The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
The Communist Manifesto in the hands of shop-window mannequins, displayed in come-hither poses and fashionable décolletage." A number of late-20th- and 21st-century writers have commented on the "Communist Manifesto"s continuing relevance. In a special issue of the "Socialist Register" commemorating the "Manifesto"s 150th anniversary, Peter Osborne argued that it was 'the single most influential text written in the nineteenth century.' Academic John Raines in 2002 noted that "In our day this Capitalist Revolution has reached the farthest corners of the earth. The tool of money has produced the miracle of the new global market and the ubiquitous shopping mall. Read "The Communist Manifesto",