Anouk Aimée Against the Wall", 1958). Besides the French cinema, Aimée's career include a number of films made in Spain, Great Britain, Italy and Germany. She achieved worldwide attention in Fellini's "La Dolce Vita" (the Good Life, 1960) and "Lola" (1961). She appeared again in Fellini's "8½", and would remain in Italy during the first half of the 1960s, making films for a number of Italian directors. Because of her role in "La Dolce Vita", biographer Dave Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that singer-songwriter Patti Smith, who in her teens saw the
La Dolce Vita the angelic Paola; they are framed by a prologue (Jesus over Rome) and epilogue (the monster fish) giving the film its innovative and symmetrically symbolic structure. The evocations are: seven deadly sins, seven sacraments, seven virtues, seven days of creation. Other critics disagree, Peter Bondanella argues that "any critic of "La Dolce Vita" not mesmerized by the magic number seven will find it almost impossible to organize the numerous sequences on a strictly numerological basis". The critic Robert Richardson suggests that the originality of "La Dolce Vita" lies in a new form of film narrative that mines "an aesthetic of