The Lion King Simba is given some valuable perspective from his childhood friend, Nala, and his shaman, Rafiki, before returning to challenge Scar to end his tyranny and take his place in the Circle of Life as the rightful King. Development of "The Lion King" began in 1988 during a meeting between Jeffrey Katzenberg, Roy E. Disney, and Peter Schneider while promoting "Oliver & Company" in Europe. Thomas Disch wrote a film treatment, and Woolverton developed the first scripts, while George Scribner was signed on as director, being later joined by Allers. Production began in 1991 concurrently with "Pocahontas", which wound up attracting
Simba "lazy and troublesome." "The Austin Chronicle"s Robert Faires felt that Simba and the other "Lion King "characters, though "true", were simply unoriginal retreads of preceding animated characters who were "swiped from other Disney cartoons." Hal Hinson of "The Washington Post" gave the character a negative review. Labeling Timon and Pumbaa the only interesting characters in "The Lion King", Hinson questioned Simba's role as the film's hero. Kenneth Turan of the "Los Angeles Times "agreed, "A movie's heroes may have their names above the title, but often as not it's the sidekicks who get the real work done." Turan went on