The Go-Between past that continues to exist in and to control the subconscious … This doubling of consciousness and of narrative voice—the innocent twelve-year-old's emerging from beneath the self-protective sixty-five-year-old's—is one of Hartley's most effective techniques.” Another preoccupation in Tóibín's introduction was how far the story of “The Go-Between” is based on fact, in the wake of Adrian Wright’s biographical study, "Foreign Country: The Life of L. P. Hartley". Although Leo is twelve at the time of the novel – the long, hot summer of 1900 – the five-year-old Hartley remembered that time afterwards as "a Golden Age". When he was about
Gone with the Wind (novel) don't. What qualities are in those who fight their way through triumphantly that are lacking in those that go under? I only know that survivors used to call that quality 'gumption.' So I wrote about people who had gumption and people who didn't. — Margaret Mitchell, 1936 Mitchell's use of color in the novel is symbolic and open to interpretation. Red, green, and a variety of hues of each of these colors, are the predominant palette of colors related to Scarlett. She is also linked to white by the color of her skin. Symbolically, red and green have been broadly