The Taming of the Shrew steps forward and speaks directly to the audience as herself; "Well, I must own, it wounds me to the Heart/To play, unwomanly, so mean a Part./What – to submit, so tamely – so contented,/Thank Heav'n! I'm not the Thing I represented." Cole Porter's musical "Kiss Me, Kate" is an adaptation of "Taming of the Shrew". The music and lyrics are by Porter and the book is by Samuel and Bella Spewack. It is at least partially based on the 1935/1936 Theatre Guild production of "Taming of the Shrew", which starred husband and wife Alfred Lunt and Lynn Fontanne, whose backstage
The Taming of the Shrew play, introducing the Litio disguise, and giving some of Hortensio's discarded lines to Tranio, but not fully correcting everything to fit the presence of a new suitor. This is important in Duthie's theory of an "Ur-Shrew" insofar as he argues it is the original version of "The Shrew" upon which "A Shrew" is based, not the version which appears in the 1623 "First Folio". As Oliver argues, ""A Shrew" is a report of an earlier, Shakespearian, form of "The Shrew" in which Hortensio was not disguised as Litio." Oliver suggests that when Pembroke's Men left London in June 1592, they