Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
1957 International Meeting of Communist and Workers Parties hardliners resisting 'de-Stalinization'. The meeting backed Khruschev's new line of different national paths towards socialism, peaceful co-existence and popular front tactics. As per the line given by the meeting, transition to people's democracy was possible through parliamentary elections, as long as the communist parties combined electoral work with mass struggles against reactionary forces. The meeting adopted a 'peace manifesto', outlining capitalist monopolies as the main threat to world peace. The manifesto was signed by all participants, except the Yugoslavs. Whilst the intended purpose of the meeting was to display unity of the world communist movement, the outcome was quite different.