The Song of Hiawatha between the original stories, as "reshaped by Schoolcraft," and the episodes in the poem are but superficial, and Longfellow omits important details essential to Ojibwe narrative construction, characterization, and theme. This is the case even with "Hiawatha’s Fishing," the episode closest to its source. Some important parts of the poem were more or less Longfellow's invention from fragments or his imagination. "The courtship of Hiawatha and Minnehaha, the least 'Indian' of any of the events in "Hiawatha", has come for many readers to stand as the typical American Indian tale." Also, "in exercising the function of selecting incidents to make
The Song of Hiawatha Longfellow, who approved the work before its premiere in 1859, but despite early success it was soon forgotten. An equally ambitious project was the 5-part instrumental symphony by Ellsworth Phelps in 1878. The poem also influenced two composers of European origin who spent a few years in the USA but did not choose to settle there. The first of these was Frederick Delius, who completed his tone poem "Hiawatha" in 1888 and inscribed on the title page the passage beginning “Ye who love the haunts of Nature” from near the start of the poem. The work was not performed at