Nikos Sofialakis Cretan painter, Domenikos Theotokopoulos, which was set at Freedom Square (now Domenikos Theotokopoulos Square) in Herakleion, Crete on July 6, 1949. It was not until the 1952 Pan-Hellenic Artists Exhibition at the Zappeion, however, that Sofialakis received his ‘big break’, participating with the pieces "Twins", "Satyr", "Penelope", and "Maternity". His marble bust, "Twins", was already well known owing to its distinction at the 1947 Cairo Biennale, and his heads "Satyr" and "Penelope" received extensive praise, in both, the domestic and foreign press. It was owing to his masterpiece "Maternity", however, that Sofialakis received his great opportunity: the natural-scale statue in
Phiale Painter chalice "kraters" in white-ground technique, a rarity at the time. His themes may be partially influenced by contemporary theatre. His preferred name for "kalos" inscriptions is that of Euaion, son of Aeschylus. His conventional name is based on the fact that a painted "phiale", a vase shape rarely equipped with figural depictions, is known from him. Phiale Painter The Phiale Painter was a painter of the Attic red-figure style. He was active around 460 to 430 BC. The Phiale Painter is assumed to have been a pupil of the Achilles Painter. In contrast to his master, he liked to depict