Roxy Theatre (New York City) founder continued at Radio City Music Hall into the 1970s. Radio City's lavish Christmas stage show, created in 1933 by the Roxy's former producer and choreographer, Leon Leonidoff and Russell Markert, continues to this day as the "Radio City Christmas Spectacular". The Music Hall itself was saved from demolition by a consortium of preservation and commercial interests in 1979 and it remains one of New York's entertainment landmarks. Its restored interior includes the lavish art deco offices created for "Roxy" Rothafel, preserved partly as a tribute to the visionary showman. Roxy Theatre (New York City) The Roxy Theatre was a
Radio City Music Hall large and striking. Architectural critic Douglas Haskell describes it thus: "The focus is the great proscenium arch, over high and feet wide, a huge semi-circular void. From that the energy disperses, like a firmament the arched structure rises outward and forward. The 'ceiling', uniting sides and top in its one great curve, proceeds by successive broad bands, like the bands of northern lights." In the hall's early years, the Federal Writer's Project noted that "nearly everything about the Music Hall is tremendous", with the hall hosting the world's largest orchestra; most expansive theater screen; heaviest proscenium arch used in a