Jean-Paul Sartre both Gide and Malraux were undecided, and this may have been the cause of Sartre's disappointment and discouragement. "Socialisme et liberté" soon dissolved and Sartre decided to write instead of being involved in active resistance. He then wrote "Being and Nothingness", "The Flies", and "No Exit", none of which were censored by the Germans, and also contributed to both legal and illegal literary magazines. In his essay "Paris under the Occupation", Sartre wrote about the "correct" behavior of the Germans had entrapped too many Parisians into complicity with the occupation, accepting what was unnatural as natural, writing: The Germans did
The Condemned of Altona The Condemned of Altona The Condemned of Altona (French: "Les Séquestrés d'Altona") is a play written by Jean-Paul Sartre, known in Great Britain as Loser Wins. It was first produced in 1959 at the Théâtre de la Renaissance in Paris. It was one of the last plays Sartre wrote, followed only by his adaptation of Euripides' "The Trojan Women". The title recalls his formulation "Man is condemned to be free." It is the only one of Sartre's fictional works which deals directly with Nazism, and also serves as a critique of the then-ongoing Algerian War. The action takes place in