Music technology (electric) remained so until the 1920s, when several recent radio-related developments in electronics converged to revolutionize the recording process. These included improved microphones and auxiliary devices such as electronic filters, all dependent on electronic amplification to be of practical use in recording. In 1906, Lee De Forest invented the "Audion" triode vacuum tube, an electronic valve that could amplify weak electrical signals. By 1915, it was in use in long-distance telephone circuits that made conversations between New York and San Francisco practical. Refined versions of this tube were the basis of all electronic sound systems until the commercial introduction of the
Valve audio amplifier pentodes or beam tetrodes, 6L6 or EL34 but occasionally KT88, 6550, or the lower-power EL84 in "Ultra-Linear" connection. The output stage is preceded by a voltage amplification stage (pentode or twin triode) and a phase-splitter (twin triode). Twin triodes with two identical sections in one envelope are used, usually the noval types 12AT7, 12AU7, or 12AX7 or equivalents, less usually the octal 6SN7. The earliest mass usage of valve audio amplifiers was for telephony. Valve amplifiers were critical in development of long-distance telephone circuits and submarine telephone cables. Radio applications followed soon after, where valves were used for both the