Clarice Cliff throughout the world. The club founder had appealed in the Staffordshire Evening Sentinel for anyone who worked with Cliff to contact him and was delighted when he found 28 former workers. Still calling themselves the 'Bizarre girls' even in their mid 70s and early 80s Cliff's former painters were delighted in the interest in the pottery they had hand painted 50 years earlier. They attended the annual meetings of the club, and were to be involved in many television and radio programmes about Cliff, and a mass of books that appeared. Many of their memories were recorded in the "CCCC
Clarice Cliff Shorter, and this gradually developed into an affair, conducted in secrecy. The couple worked closely together on creating awareness of 'Bizarre ware' to catch the attention of buyers in the middle of a major financial depression, and with a skilful eye and great foresight, Colley Shorter registered Clarice's name and even some of her shapes. It was her ability to design both patterns and also the shapes they were to go on that distinguished Cliff above any other designers in the Staffordshire Potteries at this time. Her first modelling in the mid 20s was of stylised figures, people, ducks, the