The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Roman dictator be appointed following the resignation of another. A dictator could be compelled to resign his office without accomplishing his task or serving out his term if there were found to be a fault in the auspices under which he had been nominated. Like other curule magistrates, the dictator was entitled to the "toga praetexta" and the "sella curulis". He received a ceremonial bodyguard that was unique in Roman tradition: "[t]wenty-four lictors indicated his quasi-regal power, which, however, was rather a concentration of the consular authority than a limited revival of the kingship." In a notable exception to the Roman reluctance