The Cat in the Hat (TV special) After MGM stopped animation production and closed down its animation department for good in 1970, production was moved to DePatie–Freleng Enterprises (marking the company's first Dr. Seuss television special), which was run by Jones' fellow Warner Bros. Cartoons alumnus Friz Freleng and WB's last original production executive David DePatie. Although Chuck Jones and his staff were retained by DePatie–Freleng in the production of the special, Jones left the studio and did not work on any other Seuss projects after "The Cat in the Hat". Other staff members that have worked with Jones such as Dean Elliott and Maurice Noble eventually
The Cat in the Hat portrays the fish as a kind of ever-nagging superego, the embodiment of utterly conventionalized morality." Philip Nel notes that other critics have also compared the fish to the superego. Anna Quindlen called the Cat "pure id" and marked the children, as mediators between the Cat and the fish, as the ego. Mensch and Freeman, however, argue that the Cat shows elements of both id and ego. In her analysis of the fish, MacDonald asserts that it represents the voice of the children's absent mother. Its conflict with the Cat, not only over the Cat's uninvited presence but also their inherent