New York City Ballet honoring the Russian composer Peter Ilyitch Tschaikovsky. Balanchine, Joseph Duell, d'Amboise, Peter Martins, Robbins, and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his "Mozartiana" from 1933. Philip Johnson and John Burgee's stage setting of translucent tubing was designed to be hung and lit in different architectural configurations throughout the entire festival. In 1982, Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky, during which the City Ballet performed twenty-five ballets set to the composer’s music. Balanchine made three new ballets, "Tango", "Élégie", and "Persephone", and a new version
Kansas City Ballet in 1967, it performed a program at the Kansas City Music Hall featuring three guest choreographers. In 1968, the company moved to Treadway Hall on the University of Missouri–Kansas City Campus. In April 1968, choreographer Zachary Solov began a multi-year collaboration with the KCB, coming to Kansas City to choreograph and stage two world premiere ballets with the KCB: an abstract piece set to Mozart's Symphony No. 40 and a theater ballet based on Carnival of the Animals by Saint-Saëns. The program also included performances by New York City Ballet guest artists Edward Villella and Patricia McBride. For the opening