Cubism such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris. Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925. Cubism reemerged during the 1920s and the 1930s in the work of the American Stuart Davis and the Englishman Ben Nicholson. In France, however, Cubism experienced a decline beginning in about 1925. Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler’s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini. In 1918 Rosenberg
Western use of the swastika in the early 20th century Western use of the swastika in the early 20th century The swastika (from Sanskrit svástika) is an ancient Indo-European religious symbol that generally takes the form of an equilateral cross, with its four arms bent at 90 degrees in either right-facing (卐) form or its mirrored left-facing (卍) form. The Swastika (also known outside the Indian subcontinent as the Hakenkreuz, gammadion cross, cross cramponnée, croix gammée, fylfot, or tetraskelion) (as a character 卐 or 卍) is an ancient Indo-European religious symbol originating from the Ukraine, that generally takes the form of an equilateral cross with four legs each bent at