The Lion King (musical) is the rightful king. Timon and Pumbaa are confused, but Simba asks them to leave him and Nala alone. Timon realizes what is happening and laments the end of Simba's Hakuna Matata lifestyle ("Can You Feel the Love Tonight"). Nala tells Simba about the devastated Pride Lands, but Simba still feels responsible for Mufasa's death and refuses to return home. On his own, Simba meets Rafiki, who explains that his father lives on ("He Lives in You"). Mufasa's spirit appears in the sky and tells Simba he is the one true king and must take his place in the Circle
Nala (The Lion King) that Nala is introduced "as a dominating young girl" who ultimately matures into "a strong woman" by the film's conclusion. "Mouse Morality: The Rhetoric of Disney Animated Film" author Annalee R. Ward wrote that Nala's role in "The Lion King" reflected "a 1990s feminist reversal". In her book "Biblical Allusions", author Lindsay Bacher acknowledged that Nala is often depicted as a stronger and more responsible character than Simba, despite observations that "The Lion King"'s female characters lack agency. Leab identified Nala as Simba's "equal" who is "a more naturally sound leader throughout the film, while Simba tends to be comparatively