Like a Prayer (song) in sound, rhythm and texture appealed to different target audiences. Australian rock music journalist Toby Creswell wrote in his book "1001 Songs" that "'Like a Prayer' is a beautifully crafted devotional song in the guise of perfect pop. God is the drum machine here." Scholar Georges Claude Guilbert, author of "Madonna as Postmodern Myth: How One Star's Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream", noted that there is a polysemy in "Like a Prayer" since the singer addresses either God or her lover, and in doing so "Madonna achieves the gold-card of attaining her own divinity. Whenever someone
Anyone Who Had a Heart (song) the Land of Make Believe" and included session drummer Gary Chester. According to published reports, Warwick nailed the tune in only one take – though an alternative remix of the take appears on a compilation album released in 1976 by Springboard International. Released on the Scepter label in November 1963, "Anyone Who Had a Heart" broke in Detroit, where it reached No.1 that December. The track became Warwick's first Top Ten single in January 1964, peaking at No.8 on the "Billboard" Hot 100 and the "Cash Box" Pop 100 that February, also reaching No.6 on the "Cash Box" R&B chart.