The Great Dictator late 1920s. "The Great Dictator" does feature several scenes without dialogue more in keeping with Chaplin's earlier films. The score was written and directed by Meredith Willson, later known as composer and librettist of the 1957 musical comedy "The Music Man": According to Willson, the scene in which Chaplin shaves a customer to "Brahms' Hungarian Dance" No. 5 had been filmed before he arrived, using a phonograph record for timing. Willson's task was to re-record it with the full studio orchestra, fitting the music to the action. They had planned to do it painstakingly, recording eight measures or less at
Dictator novel as being one of structure, and therefore the problem of the state "manifested through the will of some monstrous personage violating the ordinary individual's privacy, both of home and of consciousness." In the early twentieth century, the Spaniard Ramón del Valle-Inclán's "Tirano Banderas" (1926) acted as a key influence on those authors whose goal was to critique power structures and the status quo. Latin American novels that explore political themes, but that do not centre upon the rule of a particular dictator, are informally classified as “not quite dictator novels”. For example, "Libro de Manuel" (A Manual for Manuel, 1973),