Euphrosine paraphrase of Iago's speech: 'Beware of jealousy, it is the green-eyed monster,' in the "Othello" of Shakespeare" and recounted the anecdote that when Grétry heard the piece at the dress rehearsal he exclaimed: "It's enough to break open the roof of the house with the skulls of the audience." David Charlton comments that the duet "established a new standard of psychological realism for the post-Gluckian age." Berlioz regarded "Euphrosine" as Méhul's masterpiece: "It has grace, delicacy, dash, plenty of dramatic movement, and passionate outbursts of terrific violence and veracity. The character of Euphrosine is delightful, that of the physician Alibour
Green-Eyed Monster (Veronica Mars) Without Pity" gave the episode a "B". Rowan Kaiser, writing for "The A.V. Club", gave a mixed review, criticizing the case-of-the-week while praising the subplots. "The big problem is that the case…is too transparent. The nature of her boyfriend was expectedly twisty, but it was largely irrelevant." However, he lauded the development of the Fennels. "The Alicia Fennel subplot, which I was dubious about when introduced, may still be problematic, but it did give us more time with Keith Mars in a variety of different moods…and the twist at the end…was not one I expected, so kudos on that. Green-Eyed