Driving Miss Daisy and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart." Peter Travers of "Rolling Stone" also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932." The performances of Tandy and Freeman were also praised by Vincent Canby of "The New York Times", who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film." "Driving Miss Daisy" also achieved the following distinctions at
Driving Miss Daisy the Best Joint Performance at the 40th Berlin International Film Festival. The film's score was composed by Hans Zimmer, who won a BMI Film Music Award and was nominated for a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television for his work. The score was performed entirely by Zimmer, done electronically using samplers and synthesizers, and did not feature a single live instrument. There is a scene, however, in which the "Song to the Moon" from the opera "Rusalka" by Antonín Dvořák is heard on a radio as sung by Gabriela Beňačková. Similarities have