Brunello Rondi to work with Federico Fellini as artistic director on "La Strada" (1954) and "Nights of Cabiria" (1957). His most prized collaborations were on the film scripts of "La Dolce Vita" (1960), "8½" (1963), "Juliet of the Spirits" (1964), "Orchestra Rehearsal" (1978), and "City of Women" (1980), all co-written and directed by Fellini. On the writing of "La Dolce Vita", Rondi helped build up the character of Steiner, the intellectual who kills his wife and children. As a Fellini intimate, Rondi also played a crucial role in the early stages of "8½". In a letter dated October 1960, Fellini outlined his
La Dolce Vita dawn. Also employed as an ordering device is the image of a downward spiral that Marcello sets in motion when descending the first of several staircases (including ladders) that open and close episodes. The upshot is that the film's aesthetic form, rather than its content, embodies the theme of Rome as a moral wasteland. Writing for "L'Espresso", the Italian novelist Alberto Moravia highlighted the film's variations in tone, In "Filmcritica XI", Italian poet and film director Pier Paolo Pasolini argued that ""La Dolce Vita" was too important to be discussed as one would normally discuss a film. Jacques Doniol-Valcroze, film