Sense and Sensibility (film) Cottage. James Thompson criticised what he described as the anaesthetised "mélange of disconnected picture postcard-gift-calendar-perfect scenes," in which little connection is made between "individual subjects and the land that supports them." Andrew Higson argued that while "Sense and Sensibility" includes commentary on sex and gender, it fails to pursue issues of class. Thompson's script, he wrote, displays a "sense of impoverishment [but is] confined to the still privileged lifestyle of the disinherited Dashwoods. The broader class system is pretty much taken for granted." The ending visual image of flying gold coins, depicted during Marianne's wedding, has also drawn attention; Marsha
Sense and Sensibility (2008 TV series) the series. Melinda Houston, writing for "The Age", called "Sense and Sensibility" "a gorgeous adaptation of her most frivolous work" and added, "It's all beautifully made, beautifully cast, and the script snaps and crackles. Maybe isn't quite as flawed as originally drawn but that's unlikely to detract from your enjoyment." Lenny Ann Low from "The Sydney Morning Herald" stated, "The locations, costumes and acting are excellent, with a particularly striking use of light – cold and grey skies foretelling doom through to rich candlelight signalling new passions." "The New York Times" critic Ginia Bellafante said, "There's nothing glaringly wrong with