Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Cabaret Cornichon known as 'Geistige Landesverteidigung' ('national' spiritual defence), it also opposed fascism and Nazism. The term "Geistige Landesverteidigung" refers to the strong and widespread political will of the Swiss to defend the country’s independence and democratic constitution against the Nazis. The cabaret was established in opposition to the right-wing organization known as the ‘Frontenbewegung’, whose views mirrored those of the National Socialist Party in Germany. After the Second World War, the cabaret split up amid the political tensions of the Cold War. While some of its members sided with the political left, those in opposition founded the Cabaret Fédéral in 1949.