Paul McCartney and Wings the seven-month sessions was the Linda composition "Seaside Woman", which was finally issued in 1977, credited to "Suzy and the Red Stripes". Near the end of the "Red Rose Speedway" sessions, in October 1972, Wings recorded the theme song to the James Bond film "Live and Let Die", which reunited McCartney with Beatles producer/arranger George Martin. Issued as a non-album single in mid-1973, "Live and Let Die" became a worldwide hit and has remained a highlight of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney and Wings filmed a TV special, the critically maligned "James Paul
Bluebird (Paul McCartney and Wings song) McCartney compares himself in love to a bluebird. The opening lyrics are: The refrain is simply a rhythmic chart based on the phrase "I'm a Bluebird" sung by McCartney with Linda and Denny Laine providing harmony. Blaney interprets the bluebird as "a metaphor for the transcendent power of love and the liberation of the human spirit from mental and physical bondage." Benitez regards the bluebird as a metaphor for love itself - love that is the only source of transcendent freedom. The song describes the singer's revitalization after having been upset at the beginning of the song. Jon Landau describes