Marlon Brando successful film, he won his second Academy Award for playing Vito Corleone in Francis Ford Coppola's "The Godfather", a role critics consider among his greatest. "The Godfather" was then one of the most commercially successful films of all time. With that and his Oscar-nominated performance in "Last Tango in Paris", Brando re-established himself in the ranks of top box-office stars, placing sixth and tenth in the Money Making Stars poll in 1972 and 1973, respectively. Brando took a four-year hiatus before appearing in "The Missouri Breaks" (1976). After this, he was content with being a highly paid character actor in
Marlon Brando Aulin. It is generally regarded as the nadir of Brando's career. "The Washington Post" observed: "Brando's self-indulgence over a dozen years is costing him and his public his talents." In the March 1966 issue of "The Atlantic", Pauline Kael wrote that in his rebellious days, Brando "was antisocial because he knew society was crap; he was a hero to youth because he was strong enough not to take the crap", but now Brando and others like him had become "buffoons, shamelessly, pathetically mocking their public reputations." In an earlier review of "The Appaloosa" in 1966, Kael wrote that the actor