The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
Manifesto of the 121 the authorities. The Declaration was drafted by Dionys Mascolo, Maurice Blanchot and Jean Schuster. It stated that the cause of the Algerians was the cause of all free men, and that the struggle was striking a decisive blow to the cause of colonialism. The vast majority of the signatories belonged to the French Left. The signatories included figures from a variety of political and cultural movements, such as Marxism, existentialism, and a number of figures associated with the Nouveau Roman and New Wave literary and cinematic trends. Manifesto of the 121 The Manifesto of the 121 (, full title: "Déclaration