Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto church's contributions are recognized. Gao, however, concedes that the manifesto "misled" Chinese Christians into thinking that they would be well-off with the new government. Foreign missionaries went as far as calling the manifesto "the failure of Christian conscience in China". Gao argues that the manifesto is not to be entirely blamed on Wu. Rather, it was "a product of a particular time – from 1948 to 1950 – that witnessed the victory of the CCP and the establishment of the PRC". Similarly, Bob Whyte argues the manifesto was appropriate in its historical setting, as "[t]he tide of history had left