The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
The Christian Manifesto signatories can be interpreted in two ways: a relatively high number of signatories testifies to the success of Wu and the campaign to accommodate to the communist government. Conversely, the number of people who did not sign the manifesto count as people who did not want the Chinese church to sever its links with foreigners. It was feared that the NCC, which had facilitated cooperation between Chinese Protestants and foreign missionaries since 1922, would lose its independence. Most appear to have signed the document out of patriotic sentiments, not because of fundamental agreement with the actual provisions of the manifesto: