Deep Blue (chess computer) offer, but Kasparov refused a rematch. Deep Blue, with its capability of evaluating 200 million positions per second, was the fastest computer to face a world chess champion. Today, in computer chess research and matches of world class players against computers, the focus of play has often shifted to software , rather than using dedicated chess hardware. Modern chess programs like Houdini, Rybka, Deep Fritz or Deep Junior are more efficient than the programs during Deep Blue's era. In a November 2006 match between Deep Fritz and world chess champion Vladimir Kramnik, the program ran on a computer system containing
Music for Reliquary House / In 1980 I Was a Blue Square Point Never side "Music for Reliquary House", a composition and set of remixes of audio Lopatin produced for Nate Boyce's audiovisual project "Reliquary House". The primary sounds of the composition are bits of computer-produced human speech reconstructed into new sounds. The second half, "In 1980 I Was A Blue Square" by Rene Hell, is a suite of minimalist contemporary classical music that also includes electronic sounds. For both Daniel Lopatin and Jeff Witscher, Music For Reliquary House and In 1980 I Was A Blue Square are shifts from their early synthesizer-heavy recordings to electroacoustic music. "Pitchfork" journalist Nick Neyland called