Music technology (electric) remained so until the 1920s, when several recent radio-related developments in electronics converged to revolutionize the recording process. These included improved microphones and auxiliary devices such as electronic filters, all dependent on electronic amplification to be of practical use in recording. In 1906, Lee De Forest invented the "Audion" triode vacuum tube, an electronic valve that could amplify weak electrical signals. By 1915, it was in use in long-distance telephone circuits that made conversations between New York and San Francisco practical. Refined versions of this tube were the basis of all electronic sound systems until the commercial introduction of the
Valve audio amplifier technical specification buffer (giving gain) to then feed a concertina phase splitter is a classic push–pull front end, typically followed by a driver (triode) and (triode or pentode) output stage (in ultra linear in many cases) to form the classic push–pull amplifier circuit. The push–pull output circuit shown is a simplified variation of the Williamson topology, which comprises four stages: The cascode (a contraction of the phrase "cascade to cathode") is a two-stage amplifier composed of a transconductance amplifier followed by a current buffer. In valve circuits, the cascode is often constructed from two triodes connected in series, with one operating as