Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Pather Panchali attention. For "Pather Panchali", remarkable as it may be, is something of a chore to sit through." Early in the 1980s, Ray was criticised by Nargis Dutt, parliamentarian and former actress, for "exporting poverty". Darius Cooper writes that while many critics celebrated the Apu trilogy "as a eulogy of third-world culture, others criticized it for what they took to be its romanticization of such a culture". As of October 2017, the film has a 98% fresh rating on Rotten Tomatoes based on an aggregate of 42 reviews with an average score of 9/10. The website's critical consensus reads, "A film