Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility opinion, Austen's favoring of Elinor's temperament over Marianne's provides the lesson. The review claims that "the object of the work is to represent the effects on the conduct of life, of discreet quiet good sense on the one hand, and an overrefined and excessive susceptibility on the other." The review states that "Sense and Sensibility" contains "many sober and salutary maxims for the conduct of life" within a "very pleasing and entertaining narrative." W. F. Pollock's 1861 review from "Frasier's Magazine," titled "British Novelists," becomes what editor Claudia Johnson terms an "early example of what would become the customary view