The Great Dictator late 1920s. "The Great Dictator" does feature several scenes without dialogue more in keeping with Chaplin's earlier films. The score was written and directed by Meredith Willson, later known as composer and librettist of the 1957 musical comedy "The Music Man": According to Willson, the scene in which Chaplin shaves a customer to "Brahms' Hungarian Dance" No. 5 had been filmed before he arrived, using a phonograph record for timing. Willson's task was to re-record it with the full studio orchestra, fitting the music to the action. They had planned to do it painstakingly, recording eight measures or less at
Dictator novel "¿Te dio miedo la sangre?" (1977), a novel about Nicaraguan society under the Somoza dictatorship, which has been described as a "dictator novel without the dictator". The novelists of the dictator novel genre combined narrative strategies of both modern and postmodern writing. Postmodern techniques, constructed largely in the late 1960s and 1970s, included use of interior monologues, radically stream-of-consciousness narrative, fragmentation, varying narrative points of view, neologisms, innovative narrative strategies, and frequent lack of causality. Alejo Carpentier, a Boom writer and contributor to the dictator novel genre pioneered what came to be known as magical realism, although the use of