Samaritan Snare was a reflection of modern society. With that in mind, portly actors were hired in order to give the impression of Tweedledum and Tweedledee from Lewis Carroll's "Through the Looking-Glass". Makeup supervisor Michael Westmore then created a prosthetic design for the actors, intending to make them look "whimsical". Appliances were created for their cheeks, foreheads and the tip of the actor's noses. A further addition was the eyebrows, as Westmore wanted them to look permanently sad. The final step in the makeup process was the creation of sets of false upper teeth, which while Westmore suggested was not immediately noticeable
Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc. Camper described "Film in Which There Appear..." as "a kind of Duchampian found object, a looped test film that focuses attention on the medium and the viewer." J. Hoberman called the film "blandly presented." Juan A. Suárez noted the film's unique element of "indeterminacy and open-endedness," remarking that the more the film is projected, the more scratches and dust it will collect. Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc. Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc. is a 1966 American experimental short film directed by Owen Land. "Film in Which