Sense and Sensibility (film) could capture Mr. Palmer's disenchantment and redemption so perfectly, and make it funny." Thompson wrote the part of Edward Ferrars with Grant in mind, and he agreed to receive a lower salary in line with the film's budget. Grant called her screenplay "genius", explaining "I've always been a philistine about Jane Austen herself, and I think Emma's script is miles better than the book and much more amusing." Grant's casting was criticised by the Jane Austen Society of North America (JASNA), whose representatives said that he was too handsome for the part. Actress Kate Winslet initially intended to audition for
Sense and Sensibility have long been engaged in conversations about Jane Austen, and "Sense in Sensibility" has figured in these discussions, especially around the patriarchal system of inheritance and earning. Sandra M. Gilbert and Susan Gubar's seminal feminist work "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Imagination" contains several discussions of "Sense and Sensibility." Gilbert and Gubar read the beginning "Sense and Sensibility" as a retelling of "King Lear" from a female perspective and contend that these "reversals imply that male traditions need to be evaluated and reinterpreted from a female perspective." Gilbert and Gubar argue that Austen explores