Jean Metzinger see the cubist works in Room 7 and 8. While Pablo Picasso and Georges Braque are generally acknowledged as the founders of the twentieth-century movement that became known as Cubism, it was Jean Metzinger, together with Albert Gleizes, that created the first major treatise on the new art-form, "Du "Cubisme"", in preparation for the Salon de la Section d'Or held in October 1912. "Du "Cubisme"", published the same year by Eugène Figuière in Paris, represented the first theoretical interpretation, elucidation and justification of Cubism, and was endorsed by both Picasso and Braque. "Du "Cubisme"", which preceded Apollinaire's well known essays,
Crystal Cubism clearest and most intelligible definition of Cubism. At the outset of the First World War many artists were mobilized: Metzinger, Gleizes, Braque, Léger, de La Fresnaye, and Duchamp-Villon. Despite the brutal interruption, each found the time to continue making art, sustaining differing types of Cubism. Yet they discovered a ubiquitous link between the Cubist syntax (beyond pre-war attitudes) and that of the anonymity and novelty of mechanized warfare. Cubism evolved as much a result of an "evasion" of the inconceivable atrocities of war as of nationalistic pressures. Along with the evasion came the need to diverge further and further away