David Attie have been flashing before his eyes, and at the wrong exposure. Brodovitch loved the montages. He spent the entire class gushing over them." On the final night of the course, Brodovitch gave Attie his first professional assignment, which was to create a series of photo montages to illustrate Truman Capote's newest work, Breakfast at Tiffany's, for Harper's in 1958. But while Attie completed the montages, Capote began to clash with the publisher of Harper's, the Hearst Corporation, over the tart language and subject matter of his novella. Alice Morris, the magazine's literary editor, later recounted that Capote agreed to make
Truman Capote of the film. Another work described by Capote as "nonfiction" was later reported to have been largely fabricated. In a 1992 piece in the "Sunday Times", reporters Peter and Leni Gillman investigated the source of "Handcarved Coffins", the story in Capote's last work "Music for Chameleons" subtitled "a nonfiction account of an American crime". They found no reported series of American murders in the same town which included all of the details Capote described – the sending of miniature coffins, a rattlesnake murder, a decapitation, etc. Instead, they found that a few of the details closely mirrored an unsolved case