James Bond in film the film, Special Effects and Miniature Effects Supervisor Chris Corbould used a more realistic style of film making and significantly reduced digital effects compared with previous Bond films. Corbould noted that, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real. It's the best way to go". Corbould used the 007 stage at Pinewood for the sinking of the Venetian house at the climax of the film, which featured the largest rig ever built for a Bond film. "Casino Royale" featured music composed by David Arnold,
David Niven Corliss" (1949). None of these films were successful at the box office and Niven's career was struggling. He returned to Britain to play the title role in "The Elusive Pimpernel" (1950) from Powell and Pressberger, which was to have been financed by Korda and Goldwyn. Goldwyn pulled out, and the film did not appear in the US for three years. Niven had a long, complex relationship with Goldwyn, who gave him his first start, but the dispute over "The Elusive Pimpernel" and Niven's demands for more money led to a long estrangement between the two in the 1950s. Niven struggled