Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Cabaret du Ciel same time in Montmartre in the 1890s. The "Cabaret du Ciel" and the "Cabaret de L'Enfer" took advantage of their proximity and enhanced it further by taking radically different approaches on their exterior design, which led prospective patrons to want to visit both during an outing. Because the "Cabaret du Ciel" and the "Cabaret de L'Enfer" were next door to each other, customers could visit both and get an idea of these two very different concepts of entertainment. The two operations took advantage of their proximity and enhanced it further by taking radically different approaches on their exterior design. The