Like a Prayer (song) complexity builds up more after the second chorus, when the choir fully supports Madonna's vocals and she re-utters the opening lines, but this time accompanied by a synthesizer and drum beats. While singing "Just like a prayer, your voice can take me there, Just like, a muse to me, You're a mystery", a R&B-influenced voice backs Madonna. The song ends with a final repetition of the chorus and the choir gradually fading out. Taraborrelli noted in "Madonna: An Intimate Biography" that the lyrics of the song consist of "a series of button-pushing anomalies". With Madonna's inclusion of double entendres in
Anyone Who Had a Heart (song) chart for the following week at No.42; by then Black's version had reached No.10, ascending in the subsequent two weeks to No.2 and then No.1, while Warwick's version concurrently ended its chart run with two weeks at No.47. On the chart dated 29 February 1964, besides Black's "Anyone Who Had a Heart" at No.1 for the first of three weeks and Warwick's version in its final chart week at No.47, the UK Top 50 featured a third version of "Anyone Who Had a Heart" as the version by Mary May made its one-week appearance at No.49. On 25 April 1964,