Villanelle protagonist Stephen Dedalus. William Empson revived the villanelle more seriously in the 1930s, and his contemporaries and friends W. H. Auden and Dylan Thomas also picked up the form. Dylan Thomas's "Do not go gentle into that good night" is perhaps the most renowned villanelle of all. Theodore Roethke and Sylvia Plath wrote villanelles in the 1950s and 1960s, and Elizabeth Bishop wrote a particularly famous and influential villanelle, "One Art," in 1976. The villanelle reached an unprecedented level of popularity in the 1980s and 1990s with the rise of the New Formalism. Since then, many contemporary poets have written
That Good Night (film) a showcase for Hurt and Dance." Wendy Ide of Screen Daily also gave the film a positive review and wrote "So effortlessly good is Hurt, however, that he rather outclasses the rest." Hurt's performance was described as "excellent" by "Daily Mail". James Luxford from "Picturehouse Spotlight" wrote that "That Good Night", "is an absorbing British drama that explores issues that with resonate with everyone who sees it. Featuring performances that will inspire conversations long after the credits have rolled, it is a fitting tribute to one of our most instinctive talents." "CineVue"s Jamie Neish rated the film 2/5, and wrote