Subir Banerjee that Banerjee looks in those directions at times, thereby giving his walk a halting and searching appearance. The film had interrupted shooting schedules due to funding problems. One long break spanned eight months. Satyajit Ray became nervous, among other things, that the voice of Banerjee, a growing young boy, would break, thereby causing a problem in the continuity of the film. However, Banerjee's voice did not break during production. Banerjee did not appear in any film after "Pather Panchali". He disappeared from the public eye. "India Today", a magazine, tracked him down, and published his details in an article, "Pather
Pather Panchali until June 30. The trilogy was then sent to be exhibited in many other cities throughout the U.S. and Canada. The restoration work was widely acclaimed, with commentators calling the look of the restored films "gorgeous", "pristine" and “incredible”. In his 1958 "New York Times" review, Crowther writes that "Pather Panchali" delicately illustrates how "poverty does not always nullify love" and how even very poor people can enjoy the little pleasures of their world. Marie Seton describes how the film intersperses the depiction of poverty and the delights and pleasures of youth. She represents the bond between Durga and Indir,