Nikos Sofialakis Cretan painter, Domenikos Theotokopoulos, which was set at Freedom Square (now Domenikos Theotokopoulos Square) in Herakleion, Crete on July 6, 1949. It was not until the 1952 Pan-Hellenic Artists Exhibition at the Zappeion, however, that Sofialakis received his ‘big break’, participating with the pieces "Twins", "Satyr", "Penelope", and "Maternity". His marble bust, "Twins", was already well known owing to its distinction at the 1947 Cairo Biennale, and his heads "Satyr" and "Penelope" received extensive praise, in both, the domestic and foreign press. It was owing to his masterpiece "Maternity", however, that Sofialakis received his great opportunity: the natural-scale statue in
Marsyas Painter dedicated to a newly married wife. A "pelike" with Peleus and Thetis by him (now at the British Museum) shows one of the best nudes known from Greek vase painting; it may be viewed online. Recently, some scholars equate him with the Eleusinian Painter. Marsyas Painter The Marsyas Painter was an ancient Greek vase painter of the red-figure style active in Attica between 370 and 340/330 BC. The Marsyas Painter is sometimes considered the best of the Attic red-figure painters of the late 4th-century Kerch Style. His conventional name is derived from the depiction of Marsyas on a "pelike", now