Cabaret (musical) seedy Kit Kat Klub; the second, a story set in the society of the club. After seeing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Jerome Robbins suggested the musical sequences outside the cabaret be eliminated. Prince ignored his advice. In Boston, Jill Haworth struggled with her characterization of cabaret performer Sally Bowles; critics thought the blonde dressed in a white dress suggested senior prom more than tawdry nightclub so Sally was changed to brunette before the show opened on Broadway. Prince's staging was unusual for the time. As the audience filled the
Cabaret Voltaire (Zurich) the avant-garde, including Futurism's Marinetti. The cabaret exhibited radically experimental artists, many of whom went on to change the face of their artistic disciplines; featured artists included Wassily Kandinsky, Paul Klee, Giorgio de Chirico, Sophie Taeuber-Arp, and Max Ernst. On July 28, 1916, Ball read out the "Dada Manifesto". In June, Ball had also published a journal with the same name. It featured work from artists such as the poet Guillaume Apollinaire and had a cover designed by Arp. The cabaret closed down in the summer of 1916. While the Dada movement was just beginning, by 1917 the excitement generated