Manifesto (2015 film) and Friedrich Engels' 1848 "The Communist Manifesto" and Filippo Tommaso Marinetti's 1909 "The Founding and Manifesto of Futurism", the latter his first selection, to film director Jim Jarmusch's "Golden Rules of Filmmaking" (2004), the most modern text referenced. Rosefeldt selected approximately 60 manifestos which he "found to be the most fascinating, and also the most requitable", or chose "because they suited one another." After collating and fragmenting numerous texts, eventually 12 manifesto collages materialized. Rosefeldt said that the main concept for the project was to have a woman embody the manifestos. He wanted to "make a piece in which a
Manifesto of the Sixteen war "Anarcho-Patriots". They maintained that the only form of war acceptable to true anarchists was the social revolution that would overthrow the bourgeoisie and their oppressive institutions. , founder of the Ferrer School of Lausanne and editor of "La libre fédération", was isolated from the Swiss anarchist movement when he aligned himself with the "Manifesto" and its signatories. The Spanish anarcho-syndicalists, who opposed the war out of doctrinaire cynicism and a belief that neither faction were on the workers' side, angrily repudiated their former idols (including Kropotkin, Malato and Grave) after discovering they had authored the manifesto. A small number