The Tailor of Panama had labelled him anti-Semitic for his portrayal of one of the novel's characters. Rushdie responded that he wished Le Carre had expressed similar feelings after Rushdie was subject to a fatwa for "The Satanic Verses", viewed as anti-Islamic by some Muslims. Rushdie opined that Le Carre was an "illiterate, pompous ass," while Le Carre replied that Rushdie was a "self-canonizing, arrogant colonialist." "Guardian" columnist Mark Lawson claimed the two authors appeared to be 'settling old scores', stating that: "The Collected Guardian Correspondence of Salman Rushdie and John Le Carre is in the great tradition of literary poison pen letters: both
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book