The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
The Great Dictator work for years, and began filming in September 1939. Hitler had been previously allegorically pilloried in the German film by Fritz Lang, "The Testament of Dr. Mabuse". The film was well received in the United States at the time of its release, and was popular with the American public. The film was also popular in the United Kingdom, drawing 9 million to the cinemas, despite Chaplin's fears that wartime audiences would dislike a comedy about a dictator. It was the second-most popular movie in the US in 1941. The film was banned in several Latin American countries, where there were