20th-century art abstract (or non-representational) art. Cubism, generated by Picasso, Braque, Metzinger, Gleizes and others rejected the plastic norms of the Renaissance by introducing multiple perspectives into a two-dimensional image. Futurism incorporated the depiction of movement and machine age imagery. Dadaism, with its most notable exponents, Marcel Duchamp, who rejected conventional art styles altogether by exhibiting found objects, notably a urinal, and too Francis Picabia, with his "Portraits Mécaniques". Parallel movements in Russia were Suprematism, where Kasimir Malevich also created non-representational work, notably a black canvas. The Jack of Diamonds group with Mikhail Larionov was expressionist in nature. Dadaism preceded Surrealism, where
Western use of the swastika in the early 20th century on page 138 of Hélène-Andrée Bizier's Une Histoire du Québec en photos (2006, Éditions Fides). The swastika was also used as border art for the weekly pet health column in the "Calgary Herald" newspaper in the early years of the 20th century. The Danish brewery company Carlsberg Group used the swastika as a logo from the 19th century until the middle of the 1930s, when it was discontinued because of association with the Nazi Party in neighbouring Germany. However, the swastika carved on elephants at the entrance gates of the company's headquarters in Copenhagen in 1901 can still be seen