The Tale of Sweeney Todd that spurs him to confront Mrs. Lovett, who tries to kill him but is knocked out and left to hang on a meat rack. Shortly after, she is arrested. Carlyle then makes over to the barber shop to confront Todd, who overpowers and binds him. As he prepares his instruments to torture Carlyle to death, he explains what led him to a life of murder and cannibalism. Charlie, who has managed to free himself from his shackles, stabs Todd in the back, killing him. He then frees Carlyle, who sets the building on fire before escaping with the boy. The
Sweeney Todd: The Demon Barber of Fleet Street Tunick. Relying heavily on counterpoint and angular harmonies, its compositional style has been compared to Maurice Ravel, Sergei Prokofiev, and Bernard Herrmann. Sondheim also utilizes the ancient Dies Irae in the ballad that runs throughout the score, later heard in a melodic inversion, and in the accompaniment to "Epiphany". According to Raymond Knapp, "Most scene changes bring back 'The Ballad of Sweeney Todd', which includes both fast and slow versions of the 'Dies Irae'". He also relies heavily on leitmotif - at least twenty distinct ones can be identified throughout the score. Depending on how and where the show is