The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Roman dictator expected to resign, and when the dictator laid down his "imperium", so would the magister equitum. In theory, the magister equitum was commander of the cavalry, but he was not limited to that role. The dictator and magister equitum did not always take the field together; in some instances the magister equitum was assigned the defense of the city while the dictator took an army into the field, while on other occasions the dictator remained at Rome to see to some important duty, and entrusted the magister equitum with an army in the field. The magister equitum was necessarily subordinate