Sense and Sensibility (film) a different century, "You don't think people are still concerned with marriage, money, romance, finding a partner?" She was keen to emphasise the realism of the Dashwoods' predicament in her screenplay, and inserted scenes to make the differences in wealth more apparent to modern audiences. Thompson made the Dashwood family richer than in the book and added elements to help contrast their early wealth with their later financial predicament; for instance, because it might have been confusing to viewers that one could be poor and still have servants, Elinor is made to address a large group of servants at Norland
Sense and Sensibility (2008 TV series) the series. Melinda Houston, writing for "The Age", called "Sense and Sensibility" "a gorgeous adaptation of her most frivolous work" and added, "It's all beautifully made, beautifully cast, and the script snaps and crackles. Maybe isn't quite as flawed as originally drawn but that's unlikely to detract from your enjoyment." Lenny Ann Low from "The Sydney Morning Herald" stated, "The locations, costumes and acting are excellent, with a particularly striking use of light – cold and grey skies foretelling doom through to rich candlelight signalling new passions." "The New York Times" critic Ginia Bellafante said, "There's nothing glaringly wrong with