Clarice Cliff Scarlett, who helped her with the ware, and soon a more professional 'backstamp' was made, which carried Cliff's facsimile signature, and proclaimed "Hand painted Bizarre by Clarice Cliff, Newport Pottery England". This backstamp was in fact to lead to "Bizarre" being used as an umbrella name for her entire pattern range, so that the factory then had to refer to the first pieces in the simple triangles as "Original Bizarre". In March 1927 Colley Shorter (who acted very independently of his brother, Guy), sent Cliff to the Royal College of Art in Kensington, London for two brief periods of study
Clarice Cliff 1930s. "Crocus" was unusual in that it was produced on both tableware, tea and coffeeware, and 'fancies', novelty items made primarily as gift ware. The pattern had many colour variations, including "Purple Crocus" (1932) "Blue Crocus" (1935), "Sungleam Crocus" (1935) "Spring Crocus". It was even produced after the war, the final pieces with "Clarice Cliff" marks being made in 1963, though Midwinter (who bought the factory) continued to paint it to order until as late as 1968. By 1929, Cliff's team of decorators had grown to a team of around 70 young painters, mainly women (called her 'Bizarre girls') but