Pop art Kooning appeared and was turned away by Tremaine, who ironically owned a number of de Kooning's works. Rosenquist recalled: "at that moment I thought, something in the art world has definitely changed". Turning away a respected abstract artist proved that, as early as 1962, the pop art movement had begun to dominate art culture in New York. A bit earlier, on the West Coast, Roy Lichtenstein, Jim Dine and Andy Warhol from New York City; Phillip Hefferton and Robert Dowd from Detroit; Edward Ruscha and Joe Goode from Oklahoma City; and Wayne Thiebaud from California were included in the "New
Pop-up book York. Her pop-up books, movable books, and tunnel books are in the collections of The Getty Museum, Victoria and Albert Museum in London, The Smithsonian Institution, and the Museum of Modern Art. Some pop-up books receive attention as literary works for the degree of artistry or sophistication which they entail. One example is "", by Matthew Reinhart. This book received literary attention for its elaborate pop-ups, and the skill of its imagery, with "The New York Times" saying that "calling this sophisticated piece of engineering a 'pop-up book' is like calling the Great Wall of China a partition". The 1967