9 to 5 and Odd Jobs 5 and Odd Jobs" four-and-a-half out of five stars. William Ruhlmann, who reviewed the album, stated that due to RCA's practice of "shoving poorly organized products onto the market, most of Parton's albums are hard to recommend", but that "[the songs are] enough to put it a notch above most of Parton's RCA catalog." Critic Robert Christgau rated the album a B+, stating that how one would respond to the album "depends on [his/her] tolerance for fame-game schlock", although he also said that "I'd never claim Johnny Carson's damaged [Parton's] pipes or her brains". 9 to 5 and Odd Jobs
Black Knights' Tango although if Black wishes to play this way, the optimal move order is 1.d4 Nf6 2.c4 e6 3.Nc3 Nc6. This ambitious move is playable but rarely seen. Black normally responds with 3...Ne5. Then after 4.e4 (inviting 4...Nxe4 5.Qd4 winning a knight), Black struck back in the center with 4...Ng6 5.f4 e5 in the seminal game Sämisch–Torre, Moscow 1925. However, Orlov considers both Torre's fourth and fifth moves inferior. He and Palliser both recommend instead 4...e6, after which play can become extremely sharp. For example, Elburg–Simmelink, correspondence 1999 continued 5.f4 Ng6 6.Bd3 exd5 7.e5 Ne4 8.cxd5 Qh4+ 9.g3 Bb4+! 10.Bd2 (Better