Sense and Sensibility (film) editing process: It was the first film that I had done with Ang that was all in English, and it's Emma Thompson, Kate Winslet, Alan Rickman, and Hugh Grant — these great, great actors. When you get footage like that, you realise that your job is really not technical. It was my job to look at something that Emma Thompson had done and say, "Eh, that's not good, I'll use this other one instead." And not only was I allowed to pass judgment on these tremendous actors, I was required to. Scholar Louise Flavin has noted that Thompson's screenplay contains
Sense and Sensibility By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters. "Sense and Sensibility," much like Austen's other fiction, has attracted a large body of criticism from many different critical approaches. Early reviews of "Sense and Sensibility" focused on the novel as providing lessons in conduct (which would be debated by many later critics) as well as reviewing the characters. The Norton Critical Edition of "Sense and Sensibility," edited by Claudia Johnson, contains a number of reprinted early reviews in its supplementary material. An "Unsigned Review" in the February 1812 "Critical Review" praises "Sense