Driving Miss Daisy and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart." Peter Travers of "Rolling Stone" also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932." The performances of Tandy and Freeman were also praised by Vincent Canby of "The New York Times", who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film." "Driving Miss Daisy" also achieved the following distinctions at
Driving Miss Daisy (play) Atlanta accents. She has crashed her car, and Boolie insists that she have a driver. Boolie is in his office and interviews Hoke Coleburn who is a black man of around 60. He is unemployed. Over the next 25 years Hoke drives "Miss Daisy". They are initially wary of each other, and Hoke puts up with the somewhat crotchety Miss Daisy with dignity. She teaches Hoke to read when she learns that he cannot, which comes naturally to her, having been a teacher. Ultimately, over the years, they form a bond. In the final scene, Miss Daisy is in a