Reception history of Jane Austen a responsible land-owner taking care of his family's ancient estate and Emma Woodhouse symbolising wealth cut off from any sort of social role. David Kaufmann in his 1992 essay "Propriety and the Law" argued that Austen was a classical liberal in the mold of Adam Smith, who felt that virtue was best exercised in the private sphere of the family life rather than in the public sphere of politics. Kaufmann rejected the claim that Austen was influenced by Edmund Burke, arguing that for Austen, virtue was not something passed down from time immemorial from a landed elite as Burke would
Jane Austen Centre public display there. The only verifiable image of her is a small watercolour painted by her sister Cassandra. This, however, has been acknowledged by experts as a ‘poor attempt’ and was described by her niece as ‘hideously unlike’ her aunt Jane. At the same time though, there exists many contemporary descriptions of her by friends and it was in this fact that the origin of the sculpture lies. In 2002, David Baldock, Director of the Jane Austen Centre, commissioned forensic artist Melissa Dring to create a new portrait of Austen, after reading about her work creating a likeness of Vivaldi