Pather Panchali Indian film-making in which authenticity and social realism were key themes, breaking the rule of the Indian film establishment. Although "Pather Panchali" was described as a turning point in Indian cinema, some commentators preferred the view that it refined a "realist textual principle" that was already there. In 1963 "Time" noted that thanks to "Pather Panchali", Satyajit Ray was one of the "hardy little band of inspired pioneers" of a new cinematic movement that was enjoying a good number of imitators worldwide. The film has since been considered as a "global landmark" and "among the essential moviegoing experiences". On 2
Pather Panchali Pauline Kael wrote, "Beautiful, sometimes funny, and full of love, it brought a new vision of India to the screen". Basil Wright considered it "a new and incontrovertible work of art". James Berardinelli wrote in 1996 that the film "touches the souls and minds of viewers, transcending cultural and linguistic barriers". In 2006 Philip French of "The Observer" called it "one of the greatest pictures ever made". Twenty years after the release of "Pather Panchali", Akira Kurosawa summarised the effect of the film as overwhelming and lauded its ability "to stir up deep passions". The reaction was not uniformly positive.