Brian De Palma has been growing better and better. Each time a new film of his opens, everything he has done before seems to have been preparation for it." In his review of "Femme Fatale", Roger Ebert wrote about the director: "De Palma deserves more honor as a director. Consider also these titles: "Sisters", "Blow Out", "The Fury", "Dressed to Kill", "Carrie", "Scarface", "Wise Guys", "Casualties of War", "Carlito's Way", "Mission: Impossible". Yes, there are a few failures along the way ("Snake Eyes", "Mission to Mars", "The Bonfire of the Vanities"), but look at the range here, and reflect that these movies contain
Brian De Palma The film's most striking quality is its extensive use of the split-screen. De Palma recalls that he was "floored" by this performance upon first sight, and in 1973 recounts how he "began to try and figure out a way to capture it on film. I came up with the idea of split-screen, to be able to show the actual audience involvement, to trace the life of the audience and that of the play as they merge in and out of each other." De Palma's most significant features from this decade are "Greetings" (1968) and "Hi, Mom!" (1970). Both films star