Al Capone $100,000 for 1928 and 1929, for instance. Hence, without any investigation, the government had been given a letter from a lawyer acting for Capone conceding his large taxable income for certain years. In 1931, Capone was charged with income tax evasion, as well as with various violations of the Volstead Act (Prohibition) at the Chicago Federal Building in the courtroom of Judge James Herbert Wilkerson. U. S. Attorney George E. Q. Johnson agreed to a deal that he hoped might result in the judge giving Capone a couple of years, but Judge Wilkerson had been aware of the deal all
The Gangster one that places the accent on the psychological. Though at times muddled, the script strives to maintain a deeper approach than such films as "The Public Enemy" or "Al Capone". In its day this film was considered something of an artistic triumph..." Film historian Blake Lucas, discussed the film noir aspects of the film, writing, ..."The Gangster" is arty and affected, as director Gordon Wiles has gravitated toward the creation of a theatrical rather than a visual impression. A film - and the most visually exciting of film noir bear this out - can show discernment and restraint when there