No budget film post-production. Satyajit Ray's debut film, "Pather Panchali" (1955), which was produced on a budget of Along with the other films in Ray's "The Apu Trilogy" the film is frequently listed among the greatest films of all time. In 1960, Ron Rice released "The Flower Thief", starring Taylor Mead, to a positive reception. The film was produced for less than $1000 using black-and-white 16mm 50' film cartridges left over from aerial gunnery equipment used during World War II. In the early 1960s, filmmaker Jack Smith used discarded color-reversal film stock to film "Flaming Creatures". John Waters' 1964 black-and-white film "Hag in
Pather Panchali uses his imagination to create another world. For Cooper, the immersive experience of the film corresponds to this epiphany of wonder. Stephen Teo uses the scene in which Apu and Durga discover railway tracks as an example of the gradual build-up of epiphany and the resulting immersive experience. Sharmishtha Gooptu discusses the idea that the idyllic village life portrayed in "Pather Panchali" represents authentic Bengali village life, which disappeared during the upheavals of Partition in 1947. She suggests that the film seeks to connect an idealised, pre-partition past with the actual present of partitioned Bengal, and that it uses prototypes