Graphology in handwriting analysis. He published his findings shortly after founding "Société Graphologique" in 1871. The most prominent of his disciples was Jules Crépieux-Jamin who rapidly published a series of books that were soon published in other languages. Starting from Michon's integrative approach, Crépieux-Jamin founded a holistic approach to graphology. Alfred Binet was convinced to conduct research into graphology from 1893 to 1907. He called it "the science of the future" despite rejection of his results by graphologists. After World War I, interest in graphology continued to spread in Europe as well as the United States. In Germany during the 1920s,
What Is Art? Aylmer Maude, translator of many of Tolstoy's writings, calls it "probably the most masterly of all Tolstoy's works", citing the difficulty of the subject matter and its clarity. For a comprehensive review of the reception at the time of publication, see Maude 1901"b". Bayley, John (1986 [1966]). ""What is Art?" - excerpt from Tolstoy and the Novel" in Bloom, Harold (ed.). Leo Tolstoy. New York: Chelsea House. p. 141-152. Jahn, Gary R. (1975). "The aesthetic theory of Leo Tolstoy's "What is Art?"". "Journal of Aesthetics and Art Criticism" 34 (1): 59-65. Maude, Aylmer (1901a). “"What is Art?" - An Introduction”,