The Ghost Ship (Stingray) to the World Aquanaut Security Patrol (WASP) in Marineville with orders to investigate. Captain Troy Tempest (voiced by Don Mason), Phones (voiced by Robert Easton) and Marina set off in "Stingray" accompanied by Commander Shore (voiced by Ray Barrett). "Stingray" arrives at the "Arcadia"s last known position and encounters the galleon, which does not respond to Troy's hails. Shore and Phones board the ship and find its upper decks deserted. However, they fail to notice a platform built into the floor of one of the cabins and are lowered into a watertight section in the vessel's depths. There, they are
The Tempest it was described by Patrick MacDonnell—in his "An Essay on the Play of The Tempest" published in 1840—as "maintaining in his mind, a strong resistance to that tyranny, which held him in the thraldom of slavery". The Victorian era marked the height of the movement which would later be described as "pictorial": based on lavish sets and visual spectacle, heavily cut texts making room for lengthy scene-changes, and elaborate stage effects. In Charles Kean's 1857 production of "The Tempest", Ariel was several times seen to descend in a ball of fire. The hundred and forty stagehands supposedly employed on this