Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Communist Manifesto in the hands of shop-window mannequins, displayed in come-hither poses and fashionable décolletage." A number of late-20th- and 21st-century writers have commented on the "Communist Manifesto"s continuing relevance. In a special issue of the "Socialist Register" commemorating the "Manifesto"s 150th anniversary, Peter Osborne argued that it was 'the single most influential text written in the nineteenth century.' Academic John Raines in 2002 noted that "In our day this Capitalist Revolution has reached the farthest corners of the earth. The tool of money has produced the miracle of the new global market and the ubiquitous shopping mall. Read "The Communist Manifesto",