Relationship between avant-garde art and American pop culture brush strokes and in techniques partially dictated by chance, such as dripping or spilling the paint directly onto the canvas. Examples of this include Jackson Pollock dripping commercial paints on raw canvas to build up complex and tangled skeins of paint into exciting and suggestive linear patterns and Willem de Kooning used extremely vigorous and expressive brush strokes to build up richly colored and textured images. The second category of Abstract Expressionism is represented by a variety of styles ranging from Color field, to Lyrical abstraction; delicate imagery and fluid shapes and fields of color included in works by Clyfford
The Artist in His Museum The Artist in His Museum The Artist in His Museum is an 1822 self-portrait by the American painter Charles Willson Peale (1741–1827). It depicts the 81-year-old artist posed in Peale's Museum, then occupying the second floor of Independence Hall in Philadelphia, Pennsylvania. The nearly life-size painting is in the collection of the Pennsylvania Academy of the Fine Arts. Toward the end of his career, beginning in 1822, he painted seven self-portraits that together formed the final motif of his art and the final flourishing of his talent. "The Artist in His Museum" is a large-scale oil-on-canvas work painted in about