123 Mortlake High Street praised for its "lightness and simplicity". "Mortlake Terrace" (1827) is in the National Gallery of Art, Washington D.C. The Museum of London holds a wood engraving of people at The Limes, as it was then called, watching the Oxford and Cambridge Boat Race. "The Limes – Mortlake: 1872" is taken from "London: A Pilgrimage" by Blanchard Jerrold and Gustave Doré, 1872. Jerrold describes how "the towing paths presented to the view of the more fortunate people upon the private river-side terraces, a mixed population ..." The house was, at the time, the residence of a Mr Marsh Nelson. 123 Mortlake
Mortlake Tapestry Works for the rest of the century though its fortunes fluctuated. In 1629, Charles I granted Crane "ca."400 acres of Stoke Park at Stoke Bruerne in Northamptonshire, England, together with a manor house. Accounts of the cost of materials, wages and details of the way in which the work was apportioned between named weavers survive for a few tapestries. The Mortlake weavers were highly skilled in depicting natural textures and effects such as flesh and water. Their products can be seen in many museums and English country houses. Lord Leverhulme acquired the Mortlake tapestry series in 1918. It was sold from