20th-century French art of day-to-day life: newspapers, musical instruments, cigarettes, wine. Picasso and Braque exhibited their analytical Cubism under an exclusivity contract at the gallery of Daniel-Henry Kahnweiler, located on a quiet street behind La Madeleine in the 8th arrondissement of Paris. At the same time, Jean Metzinger, Albert Gleizes, Henri Le Fauconnier, Robert Delaunay and Fernand Léger exhibited alternate forms of Cubism at the Salon des Indépendants and the Salon d'Automne; massive exhibitions that brought Cubism to the attention of the general public. These artists had no intention of analyzing and describing mundane objects from daily life—a bowl of fruit, a pipe,
Western use of the swastika in the early 20th century on page 138 of Hélène-Andrée Bizier's Une Histoire du Québec en photos (2006, Éditions Fides). The swastika was also used as border art for the weekly pet health column in the "Calgary Herald" newspaper in the early years of the 20th century. The Danish brewery company Carlsberg Group used the swastika as a logo from the 19th century until the middle of the 1930s, when it was discontinued because of association with the Nazi Party in neighbouring Germany. However, the swastika carved on elephants at the entrance gates of the company's headquarters in Copenhagen in 1901 can still be seen