Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility of inheritance. Gene Ruoff's book "Jane Austen's Sense and Sensibility" explores these issues in an entire book-length discussion on the novel. Ruoff's first two chapters deal extensively on the subject of wills and on the discourse of inheritance. These topics reveal what Ruoff calls "the cultural fixation on priority of male birth." According to Ruoff, male birth is by far the dominant issue in these legal conversations. Ruoff observes that, within the linear family, the order of male birth decides issues of eligibility and merit. When Robert Ferrars becomes the eldest son, Edward is no longer appealing to his "opportunistic