Patricia Highsmith "Mademoiselle", "Good Housekeeping", "Time", "Fortune", and "The New Yorker". Based on the recommendation from Truman Capote, Highsmith was accepted by the Yaddo artist's retreat during the summer of 1948, where she worked on her first novel, "Strangers on a Train". Highsmith endured cycles of depression, some of them deep, throughout her life. Despite literary success, she wrote in her diary of January 1970: "[I] am now cynical, fairly rich ... lonely, depressed, and totally pessimistic." Over the years, Highsmith suffered from female hormone deficiency, anorexia nervosa, chronic anemia, Buerger's disease, and lung cancer. According to her biographer Andrew Wilson, Highsmith's
The Two Faces of January (film) his directorial debut; Amini said he had wanted to direct a film adaptation of the novel for the past 15 years. Amini's screenplay is based on the 1964 novel of the same name by Patricia Highsmith. He wrote: What I love about Highsmith is the way that she puts us in the shoes of traditionally 'unlikeable' characters, often criminals, and then makes us not only understand their motivations but recognize something of ourselves in them... It was this type of connection that drew me to Chester MacFarland... a jealous, alcoholic conman who is nevertheless a deeply tragic figure. His journey