The Song of Hiawatha between the original stories, as "reshaped by Schoolcraft," and the episodes in the poem are but superficial, and Longfellow omits important details essential to Ojibwe narrative construction, characterization, and theme. This is the case even with "Hiawatha’s Fishing," the episode closest to its source. Some important parts of the poem were more or less Longfellow's invention from fragments or his imagination. "The courtship of Hiawatha and Minnehaha, the least 'Indian' of any of the events in "Hiawatha", has come for many readers to stand as the typical American Indian tale." Also, "in exercising the function of selecting incidents to make
The Song of Hiawatha "Vision of Columbus" (1787) (rewritten and entitled "The Columbiad" in 1807), were considered derivative. Longfellow provided something entirely new, a vision of the continent's pre-European civilisation in a metre adapted from a Finnish, non-Indo-European source. Soon after the poem's publication, composers competed to set it to music. One of the first to tackle the poem was Emile Karst, whose cantata "Hiawatha" (1858) freely adapted and arranged texts of the poem. It was followed by Robert Stoepel's "Hiawatha: An Indian Symphony", a work in 14 movements that combined narration, solo arias, descriptive choruses and programmatic orchestral interludes. The composer consulted with