Salon d'Automne developments and innovations of 20th-century painting and sculpture. Fourteen years after the rejection of Georges Braque's "L'Estaque" paintings by the jury of the Salon d'Automne of 1908; Matisse, Rouault, Marquet, and Charles-François-Prosper Guérin, Braque was given the accolade of the "Salle d'Honneur" in 1922, without incident. In a dramatic case of "situational irony", a room at the Salon d'Automne was dedicated to Picasso in 1944. During the crucial years of Cubism, between 1909 and 1914, the dealer Daniel-Henry Kahnweiler forbade Braque and Picasso from exhibiting at both the Salon d'Automne and the Salon des Indépendants. He thought the salons were
Western use of the swastika in the early 20th century the National Register of Historic Places in 1973. The 116th Street–Columbia University station of the New York City Subway features a ceramic mosaic design with a border of swastikas, which dates back to the station's 1904 opening. In early 2016, the board of directors of the Longview Community Church in Longview, Washington debated removing swastika tiles from the church, constructed in 1925, and added to the National Register of Historic Places in 1985. Western use of the swastika in the early 20th century The swastika (from Sanskrit svástika) is an ancient Indo-European religious symbol that generally takes the form of