The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Roman dictator was nearly absolute. However, as a rule he could not exceed the mandate for which he was appointed; a dictator nominated to hold the "comitia" could not then take up a military command against the wishes of the Senate. Some dictators appointed to a military command also performed other duties, such as holding the "comitia", or driving a nail into the wall of the Temple of Jupiter Optimus Maximus; but presumably they did so with the Senate's consent. The "imperium" of the other magistrates was not vacated by the nomination of a dictator. They continued to perform the duties of