Bansi Chandragupta production designer Eugène Lourié and learned the craft of film designing. During the shooting of this movie, he met Satyajit Ray who asked him to join a group of film enthusiasts to form the Calcutta Film Society. Later, Ray asked Chandragupta to be set designer for his film "Pather Panchali". This collaboration sustained till "Shatranj Ke Khilari" (1977). Some of the best examples of Chandragupta's work are from the Ray films: "Pather Panchali", "Jalsaghar" and "Charulata". Apart from Ray's films, best works of Chandragupta's works are visible in "36 Chowringhee Lane" by Aparna Sen, "Umrao Jaan" by Muzzafar Ali and
Pather Panchali number of critics attended. Although some were initially unenthusiastic at the prospect of yet another Indian melodrama, the film critic Arturo Lanocita found "the magic horse of poetry ... invading the screen". "Pather Panchali" was subsequently named Best Human Document at the festival. Lindsay Anderson commented after the Cannes screening that "Pather Panchali" had "the quality of ultimate unforgettable experience". In subsequent years, critics have given positive reviews. A 1958 review in "Time" described "Pather Panchali" as "perhaps the finest piece of filmed folklore since Robert Flaherty's "Nanook of the North"". In her 1982 book "5001 Nights at the Movies",