Casablanca (film) right. The Jack Benny Fan Club can feel vindicated." The film was based on Murray Burnett and Joan Alison's then-unproduced play "Everybody Comes to Rick's". The Warner Bros. story analyst who read the play, Stephen Karnot, called it (approvingly) "sophisticated hokum", and story editor Irene Diamond, who had discovered the unproduced play on a trip to New York in 1941, convinced producer Hal Wallis to buy the rights in January 1942 for $20,000, the most anyone in Hollywood had ever paid for an unproduced play. The project was renamed "Casablanca", apparently in imitation of the 1938 hit "Algiers". Although an
Casablanca Records half. In 1980, one of the label's biggest acts, Donna Summer, departed to Geffen Records as she and Casablanca failed to agree on her musical direction for the future. That same year, PolyGram pushed Bogart out of Casablanca due to what it viewed as the label's overspending and accounting irregularities. The film division was separated from the label and renamed PolyGram Pictures. In the early 1980s, with Bogart no longer heading the label, Casablanca had hits with acts Lipps Inc, Stephanie Mills, Cameo (on sister label Chocolate City Records), and Irene Cara, but it did not have the same level