Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility have long been engaged in conversations about Jane Austen, and "Sense in Sensibility" has figured in these discussions, especially around the patriarchal system of inheritance and earning. Sandra M. Gilbert and Susan Gubar's seminal feminist work "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Imagination" contains several discussions of "Sense and Sensibility." Gilbert and Gubar read the beginning "Sense and Sensibility" as a retelling of "King Lear" from a female perspective and contend that these "reversals imply that male traditions need to be evaluated and reinterpreted from a female perspective." Gilbert and Gubar argue that Austen explores