The Third Man Theme Third Man" came out, but there was not a lot of interest in it. Instead, labels focused on the catchy main theme and released it as a single. The zither-based Anton Karas version excerpted from the film soundtrack was released by Decca in 1949 across Europe with different catalog numbers. It was a 10-inch 78rpm single with "The Harry Lime theme" on the A side and "The Cafe Mozart Waltz" on the B side. This became the most common version heard by European listeners. Lyrics to “The Third Man Theme” were written by American author and historian Walter Lord ("A
James Bond Theme a Kill" the melody of the theme was played on strings. Timothy Dalton's first film "The Living Daylights", which was the last Bond film scored by Barry, used a symphonic version with the melody played on strings. This version of the Bond theme is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra - at the time, a relatively new innovation. In "Licence to Kill", the Bond theme was arranged by Michael Kamen using rock drums to symbolize a harder and more violent Bond. This gunbarrel is the first one since "Dr. No" not starting with