Paul McCartney and Wings the seven-month sessions was the Linda composition "Seaside Woman", which was finally issued in 1977, credited to "Suzy and the Red Stripes". Near the end of the "Red Rose Speedway" sessions, in October 1972, Wings recorded the theme song to the James Bond film "Live and Let Die", which reunited McCartney with Beatles producer/arranger George Martin. Issued as a non-album single in mid-1973, "Live and Let Die" became a worldwide hit and has remained a highlight of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney and Wings filmed a TV special, the critically maligned "James Paul
Paul McCartney in 1968, the two got into an argument over McCartney's critique of Starr's drum part for "Back in the U.S.S.R.", which contributed to Starr temporarily leaving the band. Starr later commented on working with McCartney: "Paul is the greatest bass player in the world. But he is also very determined ... [to] get his own way ... [thus] musical disagreements inevitably arose from time to time." McCartney and Starr collaborated on several post-Beatles projects starting in 1973, when McCartney contributed instrumentation and backing vocals for "Six O'Clock", a song McCartney wrote for Starr's album "Ringo". McCartney played a kazoo solo