Deep Blue versus Garry Kasparov my conclusions. I am not writing any love letters to IBM, but my respect for the Deep Blue team went up, and my opinion of my own play, and Deep Blue's play, went down. Today you can buy a chess engine for your laptop that will beat Deep Blue quite easily." "May 6". The third game was interesting because Kasparov chose to use an irregular opening, the Mieses Opening. He believed that by playing an esoteric opening, the computer would get out of its opening book and play the opening worse than it would have done using the book. Although
Music for Reliquary House / In 1980 I Was a Blue Square Point Never side "Music for Reliquary House", a composition and set of remixes of audio Lopatin produced for Nate Boyce's audiovisual project "Reliquary House". The primary sounds of the composition are bits of computer-produced human speech reconstructed into new sounds. The second half, "In 1980 I Was A Blue Square" by Rene Hell, is a suite of minimalist contemporary classical music that also includes electronic sounds. For both Daniel Lopatin and Jeff Witscher, Music For Reliquary House and In 1980 I Was A Blue Square are shifts from their early synthesizer-heavy recordings to electroacoustic music. "Pitchfork" journalist Nick Neyland called