Like a Prayer (song) in sound, rhythm and texture appealed to different target audiences. Australian rock music journalist Toby Creswell wrote in his book "1001 Songs" that "'Like a Prayer' is a beautifully crafted devotional song in the guise of perfect pop. God is the drum machine here." Scholar Georges Claude Guilbert, author of "Madonna as Postmodern Myth: How One Star's Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream", noted that there is a polysemy in "Like a Prayer" since the singer addresses either God or her lover, and in doing so "Madonna achieves the gold-card of attaining her own divinity. Whenever someone
Anyone Who Had a Heart (song) around 950,000 copies. Petula Clark also recorded "Anyone Who Had a Heart" in several foreign language versions for the international market. Clark reached No.7 in France with "Ceux Qui Ont Un Coeur" in the spring of 1964, then No.5 in Italy with "Quelli che hanno un cuore" that September. In October 1964, Clark reached No.1 in Spain - for a two-week period - with "Tú no tienes corazón". "Anyone Who Had a Heart" was presented to Dionne Warwick in unfinished form while she, Burt Bacharach and Hal David were rehearsing in Bacharach's Manhattan apartment for an upcoming recording session. Bacharach