Balu Mahendra to the script". As a film-maker, he claimed himself as belonging to the realistic way of story-telling devised by Satyajit Ray and Vittorio De Sica. Mahendra was drawn towards realistic cinema after watching Ray's "Pather Panchali" (1955). He is credited as being one among the earliest filmmakers to bring "naturalism" in Tamil cinema in the 1970s. He usually photographed, scripted and edited all his films. His films were characterised by strong "visual appeal" and minimal number of characters. A majority of his films centre on the complexity of human relationships and are known to portray women as strong characters. Although
The Apu Trilogy (including Best Human Document at the 1956 Cannes Film Festival), followed by eleven international prizes for "Aparajito" (including the Golden Lion at the Venice Film Festival) and numerous other awards for "Apur Sansar" (including the Sutherland Trophy at the London Film Festival). When Ray made "Pather Panchali", he worked with a cast and crew most of whom had never been previously involved in film. Ray himself at the time of directing "Pather Panchali" had primarily worked in the advertising industry, although he had served as assistant director on Jean Renoir's 1951 film "The River". From this foundation, Ray went on