The Hunt for Red October (film) for the rest of the motion picture. Only towards the end of the film, at the beginning of the scene in which the Soviet and American submariners meet, do some of the actors speak in Russian again. Filming in submarines was impractical. Instead, five soundstages on the Paramount backlot were used. Two platforms housing mock-ups of "Red October" and "Dallas" were built, standing on hydraulic gimbals that simulated the sub's movements. Connery recalled, "It was very claustrophobic. There were 62 people in a very confined space, 45 feet above the stage floor. It got very hot on the sets, and
The Hunt for Red October (film) test of time". In contrast, "Newsweek"s David Ansen wrote, "But it's at the gut level that "Red October" disappoints. This smoother, impressively mounted machine is curiously ungripping. Like an overfilled kettle, it takes far too long to come to a boil". Vincent Canby, writing for "The New York Times", opined that "the characters, like the lethal hardware, are simply functions of the plot, which in this case seems to be a lot more complex than it really is". "The Hunt for Red October" was nominated and won several awards in 1991. In addition, the film was also nominated for AFI's