The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
Manifesto of the Ninety-Three Manifesto of the Ninety-Three The "Manifesto of the Ninety-Three" is the name commonly given to a 4 October 1914, proclamation endorsed by 93 prominent German scientists, scholars and artists, declaring their unequivocal support of German military actions in the early period of World War I. These actions were elsewhere called the Rape of Belgium. The Manifesto galvanized support for the war throughout German schools and universities, but many foreign intellectuals were outraged. Wilhelm Foerster soon repented having signed the document and soon with Georg Friedrich Nicolai they drew up the "Manifesto to the Europeans". They argued "it seems not just