Georges Braque of monochromatic color and complex patterns of faceted form, now termed Analytic Cubism. A decisive time of its development occurred during the summer of 1911, when Georges Braque and Pablo Picasso painted side by side in Céret in the French Pyrenees, each artist producing paintings that are difficult—sometimes virtually impossible—to distinguish from those of the other. In 1912, they began to experiment with collage and Braque invented the "papier collé" technique. On 14 November 1908, the French art critic Louis Vauxcelles, in his review of Georges Braque's exhibition at Kanhweiler's gallery called Braque a daring man who despises form, "reducing
Georges Hanna Sabbagh his children were born) provided him with subjects for many of his paintings, before trips to Egypt led him to rediscover the lights, landscapes and characters of his childhood. He excelled in portraits, nudes and landscapes both in France and in Egypt and was enchanted by the old districts of Cairo. A painter of talent, Georges Sabbagh forms one of the group of artists who Jean Cassou called "the sacrificed generation" (along with Henri de Waroquier and Jules-Émile Zingg) - absorbing the school of Les Nabis, Fauvism and Cubism at the beginning of the century, but forgotten after the Second