Mad Max Beyond Thunderdome them, as Max, still alive in the desert, wanders on to places unknown. "Mad Max Beyond Thunderdome" was the first "Mad Max" film made without producer Byron Kennedy, who was killed in a helicopter crash in 1983 while location scouting for the film. While the film was in development before Kennedy's death, director George Miller was hesitant to continue without his producing partner. "I was reluctant to go ahead," said Miller. "And then there was a sort of need to – let's do something just to get over the shock and grief of all of that." A title card at
Mad Max 2 (soundtrack) optimistic picture, and it was really like a modern revival of an old Western," said May. "Whereas in "Mad Max" I had a jagged brass, very atonal and difficult to play, in "Mad Max 2" I had deep basses, cellos, and lots of short motifs that were not totally melodic but were just enough to be unified." The score also bears resemblance to the Western genre, featuring a refined orchestra that differs from the first film. It is also often compared to "Mars, the Bringer of War" from Gustav Holst's orchestral suite "The Planets". The manuscripts of the orchestrated cues