Clint Eastwood in the 1960s already becoming very popular in France, labelled as the "new Gary Cooper". In Paris, he met Pierre Rissient and had an affair with actress Catherine Deneuve. Two months later Eastwood began working on "The Good, the Bad and the Ugly", the final film of the Dollars trilogy, in which he again played the mysterious Man With No Name character. Lee Van Cleef was brought in again to play a ruthless fortune seeker, while Eli Wallach, a character actor noted for his appearance in "The Magnificent Seven" (1960), was hired to play the cunning Mexican bandit "Tuco", although the role was
The Good, the Bad and the Ugly (theme) version "...was done in one day. I think it was all day one Saturday at RCA." Similar to Morricone's original composition, Montenegro and a few session musicians sought to recreate this record using their own instrumentation. The opening two note segment was played on an ocarina by Art Smith; Morgan provided the sounds that followed on a harmonica. He was quoted as saying: "I knew it was live, so I had to do this hand thing, the 'wah-wah-wah' sound." Hyatt's book states that Montenegro himself "grunted something which came out like 'rep, rup, rep, rup, rep'" between the chorus segments.