Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Communist Manifesto were Spanish editions in Latin America. This uneven geographical spread in the "Manifesto"s popularity reflected the development of socialist movements in a particular region as well as the popularity of Marxist variety of socialism there. There was not always a strong correlation between a social-democratic party's strength and the "Manifesto"s popularity in that country. For instance, the German SPD printed only a few thousand copies of the "Communist Manifesto" every year, but a few hundred thousand copies of the "Erfurt Programme". Further, the mass-based social-democratic parties of the Second International did not require their rank and file to be well-versed