Pather Panchali ("The Unvanquished", 1956), the second film of the Apu trilogy. Satyajit Ray, working as a graphic designer for Signet Press, created the illustrations for a new abridged edition of the book in 1944. At that time, Ray read the unabridged novel; Signet's owner D. K. Gupta told Ray that the abridged version would make a great film. The idea appealed to Ray, and around 1946–47, when he considered making a film, he turned to "Pather Panchali" because of certain qualities that "made it a great book: its humanism, its lyricism, and its ring of truth". The author's widow permitted Ray
The Will (1939 film) to be the greatest Egyptian film ever made, and is well respected, not only in Egypt, but in the international cinematic community as well. It was voted the #1 Egyptian film by egypty.com, and is often cited as one of the greatest films ever made. The Will is considered one of the first examples, or one of the precursors, of the Italian Neorealism movement in film, which would later expand to include films such as The Bicycle Thief and Pather Panchali. The Will (1939 film) The Will or Determination (, translit. Al-Azeema) is a 1939 Egyptian, directed by Kamal Selim.