Pop art Kooning appeared and was turned away by Tremaine, who ironically owned a number of de Kooning's works. Rosenquist recalled: "at that moment I thought, something in the art world has definitely changed". Turning away a respected abstract artist proved that, as early as 1962, the pop art movement had begun to dominate art culture in New York. A bit earlier, on the West Coast, Roy Lichtenstein, Jim Dine and Andy Warhol from New York City; Phillip Hefferton and Robert Dowd from Detroit; Edward Ruscha and Joe Goode from Oklahoma City; and Wayne Thiebaud from California were included in the "New
Pop punk Beatles, the Kinks and the Beach Boys all paved the way for pop punk. With their love of the Beach Boys and late 1960s bubblegum pop, the Ramones paved the way to what became known as pop punk. The Ramones' loud and fast melodic minimalism differentiated them from other bands in New York City's budding art rock scene, but pop punk was not considered a separate subgenre until later. An early use of the term "pop punk" appeared in a 1977 "New York Times" article, "Cabaret: Tom Petty's Pop Punk Rock Evokes Sounds of 60s". In the late 1970s, English