Royal Swedish Opera architect Carl Fredrik Adelcrantz was commissioned by King Gustav III, a strong adherent of the ideal of an enlightened absolutism and as such was a great patron of the arts. The Swedish Opera company had first been located in Bollhuset, but there was a need to separate the Opera from the theatre and give them separate buildings. Construction began in 1775 and the theatre was inaugurated on 30 September 1782 with a performance of the German composer Johann Gottlieb Naumann's "Cora och Alonzo". It was also the place for public masquerade balls, events inspired from the famous opera-balls in Paris,
Teatro Lirico Giuseppe Verdi to solve the problem, which was accomplished by incorporating elements of Milan's La Scala opera house. The "Nuovo" became a mixture of La Fenice on the inside and La Scala on the exterior. Several name changes have occurred during the theatre's lifetime, the first in 1821 when it became the "Teatro Grande" and it was under this name that the theatre was the site of two Verdi opera premieres: "Il corsaro" in 1848 (featuring the soprano Giuseppina Strepponi, who Verdi married in 1859, in the leading role) and "Stiffelio", a production which Verdi supervised - not without controversy - in