In the Shadow of the Sword (book) tale by the ears, conjuring the half-vanished past with such gusto that characters and places fairly bound from the page." Jones goes on to finish his review by asking, "Is this Satanic Verses territory?" Holland quotes Salman Rushdie at the very beginning of the book, acknowledging, wryly, another British author who ventured onto the sticky wicket of Islam’s origin myths." Ziauddin Sardar, writing for the "New Statesman", was highly critical of the book. He says "the real aim of the book is to examine the validity of 'Muslim sources' and to assess the extent of Muslim scholarship down the centuries.
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book