Barbershop music barbershop style, and there are many arrangers within the aforementioned societies with the skills to include the barbershop chord structure in their arrangements. Today's barbershop quartets and choruses sing a variety of music from all eras—show tunes, pop, and even rock music has been arranged for choruses and quartets, making them more attractive to younger singers. Barbershop music Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts
Barbershop music Jazz musician Louis Armstrong told of having harmonized on New Orleans street corners as a boy, and NAACP executive secretary James Weldon Johnson "grew up singing barbershop harmony". English "barber's music" was described in the 17th century by Samuel Pepys as amateur instrumental music. The "Encyclopædia Britannica" considers the 19-century origins of the quartet style as "obscure", possibly referring back to barber's music, or dating to when barbershops served as community centers, where men would gather for social and musical activities with barbers traditionally being musicians. Later, white minstrel singers adopted the style, and in the early days of the