Brian De Palma has been growing better and better. Each time a new film of his opens, everything he has done before seems to have been preparation for it." In his review of "Femme Fatale", Roger Ebert wrote about the director: "De Palma deserves more honor as a director. Consider also these titles: "Sisters", "Blow Out", "The Fury", "Dressed to Kill", "Carrie", "Scarface", "Wise Guys", "Casualties of War", "Carlito's Way", "Mission: Impossible". Yes, there are a few failures along the way ("Snake Eyes", "Mission to Mars", "The Bonfire of the Vanities"), but look at the range here, and reflect that these movies contain
Brian De Palma idea here: you are aware of what you are watching at the same time that you are emotionally involved with it." "Be Black, Baby" was filmed in black and white stock on 16 mm, in low-light conditions that stress the crudity of the direct cinema aesthetic. It is precisely from this crudity that the film itself gains a credibility of "realism." In an interview with Michael Bliss, De Palma notes "[Be Black, Baby] was rehearsed for almost three weeks... In fact, it's all scripted. But once the thing starts, they just go with the way it's going. I specifically got