Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto work of a faction within the Chinese Church. China Inland Mission, naively, brushed off charges of imperialism on the grounds that churches they had founded were relatively independent. When it was discovered that even "devout believers" had signed the manifesto, it was attributed to political pressure. When missionaries finally realized the implications of the manifesto, they had no choice but to condemn it, regarding it as a unilateral termination of their relationship with Chinese Christians. Although Chinese Protestants took no immediate action against missions, the manifesto marked the beginning of the end. The manifesto did not specify a time frame