Sense and Sensibility (film) the same time, Thompson wished to avoid depicting "a couple of women waiting around for men"; gradually her screenplay focused as much on the Dashwood sisters' relationship with each other as it did with their romantic interests. With the draft screenplay, Doran pitched the idea to various studios in order to finance the film, but found that many were wary of the beginner Thompson as the screenwriter. She was considered a risk, as her experience was as an actress who had never written a film script. Columbia Pictures executive Amy Pascal supported Thompson's work, and agreed to sign as the
Sense and Sensibility By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters. "Sense and Sensibility," much like Austen's other fiction, has attracted a large body of criticism from many different critical approaches. Early reviews of "Sense and Sensibility" focused on the novel as providing lessons in conduct (which would be debated by many later critics) as well as reviewing the characters. The Norton Critical Edition of "Sense and Sensibility," edited by Claudia Johnson, contains a number of reprinted early reviews in its supplementary material. An "Unsigned Review" in the February 1812 "Critical Review" praises "Sense