Interpretations of 2001: A Space Odyssey Interpretations of 2001: A Space Odyssey Since its premiere in 1968, the film "" has been analysed and interpreted by numerous people, ranging from professional movie critics to amateur writers and science fiction fans. The director of the film, Stanley Kubrick, and the writer, Arthur C. Clarke, wanted to leave the film open to philosophical and allegorical interpretation, purposely presenting the final sequences of the film without the underlying thread being apparent; a concept illustrated by the final shot of the film, which contains the image of the embryonic "Starchild". Nonetheless, in July 2018, Kubrick's interpretation of the ending scene
2001: A Space Odyssey (film) level of being that represents the next stage of human evolution. The film also conveys what some viewers have described as a sense of the sublime and numinous. Ebert writes in his essay on "2001" in "The Great Movies": In a book on architecture, Gregory Caicco writes that "Space Odyssey" illustrates how our quest for space is motivated by two contradictory desires, a "desire for the sublime" characterized by a need to encounter something totally other than ourselves—"something numinous"—and the conflicting desire for a beauty that makes us feel no longer "lost in space," but at home. Similarly, an article