The Great Dictator something curiously appropriate about the little tramp impersonating the dictator, for by 1939 Hitler and Chaplin were perhaps the two most famous men in the world. The tyrant and the tramp reverse roles in "The Great Dictator", permitting the eternal outsider to address the masses". In "The 50 Greatest Jewish Movies" (1998), Kathryn Bernheimer writes, "What he chose to say in "The Great Dictator", however, was just what one might expect from the Little Tramp. Film scholars have often noted that the Little Tramp resembles a Jewish stock figure, the ostracized outcast, an outsider." Several reviewers of the late 20th
Dictator novel traces the development of this theme from “as far back as Bernal Díaz del Castillo’s and Francisco López de Gómara’s accounts of Cortés’s conquest of Mexico.” The nineteenth century saw significant literary reflections on political power, though on the whole the dictator novel is associated with the Latin American Boom, a literary movement of the 1960s and 1970s. For critic Gerald Martin, the dictator novel marks the end of the Boom and even (as he says of Roa Bastos's "I, the Supreme") “the end of an entire era in Latin American history, the era which had stretched from Sarmiento's "Facundo"