Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
Manifesto of the Sixteen was for reasons unknown not an initial signatory. The manifesto was countersigned by approximately one hundred other anarchists, half of whom were Italian anarchists. The publication of the "Manifesto" was met with great disapproval by the international anarchist movement, and in considering its impact, George Woodcock stated that it "merely confirmed the split which existed in the anarchist movement." The signatories of the "Manifesto" saw the First World War as a battle between German imperialism and the international working class. In contrast, most anarchists of the time, including Emma Goldman and Alexander Berkman, saw the war as being that of