Like a Prayer (song) in sound, rhythm and texture appealed to different target audiences. Australian rock music journalist Toby Creswell wrote in his book "1001 Songs" that "'Like a Prayer' is a beautifully crafted devotional song in the guise of perfect pop. God is the drum machine here." Scholar Georges Claude Guilbert, author of "Madonna as Postmodern Myth: How One Star's Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream", noted that there is a polysemy in "Like a Prayer" since the singer addresses either God or her lover, and in doing so "Madonna achieves the gold-card of attaining her own divinity. Whenever someone
The Man Who Had No Idea others." John Clute, however, found it to be "unaccountably genial and without formal bite", such that its "potentially formidable idea gradually declines into doodle". In a 1984 interview, Disch described it as "a story about what our social relationships are really like" and "a springboard to the subject of what do we talk about when we talk about anything. What are all these social interactions "about"? What is the "subject" of them?" The Man Who Had No Idea "The Man Who Had No Idea" is a 1978 science fiction story by Thomas M. Disch. It was first published in "The