Classical unified field theories describe the properties of the electromagnetic field as a purely geometric phenomenon. Einstein tried to form a generalized theory of gravitation that would unify the gravitational and electromagnetic forces (and perhaps others), guided by a belief in a single origin for the entire set of physical laws. These attempts initially concentrated on additional geometric notions such as vierbeins and "distant parallelism", but eventually centered around treating both the metric tensor and the affine connection as fundamental fields. (Because they are not independent, the metric-affine theory was somewhat complicated.) In general relativity, these fields are symmetric (in the matrix sense), but
Unified field Unified field In music, unified field is the 'unity of musical space' created by the free use of melodic material as harmonic material and vice versa. The technique is most associated with the twelve-tone technique, created by its 'total thematicism' where a tone-row (melody) generates all (harmonic) material. It was also used by Alexander Scriabin, though from a diametrically opposed direction, created by his use of extremely slow harmonic rhythm which eventually led to his use of unordered pitch-class sets, usually hexachords (of six pitches) as harmony from which melody may also be created. (Samson 1977) It may also be