Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Pather Panchali spectator". The soundtrack of the film was composed by the sitar player Ravi Shankar, who was at an early stage of his career, having debuted in 1939. The background scores feature pieces based on several ragas of Indian classical music, played mostly on the sitar. The soundtrack, described in a 1995 issue of "The Village Voice" as "at once plaintive and exhilarating", is featured in "The Guardian"s 2007 list of 50 greatest film soundtracks. It has also been cited as an influence on The Beatles, specifically George Harrison. Shankar saw about half the film in a roughly edited version before