Maurice Cole (pianist) 4 February 1950, Frederick Fuller (baritone), Maurice Cole (piano) Monday 7 September 1959, Basil Cameron, John Hollingsworth, Constance Shacklock (contralto), Nicanor Zabaleta (harp), Maurice Cole (piano) "One can perhaps scarcely expect subtlety for eight shillings. What we get is sensible work and passable orchestral tone, with the pianoforte’s part a good way the best of the bargain. Would it be better worth while to improve the orchestral tone, and charge a little more for the records – if that could be arranged?". "I have never regarded Mr. Cole as an extremely fine interpreter—more as a sound general utility man. Still,
Stage name sound of it to the less glamorous-sounding "Maurice". He chose the name "Caine" reputedly because at the precise instant he needed to decide upon his new stage name, he saw a cinema marquee for the then-current movie "The Caine Mutiny" and thought that it would make a good last name in conjunction with "Michael." ("Had I looked the other direction," he would later quip, "I'd be known as Michael The One Hundred and One Dalmatians.") Similarly, actor Pete Postlethwaite was advised to adopt a different surname by peers who quipped that his "would never be put up in lights outside