The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
The Communist Manifesto section III ... in the last issue of his [short-lived] London magazine". Over the next two decades only a few new editions were published; these include an (unauthorised and occasionally inaccurate) 1869 Russian translation by Mikhail Bakunin in Geneva and an 1866 edition in Berlin—the first time the "Manifesto" was published in Germany. According to Hobsbawm, "By the middle 1860s virtually nothing that Marx had written in the past was any longer in print." However John Cowell-Stepney did publish an abridged version in the "Social Economist" in August/September 1869, in time for the Basle Congress. In the early 1870s, the