Berlin Trilogy UK top five. Bowie would later call the music of the trilogy his "DNA". "Consequence of Sound" characterized the trilogy as an "art rock trifecta", while "Rolling Stone" wrote that the Berlin Trilogy "stands as some of the most innovative music in the artist's influential canon". Following Bowie's Thin White Duke period and the commercial success of the singles "Fame" and "Golden Years" in 1976, he was eager to escape the drug culture of Los Angeles, where he had developed a cocaine addiction. He had also become embroiled in controversy regarding comments he made seemingly in favour of fascism. He
The Who a mini rock opera called "Rael", and "I Can See For Miles". The Who declared themselves a pop art group and thus viewed advertising as an artform; they recorded a wide variety of radio advertisements, such as for canned milkshakes and the American Cancer Society, in defiance of the rising anti-consumerist ethos of the hippie counterculture. Townshend stated, "We don't change offstage. We live pop art." Later that year, Lambert and Stamp formed a record label, Track Records, with distribution by Polydor. As well as signing Hendrix, Track became the imprint for all the Who's UK output until the mid-1970s.