The Cat in the Hat book's title character in the tradition of con artists in American art, including the title characters from Meredith Willson's "The Music Man" and L. Frank Baum's "The Wonderful Wizard of Oz". Nel also contends that Geisel identified with the Cat, pointing to a self portrait of Geisel in which he appears as the Cat, which was published alongside a profile about him in "The Saturday Evening Post" on July 6, 1957. Michael K. Frith, who worked as Geisel's editor, concurs, arguing that "The Cat in the Hat and Ted Geisel were inseparable and the same. I think there's no question
The Cat in the Hat (film) was being made that a live-action version of "The Cat in the Hat" just wasn't a great idea." Ebert had the same problem with the film that he had with "How the Grinch Stole Christmas", in that "If there is one thing I've learned from these two movies is that we don't want to see Jim Carrey as a Grinch, and we don't want to see Mike Myers as a cat. These are talented comedians, let's see them do their stuff, don't bury them under a ton of technology." Concerns were also raised over the PG rating of the film