New York City Ballet honoring the Russian composer Peter Ilyitch Tschaikovsky. Balanchine, Joseph Duell, d'Amboise, Peter Martins, Robbins, and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his "Mozartiana" from 1933. Philip Johnson and John Burgee's stage setting of translucent tubing was designed to be hung and lit in different architectural configurations throughout the entire festival. In 1982, Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky, during which the City Ballet performed twenty-five ballets set to the composer’s music. Balanchine made three new ballets, "Tango", "Élégie", and "Persephone", and a new version
Oklahoma City Ballet celebrating Oklahoma’s 60th year of statehood. In 1970 the Board of Trustees formed a new group, Oklahoma City Metropolitan Ballet Society and with the generous support of Vernon Pellow, Sr. the company began as the Oklahoma City Metropolitan Ballet with Yvonne Chouteau staying on as founding artistic director. Ballerina and Oklahoma native Maria Tallchief worked together with Ms. Chouteau to audition dancers for the company. Yvonne Chouteau was succeeded by New York City Ballet principal dancers Conrad and Joy Ludlow, who directed the Company from 1973–1979. The Ludlow’s founded the company’s affiliate school and joined Oklahoma City's Allied Arts organization.