Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Communist Manifesto and non-socialist trade unions. Marx himself, later in his life, acknowledged that the middle-class was not disappearing in his work "Theories of Surplus Value" (1863). The obscurity of the later work means that Marx's acknowledgement of this error is not well known. George Boyer described the "Manifesto" as "very much a period piece, a document of what was called the 'hungry' 1840s." Many have drawn attention to the passage in the "Manifesto" that seems to sneer at the stupidity of the rustic: "The bourgeoisie ... draws all nations ... into civilisation ... It has created enormous cities ... and thus