Sense and Sensibility (film) Davies, the screenwriter of "Pride and Prejudice", adapted "Sense and Sensibility" for television. As a reaction to what he said was Lee's overly "sentimental" film, this production features events found in the novel but excluded from Thompson's screenplay, such as Willoughby's seduction of Eliza and his duel with Brandon. It also features actors closer to the ages in the source material. "Sense and Sensibility" has maintained its popularity into the twenty-first century. In 2004, Louise Flavin referred to the 1995 film as "the most popular of the Austen film adaptations," and in 2008, "The Independent" ranked it as the third-best
Dissociation of sensibility origins in colonialism and human slavery.” Gates goes on to infer that, in this context, dissociation of sensibility reflects the way in which literature, in this sense analogous to thought, is dissociated from race and otherness (which parallel Eliot’s idea of feeling). Dissociation of sensibility Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay “The Metaphysical Poets”. It refers to the way in which intellectual thought was separated from the experience of feeling in seventeenth century poetry. Eliot used the term to describe the manner by which the nature and substance of English