Al Capone signaled for accomplices armed with machine guns and shotguns. Photos of the slain victims shocked the public and damaged Capone's reputation. Within days, Capone received a summons to testify before a Chicago grand jury on charges of federal Prohibition violations, but he claimed to be too unwell to attend. Capone was primarily known for ordering other men to do his dirty work for him. One story, however, has Capone, having discovered that three of his men—Scalise, Anselmi, and Giunta—were conspiring against him with a rival gangster, Joe Aiello, reportedly arranging for the conspirators to dine with him and his bodyguards.
The Gangster one that places the accent on the psychological. Though at times muddled, the script strives to maintain a deeper approach than such films as "The Public Enemy" or "Al Capone". In its day this film was considered something of an artistic triumph..." Film historian Blake Lucas, discussed the film noir aspects of the film, writing, ..."The Gangster" is arty and affected, as director Gordon Wiles has gravitated toward the creation of a theatrical rather than a visual impression. A film - and the most visually exciting of film noir bear this out - can show discernment and restraint when there