The Great Dictator something curiously appropriate about the little tramp impersonating the dictator, for by 1939 Hitler and Chaplin were perhaps the two most famous men in the world. The tyrant and the tramp reverse roles in "The Great Dictator", permitting the eternal outsider to address the masses". In "The 50 Greatest Jewish Movies" (1998), Kathryn Bernheimer writes, "What he chose to say in "The Great Dictator", however, was just what one might expect from the Little Tramp. Film scholars have often noted that the Little Tramp resembles a Jewish stock figure, the ostracized outcast, an outsider." Several reviewers of the late 20th
Dictator novel as being one of structure, and therefore the problem of the state "manifested through the will of some monstrous personage violating the ordinary individual's privacy, both of home and of consciousness." In the early twentieth century, the Spaniard Ramón del Valle-Inclán's "Tirano Banderas" (1926) acted as a key influence on those authors whose goal was to critique power structures and the status quo. Latin American novels that explore political themes, but that do not centre upon the rule of a particular dictator, are informally classified as “not quite dictator novels”. For example, "Libro de Manuel" (A Manual for Manuel, 1973),