Villanelle protagonist Stephen Dedalus. William Empson revived the villanelle more seriously in the 1930s, and his contemporaries and friends W. H. Auden and Dylan Thomas also picked up the form. Dylan Thomas's "Do not go gentle into that good night" is perhaps the most renowned villanelle of all. Theodore Roethke and Sylvia Plath wrote villanelles in the 1950s and 1960s, and Elizabeth Bishop wrote a particularly famous and influential villanelle, "One Art," in 1976. The villanelle reached an unprecedented level of popularity in the 1980s and 1990s with the rise of the New Formalism. Since then, many contemporary poets have written
The Man Who Wrote Frankenstein that while he argues that Mary Shelley was not well educated enough to have written "Frankenstein", his argument fails because "it is not a good, let alone a great novel and hardly merits the attention it has been given." Lauritsen replied that "Frankenstein" "is a radical and disturbing work, containing some of the most beautiful prose in the English language ... a profound and moving masterpiece, fully worthy of its author, Percy Bysshe Shelley." "The Man Who Wrote Frankenstein" received positive reviews from Jim Herrick in "Gay Humanist Quarterly", Hubert Kennedy in "The Guide", and Douglas Sadownick in "The Gay