Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto that the church could make its position understood by the largely non-Christian Chinese population who shared their patriotism but not their religion. Before the manifesto, the Chinese Church had separated church and state matters, but according to Oi, "The Christian Manifesto" marked a turning point in this regard. The Christian Manifesto "Direction of Endeavor for Chinese Christianity in the Construction of New China", commonly known as "The Christian Manifesto" or "The Three-Self Manifesto", was a political manifesto of Protestants in China whereby they backed the newly-founded People's Republic of China (PRC) and the leadership of the Communist Party of China