Frank Capone with mobster John Torrio. By 1918, Torrio had moved to Chicago to help a relative defend his rackets, and Torrio soon asked Al and later Frank to join him there. By 1920, Torrio had taken charge of the South Side Gang and the Prohibition era had started. As the gang increased in power and wealth, so did Al and Frank. In 1923, Chicago voters elected a new mayor, William Dever, who proceeded to crack down on Torrio, the Capone brothers, and their South Side Gang. In response, Torrio tasked Al with creating speakeasies, brothels, and illegal gambling dens in Cicero,
The Gangster one that places the accent on the psychological. Though at times muddled, the script strives to maintain a deeper approach than such films as "The Public Enemy" or "Al Capone". In its day this film was considered something of an artistic triumph..." Film historian Blake Lucas, discussed the film noir aspects of the film, writing, ..."The Gangster" is arty and affected, as director Gordon Wiles has gravitated toward the creation of a theatrical rather than a visual impression. A film - and the most visually exciting of film noir bear this out - can show discernment and restraint when there