Like a Prayer (song) in sound, rhythm and texture appealed to different target audiences. Australian rock music journalist Toby Creswell wrote in his book "1001 Songs" that "'Like a Prayer' is a beautifully crafted devotional song in the guise of perfect pop. God is the drum machine here." Scholar Georges Claude Guilbert, author of "Madonna as Postmodern Myth: How One Star's Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream", noted that there is a polysemy in "Like a Prayer" since the singer addresses either God or her lover, and in doing so "Madonna achieves the gold-card of attaining her own divinity. Whenever someone
Anyone Who Had a Heart (song) chart for the following week at No.42; by then Black's version had reached No.10, ascending in the subsequent two weeks to No.2 and then No.1, while Warwick's version concurrently ended its chart run with two weeks at No.47. On the chart dated 29 February 1964, besides Black's "Anyone Who Had a Heart" at No.1 for the first of three weeks and Warwick's version in its final chart week at No.47, the UK Top 50 featured a third version of "Anyone Who Had a Heart" as the version by Mary May made its one-week appearance at No.49. On 25 April 1964,