Clarice Cliff lover and she journeyed to the Royal College of Art and to Paris. Cliff was given a second apprenticeship at A. J. Wilkinson's in 1924 (when she was already 25 years old) primarily as a 'modeller' but she also worked with the factory designers John Butler and Fred Ridgway. They produced conservative, Victorian style ware – Butler had been the designer for over 20 years by this time. Eventually, Cliff's wide range of skills were recognised and in 1927 she was given her own studio at the adjoining Newport Pottery which Shorter had bought in 1920. Here Cliff was allowed
Clarice Cliff were added by holding the piece upside down and painting thin lines amongst the flowers. Being made from the individual brushstrokes, the "Crocus" pattern was clearly completely hand-painted, and the vibrant colours instantly attracted large sales. Initially, Clarice had just one young decorator produce "Crocus", Ethel Barrow. But as orders flooded in by 1930 a separate decorating 'shop' was established underneath the top floor of the building which housed the 'Bizarre' shop, and Ethel became responsible for training young painters how to do the pattern. Twenty young women painted nothing but "Crocus" 5½ days a week, for much of the