Bansi Chandragupta production designer Eugène Lourié and learned the craft of film designing. During the shooting of this movie, he met Satyajit Ray who asked him to join a group of film enthusiasts to form the Calcutta Film Society. Later, Ray asked Chandragupta to be set designer for his film "Pather Panchali". This collaboration sustained till "Shatranj Ke Khilari" (1977). Some of the best examples of Chandragupta's work are from the Ray films: "Pather Panchali", "Jalsaghar" and "Charulata". Apart from Ray's films, best works of Chandragupta's works are visible in "36 Chowringhee Lane" by Aparna Sen, "Umrao Jaan" by Muzzafar Ali and
Pather Panchali Pauline Kael wrote, "Beautiful, sometimes funny, and full of love, it brought a new vision of India to the screen". Basil Wright considered it "a new and incontrovertible work of art". James Berardinelli wrote in 1996 that the film "touches the souls and minds of viewers, transcending cultural and linguistic barriers". In 2006 Philip French of "The Observer" called it "one of the greatest pictures ever made". Twenty years after the release of "Pather Panchali", Akira Kurosawa summarised the effect of the film as overwhelming and lauded its ability "to stir up deep passions". The reaction was not uniformly positive.