Like a Prayer (album) and reflective, at times heavily laden with psychic trauma. You might consider "Like a Prayer" to be [Madonna]'s "Misfits"...or her hour in the confessional box". Sal Cinquemani, from "Slant Magazine", described the album as "a collection of pop confections layered with live instrumentation, sophisticated arrangements, deeply felt lyrics, and a stronger, more assured vocal." The review concluded by declaring "Like a Prayer" "one of the quintessential pop albums of all time. Barry Walters from the "San Francisco Examiner", named the album "[Madonna]'s best and most consistent collection yet [...] the album [where Madonna] crosses the line between craft and inspiration.
Anyone Who Had a Heart (song) chart for the following week at No.42; by then Black's version had reached No.10, ascending in the subsequent two weeks to No.2 and then No.1, while Warwick's version concurrently ended its chart run with two weeks at No.47. On the chart dated 29 February 1964, besides Black's "Anyone Who Had a Heart" at No.1 for the first of three weeks and Warwick's version in its final chart week at No.47, the UK Top 50 featured a third version of "Anyone Who Had a Heart" as the version by Mary May made its one-week appearance at No.49. On 25 April 1964,