All I Want Is You (album) the record was "worth the purchase price". In a three-and-a-half star review, "Slant Magazine"s Matthew Cole said the second half of songs was "less stimulating" on an album that "blends slick, radio-friendly R&B with Prince-aping theatrics, both refracted around a sense of humor that, surreal and sexually unsubtle, would have to make [Prince] proud". Cole also compared Miguel to singer Kelis, "whose work has an undeniably commercial cunning to it, but who never fails to imbue her pop confections with real personality". Writing in "MSN Music" a few years later, Christgau gave the album a B-plus and believed Miguel "front-loaded
What Time Is Love? sound-alikes, entitled "The "What Time Is Love?" Story". "What Time Is Love?"'s European acclaim also contributed towards The KLF's change of musical direction following their abortive film project, "The White Room". As Drummond had predicted, the "Pure Trance" release received little attention from the music press. However, upon the release of "The "What Time Is Love?" Story", "Q Magazine" hailed the track as "a whirling house stomper ... not so much of a tune but a good beat". A 1990 version subtitled "Live at Trancentral" was the first of The KLF's upbeat "Stadium House Trilogy" and the single that introduced