Sweeney Todd: The Demon Barber of Fleet Street Hope and the mysterious Sweeney Todd, whom Anthony has recently rescued at sea and befriended, dock in London. A beggar woman sexually solicits them, appearing to recognize Todd for a moment ("No Place Like London"), and Todd shoos her away. Todd relates some of his troubled past to Anthony: he was a naive barber, banished by a crooked judge who lusted after Todd's wife ("The Barber and His Wife"). Leaving Anthony, Todd enters a meat pie shop on Fleet Street, where the owner, the slatternly widow, Mrs. Lovett, laments the scarcity of meat and customers ("Worst Pies in London"). When
Sweeney Todd: The Demon Barber of Fleet Street New York, this tale of horrors was transformed into a mountain of steel in motion. Prince's scenic metaphor for "Sweeney Todd" was a 19th-century iron foundry moved from Rhode Island and reassembled on the stage, which critic Jack Kroll aptly described as "part cathedral, part factory, part prison, that dwarfed and degraded the swarming denizens of the lower orders." The massive scope of Prince's setting went beyond even Sondheim's intentions. Sondheim admits that his conception of the show differed from that of Prince: "Hal's metaphor is that the factory turns out Sweeney Todds. It turns out soulless, defeated, hopeless people.