Alfred Hitchcock and the Making of Psycho reputation, including "Rope", "Rear Window", "To Catch a Thief", "The Man Who Knew Too Much", and "North by Northwest". The project, which Hitchcock tackled in part to compete with financially successful, low-budget, youth-oriented horror movies, went on to astound many by becoming a cultural watershed, an international box-office success, a film classic, and a forerunner of the violent, disorienting films and real-events of the turbulent 1960s and '70s. "Alfred Hitchcock and the Making of Psycho" was initially distributed in hardcover print by W.W. Norton for Dembner Books on April 15, 1990 in the United States. A trade paperback edition was
Alfred Hitchcock wrote in 1982: "The Hitchcock touch had four hands, and two were Alma's." Hitchcock began work on his tenth film, "Blackmail" (1929), when its production company, British International Pictures (BIP), converted its Elstree studios to sound. The film was the first British ""; it followed the first American sound feature film, "The Jazz Singer" (1927). "Blackmail" began the Hitchcock tradition of using famous landmarks as a backdrop for suspense sequences, with the climax taking place on the dome of the British Museum. It also features one of his longest cameo appearances, which shows him being bothered by a small boy