War of the Worlds – The True Story while. As if the Orson Welles radio broadcast wasn’t mythic enough, along comes this mock-doc to add a whole new layer of intrigue to H.G. Wells’ fascinating story. Highly recommended to those who love revisionist history, alien invasion films, and thrilling real life documentaries.” Shawn Frances, critic of the movie review site, You Won Cannes, praised the movie saying, "Ever since the 1953 movie adaptation of War Of The Worlds there have been numerous other translations of Wells’ novel, even a 1988 short lived TV series, but of all the ones I have seen the only two—yes, only two—I find
The War of the Worlds (radio drama) sound effects chief Ora D. Nichols. Welles discussed his fake newscast idea with producer John Houseman and associate producer Paul Stewart; together, they decided to adapt a work of science fiction. They considered adapting M. P. Shiel's "The Purple Cloud" and Arthur Conan Doyle's "The Lost World" before purchasing the radio rights to "The War of the Worlds". Houseman later wrote that he suspected Welles had never read it. Howard Koch had written the first drafts for the Mercury Theatre broadcasts "Hell on Ice" (October 9), "Seventeen" (October 16), and "Around the World in 80 Days" (October 23). Monday, October