Martin Amis Amis's work centres on the excesses of late-capitalist Western society, whose perceived absurdity he often satirises through grotesque caricature; he has been portrayed as a master of what "The New York Times" called "the new unpleasantness". Inspired by Saul Bellow, Vladimir Nabokov, and James Joyce, as well as by his father Kingsley Amis, Amis himself has gone on to influence many successful British novelists of the late 20th and early 21st centuries, including Will Self and Zadie Smith. Amis was born in Oxford, England. His father, noted English novelist Sir Kingsley Amis, was the son of a mustard manufacturer's clerk
John Amis weeks before leaving to earn a living in music. Amis had a number of roles, including gramophone record salesman, and orchestra manager (at one point turning pages for Dame Myra Hess during the wartime concerts at the National Gallery.), before becoming a music critic, initially with "The Scotsman" in 1946. He was for several years manager for Sir Thomas Beecham, and also worked for the London Philharmonic Orchestra. In 1948, William Glock invited Amis to run a summer school for musicians at Bryanston School, Dorset. The summer school moved to Dartington in 1953. Amis remained administrative director until 1981, during