Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
The Apu Trilogy In 1999, "The Village Voice" ranked "Pather Panchali" at No. 12 (tied with "The Godfather") in its top 250 "Best Films of the Century" list, based on a poll of critics, while "The Apu Trilogy" was ranked separately at No. 54 in the same poll. If the votes are combined, "The Apu Trilogy" would be ranked at #5. In 2000, an audience poll of best Asian films conducted by "MovieMail" ranked "The Apu Trilogy" at No. 2 on the list. "Pather Panchali" was included in various other all-time greatest film lists, including "Time Out" magazine's "Centenary Top One Hundred Films"