Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Pather Panchali Greatest Films of All Time" and 48th in its 2012 directors' poll. In 1998, in a similar critics' poll from Asian film magazine "Cinemaya", "Pather Panchali" was ranked the second-greatest film of all time. "The Village Voice" ranked the film at number 12 (tied with "The Godfather") in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics. "Pather Panchali" was included in various other all-time lists, including "Time Out"s "Centenary Top One Hundred Films" in 1995, the "San Francisco Chronicle" "Hot 100 Films From the Past" in 1997, the "Rolling Stone" "100