The Lion, the Witch and the Wardrobe United States. One of the biggest themes seen in C. S. Lewis's "The Lion, The Witch, and The Wardrobe" is the theme of Christianity. Various aspects of characters and events in the novel reflect biblical ideas from Christianity. The lion Aslan is one of the largest examples, as his death is very similar to that of Jesus Christ. While many readers made this connection, Lewis denied that the themes of Christianity were intentional, saying that his writing began by picturing images of characters, and the rest just came about through the writing process. While Lewis denied intentionally making the novel
The Man and the Lion that honesty outweighs boasting. In other versions, the lion asks who made the statue and refuses to take it as evidence on learning that it was a man. In the late Latin version of Ademar of Chabannes the lion takes the man to an amphitheatre to demonstrate what happens in reality, while William Caxton has the lion pounce on the man to make its point. But Jefferys Taylor argues facetiously, at the end of his "Aesop in Rhyme" (1828), that it is the fact that lions cannot sculpt which is the true proof of their inferiority. During the Middle Ages