The Cat in the Hat book's title character in the tradition of con artists in American art, including the title characters from Meredith Willson's "The Music Man" and L. Frank Baum's "The Wonderful Wizard of Oz". Nel also contends that Geisel identified with the Cat, pointing to a self portrait of Geisel in which he appears as the Cat, which was published alongside a profile about him in "The Saturday Evening Post" on July 6, 1957. Michael K. Frith, who worked as Geisel's editor, concurs, arguing that "The Cat in the Hat and Ted Geisel were inseparable and the same. I think there's no question
The Cat in the Hat Comes Back takes his hat off and unleashes a "Voom", which cleans up the spot, clears all the snow from the paths, and puts all of the Little Cats back into the Cat's hat. The Cat leaves, with the promise that he and the Little Cats, from A through Z, will return someday. The book ends in a burst of flamboyant versification, with the full list of little cats arranged into a metrically perfect rhymed quatrain, designed to teach the reader the alphabet. After the 2003 film adaption of the original story, it was planned to make a sequel based on "The