The Communist Manifesto In his essay, “Big Leagues: Specters of Milton and Republican International Justice between Shakespeare and Marx,” Christopher N. Warren makes the case that English poet John Milton also had a substantial influence on Marx and Engel’s work. Historians of 19th-century reading habits have confirmed that Marx and Engels would have read these authors, and it is known that Marx loved Shakespeare, in particular. Milton, Warren argues, also shows a notable influence on "The Communist Manifesto": “Looking back on Milton’s era, Marx saw a historical dialectic founded on inspiration in which freedom of the press, republicanism, and revolution were closely joined.”
The Communist Manifesto entered political-science syllabuses in universities, which would only expand after the Second World War. For its centenary in 1948, its publication was no longer the exclusive domain of Marxists and academicians; general publishers too printed the "Manifesto" in large numbers. "In short, it was no longer only a classic Marxist document," Hobsbawm noted, "it had become a political classic "tout court"." Even after the collapse of the Soviet Bloc in the 1990s, the "Communist Manifesto" remains ubiquitous; Hobsbawm says that "In states without censorship, almost certainly anyone within reach of a good bookshop, and certainly anyone within reach of a