Godzilla (1998 film) however, was not without its supporters. Kevin Thomas of the "Los Angeles Times", wrote that the film was an "expertly designed theme park ride of a movie that packs nonstop thrills." In a slightly positive fashion, Gary Kamiya of Salon commented that "The plot is about as ridiculous as you'd expect, but for the most part its absurdities are tolerable." Joe Leydon of "Variety" contributed mildly to the positive sentiment by saying "Throughout "Godzilla", New York endures the most sustained rainfall in all of movie history. Most of the action takes place at night, but even the daytime scenes unfold
Godzilla last longer during performances. In "The Return of Godzilla" (1984), some scenes made use of a 16-foot high robotic Godzilla (dubbed the "Cybot Godzilla") for use in close-up shots of the creature's head. The Cybot Godzilla consisted of a hydraulically-powered mechanical endoskeleton covered in urethane skin containing 3,000 computer operated parts which permitted it to tilt its head and move its lips and arms. In "Godzilla" (1998), special effects artist Patrick Tatopoulos was instructed to redesign Godzilla as an incredibly fast runner. At one point, it was planned to use motion capture from a human to create the movements of