Oscar Hammerstein I an early age. His mother died when he was fifteen years old. During his youth, Hammerstein's father wanted him to continue with his education, and to specialize in subjects such as algebra, but Hammerstein wanted to pursue music. After Oscar went skating in a park one day, his father found out and whipped him as punishment; this would spur Hammerstein to run away to North America. After selling his violin, Hammerstein ran away to Liverpool, and from there, took a three-month journey to the United States arriving in New York City in 1864. Hammerstein made ends meet initially by working
Rodgers and Hammerstein Although there are exceptions to this generalization, it simplifies the audition process, and gives audiences an idea of what to expect vocally from a Rodgers and Hammerstein musical. However, this formula had been used in Viennese operetta, such as "The Merry Widow". William A. Everett and Paul R. Laird wrote that "Oklahoma!", "like "Show Boat", became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to "Oklahoma!"" In "The Complete Book of Light Opera", Mark Lubbock adds, "After "Oklahoma!", Rodgers and Hammerstein were the most important contributors