Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha are 1868 sculptures by Edmonia Lewis. They are in the collection of the Metropolitan Museum of Art on view in gallery 759. African-American, Haitian and Chippewa (Ojibwa) artist, Lewis, developed her neoclassical style of marble sculpture while working in Rome. Lewis was an admirer of Henry Wadsworth Longfellow's poetry, and in 1869 Longfellow visited her studio where he posed for one of her portraits which was shortly afterward acquired by Harvard University. Often working in themes that intersected her identity, Lewis focused a series of marble sculptures based on Longfellow’s much-referenced
The Song of Hiawatha (Coleridge-Taylor) the 1929 "Hiawatha's Wedding Feast", with Elsie Suddaby, George Baker and Howard Fry. The work has declined in popularity of recent years, but is still sometimes revived, such as a centenary performance in Boston in October 1998. The Song of Hiawatha (Coleridge-Taylor) The Song of Hiawatha (full name: Scenes from The Song of Hiawatha by Henry Wadsworth Longfellow), Op. 30, is a trilogy of cantatas written by Samuel Coleridge-Taylor between 1898 and 1900. The first part, Hiawatha's Wedding Feast, was particularly famous for many years and made the composer's name known throughout the world. "Hiawatha's Wedding Feast" consists of nine