Clarice Cliff cubist patterns appeared on these shapes, such as the 1929 "Ravel" (seen on Cliff's Conical shape ware) which was an abstract leaf and flower pattern named after the composer. The image shows a Conical coffee pot, and sugar bowl and cream with four triangular feet, another of Cliff's rather Bizarre shape ideas which proved popular with 1930s customers. "Ravel" was to be produced between 1929 and at least as late as 1935. In 1928 Clarice produced a simple, hand painted pattern of "Crocus" flowers in orange, blue and purple, each flower being constructed with confident upward strokes. Then green leaves
Clarice Cliff her shared passion with Shorter. After the war, although Cliff was occasionally nostalgic for the 'Bizarre' years, as witnessed in personal letters to friends, she seemed to be realistic and accepted the commercial taste was for conservative ware. Clarice seemed to enjoy playing a lesser role at the factory, knowing that she could not recapture those crazy days of the thirties. Much of the post-war production went to Australia, New Zealand or North America, where the taste was for formal ware in traditional English designs such as "Tonquin" rather than the striking patterns and shapes that had established Cliff's reputation;