Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto signatories can be interpreted in two ways: a relatively high number of signatories testifies to the success of Wu and the campaign to accommodate to the communist government. Conversely, the number of people who did not sign the manifesto count as people who did not want the Chinese church to sever its links with foreigners. It was feared that the NCC, which had facilitated cooperation between Chinese Protestants and foreign missionaries since 1922, would lose its independence. Most appear to have signed the document out of patriotic sentiments, not because of fundamental agreement with the actual provisions of the manifesto: