The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Roman dictator there was already a dictator in the field. Like the dictator, the magister equitum was a curule magistrate, entitled to the "toga praetexta" and the "sella curulis". His "imperium" was equivalent to that of a praetor (in the later use of the term), in that he was accompanied by six lictors, half the number accorded to the consuls. But like the dictator, he could summon the Senate, and probably also the popular assemblies. His authority was not subject to recall, although if the dictator were compelled to resign due to a fault in the auspices, the magister equitum was also