2001: A Space Odyssey (film) what remains is notable for its banality (making the computer HAL seem to have more emotion than the humans) juxtaposed with epic space scenes. Kubrick's decision to avoid the fanciful portrayals of space in standard popular science fiction films of the time led him to seek more realistic and scientifically accurate depiction of space travel. Illustrators such as Chesley Bonestell, Roy Carnon, and Richard McKenna were hired to produce concept drawings, sketches and paintings of the space technology seen in the film. Two educational films that came out previously, the 1960 National Film Board of Canada animated short documentary "Universe"
2001: A Space Odyssey (film) A Space Odyssey" has been analyzed and interpreted by professional critics and theorists, amateur writers and science fiction fans. Peter Kramer in his monograph for BFI analyzing the film summarized the diverse interpretations as ranging from those who saw it as darkly apocalyptic in tone to those who saw it as an optimistic reappraisal of the hopes of mankind and humanity. Questions about "2001" range from uncertainty about its implications for humanity's origins and destiny in the universe to interpreting elements of the film's more enigmatic scenes, such as the meaning of the monolith, or the fate of astronaut David