Voice of Fire with striped T-shirts and ties that mimicked the painting. The 1996 book "Voices of Fire: Art Rage, Power, and the State", edited by Bruce Barber, Serge Guilbaut and John O'Brian, discusses the issues around the purchase of the painting. Commissioned for Expo 67, the International and Universal Exposition that took place in Montreal during Canada's 1967 centennial, "Voice of Fire" was part of the US pavilion organized by art critic and historian Alan Solomon. The exhibition, "American Painting Now" featured the work of twenty-two artists installed in the US Pavilion, a geodesic dome designed by engineer Buckminster Fuller. Explicitly oriented
Geodesic dome Geodesic dome A geodesic dome is a hemispherical thin-shell structure (lattice-shell) based on a geodesic polyhedron. The triangular elements of the dome are structurally rigid and distribute the structural stress throughout the structure, making geodesic domes able to withstand very heavy loads for their size. The first dome that could be called "geodesic" in every respect was designed after World War I by Walther Bauersfeld, chief engineer of the Carl Zeiss optical company, for a planetarium to house his planetarium projector. A first, small dome was patented, constructed by the firm of Dykerhoff and Wydmann on the roof of the