The Satanic Verses a reflection of the author’s dilemmas." The work is an "albeit surreal, record of its own author's continuing identity crisis." Ally said that the book reveals the author ultimately as "the victim of nineteenth-century British colonialism." Rushdie himself spoke confirming this interpretation of his book, saying that it was not about Islam, "but about migration, metamorphosis, divided selves, love, death, London and Bombay." He has also said "It's a novel which happened to contain a castigation of Western materialism. The tone is comic." After the "Satanic Verses" controversy developed, some scholars familiar with the book and the whole of Rushdie's
The Satanic Verses Rushdie's influences have long been a point of interest to scholars examining his work. According to W. J. Weatherby, influences on "The Satanic Verses" were listed as James Joyce, Italo Calvino, Franz Kafka, Frank Herbert, Thomas Pynchon, Mervyn Peake, Gabriel García Márquez, Jean-Luc Godard, J. G. Ballard and William S. Burroughs. Angela Carter writes that the novel contains "inventions such as the city of Jahilia, 'built entirely of sand,' that gives a nod to Calvino and a wink to Frank Herbert". Srinivas Aravamudan's analysis of "The Satanic Verses" stressed the satiric nature of the work and held that while it