33⅓ Revolutions per Monkee Monkees through various stages of evolution until they are ready to brainwash the world via commercial exploitation. Trapped in giant test tubes, the four are stripped of all personal identity and names: Micky Dolenz becomes Monkee #1, Peter Tork becomes Monkee #2, Michael Nesmith Monkee #3, and Davy Jones Monkee #4. Each Monkee (under Driscoll's watch) attempts to regain their stripped personal identities by thinking a way out of captivity into their own world of fantasies. Monkee #1 (Dolenz) performs an R&B up-tempo duet remake of "I'm a Believer" with Driscoll; Monkee #2 (Tork) reclines on a giant cushion in
Typewriter rather than to the typewriter as a whole. The earliest reference in fictional literature to the potential identification of a typewriter as having produced a document was by Sir Arthur Conan Doyle who wrote "A Case of Identity" in 1891. In non-fiction, the first document examiner to describe how a typewriter might be identified was William E. Hagan who wrote, in 1894, "All typewriter machines, even when using the same kind of type, become more or less peculiar by use as to the work done by them". Other early discussions of the topic were provided by A. S. Osborn in