Sense and Sensibility (film) Austen adaptation of all time, opining that Lee "offered an acute outsider's insight into Austen in this compelling 1995 interpretation of the book [and] Emma Thompson delivered a charming turn as the older, wiser, Dashwood sister, Elinor." Journalist Zoe Williams credits Thompson as the person most responsible for Austen's popularity, explaining in 2007 that "Sense and Sensibility" "is the definitive Austen film and that's largely down to her." In 2011, "The Guardian" film critic Paul Laity named it his favourite film of all time, partly because of its "exceptional screenplay, crisply and skilfully done.". Devoney Looser reflected on the film
Dissociation of sensibility origins in colonialism and human slavery.” Gates goes on to infer that, in this context, dissociation of sensibility reflects the way in which literature, in this sense analogous to thought, is dissociated from race and otherness (which parallel Eliot’s idea of feeling). Dissociation of sensibility Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay “The Metaphysical Poets”. It refers to the way in which intellectual thought was separated from the experience of feeling in seventeenth century poetry. Eliot used the term to describe the manner by which the nature and substance of English