Sense and Sensibility (film) editing process: It was the first film that I had done with Ang that was all in English, and it's Emma Thompson, Kate Winslet, Alan Rickman, and Hugh Grant — these great, great actors. When you get footage like that, you realise that your job is really not technical. It was my job to look at something that Emma Thompson had done and say, "Eh, that's not good, I'll use this other one instead." And not only was I allowed to pass judgment on these tremendous actors, I was required to. Scholar Louise Flavin has noted that Thompson's screenplay contains
Sense and Sensibility desires. Austen shows, according to Poovey, this conflict between individual desire and the restraint of moral principles through the character of Elinor herself. Except for Elinor, all of the female characters in "Sense and Sensibility" experience some kind of female excess. Poovey argues that while Austen does recognize "the limitations of social institutions," she demonstrates the necessity of controlling the "dangerous excesses of female feeling" rather than liberating them. She does so by demonstrating that Elinor's self-denial, especially in her keeping of Lucy Steele's secret and willingness to help Edward, even though both of these actions were hurtful to her,