Clarice Cliff (née Machin) took in washing to supplement the family income, and they had seven children. Cliff was sent to a different school from her siblings, and this perhaps prompted her more independent approach to her career, and her non-standard life style by Stoke-on-Trent standards. After school Cliff would visit an aunt who was a hand painters at a local pottery company, and she also made models from papier-mâché at school. At the age of 13, Cliff started working in the pottery industry. Her first work was as a gilder, adding gold lines on ware of traditional design. Once she had
Clarice Cliff her shared passion with Shorter. After the war, although Cliff was occasionally nostalgic for the 'Bizarre' years, as witnessed in personal letters to friends, she seemed to be realistic and accepted the commercial taste was for conservative ware. Clarice seemed to enjoy playing a lesser role at the factory, knowing that she could not recapture those crazy days of the thirties. Much of the post-war production went to Australia, New Zealand or North America, where the taste was for formal ware in traditional English designs such as "Tonquin" rather than the striking patterns and shapes that had established Cliff's reputation;