Nu à la cheminée of Albert Gleizes) at the time. The work has not been seen in public since, and its current location is unknown. Jean Metzinger, judging from an interview with Gelett Burgess in "Architectural Record", appears to have abandoned his Divisionist style in favor of the "faceting of form" associated with analytic Cubism around 1908 or early 1909. A resident of Montmartre, Metzinger frequented the Bateau Lavoir at this time and exhibited with Georges Braque at the Berthe Weill gallery. By 1910, the robust form of early analytic Cubism of Picasso ("Girl with a Mandolin, Fanny Tellier", 1910), Braque ("Violin and Candlestick",
Western use of the swastika in the early 20th century Railroad Company operated with cars and locomotives "emblazoned with the red swastika symbol adopted as the road’s trademark." The symbol featured right facing arms and was tilted at an angle. The 105-mile "Swastika Line" operated from about 1902 to 1915, with major stops at Raton and Cimarron, New Mexico. The tracks were torn up for scrap during World War II when "Swastika Line iron was used to fight a different kind of swastikas in Europe." A "Swastika Theater" operated in Sausalito, California in the early 20th century. Another "Swastika Theater" operated in Akron, Indiana. The Swastika Novelty Company of Charleston,