Ursula (The Little Mermaid) the studio's strongest and most powerful villains in several years. Film critic Roger Ebert dubbed Ursula Disney's "most satisfying villainess since" "Snow White and the Seven Dwarfs"' Evil Queen, who debuted in 1937. Critics agree that Ursula played an important role in the overall success of "The Little Mermaid". Samantha Rullo of "Bustle" reviewed Ursula as a "way more interesting" character than Ariel herself, while praising her for "rocking the best hair and makeup of any Disney villain." Also writing for "Bustle", Caitlyn Callegari appreciated Ursula for "tell[ing] it like it is." Jay Boyar of the "Orlando Sentinel" hailed Ursula
The Little Mermaid (musical) this version is the basis for subsequent productions. Disney Theatrical had success with stage adaptations of its animated musical films "Beauty and the Beast" in 1994 and "The Lion King" in 1997. Thomas Schumacher, head of Disney Theatrical, proposed another adaptation, this time of the 1989 film "The Little Mermaid", approaching songwriter Alan Menken, who had composed the music for the film, to be part of the production team. Schumacher initially brought on director/choreographer Matthew Bourne to helm the musical, but Bourne left when their visions on the project differed. Schumacher then approached Francesca Zambello, telling her that "We haven't