The Song of Hiawatha between the original stories, as "reshaped by Schoolcraft," and the episodes in the poem are but superficial, and Longfellow omits important details essential to Ojibwe narrative construction, characterization, and theme. This is the case even with "Hiawatha’s Fishing," the episode closest to its source. Some important parts of the poem were more or less Longfellow's invention from fragments or his imagination. "The courtship of Hiawatha and Minnehaha, the least 'Indian' of any of the events in "Hiawatha", has come for many readers to stand as the typical American Indian tale." Also, "in exercising the function of selecting incidents to make
Hiawatha (1952 film) "Hiawatha" resumed production, with Broidy quoted as explaining that "the avalanche of editorial comment which greeted our announcement convinced us unquestionably that the American public would not be dupes for any Communist line, and that our "Hiawatha" picture could only serve the highest ends of education and entertainment". Contrary to Broidy's statement that the "Hiawatha" screenplay was "written by a scenarist whose Americanism is unquestioned", film and television historian Paul Mavis, who devotes a considerable portion of his "DVD Talk" review of "Hiawatha" to this controversial aspect of the film, posits that the name of the screenwriter, Arthur Strawn was,