Brian De Palma filmmaking careers of directors such as Mark Romanek and Keith Gordon. Filmmakers influenced by De Palma include Quentin Tarantino, Ronny Yu, Don Mancini, Nacho Vigalondo, and Jack Thomas Smith. During an interview with De Palma, Quentin Tarantino said that "Blow Out" is one of his all-time favorite films, and that after watching "Scarface" he knew how to make his own film. Critics who frequently admire De Palma's work include Pauline Kael and Roger Ebert, among others. Kael wrote in her review of "Blow Out", "At forty, Brian De Palma has more than twenty years of moviemaking behind him, and he
Brian De Palma in 1963 but remained unreleased until 1969, when De Palma's star had risen sufficiently within the Greenwich Village filmmaking scene. De Niro was unknown at the time; the credits mistakenly display his name as "Robert ." The film is noteworthy for its invocation of silent film techniques and an insistence on the jump-cut for effect. De Palma followed this style with various small films for the NAACP and The Treasury Department. During the 1960s, De Palma began making a living producing documentary films, notably "The Responsive Eye", a 1966 movie about "The Responsive Eye" op-art exhibit curated by William Seitz