Marcello Mastroianni uncredited extra in "Marionette" (1939) when he was fourteen, and made intermittent minor film appearances until landing his first big role in "Atto d'accusa" (1951). Within a decade he became a major international celebrity, starring in "Big Deal on Madonna Street" (1958); and in Federico Fellini's "La Dolce Vita" opposite Anita Ekberg in 1960, where he played a disillusioned and self-loathing tabloid columnist who spends his days and nights exploring Rome's high society. Mastroianni followed "La Dolce Vita" with another signature role, that of a film director who, amidst self-doubt and troubled love affairs, finds himself in a creative block
Dolce Vita (song) and mix-down in another three days. The synths were basically the same - Minimoog, OB-8, ARP Odyssey and the DMX drum machine. We also used our real hands over the snare. Interviewed in 2007, Paris described the background to the recording of the song: Well, I was preparing songs in Italian to participate to the first Rock Italian Festival in 1982 and my keyboard player had to go for one year army service. So I was looking for a new keyboard player and I met Pierluigi Giombini, composer, player and artistic producer of Dolce Vita. The funny thing was that