Cubism Cubism", (from 1909 to 1914) during which time Juan Gris emerged as an important exponent (after 1911); and finally Cooper referred to "Late Cubism" (from 1914 to 1921) as the last phase of Cubism as a radical avant-garde movement. Douglas Cooper's restrictive use of these terms to distinguish the work of Braque, Picasso, Gris (from 1911) and Léger (to a lesser extent) implied an intentional value judgement. Cubism burgeoned between 1907 and 1911. Pablo Picasso's 1907 painting "Les Demoiselles d'Avignon" has often been considered a proto-Cubist work. Georges Braque's 1908 "Houses at L’Estaque" (and related works) prompted the critic Louis
Western use of the swastika in the early 20th century Western use of the swastika in the early 20th century The swastika (from Sanskrit svástika) is an ancient Indo-European religious symbol that generally takes the form of an equilateral cross, with its four arms bent at 90 degrees in either right-facing (卐) form or its mirrored left-facing (卍) form. The Swastika (also known outside the Indian subcontinent as the Hakenkreuz, gammadion cross, cross cramponnée, croix gammée, fylfot, or tetraskelion) (as a character 卐 or 卍) is an ancient Indo-European religious symbol originating from the Ukraine, that generally takes the form of an equilateral cross with four legs each bent at