Villanelle protagonist Stephen Dedalus. William Empson revived the villanelle more seriously in the 1930s, and his contemporaries and friends W. H. Auden and Dylan Thomas also picked up the form. Dylan Thomas's "Do not go gentle into that good night" is perhaps the most renowned villanelle of all. Theodore Roethke and Sylvia Plath wrote villanelles in the 1950s and 1960s, and Elizabeth Bishop wrote a particularly famous and influential villanelle, "One Art," in 1976. The villanelle reached an unprecedented level of popularity in the 1980s and 1990s with the rise of the New Formalism. Since then, many contemporary poets have written
I Can't Go for That (No Can Do) on VH1's list of "The 100 Greatest Songs of the '80s." According to Daryl Hall, during the recording of "We Are the World", Michael Jackson approached him and admitted to lifting the bass line for "Billie Jean" from a Hall & Oates song, apparently referring to "I Can't Go for That (No Can Do)." Hall says that he told Jackson that he had lifted the bass line from another song himself, and that it was "something we all do." Van Halen would also do something similar by lifting the synthesizer used in "Kiss On My List" for their hit "Jump".