Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Communist Manifesto publicly owned etc.—the implementation of which would result in the precursor to a stateless and classless society. The third section, "Socialist and Communist Literature", distinguishes communism from other socialist doctrines prevalent at the time—these being broadly categorised as Reactionary Socialism; Conservative or Bourgeois Socialism; and Critical-Utopian Socialism and Communism. While the degree of reproach toward rival perspectives varies, all are dismissed for advocating reformism and failing to recognise the pre-eminent revolutionary role of the working class. "Position of the Communists in Relation to the Various Opposition Parties", the concluding section of the "Manifesto", briefly discusses the communist position on struggles