Michael Lucas' La Dolce Vita Dolce Vita". The suit seeks unspecified damages and to stop sales of "Michael Lucas' La Dolce Vita Parts 1 & 2". In May 2007, a Manhattan federal judge rejected the request to enjoin the sales of Lucas' film, primarily on the grounds of "inexcusable delay" on the plaintiff's part. The judge noted that there were serious issues raised regarding trademark infringement or tarnishment, but also wrote that it "seems extremely unlikely that a hapless purchaser seeking to buy Fellini’s film will inadvertently stumble across "Michael Lucas’s La Dolce Vita"”, which would be an important element in proving IMF's case. Lucas
La Dolce Vita the angelic Paola; they are framed by a prologue (Jesus over Rome) and epilogue (the monster fish) giving the film its innovative and symmetrically symbolic structure. The evocations are: seven deadly sins, seven sacraments, seven virtues, seven days of creation. Other critics disagree, Peter Bondanella argues that "any critic of "La Dolce Vita" not mesmerized by the magic number seven will find it almost impossible to organize the numerous sequences on a strictly numerological basis". The critic Robert Richardson suggests that the originality of "La Dolce Vita" lies in a new form of film narrative that mines "an aesthetic of