Jean-Paul Sartre both Gide and Malraux were undecided, and this may have been the cause of Sartre's disappointment and discouragement. "Socialisme et liberté" soon dissolved and Sartre decided to write instead of being involved in active resistance. He then wrote "Being and Nothingness", "The Flies", and "No Exit", none of which were censored by the Germans, and also contributed to both legal and illegal literary magazines. In his essay "Paris under the Occupation", Sartre wrote about the "correct" behavior of the Germans had entrapped too many Parisians into complicity with the occupation, accepting what was unnatural as natural, writing: The Germans did
Jean-Paul Sartre "band of brothers" who had enjoyed "real freedom" in a way that did not exist before nor after the war. Sartre was "merciless" in attacking anyone who had collaborated or remained passive during the German occupation; for instance, criticizing Camus for signing an appeal to spare the collaborationist writer Robert Brasillach from being executed. His 1948 play "Les mains sales" ("Dirty Hands") in particular explored the problem of being a politically "engaged" intellectual. He embraced Marxism but did not join the Communist Party. For a time in the late 1940s, Sartre described French nationalism as "provincial" and in a 1949