Georges Braque of monochromatic color and complex patterns of faceted form, now termed Analytic Cubism. A decisive time of its development occurred during the summer of 1911, when Georges Braque and Pablo Picasso painted side by side in Céret in the French Pyrenees, each artist producing paintings that are difficult—sometimes virtually impossible—to distinguish from those of the other. In 1912, they began to experiment with collage and Braque invented the "papier collé" technique. On 14 November 1908, the French art critic Louis Vauxcelles, in his review of Georges Braque's exhibition at Kanhweiler's gallery called Braque a daring man who despises form, "reducing
Western use of the swastika in the early 20th century specifically Indo-European symbol, and associated it with the ancient migrations of Proto-Indo-Europeans. He connected it with similar shapes found on ancient pots in Germany, and theorised that the swastika square was a "significant religious symbol of our remote ancestors", linking Germanic, Greek and Indo-Iranian cultures. Later discoveries of the motif among the remains of the Hittites and of ancient Iran seemed to confirm this theory, but the symbol was also known for its use by indigenous American Indians as well as Eastern cultures. By the early 20th century it was used worldwide and was regarded as a symbol of good