33⅓ Revolutions per Monkee Monkees through various stages of evolution until they are ready to brainwash the world via commercial exploitation. Trapped in giant test tubes, the four are stripped of all personal identity and names: Micky Dolenz becomes Monkee #1, Peter Tork becomes Monkee #2, Michael Nesmith Monkee #3, and Davy Jones Monkee #4. Each Monkee (under Driscoll's watch) attempts to regain their stripped personal identities by thinking a way out of captivity into their own world of fantasies. Monkee #1 (Dolenz) performs an R&B up-tempo duet remake of "I'm a Believer" with Driscoll; Monkee #2 (Tork) reclines on a giant cushion in
Typewriter in the Sky his own imagination, to populate them, and to destroy them. The clearest example of this divine power of the author appears in "Typewriter in the Sky" (1940)". Urban notes that the “theme of superior men or supermen” in works like Typewriter in the Sky is continued in Dianetics and Scientology. Writing in the October 1951 issue of "The Magazine of Fantasy and Science Fiction", Anthony Boucher and J. Francis McComas wrote favorably of "Typewriter in the Sky", and characterized it as "an entertaining adventure-farce badly in need of editing". Reviewing the same edition, Groff Conklin termed it "a silly idea