The Third Man Theme sold strongly. Four other versions charted in the U.S. during 1950. According to Faber and Faber, the different versions of the theme have collectively sold an estimated forty million copies. Karas also performed "The Third Man Theme" and other zither music for the 1951–1952 syndicated radio series, "The Adventures of Harry Lime", a "Third Man" prequel produced in London. Orson Welles reprised his role as Harry Lime. "Whenever he entered a restaurant in those years, the band would strike up Anton Karas's "Third Man Theme", wrote Welles biographer Joseph McBride. The full soundtrack album was ready for release when "The
James Bond Theme a Kill" the melody of the theme was played on strings. Timothy Dalton's first film "The Living Daylights", which was the last Bond film scored by Barry, used a symphonic version with the melody played on strings. This version of the Bond theme is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra - at the time, a relatively new innovation. In "Licence to Kill", the Bond theme was arranged by Michael Kamen using rock drums to symbolize a harder and more violent Bond. This gunbarrel is the first one since "Dr. No" not starting with