Cat Stevens' comments about Salman Rushdie mass burning of Cat Stevens' records, later changed to a mass steamrolling. Islam claimed that he had earlier unsuccessfully asked his record company to stop production of his Cat Stevens records but they had refused on economic grounds. Commenting on the controversy regarding the United States government's 2004 refusal to allow Stevens/Islam to enter the country, Middle East scholar Juan Cole criticised him, saying that he "never forgave him [Stevens] for advocating the execution of Salman Rushdie," and claiming he had "later explained this position away by saying that he did not endorse vigilante action against Rushdie, but would rather
The Satanic Verses and "Midnight's Children" may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in "Catch-22". "The Satanic Verses" continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." "The Satanic Verses" also exhibits Rushdie's common practice of using allusions to invoke connotative links. Within the book