Machiavelli as a dramatist the ultimate symbol of virtú in "Mandragola", as a ‘self-portrait’ of Machiavelli. Ligurio assembles the spectrum of schemes in the play, from the Mandrake potion, to Frate Timoteo's assistance, to Callimaco's disguise and capture by Nicia. Though every character in the play participates in some form of a manipulative act, Ligurio stands out because of his impressive adaptability to tribulations. Even more extraordinary is Ligurio's aptitude for judging human character. This comprehension of character is the type of awareness that is necessary for successful acts of manipulation. One of the many places we experience Ligurio's qualitative insight is in his
Machiavelli and the Four Seasons Niccolò Machiavelli. The unusual title stems from a conceit found throughout the cover, although not in the tracks themselves, that this is actually an album by a group called "Machiavelli and the Four Seasons". The liner notes include an essay on the band's music, written with gushing praise. Track titles are also given, entirely revolving around the words "I", "Love", "You" and "Baby". A hidden track at the end of the actual album, entitled "Phillip Glass's Arse", is a melodic, a cappella harmonised song that gives a representation of what Machiavelli and the Four Seasons might actually sound like. TISM