Al Capone (film) and makes a play for Maureen Flannery, the widow of one of Colosimo's men. Weiss and Moran return the favor by ordering Torrio to be shot. Capone retaliates by killing Weiss and forcing merchants throughout the city to pay for "protection." A sergeant in the Chicago police, Schaefer, is promoted to captain and vows to end the bloodshed and extortion and put Capone behind bars. With the heat on from the cops, a crooked newspaperman named Keely tries to bribe Schaefer but fails. He persuades Capone to move to Florida until things cool down. From a safe distance, Capone masterminds
The Gangster one that places the accent on the psychological. Though at times muddled, the script strives to maintain a deeper approach than such films as "The Public Enemy" or "Al Capone". In its day this film was considered something of an artistic triumph..." Film historian Blake Lucas, discussed the film noir aspects of the film, writing, ..."The Gangster" is arty and affected, as director Gordon Wiles has gravitated toward the creation of a theatrical rather than a visual impression. A film - and the most visually exciting of film noir bear this out - can show discernment and restraint when there