The Cat in the Hat book's title character in the tradition of con artists in American art, including the title characters from Meredith Willson's "The Music Man" and L. Frank Baum's "The Wonderful Wizard of Oz". Nel also contends that Geisel identified with the Cat, pointing to a self portrait of Geisel in which he appears as the Cat, which was published alongside a profile about him in "The Saturday Evening Post" on July 6, 1957. Michael K. Frith, who worked as Geisel's editor, concurs, arguing that "The Cat in the Hat and Ted Geisel were inseparable and the same. I think there's no question
The Cat in the Hat he discovered that it "couldn't have "legs" or a "beak" or a "tail". Neither a "left" foot or a "right" foot." On his approach to writing "The Cat in the Hat" he wrote, "The method I used is the same method you use when you sit down to make apple stroodle [sic] without stroodles." Geisel variously stated that the book took between nine and 18 months to create. Donald Pease notes that he worked on it primarily alone, unlike with previous books, which had been more collaborative efforts between Geisel and his wife, Helen. This marked a general trend in