Gustavo III (Verdi) to meet commitments regarding "Lear". Finally, in a letter which he wrote to Torelli in September 1857, Verdi confessed that he had "looked through an infinite number of plays...but not one of them will do for me..." but he then described an existing libretto which interested him, one which was written by the French playwright and librettist Eugene Scribe for Daniel Auber's very successful 1833 opera, "Gustave III, ou Le bal masqué": Verdi turned to the historical subject of King Gustav III of Sweden, who was shot while attending a masked ball in Stockholm in 1792 and died thirteen days
Giuseppe Verdi of Duncan, the forms transcend the 'Code Rossini' and propel the drama in a compelling fashion. Verdi was to comment in 1868 that Rossini and his followers missed "the golden thread that binds all the parts together and, rather than a set of numbers without coherence, makes an opera." "Tinta" was for Verdi this "golden thread", an essential unifying factor in his works. The writer David Kimbell states that in "Luisa Miller" and "Stiffelio" (the earliest operas of this period) there appears to be a "growing freedom in the large scale structure...and an acute attention to fine detail." Others echo