Deep Blue versus Garry Kasparov a draw by threefold repetition, starting with 50...Rd1+ and then 51...Rd2+. "May 11". Before the sixth game, the overall score was even: 2½–2½. As in game 4, Kasparov played the Caro–Kann Defence. Deep Blue made a daring knight sacrifice which wrecked Kasparov's defence and forced him to resign in less than twenty moves. Bibliography Deep Blue versus Garry Kasparov Deep Blue versus Garry Kasparov was a pair of six-game chess matches between world chess champion Garry Kasparov and an IBM supercomputer called Deep Blue. The first match was played in Philadelphia in 1996 and won by Kasparov. The second was
Music for Reliquary House / In 1980 I Was a Blue Square Point Never side "Music for Reliquary House", a composition and set of remixes of audio Lopatin produced for Nate Boyce's audiovisual project "Reliquary House". The primary sounds of the composition are bits of computer-produced human speech reconstructed into new sounds. The second half, "In 1980 I Was A Blue Square" by Rene Hell, is a suite of minimalist contemporary classical music that also includes electronic sounds. For both Daniel Lopatin and Jeff Witscher, Music For Reliquary House and In 1980 I Was A Blue Square are shifts from their early synthesizer-heavy recordings to electroacoustic music. "Pitchfork" journalist Nick Neyland called