Dinu Săraru themes. Dinu Săraru Dinu Săraru (born 30 January 1932 in Slătioara, Vâlcea) is a Romanian novelist and playwright. A member of Writers' Union of Romania, he belonged to the Central Committee of the Romanian Communist Party prior to 1989, and headed Teatrul Mic and Teatrul Foarte Mic from 1977 to 1990. Subsequent to the fall of the communist regime, he served as chairman of the National Theatre Bucharest, being appointed in 2001 and resigning in 2004. He has claimed that his work during the communist regime was not for the purpose of glorifying dictator Nicolae Ceaușescu, but rather included subtle
Nicolae Ceaușescu National Bolshevism such as Jean-François Thiriart, but there was a publicised connection between him and Iosif Constantin Drăgan, an Iron Guardist Romanian-Italian émigré millionaire (Drăgan was already committed to a Dacian Protochronism that largely echoed the official cultural policy). Nicolae Ceaușescu had a major influence on modern-day Romanian populist rhetoric. In his final years, he had begun to rehabilitate the image of pro-Nazi dictator Ion Antonescu. Although Antonescu's image was never a fully official myth in Ceaușescu's time, today's politicians such as Corneliu Vadim Tudor have coupled the images of the two leaders into their versions of a national Pantheon.