Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Satyajit Ray filmography become a film-maker. Ray made his directorial debut in 1955 with "Pather Panchali" and directed 36 films, comprising 29 feature films, five documentaries, and two short films. Although Ray's work generally received critical acclaim, his film "Pather Panchali" and "Ashani Sanket" (1973) were criticised for "exporting poverty" and "distorting India's image abroad". His "Apu Trilogy" (1955–1959) appeared in "Time" All-Time 100 Movies in 2005. Aside from directing, Ray composed music and wrote screenplays for films, both his own and those by other directors. Often credited as a fiction writer, illustrator, and calligrapher; Ray authored several short stories and novels in