The Great Dictator late 1920s. "The Great Dictator" does feature several scenes without dialogue more in keeping with Chaplin's earlier films. The score was written and directed by Meredith Willson, later known as composer and librettist of the 1957 musical comedy "The Music Man": According to Willson, the scene in which Chaplin shaves a customer to "Brahms' Hungarian Dance" No. 5 had been filmed before he arrived, using a phonograph record for timing. Willson's task was to re-record it with the full studio orchestra, fitting the music to the action. They had planned to do it painstakingly, recording eight measures or less at
The Great Dictator as a variation on the theme. French film director François Truffaut later noted that early in the production, Chaplin said he would not play The Tramp in a sound film. Turner Classic Movies says that years later, Chaplin acknowledged a connection between The Tramp and the barber. Specifically, "There is some debate as to whether the unnamed Jewish barber is intended as the Tramp's final incarnation. Although in his autobiography he refers to the barber as the Little Tramp, Chaplin said in 1937 that he would not play the Little Tramp in his sound pictures." In "My Autobiography", Chaplin would