The Cat in the Hat book's title character in the tradition of con artists in American art, including the title characters from Meredith Willson's "The Music Man" and L. Frank Baum's "The Wonderful Wizard of Oz". Nel also contends that Geisel identified with the Cat, pointing to a self portrait of Geisel in which he appears as the Cat, which was published alongside a profile about him in "The Saturday Evening Post" on July 6, 1957. Michael K. Frith, who worked as Geisel's editor, concurs, arguing that "The Cat in the Hat and Ted Geisel were inseparable and the same. I think there's no question
The Cat in the Hat about it. This is someone who delighted in the chaos of life, who delighted in the seeming insanity of the world around him." Ruth MacDonald asserts that the Cat's primary goal in the book is to create fun for the children. The Cat calls it "fun that is funny", which MacDonald distinguishes from the ordinary, serious fun that parents subject their children to. In an article titled "Was the Cat in the Hat Black?", Philip Nel draws connections between the Cat and stereotyped depictions of African-Americans, including minstrel shows, Geisel's own minstrel-inspired cartoons from early in his career, and the