The Great Dictator something curiously appropriate about the little tramp impersonating the dictator, for by 1939 Hitler and Chaplin were perhaps the two most famous men in the world. The tyrant and the tramp reverse roles in "The Great Dictator", permitting the eternal outsider to address the masses". In "The 50 Greatest Jewish Movies" (1998), Kathryn Bernheimer writes, "What he chose to say in "The Great Dictator", however, was just what one might expect from the Little Tramp. Film scholars have often noted that the Little Tramp resembles a Jewish stock figure, the ostracized outcast, an outsider." Several reviewers of the late 20th
Dictator novel The dictator novel came back into fashion in the 1970s, towards the end of the Boom. As Sharon Keefe Ugalde remarks, "the 1970s mark a new stage in the evolution of the Latin American dictator novel, characterized by at least two developments: a change in the perspective from which the dictator is viewed and a new focus on the nature of language." By this she means that the dictator novels of the 1970s, such as "The Autumn of the Patriarch" or "I, the Supreme", offer the reader a more intimate view of their subject: "the dictator becomes protagonist" and the