Balu Mahendra to the script". As a film-maker, he claimed himself as belonging to the realistic way of story-telling devised by Satyajit Ray and Vittorio De Sica. Mahendra was drawn towards realistic cinema after watching Ray's "Pather Panchali" (1955). He is credited as being one among the earliest filmmakers to bring "naturalism" in Tamil cinema in the 1970s. He usually photographed, scripted and edited all his films. His films were characterised by strong "visual appeal" and minimal number of characters. A majority of his films centre on the complexity of human relationships and are known to portray women as strong characters. Although
The Apu Trilogy & Sound", the British Film Institute's film magazine, listed "Pather Panchali" several times in its Critics' Poll of all-time greatest films, in 1962 (ranked #11), 1982 (ranked #79), 1992 (ranked #6) and 2002 (ranked #22). "The World of Apu" appeared in 1982, ranked at #42. In the 1992 edition, both "Aparajito" and "The World of Apu" were tied at #127, while "The Apu Trilogy" was ranked separately at #88. In a combined list of "Sight & Sound" critics' and directors' poll results in 2002, "Pather Panchali" was ranked at No. 28, "The World of Apu" at No. 93 and "Aparajito"