New materials in 20th-century art The technique remains popular as a very simple method of printmaking, even suitable for use in schools. Pablo Picasso, Georges Braque, Juan Gris and other cubist artists introduced new elements and materials like newspaper clippings, fabric, and sheet music into their paintings. Eventually the movement was called Synthetic Cubism developed between 1912 and 1919. Synthetic cubism is characterized by works with different textures, surfaces, collage elements, papier collé and a large variety of subject matter. It was the beginning of collage materials being introduced as an important ingredient of fine art work by the avant-garde. Considered the first work of
Braque Triptych is encased in glass. Braque Triptych The Braque Triptych (or the Braque Family Triptych) is a c. 1452 oil-on-oak altarpiece by the Early Netherlandish painter Rogier van der Weyden. When open, its three half-length panels reveal, from left to right, John the Baptist, The Virgin Mary with Jesus and Saint John the Evangelist, and on the right, Mary Magdalene. When the wings are closed, the work shows a vanitas motif of a skull and cross. "The Braque Triptych" is the only surviving devotional work by van der Weyden known to be painted for private rather than public display. The altarpiece