The Hunt for Red October (film) for the rest of the motion picture. Only towards the end of the film, at the beginning of the scene in which the Soviet and American submariners meet, do some of the actors speak in Russian again. Filming in submarines was impractical. Instead, five soundstages on the Paramount backlot were used. Two platforms housing mock-ups of "Red October" and "Dallas" were built, standing on hydraulic gimbals that simulated the sub's movements. Connery recalled, "It was very claustrophobic. There were 62 people in a very confined space, 45 feet above the stage floor. It got very hot on the sets, and
The Red Danube in the US and Canada and $682,000 overseas, resulting in a loss of $905,000. The film was criticized for being a propaganda film, "designed to make you hate Russia and recognize the Vatican as the true champion of freedom". Film Score Monthly, on the other hand, noted that film "struck a chord with reviewers" by "bringing humanity to a difficult subject" and having a message "not compromised by preachiness." It was nominated for the Academy Award for Best Art Direction (Cedric Gibbons, Hans Peters, Edwin B. Willis, and Hugh Hunt). The Red Danube The Red Danube is a 1949 American