James Bond Theme end credits is David Arnold's "Casino Royale" track "The Name's Bond…James Bond". Despite this, the film's score was composed by Thomas Newman, who also incorporated the "James Bond Theme" throughout the entire film. In "Spectre", the theme appears at the beginning of the film as part of the opening gunbarrel sequence, indicating a return to the franchise's classic roots of 1962–2002. Over 70 cover versions of the "James Bond Theme" have been recorded by artists such as: American electronica musician Moby produced a remixed version of the theme entitled "James Bond Theme (Moby's Re-Version)" for the Bond film "Tomorrow Never
David Niven on the Bounty" brought him to the attention of independent film producer Samuel Goldwyn, who signed him to a contract and established his career. For Goldwyn, Niven had a small role in "Splendor" (1935). He was lent to MGM for a small part in "Rose Marie" (1936) then had a larger one in "Palm Springs" (1936) at Paramount. His first sizeable part for Goldwyn came in "Dodsworth" (1936), playing a man who flirts with Ruth Chatterton. He was loaned to 20th Century Fox to play Bertie Wooster in "Thank You, Jeeves!" (1936), then had a good part as a soldier