The Great Dictator who view the barber as different include Stephen Weissman, whose book "Chaplin: A Life" speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear that the barber is not the Tramp and "The Great Dictator" is not a Tramp movie." "The Scarecrow Movie Guide" also views the barber as different. Annette Insdorf, in her book "Indelible Shadows: Film and the Holocaust" (2003), writes that "There was
Dictator to power sharing. The term started to get its modern negative meaning with Cornelius Sulla's ascension to the dictatorship following Sulla's second civil war, making himself the first Dictator in Rome in more than a century (during which the office was ostensibly abolished) as well as "de facto" eliminating the time limit and need of senatorial acclamation. He avoided a major constitutional crisis by resigning the office after about one year, dying a few years later. Julius Caesar followed Sulla's example in 49 BC and in February 44 BC was proclaimed "Dictator perpetuo", "Dictator in perpetuity", officially doing away with