Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Rosaline lace the back of the lace. Rosaline lace Rosaline lace is a late 17th-century Venetian needle lace, and a late 19th-century bobbin part lace imitation. A Brussels variant with needle lace pearls is called Rosaline Perlée. The variant made in Bruges lacked the pearls. In the 1870s the second French empire collapsed, concurrently fashion changed. The cheaper guipures were affected but the better Brussels laces stayed in demand for wedding trousseaux. Designs and technique however remained much the same. Individuality of lace types decreased and interest for making lace as a hobby increased. In the 1880s the lace industry revived with