Marni Nixon film's "Tonight" quintet. She asked the film's producers for, but did not receive, any direct royalties from her work on the film, but Leonard Bernstein contractually gave her 1/4 of one percent of his personal royalties from it. In 1962, she also sang Wood's high notes in "Gypsy". For "My Fair Lady" in 1964, she again worked with the female lead of the film, Audrey Hepburn, to perform the songs of Hepburn's character Eliza. Because of her uncredited dubbing work in these films, "Time" magazine called her "The Ghostess with the Mostest". Nixon made guest appearances with Leonard Bernstein's "Young
The Woman Who Did remembrance of Lady Morris, I shall perhaps be forgiven by the public for raising my feeble voice in answer to "The Woman Who Did"". The campaigner Emma Brooke saw this novel and her own novel "The Superfluous Woman" as important in trying to resolve the "Sex Question" which she thought dominated intellectual debate in the 1880s. She was annoyed when H. G. Wells reinvented the question when he spoke to the Fabian Society in 1906. Thomas Hardy approved more of Allen's progressive aims in the novel, than of their artistic realisation. The Woman Who Did The Woman Who Did (1895)