Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility (2008 TV series) stepped out of the shadows of two formidable predecessors: Ang Lee's gorgeous 1995 film version of the novel, and scriptwriter Andrew Davies's own masterpiece, "Pride and Prejudice"." Davies enjoyed Morahan's "luminous" performance as Elinor, as well as Williams and Morrissey's turns as Sir John and Colonel Brandon respectively, although she thought the opening scene was "misconceived". Davies' colleague, James Walton, proclaimed, "In the end, this "Sense and Sensibility" was perhaps brilliantly competent rather than surpassingly brilliant. Nevertheless, it still proved easily good enough to get the costume-drama year off to a hugely enjoyable start." The crew of "Sense and Sensibility"