Pather Panchali Ray thus had to borrow money to shoot enough footage to persuade prospective producers to finance the whole film. To raise funds, he continued to work as a graphic designer, pawned his life insurance policy and sold his collection of gramophone records. Production manager Anil Chowdhury convinced Ray's wife, Bijoya, to pawn her jewels. Ray still ran out of money partway through filming, which had to be suspended for nearly a year. Thereafter shooting was done only in intermittent bursts. Ray later admitted that the delays had made him tense and that three miracles saved the film: "One, Apu's voice
Pather Panchali the progress of Ray's project. Huston saw excerpts of the unfinished film and recognised "the work of a great film-maker". Because of Huston's positive feedback, MoMA helped Ray with additional money. Including the delays and hiatuses in production, it took three years to complete the shooting of "Pather Panchali". The realist narrative style of "Pather Panchali" was influenced by Italian neorealism and the works of French director Jean Renoir. In 1949 Renoir came to Calcutta to shoot his film "The River" (1951). Ray, a founding member of the Calcutta Film Society (established in 1947), helped him scout for locations in