Sixty-fourth note twenty-eighth note—otherwise known as the "semihemidemisemiquaver" —and even shorter notes, are occasionally found. Sixty-fourth note In music notation, a sixty-fourth note (American), or hemidemisemiquaver or semidemisemiquaver (British), sometimes called a half-thirty-second note , is a note played for half the duration of a thirty-second note (or demisemiquaver), hence the name. It first occurs in the late 17th century and, apart from rare occurrences of hundred twenty-eighth notes (semihemidemisemiquavers) and two hundred fifty-sixth notes (demisemihemidemisemiquavers), it is the shortest value found in musical notation . Sixty-fourth notes are notated with a filled-in oval note head and a straight note stem with
Harmonic table note layout with novel tunings such as the Bohlen–Pierce scale. It is in use for ongoing research into microtonal scales by music researchers and composers, in particular Carlo Serafini, Elaine Walker and Dr. Richard Boulanger. Harmonic table note layout The Harmonic Table note-layout, or tonal array, is a key layout for musical instruments that offers interesting advantages over the traditional keyboard layout. Its symmetrical, hexagonal pattern of interval sequences places the notes of the major and minor triads together. It is sometimes called the "Melodic Table" note-layout, and more rarely the "Triad" note-layout. It is related to the Wicki-Hayden based keyboards and