Classical unified field theories version of the general-relativistic field equation expressed the property that the universe was "self-gauging". Since the simplest cosmological model (the De Sitter universe) that solves that equation is a spherically symmetric, stationary, closed universe (exhibiting a cosmological red shift, which is more conventionally interpreted as due to expansion), it seemed to explain the overall form of the universe. Like many other classical unified field theorists, Eddington considered that in the Einstein field equations for general relativity the stress–energy tensor formula_1, which represents matter/energy, was merely provisional, and that in a truly unified theory the source term would automatically arise as
Unified field observed in Igor Stravinsky's Russian period, such as in "Les Noces", derived from his use of folk melodies as generating material and influenced by shorter pieces by Claude Debussy, such as "Voiles", and Modest Mussorgsky. In Béla Bartók's Bagatelles, and several of Alfredo Casella's "Nine Piano Pieces" such as No. 4 'In Modo Burlesco' the close intervallic relationship between motive and chord creates or justifies the great harmonic dissonance. Unified field In music, unified field is the 'unity of musical space' created by the free use of melodic material as harmonic material and vice versa. The technique is most associated