New materials in 20th-century art The technique remains popular as a very simple method of printmaking, even suitable for use in schools. Pablo Picasso, Georges Braque, Juan Gris and other cubist artists introduced new elements and materials like newspaper clippings, fabric, and sheet music into their paintings. Eventually the movement was called Synthetic Cubism developed between 1912 and 1919. Synthetic cubism is characterized by works with different textures, surfaces, collage elements, papier collé and a large variety of subject matter. It was the beginning of collage materials being introduced as an important ingredient of fine art work by the avant-garde. Considered the first work of
Crystal Cubism clearest and most intelligible definition of Cubism. At the outset of the First World War many artists were mobilized: Metzinger, Gleizes, Braque, Léger, de La Fresnaye, and Duchamp-Villon. Despite the brutal interruption, each found the time to continue making art, sustaining differing types of Cubism. Yet they discovered a ubiquitous link between the Cubist syntax (beyond pre-war attitudes) and that of the anonymity and novelty of mechanized warfare. Cubism evolved as much a result of an "evasion" of the inconceivable atrocities of war as of nationalistic pressures. Along with the evasion came the need to diverge further and further away