Sense and Sensibility (film) editing process: It was the first film that I had done with Ang that was all in English, and it's Emma Thompson, Kate Winslet, Alan Rickman, and Hugh Grant — these great, great actors. When you get footage like that, you realise that your job is really not technical. It was my job to look at something that Emma Thompson had done and say, "Eh, that's not good, I'll use this other one instead." And not only was I allowed to pass judgment on these tremendous actors, I was required to. Scholar Louise Flavin has noted that Thompson's screenplay contains
Sense and Sensibility Austen "wrestled with epistolary form" in previous writings and, with the publication of "Sense and Sensibility," "announced her victory over the constraints of the letter." Favret contends that Austen's version of the letter separates her from her "admired predecessor, Samuel Richardson" in that Austen's letters are "a misleading guide to the human heart which, in the best instances, is always changing and adapting." According to Favret, with the character of Elinor Dashwood is an "anti-epistolary heroine" whose "inner world" of thoughts and feelings does not find "direct expression in the novel, although her point of view controls the story." "Sense