Classical unified field theories describe the properties of the electromagnetic field as a purely geometric phenomenon. Einstein tried to form a generalized theory of gravitation that would unify the gravitational and electromagnetic forces (and perhaps others), guided by a belief in a single origin for the entire set of physical laws. These attempts initially concentrated on additional geometric notions such as vierbeins and "distant parallelism", but eventually centered around treating both the metric tensor and the affine connection as fundamental fields. (Because they are not independent, the metric-affine theory was somewhat complicated.) In general relativity, these fields are symmetric (in the matrix sense), but
Unified field observed in Igor Stravinsky's Russian period, such as in "Les Noces", derived from his use of folk melodies as generating material and influenced by shorter pieces by Claude Debussy, such as "Voiles", and Modest Mussorgsky. In Béla Bartók's Bagatelles, and several of Alfredo Casella's "Nine Piano Pieces" such as No. 4 'In Modo Burlesco' the close intervallic relationship between motive and chord creates or justifies the great harmonic dissonance. Unified field In music, unified field is the 'unity of musical space' created by the free use of melodic material as harmonic material and vice versa. The technique is most associated