Like a Prayer (song) in sound, rhythm and texture appealed to different target audiences. Australian rock music journalist Toby Creswell wrote in his book "1001 Songs" that "'Like a Prayer' is a beautifully crafted devotional song in the guise of perfect pop. God is the drum machine here." Scholar Georges Claude Guilbert, author of "Madonna as Postmodern Myth: How One Star's Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream", noted that there is a polysemy in "Like a Prayer" since the singer addresses either God or her lover, and in doing so "Madonna achieves the gold-card of attaining her own divinity. Whenever someone
Anyone Who Had a Heart (song) No.5 in Italy with "Quelli che hanno un cuore" that September; in October 1964 Clark reached No.1 in Spain - for a two-week period - with "Tú no tienes corazón". The success of Petula Clark's translated version of "Anyone Who Had a Heart" did not preclude the Dionne Warwick original reaching No.7 in Spain; Warwick's version also charted in France at No.57 and in Italy at No.30. In Germany, Clark's specialized cover, "Alles ist nun vorbei", was assigned a tandem chart ranking with both the Dionne Warwick and the Cilla Black versions of "Anyone Who Had a Heart" by with