Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha are 1868 sculptures by Edmonia Lewis. They are in the collection of the Metropolitan Museum of Art on view in gallery 759. African-American, Haitian and Chippewa (Ojibwa) artist, Lewis, developed her neoclassical style of marble sculpture while working in Rome. Lewis was an admirer of Henry Wadsworth Longfellow's poetry, and in 1869 Longfellow visited her studio where he posed for one of her portraits which was shortly afterward acquired by Harvard University. Often working in themes that intersected her identity, Lewis focused a series of marble sculptures based on Longfellow’s much-referenced
The Hiawatha Story of the train led the Milwaukee Road to apply the "Hiawatha" brand to other routes, and Scribbins tells the history of these as well: "Chippewa-Hiawatha", "Midwest Hiawatha", "North Woods Hiawatha" and "Olympian Hiawatha". Throughout, Scribbins pays close attention to the operation details as well as the rolling stock. Famous Milwaukee Road products such as the Beaver Tail and Skytop Lounge are described in detail, as are the Pullman-Standard Super Domes, the first full-length dome cars ever built, which operated on several "Hiawatha" routes. "The Hiawatha Story" received favorable reviews on its publication. Richard C. Overton reviewed the book for "Technology