The Cat in the Hat book's title character in the tradition of con artists in American art, including the title characters from Meredith Willson's "The Music Man" and L. Frank Baum's "The Wonderful Wizard of Oz". Nel also contends that Geisel identified with the Cat, pointing to a self portrait of Geisel in which he appears as the Cat, which was published alongside a profile about him in "The Saturday Evening Post" on July 6, 1957. Michael K. Frith, who worked as Geisel's editor, concurs, arguing that "The Cat in the Hat and Ted Geisel were inseparable and the same. I think there's no question
The Cat in the Hat (film) character was designed by Steve Johnson. The Cat costume was made of angora and human hair and was fitted with a cooling system. To keep Myers cool during the outdoor shoots, a portable air conditioner was available that connected a hose to the suit between shots. The tail and ears were battery operated. The Fish was considered somewhat of a unique character for Rhythm & Hues (responsible for some of the effects and animation in such films as "Cats & Dogs", "", and "Scooby-Doo"), in that the character had no shoulders, hips or legs, so all of the physical performance