Driving Miss Daisy and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart." Peter Travers of "Rolling Stone" also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932." The performances of Tandy and Freeman were also praised by Vincent Canby of "The New York Times", who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film." "Driving Miss Daisy" also achieved the following distinctions at
Driving Miss Daisy (play) nursing home for increasing memory loss; but is lucid enough to tell Hoke, who has come to visit her, that he is her best friend. The play was inspired by Alfred Uhry's grandmother, Lena Fox, her chauffeur, Will Coleman, and his father. His grandmother, a Jewish woman who lived in Atlanta during the 1960s, had to give up driving after a car accident, and hired Coleman, who drove her for 25 years. Uhry wrote his "Atlanta Trilogy" based on his own experiences living in Atlanta as a Jew. He set his three plays at "historic moments in the city’s twentieth