Clarice Cliff cubist patterns appeared on these shapes, such as the 1929 "Ravel" (seen on Cliff's Conical shape ware) which was an abstract leaf and flower pattern named after the composer. The image shows a Conical coffee pot, and sugar bowl and cream with four triangular feet, another of Cliff's rather Bizarre shape ideas which proved popular with 1930s customers. "Ravel" was to be produced between 1929 and at least as late as 1935. In 1928 Clarice produced a simple, hand painted pattern of "Crocus" flowers in orange, blue and purple, each flower being constructed with confident upward strokes. Then green leaves
Clarice Cliff Shorter, and this gradually developed into an affair, conducted in secrecy. The couple worked closely together on creating awareness of 'Bizarre ware' to catch the attention of buyers in the middle of a major financial depression, and with a skilful eye and great foresight, Colley Shorter registered Clarice's name and even some of her shapes. It was her ability to design both patterns and also the shapes they were to go on that distinguished Cliff above any other designers in the Staffordshire Potteries at this time. Her first modelling in the mid 20s was of stylised figures, people, ducks, the