Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Aparajito Ghosal who played the role of adolescent "Apu", at the age of 14, did only one more film, documentary "Rabindranath Tagore" (1961), also made by Ray, where he played young Rabindranath Tagore. Smaran died in 2008 in Kolkata, at the age of 64. "Aparajito" was preceded by "Pather Panchali" (1955) and followed by "Apur Sansar" ("The World of Apu") in 1959. Together, the three films constitute the Apu trilogy. "Pather Panchali" portrays the childhood of Apu in their ancestral house. "Apur Sansar" depicts Apu's adult life, his reaction to his wife's premature death, and his final bonding with his son