Al Capone marked Capone's rule. Organized crime in the city had a lower profile once Prohibition was repealed, already wary of attention after seeing Capone's notoriety bring him down, to the extent that there is a lack of consensus among writers about who was actually in control and who was a figurehead "front boss". Prostitution, labor union racketeering, and gambling became moneymakers for organized crime in the city without incurring serious investigation. In the late 1950s, FBI agents discovered an organization led by Capone's former lieutenants reigning supreme over the Chicago underworld. After Capone was released from prison, he was referred to
The Gangster one that places the accent on the psychological. Though at times muddled, the script strives to maintain a deeper approach than such films as "The Public Enemy" or "Al Capone". In its day this film was considered something of an artistic triumph..." Film historian Blake Lucas, discussed the film noir aspects of the film, writing, ..."The Gangster" is arty and affected, as director Gordon Wiles has gravitated toward the creation of a theatrical rather than a visual impression. A film - and the most visually exciting of film noir bear this out - can show discernment and restraint when there