The Great Dictator late 1920s. "The Great Dictator" does feature several scenes without dialogue more in keeping with Chaplin's earlier films. The score was written and directed by Meredith Willson, later known as composer and librettist of the 1957 musical comedy "The Music Man": According to Willson, the scene in which Chaplin shaves a customer to "Brahms' Hungarian Dance" No. 5 had been filmed before he arrived, using a phonograph record for timing. Willson's task was to re-record it with the full studio orchestra, fitting the music to the action. They had planned to do it painstakingly, recording eight measures or less at
The Great Dictator a time, after running through the whole scene to get the overall idea. Chaplin decided to record the run-through in case anything was usable. Willson later wrote, "by dumb luck we had managed to catch every movement, and that was the first and only 'take' made of the scene, the one used in the finished picture". James L. Neibaur has noted that among the many parallels that Chaplin noted between his own life and Hitler's was an affinity for Wagner's music. Chaplin's appreciation for Wagner has been noted in studies of the director's use of film music. Many commentators have