Subrata Mitra to a cameraman...Almost every shot of "Pather Panchali" posed a problem for me, innumerable problems, many sleepless nights spent on ruminating over the prospects of the next day's shooting..."Pather Panchali" had many excellent shots--both technically and artistically, but it had many bad shots too." From 1997 until his death, Mitra was an emeritus professor of cinematography at the Satyajit Ray Film and Television Institute (SRFTI) at Kolkata. Subrata Mitra Subrata Mitra (12 October 1930 – 7 December 2001) was an Indian cinematographer. Acclaimed for his work in "The Apu Trilogy" (1955–1959), Mitra is often considered one of the greatest of
Pather Panchali Pauline Kael wrote, "Beautiful, sometimes funny, and full of love, it brought a new vision of India to the screen". Basil Wright considered it "a new and incontrovertible work of art". James Berardinelli wrote in 1996 that the film "touches the souls and minds of viewers, transcending cultural and linguistic barriers". In 2006 Philip French of "The Observer" called it "one of the greatest pictures ever made". Twenty years after the release of "Pather Panchali", Akira Kurosawa summarised the effect of the film as overwhelming and lauded its ability "to stir up deep passions". The reaction was not uniformly positive.