Like a Prayer (song) more." Stephen Holden from "The New York Times", while writing about Madonna's re-invention of her image, observed how her sound had changed from the "simple blaring dance-pop to the rich, fully rounded pop of 'Like a Prayer". Lucy O'Brien felt that the most remarkable aspect of "Like a Prayer" was Madonna's usage of liturgical words. "There is the surface meaning, forging sexuality with pop lyrics that sound so sweet. But underlying that is a rigorous mediation on prayer. In shorter words, 'Like a Prayer' really takes you there," she concluded. This view was shared by Mary Cross, who wrote in
The Man Who Had No Idea others." John Clute, however, found it to be "unaccountably genial and without formal bite", such that its "potentially formidable idea gradually declines into doodle". In a 1984 interview, Disch described it as "a story about what our social relationships are really like" and "a springboard to the subject of what do we talk about when we talk about anything. What are all these social interactions "about"? What is the "subject" of them?" The Man Who Had No Idea "The Man Who Had No Idea" is a 1978 science fiction story by Thomas M. Disch. It was first published in "The