Cubism such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris. Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925. Cubism reemerged during the 1920s and the 1930s in the work of the American Stuart Davis and the Englishman Ben Nicholson. In France, however, Cubism experienced a decline beginning in about 1925. Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler’s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini. In 1918 Rosenberg
Western use of the swastika in the early 20th century the National Register of Historic Places in 1973. The 116th Street–Columbia University station of the New York City Subway features a ceramic mosaic design with a border of swastikas, which dates back to the station's 1904 opening. In early 2016, the board of directors of the Longview Community Church in Longview, Washington debated removing swastika tiles from the church, constructed in 1925, and added to the National Register of Historic Places in 1985. Western use of the swastika in the early 20th century The swastika (from Sanskrit svástika) is an ancient Indo-European religious symbol that generally takes the form of