Focus (Stan Getz album) album's only soloist beside Getz. "The Penguin Guide to Jazz" selected this album as part of its suggested "Core Collection" stating "Nobody ever arranged for Getz as well as this, and Sauter's luminous and shimmering scores continue to bewitch". Similarly, critic Stephen Cook describes "Focus" as "admittedly Getz's most challenging date and arguably his finest moment". Focus (Stan Getz album) Focus is a jazz album recorded in 1961, featuring Stan Getz on tenor saxophone with a string orchestra. The album is a suite which was originally commissioned by Getz from composer and arranger Eddie Sauter. Widely regarded as a high
Musical instrument of using musical instruments for producing a melody. Until this time in the evolutions of musical instruments, melody was common only in singing. Similar to the process of reduplication in language, instrument players first developed repetition and then arrangement. An early form of melody was produced by pounding two stamping tubes of slightly different sizes—one tube would produce a "clear" sound and the other would answer with a "darker" sound. Such instrument pairs also included bullroarers, slit drums, shell trumpets, and skin drums. Cultures who used these instrument pairs associated genders with them; the "father" was the bigger or more