La Dolce Vita critic and co-founder of "Cahiers du cinéma", felt that "The New York Times" film critic Bosley Crowther praised Fellini’s Roger Ebert considered "La Dolce Vita" as Fellini’s best film, as well as his favorite film of all time and listed it consistently in his top ten films for the "Sight & Sound" Greatest Films poll every ten years. Ebert's first review for the film, written on October 4, 1961, was the first film review he wrote, before he started his career as a film critic in 1967. The film was also a touchstone for Ebert, in how his perspective of
La Vita Nuova Beatrice at Ponte Santa Trinita" (1883) is inspired by "La Vita Nuova", as was Dante Gabriel Rossetti's "The Salutation of Beatrice" (1859). Rossetti translated the work into English in 1848 and used the character name "Mona Vanna" from it as a title for his 1866 painting "Monna Vanna". "La vita nuova" is a 1902 cantata based on the text by Ermanno Wolf-Ferrari Vladimir Martynov's 2003 opera "Vita Nuova" premiered in the U.S. on February 28, 2009 at the Alice Tully Hall, performed by the London Philharmonic Orchestra, conducted by Vladimir Jurowski. On p. 99 of D. M. Thomas's "The White