Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha are 1868 sculptures by Edmonia Lewis. They are in the collection of the Metropolitan Museum of Art on view in gallery 759. African-American, Haitian and Chippewa (Ojibwa) artist, Lewis, developed her neoclassical style of marble sculpture while working in Rome. Lewis was an admirer of Henry Wadsworth Longfellow's poetry, and in 1869 Longfellow visited her studio where he posed for one of her portraits which was shortly afterward acquired by Harvard University. Often working in themes that intersected her identity, Lewis focused a series of marble sculptures based on Longfellow’s much-referenced
Hiawatha (1913 film) the film and said: In April 1913, both the American Museum of Natural History and the American Scenic and Historic Preservation Society jointly presented "Hiawatha" at the museum with a simultaneous reading of Henry Wadsworth Longfellow's poem during the film's projection. The museum had lent Moore its expertise for the film and believed that "Hiawatha" had ethnographically redeeming features and educational appeal. One of the movie's highlights was a healing ritual of the sacred Iroquois False Face Society. "Hiawatha" was originally four reels, or 40 minutes. The Motion Picture, Broadcasting & Recorded Sound Division in the Library of Congress owns