Pather Panchali Indian film-making in which authenticity and social realism were key themes, breaking the rule of the Indian film establishment. Although "Pather Panchali" was described as a turning point in Indian cinema, some commentators preferred the view that it refined a "realist textual principle" that was already there. In 1963 "Time" noted that thanks to "Pather Panchali", Satyajit Ray was one of the "hardy little band of inspired pioneers" of a new cinematic movement that was enjoying a good number of imitators worldwide. The film has since been considered as a "global landmark" and "among the essential moviegoing experiences". On 2
Pather Panchali of rural Bengal to construct an image of the ideal village. In contrast to this idealism, Mitali Pati and Suranjan Ganguly point out how Ray used eye-level shots, natural lighting, long takes and other techniques to achieve realism. Mainak Biswas has written that "Pather Panchali" comes very close to the concept of Italian neorealism, as it has several passages with no dramatic development, even though the usual realities of life, such as the changing of seasons or the passing of a day, are concretely filmed. "Pather Panchali" has won many national and international awards. At India's 3rd National Film Awards