Georges Braque of monochromatic color and complex patterns of faceted form, now termed Analytic Cubism. A decisive time of its development occurred during the summer of 1911, when Georges Braque and Pablo Picasso painted side by side in Céret in the French Pyrenees, each artist producing paintings that are difficult—sometimes virtually impossible—to distinguish from those of the other. In 1912, they began to experiment with collage and Braque invented the "papier collé" technique. On 14 November 1908, the French art critic Louis Vauxcelles, in his review of Georges Braque's exhibition at Kanhweiler's gallery called Braque a daring man who despises form, "reducing
Western use of the swastika in the early 20th century the National Register of Historic Places in 1973. The 116th Street–Columbia University station of the New York City Subway features a ceramic mosaic design with a border of swastikas, which dates back to the station's 1904 opening. In early 2016, the board of directors of the Longview Community Church in Longview, Washington debated removing swastika tiles from the church, constructed in 1925, and added to the National Register of Historic Places in 1985. Western use of the swastika in the early 20th century The swastika (from Sanskrit svástika) is an ancient Indo-European religious symbol that generally takes the form of