Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility (soundtrack) the film, and is suitably romantic, but it's a shame that it's a score like this that got him a nomination and not a truly original one like his debut". Similarly, AllMusic writer Darryl Cater did not feel the film represented Doyle's best work, explaining that "most of it simply recycles melodic phrases from his previous stuff. Nonetheless, "Sense and Sensibility" has a pleasant romanticism in its orchestrations, and the vocal solos by renowned soprano Jane Eaglen are quite good". Writing for "The Daily Telegraph", Alan Titchmarsh called the score a "delicious masterpiece" and recommended it to film music fans.