Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
The Apu Trilogy & Sound", the British Film Institute's film magazine, listed "Pather Panchali" several times in its Critics' Poll of all-time greatest films, in 1962 (ranked #11), 1982 (ranked #79), 1992 (ranked #6) and 2002 (ranked #22). "The World of Apu" appeared in 1982, ranked at #42. In the 1992 edition, both "Aparajito" and "The World of Apu" were tied at #127, while "The Apu Trilogy" was ranked separately at #88. In a combined list of "Sight & Sound" critics' and directors' poll results in 2002, "Pather Panchali" was ranked at No. 28, "The World of Apu" at No. 93 and "Aparajito"