Like a Prayer (song) more." Stephen Holden from "The New York Times", while writing about Madonna's re-invention of her image, observed how her sound had changed from the "simple blaring dance-pop to the rich, fully rounded pop of 'Like a Prayer". Lucy O'Brien felt that the most remarkable aspect of "Like a Prayer" was Madonna's usage of liturgical words. "There is the surface meaning, forging sexuality with pop lyrics that sound so sweet. But underlying that is a rigorous mediation on prayer. In shorter words, 'Like a Prayer' really takes you there," she concluded. This view was shared by Mary Cross, who wrote in
Anyone Who Had a Heart (song) chart for the following week at No.42; by then Black's version had reached No.10, ascending in the subsequent two weeks to No.2 and then No.1, while Warwick's version concurrently ended its chart run with two weeks at No.47. On the chart dated 29 February 1964, besides Black's "Anyone Who Had a Heart" at No.1 for the first of three weeks and Warwick's version in its final chart week at No.47, the UK Top 50 featured a third version of "Anyone Who Had a Heart" as the version by Mary May made its one-week appearance at No.49. On 25 April 1964,