La Strada was the high point of Fellini's career and that, after this film, "his work ran wild through the jungles of Freudian, Christian, sexual and autobiographical excess". (Ebert, himself, disagrees, seeing "La Strada" as "part of a process of discovery that led to the masterpieces "La Dolce Vita" (1960), "8 1/2" (1963) and "Amarcord" (1974)".) The years since its initial release have solidified the high estimation of "La Strada". It holds a 97% rating on the review aggregator website Rotten Tomatoes from 31 reviewers who, on average, scored it 8.7 on a scale of 10. Its numerous appearances on lists of
La Dolce Vita the movie and his life changes as time passes by, giving this summation in his 1997 "Great Movie" review Review aggregator website Rotten Tomatoes reports that from 58 reviews, 97% were positive; the consensus states: "An epic, breathtakingly stylish cinematic landmark, "La Dolce Vita" remains riveting in spite of—or perhaps because of—its sprawling length". On Metacritic, the film has a 93/100 rating based on 12 critics, indicating "universal acclaim". The film earned $6 million in North American rentals on original release. The film was re-released in North America in 1966 and earned $1.5 million in rentals. Perceived by the Catholic