The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Roman dictator the earliest period, the official title of the dictator throughout the history of the Republic was "magister populi", or "master of the infantry". His lieutenant, the "magister equitum", was the "master of the horse" (that is, of the cavalry). However, the use of "dictator" to refer to the "magister populi" seems to have been widespread from a very early period. The appointment of a dictator involved three steps: first, the Senate would issue a decree known as a "senatus consultum", authorizing one of the consuls to nominate a dictator. Technically, a "senatus consultum" was advisory, and did not have the