The Cat in the Hat book's title character in the tradition of con artists in American art, including the title characters from Meredith Willson's "The Music Man" and L. Frank Baum's "The Wonderful Wizard of Oz". Nel also contends that Geisel identified with the Cat, pointing to a self portrait of Geisel in which he appears as the Cat, which was published alongside a profile about him in "The Saturday Evening Post" on July 6, 1957. Michael K. Frith, who worked as Geisel's editor, concurs, arguing that "The Cat in the Hat and Ted Geisel were inseparable and the same. I think there's no question
The Cat in the Hat (film) Larry Quinn, much to Conrad's dismay and disgruntlement because Larry is constantly on the lookout for any mischief Conrad may be up to as he wants nothing more than to send him away to military school as Conrad has earned the reputation of "hot-headed troublemaker". Once Joan leaves, Sally and Conrad meet an anthropomorphic humanoid talking cat with a red-and-white striped top hat and a large red bow tie named the Cat in the Hat, who persuades them to learn to have fun but the family's fish does not want the Cat around while Joan is away. During his presence,