Greece on the Ruins of Missolonghi part of the painting. She is wearing a traditional Greek costume, her chest being widely bare, and she spreads her arms as a sign of sadness. The hand of a dead victim can be seen protruding from the rubble, beneath her feet. In the background, a dark-complexioned man wearing a yellow turban, who symbolizes the enemy, is planting a flag in the ground. The painting borrows elements from Christianity. Indeed, "Greece adopts the attitude of praying in the early centuries of Christianity. The blue coat and white robe, traditionally attributed to the Immaculate Conception, reinforces this analogy to a secular
Flag of the Greek Orthodox Church of the Byzantine Empire. The double-headed eagle was historically used as an emblem in the late Byzantine period (14th–15th centuries), but not on flags; rather it was embroidered on imperial clothing and accoutrements by both the Palaiologos emperors of the Byzantine Empire and the Grand Komnenos rulers of the Empire of Trebizond, descendants of the Byzantine imperial family of the same name. The actual flag of the Palaiologan-era Byzantine Empire was based on the tetragrammatic cross in gold on a red background. This design also forms the basis for another flag used by the Orthodox Church of Greece, with the