Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility (2008 TV series) this new "Sense and Sensibility", the last in Masterpiece's winter-long homage to Austen; it is both lush and tidy. But it alters the emotional chemistry, and the result is an adaptation that feels more arid than Mr. Lee's effort." Nancy Banks-Smith from "The Guardian" called "Sense and Sensibility" "a charmingly domestic and spontaneous treatment of the story", adding that it had become "a younger sister" of Lee's 1995 film. "Variety's" Brian Lowry commented, "this latest "Sense & Sensibility" has done a splendid job casting its various roles, despite an inevitable wattage deficit compared with the most recent theatrical version. Davies