Pather Panchali Indian film-making in which authenticity and social realism were key themes, breaking the rule of the Indian film establishment. Although "Pather Panchali" was described as a turning point in Indian cinema, some commentators preferred the view that it refined a "realist textual principle" that was already there. In 1963 "Time" noted that thanks to "Pather Panchali", Satyajit Ray was one of the "hardy little band of inspired pioneers" of a new cinematic movement that was enjoying a good number of imitators worldwide. The film has since been considered as a "global landmark" and "among the essential moviegoing experiences". On 2
The Apu Trilogy (including Best Human Document at the 1956 Cannes Film Festival), followed by eleven international prizes for "Aparajito" (including the Golden Lion at the Venice Film Festival) and numerous other awards for "Apur Sansar" (including the Sutherland Trophy at the London Film Festival). When Ray made "Pather Panchali", he worked with a cast and crew most of whom had never been previously involved in film. Ray himself at the time of directing "Pather Panchali" had primarily worked in the advertising industry, although he had served as assistant director on Jean Renoir's 1951 film "The River". From this foundation, Ray went on