Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Dark cabaret performance as dark cabaret, such as San Diego's The Tragic Tantrum in the US, Katzenjammer Kabarett in France, or Ray Childish in Graz, Austria. New sects of dark cabaret have emerged from the previous theatrical dark cabaret. With a more aggressive side and a punk or metal background, with some bands also closely associated with the punk cabaret subgenre, for example: Stolen Babies or Harlequin Jones. The appearance of an identifiable dark cabaret scene coincided with the rise of Neo-Burlesque starting in the 1990s. The two have become linked following the appearance of performers such as the Chicago burlesque orchestra