Raymond Burr of the "wild stories about Raymond's private life spiced up with quotes from unidentified 'friends' who described his closeted homosexual lifestyle in almost cartoonish terms." Burr bequeathed his estate to Robert Benevides, and excluded all relatives, including a sister, nieces, and nephews. His will was challenged, without success, by the two children of his late brother, James E. Burr. Benevides's attorney said that tabloid reports of an estate worth $32 million were an overestimate. For his work in the TV series "Perry Mason", Burr received the Emmy Award for Best Actor in a Leading Role (Continuing Character) in a Dramatic
Raymond Burr in "Pitfall" as "both reprehensible and pathetic", a characterization also cited by film historian Richard Schickel as a prototype of film noir, in contrast with the appealing television characters for which Burr later became famous. "He tried to make you see the psychosis below the surface, even when the parts weren't huge," said film historian James Ursini. "He was able to bring such complexity and different levels to those characters, and create sympathy for his characters even though they were doing reprehensible things." Other titles in Burr's film noir legacy include "Walk a Crooked Mile" (1948), "Borderline" (1950), "Unmasked" (1950),