Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha by Edmonia Lewis Hiawatha and Minnehaha are 1868 sculptures by Edmonia Lewis. They are in the collection of the Metropolitan Museum of Art on view in gallery 759. African-American, Haitian and Chippewa (Ojibwa) artist, Lewis, developed her neoclassical style of marble sculpture while working in Rome. Lewis was an admirer of Henry Wadsworth Longfellow's poetry, and in 1869 Longfellow visited her studio where he posed for one of her portraits which was shortly afterward acquired by Harvard University. Often working in themes that intersected her identity, Lewis focused a series of marble sculptures based on Longfellow’s much-referenced
The Song of Hiawatha an artistic production, Longfellow ... omitted all that aspect of the Manabozho saga which considers the culture hero as a trickster," this despite the fact that Schoolcraft had already diligently avoided what he himself called "vulgarisms." In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about "The Song of Hiawatha": Apparently no connection, apart from name, exists between Longfellow's hero and the sixteenth-century Iroquois chief Hiawatha who co-founded the Iroquois League. Longfellow took the name from works by Schoolcraft, whom he acknowledged as his main source. In his notes to