Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Cabaret Cornichon Cabaret Cornichon The Cabaret Cornichon (Gherkin cabaret) was a Swiss cabaret company. It existed from 1934 to 1951 and was founded by Otto Weissert, Walter Lesch, Emil Hegetschweiler and Alois Carigiet. They were later joined by, among others, Max Werner Lenz, Elsie Attenhofer, Voli Geiler, Margrit Rainer, Ruedi Walter, Heinrich Gretler, Zarli Carigiet, Karl Meier and Alfred Rasser. The musical director was the pianist, Nico Kaufmann. From autumn 1950 to spring of 1951, Margrit Läubli appeared in the last programs of Cabaret Cornichon. The Cabaret Cornichon was essentially an entertainment cabaret but, inspired by the ideals of what later became