Samaritan Snare was a reflection of modern society. With that in mind, portly actors were hired in order to give the impression of Tweedledum and Tweedledee from Lewis Carroll's "Through the Looking-Glass". Makeup supervisor Michael Westmore then created a prosthetic design for the actors, intending to make them look "whimsical". Appliances were created for their cheeks, foreheads and the tip of the actor's noses. A further addition was the eyebrows, as Westmore wanted them to look permanently sad. The final step in the makeup process was the creation of sets of false upper teeth, which while Westmore suggested was not immediately noticeable
Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc. initial screening was stopped short by a hostile audience reaction. Land printed the loop optically to create "Film in Which There Appear...". He has confessed to feeling "very silly" about passively watching the film in a dark cinema, and occasionally stands up to point out details to the film's audience. Land later created a 20-minute split-screen expansion of the same loop, which he claims "looks better because it's more of a horizontal film than a vertical film; you look "across" it, not "into" it." "Film in Which There Appear..." is considered an important work in the structural film movement. Fred