Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha are 1868 sculptures by Edmonia Lewis. They are in the collection of the Metropolitan Museum of Art on view in gallery 759. African-American, Haitian and Chippewa (Ojibwa) artist, Lewis, developed her neoclassical style of marble sculpture while working in Rome. Lewis was an admirer of Henry Wadsworth Longfellow's poetry, and in 1869 Longfellow visited her studio where he posed for one of her portraits which was shortly afterward acquired by Harvard University. Often working in themes that intersected her identity, Lewis focused a series of marble sculptures based on Longfellow’s much-referenced
The Song of Hiawatha absurd, and savage as the groundwork is, Mr. LONGFELLOW has woven over it a profuse wreath of his own poetic elegancies." But, he concludes, "Hiawatha" "will never add to Mr. LONGFELLOW's reputation as a poet." Thomas Conrad Porter, a professor at Franklin and Marshall College, believed that Longfellow had been inspired by more than the metrics of the "Kalevala." He claimed "The Song of Hiawatha" was "Plagiarism" in the "Washington National Intelligencer" of November 27, 1855. Longfellow wrote to his friend Charles Sumner a few days later: "As to having 'taken many of the most striking incidents of the Finnish