Like a Prayer (album) that the album's release "marks the moment when critics first begin to describe Madonna as an artist, rather than a mere pop singer". Glen Levy from "Time" stated: "Madonna has always been a keen student of pop-culture history, and her creative powers were probably at their peak in the late 1980s on the album "Like a Prayer"." Hadley Freeman from "The Guardian" opined that "Like a Prayer" shaped "how pop stars, pop music, music videos, love, sex and the 80s were and should be". Jon Pareles, from "The New York Times", said that " ["Like a Prayer"] defiantly grabbed Christian
Anyone Who Had a Heart (song) No.5 in Italy with "Quelli che hanno un cuore" that September; in October 1964 Clark reached No.1 in Spain - for a two-week period - with "Tú no tienes corazón". The success of Petula Clark's translated version of "Anyone Who Had a Heart" did not preclude the Dionne Warwick original reaching No.7 in Spain; Warwick's version also charted in France at No.57 and in Italy at No.30. In Germany, Clark's specialized cover, "Alles ist nun vorbei", was assigned a tandem chart ranking with both the Dionne Warwick and the Cilla Black versions of "Anyone Who Had a Heart" by with