New materials in 20th-century art The technique remains popular as a very simple method of printmaking, even suitable for use in schools. Pablo Picasso, Georges Braque, Juan Gris and other cubist artists introduced new elements and materials like newspaper clippings, fabric, and sheet music into their paintings. Eventually the movement was called Synthetic Cubism developed between 1912 and 1919. Synthetic cubism is characterized by works with different textures, surfaces, collage elements, papier collé and a large variety of subject matter. It was the beginning of collage materials being introduced as an important ingredient of fine art work by the avant-garde. Considered the first work of
20th-century French literature Valéry and Larbaud). In the novel, André Gide's early works, especially "L'Immoraliste" (1902), pursue the problems of freedom and sensuality that symbolism had posed; Alain-Fournier's novel "Le Grand Meaulnes" is a deeply felt portrait of a nostalgic past. But radical experimentation was not appreciated by all literary and artistic circles in the early 20th century. Popular and bourgeois tastes were relatively conservative. The poetic dramas of Edmond Rostand, especially "Cyrano de Bergerac" in 1897, were immensely popular at the start of the 20th century, as too the "well-made" plays and bourgeois farces of Georges Feydeau. Anatole France, Maurice Barrès, Paul