Louis Armstrong street and stuck them into his mouth to prevent bigger children from stealing them. Someone dubbed him "satchel mouth" for his mouth acting as a satchel. Another tale is that because of his large mouth, he was nicknamed "satchel mouth" which was shortened to "Satchmo". Early on he was also known as "Dipper", short for "Dippermouth", a reference to the piece "Dippermouth Blues". and something of a riff on his unusual embouchure. The nickname "Pops" came from Armstrong's own tendency to forget people's names and simply call them "Pops" instead. The nickname was turned on Armstrong himself. It was used
Django Reinhardt by Dickey Betts in tribute to Reinhardt. Woody Allen's 1999 film "Sweet and Lowdown", the story of a Django Reinhardt-like character, mentions Reinhardt and includes actual recordings in the film. "Django was the definitive genius on the guitar, and the depth of his gift was so spectacular," says Allen. Jazz guitarists in the U.S., such as Charlie Byrd and Wes Montgomery, were influenced by his style. In fact, Byrd, who lived from 1925 to 1999, said that Reinhardt was his primary influence. Guitarist Mike Peters notes that "the word 'genius' is bantered about too much. But in jazz, Louis Armstrong