Daphne du Maurier the press." Shortly after "Rebecca" was published in Brazil, critic Álvaro Lins () and other readers pointed out many resemblances to the 1934 book, "A Sucessora" ("The Successor"), by Brazilian writer Carolina Nabuco. According to Nabuco and her editor, not only the main plot, but also situations and entire dialogues had been copied. Du Maurier denied having copied Nabuco's book, as did her publisher, pointing out that the plot elements used in "Rebecca" said to have been plagiarized were quite common. The controversy was examined in a 6 November 2002 article in "The New York Times". The article said that
Daphne du Maurier Scapegoat", which she partly financed. Du Maurier was often categorised as a "romantic novelist", a term that she deplored, given her novels rarely have a happy ending, and often have sinister overtones and shadows of the paranormal. In this light, she has more in common with the "sensation novels" of Wilkie Collins and others, which she admired. The obituarist Kate Kellaway wrote: "Du Maurier was mistress of calculated irresolution. She did not want to put her readers' minds at rest. She wanted her riddles to persist. She wanted the novels to continue to haunt us beyond their endings." Du Maurier's