Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha are 1868 sculptures by Edmonia Lewis. They are in the collection of the Metropolitan Museum of Art on view in gallery 759. African-American, Haitian and Chippewa (Ojibwa) artist, Lewis, developed her neoclassical style of marble sculpture while working in Rome. Lewis was an admirer of Henry Wadsworth Longfellow's poetry, and in 1869 Longfellow visited her studio where he posed for one of her portraits which was shortly afterward acquired by Harvard University. Often working in themes that intersected her identity, Lewis focused a series of marble sculptures based on Longfellow’s much-referenced
The Song of Hiawatha a few changes) stories previously published in his "Algic Researches" and other works. Schoolcraft dedicated the book to Longfellow, whose work he praised highly. The U.S. Forest Service has said that both the historical and poetic figures are the sources of the name for the Hiawatha National Forest. Longfellow cites the Indian words he used as from the works by Henry Rowe Schoolcraft. The majority of the words were Ojibwa, with a few from the Dakota, Cree and Onondaga languages. Though the majority of the Native American words included in the text accurately reflect pronunciation and definitions, some words appear