Patricia Highsmith and her ashes were interred in its columbarium. She left her estate, worth an estimated $3 million, and the promise of any future royalties to the Yaddo colony, where she spent two months in 1948 writing the draft of "Strangers on a Train". Highsmith bequeathed her literary estate to the Swiss Literary Archives at the Swiss National Library in Bern, Switzerland. Her Swiss publisher, Diogenes Verlag, was appointed literary executor of the estate. Highsmith was a resolute atheist. Although she considered herself a liberal, and in her school years had gotten along with Black students, in later years she became
The Price of Salt as "Carol" under Patricia Highsmith's name, with the addition of an afterword by her. Phyllis Nagy said Highsmith chose "Carol" because Highsmith, herself, "was Therese and the object of her desire wasn't herself...it was someone else." The novel was so personal to Highsmith that "it was difficult for her to take ownership of it as a writer for many years." The marketing of the novel in successive editions reflected different strategies for making the story of a lesbian romance attractive or acceptable to the reading public. The Coward-McCann dust jacket called it "A Modern Novel of Two Women". The paperboard