Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Pather Panchali because of funding problems and it took nearly three years for the film to be completed. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, "Pather Panchali" was released in Calcutta later the same year to an enthusiastic reception. A