Meryl Streep in her impersonation of characters, "subsuming herself into them, rather than personifying them". In her early roles such as "Manhattan" and "Kramer vs. Kramer", she was compared to both Diane Keaton and Jill Clayburgh, in that her characters were unsympathetic, which Streep has attributed to the tendency to be drawn to playing women who are difficult to like and lack empathy. Streep has stated that many consider her to be a technical actor, but she professed that it comes down to her love of reading the initial script, adding, "I come ready and I don't want to screw around and
Meryl Streep "King Kong". Laurentiis, referring to Streep as she stood before him, said in Italian to his son: "This is so ugly. Why did you bring me this?" Unknown to Laurentiis, Streep understood Italian, and she remarked, "I'm very sorry that I'm not as beautiful as I should be, but, you know - this is it. This is what you get." She continued to work on Broadway, appearing in the 1976 double bill of Tennessee Williams' "27 Wagons Full of Cotton" and Arthur Miller's "A Memory of Two Mondays". She received a Tony Award nomination for Best Featured Actress in a