Machiavelli as a dramatist the ultimate symbol of virtú in "Mandragola", as a ‘self-portrait’ of Machiavelli. Ligurio assembles the spectrum of schemes in the play, from the Mandrake potion, to Frate Timoteo's assistance, to Callimaco's disguise and capture by Nicia. Though every character in the play participates in some form of a manipulative act, Ligurio stands out because of his impressive adaptability to tribulations. Even more extraordinary is Ligurio's aptitude for judging human character. This comprehension of character is the type of awareness that is necessary for successful acts of manipulation. One of the many places we experience Ligurio's qualitative insight is in his
The Lost Books of the Bible and the Forgotten Books of Eden The Lost Books of the Bible and the Forgotten Books of Eden The Lost Books of the Bible and the Forgotten Books of Eden (1926) is a collection of 17th-century and 18th-century English translations of some Old Testament Pseudepigrapha and New Testament Apocrypha, some of which were assembled in the 1820s, and then republished with the current title in 1926. Rutherford Hayes Platt, in the preface to his 1963 reprint of "The Lost Books of the Bible and the Forgotten Books of Eden" states: The translations were first published, under this title, by an unknown editor in "The Lost Books