Pather Panchali Indian film-making in which authenticity and social realism were key themes, breaking the rule of the Indian film establishment. Although "Pather Panchali" was described as a turning point in Indian cinema, some commentators preferred the view that it refined a "realist textual principle" that was already there. In 1963 "Time" noted that thanks to "Pather Panchali", Satyajit Ray was one of the "hardy little band of inspired pioneers" of a new cinematic movement that was enjoying a good number of imitators worldwide. The film has since been considered as a "global landmark" and "among the essential moviegoing experiences". On 2
Satyajit Ray and "Rupasi Bangla", Bibhutibhushan Bandyopadhyay's "Chander Pahar", Jim Corbett's "Maneaters of Kumaon," and Jawaharlal Nehru's "Discovery of India." He worked on a children's version of "Pather Panchali," a classic Bengali novel by Bibhutibhushan Bandyopadhyay, renamed as "Aam Antir Bhepu" ("The mango-seed whistle"). Designing the cover and illustrating the book, Ray was deeply influenced by the work. He used it as the subject of his first film, and featured his illustrations as shots in his ground-breaking film. Along with Chidananda Dasgupta and others, Ray founded the Calcutta Film Society in 1947. They screened many foreign films, many of which Ray watched