Museo Ideale Leonardo da Vinci inattendue" (Clos-Lucé-Amboise, 2007); "Leonardo a Firenze" (2008); "AND THERE WAS LIGHT, Michelangelo, Leonardo, Raphael. The Masters of Renaissance, seen in a New Light" (Gothenborg, 2010); "Leonardo a Piombino" (2011); "La Gioconda è nuda" (Brindisi, 2011); "Mona Lisa Unveiled" (Miami, 2011); "Leonardo and the idea of beauty" (Shizuoka, Fukuoka, Tokyo, with the "Scapiliata", 2011-2012); "The great masters. Michelangelo, Raphael, Leonardo" (Istanbul, 2012); "Leonardo-Mona Lisa-The Myths" (Kaohsiung, 2013; Taipei 2013-2014);"Leonardo Da Vinci. Beyond the visible" (Edo Tokyo Museum, 2016); “Da Clos Lucé al Louvre, i tre capolavori di Leonardo Da Vinci” (Du Clos Lucé au Louvre, les trois chefs-d’œuvre de Léonard de
The Romance of Leonardo da Vinci from Nietzsche." Other detractors have spotted Nietzchean influences, particularly in that the author "valued will power higher than morality" and saw Arts as being beyond the good and the evil. Modern critic Oleg Mikhaylov saw the novel as marked by tendentiousness, being driven by one motif, that of inevitable resurrection of Antiquity's gods and values. The Romance of Leonardo da Vinci The Romance of Leonardo da Vinci (, "Resurrected Gods. Leonardo da Vinci", in literal translation) is the second novel by Dmitry Merezhkovsky, first published in 1900 by "Mir Bozhy" magazine, then released as a separate edition 1901. The novel