Arsenic and Old Lace (film) script. Capra's own intelligent direction rounds out." "Harrison's Reports" wrote: "An hilarious entertainment, it should turn out to be one of the year's top box-office attractions." John Lardner of "The New Yorker" called the film "practically as funny in picture form as it did on the stage, and that is very funny indeed." Twenty-four years after the film was released, Charles Higham and Joel Greenberg wrote "Hollywood in the Forties" where they stated that "Frank Capra provided a rather overstated and strained version of "Arsenic and Old Lace"". The film is recognized by American Film Institute in these lists: According
Freehand lace of Elisa Ricci's "Antiche Trine Italiane". It is called 'lace without a pattern' in French, 'numeric lace' in Russian, and the Slovaks have named it by the fact that it is produced on a bare pillow. In Swedish, the verb used for composing a poem is also used for making freehand lace. The basic research on Freehand Lace was made by Bodil Tornehave of Denmark, and published in her book "Danske Frihåndskniplinger" (, Danish Freehand Lace) in 1987. 'Freehand lace' is sometimes confused with 'free lace', which is a modern, artistic form of lace. Freehand lace Freehand lace is bobbin