Honey Bunny the Nips" (1944), a shapely robotic female rabbit used as a bait for Bugs by Gossamer's creator in the cartoon "Hair-Raising Hare" (1946), Daisy Lou (who bears a strong resemblance to Honey Bunny's eventual character design from the 1970s-1990s) in the above-mentioned cartoon "Hare Splitter" (1948), Witch Hazel (who is transformed into an attractive female rabbit) in the cartoon "Bewitched Bunny" (1954), and Millicent (an overweight rabbit) in the cartoon "Rabbit Romeo" (1957). Mama Bear, in "Bugs Bunny and the Three Bears" (1944); Penelope Pussycat, in "Carrotblanca" (1995); and Elmer Fudd, in "Bugs' Bonnets" (1956) and "Rabbit of Seville" (1950),
Bugs Bunny: Superstar "Bugs Bunny: Superstar", drew the ire of Chuck Jones, who responded by writing a letter (dated 11 December 1975) and enlisting Tex Avery to make annotations (dated 22 December 1975). Jones's letter, which was publicly circulated, refers to "the grossly unfair misrepresentations of BUGS BUNNY SUPER STAR," adding, "Bugs Bunny: Superstar" was first released in theaters in late 1975. At the time of the film's release, the rights to the individual cartoons themselves were controlled by United Artists as part of their acquisition of the pre-1950 Associated Artists Productions (a.a.p.) library Warner Bros. films. The former a.a.p. library was later