2001: A Space Odyssey (film) mini-reviews of the film in various issues in 1968, each one slightly more positive than the preceding one; in the final review dated December 27, 1968, the magazine called "2001" "an epic film about the history and future of mankind, brilliantly directed by Stanley Kubrick. The special effects are mindblowing." Pauline Kael called it "a monumentally unimaginative movie", and Stanley Kauffmann of "The New Republic" called it "a film that is so dull, it even dulls our interest in the technical ingenuity for the sake of which Kubrick has allowed it to become dull." Renata Adler of "The New York
Interpretations of 2001: A Space Odyssey in the film calls attention to the purpose of the satellites. James John Griffith, in a footnote in his book "Adaptations As Imitations: Films from Novels", wrote "I would wonder, for instance, how several critics, commenting on the match-cut that links humanity's prehistory and future, can identify—without reference to Clarke's novel—the satellite as a nuclear weapon". Arthur C. Clarke, in the TV documentary "2001: The Making of a Myth", described the bone-to-satellite sequence in the film, saying "The bone goes up and turns into what is supposed to be an orbiting space bomb, a weapon in space. Well, that isn't