The Satanic Verses controversy later wrote "God Is Not Great", a polemic against religion. The affair however led to greater caution and some degree of self-censorship when dealing with Islamic issues in the literary and other creative arts. Many religious figures in the United States and United Kingdom shared the aversion to blasphemy of pious Muslims (if not as intensely) and did not defend Rushdie like their secular compatriots. The Archbishop of Canterbury, Robert Runcie, demanded that the government expand the Blasphemy Act to cover other religions, including Islam. Michael Walzer wrote that the response revealed an evolution of the meaning of blasphemy; it
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book