Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility and Sensibility" not, as it is often assumed to be, a "dramatized conduct book" that values "female prudence" (associated with Elinor's sense) over "female impetuosity" (associated with Marianne's sensibility). Rather, Johnson sees "Sense and Sensibility" as a "dark and disenchanted novel" that views "institutions of order" such as property, marriage, and family in a negative light, making the novel the "most attuned to social criticism" out of Austen's works. According to Johnson, "Sense and Sensibility" critically examines the codes of propriety as well as their enforcement by the community. Key to Austen's criticism of society, per Johnson's argument, is the