Driving Miss Daisy and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart." Peter Travers of "Rolling Stone" also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932." The performances of Tandy and Freeman were also praised by Vincent Canby of "The New York Times", who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film." "Driving Miss Daisy" also achieved the following distinctions at
Driving Miss Daisy reviews, indicating "universal acclaim". CinemaScore similarly reported that audiences gave the film a rare "A+" grade. Gene Siskel of the "Chicago Tribune" declared "Driving Miss Daisy" one of the best films of 1989. Roger Ebert of the "Chicago Sun-Times" called it "a film of great love and patience" and wrote, "It is an immensely subtle film, in which hardly any of the most important information is carried in the dialogue and in which body language, tone of voice or the look in an eye can be the most important thing in a scene. After so many movies in which shallow