Balu Mahendra to the script". As a film-maker, he claimed himself as belonging to the realistic way of story-telling devised by Satyajit Ray and Vittorio De Sica. Mahendra was drawn towards realistic cinema after watching Ray's "Pather Panchali" (1955). He is credited as being one among the earliest filmmakers to bring "naturalism" in Tamil cinema in the 1970s. He usually photographed, scripted and edited all his films. His films were characterised by strong "visual appeal" and minimal number of characters. A majority of his films centre on the complexity of human relationships and are known to portray women as strong characters. Although
Aparajito films admired by him; this list quoted him as having affirmed the jury's choice as "ABSOLUTELY right" (though he misidentified the winning film as "Pather Panchali"). Emanuel Levy said: "Made in 1956 (and released in many countries a year later), 'Aparajito' indicates India’s processes of modernization and industrialization and their inevitable impact on both individual and culture. Nonetheless, in his upbeat outlook, Ray suggests that individuals can rise to the occasion and might not be compromised by the corruption that characterizes the society at large." Bosley Crowther, who had earlier given a lukewarm response to "Pather Panchali", saying that the