2001: A Space Odyssey (film) mini-reviews of the film in various issues in 1968, each one slightly more positive than the preceding one; in the final review dated December 27, 1968, the magazine called "2001" "an epic film about the history and future of mankind, brilliantly directed by Stanley Kubrick. The special effects are mindblowing." Pauline Kael called it "a monumentally unimaginative movie", and Stanley Kauffmann of "The New Republic" called it "a film that is so dull, it even dulls our interest in the technical ingenuity for the sake of which Kubrick has allowed it to become dull." Renata Adler of "The New York
2001: A Space Odyssey (film) A Space Odyssey" has been analyzed and interpreted by professional critics and theorists, amateur writers and science fiction fans. Peter Kramer in his monograph for BFI analyzing the film summarized the diverse interpretations as ranging from those who saw it as darkly apocalyptic in tone to those who saw it as an optimistic reappraisal of the hopes of mankind and humanity. Questions about "2001" range from uncertainty about its implications for humanity's origins and destiny in the universe to interpreting elements of the film's more enigmatic scenes, such as the meaning of the monolith, or the fate of astronaut David