New York City Ballet what he wants to do in the way he wants to do it." He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama. Its success was marked by its move to the New York State Theater, now David H. Koch Theater, designed by Philip Johnson to Balanchine's specifications. City Ballet went on to become the first ballet company in the United States to have two permanent venue engagements:
In the Wings: Behind the Scenes at the New York City Ballet personal diary of a dancer's day: Ch.1 is "10:15AM," Ch. 2 is "11:30AM," Ch. 3 is "2:15," Ch. 4 is "6:15," and Ch. 5 is "Showtime." From morning company class to rehearsal to performance, the text offers intriguing insights into the mental discipline and emotions that come into play in preparing for the show. The foreword is written by Peter Martins, balletmaster in chief of New York City Ballet. He says of the book, "Here is the New York City Ballet as it really is – the good, the not so good, and the majestically beautiful. It's a true story,