The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Roman dictator their office, although subject to the dictator's authority, and continued in office until the expiration of their year, by which time the dictator had typically resigned. It is uncertain whether a dictator's "imperium" could extend beyond that of the consul by whom he was nominated; Mommsen believed that his "imperium" would cease together with that of the nominating magistrate, but others have suggested that it could continue beyond the end of the civil year; and in fact there are several examples in which a dictator appears to have entered a new year without any consuls at all, although some scholars