Proto-Cubism by those who chose to see in his work the imitation of nature and perspective, and as a revolutionary by those who saw in him a revolt against imitation and classical perspective. Timid, yet clearly manifest, was the will to deconstruct. Artists at the forefront of the Parisian art scene at the outset of the 20th century would not fail to notice these tendencies inherent in the work of Cézanne, and decided to venture still further. Avant-garde artists in Paris (including Jean Metzinger, Albert Gleizes, Henri Le Fauconnier, Robert Delaunay, Pablo Picasso, Fernand Léger, André Lhote, Othon Friesz, Georges Braque,
Georges Michel (painter) the world, including The Metropolitan Museum of Art, Portland Art Museum, Vanderbilt University Gallery, Strasbourg Musée des Beaux-Arts, Victoria and Albert Museum, and many others. Georges Michel (painter) Georges Michel (12 January 1763 – 7 or 8 June 1843) was a French landscape painter. An important precursor of the Barbizon school, Michel was practically unknown during his lifetime, and worked as copyist and restorer. Michel was born in Paris. His father was an employee at Les Halles, a large marketplace in the central part of the city. Michel's first patron, at a very early age, was a certain Monsieur de