Museo Ideale Leonardo da Vinci inattendue" (Clos-Lucé-Amboise, 2007); "Leonardo a Firenze" (2008); "AND THERE WAS LIGHT, Michelangelo, Leonardo, Raphael. The Masters of Renaissance, seen in a New Light" (Gothenborg, 2010); "Leonardo a Piombino" (2011); "La Gioconda è nuda" (Brindisi, 2011); "Mona Lisa Unveiled" (Miami, 2011); "Leonardo and the idea of beauty" (Shizuoka, Fukuoka, Tokyo, with the "Scapiliata", 2011-2012); "The great masters. Michelangelo, Raphael, Leonardo" (Istanbul, 2012); "Leonardo-Mona Lisa-The Myths" (Kaohsiung, 2013; Taipei 2013-2014);"Leonardo Da Vinci. Beyond the visible" (Edo Tokyo Museum, 2016); “Da Clos Lucé al Louvre, i tre capolavori di Leonardo Da Vinci” (Du Clos Lucé au Louvre, les trois chefs-d’œuvre de Léonard de
Mona Lisa (Prado's version) scientifically, the version with the most historical value. Furthermore, the replica was discovered to be possibly painted simultaneously by a student of Leonardo in the same studio where da Vinci painted his own "Mona Lisa". Among the pupils of Leonardo, Salaì or Francesco Melzi are the most plausible authors of the Prado's version, though other experts opine that the painting could have been executed by one of Leonardo's Spanish students. The origins of the "Prado's Mona Lisa" are linked to those of Leonardo's original, as both paintings were likely created simultaneously in the same studio. The first documentary reference was