Clint Eastwood in the 1980s Schickel argued that the character of Bronco Billy is Eastwood's most self-referential work. Janet Maslin of "The New York Times" wrote that the film was "the best and funniest Clint Eastwood movie in quite a while", praising Eastwood's directing and the way he intricately juxtaposes the old West and the new. Later in 1980, he reprised his role in the sequel to "Every Which Way But Loose" entitled "Any Which Way You Can". The film was another box-office success and was among the top five highest-grossing films of the year. Later on Wednesday, December 17, 1980 he appeared in the
Clint Eastwood in the 1980s screened at Cannes and received a mixed reception. Spike Lee, a long term critic of Eastwood, the son of jazz bassist Bill Lee, and alto saxophonist Jackie McLean criticized the characterisation of Charlie Parker, remarking that it did not capture his true essence and sense of humor. Critic Pauline Kael published a scathing review, confessing to loathing the film and describing it as "a rat's nest of a movie", which looks as if Clint "hadn't paid his Con Ed Bill". Others, particularly jazz enthusiasts, however, praised the music of the film and Eastwood received two Golden Globes—the Cecil B. DeMille