Lindsay Doran film. Doran explained, "For 10 years I'd been trying to find somebody I thought could adapt it. Usually romantics are too optimistic and dreamy to see Austen's cynicism, and satirists are too cynical to believe in romance." Thompson fit Doran's criteria for a good screenwriter, despite the actress never having written a screenplay before. The resulting production of "Sense and Sensibility" earned Thompson an Academy Award for Best Adapted Screenplay, making her the only person to have won an Oscar for both her writing and acting (Thompson won the Best Actress award for "Howards End", in 1993). Along with producing,
Sense and Sensibility and Sea Monsters into horror" and commenting that "instead of destroying the integrity of Austen’s subtle romance, Winters’ mysterious chanting natives, sea-witch curses, and undersea habitats move the story into a gothic realm". "New York Magazine" gave the novel a mixed review, stating that "It’s hard to say, in the end, if this is an homage, an exploitation, a deconstruction, or just a 300-page parlor trick. Although the sea-monster subplots, considered independently, rarely rise above pulp clichés, the book’s best moments do achieve a kind of bizarro symbiosis." Sense and Sensibility and Sea Monsters Sense and Sensibility and Sea Monsters (2009) is a