Aparajito Aparajito Aparajito ( "Ôporajito"; "The Unvanquished") is a 1956 Indian Bengali drama film written and directed by Satyajit Ray (1921–1992), and is the second part of "The Apu Trilogy". It is adapted from the last one-fifth of Bibhutibhushan Bannerjee's novel "Pather Panchali" (1929) and the first one-third of its sequel "Aparajito" (1932). It starts off where the previous film "Pather Panchali" (1955) ended, with Apu's family moving to Varanasi, and chronicles Apu's life from childhood to adolescence in college, right up to his mother's death, when he is left all alone. When Ray started making "Pather Panchali", he had no
Pather Panchali and their fate, as signifying a philosophical core: that both the young and the old die. Seton writes of the film's "lyrical" qualities, noting especially the imagery immediately before the onset of monsoon. Robinson writes about a peculiar quality of "lyrical happiness" in the film, and states that "Pather Panchali" is "about unsophisticated people shot through with great sophistication, and without a trace of condescension or inflated sentiment". Darius Cooper discusses the use of different "rasa" in the film, observing Apu's repeated "epiphany of wonder", brought about not only by what the boy sees around him, but also when he