Mother-of-pearl carving in Bethlehem Mother-of-pearl carving in Bethlehem Mother-of-Pearl carving, a traditional handicraft in Bethlehem, is said to have been brought to the city by Franciscan friars from Italy in the 15th century. Bethlehem's position as an important Christian city has for centuries attracted a constant stream of pilgrims. This generated much local work and income, also for women, including making mother-of-pearl souvenirs. According to Weir, Bethlehem women's employment in the mother-of-pearl industry goes back at least to the seventeenth century. It was noted by Richard Pococke, who travelled there in 1727. Previously, most of the oysters for the mother-of-pearl supply came from the
The Pearl and the Wave "The Pearl and the Wave" as "the most perfect painting of the nude" in the 19th century. Cox identified some features in the painting which he described as "grace of attitude", the well-rounded but slim body of a young woman, the visible dimple in the shoulder, the "savoring of subtle line", the "loveliness of the color", the "solid yet mysterious modelling", and the "perfection of delicate surface". Cox believed these features make this painting what he calls "a pure masterpiece". Art historian Bailey Van Hook identified "The Pearl and the Wave" as one of the examples of nude paintings where