La peli has Ana stepping into Simonney's bar, and after a lengthy tale of lovers lost and passion dead, they recognize each other. The ending finds Simonney abandoning his camera and being forgiven by Ana. The movie pays homage to Federico Fellini to a great extent: several references are made to "La Dolce Vita" and "8½" throughout the film. The protagonist is a frustrated, veteran director with a style of his own that grows weary of fame and show business and seeks refuge in women (one of them in particular, Ana, perhaps a reference to Anita Ekberg from "La Dolce Vita"). Obsession
La Dolce Vita Emma starts an argument by professing her love, and tries to get out of the car; Marcello pleads with her not to get out. Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged, telling her that he cannot live with her smothering, maternal love. He now wants her to get out of the car, but she refuses. With some violence (a bite from her and a slap from him), he throws her out of the car and drives off, leaving her alone on a deserted road at night. Hours later,