Michael Lucas' La Dolce Vita Dolce Vita". The suit seeks unspecified damages and to stop sales of "Michael Lucas' La Dolce Vita Parts 1 & 2". In May 2007, a Manhattan federal judge rejected the request to enjoin the sales of Lucas' film, primarily on the grounds of "inexcusable delay" on the plaintiff's part. The judge noted that there were serious issues raised regarding trademark infringement or tarnishment, but also wrote that it "seems extremely unlikely that a hapless purchaser seeking to buy Fellini’s film will inadvertently stumble across "Michael Lucas’s La Dolce Vita"”, which would be an important element in proving IMF's case. Lucas
La Dolce Vita dawn. Also employed as an ordering device is the image of a downward spiral that Marcello sets in motion when descending the first of several staircases (including ladders) that open and close episodes. The upshot is that the film's aesthetic form, rather than its content, embodies the theme of Rome as a moral wasteland. Writing for "L'Espresso", the Italian novelist Alberto Moravia highlighted the film's variations in tone, In "Filmcritica XI", Italian poet and film director Pier Paolo Pasolini argued that ""La Dolce Vita" was too important to be discussed as one would normally discuss a film. Jacques Doniol-Valcroze, film