France in the long nineteenth century immediately preceding World War I. This new spirit brought a revival of belief in the Church and a strong, fervent sense of patriotism. Also a new school of young artists emerged who completely broke with Impressionism and favored a deep, intense subjectivism. Inspired by Cézanne and Gauguin, Georges Braque, Pablo Picasso, Henri Matisse, and Georges Rouault entered the art scene so abruptly that they came to be known as the Fauves (Wild Ones). France in the long nineteenth century The history of France from 1789 to 1914 (the long 19th century) extends from the French Revolution to World War I
Western use of the swastika in the early 20th century specifically Indo-European symbol, and associated it with the ancient migrations of Proto-Indo-Europeans. He connected it with similar shapes found on ancient pots in Germany, and theorised that the swastika square was a "significant religious symbol of our remote ancestors", linking Germanic, Greek and Indo-Iranian cultures. Later discoveries of the motif among the remains of the Hittites and of ancient Iran seemed to confirm this theory, but the symbol was also known for its use by indigenous American Indians as well as Eastern cultures. By the early 20th century it was used worldwide and was regarded as a symbol of good