Pather Panchali Ray thus had to borrow money to shoot enough footage to persuade prospective producers to finance the whole film. To raise funds, he continued to work as a graphic designer, pawned his life insurance policy and sold his collection of gramophone records. Production manager Anil Chowdhury convinced Ray's wife, Bijoya, to pawn her jewels. Ray still ran out of money partway through filming, which had to be suspended for nearly a year. Thereafter shooting was done only in intermittent bursts. Ray later admitted that the delays had made him tense and that three miracles saved the film: "One, Apu's voice
Satyajit Ray Renoir about his idea of filming "Pather Panchali", which had long been on his mind, and Renoir encouraged him in the project. In 1950, D.J. Keymer sent Ray to London to work at its headquarters office. During his three months in London, Ray watched 99 films. Among these was the neorealist film "Ladri di biciclette" ("Bicycle Thieves") (1948) by Vittorio De Sica, which had a profound impact on him. Ray later said that he came out of the theatre determined to become a film-maker. Ray decided to use "Pather Panchali" (1928), the classic "Bildungsroman" of Bengali literature, as the basis