Aparajito Aparajito Aparajito ( "Ôporajito"; "The Unvanquished") is a 1956 Indian Bengali drama film written and directed by Satyajit Ray (1921–1992), and is the second part of "The Apu Trilogy". It is adapted from the last one-fifth of Bibhutibhushan Bannerjee's novel "Pather Panchali" (1929) and the first one-third of its sequel "Aparajito" (1932). It starts off where the previous film "Pather Panchali" (1955) ended, with Apu's family moving to Varanasi, and chronicles Apu's life from childhood to adolescence in college, right up to his mother's death, when he is left all alone. When Ray started making "Pather Panchali", he had no
Pather Panchali of rural Bengal to construct an image of the ideal village. In contrast to this idealism, Mitali Pati and Suranjan Ganguly point out how Ray used eye-level shots, natural lighting, long takes and other techniques to achieve realism. Mainak Biswas has written that "Pather Panchali" comes very close to the concept of Italian neorealism, as it has several passages with no dramatic development, even though the usual realities of life, such as the changing of seasons or the passing of a day, are concretely filmed. "Pather Panchali" has won many national and international awards. At India's 3rd National Film Awards