Natan Sharansky article, "Last Days of the Gulag" by Mike Edwards, profiles through photographs and text one of the few remaining Soviet prison labor camps. The article featured a photo of Natan Sharansky and his wife Avital in their home in Israel viewing photos of the same Gulag where he had been imprisoned, but as it appeared in 1990. Sharansky remarked in the article that after viewing images of the prisoner's faces he could discern that the protocol of oppression was still at work. The author also showed Sharansky a photo of the cold isolation cell where he had himself been confined.
Bernard Natan from prison, the French government handed him over to the occupying German authorities. Natan was sent to the Auschwitz concentration camp on September 25, 1942, where it is believed he died in 1943. Bernard Natan's importance to the French film industry should not be underestimated. He pioneered the vertical integration of the French film industry, and adopted the "American model" of film-making and distribution. This model provides the underpinning of the French film industry even in the 21st century. Indeed, Pathé survived into the 1980s almost solely on revenues generated by the companies purchased and integration instituted by Bernard Natan.