Sense and Sensibility (film) the same time, Thompson wished to avoid depicting "a couple of women waiting around for men"; gradually her screenplay focused as much on the Dashwood sisters' relationship with each other as it did with their romantic interests. With the draft screenplay, Doran pitched the idea to various studios in order to finance the film, but found that many were wary of the beginner Thompson as the screenwriter. She was considered a risk, as her experience was as an actress who had never written a film script. Columbia Pictures executive Amy Pascal supported Thompson's work, and agreed to sign as the
Sense and Sensibility of society by finding a male protector," women such as Mrs. Ferrars and Lucy Steele demonstrate how women can "themselves become agents of repression, manipulators of conventions, and survivors." In order to protect themselves and their own interests, Mrs. Ferrars and Lucy Steele must participate in the same patriarchal system that oppresses them. In her chapter ""Sense and Sensibility:" Opinions Too Common and Too Dangerous" from her book "Jane Austen: Women, Politics, and the Novel," Claudia Johnson also performs a feminist reading of "Sense and Sensibility. She d"iffers from previous critics, especially the earliest ones, in her contention that "Sense