The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
The Dictator (2012 film) countless talk shows, I feared the movie would feel like déjà vu. But no. He establishes a claim to be the best comic filmmaker now working. And in a speech about dictatorships, he practices merciless political satire." "Slant Magazine" conversely concluded, "bound to be one of the year's biggest comedy letdowns, "The Dictator" doesn't so much stir hot-button issues as showcase a great satirist off his game." Keith Uhlich of "Time Out" approved, giving it four stars out of five, and calling the opening scenes in the film "a brisk, hilarious jeremiad" and its ending monologue "a rousing, uproarious climactic