Vivienne Westwood - showed collections in Paris and London with the thematic titles Savages (shown late 1981), Buffalo/Nostalgia Of Mud (shown spring 1982), Punkature (shown late 1982), Witches (shown early 1983) and Worlds End 1984 (later renamed Hypnos, shown late 1983). After the partnership with McLaren was dissolved, Westwood showed one more collection featuring the Worlds End label: "Clint Eastwood" (late 1984-early 1985). She dubbed the period 1981-85 "New Romantic" and 1988–91 as "The Pagan Years" during which "Vivienne's heroes changed from punks and ragamuffins to 'Tatler' girls wearing clothes that parodied the upper class". From 1985-87, Westwood took inspiration from the
Vivienne Westwood very seriously any errors that are brought to our attention and, where appropriate, correct them." A spokesman for Pan MacMillan, which published an Australian edition of the biography, confirmed that the matter was being handled by the publisher's lawyers. In January 2011, Westwood was featured in a Canadian-made television documentary called "Vivienne Westwood's London" in which she takes the viewer through her favourite parts of London, including the Courtauld Institute of Art, the Wallace Collection, Whitechapel (accompanied by Sarah Stockbridge), Hampton Court, the London Symphony Orchestra, Brixton Market and Electric Avenue, and the National Gallery. In 2018 a documentary film