The Go-Between past that continues to exist in and to control the subconscious … This doubling of consciousness and of narrative voice—the innocent twelve-year-old's emerging from beneath the self-protective sixty-five-year-old's—is one of Hartley's most effective techniques.” Another preoccupation in Tóibín's introduction was how far the story of “The Go-Between” is based on fact, in the wake of Adrian Wright’s biographical study, "Foreign Country: The Life of L. P. Hartley". Although Leo is twelve at the time of the novel – the long, hot summer of 1900 – the five-year-old Hartley remembered that time afterwards as "a Golden Age". When he was about
The Go-Between (1971 film) Losey was unable to get finance then or again in 1968. "The company had cold feet about the story," said Losey. "It was too tame for the pornographic age. As one man put it, who would be interested in a bit of Edwardian nostalgia? That's idiotic. It is certainly not a romantic or sentimental piece. It has a surface and a coating of romantic melodrama, but it has a bitter core." Losey said he was attracted to the novel because it was about "the terrible sense of shortness of any human life, the sense of totality of life." Pinter's screenplay