Sense and Sensibility (film) a different century, "You don't think people are still concerned with marriage, money, romance, finding a partner?" She was keen to emphasise the realism of the Dashwoods' predicament in her screenplay, and inserted scenes to make the differences in wealth more apparent to modern audiences. Thompson made the Dashwood family richer than in the book and added elements to help contrast their early wealth with their later financial predicament; for instance, because it might have been confusing to viewers that one could be poor and still have servants, Elinor is made to address a large group of servants at Norland
Sense and Sensibility Austen "wrestled with epistolary form" in previous writings and, with the publication of "Sense and Sensibility," "announced her victory over the constraints of the letter." Favret contends that Austen's version of the letter separates her from her "admired predecessor, Samuel Richardson" in that Austen's letters are "a misleading guide to the human heart which, in the best instances, is always changing and adapting." According to Favret, with the character of Elinor Dashwood is an "anti-epistolary heroine" whose "inner world" of thoughts and feelings does not find "direct expression in the novel, although her point of view controls the story." "Sense