The Great Dictator something curiously appropriate about the little tramp impersonating the dictator, for by 1939 Hitler and Chaplin were perhaps the two most famous men in the world. The tyrant and the tramp reverse roles in "The Great Dictator", permitting the eternal outsider to address the masses". In "The 50 Greatest Jewish Movies" (1998), Kathryn Bernheimer writes, "What he chose to say in "The Great Dictator", however, was just what one might expect from the Little Tramp. Film scholars have often noted that the Little Tramp resembles a Jewish stock figure, the ostracized outcast, an outsider." Several reviewers of the late 20th
Roman dictator to reconstitute the symbols of the kings, the lictors of the dictator never removed the axes from their fasces, even within the pomerium. Symbolizing their power over life and death, the axes of a dictator's lictors set him apart from all other magistrates. In an extraordinary sign of deference, the lictors of other magistrates could not bear fasces at all when appearing before the dictator. As the kings had been accustomed to appear on horseback, this right was forbidden to the dictator, unless he first received permission from the "comitia". In addition to holding a military command and carrying out