Mánes Union of Fine Arts to Munch with his painting "Woman by a Lake", however after harsh criticism he abandoned this style. Criticism of Preisler’s work angered Osma even more. In 1912, SVU Mánes split, following the Cubist art scene in Paris: the Montmartre Cubism of Pablo Picasso and Georges Braque, and Section d'Or Cubism led by Albert Gleizes and Jean Metzinger. Prague's key followers of Montmartre Cubism in Prague were artists Emil Filla and Otto Gutfreund, while the nucleus of the opposing camp was created around the Čapek brothers. Bohemian Cubists combined Cubism with Expressionism, some with Futurism, Orphism and Rayonism, while others concentrated
Western use of the swastika in the early 20th century specifically Indo-European symbol, and associated it with the ancient migrations of Proto-Indo-Europeans. He connected it with similar shapes found on ancient pots in Germany, and theorised that the swastika square was a "significant religious symbol of our remote ancestors", linking Germanic, Greek and Indo-Iranian cultures. Later discoveries of the motif among the remains of the Hittites and of ancient Iran seemed to confirm this theory, but the symbol was also known for its use by indigenous American Indians as well as Eastern cultures. By the early 20th century it was used worldwide and was regarded as a symbol of good