The Satanic Verses controversy undermine the people's genuine Islamic morals. and claimed an unnamed British foreign secretary once told the British parliament, "So long as the Qur'an is revered by Muslims, we will not be able to consolidate a foothold among the Muslims". Despite the passionate intensity of Muslim feeling on the issue no Western government banned "The Satanic Verses." This is primarily because most Western governments explicitly or implicitly allow for freedom of expression, which includes forbidding censorship in the vast majority of cases. Western attitudes regarding freedom of expression differ from those in the Arab world because: The last point also explains
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book