Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters. "Sense and Sensibility," much like Austen's other fiction, has attracted a large body of criticism from many different critical approaches. Early reviews of "Sense and Sensibility" focused on the novel as providing lessons in conduct (which would be debated by many later critics) as well as reviewing the characters. The Norton Critical Edition of "Sense and Sensibility," edited by Claudia Johnson, contains a number of reprinted early reviews in its supplementary material. An "Unsigned Review" in the February 1812 "Critical Review" praises "Sense