Vivienne Westwood - showed collections in Paris and London with the thematic titles Savages (shown late 1981), Buffalo/Nostalgia Of Mud (shown spring 1982), Punkature (shown late 1982), Witches (shown early 1983) and Worlds End 1984 (later renamed Hypnos, shown late 1983). After the partnership with McLaren was dissolved, Westwood showed one more collection featuring the Worlds End label: "Clint Eastwood" (late 1984-early 1985). She dubbed the period 1981-85 "New Romantic" and 1988–91 as "The Pagan Years" during which "Vivienne's heroes changed from punks and ragamuffins to 'Tatler' girls wearing clothes that parodied the upper class". From 1985-87, Westwood took inspiration from the
TCP Westwood plus done at University of California, Los Angeles (UCLA) in 1999. The name "Westwood" was chosen by S. Mascolo as due homage to the home of UCLA where he was a visiting researcher at that time. Main collaborators were prof. Mario Gerla, Dr. Claudio Casetti and Dr. Medy Senadidi. After that, Saverio Mascolo went back to Italy and "his evolution of Westwood TCP" was named Westwood+. The main novelty of Westwood+ was the algorithm used to estimate the available bandwidth end-to-end. In fact, it was soon discovered that the Westwood bandwidth estimation algorithm did not work well in the presence of