Ancient Greek architecture of marriage; Athena, goddess of wisdom; Poseidon, god of the sea; Demeter, goddess of the harvest; Apollo, god of the sun, law, healing, plague, reason, music and poetry; Artemis, goddess of the moon, the hunt and the wilderness; Aphrodite, goddess of love; Ares, God of war; Hermes, god of commerce and travelers, Hephaestus, god of fire and metalwork, and Dionysus, god of wine and fruit-bearing plants. Worship, like many other activities, was done in community, in the open. However, by 600 BC, the gods were often represented by large statues and it was necessary to provide a building in which
Hephaestus made the golden and silver lions and dogs at the entrance of the palace of Alkinoos in such a way that they could bite the invaders. The Greeks maintained in their civilization an animistic idea that statues are in some sense alive. This kind of art and the animistic belief goes back to the Minoan period, when Daedalus, the builder of the labyrinth, made images which moved of their own accord. A statue of the god was somehow the god himself, and the image on a man's tomb indicated somehow his presence. In the account of Attic vase painters, Hephaestus