Sholto Johnstone Douglas of the writer Oscar Wilde. When Wilde sued Bosie's father for libel when accused of "posing as a somdomite" ("sic"), this led to Wilde's downfall and imprisonment. In 1895, when during his trial Wilde was released on bail, Sholto Johnstone Douglas stood surety for £500 of the bail money. In his "Noel Coward: A Biography" (1996), Philip Hoare writes of "...late nineteenth-century enthusiasts of boy-love; writers, artists and Catholic converts inclined to intellectual paedophilia, among them Wilde, Frederick Rolfe, Sholto Douglas and Lord Alfred Douglas." As a portrait painter, Douglas belonged to the period of John Singer Sargent and "...led
Lord Alfred Douglas true, but that there was also some public interest in having made the charge publicly. Edward Carson, Queensberry's lawyer, accordingly portrayed Wilde as a vicious older man who habitually preyed upon naive young boys and, with extravagant gifts and promises of a glamorous lifestyle, seduced them into a life of homosexuality. Several highly suggestive erotic letters that Wilde had written to Douglas were introduced into evidence; Wilde claimed they were works of art. Wilde was closely questioned about the homoerotic themes in "The Picture of Dorian Gray" and in "The Chameleon", a single-issue magazine published by Douglas to which Wilde