Ursula (The Little Mermaid) the studio's strongest and most powerful villains in several years. Film critic Roger Ebert dubbed Ursula Disney's "most satisfying villainess since" "Snow White and the Seven Dwarfs"' Evil Queen, who debuted in 1937. Critics agree that Ursula played an important role in the overall success of "The Little Mermaid". Samantha Rullo of "Bustle" reviewed Ursula as a "way more interesting" character than Ariel herself, while praising her for "rocking the best hair and makeup of any Disney villain." Also writing for "Bustle", Caitlyn Callegari appreciated Ursula for "tell[ing] it like it is." Jay Boyar of the "Orlando Sentinel" hailed Ursula
The Little Mermaid (musical) calling it "less than witty" and "bloated". Ben Brantley of the "New York Times" was especially critical, saying that the "charm-free" musical is "stripped of the movie’s generation-crossing appeal. Coherence of plot, endearing quirks of character, even the melodious wit of the original score (supplemented by new, substandard songs...) have been swallowed by an unfocused spectacle." "Time Magazine", however, commented, "It was one of the most ravishing things I have ever seen on a Broadway stage." The Little Mermaid (musical) The Little Mermaid is a stage musical produced by Disney Theatrical, based on the animated 1989 Disney film of the