Pather Panchali Indian film-making in which authenticity and social realism were key themes, breaking the rule of the Indian film establishment. Although "Pather Panchali" was described as a turning point in Indian cinema, some commentators preferred the view that it refined a "realist textual principle" that was already there. In 1963 "Time" noted that thanks to "Pather Panchali", Satyajit Ray was one of the "hardy little band of inspired pioneers" of a new cinematic movement that was enjoying a good number of imitators worldwide. The film has since been considered as a "global landmark" and "among the essential moviegoing experiences". On 2
Satyajit Ray Renoir about his idea of filming "Pather Panchali", which had long been on his mind, and Renoir encouraged him in the project. In 1950, D.J. Keymer sent Ray to London to work at its headquarters office. During his three months in London, Ray watched 99 films. Among these was the neorealist film "Ladri di biciclette" ("Bicycle Thieves") (1948) by Vittorio De Sica, which had a profound impact on him. Ray later said that he came out of the theatre determined to become a film-maker. Ray decided to use "Pather Panchali" (1928), the classic "Bildungsroman" of Bengali literature, as the basis