The Satanic Verses controversy vilified the companions of the Prophet, calling them "bums from Persia" and "clowns", yet the character saying this is a hack poet hired to write propaganda against the Prophet and does not reflect the author's beliefs; that the book criticised Islam for having too many rules and seeking to control every aspect of life, yet while characters in the book do make such remarks these cannot constitute blasphemy since they do not vilify God or the Prophet. Before the publication of "The Satanic Verses", the publisher received "warnings from the publisher's editorial consultant" that the book might be controversial. Later,
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book