Barbershop music Barbershop music Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading,
How Many More Times Wolf's "How Many More Years" (1951), as well as other songs by blues musicians he admired at the time of recording. In 1970, "How Many More Times" was dropped from Led Zeppelin's typical setlist, although they continued to perform it on occasion until the early stages of their 1975 North American tour, when it was re-introduced in full as a result of Jimmy Page's injured finger, which temporarily prevented him from playing the more challenging "Dazed and Confused". In a contemporary review for "Led Zeppelin" on release, John Mendelsohn of "Rolling Stone" called "How Many More Times" as the album's