Mánes Union of Fine Arts to Munch with his painting "Woman by a Lake", however after harsh criticism he abandoned this style. Criticism of Preisler’s work angered Osma even more. In 1912, SVU Mánes split, following the Cubist art scene in Paris: the Montmartre Cubism of Pablo Picasso and Georges Braque, and Section d'Or Cubism led by Albert Gleizes and Jean Metzinger. Prague's key followers of Montmartre Cubism in Prague were artists Emil Filla and Otto Gutfreund, while the nucleus of the opposing camp was created around the Čapek brothers. Bohemian Cubists combined Cubism with Expressionism, some with Futurism, Orphism and Rayonism, while others concentrated
Western use of the swastika in the early 20th century luck. The swastika's worldwide use was well documented in an 1894 publication by the Smithsonian. The symbol appeared in many popular, non-political Western designs from the 1880s to the 1920s, with occasional use continuing into the 1930s. Western use of the motif was subverted in the early 20th century after it was adopted as the emblem of the Nazi Party (). The swastika was used as a conveniently geometrical and eye-catching symbol to emphasise the so-called Aryan-German correspondence and instill racial pride. Since World War II, most Westerners have known the swastika as a Nazi symbol, leading to confusion about