Nu à la cheminée of Albert Gleizes) at the time. The work has not been seen in public since, and its current location is unknown. Jean Metzinger, judging from an interview with Gelett Burgess in "Architectural Record", appears to have abandoned his Divisionist style in favor of the "faceting of form" associated with analytic Cubism around 1908 or early 1909. A resident of Montmartre, Metzinger frequented the Bateau Lavoir at this time and exhibited with Georges Braque at the Berthe Weill gallery. By 1910, the robust form of early analytic Cubism of Picasso ("Girl with a Mandolin, Fanny Tellier", 1910), Braque ("Violin and Candlestick",
Immigration from China in the early 20th century Immigration from China in the early 20th century Significant Chinese immigration to the United States began with the California Gold Rush, in the late 1840s. Many of these immigrants were single men who worked for a time and then returned to China with their earnings. In subsequent decades, however, significant numbers of Chinese immigrants had settled permanently, and were competing for low-level jobs with other ethnic immigrant groups. Immigration from China was restricted by the Chinese Exclusion Act, passed in 1882. In all, 4,441 Chinese immigrants came to the USA through the Ellis Island Immigration Station, while others came to