Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Communist Manifesto of the spectre of communism with a manifesto of the party itself". The first section of the "Manifesto", "Bourgeois and Proletarians", elucidates the materialist conception of history, that "the history of all hitherto existing society is the history of class struggles". Societies have always taken the form of an oppressed majority exploited under the yoke of an oppressive minority. In capitalism, the industrial working class, or "proletariat", engage in class struggle against the owners of the means of production, the "bourgeoisie". As before, this struggle will end in a revolution that restructures society, or the "common ruin of the contending