La Dolce Vita critic and co-founder of "Cahiers du cinéma", felt that "The New York Times" film critic Bosley Crowther praised Fellini’s Roger Ebert considered "La Dolce Vita" as Fellini’s best film, as well as his favorite film of all time and listed it consistently in his top ten films for the "Sight & Sound" Greatest Films poll every ten years. Ebert's first review for the film, written on October 4, 1961, was the first film review he wrote, before he started his career as a film critic in 1967. The film was also a touchstone for Ebert, in how his perspective of
La Dolce Viva revealed the seedier side of Andy Warhol’s entourage through Viva. “I had never seen anything like it,” Tom Wolfe wrote of accompanying nude photos from Diane Arbus. According to contemporary "New York Times" review of the book, "La Dolce Viva" gave an insight to Warhol’s relationship to other people. But the articles appearance in the "New York" hurt the magazine ("The Nude Photos that Nearly Destroyed New York"), and "New York"s editor, Clay Felker, was aware of the commercial risk he ran in publishing the piece. Some reviewers of "La Dolce Viva" were generally hesitant to read this piece, but