The Taming of the Shrew in performance reviewers as being extremely physical. Lunt and Fontanne were the most famous celebrity couple of the time, and their backstage fights were rumoured to be just as ferocious as their on-stage performances. So legendary did the tempestuous reputation of the couple become that Cole Porter's 1948 musical "Kiss Me, Kate", about a fiery couple attempting to stage an adaptation of "The Taming of the Shrew", was based on their real-life antics. In the latter half of the twentieth century, the play has been frequently staged all over the world. Some notable productions include: "The Shrew"s popularity on stage has continued
The Taming of the Shrew in performance dialogue). In an "extremely conventional production" at the Shakespeare Memorial Theater in 1919, starring Ethel Warwick and Edmund Willard, William Bridges-Adams stuck rigidly to the "First Folio" text, but completely removed the Induction and all references to Sly. In a 1922 production at The Old Vic starring Florence Buckton and Rupert Harvey, director Robert Atkins was the first to graft the "A Shrew" epilogue onto a performance of "The Shrew", with Hay Petrie playing Sly. In 1927, H.K. Ayliff directed a modern dress production at the Garrick Theatre in New York, with Mary Ellis and Basil Sydney. At the time,