The Go-Between past that continues to exist in and to control the subconscious … This doubling of consciousness and of narrative voice—the innocent twelve-year-old's emerging from beneath the self-protective sixty-five-year-old's—is one of Hartley's most effective techniques.” Another preoccupation in Tóibín's introduction was how far the story of “The Go-Between” is based on fact, in the wake of Adrian Wright’s biographical study, "Foreign Country: The Life of L. P. Hartley". Although Leo is twelve at the time of the novel – the long, hot summer of 1900 – the five-year-old Hartley remembered that time afterwards as "a Golden Age". When he was about
Tora-san, the Go-Between Tora-san, the Go-Between In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student. Series composer Naozumi Yamamoto was nominated for Best Music Score at the Japan Academy Prize for his work on "Tora-san, the Go-Between". Though commenting that the film opens with an especially