Cubism Kahnweiler considers Cubism as Picasso and Braque," wrote Daniel Robbins, "our only fault is in subjecting other Cubists' works to the rigors of that limited definition." The traditional interpretation of "Cubism", formulated "post facto" as a means of understanding the works of Braque and Picasso, has affected our appreciation of other twentieth-century artists. It is difficult to apply to painters such as Jean Metzinger, Albert Gleizes, Robert Delaunay and Henri Le Fauconnier, whose fundamental differences from traditional Cubism compelled Kahnweiler to question whether to call them Cubists at all. According to Daniel Robbins, "To suggest that merely because these artists
Georges Michel (painter) Georges Michel (painter) Georges Michel (12 January 1763 – 7 or 8 June 1843) was a French landscape painter. An important precursor of the Barbizon school, Michel was practically unknown during his lifetime, and worked as copyist and restorer. Michel was born in Paris. His father was an employee at Les Halles, a large marketplace in the central part of the city. Michel's first patron, at a very early age, was a certain Monsieur de Chalue. His first painting teacher was one Leduc, a history painter, and later Michel studied under Nicolas-Antoine Taunay. Although he exhibited at the Paris Salon,