Brian De Palma has been growing better and better. Each time a new film of his opens, everything he has done before seems to have been preparation for it." In his review of "Femme Fatale", Roger Ebert wrote about the director: "De Palma deserves more honor as a director. Consider also these titles: "Sisters", "Blow Out", "The Fury", "Dressed to Kill", "Carrie", "Scarface", "Wise Guys", "Casualties of War", "Carlito's Way", "Mission: Impossible". Yes, there are a few failures along the way ("Snake Eyes", "Mission to Mars", "The Bonfire of the Vanities"), but look at the range here, and reflect that these movies contain
Brian De Palma lead actress and the exposition scene by the psychiatrist at the end. Film critics have often noted De Palma's penchant for unusual camera angles and compositions throughout his career. He often frames characters against the background using a canted angle shot. Split-screen techniques have been used to show two separate events happening simultaneously. To emphasize the dramatic impact of a certain scene De Palma has employed a 360-degree camera pan. Slow sweeping, panning and tracking shots are often used throughout his films, often through precisely-choreographed long takes lasting for minutes without cutting. Split focus shots, often referred to as "di-opt",