Cubism the 1950s and 1960s, especially by Clement Greenberg. Contemporary views of Cubism are complex, formed to some extent in response to the "Salle 41" Cubists, whose methods were too distinct from those of Picasso and Braque to be considered merely secondary to them. Alternative interpretations of Cubism have therefore developed. Wider views of Cubism include artists who were later associated with the "Salle 41" artists, e.g., Francis Picabia; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who beginning in late 1911 formed the core of the Section d'Or (or the Puteaux Group); the sculptors Alexander Archipenko, Joseph Csaky and
Concert 1937 Concert 1937 Concert is an oil on canvas still-life painting by Cubist painter Georges Braque, painted in 1937. It measures 28 × 35½ in. (71.12 × 90.17 cm). In comparison to earlier paintings by Braque, especially those of Analytical Cubism, it contains Surrealist inspired aspects, such as a more colorful palette, and a more representational rendering of the objects. "Concert" incorporates colors such as green and blue, as opposed to containing strictly neutral tones. However, "Concert" still incorporates many Cubist elements, such as the play on perspectives, fragmentation, and the inclusion of letters. Braque had an early fascination with still-life