Mad Max Beyond Thunderdome installments of the "Mad Max" series, "Mad Max Beyond Thunderdome" has influenced popular culture in various regards. The term "thunderdome" is now used in various contexts in which its meaning is similar to the sense in which it appears in the film. That is, a contest where the loser suffers a great hardship, though it has also come to mean, more generically, the state of the world following a nuclear apocalypse, or any place where chaos is the norm. Filmmaker Chris Weitz has cited the film as an influence. Mad Max Beyond Thunderdome Mad Max Beyond Thunderdome (also known as
Mad Max street of Clunes, north of Ballarat. Much of the streetscape remains unchanged. Some scenes were filmed at Tin City at Stockton Beach. The "execution of the mannequin" scene was filmed at Seaford Beach in Seaford, Victoria. "Mad Max" was one of the first Australian films to be shot with a widescreen anamorphic lens, although Peter Weir's "The Cars That Ate Paris" (1974) was shot in anamorphic four years earlier. Miller's desire to shoot in anamorphic made him seek a set of Todd-AO wide angle lenses used by Sam Peckinpah to film "The Getaway" (1972), which were damaged enough in that