Apur Panchali from "Pather Panchali" in its narrative. The film follows the journey of Subir Banerjee the child actor who portrayed "Apu" of Satyajit Ray's masterpiece "Pather Panchali". The events take place in two time periods. While the present day events are shot in color the past events are in black and white. Parallels are drawn between Subir's life and the Apu trilogy throughout the film. The film opens with a film school student Arka (Gaurav Chakrabarty) who comes to deliver a letter, an invite to attend a prestigious award ceremony in Germany to an older Subir Banerjee (Ardhendu Banerjee). Now retired,
Pather Panchali number of critics attended. Although some were initially unenthusiastic at the prospect of yet another Indian melodrama, the film critic Arturo Lanocita found "the magic horse of poetry ... invading the screen". "Pather Panchali" was subsequently named Best Human Document at the festival. Lindsay Anderson commented after the Cannes screening that "Pather Panchali" had "the quality of ultimate unforgettable experience". In subsequent years, critics have given positive reviews. A 1958 review in "Time" described "Pather Panchali" as "perhaps the finest piece of filmed folklore since Robert Flaherty's "Nanook of the North"". In her 1982 book "5001 Nights at the Movies",