The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
The Dictator (2012 film) an argument about the warhead's shape. Aladeen follows him to New York's "Little Wadiya" district, which is populated by refugees from his own country, and meets him in "Death to Aladeen Restaurant", run by and visited by numerous people whom Aladeen had personally ordered to be executed. Nadal saves Aladeen from nearly being recognised by angry refugees and reveals that rebels infiltrated the secret police, and all the condemned were sent into exile instead of being executed. Nadal agrees to help Aladeen thwart Tamir's plot and regain his position as "rightful" dictator, on condition that Aladeen makes him head of