Casablanca (film) right. The Jack Benny Fan Club can feel vindicated." The film was based on Murray Burnett and Joan Alison's then-unproduced play "Everybody Comes to Rick's". The Warner Bros. story analyst who read the play, Stephen Karnot, called it (approvingly) "sophisticated hokum", and story editor Irene Diamond, who had discovered the unproduced play on a trip to New York in 1941, convinced producer Hal Wallis to buy the rights in January 1942 for $20,000, the most anyone in Hollywood had ever paid for an unproduced play. The project was renamed "Casablanca", apparently in imitation of the 1938 hit "Algiers". Although an
Casablanca (film) protect my investment." The Library of Congress deemed that the color change differed so much from the original film that it gave a new copyright to Turner Entertainment. When the colorized film debuted on WTBS, it was watched by three million viewers, not making the top-ten viewed cable shows for the week. Although Jack Matthews of the "Los Angeles Times" called the finished product "state of the art", it was mostly met with negative critical reception. It was briefly available on home video. Gary Edgerton, writing for the "Journal of Popular Film & Television" criticized the colorization, "... "Casablanca" in