Patricia Highsmith and her ashes were interred in its columbarium. She left her estate, worth an estimated $3 million, and the promise of any future royalties to the Yaddo colony, where she spent two months in 1948 writing the draft of "Strangers on a Train". Highsmith bequeathed her literary estate to the Swiss Literary Archives at the Swiss National Library in Bern, Switzerland. Her Swiss publisher, Diogenes Verlag, was appointed literary executor of the estate. Highsmith was a resolute atheist. Although she considered herself a liberal, and in her school years had gotten along with Black students, in later years she became
Patricia Highsmith years later witnessed some of her theatrics intended to create havoc at dinner tables and shipwreck an evening. He said after her death that "[Highsmith] was a mean, cruel, hard, unlovable, unloving human being…I could never penetrate how any human being could be that relentlessly ugly…. But her books? Brilliant." Other friends, publishers, and acquaintances held different views of Highsmith. Editor Gary Fisketjon, who published her later novels through Knopf, said that "She was very rough, very difficult...But she was also plainspoken, dryly funny, and great fun to be around." Composer David Diamond met Highsmith in 1943 and described her