-made lace (pillow lace, bobbin lace) had its machine-made copy. It became increasingly difficult for hand lacemakers to make a living from their work and most of the English handmade lace industry had disappeared by 1900. Few were interested in tracing and