Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters. "Sense and Sensibility," much like Austen's other fiction, has attracted a large body of criticism from many different critical approaches. Early reviews of "Sense and Sensibility" focused on the novel as providing lessons in conduct (which would be debated by many later critics) as well as reviewing the characters. The Norton Critical Edition of "Sense and Sensibility," edited by Claudia Johnson, contains a number of reprinted early reviews in its supplementary material. An "Unsigned Review" in the February 1812 "Critical Review" praises "Sense