Tin-glazing in the kiln atmosphere and therefore a flame-burning kiln. Traditional kilns were wood firing, which required the pots to be protected in the glaze and luster firings by saggars or to be fired in a muffle kiln. Except for those making luster ware, modern tin-glaze potters use electric kilns. The recrystallisation of tin oxide during the firing provides evidence of the slightly different methods of different production sites, as the crystal size, the distribution and the concentration may be influenced. For instance, the analysis of the 14th century Islamic tin glazes from eastern Spain indicates that these samples may be
Dartmoor tin-mining documentary evidence also relates: that there was a boom in tin production in the 13th century. The earliest written record of tin streaming comes from the 12th century. By the 15th century, the sources of stream tin were becoming scarce and since the demand for tin was as strong as ever, the direct working of lodes was considered viable despite the greater effort needed in both extraction and refining. "Beamworks" was the name given by the tinners to workings where the lode was followed by digging down from the surface, and the massive gullies that resulted remain prominent features of