The Satanic Verses controversy John le Carré thought the death sentence to be outrageous, but he also criticised Rushdie's action: "I don't think it is given to any of us to be impertinent to great religions with impunity", although he later expressed regret over his dispute with Rushdie. Rushdie, however, was supported by major bodies in the literary world such as PEN and Association of American Publishers, and prominent figures such as Günter Grass, Martin Amis, Saul Bellow, Nadine Gordimer and Derek Walcott. Another major supporter of Rushdie, Christopher Hitchens, said that the fatwa persuaded him that Islamic fundamentalism was an urgent menace, and
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book