Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Flanders lace Flanders lace Flanders lace (point de Flandres) was made in Flanders, which was particularly well known for its bobbin lace. The supreme epoch of Flemish lace lasted from about 1550-1750. The lacemaking areas of Antwerp, Mechlin, Binche and Valenciennes are regarded as Flemish. They made mesh ground continuous lace. Brussels made part lace which is non-continuous. Old Flanders lace began by making Torchon lace, then used early five-hole ground. Today, the term Flanders lace is more usually applied to a late 19th century revival of the five-hole grounded lace. Classical variations have pairs crossing at the tips of the rectangles,