The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
The Communist Manifesto and non-socialist trade unions. Marx himself, later in his life, acknowledged that the middle-class was not disappearing in his work "Theories of Surplus Value" (1863). The obscurity of the later work means that Marx's acknowledgement of this error is not well known. George Boyer described the "Manifesto" as "very much a period piece, a document of what was called the 'hungry' 1840s." Many have drawn attention to the passage in the "Manifesto" that seems to sneer at the stupidity of the rustic: "The bourgeoisie ... draws all nations ... into civilisation ... It has created enormous cities ... and thus