Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility draft of the novel in the form of a novel-in-letters (epistolary form) perhaps as early 1795 when she was about 19 years old, or 1797, at age 21, and is said to have given it the title "Elinor and Marianne". She later changed the form to a narrative and the title to "Sense and Sensibility". Austen drew inspiration for "Sense and Sensibility" from other novels of the 1790s that treated similar themes, including Adam Stevenson's "Life and Love" (1785) which he had written about himself and a relationship that was not meant to be. Jane West's "A Gossip's Story" (1796),