9 to 5 and Odd Jobs 5 and Odd Jobs" four-and-a-half out of five stars. William Ruhlmann, who reviewed the album, stated that due to RCA's practice of "shoving poorly organized products onto the market, most of Parton's albums are hard to recommend", but that "[the songs are] enough to put it a notch above most of Parton's RCA catalog." Critic Robert Christgau rated the album a B+, stating that how one would respond to the album "depends on [his/her] tolerance for fame-game schlock", although he also said that "I'd never claim Johnny Carson's damaged [Parton's] pipes or her brains". 9 to 5 and Odd Jobs
7-limit tuning Young's "The Well-Tuned Piano", Ben Johnston's String Quartet No. 4, and Lou Harrison's "Incidental Music for Corneille's Cinna". The Great Highland Bagpipe is tuned to a ten-note seven-limit scale: 1:1, 9:8, 5:4, 4:3, 27:20, 3:2, 5:3, 7:4, 16:9, 9:5. In the 2nd century Ptolemy described the septimal intervals: 7/4, 8/7, 7/6, 12/7, 7/5, and 10/7. Those considering 7 to be consonant include Marin Mersenne, Giuseppe Tartini, Leonhard Euler, François-Joseph Fétis, J. A. Serre, Moritz Hauptmann, Alexander John Ellis, Wilfred Perrett, Max Friedrich Meyer. Those considering 7 to be dissonant include Gioseffo Zarlino, René Descartes, Jean-Philippe Rameau, Hermann von Helmholtz, A.