Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Cabaret famous literary cabaret founded in Kraków by local poets, writers and artists during the final years of the Partitions of Poland.<br> In post-war Poland it is almost always associated with the troupe (often on tour), not the venue; pre-war revue shows (with female dancers) were long gone. American cabaret was imported from French cabaret by Jesse Louis Lasky in 1911. In the United States, cabaret diverged into several different styles of performance mostly due to the influence of jazz music. Chicago cabaret focused intensely on the larger band ensembles and reached its peak during Roaring Twenties, under the Prohibition Era,