Stingray (1964 TV series) "P.W.O.R." – short for "Proceeding With Orders Received". "Stingray" is piloted by the square-jawed Captain Troy Tempest. He is paired with Southern navigator Lieutenant George Lee Sheridan, nicknamed "Phones" for his role as "Stingray"<nowiki>'</nowiki>s hydrophone operator. Troy and Phones board "Stingray" by sitting on twin injector seats in Marineville's stand-by lounge, which are lowered into the vessel via injector tubes and then clamped into place. They answer to the crusty "hoverchair"-bound Commander Sam Shore, whose daughter, Lieutenant Atlanta Shore, takes shifts in the Marineville control tower and is enamoured of Troy. At the start of the series, the WASP learns
The Tempest it was described by Patrick MacDonnell—in his "An Essay on the Play of The Tempest" published in 1840—as "maintaining in his mind, a strong resistance to that tyranny, which held him in the thraldom of slavery". The Victorian era marked the height of the movement which would later be described as "pictorial": based on lavish sets and visual spectacle, heavily cut texts making room for lengthy scene-changes, and elaborate stage effects. In Charles Kean's 1857 production of "The Tempest", Ariel was several times seen to descend in a ball of fire. The hundred and forty stagehands supposedly employed on this