Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto aims to educate them about the social and political position of Christianity in China. Many, if not most, Chinese Protestants thought that the manifesto was too radical. The Methodist Church in China refused to sign the manifesto, as did, initially, the Chung Hua Sheng Kung Hui (Anglican Church in China). Both issued alternative manifestos of their own. All Anglican bishops in China later caved in and signed "The Christian Manifesto", and almost all of them became TSPM associates. Initially, foreign missionary societies were perplexed by the manifesto that had been preceded by mixed messages. It was labeled as a partisan