Anouk Aimée Against the Wall", 1958). Besides the French cinema, Aimée's career include a number of films made in Spain, Great Britain, Italy and Germany. She achieved worldwide attention in Fellini's "La Dolce Vita" (the Good Life, 1960) and "Lola" (1961). She appeared again in Fellini's "8½", and would remain in Italy during the first half of the 1960s, making films for a number of Italian directors. Because of her role in "La Dolce Vita", biographer Dave Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that singer-songwriter Patti Smith, who in her teens saw the
La Dolce Viva revealed the seedier side of Andy Warhol’s entourage through Viva. “I had never seen anything like it,” Tom Wolfe wrote of accompanying nude photos from Diane Arbus. According to contemporary "New York Times" review of the book, "La Dolce Viva" gave an insight to Warhol’s relationship to other people. But the articles appearance in the "New York" hurt the magazine ("The Nude Photos that Nearly Destroyed New York"), and "New York"s editor, Clay Felker, was aware of the commercial risk he ran in publishing the piece. Some reviewers of "La Dolce Viva" were generally hesitant to read this piece, but