Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Cabaret Voltaire (Zurich) refugees coming to Zürich were artists from all over Europe. Ball and Hennings approached Ephraim Jan, patron of the "Holländische Meierei" at Spiegelgasse 1, which had already hosted Zürich's first literary cabaret, the "Pantagruel" in 1915. Jan permitted them to use the back room for events. The press release on 2 February 1916 announcing the opening of the club reads: The Cabaret Voltaire. Under this name a group of young artists and writers has formed with the object of becoming a center for artistic entertainment. In principle, the Cabaret will be run by artists, permanent guests, who, following their daily