Proto-Cubism experimental and exploratory phase of an art movement that would become altogether more extreme, known from the spring of 1911 as Cubism. Proto-Cubist artworks typically depict objects in geometric schemas of cubic or conic shapes. The illusion of classical perspective is progressively stripped away from objective representation to reveal the constructive essence of the physical world (not just as seen). The term is applied not only to works of this period by Georges Braque and Pablo Picasso, but to a range of art produced in France during the early 1900s, by such artists as Jean Metzinger, Albert Gleizes, Henri Le
Georges Michel (painter) Georges Michel (painter) Georges Michel (12 January 1763 – 7 or 8 June 1843) was a French landscape painter. An important precursor of the Barbizon school, Michel was practically unknown during his lifetime, and worked as copyist and restorer. Michel was born in Paris. His father was an employee at Les Halles, a large marketplace in the central part of the city. Michel's first patron, at a very early age, was a certain Monsieur de Chalue. His first painting teacher was one Leduc, a history painter, and later Michel studied under Nicolas-Antoine Taunay. Although he exhibited at the Paris Salon,