Casablanca (film) in 1942 to work on the "Why We Fight" series in Washington, D.C. While they were gone, the other credited writer, Howard Koch, was assigned; he produced thirty to forty pages. When the Epstein brothers returned after about a month, they were reassigned to "Casablanca" and—contrary to what Koch claimed in two published books—his work was not used. The Epstein brothers and Koch never worked in the same room at the same time during the writing of the script. Koch later commented, "When we began, we didn't have a finished script ... Ingrid Bergman came to me and said, 'Which
Rick's Café Casablanca that depict that of the film; a port-oriented façade that looks to the Atlantic; and a narrow dead-end access which was the former main entrance but is now the service entrance. Because of the age of the structure and proximity to the sea, the mansion was totally restored and renovated. American architect/designer Bill Willis conceived the decorative and architectural details which enhanced the existing arches and balustrades to evoke the film “Casablanca.” Intricate antique brass floor and table lamps with metal shades strung with beads give off dramatic lighting effects, and on each table rests a specially designed brass lamp