Machiavelli as a dramatist the ultimate symbol of virtú in "Mandragola", as a ‘self-portrait’ of Machiavelli. Ligurio assembles the spectrum of schemes in the play, from the Mandrake potion, to Frate Timoteo's assistance, to Callimaco's disguise and capture by Nicia. Though every character in the play participates in some form of a manipulative act, Ligurio stands out because of his impressive adaptability to tribulations. Even more extraordinary is Ligurio's aptitude for judging human character. This comprehension of character is the type of awareness that is necessary for successful acts of manipulation. One of the many places we experience Ligurio's qualitative insight is in his
The Name of the Rose The entrance to the library is in the central room of the east tower, which is connected to the scriptorium by a staircase. Much attention has been paid to the mystery the book's title refers to. In fact, Eco has stated that his intention was to find a "totally neutral title". In one version of the story, when he had finished writing the novel, Eco hurriedly suggested some ten names for it and asked a few of his friends to choose one. They chose "The Name of the Rose". In another version of the story, Eco had wanted the neutral