Like a Prayer (song) more." Stephen Holden from "The New York Times", while writing about Madonna's re-invention of her image, observed how her sound had changed from the "simple blaring dance-pop to the rich, fully rounded pop of 'Like a Prayer". Lucy O'Brien felt that the most remarkable aspect of "Like a Prayer" was Madonna's usage of liturgical words. "There is the surface meaning, forging sexuality with pop lyrics that sound so sweet. But underlying that is a rigorous mediation on prayer. In shorter words, 'Like a Prayer' really takes you there," she concluded. This view was shared by Mary Cross, who wrote in
I Say a Little Prayer by the RIAA. "Prayer" became Franklin's ninth and last consecutive Hot 100 top 10 hit on the Atlantic label. Franklin's "Prayer" has a special significance in her UK career, as with its September 1968 No. 4 peak it became Franklin's biggest UK hit; subsequently Franklin has surpassed that track's UK peak only with her No. 1 collaboration with George Michael, "I Knew You Were Waiting (For Me)". In February 1987, UK music weekly "New Musical Express" published its critics' top 150 singles of all time, with Franklin's "I Say a Little Prayer" ranked at No. 1, followed by Al Green's