Mánes Union of Fine Arts to Munch with his painting "Woman by a Lake", however after harsh criticism he abandoned this style. Criticism of Preisler’s work angered Osma even more. In 1912, SVU Mánes split, following the Cubist art scene in Paris: the Montmartre Cubism of Pablo Picasso and Georges Braque, and Section d'Or Cubism led by Albert Gleizes and Jean Metzinger. Prague's key followers of Montmartre Cubism in Prague were artists Emil Filla and Otto Gutfreund, while the nucleus of the opposing camp was created around the Čapek brothers. Bohemian Cubists combined Cubism with Expressionism, some with Futurism, Orphism and Rayonism, while others concentrated
Cubism Surrealism, said that for Breton, Soupault, Éluard and himself, Reverdy was "our immediate elder, the exemplary poet." Though not as well remembered as the Cubist painters, these poets continue to influence and inspire; American poets John Ashbery and Ron Padgett have recently produced new translations of Reverdy's work. Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" is also said to demonstrate how cubism's multiple perspectives can be translated into poetry. Cubism Cubism is an early-20th-century art movement which brought European painting and sculpture historically forward toward 20th-century Modern art. Cubism in its various forms inspired related movements in literature