The Taming of the Shrew as keeping her from eating and drinking, until she becomes a desirable, compliant, and obedient bride. The subplot features a competition between the suitors of Katherina's younger sister, Bianca, who is seen as the "ideal" woman. The question of whether the play is misogynistic or not has become the subject of considerable controversy, particularly among modern scholars, audiences, and readers. "The Taming of the Shrew" has been adapted numerous times for stage, screen, opera, ballet, and musical theatre; perhaps the most famous adaptations being Cole Porter's "Kiss Me, Kate" and the 1967 film of the play, starring Elizabeth Taylor and
The Taming of the Shrew in performance He reveals he is not dead, and, impressed with the ruse, Maria decides to end her "taming". The play ends with them agreeing to live a life of mutual respect. When the two plays were performed at court in November 1633, Master of the Revels Henry Herbert recorded "Shrew" was "likt" but "Tamer Tamed" was "very well likt". During the 1660s, "Shrew" was adapted by John Lacy as "Sauny the Scot", to make it better match with Fletcher's sequel. Originally performed under the "Taming of the Shrew" title, the play was published in 1698 as "Sauny the Scot: or, The