Royal Swedish Opera architect Carl Fredrik Adelcrantz was commissioned by King Gustav III, a strong adherent of the ideal of an enlightened absolutism and as such was a great patron of the arts. The Swedish Opera company had first been located in Bollhuset, but there was a need to separate the Opera from the theatre and give them separate buildings. Construction began in 1775 and the theatre was inaugurated on 30 September 1782 with a performance of the German composer Johann Gottlieb Naumann's "Cora och Alonzo". It was also the place for public masquerade balls, events inspired from the famous opera-balls in Paris,
Giuseppe Verdi of Duncan, the forms transcend the 'Code Rossini' and propel the drama in a compelling fashion. Verdi was to comment in 1868 that Rossini and his followers missed "the golden thread that binds all the parts together and, rather than a set of numbers without coherence, makes an opera." "Tinta" was for Verdi this "golden thread", an essential unifying factor in his works. The writer David Kimbell states that in "Luisa Miller" and "Stiffelio" (the earliest operas of this period) there appears to be a "growing freedom in the large scale structure...and an acute attention to fine detail." Others echo