Culture of New York City work. In these works each element is in and of itself expressive, and the observer determines what it communicates. George Balanchine, one of the 20th century's foremost choreographers and the first pioneer of contemporary ballet, formed a bridge between classical and modern ballet. Balanchine used flexed hands (and occasionally feet), turned-in legs, off-centered positions and non-classical costumes to distance himself from the classical and romantic ballet traditions. Balanchine also brought modern dancers in to dance with his company, the New York City Ballet; one such dancer was Paul Taylor, who in 1959 performed in Balanchine's piece "Episodes". Another significant modern
Oklahoma City Ballet celebrating Oklahoma’s 60th year of statehood. In 1970 the Board of Trustees formed a new group, Oklahoma City Metropolitan Ballet Society and with the generous support of Vernon Pellow, Sr. the company began as the Oklahoma City Metropolitan Ballet with Yvonne Chouteau staying on as founding artistic director. Ballerina and Oklahoma native Maria Tallchief worked together with Ms. Chouteau to audition dancers for the company. Yvonne Chouteau was succeeded by New York City Ballet principal dancers Conrad and Joy Ludlow, who directed the Company from 1973–1979. The Ludlow’s founded the company’s affiliate school and joined Oklahoma City's Allied Arts organization.