Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Communist Manifesto Manifesto" is divided into a preamble and four sections, the last of these a short conclusion. The introduction begins by proclaiming "A spectre is haunting Europe—the spectre of communism. All the powers of old Europe have entered into a holy alliance to exorcise this spectre". Pointing out that parties everywhere—including those in government and those in the opposition—have flung the "branding reproach of communism" at each other, the authors infer from this that the powers-that-be acknowledge communism to be a power in itself. Subsequently, the introduction exhorts Communists to openly publish their views and aims, to "meet this nursery tale