Godzilla (1998 film) scenes that required practical effects, Tatopoulos' studio created a 6th-scale animatronic model of Godzilla's upper-body as well as a 24th-scale Godzilla suit donned by stuntman Kurt Carley, however, the filmmakers favored CG over practical effects and as a result, the final film features 400 digital shots, 185 of which feature Godzilla, and only two dozen practical effects used in the final film. Production began in May 1997, in New York City, and moved to Los Angeles in June. Scenes in New York were filmed in 13 days; tropical scenes were filmed in the Hawaiian Islands. The United States Marine Corps
Godzilla (1998 film) under darkly overcast skies, which, of course, makes it all the easier for Emmerich to obscure Godzilla's features for the maximum amount of time to generate the maximum amount of suspense." Writing for the "Chicago Sun-Times", Roger Ebert gave the film one-and-a-half stars out of four, noting that "One must carefully repress intelligent thought while watching such a film. The movie makes no sense at all except as a careless pastiche of its betters (and, yes, the Japanese "Godzilla" movies are, in their way, better—if only because they embrace dreck instead of condescending to it). You have to absorb such