New York City Ballet what he wants to do in the way he wants to do it." He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama. Its success was marked by its move to the New York State Theater, now David H. Koch Theater, designed by Philip Johnson to Balanchine's specifications. City Ballet went on to become the first ballet company in the United States to have two permanent venue engagements:
Oklahoma City Ballet celebrating Oklahoma’s 60th year of statehood. In 1970 the Board of Trustees formed a new group, Oklahoma City Metropolitan Ballet Society and with the generous support of Vernon Pellow, Sr. the company began as the Oklahoma City Metropolitan Ballet with Yvonne Chouteau staying on as founding artistic director. Ballerina and Oklahoma native Maria Tallchief worked together with Ms. Chouteau to audition dancers for the company. Yvonne Chouteau was succeeded by New York City Ballet principal dancers Conrad and Joy Ludlow, who directed the Company from 1973–1979. The Ludlow’s founded the company’s affiliate school and joined Oklahoma City's Allied Arts organization.