James Bond in film the film, Special Effects and Miniature Effects Supervisor Chris Corbould used a more realistic style of film making and significantly reduced digital effects compared with previous Bond films. Corbould noted that, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real. It's the best way to go". Corbould used the 007 stage at Pinewood for the sinking of the Venetian house at the climax of the film, which featured the largest rig ever built for a Bond film. "Casino Royale" featured music composed by David Arnold,
David Niven on the Bounty" brought him to the attention of independent film producer Samuel Goldwyn, who signed him to a contract and established his career. For Goldwyn, Niven had a small role in "Splendor" (1935). He was lent to MGM for a small part in "Rose Marie" (1936) then had a larger one in "Palm Springs" (1936) at Paramount. His first sizeable part for Goldwyn came in "Dodsworth" (1936), playing a man who flirts with Ruth Chatterton. He was loaned to 20th Century Fox to play Bertie Wooster in "Thank You, Jeeves!" (1936), then had a good part as a soldier