Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Greek lace the world and was modified to create other types of lace, modernly known as imitations. Since Greek lace is one of the earliest form of needle lace, there are many different variations that are difficult to distinguish. One of the biggest differentiations between different types of old Greek lace is whether it is “Italian or Flemish.” However, specimens have shown that there are no standard differences between the two. Very early Greek lace can be identified by lace trimmings. Authentic Greek lace is identified by the procedure of buttoning over the thread in specific patterns and can ideally be distinguished