Balu Mahendra to the script". As a film-maker, he claimed himself as belonging to the realistic way of story-telling devised by Satyajit Ray and Vittorio De Sica. Mahendra was drawn towards realistic cinema after watching Ray's "Pather Panchali" (1955). He is credited as being one among the earliest filmmakers to bring "naturalism" in Tamil cinema in the 1970s. He usually photographed, scripted and edited all his films. His films were characterised by strong "visual appeal" and minimal number of characters. A majority of his films centre on the complexity of human relationships and are known to portray women as strong characters. Although
Calcutta Film Society European films. The society also started a bulletin designed by Ray, and several of his article were later published in the book, "Our Films, Their Films" (1972). Noted film personalities were invited to speak at the society which they did on several occasions, including Russian actor, Nikolay Cherkasov, directors Jean Renoir, John Huston. Ray later recounted his meeting with Renoir as an important turning point in shaping his cinematic vision of his first film, "Pather Panchali" which he explained to Renoir when he was visiting India to look for locations for his film "The River", in which Ray assisted Renoir.