Subrata Mitra as a cinematographer with Satyajit Ray, the legendary Indian film maker, for "Pather Panchali" (1955). He continued to work with him for many of Ray's later films. He is known for pioneering the technique of bounce lighting, while filming "The Apu Trilogy". Satyajit Ray thought that "Subrata Mitra’s camera work is better than Raoul Coutard’s". Coutard was at the time much more acclaimed than Mitra having collaborated with Godard on many of his film projects. One of his most important technical innovations was his introduction of bounce lighting, which he pioneered while filming "Aparajito" (1956), the second part of "The
Apur Panchali lost-in-the-crowd Subir initially doesn't want to receive the letter but he eventually agrees after Arka convinces him. Subir recounts his days working for Pather Panchali to Arka. They also visit an old broken house where the film was shot. Arka collects a brick from the house as a souvenir. Later, as they prepare for their journey to Germany, Subir narrates his life story to Arka. After Subir's brother went away to work in Dhanbad, Subir; now in his 20s; had to give up his football career to take care of his ill father and help his mother in her household