Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility opinion, Austen's favoring of Elinor's temperament over Marianne's provides the lesson. The review claims that "the object of the work is to represent the effects on the conduct of life, of discreet quiet good sense on the one hand, and an overrefined and excessive susceptibility on the other." The review states that "Sense and Sensibility" contains "many sober and salutary maxims for the conduct of life" within a "very pleasing and entertaining narrative." W. F. Pollock's 1861 review from "Frasier's Magazine," titled "British Novelists," becomes what editor Claudia Johnson terms an "early example of what would become the customary view