Driving Miss Daisy and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart." Peter Travers of "Rolling Stone" also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932." The performances of Tandy and Freeman were also praised by Vincent Canby of "The New York Times", who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film." "Driving Miss Daisy" also achieved the following distinctions at
Daisy wheel printing rapidly becoming obsolete due to the growing spread of affordable laser and inkjet machines, and daisy wheel machines soon disappeared except for the small remaining typewriter market. The heart of the system is an interchangeable metal or plastic "daisy wheel" holding an entire character set as raised characters moulded on each "petal". In use a servo motor rotates the daisy wheel to position the required character between the hammer and the ribbon. The solenoid-operated hammer then fires, driving the character type onto the ribbon and paper to print the character on the paper. The daisy wheel and hammer are mounted