Cubism Cubism", (from 1909 to 1914) during which time Juan Gris emerged as an important exponent (after 1911); and finally Cooper referred to "Late Cubism" (from 1914 to 1921) as the last phase of Cubism as a radical avant-garde movement. Douglas Cooper's restrictive use of these terms to distinguish the work of Braque, Picasso, Gris (from 1911) and Léger (to a lesser extent) implied an intentional value judgement. Cubism burgeoned between 1907 and 1911. Pablo Picasso's 1907 painting "Les Demoiselles d'Avignon" has often been considered a proto-Cubist work. Georges Braque's 1908 "Houses at L’Estaque" (and related works) prompted the critic Louis
Western use of the swastika in the early 20th century on page 138 of Hélène-Andrée Bizier's Une Histoire du Québec en photos (2006, Éditions Fides). The swastika was also used as border art for the weekly pet health column in the "Calgary Herald" newspaper in the early years of the 20th century. The Danish brewery company Carlsberg Group used the swastika as a logo from the 19th century until the middle of the 1930s, when it was discontinued because of association with the Nazi Party in neighbouring Germany. However, the swastika carved on elephants at the entrance gates of the company's headquarters in Copenhagen in 1901 can still be seen