Marni Nixon film's "Tonight" quintet. She asked the film's producers for, but did not receive, any direct royalties from her work on the film, but Leonard Bernstein contractually gave her 1/4 of one percent of his personal royalties from it. In 1962, she also sang Wood's high notes in "Gypsy". For "My Fair Lady" in 1964, she again worked with the female lead of the film, Audrey Hepburn, to perform the songs of Hepburn's character Eliza. Because of her uncredited dubbing work in these films, "Time" magazine called her "The Ghostess with the Mostest". Nixon made guest appearances with Leonard Bernstein's "Young
My Fair Lady (Shelly Manne album) Fair Lady" tunes. Koenig brought in the complete score, and that evening Manne and Previn, between them, worked out the arrangements and recorded the entire album in one session, with Vinnegar providing the third "very important musical voice in the trio." Lively and appealing, and clearly aimed at popular taste, the music also showed some daring, in the vein of the experimentation that was a factor in much West Coast jazz in the 1950s. Previn, with considerable musical training, and having composed several film scores himself, was able to suggest certain technical modifications to the harmony and other aspects of