Balu Mahendra to the script". As a film-maker, he claimed himself as belonging to the realistic way of story-telling devised by Satyajit Ray and Vittorio De Sica. Mahendra was drawn towards realistic cinema after watching Ray's "Pather Panchali" (1955). He is credited as being one among the earliest filmmakers to bring "naturalism" in Tamil cinema in the 1970s. He usually photographed, scripted and edited all his films. His films were characterised by strong "visual appeal" and minimal number of characters. A majority of his films centre on the complexity of human relationships and are known to portray women as strong characters. Although
Pather Panchali (novel) bring variety and thrill to the monotonous flow of village life. Durga, so restless, yet so innocent, dies suddenly, plunging the whole family into grief and leaving her little brother all alone. Horihor leaves home for a long period and struggles desperately to earn a livelihood. After returning home he decides to leave Nischindipur. They pack up and go to the railway station. As the train steams in, they board the train leaving behind for ever Nischindipur with its many sweet and painful memories. "Pather Panchali" was translated first to Telugu under the same name by Maddipatla Suri in 1960