Unified field theory of (the not mathematically well-defined) quantum electrodynamics. One can extend this system to include the weak and strong nuclear forces to get the Einstein–Yang–Mills–Dirac System. The French physicist Marie-Antoinette Tonnelat published a paper in the early 1940s on the standard commutation relations for the quantized spin-2 field. She continued this work in collaboration with Erwin Schrödinger after World War II. In the 1960s Mendel Sachs proposed a generally covariant field theory that did not require recourse to renormalisation or perturbation theory. In 1965, Tonnelat published a book on the state of research on unified field theories. In 1963 American physicist
Unified field Unified field In music, unified field is the 'unity of musical space' created by the free use of melodic material as harmonic material and vice versa. The technique is most associated with the twelve-tone technique, created by its 'total thematicism' where a tone-row (melody) generates all (harmonic) material. It was also used by Alexander Scriabin, though from a diametrically opposed direction, created by his use of extremely slow harmonic rhythm which eventually led to his use of unordered pitch-class sets, usually hexachords (of six pitches) as harmony from which melody may also be created. (Samson 1977) It may also be