Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility (film) Austen’s feminist satire on Regency gender economics," drawing attention not only to the financial plight of the Dashwoods but also to eighteenth-century women in general. In the United States, Sony and Columbia Pictures released "Sense and Sensibility" on a slow schedule compared to mainstream films, first premiering it on 13 December 1995. Believing that a limited release would position the film both as an "exclusive quality picture" and increase its chances of winning Academy Awards, Columbia dictated that its first weekend involve only seventy cinemas in the US; it opened in eleventh place in terms of box office takings and