Godzilla (1998 film) scenes that required practical effects, Tatopoulos' studio created a 6th-scale animatronic model of Godzilla's upper-body as well as a 24th-scale Godzilla suit donned by stuntman Kurt Carley, however, the filmmakers favored CG over practical effects and as a result, the final film features 400 digital shots, 185 of which feature Godzilla, and only two dozen practical effects used in the final film. Production began in May 1997, in New York City, and moved to Los Angeles in June. Scenes in New York were filmed in 13 days; tropical scenes were filmed in the Hawaiian Islands. The United States Marine Corps
Godzilla: King of the Monsters (2019 film) about the sequel, stating, "The response to the first film was really exciting, but now that that world is established, we can do bigger and even better things." While promoting "", Borenstein mentioned that one thing he aimed to do in the "Godzilla" sequel is make Godzilla more empathetic for the audience, referencing the end of the first film, "When [Godzilla] blows his blue flame down the throat of the other creature – a creature we never empathized with in any way – we're empathizing with Godzilla. That's the thing about the movie that I'm most proud of, and I