Pop art Kooning appeared and was turned away by Tremaine, who ironically owned a number of de Kooning's works. Rosenquist recalled: "at that moment I thought, something in the art world has definitely changed". Turning away a respected abstract artist proved that, as early as 1962, the pop art movement had begun to dominate art culture in New York. A bit earlier, on the West Coast, Roy Lichtenstein, Jim Dine and Andy Warhol from New York City; Phillip Hefferton and Robert Dowd from Detroit; Edward Ruscha and Joe Goode from Oklahoma City; and Wayne Thiebaud from California were included in the "New
New Pop the US associated with the Second British Invasion. The term was used by the music industry and by American music journalists during the 1980s to characterize "new" movements like New Pop and New Romanticism. Many New Pop artists created music that sweetened less commercial and experimental aspects with a pop coating. Entryism became a popular concept for groups at the time. New Music acts were danceable, had an androgynous look, emphasized the synthesizer and drum machines, wrote about the darker side of romance, and were British. They rediscovered rockabilly, Motown, ska, reggae and merged it with African rhythms to produce