Sense and Sensibility (film) the same time, Thompson wished to avoid depicting "a couple of women waiting around for men"; gradually her screenplay focused as much on the Dashwood sisters' relationship with each other as it did with their romantic interests. With the draft screenplay, Doran pitched the idea to various studios in order to finance the film, but found that many were wary of the beginner Thompson as the screenwriter. She was considered a risk, as her experience was as an actress who had never written a film script. Columbia Pictures executive Amy Pascal supported Thompson's work, and agreed to sign as the
Sense and Sensibility Austen "wrestled with epistolary form" in previous writings and, with the publication of "Sense and Sensibility," "announced her victory over the constraints of the letter." Favret contends that Austen's version of the letter separates her from her "admired predecessor, Samuel Richardson" in that Austen's letters are "a misleading guide to the human heart which, in the best instances, is always changing and adapting." According to Favret, with the character of Elinor Dashwood is an "anti-epistolary heroine" whose "inner world" of thoughts and feelings does not find "direct expression in the novel, although her point of view controls the story." "Sense