South African literature of the first literary works of note is Olive Schreiner's 1883 "The Story of an African Farm", which can be linked to Van den Heever's "Laat Vrugte" as a "plaasroman". The novel was a revelation in Victorian literature: it is heralded by many as introducing feminism into the novel form. However, Mossman (1990: 41) argues that "The most frequently taught work of South African literature in American classrooms is "Cry, the Beloved Country" (1948) by Alan Paton". A possible reason for this is that it was made into a film starring James Earl Jones, and it depicts a typical racist
Beloved (novel) which estimate that approximately half of each ship's "cargo" perished in transit to America. Scholars have additionally debated the nature of the character Beloved, arguing whether she is actually a ghost or a real person. Numerous reviews, assuming Beloved to be a supernatural incarnation of Sethe's daughter, have subsequently faulted "Beloved" as an unconvincing and confusing ghost story. Elizabeth B. House, however, has argued that Beloved is not a ghost, and the novel is actually a story of two probable instances of mistaken identity. Beloved is haunted by the loss of her African parents and thus comes to believe that