Machiavelli as a dramatist the ultimate symbol of virtú in "Mandragola", as a ‘self-portrait’ of Machiavelli. Ligurio assembles the spectrum of schemes in the play, from the Mandrake potion, to Frate Timoteo's assistance, to Callimaco's disguise and capture by Nicia. Though every character in the play participates in some form of a manipulative act, Ligurio stands out because of his impressive adaptability to tribulations. Even more extraordinary is Ligurio's aptitude for judging human character. This comprehension of character is the type of awareness that is necessary for successful acts of manipulation. One of the many places we experience Ligurio's qualitative insight is in his
Niccolò Machiavelli classical precedents, which Machiavelli was not the only one to promote in his time, Machiavelli's realism and willingness to argue that good ends justify bad things, is seen as a critical stimulus towards some of the most important theories of modern politics. Firstly, particularly in the "Discourses on Livy," Machiavelli is unusual in the positive side he sometimes seems to describe in factionalism in republics. For example, quite early in the "Discourses," (in Book I, chapter 4), a chapter title announces that "the disunion" of the plebs and senate in Rome ""kept Rome free."" That a community has different components