The War of the Worlds (radio drama) soon dismissed. The FCC also received letters from the public that advised against taking reprisals. Singer Eddie Cantor urged the commission not to overreact, as "censorship would retard radio immeasurably." The FCC not only chose not to punish Welles or CBS but also barred complaints about "The War of the Worlds" from being brought up during license renewals. "Janet Jackson's 2004 'wardrobe malfunction' remains far more significant in the history of broadcast regulation than Orson Welles' trickery," wrote media historians Jefferson Pooley and Michael Socolow. H. G. Wells and Orson Welles met for the first and only time in late
The War of the Worlds (radio drama) sound effects chief Ora D. Nichols. Welles discussed his fake newscast idea with producer John Houseman and associate producer Paul Stewart; together, they decided to adapt a work of science fiction. They considered adapting M. P. Shiel's "The Purple Cloud" and Arthur Conan Doyle's "The Lost World" before purchasing the radio rights to "The War of the Worlds". Houseman later wrote that he suspected Welles had never read it. Howard Koch had written the first drafts for the Mercury Theatre broadcasts "Hell on Ice" (October 9), "Seventeen" (October 16), and "Around the World in 80 Days" (October 23). Monday, October