La Dolce Vita critic and co-founder of "Cahiers du cinéma", felt that "The New York Times" film critic Bosley Crowther praised Fellini’s Roger Ebert considered "La Dolce Vita" as Fellini’s best film, as well as his favorite film of all time and listed it consistently in his top ten films for the "Sight & Sound" Greatest Films poll every ten years. Ebert's first review for the film, written on October 4, 1961, was the first film review he wrote, before he started his career as a film critic in 1967. The film was also a touchstone for Ebert, in how his perspective of
La vita agra a current which spread at the beginning of the Italian economic miracle, such as Paolo Volponi's "Memoriale" and Giovanni Arpino's "Una nuvola d'ira". He praised the all-encompassing language that succeeds masterfully in expressing and representing the industrial reality in a more complex way, even if he saw some weaknesses connected to the book's uncontainable autobiography that is limited, in his opinion, to a "private anarchist protest". The novel was also made into a 1964 film of the same name, directed by Carlo Lizzani and starring Ugo Tognazzi and Giovanna Ralli. La vita agra La vita agra, known in English-speaking countries