Mad Max Beyond Thunderdome installments of the "Mad Max" series, "Mad Max Beyond Thunderdome" has influenced popular culture in various regards. The term "thunderdome" is now used in various contexts in which its meaning is similar to the sense in which it appears in the film. That is, a contest where the loser suffers a great hardship, though it has also come to mean, more generically, the state of the world following a nuclear apocalypse, or any place where chaos is the norm. Filmmaker Chris Weitz has cited the film as an influence. Mad Max Beyond Thunderdome Mad Max Beyond Thunderdome (also known as
Mad Max the film polarized critics. In a 1979 review, the Australian social commentator and film producer Phillip Adams condemned "Mad Max", saying that it had "all the emotional uplift of "Mein Kampf" and would be "a special favourite of rapists, sadists, child murderers and incipient [Charles] Mansons". After its United States release, Tom Buckley of "The New York Times" called the film "ugly and incoherent". Stephen King, writing in "Danse Macabre," called the film a "turkey." However, "Variety" magazine praised the directorial debut by Miller. "Mad Max" grossed A$5,355,490 at the box office in Australia and over US$100 million worldwide. It