Proto-Cubism that Metzinger was the first to recognize explicitly and implicitly the significance of the use of "a free, mobile perspective", and the "mixing... of the successive and the simultaneous". He was the first to write of the fact that artists had abandoned traditional perspective and were now free to move around their subjects to paint them from various points in space, and at various moments in time. Metzinger's role at center of Cubism both as a painter and theorist prompted Guillaume Apollinaire to write of Picasso, Braque and Metzinger as the first three Cubist painters. Now well beyond the teachings
Georges Hanna Sabbagh his children were born) provided him with subjects for many of his paintings, before trips to Egypt led him to rediscover the lights, landscapes and characters of his childhood. He excelled in portraits, nudes and landscapes both in France and in Egypt and was enchanted by the old districts of Cairo. A painter of talent, Georges Sabbagh forms one of the group of artists who Jean Cassou called "the sacrificed generation" (along with Henri de Waroquier and Jules-Émile Zingg) - absorbing the school of Les Nabis, Fauvism and Cubism at the beginning of the century, but forgotten after the Second