Patricia Highsmith and her ashes were interred in its columbarium. She left her estate, worth an estimated $3 million, and the promise of any future royalties to the Yaddo colony, where she spent two months in 1948 writing the draft of "Strangers on a Train". Highsmith bequeathed her literary estate to the Swiss Literary Archives at the Swiss National Library in Bern, Switzerland. Her Swiss publisher, Diogenes Verlag, was appointed literary executor of the estate. Highsmith was a resolute atheist. Although she considered herself a liberal, and in her school years had gotten along with Black students, in later years she became
Patricia Highsmith comic book publishers from 1942 and 1948, while she lived in New York City and Mexico. Answering an ad for "reporter/rewrite," she landed a job working for comic book publisher Ned Pines in a "bullpen" with four artists and three other writers. Initially scripting two comic-book stories a day for $55-a-week paychecks, Highsmith soon realized she could make more money by freelance writing for comics, a situation which enabled her to find time to work on her own short stories and live for a period in Mexico. The comic book scriptwriter job was the only long-term job Highsmith ever held.