The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
Manifesto of the Sixteen war "Anarcho-Patriots". They maintained that the only form of war acceptable to true anarchists was the social revolution that would overthrow the bourgeoisie and their oppressive institutions. , founder of the Ferrer School of Lausanne and editor of "La libre fédération", was isolated from the Swiss anarchist movement when he aligned himself with the "Manifesto" and its signatories. The Spanish anarcho-syndicalists, who opposed the war out of doctrinaire cynicism and a belief that neither faction were on the workers' side, angrily repudiated their former idols (including Kropotkin, Malato and Grave) after discovering they had authored the manifesto. A small number