Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility (film) Rather than focus on period details, he wanted his film to concentrate on telling a good story. He showed the cast a selection of films adapted from classic novels, including "Barry Lyndon" and "The Age of Innocence", which he believed to be "great movies; everybody worships the art work, [but] it's not what we want to do." Lee criticised the latter film for lacking energy, in contrast to the "passionate tale" of "Sense and Sensibility". The cast and crew experienced "slight culture shock" with Lee on a number of occasions. He expected the assistant directors to be the "tough ones"