Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Chantilly lace in Normandy, mainly around the Bayeux area. While it was no longer being made in Chantilly, all of the old techniques and designs were used. Chantilly lace reached the height of its popularity around 1830 and was revived again in the 1860s, at which point it was made at Bayeux as well as at Geraardsbergen, in Belgium. In 1844, a machine was patented that made Valenciennes lace and black silk Chantilly lace that was difficult to distinguish from the handmade lace. Chantilly lace Chantilly lace is a handmade bobbin lace named after the city of Chantilly, France, in a tradition