The Great Dictator in 1945, it became the most popular film of the year, with admissions of 8,280,553. Chaplin biographer Jeffrey Vance concludes his lengthy examination of the film, in his book "Chaplin: Genius of the Cinema", by asserting the film's importance among the great film satires. Vance writes, "Chaplin's "The Great Dictator" survives as a masterful integration of comedy, politics and satire. It stands as Chaplin's most self-consciously political work and the cinema's first important satire." There is no critical consensus on the relationship between Chaplin's earlier Tramp character and the film's Jewish barber, but the trend is to view the barber
Dictator novel "¿Te dio miedo la sangre?" (1977), a novel about Nicaraguan society under the Somoza dictatorship, which has been described as a "dictator novel without the dictator". The novelists of the dictator novel genre combined narrative strategies of both modern and postmodern writing. Postmodern techniques, constructed largely in the late 1960s and 1970s, included use of interior monologues, radically stream-of-consciousness narrative, fragmentation, varying narrative points of view, neologisms, innovative narrative strategies, and frequent lack of causality. Alejo Carpentier, a Boom writer and contributor to the dictator novel genre pioneered what came to be known as magical realism, although the use of