Phil Collins success as a solo artist had made him more popular than Genesis. Before the release of "No Jacket Required", Collins insisted that he would not leave the band. "The next one to leave the band will finish it," Collins told "Rolling Stone" magazine in May 1985. "I feel happier with what we're doing now, because I feel it's closer to me. I won't be the one." Collins added, "Poor old Genesis does get in the way sometimes. I still won't leave the group, but I imagine it will end by mutual consent." In October 1985, Collins reunited with Banks and
Phil Collins (artist) For his Turner Prize entry Collins created a fully functioning office called 'Shady Lane Productions' in the gallery at Tate Britain. It was staffed with journalists and researchers who worked a normal 9am-5pm day, on full pay, for the duration of the show in full view of gallery visitors. These office workers were looking for candidates to appear in "The Return of the Real", a documentary about people whose lives had been ruined by reality TV. Turner Prize judge Andrew Renton said, "To call Phil Collins a prankster would be to underestimate the seriousness of his work. His work is