The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Dictator novel this technique is not necessarily a prerequisite of the dictator novel, as there are many that do not utilize magical realism. A predominant theme of the dictator novel is power, which according literary critic Michael Valdez Moses, in his 2002 review of "Feast of the Goat", is linked to the theme of dictatorship: "The enduring power of the Latin American dictator novel had everything to do with the enduring power of Latin American dictators". As novels such as "El Señor Presidente" became more well-known, they were read as ambitious political statements, denouncing the authority of dictators in Latin America. As