Cubism Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini (after 1916), María Blanchard (after 1916) and Georges Valmier (after 1918). More fundamentally, Christopher Green argues that Douglas Cooper's terms were "later undermined by interpretations of the work of Picasso, Braque, Gris and Léger that stress iconographic and ideological questions rather than methods of representation." John Berger identifies the essence of Cubism with the mechanical diagram. "The metaphorical model of Cubism is the diagram: The diagram being a
Western use of the swastika in the early 20th century Western use of the swastika in the early 20th century The swastika (from Sanskrit svástika) is an ancient Indo-European religious symbol that generally takes the form of an equilateral cross, with its four arms bent at 90 degrees in either right-facing (卐) form or its mirrored left-facing (卍) form. The Swastika (also known outside the Indian subcontinent as the Hakenkreuz, gammadion cross, cross cramponnée, croix gammée, fylfot, or tetraskelion) (as a character 卐 or 卍) is an ancient Indo-European religious symbol originating from the Ukraine, that generally takes the form of an equilateral cross with four legs each bent at