Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility have long been engaged in conversations about Jane Austen, and "Sense in Sensibility" has figured in these discussions, especially around the patriarchal system of inheritance and earning. Sandra M. Gilbert and Susan Gubar's seminal feminist work "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Imagination" contains several discussions of "Sense and Sensibility." Gilbert and Gubar read the beginning "Sense and Sensibility" as a retelling of "King Lear" from a female perspective and contend that these "reversals imply that male traditions need to be evaluated and reinterpreted from a female perspective." Gilbert and Gubar argue that Austen explores