Like a Prayer (song) more." Stephen Holden from "The New York Times", while writing about Madonna's re-invention of her image, observed how her sound had changed from the "simple blaring dance-pop to the rich, fully rounded pop of 'Like a Prayer". Lucy O'Brien felt that the most remarkable aspect of "Like a Prayer" was Madonna's usage of liturgical words. "There is the surface meaning, forging sexuality with pop lyrics that sound so sweet. But underlying that is a rigorous mediation on prayer. In shorter words, 'Like a Prayer' really takes you there," she concluded. This view was shared by Mary Cross, who wrote in
Anyone Who Had a Heart (song) No.5 in Italy with "Quelli che hanno un cuore" that September; in October 1964 Clark reached No.1 in Spain - for a two-week period - with "Tú no tienes corazón". The success of Petula Clark's translated version of "Anyone Who Had a Heart" did not preclude the Dionne Warwick original reaching No.7 in Spain; Warwick's version also charted in France at No.57 and in Italy at No.30. In Germany, Clark's specialized cover, "Alles ist nun vorbei", was assigned a tandem chart ranking with both the Dionne Warwick and the Cilla Black versions of "Anyone Who Had a Heart" by with