Casablanca (film) in 1942 to work on the "Why We Fight" series in Washington, D.C. While they were gone, the other credited writer, Howard Koch, was assigned; he produced thirty to forty pages. When the Epstein brothers returned after about a month, they were reassigned to "Casablanca" and—contrary to what Koch claimed in two published books—his work was not used. The Epstein brothers and Koch never worked in the same room at the same time during the writing of the script. Koch later commented, "When we began, we didn't have a finished script ... Ingrid Bergman came to me and said, 'Which
Casablanca (film) protect my investment." The Library of Congress deemed that the color change differed so much from the original film that it gave a new copyright to Turner Entertainment. When the colorized film debuted on WTBS, it was watched by three million viewers, not making the top-ten viewed cable shows for the week. Although Jack Matthews of the "Los Angeles Times" called the finished product "state of the art", it was mostly met with negative critical reception. It was briefly available on home video. Gary Edgerton, writing for the "Journal of Popular Film & Television" criticized the colorization, "... "Casablanca" in