La peli has Ana stepping into Simonney's bar, and after a lengthy tale of lovers lost and passion dead, they recognize each other. The ending finds Simonney abandoning his camera and being forgiven by Ana. The movie pays homage to Federico Fellini to a great extent: several references are made to "La Dolce Vita" and "8½" throughout the film. The protagonist is a frustrated, veteran director with a style of his own that grows weary of fame and show business and seeks refuge in women (one of them in particular, Ana, perhaps a reference to Anita Ekberg from "La Dolce Vita"). Obsession
La Dolce Viva revealed the seedier side of Andy Warhol’s entourage through Viva. “I had never seen anything like it,” Tom Wolfe wrote of accompanying nude photos from Diane Arbus. According to contemporary "New York Times" review of the book, "La Dolce Viva" gave an insight to Warhol’s relationship to other people. But the articles appearance in the "New York" hurt the magazine ("The Nude Photos that Nearly Destroyed New York"), and "New York"s editor, Clay Felker, was aware of the commercial risk he ran in publishing the piece. Some reviewers of "La Dolce Viva" were generally hesitant to read this piece, but