Pop art Kooning appeared and was turned away by Tremaine, who ironically owned a number of de Kooning's works. Rosenquist recalled: "at that moment I thought, something in the art world has definitely changed". Turning away a respected abstract artist proved that, as early as 1962, the pop art movement had begun to dominate art culture in New York. A bit earlier, on the West Coast, Roy Lichtenstein, Jim Dine and Andy Warhol from New York City; Phillip Hefferton and Robert Dowd from Detroit; Edward Ruscha and Joe Goode from Oklahoma City; and Wayne Thiebaud from California were included in the "New
New York, New York (1977 film) from "Time Out" states that "Scorsese's tribute/parody/critique of the MGM musical is a razor-sharp dissection of the conventions of both meeting-cute romances and rags-to-riches biopics." Reviewer Vincent Canby from "The New York Times" questioned, "Why should a man of Mr. Scorsese's talent be giving us what amounts to no more than a film buff's essay on a pop-film form that was never, at any point in film history, of the first freshness?" Critic Roger Ebert from the "Chicago Sun-Times" writes that "Scorsese's New York, New York never pulls itself together into a coherent whole, but if we forgive the movie