Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
The Will (1939 film) to be the greatest Egyptian film ever made, and is well respected, not only in Egypt, but in the international cinematic community as well. It was voted the #1 Egyptian film by egypty.com, and is often cited as one of the greatest films ever made. The Will is considered one of the first examples, or one of the precursors, of the Italian Neorealism movement in film, which would later expand to include films such as The Bicycle Thief and Pather Panchali. The Will (1939 film) The Will or Determination (, translit. Al-Azeema) is a 1939 Egyptian, directed by Kamal Selim.