Sense and Sensibility (film) Emma Thompson had written. Doran believed the humour and style of writing was "exactly what [she'd] been searching for." Thompson and Doran were already working together on Mirage's 1991 film "Dead Again." A week after its completion, the producer selected Thompson to adapt "Sense and Sensibility", although she knew that Thompson had never written a screenplay. Also a fan of Austen, Thompson first suggested they adapt "Persuasion" or "Emma" before agreeing to Doran's proposal. The actress found that "Sense and Sensibility" contained more action than she had remembered, and decided it would translate well to drama. Thompson spent five years
Dissociation of sensibility origins in colonialism and human slavery.” Gates goes on to infer that, in this context, dissociation of sensibility reflects the way in which literature, in this sense analogous to thought, is dissociated from race and otherness (which parallel Eliot’s idea of feeling). Dissociation of sensibility Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay “The Metaphysical Poets”. It refers to the way in which intellectual thought was separated from the experience of feeling in seventeenth century poetry. Eliot used the term to describe the manner by which the nature and substance of English