Sense and Sensibility (film) to appeal to contemporary audiences. Grant's Edward and Rickman's Brandon are "ideal" modern males who display an obvious love of children as well as "pleasing manners", especially when contrasted with Palmer. Thompson's script both expanded and omitted scenes from Edward's storyline, including the deletion of an early scene in which Elinor assumes that a lock of hair found in Edward's possession is hers, when it belongs to Lucy. He was made more fully realised and honourable than in the novel to increase his appeal to viewers. To gradually show viewers why Brandon is worthy of Marianne's love, Thompson's screenplay has
Sense and Sensibility and Sea Monsters into horror" and commenting that "instead of destroying the integrity of Austen’s subtle romance, Winters’ mysterious chanting natives, sea-witch curses, and undersea habitats move the story into a gothic realm". "New York Magazine" gave the novel a mixed review, stating that "It’s hard to say, in the end, if this is an homage, an exploitation, a deconstruction, or just a 300-page parlor trick. Although the sea-monster subplots, considered independently, rarely rise above pulp clichés, the book’s best moments do achieve a kind of bizarro symbiosis." Sense and Sensibility and Sea Monsters Sense and Sensibility and Sea Monsters (2009) is a