2001: A Space Odyssey (film) what remains is notable for its banality (making the computer HAL seem to have more emotion than the humans) juxtaposed with epic space scenes. Kubrick's decision to avoid the fanciful portrayals of space in standard popular science fiction films of the time led him to seek more realistic and scientifically accurate depiction of space travel. Illustrators such as Chesley Bonestell, Roy Carnon, and Richard McKenna were hired to produce concept drawings, sketches and paintings of the space technology seen in the film. Two educational films that came out previously, the 1960 National Film Board of Canada animated short documentary "Universe"
Interpretations of 2001: A Space Odyssey that much older life forms have taken? They may have progressed from biological species, which are fragile shells for the mind at best, into immortal machine entities—and then, over innumerable eons, they could emerge from the chrysalis of matter transformed into beings of pure energy and spirit. Their potentialities would be limitless and their intelligence ungraspable by humans. In the same interview, he also blames the poor critical reaction to "2001" as follows: Perhaps there is a certain element of the lumpen literati that is so dogmatically atheist and materialist and Earth-bound that it finds the grandeur of space and