Sense and Sensibility (film) side of Edward and Brandon, as they become father or brother figures to her. The film omits the characters of Lady Middleton and her children, as well as that of Ann Steele, Lucy's sister. When adapting the characters for film, Thompson found that in the novel, "Edward and Brandon are quite shadowy and absent for long periods," and that "making the male characters effective was one of the biggest problems. Willoughby is really the only male who springs out in three dimensions." Several major male characters in "Sense and Sensibility" were consequently altered significantly from the novel in an effort
Sense and Sensibility of society by finding a male protector," women such as Mrs. Ferrars and Lucy Steele demonstrate how women can "themselves become agents of repression, manipulators of conventions, and survivors." In order to protect themselves and their own interests, Mrs. Ferrars and Lucy Steele must participate in the same patriarchal system that oppresses them. In her chapter ""Sense and Sensibility:" Opinions Too Common and Too Dangerous" from her book "Jane Austen: Women, Politics, and the Novel," Claudia Johnson also performs a feminist reading of "Sense and Sensibility. She d"iffers from previous critics, especially the earliest ones, in her contention that "Sense