Reception history of Jane Austen their class, instead of their moral failures being presented as a product of the social system. Writing about the work of Johnson, Irvine wrote that for her, Austen was a radical because it is women like Emma Woodhouse, Mrs. Elton and Mrs. Churchill who really run Highbury society, undercutting traditional gender roles, but Irvine questioned whether this really made Austen into radical, noting it was the wealth and status of the gentry women of Highbury that gave them their power. Irvine argued it was just as possible to see "Emma" as a conservative novel that upholds the superiority of the
Reception history of Jane Austen of Austen's works. Almost simultaneously, influential critic Q. D. Leavis argued in "Critical Theory of Jane Austen's Writing", published in "Scrutiny" in the early 1940s, that Austen was a professional, not an amateur, writer. Harding's and Leavis's articles were followed by another revisionist treatment by Marvin Mudrick in "Jane Austen: Irony as Defense and Discovery" (1952). Mudrick portrayed Austen as isolated, defensive, and critical of her society, and described in detail the relationship he saw between Austen's attitude toward contemporary literature and her use of irony as a technique to contrast the realities of her society with what she felt