2001: A Space Odyssey (film) and the 1964 New York World's Fair movie "To the Moon and Beyond", were very influential. According to biographer Vincent Lobrutto, "Universe" was a visual inspiration to Kubrick. The 29-minute film, which had also proved popular at NASA for its realistic portrayal of outer space, achieved "the standard of dynamic visionary realism that he was looking for." Wally Gentleman, one of the special effects artists on "Universe", worked briefly on "2001". Kubrick also asked "Universe" co-director Colin Low about animation camerawork, with Low recommending British mathematician Brian Salt, with whom Low and Roman Kroitor had previously worked on the 1957
2001: A Space Odyssey (film) dye transfer process. The 70 mm prints were made by MGM Laboratories, Inc. on Metrocolor. The production was $4.5 million over the initial $6 million budget and 16 months behind schedule. For the opening sequence involving tribes of apes, professional mime Daniel Richter played the lead ape and choreographed the movements of the other man-apes, who were mostly portrayed by his standing mime troupe. "2001" contains a famous example of a match cut, a type of cut in which two shots are matched by action or subject matter. After an ape uses a bone to kill another ape at the