Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility (2008 TV series) the series. Melinda Houston, writing for "The Age", called "Sense and Sensibility" "a gorgeous adaptation of her most frivolous work" and added, "It's all beautifully made, beautifully cast, and the script snaps and crackles. Maybe isn't quite as flawed as originally drawn but that's unlikely to detract from your enjoyment." Lenny Ann Low from "The Sydney Morning Herald" stated, "The locations, costumes and acting are excellent, with a particularly striking use of light – cold and grey skies foretelling doom through to rich candlelight signalling new passions." "The New York Times" critic Ginia Bellafante said, "There's nothing glaringly wrong with