Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility ultimately contribute to her own contentment and that of others. In this way, Poovey contends that Austen suggests that the submission to society that Elinor demonstrates is the proper way to achieve happiness in life. "Sense and Sensibility" criticism also includes ecocritical approaches. Susan Rowland's article "The 'Real Work': Ecocritical Alchemy and Jane Austen's "Sense and Sensibility"" studies the effects of alienation upon Edward and Ferrars. Edward is alienated from society because he lacks what Rowland calls "useful employment." According to Rowland, Edward's condition represents problems with the history of work in Western industrialized societies. Edward's alienation from work also