Harold Ramis Dan Aykroyd on the screenplay for "Ghostbusters", which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler, a role he reprised for the 1989 sequel, "Ghostbusters II" (which he also co-wrote with Aykroyd). His later film "Groundhog Day" has been called his "masterpiece". His films have been noted for attacking "the smugness of institutional life ... with an impish good [will] that is unmistakably American". They are also noted for "Ramis's signature tongue-in-cheek pep talks". Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities
Oswald Spengler while Karl Popper called the thesis "pointless". The great historian of antiquity Eduard Meyer thought highly of Spengler, although he also had some criticisms of him. Spengler's obscurity, intuitionalism, and mysticism were easy targets, especially for the Positivists and neo-Kantians who rejected the possibility that there was meaning in world history. The critic and aesthete Count Harry Kessler thought him unoriginal and rather inane, especially in regard to his opinion on Nietzsche. Ludwig Wittgenstein, however, shared Spengler's cultural pessimism. Spengler's work became an important foundation for the social cycle theory. In late 1919, Spengler published "Prussianism and Socialism" ("Preußentum und