Driving Miss Daisy and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart." Peter Travers of "Rolling Stone" also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932." The performances of Tandy and Freeman were also praised by Vincent Canby of "The New York Times", who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film." "Driving Miss Daisy" also achieved the following distinctions at
Driving Miss Crazy favorable review for the episode, stating, "I'll throw my hands up and say I enjoyed it, as strange as it was, I enjoyed every second of it. [The musical number]'s perhaps not the only weird thing to happen in this episode, which would be how I would describe 'Driving Miss Crazy'. I mean, whoever thought we would also see Mona and Emily as a couple (albeit not real but still perfectly executed by Mona), as well as a couple of twists at the end that have made me freeze and go 'hold on a minute, what fresh hell is this?'