Reception history of Jane Austen a responsible land-owner taking care of his family's ancient estate and Emma Woodhouse symbolising wealth cut off from any sort of social role. David Kaufmann in his 1992 essay "Propriety and the Law" argued that Austen was a classical liberal in the mold of Adam Smith, who felt that virtue was best exercised in the private sphere of the family life rather than in the public sphere of politics. Kaufmann rejected the claim that Austen was influenced by Edmund Burke, arguing that for Austen, virtue was not something passed down from time immemorial from a landed elite as Burke would
Jane Austen of much of modern fiction – 'the ephemeral productions which supply the regular demand of watering places and circulating libraries'". Yet her rejection of these genres is complex, as evidenced by "Northanger Abbey" and "Emma". Similar to William Wordsworth, who excoriated the modern frantic novel in the "Preface" to his "Lyrical Ballads" (1800), Austen distances herself from escapist novels; the discipline and innovation she demonstrates is similar to his, and she shows "that rhetorically less is artistically more." She eschewed popular Gothic fiction, stories of terror in which a heroine typically was stranded in a remote location, a castle or