History of painting ""How do you see these trees? They are yellow. So, put in yellow; this shadow, rather blue, paint it with pure ultramarine; these red leaves? Put in vermilion."" The leaders of the movement were Henri Matisse and André Derain — friendly rivals of a sort, each with his own followers. Ultimately Matisse became the "yang" to Picasso's "yin" in the 20th century. Fauvist painters included Albert Marquet, Charles Camoin, Maurice de Vlaminck, Raoul Dufy, Othon Friesz, the Dutch painter Kees van Dongen, and Picasso's partner in Cubism, Georges Braque amongst others. Fauvism, as a movement, had no concrete theories, and
Concert 1937 Concert 1937 Concert is an oil on canvas still-life painting by Cubist painter Georges Braque, painted in 1937. It measures 28 × 35½ in. (71.12 × 90.17 cm). In comparison to earlier paintings by Braque, especially those of Analytical Cubism, it contains Surrealist inspired aspects, such as a more colorful palette, and a more representational rendering of the objects. "Concert" incorporates colors such as green and blue, as opposed to containing strictly neutral tones. However, "Concert" still incorporates many Cubist elements, such as the play on perspectives, fragmentation, and the inclusion of letters. Braque had an early fascination with still-life