The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Dictator any limitations on his power, which he kept until his assassination the following month. Following Julius' assassination, his heir Augustus was offered the title of dictator, but he declined it. Later successors also declined the title of dictator, and usage of the title soon diminished among Roman rulers. As late as the second half of the 19th century, the term "dictator" had occasional positive implications. For example, when creating a provisional executive in Sicily during the Expedition of the Thousand in 1860, Giuseppe Garibaldi officially assumed the title of "Dictator" (see Dictatorship of Garibaldi). Shortly afterwards, during the 1863 January