Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
The Christian Manifesto the meeting, it ended up unanimously supporting the manifesto and the TSPM, effectively terminating its own organization. It was the first meeting in history where all Chinese Protestants were represented, and so its signing of the manifesto was of special importance. From that point on the road was open for both the inception of the TSPM and the success of the manifesto. For China author Richard C. Bush, it was this moment rather than the initial publication that marked the manifesto's transforming of Chinese Christianity. The manifesto is short, less than 1,000 Chinese characters, and unambiguous in its message. The