2001: A Space Odyssey (film) and the 1964 New York World's Fair movie "To the Moon and Beyond", were very influential. According to biographer Vincent Lobrutto, "Universe" was a visual inspiration to Kubrick. The 29-minute film, which had also proved popular at NASA for its realistic portrayal of outer space, achieved "the standard of dynamic visionary realism that he was looking for." Wally Gentleman, one of the special effects artists on "Universe", worked briefly on "2001". Kubrick also asked "Universe" co-director Colin Low about animation camerawork, with Low recommending British mathematician Brian Salt, with whom Low and Roman Kroitor had previously worked on the 1957
2001: A Space Odyssey (film) level of being that represents the next stage of human evolution. The film also conveys what some viewers have described as a sense of the sublime and numinous. Ebert writes in his essay on "2001" in "The Great Movies": In a book on architecture, Gregory Caicco writes that "Space Odyssey" illustrates how our quest for space is motivated by two contradictory desires, a "desire for the sublime" characterized by a need to encounter something totally other than ourselves—"something numinous"—and the conflicting desire for a beauty that makes us feel no longer "lost in space," but at home. Similarly, an article