Clarice Cliff Scarlett, who helped her with the ware, and soon a more professional 'backstamp' was made, which carried Cliff's facsimile signature, and proclaimed "Hand painted Bizarre by Clarice Cliff, Newport Pottery England". This backstamp was in fact to lead to "Bizarre" being used as an umbrella name for her entire pattern range, so that the factory then had to refer to the first pieces in the simple triangles as "Original Bizarre". In March 1927 Colley Shorter (who acted very independently of his brother, Guy), sent Cliff to the Royal College of Art in Kensington, London for two brief periods of study
Clarice Cliff sifters, again hand painted, with the exception of the aforementioned Crocus which was lithographed. Whilst the purists still scoff at these pieces some 30 years later they are actually a very accurate representation of the originals they were copied from and in themselves are now becoming sought after not least because they allow collectors to acquire excellent pieces and a more affordable price. A chain of mergers finally led to Wedgwood owning the Clarice Cliff name, and from 1992 to 2002 they too produced a range of reproductions of the highly sought 1930s pieces. These were made to a high