Voice of Fire with striped T-shirts and ties that mimicked the painting. The 1996 book "Voices of Fire: Art Rage, Power, and the State", edited by Bruce Barber, Serge Guilbaut and John O'Brian, discusses the issues around the purchase of the painting. Commissioned for Expo 67, the International and Universal Exposition that took place in Montreal during Canada's 1967 centennial, "Voice of Fire" was part of the US pavilion organized by art critic and historian Alan Solomon. The exhibition, "American Painting Now" featured the work of twenty-two artists installed in the US Pavilion, a geodesic dome designed by engineer Buckminster Fuller. Explicitly oriented
Glass Pavilion a symbol, a mystical sign and a start for a new world view and future architecture. Glass Pavilion The Glass Pavilion, designed by Bruno Taut and built in 1914 , was a prismatic glass dome structure at the Cologne Deutscher Werkbund Exhibition. The structure was a brightly colored landmark of the exhibition, constructed using concrete and glass. The dome had a double glass outer layer with colored glass prisms on the inside and reflective glass on the outside. The facade had inlaid colored glass plates that acted as mirrors. Taut described his "little temple of beauty" as "reflections of light