Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Honiton lace old tombstone in the town is inscribed with information about one James Rodge who is described as a “bone lace seller” who died in 1617; it is not known whether he emigrated from Flanders or not. In the early period (approx. 1620-1800), sprigs of various designs were worked separately from the net ground by hand, then put together near the end of production. Later (approx. 1800-1840), handmade Honiton lace became obsolete in light of the invention of machine-made net, which was much cheaper to produce. Historian Emily Jackson describes the design changes fostered by the convenience of this approach: “There