Nu à la cheminée of Albert Gleizes) at the time. The work has not been seen in public since, and its current location is unknown. Jean Metzinger, judging from an interview with Gelett Burgess in "Architectural Record", appears to have abandoned his Divisionist style in favor of the "faceting of form" associated with analytic Cubism around 1908 or early 1909. A resident of Montmartre, Metzinger frequented the Bateau Lavoir at this time and exhibited with Georges Braque at the Berthe Weill gallery. By 1910, the robust form of early analytic Cubism of Picasso ("Girl with a Mandolin, Fanny Tellier", 1910), Braque ("Violin and Candlestick",
Czech Cubism secessionist designers such as Otto Wagner and Jan Kotěra. Architects such as Josef Chochol and Pavel Janák devised spiritualist philosophies of design and a dynamic ideal of planar form derived from cubist art. As Cubism spread across the European continent in the early 20th century, its greatest impact can be seen today in the Czech Republic. Pyramid and crystal forms were one of the signature principles seen in Czech Cubism which was incorporated in architecture, furniture, and applied arts. The Museum of Decorative Arts in Prague (UPM) uses the House of the Black Madonna as a permanent exhibition space for