Pather Panchali Indian film-making in which authenticity and social realism were key themes, breaking the rule of the Indian film establishment. Although "Pather Panchali" was described as a turning point in Indian cinema, some commentators preferred the view that it refined a "realist textual principle" that was already there. In 1963 "Time" noted that thanks to "Pather Panchali", Satyajit Ray was one of the "hardy little band of inspired pioneers" of a new cinematic movement that was enjoying a good number of imitators worldwide. The film has since been considered as a "global landmark" and "among the essential moviegoing experiences". On 2
The Apu Trilogy In 1999, "The Village Voice" ranked "Pather Panchali" at No. 12 (tied with "The Godfather") in its top 250 "Best Films of the Century" list, based on a poll of critics, while "The Apu Trilogy" was ranked separately at No. 54 in the same poll. If the votes are combined, "The Apu Trilogy" would be ranked at #5. In 2000, an audience poll of best Asian films conducted by "MovieMail" ranked "The Apu Trilogy" at No. 2 on the list. "Pather Panchali" was included in various other all-time greatest film lists, including "Time Out" magazine's "Centenary Top One Hundred Films"