The Great Dictator late 1920s. "The Great Dictator" does feature several scenes without dialogue more in keeping with Chaplin's earlier films. The score was written and directed by Meredith Willson, later known as composer and librettist of the 1957 musical comedy "The Music Man": According to Willson, the scene in which Chaplin shaves a customer to "Brahms' Hungarian Dance" No. 5 had been filmed before he arrived, using a phonograph record for timing. Willson's task was to re-record it with the full studio orchestra, fitting the music to the action. They had planned to do it painstakingly, recording eight measures or less at
The Great Dictator write, "Of course! As Hitler I could harangue the crowds all I wished. And as the tramp, I could remain more or less silent." The New York Times, in its original review (16 October 1940), specifically sees him as the tramp. However, in the majority of his so-called tramp films, he was not literally playing a tramp. In his review of the film years after its release, Roger Ebert says, "Chaplin was technically not playing the Tramp." He also writes, "He [Chaplin] put the Little Tramp and $1.5 million of his own money on the line to ridicule Hitler." Critics