New York City Ballet what he wants to do in the way he wants to do it." He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama. Its success was marked by its move to the New York State Theater, now David H. Koch Theater, designed by Philip Johnson to Balanchine's specifications. City Ballet went on to become the first ballet company in the United States to have two permanent venue engagements:
Melbourne City Ballet “A Night with Melbourne City Ballet” as special guests of the Sydney Fringe Festival. New training programs began to be offered by the company’s artists known as “Melbourne City Youth Ballet” and “Junior Extension Program”. In 2015, Melbourne City Ballet offered their first pre-professional course known as “Finishing Year” who trained alongside the professional company artists throughout the year. The 2015 season calendar saw the company slowly move away from contemporary based ballet and more toward a neoclassical ballet offering. The program featured an adaption of the traditional “Coppélia”, contemporary showcase “EXHALE”, a new adaption of William Shakespeare’s "A Midsummer