Cubism such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris. Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925. Cubism reemerged during the 1920s and the 1930s in the work of the American Stuart Davis and the Englishman Ben Nicholson. In France, however, Cubism experienced a decline beginning in about 1925. Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler’s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini. In 1918 Rosenberg
Immigration from China in the early 20th century Immigration from China in the early 20th century Significant Chinese immigration to the United States began with the California Gold Rush, in the late 1840s. Many of these immigrants were single men who worked for a time and then returned to China with their earnings. In subsequent decades, however, significant numbers of Chinese immigrants had settled permanently, and were competing for low-level jobs with other ethnic immigrant groups. Immigration from China was restricted by the Chinese Exclusion Act, passed in 1882. In all, 4,441 Chinese immigrants came to the USA through the Ellis Island Immigration Station, while others came to