Sense and Sensibility (film) Emma Thompson had written. Doran believed the humour and style of writing was "exactly what [she'd] been searching for." Thompson and Doran were already working together on Mirage's 1991 film "Dead Again." A week after its completion, the producer selected Thompson to adapt "Sense and Sensibility", although she knew that Thompson had never written a screenplay. Also a fan of Austen, Thompson first suggested they adapt "Persuasion" or "Emma" before agreeing to Doran's proposal. The actress found that "Sense and Sensibility" contained more action than she had remembered, and decided it would translate well to drama. Thompson spent five years
Sense and Sensibility Austen "wrestled with epistolary form" in previous writings and, with the publication of "Sense and Sensibility," "announced her victory over the constraints of the letter." Favret contends that Austen's version of the letter separates her from her "admired predecessor, Samuel Richardson" in that Austen's letters are "a misleading guide to the human heart which, in the best instances, is always changing and adapting." According to Favret, with the character of Elinor Dashwood is an "anti-epistolary heroine" whose "inner world" of thoughts and feelings does not find "direct expression in the novel, although her point of view controls the story." "Sense