Sense and Sensibility (film) a different century, "You don't think people are still concerned with marriage, money, romance, finding a partner?" She was keen to emphasise the realism of the Dashwoods' predicament in her screenplay, and inserted scenes to make the differences in wealth more apparent to modern audiences. Thompson made the Dashwood family richer than in the book and added elements to help contrast their early wealth with their later financial predicament; for instance, because it might have been confusing to viewers that one could be poor and still have servants, Elinor is made to address a large group of servants at Norland
Sense and Sensibility of society by finding a male protector," women such as Mrs. Ferrars and Lucy Steele demonstrate how women can "themselves become agents of repression, manipulators of conventions, and survivors." In order to protect themselves and their own interests, Mrs. Ferrars and Lucy Steele must participate in the same patriarchal system that oppresses them. In her chapter ""Sense and Sensibility:" Opinions Too Common and Too Dangerous" from her book "Jane Austen: Women, Politics, and the Novel," Claudia Johnson also performs a feminist reading of "Sense and Sensibility. She d"iffers from previous critics, especially the earliest ones, in her contention that "Sense