Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto manifesto has four sections. The first section condemns Protestant missionary activities in China as a form of imperialism. The second part examines the task of the Church and sides with government policy. The third focuses on future aims of the Church in patriotic terms. The last section lays out concrete methods. "The Christian Manifesto" makes three central claims: first, the Chinese church should obey the new communist government and partake in the building of a "new China". Second, the church should cut its ties with Western "imperialism". Finally, the church should strive to construct a Christianity indigenous to China embodying