Georges Braque paintings taken were "Le pigeon aux petits pois" ("The Pigeon with the Peas") by Pablo Picasso, "La Pastorale" by Henri Matisse, "L'Olivier Près de l'Estaque" ("Olive Tree near Estaque") by Georges Braque, "" ("Woman with a Fan") by Amedeo Modigliani and "Nature Morte aux Chandeliers" ("Still Life with Chandeliers") by Fernand Léger and were valued at ( ). A window had been smashed and CCTV footage showed a masked man taking the paintings. Authorities believe the thief acted alone. The man carefully removed the paintings from their frames, which he left behind. Georges Braque Georges Braque (; ; 13 May
Crystal Cubism towards the end of 1916, with an art world still under the pressures of war, to show the parallels between the poetic theories of Guillaume Apollinaire of Max Jacob and himself in marking the burgeoning of a new era for poetry and artistic reflection. In "Nord-Sud" Reverdy, with the help of Dermée and Georges Braque, exposed his literary theories, and outlined a coherent theoretical stance on the latest developments in Cubism. His treatise "On Cubism", published in the first issue of "Nord-Sud", did so perhaps most influentially. With his characteristic preference for offense rather than defense, Reverdy launched an attack