Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility fiance" Lucy, who quickly turns her attention to the foppish Robert and "entraps him" in order to secure the inheritance for herself. According to Ruoff, Lucy is specifically aiming for a first son because of the monetary advantage for a man in this birth order. William Galperin, in his book "The History Austen," comments on the tendency of this system of patriarchal inheritance and earning as working to ensure the vulnerability of women. Because of this vulnerability, Galperin contends that "Sense and Sensibility" shows marriage as the only practical solution "against the insecurity of remaining an unmarried woman." Feminist critics