Hanger (barbershop music) Hanger (barbershop music) A hanger, or a post, in barbershop music is a long note, held by one of the voices in the quartet, while the other voices are free to change notes, and even breathe. Hangers usually occur in the tag of a Barbershop song, although they may occur anywhere. The held note is typically the tonic note of the song (e.g. if the song is in G Major, the hanger is usually a G). Any one of the four voices can have the hanger, although the hanger is typically a high note, therefore it is usually assigned to
Barbershop music The genre gradually faded into obscurity in the 1920s, although barbershop-style harmonies remained in evidence in a cappella forms of traditional black gospel and white gospel. Other researchers argue that today's barbershop music is an invented tradition related to several musical features popular around 1900, including quartet singing and the use of the barbershop chord, but effectively created during the 1940s in the ranks of the Barbershop Harmony Society whilst creating a system of singing contests and its contest rules. The revival of a cappella singing took place around 1938 when a tax lawyer named Owen C. Cash sought to