Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Trouble-Maker (film) Trouble-Maker (film) Trouble-Maker () is a Canadian drama film, directed by Pierre Patry and released in 1964. The film stars Lucien Hamelin as Lucien, a student at a religious school who begins to rebel against the strict moral order of the Roman Catholic priests. It was made over 25 days on a shoestring budget, and adapted some aspects of the direct cinema style of filmmaking. The film is typically analyzed by critics as an allegory for the Quiet Revolution, although its criticism of the Catholic church saw Patry threatened with excommunication. The film was a Canadian Film Award finalist for