The Cure: Trilogy in Brussels on 7 November was not used. Robert Smith is quoted on the sleeve about the "trilogy" concept and its eventual execution: "The albums "Pornography", "Disintegration" and "Bloodflowers" are inextricably linked in so many ways, and the realisation of this "Trilogy" show is one of the highlights of my time in The Cure." Smith began arranging the concerts days after seeing David Bowie's Heathen Tour concert at the Royal Festival Hall in London on 29 June 2002, when Bowie played 10 of the 11 "Low" tracks consecutively (though not in album order), and the whole of the "Heathen" album
The Who a mini rock opera called "Rael", and "I Can See For Miles". The Who declared themselves a pop art group and thus viewed advertising as an artform; they recorded a wide variety of radio advertisements, such as for canned milkshakes and the American Cancer Society, in defiance of the rising anti-consumerist ethos of the hippie counterculture. Townshend stated, "We don't change offstage. We live pop art." Later that year, Lambert and Stamp formed a record label, Track Records, with distribution by Polydor. As well as signing Hendrix, Track became the imprint for all the Who's UK output until the mid-1970s.