Relationship between avant-garde art and American pop culture brush strokes and in techniques partially dictated by chance, such as dripping or spilling the paint directly onto the canvas. Examples of this include Jackson Pollock dripping commercial paints on raw canvas to build up complex and tangled skeins of paint into exciting and suggestive linear patterns and Willem de Kooning used extremely vigorous and expressive brush strokes to build up richly colored and textured images. The second category of Abstract Expressionism is represented by a variety of styles ranging from Color field, to Lyrical abstraction; delicate imagery and fluid shapes and fields of color included in works by Clyfford
Jack Chambers (artist) Jack Chambers (artist) John Richard Chambers (March 25, 1931–April 13, 1978) was a Canadian artist and filmmaker. Born in London, Ontario, Chambers' painting style shifted from surrealist-influenced to photo-realist-influenced. He used the term "Perceptual Realism" and later "perceptualism" to describe his style. He began working with film in the 1960s, completing six by 1970. Stan Brakhage proclaimed Chambers' "The Hart of London" as "one of the greatest films ever made." Born John Richard Chambers in London, Ontario, Chambers signed his name as John until 1970 and thereafter was known as Jack professionally and posthumously. Chambers spent eight years (1953–1961) studying