Gigi (1958 film) most French. The winner is Chevalier, in a performance that makes one feel as if you're gagging on pastry… Perhaps if the sweetness of "Gigi" was contrasted with elements of honest vulgarity, the picture could balance itself out… Ten minutes into the movie, you've resolved the plot and are left to wallow in lovely frou-frou. [The film] makes wonderful use of the usual Parisian landmarks, and benefits from extraordinary period costumes and sets." "Gigi" won a record-breaking nine Academy Awards (at the 1959 Oscars ceremony); however, this record only lasted for one year, as "Ben-Hur" broke this record the following
Shadows (1959 film) Robert Alan Aurthur. The racial prejudice angle was reduced, and the three main characters were given more complexity, as well as more time exploring their connectedness. With financing from Nikos Papatakis and others, Cassavetes re-assembled the required members of the cast and crew. Half to two-thirds of the original footage was replaced, which angered those whose work was diminished. A 16 mm print was struck, and the new version was shown on November 11, 1959, at Amos Vogel's avant-garde Cinema 16, on a double bill with the 30-minute Beat poetry film "Pull My Daisy". The first version was an ensemble