Sense and Sensibility (film) a different century, "You don't think people are still concerned with marriage, money, romance, finding a partner?" She was keen to emphasise the realism of the Dashwoods' predicament in her screenplay, and inserted scenes to make the differences in wealth more apparent to modern audiences. Thompson made the Dashwood family richer than in the book and added elements to help contrast their early wealth with their later financial predicament; for instance, because it might have been confusing to viewers that one could be poor and still have servants, Elinor is made to address a large group of servants at Norland
Sense and Sensibility (film) significant alterations to the characters of Elinor and Marianne Dashwood: in the novel, the former embodies "sense", i.e. "sensible" in our terms, and the latter, "sensibility", i.e. "sensitivity" in our terms. Audience members are meant to view self-restrained Elinor as the person in need of reform, rather than her impassioned sister. To heighten the contrast between them, Marianne and Willoughby's relationship includes an "erotic" invented scene in which the latter requests a lock of her hair – a direct contrast to Elinor's "reserved relationship" with Edward. Lee also distinguishes them through imagery – Marianne is often seen with musical instruments,