Villanelle protagonist Stephen Dedalus. William Empson revived the villanelle more seriously in the 1930s, and his contemporaries and friends W. H. Auden and Dylan Thomas also picked up the form. Dylan Thomas's "Do not go gentle into that good night" is perhaps the most renowned villanelle of all. Theodore Roethke and Sylvia Plath wrote villanelles in the 1950s and 1960s, and Elizabeth Bishop wrote a particularly famous and influential villanelle, "One Art," in 1976. The villanelle reached an unprecedented level of popularity in the 1980s and 1990s with the rise of the New Formalism. Since then, many contemporary poets have written
Into the Night (film) critical reception. Vincent Canby in the "New York Times" wrote: "A little bit of "Into The Night" is funny, a lot of it is grotesque and all of it has the insidey manner of a movie made not for the rest of us but for moviemakers on the Bel Air circuit who watch each other's films in their own screening rooms." He reserved praise, however, for the performances of the two leading actors: "Mr. Goldblum does little except react to the outrages of others, which he manages with a good deal of comic poise. Miss Pfeiffer, last seen as Al