The Communist Manifesto rescued a considerable part of the population from the idiocy [sic!] of rural life". As Eric Hobsbawm noted, however: Marx and Engels’ political influences were wide-ranging, reacting to and taking inspiration from German idealist philosophy, French socialism, and English and Scottish political economy. "The Communist Manifesto" also takes influence from literature. In Jacques Derrida’s work, "Specters of Marx: The State of the Debt, the Work of Mourning and the New International", he uses Shakespeare’s "Hamlet" to frame a discussion of the history of the International, showing, in the process, the influence that Shakespeare’s work had on Marx and Engel’s writing.
The Christian Manifesto urges Christians to accept the new communist reality, rather than to denounce their faith. The manifesto adopts the propagandistic language of the Chinese revolution resulting in overly optimistic and naive terms. It however failed to give the Chinese church any guidance concerning its future in China under the CPC. The manifesto implied that compliance would be rewarded and Chinese Christianity would prosper. In truth, the government would soon engage in persecution of many Christians. The manifesto was intended for both domestic and foreign audiences. The covering letter accompanying it states that its target audience is people outside the church and