Pop art Kooning appeared and was turned away by Tremaine, who ironically owned a number of de Kooning's works. Rosenquist recalled: "at that moment I thought, something in the art world has definitely changed". Turning away a respected abstract artist proved that, as early as 1962, the pop art movement had begun to dominate art culture in New York. A bit earlier, on the West Coast, Roy Lichtenstein, Jim Dine and Andy Warhol from New York City; Phillip Hefferton and Robert Dowd from Detroit; Edward Ruscha and Joe Goode from Oklahoma City; and Wayne Thiebaud from California were included in the "New
New Pop what was described as a "fertile, stylistic cross-pollination". Author Simon Reynolds noted that the New Pop movement "involved a conscious and brave attempt to bridge the separation between 'progressive' pop and mass/chart pop – a divide which has existed since 1967, and is also, broadly, one between boys and girls, middle-class and working-class." The term "New Music" or "New Pop" was used loosely to describe synthpop groups such as the Human League, soul-disco acts such as ABC, new wave acts such as Elvis Costello and the Pretenders, jangle pop bands such as Orange Juice, and American MTV stars such as