Cinema of Peru Cinema of Peru While the Peruvian film industry has not been nearly as prolific as that of some other Latin American countries, such as Mexico or Argentina, some Peruvian movies produced enjoyed regional success. Historically, the cinema of Peru began in Iquitos in 1932 by Antonio Wong Rengifo (with a momentous, initial film billboard from 1900) because the rubber boom and the intense arrival of foreigners with technology to the city, and thus continued an extensive, unique filmography, with a different style than the films made in the capital, Lima. In Lima, the first Peruvian sound film (with synchronized music
China–Peru relations China–Peru relations China–Peru relations refer to the ties and relations between China and Peru. China–Peru relations went through three stages: Chinese coolieism as an institutionalization of human capital export to Latin America during the nineteenth century; the Maoist ideology transfer in the 1970s and 1980s; and, from the 1990s onwards, through international trade and cultural and Mandarin language centers--the Confucius Institute. China–Peru relations was established more than 160 years ago intertwined with local social imageries, power structure and narratives.It started with Coolie Trade and matured during the ‘Hundred Years weakness and poverty’ (Wang,1993) from the 1840s to 1949 of the