Proto-Cubism by those who chose to see in his work the imitation of nature and perspective, and as a revolutionary by those who saw in him a revolt against imitation and classical perspective. Timid, yet clearly manifest, was the will to deconstruct. Artists at the forefront of the Parisian art scene at the outset of the 20th century would not fail to notice these tendencies inherent in the work of Cézanne, and decided to venture still further. Avant-garde artists in Paris (including Jean Metzinger, Albert Gleizes, Henri Le Fauconnier, Robert Delaunay, Pablo Picasso, Fernand Léger, André Lhote, Othon Friesz, Georges Braque,
Western use of the swastika in the early 20th century in 1888 as the Dublin Laundry Company. Upon the outbreak of World War II in 1939, the company's customers were concerned about the company's name. Accordingly, it was changed to "Swastika Laundry (1912) Ltd". The company's fleet of electric delivery vans were red, and featured a black swastika on a white background. The business started in the early 20th century and continued up until recent times. The Laundry's tall chimneystack was emblazoned with a large white Swastika, a protected structure, which was clearly visible from the surrounding streets. The name and logo eventually disappeared when the laundry was absorbed into