Interpretations of 2001: A Space Odyssey onto it all manner of ideas relating to the film. The Monolith in the movie seems to represent and even trigger epic transitions in the history of human evolution, evolution of man from ape-like beings to civilised people, hence the odyssey of mankind. Vincent LoBrutto's biography of Kubrick notes that for many, Clarke's novel is the key to understanding the monolith. Similarly, Geduld observes that "the monolith ...has a very simple explanation in Clarke's novel", though she later asserts that even the novel does not fully explain the ending. "Rolling Stone" reviewer Bob McClay sees the film as a four-movement
2001: A Space Odyssey (film) dye transfer process. The 70 mm prints were made by MGM Laboratories, Inc. on Metrocolor. The production was $4.5 million over the initial $6 million budget and 16 months behind schedule. For the opening sequence involving tribes of apes, professional mime Daniel Richter played the lead ape and choreographed the movements of the other man-apes, who were mostly portrayed by his standing mime troupe. "2001" contains a famous example of a match cut, a type of cut in which two shots are matched by action or subject matter. After an ape uses a bone to kill another ape at the