Cubism Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini (after 1916), María Blanchard (after 1916) and Georges Valmier (after 1918). More fundamentally, Christopher Green argues that Douglas Cooper's terms were "later undermined by interpretations of the work of Picasso, Braque, Gris and Léger that stress iconographic and ideological questions rather than methods of representation." John Berger identifies the essence of Cubism with the mechanical diagram. "The metaphorical model of Cubism is the diagram: The diagram being a
Concert 1937 Concert 1937 Concert is an oil on canvas still-life painting by Cubist painter Georges Braque, painted in 1937. It measures 28 × 35½ in. (71.12 × 90.17 cm). In comparison to earlier paintings by Braque, especially those of Analytical Cubism, it contains Surrealist inspired aspects, such as a more colorful palette, and a more representational rendering of the objects. "Concert" incorporates colors such as green and blue, as opposed to containing strictly neutral tones. However, "Concert" still incorporates many Cubist elements, such as the play on perspectives, fragmentation, and the inclusion of letters. Braque had an early fascination with still-life