Motifs in the James Bond film series title sequence for "Spectre". A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. Writing for "Rolling Stone", Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. "On Her Majesty's Secret Service" has an entirely instrumental credit sequence, though the film features an alternate theme, "We Have All the Time in the World", sung by Louis Armstrong.
Double O Seven, James Bond, A Report the preface and the writer–executor correspondence, Snelling stresses his preference for the literary 007, because he felt the film series’ interpretation, especially Roger Moore’s entries, abandoned the "adult" secret agent character Ian Fleming created; ultimately, O. F. Snelling lost interest in all things Bond. Double O Seven, James Bond, A Report Double O Seven, James Bond, A Report (1964), by O. F. (Oswald Frederick) Snelling, is the first book-length, critical analysis of the James Bond novels, and the only such study Ian Fleming approved. It was published in August 1964, the month when Fleming died, a coincidence that earned the