La Dolce Vita critic and co-founder of "Cahiers du cinéma", felt that "The New York Times" film critic Bosley Crowther praised Fellini’s Roger Ebert considered "La Dolce Vita" as Fellini’s best film, as well as his favorite film of all time and listed it consistently in his top ten films for the "Sight & Sound" Greatest Films poll every ten years. Ebert's first review for the film, written on October 4, 1961, was the first film review he wrote, before he started his career as a film critic in 1967. The film was also a touchstone for Ebert, in how his perspective of
Dolce Vita (song) and mix-down in another three days. The synths were basically the same - Minimoog, OB-8, ARP Odyssey and the DMX drum machine. We also used our real hands over the snare. Interviewed in 2007, Paris described the background to the recording of the song: Well, I was preparing songs in Italian to participate to the first Rock Italian Festival in 1982 and my keyboard player had to go for one year army service. So I was looking for a new keyboard player and I met Pierluigi Giombini, composer, player and artistic producer of Dolce Vita. The funny thing was that