New York City Ballet what he wants to do in the way he wants to do it." He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama. Its success was marked by its move to the New York State Theater, now David H. Koch Theater, designed by Philip Johnson to Balanchine's specifications. City Ballet went on to become the first ballet company in the United States to have two permanent venue engagements:
New York International Ballet Competition careers by producing performances in New York City, and promote international understanding and goodwill. NYIBC's unique format in the ballet world provided its participants with a fair level playing field, and distinguished it from all other ballet competitions. For the three-week intensive program of dance education and professional training, all 48 dancers from around the world received full scholarships to participate. The dancers learned the same choreographic version of the pas de deux and contemporary duet chosen for each progressive round. Prior to arriving to New York City, none of the dancers knew the choice of repertoire, thus increasing the