Nu à la cheminée of Albert Gleizes) at the time. The work has not been seen in public since, and its current location is unknown. Jean Metzinger, judging from an interview with Gelett Burgess in "Architectural Record", appears to have abandoned his Divisionist style in favor of the "faceting of form" associated with analytic Cubism around 1908 or early 1909. A resident of Montmartre, Metzinger frequented the Bateau Lavoir at this time and exhibited with Georges Braque at the Berthe Weill gallery. By 1910, the robust form of early analytic Cubism of Picasso ("Girl with a Mandolin, Fanny Tellier", 1910), Braque ("Violin and Candlestick",
Crystal Cubism towards the end of 1916, with an art world still under the pressures of war, to show the parallels between the poetic theories of Guillaume Apollinaire of Max Jacob and himself in marking the burgeoning of a new era for poetry and artistic reflection. In "Nord-Sud" Reverdy, with the help of Dermée and Georges Braque, exposed his literary theories, and outlined a coherent theoretical stance on the latest developments in Cubism. His treatise "On Cubism", published in the first issue of "Nord-Sud", did so perhaps most influentially. With his characteristic preference for offense rather than defense, Reverdy launched an attack