La Dolce Vita critic and co-founder of "Cahiers du cinéma", felt that "The New York Times" film critic Bosley Crowther praised Fellini’s Roger Ebert considered "La Dolce Vita" as Fellini’s best film, as well as his favorite film of all time and listed it consistently in his top ten films for the "Sight & Sound" Greatest Films poll every ten years. Ebert's first review for the film, written on October 4, 1961, was the first film review he wrote, before he started his career as a film critic in 1967. The film was also a touchstone for Ebert, in how his perspective of
La Dolce Vita the movie and his life changes as time passes by, giving this summation in his 1997 "Great Movie" review Review aggregator website Rotten Tomatoes reports that from 58 reviews, 97% were positive; the consensus states: "An epic, breathtakingly stylish cinematic landmark, "La Dolce Vita" remains riveting in spite of—or perhaps because of—its sprawling length". On Metacritic, the film has a 93/100 rating based on 12 critics, indicating "universal acclaim". The film earned $6 million in North American rentals on original release. The film was re-released in North America in 1966 and earned $1.5 million in rentals. Perceived by the Catholic