William Copley (artist) occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to
New York in the '70s to iconic places such as Chelsea Hotel, CBGB, The Kitchen#History etc. All tracks written and composed by Luke Haines except for track 9 by John Moore. New York in the '70s New York in the '70s is a concept album by British alternative rock artist Luke Haines. The music style is influenced by new wave and protopunk bands from the New York scene mostly by Suicide (band). Into his song "Cerne Abbas Man", he refers Rock and Roll Animals in the sentence "The birds were in my last LP". The concept is less of a narrative story and more of