New York City Ballet honoring the Russian composer Peter Ilyitch Tschaikovsky. Balanchine, Joseph Duell, d'Amboise, Peter Martins, Robbins, and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his "Mozartiana" from 1933. Philip Johnson and John Burgee's stage setting of translucent tubing was designed to be hung and lit in different architectural configurations throughout the entire festival. In 1982, Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky, during which the City Ballet performed twenty-five ballets set to the composer’s music. Balanchine made three new ballets, "Tango", "Élégie", and "Persephone", and a new version
In the Wings: Behind the Scenes at the New York City Ballet personal diary of a dancer's day: Ch.1 is "10:15AM," Ch. 2 is "11:30AM," Ch. 3 is "2:15," Ch. 4 is "6:15," and Ch. 5 is "Showtime." From morning company class to rehearsal to performance, the text offers intriguing insights into the mental discipline and emotions that come into play in preparing for the show. The foreword is written by Peter Martins, balletmaster in chief of New York City Ballet. He says of the book, "Here is the New York City Ballet as it really is – the good, the not so good, and the majestically beautiful. It's a true story,