Ralph McQuarrie I still get fan mail — people wondering if I worked on "Episode I" or just wanting to have my autograph." McQuarrie's production painting of R2-D2 and C-3PO wandering in the desert on the planet Tatooine was the first to be completed. His early concept for C-3PO was visibly inspired by the Art Deco "Maschinenmensch" robot from Fritz Lang’s 1927 film "Metropolis". The painting had a particular impact on actor Anthony Daniels, who was about to turn down the part of C-3PO; ""He had painted a face and a figure that had a very wistful, rather yearning, rather bereft quality,
The Week That Was sessions, such as Emma Fisk and Peter Richardson on strings. Like Field Music, the songs are in a progressive, fractured style often operating outside of standard verse/chorus structures. However, there are some more radio-friendly songs on the album than Field Music's work, and The Week That Was also has wider and more elaborate use of instrumentation, particularly orchestral instruments. The album's lyrics were inspired by "Paul Auster's labyrinthine storytelling", based around "an imagined crime thriller". Though there is little evidence to suggest a narrative in the finished product, the songs are intended to be seen as musical snapshots from within