20th-century Western painting painted women, reminiscent of African tribal masks and his own new proto-Cubist inventions. Analytic cubism, exemplified by "Violin and Candlestick, Paris", was jointly developed by Pablo Picasso and Georges Braque from about 1908 through 1912. Analytic cubism was followed by Synthetic cubism, characterized by the introduction of different textures, surfaces, collage elements, papier collé and a large variety of merged subject matter. Crystal Cubism was a distilled form of Cubism consistent with a shift between 1915 and 1916 towards a strong emphasis on flat surface activity and large overlapping geometric planes, practised by Braque, Picasso, Jean Metzinger, Albert Gleizes, Juan
History of painting are considered instrumental to the early beginnings of Surrealism. During the first half of the 20th century in Europe masters like Georges Braque, André Derain, and Giorgio De Chirico continued painting independent of any movement. In the first two decades of the 20th century and after Cubism, several other important movements emerged; futurism (Balla), abstract art (Kandinsky), Der Blaue Reiter), Bauhaus, (Kandinsky) and (Klee), Orphism, (Robert Delaunay and František Kupka), Synchromism (Morgan Russell), De Stijl (Mondrian), Suprematism (Malevich), Constructivism (Tatlin), Dadaism (Duchamp, Picabia, Arp) and Surrealism (De Chirico, André Breton, Miró, Magritte, Dalí, Ernst). Modern painting influenced all the visual