The Taming of the Shrew as keeping her from eating and drinking, until she becomes a desirable, compliant, and obedient bride. The subplot features a competition between the suitors of Katherina's younger sister, Bianca, who is seen as the "ideal" woman. The question of whether the play is misogynistic or not has become the subject of considerable controversy, particularly among modern scholars, audiences, and readers. "The Taming of the Shrew" has been adapted numerous times for stage, screen, opera, ballet, and musical theatre; perhaps the most famous adaptations being Cole Porter's "Kiss Me, Kate" and the 1967 film of the play, starring Elizabeth Taylor and
Shrew (stock character) psychological manipulation (without animal abuse), were reused by William Shakespeare in his play "The Taming of the Shrew", which closes with the reformed shrew giving a monologue on why wives should always obey their husbands. This overall plot structure was retained in various works of silent-era and post-Second World War cinema. Elements of the shrew-taming plot are still used today, though with less patriarchal messages since the rise of feminism. "The Taming of the Shrew" has itself led to various modern, loose adaptations to current societal views in differing Western and Eastern industrialised societies, while retaining the stock character and