Nikos Sofialakis Cretan painter, Domenikos Theotokopoulos, which was set at Freedom Square (now Domenikos Theotokopoulos Square) in Herakleion, Crete on July 6, 1949. It was not until the 1952 Pan-Hellenic Artists Exhibition at the Zappeion, however, that Sofialakis received his ‘big break’, participating with the pieces "Twins", "Satyr", "Penelope", and "Maternity". His marble bust, "Twins", was already well known owing to its distinction at the 1947 Cairo Biennale, and his heads "Satyr" and "Penelope" received extensive praise, in both, the domestic and foreign press. It was owing to his masterpiece "Maternity", however, that Sofialakis received his great opportunity: the natural-scale statue in
Oreithyia painter Oreithyia painter The Oreithyia painter was an ancient Greek red-figure vase painter who flourished from 470–460 BCE. He is one of the many painters of the red-figure Classical Period, but his work is not considered the finest or well-known. This is partly because he began painting during the transition from red-figure to black-figure pottery. In his early vases he only painted a Side A, adding to his minimalist style. The name "Oreithyia Painter" was assigned by archaeologist Otto Jahn off the pointed-neck amphora vase held at the Antikensammlung in Munich, Germany (Museum number 2345, Beazley Archive number 206422, ARV number