Bansi Chandragupta production designer Eugène Lourié and learned the craft of film designing. During the shooting of this movie, he met Satyajit Ray who asked him to join a group of film enthusiasts to form the Calcutta Film Society. Later, Ray asked Chandragupta to be set designer for his film "Pather Panchali". This collaboration sustained till "Shatranj Ke Khilari" (1977). Some of the best examples of Chandragupta's work are from the Ray films: "Pather Panchali", "Jalsaghar" and "Charulata". Apart from Ray's films, best works of Chandragupta's works are visible in "36 Chowringhee Lane" by Aparna Sen, "Umrao Jaan" by Muzzafar Ali and
The Apu Trilogy Cannes, Berlin and Venice Film Festivals. Produced on a shoestring budget ("Pather Panchali" had a budget of roughly 150,000 ($45,300—)) using an amateur cast and crew, the trilogy is a milestone in Indian cinema and remains one of the most acclaimed works in the Parallel Cinema movement. The three films comprise a "coming of age" narrative in the vein of a "bildungsroman"; they describe the childhood, education and early maturity of a young Bengali named Apu (Apurba Kumar Roy) in the early part of the 20th century. Pather Panchali (Bengali, "Song of the Little Road")<br> Apu's early experiences in rural