La Dolce Vita critic and co-founder of "Cahiers du cinéma", felt that "The New York Times" film critic Bosley Crowther praised Fellini’s Roger Ebert considered "La Dolce Vita" as Fellini’s best film, as well as his favorite film of all time and listed it consistently in his top ten films for the "Sight & Sound" Greatest Films poll every ten years. Ebert's first review for the film, written on October 4, 1961, was the first film review he wrote, before he started his career as a film critic in 1967. The film was also a touchstone for Ebert, in how his perspective of
La Vita Nuova full translation into English was by Joseph Garrow and it was published in 1846. "La Vita Nuova" contains 42 brief chapters (31 for Guglielmo Gorni) with commentaries on 25 sonnets, one "ballata", and four canzoni; one canzone is left unfinished, interrupted by the death of Beatrice Portinari, Dante's lifelong love. Dante's two-part commentaries explain each poem, placing them within the context of his life. The chapters containing poems consist of three parts: the semi-autobiographical narrative, the lyric that resulted from those circumstances, and brief structural outline of the lyric. The poems present a frame story, recounting Dante's love of Beatrice