Georges Braque everything, places and a figures and houses, to geometric schemas, to cubes". Vauxcelles, on 25 March 1909, used the terms "bizarreries cubiques" (cubic oddities) after seeing a painting by Braque at the Salon des Indépendants. The term 'Cubism', first pronounced in 1911 with reference to artists exhibiting at the Salon des Indépendants, quickly gained wide use but Picasso and Braque did not adopt it initially. Art historian Ernst Gombrich described Cubism as "the most radical attempt to stamp out ambiguity and to enforce one reading of the picture—that of a man-made construction, a colored canvas." The Cubist style spread quickly
Georges Michel (painter) the world, including The Metropolitan Museum of Art, Portland Art Museum, Vanderbilt University Gallery, Strasbourg Musée des Beaux-Arts, Victoria and Albert Museum, and many others. Georges Michel (painter) Georges Michel (12 January 1763 – 7 or 8 June 1843) was a French landscape painter. An important precursor of the Barbizon school, Michel was practically unknown during his lifetime, and worked as copyist and restorer. Michel was born in Paris. His father was an employee at Les Halles, a large marketplace in the central part of the city. Michel's first patron, at a very early age, was a certain Monsieur de