Phil Collins of the cheesiest music ever committed to acetate". Erik Hedegaard of "Rolling Stone" mentioned that Phil Collins hate sites had "flourished" online, and acknowledged that he had been called "the sellout who took Peter Gabriel's Genesis, that paragon of prog-rock, and turned it into a lame-o pop act and went on to make all those supercheesy hits that really did define the 1980s". According to author Dylan Jones in his 2013 publication on 1980s popular music, many of Collins's peers "despised" him. Some fellow artists have made negative comments about Collins publicly. In 1990, former Pink Floyd frontman Roger Waters
Phil Collins (artist) For his Turner Prize entry Collins created a fully functioning office called 'Shady Lane Productions' in the gallery at Tate Britain. It was staffed with journalists and researchers who worked a normal 9am-5pm day, on full pay, for the duration of the show in full view of gallery visitors. These office workers were looking for candidates to appear in "The Return of the Real", a documentary about people whose lives had been ruined by reality TV. Turner Prize judge Andrew Renton said, "To call Phil Collins a prankster would be to underestimate the seriousness of his work. His work is