Shirley Valentine (film) to retain the best of Willy Russell's theatrical devices . . . while opening out the action to embrace a big-screen atmosphere. The supporting cast, particularly Bernard Hill as Collins's Neanderthal husband, is equally convincing, with only the hammy Conti (glistening teeth and appalling accent) striking a momentary false note." Among reviewers who found the film banal and hollow, Caryn James of "The New York Times" observed, "By adding all the characters and settings that Shirley only talks about on stage, the film reveals the weakness of Mr. Russell's script as surely as if a magician's clumsy assistant had pointed
Woman's film film is the motif of escape. Woman's films allow their respective female protagonists to escape their everyday lives and their socially and sexually prescribed roles. The escape can take the form of a journey to another place such as the USSR in "Letter to Brezhnev" (1985) and Greece in "Shirley Valentine" (1989) or education as in "Educating Rita" (1983) and sexual initiation as in "Wish You Were Here" (1987). The beginnings of the genre can be traced back to D. W. Griffith, whose one- and two-reelers "A Flash of Light" (1910) and "Her Awakening" (1911) feature the trademark narratives of