9 to 5 (musical) songs" were "fresh and original," although "Not every tune is a home run, and some lyrics are too plain-spoken. But enough of them stand out." He thought the creative team "has struggled to open the show up for the stage." In conclusion he said, "Is "9 to 5" as hip as TV's "The Office" or as joyously hit-filled as "How to Succeed in Business Without Really Trying"? No, but if you're looking for a little diversion, it will do the trick from 8 to 10:15." Linda Winer of "Newsday" called it "lavish and harmless entertainment... with a shiny-colored and efficient
Black Knights' Tango although if Black wishes to play this way, the optimal move order is 1.d4 Nf6 2.c4 e6 3.Nc3 Nc6. This ambitious move is playable but rarely seen. Black normally responds with 3...Ne5. Then after 4.e4 (inviting 4...Nxe4 5.Qd4 winning a knight), Black struck back in the center with 4...Ng6 5.f4 e5 in the seminal game Sämisch–Torre, Moscow 1925. However, Orlov considers both Torre's fourth and fifth moves inferior. He and Palliser both recommend instead 4...e6, after which play can become extremely sharp. For example, Elburg–Simmelink, correspondence 1999 continued 5.f4 Ng6 6.Bd3 exd5 7.e5 Ne4 8.cxd5 Qh4+ 9.g3 Bb4+! 10.Bd2 (Better