How Many More Years Midnight", described by Phillips as "the most different record I ever heard", was probably recorded at a different session. Phillips had not yet set up Sun Records and regularly leased his recordings to the Chess label in Chicago. The record was issued as Chess 1479 on 15 September 1951, with "Moanin' at Midnight" as the A-side and "How Many More Years" as the B-side. "Moanin' at Midnight" entered the R&B chart on 10 November 1951, and was followed four weeks later by "How Many More Years", which became the more popular side and rose to no.4 on the chart. The
Barbershop music recording industry their performances were recorded and sold. Early standards included songs such as "Shine On, Harvest Moon", "Hello, Ma Baby", and "Sweet Adeline". Johnson noted in the 1920s how the genre had already crossed racial barriers. Barbershop music was very popular between 1900 and 1919, and some of the most popular quartets were the Haydn Quartet, the American Quartet, and the Peerless Quartet. Modern barbershop quartets often costume themselves in gaudy versions of the vaudeville dress of this time, with boaters and vertically striped vests. Composer and pianist Scott Joplin incorporated a barbershop quartet into his 1911 opera "Treemonisha".