David Attie have been flashing before his eyes, and at the wrong exposure. Brodovitch loved the montages. He spent the entire class gushing over them." On the final night of the course, Brodovitch gave Attie his first professional assignment, which was to create a series of photo montages to illustrate Truman Capote's newest work, Breakfast at Tiffany's, for Harper's in 1958. But while Attie completed the montages, Capote began to clash with the publisher of Harper's, the Hearst Corporation, over the tart language and subject matter of his novella. Alice Morris, the magazine's literary editor, later recounted that Capote agreed to make
Truman Capote as his primary female companion in public throughout the better part of the 1970s. On November 28, 1966, in honor of "The Washington Post" publisher Katharine Graham, Capote hosted a now legendary masked ball, called the Black and White Ball, in the Grand Ballroom of New York City's Plaza Hotel. It was considered the social event of not only that season but of many to follow, with "The New York Times" and other publications giving it considerable coverage. Capote dangled the prized invitations for months, snubbing early supporters like fellow Southern writer Carson McCullers as he determined who was "in"