Reception history of Jane Austen their class, instead of their moral failures being presented as a product of the social system. Writing about the work of Johnson, Irvine wrote that for her, Austen was a radical because it is women like Emma Woodhouse, Mrs. Elton and Mrs. Churchill who really run Highbury society, undercutting traditional gender roles, but Irvine questioned whether this really made Austen into radical, noting it was the wealth and status of the gentry women of Highbury that gave them their power. Irvine argued it was just as possible to see "Emma" as a conservative novel that upholds the superiority of the
Jane Austen Centre for a film company, from eye-witness accounts. As David Baldock said: “We were always asked what Jane Austen looked like and in a way the only reference point we had was Jane Austen’s sister, Cassandra’s, very poor watercolour and we didn’t feel it did her justice.” The portrait was unveiled in December 2002. The process was taken a step further in 2011, when the Jane Austen Centre commissioned a three-dimensional, life-size wax figure. Based upon the 2002 portrait, the wax figure’s creation was undertaken by the portrait sculptor Mark Richards. During the three-year process it took to create the Jane