The Satanic Verses a reflection of the author’s dilemmas." The work is an "albeit surreal, record of its own author's continuing identity crisis." Ally said that the book reveals the author ultimately as "the victim of nineteenth-century British colonialism." Rushdie himself spoke confirming this interpretation of his book, saying that it was not about Islam, "but about migration, metamorphosis, divided selves, love, death, London and Bombay." He has also said "It's a novel which happened to contain a castigation of Western materialism. The tone is comic." After the "Satanic Verses" controversy developed, some scholars familiar with the book and the whole of Rushdie's
The Satanic Verses Verses" "Rushdie's largest aesthetic achievement". Timothy Brennan called the work "the most ambitious novel yet published to deal with the immigrant experience in Britain" that captures the immigrants' dream-like disorientation and their process of "union-by-hybridization". The book is seen as "fundamentally a study in alienation." Muhammd Mashuq ibn Ally wrote that ""The Satanic Verses" is about identity, alienation, rootlessness, brutality, compromise, and conformity. These concepts confront all migrants, disillusioned with both cultures: the one they are in and the one they join. Yet knowing they cannot live a life of anonymity, they mediate between them both. "The Satanic Verses" is