Sweeney Todd Pearls" and have persisted to the present day. In two books, Peter Haining argued that Sweeney Todd was a historical figure who committed his crimes around 1800. Nevertheless, other researchers who have tried to verify his citations find nothing in these sources to back Haining's claims. A late (1890s) reference to the urban legend of the murderous barber can be found in the poem by the Australian bush poet Banjo Paterson—"The Man from Ironbark". In his 2012 novel" Dodger", Terry Pratchett portrays Sweeney Todd as a tragic figure, having lost his mind after being exposed to the horrors of the
Sweeney Todd: The Demon Barber of Fleet Street New York, this tale of horrors was transformed into a mountain of steel in motion. Prince's scenic metaphor for "Sweeney Todd" was a 19th-century iron foundry moved from Rhode Island and reassembled on the stage, which critic Jack Kroll aptly described as "part cathedral, part factory, part prison, that dwarfed and degraded the swarming denizens of the lower orders." The massive scope of Prince's setting went beyond even Sondheim's intentions. Sondheim admits that his conception of the show differed from that of Prince: "Hal's metaphor is that the factory turns out Sweeney Todds. It turns out soulless, defeated, hopeless people.